Save The Last Graph For Me

Neil Gaiman says his next book-signing tour will be his last – when he’ll travel in the U.S., U.K., and elsewhere promoting The Ocean at the End of the Lane, coming in June 2013. Gaiman last did a signing tour in 2005 and explained to readers of his blog the difficulty:

They’re exhausting, on a level that’s hard to believe. I love meeting people, but the sixth hour of signing, for people who have been standing in a line for seven hours, is no fun for anybody. (The last proper US signing I did, it lasted over 7 hours and I signed for over 1000 people. I’d suspect a lot of the signings on this tour will be like that, or bigger.)

In the same post, Gaiman shared details about another project due out this year, Fortunately The Milk:

This is quite possibly the most exciting adventure ever to be written about milk since Tolstoy’s epic novel War and Milk. Also it has aliens, pirates, dinosaurs and wumpires in it (but not the handsome, misunderstood kind), not to mention a Volcano God.

It contains passages like this:

“You are charged with breaking into people’s planets and redecorating them,” said a noble and imposing-looking Tyrannosaurus Rex. “And then with running away and doing it again somewhere else, over and over. You have committed crimes against the inhabitants of eighteen planets, and crimes against good taste.”

“What we did to Rigel Four was art!” argued a globby alien.

“Art? There are people on Rigel Four,” said an Ankylosaurus, “who have to look up, every night, at a moon with three huge plaster ducks flying across it.”

Tailor Twain

John King Tarpinian assures me that on this day in 1871 Mark Twain received a patent for suspenders.

I wonder if those were the famous suspenders of disbelief so necessary to fiction writers?

Here’s more detail about the patent from Time:

One of the first U.S. patents for suspenders was issued in 1871 to Samuel Clemens (better known as Mark Twain) for “Adjustable and Detachable Straps for Garments,” that attached to everything from underpants to women’s corsets and were designed as an alternative to suspenders, which Clemens reportedly found uncomfortable. Metal clasps were invented in 1894 so that suspenders could be clipped on rather than buttoned, meaning that pants no longer had to come with buttons sewn in the waist, as they commonly did at the time.

Stfnal Additions to National Film Registry

The Matrix and Rob Epstein’s documentary The Times of Harvey Milk are among 25 films being added to the Library of Congress’s National Film Registry.

The Matrix (1999) is well-known both for its science fiction story line and for innovative filmmaking techniques such as the multi-camera setup that dramatically displayed Neo dodging bullets.

The Harvey Milk documentary’s genre connection is indirect – sf author Frank Robinson was Milk’s speechwriter and one of his closest advisers. I don’t know whether Robinson is present in the background of any of the news footage utilized by the Epstein documentary. Robinson did have a cameo appearance in the feature film, Milk.

Since 1989 the National Film Registry has been selecting moving images that it considers important enough to be preserved by the Library of Congress as part of the nation’s permanent visual record.

Hertz: Loscon LoCs and LOLs

By John Hertz: Loscon is the L.A. local convention, held annually over U.S. Thanksgiving Day weekend. Loscon XXXIX was at the Int’l Airport (LAX) Marriott, 23-25 Nov; attendance 1,100; Art Show sales $8,500 by 45 artists.

Fan Guests of Honour were lovable Canadians Lloyd & Yvonne Penney, he known for letters of comment to seemingly every fanzine.

It was the Jack Benny Loscon. Fans of that great comic (not just alive while he was; do you read Sherlock Holmes? The Tale of Genji?) know his stage personality was always 39. This running gag was so strong that when eventually a 40th Birthday party was held for him, covered by radio and television, it didn’t stick, and within months everyone was joking again he was 39.

Benny, on stage a master of the straight face, in private life was known for cracking up. George Burns made him laugh so hard he had to get down on his knees and pound the floor.

And you thought I couldn’t do that title.

I moderated two panels about the Eaton Collection of s-f, U. Cal. at Riverside: on what it was and how to use it, in person, by paper mail, by its Website <eaton.ucr.edu>; on the treasure of the year, Jay Kay Klein’s photos, which went to Eaton at his death.

Klein was the photographer of science fiction. He shot fans and pros (and wouldn’t you like to –) everywhere. His photos were in Analog and Locus and con program books and Hugo ceremonies. He left 70,000; luckily, thanks partly to Alex Eisenstein and others who started reminding him in the 1970s, well indexed.

Melissa Conway the head of Special Collections including Eaton, and Julia Ree from Rivera Library where it lives, told stories, answered questions, and showed pictures. Ruth Jackson the University Librarian was in the audience. Conway had gotten to know Klein through this adventure, an amazing astounding fantastic man.

Chris Garcia in the audience noted that with constant computer changes “ephemeral” has a new meaning. I said a library was a time machine.

Friday night I had go off-site after Regency Dancing but I ate Keith Kato’s chili and saw Paul Turner in a dinner jacket. I had changed clothes by then so he was better dressed than I. He found Greg Benford and Larry Niven and got an autographed Bowl of Heaven. Mike Willmoth was genial at the Phoenix for ’14 NASFiC bid party.

Saturday afternoon, “Real Aliens” with David Brin, Niven, Phil Osborn, Philip Proctor, Jonathan Vos Post. Proctor in his years with the Firesign Theater had experiences, some alien. Osborn said he was an alien. Brin collecting the top theories (including “ain’t none”) called his new novel Existence. To some of them, if true, his answer would be “Send us your parents.”

On the Art Show desk was a Lego kit for Hayabusa, the heroic Japanese space probe that brought back asteroid dust. Selina Phanara brought colored-paper tiki gods, which sold. My favorite Mary Jane Jewell quilt, “Nap Time” with space ships strictly according to Hawaiian pattern, each ships’ porthole lit but one, is still over her fireplace so if you want to buy it you’d better ask her. Room was somehow found for Elizabeth Berrien’s wondrous wire sculpture.

In the Dealers’ Room, Alice Massoglia and I compared notes about the Leo & Diane Dillon exhibit at Chicon VII she’d helped with. In the hall, Dave McCarty said he didn’t know why his Hospitality Suite had no Jay’s potato chips. Ten years to learn.

At the Kansas City for ’16 Worldcon party Chaz Baden in a dinner jacket was clean-shaven 1930s style. Under a big sign The password is “goats” (the Pendergast faction of the time) he asked entrants if they knew the password. When they said no, he told them.

Helsinki for ’15 Worldcon chair Eemeli Aro had come himself and hosted the Helsinki party. He quite properly served Finn Crisps, chatting with people and handing out herring. Deirdre Saoirse Moen served mulled wine from a wooden tub. Jim Glass talked with me about s-f classics. Burroughs’ John Carter books, he said, have drama.

Sunday afternoon, “The Contract Between Reader and Writer”, Maria Alexander, Tim Powers, Mike Shepherd Moscoe. Powers said “As a writer I owe readers everything. As a reader I give no slack.” Shepherd Moscoe said, “What about being unpredictable?” From the audience, “What about ‘red herrings’?” I said, “I think we want to be fairly snookered.” Alexander said, “George Martin is making bank on killing people you like.” From the audience, he’s signaled all those people will die. Another, because Psycho changed focus Hitchcock made theaters turn away anyone coming late.

Chores, a little sleep, the Dead Dog Party. There was Kate Morgenstern whom I hope to see in more Masquerades, and plenty of conversation, and Roche & Trembley the ’13 Westercon chairs who’d been active party hosts, and Aro chatting with people and handing out herring.

Tolkien and the Hobbit

PBS’ Newshour marked the opening of The Hobbit by interviewing Jason Fisher, editor of Tolkien and the Study of his Sources: Critical Essays (a collection to which Diana contributed) —

How did language play into his creation of mythology?

Jason Fisher: Tolkien envisioned a whole series of different languages; languages spoken by elves, men and dwarves. Because he was actually trained in what would become historical linguistics, which was mainly called philology in his day, he was trained in how languages related to one another and changed over time. He attempted to mimic [that evolution] in his own creative world.

Tolkien’s interest in language led him to create languages, and he therefore wanted to create a mythology and a world in which those languages might have been spoken. For him it started with languages, with words, with names, and from those he created narratives and full stories.

Lynch Rides Again

Rich Lynch has posted the ninth issue of My Back Pages [PDF file] with another collection of his articles at eFanzines.com.

This issue covers Rich’s visit to the world’s largest Chinatown. Would you like to guess where that is?

There are also notes about “magnificent cathedrals, unusual wedding strategies, new kinds of metrics, expert craftsmanship, large sports trophies, tardy commuter buses, hotel lobbies, small fanzines, long road trips, un-dark skies, expensive food, cool breezes, spectacular views, scale models, tourist attractions, dangerous places, good beer, and many, many absent friends.”

Arthurs Breaks Arm

Just  three days after Bruce Arthurs finished his first sf short story since 2006 he fell and broke his arm. That’s going to slow his typing for awhile. Horrible timing. Bruce reports —

For whatever newsworthiness a mostly-inactive old fan has, I broke my arm Monday morning at my security guard job. Much as I’d like to report it got broken while I was defending the place from invading hordes of ninjas and zombies, in actuality I took a bad fall on a concrete sidewalk. The sidewalk won.

Broken on Monday, surgery on Tuesday, home Thursday night. Sling and PT for some weeks to come.

Also took a good hit to the face, barely noticeable compared to the pain from the arm, but producing a spectacular shiner. Will be posting photos to my blog….

When that happens, you’ll find the photos at Undulant Fever.