(1) LITERARY DIVE. Juliette
Wade and her Dive Into Worldbuilding team
Ratajski”. There’s a detailed synopsis you can read at the link, and a
video recording you can see on YouTube.
…We asked how writing a chapter every two weeks for an audience affects her writing process. It does put certain limits on her. She can’t revise anything that came before. She needs to give events a runway, wants to avoid writing a specific year when events occurred, etc. She has an outline, and she has an outline of how the characters should interact and grow over time. She also has a sense of how she wants the garden to develop, and what she wants the climax to look like.
Carrie [Caroline] described this as the “fanfic model of writing.” She used to write fanfic, so it works for her. The response of the audience buoys her. She says this has all the advantages of fanfic, and also The Secret Garden is out of copyright, so that saves a lot of trouble. Patreon is a good vehicle for serial storytelling. Carrie said she wasn’t reinventing anything. The original book was also a serial that was collected into a book. Carrie explained that she is not echoing the chapter structure, but following the narrative beats pretty closely. Lennox does meet her cousin in secret. She does have a somewhat combative relationship with her maid, though in the retelling, the maid is not Dickon’s sister.
(2) PRE-WEDDING ALBUM. Kurt
Erichsen, 2002 Rotsler Award winner, has published a collection of his strips
in Murphy’s Manor – the 30-Year Wedding.
Of all the cartoon projects I’ve drawn, by far the biggest is my LGBT comic strip, Murphy’s Manor. It was syndicated in local Gay and Lesbian newspapers from 1981 to 2008 – 1,183 comic strips total.
I’m happy to announce a new collection of Murphy’s Manor comic strips in a self-pub book, distributed through Amazon. The title is Murphy’s Manor – the 30-Year Wedding. It includes cartoons about gay relationships, ultimately leading to marriage, with or without approval of the government. All told, there are 120 comic strips: 98 from the strip’s original run, and 22 new ones. Front and back covers are in color; the interior comic strips are black and white.
In 2015 when John and I were able to get married legally, I decided to proceed with the book. It was slow going – can you believe it took me nearly 4 years to put it together?? Most of which was in production of the new cartoons. I used to produce 4 strips a month!
Click on this link: Murphy’s Manor – the 30 Year Wedding. I am also working on an eBook (Kindle) version. This is a new format for me, and working out all the kinks could take a bit of time. Hopefully not another four years.
The field of Tintin enthusiasts (in their most dedicated form, “Tintinologists”) includes some of the best-known modern artists in history. Roy Lichtenstein, he of the zoomed-in comic-book aesthetic, once made Tintin his subject, and Tintin’s creator Hergé, who cultivated a love for modern art from the 1960s onward, hung a suite of Lichtenstein prints in his office. As Andy Warhol once put it, “Hergé has influenced my work in the same way as Walt Disney. For me, Hergé was more than a comic strip artist.” And for Hergé, Warhol seems to have been more than a fashionable American painter: in 1979, Hergé commissioned Warhol to paint his portrait, and Warhol came up with a series of four images in a style reminiscent of the one he’d used to paint Jackie Onassis and Marilyn Monroe.
<ROLLEYES>. Dear Simon & Schuster, There is no such thing as a
Hugo Award for Best New Writer.
When LA-based screenwriter Todd Alcott isn’t writing for feature films, he’s working on his artistic side project. He merges his love of pulp fiction with music to create David Bowie-inspired vintage comic book covers.
Alcott uses pre-existing vintage paperbacks as his starting point, before digitally altering the text and parts of the image to create his mashup prints. These once loved, now tattered and worn books have been given a new lease on life, and Alcott has chosen no better subject to grace their covers than the equally beloved Starman. And best of all, Bowie’s fascination with sci-fi, his outlandish fashion, and his love of the antihero make him a natural fit as a graphic novel protagonist.
My wife often teases me about my being associated (married) with a woman who has attended an Oxbridge institution, is the daughter of a civil servant and eats avocado. A fruit that has become so closely associated with privileged millennials. To provide his wife with the foodstuffs she desires, working class Jim from Leeds has to creep into a supermarket, buy an avocado and escape from the store without been seen in the possession of this pompous fruit.
However, I now wonder whether I am reaching the stage where I must embrace the fact that I’m no longer Jim from the block and that I have reached that rather unnerving state of being that enables me to buy ridiculous fruit, not always worry about the price of things and enjoy gentle middle England humour. It’s a terrifying thought but maybe I should just relax and drown in the crocheted gentility of it all.
(7) D&D. In “How
Dungeons & Dragons somehow became more popular than ever”, Washington Post writer Gendy Alimurung discusses how Dungeons and Dragons has
evolved to attract Millennials, including finding other players through Meetup
groups, and having the fifth edition of the D&D manual in 2014 attract more
women by being less sexist (women’s strength is no longer always less than
men’sa nd no “sexist artwork–no more armored bikinis, no more monsters
with breasts, no more topless ladies (unless her character really, really calls
for it” that ensures that 38 percent of D&D players are now women.
(8) BOWEN OBIT. The English writer John Bowen (1924-2019) reportedly died April 18 at the age of 94. Matthew Davis sent this
Bowen wrote numerous offbeat thrillers (in a territory between Angus Wilson and Patricia Highsmith), and “After the Rain” (1958) is about an apocalyptic flood, but he has a small cult reputation in British fantasy and science fiction television. His 1970 TV play “Robin Redbreast” has been rediscovered and championed as a contemporary folk horror equal to “The Wicker Man”. He wrote half of the episodes of the outstanding 1971 Orwellian dystopian TV series “The Guardians”, and also contributed several fine ghost stories during the form’s 1970s TV heyday. Not Sfnal at all are the episodes he wrote of the TV mystery series “Hetty Wainthrop Investigates” – the original book was written by his partner David Cook
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 21, 1928 — Dee Hartford, 91. Miss Iceland, companion of Mister Freeze in two episodes of the Sixties Batman show. Also had appearances on Time Tunnel, Lost in Space, Land of The Giants, The Man from U.N.C.L.E., The Twilight Zone, The Outer Limits and The Alfred Hitchcock Hour. Yes, she was very pretty and that really counted in that time.
Born April 21, 1939 — John Bangsund, 80. Prominent Australian fan in the Sixties through Eighties. A major force with Andrew I. Porter behind Australia winning the right to host the 1975 Aussiecon, and he was Toastmaster at the Hugo Award ceremony at that convention.
Born April 21, 1945 — Takao Koyama, 74. Japanese anime scriptwriter. He is one of the most influential individuals in anime, due to his seminal scripts and his teaching of the next generation of writers. Works that he’s done scripts for which are available with subtitles include The Slayers, Dragon Ball Z and Spirit Hero Wataru.
Born April 21, 1954 — James Morrison, 65. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much remembered Space: Above and Beyond series. Starship Troopers without the politics. He also appeared as Warden Dwight Murphy in the third season of Twin Peaks. He’s got far too many one-off genre appearances to list here, so do your favorite.
Born April 21, 1965 — Fiona Kelleghan, 54. Author of the critical anthology The Savage Humanists In which she identifies a secular, satiric literary movement within the genre. She also did Mike Resnick: An Annotated Bibliography and Guide to His Work. A work in progress by her is Alfred Bester, Grand Master: An Annotated Bibliography.
Born April 21, 1979 — James McAvoy, 40. In the Frank Herbert’s Children of Dune series, he was Duke Leto II Atreides. Later roles included Mr. Tumnus in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Professor Charles Xavier in X-Men film franchise, Victor Frankensteinin Victor Frankenstein and Bill Denbrough in It – Chapter Two.
(10) COMICS SECTION.
Free Range has Scully and Mulder pursuing the truth about Easter.
So what’s up with the Goose the cat anyway? Unless you’ve followed the comics, the film may have lost you there when it introduced the flerken’s surprise powers and alien backstory. She’s not just Nick Fury’s soft spot; she’s a beast- literally! Read along for more information on Goose’s true comic origin and to find out just what the heck a flerken really is.
In a parody Facebook post from a few days back, the upstanding police officers of Trondheim, Norway proudly announced that they had apprehended the White Walker leader on grounds of animal cruelty and appalling rumors of wall destruction. These are obvious references to the villain’s actions in Season 7, where he killed one of Dany’s dragons (before turning it into an ice zombie) and destroyed The Wall, allowing his undead army to march into the territory of living humans.
“This particular post was meant to be funny; these kind of posts generate a lot of attention and new followers for us. That’s useful when we later ask for help i.e. solving crime or search for missing persons,” the Trondheim police told SYFY Wire in a statement. “Behind the mask is one of our younger officers, handpicked for the job.”
In addition, the post included photos of the Night King (dressed in an orange prison jumpsuit, of course) posing for a mugshot and being led into a solitary jail cell. The arresting officers, jokingly referred to as Trondheim’s night’s watchmen, also accused the Night King of turning once-fruitful regions into desolate wastelands.
(14) HUGO REVIEWS. Steve J. Wright has completed his Hugo Short Story Finalist
reviews (and they are excellent reviews, as usual).
This week’s books and more, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles…
Patricia Abbott: News of the World by Paulette Jiles
Barbara Barrett: The Edge of Tomorrow by Howard Fast
Joachim Boaz: New Worlds SF, April 1964, edited by John Carnel
John Boston: Amazing: Fact and Science Fiction Stories, May 1964, edited by Cele Goldsmith Lalli
Ben Boulden: “Hawksbill Station” (novella version) by Robert Silverberg
Brian Busby: The March of the White Guard by Gilbert Parker
Susanna Calkins: Death and the Joyful Woman by “Ellis Peters” (Edith Pargeter)
Martin Edwards: Marion aka Murder Off the Record by John Bingham
Peter Enfantino: (Proto-Marvel) Atlas Horror Comics, March 1952
Will Errickson: Dead White by Alan Ryan
José Ignacio Escribano: La berlina de Prim (“Prim’s Carriage”) by Ian Gibson
Curtis Evans: The Cases of Lieutenant Timothy Trant by “Q. Patrick” (Richard Webb and Hugh Wheeler); “Mrs. B’s Black Sheep” by “Q. Patrick”; Speaker of Mandarin by Ruth Rendell
Olman Feelyus: Frankincense and Murder by Baynard Kendrick
Paul Fraser: Astounding Science-Fiction, September 1943, edited by John W. Campbell, Jr.
John Grant: A Line of Blood by Ben McPherson
Aubrey Hamilton: The Dogs of War by Frederick Forsyth
Rich Horton: Take a Girl Like You by Kingsley Amis; The Story of Doctor Dolittle by Hugh Lofting; Reduction in Arms and The Barons of Behavior by Tom Purdom; Rachel Swirsky’s short fiction; The Stepsister Scheme by Jim C. Hines; Gene Wolfe, 1931-2019; Fandom Harvest and other fannish writing by Terry Carr
Jerry House: The Vanguard of Venus by Landell Bartlett; Eh!, November-December 1954 (Charlton Comics’ first imitation of Mad)
Kate Jackson: The Noonday Devil by Ursula Curtiss; Love Lies Bleeding by Edmund Crispin
Tracy K.: The Shortest Way to Hades by Sarah Caudwell; Entry Island by Peter May
Colman Keane: Deep Cover and Recoil by Brian Garfield
George Kelley: The Best of Li’l Abner by Al Capp
Joe Kenney: The Great God Now by Edward S. Hanlon; American Avenger #1: Beat a Distant Drum by “Robert Emmett” (Robert L. Waters)
Rob Kitchin: IQ by Joe Ide
B. V. Lawson: Death on Remand by “Michael Underwood” (John Michael Evelyn)
Evan Lewis: “The Ghost of Dutch Emil” and “Right Hook to Tokyo” by Ed Lacy (prose content in Rangers Comics August 1946 and December 1945 respectively)
Steve Lewis: “Murder, 1986” by P. D. James (Ellery Queen’s Mystery Magazine, October 1970, edited by Frederic Dannay); “A Madonna of the Machine” by Tanith Lee (Other Edens II edited by Christopher Evans and Robert Holdstock); Spit in the Ocean by Shelley Singer; “Long Shot” by Vernor Vinge (Analog Science Fiction/Science Fact, August 1972, edited by Ben Bova); The Saint in New York by Leslie Charteris; Spider-Woman, June 1978, written and illustrated by Marv Wolfman, Carmine Infantino and Tony DeZuniga; “Skin Deep” by Kristin Kathryn Rusch (Amazing Stories, January 1988, edited by Patrick Price)
Lawrence Maddox: the Assignment: novels by Edward S. Aarons
John F. Norris: Dangerous to Me by “Rae Foley” (Elinore Denniston)
John O’Neill: The Nightmare and Other Stories of Dark Fantasy by “Francis Stevens” (Gertrude Barrows Bennett)
Matt Paust: Smoke Detector by Eric Wright
James Reasoner: Captain Shark #2: Jaws of Death by “Richard Silver” (Kenneth Bulmer)
Richard Robinson: G Stands for Glory: The G-Man Stories by Norvell Page
Gerard Saylor: Directorate S by Steve Coll
Jack Seabrook and Peter Enfantino: DC War Comics, October 1974
Steven Silver: “Build Your Own A-Bomb and Wake Up the Neighborhood” by George W. Harper (Analog Science Fiction/Science Fact, April 1979, edited by Stanley Schmidt)
Victoria Silverwolf: Worlds of Tomorrow, April 1964, edited by Frederik Pohl
Dan Stumpf: The Screaming Mimi by Fredric Brown
Kevin Tipple: …A Dangerous Thing by Bill Crider, “TomCat”: The Complete Cases of Inspector Allhoff, V. 1 by D. L. Champion; “An Urban Legend Puzzle” by Rintaro Norizuki (translation by Beth Cary), Ellery Queen’s Mystery Magazine, January 2004, edited by Janet Hutchings; The 3-13 Murders by Thomas B. Black
(16) POWERS NOT USED FOR
NICENESS. The Boys premieres on Amazon July 26,
THE BOYS is an irreverent take on what happens when superheroes, who are as popular as celebrities, as influential as politicians and as revered as Gods, abuse their superpowers rather than use them for good. Subscribe to tvpromosdb on Youtube for more The Boys season 1 promos in HD!
[Thanks to JJ, Martin Morse Wooster, Bonnie McDaniel, Matthew Davis, Chip Hitchcock, Rich Lynch, Hampus Eckerman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Todd Mason, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip WIlliams.]
The Arthur Ellis Awards are not named
after a writer, but after the official pseudonym of Canada’s hangman and the
trophy is a jumping jack type wood figure on a gallows, which must certainly be
one of the more disturbing award trophies out there.
Ron Corbett, ECW Press,
the Heavens Fall by
Anne Emery ECW Press
Lisa Gabriele, Doubleday Canada
of the Blind by
Louise Penny, Minotaur Books
Girl in the Moss by
Loreth Anne White, Montlake Romance
FIRST CRIME NOVEL (Sponsored by Rakuten Kobo)
A.J. Devlin NeWest Press
Helen C. Escott, Flanker Press,
Beverley McLachlin, Simon & Schuster Canada
Was Rachel Murdered? By
Bill Prentice, Echo Road,
You in the Dark by
Nathan Ripley, Simon & Schuster Canada
CRIME NOVELLA – The Lou Allin Memorial Award,
B-Team: The Case of the Angry First Wife, by Melodie Campbell Orca Book Publishers
Water Hues by
Vicki Delany Orca Book Publishers
Among the Pines by
John Lawrence Reynolds Orca Book Publishers
CRIME SHORT STORY (Sponsored by Mystery Weekly Magazine)
Ship Called Pandora by
Melodie Campbell, Mystery Weekly Magazine
Power Man, Baby It’s Cold Outside by Therese Greenwood Coffin Hop Press
Phelan Ellery Queen Mystery Magazine
Linda L. Richards, Vancouver Noir, Akashic Books,
Sam Wiebe, Vancouver Noir, Akashic Books
CRIME BOOK IN FRENCH
dernier baiser avant de te tuer, by Jean-Philippe Bernié, Libre Expression
– Une enquête de Joseph Laflamme, by Hervé Gagnon Libre Expression
femmes aux yeux cernés by
André Jacques, Éditions Druide
coups de pied de trop,
by Guillaume Morissette , Guy Saint-Jean Éditeur
la beauté intérieure,
by Johanne Seymour, Expression noir
JUVENILE/YOUNG ADULT CRIME BOOK
Escape by Linwood Barclay, Puffin
House of One Thousand Eyes by
Michelle Barker, Annick Press
of the Wraith by
Kevin Sands, Aladdin
Ruinous Sweep by
Tim Wynne-Jones, Candlewick Press
Rumrunner’s Boy by
E.R. Yatscoff, TG & R Books
NONFICTION CRIME BOOK
for a Drink: How a Prohibition Preacher Got Away With Murder by Patrick Brode,
King of Con: How a Smooth-Talking Jersey Boy Made and Lost Billions, Baffled
the FBI, Eluded the Mob, and Lived to Tell the Crooked Tale by Thomas Giacomaro and
Natasha Stoynoff, BenBella Books, Inc,
Boy on the Bicycle: A Forgotten Case of Wrongful Conviction in Toronto by Nate Hendley, Five Rivers
by Milkshake: An Astonishing True Story of Adultery, Arsenic, and a Charismatic
Eve Lazarus, Arsenal Pulp Press,
Real Lolita: The Kidnapping of Sally Horner and the Novel that Scandalized the
Sarah Weinman, Alfred A. Knopf Canada
UNPUBLISHED MANUSCRIPT – aka The Unhanged Arthur (Sponsored by
Scarlet Cross by
for the Raven Darrow Woods, The Book of Answers by Heather McLeod,
2019 Derrick Murdoch Award recipient is Vicki Delany. The Derrick
Murdoch Award is a special achievement award for contributions to the
The prize was created to celebrate the very best in crime fiction
and is open to UK and Irish crime authors whose novels were published in
paperback from May 1, 2018 to April 30, 2019.
The Longlist in Full:
Snap by Belinda Bauer – Transworld
Louise Candlish – Simon & Schuster UK
Thirteen by Steve Cavanagh –
Ann Cleeves – Pan Macmillan
Is How It Ends by
Eva Dolan – Bloomsbury Publishing
by Sabine Durrant – Hodder & Stoughton
Dark Angel by
Elly Griffiths – Quercus
Mick Herron – John Murray Press
Val McDermid – Little, Brown Book Group
Liam McIlvanney – HarperCollins
Way of All Flesh by
Ambrose Parry – Canongate Books
of Hounslow by
Khurrum Rahman – HarperCollins
Kate Rhodes – Simon & Schuster UK
William Shaw – Quercus
Chalk Man by
C. J. Tudor – Penguin Random House
Seven Deaths of Evelyn Hardcastle by Stuart Turton – Bloomsbury Publishing
of a Scandal by
Sarah Vaughan – Simon & Schuster UK
Changeling by Matt
Wesolowski – Orenda Books
The winner is announced at the Theakston Old Peculier Crime
Writing Festival, hosted in Harrogate each July. The festival was co-founded in
2003 by Val McDermid, agent Jane Gregory, and arts charity Harrogate
(1) MIGNOGNA FILES SUIT. Anime News Network reported in January that a Twitter thread accused dub voice actor Vic Mignogna of homophobia, rude behavior, and making unwanted physical advances on female con-goers. He’s now filed suit claiming several individuals and a corporation have damaged his professional career.
This comes after a wave of misconduct accusations which resulted in Mignogna’s removal from Funimation’s The Morose Mononokean 2 and Rooster Teeth’s RWBY. Allegations first started to surface around the release of Dragon Ball Super: Broly, in which Mignogna voices the title character.
Mignogna is seeking “monetary relief over $1,000,000.00” in part due to Funimation no longer contracting him for future productions, as well as conventions canceling his appearances. Mignogna and his lawyer are also seeking “judgment against the Defendants for actual, consequential and punitive damages according to the claims … in amounts to be determined on final hearing, pre- and post-judgment interest at the highest rate permitted by law, and costs of court” in addition to “such other and further relief to which he may be justly or equitably entitled” and “general relief.”
Mignogna is represented by Ty Beard of Beard Harris Bullock Hughes in Tyler, Texas.
The lawsuit alleges that Sony executive Tammi Denbow told Mignogna in mid-January she was “investigating three allegations of sexual harassment against him,” and that on January 29 “Denbow and another Sony executive informed [Mignogna] that his employment with Funimation was terminated” following an investigation. Denbow is listed on LinkedIn as “Executive Director, Employee Relations at Sony Pictures Entertainment.” Sony Pictures Television Networksacquired a majority stake in FUNimation in October 2017.
The suit claims that “Ronald (a Funimation agent or employee) has tweeted more than 80 times that Vic sexually assaulted or assaulted Monica, more than 10 times that Vic sexually assaulted or assaulted three of his “very close friends,” more than 10 times that Vic has been accused of hundreds and possibly thousands of assaults, and at least 17 times that Vic is a “predator.” It also points to a number of tweets made by Rial and Marchi.
(2) BROAD UNIVERSE. Broad
Universe is “a nonprofit
international organization of women and men dedicated to celebrating and
promoting the work of women writers of science fiction, fantasy and horror.”
This is a heads-up on a problem related to Broad Universe participation in upcoming cons.
As you know, I organized the RavenCon RFR. When I submitted my invoice for the poster, BU Treasurer Marta Murvosh informed me that men weren’t allowed to read. This came as a complete shock, since I’ve been organizing RFRs—and submitting invoices for posters—for years. When I objected, Marta advised me that it would only be okay if the man depicted in the poster identified as non-cisgendered. Otherwise, he couldn’t read…but maybe he could moderate.
I said no. It was too late to change line-up. Moreover, it would have been grossly unfair to a member who prepared to read in good faith, with no prior warning that it was not allowed…
(The poster expense has been reimbursed, but the main controversy
is still under discussion.)
… It’s not right to ask them to host events that violate their anti-discrimination and anti-harassment policies. Likewise, I will not knowingly participate in or organize any event for an organization that practices discrimination or accepts money under false pretenses.
Finally, as an officer of BWAWA, I am obliged to inform to inform the cons that look to me to moderate their BU-related programming (Balticon, Dragon Con, Capclave and all BWAWA-associated events, such as the 2014 and 2018 World Fantasy Cons) of the potential liability issues created by BU’s current policies. Some of the women responding on the BU forum thought I was bluffing when I said this could cause a number of major cons to drop all BU events. It wasn’t a bluff, or a threat. It was a statement of fact. In the absence of a commitment to change the problematic policies before they have to go to print on program materials and signage, both Balticon and Dragon Con will drop all BU programming. In the absence of a policy by mid-summer, there will be no RFR at this year’s Capclave. It won’t even make the preliminary list of panel ideas.
Balticon reportedly has addressed the issue by keeping the
event and renaming it.
Jason Gilbert: I am the male member who was included in the Ravencon BU Rapid Fire Reading. I had a blast doing it, and enjoyed listening to my friends read. I was the only dude in the room. I thought my membership and the money I paid for that membership was my way of supporting women and the BU cause. Had I known that my membership was nothing more than a handout to an organization that excludes members from participating in BU events based on their gender, I would never have signed up or supported BU. I feel excluded, a little betrayed, and angry for my friends who are catching the heat and consequences for allowing me to participate. I am the other Co-Director of Programming at ConCarolinas, and I will also be reporting to the concom on the discriminatory practices of BU, as it directly violates the ConCarolinas anti-discrimination policy. I will also be canceling my membership, and will no longer support Broad Universe. Jean Marie Ward, I am sorry you are having to deal with this, and thank you for letting me read during the Broad Universe Rapid Fire Reading at Ravencon. I truly thought I was supporting an honest organization.
Morven Westfield: Please give the Motherboard a chance to find out what’s going on. I am saddened that the conventions dropped us without hearing the Motherboard’s side of the story, but I understand they probably want to err on the side of caution. Please give the Motherboard time to investigate this.
Someone recently commented (sorry, I’m reading too many things and can’t remember who said what) that bisexuals are endangered by the current policy of not letting men read. I’m not trying to stir anything up, but I am asking sincerely, how so? If a bisexual, pansexual, or asexual person identifies as female, she can read. It’s not sexual orientation, but gender. Remember that when Broad Universe formed, it was to help women overcome the problems they encountered in a male-dominated publishing industry because they were women, not because they had a different sexual orientation.
…To all who are reading this, let me reiterate what Inanna said. “The MotherBoard is not a bunch of fiendish con-artists who sit around chortling as we think up ways to cheat our members.” As I said before, I think it’s a communication error. In looking through my emails I found reference to a Broad Universe brochure we used in 2010 that said that only women would be allowed to read in RFRs. The wording was taken from our web page at that time. So something happened after 2010.
Also, it appears that Broads on the East Coast were still going by the 2010 and earlier policies (men not allowed to read), but other parts of the country were regularly allowing that, and it seemed like both halves were unaware what was going on. In other words, miscommunication.
Please bear with the Motherboard as they try to sort this out.
FANZINES. Edie Stern alerts Harlan Ellison fans to some new items at Fanac.org:
For those that are interested in Harlan’s early fannish career, Fanac has something nice for you today. We’ve uploaded 6 issues of his fanzine Science Fantasy from the early 1950s. Not only is there writing by Harlan, but by Bob Bloch, MZB, Dean Grennell, Algis Budrys, Bob Silverberg and more. Scanning by Joe Siclari. You can reach the index page at: http://fanac.org/fanzines/Harlan_Ellison/
(4) CHILDREN IN
PERIL. Fran Wilde makes a point about the parallels of life and fiction.
Thread starts here.
[Compiled by Cat
Born April 20, 1937 — George Takei, 82. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 80. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. My favorite works? Tamsin, Summerlong and In Calabria.
Born April 20, 1949 — John Ostrander, 70. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1949 — Jessica Lange, 70. Her very first role was Dwan in King Kong. Later genre roles are modest, Sandra Bloom Sr. in Big Fish and Constance Langdon / Elsa Mars / Fiona Goode / Sister Jude Martin in American Horror Story.
Born April 20, 1951 — Louise Jameson, 68. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles.
Born April 20, 1959 — Clint Howard, 60. So the most interesting connection that he has to the genre is playing Balok, the strange child like alien, in “The Corbomite Maneuver” which I remember clearly decades after last seeing it. Other than that, there’s very he’s done of a genre nature that’s even mildly interesting other than voicing Roo three in three Winnie-the-Pooh films.
Born April 20, 1959 — Carole E. Barrowman, 60. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology.
Born April 20, 1964 — Crispin Glover, 55. An American actor and director, Glover is known for portraying George McFly in Back to the Future, Willard Stiles in the Willard remake, Ilosovic Stayne/The Knave of Hearts in Alice in Wonderland, Grendel in Beowulf, Phil Wedmaier in Hot Tub Time Machine, and 6 in 9. He currently stars in American Gods as Mr. World, the god of globalization.
Born April 20, 1964 — Andy Serkis, 55. I admit that the list of characters that he has helped create is amazing: Gollum in The Lord of the Rings films and The Hobbit: An Unexpected Journey, King Kong in that film, Caesar in the Planet of the Apes reboot series. Captain Haddock / Sir Francis Haddock in The Adventures of Tintin (great film that was), and even Supreme Leader Snoke in The Force Awakens and The Last Jedi. Last year, he portrayed the character of Baloo in his self-directed film, Mowgli: Legend of the Jungle.
LONDON! The heart of the world of publishing. It was here that I would build my empire! I immediately set off to the zoo to visit the penguins. Strangely, they were untalkative and showed no sign of controlling a vast business of iconic paperbacks. They mainly waddled around an enclosure with excellent views of Regent Park…
If the BBC’s upcoming War of the Worlds TV adaptation wasn’t enough for you then buckle up, because a new project by Audible is bringing the works of novelist HG Wells to life with a series of star-studded audiobook adaptations.
Former Doctor Who star David Tennant is set to narrate alien invasion classic The War of the Worlds, while Oscar nominee Sophie Okonedo will tackle The Invisible Man.
Downton Abbey’s Hugh Bonneville will narrate The Time Machine, with Harry Potter and Star Trek: Discovery star Jason Isaacs lending his voice to The Island of Doctor Moreau and Versailles’ Alexander Vlahos reading The First Men in the Moon.
(8) THE LONG AND WINDING
ROAD. LROC graphs the movements
of the first astronauts on the surface of the Moon: “Apollo 11”.
Astronauts Neil Armstrong and “Buzz” Aldrin landed the Apollo 11 Lunar Module (LM) in Mare Tranquillitatis [0.67416 N, 23.47314 E], at 20:17:40 UTC 20 July 1969. They spent a total of 21.5 hours on the lunar surface, performing one Extra-Vehicular Activity (EVA) and collecting 21.5 kg of lunar samples. Astronaut Michael Collins orbited the Moon in the Lunar Command Module (LCM), awaiting the return of Armstrong and Aldrin from the surface. Apollo 11 was the first lunar landing, however it was the fifth manned Apollo mission, earlier missions laying the ground-work for Apollo 11.
(9) OUR POSITRONIC
PROSECUTORS. CrimeReads’ M.G.
Wheaton surveys sf’s attitudes towards artificial intelligence and suggests that
someday machines will make our lives better and won’t such be vehicles to crush
us or take our jobs. Or maybe not: “Why
We’ve Decided That The Machines Want to Kill Us”.
…While hardly the first filmic thinking machine to read the tea leaves and decide to either wipe out humanity (Terminator), subjugate it (The Matrix), or rid us of our freedom of thought (everything from Alphaville to any Borg episode of Star Trek: The Next Generation), Age of Ultron wins the prize for its antagonist coming to that conclusion the fastest.
So, why is this? Why does HAL 9000 decide the only way to complete his mission is to kill all the humans aboard his ship in 2001: A Space Odyssey? Why does Colossus, the titular super-computer from Colossus: The Forbin Project start out friendly then conclude the only way to end the Cold War is to seize all the nukes and demand subservience in return for not setting them off? Why as early as 1942 when Isaac Asimov laid down his Three Laws of Robotics did he feel the need to say in the very first one that robots must be programmed not to ever hurt humans as otherwise we’d be doomed?
I mean, are we really so bad?
Well, as we’re the ones writing all these stories, maybe it’s not the machines that find us so inferior….
Perhaps in response to Asimov’s rebuttal in 1980, he showed up in a Superman comic book at the end of that year in a story by Cary Bates (with artwork by Curt Swan and Frank Chiaramonte) in Superman #355. Here, Asimov is, instead, Asa Ezaak, and he is a bit of a condescending jerk to Lois Lane at a science conference….
…He plans on injecting himself with a special “potion” that gives him gravity powers! He is now Momentus!
‘The Museum of Classic Sci-Fi’ is a permanent exhibition, nestled in the historic, Northumberland village of Allendale. Situated beside the market place square, visitors will embark upon a nostalgic tour of some of the genre’s most influential imagery and themes. Featuring a substantial and eclectic collection of over 200 original screen-used props, costumes and production made artefacts; the museum tells the story of the Science-Fiction genre and acts a visual ‘episode guide’ to classic era ‘Doctor Who’. In addition, artist Neil Cole has produced unique paintings and sculptures, to enhance the impact of the presentations.It includes a “Doctor Who Gallery” –
Oh, Ein. Sweet, sweet Ein. Where would the Cowboy Bebop team (especially Edward) be without this data dog? This super-intelligent corgi has all the charm of a pup and all the computing power of a… well… a computer. He’s the best of all worlds.
Now we just have one question: Which lucky corg will play Ein in the upcoming live-action Cowboy Bebop?
[Thanks to John King
Tarpinian, Cat Eldridge, Hampus Eckerman, Mike Kennedy JJ, Martin Morse
Wooster, Chip Hitchcock, Michael Toman, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Darren Garrison.]
The 2019 Philip K. Dick Award was presented April 19 at
Norwescon 42 in SeaTac, Washington.
The winner is:
THEORY OF BASTARDS by Audrey Schulman (Europa
A Special Citation also was awarded to:
84K by Claire North (Orbit)
Philip K. Dick Award is presented annually with the support of the Philip K.
Dick Trust for distinguished science fiction published in paperback original
form in the United States during the previous calendar year.
The award is sponsored by the Philadelphia Science Fiction
Society and the Philip K. Dick Trust. The award ceremony is sponsored by the
Northwest Science Fiction Society.
The award judges were Madeline
Ashby, Brian Attebery, Christopher Brown, Rosemary Edghill, and Jason Hough
This latest episode of Eating the Fantastic — recorded at Mezcal Mexican restaurant in Owings Mills — quickly turns nostalgic, because guest Steve Stiles and I were the proverbial ships that passed in the night at mid-‘70s Marvel Comics. My first job there was as the associate editor for the company’s line of British reprint books, which was a department he only started working at the following year, once I’d already moved over to the Bullpen to work on the American originals.
Stiles may be best-known for the post-apocalyptic dinosaur-filled future of Xenozoic Tales, which he drew for eight years, but he’s also appeared in titles such as Death Rattle, Bizarre Sex, and Anarchy Comics for underground publishers like Kitchen Sink and Last Gasp. He’s also done kid-friendly work, though, like The Mighty Morphin Power Rangers and Royal Roy.
And so much more — like the fanzine art which has made him a 17-time nominee for the Hugo Award, with nominations spread over a 50-year period from 1967 to 2018, an award which he won in 2016.
We discussed what it was like to work at Marvel Comics in the mid-’70s, the ironic reason he no longer owns his Silver Age Marvels, the time he thought he’d gotten the gig to draw Dr. Strange (but really hadn’t), what it was like being taught by the great Burne Hogarth at the School of Visual Arts, his first professional art sale (and why it ended up hanging on Hugh Hefner’s wall), how his famed comic strip The Adventures Of Professor Thintwhistle And His Incredible Aether Flier was born, why he didn’t like being art-directed by Marie Severin, which current comics he keeps up with, what Robert Silverberg said to him when he won his first Hugo Award after 14 tries and 49 years, the phrase he most wants carved onto his gravestone, and much more.
‘Endgame’ will be goodbye to several characters, and as UCLA psychology professor Yalda Uhls notes: “Absolutely that can feel like real grief.”
“God, it seems like a thousand years ago,” Tony Stark (Robert Downey Jr.) says in the second trailer for Avengers: Endgame. “I fought my way out of that cave, became Iron Man…”
While it hasn’t quite been a thousand years, the final installment of the Marvel Cinematic Universe’s Infinity Saga represents an unprecedented moment in movie history, partly because some of the characters who have been a consistent presence in movie theaters since 2008 might retire, or even die.
And over time, those characters have started to feel like real friends to audiences.
In fantasy stories, like any stories, the stakes matter.
In 2012, writing for the now-defunct fan site SF Signal, Paul Weimer suggested a classification for such tales based on the relative size of what’s at stake, ranging from sagas in which only a city or smaller community is in peril to those where the whole universe hangs in the balance. Wherever a story lands on that scale, one thing remains crucial: The stakes have to feel real.
“Stakes are what the actions or inactions of the protagonist cause to happen, or fail to happen, depending on their success or failure,” Weimer wrote in “Stakes in Fantasy Novels: A Schemata of Classification.” “You can have multiple sets of stakes going on at one time, but you can look at a work of fantasy in terms the largest stakes, and use that to give an overall sense of the scale of the conflict in that book.”
Nollywood screenwriter and director Dimeji Ajibola recently released a 1-minute teaser of his upcoming dystopian movie, Ratnik. Impressed by the visual effects and dystopian locations, local publications waxed lyrical about the film. YNaija!called it “the dystopian action-thriller we deserve in 2019.” Ratnik deserves its early praise; it is an ambitious project and its visual effects are impressive.
For some, a sci-fi Nigerian movie is unheard of, but Ratnik is not the first time a Nollywood sci-fi film will generate this much buzz. Kajola—the last one that did—was an utter disappointment. The debut film of now Nollywood box office king, Niyi Akinmolayan, it was released in 2009 to much fanfare. Akinmolayan was tired of Nollywood filmmakers: “those yeye people that don’t know how to make cool stuff.” Young and naïve, he thought he would change Nollywood forever by making “the greatest Nigerian movie ever. It will be action/sci-fi with lots of effects and we are going to win an Oscar.”
(6) NOT DEAD YET. The Digital Antiquarian studies the
history of Activision in “An Unlikely Savior”.
Activision Blizzard is the largest game publisher in the Western world today, generating a staggering $7.5 billion in revenue every year. Along with the only slightly smaller behemoth Electronic Arts and a few Japanese competitors, Activision for all intents and purposes is the face of gaming as a mainstream, mass-media phenomenon. Even as the gaming intelligentsia looks askance at Activision for their unshakeable fixation on sequels and tried-and-true formulas, the general public just can’t seem to get enough Call of Duty, Guitar Hero, World of Warcraft, and Candy Crush Saga. Likewise, Bobby Kotick, who has sat in the CEO’s chair at Activision for over a quarter of a century now, is as hated by gamers of a certain progressive sensibility as he is loved by the investment community.
But Activision’s story could have — perhaps by all rights should have — gone very differently. When Kotick became CEO, the company was a shambling wreck that hadn’t been consistently profitable in almost a decade. Mismanagement combined with bad luck had driven it to the ragged edge of oblivion. What to a large degree saved Activision and made the world safe for World of Warcraft was, of all things, a defunct maker of text adventures which longtime readers of this ongoing history have gotten to know quite well. The fact that Infocom, the red-headed stepchild a previous Activision CEO had never wanted, is directly responsible for Activision’s continuing existence today is one of the strangest aspects of both companies’ stories….
1) The Cabinet of Dr. Caligari (1920) 2) Metropolis (1927) 3) Nosferatu (1922) 4) The Lost World (1925) 5) Häxan: Witchcraft Through the Ages (1922) 6) Aelita: Queen of Mars (1924) 7) A Trip to the Moon (1902) 8) The Phantom of the Opera (1925)
(8) FULL LID. Alasdair Stuart sends a link to The Full Lid with this introduction:
This week’s Full Lid features a look at the deeply fantastic zombie coming of age comedy musical Anna and the Apocalypse. Also this week, there’s a review of the first issue of the excellent new fantasy detective comic FairLady and a look at the first month of The SCP Archives, a new podcast bringing stories from the legendary wiki fiction experiment to life. The spotlight is James Davis Nicoll, there’s a photo of my word buckets and a short film from excellent Irish writer director Chris Brosnahan.
(9) NEW YORK SLICE. A
heartwarming story about George R.R. Martin. The thread begins here.
Geraldyn “Jerrie” M. Cobb, a noted aviation pioneer and fierce advocate for women flying into space, died March 18 at her home in Florida, her family has revealed. She was 88.
Cobb is perhaps most well-known for her participation in what became known as the “Mercury 13,” a group of 13 women who passed preliminary screening processes in 1960 and 1961 to determine their suitability as astronauts under the guidance of Dr. Randolph Lovelace. Cobb scored in the top 2 percent of all who had taken the battery of tests for candidates previously, including both women and men.
However, the privately funded effort was not officially sanctioned by NASA. A Netflix documentary about the experience, released in 2018, offered a clear verdict for why women were excluded from NASA in the space agency’s early days—”good old-fashioned prejudice,” as one of the participants said.
by Cat Eldridge.]
Born April 19, 1925 — Hugh O’Brian. His only meaningful genre involvement was being Harry Chamberlain in Rocketship X-M in which he was also the voice on the loudspeaker. He’d play the evil Hussein in Son of Ali Baba, and he was Richard Camalier in Doin’ Time on Planet Earth as well. He’d have one-offs appearances on shows such the Alfred Hitchcock Hour, and he had five different roles on Fantasy Island. (Died 2016.)
Born April 19, 1933 — W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’ Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
Born April 19, 1935 — Herman Zimmerman, 83. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he in that era worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
Born April 19, 1936 — Tom Purdom, 83. There’s very little on him on the web, so I’ll let Michael Swanwick speak to him: ‘How highly do I regard Tom’s fiction? So highly that I wrote the introduction to the collection — and I hate writing introductions. They’re a lot of work. But these stories deserve enormous praise, so I was glad to do it.’ He’s written five novels and has either one or two collections of his stories.
Born April 19, 1946 — Tim Curry, 73. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course is not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. (And yes, I adore RHPS.) And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
Born April 19, 1952 — Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
Born April 19, 1967 — Steven H Silver, 52. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times without winning. Ok, is that a record? He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. And he publishes his own fanzine, Argentus.
Born April 19, 1968 — Ashley Judd, 51. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well.
The source code of every Infocom text adventure game has been uploaded to code-sharing repository GitHub, allowing savvy programmers to examine and build upon some of the most beloved works of digital storytelling to date.
There are numerous repositories under the name historicalsource, each for a different game. Titles include, but are not limited to, The Hitchhiker’s Guide to the Galaxy, Planetfall, Shogun, and several Zork games—plus some more unusual inclusions like an incomplete version of Hitchhiker’s sequel The Restaurant at the End of the Universe, Infocom samplers, and an unreleased adaptation of James Cameron’s The Abyss.
[…] The games were written in the LISP-esque “Zork Implementation Language,” or ZIL, which you could be forgiven for not being intimately familiar with already. Fortunately, Scott also tweeted a link to a helpful manual for the language on archive.org.
(16) YTTERBIUM. A
fashion update from John Scalzi:
Sure, if you have the same color eyes as the Easter Bunny….
There is the possibility that the undead will win and destroy all life on Westeros, yes. But that is preferable to returning to life as chattel. If humanity has such a problem with extinction, maybe it shouldn’t have made life a living hell for so many.
There’s just one problem. The show that became famous for its willingness to kill off seemingly essential figures has grown less and less likely to do so. Even before Jon Snow came back from the dead, viewers had begun to develop a sense of which characters were essential to the series’ endgame, and thus impossible to kill off. You didn’t need Ramsay Bolton or even Littlefinger to tie up the story’s loose ends, but it’s impossible to imagine Dany or Jon getting axed for shock value. There was no chance the High Sparrow would dethrone Cersei for good or that Arya would fail the Faceless Men’s tests. The show’s core characters had acquired what fans call “plot armor,” which meant that any time the odds seemed truly hopeless, when they were backed against a wall and there seemed to be no way out, we knew the question wasn’t if they’d escape but only how.
Hunkered down in their hives and drunk on smoke, Notre Dame’s smallest official residents — some 180,000 bees — somehow managed to survive the inferno that consumed the cathedral’s ancient wooden roof.
Confounding officials who thought they had perished, the bees clung to life, protecting their queen.
“It’s a big day. I am so relieved. I saw satellite photos that showed the three hives didn’t burn,” Notre Dame beekeeper Nicolas Geant told The Associated Press on Friday.
“Instead of killing them, the CO2 (from smoke) makes them drunk, puts them to sleep,” he explained.
Geant has overseen the bees since 2013, when three hives were installed on the roof of the stone sacristy that joins the south end of the monument. The move was part of a Paris-wide initiative to boost declining bee numbers. Hives were also introduced above Paris’ gilded Opera.
(20) FELINE EFFECTS. Epic Cats presents a superpowered
Mike Kennedy, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, John
A Arkansawyer, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Kip Williams.]