By Steve Vertlieb: Just thinking about my dear friend and brother, James H. Burns, who left us on June 2nd, 2016. Jimmy was a wonderful writer, journalist, avid sports fan, and film historian. He was also my friend. No one could make me laugh like Jimmy could. He’d tell me endless stories about his interaction with actors and sports legends. We’d be on the phone for hours. Jimmy’s infinite joy for life was both passionate and infectious. I miss the sound of his voice, and the gift of his friendship every day. Rest well, Jimmy. Thank you for gracing my years with the sweet gift of you.
(1) DUBBED. The Daily Mail’s headline is apt: “The knight who says Ni! Actor Michael Palin receives his knighthood from Prince William in 50th anniversary year of Monty Python”.
Sir Michael Palin managed to suppress a joke when collecting the ‘unbelievable’ honour of a knighthood from the Duke of Cambridge for his post-Monty Python career.
The writer and broadcaster was dubbed a knight by William for services to travel, culture and geography, making him the first star of the sketch show to receive the honour.
(2) CHANGING FORMULAS IN STORYTELLING. In “Love isn’t what it was” on Aeon, graduate student Sophus Helle says that animated films Disney has released in this decade, including Brave, Frozen, Finding Dory, and Inside Out, show that in these films “the ideal of heterosexual romance has been replaced by a new ideal: family love. The happy ending of our most watched childhood stories is no longer a kiss.”
…It’s not just the word ‘love’ that has changed meaning over the past 10 years of Disney. The word ‘family’ has done the same. Neither Mother Gothel nor the fairy godmother of Maleficent are the biological parents of the films’ main characters, but they still end up taking emotional centre-stage because the actual biological parents are either cruel and psychotic, as in Maleficent, or distant and idealised, as in Tangled. Parenthood is determined by one’s emotional bonds. As a result, the very question of what counts as a ‘family’ in Disney has become more ambiguous and more modern.
(3) BOMBS AWAY. NPR’s Scott Tobias advises, “Erase The Awful ‘Men In Black: International’ From Your Mind”.
If Hollywood studios are content to cannibalize the vaults in search of new hits, the first thing they should remember is why the original films were hits in the first place. For all the bells and whistles that went along with the original 1997 Men in Black, with its cutting-edge alien effects, the reason it works is extremely old-fashioned, rooted in an effective cross-pollination between fish-out-of-water comedy and mismatched buddy comedy.
…There’s a lot of plotting in Men In Black: International, which makes room for a diabolical three-armed seductress (Rebecca Ferguson) and a compact weapon of planet-destroying power, but the more the story unfurls, the deeper the film sinks into quicksand. Director F. Gary Gray and his screenwriters, Art Marcum and Matt Holloway, have made the crucial mistake of believing the franchise needs complex world-building instead of streamlined comedy. Even if the events in the film made any kind of sense, they were never going to matter as much as the good time Hemsworth, Neeson and the two Thompsons are supposed to be showing us. And yet that’s where the emphasis lies.
The Boston Globe gives it 2.5/4 stars.
(4) FIRE TWO. NPR’s Andrew Lapin says “‘The Dead Don’t Die’ In Jarmusch’s Latest, But Your Patience Will”.
“This is going to end badly,” Adam Driver says, over and over with slight variations, in the new zombie comedy The Dead Don’t Die. It’s both the movie’s catchphrase and raison d’être. Things tend not to end well in general, because people have a habit of taking bad situations and making them worse, and there’s no reason to suspect that will change when the dead are rising from their graves and feasting on the bodies of the living. To the extent that the film has a joke, this is it: Humans mess everything up, and in the end probably aren’t worth saving.
All fair points. But does that sound fun to watch? Maybe it could have been, in another universe, with this exact cast and this exact director. Jim Jarmusch is a national treasure, after all, and he’s already proven himself a master of idiosyncratic, cracker-dry comedies that play with our love of dead or dying cultural icons, from Elvis to diners to samurai. But as The Dead Don’t Die smirks through its ironic corpse pile-up, dispatching a parade of beloved actors like rancid meat and playing the same original Sturgill Simpson tune on loop, it’s hard not to wonder if the joke is on us for watching it.
And the Boston Globe gives this one only 1.5 stars.
(5) THEY LOVE TOY STORY 4. But wait! BBC says this one’s getting good reviews — “Toy Story 4: What did the critics think?” Out today in the UK, the fourth (and supposedly final) instalment of Toy Story has been warmly welcomed.
Woody, Buzz and Jessie are returning nine years after they said goodbye to Andy and settled into their new home with Bonnie at the end of Toy Story 3.
The Hollywood Reporter’s Todd McCarthy said: “It’s now certain what one of the summer’s blockbusters will be.
“More than that, how many other film series can legitimately claim to have hit four home runs in a row?” he added.
Variety’s Peter Debruge said the movie gives “satisfying emotional closure”, adding that “the fourth movie wraps up the saga beautifully”.
He added the film “explores the idea of purgatory: What’s it like for a plaything to be ignored, overlooked or entirely unused?”
(6) WOODY ON TOUR. Tom Hanks went on Jimmy Kimmel Live! to promote the movie, and showed he didn’t think much of the heavy-handed guidance he was given by the marketing division: “Tom Hanks Shares Disney’s Strict Rules for ‘Toy Story 4’ Media Tour”.
Hanks also decided to poke more fun at the late-night host by reading a surprising note Disney gave him for any time he would make an appearance on Jimmy Kimmel Live! “When doing Kimmel, please do not mention the Academy Awards. What’s that about?” Hanks asked. After Kimmel questioned why they would add that note, the actor replied: “You got bounced, my friend!”
With fans anticipating the fourth installment of the popular franchise, Hanks celebrated Toy Story 4 for adding new talent in Tony Hale, Keanu Reeves and Carl Weathers. Though he’s starred as Woody since the original film, Hanks revealed that Toy Story 4 may be the best film in the franchise.
“I know it sounds ridiculous because I’m in it, but it’s one of the best movies I’ve ever seen in my life.”
Hanks also revealed that he didn’t know Weathers was in the film. “We never see each other. We maybe will run into each other when somebody’s session finishes and the other is waiting to go on, but at the premiere I saw Carl Weathers and I had to go shake the man’s hand because not only was he Apollo Creed, he was Action Jackson,” said Hanks.
(7) FAMILIAR VOICE. The new Maltin on Movies podcast brings us “Alan Tudyk”.
Alan Tudyk is a gifted actor and a familiar face who achieved cult status as a costar of Joss Whedon’s Firefly and its follow-up feature-film Serenity…but he’s also become the man of a thousand voices. If you’ve seen Wreck-it Ralph, Frozen, Big Hero 6, or even Rogue One: A Star Wars Story you’ve heard his facility with accents, dialects, and the ability to embody colorful characters. He also stars in one of Leonard and Jessie’s favorite unsung movies, Tucker and Dale Vs. Evil. Alan is only too happy to demonstrate his vocal talents during our hilarious interview. Angelenos can currently see him onstage in Mysterious Circumstances at the Geffen Playhouse in Westwood.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born June 14, 1908 — Stephen Tall aka Compton Crook. Stephen Tall was the most common pseudonym of American science fiction writer Compton Newby Crook. He wrote two novels, The Ramsgate Paradox (in his Stardust series) and The People Beyond the Wall. The Stardust Voyages collects the short stories in that series. The Compton Crook/Stephen Tall Memorial Award was established by the Baltimore Science Fiction Society in his name for best first novel in a given year. He is not available in digital form in either iBooks or Kindle. (Died 1981.)
- Born June 14, 1909 — Burl Ives. No, I’m not including because of being him voicing Sam the Snowman, narrator of Rudolph the Red-Nosed Reindeer in that film though I could argue it is genre. No, I’m including him because he was on The Night Gallery (“The Other Way Out” episode) and appeared in several comic SF films, Jules Verne’s Rocket to the Moon and Earthbound. He also appeared in The Bermuda Depths which is more of a horror film. (Died 1995.)
- Born June 14, 1914 — Ruthven Todd. Scottish author of mostly children’s books whose series The Space Cats begins with Space Cat and features a cat who stows away on a spaceship. He wrote several more conventional genre novels as well, Over the Mountain and The Lost Traveller. A Space Cats omnibusand The Lost Traveller are available at iBooks and Kindle. (Died 1978.)
- Born June 14, 1921 — William L. Hamling. He was a lifelong member of First Fandom. Editor of the Stardust fanzine in 1940, and Imagination and Imaginative Tales in the Fifties. He did the 1940 Chicon program book with Mark Reinsberg. And his Regency publishing concern in the Fifties would do paperback editions of Kurt Vonnegut, Robert Bloch and Philip José Farmer. (Died 2017.)
- Born June 14, 1949 — Harry Turtledove, 70. I wouldn’t know where to begin with him considering how many series he’s done. I’m fairly sure I first read novels in his Agent of Byzantium series and I know his Crosstime Traffic series was fun reading.
- Born June 14, 1972 — Adrian Tchaikovsky, 47. He is best known for his Shadows of the Apt series, and for Children of Time which won an Arthur C. Clarke Award. The After War series is multi author. He wrote the first, Redemption’s Blade, and Justina Robson wrote the second, Salvation’s Fire.
(9) THINKGEEK SALE. The ThinkGeek website is moving its business the main GameStop website, and they’re doing a 50% off sales-final sale on the whole site if you use the code MOVINGDAY. While supplies last, of course. As for the future —
Nope. On July 2nd, 2019, ThinkGeek.com will be moving in with our parent company GameStop. After this move, you will be able to shop a curated selection of unique items historically found on ThinkGeek.com via a ThinkGeek section at GameStop
Daniel Dern returns from a personal scouting expedition to say, “Alas, the Con Survival Bag of Holding is out of stock, and I don’t even see the class Bag of Holding (which had been revised/updated in the past year, although I haven’t yet seen it up close and personal).”
(10) TROJAN APP. According to NPR, “Spain’s Top Soccer League Fined For Using App To Spy On Fans In Fight To Curb Piracy”.
On Tuesday, Spain’s premier soccer league, La Liga, was hit with a 250,000-euro fine — about $280,000 — for using its mobile phone app to spy on millions of fans as part of a ploy to catch venues showing unlicensed broadcasts of professional matches.
The country’s data protection agency said the league’s app, which was marketed as a tool to track game scores, schedules, player rankings and other news, was also systematically accessing phones’ microphones and geolocation data to listen in on people’s surroundings during matches. When it detected that users were in bars, the app would record audio — much like Shazam — to determine if a game was being illegally shown at the venue.
(11) VENICE OF THE NORTH. Like they say, if it’s not Scottish, it’s… “Scotland’s crannogs are older than Stonehenge”
Archaeologists have discovered that some Scottish crannogs are thousands of years older than previously thought.
Crannogs were fortified settlements constructed on artificial islands in lochs.
It was thought they were first built in the Iron Age, a period that began around 800 BC.
But four Western Isles sites have been radiocarbon dated to about 3640-3360 BC in the Neolithic period – before the erection of Stonehenge’s stone circle.
(12) BUILT TO LAST. BBC asks “How to build something that lasts 10000 years”.
Alexander Rose and a team of engineers at The Long Now Foundation are building a clock in the Texan desert that will last for 10,000 years. He explains what he’s learnt about designing for extreme longevity.
…Over the last two decades, I have been working at The Long Now Foundation to build a monument-scale “10,000 Year Clock” as an icon to long-term thinking, with computer scientist Danny Hillis and a team of engineers. The idea is to create a provocation large enough in both scale and time that, when confronted by it, we have to engage our long-term future. One could imagine that if given only five years to solve an issue like climate change, it is very difficult to even know where to begin because the time scale is unreasonable. But if you reset the scale to 500 years, even the impossible can start to seem tractable.
Building a 10,000-year machine required diving into both history and the present to see how artefacts have lasted. While we can slow the workings of the clock itself down so that it only ticks as many times in 10,000 years as a watch does in a person’s lifetime, what about the materials and location? Over the last 20 years I have studied how other structures and systems have lasted over time, and visited as many of them as I can. Some sites have been conserved by simply being lost or buried, some have survived in plain sight by their sheer mass, others have had much more subtle strategies.
(13) URSA MINOR. In Mission: Unbearable, Kuma Bear is tasked with a Mission to SpikeCon.
(14) DOCTOR SLEEP. The official trailer has been released for Doctor Sleep, based on Stephen King’s sequel to The Shining.
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, Michael Toman, Cat Eldridge, JJ, Martin Morse Wooster, Carl Slaughter, Kevin Standlee, and Chip Hitchcock for some of these stories. Title credit belongs to File 770 contributing editor of the day Bruce Arthurs.]
Tim Powers has agreed to step in as Mythcon 50’s GOH Emeritus. John Crowley, scheduled to be the Author Guest of Honor, had to cancel his appearance for personal reasons.
Tim Powers, a science-fiction and fantasy writer who arguably is heir to the legacy of Charles Williams, has been Author GOH at Mythcon twice; in Berkeley at Mythcon 26 and at Mythcon 41 in Dallas, Texas. Powers has won three World Fantasy Awards, for his novels Last Call (1992) and Declare (2000), and his story collection The Bible Repairman and Other Stories (2012). He is a five-time nominee for the Mythopoeic Fantasy Award, winning in 1990 for The Stress of Her Regard.
For more information, click on 50th Mythopoeic Conference in San Diego, California, August 2-5, 2019.
Karl B. Kofoed will be Artist Guest of Honor for Loscon 46, to be held Thanksgiving Weekend (Nov. 29-Dec. 1) at the Marriott Los Angeles Airport Hotel.
Artists, authors, scientists, and fans from around the world will gather for parties, cosplay, and panel around the convention’s theme “Where Science Fiction Meets Fantasy”.
“Karl Kofoed is probably best known for his Galactic Geographic series that ran in Heavy Metal for many years, and his astonishing planet and starscapes that have adorned numerous book and magazine covers. Karl says this will be his first trip to Los Angeles in 60 years.” Matthew B. Tepper, Loscon 46 Chair said of the Pennsylvania-based artist.
Kofoed steps in for the original invitee who cannot make it for personal reasons.
Loscon’s guest of honor slate also includes award-winning speculative fiction writer Howard Waldrop (The Ugly Chickens, Night of the Cooters) and Edie Stern, a fan celebrated for her work at fanac.org, a Fan-history archive as well as other fan community activities around the world.
Hosted by the Los Angeles Science Fantasy Society, the world’s oldest continuously active science fiction and fantasy club (founded 1934), the 46th Loscon this family-friendly gathering includes program with diverse participants such as Steven Barnes, Harry Turtledove, Tananarive Due, Maya Kaathryn Bohnhoff, Tim Powers, and Larry Niven.
Loscon is hosted at the recently redesigned Los Angeles
Airport Marriott, located on Century Boulevard near Los Angeles International
Airport. Weekend memberships and room reservations are available at discounted
rates before the convention.
For updates, follow Loscon on Facebook, Twitter, and Instagram, and search for #Loscon.
Steve Davidson has unveiled these images of giant-sized cover artist collector cards, each one featuring one of Amazing Stories Volume 76 covers on the front and the artist’s picture and bio on the back.
They include the magazine’s special one-year anniversary (all-color edition) cover by Vincent Di Fate, which will be coming soon; it’s also the Volume 77, Number 1 cover.
Created as rewards for Amazing Stories’ Indiegogo campaign, they’ll be available for sale in the relatively near future (after issue 5 comes out in August/September).
By John Hertz: (reprinted from No Direction Home 15) Galaxy’s Edge, the new Land at Disneyland Park devoted to George Lucas’ Star Wars, has a Milk Stand that sells blue milk.
In the Star Wars story, it comes from banthas.
The Disney version is made of coconut and rice, served frozen.
But it reminds me of an adventure in my checkered youth.
I’d read Howard Fast’s 1959 novelette “The Martian Shop” (The Magazine of Fantasy & Science Fiction, November; Robert P. Mills was the editor then). I must have seen it in A Decade of Fantasy and Science Fiction (Mills ed. 1960), held in that public library yet today.
There was an active s-f community where I was living, but I didn’t find it and it didn’t find me. I was introduced to fandom years and miles later.
Just now I went and re-read “The Martian Shop”. It’s a gem. I recommend it to you. Howard Fast himself (1914-2003) is worth attention.
What if, I thought back then in those single-digit years, there was for fun here on Earth a make-believe exoplanetary restaurant presenting ingestible Earth substances in extraordinary ways?
Already my reach exceeded my grasp. Nor had I yet made wide enough acquaintance to have met and loved e.g. nattô (fermented soybeans), so strange that when I went to Japan, years and miles later, most of my Japanese friends recoiled from it, leaving it to me and Shirato Seiichi.
I did know hypotheses should be tested. What would be within my grasp? Milk was a daily food in that house. I studied a box of food-coloring bottles. What if I made up some blue milk? Not yet having heard sung “Do not ask your mother. Who do you think let the demons in?” I asked her. She said (I paraphrase) Have fun, dear.
Breakfast cereals were a daily food in that house. I put blue milk on mine and sat at table with everyone else. They recoiled. I went to the refrigerator and came back with a glass of blue milk. It stood at my place. I drank. Worse. I offered some to the rest. Oh, oh, oh.
Had I not been a child of that house — and, I confess, known — I’d have been ostracized. They’d have found ostraka even if they had to smash pots into sherds to get them. I tried to explain. “It’s just blue with food coloring,” I said. No.
Years and miles later a great enterprise — oops, wrong star — remember dialing Long Distance and hearing “What star are you calling?” in the Van Vogt story? — realized a pinnacle of strangeness would be blue milk.
I try not to think of vindication. Vindicators were the wretched bombers in Fail-Safe (E. Burdick & H. Wheeler, 1962). But still.
(1) SKIPPING OVER THE SAND. Judith Tarr tells why she’ll be passing on a Bene Gesserit tv series with an all-male creative team. Thread starts here.
(2) KAIJU-CON. On Saturday June 14, the Japanese American National Museum in Los Angeles is holding a one-day “Kaiju-Con”.
In conjunction with Kaiju vs Heroes, JANM is hosting a day-long Kaiju-Con that will include a vendor hall, workshops, panel discussions, and demonstrations all related to kaiju and Japanese toys. The day will culminate in a special free outdoor screening at 8:30 p.m., on JANM’s plaza of Mothra vs. Godzilla from 1964.
The museum’s exhibit “Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys” continues through July 7.
… After the war, the United States closely monitored the types of industries allowed to revive in Japan. The toy industry was one of the first to be enabled to reinvent itself, and the kaiju films and television shows helped fuel it. Additionally, the toy industry helped stimulate Japan’s economy during the early postwar reconstruction period. These new artistic and economic factors fused with kaiju and hero characters to set the stage for a golden age of Japanese popular culture—one that Nagata first became enamored with as a nine-year-old boy.
Nagata’s pursuit of these Japanese toys took him on an unexpected journey that brought new realizations about his cultural identity as an American of Japanese ancestry….
(3) DRAW YOUR OWN CONCLUSIONS. Gizmodo assures us that “Half the DNA on the NYC Subway Matches No Known Organism”.
The results of a massive new DNA sequencing project on the New York City subway have just been published. And yup, there’s a lot of bacteria on the subway—though we know most of it is harmless. What’s really important, though, is what we don’t know about it.
The PathoMap project, which involved sampling turnstiles, benches, and keypads at 466 stations, found 15,152 life-forms in total, half of which were bacterial. The Wall Street Journal has created a fun, interactive microbial map of the subway out of the data, showing where on the lines the bacteria “associated with” everything from mozzarella cheese to staph infections was found.
(4) GUNN RETROSPECTIVE. Dark Matter Zine is revisiting the work of the late Hugo-winning fanartist Ian Gunn: “Giant man-baby. A silly illo by Ian Gunn”.
Over the next few weeks we’ll be seeing some movie cliches that Ian Gunn drew. Today’s, obviously, is the giant man-baby walking in slow motion. Although the drawing is at least 20 years old but did Gunn foresee the Trump Baby resistance balloons, banners etc? I wonder if the giant Trump Baby acts in slow motion too?
(5) JUST A LITTLE SMACK. John Boston doesn’t pull his punches when he’s slugging the prozines of 1964 for Galactic Journey: “[June 12, 1964] RISING THROUGH THE MURK (the July 1964 Amazing)”.
Can it be . . . drifting up through the murk, like a forgotten suitcase floating up from an old shipwreck . . . a worthwhile issue of Amazing?
You certainly can’t tell by the cover, which is one of the ugliest jobs ever perpetrated by the usually talented Ed Emshwiller—misconceived, crudely executed, and it doesn’t help that the reproduction is just a bit off register.
(6) CLONE ARRANGER. ComicsBeat brings music to fans’ ears — “ORPHAN BLACK returns in new serialized novel and audio adaptation”.
The Clone Club is reconvening. Variety reports that Orphan Black, the hit BBC America sci-fi series that ended in 2017, is set to return as a serialized novel, with accompany audio narration, later this year. The new story is produced by publishing startup Serial Box, and will feature original series star Tatiana Maslany providing the audio narration.
(7) FLIP THE SCRIPT. Eater says the promotion is really quite simple: “Burger King’s New ‘Stranger Things’ Special Is Literally an Upside-Down Whopper”.
With the premiere of Stranger Things Season 3 just a few weeks away, Netflix and Burger King are teaming up for a fast food stunt that seems aimed at the die-hard fans, only: At 11 locations across the country, the chain is adding an “Upside Down Whopper” to the menu, which is literally just a Whopper served upside down. No special Demagorgon sauce, Eggo bun, or Hopper’s bacon crumbles. It’s just an inverted hamburger in Stranger Things-branded packaging.
The YouTube caption assures viewers —
pro tip: you can’t get eaten by something in the upside down if you’ve already eaten the upside down whopper. served upside down at select bk locations on June 21:
(8) MILES OBIT. Actress Sylvia Miles has died at the age of 94 reports the New York Times.
Sylvia Miles, who earned two Academy Award nominations (for “Midnight Cowboy” and “Farewell, My Lovely”) and decades of glowing reviews for her acting, died on Wednesday in Manhattan. She was 94.
Ms. Miles began her career as a stage actress; [she] was a witch in “A Chekhov Sketchbook” (1962). She described her character in the 1977 horror film “The Sentinel” as “a mad dead crazed German zombie lesbian ballet dancer.” Her other film roles included … Meryl Streep’s mother in “She-Devil” (1989).
Her final TV appearance was in 2008, on the series “Life on Mars.” Her last screen appearance was in “Old Monster,” a 2013 short based on the epic “Beowulf.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
- Born June 13, 1893 — Dorothy Sayers. ISFDB often surprises me and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957.)
- Born June 13, 1929 — Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar Galactica, Star Wars Holiday Special, Cocoon, Raiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-Terrestrial. (Died 2012.)
- Born June 13, 1943 — Malcolm McDowell, 76. My favorite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course, his most infamous role was Alex in A Clockwork Orange. Scary film, that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the Will Smith starred Wild Wild West film? Here is the same premise with John Hex instead.
- Born June 13, 1945 — Whitley Strieber, 74. I’ve decidedly mixed feelings about him. He’s written two rather good horror novels, The Wolfen which made a fantastic horror film and The Hunger. But I’m convinced that his book Communion about his encounter with aliens is an absolute crock.
- Born June 13, 1949 — Simon Callow, 70. English actor, musician, writer, and theatre director. So what’s he doing here? Well, he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the latter. How are they? He was The Duke of Sandringham in the first season of Outlander.
- Born June 13, 1953 — Tim Allen, 66. Jason Nesmith in the beloved Galaxy Quest, winning a much deserved Hugo Award for Best Dramatic Presentation. (What was running against it that year?) it actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in that film franchise.
- Born June 13, 1963 — Audrey Niffenegger, 56. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her. Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House.
- Born June 13, 1981 — Chris Evans, 38. Captain America in the Marvel film franchise. He had an earlier role as the Human Torch in the non-MCU Fantastic Four and Fantastic Four: Rise of the Silver Surfer. I think this makes him the only performer to play two major characters in either the DC or Marvel Universes.
(10) ROBOCOMICS. The New York Times looks at a marketing solution: “Like Comic Books? This Platform Picks Titles for You”.
Comic book fans have multiple digital options to choose from these days, with apps for independents, manga and political cartoons as well as libraries from giants like DC and Marvel. But the fractured nature of the business means readers have to visit several platforms to fill their needs.
Enter Graphite, a free digital service from Graphic Comics that begins Tuesday and hopes to put them all under one roof.
The impetus for the company was a simple one, said Michael Eng, Graphite’s chief executive: “There is no solution right now that serves comics in all its forms.”
The goal of the service is to offer digital comics from all formats, including the work of independent creators as well as major publishers, and make it all free. The content will include ads, but an ad-free service is available for a $4.99 monthly fee. Graphite also hopes to expand the audience of comics readers by offering material in 61 languages. But its biggest bet is on artificial intelligence, which will suggest content to readers based on their taste.
(11) HIDDEN NO MORE. BBC: “Hidden Figures: Nasa renames street after black female mathematicians”.
The street outside Nasa’s headquarters has been named “Hidden Figures Way”, in honour of three African-American women whose work helped pave the way for future generations at the space agency.
(12) A LARK IN THE VACUUM. The Atlantic’s Rebecca Boyle has her own estimate of “The True Price of Privatizing Space Travel”.
…NASA’s decision to open up the space station is in some ways a natural next step for space exploration. Earlier, earthbound vessels all experienced a similar transformation. Transoceanic ships, railroads, and airplanes spawned cottage industries to enable their spread and wide adoption, and each eventually reached the masses. And in widening access to space, NASA is actually behind the Russians, whose space agency has transported a few space tourists through a company called Space Adventures.
But space is different. Space, as they say, is hard. To get there, you have to strap yourself to a bomb, and sometimes those bombs malfunction.
Personal space exploration is also hard to justify….
…Handing tourists the keys to the ISS reflects a much broader shift in space exploration, one that prioritizes resource extraction and commercial profit over pure research and collective scientific efforts. It’s a step toward making space more mundane, a travel destination defined by money and vacations, rather than discovery and glory.
(13) ONE OF EVERYTHING. Joe Sherry does a fine job of tackling these finalists in “Reading the Hugos: Related Work” at Nerds of a Feather.
Related Work is a bit of a catch-all category. It’s for work that is primarily non fiction and that is related to science fiction and fantasy, and which is not otherwise eligible elsewhere on the ballot. This is how you can have an encyclopedia compete against a folk album against a podcast against a collection of essays about movies (this was in 2012 when the Fancast category had not yet been created. That particular lineup of finalists can’t happen today. You may also note that albums and songs have been included in Dramatic Presentation – because the two Clipping albums in question are narrative driven whereas Seanan McGuire’s Wicked Girls was not.). There may also be a single blog post competing and winning in the category. Or a series of blog posts focusing on the women of Harry Potter. In the case of this year there is a four way biography, a series of interviews, a three part documentary, a collected essay series about the Hugo Awards, a recognition of the work done by a website, and the experience of bringing together Mexicanx fans and creators to Worldcon. Related Work is an interesting cross section of another side of the genre and another side of fandom.
(14) HUGO NOVELLAS. James Reid continues his “Hugo Awards Extravaganza 2019 – Novella”.
I feel like this category has undergone a bit of a renaissance with digital publishing: when I was growing up, I thought of Novellas as either the anchor of a short story collection, 1 or works that flesh out a larger series.2 Without the pressure of meeting mass market paperback length however, novellas can be sold as free standing works, which then can lead to series of novellas. Fully half the slate fall into this category,3 and not only are they sequels, but they are sequels to previous nominated works.
In all three of these series, I liked the original novella,4 but the two sequels that were in the ballot last year, Binti: Home and Down Among the Sticks and Bones were both marked by precipitous drops in quality. Given this, my big questions going into the ballot this year are can Artificial Condition avoid this sophomore slump, and can either of the threequels pull out of their series nosedives?
(15) CANNED. “Star Wars’ Mark Hamill Reveals He Got Fired From Jack in the Box for Doing a Clown Voice” – Comicbook.com has the story.
Star Wars icon Mark Hamill is still full of stories that will surprise and delight fans – as he recently proved during an appearance on The Late Show with James Corden. Corden and Hamill were talking about the road to fame (and all the detours it an take); when they got to the topic of Hamill having worked as a waiter (like so many struggling actors), we got this great anecdote:
“I tried. I always was trying to find the theatrical aspect of it. You know, I worked right down the street at Jack in the Box. And I was in the back all the time, making shakes and minding the grill, and I always aspired to work the window… The one chance I had at it, it never occurred to me not to be in character as the clown, as the Jack in the Box clown! Who would want to hear [Robot voice] ‘What is your order?’ I wanted to hear [Clown voice] ‘Whats your orderrrrrrrrrr?” My manager didn’t think it was very funny: He told me to go home and never come back. I got fired! Fired for being in character! Why you… [Shakes fist] I’ll show you: One day I will be The Joker and then you’ll be sorry!”
(16) BIG FAMILY IS WATCHING. [Item by Jonathan Cowie.] Nature notes some past fiction has become science fact with the rise of the surveillance state — “Eyed up: the state of surveillance”
In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following. It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created…
This is the basis for the new book Eyes in the Sky: The Secret Rise of Gorgon Stare and How It Will Watch Us All by Arthur Holland Michel (Houghton Mifflin Harcourt, 2019).
(17) A SEMI-MOVING PICTURE. Mike Kennedy sent the link with an observation – “I was not aware we needed this”: “‘Playmobil: The Movie’: Film Review” in The Hollywood Reporter.
Once they’re transformed into animated characters, Charlie soon winds up prisoner in a Gladiator-like kingdom ruled by the evil Emperor Maximums (Adam Lambert), prompting Marla to team up with a hipster food truck driver (Jim Gaffigan, providing vague comic relief) and a ridiculous secret agent (Daniel Radcliffe) to get her bro back. Along the way, she runs into tons of other merchandise, although it’s uncertain at this point whether the figure of Glinara (Maddie Taylor) — basically a female Jabba the Hut decked out in a sleeveless leather dress — was something already made by Playmobil or a creature the filmmakers invented for the hell of it.
Otherwise, everything goes exactly where you expect, from the live-action scenes bookending the cartoon to the nonstop chases and thundering soundtrack to all the attempts at humor that mostly miss their mark. To the director’s credit, the animated sequences are richly rendered, making the most of the rather stiff and plain-looking originals (though, if you want to get nitpicky, an early gag poking fun at the fact that Playmobil legs are unbendable is soon forgotten) and offering up a plethora of settings that help compensate for the lack of good writing.
[Thanks to Mike Kennedy, Martin Morse Wooster, ULTRAGOTHA, John King Tarpinian, JJ, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, the reference detecting Randall M.]
Black Gate’s John O’Neill posted this photo of his cat Jasmine with the question:
Taken two years ago. Am I the only guy with a cat who wants to be a Shakespearean actor?
Photos of other cats (or whatever you’ve got!) resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
A number of Hugo nominees are working to crowdfund their passage to the Dublin 2019 Worldcon. Here are the ones we know about so far —
Best Related Work
- Libia Brenda (MexicanX Initiative) – Help Libia Brenda go to Worldcon
- Jen Zink (@LoopdiLou) (The Skiffy and Fanty Show)
- Shaun Duke (The Skiffy and Fanty Show)
- Michi Trota (@GeekMelange) (Uncanny Magazine)
- Brandon O’Brien (FIYAH Magazine)
- FIYAH Magazine’s fundraiser (They’re trying to get their whole team together for the first time in Atlanta, and watch the Hugos together):
Best Editor, Short Form:
- Julia Rios — I’m a Hugo Award finalist! Also, I am short on cash!
[Thanks to ULTRAGOTHA for the story.]
(1) MCFARLAND ANNIVERSARY SALE. The late Fred Patten’s Furry Tales (finished in summer 2018) is available for preorder from McFarland Books.
Fans will also be interested to discover that McFarland Books is celebrating their 40th anniversary by offering all their books at a 25% discount through June 30. Use the code —
We’re turning 40, and we’re celebrating with a special fortieth anniversary sale! Through June 30, get a 25% discount on ALL books when you use the code ANN2019. Thank you for supporting our first 40 years—we look forward to celebrating many more birthdays with you.
(2) SCOFFERS. The Guardian rejects the implicit coolness of this idea: “Spielberg After Dark: will a horror show that can only be watched at night be scarier?”
Right, now I get it. A horror series that you can only watch in total darkness. Well, not total darkness, because electric lights exist now, remember.
So it is a horror series that you can watch in the brightest surroundings imaginable? Yes, but only if the sun has set outside.
I still don’t see the point. I don’t expect you to. This is cutting edge. Spielberg After Dark has untapped a brand-new way of watching TV. This might only be the start.
How so? Well, if the technology exists to prevent you from watching something until a certain time of day, think of the potential. Maybe the next big show after Spielberg After Dark will be Spielberg First Thing in the Morning.
Or Spielberg on a Thursday Lunchtime. Why not go even further? Why not have a show that can’t be watched until you’re at a specific location? Spielberg in Gloucestershire, maybe.
(3) THAT MIGHTY BRAIN THING. Eneasz Brodski ponders whether “Consciousness required for Culture?” at Death Is Bad.
…And considering how expensive it is, it must be a massive benefit just to survive. And yet, not only has it survived, it’s taken over the planet. And still we cannot discern any survival advantage that consciousness gives us. It seems to cost a ton with literally no benefit.
(aside: this is the reason we regularly see Science Fiction with advanced non-conscious aliens. It seems intuitively obvious that a non-conscious species would have a huge advantage over a conscious one, and contact with one would lead to our quick extinction. This is also how the Harrises fell into the “the answer must be that consciousness is a fundamental property of physics” trap.)
By coincidence, at about this same time Scott Alexander posted his review of “The Secret of Our Success”. A truly fantastic book which argues, in short, that our species survives and thrives due not to our individual intellect and reasoning ability (which isn’t even up to the job of keeping us from starving to death in a friendly environment overflowing with natural resources and food), but due to the creation and transmission of cultural knowledge. Read Scott’s review at the very least, and pick up the book if you can, you won’t regret it.
Wherein it occurred to me – perhaps consciousness it necessary for culture….
(4) MARVEL AT DISNEYLAND. The LA Times follows the paperwork and discovers “With Star Wars expansion open, Disney gets permits to launch Marvel land”.
The Disneyland Resort has moved full steam ahead on building next year’s planned expansion, a land at California Adventure Park themed for the superheroes of Marvel comics and movies.
The city of Anaheim has approved a handful of building permits for projects such as a bathroom overhaul, a retail outlet, a microbrewery, a character meet-and-greet area, plus improvements to behind-the-scenes buildings
The construction permits assess the value of the work so far at more than $14 million.
One of the permits, approved Wednesday, allows for a 2,071-square-foot merchandise outlet, with three attached canopies. In comparison, the average home in the Western U.S. is 1,800 square feet, according to census data.
(5) INTERNATIONAL DUBLIN LITERARY AWARD. US author Emily Ruskovich has won the 2019 International DUBLIN Literary Award for her novel, Idaho. The non-genre work topped a 10-title shortlist that included George Saunders’ Lincoln in the Bardo, and Moshin Hamid’s Exit West.
(6) REFROZEN. Check out the official trailer for Frozen 2, and see the film in theaters November 22.
Why was Elsa born with magical powers? The answer is calling her and threatening her kingdom. Together with Anna, Kristoff, Olaf and Sven, she’ll set out on a dangerous but remarkable journey. In “Frozen,” Elsa feared her powers were too much for the world. In “Frozen 2,” she must hope they are enough.
(7) REVENGE. James Davis Nicoll has something to say about another dish best served cold: “SFF Stories Of Revenge and Forbearance (But Mostly Revenge)” at Tor.com.
On the whole, society works better if people choose forbearance. But revenge gives ever so much more opportunity for drama. Guess which option science fiction and fantasy authors seem to prefer?
(8) TIMELESS TALES. At CrimeReads, Sandra Ireland tries to work out an answer to her question “Are Crime Thrillers Our New Folklore?”
…In The Lore of Scotland: A Guide to Scottish Legends (Arrow Books, 2011), Sophie Kingshill describes folk tales as a way of personifying the forces of nature, a way of helping people understand the world and giving them some control over their surroundings and circumstances.
Are crime thrillers our new folklore?
It’s my belief that today’s readers want the same things from a story as their ancestors did, long before the invention of the written word. Huddled around a fire in a dark cave, our forebears must have thrilled to tales of light and dark, of good and evil, of life and death. Such things lie beyond the safe circle of the firelight. Who knows what dwells out there, in the dark? Humans are capricious. We enjoy being afraid when the threat is only in our imaginations…
(9) BRADBURY IN ’85. Tom Zimberoff remembers “Photographing Ray Bradbury” as Captan Ahab. (Terrific photo at the link.)
…Ray Bradbury wanted to be portrayed as his all-time favorite character from the canon of American literature: Captain Ahab from Herman Melville’s Moby Dick. By the way, Bradbury wrote the screenplay for John Huston’s adaptation of Melville’s novel on the silver screen, featuring Gregory Peck cast as Ahab. Ray thought he could do a better job.
If the harpoon doesn’t look exactly true to form, it’s because my stylist, Shari Geffen, and I had less than a day to come up with all of the props we would need to make Ray up like Ahab. But Shari was a genius. She made a reasonable facsimile of a harpoon out of found material and got the rest of the props and costume from, I think, Western Costume, a rental company catering to the movie and television industries in Hollywood. Lisa-Ann Pedrianna, our makeup artist, painted a collodion scar wickedly down the side of Ray’s face and attached the beard.
Being part whale himself, with his prothesis fashioned from the jaw of another sperm whale, to replace the leg that Moby Dick chomped off, and mythically sanctified by fire when a lightning bolt struck his face (rumored to run down the length of his body), Ahab was nuts.
…The whalebone peg leg required Ray to endure having his ankle cinched up behind his back and tied with a rope around his waist. No Photoshop in those days. He stood that way for several hours! Then, to show off to his wife, he hopped into a cab?—?literally, of course?—?and rode home that way. The cabbie returned the costume and the peg leg the next day.
(10) HOLLYWOOD GOSSIP. Nerdrotic says these are the questions that match its answers: “Star Trek Discovery’s Kurtzman Out? Picard Testing Poorly?”
Rumors keep coming in from behind the scenes at CBS’ Star Trek Discovery and Star Trek Picard. We have heard Netflix rejected Picard and now we hear the test screenings are being received poorly. Star Trek Discovery season 3 may be in question and on top of all of this my insider tells me CBS is done with Alex Kurtzman.
(11) TODAY IN HISTORY.
- June 12, 1987 — Predator was released on this day.
- June 12, 2012 — Ray Bradbury’s Kaleidoscope was released
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born June 12, 1924 — Frank Kelly. All of his short fiction was written in the Thirties for Astounding Science Fiction and Wonder Stories. The stories remained uncollected until they were published as Starship Invincible: Science Fiction Stories of the 30s. He continues to be remembered in Fandom and was inducted into the First Fandom Hall of Fame in 1996. Starship Invincible is not available in digital form. (Died 2010.)
- Born June 12, 1930 — Jim Nabors. Fum on The Lost Saucer, a mid-Sixties series that lasted sixteen episodes about two friendly time-travelling androids from the year 2369 named Fi (Ruth Buzzi) and Fum (Jim Nabors) who land their UFO on Earth. (Died 2017.)
- Born June 12, 1940 — Mary Turzillo, 79. Best known for her short stories of which she has written over forty. She won the Nebula Award for Best Novelette for her story “Mars is No Place for Children”. She has written several books of criticism under the name Mary T. Brizzi including the Reader’s Guide to Philip José Farmer and the Reader’s Guide to Anne McCaffrey. There’s an Analog interview with her here.
- Born June 12, 1948 — Len Wein. Writer and editor best known for co-creating (with Bernie Wrightson) Swamp Thing and co-creating Wolverine (with Roy Thomas and John Romita Sr.) and for helping revive the the X-Men. He edited Watchmen which must have been interesting. He’s a member of the Will Eisner Award Hall of Fame. (Died 2017.)
- Born June 12, 1953 — Tess Gerritsen, 66. ISFDB lists her as genre so I’ll include her even though I’m ambivalent on her being so. They’ve got one novel from the Jane Rizzoli series, The Mephisto Club, and three stand-alone novels (Gravity, Playing with Fire and The Bone Garden). All save Gravity couldbe considered conventional thrillers devoid of genre elements.
- Born June 12, 1964 — Dave Stone, 55. Writer of media tie-ins including quite a few in the Doctor Who universe which contains the Professor Bernice Summerfield stories, and Judge Dredd as well. He has only the Pandora Delbane series ongoing, plus the Golgotha Run novel, and a handful of short fiction.
- Born June 12, 1968 — Marcel Theroux, 51. Author of The Confessions of Mycroft Holmes: A Paper Chase, and his Strange Bodies novel won a John W. Campbell Memorial Award. His Far North is a sf novel set in the Siberian taiga. Yes, that’s a novel I want to read.
- Born June 12, 1970 — Claudia Gray, 49. She’s best known for her Evernight series, but has several more series as well, including the Spellcaster series and the Constellation Trilogy. In addition, she’s written a number of Star Wars novels — Star Wars: Lost Stars, Star Wars: Bloodline, Leia, Princess of Alderaan and Star Wars: Master and Aprentice.
(13) COMICS SECTION.
- Chip Hitchcock says, “I’m with Arlo.”
- Bizarro remembers the labors of Hercules fils.
- The Hogwart’s board is a hard sell at Rhymes with Orange.
(14) (DONUT) HOLE IN SPACE. Popsugar says “Disney’s New Star Wars Doughnuts Are So Cool, They’d Make Kylo Ren Crack a Smile”.
The release of these X-Wing and R2D2-inspired snacks is perfectly timed with the opening of Star Wars: Galaxy’s Edge in Disneyland. The Force is far-reaching with these! Get an intergalatic sugar rush before you set out for the day or satisfy your sweet tooth as you’re heading home. Do or doughnut, there is no try.
(15) THE COW JUMPED. This is nothing like one of Van Vogt’s “wheels within wheels” stories, although it does involve a wheel that went to orbit, as Gastro Obscura reminds readers in “SpaceX Space Cheese”.
…In 2010, the rocket venture formally known as Space Exploration Technologies Corp. announced a “secret payload” aboard the maiden flight of their Dragon spacecraft. Fearing the secret cheese would distract press from the actual point of the mission, Musk refrained from revealing anything about it until the project was completed.
The Dragon’s mission marked the first time a space capsule developed by a private company was launched into orbit and successfully returned to Earth. In a feat previously accomplished by only six government space agencies, the cone-shaped capsule reentered the atmosphere and emerged from its Pacific Ocean splashdown intact. Only then did Musk reveal that a wheel of Le Brouère had hitched a ride, circling Earth twice on its journey.
Chris Rose says, “I wish I could find somewhere to buy it, but if someone’s near Hawthorne CA I’d love to get a report. Maybe Scott Edelman can eat the sciffy?”
(16) DEADLY CREDENTIALS. Assassin’s Kittens – the fluffy hazard of the Assassin’s Creed! (From 2014.)
(17) KEEP THOSE HUGO REVIEWS COMING.
- James Reid: “Hugo Awards Extravaganza 2019 – Novelette”
- Garik16: “Reviewing the 2019 Hugo Nominees: The John W Campbell Award for Best New Writer”
(18) AND RETROS, TOO. Steve J. Wright has completed his Retro Hugo Short Story Finalist reviews.
- “Death Sentence,” by Isaac Asimov
- “Doorway into Time,” by C.L. Moore
- “Exile,” by Edmond Hamilton
- “King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury
- “Q.U.R.,” by H.H. Holmes (Anthony Boucher)
- “Yours Truly – Jack the Ripper,” by Robert Bloch
Evelyn Leeper also delivers reviews of the Retro-Hugo short story finalists, but precedes them with remarks about the burden on dedicated Hugo voters:
Before I start, though, I have some general comments. There are too many categories and/or too many finalists in each category. And having a Retro Hugo ballot in a given year makes this totally ludicrous.
The Hugo voting method works best (or perhaps works only at all) when the voter ranks every finalist in a given category. Currently this means that a voter needs to read six novels, six novellas, six novelettes, and six short stories to vote on just the fiction categories. Oh, wait, there are also six series. Actually, that category alone is impossible for most voters–certainly impossible in the time between when the finalists are announced and when the ballots are due.
(19) MOON SHOT. “Chandrayaan-2: India unveils spacecraft for second Moon mission” –BBC has the story.
India’s space agency has unveiled its spacecraft that it hopes to land on the Moon by September.
If successful, India will be the fourth country to achieve a soft landing on the Moon, following the US, the former Soviet Union and China.
…This mission will focus on the lunar’s surface and gather data on water, minerals and rock formations.
The new spacecraft will have a lander, an orbiter and rover.
…If all goes according to plan, the lander and rover will touch down near the lunar south pole in September. If successful, it would be the first ever spacecraft to land in that region.
(20) TRUNK MANUSCRIPT. Architectural Digest considers the possibility that “Parks of the Future May Include Elevated Walkways Through Trees”. (From 2017.)
…The firm’s plan for Parkorman, a space located six miles north of Istanbul’s bustling city center, is a series of several different zones that come together in creating an experience that would otherwise not be possible in traditional, densely packed spaces. First, at the park’s entrance, is the Plaza. Here, visitors can easily gather, sit, or lie down on the lawn, much like a traditional park. From there the environment opens to a segment dubbed ‘The Loop,’ where visitors can enjoy a series of swings and hammocks situated above the park floor. ‘The Chords,’ another area on the grounds, invites people to wander through a footpath that twists around tree trunks, giving the park a signature look unique from any other public park in the world. “The initial idea with ‘The Chords’ was to make it possible to experience nature in ways we don’t typically have,” says Dror Benshetrit, head of the firm that bears his name. “The elevated pathway creates a new interaction with trees at different latitudes.”
(21) KRYPTIC IDEA. Ethan Alter, in the Yahoo! Entertainment story “Brendan Fraser remembers the time he auditioned to play Superman: ‘You feel kind of invincible'”, says that Fraser recalled testing for Superman: Flyby around a 2004, a J.J. Abrams project that ultimately morphed into Superman Returns. He chats about putting on the super-suit and how much he enjoyed doing it even though the film was never greenlit.
Fraser also remembers really loving Abrams’s script, which imagined a world in which Krypton didn’t explode. Instead, young Kal-El is sent to Earth by his father, Jor-El, to avoid a raging civil war on his homeworld. Once he grows up into Superman, his adopted planet is then visited by a group of war-mongering Kryptonians — led by his cousin Ty-Zor — who kills the would-be champion. But the Man of Steel bounces back to life and plans take the fight to Krypton in a potential sequel. Given the radical changes in store, Warner Bros. tried to keep Flyby details from leaking to the public. “The script was printed on crimson paper with black ink so it couldn’t be photocopied,” Fraser remembers. “I was allowed to sit in an office and read it for an hour. It was like a covert operation.”
(22) HADESTOWN. ScienceFiction.com tells why fans should give this musical a listen: “The Myth-Based Newcomer ‘Hadestown’ Won Eight Tony Awards; Watch The Rousing Performance Here”.
Singer-songwriter Anaïs Mitchell based the musical on her own concept album of the same name, which reinterprets the Greek myth of Orpheus and Eurydice, about the son of Apollo, who falls in love with Eurydice and must journey to the underworld to save her. Mitchell wrote the music, lyrics and book herself, reimagining the ancient Greek tale, set in the US during the Great Depression.
(23) BACK TO THE FUTURE. ScienceFiction.com also previews the forthcoming Back to the Future musical: “Listen To The First Original Song From ‘Back To The Future: The Musical’, ‘Put Your Mind To It’”.
‘Back to the Future: The Musical’ will open at the Manchester Opera House on February 20, 2020, and will run for 12 weeks, before transferring to London’s West End. Provided it goes well, presumably it will then be brought to the US. Tickets to the Manchester shows are already on sale.
The YouTube video introduces the number in these words:
GREAT SCOTT! Turn your flux capacitor on and get ready for 1.21 gigawatts of excitement… Back To The Future – Musical is gonna change musical history at the Manchester Opera House for 12 weeks only from 20 February 2020. From Back To the Future’s original creators Robert Zemeckis and Bob Gale, and the combined eight-time Grammy Award-winning pairing of Alan Silvestri and Glen Ballard will send you on an electrifying ride through time with an all-new score alongside the movie’s iconic hits, including The Power of Love, Johnny B Goode, Earth Angel and Back in Time!
[Thanks to Chris Rose, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Carl Slaughter, Daniel Dern, Michael Toman, Brian Z, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]