Five novels written
by writers from the Pacific Northwest are finalists for the 2019 Endeavour Award.
The Award comes with an honorarium of $1,000 and will be announced November 8
at OryCon in Portland, Oregon.
The finalists are:
Blood Orbit by K.R. Richardson, Pyr Books
The Girl in the Green Silk Gown by Seanan
McGuire, Daw Books
Irontown Blues by John
Varley, Ace Books
Moonshine by Jasmine Gower, Angry Robot
Trial by Treason by Dave
Duncan, Night Shade Books
The Endeavour Award honors a distinguished science
fiction or fantasy book, either a novel or a single-author collection, created
by a writer living in the Pacific Northwest. All entries are read and
scored by seven readers randomly selected from a panel of preliminary
readers. The five highest scoring books then go to three final judges,
who are all professional writers or editors from outside of the Pacific
The judges for the 2019 Award are Kij Johnson, Linda
Nagata, and Bud Sparhawk.
Kij Johnson is the author of five books and forty
shorter works, and has won the Hugo, Nebula, World Fantasy, and Theodore Sturgeon
Awards. She teaches creative writing at the University of Kansas, where she is
also Associate Director for the Center for the Study of Science Fiction.
Linda Nagata’s work has been nominated for the Hugo, Nebula, Locus, John W. Campbell Memorial, and Theodore Sturgeon Memorial awards. She has won the Nebula and is a two-time winner of the Locus award. Linda is best known for her high-tech science fiction, including the near-future thriller, The Last Good Man, and the Red trilogy. The first book in the trilogy, The Red: First Light, was named as a Publishers Weekly Best Book of 2015. Her newest novel is Edges, book one in the series Inverted Frontier.
Bud Sparhawk has been a three-time novella finalist for the Nebula Award and has appeared in two Year’s Best anthologies. He has sold over 100 short stories and three novels; Shattered Dreams, Distant Seas, and Vixen. This year he has had three short stories appear in Analog, one in Amazing, and another in the anthology In Harm’s
…Now, that’s almost certainly the Ghost. Not a Force Ghost, THE Ghost. What’s the Ghost?
It’s the customized VCX-100 light freighter flown by Captain Hera Syndulla, which was kind of the Millennium Falcon of Star Wars Rebels. Later, it appeared in Rogue One: A Star Wars Story and, thanks to the epilogue of Rebels, we knew it survived until the timeline of the sequel trilogy. Now, it seems the Ghost, and probably even Hera herself, are standing with the Falcon in what we can only assume is the Resistance’s final stand against the First Order.
And they saw even more ships in
that brief scene that you’ll probably need to look up in the Wookieepedia.
I have some good news for those of you who haven’t been paying close attention to comic books: Batman comics are finally readable!
That’s a major change from the puerile adventures which editor Jack Schiff has been presenting in the pages of Batman and Detective Comics. For all too many years, Schiff and his team of seemingly subpar creators have delivered a never-ending stream of absurdly juvenile tales of the Caped Crusader and his steadfast sidekick. He gave us ridiculous and dumb tales in which Batman gallivanted in outer space, Robin was romantically pursued by the pre-teen Bat-Girl, and the absurdly awful Bat-Mite showed up at random times to add chaos to Batman’s life. Even adventures which featured classic Batman villains (such as last fall’s Batman #159, “the Great Clayface-Joker Feud,”) fell far short of even the most basic standards of quality. Great they were not.
Have there been any particular books or writers who influenced you, whether in or outside the genre? [I’m a Jane Austen fan and live in Bath, which has featured in many dramatizations of her work]
As I mentioned previously, one of the inspirations for Daughter of Mystery was wanting to write a Georgette Heyer novel with lesbians. But the other major inspiration–if maddening frustration can be a form of inspiration–was Ellen Kushner’s novel The Privilege of the Sword. That book came so close to being the perfect novel of my heart…and then turned out to be a different novel. A perfectly wonderful novel, but not the book I desperately wanted. So that was another influence, not so much in writing style, but in the “feel” of the story–a story about brave and clever girls who love and rescue each other.
Jane Austen is something of an underlayer, if only in providing examples of the world of women in early 19th century Europe. One of the historical realities that modern readers aren’t always aware of is how strictly gender-segregated 19th century life was. Women–especially unmarried women–spent most of their lives socializing with other women and living with them in intimate proximity. It makes setting up same-sex relationships much easier! It’s been very important to me to center the series on women and their connections and community with each other. Too many historical stories allow women only as isolated characters, always interacting with men. In reality, if a woman had a problem or a puzzle or a project, the first people she’d turn to would be other women. I wanted the series to reflect that.
(5) MORE ON DALLAS TORNADO. Fanartist Brad Foster and his
wife Cindy also escaped injury, however, they were
almost right in the tornado’s path and their home suffered roof damage,
while in the yard trees and fences took a hit.
Narrating her memoir was more difficult than revisiting her words in the editing process. “There’s something to the art of reading it out loud, and it being an oral telling as opposed to written, that brings [those experiences] even more to the forefront. Reading it out loud in the booth, it was just even more intense. I was reliving it that much more.” The memoir details how she became a writer, showing “the idea that those things we think will break us can actually be the things that make us. All of these experiences that we have are useful, even the terrible ones. It’s just a matter of how you choose to use them. Because they are going to be there regardless. Do you want to just let them fester there, or do you want to make something out of them?”
Science Fiction is famous for the bewildering variety of worlds it imagines. This is particularly true for its political systems. A newcomer to SF might well be astounded by the diverse range of governmental arrangements on display. Let me provide some examples…
And even better, we know who they’ll be playing, per Deadline: “Pace plays Brother Day, the current Emperor of the Galaxy. Harris plays Hari Seldon, a mathematical genius who predicts the demise of the Empire.”
…Avengers and Age of Ultron director Joss Whedon singled out [James] Gunn’s work when responding to Scorsese earlier this month. He tweeted, “I first think of @JamesGunn, how his heart & guts are packed into GOTG. I revere Marty, & I do see his point, but… Well there’s a reason why ‘I’m always angry’” (the latter quote being a Hulk reference).
Speaking to Sky News, the two-time Palme d’Or-winning Brit described Marvel’s output as “boring” and cynically produced.
“They’re made as commodities like hamburgers, and it’s not about communicating, and it’s not about sharing our imagination,” he said. “It’s about making a commodity which will make a profit for a big corporation – they’re a cynical exercise. They’re a market exercise, and it has nothing to do with the art of cinema. William Blake said, ‘When money is discussed, art is impossible.'”
(10) TODAY IN HISTORY.
October 22, 1936 — According to the Encyclopedia of Science Fiction, today is the day, “Fandom gathering at Milton A. Rothman’s home in Philadelphia, 1936, declares itself to be the first sf Convention. Some fans accept this; others consider the following year’s Leeds UK event a more significant landmark since it was organized in advance as a convention and used public meeting facilities.”
October 22, 2006 — Torchwood, a companion to Doctor Who, premiered on BBC Three. Starring John Barrowman and Eve Myles, it ran for forty one episodes over five years. And Big Finish Productions has produced some thirty audio-stories so far.
October 22, 2016 — On this day in the U.K. and Canada, Class, a spin-off series of Doctor Who, premiered. Starring Greg Austin, Fady Elsayed and Sophie Hopkins, the series would last just a single season of eight episodes due to really poor ratings though Big Finish Audio continued the series as an audiowork.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 22, 1919 — Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list. (Died 2013.)
Born October 22, 1922 — Lee Jacobs. LA fan in the last years of his life. I’m mentioning him here because he’s credited with the word filk which was his entirely unintentional creation. He typoed folk in a contribution to the Spectator Amateur Press Society in the 1950s: “The Influence of Science Fiction on Modern American Filk Music.” Yes I know that its first documented intentional use was by Karen Anderson in Die Zeitschrift für vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by her husband Poul. (Died 1968.)
Born October 22, 1938 — Christopher Lloyd, 81. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in Who Framed Roger Rabbit, and Uncle Fester in The Addams Family and the Addams Family Values. (Huh. I didn’t spot him in those.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
Born October 22, 1938 — Derek Jacobi, 81. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass.
Born October 22, 1939 — Suzy McKee Charnas, 80. I’d say The Holdfast Chronicles are her best work to date. Certainly they’re the most honored, winning Gaylactic Spectrum, James Tiptree Jr. and Lambda Literary Awards. Any of you read her Sorcery Hall series?
Born October 22, 1943 — Jim Baen. Editor of Galaxy and If. Considered to be the first profitable Ebooks publisher. Founder of Baen Books. (Died 2006.)
Born October 22, 1952 — Jeff Goldblum, 67. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom) and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in.
Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.)
Born October 22, 1956 — Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame in 2008. She runs The Secret Empire, a business selling filk and other things at cons.
(12) COMICS SECTION.
XKCD has a Narnia joke. (And remember, these cartoons have a second joke in a rollover– rest your cursor on the pictures and you see more text.)
Tom Gauld tries to help out New Scientist’s AI readers.
6. Engage. It can be a scary thing to approach folks at conventions. There isn’t really any way around it, but practice does make it easier. Start, if you like, by asking questions at panels that permit it. You can then use that to speak to any of the panelists afterwards, asking for clarification or even pointers. Also, try the dealer’s room if the convention has one. It’s a great place to practice conversational skills, and most of the vendors are quite happy to chat. I know I am.
Edgar Pangborn has been writing science fiction under his own name for thirteen years at this point and was apparently writing under other names before that. However, none of his stories have been translated into German and the availability of English language science fiction magazines is spotty at best. Therefore, I had never encountered Pangborn’s work before, when I came across his latest novel Davy in my local import bookstore.
…We’ve known for a while now that Jefferson Pierce (Cress Williams) is getting a new suit this season, but now we finally know how he receives it. In this exclusive clip from tonight’s episode, Agent Odell (Bill Duke) gives the imprisoned superhero a gift: a watch. Jefferson is initially skeptical because it looks like a normal timepiece and he’s probably suspicious of anything the shady ASA spook gives him. But Odell continues to gently push Jefferson until he actually tests it out and discovers the watch’s real purpose: It’s basically a morpher that contains Black Lightning’s sleek new super-suit.
“This is the reason we have you have here, why we’re testing you, why we’re putting you through so much pain and struggle,” says Odell as the suit begins to cover a Jefferson’s body. “It’s so we can create tech that will help all metas to live better. The Markovians are planning on killing or capturing all of the metas in Freeland. I cannot stop them without your help.”
Traces of ancient “glue” on a stone tool from 50,000 years ago points to complex thinking by Neanderthals, experts say.
The glue was made from birch tar in a process that required forward planning and involved several different steps.
It adds to mounting evidence that we have underestimated the capabilities of our evolutionary cousins.
Only a handful of Neanderthal tools bear signs of adhesive, but experts say the process could have been widespread.
The tool, found in the Netherlands, has spent the last 50,000 years under the North Sea. This may have helped preserve the tar adhesive.
Co-author Marcel Niekus, frhe Placebo Effect Works And You Can Catch It From Your Doctorom the Stichting STONE/Foundation for Stone Age Research in Groningen, said the simple stone flake was probably used either for cutting plant fibres or for scraping animal skins.
While birch tar may have been used by Neanderthals to attach stone tools to wooden handles in some cases, this particular tool probably had a grip made only of tar. Dr Niekus said there was no imprint from a wood or bone shaft in the tar.
It would have enabled the user to apply more pressure to the stone flake without cutting their hands – turning the edge into a precision cutting tool.
…Produced by JPL Fellow and national Emmy Award-winner Blaine Baggett, the hour-long film tells the story of how the mission stayed alive despite a multitude of technical challenges, including a years-long launch delay and the devastating failure of its main antenna to open properly in space. It is also the story of a team of scientists and engineers transformed through adversity into what many came to regard as a tight-knit family.
“Saving Galileo” picks up from Baggett’s previous documentary “To the Rescue,” which focuses on the mission’s tortuous path to the launch pad. Together the films capture how, despite its many challenges and limitations, Galileo proved a resounding success, leading to profound scientific insights that continue to draw NASA and JPL back to Jupiter for new adventures.
If there’s one thing you do want to catch from a trip to your doctor, it’s her optimism.
A new study, published Monday in the journal Nature Human Behavior, finds that patients can pick up on subtle facial cues from doctors that reveal the doctor’s belief in how effective a treatment will be. And that can have a real impact on the patient’s treatment outcome.
Scientists have known since at least the 1930s that a doctor’s expectations and personal characteristics can significantly influence a patient’s symptom relief. Within research contexts, avoiding these placebo effects is one reason for double blind studies — to keep experimenters from accidentally biasing their results by telegraphing to test subjects what they expect the results of a study to be.
The new study both demonstrates that the placebo effect is transmitted from doctor to patient, and shows how it might work.
(20) OWN LE GUIN DOCUMENTARY. The latest Kickstarter
backer update for the documentary Worlds of Ursula Le Guin contains
information on how to view a digital copy and buy a DVD:
We know many of you haven’t yet had a chance to watch the film – we’re trying to bring it to you as quickly as we can. Online streaming, DVD, and broadcast opportunities vary by country, and continue to evolve, but here’s our latest update:
In the United States and English-speaking Canada, the film is now available to rent and buy via iTunes. For residents whose reward package didn’t include a DVD, you can also pre-order the DVD through our US distributor Grasshopper Films.
In the United Kingdom and Ireland, the film will be available to stream on BBC iPlayer after our broadcast date, expected to be announced soon. DVDs will be available in September 2021.
If you live in Israel, streaming and DVDs will be available in March 2020.
For everyone else, you can pre-order the DVD internationally through Grasshopper Films. We’re also planning a worldwide Video-on-Demand (VOD) release in December for participating countries (excluding those listed above, and some others).
Note that our DVD release date has shifted – we now expect to have DVDs ready to send out by mid-November. All DVDs will include closed captions in English for the hearing impaired, subtitles in several languages, and special extras we rescued from the cutting room floor. DVDs won’t be region-specific, so viewers around the world should be able to watch them.
(21) VIDEO OF THE DAY. in “Bicycle” on Vimeo, Cool 3D World shows what happens when
five green men decide to ride a bicycle.
[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Rob
Thornton, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day
Engholm posted the full text of Dublin 2019’s letter to him along with his own comments in response here.
Dublin 2019’s letter says:
Thank you again for reaching out, and apologies for the time it took to get this response to you.
We do not consider Jeannette Ng’s speech to be a breach of our Code of Conduct.
From our perspective Ng was speaking to Campbell’s part in shaping the sci-fi landscape, which was notably exclusionary of minorities, people of colour and women at the time during which he was a part of it and which has had knock on effects to this day. Our Code of Conduct was, in a large part, designed to ensure people who have previously been excluded from fandom were safe and included at our convention – not to punish people who speak out against its exclusionary past.
We do not believe her words were targeted at anyone other than Campbell and his actions. There is no issue with being male or white, and unless a person also identified with Campbell’s more problematic beliefs and actions, they have no reason to feel attacked. Additionally, being a fan of Campbell’s work does not mean you need to stand by his beliefs; it is possible to appreciate his contribution to the community whilst also understanding some of his viewpoints were problematic.
Thank you again for taking the time to contact us with your concerns – I hope this helps clarify our position on the situation.
Sarah Brennan, Listener and Code of Conduct Area Head Dublin 2019
Engholm, in his commentary, says he believes the Code of Conduct has been applied inequitably, whether judged by past precedents, or on its own terms.
Thanks for a reply, even if it took two months…
But the reply is not very satisfying, and I’ll explain why. A basic principle for acceptable ethics is that it applies equally to all. If not, it’s unethical, immoral – in crass terms, evil.
In 2016 Dave Truesdale was kicked out from the Worldcon for talking about “snowflakes” – a rather mild expression – not pointing to any person or ethnic or social group. But in 2019 it seems perfectly OK to accuse a named person for being a follower of one of history’s most evil ideologies, on the worldcon’s biggest stage.
It becomes clear that this does not apply equally to all. You – ie all responsible for the CoC – even openly admit that not being applied equally was what “Our Code of Conduct was…designed to ensure”. Thus the CoC loses its legitimacy. It’s a set of made-up private laws that allows the intimidation it pretends to protect from.
Engholm disagrees with Sarah Brennan’s evaluation of Ng’s speech (“There is no issue with being male or white…”)
As for Ng’s racist slurs, you seem to simply ignore them, the charges about “whites” being “sterile” and “haunt” the genre. You just falsely claim it’s “no issue” – but it is. You can’t even follow your own instructions that “We do not tolerate harassment of convention attendees in ANY FORM”. That’s what it says, but obviously you do tolerate harassment if it is in the form certain people like. People have reason to feel attacked!
“I certainly did. As a white male writer who goes back to the Campbell era I felt directly under attack, as well as being angered by the inaccurate slander being directed at Campbell, and I was so upset by her statements and the obvious audience approval of them that I left the ceremony as soon as I could appropriately get out the door “
That was a a testimony from a well-known longtime sf professional whom I shall not name.
Engholm asserts that what people complain about in Campbell is the byproduct of his “intentionally provoking intellectual style.” He also tells why in his view (and that of Harry Harrison) Campbell was not, politically, a fascist, therefore Ng was mistaken in calling him one. The complete text of Engholm’s commentary is here.
Colleen McMahon: A Pixel Scroll
October 11 mentioned a discussion among younger SF readers of a Katherine
MacLean story. This led me off to see what kinds of public domain works might
(1925-2019) mainly wrote short fiction from the 1940s through the 1970s. She
was well respected among the “hard” SF writers for stories that involved real
science. Her Wikipedia entry includes a fabulous anecdote in
which her science fiction fans help her get into an engineering conference in
In the 1930s and 1940s, scientists and boys planning to be scientists read Astounding (Analog) with close attention to the hottest most promising ideas and took them up as soon as they could get funded lab space. They did not openly express their gratitude to science fiction, because the funding depended on keeping claim to have originated the ideas they had put so much work into testing and verifying….
“I hastily looked around for a door to a lecture hall where I could sneak some listening time and get a line on current research, and be out of sight before the desk was reoccupied by the guardian of the gate….
Too late, a man built like a fullback in a business suit was bearing down on me. “I see you don’t have your badge. May I have your name? I’ll look it up in the registry….”
“Katherine MacLean, I came in because I am interested in–“
He interrupted. “Katherine MacLean! Are you that Katherine MacLean?” He gripped my hand and hung on. Who was that Katherine Maclean? Was I being mistaken for someone else?
“Are you the Katherine MacLean who wrote ‘Incommunicado’?”
Speechless with relief, I nodded. I would not be arrested or thrown out if they would accept me as a science fiction writer. He kept his grip on my hand and turned around and bellowed to his group of chatting friends, “Guess who I’ve got here. The little woman who wrote ‘Incommunicado’!”
…I had not been aware that my playing with communication ideas would attract the attention of prestigious Bell Telephone researchers. I had left radio and wavelength theory to my Dad as one of his hobbies and learned early that I could get a nasty shock from playing with his wiring. I could not account for their enthusiasm. I went back to the typewriter and lost myself in the story again.
The point is, that scientists not only read Astounding-Analog, they were fans of the writers and understood all the Ideas, even the obscure Ideas that were merely hinted at.
Sacrifice”, the story under consideration at Young People
Discuss Old SF, is
not on Project Gutenberg, but several other stories are available:
Snowball Effect” was adapted for the radio SF series X Minus One. More recently, two Maclean
stories were read for the radio show Buxom Blondes with Ray Guns (scroll down for the specific
episode). One of the stories, “Carnivore”, is also available through Project
Gutenberg and Librivox, but the other story, “Collision Orbit”, doesn’t appear
to be available anywhere else.
(1828-1862) was an early American writer of fantastic fiction who has largely
been forgotten, though one of his stories is still frequently anthologized. He
is best known for “What Was It?”, the tale of a man who is attacked by a
seemingly ghostly presence in the middle of the night. However, the presence
turns out to be more of an invisible man — or man-creature — and the main
character is able to overpower and capture it. It becomes a local curiosity for
several weeks, and then dies, with no one the wiser as to what the creature was
or where it came from.
was a contemporary of Poe’s, and his stories have a similar tone and style.
Like Poe, he was a major influence on later writers, including M.R. James,
Ambrose Bierce, and H.G. Wells.
weird tale, The Diamond
Lens (Librivox), could be
considered proto-science fiction, since it concerns a scientist using a new
type of microscope and discovering (and, of course, falling in love with) a
tiny woman he finds in a drop of water.
These are three imaginative SF stories by an author I admire a lot, William Tenn. Venus is a Man’s World, (Galaxy Science Fiction, July 1951), Project Hush (Galaxy Science Fiction, 1954) and Of All Possible Worlds (Galaxy, Sept 1956).
A tornado with winds of 165 m.p.h. cut a swath through Dallas just a mile south of our house yesterday evening after dark. A powerful gust snapped the trunk of our 70 ft mesquite halfway up and sent it crashing down into our front yard. The only property damage we sustained was to our yard light. Seeing all the destruction in the news this morning, we are thankful we came through relatively unscathed.
(2) AVENGERS ASSEMBLE. Just in case the Marvel Cinematic
Universe needs any defense against the negative opinions of Martin Scorsese and
Francis Ford Coppola, a couple of well-known figures connected with the MCU have
Many of our grandfathers thought all gangster movies were the same, often calling them “despicable”. Some of our great grandfathers thought the same of westerns, and believed the films of John Ford, Sam Peckinpah, and Sergio Leone were all exactly the same. I remember a great uncle to whom I was raving about Star Wars. He responded by saying, “I saw that when it was called 2001, and, boy, was it boring!” Superheroes are simply today’s gangsters/cowboys/outer space adventurers. Some superhero films are awful, some are beautiful….
I think there’s room for all types of cinema,” she told The Hollywood Reporter at the 6th annual Los Angeles Dance Project Gala on Saturday at downtown Los Angeles’ Hauser & Wirth. “There’s not one way to make art.”
“I think that Marvel films are so popular because they’re really entertaining and people desire entertainment when they have their special time after work, after dealing with their hardships in real life.”
(3) HOW EAGER
ARE YOU? ESPN will be airing the final
trailer for Star
Wars Episode IX: The Rise of Skywalker tonight
during Monday Night Football.
(4) NAVIGATING THE ROCKETS SAFELY HOME. In “What happened to the 1944 Retro Hugos?”, Nicholas Whyte asks fans to consider the burden of producing a whole run of trophies when it’s this hard to find homes for them after the ceremony. Of course, the job would have been a little easier if the nominees with accepters had won:
…I’m glad to say that we did have a few designated acceptors in the room on the night. Apart from those noted below, Betsy Wollheim was on hand in case her father Donald won (unfortunately he lost in all three categories where he was nominated); June and Naomi Rosenblum were there for their father-in-law/grandfather J. Michael Rosenblum; Stephanie Breijo was there for her great-grandfather Oscar J. Friend; and Harper Collins sent a rep for C.S. Lewis. So, for 66 finalists, we had acceptors on hand for 10. Future Worldcons might like to bear that in mind when planning whether or not to run Retro Hugo Awards.
This is what happened with the trophies, in increasing order of the difficulty we had in dealing with them….
However, that respect for the decision did not last long. On Friday, Abdin announced that he was appealing the verdict and was launching a GoFundMe to finance the campaign. As of this writing, that campaign has raised more than $17,500 from more than 470 donors and is inching closer to its $20,000 goal….
(7) CONFACTS. Kees Van Toorn announced that all issues of ConFacts, the daily newsletter of ConFiction,
the 1990 Worldcon, have been uploaded on their archival website in flipbook format.
David Mack is a New York Times bestselling author of over thirty novels of science fiction, fantasy, and adventure. His most recent works are The Midnight Front and The Iron Codex, parts one and two of his Dark Arts trilogy from Tor Books. He currently works as a creative consultant on two upcoming Star Trek television series.
Max Gladstone is the author of Empress of Forever, the Hugo finalist Craft Sequence, and, with Amal El-Mohtar, This is How You Lose the Time War, in addition to his work with short and serial fiction, games, screenwriting, and comics. He has been a finalist for the Hugo, John W Campbell /Astounding, XYZZY, and Lambda Awards, and was once thrown from a horse in Mongolia.
The event starts at 7 p.m. in the KGB Bar, 85 East 4th
Street (just off 2nd Ave, upstairs.) in New York, NY.
(9) FANFICTION. Sff writer Sara L. Uckelman,
Professor of logic and philosophy of language at Durham University, issued an
invitation: “Anyone interested in the paper behind the talk, my paper ‘Fanfiction,
Canon, and Possible Worlds’ can be downloaded here.”
…The study of fanfiction from a philosophical point of view raises a number of questions: What is fanfiction? What distinguishes it from ordinary fiction? How can we make sense of what is going on when people create and interact with fanfiction? In this paper, I consider two competing accounts of fanfiction—the derivative or dependent account and the constitutive account—and argue that these competing views parallel two competing ways in which a possible worlds account of fiction can be fleshed out, namely, Lewis’s modal realist account and Kripke’s stipulative view. I further argue that this parallel is not a mere parallel, but provides us with a test of adequacy for the possible worlds accounts: It is worthless to provide a philosophical account of the theoretical foundations of fiction if such an account doesn’t coordinate with the actual practice and production of fiction.
(10) TODAY IN HISTORY.
October 21, 1977 — Damnation Alley premiered. Based somewhat on Zelazny’s novel, it starred George Peppard as Major Eugene “Sam” Denton and Jan-Michael Vincent as 1st Lt. Jake Tanner. It bombed and was pulled quickly. Its Rotten Tomatoes score is 34%. For now at least, it’s on YouTube here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 21, 1904 — Edmond Hamilton. One of the prolific writers for Weird Tales from the late 20s to the late 40s, writing nearly eighty stories. (Lovecraft and Howard were the other key writers.) Sources say that through the late 1920s and early 1930s Hamilton wrote for all of the SF pulp magazines then publishing. His story “The Island of Unreason” (Wonder Stories, May 1933) won the first Jules Verne Prize as the best SF story of the year. This was the very first SF prize awarded by a vote of fans, which one source holds to be a precursor of the Hugo Awards. From the early 40s to the late 60s, he work for DC, in stories about Superman and Batman. He created the Space Ranger character with Gardner Fox and Bob Brown. On December 31, 1946, Hamilton married fellow science fiction author and screenwriter Leigh Brackett. Now there is another story as well. (Died 1977.)
Born October 21, 1914 — Martin Gardner. He was one of leading authorities on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll’s two Alice books, is still a bestseller. He was considered the doyen (your word to learn today) of American puzzlers. And, to make him even more impressive, in 1999 Magic magazine named Gardner one of the “100 Most Influential Magicians of the Twentieth Century”. Cool! (Died 2010.)
Born October 21, 1929 — Ursula Le Guin. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer instead preferring be known as an “American novelist”. Oh, she wrote genre fiction with quite some brilliance, be it the Earthsea sequence, The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, showed in her writing. And the home library of the family had a lot of SF in it. If you’re interested in the awards she won in her career, she garnered the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award. At last she was also awarded the National Book Foundation Medal for Distinguished Contribution to American Letters It won’t surprise you that she was made a SFWA Grandmaster, one of the few women writers so honored. (Died 2018.)
Born October 21, 1933 — Georgia Brown. She’s the actress who portrayed Helena Rozhenko, foster mother of Worf, in the Next Gen’s “Family” and “New Ground” episodes. She was Frau Freud in The Seven-Percent Solution, and was Rachel in “The Musgrave Ritual” episode of the Nigel Stock fronted Sherlock Holmes series. (Died 1992.)
Born October 21, 1945 — Everett McGill, 74. Stilgar in the first Dune film. Earlier in his career, he was a Noah in Quest for Fire. Later on, he’s Ed Killifer in License to Kill, and in Twin Peaks, he’s Big Ed Hurley. He was also Rev. Lowe in Stephen King’s Silver Bullet, a werewolf flick that actually has a decent rating of 55% at Rotten Tomatoes!
Born October 21, 1956 — Carrie Fisher. In addition to the original Star Wars trilogy, Star Wars Holiday Special, The Force Awakens, Star Wars: The Last Jedi and the forthcoming Star Wars: The Rise of Skywalker, she was in Amazon Women on the Moon, The Time Guardian, Hook, Scream 3, and A Midsummer Night’s Rave. (Died 2016.)
Born October 21, 1973 — Sasha Roiz, 45. I know him only as Captain Sean Renard on Grimm but he’s also been Sam Adama on Caprica as well. And he’s also been on Warehouse 13 in the recurring role of Marcus Diamond. He even showed up once on Lucifer as U.S. Marshal Luke Reynolds.
…Consider the name of the alien space station for which Pohl’s book gets its name: Gateway. In the same way that taking highly random and highly dangerous alien space flights is the gateway to potential wealth, the capitalist system is also the gateway to the extreme fortune of the limited few that have, through luck or pluck, benefited most from the system. But no billionaire earns their riches without exploiting populations. Behind every fortune are the underpaid, the underfed, the forgotten, and the have nothings. The capitalist system, most simply defined, is a system of using the work of others and the work of wealth itself, to gain more wealth. It doesn’t take too much mental work to see that people are a form of capital in the capitalist system. Indeed, within capitalism everything is a form of capital. The best capitalist is the individual that figures out how to make more out of what they have….
(14) MYLNE’S GENRE ART. Artist James Mylne has been in the
news lately (see, for instance ITV: “Boris Johnson turns into The Joker in
new artwork”) for a political commentary that leans heavily on a genre
reference. Filers might, therefore, be interested to know that his work has
sometimes borrowed from other genre sources also. Example below.
(15) SOLARIS ON STAGE. Those passing through London between now and November 2 can see the play Solaris (nearest tube/metro/underground is Hammersmith).
On a space station orbiting Solaris, three scientists have made contact with a new planet.
Sent from earth to investigate reports of abnormal activity on-board, Kris Kelvin arrives to find one crew member dead and two who are seeing things that cannot be explained.
When her dead lover appears to her, it seems she too has fallen victim to the mystery of this strange planet. Should she return to reality, or is this her chance to turn back time?
Have the crew been studying Solaris – or has it been studying them?
This psychological thriller asks who we are when we’re forced to confront our deepest fears.
(16) ATWOOD PROFILE. Behind a paywall in the October 12 Financial
Times, Horatia Harrod has a lengthy interview with Margaret Atwood.
In Oryx and Crake, Atwood wrote about a world decimated by environmental catastrophe; her understanding of the fragility of the Earth and the rapaciousness of its human inhabitants came early. “My father was already talking about this over the dinner table in 1955,” says Atwood, who has been committed to raising awareness of the climate crisis for decades (she promised her 2000 Booker Prize winnings to charities dedicated to endangered animals. “There is so much data and evidence. But people would rather adhere to a belief system that favours them. So, what view of the climate is going to make more money for me?”
Atwood’s mother, meanwhile, was a tomboy, whose favored pastimes were speedskating, horseback riding, canoeing, fishing, not doing housework. “I can’t think of much she was afraid of. This is a mother who chased a bear away with a broom, saying the following word: ‘Scat!’” There were other tough female role models:”Inuit women, who have done some pretty spectacular things. My aunt Ada, who I named a character in The Testaments after, was a hunting and fishing guide, and a crack shot with a .22.”
(17) PLANETARY ANTHOLOGIES MIGRATE. Superversive Press has dropped
the Planetary Anthologies line says
Declan Finn, whose contribution, Luna, is awaiting publication. (Indeed,
a search on Amazon showed Superversive Press books as a whole are now only
available from third-party vendors.) However, Finn says another publisher is stepping
The Planetary Anthology series is being discontinued.
In fact, even the five anthologies that have been published already have been discontinued. They will no longer be available for sale online from the publisher.
Which is odd for me. Especially after a year where the Area 51 anthology I was in this year was conceived of, edited, and released in 3 months from call for stories to publication.
So, yeah, the original publisher isn’t doing them anymore.
Finn says “the anthologies have all been picked up again by Tuscany Bay Books,” the imprint of Richard Paolinelli whose own unpublished Planetary Anthology, Pluto, will be next to appear. Contributors to these anthologies have included Jody Lyn Nye, Dawn Witzke, Lou Antonelli, Paolinelli, L Jagi Lamplighter, Hans G. Schantz, John C. Wright, Joshua M. Young and many others.
(18) VIDEO OF THE DAY. In “Lego In Real Life TRILOGY” on YouTube, Brick Bros.
Productions looks at what happens when common household objects turn into Legos.
[Thanks to Camestros Felapton, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (please roll him a meatball).]
Odyssey Writing Workshops is
offering three live, intensive online classes this winter. Odyssey’s nonprofit
mission is to help writers of fantasy, science fiction, and horror, however,
writers of all genres are welcome to apply. Courses will cover issues
relevant to writers of adult, young adult, and middle grade fiction. Full
information can be found at their website or you can
The three classes are:
Three-Act Structure in Fantastic Fiction Course Meets: January 2 – 30, 2020 Instructor: Award-winning editor, bestselling author, and Odyssey Director Jeanne Cavelos Level: Advanced Application Deadline: December 7, 2019
In Jeanne’s 32 years working with writers, as a senior editor at Bantam Doubleday Dell and then as director of Odyssey, she has found, again and again, that writers struggle most with plot and structure. A story or novel may have compelling characters, an interesting world, and a strong style, but without the engine of a plot, the other elements lie static on the page. Writers struggle to find the best place to start the story, often starting too soon or too late. They get mired in the middle, with the protagonist wandering to various locations, picking up plot coupons in the hope of redeeming them for a climax. The climax often feels weak, forced by the author, or as if it belongs in some other story. Even if the protagonist has run through the plot like a mouse through a maze, the plot often carries no emotional impact.
To solve these problems, writers need to master the act structure underlying strong fiction. While writing books and blogs periodically discuss acts, few clearly define what truly comprises an act or explain how plotting in acts can create a more suspenseful, unpredictable, and emotionally satisfying experience for the reader.
In addition to studying acts, and in particular three-act structure, the course will cover how to plot within that structure, creating escalations, reversals, and crisis points of impact and emotion. Jeanne will explain how structure and character are intertwined, so the turning points in the plot connect with changes in the character. With a strong act structure, your protagonist will face challenges that will put the character, and readers, through an experience they will never forget. For those who struggle with plot, this is a great opportunity.
One of Odyssey’s most highly rated online instructors, award-winning author Barbara Ashford, is tackling another major challenge for writers in her course, The Heart of the Matter: Bringing Emotional Resonance to Your Storytelling. Writers are constantly frustrated to discover that the characters and situations that seem so moving and powerful to them leave readers shrugging and saying, “Meh.”
If you want your work to be imbued with emotion, if you want your readers to care as much about your characters as you do, this is the course for you. The Heart of the Matter will not only show you how to get character emotions on the page in a powerful and affecting way; it will explain how to infuse each element of your story–setting, description, character, plot, point of view, beats, rhythm, subtext–with emotion, so all the elements are working together and emotion resonates through your story with great impact. This course will take you from “setting the stage”–understanding the heart of the story you are telling–to “getting it on the page”–exploring techniques that will not only show the emotions of your characters but orchestrate the overall emotional experience of readers. Then your stories can take readers on a journey that satisfies their hearts as well as their minds.
Scott H. Andrews, editor-in-chief and publisher of the fantasy magazine Beneath Ceaseless Skies, a seven-time Hugo Award finalist, taught for Odyssey Online for the first time in 2018. The response to his class, Standing Out: Creating Short Stories with That Crucial Spark, was extremely enthusiastic. Students who took the class found it fascinating and very helpful; those who weren’t able to get in have been asking us to offer it again. Scott is doing more than that, offering an expanded version of the course with classes running 1 hour and 50 minutes, rather than Odyssey Online’s usual 90 minutes.
Why does a story need “spark”? Scott receives far too many well-crafted, engaging stories each month to publish. For him to publish a story, it needs to be special; it needs to have that crucial spark. Creating a story with that crucial spark is one of the major challenges writers face. What exactly is a “spark”? This course will involve studying and discussing stories that have a spark. Scott will then explain various ways to create a spark–with a fascinating concept or thematic impact or emotional resonance or potent voice. Students will learn the most effective techniques to create a spark, practice those techniques, and then work to add a spark to their own work. Having that spark can make the difference between personalized rejections and sales. If you want to write works that are more than competent, that captivate or enthrall or delight, this course is for you.
Live class meetings allow a virtual “physical college classroom” experience, in which students can participate in discussions, ask questions, and learn from an instructor who is responsive, in the moment, to students’ concerns, confusions, and thoughts. Between meetings, students interact with each other and the instructor in a discussion group, complete demanding assignments, and give and receive in-depth feedback. Each student also has a one-on-one meeting with the instructor. Graduates of Odyssey Online regularly praise the depth and value of the content provided in the courses, the rigorous, carefully designed assignments, and the insightful, detailed critiques from instructors.
Odyssey Online offers only three classes each year and admits only fourteen students per class, to keep quality high and ensure each student receives individual attention. Courses are focused on some of the biggest challenges writers face.
In addition, the Odyssey site, http://www.odysseyworkshop.org, offers many resources for writers, including free podcasts, a monthly discussion salon, a blog, a critique service, coaching, consultations, and information about the six-week, in-person workshop.
Marooned accidentally on Mars, telephone engineer Barton waits for the rescue rocket and goes on putting up the phone lines. Then one morning – on his 80th birthday – the phone rings.
IN MEMORY YET GREEN TOWN. Sean Anderson’s film “Green Town: A Tribute to Ray
Bradbury” glides through the
town of Waukegan, where Ray spent his formative years, and which inspired
several of his novels, including Dandelion Wine.
Q: Many of your female characters from previous books have intuitive and magical powers. Was there someone in your life who influenced that belief or idea in you, and do you see it in yourself?
A: I think that more comes from my reading, especially my reading as a child because I was a big reader of fairy tales, folk tales and mythology. And my grandmother told me my first story. She was Russian, and everything she told me seemed like a fairy tale, so I think it comes more from my reading than from my real life.
Q: I read that Ray Bradbury was a big influence on you, too. Is that correct?
A: He was a huge influence, as he was on so many writers and so many people. He was such a great writer. And it’s going to be his 100th birthday. It’s going to be celebrated. And he was just a big fan of the library, and I just feel like you can read him at any time of your life — but I feel like if you read him when you’re 12 or 13, you can really change your life.
The most important short story in my life as a writer is Ray Bradbury’s “The Rocket Man.” I read it for the first time when I was 10. I was making my way, with pleasure, through a collection of Bradbury’s stories called R Is for Rocket. I had been an avid reader for about five years, and at first the pleasure I felt was the familiar pleasure I derived from the flights of an author’s fancy, and from the anticipation and surprise of plot. Then I came to “The Rocket Man.” It’s the narrative of the young son of a rocket pilot whose father is to him at once an ordinary, ordinarily absent father, puttering around the house on his days off, and a terrible, mysterious demigod whose kingdom is the stars. The danger of the father’s profession, the imminence and immanence of death, lie upon the family like the dust of stars that the narrator lovingly collects from his father’s flightsuit every time the Rocket Man comes home. During one of the father’s leaves, the family travels to Mexico by car. One evening they stop along a rural road to rest, and in the last light of the day the son notices bright butterflies, dozens of them, trapped and dying in the grille of the car.
I think it was when I got to the butterflies — in that brief, beautiful image comprising life, death and technology — that the hair on the back of my neck began to stand on end. All at once, the pleasure I took in reading was altered irrevocably. Before then I had never noticed, somehow, that stories were made not of ideas or exciting twists of plot but of language. And not merely of pretty words and neat turns of phrase, but of systems of imagery, strategies of metaphor. “The Rocket Man” unfolds to its melancholy conclusion in a series of haunting images of light and darkness, of machinery and biology interlocked, of splendor and fragility. The sense of foreboding is powerful; the imagery becomes a kind of plot of its own, a shadow plot. The end, when it comes, is at once an awful surprise and as inevitable as any Rocket Man, or those who mourn him, could expect. I have never since looked quite the same way at fathers, butterflies, science fiction, language, short stories or the sun.
[Thanks to John King Tarpinian for these stories.]
(1) NOW IT’S AN APOCALYPSE. The row started by Martin Scorsese’s remarks isn’t likely to subside anytime soon now that Francis Ford Coppola has been even more extreme in his supporting comments: “Coppola backs Scorsese in row over Marvel films”.
Francis Ford Coppola jumped into a controversy over the Marvel superhero movies Saturday, not just backing fellow director Martin Scorsese’s critique of the films but denouncing them as “despicable”…
“When Martin Scorsese says that the Marvel pictures are not cinema, he’s right because we expect to learn something from cinema, we expect to gain something, some enlightenment, some knowledge, some inspiration.
“I don’t know that anyone gets anything out of seeing the same movie over and over again,” the 80-year-old filmmaker said.
“Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”
I disagree with Scorsese. I disagree with Coppola. They are wrong to dismiss the Marvel Cinematic Universe as “not cinema.”
The final battle in Avengers Endgame was a masterpiece of cinema, ranking with the final battle in Seven Samurai.
Why do I say this?
Because we got to see people we had fallen in love with rise to the most courageous moments of their lives — and when that whole group of women warriors showed up, that was one of the most emotional moments I’ve ever seen in a movie. I cheered.
See, the thing about movies — yes, they’re art. There is true artistry in The Godfather and Apocalypse Now. Goodfellas is riveting, so is Casino.
But … I did not cheer any moment in any of those pictures. Was I emotionally involved? Yes. When the door closes on Kate’s realization that Michael has lied to her, that’s a powerful cinematic moment that resonates forever.
But do I come out of Scorsese and Coppola’s movies feeling cheered? No. Enlightened? Maybe a little. But never cheered.
And I think that’s part of their resistance to the Marvel films. A Marvel film is a good time. You experience a challenge, a triumph, a few laughs, and you end up feeling emotionally gratified, even exhilarated…
A nice crowd showed up to hear Barbara Krasnoff and Nicole Kornher-Stace read from their new novels, despite a lot of rain.
(4) UNWONTED PERFECTION. You don’t remember typing that
word? You thought you wrote another one? In fact, you’re sure of it? Granola
Rolla, a Facebook friend, takes that sort of thing in stride:
Autocorrect is a poet, effortlessly, without pretense, never feeling like it should explain itself. I envy the confidence with which it edits poetry into my day. Also, I have disreputable gloves on my shopping list. I doubt they’ll be as useful for the housework as the disposable gloves I’d thought I wanted, but such a fun thing to ponder.
Talking was the most popular way to communicate via cellphone in the fall of 2012, with 94% of survey respondents having done so in the prior week, according to consumer-research firm MRI-Simmons. By the spring of 2019, talking had fallen to least popular, behind texting, emailing, posting to social media and using chat apps, with just 45% reporting doing it in the prior week. In other words, less than half had used their phone for an actual phone call.
Multiple people I interviewed said when the phone rings unexpectedly, they assume someone has died….
With multiple ride systems — four to be exact — that guests will experience while traveling on this intergalactic journey, Star Wars: Rise of the Resistance will be one of the longest Disney rides in existence, as guests find themselves being chased by Kylo Ren for 15 minutes.
The latest Star Wars ride will also function like all your favorite Disney attractions combined into one, channeling The Haunted Mansion, The Twilight Zone Tower of Terror, and famed overseas attractions like Mystic Manor for a thematic experience likely to exceed expectations, even for those who have already tried out other Star Wars rides. Paired with its special effects, projections, and blaster gunfire, Rise of the Resistance is shaping up to be a cinematic attraction so over the top, you won’t even be able to imagine what will come next.
In the summer of 2008, Eisner and Harvey Award-winning comic writer Brian K. Vaughan (Lost, Y: The Last Man) sold a high-concept screenplay to DreamWorks called Roundtable. The movie never went into production, the script sat on a shelf collecting dust, and Vaughan went on to become the showrunner of the CBS TV series Under the Dome and continue his career in comics by writing things like the sci-fi/fantasy epic Saga. But now, eleven years later, Vaughan’s Roundtable script will finally see the light of day.
The Black List, the organization that publishes an annual list of the best unproduced screenplays in the industry, is sponsoring a live reading of the script for one night only in Los Angeles, and this sounds like a cool opportunity to experience a story that may otherwise languish in obscurity forever. Read on for the synopsis of Roundtable, and to find out how to get tickets to the show.
Correspondents David Pogue, Martha Teichner and Nancy Giles, along with “Sunday Morning” intern Cory Peeler, face a difficult challenge: Find their way out of a room before a bomb goes off! It’s just one of many examples of the big business in escape rooms – immersive adventures in which people must solve puzzles in order to extricate themselves. Air Date: Oct 20, 2019
(9) TODAY IN HISTORY.
October 20, 1965 — Village Of The Giants premiered. It starred Tommy Kirk and Beau Bridges, and is very loosely based on Wells’s book The Food of the Gods and How It Came to Earth. It scores 20% at Rotten Tomatoes.
October 20, 1987 — The Hidden premiered. Starring Kyle McLachlan with Claudia Christian in an interesting cameo as well, reviewers (76%) and audience.(72%) alike loved it at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. Now tell me what’s your favorite film character that he played? (Died 1956.)
Born October 20, 1905 — Frederic Dannay. Creator and writer, along with Manfred Bennington Lee, of Ellery Queen. Now I wasn’t going to say was he was genre but ESF does say he was because such genre authors such as Sturgeon penned Queen novels such as The Player on the Other Side. (Died 1982.)
Born October 20, 1916 — Anton Diffring. A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
Born October 20, 1934 — Michael Dunn. He’s best known for his recurring role on the Wild Wild West as Dr. Miguelito Loveless, attempting to defeat our heroes over and over, but he has had another appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea “The Wax Men” episode. (Died 1973.)
Born October 20, 1943 — Peter Weston. He made uncountable contributions in fan writing and editing, conrunning and in local clubs. He was nominated for a number of Hugo Awards but never won, including one nomination for his autobiography, Stars in My Eyes: My Adventures in British Fandom. Beginning in 1984 and for many years after, those Awards were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
Born October 20, 1935 — Leg Mailer, 85. He showed up in Trek twice first playing Bilar in “The Return of the Archons” and then being an Ekosian SS lieutenant in the “Patterns of Force” episode. And he Imperial Guard Number One in The Star Wars Holiday Special. He had one-offs on The Greatest American Hero and the original Mission:Impossible, and he did voice work for An American Tail: Fievel Goes West. Note: until 1970, he used his birth name of Ralph Medina.
Born October 20, 1937 — Emma Tennant. To the Manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia says “Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her pleased if you’ve read her! (Died 2017.)
Born October 20, 1941 — Anneke Wills, 78. In 1966, she took the role of Polly, a companion to both the First and Second Doctors. She was herself in The Five(ish) Doctors Reboot. She was also in Doctor Who: Devious, a fan film in development since 1991. You can see the first part here.
Born October 20, 1946 — Thomas Wylde, 73. He’s here because he’s got two stories in the Alien Speedway franchise, Roger Zelazny’s Alien Speedway #2: Pitfall and Roger Zelazny’s Alien Speedway #3: The Web. I’ve never heard of these. Anyone read them? He’s also got two stories in L. Sprague de Camp’s Doctor Bones series as well.
Born October 20, 1958 — Lynn Flewelling, 61. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair
(11) COMICS SECTION.
Bizarro shows Superman getting some parental advice.
…While they were writing “March,” they would spend hours on the phone combing through Lewis’s memories of sit-ins at whites-only lunch counters and the Bloody Sunday attacks during the 1965 Selma-to-Montgomery march. Occasionally they’d even fall asleep while still on the phone. “It reminded me of when sometimes Martin Luther King Jr. would call me late at night and he would fall asleep, and then I would fall asleep,” Lewis told me. “We’d talk and talk.”
Both men drew inspiration for the project from the 1957 “Montgomery Story” comic book that Lewis read as a teen. (It sold for 10 cents a copy.) They also looked to successful graphic memoirs like Alison Bechdel’s “Fun Home” and Art Spiegelman’s “Maus.”
Damon Lindelof’s entertaining comic-book rethink takes on the Big Bad of white supremacy, explosively and sometimes unsteadily.
Many a superhero origin story involves exposure to a volatile substance — something dangerous, radioactive, caustic — that can be powerful if mastered, ruinous if uncontrolled.
In HBO’s “Watchmen,” beginning Sunday, that fissile storytelling material is history: specifically, America’s legacy of white supremacy. The first episode begins with the 1921 riot in Tulsa, Okla., in which white mobs rampaged in the prosperous “Black Wall Street,” massacring African-Americans in the street and strafing them from above with airplanes. A small boy’s parents pack him onto a car that’s fleeing the mayhem, like Kal-El being sent from Krypton. But there is no Superman flying to the rescue.
With that opening, Damon Lindelof (“Lost,” “The Leftovers”) reframes the universe that the writer Alan Moore and the artist Dave Gibbons created in the 1980s comics series. Where Moore wrote an alternative history of Cold War America — a pre-apocalyptic dystopia in which masked vigilantes have been outlawed — Lindelof reaches back and forward in time to root his caped-crusaders story in a brutal American tragedy.
The choice invests this breathtaking spectacle with urgency. “Watchmen” is a first-class entertainment out of the box, immediately creating a sad and wondrous retro-futuristic world. It takes longer, though, to get a handle on the complicated and all-too-real material it uses as its nuclear fuel….
Things picked up when Claire mentioned that she’d been reading The Name of the Wind. a fantasy novel from The Kingfisher Chronicles series by Patrick Rothfuss. Piotr is, as he puts it, ‘a huge fantasy nerd.’ ‘He was very excited to talk about that,’ said Claire. He taught her how to pronounce the name of the novel’s main character, Kvothe. (It’s Ka-Voth-ee.) Piotr loosened up considerably on the topic of fantasy fiction. ‘Probably too much for a first date,’ he told me. He needn’t have been concerned; a self-proclaimed fantasy nerd herself, Claire described him as ‘just the right amount of nerd.’ ‘We had a lot in common,’ she said.
“Claire told me she didn’t feel much of an attraction, either, but ‘I would maybe have gone out with him if he had asked.’ In the end, she considers the date a success because ‘I got to talk about books I like.’
Until recently, most people likely haven’t encountered someone who’s been knocked off balance by a DNA test result, so it’s understandable they might not appreciate the magnitude of the impact. But it’s just a matter of time. Mind-blowing DNA revelations are becoming so common that some DNA testing companies have trained their customer service staff representatives to respond empathetically. While those employees may know the right thing to say, here in the real world the people around us often haven’t got a clue how it feels — like a punch to the gut.
If you’ve become untethered from your genetic family, you might get a second surprise: some of your friends and loved ones may be remarkably unsympathetic, often infuriatingly judgmental, and sometimes even hostile. It’s clear that although DNA surprises have become ubiquitous, social attitudes haven’t kept pace, and a stigma remains….
3. Blood doesn’t make family.
This tries to mollify us and discount our feelings at the same time. Blood is exactly what makes family, consanguinity being the first definition of kinship. Certainly there are also families of affinity, but the familial love we feel for them doesn’t alter the fact that our blood relatives exist and they matter to us.
A brainless, bright-yellow organism that can solve mazes and heal itself is making its debut at a Paris zoo this weekend.
At least so far, “the blob” is more benevolent than the ravenous star of its 1950s sci-fi film classic namesake.
Time-lapsed videos of the blob show a slimy organism rapidly multiplying in size. How fast exactly? The blob can sprint about four centimeters per hour, according to the Paris Zoological Park
The blob is neither animal, nor plant. And although Physarum polycephalum — Latin for “many-headed slime” — is classified as a type of slime mold, scientists now consider the creature unrelated to fungi.
…The slime mold, which lacks a nervous system, is capable of advanced decision-making, learning and long-term memory storage, according to Audrey Dussutour, who studies unicellular organisms with the French National Center for Scientific Research.
“It can find its way through a maze, it can construct efficient transport networks, sometimes better than us, actually,” Dussutour said in an interview with NPR’s Weekend Edition.
Australian carrier Qantas has completed a test of the longest non-stop commercial passenger flight as part of research on how the journey could affect pilots, crew and passengers.
The Boeing 787-9 with 49 people on board took 19 hours and 16 minutes to fly from New York to Sydney, a 16,200-km (10,066-mile) route.
Next month, the company plans to test a non-stop flight from London to Sydney.
Qantas expects to decide on whether to start the routes by the end of 2019.
If it goes ahead with them, the services would start operating in 2022 or 2023.
…Passengers set their watches to Sydney time after boarding and were kept awake until night fell in eastern Australia to reduce their jetlag.
Six hours later, they were served a high-carbohydrate meal and the lights were dimmed to encourage them to sleep.
On-board tests included monitoring pilot brain waves, melatonin levels and alertness as well as exercise classes for passengers and analysis of the impact of crossing so many time zones on people’s bodies.
Buckle up, Harry Potter fans, because J.K. Rowling’s latest bombshell about the series definitely isn’t doing anything for inclusivity: The bestselling author has revealed that Dementors are the wizarding world’s version of Italians.
A Disney Channel original movie from the era before they were all about tweens becoming pop stars. (Stream it on Hulu and Amazon.)
Sabrina the Teenage Witch
If you’ve been into the sexy new Sabrina show, revisit the quirky original. You won’t be disappointed. (Stream it on Amazon.)
You’ll want to become a witch after watching this ’90s cinematic staple. Sandra Bullock and Nicole Kidman star as witchy sisters navigating love, death, and magic. (Stream it on Amazon.)
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, JJ, Cat Eldridge, Olav Rokne, and Chip Hitchcock for some
of these stories. Title credit goes to File 770 contributing editor of the day Patrick
Morris Miller with an assist from Anna NImmhaus.]