Titan Comics will release Blade Runner 2019 Vol. 1:
Welcome to Los Angeles on November 20.
The first original comic series set in the iconic neo-noir world of Blade Runner! Detective Ash is a veteran Blade Runner, set on the trail of a kidnapped child in the streets of Los Angeles, 2019 – but as the bodies mount and Replicants crawl from the shadows, Ash’s own secrets come under fire! From writer Michael Green (screenwriter for Blade Runner 2049) and Mike Johnson (Star Trek), and illustrated by Andres Guinaldo (Justice League Dark, Captain America)!
The blog tour to publicize the comic starts tomorrow, November 18. File 770 will participate. Watch this space on December 5!
SFWA members and other individuals who are interested in the field of science fiction and fantasy are welcome to attend SFWA’s Nebula Conference. Attendees may participate in workshops, programming and special events throughout the weekend.
You do not need to be a member of SFWA to attend. We encourage anyone with a connection to the field to join us.
And SFWA members can now cast nominating ballots for the Nebulas.
It’s that time of year again! Editors, publishers, and authors’ minds turn toward Year’s Best list, and awards. Which also means it’s time for said authors, editors, and publishers to get out there and self-promote. It can feel icky or uncomfortable, but it’s a valuable service to those who nominate for awards, and those who just want to catch up reading what they might have missed during the year. So step forward, take a deep breath, and shout about what you wrote this year. While you’re at it, shout about the things you loved too! No one can read everything that comes out in a given year, but together we can help each other find excellent things to read, and perhaps even nominate.
(3) WORDS & MUSIC. The lyric video of Taylor Swift
singing “Beautiful Ghosts” from the motion picture Cats is online.
(4) UPON REFLECTION. Some who commented about a new YA
Twitter donnybrook linked in yesterday’s
Scroll (item #16) have adopted a new perspective, including N.K. Jemisin
whose thread starts here.
(5) RAPID CONTRACTION. The B&N Sci-Fi & Fantasy
Blog reportedly has severed ties with all its freelancers:
I was one of Mike Ford’s friends and editors, and I want to go on record with this: Martha Fry was extremely helpful when we wanted to keep his Liavek stories in print. The breakdown in communication between his original family, his fannish family, and his agent has many reasons, but there are no villains in that story. There are only gossips who love drama, as there are in any community. If anyone claims his first family tried to make his work unavailable, I will point to the Liavek anthologies as evidence that’s not true.
(7) KSR STUDY. The University of Illinois Press has
Stanley Robinson by Robert Markley, the Trowbridge Professor of English
at the University of Illinois at Urbana-Champaign.
Award-winning epics like the Mars trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival.
Robert Markley examines the works of an author engaged with the fundamental question of how we—as individuals, as a civilization, and as a species—might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity’s struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF’s literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.
At the bottom of the description for Disney’s 1940 classic animation Fantasia on the studio’s newly minted Disney+ service, there is a line that is garnering attention from viewers: “This program is presented as originally created. It may contain outdated cultural depictions.”
The disclaimer can be found in the streaming platform’s synopsis of many of Disney’s classic animated titles, including 1941’s Dumbo, 1967’s The Jungle Book, 1953’s Peter Pan and 1955’s Lady and the Tramp, as well as other offerings like 1960’s Swiss Family Robinson and 1955’s Davy Crockett.
Disney+ features the studio’s massive library that dates back over eight decades, and the verbiage serves as a caution against some racist and culturally insensitive depictions and references in Disney’s older offerings.
While Lady and the Tramp features Siamese cats depicted as East Asian stereotypes and Peter Pan includes a song titled “What Makes the Red Man Red?,” it is unclear what the criterion is for Disney titles to receive the “outdated cultural depictions” disclaimer. Aladdin, which has been critiqued for its racist depictions of Middle Eastern and Arab culture, does not feature the disclaimer in its synopsis.
Disney has not returned The Hollywood Reporter‘s request for comment.
One feature entirely absent from the streaming platform is the 1946 live-action animation hybrid Song of the South. The movie, which inspired the Disneyland ride Splash Mountain, has been widely criticized for its portrayal of African-Americans and apparent glorification of plantation life. It has been the studio’s policy to keep the film from theatrical and home entertainment rerelease.
Disney did not respond to multiple requests for comment as to why the episode is missing and who made the call.
It is assumed “Stark Raving Dad” is off Disney+ because Michael Jackson (not officially credited) was the guest star. Jackson voiced Leon Kompowsky, a man Homer meets while in a mental institution who sounds like Jackson. The episode was a favorite among fans for several years.
In March of this year, “Stark Raving Dad” was pulled from broadcast circulation following the release of the HBO documentary film Leaving Neverland, in which the late pop star was accused by multiple men of molestation when they were boys.
(9) TODAY IN HISTORY.
November 16, 1977 — Close Encounters of the Third Kind premiered. Directed by Steven Spielberg and starring Richard Dreyfuss, Teri Garr, Melinda Dillon and François Truffaut, the film is both a financial and critical success. It currently has a hundred percent rating at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 16, 1907 — Burgess Meredith. Brief though his visit to genre be, he had two significant roles. The first was in Twilight Zone: The Movie as Narrator although initially he was uncredited. One of his other genre role was a delightful take as The Penguin in original Batman series. He also shows up in Tales of Tomorrow, an anthology sf series that was performed and broadcast live on ABC from 1951 to 1953, and on The Invaders, The Twilight Zone, Faerie Tale Theatre: Thumbelina (with Carrie Fisher!) and The Wild Wild West. Did I mention he voiced Puff the Magic Dragon in a series of the same name? Well he did. Ok, so his visit to genre wasn’t so brief after all… (Died 1997.)
Born November 16, 1952 — Shigeru Miyamoto, 67. Video game designer and producer at Nintendo. He is the creator of some of the best-selling game franchises of the company, such as Mario, Donkey Kong and The Legend of Zelda.
Born November 16, 1952 — Robin McKinley, 67. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are Sunshine, Chalice and Dragonhaven. Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015, they lived together in New Hampshire. They co-wrote two splendid collections, Water: Tales of Elemental Spiritsand Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed!
Born November 16, 1958 — Marg Helgenberger, 61. She was Hera in Wonder Woman, and also appeared in Conan: Red Nail, Species and Species II, not to mention Tales from the Crypt. Oh, and two Stephen King series as well, The Tommyknockers and Under the Dome.
Born November 16, 1967 — Lisa Bonet, 52. First genre work was isEpiphany Proudfoot in Angel Heart, a decidedly strange horror film. More germane was that she was Heather Lelache in the 2002 A&E adaptation of Le Guin’s Lathe of Heaven. She later played Maya Daniels in the Life on Mars series as well.
Born November 16, 1967 — Eva Pope, 52. Genre is a slippery thing to define. She was a one-off in Adventure Inc. (might be genre) as well the Splinter film (horror with SF pretensions), Life on Mars (SF maybe) and Spooks: Code 9 (alternate UK history). Is she genre?
Born November 16, 1972 — Missi Pyle, 47. Laliari in Galaxy Quest which is one of my fave SF films of all time. Also has been in Percy Jackson: Sea of Monsters, A Haunted House 2, Jumanji: Welcome to the Jungle, Star Trek: The Next Generation, Roswell, The Tick, Pushing Daisies and Z Nation.
Born November 16, 1977 — Gigi Edgley, 42. Though her genre experiences are varied, I think she’ll be best remembered for her role as a Nebari who was a member of the crew on Moya on the Farscape series. Other genre appearances include Beastmaster, The Lost World, Quantum Apocalypse and she has a role in the web series Star Trek Continues in the “Come Not Between the Dragons” episode.
Born November 16, 1977 — Maggie Gyllenhaal, 42. She’s had some impressive genre appearances in such works as Donnie Darko, The Dark Knight, voice work in the superb Monster House and the equally superb Nanny McPhee and the Big Bang.
(11) ELLISON REMEMBERED. Fanac.org has uploaded an
audio recording of the Worldcon 76 (2018) “In Memoriam: Harlan Ellison” panel.
Worldcon 76 was held in San Jose, CA in 2018. This Memoriam panel (audio, with pictures) features memories and anecdotes from Tom Whitmore, Robert Silverberg (who was a friend of Harlan’s for 65 years), Chris Barkley, David Gerrold, Christine Valada and Nat Segaloff (Harlan’s biographer). Each of the panelists had a close relationship with Harlan, and these loving but clear-eyed reminiscences are a comfort to those that miss him, and hopefully to those readers who never had a chance to meet him. Harlan was an enormous presence in science fiction. His stories, his scripts, his kindnesses and his sometimes unbelievable missteps will be long remembered. Recording provided by Karen G. Anderson and Richard Lynch.
9. Lewis’s first book was a collection of poetry he wrote as a teenager. Before he planned to be a philosopher, the teenage Lewis hoped to become a great poet. He wrote poetry with the hope of publishing his work and gaining fame. He returned to England after being injured in France during World War I and published his collection as Spirits in Bondage under the pen name of Clive Hamilton.
The No. 1 New York Times best-selling author best known for his blockbuster thrillers has signed a major seven-figure deal with Tor Books for Moon Fall, a fantasy series that’s been eight years in the making.
Moon Fall opens a riven world trapped between fire and ice, merging his fascination with the natural world, his love of adventure, and his knowledge of the wonders found at the evolutionary fringes of scientific exploration. It centers on a young girl who foretells a new apocalypse approaching, one that will end all life for all time. Her reward is a charge of grave heresy, punishable by death. As she flees, she gathers an unlikely alliance of outcasts to join her cause to save their world. The journey will take them into lands both burning bright and eternally frozen, to face creatures unimaginable and enemies beyond reason. All the while, hostile forces will hunt them. Armies will wage war around them.
The movie, starring Joaquin Phoenix in the titular role, has surpassed $1 billion in gross sales at box offices world wide, Entertainment Weeklyreports. The milestone makes the blockbuster the first R-rated movie to hit the $1 billion mark, according to the outlet.
It also means that the movie, which tells the tale of the rise of Batman’s arch-nemesis, has now officially beat out Deadpool as the highest-grossing R-rated movie of all time. The Ryan Reynolds-stared film made $783 million.
(16) WELL-KNOWN BRAND. Martin Morse Wooster assures us, “I normally wouldn’t write about Tanya
Edwards’s Yahoo! Lifetstyle story ’10
Gifts That Will Impress The Ultimate Star Wars fan’ because it is an Ebay infomercial. BUT the Darth
Vader Helmet 2-Slice Toaster is definitely worth a photo!”
(17) PREPARE FOR TAKEOFF. Starlux Airlines is an actual company that begins
operations in Taiwan in 2020, with all new Airbus planes. They just launched
their safety video:
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, JJ,
Chip Hitchcock, John King Tarpinian, mlex, and Mike Kennedy for some of these
stories. Title credit goes to File 770 contributing editor of the day Kip W.]
Planetarium (published by Big Picture Press) was selected by a
record-breaking number of young judges. Over 10,600 young people drawn from 471
schools and youth groups from across the UK cast their votes for their favorite
science book from a shortlist of six titles, chosen by a panel of adult judges,
including author Michael Rosen and Royal Society Fellow Professor Sheila Rowan.
The Royal Society’s Young
People’s Book Prize champions the best science books for
under-14s. The winning authors receive an award of £10,000 and the shortlisted
authors each receive £2,500.
Planetarium is a beautifully illustrated, eye-catching large-format tour of our solar system and beyond – a must for any budding young astronomer. From planets and moons to far-flung exoplanets, all are depicted with stylistic flourish by Wormell, who also illustrated Phillip Pullman’s best-selling La Belle Sauvage: The Book of Dust Volume One. Alongside each illustration, Professor Raman Prinja, Professor of Astrophysics at the University College London, delves into the science and history with text on the array of celestial subjects.
Prinja has written several successful books on the subject, including Night Sky Watcher which was shortlisted for the Royal Society Young People’s Book Prize in 2015.
Wormell is a self-taught engraver and celebrated printmaker. He creates his timeless illustrations using wood engraving and linocut, as well as digital engraving working with tablet and computer.
The awards, given
since 1983 for the very best computer and video
games of the year, are significant because they’re mainly voted for by
the public. More than 3.5 million votes came in for 19 of the 24 categories.
(1) JOHN M. FORD RETURNING TO PRINT. Isaac Butler’s research for “The Disappearance of John M. Ford” at Slate led to an unexpected benefit: “I wanted to learn why a beloved science fiction writer fell into obscurity after his death. I didn’t expect that I would help bring his books back to life.”
It would take me 18 months to answer my questions. My quest would bring me to the vast treasure trove of Ford’s uncollected and unpublished writing. It would introduce me to friends and relatives of Ford who hadn’t spoken to each other since his death in 2006. And, in an improbable ending worthy of a John M. Ford novel, my quest would in fact set in motion the long-delayed republication of his work, starting in the fall of 2020. How did this happen? More importantly, why was he forgotten in the first place? More importantly than that: How did he write those amazing books?
…And so, after months of investigation, I found myself in an Iceberg Passage, seeing only some of the story while, lurking beneath the surface, other truths remained obscure. I do not share Ford’s horror at obviousness, but there are simply things that we will never know. We will never know why Mike and his family grew apart, or, from the family’s perspective, how far apart they were. We will never know who anonymously tried to edit the Wikipedia page to cut out Elise Matthesen. (The family denies any involvement.)
But I reconnected Ford’s family and editors at Tor, and after a year of delicate back-and-forth spearheaded by Beth Meacham, Tor and the family have reached an agreement that will gradually bring all of his books back into print, plus a new volume of stories, poems, Christmas cards, and other uncollected material. First up, in fall 2020, is the book that introduced me to Ford, The Dragon Waiting.Then, in 2021, Tor will publish—at long last—the unfinished Aspects, with an introduction by Neil Gaiman.
CZP’s contract boilerplate empowers the publisher to set a “reasonable” reserve against returns. There are no specifics, so it’s basically up to the publisher to decide what “reasonable” is.
For CZP, “reasonable” seems to mean 50%. This seemed high to me, so I did a mini-canvass of literary agents on Twitter. Most agreed that smaller is better–maybe 25-30%, though some felt that 50% was justifiable depending on the circumstances. They also pointed out that the reserve percentage should fall in subsequent reporting periods (CZP’s remains at 50%, unless boilerplate has been negotiated otherwise), and that publishers should not hold reserves beyond two or three years, or four or five accounting periods (CZP has held reserves for some authors for much longer).
(If you’re unclear on what a reserve against returns is, here’s an explanation.)
– Per CZP’s contract, royalties are paid “by the first royalty period falling one year after publication.” What this means in practice (based on the royalty statements I saw) is that if your pub date is (hypothetically) April of 2016, you are not eligible for payment until the first royalty period that follows your one-year anniversary–which, since CZP pays royalties just once a year on a January-December schedule, would be the royalty period ending December 2017. Since publishers often take months to issue royalty statements and payments following the end of a royalty period, you’d get no royalty check until sometime in 2018–close to, or possibly more than, two full years after publication.
In effect, CZP is setting a 100% reserve against returns for at least a year following publication, and often much more. This gives it the use of the author’s money for far too long, not to mention a financial cushion that lets it write smaller checks, since it doesn’t have to pay anything out until after returns have come in (most sales and most returns occur during the first year of release).
I shouldn’t need to say that this is non-standard. It’s also, in my opinion, seriously exploitative.
– And…about that annual payment. It too is non-standard–even the big houses pay twice a year, and most small publishers pay quarterly or even more often. It’s also extra-contractual–at least for the contracts I saw. According to CZP’s boilerplate, payments are supposed to be bi-annual after that initial year-or-more embargo. The switch to annual payment appears to have been a unilateral decision by CZP owners for logistical and cost reasons, actual contract language be damned (I’ve seen documentation of this).
Before the end of 2019, Star Trek will boldly do something it has never done in the 21st century before: Tell stand-alone stories in an animated format. It’s been known for a while that the final two Short Treks of 2019 would be animated, but we didn’t know what they’ d be about, or how they would even look…until now!
(4) TRANSCRIPTS FROM THE UNDERGROUND.
Ursula V’s dungeon party reports in. Thread starts here.
(5) CAPTAIN FUTURE. Amazing Selects™ will launch with the release of Allen Steele’s Captain Future in Love, a novella originally serialized in Amazing Stories magazine that “continues the adventures of Edmond Hamilton’s pulp adventure hero Curt Newton, aka Captain Future, rebooted and updated in Allen Steele’s inimitable Neo Pulp style.”
Amazing Selects ™ is a new imprint from Experimenter
Publishing Company LLC that
will feature stand-alone novella-length works, in both print and electronic
new Captain Future, originally introduced in Steele’s Avengers of the Moon
(Tor, 2017), “brings golden age science
fiction into the modern era presenting classic space opera adventure with
edition features concept art by Rob Caswell, interior illustrations by Nizar
Ilman and non-fiction features by Allen Steele.
Future in Love is
available through Amazon in paperback and ebook and through the Amazing
(6) NOBODY’S KEEPING SCORE. The new edition of the BBC Radio 4 Film Programme“Emma Thompson” is mainly
about the Last Christmas film, but includes two other segments of genre
interest. Hear it online for the next four weeks.
Emma Thompson has written 6 films in which she also stars. Last Christmas is the latest. She explains why she sometimes has to bite her tongue when actors deliver her lines in ways that she hadn’t quite imagined.
Neil Brand reveals how the ground-breaking score to cult classic Forbidden Planet was a last minute replacement and why the original composer decided to destroy his rejected score.
“Apocalypse Now meets Pygmalion”. Matthew Sweet pitches a long forgotten science fiction novel to film industry experts Lizzie Francke, Rowan Woods and Clare Binns.
(7) TUNE IN AGAIN. Also on BBC Radio 4 is a
production of Doris Lessing’s The Good Terrorist.
Available for the next 11 days.
First-ever dramatisation of Doris Lessing’s 1985 satire of incompetent revolutionaries in a London squat. Starring Olivia Vinall and Joe Armstrong, dramatised by Sarah Daniels.
I’ve been attending the Maryland-based indie comics convention SPX — that is, the Small Press Expo — for 15 or so of its 36 years, and this time around took the opportunity to dine with artist Paul Kirchner, who breathed the same comic industry air I did during the ’70s.
Paul broke into comics in the early ‘70s through a fortuitous series of events which had him meeting the legendary comics artist Neal Adams, who introduced him to DC Comics editor Joe Orlando, and within the week getting a gig as assistant to Tex Blaisdell helping him out on the Little Orphan Annie comic strip and stories for DC’s mystery books. He also worked for awhile as assistant to the great EC Comics artist and Daredevil innovator Wally Wood. He moved on from mainstream comics to draw two wonderfully surrealistic strips — “Dope Rider” for High Times and “the bus” for Heavy Metal. His wide-ranging creative resume also includes a graphic novel collaboration with the great writer of detective novels Janwillem van de Wetering, designs for such toy lines as Dino-Riders and Spy-Tech, and much more.
…The fantasy mashup tells the story of Dorothy from The Wonderful Wizard of Oz, Alice of Alice’s Adventures in Wonderland and Peter Pan‘s Wendy, who meet in boarding school for troubled young ladies. They each believe they’ve traveled to a fantastical world but no one else does. When their world-hopping sees Captain Hook and the Wicked Witch of the West team up to combine their magical villainy, the trio must band together to thwart them.
The graphic novel began life as a piece of fan fiction that Weir wrote prior to finding best-selling and Hollywood success with Martian…
(10) TODAY IN HISTORY.
November 15, 1968 — Star Trek’s “The Tholian Web” premiered on NBC. In a two-part episode of Enterprise titled “In a Mirror, Darkly”, the Tholians will be back with a story continuing this story.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 15, 1877 — William Hope Hodgson. By far, his best known character is Thomas Carnacki, featured in several of his most famous stories and at least partly based upon Algernon Blackwood’s occult detective John Silence. (Simon R. Green will make use of him in his Ghost Finders series.) Two of his later novels, The House on the Borderland and The Night Land would be lavishly praised by H.P. Lovecraft. It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon and Greg Bear but I cannot find a definitive source for that claim. (Died 1918.)
Born November 15, 1929 — Ed Asner, 90. Genre work includes roles on Alfred Hitchcock Presents, The Outer Limits, Voyage to the Bottom of the Sea, The Girl from U.N.C.L.E., The Invaders, The Wild Wild West, Mission: Impossible, Shelley Duvall’s Tall Tales & Legends, Batman: The Animated Series and I’ll stop there as the list goes on for quite some while.
Born November 15, 1930 — J. G. Ballard. I’ll frankly admit that I’ve not read enough of him to render a coherent opinion of him as writer. What I’ve read such as The Drowned World is more than a bit depressing. Well yes, but really depressing. (Died 2009.)
Born November 15, 1933 — Theodore Roszak. Winner of the Tiptree Award for The Memoirs of Elizabeth Frankenstein, and the rather excellent Flicker which is superb. Flicker is available at Apple Books and Kindle though no other fiction by him is. Odd. (Died 2011.)
Born November 15, 1934 — Joanna Barnes, 85. She’s Jane Parker in Tarzan, the Ape Man with Danny Miller in the title role. It’s not until she’s Carsia in the “Up Above the World So High” episode of The Planet of The Apes series that she does anything so genre again. And a one-off on classic Fantasy Island wraps up her SFF acting.
Born November 15, 1939 — Yaphet Kotto, 80. Assuming we count the Bond films as genre and I do, his first genre performance was as Dr. Kananga / Mr. Big in Live and Let Die. Later performances included Parker in Alien, William Laughlin in The Running Man, Doc in Freddy’s Dead: The Final Nightmare, Ressler in The Puppet Masters adapted from Heinlein’s 1951 novel of the same name and a horrid film, and he played a character named Captain Jack Clayton on SeaQuest DSV.
Born November 15, 1942 — Ruth Berman, 77. She’s a writer mostly of speculative poetry. In 2003, she won the Rhysling Award for Best Short Poem for “Potherb Gardening“. She was also the winner of the 2006 Dwarf Stars Award for her poem “Knowledge Of”. She’s also written one YA fantasy novel, Bradamant’s quest. And 1973, she was a finalist for the first Campbell Award for Best New Writer.
(12) COMICS SECTION.
Bizarro gets laughs from the thought-life of Batman’s sidekick.
(13) PALEO POSTAGE. I think I missed the news when these T.Rex
stamps were issued
in August. Fortunately, they are Forever
The four distinct stamps depict the long-extinct beast in various forms of its life from a hatchling to a skeleton in a museum.
In two of the stamps, the young adult depicted in skeletal form with a young Triceratops and in the flesh emerging through a forest clearing is the “Nation’s T. Rex,” whose remains were discovered on federal land in Montana and is considered one of the most important specimens of the species ever found, it said.
The four stamps were designed by art director Greg Breeding from original artwork by scientist and paleoartist Julius T. Csotonyi.
Drone maker DJI has demonstrated a way to quickly identify a nearby drone, and pinpoint the location of its pilot, via a smartphone.
The technique makes use of a protocol called “Wi-Fi Aware”, with which the drone essentially broadcasts information about itself.
The company said it would help prevent security threats and disruption, and give members of the public peace of mind.
But experts believe sophisticated criminals would still be able to circumvent detection.
“It’s going to be very useful against rogue drones,” said Ulrike Franke, a policy fellow at the European Council on Foreign Relations, who studies the impacts of the drone industry.
“But it’s not going to be enough to fight people with real bad intentions, because these are going to be the first people to hack this system.”
DJI told the BBC it could add the functionality to drones already on the market via a software update.
…“If Gatwick staff had a smartphone enabled with this capability in their pockets,” explained Adam Lisberg, from DJI, “they could have taken it out, seen a registration number for the drone, seen the flight path, and the location of the operator.
Young-adult book Twitter took an especially surreal turn this week when the best-selling novelist Sarah Dessen took offense at a brief critique of her work, inciting a minor Twitter riot, with some of the most famous writers in the world jumping into the fray to defend her.
(17) HOW DID THEY KNOW? I couldn’t help laughing when I
read this line in Jon Del Arroz’ blog:
A new team of four Project Wildfire scientists is sent to the Amazon to investigate how to stop the unexplainable anomaly. A fifth scientist is tracking the crisis from the International Space Station (ISS) orbiting Earth. Meanwhile, a deadly, self-replicating, microparticle structure is growing exponentially, eating the jungle and killing nearby tribal habitants.
… “Oh I would definitely be interested in doing a holiday special,” Favreau told Variety at “The Mandalorian” fan event. “And I’m not going to say who I would be interested in. But one of the people is the member of the cast in an upcoming episode of the show. So we’ll leave it at that for now.”
When pressed to see if he was serious, the director doubled down. “I’ve been thinking about it. It’s ready, the ideas are ready. I think it could be really fun. Not as part of this, but there’s an excitement around it because it was so fun and weird, and off and not connected to what ‘Star Wars’ was in the theater. ‘The Mandalorian’ cartoon, the Boba Fett cartoon, from the holiday special was definitely a point of inspiration for what we did in the show.”
Joules’ heavily-branded Wallce & Gromit-fronted spot from Aardman topped the rankings this week with a star score of 5.4 and a spike rating of 1.51 – indicating sales will follow.
The film shows Wallace, in his typically inventive style, bringing Christmas to West Wallaby Street all at ‘the click of a button’.
Joules’ festive products decorate the living room and there’s no escape for Wallace’s loyal side-kick, Gromit, who becomes the pièce de résistance as the fairy crowning the top of the Christmas tree.
[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, JJ,
Mike Kennedy, Susan de Guardiola,
Martin Morse Wooster, Danny Sichel, Steven H Silver, SF Concatenation’s
Jonathan Cowie, John A Arkansawyer, and Andrew Porter for some of these
stories. Title credit belongs to File 770 contributing editor of the day Patrick
Foundry announced the winners of its inaugural contest for speculative
fiction writers and artists.
1st: Jamie Adams
2nd: Claire Whitmore
3rd: Rose Wachowski
Honorable Mention: Lynne Sargent
1st: Alison Johnstun
2nd: Christine Rhee
3rd: Lauren Blake
Honorable Mentions: Zara Alfonso, Emily Leung, James Russell
First place winners from both contests receive $500, and all winners are getting critiques from professionals in their fields.
The writing contest was open to anyone who did yet qualify to join SFWA as an associate member. William Ledbetter was the contest coordinator. Charles Coleman Finlay, editor of Magazine of Fantasy & Science Fiction, and Lisa Rodgers, agent at JABberwocky, served as judges.
The art contest was open to new
artists who have not been professionally published and paid for more than three
black-and-white story illustrations, or more than one process-color painting,
in media distributed broadly to the general public. Judging of the ten
final artists was done by Rachel Quinlan.
Dream Foundry is a registered 501(c) non-profit dedicated to
bolstering the careers of nascent professionals working with the speculative
arts. You can join their community at forum.dreamfoundry.org, find weekly
content at dreamfoundry.org/blog.
John Hertz: (mostly
reprinted from No Direction Home 35) I know two
books entitled The Vicious Circle. Each book and both
together are of interest, indirectly, to us speculative-fiction
fans. The 1957 motion picture (G. Thomas dir.; renamed The
Circle in 1959 United States release) is not related. Mrs.
Parker and the Vicious Circle (A. Rudolph dir. 1994) is, but I haven’t
Vicious Circle” was a name its members, or constituents, or something, gave to
a group of writers and their friends who met at the Algonquin Hotel, New York,
mostly for lunch, during the 1920s and 1930s. It was the kind of joke
Dorothy Parker (1893-1967) was one of them. She won the O. Henry Award for her 1929 short story “Big Blonde”. She was the reviewer “Constant Reader” for The New Yorker; three volumes of poetry, Enough Rope (1926), Sunset Gun (1928), Death and Taxes (1931); two of short stories, Laments for the Living (1930), After Such Pleasures (1933); plays for stage and screen – two Academy Award nominations, for A Star Is Born (1937, with Alan Campbell and Robert Carson) and Smash-Up (1947, with Frank Cavett). She wanted her tombstone to say “This is on me” but her remains were cremated.
owner of the Algonquin, Frank Case (1872-1946), provided the Circle with a
round table. Harpo Marx (1888-1964) didn’t have a vicious bone in
his body, so his 1961 memoir Harpo Speaks! – his stage
character was mute – just talks of the Algonquin Round
Table. It seems to have started as a joke on Alexander Woollcott
(1887-1943). The date has been given as April 4, 1919, making 2019
Case’s daughter Margaret Case Harriman in her 1951 Vicious Circle has
Al Hirschfeld illustrations. Otto Penzler’s 2007 Vicious
Circle is his anthology of a dozen stories by nine of the Circle,
Robert Benchley (1932), Marc Connelly (1930), Edna Ferber (1911), George S.
Kaufman & Howard Dietz (1931), Ring Lardner (1925, 1929), Parker (1929),
S.J. Perelman (1944, 1951, 1971), and Woollcott (1931, 1932).
On the jacket of the Penzler book is a 1938 photo showing Alan Campbell, Case, Fritz Foord, Wolcott Gibbs, Russell Maloney, St. Clair McKelway, Parker, and James Thurber. If you get The Ten-Year Lunch (A. Slesin dir. 1987; Academy Award, Best Documentary) you’ll see on the box a 1962 Hirschfeld illustration showing Franklin P. Adams, Benchley, Heywood Broun, Case, Connelly, Frank Croninshield, Ferber, Lynne Fontanne, Kaufman, Alfred Lunt, Parker, Robert Sherwood, and Woollcott.
were great names once. Some still are. Some should be.
in these United States eight or ten decades ago is just alien enough now that
we see another world in fiction written then.
is in the verisimilitude business. Speculative fiction must attend
to verisimilitude particularly – because readers can’t have seen the invented
world. Fiction from another time makes a good
study. What’s mentioned? How much, in what and which
detail? What do characters take for granted? What do
authors suppose their readers will take for granted?
from another culture can also make a good study. But if it is put
into English from another language, the perspective we in SF want may be
clouded by the work of the translator.
what extent is a story by a U.S. author of 1911, using English, written in a
language other than ours?
fiction has a parallel interest in verisimilitude. The author must
see readers are sufficiently informed that they themselves could answer the
question which the detective is presented with.
There may not be a detective. The term mystery fiction is sometimes used, although not terminologically admirable. A bookshop in Glendale, California, called itself “Bookfellows” and also – liking speculative fiction and what for the moment I’ll call “detective fiction” in a broad sense, as science fiction is sometimes used broadly to include fantasy (a usage whose terminological inadmirability has led some to propose speculative fiction) – “Mystery and Imagination Bookshop”. I told the owners, half jokingly, “But all books are books of mystery and imagination.” In 2016 the physical shop closed, operation going on electronically here.
in mystery fiction the author must see readers are sufficiently informed that
they can recognize why they should feel mystified. Perhaps in this sense
speculative fiction can be mystery fiction. One thinks of George O.
Smith’s 1943 novelette “Lost Art” – 1943! aiee! did I forget to nominate it in
this year’s Retro-Hugos? where are my notes? anyway it got fewer than 4
nominations; and I can’t say I’d prefer it to Kuttner & Moore’s “Mimsy Were
the Borogoves”, which won.
has a parallel interest. The author must see readers are
sufficiently informed that they can tell what is satirized.
Case Harriman subtitled her book the story of the Algonquin Round Table. Otto
Penzler, who owns the Mysterious Bookshop in New York and has won two Edgar
Awards (for Best Biographical or Critical Work), subtitled his book mystery
and crime stories by members of the Algonquin Round Table.
make a comparison regardless of magnitude. Two geometrical figures
of the same shape are similar even if very different in size: consider a scale
model of the Moon 10” (25 cm) across; it and the Moon itself (2100 miles, 3500
km) are similar. Jane Austen (1775-1817), I’ve said, is like a
Martian writing for fellow Martians; Georgette Heyer (1902-1974) writing
historical fiction set in the same period is like an SF author who introduces
us to Martian life – never mind that science now indicates there might not be
any. Penzler’s authors are like Austen, Harriman is like Heyer.
recommend these two books to you – and if you care to pursue the subject, Harpo
Speaks! and works by other Circlers. Frank Case’s own
memoir is Tales of a Wayward Inn (1938). Read them
for themselves, and read them as an SF fan. What are they
doing? How do they do it?
(1) NEXT TIME, JUST WALK THERE IN THE BAT-SHOES. No more BIFF! or POW! Looks like Batman and The Joker are getting involved in the UK general election campaign in this ad from the Labour Party-supporting Momentum organization:
…Admirers of that sensational triptych [The Three-Body Problem and sequels] will find something rather different in The Supernova Era, which Liu actually wrote in 2003, before the first Chinese edition of The Three-Body Problem in 2007. Though it is adorned with the colourful nebulae of space-opera art, it is primarily a work of speculative sociology.
That only becomes clear, though, after a masterful opening sequence detailing the death of a star. Liu is superb at creating drama from technical description (before becoming a writer, he worked as an engineer at a power plant), and he ramps up slowly to the moment of a supernova with exquisite tension. Why should we care about another supernova? Because this one is happening all too close to us: a mere eight light years away, a star that had been hidden from human eyes behind a dust cloud is now exploding.
Eight years later, the radiation arrives at Earth, lighting up the atmosphere and wrecking DNA in all the life forms on the planet. The authorities soon realise that everyone will die in a matter of months, except for children aged 13 and under: they are young enough, it is discovered, that their bodies can repair the DNA damage. In the time remaining, the adults have somehow to train the children in the disciplines required to keep agriculture and technological civilisation going, and select national leaders to take over when they die. The novel focuses on the three 13-year-old Chinese children who are to rule the country, and later on their American counterparts….
…The episode is widely regarded as one of the series’ best, in large part thanks to Stewart’s performance. But “Chain of Command, Pt. II” struck a chord with Machado for another reason: She saw parallels between the torture of Picard and her own experiences with domestic abuse.
“It feels like a weird comparison to make because it’s literally an episode about physical torture. I was not physically tortured,” she said. “But on the other hand, it’s this sense that there’s something else happening underneath […] I kept thinking, this feels so on the nose. Like, as I’m working on this memoir, this episode just happens to be in the queue.”
Madred’s gaslighting technique reminded Machado of elements from her own relationship. “My ex-girlfriend would play these bizarre, possessive games. If I talked about anyone or looked anyone in any way, she would accuse me of wanting to sleep with them. She would call me and leave me voicemails if I didn’t pick up right away and be like, ‘Who are you sleeping with? What are you doing? Where’ve you been? Why haven’t you picked the phone up?’ And I came to believe that I was really a problem,” Machado said. “I think it took me a long time to figure out that it actually wasn’t about any of those things. It was about this need to exert control.”
Hello everyone. We are taking this opportunity to inform you that we have pulled our anthology, Other Covenants: Alternate Histories of the Jewish People, from ChiZine Publications. It was originally scheduled to be published in spring 2020.
This was a difficult, but absolutely necessary decision. We could make no other.
Other Covenants is a labour of love that we have been working on for more than two years, and its story does not end here. We are in ongoing discussions to find a new home for the book.
We would like to thank our wonderful contributors for all their patience and trust.
(6) NEW STARTING TIME FOR AMAZING TORONTO READINGS. Steve
Davidson sends an update that the starting time for the Toronto readings from Amazing Storieshas been
changed to 6:30 p.m. from 5 p.m. The dates, readers, and location all remain
Disney has produced a few hit films in its time, but Frozen stands as one of the most staggering successes in the studio’s nine-decade history. Released in November 2013, the animation became the highest-grossing film of the year – and that was just the beginning. In 2014, every car with children in the back seat – and some without – had the hit single Let It Go on the stereo.
Inevitably, a sequel was made. And, almost inevitably, it’s nowhere near as good. Like the first film, this one is directed by Chris Buck and Jennifer Lee, scripted by Lee, and punctuated with songs by Robert Lopez and Kristen Anderson-Lopez. But the catchy Broadway show-stoppers have been replaced by thudding rock-opera power ballads; the glacial clarity of the coming-of-age theme has been replaced by a flurry of mythological codswallop; and the urgency of Anna’s journey to bring her sister home has been replaced by the apathy of Elsa’s wish to learn about her past….
A fossilised tooth left behind by the largest ape that ever lived is shedding new light on the evolution of apes.
Gigantopithecus blacki was thought to stand nearly three metres tall and tip the scales at 600kg.
In an astonishing advance, scientists have obtained molecular evidence from a two-million-year-old fossil molar tooth found in a Chinese cave.
The mystery ape is a distant relative of orangutans, sharing a common ancestor around 12 million years ago.
“It would have been a distant cousin (of orangutans), in the sense that its closest living relatives are orangutans, compared to other living great apes such as gorillas or chimpanzees or us,” said Dr Frido Welker, from the University of Copenhagen.
The staff of Mysterious Galaxy just received notice that they are losing their lease for their Balboa Avenue storefront, and will need to move in 60 days. It is with heavy hearts that we share that unless a new buyer and new location are found immediately, Mysterious Galaxy will be forced to close its doors.
For nearly 27 years, Mysterious Galaxy Bookstore has been a vibrant part of the book community in San Diego, and a safe and welcoming place for those with a passion for books. The past several years have seen 5-10% growth in sales and increasing profits. The store’s participation in regional and industry conventions, and its stellar in-store events, have earned it a special place in the hearts of authors and readers alike, and created a well-respected brand in Science Fiction, Fantasy, Horror, and Mystery praised throughout the publishing and bookselling industry.
The purchase of Mysterious Galaxy is expected to be a turn-key sale, retaining the staff and mission of Mysterious Galaxy to grow and expand the already established brand. We eagerly hope to find the right buyer, who will focus on the future success and growth of Mysterious Galaxy, and consider the best interests of its expert staff
…For serious inquiries about purchasing the store, please contact current Mysterious Galaxy Store Owner Terry Gilman (Terry@mystgalaxy.com) by November 20.
(10) MAIN SQUEEZE. Paramount dropped a trailer for The Spongebob Movie: Sponge on the Run. It splashed.
(11) TODAY IN HISTORY.
November 14, 1991 — Dark Season, a six-part UK YA series, premiered. It lasted for a single season and it starred Victoria Lambert, Ben Chandler and Kate Winslet. It’s noteworthy for being Winslet’s first major television role. And it was created by Russell T Davies, then a BBC staff producer working for the children’s department at BBC Manchester who sent His story proposal in on spec.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 14, 1907 — Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s 18th most-translated author, and the fourth most-translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm. There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter as an animated series in Japan recently. (Died 2002.)
Born November 14, 1928 — Kathleen Hughes, 91. She was Jane in ItCame From Outer Space. Released on May 27 from the original story treatment of Ray Bradbury. It was Universal’s first entry into the 3D-film medium. She would also be in Cult of the Cobra, Swamp Women Kissing Booth and Where the Sidewalk Ends, adaptation of the Silverstein book.
Born November 14, 1948 — John de Lancie, 71. Best known for his role as Q in the Trek multiverse. He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar Man, and Battlestar Galactica (1978 version), The New Twilight Zone, MacGyver, Mission: Impossible (Australian edition), Get Smart, Again!, Batman: The Animated Series, Legend (if you’ve not seen it, go now and watch it) and I’m going to stop there.
Born November 14, 1951 — Beth Meacham, 68. In 1984 she became an editor for Tor Books, where she rose to the position of editor-in-chief. After her 1989 move to the west coast, she continued working for Tor as an executive editor. She does have one novel, co-written with Tappan King, entitled Nightshade Book One: Terror, Inc. and a handful of short fiction.
Born November 14, 1959 — Paul McGann, 60. Yes, he only did one film as the eighth incarnation of the Doctor in the 1996 Doctor Who television film, but that role he has reprised in more than seventy audio dramas and the 2013 short film entitled “The Night of the Doctor”. Other genre appearances include Alien 3, FairyTale: A True Story, Queen of the Damned and Lesbian Vampire Killers.
Born November 14, 1963 — Cat Rambo, 56. All around great person. Really. Just finished up a term as SWFA President. She was editor of Fantasy Magazine for four years which earned her a 2012 World Fantasy Special Award: Non-Professional nomination. A story of hers, “Five Ways to Fall in Love on Planet Porcelain”, was a Nebula Award finalist. Her first novel, Beasts of Tabat,is the beginning of what I suspect will be an impressive fantasy quartet. Hearts Of Tabat came this year. She also writes amazing short fiction as well. The Rambo Academy for Wayward Writers is her long-standing school for writers that provides her excellent assistance in learning proper writing skills both live and on demand as well. You can get details here.
Born November 14, 1976 — Christopher Demetral, 43. He also played the title character on the oh, so excellent The Secret Adventures of Jules Verne series. He shows up in the “Future Imperfect” episode of Next Gen, and had the recurring role of Jack on Lois & Clark: The New Adventures of Superman.
Born November 14, 1978 — Michala Banas, 41. Australian actress whose main genre acting has been the Nowhere Boys series and the film, Nowhere Boys: The Book of Shadows. She has a lot of other genre appearances, to wit in the Mirror, Mirror time travel series, the Scooby-Doo film, The Lost World series and the BeastMaster series as well.
Revenge is the most primal of motivations, and as such, it’s the basis of much fantasy literature. In Queen of the Conquered, Kacen Callender’s debut novel for adults, the author wields revenge with supernatural skill. But that’s not all they do: Callender also weaves a vast, fictional backdrop that’s based on the colonial history of the Caribbean, a refreshing break from the stereotypical, pseudo-European setting of most epic fantasy. But rather than scatter its narrative across numerous characters and points of view, Queen of the Conquered effectively concentrates its entire focus on one character, Sigourney Rose — a black woman and deposed noble with strange abilities who has the most profound of axes to grind against her island’s Norse-like conquerors.
(14) NEW COMIC FEATURES THANOS’ DAUGHTER. Marvel’s Nebula
will get her first series in February, created by by
Vita Ayala and Claire Roe.
This February, follow the exploits of one of the most feared women in the galaxy in NEBULA, an all-new six-issue series from rising Marvel star Vita Ayala with art by Claire Roe! In NEBULA, the daughter of Thanos and sister of Gamora will finally get her time in the spotlight — and she has her eye on a very secret device. But will one of the galaxy’s most notorious bounty hunters get to it first? Marvel fans know that Nebula rarely lets anyone get in her way…
“[Since] the movies kind of reinvigorated interest in her, we’ve gotten to see her pop up more and more in the comics. And now, here’s her solo title where all we do is really dive deep and explore who she is and why she does what she does. That’s kind of my jam,” Ayala said in an exclusive interview with Refinery29. “I really want to kind of showcase how cool Nebula is even though she’s a bad guy, and how much more complex she is than what we might assume….it was my mission to try and show who she is on a kind of two-dimensional level. Being able to be in her head and fill out all the corners is really given me an appreciation for her, and I want other people to also love her and want her to do her best.”
…Rumors were swirling earlier this week that Serkis was being eyed for the role. The actor previously played Ulysses Klaue in ‘Avengers: Age of Ultron’ and ‘Black Panther’ and while he could likely return to the MCU to do motion capture work down the line, for now, his live-action work will be confined to cleaning up after Batman.
… Serkis is joining a long line of Alfreds from Alan Napier on the iconic 1966 television series to Sean Pertwee on ‘Gotham’ and Jack Bannon on ‘Pennyworth.’ In feature films, Michael Gough played Alfred in the Tim Burton film, Michael Caine in “The Dark Knight” trilogy, and Jeremy Irons in the more recent films.
In celebration of its 150th anniversary, Sainsbury’s has travelled back in time to Victorian London in a spot that highlight’s the supermarket’s humble origins.
Nicholas, a poor orphan, is banished from the city after being falsely accused of stealing an orange from the original Sainsbury’s stall.
After being sent to the North Pole as punishment, he is rescued by Mrs Sainsbury who knows of his innocence and gifts him a bag of oranges saying “If you can’t do something special for someone at Christmas, then when can you?”
Nicholas then passes the kindness forward, gifting oranges to all the children in the orphanage before donning a red hat a cape – alluding that he will grow up to be Father Christmas himself.
(17) FORTEAN CONNECTION. Crimereads has
an interesting article by Curtis Evans about the 1937 murder of publisher
Claude Kendall — “The
Playboy and the Publisher: A Murder Story”. “Claude Kendall”
(the company name) was best known for spicy, controversial books, many with a
gay subtext (sometimes not very “sub” at all), and for mystery
novels. But Kendall was also the original publisher of Charles Fort’s Lo! and
The most notorious and successful of the Claude Kendall books were four novels authored by Tiffany Ellsworth Thayer, aka “Tiffany Thayer.” With several hundred thousand copies sold during the early 1930s, the Tiffany Thayer novels, particularly Thirteen Men and Thirteen Women, earned Claude Kendall a great deal of publicity. Other controversial books from the early 1930s that bore the Kendall name include: the first American edition of Octave Mirbeau’s Torture Garden, a primary text of the Decadent Movement originally published in France in 1899, of which pulp writer Jack Woodford expressed his amazement that Claude Kendall had been able to publish its “splendid” edition (“I don’t see how it would be possible to write a more ‘dangerous’ book [from the standpoint of the censor] yet it was published.”); Mademoiselle de Maupin, an American edition of Théophile Gautier’s gender-bending 1835 novel about a real-life French cross-dresser; G. Sheila Donisthorpe’s Loveliest of Friends, a novel dealing with lesbianism; Cecil De Lenoir’s seedy The Hundredth Man: Confessions of a Drug Addict; Beth Brown’s Man and Wife, about prostitution and the divorce racket; Lionel Houser’s Lake of Fire, described as a “bizarre tale of identity theft, mutilation, lust and murder, provocatively illustrated with strikingly explicit woodcuts”; R. T. M. Scott’s, The Mad Monk, purportedly about the early life of Rasputin; Lo! and Wild Talents, two of Charles Fort’s bizarre collections of “anomalous phenomena”; and, last but not least, Frank Walford’s Twisted Clay, a lurid tale, recently reprinted, about a psychopathic, patricidal bisexual female serial killer that was banned by government authorities in both Canada and Australia. (“She loved…and killed…both men and women,” promised Twisted Clay’s salacious jacket blurb.)
Ever eager where controversy was concerned, Kendall also unsuccessfully attempted to secure the American publication rights for James Joyce’s Ulysses, which had been banned in the United States on obscenity grounds since 1920.
In addition to the live-action MCU-based on the movies, Disney+ is offering the animated ‘What If…?’ series, which borrows its name from the popular comic book that told stories set in hypothetic realities where things went very differently from the mainstream Marvel Universe. The ‘What If…?’ animated series will be based on the MCU, so all of the stories will reinvent events from the hit films. The first will imagine a reality where it was Peggy Carter who became the Super Soldier, not Steve Rogers. Instead, skinny weakling Rogers will make his contribution to the Allies’ World War II efforts with the help of Howard Stark, who suits him up with a bulky suit of armor, reminiscent of Tony Stark’s Mark I armor. Together, the pair resemble DC’s ‘Stars and S.T.R.I.P.E.’ duo of Courtney Whitmore and her stepfather Pat or “Stripesy,” with Peggy flying to battle while essentially riding Steve’s armor like a steed.
(19) FOOD WITH AN EDGE. If you’re in the need of a blue condiment, step right up! “Star Wars: Galaxy’s Edge Cookbook“ is a $34.99 deal at BigBadToyStore (and doubtless other places.)
Inspired by the cuisine from the exciting new Walt Disney World and Disneyland Star Wars: Galaxy’s Edge-themed lands, this cookbook is the ultimate source for creating out-of-this-world meals and treats from a galaxy far, far away!
Featuring delicious delicacies found in Black Spire Outpost on the planet Batuu, this cookbook provides Star Wars fans with a wealth of delicious intergalactic recipes.
[Thanks to Michael O’Donnell, JJ, John King Tarpinian, Nina
Shepardson, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Soon Lee.]
SFWA is monitoring the ongoing situation with small press publisher ChiZine. In light of documented financial and contractual misconduct, as well as other troubling business practices, SFWA is placing an advisory warning on ChiZine.
One of SFWA’s main tasks is to support writers by helping the industry adopt best business practices. To this end, SFWA supports a number of initiatives to advocate for writers and educate writers about their rights. In addition, SFWA recognizes the emotional distress that the authors involved have experienced.
Authors who need assistance or wish to share their experience as part of SFWA’s monitoring process may contact Susan Forest at firstname.lastname@example.org.
All information is held in confidence and will not be shared in any form without the writer’s explicit permission.
While we are aware that Chizine has begun to take steps on their own to correct their missteps, our duty to our membership requires that we evaluate the market based on their actions rather than their plans. The authors who are published through Chizine need a stable marketplace. As such, a SFWA representative has contacted ChiZine with an offer to set a series of benchmarks to bring them into line with industry standards. We hope that this will help with accountability moving forward.
In the larger picture, any SFWA members who are experiencing issues resolving problems with editors, publishers, agents, or other writing-related business associates are encouraged to contact SFWA’s Grievance Committee. Types of grievances that can be undertaken include: non-payment of money legitimately owed to the member; failure to perform or uphold contractual obligations owed to the member; release from contracts that are clearly, in the opinion of the Committee Chair, onerous; mediation of non-monetary, non-contractual disputes with publishers, editors, agents, or other writing-related business associations; and other situations which the Committee Chair may deem appropriate use of committee resources.
File 770’s ongoing coverage of authors’ experiences with CZP can be searched using the ChiZine Publications tag. The first post in the current series of reports is here.
I have spent the past week reading and processing the ongoing revelations and allegations about my publisher ChiZine. I honour the words and experiences and the courage of those who have come forward to speak.
Through my agent, I have requested that ChiZine revert to me the rights to all of my work that they have published.
Re: The current status of my collection Celestial Inventories and Melanie’s final novel The Yellow Wood–I’ve asked for and received a reversion of the rights for these two ChiZine titles. As soon as they are removed from such online booksellers as Amazon they will be re-issued by Crossroads Press as e-books. Hopefully, at some point they will reappear in paperback form, but I can’t be sure if and when.
Statement from Can*Con regarding recent public information about ChiZine:
A large number of detailed allegations of abusive behaviour and non-payment of authors and staff have recently come to light. Friends and members of the Can*Con community have been touched and hurt financially and emotionally. As Co-Chairs of Can*Con, we stand with the victims and offer our support, both as an organization and as Derek and Marie. We do not believe that there is a place in our community for abusive behaviour.
We would also like to offer to use what platform and resources we have to help the affected authors and staffers continue to move their careers forward. We would like to immediately offer to:
***use Can*Con’s social media presence to promote the books that affected authors may have for sale that will put money in their pockets, as well as places where the public can support their art through means such as Patreon, Ko-Fi, Drip, etc;
***waive the registration fee for Can*Con 2020 to affected authors and staffers so as to reduce the burden of participating in the community; and
***we will set aside 1-2 tables for free in the dealer’s room at Can*Con 2020, where affected authors and staffers can sell their author stock, other books, etc. without an additional conference expense. The authors could work together to organize shifts for the table, so that they can enjoy the con and network.
Any staffers or authors who would like to participate in any or all of this, please email email@example.com.
As co-chairs of a public event, we also have additional responsibilities in the face of this new information. We’ll take other appropriate actions to make Can*Con a place free of harassment and abuse, although it is possible that we will not be able to make public statements about that work. However, we hope that people take at face value our commitment to creating a positive, encouraging, energizing, uplifting space for SFFH folk. We are committed to always listen, learn, and act to continue to make Can*Con a space the community can be proud of.
We send our best and much warmth to those directly affected and also those triggered by these events. If we can do anything to help, please feel free to personally reach out to either or both of us.
Derek and Marie (and the whole Can*Con team)
Kerrie Byrne, after reading various posts revealing ChiZine’s finances, wrote another extended thread which begins here.
I’ve been at the shit end of the stick with them ever since our relationship blew up when I withdrew my last book in Jan of 2018. My reasons for doing so were both personal and professional. Leaving the personal reasons aside, they hadn’t given me a royalty statement or payment in three years, to say nothing of the reserves against returns they withheld, some up to 5 years after they were due. Moreover, their support of my last book was, to say the least, underwhelming. To be fair, however, most of the money owing (as well as questions of rights) has been settled since, although not without a long and frustrating back and forth which included personal attacks on me. In the few years before I severed ties with them, several other authors had complained to me about their late/non-existent royalties and/or the way they’d been treated. When this first started happening, I generally defended Chizine. But, when it became clear this wasn’t just a few isolated cases, I gave up on trying to defend the indefensible, and my advice to other authors became, “They produce a good-looking product, but be aware of what you’re getting into.”
[Letitia Lemon:] I grew up watching Voyager, but it wasn’t until university that I made my way through the whole Star Trek back-catalogue. Studying film and TV production, I could see that the shows were products of their time, but the characters and themes were timeless.
In my final year, I had an accident in the scene-dock where the sets were kept. A huge metal pole fell on to my head, missing my eye by less than an inch. For several weeks I had concussion, with nausea and light sensitivity that made it hard to look at a TV.
Then the nightmares began. In my dreams, the accident had left me with a gaping bloody eye-socket, like something from a horror movie. I would wake gasping for breath and run to check myself in the mirror. Every time I went back into the scene-dock I froze. I didn’t realise it, but I had PTSD.
It was an episode of Discovery that finally made it all click. In a crisis, Ash Tyler (Shazad Latif) was having flashbacks to being tortured by the Klingons, and Admiral Cornwell (Jayne Brook) was trying to calm him down. “You’re safe,” she told him. “What you are experiencing are the effects of past trauma.”
I stared at the screen in silence. I wasn’t watching as a film student now – or even as a fan – but as someone who knew exactly what that character was feeling. The admiral’s words gave me strength. From that day on, the nightmares stopped.
I tracked Jayne down on Twitter and told her my story. When I saw she was appearing at this year’s Las Vegas convention I knew I had to go, even though I was terrified of flying. I got through my first ever flight with Cornwell’s final line scrawled on a piece of paper in my lap: “Whatever your path may be, you can handle it.” When I arrived, she gave me a big hug. I knew it had all been worth it.
Demon with a Glass Hand marks Robert Culp’s third appearance on The Outer Limits, after his previous roles in The Architects of Fear and Corpus Earthling. The third time is absolutely a charm. In this episode, Culp transforms into Trent, a man who recalls nothing of his past, but in the present is being pursued by human-like extraterrestrials called the Kyben.
The Kyben are after Trent to gain possession of his glass computerized hand, which “holds all knowledge.” His hand speaks, providing guidance to Trent to help him avoid capture. The Kyben already possess three of his fingers, which Trent needs in order to collect more information about his past. Along the way, he meets and is helped by a charming seamstress, Consuelo Biros, played by Arlene Martel of The Twilight Zone episodes Twenty Two and What You Need.
Harlan Ellison has done it again. Just like with The Soldier, Ellison‘s writing has helped The Outer Limits dive much deeper into science fiction. Ellison combines a lot of different things that, in the hands of a less skilled writer, might not work as well as they do here. The episode has an interesting premise, drama, action, and just a little bit of everything. Culp and Martel deliver spectacular performances. Back in the director’s chair is Byron Haskin, director of The War of The Worlds (1953) and this summer’s Robinson Crusoe on Mars.
…I spent a long time on the phone with very talkative, very enthusiastic, very convincing Hollywoodians. And I HATE phone calls. Hate them.
I was even skyped by the head of the head of a major US TV network’s Hollywood studio (CBS). He talked about how many millions would be spent on the (and here I forget the terminology) short taster that would be used to drum up funding for a full film.
I had small film companies showing me their short-form work and conference calling about scripts for different scenes – filming to start in 3 months.
Here’s the thing though. All of these people wanted the option on my work. Not one of these people was prepared to pay for it.
The option is a legal agreement that for the period of the option (typically 1 or 2 years) the author will not sell the film or TV rights to their work to anyone else. That’s all it is. You haven’t agreed to sell them to the person who holds the option (though sometimes you have – more of that later), just not to sell them to anyone else….
(5) TODAY IN HISTORY.
November 13, 1933 — The Invisible Man premiered. Produced by Universal Pictures, the film stars Claude Rains, in his first American screen appearance, and Gloria Stuart. The movie was popular at the box office, Universal’s most successful horror film since Frankenstein. The film holds a 100% rating at Rotten Tomatoes.
November 13, 1940 — Walt Disney’s Fantasia premiered at the Broadway Theater in New York; first film to attempt to use stereophonic sound.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 13, 1850 — Robert Louis Stevenson. Author of for Treasure Island, Strange Case of Dr Jekylland Mr Hyde and the New Arabian Nights collection of short stories. (Died 1894.)
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.)
Born November 13, 1930 — Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork Orange, Devil Girl from Mars, Corridors of Blood, The Tell-Tale Heart, Lancelot and Guinevere, Revenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.)
Born November 13, 1933 — James Daris, 86. He played the role of Creature in the deservedly maligned “Spock’s Brain” episode. He’d do one-offs in I Spy, I Dream of Jeannie, Land of the Giants, The Man from U.N.C.L.E. and Mission: Impossible, the latter with Shatter and Nimoy. He retired from acting with a role in Larva, a horror film.
Born November 13, 1953 — Tracy Scoggins,66. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal, a female Cardassian, in “Destiny” a DS9 episode.
Born November 13, 1955 — Whoopi Goldberg, 64. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer!
Born November 13, 1957 — Stephen Baxter, 62. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of literary awards as well. It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story.
Born November 13, 1971 — Noah Hathaway, 48. Best known as Atreyu in The NeverEnding Story and for being Boxey on the original Battlestar Galactica series. He was also Harry Potter Jr. in Troll, a 1986 comedy horror film which had nothing to do with that series.
…We also have some really weird things. …. One day a customer calls us and says they want a full refund. We say, “Why do you want a full refund?” They said, “Because the house is haunted and there’s a ghost in the house.” And we’re, like, “O.K., well, we have to adjudicate this.”
So we call the host, and all the host has to do is deny it, because there’s no photo evidence of ghosts. Well, unfortunately the host confirms the ghost, says that it’s a friendly ghost named Stanley, and that the ghost Stanley is in the listing description.
We read the listing description, Stanley is mentioned. So we go back to the guest and the guest says, “Yes, we knew about Stanley, that’s why we booked it. But Stanley has been harassing us all night.” How do you adjudicate that? So I guess the point is in this new economy built on trust you can only imagine the kind of issues you deal with. There is no playbook for this stuff.
(9) PRESERVING FANHISTORY. Fanac.org’s
Joe Siclari sent out an update – he and Edie will see you next at Loscon in
LA over Thanksgiving Weekend.
We brought the FANAC scanning station to Philcon last weekend, Nov. 8-10, and scanned over 1,500 pages. We also received donations of both publications and recordings. The week before, we also received a carton of recordings from NESFA. Those cover Boston fandom going back to at least Boskone 5 in 1968! We haven’t had a chance to inventory them yet but a quick glance includes recordings of Marvin Minsky, Isaac Asimov, Gordon Dickson and many, many others.
Lastly, and MOST IMPORTANT: Edie Stern, our webmaster is going to be a Guest of Honor at Loscon 46 in 2 weeks, Nov. 29-Dec. 1, 2019, at the Marriott Los Angeles Airport Hotel. Come by and say “hello” to her.
To celebrate her Honorship, we will have another FANAC Scanning Station at the con. Bring your favorite fannish photos and fanzines to Loscon so we can scan them and add them to FANAC.org. If you have old fannish recordings or films you can bring those as well. See you at Loscon.
The silver-backed chevrotain — a mysterious animal that’s the size of a rabbit but looks like a silver-splashed deer — has been photographed in the wild for the first time. The chevrotain is the world’s smallest hoofed mammal, or ungulate.
Scientists say they have rediscovered a type of chevrotain that had been “lost to science” for nearly 30 years.
“They are shy and solitary, appear to walk on the tips of their hooves and have two tiny fangs,” says Global Wildlife Conservation, which helped back the project that recently tracked down the elusive animals in southern Vietnam.
…During the study, which used an instrument to analyse the air on Mars over the course of three Martian years or just under six Earth years, scientist found that gases like nitrogen and argon behave predictably through the year. The proportion of the gas rises and falls relative to the amount of carbon dioxide, which makes up 95 per cent of Martian air.
They thought that oxygen would see the same changes. But they were shocked to find that it in fact rose through the spring and summer, with a varying amount of oxygen in the atmosphere, which suggests that it is being produced and then removed from the air.
Researchers were so shocked by the findings that their first course of action was to check the accuracy of the instrument used to find the data, but found it was working fine. Other possible explanations based on what we know about the Martian atmosphere were also considered, but rejected.
“We’re struggling to explain this,” said Melissa Trainer, a planetary scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland who led the research. “The fact that the oxygen behavior isn’t perfectly repeatable every season makes us think that it’s not an issue that has to do with atmospheric dynamics. It has to be some chemical source and sink that we can’t yet account for.”
The similarities between the mystery of Martian methane and Martian oxygen could be more than a coincidence, scientists speculate. It might be possible that they both have the same as yet unidentified cause.
“We’re beginning to see this tantalizing correlation between methane and oxygen for a good part of the Mars year,” Atreya said. “I think there’s something to it. I just don’t have the answers yet. Nobody does.”
This is the fourth version of the scene to appear in an official release: the original 1977, where Han appears to shoot (ahem) solo; the 1997 Special Edition that added in Greedo’s wide shot; the 2004 DVD edition which has Han and Greedo shooting at the same time; and now the 2019 Disney+ version, with Greedo getting in the last, baffling word.
“The studio was happy,” says Elfman. “Jon Peters, he came up to me when we were scoring it — because there was not even going to be a soundtrack album for the score; it was only for Prince’s songs, and I knew that. And he came up to me, and he said, ‘You know what? This score is so good, we’re going to release a second soundtrack.’ And I go, ‘Yeah, right. You’re just saying that.’ That had never been done. And he did it! Like I said, it was a tough sell, but once he got sold, he was really excited, and he was a huge advocate, and he personally made it a big deal to get that second soundtrack out. So, he became a really fantastic advocate for the score that he was so resistant to in the beginning.”
Although Thanos may know what it’s like to lose, the Mad Titan finally knows what it’s like to win! For the inaugural SYFY WIRE Awards, Thanos has been named the Best Villain of 2019.
But it’s not like Thanos didn’t have stiff competition. His closest competitor was none other than Pennywise the Dancing Clown from It Chapter Two. Pennywise certainly knew how to strike fear into the hearts of children, as well as their impeccably cast adult counterparts. But in the end (or should we say in the Endgame?), Thanos proved to be too much for Stephen King’s fearsome creation.
[Thanks to JJ, Chip Hitchcock, Martin
Morse Wooster, Susan de Guardiola,John
King Tarpinian, Mike Kennedy, Cat Eldridge, Darrah Chavey, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Daniel Dern.]