HBO’s Watchmen picked up four nominations overall, including Drama Series,
Drama Actress for Regina King, Supporting Drama Actor for Tim Blake Nelson and Supporting
Drama Actress for Jean Smart.
Game of Thrones also registered four appearances on the ballot:
Drama Series, with Kit Harington up for Actor in a Drama Series, Peter Dinklage
for Supporting Actor in a Drama Series, and Gwendoline Christie for Supporting Actress in a Drama Series.
The Critics’ Choice Television
Awards are accolades that are presented annually by the Broadcast Television
Journalists Association. They were established in 2011.
The Critics’ Choice Awards gala will
broadcast live on The CW Television Network on Sunday, January 12.
The full list of 25th Annual Critics’ Choice
Awards television nominations follows the jump.
Genre work was paid little attention in the 35th Annual Critics’ Choice Award movie nominations outside the Best Sci-Fi or Horror Movie, Best Action Movie, and Best Visual Effects categories, although Joker popped up in some others, most notably a Best Actor nod for Joaquin Phoenix.
The Critics’ Choice Movie Awards is
an awards show presented annually by the American-Canadian Broadcast Film
Critics Association. Up for Best Sci-Fi or Horror Movie are Ad Astra, Avengers: Endgame, Midsommar,
also made a strong showing in the Best Animated Feature category — Abominable, Frozen
II, How to Train Your Dragon: The Hidden World, I Lost My Body, Missing Link, and Toy Story
The Irishman, another gangster drama from superhero
disdainer Martin Scorsese, picked up the most film nominations with 14, including
best picture, director, acting ensemble as well as best actor (Robert De Niro)
and supporting actor (Al Pacino and Joe Pesci).
The Critics’ Choice Awards gala will broadcast live on The CW Television
Network on Sunday, January 12.
The full list of film nominations follows the jump.
(1) MCINTYRE BEQUEST. Clarion West announced in
August that they are the recipient of the
literary assets of Vonda N. McIntyre, who wished that the organization manage
her literary copyrights in perpetuity. Locus Online in an
article today reported —
She also left a bequest of $387,129 to the program, the largest single financial gift in the organization’s history: “The bequest will bolster the Clarion West endowment, strengthening our mission and ensuring our financial stability for years. Vonda’s extraordinary generosity will allow Clarion West to continue to support emerging writers for generations to come.” Janna Silverstein has joined as literary contract manager, and will advise Clarion West on how to manage “all copyright materials.”
…And while there are technically an infinite number of copies of digital files, e-books also work differently. When a library wants to buy a physical book, it pays the list price of about $12 to $14, or less if buying in bulk, plus for services like maintenance. An e-book, however, tends to be far more expensive because it’s licensed from a publisher instead of purchased outright, and the higher price typically only covers a set number of years or reads.
That means Prince’s recently released memoir “The Beautiful Ones” recently had a four-week wait for the e-book in San Francisco. Library-goers in Ohio’s Cuyahoga County were waiting 13 weeks to download Jia Tolentino’s book of essays, “Trick Mirror.”
Library e-book waits, now often longer than for hard copies, have prompted some to take their memberships to a new extreme, collecting library cards or card numbers to enable them to find the rarest or most popular books, with the shortest wait.
“We’re excited about developing the next generation of Native superhero, science fiction, and action/adventure stories,” said Rob Schmidt, owner of Blue Corn Creations. “To do that, we also need to develop the next generation of Native writers. This scholarship will help accomplish that.”
Clarion West has helped emerging writers reach for their dreams of professional careers in speculative fiction since 1971. Every summer, aspiring science fiction and fantasy writers attend the Clarion West Writers Workshop, a six-week intensive whose instructors include the best and brightest in the genre. Attendees benefit from the opportunity to hone their craft with the guidance of successful writers.
“Historically the field has reflected the same prejudices found in the culture around it, leading to proportionately fewer successful writers of color,” according to Clarion West’s vision statement. That’s why the Blue Corn Creations scholarship is a great fit with Clarion West’s mission, said Schmidt. “With it the workshop can serve another group with untapped potential: Native Americans.”
The Blue Corn Creations Scholarship for students of Native descent will help cover tuition, fees, and lodging for one student in 2020. The winner will be awarded in a blind judging to those indicating an interest on the application form.
…Blue Corn Creations and Clarion West encourage others to contribute to the scholarship fund. The goal is to establish a permanent full scholarship for students of Native American descent.
(4) BAIZE WHITE MOURNED. Mark
Oshiro is going on immediate while he deals with the sudden death of his
partner Baize White.
Sometimes he stood 8 feet 2 inches tall. Sometimes he lived in a garbage can. He often cited numbers and letters of the alphabet, and for nearly a half century on “Sesame Street” he was Big Bird and Oscar the Grouch, opening magic doors for children on the secrets of growing up and the gentle arts of friendship.
His name was Caroll Spinney — not that many people would know it — and he was the comfortably anonymous whole-body puppeteer who, since the 1969 inception of the public television show that has nurtured untold millions of children, had portrayed the sweet-natured, canary-yellow giant bird and the misanthropic, furry-green bellyacher in the trash can outside 123 Sesame Street.
…Big Bird appeared in “The Muppet Movie” (1979) and “The Muppets Take Manhattan” (1984), and in 1985 starred in “Sesame Street Presents: Follow That Bird,” in which a meddlesome social worker sends him to live with “his own kind,” a family of dodos in “darkest Illinois.” He runs away, and has a cross-country adventure.
…With the impending 50th anniversary of “Sesame Street” in October 2018, Mr. Spinney left the show after his own remarkable half-century run as the embodiment of two of the most beloved characters on television and one of the last surviving staff members who had been with the show from its beginning.
Auberjonois was a prolific television actor, appearing as Paul Lewiston in 71 episodes of “Boston Legal” and as Clayton Runnymede Endicott III in ABC’s long-running sitcom “Benson” — a role that earned him an Emmy nomination for best supporting actor in a comedy in 1984. He played shape-shifter Changeling Odo in “Star Trek: Deep Space Nine,” and carried that role into video games, voicing Odo in “Harbinger” and “The Fallen.” His appearance as Judge Mantz in ABC’s “The Practice” earned him another Emmy nod for guest actor in a drama in 2001.
… Other film credits include Roy Bagley in 1976’s “King Kong” and Reverend Oliver in “The Patriot,” as well as parts in “Batman Forever,” “Eyes of Laura Mars” and “Walker.”
…Auberjonois was also known for his voice roles, particularly in 1989’s Disney Renaissance hit “The Little Mermaid,” in which he voices Chef Louis and sang the memorable “Les Poissons.” Fans of “The Princess Diaries” would recognize him as the voice of Mia Thermopolis’ father, Prince Philippe Renaldi, in an uncredited role.
(7) TODAY IN HISTORY.
December 8, 1954 — The Atomic Kid premiered. It was produced by Maurice Duke and Mickey Rooney, and directed by Leslie H. Martinson. It stars Mickey Rooney, Elaine Devry and Robert Strauss. This is the film showing in 1955 at the Town Theater in Back to the Future.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.)
Born December 8, 1894 — E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.)
Born December 8, 1916 — Richard Fleischer. Starting in the early Fifties, he’s got he an impressive string of genre films as a Director — 20,000 Leagues Under The Sea, Fantastic Voyage (which came in second to Star Trek’s “The Menagerie” at NyCon 3 in that Hugo category), Doctor Doolittle, Soylent Green (placed third in Hugo voting), Conan The Destroyer and Red Sonja during the thirty year run of his career. (Died 2006.)
Born December 8, 1939 — Jennie Linden, 80. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well.
Born December 8, 1950 — Rick Baker, 69. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything, but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version.
Born December 8, 1951 — Brian Attebery, 68. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre.
Born December 8, 1953 — Kim Basinger, 66. She was the of Bond girl Domino Petachi in Never Say Never Again. After that, it’s Vicki Vale in Burton’s Batman as far as we’re tracking her. (We’re pretending My Stepmother Is an Alien never happened.) Ahhhh, Holli Would In Cool World… there’s an odd film.
(9) COMICS SECTION.
Non Sequitur has Alexa working on helping you to become a better writer.
In 1907, the gloriously named Horace Newte published The master beast : being a true account of the ruthless tyranny inflicted on the British people by socialism A. D. 1888-2020, republished in 1919 as The Red Fury: Britain Under Bolshevism. Unlike the other two, Bellamy isn’t mentioned explicitly but it’s clearly a response all the same. Newte’s hero is dismayed to see socialists come to power in Britain at the start of the twentieth century, followed of course by a successful German invasion. He then sleeps from 1911 to 2020, and awakes to find a morally degenerate country where women behave with dreadful freedom. But England is then invaded again, this time by African and Chinese forces, and he escapes to France. It’s online here.
(11) A SEASON FOR GIVING. Nerds
of a Feather helps fans with their holiday shopping in a series of posts about
gift suggestions, such as — “Holiday Gift Guide: Games (All Kinds!)”. Adri
Joy’s enthusiasm about the Goose Game is contagious.
It will come as a surprise to nobody that Untitled Goose Game is my pick for a video game gift this year. This year’s most memeable game, from indie developer House House, combines elaborate stealth-based mechanics with the aesthetics of a rural English village, and puts you in the shoes (well, the webbed feet) of a horrible goose completing a number of tasks to mess with a series of villagers. Featuring four main areas for mischief which open up into an increasingly elaborate world, its a game whose puzzles are satisfying and unrepentantly sadistic, with a great flow through the “level-based” tasks and into more elaborate post-game tests. There’s also plenty of fun to be have in tasks which serve no in-game purpose apart from the pure-hearted joy of being a goose, and while this isn’t quite Breath of the Wild levels of “exploring the world because its there” content, it’s still a diversion that can be returned to even once your goose to-do is all crossed off.
Once you started writing seriously, how long did it take you to sell your first piece? What were you doing wrong in your writing in those early days?
I started writing fiction in 2004, but prior to that I had been writing non-fiction for a long time. Laboratory manuals and procedures, business documents, etc. Then I got a part-time gig writing elementary school test preparation guides for The Princeton Review. That required writing fictional reading passages. I found I liked it, and here’s where real serendipity enters the equation. Makes you wonder if Fate really exists. I wanted to write horror and sci-fi, so I attended a convention (LunaCon) in New York, where I met Odyssey Director Jeanne Cavelos. We talked, and she said I should submit something to an anthology she was working on. I had two days before the deadline. I went home and wrote like a fiend. Finished my first-ever short story and sent it to her, unedited, unproofed.
It got rejected, of course.
But she sent it back with a note saying I almost made it in, I had real talent, and I should keep writing. So I did. And a year later I made my first professional sale, a short story. The year after that, it was two pieces of flash fiction and some poems. Then another couple of short stories. I went on like that for five years, all while also working on my first novel, which was published in 2010.
In those days, I’d have to say I was doing EVERYTHING wrong! I didn’t know about using editors or beta readers. I thought you just proofed your work and the publishers edited it. I didn’t know about first or third drafts. I didn’t know how to write a cover letter. I didn’t know anyone in the business except Jeanne. Over time, I attended more conventions. Met people. Joined the Horror Writers Association and the Science Fiction & Fantasy Writers of America. Took some classes. Learned how to edit properly.
Is They’d Rather Be Right the worst Hugo Award winning novel of all time? I’m in the minority of readers who hated The Three-Body Problem, so that will always be in contention for my personal Worst Hugo Winner of All Time category.
(14) BONES. The New York Review of Books’ Verlyn
Klinkenborg dismisses their own question “What
Were Dinosaurs For?” while covering a selection of dino books.
…As I was reading some recent books on dinosaurs, I kept wondering, “What were dinosaurs for?” It’s a ridiculous question, and I wondered why I was wondering it. After all, dinosaurs were “for” exactly what we are “for,” what every organism has been “for” since life began. Every species that has ever lived is a successful experiment in the enterprise of living, and every species is closely kinned at the genetic level with all other species. This is harder to grasp than it seems, partly because the logic of that Satanic preposition—“for”—is so insidious, so woven through the problem of time. Teleology is the moralizing of chronology, and nowadays science tries to keep watch for even the slightest trace of it, any suggestion that evolution has a direction tending to culminate in us or in what we like to call intelligence or in any other presumably desirable end point.
PopHorror: Are you still touring with Ray Bradbury Forever (Live)?
Bill Oberst, Jr.: Yes. I’ve got a show in Atlanta next year and then I’m going to Walla Walla, Washington. I wanted to go there just so I could say Walla Walla. It’s fun. And then I’ll be performing at some libraries next year because it will be the 100th anniversary of Ray’s birth. We did it on Broadway, and we did it in Los Angeles. We did about ten performances last year, so I learned what worked and what didn’t work. My goal is to get it to the point where people who know nothing at all about Ray Bradbury, people who have never read a word of his, can say, “Wow, I got something out of that.” I’m not interested in the Wikipedia info, where he was born and what he wrote and all that.
Think about it: after we’re all gone and all the people who have known us are gone, what’s left of Tracy and Bill? What were our lives lived for? What did we stand for? What is it about us that future people can say, “Well, I don’t know anything about Tracy or Bill, but this thing they did could apply to my life.” That’s the test. In 100 years, who is going to remember you unless you have some legacy, some mark.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Darrah Chavey, Chip
Hitchcock, Mike Kennedy, Martin Morse Wooster, Danny Sichel, Nicholas Whyte, Michael
Toman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day David Shallcross.]
The trailer dropped today for Wonder Woman 1984. In theaters
June 5, 2020.
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. With director Patty Jenkins back at the helm and Gal Gadot returning in the title role, “Wonder Woman 1984” is Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office. The film also stars Chris Pine as Steve Trevor, Kristen Wiig as The Cheetah, Pedro Pascal as Max Lord, Robin Wright as Antiope, and Connie Nielsen as Hippolyta.
Martin Morse Wooster: Washington’s Shakespeare Theatre
has two stages to fill and produces about six plays a year on their own, so
they’re happy to stage worthwhile travelling productions from Great
Britain. Last year, they were the home
for An Inspector Calls, a play by
J.B. Priestley that has been running in London for around 20 years but was
making its first American tour.
December, the Shakespeare Theatre hosted a travelling production of The Woman in Black by Stephen
Mallatratt, based on a novel by Susan Hill. This play has been performed in London since
June 1989, and is the second longest running show in the West End (behind The Mousetrap). The American production was in Pasadena in
November and will be in New York in January, performed in a pub with beer and
pub snacks available.
There’s a reason why The Woman in Black is so popular.
It’s a highly effective and entertaining play that I was glad made its
way to Washington.
play had its origins in the late 1980s.
Robin Herford was running a small theater in a small town in England,
and had 5,000 pounds in grant money he wanted to use by the end of the year. Herford wanted a holiday production that
wasn’t A Christmas Carol or a
pantomime, and asked Stephen Mallatratt, the theatre’s resident playwright, to
come up with something that had a ghost in it and could be performed by no more
than four actors, which was the limit of the theater’s budget. Mallatratt proposed adapting The Woman inBlack, and beat the budget limitations by boiling down four
characters to two.
surprised us was that this play actually scared people,” Herford said in an
interview with the Washington Post, “Long-running
play ‘The Woman in Black’ comes to the Shakespeare Theatre Company”, “We
had thought people would like it much as they enjoy Halloween, without really
believing it. I didn’t expect people to
take a ghost story seriously, because it’s notoriously difficult to scare
people in a theater. We weren’t looking
to do that; it just sort of happened.”
story tells about Mr. Kipps, who shows up at a theater with a play based on his
experiences. The other character, who is
called “The Actor,” flips through the manuscript and says it will take five
hours to perform—longer than King Lear.
So he tells Kipps they’ll read through the manuscript; he’ll play Kipps, and
Kipps can take over all the other parts.
He shows Kipps a basket and explains how the basket can be used to stand
in for all sorts of things.
begins by bumbling and stumbling and we get several good acting jokes. Then about 15 minutes into the production we
leave our world and enter Kipps’s story.
story is that Kipps, sometime in the past, is a lawyer who is probating a will
of an old woman who lives on a huge mansion on an island that’s so remote that
it can only be reached by a causeway that floods at high tide. Kipps spends several nights on this remote
island, and learns that the island is haunted.
But who is the ghost, and what does the ghost want?
The Woman in Black
is theatre of the mind, which is very easy to do badly. This fall I saw a production by the
Washington Stage Guild of an adaptation of Charles Dickens’s Hard Times, in which we were promised
four actors would play dozens of parts.
They indeed did this but the production droned. It was an audiobook, and not a good one.
The Woman in Black
uses all the tools theatre has, including excellent use of sound. I couldn’t find a sound credit, but Kevin
Sleep did the lighting, and he was very good.
the production I saw, Daniel Easton played The Actor and Robert Goodale played
Kipps. Both were fine in their parts.
final note. If you are a novelist who is
thinking of having her books turned into audiobooks, you need to see this show.
In particular, pay close attention to the scenes involving Spider, a dog who
serves as Kipps’s companion and who doesn’t exist. The scenes with Spider were the tensest of
the evening. If you see this, think
about why the scenes with Spider were so exciting—and you might come up with
ways to make your readers more involved in the story you’re telling.
The Woman in Black is highly entertaining and I heartily recommend it.
The Woman in Black has also been the
basis for two films, most recently a 2012 production starring Daniel Radcliffe.
By Rich Lynch: Somewhere around 60 years ago I had the bejeezus
scared out of me.
I recently read in the File770.com newsblog that November 29th was the 60th anniversary of the premiere of the Cold War-era sci-fi movie The Atomic Submarine. I didn’t see it until probably a year or so later, when it was shown on one of those Saturday afternoon scary movie matinees that were popular on television stations back then. And boy was it scary! I was not yet a teenager and I remember that at the most intense point of the movie I had covered my face with my hand and squinted through the gap between my fingers.
Six decades later I’m trying to figure out why it seemed so frightening to me. The plot was fairly pedestrian as B-grade sci-fi movies go – a U.S. Navy atomic submarine (which was pretty new real-world technology back then) was sent on a mission, under the Arctic ice pack, to find out why ships had gone missing in that part of the world. It turns out that an undersea UFO was the cause, which is not much of a spoiler since the promotional poster for the movie shows a flying saucer. Why the UFO was hanging out and destroying ships that passed by its vicinity was never explained, but it all was just a MacGuffin to get the submarine and the UFO next to each other so we could get to see the alien monster.
And a nightmare-inducing monster it was! One-eyed, ugly, and truly evil – it killed off the redshirts of the boarding party in terrifying ways, and was planning to bring samples of humanity back to its own world to dissect in preparation of a large-scale invasion of Earth. How in the world (literally!) could the U.S. Navy prevent that from happening?
I expect that this movie is obscure enough that probably only the scary movie aficionados have ever seen it. But it turns out that if you want to see it, you can – it’s apparently now in public domain, and there’s a pretty good digital transfer available on YouTube. So you know what? I’m gonna watch it again. I know it’s not going to be very much of a “Keep Watching the Skies!” sense-of-wonder experience, but I still want to see if I’m even remotely as scared as I was way back then. And I’m kind of hoping that I will be. Well, maybe just a little anyway.
…The second is Cixin Liu’s Supernova Era. Liu is best-known for the epic novels The Three-Body Problem, The Dark Forest, and Death’s End, which put Chinese science fiction on the map for US readers. This novel, which sees Earth’s adult population wiped out after radiation from a supernova passes by, is about the young survivors as they work to rebuild human civilization once again. Like Liu’s other novels, it’s an ambitious, fun read that reminds me quite a bit of science fiction’s classic eras.
What the hell does “Jellicle” mean? According to T.S. Eliot’s widow Valerie Eliot (at least as described in Lloyd Webber’s memoir), the word comes out of T.S.’s private joke about how the British upper class slurred the words “dear little cats” together to somehow make a sound like “Jellicle.” Eliot also wrote about “Pollicle Dogs,” based off the phrase “poor little dogs.” There’s a poem, “The Aweful Battle of the Pekes and the Pollicles” that gets ported into Cats, where the cats all dress up as dogs and make fun of them. This is frankly anti-dog, but what did you expect in Cats?
What, if anything, did you make of that? My readers deal with those things. They notice them before I do. I expect that Kylie Jenner heard from some of them along the lines of “We appreciate the thought, but you kind of missed it.” There were some themed tequila. People often do this in a very well-meaning way; they’re not trying to be unpleasant. It has been the occasion when I’ve been speaking somewhere and I will be greeted with Handmaid’s Tale cupcakes because the person doing the catering is such a fan. Will I turn up my nose at such cupcakes? No, I will not. I will not do that.
Will you eat the cupcake? That depends on my relationship to sugar at the moment. If I were in a sugar-eating moment, I would certainly eat the cupcake. I have a collection of artifacts: I have LEGO handmaids and commanders made by the children of one of the publicists in London. I’ve got some knitted chickens from a pro-choice outfit in Texas that knits chickens for charity. She made me some themed knitted chickens. First one is called “the Henmaid’s Tale.” It has an outfit. I have a piece of honey-point embroidery done before the embroiderer had read The Testaments or even knew about it. It says F*CK AUNT LYDIA So there are these things that appear, and as far as I’m concerned, that’s people playing in the sandbox. I’m happy to have people playing in the sandbox, although sometimes they get a little off, but that is to be expected. There are people right now writing military histories of Gilead, and I look forward to reading them because I’m not going to do that.
Jeff Vandermeer’s latest novel, Dead Astronauts, is a kaleidoscopic and fractured mosaic: In a long-changed, post-climate-apocalypse world, a trio of saboteurs — or escapees — or simply survivors — attempt over and over again to dismantle the work of the Company, an entity which may have once been a biotech corporation but now churns out broken and altered-beyond-recognition monstrosities in an endless stream. The three — who are the closest the reader gets to protagonists in the first half of the book — are only nominally human, and only nominally astronauts. Like nearly everything else Vandermeer has created in Dead Astronauts, they are allegories, figments, fables for a dissolving world where narrative and language are as subject to corruption as modified flesh.
Their leader is Grayson, an astronaut returned to Earth who can see futures and truths out of her blinded eye. With her are Chen, who sees the world in equations and probabilities, constantly on the verge of ego-dissolution into mathematics and emotional trauma; a man who might once have been a salamander, or many salamanders, but who definitely once worked intimately for the Company — and Moss, whom Grayson loves. Moss is sometimes a woman, sometimes a person — when she wants to be, for Grayson — and always a sentient moss, splittable into many selves, charged with (or choosing) to use herself to reseed the broken world with viable life.
(6) STARGIRL TEASER TRAILER. “The staff chose me, and I choose you.”
Stargirl premieres Spring 2020 on DC Universe and The CW. Stargirl follows high school sophomore Courtney Whitmore (Brec Bassinger), who inspires an unlikely group of young heroes to stop the villains of the past. The project reimagines Stargirl and the very first superhero team, the Justice Society of America, in a fun, exciting and unpredictable series
Science fiction is full of people settling on distant planets. But even the closest stars would take millennia to reach with current speeds of travel, by the time any passengers reached an extra solar planet, they would be long dead.
So CrowdScience listener Balaji asked us to find out whether humans could hibernate for interstellar travel?
To uncover the science fact behind this idea, Anand Jagatia holds a tiny hibernating dormouse at the Wildwood Trust in Kent, and meets Dr Samuel Tisherman who puts his patients into suspended animation for a couple of hours, to save their lives after traumatic injuries that cause cardiac arrest. We ask if Dr Tisherman’s research could be extended to put healthy individuals to sleep for much longer periods of time?
It’s a question that neuroscientist, Professor Kelly Drew is studying, in Alaska Fairbanks. She uses Ground Squirrels as a model to understand internal thermostats, and how hibernating mammals manage to reduce their core temperatures to -3 degrees Celsius.
Anand speculates wildly with science fiction authors Adrian Tchaikovsky and Temi Oh whose characters in their books ‘Children of Time’ and ‘Do You Dream of Terra Two?’ traverse enormous distances between habitable planets.
But is human stasis something that would actually be useful? John Bradford is the director of SpaceWorks, this company works with NASA to try to investigate human hibernation for space travel. He’s trying to make space-based human hibernation a reality, and it seems that may be closer than you’d think.
…Cue the montage! Daleks in Trafalgar Square! Daleks at the Albert Memorial! This is what location shooting is for. I don’t care if the rest of the series takes place in my shed, it’s worth it to see a Dalek surrounded by pigeons, further proving that Daleks are not the masters of Earth, because pigeons bow to no man, or alien pepperpot….
Doctor Who showrunner Chris Chibnall… told Deadline that Jodie Whittaker’s Tardis-travelling time lord will be thrown into action in a “movie-like” two-part curtain-raiser called Spyfall, which will premiere on BBC One and BBC America on January 1, 2020.
“Episode one is probably the biggest episode of Doctor Who we’ve done, or has been done, I would imagine. Physically, there’s a lot of stunts, there’s a lot of locations, it’s a globe-trotting action thriller,” he said. “But you don’t want to lose sight of character and intimacy and emotion. You can’t do everything at 11.”
(10) TODAY IN HISTORY.
December 7, 1979 — Star Trek: The Motion Picture premiered. Starring all of the expected suspects plus the now departed Indian model and actress Persis Khambatta, the film did very well but not well enough to not stop the studio from stripping Roddenberry of creative control of all things Trek. Reviewers and critics alike give it a 42% rating at Rotten Tomatoes.
December 7, 1984 — 2019: After The Fall of New York premiered. This Italian film was directed by Sergio Martino in both the English and Italian versions. The film starred Michael Sopkiw and Anna Kanakis, and George Eastman. Wiki says it was influenced by Escape from New York. One critic noted that “Graphic scenes of rape and murder await the viewer, as well as rats, midgets, and subway-riding revolutionaries.” Despite that, or because of it, it has a decent 59% rating among viewers at Rotten Tomatoes.
December 7, 1984 — 2010: The Year We Make Contact premiered. Written, produced, shot and directed by Peter Hyams. It’s based off Clarke’s 2010: Odyssey Two, the sequel to the film. It starred Roy Scheider as Heywood Floyd, John Lithgow as Walter Curnow and Helen Mirren as Tanya Kirbuk. It would outgross both Dune and Starman who opened roughly when it did. And yes it won the Hugo Award for Best Dramatic Presentation at Aussiecon Two beating out The Last Starfighter, Dune, Ghostbusters and The Search for Spock.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 7, 1915 — Eli Wallach. I‘ve a fondness for anyone who appeared on the Sixties Batman series. He played Mr. Freeze in a two part story, the third actor to do as both George Sanders and Otto Preminger had done so in previous two part stories. He also had one-offs in Worlds Beyond, Alfred Hitchcock Presents, Veritas: The Quest and Tales of the Unexpected. (Died 2014.)
Born December 7, 1923 — Johnny Duncan. Was the Sixties Batman the first Batman series? You know better. Johnny here was Robin on Batman And Robin (1949) for Columbia Pictures Corporation. It ran for fifteen episodes with roughly fifteen or so minutes apiece. Robert Lowery was Wayne / Batman. He has only one other genre appearance, an uncredited one in Plan 9 from Outer Space as Second Stretcher Bearer. (Died 2016.)
Born December 7, 1915 — Leigh Brackett. Surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Why not? Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) And yes, she completed her draft of The Empire Strikes Back just before she died. (Died 1978.)
Born December 7, 1945 — W.D. Richter, 74. As a screenwriter, he’s given us Invasion of The Body Snatchers, Dracula, and one of my most loved films, Big Trouble In Little China. As a director, he gave us Buckaroo Banzai Across The 8th Dimension, another of my most loved films. He’s not getting love for the reboot of Big Trouble In Little China with Dwayne Johnson that he’s apparently involved with. Grrrr!
Born December 7, 1947 — Wendy Padbury, 72. She’s Zoe Heriot, a Companion to the Second Doctor. She first appears in “The Wheel in Space” where she is the librarian on board the Wheel. Big Finish has made use of her character rather well. Her only genre film was Cathy Vespers in The Blood on Satan’s Claw (not to my to-be-viewed list), and she was regular cast member Sue Wheeler in the Freewheelers series which at least genre adjacent. Think Avengers only younger.
Born December 7, 1949 — Tom Waits, 70. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli.
Born December 7, 1959 — William John King, 60. Author who works exclusively in the Warhammer and Warhammer 40,000 Universes. Now I’ve not read in that universe, but I discovered recently, well in the last few months I think, that Games Workshop actually has some forty shops around the US where you can buy their miniatures, get them painted and just hang out. They also sell some fiction, both hardcopy and audiobooks, all Warhammer of course. Neat?
(12) COMICS SECTION.
Bliss shows there’s no end of things alien visitors must keep in mind.
Frank and Ernest think that, a synonym for wimpy, “snowflakes” is an illogical choice.
“This makes complete sense to me and appears to be nothing more than a mistake in not providing a toggle specifically for UWB. It seems that a risk of marketing a company as uniquely privacy-friendly is that any slip-up is magnified a hundredfold and treated as evidence that every tech company is basically the same.”
It is totally fair to hold Apple to a higher standard on privacy than other companies. But Heer is exactly right: when they do make a mistake, it’s going to be magnified. The mistake here wasn’t that location data was leaked?—?including to Apple’s own servers, apparently. The mistake was not making it clear in Settings that UWB requires location data for regulatory compliance. Most people don’t even know what UWB is at this point.
Non-player characters (NPCs) are a staple of video games: the anonymous members of a crowd that make up the background of the story you’re playing. At São Paulo’s Comic Con Experience (CCXP) today, 20th Century Fox unveiled a first look at Free Guy, about such a character who realizes that the world he inhabits isn’t what it seems.
…Such is the intrigue surrounding the sex lives of these black and white birds that, for the second year running, Kyoto Aquarium and Tokyo’s Sumida Aquarium, have released a chart detailing the tangled love lines among them.
…Rozu (or Rose) was a pick-up artist and a penguinizer before meeting Warabi, formerly the most popular penguin in the aquarium.
After falling in love, the two are now in an exclusive relationship and “can’t bear to leave each other’s side for more than one second.”
Then there’s inter-species love.
The two Penguin Relationship Charts also reveal how the aquariums’ caretakers are unwittingly pulled into the penguins’ affairs of the heart.
Caretaker Nagaoka’s friendship with penguin Hanabi has made Hanabi’s wife Ichigo jealous, turning Nagaoka and Ichigo into enemies.
Chiyouchin is said to have “neverending love” for his caretaker Oshiro.
Caretaker Tanaka wants to befriend Kiriko, but Kiriko blows hot and cold — sometimes sulking with Tanaka for as long as 20 minutes.
… While we at SYFY FANGRRLS don’t often talk about board games, we thought we would make an exception for this one, because it’s about playing through a consensual female-focused alien encounter with some sexy tentacles, and if that’s not our area of expertise, I don’t know what is.
Consentacle is a co-operative board game set in space, where the whole aim is for players to communicate as best they can with a language barrier in place. One player takes on the role of a curious blue-haired human astronaut, while the other takes on the role of a sensitive and caring feminine tentacle-covered alien. Neither of your species shares a spoken language, and as such the players are not allowed to use words to communicate their plans during the game. Both players and characters establish consent, then attempt to fumble their way wordlessly through a sexy space encounter, keeping each other’s needs and wants in mind.
Different acts between the pair will produce different “satisfaction” resource tokens, and the players have to work out what each other needs, and try to anticipate their plays, for mutual resource building in tandem. Each player has their own deck of cards, which have various effects when used solo or in combos, with some cards better used one-sided or in tandem….
[Thanks to Gordon Van Gelder, John Coxonn, JJ, Cat Eldridge, Mike
Kennedy, John King Tarpinian, Andrew Liptak, Chip Hitchcock, Daniel Dern, Martin
Morse Wooster, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Fire Chief Daniel Dern.]
Smofcon 37, the convention for conrunners, taking place December
6-8 in Albuquerque, NM, asked Worldcon, and Smofcon bidders, and seated
Worldcon and Westercon committees to answer a questionnaire. The responses have
been posted at Smofcon’s website under Fannish Inquisition.
will also be a Q&A
the con on December 7 – publishing these questionnaires in advance helps keep
that time from being taken up with basic information. If you want to submit a
question, see the information at the end of this post.
following FAQs have been received from Bids and seated conventions:
Seven Worldcon committees and bidders (all except Nice in 2023) cosigned a statement (which many inserted at the beginning of their questionnaires) criticizing the Smofcon 37 committee for the short response deadline, the dramatic increase in number of questions asked from last year’s form, and use of Google Docs to communicate, which cannot be accessed in China. Smofcon 37’s chair Ron Oakes responded with a lengthy justification of what happened, while the FAQ coordinator apologized.
Submitting Questions to the Fannish
Inquisition: Here are the
This event is our traditional time for bids for future SMOFCon, Worldcons and NASFiCs. Our usual highlight event, and will mostly be run as it has been in the recent past with written questions through our able moderators. Those wishing to submit questions in advance may do so by sending email to email@example.com, up to 6:30pm MST December 7, 2019 to ensure that we receive it prior to the convention.
[Update 12/07/2019: After this post was drafted last night, several more questionnaires were added to the website. The new links have been added here.]
By John Hertz: The Los
Angeles Science Fantasy Society (LASFS; pronounced like “lahss fuss”) is the
oldest SF club in the world, founded 1934.
The Evans-Freehafer has
been given since 1959 for service to the club. It is currently
announced at the SF convention LASFS sponsors, Loscon (held on the weekend of
the United States Thanksgiving holiday, Friday – Sunday following the last
Thursday in November; Loscon XLVI was November 29 – December 1, 2019).
E. Everett Evans
(1893-1958; sometimes “Triple E”, “Tripoli”) and Paul Freehafer (1918-1944)
were productive big-hearted LASFS members.
Evans chaired the first
West Coast Science Fantasy Conference (“Westercon”, annually on a weekend
including or near U.S. Independence Day, although not necessarily in the U.S.;
Westercon LXXIII will be July 2-5, 2020, at Seattle, Washington).
Freehafer, who had been
with the club since 1934, was so prized for cheerfully carrying club projects
to completion that wherever the LASFS meets is Freehafer Hall.
The Evans-Freehafer is
decided annually by the previous three years’ recipients, and kept secret until
announced, sometimes flabbergasting the new recipient. In fifty years
only four people – Mike Donahue, Bob Null, Bruce Pelz, and Elayne Pelz his
widow – have received it more than once.
Smith is a long-time LASFS member who has held various
offices including President, and served on the Board of
Directors. If you are familiar with hobby activity you know such
positions less often result from a contest for who will be elected to them than
a search for who will undertake them.
extrude other hobbies; in the SF community a home-made song tradition (hmm,
maybe not the right word) came to be called “filk music”, from a 1950s
typographical error for “folk music” that stuck; Smith has been active there
too, chairing filk conventions, singing, writing, placed in the Filk Hall of
Fame in 2015.
Smith recently curated
an exhibit “Dreaming the Universe” held March 3 – September 2, 2018, at the
Pasadena Museum of History, exploring the interaction of science, fiction, and
Southern California, with artifacts, fine and graphic art (those being somewhat
technical terms), books, ephemera, photographs. Building it took him
Elsewhere in his life
Smith has for almost forty years been a technician at the Pasadena Public
Let’s start with your virtual production process for The Mandalorian. How did it grow out of work that you did for The Lion King?
In The Lion King, we built a tool set, basically a “multiplayer VR filmmaking game,” using the Unity game engine. We built a bunch of tools working with [lead VFX house] MPC and [tech developer] Magnopus and Unity, and we developed a way by which you could actually create environments and set up cameras and shots within VR. In The Mandalorian, we used a lot of the same tools to plan the entire production, working with the Unreal engine [from Epic Games]. But Lion King was a much different production because there was no actual photography. For Mandalorian, we take that cut, and instead of going right to animation and render like we did on Lion King, we build sets and a digital environment that we project onto a video wall. We partnered with Unreal and [VFX house] ILM and put together this system for The Mandalorian. All the people that we worked with then took that technology, and they’re doing their versions of it. They’re all slightly different, but basically we did research and development for The Mandalorian, and now everybody is building on the innovation that we collectively did and making that available to other people who might be curious about this process as well.
(2) CONTINUED NOBEL BLOWBACK. [Item by Karl-Johan Norén.] Member
of the Swedish Academy and former permanent secretary Peter Englund will not
participate in any of the Nobel festivities or activities this week, due to the
2019 Nobel Prize in literature being awarded to Peter Handke. He writes on Instagram
As previously reported I will not participate in this year’s Nobel Week. To celebrate Peter Handke’s Nobel Prize would be deeply hypocritical from my part. Can add that this will not be a surprise for my friends and colleagues in the Academy. Also I will be present in the usual way at the Academy’s celebratory meeting on December 20. The white tie will rest until then.
The image used is of the Stockholm City Hall, where
the Nobel Prize banquet is traditionally held.
Peter Englund is a historian, and during the
Yugoslavian Civil War he made several trips to the country as a journalist. He
is without a doubt the member of the Swedish Academy with the strongest
relation to and knowledge of the Yugoslavian Civil War and its consequences.
Many of you know that Arc Manor is, essentially, a two-person company: Myself and Lezli Robyn. Some of you are also aware that we had a GoFundMe for a couple of years ago for treating her eyes–for Keratoconus, a rare disease that effectively leads to blindness by causing blurriness and multiple images.
…Unfortunately, Lezli’s other illnesses intervened and she had to postpone her eye surgery twice (the second time needing to be in another country for urgent abdominal surgery). She was misdiagnosed for about two years (until very recently) for her hyperthyroid condition, which led her to have a Thyroid Storm. At the point of her diagnosis, she was in the hospital in a touch-and-go situation with her life.
Since her diagnosis, she has been put on the right meds (she may need an additional surgery, but the meds may be sufficient) and has recovered significantly. However, one side effect of her untreated condition has been a significant worsening of her eye-sight. She was legally blind even before this, but now it is gotten to the point where she has needed to get a blind cane. She now sees 40 duplications, instead of the original 7.
Shahid, his wife, and other close friends have been arguing that I need to raise the level on my fundraiser so it can also cover the procedure to CORRECT my eye condition as well as HALT my Keratoconus (giving me normal eyesight again!). People are very confronted by how bad my eyesight is now—especially after seeing me get around in person. I can no longer hide it and they say it’s not a matter of wanting to get it done, but NEEDING to get it done, because they argue my quality of life is severely compromised. I have also had to be honest and let my boss (also Shahid) know what I cannot do for work now, because I literally cannot see well enough to do certain publishing tasks.
Her delayed eye surgery is now scheduled for March 2020, and for
reasons explained in these two posts, more funds are needed,
Until last month, 2019 felt like a year in which popular culture was winding itself down. What seems like an abnormal number of shows, including juggernauts like Game of Thrones, wrapped up their stories, while others were cancelled. Collaborations like the Netflix MCU were brought to an abrupt end. Everywhere there was a feeling of holding one’s breath, clearing the decks in preparation for the coming onslaught. And then, a few weeks ago, that deluge arrived with the launch of Apple TV+ and Disney+, two new streaming platforms seeking to directly challenge Netflix and Amazon for primacy in a field that already feels hopelessly crowded and balkanized. Scripted TV is only one front in that fight (Disney+, for example, can afford to launch with only one original scripted series because it has such an enormous back-catalog to boast of, whereas Apple+ is scrambling to measure up with four new scripted series, and more to come). But it’s the one I find most interesting. Overall, my verdict is that all of these shows are ambitious, and a few are interesting, but none of them are truly great (and all suffer from the besetting flaw of streaming TV, of working better at a binge, which obscures annoying tics and makes the plot seem to flow better, than in weekly installments). If this is the future of television, my reaction to it is decidedly qualified, with a few sprinklings of hope.
To (mis)quote Russian Cosmonaut Yuri Gagarin, “I looked and looked but I didn’t see God.” Humans are cunning little monkeys, though, so even if at present we assume there are no gods as such, it’s within the realm of possibility that we might someday build something (or somethings) functionally equivalent to gods.
We could even turn ourselves into gods (via tech assist or magic). Would this be an unmixed blessing? Um, not really. We already know that humans can be monumental dicks; deified humans could be just as nasty….
THE UNIVERSITY LIBRARY UNIVERSITY OF CALIFORNIA, RIVERSIDE
Rank and Salary Scale Assistant Librarian/Associate Librarian/Librarian – Potential Career $61,201 – $82, 045
The Jay Kay Klein and Doris Klein Librarian for Science Fiction is responsible for the development, stewardship, and promotion of the Eaton Collection of Science Fiction and Fantasy and associated collections of science fiction, fantasy, horror, and other forms of speculative fiction housed in the University of California, Riverside Library’s Special Collections & University Archives Department….
Disney has issued an uncommon warning to cinema owners around the globe asking them to notify customers that certain visuals and sustained flashing lights sequences in J.J. Abrams’ upcoming Star Wars: The Rise of Skywalker could affect those with photosensitive epilepsy.
The studio has also notified the Epilepsy Foundation, which posted a similar advisory Friday morning, saying it was working in concert with Disney to provide information to its constituents.
[Disney’s letter to exhibitors stated,] “Out of an abundance of caution, we recommend that you provide at your venue box office and online, and at other appropriate places where your customers will see it, a notice containing the following information: Star Wars: The Rise of Skywalker contains several sequences with imagery and sustained flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.” […]
…On the second aired episode of Star Trek, “Charlie X,” the slender, blue-eyed Walker portrayed Charles “Charlie” Evans, the sole survivor of a transport-ship crash who possesses strange powers. Walker was actually 26 when he played the 17-year-old Charlie during filming in 1966.
He starred in Jack Lemmon’s role as the title character in Ensign Pulver (1964), a sequel to the 1955 classic comedy Mister Roberts, and portrayed a kid sharpshooter opposite Robert Mitchum in Young Billy Young (1969).
(9) TODAY IN HISTORY.
December 6, 1991 — Star Trek VI: The Undiscovered Country premiered. It will be the last film with the entire cast of the original series. Screenplay by Nicholas Meyer, who also directed as he did previously with the Wrath of Khan film. It was a very spectacular financial success and bless them the critics treated it very well. Currently it scores in the low eighties among critics and viewers alike at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This site is a good place to do so. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her. Kingdoms of Elfin is available on Kindle, Lolly Willowes is available everywhere. (Died 1973.)
Born December 6, 1900 — Agnes Moorehead. I’m assuming that the statute of limitations for spoilers has long passed on this particular show. I’m referring to the Twilight Zone episode “The Invaders” in which she never spoke a word as she fought off the tiny Invaders, human astronauts, and she a giant alien. Written especially for her by Richard Matheson. (Died 1974.)
Born December 6, 1918 — William P. McGivern. Once in a while, I run across an author I’ve never heard of. So it is with McGivern. He was a prolific writer of SFF stories for twenty years starting from the early Forties. ISFDB only lists one genre novel by him, The Seeing, that he wrote with his wife Maureen McGivern. The digital has been good for him with both Apple Books and Kindle having pretty much everything by him that he did except the long out of print The Seeing. (Died 1982.)
Born December 6, 1941 — Wende Wagner. She is no doubt best remembered as Lenore Case on the Green Hornet series. Other genre roles include being Rosemary’s Girl Friend in Rosemary’s Baby, and Sandra Welles in Destination Inner Space, a horror film drawing the not coveted 0% rating at Rotten Tomatoes among viewers. (Died 1997.)
Born December 6, 1941 — Leon Russom, 78. He portrayed Admiral Toddman In Deep Space Nine‘s “The Die is Cast” episode and the Starfleet Chief in Command in Star Trek VI: The Undiscovered Country. He’s had one offs in the classic Mission Impossible, Strange World, X-Files, Jericho and Paranormal Burbank.
Born December 6, 1957 — Arabella Weir, 62. A performer with two Who appearences, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and Midsomer Murders.
Born December 6, 1962 — Colin Salmon, 57. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories. He has, alas, been in some clunkers, Mortal Engines certainly come to mind.
Born December 6, 1969 — Torri Higginson, 50. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in Stargate SG-1 and Stargate Atlantis. Her most recent genre role was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients.
In an effort to study the rodents’ ability to manipulate simple magical objects, researchers at the University of Chicago reportedly released a teeny little minotaur into a maze Thursday to test mice’s capacity to use enchanted string….
Two convention-only clips were screened for the audience, including a new trailer that focused more on Black Canary and Huntress than the first — as Black Canary (Jurnee Smollett-Bell) put it, Huntress (Mary Elizabeth Winstead) has “anger issues,” despite her shouted assertions to the contrary, while Canary herself has a broken heart and feels empathy for a Harley who’s learning to be alone after the Joker dumped her. Don’t worry; there was also plenty of explosions, and Harley’s two beloved hyenas, Wayne and Bruce. (Just wait a second, it’ll come to you.)
…So first and foremost, this bottle is a work of art unto itself. Rarely do I ever have wine in a square container such as this, but it’s a standard 750 ml. The design caught me off-guard but also made me smile because this is very much a Trek thing. Whenever you look at bottles of liquor in Ten Forward or Quark’s, the prop masters always went out of their way to create futuristic glasses and containers that you normally wouldn’t keep booze in during this point in time. But maybe wine is stored differently in the future, so you get this rectangle-shaped design that slims down the lower it goes.
“Last year, we captured the hearts, noses and fireplaces of our fans, but thousands more were clamoring to get their hands on our limited firelogs. So, we brought our 11 Herbs & Spices Firelogs back with an exclusive partnership with Walmart to spread the finger-lickin’ good cheer,” Andrea Zahumensky, KFC U.S. CMO said in a statement to the company’s website. “We hope you’ll cuddle up with your family or friends with a bucket of our world-famous fried chicken and a warm fried chicken-scented fire this holiday season.”
Also available right now, the anime-themed “I Love You,
Colonel Sanders! A Finger Lickin’ Good Dating Simulator”
Do you have what it takes to date the most famous chicken salesman of all time? Find out now in the most delicious dating simulator ever created. Play now on Steam for free! http://bit.ly/2m9MaQu
The author wasn’t all about literary masterpieces, dry martinis and rakish charm – he also invented a technique that can beat procrastination and boost productivity.
He was famous for his constant womanising, his achingly cool moustache and his affection for six-toed cats. Legend has it that he could drink 17 daiquiris in an afternoon, he was recruited by the KGB as a spy codenamed “Argo” and he once slept with a bear. Oh, and he wrote some of the most highly acclaimed works of all time.
I’m talking about Ernest Hemingway, of course. But it turns out that the author had more than novels and macho anecdotes up his rugged, intellectual sleeves. He was also the inventor of a clever psychological trick: the “useful interruption”.
According to a 1935 article Hemingway penned for Esquire magazine, when asked “How much should you write in a day?” by a young writer, he replied: “The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel, you will never be stuck.” He urged the nascent writer to remember this – and even went so far as to say that it was the most valuable advice he could give.
We are all familiar with the spinning wheels and download indicators that signify when our electronic devices are “working”, but are they making us fall for the “labour illusion”?
…But there is a good chance that you have been misled online at least once already today, probably without you even realising it. If you downloaded some software, tried to stream a video or even conducted an internet search, you’ve more than likely been taken in by one of the most widespread fibs of our modern age.
The spinning wheels, rotating egg timers and moving progress bars we regularly see on our screens when using our electronic devices are often misleading. Rather than offering an accurate representation of work being done, they are more often than not simply there to give the impression that something is happening behind the scenes. They provide us with a sense that we are not waiting in vain for something to happen.
And there is a fundamental reason for this: we like to see real work being done. In fact, we value it more, even when the end result is the same.
Ryan Buell, an associate professor of business administration at Harvard Business School, studies how we value the work we see being done. Perhaps this is most clearly illustrated in restaurants where customers can see chefs working in the kitchen. Diners rated the quality of food from those restaurants as 22% higher than the same food when they could not see it being prepared.
As Black Friday/Cyber Monday impulse-buys start piling up on our doorsteps, Peter Strickland’s new film In Fabric hits a nerve: Everyone loves a great sale, after all, just as everyone rankles at overly strict return policies.
Especially if the item in question is a dress that’s out to kill you.
Sheila, played by Marianne Jean-Baptiste, falls prey to a great winter sales rack. It’s a pity that the flowy A-line red dress she purchases is haunted by a coven of macabre sales clerks led by Miss Luckmoore (Fatma Mohamed) — but what can one expect of a dress purchased at 60% off retail? That said, it does come in ‘Artery Red.’
…What, you may ask, prompts the purchase of a killer dress, beyond a love for a great deal? The recently divorced Sheila is putting herself back out there, going on a first date with Adonis (Anthony Adjekum) — who is not all what his name implies. Bad luck follows Sheila: a mysterious rash, an imploding washing machine, and constant undermining from both her superiors at the bank and her son’s girlfriend, played by Gwendoline Christie in a harsh black wig. Jean-Baptiste grounds the movie in a world filled with the farcical, the gory and the hypersexualized.
A society dedicated to preserving the correct use of the apostrophe has shut down because “ignorance has won”.
Retired journalist John Richards, 96, started the Apostrophe Protection Society in 2001 to make sure the “much-abused” punctuation mark was being used correctly.
But Mr Richards has now announced: “With regret I have to announce that, after some 18 years, I have decided to close the Apostrophe Protection Society.
“There are two reasons for this. One is that at 96 I am cutting back on my commitments and the second is that fewer organisations and individuals are now caring about the correct use of the apostrophe in the English Language.”
…His website lists three simple rules for the correct use of the apostrophe.
The rules Mr Richards gave for apostrophes are: They are used to denote a missing letter or letters, they are used to denote possession and apostrophes are never ever used to denote plurals.
Much like Taika Waititi’s eponymous film, FX’s What We Do in the Shadows gleefully leans into mundanity. This simple idea—that being an immortal, centuries-old vampire could lead to a meandering existence—is elevated by the show’s largely anonymous cast and the fact our vamps are based in Staten Island. (No disrespect to the Staten Islanders out there, but it’s usually not the borough tourists head for when they visit New York.) But in “The Trial,” What We Do in the Shadows pulls out all the stops, providing what could be the greatest on-screen vampire reunion … ever?
When our protagonists Nandor, Laszlo, and Nadja go before an international tribunal of vampires to answer for the death of the “Baron,” they’re greeted not just by the stars of the original movie, but some of the most famous actors who’ve played vampires in other projects: Tilda Swinton (Only Lovers Left Alive), Evan Rachel Wood (True Blood), Paul Reubens (the Buffy the Vampire Slayer movie), Danny Trejo (From Dusk Till Dawn), and even Wesley Snipes (the Blade trilogy) via glitchy Skype. Absentees Brad Pitt, Tom Cruise, Robert Pattinson, and Kiefer Sutherland are all name-dropped, as well, turning “The Trial” into the Avengers for pop-culture vampires and, more importantly, a clever inversion of the show’s banal storytelling. The flex of having all these stars show up is commendable in and of itself, but “The Trial” is a series highlight for its excellent banter and the subtle implication that Swinton and Co. are also still themselves—and that they play vampires on screen in order to hide in plain sight. Like the humans they feast on, the vampiric world of What We Do in the Shadows remains an absolute treat. —Surrey
[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse
Wooster, Cat Eldridge, JJ, N., Mike Kennedy, Karl-Johan Norén, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Peer.]