Blyly’s predicament shows the Twin Cities are quite different in the way each applies a state law.
In Minneapolis, on a desolate lot where Don Blyly’s bookstore stood before being destroyed in the May riots, two men finish their cigarettes and then walk through a dangerous landscape filled with slippery debris and sharp objects. The city won’t let Blyly haul away his wreckage without a permit, and he can’t get a contractor to tell him how much it will cost to rebuild the store until that happens.
In St. Paul, where Jim Stage’s pharmacy burned down during the same disturbances, crews have already removed the bricks and scorched timbers. A steel fence keeps out trespassers. Stage expects construction of his new Lloyd’s Pharmacy to begin later this month.
The main reason for the different recoveries is simple: Minneapolis requires owners to prepay the second half of their 2020 property taxes in order to obtain a demolition permit. St. Paul does not….
…[Minneapolis] City officials say their hands are tied, pointing to a state law that prohibits the removal of any structures or standing timber until all of the taxes assessed against the building have been fully paid.
The law, however, leaves enforcement to the county, and Hennepin County officials said they made it clear to the city of Minneapolis this summer that they would not enforce the requirement for any riot-damaged properties.
Local business owners are appalled by the finger-pointing, noting that nearly 100 properties in Minneapolis were destroyed or severely damaged in the riots following the death of George Floyd. The vast majority of those properties are either still standing or have been turned into ugly and often dangerous piles of rubble. Owners say the lack of progress is discouraging reinvestment and sending customers to other parts of the metro.
Across the river, recovery is moving much faster:
In St. Paul, officials have been issuing demolition permits in as little as a week, records show.
Gwinnett County (GA) Superior Court Judge Kathryn Schrader, still awaiting retrial on charges of computer trespass, lost her bid for re-election in a runoff held August 11.
Ed Kramer earlier this year took a plea bargain on charges of computer trespass and in February testified against Schrader, his former co-defendant. Her trial ended in a hung jury. A new trial had originally been scheduled for April, but the court system has been shut down since March because of the pandemic.
Kramer is a co-founder of Dragon Con, but he has not been a co-owner since 2013.
The Washington (DC) Science Fiction Association (WSFA) has announced the finalists for the 2020 WSFA Small Press Award for Short Fiction:
“The Blighted Godling of Company Town H” by Beth Cato, Beneath Ceaseless Skies, Issue 268 (January 3, 2019) ed. By Scott H. Andrews
“Fairest of All” by Ada Hoffmann, The Future Fire, ed. by Djibril al-Ayad (August 2019)
“Give the Family My Love” by A. T. Greenblatt, Clarkesworld Magazine, Issue 149 (February 2019) ed. by Neil Clarke
“Painter of Trees” by Suzanne Palmer, Clarkesworld Magazine, Issue 153 (June 2019) ed. by Neil Clarke
“The Partisan and the Witch” by Charlotte Honigman, Skull and Pestle: New Tales of Baba Yaga, ed by Kate Wolford, World Weaver Press (January 2019)
“Somewhere Else, Nowhere Else” by Juliet Kemp, Portals ed. by Patricia Bray and S.C. Butler, Zombies Need Brains, LLC (June 2019)
“The Sound of Distant Stars” by Judi Fleming, Footprints in the Stars, ed. by Danielle Ackley-McPhail, eSpec Books (July 2019)
“The Weight of Mountains” by L. Deni Colter, DreamForge, Issue 2 (June 2019) ed. by Scot Noel
The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2018). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.
The winner is chosen by the members of the Washington Science Fiction Association (www.wsfa.org) and will be presented at their annual convention, Capclave (www.capclave.org), held virtually this year on October 17-18, 2020.
(1) AIRCHECK. WNYC’s The Takeaway had a segment with Victor LaValle and Silvia Moreno-Garcia today: “New Generation of Writers of Color Reckon with H.P. Lovecraft’s Racism”. Both authors discuss their first encounters with Lovecraft and how later readings opened them up to recognizing more of Lovecraft’s personal failings. The Retro Hugos are discussed and criticized by Moreno-Garcia.
This weekend, the television show “Lovecraft Country,” premieres on HBO. Based on a book by Matt Ruff, the show is set during the Jim Crow South, and combines the actual terrors of racism with the fantastical horror of author H.P. Lovecraft, who wrote most of his work in the early 20th century. In real life, Lovecraft was extremely racist, and his personal letters reveal his opposition to interracial relationships, as well as his support of Adolf Hitler.
While his influence has been felt in fantasy and horror for decades, a new generation of writers, particularly writers of color, have recently begun to reckon with his bigoted views in their own fiction.
The Takeaway speaks with two of the acclaimed authors who have worked to reclaim Lovecraft’s work for women and people of color, Victor LaValle is the author of “The Changeling,” and Silvia Moreno-Garcia is the author of “Mexican Gothic.”
(2) DELANY LECTURE TO BE WEBCAST. [Item by Olav Rokne.] Yale’s annual Donald Windham Sandy M. Campbell Literature Prizes are going online this year. That’s good news for SFF fans, because it means that we’ll get to tune in for their keynote guest speaker Samuel R. Delany. Delany will deliver the 2020 Windham-Campbell Lecture on the subject “Why I write.” The lecture will be cast at 5:00 p.m. Eastern on September 16 at windhamcampbell.org. (“Samuel R. Delany to Deliver the 2020 Windham-Campbell Lecture”.)
The Arecibo Observatory, one of the largest single-aperture radio telescopes in the world, has suffered extensive damage after an auxiliary cable snapped and crashed through the telescope’s reflector dish.
…In addition to halting scientific observations at the telescope, the accident is sad news for anyone inspired by Arecibo’s status as a cultural icon and its pioneering role in the search for extraterrestrial intelligence (SETI).
The observatory was written into the plot of Carl Sagan’s bestselling novel Contact, as well as its 1997 film adaptation. It has also served as the backdrop in the James Bond film GoldenEye, the X-Files episode “Little Green Men,” and the multiplayer map for the game Battlefield 4, among its many other popular depictions.
(4) SCALZI’S NINETIES MOVIE REVIEWS. Since Richard Paolinelli (unintentionally) made people curious to read John Scalzi’s syndicated movie reviews from the 1990s, here’s a link to a set of them on his old website [Internet Archive]. The Starship Troopers and Alien Resurrection reviews are from immediately after Scalzi left his reviewing gig; the rest are from while he was writing reviews for the Fresno Bee. (These reviews are not on the current iteration of the site.)
(5) BRADBURY PANEL. The 20th Library of Congress National Book Festival will celebrate “American Ingenuity” in 2020, featuring the creativity and inspiration of some of the nation’s most gifted authors in a reimagined virtual festival from September 25-27.
The festival will honor Ray Bradbury with a discussion exploring his ingenious imagination and his enduring influence on literature, space exploration, and our collective curiosity. Bradbury historian and biographer Jonathan Eller will moderate the panel featuring writer and visionary Ann Druyan, co-creator of Cosmos; science fiction writer Mary Robinette Kowal, winner of Hugo, Nebula, and Locus awards; and Leland Melvin, NASA engineer, astronaut, and educator.
(6) BECOMING DOCTOROW. [Item by Olav Rokne.] On the eve of his induction into the Canadian Science Fiction and Fantasy Hall of Fame, Cory Doctorow took to Twitter in tribute to several foundational figures who mentored him in his formative years. There are some very nice details in the thread about Judith Merril, Tanya Huff, and others. Worth a read. Thread starts here.
As an aside, I maintain that the CSFF HoF trophy is one of the most beautiful trophy designs in all fandom.
…More often than not, people my age opt to completely leave out any type of punctuation at the end of texts or tweets, especially short messages, because there’s no need to punctuate if there’s only one sentence, you can just send the message and that counts as the ending point. In addition, Twitter has a character limit, and why waste a character on a period?
I can absolutely confirm without a doubt that everyone my age for some reason thinks that periods are passive-aggressive as hell and if you use one in a text you must be mad about something, or upset with the person you’re sending it to. You just sound… so angry. I can’t explain where this logic came from, but we all hear it the same way. Periods mean you’re unhappy. When you send a sentence with a period, you are sending a clear-cut statement that has a finite end, so it must be about something serious….
(8) KICKSTARTER.The “Recognize Fascism Anthology” Kickstarter has hit $12,000 on the way to a $15,000 stretch goal that would allow them to also do an audiobook. And all backers who pledge at or above the “$25 or more” level will receive a digital copy of the Recognize Fascism audiobook.
The 70,000 word anthology edited by Crystal M. Huff features 22 authors from 9 different countries. See the Table of Contents here. The Kickstarter updates include there Recognize Fascism authors reading excerpts of their stories:
In a recent Reddit AMA (as reported by Syfy Wire), Tennant was asked what major franchise he’d want to cross off of his bucket list next. He’s already made waves as the Tenth Doctor in Doctor Who, a Marvel villain in Netflix’s Jessica Jones, and a sexy demon in Neil Gaiman’s Good Omens. But there’s one major series he said he’s still keen on joining.
reCONvene is an online convention, organized for science fiction and fantasy fans by fans. In addition to featuring traditional content such as panel discussions, solo talks, and demos, we are also taking advantage of the online environment to try a few new things that aren’t normally possible at in-person conventions. We look forward to having you join us.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 12, 1894 — Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in three volumes on Hermes Press collects these strips. (Died 1962.) (CE)
Born August 12, 1929 — John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) and did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget, he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.) (CE)
Born August 12, 1931 — William Goldman. Writer of The Princess Bride which he adapted for the film. Wrotethe original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired to adapt “Flowers for Algernon“ as a screenplay which he but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.) (CE)
Born August 12, 1936 – George Flynn, Ph.D., F.N. Stalwart of NESFA (New England SF Ass’n). Proofreader for NESFA Press; widely regarded as the best proofreader in SF. Named Fellow of NESFA (service award). Representative of the Fannish Frisian Freedom Front to the Highmore in ’76 Worldcon bid. Knight and Wilhelm bibliographies for Noreascon Two Pgm Bk (38th Worldcon). Administrator of Hugo Awards. Reporter of WSFS (World SF Soc.) Business Meetings for SF Chronicle. Head of the Long List Committee. Letters in Banana Wings, The Frozen Frog, Izzard, Janus, Patchin Review. A fine man to watch the Masquerade (on-stage costume competition) with, quiet, observant, articulate. (Died 2004) [JH]
Born August 12, 1947 — John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.) (CE)
Born August 12, 1948 – Tim Wynne-Jones, O.C., 72. Three novels for us, a score of shorter stories; many others, children’s and adults’. Radio dramas & songs. “I stole my father’s Welsh moodiness and his love of awful puns.” Here is his cover for North by 2000. Seal First Novel Award, Edgar Award, Metcalf Award. Two Boston Globe – Horn Book Awards. Three Governor General’s Awards. Officer of the Order of Canada. Website here. [JH]
Born August 12, 1954 — Sam J. Jones, 66. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about. (CE)
Born August 12, 1957 — Elaine Cunningham, 63. She’s best known for her work on Dungeons & Dragons creating the campaign setting of Forgotten Realms, including the realms of Evermeet, Halruaa, Ruathym and Waterdeep. She’s also wrote The Changeling Detective Agency series as well as a Star Wars novel, Dark Journey. (CE)
Born August 12, 1967 – Kelly McCullough, 53. A dozen novels, as many shorter stories, for us; many others. Writers of the Future winner. Actor in Arizona, Colorado, Minnesota Renaissance Festivals. Essays in Apex, Uncanny. Website here. [JH]
Born August 12, 1969 – Rachel Kadish, 51. “A gifted writer, astonishingly adept at nuance, narration, and the politics of passion,” says Toni Morrison. Three novels; two dozen shorter stories, essays in the New England Review, Paris Review, Ploughshares, Salamander, Salon, Slate, Story; one short story for us (in The Iowa Review!). Gardner Award, Koret Award, Nat’l Jewish Book Award. “On Asking Dangerous Questions About Spinoza” for the American Philosophical Ass’n. [JH]
Born August 12, 1971 – Erin McKean, 49. Lexicographer; Principal Editor, New Oxford Amer. Dictionary (2nd ed’n); editor, Verbatim. Seven books; one short story for us. “Prettiness is not a rent you pay for occupying a space marked ‘female’”. [JH]
Born August 12, 1987 – Tom Moran, 33. Two novels for us, half a dozen shorter stories, half a dozen covers, a dozen interiors. Here is Breaking Eggs. Guardian and Legend Press prize (books “that are not only zeitgeisty and promising, but will be talked about in 10 or even 100 years’ time”) for Dinosaurs and Prime Numbers. [JH]
(13) COMICS SECTION.
Half Full worries about a superhero affected by the pandemic.
(14) ESSENCE OF WONDER. Kevin Hearne, Chuck Wendig, and Delilah S. Dawson will join the Essence of Wonder team on Saturday, August 15 at 3:00 p.m. Eastern, along with special guest Amal El-Mohtar who will come back on the show to interview Kevin about his work. Kevin, Chuck, and Delilah will discuss the art and science of location scouting, and their joint hobby of nature photography “as a moment on zen”. Register here: “Kevin Hearne And Friends on Location Scouting, and Nature Photography”.
(15) THE FUTURE OF MEDICINE. [Item by Olav Rokne.] If there’s one thing that Canadians love more than bragging about our universal health care system, it’s talking about the future of the health care system. Fresh off his fourth time on the Hugo shortlist, Canuck fan writer James Davis Nicoll takes a look at some of the various ways that science fiction writers have imagined health care systems. I’m just surprised that he doesn’t talk about Mercy Point — ”Five Science-Fictional Approaches to Healthcare” at Tor.com.
Recently I encountered an SF novel in which medical care—more exactly, healthcare funding—featured as a significant element. Curiously, the work drew on the same rather implausible healthcare system used to such effect in, say, Breaking Bad. No doubt the author was simply unaware of other approaches. Other science fiction authors have been more imaginative when it comes to healthcare systems, as these five examples show….
The dungeon-master Flintwyrm explains to four adventurers over a voice call that the only way to stop the apocalypse is to play the most intense extreme-metal song imaginable. All they have to do is find a concert venue called The Hall of Cacophonous Screams, an endless keg of beer, and five “minstrels of pain” to frontline their jam session, all the while surviving goblins and the forthcoming apocalypse. Flintwyrm, a 29-year-old named Christopher Joel, is excited about the adventure: this is how he and hundreds of strangers are bonding during quarantine, whether they are role-playing gamers, metalheads, or somewhere in between.
Welcome to Mörk Borg, the headbanger of a game that is the latest example of the fertile cross-pollination between tabletop role-playing and extreme metal: a love letter to the hellraising imagery, lyrics, and album art of metal.
(17) A FILER ON FAULKNER. The current Atlantic has a review by former Harvard president Drew Gilpin Faust of The Saddest Words: William Faulkner’s Civil War by Michael Gorra — “What to Do About William Faulkner”. Most Filers may not know that Gorra, the eminent English professor at Smith College, was once a fanzine publisher. And Gorra commented here as recently as 2012!
…Michael Gorra, an English professor at Smith, believes Faulkner to be the most important novelist of the 20th century. In his rich, complex, and eloquent new book, The Saddest Words: William Faulkner’s Civil War, he makes the case for how and why to read Faulkner in the 21st by revisiting his fiction through the lens of the Civil War, “the central quarrel of our nation’s history.” Rarely an overt subject, one “not dramatized so much as invoked,” the Civil War is both “everywhere” and “nowhere” in Faulkner’s work. He cannot escape the war, its aftermath, or its meaning, and neither, Gorra insists, can we. As the formerly enslaved Ringo remarks in The Unvanquished (1938) during Reconstruction-era conflict over voting rights, “This war aint over. Hit just started good.” This is why for us, as for Jason and Quentin Compson in The Sound and the Fury (1929), was and again are “the saddest words.” As Gorra explains, “What was is never over.”
In setting out to explore what Faulkner can tell us about the Civil War and what the war can tell us about Faulkner, Gorra engages as both historian and literary critic. But he also writes, he confesses, as an “act of citizenship.” His book represents his own meditation on the meaning of the “forever war” of race, not just in American history and literature, but in our fraught time. What we think today about the Civil War, he believes, “serves above all to tell us what we think about ourselves, about the nature of our polity and the shape of our history.”
…Gorra underscores the “incoherence” of Faulkner’s position as both critic and defender of the white South’s resistance to change….
…And it’s a really nice story of memory and queerness and family, told by an old woman (identified only as “Rabbit”) to a “Cleric” of an order of archivists, telling mainly the story of the just deceased Empress, from a time in her life when she was in exile. It’s a tale of memory, love, and family and what it all means, as we and the archivist find out about how one cast off woman managed to fight back against a man in power determined to keep her out of his way, and what it cost in the end.
They’re wiggly and slimy and live inside the flesh of other animals. Now, scientists are making a new case for why they should be saved.
Parasites play crucial roles in ecosystems around the world, making up around 40% of animal species. As wildlife faces the growing threats of climate change and habitat loss, scientists warn that parasites are equally vulnerable.
That’s why a team of scientists has released a “global parasite conservation plan.”
“Parasites have a major public relations problem,” says Chelsea Wood, assistant professor at the University of Washington’s School of Aquatic and Fishery Sciences. “Most people don’t really like thinking about them, but the fact is they’re really important in ecosystems.”
…”We think that about 1 in every 10 parasite species might be threatened with extinction in the next 50 years just from losing their habitat,” says Colin Carlson, assistant professor and biologist at Georgetown University. “But when we account for that they might also lose their hosts, it pushes it closer to about 1 in every 3 species of parasite.”
“That’s an extinction rate that’s almost unthinkable at broad scales,” Carslon says.
GREENFIELDBOYCE: So what he’s saying there is it’s a big world out there with all kinds of organisms whose genes we could be studying, but, you know, we’re not really. So Josh and his colleagues have been trying to add another organism to that short list of model organisms, and what he’s most interested in are squids.
KWONG: Oh, like cephalopods.
GREENFIELDBOYCE: Right – squid, cuttlefish, octopuses – all cephalopods.
Enormous “terror crocodiles” once roamed the earth and preyed on dinosaurs, according to a new study revisiting fossils from the gigantic Late Cretaceous crocodylian, Deinosuchus.
The research, published in the Journal of Vertebrate Paleontology, reiterates that Deinosuchus were among the largest crocodylians ever in existence, reaching up to 33 feet in length. New in this study is a look at the anatomy of the Deinosuchus, which was achieved by piecing together various specimens unknown until now, giving a fuller picture of the animal.
Adam Cossette, a vertebrate paleobiologist at the New York Institute of Technology College of Osteopathic Medicine at Arkansas State University, led the study that corrected some misunderstandings about the Deinosuchus.
“Until now, the complete animal was unknown,” Cossette said. “These new specimens we’ve examined reveal a bizarre, monstrous predator with teeth the size of bananas.”
Past studies on cranial remains and bite marks on dinosaur bones led paleontologists to believe the massive Deinosuchus were an opportunistic predator, according to the press release. Fossil specimens now make it clear that Deinosuchus did indeed have the head size and jaw strength to have its pick of prey, including large dinosaurs.
“Deinosuchus was a giant that must have terrorized dinosaurs that came to the water’s edge to drink,” Cossette said.
In the unimaginably far future, cold stellar remnants known as black dwarfs will begin to explode in a spectacular series of supernovae, providing the final fireworks of all time. That’s the conclusion of a new study, which posits that the universe will experience one last hurrah before everything goes dark forever….
…The particles in a white dwarf stay locked in a crystalline lattice that radiates heat for trillions of years, far longer than the current age of the universe. But eventually, these relics cool off and become a black dwarf.
Because black dwarfs lack energy to drive nuclear reactions, little happens inside them. Fusion requires charged atomic nuclei to overcome a powerful electrostatic repulsion and merge. Yet over long time periods, quantum mechanics allows particles to tunnel through energetic barriers, meaning fusion can still occur, albeit at extremely low rates.
…Caplan says the dramatic detonations will begin to occur about 101100 years from now, a number the human brain can scarcely comprehend. The already unfathomable number 10100 is known as a googol, so 101100 would be a googol googol googol googol googol googol googol googol googol googol googol years. The explosions would continue until 1032000 years from now, which would require most of a magazine page to represent in a similar fashion.
(24) CREATE A NEED AND FILL IT. Archie McPhee offers the Office Possum. You didn’t know you needed one, did you?
This perfect possum has posable paws so it can hang on the side of a garbage can, computer monitor or anything with a ledge. It even has a tail for creepy dangling! Sure, you can set it up somewhere to scare a loved one, but really the Office Possum just wants to be your new BFF.
(25) HE’S RED, JIM. What’s the atheism connection? Well, if these masks go with Trek crew uniforms, one wearer may find out if there’s an afterlife sooner than the others.
[Thanks to Olav Rokne, John King Tarpnian, Chip Hitchcock, John Hertz, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Daniel Dern, Michael Toman, Cliff, Tom Boswell, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
Sponsored by the Ray Bradbury Foundation, the Award offers $1,000 scholarships for up to six students whose writing uses supernatural, magical, futuristic, scientific, and technological themes as a key element of the narrative.
All students in the U.S. or Canada enrolled in grades 7–12 (ages 13 and up) are eligible to participate.
Submissions open on September 1, 2020. Regional deadlines vary and can be as early as December 1, 2020. See complete guidelines here on the Scholastic Art & Writing Awardssite.
Five novels by writers from the Pacific Northwest are finalists for the 22nd annual Endeavour Award. The Award comes with an honorarium of $1,000 and will be announced in November at OryCon. Because of Covid 19, Orycon will be held on-line.
The finalists are:
Merlin Redux by Dave Duncan, who was from Victoria, BC, Night Shade Books
Middlegame by Seanan McGuire, who is from Kenmore, WA, Tor Books
Shadow Stitcher by Misha Handman, who is from Victoria, BC, Edge Science Fiction and Fantasy Publishing
What The Wind Brings by Matthew Hughes, who is from Victoria, BC, Pulp Literature Press
The Witch’s Kind by Louisa Morgan, who is from Port Townsend, WA, Redhook
The Endeavour Award honors a distinguished science fiction or fantasy book, either a novel or a single-author collection, created by a writer living in the Pacific Northwest. All entries are read and scored by seven readers randomly selected from a panel of preliminary readers. The five highest scoring books then go to three final judges, who are all professional writers or editors from outside of the Pacific Northwest.
The judges for the 2020 Award are Michael Capobianco, John G. Hemry, and Rosemary Claire Smith.
Michael Capobianco is co-author, with William Barton, of the hard sf books Iris, Alpha Centauri, Fellow Traveler, and White Light. He has published one solo science fiction novel, Burster (Bantam). Purlieu, which Analog called “a delightful adventure story set in a marvelous world filled with mysteries and wonders,” is his first venture into young adult territory. Capobianco served as President of Science Fiction and Fantasy Writers of America (SFWA) from 1996-1998 and again in 2007-2008, and was drafted to fill the office of SFWA Vice President in 2010. He currently serves as SFWA’s Authors Coalition Liaison and is a member of SFWA’s Contracts and Legal Affairs Committees. Capobianco lives in Southern Maryland with two cats, Ariel and Mocha.
John G. Hemry (writing as Jack Campbell) is the author of the New York Times best-selling Lost Fleet series , Genesis Fleet series, and Lost Stars series, as well as the Steampunk-meets-high-fantasy Pillars of Reality, Dragon’s Legacy, and Empress of the Endless Sea series. He’s currently writing another Lost Fleet trilogy, carrying on the story from where it left off in Leviathan. His shorter fiction includes time travel, alternate history, space opera, military SF, fantasy, and humor, and is collected in three anthologies (Ad Astra, Swords And Saddles, and Borrowed Time). John is a retired US Navy officer, who served in a wide variety of jobs including surface warfare (the ship drivers of the Navy), amphibious warfare, anti-terrorism, intelligence, and some other things that he’s not supposed to talk about. Being a sailor, he’s been known to tell stories about events which he says really happened (but cannot be verified by any independent sources). This experience has served him well in writing fiction. He lives in Maryland with his indomitable wife “S” and three great kids (two of them on the autism spectrum). Web Site: www.jack-campbell.com
Rosemary Claire Smith’s story, “Diamond Jim And The Dinosaurs,” was a finalist in Analog Science Fiction and Fact’s AnLab Readers’ Poll. Rosemary draws on her background as a field archaeologist and a lawyer to write fantasy, science fiction and horror stories that have appeared, or will soon appear, in Analog, Amazing Stories, Fantastic Stories, Hybrid Fiction, Digital SF, Stupefying Stories, and other periodicals and anthologies. Analog has published a number of her guest editorials. Both her fiction and nonfiction showcase her interests in folklore, mythology, prehistoric societies, aliens, alternate history, the exploration of distant lands, and most especially time travel to the heyday of the dinosaurs. Rosemary is a graduate of the Clarion Science Fiction and Fantasy Writers Workshop as well as Taos Toolbox workshop. Her interactive fiction adventure game, T-Rex Time Machine, is available from Choice of Games. Rosemary is a graduate of the Clarion Science Fiction and Fantasy Writers Workshop as well as Taos Toolbox workshop. She’s been blogging at rosemaryclairesmith.wordpress.com/blogging-the-mesozoic for the past 156 million years.
AWARD ELIGIBILITY FOR 2021 AWARD. To be eligible for next year’s Endeavour Award the book — either a novel or a single-author collection of stories — must be either science fiction or fantasy. The majority of the book must have been written, and the book accepted for publication, while the author was living in the Pacific Northwest (Oregon, Washington, Idaho, Alaska, British Columbia, or the Yukon.)
The deadline to enter books published during 2020 is January 31, 2021.
Full information on entering the Award is available on the Endeavour Web site: www.osfci.org/endeavour. Click on Entry Form in the left hand column for a fill-in PDF of the form.
The Endeavour Award is sponsored by Oregon Science Fiction Conventions, Inc. (OSFCI), a 501(c)(3) non-profit corporation
Tommy Lasorda famously said, “There are three kinds of people in this world: people who make it happen, people who watch what happens, and people who wonder what happened.” And this year, some of the Dragon Awards’ most vocal supporters find themselves in the third category.
You know, I am fairly hooked into the book community. If I don’t read every book, I at least hear about a lot of them. Even if I take one look and decide I don’t want to read it, I at least check it out.
Sure, I’ve heard of a few. Margaret Atwood at least has a TV show. She’s an opportunistic parasite, but people have at least heard of her (though I haven’t heard of that book. I guess she came out with another). I’ve heard of Scalzi–don’t like him, but I can at least pick his name out of a phone book. Chuck Wendigo? The same.
But so many of these names are just … Who? What? Huh?
I’ve been assured by some people (randoms online, mostly) that these are Hugo authors. I guess I’ll take their word on it… but usually, I’ve at least HEARD about those authors. These folks? Nah.
… If only someone could have warned about this.
If only someone could have tried to lead discussions, hold conversations on what books came out. That way, we could have narrowed it down to a few.
WAIT! I know! I DID. I FUCKING WANTED PEOPLE TO DISCUSS BOOKS FOR THE DRAGONS. WHAT DID EVERYONE THINK I WAS DOING IN 2018 AND 2019? COMPILING EVERY ELIGIBLE BOOK BECAUSE IT WAS FUN? I DID IT FOR MY HEALTH? THAT WAS EXTRA WORK I DIDN’T NEED TO DO.
…It was especially fun this year when I had an author see that “I was talking about the Dragon again,” therefore, she asked if “I could put her book on the list.” IE: She didn’t even read the blog post to see what I was talking about. It was assumed I enjoyed killing myself so I could market their book for free.
No one wanted to play. That’s fine. I’m used to it.
But everyone can all stop bitching about it. They either didn’t vote, or didn’t want to talk about it. They didn’t want to invest even thirty minutes into presenting a selection of choices, or having a conversation.
Now this years ballot sucks….
Brian Niemeier in “The Dragon Sleeps” doesn’t think the reason is that they neglected Declan’s advice. After ranting about John Scalzi’s nomination, Niemeier says the pandemic is the reason that the award he’s spent years boosting, where EVERYONE can vote for FREE, has in 2020 generated a ballot bereft of work by him and his friends:
From the author of The Handmaid’s Tale to lesbian vampire stories to a writer so deranged even Disney fired him, this year’s Dragon ballot reads like the canon of Death Cult humiliation scripture….
Of course, the Death Cult witches lie constantly in the manner of their father below. Thus their previous attempt to take over the Dragons in 2017.
That attempt failed, and the Dragons continued to be a direct democratic process as intended. Each subsequent years’ winners were pretty much what you’d expect from a readers’ choice award with a broad voter base. Baen and the bigger indies came to dominate, with cameos from the more mainstream Pop Cult fare like Corey Doctorow and The Expanse.
I and the other cultural commentators who predicted this course of events based our forecasts on the key difference between the Dragons and the other literary awards. Anyone can vote in the former, while the latter lock voting rights behind a paywall or professional organization membership.
Put simply, the Death Cult can monopolize the Hugos because World Con’s voter base is quite small, relatively speaking. The number of CHORFs isn’t growing. In fact, they’re rapidly graying. It stands to reason that an award with an open, large, and growing voter base would be immune to manipulation by an insular Cult.
And for three years, that reasoning held true. But as is its wont, 2020 threw the con scene a curve ball: Corona-chan.
Niemeier tries to spin that the pandemic has caused these aberrant results because people won’t be able to attend an in-person Dragon Con this year. (Never mind that Brian is always telling readers one of the Dragon’s virtues is that you don’t have to buy a con membership to vote.)
…There’s your explanation for what happened with the Dragons. The virus shut down the con, normal people tuned out, and the small but relentless Cult faction took advantage of the drastically reduced voter base to pack the ballot.
Then, the following Twitter conversation was devoted to asking “What happened?”
In contrast, Larry Correia, inventor of Sad Puppies, hailed the 2020 ballot: “Fantastic! There are a bunch of really good authors nominated this year.”
And Brad R. Torgersen, who ran the last Sad Puppies slate, found the pandemic didn’t stop his friends from getting nominated: “Nice to see some friends getting some well-deserved recognition on the Dragons final ballot. Even though there is no DragonCon being held in Atlanta due to Covid-19 panic, the Dragons roar onward. Good luck to Nick and Jason, Marko, Dave, and Chris!”
It’s a field where I would be happy with any one of these writers/titles winning, so that’s really the best of all possible worlds. And it’s nice to see The Last Emperox getting some early recognition, award-wise. That would be lovely to have continue.
Fonda Lee is especially happy:
(She’s been up for a Nebula and won a World Fantasy Award (2018), neither of which, it’s true, would you call “fan awards,” however, she’s won three Aurora Awards, which I thought are run by fans; I’ll have to defer to her knowledge on that score.)
Meanwhile, even experienced sff news reporters like Ansible’s David Langford are still coming to grips with the Dragon Awards’ turnaround. He told Camestros Felapton:
I am of course utterly stupended. But this is a condition that comes easily to me.
You and me both, Dave. And count on you to know the best word for it.
The Committee For The Jack Trevor Story Memorial Prize/Prix Du Goncourt For 2020 — Michael Moorcock (UK), Guy Lawley (UK), Linda Steele (UK/US), Rick Klaw (US), Brandy Whitten (US), Jean-Luc Fromental (France), Lili Sztajn (France) —
Are unanimously agreed that Peter S Beagle has won the Story/Goncourt as he is most likely to fulfill the terms of the prize which consists of a cup and a cheque for $500. The money is linked to profits from NEW WORLDS and must be spent in a ‘a week to a fortnight’ and refers to Mr Story’s reply to a bankruptcy judge who asked where his money went. “You know how it is, judge. Two hundred or two thousand. It always lasts a week to a fortnight.’ — The Committee
Beagle is the author of The Last Unicorn, Summerlong, and many other fine works of fantastica. He is currently published by Tachyon Books.
The Committee traditionally meets at Le Goncourt, Boulevard Parmentier, Paris, France but met virtually this time.
Previous winners have included Fred Normandale, Howard Waldrop. Steve Aylett and Nicholas Lezard and is named for the humorous novelist, scriptwriter and Guardian columnist Jack Trevor Story (1917-1991), who died having typed THE END to his most recent book.
Maintained and awarded by Moorcock, The Jack Trevor was originally presented to the writer of the story in the Time Out series of London stories that he best liked. In more recent times, a special committee, organized by Moorcock, determines the winner, typically for excellence in humorous writing. The five hundred guinea prize is given with the following conditions: The entire award must be spent “in a week to a fortnight” and the recipient must have nothing to show for it. Most winners use the money for a big night or a foreign vacation. One winner, a trawlerman from Hull who spent the money with the expertise of a drunken sailor before he got home, had to spend the money all over again just to prove to his shipmates that he’d won it.
The unique terms of the award are based on Jack Trevor Story‘s famous words when asked at his second bankruptcy what happened to money from his films The Trouble with Harry and Live Now, Pay Later. The judge wondered how he managed to go through so much without having a thing to show for it.
“You know how it is, your honour ?? two hundred or two thousand ?? it always lasts a week to a fortnight. You can spend a couple of hundred easy just going around the supermarket.”
The WarnerMedia branch of Warner Bros. was hit with a ton of layoffs today, and things seem especially dire this evening for the Warner-owned DC Comics. According to The Hollywood Reporter, a number of high-ranking people at DC are now out, including editor-in-chief Bob Harris, several senior VPs, and some editors (including executive editor Mark Doyle, who was in charge of the publisher’s edgy new Black Label graphic novels). Furthermore, THR’s sources say the layoffs have come for “roughly one third” of DC’s entire editorial staff as well as “the majority” of the people working on the DC Universe streaming service, and the DC Direct merchandise brand has been completely shut down after 22 years of selling Batman toys.
…Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.
“DC Universe was DOA as soon as the AT&T merger happened,” said one source.
DC Universe launched in May 2018, and is home to live-action series such as Doom Patrol, Titans and Stargirl, as well as animated offerings including Young Justice and Harley Quinn. Some of those shows have now started to stream on HBO Max.
Also a victim of the layoffs: DC Direct, the company’s in-house merchandise and collectibles manufacturer….
…I don’t want to give the impression that my American Rose is some kind of bastard love child of Kate Bush and the Blair Witch. But like other suspense writers who dip their nibs into the cursed waters of folk horror, its elements may be sprinkled into a contemporary novel to create an atmosphere of dread.
The resurgence of the genre shows that folk horror is apt for our times. Identities are fluid. No bad deed goes unpunished. The civilized world is only a heartbeat away from primal and uncanny threats.
The genre is also nostalgic for a rural England that is as far from Downtown Abbey as you can get in a four-horse carriage. This England is afeared of change. In times of crisis, we return to the old ways, which offer a reassuring connection to a simple past. But at the cost of old evils. There is a sense that all progress is a chimera, that our modern sophistication is itself a form of naivety.
…Before your mind can make sense of it, words in some shade of Watchmen yellow superimpose across the screen: TULSA 1921.
Gotta admit, didn’t see that coming.
Once those two words flashed, what I was looking at resolved into focus. The Tulsa Race Riots of 1921. The Tulsa Massacre. The scene set off a surge on Google as viewers searched for information on the riot—their first time learning about it. Many Black folks, though, didn’t have to go looking. We’d heard some version of this story. I couldn’t even tell you where or when it was passed on to me—one of those bits of common knowledge that travels along Black intra-community networks, written down in our Scriptures on the Sins of White Folk. The story of the all-Black and self-sustaining community that rose up in the middle of Jim Crow. That prospered, with its own businesses and professionals. Black Wall Street, they called it. Even if you didn’t know every detail—like the discrepancies about airplanes dropping dynamite on buildings, or the disputes over mass graves—you had heard something about Tulsa. It was a story of Black excellence, and Black horror. A tragic tale of a lost world like the city of Atlantis, or doomed Krypton—only snuffed out not by natural disaster or hubris, but by the reckless fires of white supremacy.
Still, the cold open of an HBO production was the last place I expected to see this. I’d gone my entire Black life and never seen a single recreation—not once. Our stories didn’t appear in mainstream productions like this. Our histories certainly weren’t centered this way within a major speculative canon. Our perspective wasn’t supposed to fit into stories of superheroes as jaded vigilantes, a physics- bending blue guy, and the greatest hoax ever played on mankind—à la interdimensional psychic squid.
The robot, shaped like a large cooler on wheels, zipped along somewhere ahead of me. My left hand clasped the smooth leather harness of my German shepherd guide dog. “Mylo, forward.” The speed of his four short legs complemented the strides of my longer two — call it the six feet fox trot. Together we glided past the competition.
My quarantine buddy stayed behind filming the race. Mylo: 1, Robot: 0.
My amusement with the little robots shifted to curiosity. Thirty years after the Americans with Disabilities Act of 1990, many tech companies still fail to design for disability. How would the autonomous robots react to disabled pedestrians?
About 10 feet down the sidewalk, I stopped and turned around. Mylo tensed, his alarm crawling up my arm. The white visage of the robot stopped about a foot from his nose.
I hoped the robot would identify a pedestrian and roll away, but it stayed put. Mylo relaxed into a sitting position — guide dog school didn’t teach him about the robot apocalypse. I scratched his ears and he leaned into my hands. The robot was not moved.
(6) MEDIA BIRTHDAY.
August 11, 1955 — X Minus One’s “Almost Human” was broadcast for the first time. The screenplay was written as usual by George Lefferts off of Robert Bloch‘s story of the same name first published in Fantastic Adventures, June 1943. (Last collected in The Complete Stories of Robert Bloch, Volume 1: Final Reckonings, 1990.) Bloch’s tale has a petty criminal taking over an android for what he thinks he is suitable training and has the tables turned on him as the android is too human. The cast included Santos Ortega, Joan Allison, Jack Grimes, Guy Repp, Nat Pollen, Joseph Julian and Lin Cook. You can listen to it here. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertx.]
Born August 11, 1902 — Jack Binder. In Thrilling Wonder Stories in their October 1938 issue they published his article, “If Science Reached the Earth’s Core”, with the first known use of the phrase “zero gravity”. In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics. During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.) (CE)
Born August 11, 1923 – Ben P. Indick. Fanzine Ben’s Beat; letters, reviews, in Anduril, Banana Wings, The Baum Bugle, The Call of Cthulhu, Chacal, The Frozen Frog, The Metaphysical Review, Necrofile, Nyctalops, Riverside Quarterly, Rod Serling’s Twilight Zone Magazine, Studies in Weird Fiction, Weird Tales. Wrote Ray Bradbury, Dramatist and George Alec Effinger; eight short stories; contributed to Hannes Bok studies and flights of angels (1968), Bok (1974). First Fandom Hall of Fame. My attempt to recruit him for APA-L produced, briefly, Chez Ondique. (Died 2009) [JH]
Born August 11, 1928 — Alan E. Nourse. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann. His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.) (CE)
Born August 11, 1932 — Chester Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… The Butterfly Kid is available from all the usual digital suspects. (Died 1991.) (CE)
Born August 11, 1936 – Bruce Pelz, F.N. An omnifan who did clubs, collecting, cons, costuming, fanhistory, fanzines, filking, gaming, and, as the saying goes, much much more. Co-chaired Westercon 22 and L.A.Con the 30th Worldcon (with Chuck Crayne); founded Loscon and chaired Loscon 10; Fan Guest of Honor at Noreascon Two the 38th Worldcon; founded the History of Worldcons Exhibit; twice earned the LASFS (L.A. Science Fantasy Soc.) Evans-Freehafer Award; was named a Fellow of NESFA (New England SF Soc.; service award); Filk Hall of Fame; invented APA-L, contributed to it, FAPA, SAPS, OMPA, The Cult, and for a while every existing apa; recognized fan and pro art with the Fantasy Showcase Tarot Deck (PDF); gave his collection of fanzines, almost two hundred thousand of them, to U. Cal. Riverside. He was an Eagle Scout. Here and here are appreciations by OGH. (Died 2002) [JH]
Born August 11, 1949 – Nate Bucklin, 71. First Secretary of Minn-stf (or stef, from Hugo Gernsback’s word scientifiction) and thus one of its Floundering_Fathers. Guest of Honor at Minicon 16 and 43, Windycon 32, DucKon IV. Five short stories. Fanzine, Stopthink; editor awhile of Rune; founding member of Minneapa. Being a filker (see link under Bruce Pelz) he was Guest of Honor at GAFilk Six, and the Interfilk Guest at Contata 5. Once explained to me “We have half these songs memorized – usually the first half.” [JH]
Born August 11, 1959 — Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. Kindle has Bone Music and a number of his other novels, iBooks has nothing available. (Died 2014.) (CE)
Born August 11, 1961 — Susan M. Garrett. She was a well-known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. It, like the rest of the Forever Knight novels, is not available in digital form. (Died 2010.) (CE)
Born August 11, 1970 – Elizabeth Kiem, 50. Four novels for us; collaborated on five books about Balanchine. Three of those four have the Bolshoi Ballet. [JH]
Born August 11, 1972 – Danielle Wood, 48. Tasmanian. Three novels for us (with Heather Rose); dozens more via thus this site (subscription needed). Website here. [JH]
Born August 11, 1976 — Will Friedle, 44. Largely known as an actor with extensive genre voice work: Terry McGinnis aka the new Batman in Batman Beyond which Warner Animation now calls Batman of the Future, Peter Quill in The Guardians Of The Galaxy, and Kid Flash in Teen Titans Go! to name but a few of his roles. (CE)
Born August 11, 1989 – Will Wight, 31. Sixteen novels in three series; fourteen shorter stories, most available only here. Website here. Some of you will know why I keep misspelling his misspelling his name (and may even know how to spell Nesselrode). [JH]
…Even in high school, Walt Kelly had worked at his local newspaper; after graduation, he even drew that paper a comic strip about the life of P.T. Barnum. While he was also hired for a few freelance assignments while living on the East Coast, he wanted to produce a different sort of comic art. Walt Disney Productions was his goal, he applied to work there, and he was hired.
As he worked for Disney on a variety of projects for the next five and a half years, he became friends with several of his fellow writers and artists. Like many other fledgling creators there, he’d eventually go on to work in the new comic book industry.
But wait. We were wrapping up the 1930s. And the 1940s were just ahead….
(10) CONDEMNED BY THE SCI-FI SCRIBE. In “Awards For Works Should Be Judged By The Work Itself” [Archive Today copy] Richard Paolinelli rolls together the week’s kerfuffles – Hugo toastmaster GRRM mispronouncing names, Jeannette Ng’s Hugo, the Retro-Hugos for Campbell and Lovecraft, and the attack on the concept of an sff canon – into one prodigious blunt and fires it up. Every paragraph is like this:
…And now they want to change the rules for future Retro Hugos it seems. No longer can the best work be nominated, they yowl, but if the creator behind said work does not pass the “Officially Acceptable Wokeness Test” they must be chiseled out of the SF/F historical record forever lest future generations ever hear of their vile “un-woke” creations!
And to make sure we know how unwoke he is, Richard repeatedly misspells N.K. Jemisin’s name, and delivers this bonus blast to John Scalzi’s syndicated movie review column of 30 years ago.
…Even John Scalzi jumped into the fray to declare that we really shouldn’t waste our time on the “old SF/F” stuff and only read the “modern (read: acceptably woke) stuff”.
HISTORICAL NOTE: I had the extreme displeasure of having to read his crap when it shot across the McClatchy Newspaper wire back in the mid-1990s when he was at the Fresno Bee and I worked the copy desk for two days a week at the Modesto Bee (thankfully the other three days I escaped that torture by working in the Sports department.)
When I heard Scalzi had jumped to fiction writing I pitied his poor editor. His stuff at the Bee was always the last we worked on and always need massive reworking to be suitable to run….
…In [The Godwulf Mnuscript], a student member of the anticapitalist committee tells Spenser not to laugh at the group, saying that they are “perfectly serious and perfectly right.” Spenser answers that so is everyone else he knows. In a world that revolves around ideologies and declarations of righteousness, Spenser is glad to meet people who don’t take themselves too seriously. The cast of supporting characters is populated by friends of different genders and colors who operate on principle without saying so, who are more about the walk than the talk. This is part of the hard-boiled principle of understatement; other people’s pain is to be taken seriously, but one’s own is not. But it is also a signal that the hard-boiled is beginning to change his parameters.
Ian Brackenbury Channell walks around in black robes and a pointy hat. He’s a tourist attraction, so Christchurch, New Zealand, even pays him. As he steps aside, a successor wizard takes over. Now, you may ask, exactly what magical power does this wizard possess? His answer – every day, the world gets more serious, so fun is the most powerful thing.
When Natalie Monson started her food blog 11 years ago, she didn’t expect to end up embroiled in a fight with the world’s most valuable company.
But the US small business owner is now battling Apple for the right to use a pear in the logo on her recipe app.
In a patent filing, Apple said the image was too similar to its own logo and would hurt its brand.
Ms Monson says the tech giant is simply “bullying” and she feels a “moral obligation” to fight back.
More than 43,000 people have already signed the petition she and her husband Russ, owners of the Super Healthy Kids website, created last week to try to pressure the company to back down.
“This is a real world example of a small business being destroyed by a giant monopoly because they don’t have accountability,” Mr Monson told the BBC. “That was so frustrating to us that we thought we had to do something. We can’t just be the next victim on the list.”
A 99-million year old fossil of a “hell ant” is giving researchers a glimpse into the behavior of these fearsome ancient insects, a new study reports.
Encased in amber (tree resin), the fossil provides the most vivid picture yet of how hell ants once used their uncanny tusk-like mandibles and diverse horns to successfully hunt down victims for nearly 20 million years, before vanishing from the planet.
“Since the first hell ant was unearthed about a hundred years ago, it’s been a mystery as to why these extinct animals are so distinct from the ants we have today,” said study lead author Phillip Barden of the New Jersey Institute of Technology, in a statement.
(17) WHY IT’S GR8T. In “Honest Trailers: Avatar–The Last Airbender” on YouTube, the Screen Junkies explain that the anime series Avatar–The Last Airbender is “full of life lessons that will thrill your inner eight-year-old–because it was written for eight year olds.”
[Thanks to John Hertz, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]
We regret to announce that the James White Award will not be running a competition this year. Due to technical issues with the current website, and problems caused by a certain global crises beyond our control, we have not been able to set a timetable for this year and, with a great deal of reluctance, we have concluded that it will not be possible to schedule the competition in 2020.
The James White Award, established in 2000, offers non-professional writers the opportunity to have their work published in Interzone, the UK’s leading sf magazine. In addition last year, the winner received a £200 prize. The competition in prior years has been open to original, unpublished short stories of not more than 6,000 words by non-professional writers.
Award Administrator McGrath also said:
We have been put off this decision for months, hoping (perhaps increasingly foolishly) that we could come up with a fix for the problems we are facing within a timescale that would allow us to go ahead this year. Ultimately, however, it simply hasn’t been possible to get things in place in time and we have – with very great reluctance – made the decision to not hold the competition this year. We will, however, be back in 2021.
In 2019, judges Justina Robson, Chris Beckett and Donna Scott selected “Limitations” by David Maskill as the winner.