Monthly Archives: December 2020

Pixel Scroll 12/22/20 Hey Rocky, Watch Me Pull A Pixel Out Of My Scroll

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(1) THE STARS MY DESTINATION. Galactic Journey gave out the Galactic Stars for 1965 today and Thomas Burnett Swann is a double winner: “[Dec. 22, 1965] Swann Lake (the 1965 Galactic Stars)”.

…Swann is definitely a winner with his myth-inspired tales, Zelazny is hit or miss, but he hit it with Conrad, and Moorcock is a rising star to watch!

(2) ADDRESSEE UNKNOWN. At The Cut, Molly Fischer tries to figure out “Who Did J.K. Rowling Become?”

…“Perplexed” was a common reaction. Rowling had never been a particularly controversial figure. Her books sold hundreds of millions of copies, they inspired films that brought in billions of dollars, and she used the money she made to save children from orphanages. In 2012, she gave enough to charity and paid enough in taxes to knock herself off the Forbes billionaires list. In 2020, she was tweeting links to a store that sold pins that said F*CK YOUR PRONOUNS.

Read another way, though, the latest turn in Rowling’s story looks perhaps less perplexing than inevitable. It is the culmination of a two-decade power struggle for ownership of her fictional world — the right to say what Harry Potter means. The Harry Potter books describe a stark moral universe: Their heroes fight on behalf of all that is good to defeat the forces of absolute evil. Though the struggle may be lonely and hard, right ultimately beats wrong. For fans, when it came to the matter of trans rights, the message of Harry Potter was clear. For Rowling, this was no less the case.

“She absolutely believes that she is right, that she’s on a mission, and that history will eventually bear her out,” Anelli told me. “She thinks she’s doing good work right now.”…

(3) SUM OF THE YEAR’S DIGITS. Sarah Gailey knows that life is more than numbers, though they like to track them, too: “2020 in Review: Writing” at Here’s The Thing.

…This year tried so hard, from so many angles, to take away the things we rely on. At many turns, it succeeded. But here we are: whether we are whole or in pieces, you and I made it to the final days of 2020. We found ways to get each other this far, and that process meant so much more to me than a column of numbers in a notebook. I used to rely on that column of numbers more than I care to admit — but now I have other things to rely on. And it’s so much better this way.

(4) SHE’S BACK. If she’s a bluebird on a telegraph wire I hope she’s happy now. It took long enough! The Guardian celebrates that “Pioneering fairytale author Madame d’Aulnoy back in print after centuries”.

A story by Madame d’Aulnoy, the 17th-century French writer who coined the term “fairytales”, is to be published in English for the first time in more than 300 years, telling of a woman whose beauty is so great it slays her lovers by the hundreds.

Marie-Catherine Le Jumel de Barneville, known as Madame or Countess d’Aulnoy, invented the term “conte de fée” or fairytale, when she published her major collection of them in 1697-98. Unlike her contemporary Charles Perrault, or later authors such as Hans Christian Andersen and the Brothers Grimm, today her work rarely appears outside anthologies.

Now Princeton University Press will release a new collection of her work in March, The Island of Happiness, featuring illustrations and an essay by the artist Natalie Frank.

(5) LEGISLATION. Publishers Weekly reports a new option for contesting copyright claims will soon be on the books: “CASE Act Set to Pass as Part of Omnibus Bill”.

A four year-old bill that would establish an extra-judicial “small claims court” for copyright disputes is now set to become law after Congressional leaders slipped the measure into the Covid-19 relief and omnibus spending bill now headed to President Trump’s desk. In addition, the bill includes a provision that would make illegal streaming a felony.

First introduced in 2016, the CASE Act (Copyright Alternative in Small-Claims Enforcement) was re-introduced again in 2019. It passed easily in the House, but failed to get to a vote on the Senate floor and was set to die before being dropped into the omnibus spending bill this week (the CASE Act provisions begin on page 77). Among the bill’s provisions is the establishment of a copyright tribunal within the Copyright Office that would hear infringement claims, with awards for claims less than $30,000. Participation would be voluntary—a party served with a claim could opt not to go before the tribunal.

The legislation has been strongly supported by both the Authors Guild and the Association of American Publishers. In a statement, AAP president and CEO Maria A. Pallante called the bill’s passage a “big achievement,” and said the CASE Act “represents years of reasoned analysis, public feedback, and bipartisan leadership on Capitol Hill.”…

(6) AN IDEA WHOSE TIME HAS COME. Nerdist is ready: “It’s Time for DOCTOR WHO’s First All-Female TARDIS Team”.

…While Ryan and Graham’s relationship was a cornerstone of season 11’s plot, both characters have languished in season 12. Yaz has been a companion for two full seasons, and yet it often seems as though we barely know her. The show has given each big, emotional moments, but fails to do the everyday work that strings them together into real arcs. And that’s a shame.

 The departure of Ryan and Graham will not only allow Yaz, a criminally underused character, to finally step forward into the spotlight, but it will also change the composition of the show in an unprecedented way. In season 13, the TARDIS will be populated solely by women for the first time in Doctor Who’s 54-year history—a change that feels both extremely necessary and long overdue.

(7) BOBA TIME. [Item by Martin Morse Wooster.] Jill Serjeant, in the Reuters story “Boba Fett to get own Star Wars spin-off TV series” says that Jon Favreau announced on Good Morning America that “The Book of Boba Fett” will be in production, which is a project separate from the third season of The Mandalorian and is different than other previously announced Star Wars projects.

(8) MEDIA BIRTHDAYS.

  • December 22, 1958 — On this day in 1958, the BBC aired the first installment of the Quatermass and the Pit television series.  The first  episode of the six in total was called the “The Halfmen”. Each episode was thirty one to thirty six minutes in length. It was created by Nigel Kneale, and stared André Morell. Cec Linder. Anthony Bushell, John Stratton and Christine Finn. Special effects were handled by the BBC Visual Effects Department. For the box set release, Quatermass and the Pit was extensively restored.
  • December 22, 1967 — On this date in 1967 on NBC, Star Trek’s “Wolf in The Fold” premiered. It was written by Robert Bloch, one of three that he wrote, the others being “What Are Little Girls Made Of?” and “Catspaw”.  Bloch played off the Jack the Ripper theme in this second season episode.  Charlie Jane Anders at io9, ranked the episode as the seventy-sixth best episode of all the Star Trek series in a list of the top hundred Star Trek episodes. We should note that Baycon the next year would have five Trek episodes on the final Best Dramatic Presentation ballot though not this episode with the Harlan Ellison scripted “The City on the Edge of Forever” winning. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 22, 1802 – Sara Coleridge.  Daughter of Samuel Taylor Coleridge.  Knew Latin, Greek, French, German, Italian, Spanish.  Her Phantasmion (1837) may have been the first fantasy novel written in English; you can even read an 1874 edition here.  (Died 1852) [JH]
  • Born December 22, 1869 – E.A. Robinson.  Three Pulitzer Prizes.  Famous for “Richard Cory”, he gave us a “Merlin”, a “Lancelot”, two more.  (He hated “Edwin” and used this form of his name.  Died 1935) [JH]
  • Born December 22, 1917 — Frankie Darro. What I’m most interested that it was he inside Robbie the Robot in Forbidden Planet. Other roles: showing up on Batman as a Newsman in two episodes, and The Addams Family as a Delivery Boy in one episode, I don’t think he had any other  genre roles at all. Well, he was Lampwick, the boy who turns into a donkey in Pinocchio. That should count too. (Died 1976.) (CE)
  • Born December 22, 1951 — Charles de Lint, 69. I’ve personally known him for twenty five years now and have quite a few of his signed Solstice chapbooks in my possession. Listing his fiction would take a full page or two as he’s been a very prolific fantasy writer so let just list some of my favorite novels by him which would be Forests of The Heart, Someplace To Be Flying, Seven Wild Sisters and The Cats of Tanglewood Forest. You’ll find my favorite chapter from Forests of The Heart here. (CE)
  • Born December 22, 1939 – Norma Auer Adams, age 81.  New York fan who developed a career in visual art.  Here is “Goldfish Abstraction”.  Here is her book Artfully Told.  Here is Inside My Sketchbook.  Here is Early Artwork.  [JH]
  • Born December 22, 1942 – Bea Barrio, age 78.  Los Angeles fan who I wish would let her artwork be wider known.  Here is her cover for the Bouchercon III Program Book.  She did the Two of Swords in Bruce Pelz’ Fantasy Showcase Tarot Deck (PDF of the whole deck; scroll down, BP’s introduction comes first, then Cups, Pentacles, Swords; credits at the end).  There’s a range of style for you.  [JH]
  • Born December 22, 1962 — Ralph Fiennes, 58. Perhaps best known genre wise as Lord Voldemort in the Harry Potter film franchise, he’s also been M in the Bond films starting with Skyfall. His first genre role was as Lenny Nero in Strange Days, one of my favorite SF films. He went on to play John Steed in that Avengers films which is quite frankly merde.  If you haven’t seen it, he voices Lord Victor Quartermaine in Wallace & Gromit: The Curse of the Were-Rabbit. Run now and see it!  ( CE) 
  • Born December 22, 1965 — Victoria Alonso, 55. Argentine-born producer, co-producer or executive producer of such films as Iron Man (nominated for a Hugo), Avengers: Endgame (also Hugo nominated), the Guardians of The Galaxy franchise… Well you get the idea. (CE) 
  • Born December 22, 1966 – Kim Wilkins, Ph.D., age 54.  Associate Professor at Univ. Queensland.  A dozen novels for us, thirty all told; a score of shorter stories.  Two Aurealis Awards for The Infernal.  [JH]
  • Born December 22, 1967 – Erik L’Homme, age 53.  A dozen novels for us.  Two and a half million copies sold.  All three Book of the Stars volumes available in English (and two dozen other languages).  Boxer and medieval historian.  Re-read Chrétien de Troyes for research.  Has climbed the spire of Notre Dame.  “Although there has never been a female knight, I reflected on the women of character I knew and thought to myself that they were part of this new knighthood.”  [JH]
  • Born December 22, 1968 — Dina Meyer, 52. Of course she’s in Starship Troopers, a film that, oh well, where she’s best known for a scene we have discussed here. She actually gets to act in Dragonheart, bless the producer!  And there might have been something good come out up of her role as Barbara Gordon/Oracle/Batgirl on Birds of Prey but we’ll never know. (CE) 
  • Born December 22, 1978 — George Mann , 42. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favourite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. (CE)

(10) COMICS SECTION.

  • Close to Home makes the cure sound mundane, if not worse than the malady.

(11) BUYER’S REMORSE. For this critic it’s thumbs down: “Most Disappointing Car Reveal Of 2020: The New Batmobile”.

…As one of the most popular superheroes of all time and an iconic symbol, people understandably are pretty critical of how Batman is portrayed. If you’re also a gearhead like us, you’re especially focused on what the Dark Knight drives. Everyone has their favorite Batmobile, but there’s a strong possibility that not many people will put this latest big screen version of Batman’s ride on their top ten list, even though it’s more muscle car than before.

… This thing looks jankier than a high school auto shop class project. It’s a cobbled-together mess with no clearly-defined design theme.

(12) WW84 Q&A. The New York Times inteviews “Patty Jenkins on ‘Wonder Woman 1984’ and the Future of Theaters”.

… It’s been reported that you made around $8 million or $9 million for this movie, which would be a record for a female filmmaker.

It feels great. It really does. The weirdest part about it is that you can’t even quite wrap your head around the money, as somebody who’s never made huge amounts of money before. Really, I was so distracted with why it had to be that way that I wasn’t even able to absorb it.

What made you decide to set this film in the 1980s?

I wanted to do a full-blown “Wonder Woman” movie, but what I really wanted to talk about was what I was feeling is happening in the world. Not to get too heavy about it — I don’t want people to even know it’s about climate change — but we’re about to lose this world. What are we, when we’re at our most excessive, when we can’t stop wanting more? We all have a hard time changing our lives, but if we don’t, we’re going to lose everything. So what better time than the ’80s, before we knew any of the costs of these things?

(13) WONDER OVERDOSE. People who have seen the movie too many times this season will be fascinated by these “Dark and Twisted Interpretations of ‘It’s A Wonderful Life’” at Mental Floss. The third scenario agrees —

3. BEDFORD FALLS WOULD HAVE BEEN BETTER OFF WITHOUT GEORGE BAILEY.

George’s plea to his guardian angel Clarence (Henry Travers) is to have never been born, and the Scrooge-esque vision Clarence grants him shows the tragedy of his family and the town. But Pottersville—the town that would have been Bedford Falls had George not stood in the way of greedy Mr. Potter (Lionel Barrymore)—is actually pretty great. It’s got bars and theaters and all the big-city excitement George had been dreaming of his entire life.

That’s why, in 2008, The New York Times writer Wendell Jamieson suggested that maybe things would have been better had George Bailey never been born. Or at the very least, he should have left the town to Mr. Potter’s devices.

(14) TENTACLE TAPS. I thought this kind of thing only happened in cartoons: “Octopuses Have Been Observed ‘Punching’ Fish Silly”.

The octopus is one of the world’s most intelligent creatures. It can open jars, camouflage itself, and demonstrate many other signs of thinking.

Other times, octopuses will get what they want using cruder methods. Like punching a fish right in the face.

In a new study published in the journal Ecology, researcher Eduardo Sampaio at the University of Lisbon in Portugal detailed a collaborative arrangement between octopuses and different species of fish, in which the fish and cephalopods hunt for food in pairs and therefore cover a wider search area.

Observing this dynamic in the Red Sea, researchers noted that octopuses establish control of the pairing by striking at their fish partners using an arm to get them to move to a preferred position, to avoid eating the prey, or to deter them from the search entirely. They referred to this as a “swift, explosive motion with one arm,” otherwise known as “punching.”

You can watch an octopus smack the gills right off a fish in the video below….

(15) TOTAL WARRIORS. The Fabulous Fifties scanned an old Argosy article from December 1948: “How To Survive An Atomic War”. Here are a couple of frames.

(16) VIDEO OF THE DAY. In “Honest Trailers: TENET” on YouTube, the Screen Junkies say the new Christopher Nolan film is so complicated that stars John David Washington, Kenneth Branagh, and Robert Pattinson can’t explain what’s going on and the villain’s name, Sator, is evidence that TENET is “the movie equivalent of a crossword puzzle” (look up “Sator square” on Wikipedia).

[Thanks to Andrew Porter, Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, John King Tarpinian, Michael Toman, Contrarius, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day BGrandrath.]

Eurocon 2022 Site Picked

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Luxembourg was confirmed as the site of Eurocon 2022 in October during this year’s virtual Eurocon (2020/Rijeka).

It will also be that year’s annual Luxcon, and will be held in the very South of the Grand Duchy — in Dudelange, right next to the French border.

Here is the art for the forthcoming 2021 Luxcon —

[Thanks to Dave Lally for the story.]

Dr. Seuss Enterprises Wins Appeal to Ninth Circuit; Seuss-Trek Mashup Violates Copyright

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The Ninth Circuit Court of Appeals has ruled in favor of Dr. Seuss Enterprises’ suit to stop ComicMix’s Oh, The Places You’ll Boldly Go! project, a crowdfunded book featuring the writing of David Gerrold and the art of Ty Templeton.

The Ninth Circuit decision says —

The creators thought their Star Trek primer would be “pretty well protected by parody,” but acknowledged that “people in black robes” may disagree. Indeed, we do.

Dr. Seuss Enterprises (DSE) claimed Boldly infringed their copyright and trademark for Dr. Seuss’ Oh the Places You’ll Go! The Ninth Circuit panel concluded that Boldly did not make fair use of Seuss’ classic Oh, the Places You’ll Go! therefore ComicMix and the creators infringed DSE’s copyright, reversing the district court’s 2019 summary judgment in the defendants’ favor. However, the Ninth Circuit did affirm the lower court’s decision that the defendants’ book does not violate DSE’s trademarks.

The panel held that defendants’ use of Dr. Seuss’s copyrighted works, including the book Oh, the Places You’ll Go! (“Go!”), was not fair use. There is a four-factor legal test of fair use, and the panel said all four weighed against ComicMix. The case summary explains —

The panel concluded that all of the statutory factors weighed against fair use, and no countervailing copyright principles counseled otherwise. The purpose and character of Oh, the Places You’ll Boldly Go! (“Boldly”) weighed against fair use because defendants’ use was commercial and was not a parody or otherwise transformative. The creative nature of Go! and the amount and substantiality of the use of Go! also weighed against fair use, as did the potential market for or value of Seuss. The panel held that because fair use is an affirmative defense, the burden is on defendants with respect to market harm.

The Ninth Circuit observed that Boldly’s art was not simply comparable to Seuss’ style, it emulated specific pages in Seuss’ Go! The decision analyzes several instances in side-by-side comparisons.

The Seuss original is on the left, the Boldly page is on the right.

…ComicMix’s claim that it “judiciously incorporated just enough of the original to be identifiable” as Seussian or that its “modest” taking merely “alludes” to particular Seuss illustrations is flatly contradicted by looking at the books. During his deposition, Boldly illustrator Templeton detailed the fact that he “stud[ied] the page [to] get a sense of what the layout was,” and then copied “the layout so that things are in the same place they’re supposed to be.” The result was, as Templeton admitted, that the illustrations in Boldly were “compositionally similar” to the corresponding ones in Go!. In addition to the overall visual composition, Templeton testified that he also copied the illustrations down to the last detail, even “meticulously try[ing] to reproduce as much of the line work as [he could].”

The case will now be returned to the district court for trial on copyright infringement, which the defendants will face without their fair use defense.

[Thanks to Andrew Porter for the story.]

Pixel Scroll 12/21/20 I Saw Mommy Kzin Santa Claus

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(1) BAKE AND SHAKE. Fan Dave Rowe, who lives on the Big Island, reassured his friends today:

Last night (Sunday 20th) Halema’uma’u magma chamber caused an eruption at Kilauea Volcano (it’s already stopped), that’s about twenty miles from here, and an hour later there was an earthquake which we experienced.  No damage to us or our home. The lava flow went south-west, well away from us.

(2) PAY THE WRITER, REDUX. Inside the Magic, which specializes in covering Disney properties, quotes a less intransigent response to the unpaid royalty issue raised by Alan Dean Foster, SFWA, and others than the company originally gave:  “More Writers Report Missing Royalty Payments From Disney”.

…Disney initially responded by saying that it purchased the rights of the novels when it acquired the parent properties Lucasfilm and 20th Century and no longer needed to pay royalties. But a Disney spokesman has since come forward, and said, “We are carefully reviewing whether any royalty payments may have been missed as a result of acquisition integration and will take appropriate remedial steps if that is the case.”

While the royalty payments are expected to be a small percentage of Disney’s profits — especially with Lucasfilm’s properties — the more daunting task appears to be calculating how much Disney owes its writers over the past six years. That requires tracking down the sales of every book under every author’s name in every market around the world.

Foster’s agent estimates that he “had made more than $50,000 in royalties on the original Star Wars novelization alone before the checks stopped in 2012.”…

(3) ISS MAS. The stockings were hung by the bulkhead with care. “Starry Night: A History of Celebrating Christmas in Space” at Mental Floss.

…No American had an overlapping space mission with Christmas again until 1996, when John Blaha was on board Russia’s Mir space station. Blaha and the crew received a delivery from the Progress spacecraft, which was full of presents, cards, and food. “It was a shining star, rising toward us at great speed from beneath the horizon,” Blaha later recalled of the Progress. “All of a sudden, the light from the Progress extinguished as we passed into the shade of the Earth. Five seconds later, four lights on the Progress were turned on. I watched the remainder of the rendezvous through a tiny window in the aft end of the Kvant module.”

Opening the packages from Progress, he added, was “like Christmas and your birthday, all rolled together, when you are 5 years old.” What might become routine to Earthbound observers took on a new and special meaning in the vastness of space.

(4) DEGREE OF DIFFICULTY. Cliff sent me the link to “Goodreads’ 200 Most Difficult Novels”. I’m no fan of difficult novels, which accounts for my score of 13 read. In contrast, Cliff scored 45/200. But should any Neil Gaiman novel be on a “most difficult” list, let alone half a dozen of them? It’s also not clear what Stephen Hawking’s A Brief History of Time is doing on a list of novels although I shouldn’t complain, since I got a point for reading it.

(5) ET BLOWN HOME. [Item by James Davis Nicoll.] From a paper at arXiv.org: Model suggests absence of ET is one part we’re late to the party, one part we’re in the wrong neighborhood, and one part most technological species kill themselves off comparatively quickly. “A Statistical Estimation of the Occurrence of Extraterrestrial Intelligence in the Milky Way Galaxy”.

In the field of Astrobiology, the precise location, prevalence and age of potential extraterrestrial intelligence (ETI) have not been explicitly explored. Here, we address these inquiries using an empirical galactic simulation model to analyze the spatial-temporal variations and the prevalence of potential ETI within the Galaxy. This model estimates the occurrence of ETI, providing guidance on where to look for intelligent life in the Search for ETI (SETI) with a set of criteria, including well-established astrophysical properties of the Milky Way. Further, typically overlooked factors such as the process of abiogenesis, different evolutionary timescales and potential self-annihilation are incorporated to explore the growth propensity of ETI. We examine three major parameters: 1) the likelihood rate of abiogenesis ({\lambda}A); 2) evolutionary timescales (Tevo); and 3) probability of self-annihilation of complex life (Pann). We found Pann to be the most influential parameter determining the quantity and age of galactic intelligent life. Our model simulation also identified a peak location for ETI at an annular region approximately 4 kpc from the Galactic center around 8 billion years (Gyrs), with complex life decreasing temporally and spatially from the peak point, asserting a high likelihood of intelligent life in the galactic inner disk. The simulated age distributions also suggest that most of the intelligent life in our galaxy are young, thus making observation or detection difficult.

(6) GILER OBIT. David Giler, who won a Hugo as the producer of Aliens, died on October 19 in Bangkok, from cancer. Deadline recaps his career. These are just a few of his genre credits —

…Giler’s screenwriting credits include The Parallax View (1974), Fun With Dick And Jane (1977) and The Money Pit (1986). He has writing or story credits for both Aliens (1986) and Aliens 3 (1992), and was a producer of the original Alien (1979) and its seven sequels, up to 2017’s Alien: Covenant (though his and Hill’s involvement lessened in the later sequels).

…In television, Giler wrote scripts for ’60s series Burke’s Law, The Man From U.N.C.L.E. and The Girl From U.N.C.L.E. In 1970, at 25 years old, Giler took on Gore Vidal’s Myra Breckinridge, his battles with director Michael Sarne becoming nearly as infamous as the legendary Raquel Welch-Rex Reed flop itself. One significant outlier: Vidal himself, who praised Giler’s original draft and became a lifelong friend….

(7) MEDIA BIRTHDAY.

  • December 21, 1937 –On this day 83 years ago, Walt Disney released Snow White and the Seven Dwarfs, one of the earliest full-length animated films. It premiered at the Carthay Circle Theatre in Los Angeles, California. It was the first full-length cel animated feature film and the earliest Disney animated feature film.  It was a critical and commercial success and, with international earnings of more than eight million dollars during its initial release, (compared to its 1.5 million dollar budget), it briefly held the record of highest-grossing sound film at the time.  He took out a mortgage on his house to help finance the film. 

(7b) MEDIA ANNIVESARY.

1958 — At Solacon in South Gate, California, the first Hugo for Outstanding Movie would be awarded. It would go to Richard Matheson for The Incredible Shrinking Man, a Universal Film which had premiered the previous year for which he had written the screenplay based off his novel The Shrinking Man. It had been published by Gold Medal Books / Fawcett two years previously in paperback for thirty five cents. It would be his only Hugo. 

(8) TODAY’S DAY.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 21, 1892 – Dame Rebecca West.  Immortal for Black Lamb and Grey Falcon (1941; get an edition with her husband’s photos), she wrote us a novel and two shorter stories.  Feminist and idiosyncratic.  (Died 1983) [JH]
  • Born December 21, 1898 – Hubert Rogers.  One of our greatest artists, whom we naturally honored with not one Hugo or Chesley.  Five dozen covers, three hundred interiors.  Here is the Aug 40 Astounding.  Here is the Aug 49.  Here is the Jan 52.  Here is The Man Who Sold the Moon.  Here is an interior for “Children of the Lens”.  See Di Fate’s treatment in Infinite Worlds.  (Died 1982) [JH]
  • December 21, 1929 — James Cawthorn. An illustrator, comics artist and writer who worked predominantly with Michael Moorcock. He had met him through their involvement in fandom. They would co-write The Land that Time Forgot film, and he drew “The Sonic Assassins” strip which was based on Hawkwind that ran in Frendz. He also did interior and cover art for a number of publications from the Fifties onwards including (but not limited to) Vector 3, New Worlds SF, Science Fantasy and Yandro. (Died 2008.) (CE) 
  • December 21, 1937 — Jane Fonda, 83. I’m sure everyone here has seen her in Barbarella. Her only other genre appearances are apparently by voice work as Shuriki in the animated Elena of Avalor series, and in the Spirits of the Dead, a 1968 anthology film based on the work of Poe. She was the Contessa Frederique de Metzengerstein in the “Metzengerstein” segment of the film.  (CE) 
  • December 21, 1943 — John Nance. Let’s just say he and David Lynch were rather connected. He’s Henry Spencer in Eraserhead, he had a small role as the Harkonnen Captain Iakin Nefud in Dune and he’s Pete Martell in Twin Peaks. He had a supporting role as Paul, a friend of Dennis Hopper’s villain character in Blue Velvet but even I couldn’t stretch that film to be genre adjacent. (Died 1996.) (CE)
  • Born December 21, 1944 – James Sallis, age 76.  For us a novel, a hundred twenty shorter stories, half a dozen poems, a hundred book reviews in The Magazine of Fantasy & Science Fiction, a stint co-editing New Worlds, two anthologies, Ash of Stars on Samuel Delany; also crime fiction (Grand Prix de Littérature policière, Hammett Award, Bouchercon lifetime achievement award), music including as a teacher and musicologist, translator e.g. Queneau’s Saint Glinglin.  [JH]
  • Born December 21, 1946 – Lenny Bailes, age 74.  San Francisco Bay Area fan, ornament (that’s applause, Lenny) to FAPA, OMPA, SFPA.  Fanzines Ink Gun Blues, Whistlestar.  Guest of Honor at Minicon 35.  [JH]
  • December 21, 1948 — Samuel L. Jackson,  72. Where to start? Did you know that with his permission, his likeness was used for the Ultimates version of the Nick Fury? It’s a great series btw. He has also played Fury in the Iron Man, Iron Man 2, Thor, Captain America: The First Avenger, The Avengers, Captain America: The Winter Soldier, Avengers: Age of Ultron and Avengers: Infinity War and showed up on Agents of S.H.I.E.L.D. too! He voiced Lucius Best (a.k.a. Frozone) in the Incredibles franchise, Mace Windu in The Phantom Menace and The Clone Wars, the Afro Samurai character in the anime series of the same name and more other genre work than can be listed here comfortably so go ahead and add your favorite role by him. (CE) 
  • Born December 21, 1963 – Mandy Slater, age 57.  A dozen short stories.  Interviewed Bob Eggleton for Secret City.  Worked on Program Ops (or “Oops”) at candidate-for-best-ever-Worldcon (the 47th) Noreascon 3.  [JH]
  • December 21, 1966 — Michelle Hurd, 54. She currently portrays Raffi Musiker in Picard. (I weirdly thought she’d been on Trek before but she hadn’t.) She was in a twenty year old Justice League of America pilot as B.B. DaCosta / Fire, and one-offs in Beyond Belief: Fact or Fiction, Leap Years, Charmed, FlashForward, and Witches of East End. She had recurring roles inAsh vs. Evil Dead as Linda Bates Emery and Daredevil asSamantha Reyes. (CE) 
  • December 21, 1966 — Kiefer Sutherland, 54. My he’s been in a lot of genre undertakings! I think that The Lost Boys was his first such of many to come including Flatliners, Twin Peaks: Fire Walk with Me, The Three Musketeers, voice work in Armitage: Poly-Matrix, Dark City, more voice work in The Land Before Time X: The Great Longneck Migration, Marmaduke and Dragonlance: Dragons of Autumn Twilight, Mirrors, and yes, he’s in the second Flatliners as a new character. (CE)
  • Born December 21, 1982 – Eliza Wheeler, age 38.  Author and illustrator.  Here is Doll Bones.  Here is The Left-Handed Fate.  Here is “Sky Sailing”.  Here is Cornelius the Grudge Keeper.  In this interview after winning the SCBWI (Soc. of Children’s Book Writers & Illustrators) portfolio-showcase grand prize she shows how she built a picture and includes a few others like this.  [JH]

(10) COMICS SECTION.

  • Brewster Rockit’s idea for a 2020 holiday souvenir makes me think the strip should have ended with someone keeling over and saying, “Rosebud.”

(11) THE BURBANK LETTERS. At Black Gate, Bob Byrne reacquaints fans with Groucho Marx’s “The Casablanca Letters”. (And for a much fuller explanation, consult Snopes.)

I think that Groucho Marx was one of the funniest men who ever lived. And I laugh out loud a the movies he made with his brothers. Well, most of them, anyways. I strongly recommend his book. The Groucho Letters. When word was making the rounds around 1944 that the boys were going to make a movie called A Night in Casablanca, Warner Brothers threatened legal action.…

(12) ALIAS MOOSE AND SQUIRREL. The Smithsonian Magazine explores “How Bullwinkle Taught Kids Sophisticated Political Satire”.

Mr. Chairman, I am against all foreign aid, especially to places like Hawaii and Alaska,” says Senator Fussmussen from the floor of a cartoon Senate in 1962. In the visitors’ gallery, Russian agents Boris Badenov and Natasha Fatale are deciding whether to use their secret “Goof Gas” gun to turn the Congress stupid, as they did to all the rocket scientists and professors in the last episode of “Bullwinkle.”

Another senator wants to raise taxes on everyone under the age of 67. He, of course, is 68. Yet a third stands up to demand, “We’ve got to get the government out of government!” The Pottsylvanian spies decide their weapon is unnecessary: Congress is already ignorant, corrupt and feckless.

(13) ONE TO BEAM DOWN. In the Washington Post, Dalvin Brown discusses “immersive technology start-up Blank XR,” which plans to use virtual reality to beam holograms of performers into people’s homes, thanks to a $3500 headset that “projects 3-D images that respond to your voice and gestures” so you can immerse yourself in a concert at home. “BLANK XR has plans for mixed-reality concert platform”.

…Live-streaming performances and music downloads brought in some revenue, but those experiences aren’t as captivating or money-generating as in-person concerts. That’s where innovative tech offerings like holograms and personalized digital concerts fit in, according to Denise White, CEO of BLANK XR and former director of direct-to-consumer technologies at the Walt Disney Company.

“From our point of view, the new normal is holographic,” White said. “What that will enable you to do is put on a headset and actually have a conversation with your favorite artists.”

Digitizing musicians and capturing their likeness involves a two-step process…

(14) SOME RARE GOOD NEWS. And are you ready to hear it? “Holiday Special with Dwayne Johnson: Some Good News with John Krasinski”.

John Krasinski highlights some good news around the world, including weather from George Clooney, a message from Justin Timberlake, and John’s friend Dwanta Claus, aka Dwayne Johnson, joins to spread some holiday cheer for the end of 2020.

(15) VIDEO OF THE DAY. Ryan George, in “TENET Pitch Meeting” on ScreenRant, says that TENET “is so confusing and hard to hear that people will have to see it several times” to figure out what the film is all about.

[Thanks to Michael Toman, Trey Palmer, JJ, Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, John King Tarpinian, Stephen H Silver, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Escape Artists Rolling Out Associate Editor Pay
Starting In January

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Escape Artists, the sff podcast platform, announced they will start paying their Associate Editors beginning in 2021.

Co-Publisher Marguerite Kenner acknowledges:

Too few genre publications pay their associate editors. We know it’s a struggle. We also know its a struggle that can be overcome, and is a vital part of demonstrating that every contribution to a creative project is worthy of respect, recognition, and pay. Compensate the Creative is one of EA’s core values and we are delighted (and, to be honest, relieved) that every single member of the EA team will be receiving pay for their contributions.

EA credits audience support for making this possible.

It has also been a year of remarkable generosity. We are incredibly fortunate and honored that so many of our audience have chosen to support us in such turbulent circumstances, many increasing longstanding donations or making first-time contributions. We received floods of messages sharing how our stories were part of coping mechanisms, offering much needed stress relief and escapism. And the effect of this generosity has been the ability to do something we’ve been longing to do for a very long time:

They also hope to improve compensation down the line

Our Patreon goal in pursuit of associate editor pay remains unchanged. This rollout doesn’t represent the full level of pay we’d like to be able to provide. But as most creatives know, starting can be the most difficult part of any project, and so we’re using this opportunity — this imperative — to get started.

[Based on a press release.]

Enjoy Langford’s New Beachcombing Collection

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David Langford’s fans get to unwrap a gift early this year – his new collection Beachcombing and Other Oddments is officially released today. Inside they’ll find 78,000 words of his fanzine-published essays, and speeches and silliness.

The contents include the much-acclaimed convention talks “Live Thog’s Masterclass”, “The Secret History of Ansible” and “Twenty Years of Uproar” (a ramble through favourite fanzine humour); offbeat pop-science articles for Fortean Times and elsewhere, on such subjects as perpetual motion, violet-ray healing machines, St Hildegard of Bingen, and how to detect the Number of the Beast in practically any name you choose; a handful of recipes and another handful of Drabbles; several introductions to SF books; and many instalments of unreliable autobiography.

It’s Langford’s first collection of this kind since the Hugo-nominated The Silence of the Langford (1996).

Buy the trade paperback from Lulu for $13.50, or as an Ansible Editions Ebook (in all the leading formats) for £5.00.

Pixel Scroll 12/20/20 May The Luck Of The Seven Pixels Of Gulu Be With You At All Times

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(1) COVID-19 VACCINATION. First responder and noted fanzine fan Curt Phillips posted a photo on Facebook of him receiving the injection —

First Covid 19 vaccination accomplished this morning. Fast, simple, easy. No adverse reactions at all. *Everybody* should get one!

Soon as we can, Curt! He’s followed up in the intervening hours with a couple of posts to say there were no complications and there was no more arm soreness than there is with his annual flu shot.

(2) IN OVERTIME. “An earlier universe existed before the Big Bang, and can still be observed today, says Nobel winner”, quoted in Yahoo! News.

…The timescale for the complete evaporation of a black hole is huge, possibly longer than the age of our current universe, making them impossible to detect.

However, Sir Roger believes that ‘dead’ black holes from earlier universes or ‘aeons’ are observable now. If true, it would prove Hawking’s theories were correct.

Sir Roger shared the World Prize in physics with Prof Hawking in 1988 for their work on black holes.

Speaking from his home in Oxford, Sir Roger said: “I claim that there is observation of Hawking radiation.

“The Big Bang was not the beginning. There was something before the Big Bang and that something is what we will have in our future.

“We have a universe that expands and expands, and all mass decays away, and in this crazy theory of mine, that remote future becomes the Big Bang of another aeon. 

“So our Big Bang began with something which was the remote future of a previous aeon and there would have been similar black holes evaporating away, via Hawking evaporation, and they would produce these points in the sky, that I call Hawking Points.

“We are seeing them. These points are about eight times the diameter of the Moon and are slightly warmed up regions. There is pretty good evidence for at least six of these points.”

(3) MULTIPLE CHOICES. The Guardian’s “Can you crack it? The bumper books quiz of 2020” includes a question about Iain Banks which I missed, so to heck with it anyway. (It’s a wide-ranging quiz. There are several more sff-themed entries. I missed almost every one of them, too, so double to heck with it.)

What day job did the Booker winner have while writing his novel? Who was rejected by Mills & Boon before becoming a bestselling author? Test your wits with questions from Bernardine Evaristo, Jonathan Coe, David Nicholls and more

(4) FAN SERVICE. [Item by Martin Morse Wooster.] This is from Isaac Asimov’s In Memory Yet Green.

In The Early Asimov, I included “Big Game” among the list of those stories of mine that disappeared.  Not so.  I had it all these years and, without knowing it, had included the manuscript with papers of mine that I had donated to the Boston University library.  A young science-fiction enthusiast, Matthew Bruce Tepper, who had prepared an accurate and exhaustive bibliography of my science fiction, went through my papers at BU, uncovered the manuscript, and sent me a Xerox copy.  I had the story published in Before The Golden Age (Doubleday, 1974).

(5) IN MEMORY YET BROWN. Scott Edelman asks for help in tracing the history of this DC in 1974 Worldcon bid promotional shopping bag.

I found this among my late sister-in-law Ellen Vartanoff’s collection of science fictional memorabilia — an item I’d never seen before, promoting both Disclave and the 1974 D.C. Worldcon. You, who know all and see all, surely know when and where this might have been handed out — right?

And if not you, perhaps one of your readers.

(6) SOUNDS HAPPY. In “Christopher Eccleston opens up on returning to Doctor Who”, Radio Times interviews the actor about his audio roles for Big Finish.

…Eccleston went on to praise the scripts, which he described as “beautiful” – adding that the care and knowledge that had gone into them had played a huge part in easing him back into the role after such a long time away.

“That’s what made it feel seamless,” he said. “I felt that you [Briggs] understood what he was all those years ago – and so it was like putting on a pair of old shoes. Running shoes!

“Doing the scripts, you do get the sense of somebody who’s completely immersed in the lore of the show. I think what I realised, with all my writers, when I did the 13 episodes – and with this – is basically you’re playing the writer.

“You’re playing Steven Moffat, you’re playing Russell T Davies, you’re playing you [or] Rob Shearman… you’re playing them, their projected self, as the Doctor – and that’s what’s nice, because he has a slightly different voice from episode-to-episode while having continuity, of course. You all wanna be the Doctor!”

(7) GEISER OBIT. Artist David Geiser died in October.  The East Hampton Star  traced his career.

David Geiser, an artist whose career ranged from the underground comics he created in San Francisco in the late 1960s and 1970s to heavily textured mixed-media works he focused on after moving to New York in 1979, died unexpectedly of heart disease in his sleep at home in Springs on Oct. 14. He was 73.

A prolific artist, his work from the underground comics early in his career to recent drawings such as “Snail Ridin’ the Mouse” and “Dog Boy (a Young Cynic)” reflect his not only his wit and the eccentricity of his vision but also his remarkable draftsmanship….

“David left behind scores of underground comics from his early years in San Francisco, and hundreds of drawings and paintings,” as well as sculptures ranging in size from five inches square to 10 feet by 10 feet, according to Mercedes Ruehl, his partner since 1999. “In his spare time he was an avid reader of contemporary fiction from a wide array of cultures and nationalities,” she added….

(8) MEDIA ANNIVERSARY.

  • 1995 – Twenty five years ago, Elizabeth Hand won the Otherwise Award for Waking the Moon. It would go on to win the Mythopoeic Award for Adult Literature the next year. And Terri Windling would in her fantasy summation in The Year’s Best Fantasy and Horror: Eighth Annual Collection select it as of her best books of the year. The American first edition cuts one hundred pages out of the British first edition. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 20, 1897 – Susanne Langer, Ph.D.  First woman popularly and professionally recognized as an American philosopher.  Fellow of the Amer. Acad. Arts & Sciences.  Cellist.  Five short stories for us, in The Cruise of “The Little Dipper”.  (Died 1985) [JH]
  • Born December 20, 1930 – Tom Boardman, Jr.  Son of the founder of UK’s Boardman Books, managing director after it left the family, SF advisor to Gollancz, Four Square, Macdonald, New English Lib’y.  Edited five reprint anthologies 1964-1979.  An ABC of SF got Aldiss to Zelazny if we allow its pseudonymous B.T.H. Xerxes.  (Died 2017) [JH]
  • Born December 20, 1943 — Jacqueline Pearce. She’s best remembered as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story  as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.) (CE)
  • Born December 20, 1952 — Kate Atkinson, 68. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. (The Jason Isaacs fronted series is superb.) The Life After Life duology is definitely SF and pretty good reading. She’s well stocked on all of the digital book vendors. (CE) 
  • Born December 20, 1952 — Jenny Agutter, 66. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price in An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all-time fav films which is Darkman, and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier.  (CE)
  • Born December 20, 1957 – Angela Hunt, Ph.D., age 63.  Two novels, five shorter stories for us; a hundred fifty books, children’s, middle-graders’, adults’; some nonfiction; five million copies sold.  Romantic Times Book Club Lifetime Achievement Award.  A Publisher’s Weekly Best Book of the Year.  Also Angela Hunt Photography.  One of her dogs was on Live With Regis and Kelly as second largest in America.  [JH]
  • Born December 20, 1960 — Nalo Hopkinson, 60. Named a SFWA Grand Master this year. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction.  She was a Guest of Honor at Wiscon thrice. Is that unusual? (CE) 
  • Born December 20, 1967 – Jukka Halme, age 53.  Chaired three Finncons.  Guest of Honor at Eurocon 33 (Stockholm) and 37 (St. Petersburg).  GUFF (Going Under Fan Fund when southbound, Get Up-and-over Fan Fund northbound) delegate, attended the 55th Australian national convention (“natcon”) in Brisbane.  Chaired the 75th Worldcon (called simply “Worldcon 75”; opinions expectably differ on naming these things).  Seen in fanzines e.g. Chunga, Twink, The White Notebooks.  Served on the 2020 Tähtifantasia (“star fantasy”) Award jury.  [JH]
  • Born December 20, 1970 — Nicole de Boer, 50. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine (1998–1999), and as Sarah Bannerman on The Dead Zone. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian? (CE)
  • Born December 20, 1981 – Nick Deligaris, age 39.  Digital artist.  Two dozen covers, and much else.  Here is Bypass Gemini.  Here is Skykeep.  Here is Nova Igniter.  He did the cover and is interviewed in this issue of Deep Magic.  He has an interior on p. 5 of this issue of Tightbeam (PDF).  [JH]
  • Born December 20, 1990 – Ashley Dioses, age 30.  Five short stories; a hundred forty poems in The Audient Void, The Literary Hatchet, Ravenwood Quarterly, Spectral Realms, Weirdbook; collection Diary of a Sorceress.  Inspired by Poe.  [JH]

(10) COMICS SECTION.

(11) SEASON’S READINGS. Silvia Moreno-Garcia and Lavie Tidhar suggest “The perfect science fiction, fantasy and genre-bending tales for the chilly days ahead” in their column for the Washington Post.

.. Lavie: Let me throw the first snowball here: I’m going with Tove Jannson’s “Moominland Midwinter” (translated from the Swedish by Thomas Warburton), one of the true greats and my favorite moomin book. Moomintroll wakes up alone from hibernation to find the world transformed, and everyone he knows is gone or sleeping (apart from Little My, who’ll never miss the fun). If you don’t cry over “The Squirrel With the Marvelous Tail,” you’re a monster. I reread it a few weeks ago and it’s just as wonderful as ever.

(12) NIVEN’S GENESIS. Fanac.org adds constantly to its online fannish collection. Among the latest gems are the programs from the series of LASFS Fanquets the club used to hold to honor members’ first pro sales. Larry Niven is now a Grand Master, but once upon his time he made his first sale to If. Read about his early career and what Fred Pohl liked about his work in Fanquet 13 edited by Bruce Pelz.

(13) ANOTHER ONE OF THE GREATS. Also deserving of praise is Fanac.org’s success in filling out its online collection of John Bangsund’s zines Australian Science Fiction Review and Scythrop.

Australian Science Fiction Review was nominated for Best Fanzine in 1967 and 1968. In 1968 (in the first year the Ditmars were presented), it won the award for best Australian fanzine. We now have a complete run under that name. The zine changed its name to Scythrop in 1969, and we added 5 issues of Scythrop: #21-24 and #28. We just lost John Bangsund to Covid-19 this year.

(14) PARIS, BUT NOT IN THE SPRINGTIME. Could be news to you, too – J. G. Ballard’s interview in The Paris Review, Winter 1984: “The Art of Fiction No. 85”

BALLARD

I take for granted that for the imaginative writer, the exercise of the imagination is part of the basic process of coping with reality, just as actors need to act all the time to make up for some deficiency in their sense of themselves. Years ago, sitting at the café outside the American Express building in Athens, I watched the British actor Michael Redgrave (father of Vanessa) cross the street in the lunchtime crowd, buy Time at a magazine kiosk, indulge in brief banter with the owner, sit down, order a drink, then get up and walk away—every moment of which, every gesture, was clearly acted, that is, stressed and exaggerated in a self-conscious way, although he obviously thought that no one was aware who he was, and he didn’t think that anyone was watching him. I take it that the same process works for the writer, except that the writer is assigning himself his own roles. I have a sense of certain gathering obsessions and roles, certain corners of the field where the next stage of the hunt will be carried on. I know that if I don’t write, say on holiday, I begin to feel unsettled and uneasy, as I gather people do who are not allowed to dream.

(15) GAMING CASUALTY. The curse of 2020 continues.Mashable reports “’Cyberpunk 2077′ has been removed from the PlayStation Store, and Sony is offering refunds”.

Cyberpunk 2077‘s launch has been the kind of disaster we now expect from 2020. Released on Dec. 10, the ridiculously hyped roleplaying game was swiftly and widely derided for having more bugs than the Montreal Insectarium, with flying cars and glitchy penises dominating the discourse. Now, Sony Interactive Entertainment has announced that not only will it offer refunds to anyone who bought the game from its PlayStation Store, it will also stop selling Cyberpunk 2077 altogether….

(16) YOUR COMEDY MILEAGE MAY VARY. From last night’s Saturday Night Live.

[Thanks to Martin Morse Wooster, John Hertz, John King Tarpinian, JJ, Andrew Porter, Michael Toman, Mike Kennedy, Dann, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Best Editor Short Form Hugo: Eligible Works from 2020

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By JJ: To assist Hugo nominators, listed below are the editors of more than 1,000 short form works published for the first time in 2020.

Note that all of the works labeled “novella”, “novelette”, and “short story” are eligible in the corresponding Hugo fiction categories. If a work is not labeled, or it is labeled “short fiction”, its length has yet to be determined. Collections and Anthologies are not eligible for nomination as whole works, but the original pieces of fiction they contain are each eligible in the appropriate length category. Poetry and nonfiction are not eligible.

Note that the Short Form Editors listed below may, or may not, be eligible — that is, have the equivalent of at least 4 anthologies and/or magazine issues in their career, with at least 1 of them published in 2020. If I know for sure that an editor has the equivalent of at least 4 eligible works, they are labeled as “eligibility verified”.

These credits have been accumulated from Acknowledgments sections and copyright pages in works, eligibility posts, short fiction venue mastheads, the ISFDB, and other sources on the internet.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as short fiction venues post elibibility lists and I get more information).

Feel free to add missing 2020-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their eligibility lists to jjfile770 [at] gmail [dot] com.

Some of the magazines listed below are Prozines and are not eligible in the Hugo Semiprozine category. For a list of Semiprozines vs. Prozines, see Semiprozine.org.

Short Form Editors

3.3.10: Best Editor Short Form. The editor of at least four (4) anthologies, collections or magazine issues (or their equivalent in other media) primarily devoted to science fiction and / or fantasy, at least one of which was published in the previous calendar year.

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The Tangled Skein: Call Me Joe

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By Paul Weimer: Call Me Joe by Poul Anderson strongly starts off a NESFA Press series of volumes covering the work of one of the key 20th century writers of Science Fiction, Poul Anderson

In the introduction, the editor, Rick Katze, states “This is the first in a multi-volume collection of Poul Anderson stories. The stories are not in any discernible pattern”. The pieces of fiction are an eclectic mix of early works in his oeuvre, mixed with poetry and verse that range across his entire career.

The contents include:

  • Call Me Joe
  • Prayer in War
  • Tomorrow’s Children
  • Kinnison’s Band
  • The Helping Hand
  • Wildcat
  • Clausius’ Chaos
  • Journey’s End
  • Heinlein’s Stories
  • Logic
  • Time Patrol
  • The First Love
  • The Double-Dyed Villains
  • To a Tavern Wench
  • The Immortal Game
  • Upon the Occasion of Being Asked to Argue That Love and Marriage are Incompatible
  • Backwardness
  • Haiku
  • Genius
  • There Will Be Other Times
  • The Live Coward
  • Ballade of an Artificial Satellite
  • Time Lag
  • The Man Who Came Early
  • Autumn
  • Turning Point
  • Honesty
  • The Alien Enemy
  • Eventide
  • Enough Rope
  • The Sharing of Flesh
  • Barbarous Allen
  • Welcome
  • Flight to Forever
  • Sea Burial
  • Barnacle Bull
  • To Jack Williamson
  • Time Heals
  • MacCannon
  • The Martian Crown Jewels
  • Then Death Will Come
  • Prophecy
  • Einstein’s Distress
  • Kings Who Die
  • Ochlan
  • Starfog

The introduction is not quite correct, in that the reader can find resonances between stories, sometimes in stories back-to-back. There are plenty of threads, and a fan of Anderson and his Nordic viewpoint might call it a skein, a tangled skein of fictional ideas, themes, ideas and characters. The same introduction notes that a lot of the furniture of science fiction can be found in early forms here, as Anderson being one of those authors who have made them what they were for successive writers. In many cases, then, it is not the freshness of the ideas that one reads these stories for, but the deep writing, themes, characters and language that put Anderson in a class of his own.

The titular story, for example, “Call Me Joe,” leads off the volume. It is a story of virtual reality in one of its earliest forms, about Man trying to reach and be part of a world he cannot otherwise interact with. Watchers of the movie Avatar will be immediately struck by the story and how much that movie relies on this story’s core assumptions and ideas. But the story is much more than the ideas. It’s about the poetry of Anderson’s writing. His main character, Anglesey, is physically challenged (sound familiar). But as a pseudojovian, he doesn’t have to be and he can experience a world unlike any on Earth:

Anglesey’s tone grew remote, as if he spoke to himself. “Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall—methanefall, whatever you like—leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o’-the-wisp, which is the life radiation of some fleet, shy animal, and…and…”

Anglesey croaked into silence. He stared down at his clenched fists then he closed his eyes tight and tears ran out between the lids, “Imagine being strong!”

Reader, I was moved.

That’s only part of the genius of Anderson’s work shown here. Anderson has many strings in his harp and this volume plays many of those chords.

There is the strong, dark tragedy of “The Man Who Came Early” which is in genre conversation with L Sprague De Camp’s “Lest Darkness Fall” and shows an American solider, circa 1943, thrown back to 11th century Iceland and, pace Martin Padway, doing rather badly in the Dark Ages. Poul Anderson is much better known for his future history that runs from the Polesotechnic League on through the Galactic Empire of Dominic Flandry, but this volume has three stories of his OTHER future galactic civilization, where Wing Alak manages a much looser and less restrictive galactic polity, dealing with bellicose problems by rather clever and indirect means.

And then there are his time travel tales. “Time Patrol” introduces us to the entire Time Patrol cycle and Manse Everard’s first mission. I’ve read plenty of his stories over the years, but this first outing had escaped me, so it was a real delight to see “where it all began”. “Wildcat” has oil drillers in the Cretaceous and a slowly unfolding mystery that leads to a sting in the tail about the fragility of their society.  And then there is one of my favorite Poul Anderson stories, period, the poetic and tragic and moving “Flight to Forever”, with a one-way trip to the future, with highs, lows, tragedies, loss and a sweeping look at man’s future. It still moves me.

And space. Of course we go to space.  From the relativistic invasion of “Time-Lag” to the far future of “Starfog” and “The Sharing of Flesh,” Anderson was laying down his ideas on space opera and space adventure here in these early stories that still hold up today. “Time-Lag’s” slow burn of a captive who works to save her planet through cycles of invasion and attack, through the ultimate tragedy of “Starfog” as lost explorers from a far flung colony seek their home, to the “Sharing of Flesh,” which makes a strong point about assumptions in local cultures, and provides an anthropological mystery in the bargain. “Kings Who Die” is an interesting bit of cat and mouse with a lot of double-dealing espionage with a prisoner aboard a spacecraft.

Finally, I had known that Anderson was strongly into verse and poetry for years, but really had never encountered it in situ. This volume corrects that gap in my reading, with a variety of verse that is at turns, moving, poetic, and sometimes extremely funny. The placing of these bits of verse between the prose stories makes for excellent palette cleansers to not only show the range of Anderson’s work, but also clear the decks for the next story.

The last thing I should make clear for readers who might be wondering if this volume truly is for them to is to go back to the beginning of this piece. This volume, and its subsequent volumes, are not a single or even multivolume “best of Poul Anderson”. This is a book, first in a series, that is meant to be a comprehensive collection of Poul Anderson. This is not the book or even a series to pick up if you just want the best of the best of a seminal writer of 20th century science fiction. This volume (and I strongly suspect the subsequent ones) is the volume you want if you want to start a deep dive into his works in all their myriad and many forms. There is a fair amount from the end of the Pulp Era here, and for me it was not all of the same quality. I think all of the stories are worthy but some show they are early in his career, and his craft does and will improve from this point.  While for me stories like the titular “Call Me Joe”, “Flight to Forever”, “The Man Who Came Early”, and the devastating “Prophecy” are among my favorite Poul Anderson stories, the very best of Poul Anderson is yet to come.

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #56

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Exiting Trumplandia, November-December 2020

By Chris M. Barkley:

Scott Heins/Getty Images

FOUR YEARS AGO, 22 November 2016: “Barkley — Since You (Didn’t) Ask — Trumplandia, Weeks One and Two”.

On October 28th, 1937, astronomer Karl Reinmuth of Heidelberg University made a momentous discovery, a fast-moving asteroid with a diameter of 2700 feet, which he dubbed Hermes. Reinmuth lost track of Hermes after a few days but it was estimated to have come within 300,000 miles of the Earth’s orbit. 

Students of astronomy would be happy to point out to you that in terms of magnitude, the Earth just barely escaped being hit by a devastating, possibly even an extinction level event.

On November 7th, at 11:38 AM EST, America dodged its own version of Hermes, when the Associated Press called the state of Pennsylvania for Joseph R. Biden, Jr., projecting a total of 279 Electoral Votes and the right to be called President-Elect.

All across America, celebrations sprang up spontaneously in several major cities. As the news broke that afternoon, church bells across Europe rang continuously for hours.

And Monday, December 14, 2020, will go down as one of the momentous days in American History,

-At 2:28 PM Pacific Time, Electoral College delegates at the state capitol of California cast 55 votes for Joseph R. Biden for President of the United States and Kamala Harris as Vice President, officially and legally confirming both to serve a four-year term starting next month.

– In the early morning hours of the same day, thousands of frontline health care workers and elderly patients all over North America began receiving a COVID-19 vaccine developed (at “warp speed”, as it were) by Pfizer Pharmaceuticals.

– And, on the other side of the coin, the United States officially recorded its 300,000th death of the pandemic (although that total may be significantly higher once other unrecorded deaths are factored in at a later date. 

But it hasn’t been all sweetness and light In the six weeks since Associated Press called the state of Pennsylvania Biden, unofficially sealing the election for Biden and Harris.

I remember the moment very well; Juli, having been driven stir crazy by our county’s Covid status (RED, verging on PURPLE) and the drawn out election results, had opted to go to Trader Joe’s to do some safely distanced shopping. I, on the other hand, decided to stay home and putter around the house to keep tabs on statistician/reporter/cult nerd obsession Steve Kornacki on MSNBC. (NOTE: He became so popular, NBC Sports ‘promoted” him to their NFL telecasts to provide football playoff forecasts and predictions.)

At around 11:30 AM Eastern time, I was busy vacuuming the living room the AP call was announced. I YELLED out my delight and sent Juli a text IN ALL CAPS! When she got hope, we popped open a bottle of champagne, toasted and got slightly drunk. Similarly, when California cast its Electoral votes last Monday, some celebratory day drinking was called for…

The current occupant of the White, whom I described in a 2016 column as a “racist, sexist, xenophobe, and the alleged perpetrator of numerous sexual assaults,” has not gone quietly into that good, political night. In fact, in the weeks that have passed since November 7th, he has claimed, falsely, that he actually “won” the election because of voter fraud, faulty voting machines and a myriad of other untrue musings, unproven conspiracy theories and outright lies. 

Additionally, he has shown VERY little interest in actually governing since the election, even as the number of infected people is rising perilously, both branches of Congress have been deadlocked over a pandemic relief package, virus vaccines are in short supply due to lack of government intervention and most of the country’s systems have seemingly been penetrated by Russian backed hackers who were just detected this past week after several months of activity.  

And while the Biden-Harris ticket garnered more than 81.2 million votes, the opposition ticket racked up 74.2 million votes. I used to believe that there were more of us than there were of the odious “them”, who have no qualms supporting a man and administration who are seeming hell bent on undermining the foundations of democracy itself. 

But, on the bright side, we’re within sight of the end of this political and health crisis and I am cautiously optimistic.

I say cautiously because we are possibly eight or nine months away from having a majority of the country vaccinated, which would mean that DisCon III might be able to hold the Worldcon in Washington D.C. safely, with the country under better management.

I, along with thousands of other con-going fans, writers, editors, artists and publishers will rejoice when the all-clear is given and will happily resume flooding hotels and convention centers around the world. 

Looking back over the past four years, I can also point to the things that kept us all inspired (and somewhat sane) during this tumultuous period. The podcasts and fanzines. The novels and collections. The fan and professional magazines and artists. The comics, manga and graphic novels. 

And, of course, the television and films; Star Trek Discovery and The Mandalorian (both of which I’ll be reviewing by the end of the year), The Expanse, Wonder Woman and The Midnight Sky (BOTH opening Christmas Day!), The Good Place, Good Omens, Doctor Who, the films of Marvel Studios and much, too much more to list here. 

And when we do reconvene, we should all pause, give thanks for surviving and reflect on what happened during this pandemic. We should also mourn our dead, from natural causes, accidents, or the virus, who were some of our best and brightest souls. 

Ad Astra to the departed and Happy Holidays to us all. The BEST is yet to come. (Fingers Crossed!)