…In developing science fiction writing as her craft, after disparaging a campy sci-fi flick, Butler became a master storyteller whose unique works revealed how members of the African diaspora could use their own power to shape alternative futures. Butler is one of the futurists who will be honored in the Smithsonian’s expansive “Futures” exhibition, which will mark the Institution’s 175th anniversary and will debut in the Arts and Industries Building late this year.
“Anchoring her in the exhibition in the hall that we call ‘Futures That Unite’ is really important because her books have united people across time and space and ages and identities,” says Monica Montgomery, the exhibition team’s social justice curator. While many of Butler’s works are dystopian in nature, “We know that ultimately, her work aims to unite and go from what does the future of sorrow look like to what does the future of strength look like.”…
A Smithsonian artifact—an Olivetti typewriter—from the collections of the Anacostia Community Museum will represent Butler’s life in the “Futures” show. The museum received it directly from Butler in 2004, when it went on view in the exhibition, “All the Stories Are True,” explains Jennifer Sieck, the museum’s collections researcher. “Octavia Butler was one of the invited authors, and not only did she generously share her presence, but she also donated the typewriter to the museum, along with the ribbons.”
…In addition to the typewriter, Butler will be represented by a newly commissioned work of art by digital artist Nettrice Gaskins, who uses algorithms meant to be employed in machine learning to produce artworks. She will provide a series of portraits of featured futurists, including herself. Others include author and disability rights advocate Helen Keller, American sculptor and political activist Isamu Noguchi, and National Farmworkers Association co-founders Dolores Huerta and Cesar Chavez, inventor Alexander Graham Bell, frontline researchers in the global race for a Covid vaccine Barney Graham and Kizzmekia Corbett, computer scientist Margaret Hamilton, non-binary professional skateboarder Leo Baker, the multi-disciplinary educator Buckminster Fuller and the civil rights activist Floyd McKissick.
“I used styles that corresponded with each futurist,” Gaskins says. “When I created the futurist portraits, I collaborated with the A.I. [artificial intelligence] and fed the machine different styles to see what the results would be, then I chose the ones that captured what I imagined.” Mirroring characters in Butler’s Parables series, “I’m finding ways to use A.I. to recognize my own power to affect and direct change or chance,” she says….
(3) 2022 WORLDCON HIKING MEMBERSHIP RATE. Chicon 8, the 2022 Worldcon, is raising its attending membership rate to $190 on August 1. So if you want to beat the deadline, click here: Memberships – Chicon 8. The new rate will be good until December 20, 2021.
…“I came to horror as a way of wrestling with the darkness in human nature, the darkness in my own nature,” Mike said, speaking to the autobiographical quality of some of his poems. “I had to make peace with my understanding of the world. The fact that the things Edgar Allen Poe was writing about were not alien, but part of the human experience.”
When he announced this, it hit me and made things plain. I understood my own tendency to like dark things: they seemed to tell the truth and I turn to fiction and poetry as much for truth as I do for adventure. These sorts of work found all the things our minds want to reject as part of life and wove them into the narrative. It’s about acceptance and not only thrill. I found myself reflecting internally on the kind of catharsis that comes from reading work like Aftermath and on my own desire to escape the Jeremiad news cycle. And yet, in the middle of the pandemic, life had been stressful for me, but I found that I wasn’t suffering from the same psychological horror that others I cared about suffered from. I felt strangely spared the extent of shock and sleepless nights others had, spared the existential crisis, the headlines (and very real events) created in others. Not because I was brighter or wiser or more resilient. In fact, it felt as though the level of peace I had was gifted to me.
As though reading the new question in my mind, Mike said: “In a way, horror inoculates you. There’s an addictive quality to it as it produces a lot of chemical activity in your brain, but it also inoculates you.” Mike paused, wondering whether ‘inoculate’ was the best word given the situation the world faced. Then, after a moment, he nodded. “Yeah, it inoculates you. You come to accept that the worse can happen, and that idea maybe shocks you less than it does other people.”…
(5) STAN’S ORIGIN STORY. J. Hoberman chronicles “Marvel’s Ringmaster” at the New York Review of Books. “Under Stan Lee’s guidance, Marvel marketed not only its characters but also the men who created them.” The first part of the article is open, but the rest is behind a paywall.
…The comic book industry was largely created by first-generation Americans. Lee’s Romanian immigrant father was a fabric cutter in New York City’s garment industry; the family struggled during the Great Depression. Skipping grades, the faster to finish his education and get a job, Lee attended DeWitt Clinton, a huge all-boys public high school in the Bronx that produced many distinguished alumni. Lionel Trilling, Irving Howe, A.M. Rosenthal, and William Kunstler were graduates. Lee’s classmates might have included the future playwright Paddy Chayefsky, the disgraced studio boss David Begelman, the Get Smart actor Don Adams, and (before he dropped out) the champion boxer Sugar Ray Robinson, as well as Richard Avedon and James Baldwin. Lee worked on the school literary magazine, less as a writer or editor than a self-appointed publicity director….
…Literature has no single golden age, but some genre fiction does, and Science Fiction had a long one, stretching from the mid-30s all the way up to the mid 50s – up, perhaps, to Crick and Watson and the genuinely astounding discovery of DNA with which it briefly struggled to compete. Soon, we’d been to the moon too, and the race to speculate before science could accumulate became a lot tighter.
Sci-Fi thrives off society’s sense of the unknown. The fiction of this era is worth reading as much to register the blind spots, as to applaud the bulls’ eyes. These are generally by way of under estimating the societal changes which were to sweep across the West after WW2. Many authors anticipate nuclear annihilation, and subsequent genetic mutation, but there does not appear to be a single one who saw feminism coming.
Instead, stories by Asimov, Heinlein and the like bristle with square jawed 21st century heroes, wise cracking journalists, distracted academics and Blondes, Blondes, Blondes. Some of the predicted innovations in tech are hauntingly accurate, but the action remains firmly rooted in a social milieu Raymond Chandler would recognise. But this is instructive in itself and tells us something about the business of understanding what can, and cannot change, and how quickly. Many people envisaged the rise of a global pandemic at some point in the future but not many paused to consider its social implications – plus ça change. …
(7) VAMPIRE CLEARANCE SALE. FX dropped this trailer for season 3 of What We Do In The Shadows.
An evil bucket that’s great for collecting evil. See how the vampires are decluttering for the all-new season premiering Sept 2nd on FX.
(8) MEDIA BIRTHDAY.
July 31, 1992 – Twenty-nine years ago the Buffy the Vampire Slayer film premiered. Written by Joss Whedon, it was directed by Fran Rubel Kuzui and produced by Howard Rosenman and Kaz Kuzui. The cast was Kristy Swanson, Donald Sutherland, Paul Reubens, Rutger Hauer and Luke Perry. It got middling reviews from the critics and currently holds a rating of just forty-three percent at Rotten Tomatoes. It neither made nor lost money at the box office.
It of course would spawn the later Buffy the Vampire Slayer and the Angel series as well. The former was both a critical and rating success. The Buffy the Vampire Slayer series would win a Hugo at Torcon 3.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. If you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek, and provided the voices of the more strident version of Balok in the “The Corbomite Maneuver” episode and the Gorn in the “Arena” episode. In The Man from U.N.C.L.E. “The Napoleon’s Tomb Affair” episode, he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. And failed magnificently. (Died 1979.)
Born July 31, 1951 — Jo Bannister, 70. Though best known as a most excellent British crime fiction novelist, she has three SF novels to her credit, all written in the early Eighties — The Matrix, The Winter Plain and A Cactus Garden. ISFDB lists one short story by her as genre, “Howler”, but I wasn’t at all aware that Ellery Queen’s Mystery Magazine printed genre fiction which is where it appeared first though y’all corrected me when I ran this Birthday note first several years back.
Born July 31, 1955 — Daniel M. Kimmel, 66. His essays on classic genre films were being published in The Internet Review of Science Fiction from 2005–2010 and are now in the Space and Timemagazine. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association.
Born July 31, 1956 — Michael Biehn, 65. Best known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He was also The Sandman in a single episode of Logan’s Run. Though not even genre adjacent, he was Johnny Ringo in the magnitude Tombstone film. Likewise he was in The Magnificent Seven series as Chris Larabee.
Born July 31, 1959 — Kim Newman, 62. Though best known for his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten. He’s also a prolific genre writer and his first published novel, The Night Mayor, sounds very intriguing. (CE)
Born July 31, 1962 — Wesley Snipes, 59. The first actor to be Blade in the Blade film franchise where I thought he made the perfect Blade. (There’s a new Blade actor though they name escapes right now.) I also like him as Simon Phoenix in Demolition Man. And he was Aman in Gallowwalkers, a Western horror film that is really, really bad. How bad? It gets an eleven percent rating by audience reviewers at Rotten Tomatoes.
Born July 31, 1976 — John Joseph Adams, 45. Anthologist of whom I’m very fond of The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West which he did. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed and Fantasy magazines since the early part of the previous decade.
(11) HAMILTON DROPS OUT OF THE TREES. Netflix dropped a trailer for the animated movie Vivo. Arrives August 6.
A one-of-kind kinkajou (voiced by Lin-Manuel Miranda), embarks on an unforgettable, musical adventure to deliver a love song to Marta (voiced by Gloria Estefan) on behalf of his owner Andrés (Buena Vista Social Club’s Juan De Marcos).
VIVO is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds.
(12) WELL, THAT WAS EXCITING. That new Russian module at the International Space Station got a little rowdy. The maneuvering thrusters fired accidentally, pushing the whole station out of position. The mis-orientation was bad enough that the ISS lost radio communication with ground controllers for about 11 minutes. One thinks that Roscosmos will have some explaining to do. “International Space Station briefly loses control after new Russian module misfires” at CNN.
An unusual and potentially dangerous situation unfolded Thursday at the International Space Station, as the newly-docked Russian Nauka module inadvertently fired its thrusters causing a “tug of war” with the space station and briefly pushing it out of position, according to NASA flight controllers.
Nauka — a long-delayed laboratory module that Russian space agency Roscosmos’ launched to the International Space Station last week — inadvertently fired its thrusters after docking with the International Space Station Thursday morning.
NASA officials declared it a “spacecraft emergency” as the space station experienced a loss of attitude (the angle at which the ISS is supposed to remain oriented) control for nearly one hour, and ground controllers lost communications with the seven astronauts currently aboard the ISS for 11 minutes during the ordeal. A joint investigation between NASA and the Russian space agency Roscosmos is now ongoing.
For the first time ever, scientists have seen the light from behind a black hole.
Black holes are regions in space-time where gravity’s pull is so powerful that not even light can escape its grasp. However, while light cannot escape a black hole, its extreme gravity warps space around it, which allows light to “echo,” bending around the back of the object. Thanks to this strange phenomenon, astronomers have, for the first time, observed the light from behind a black hole.
In a new study, researchers, led by Dan Wilkins, an astrophysicist at Stanford University in California, used the European Space Agency’s XMM-Newton and NASA’s NuSTAR space telescopes to observe the light from behind a black hole that’s 10 million times more massive than our sun and lies 800 million light-years away in the spiral galaxy I Zwicky 1, according to a statement from ESA.
The light “echo” was first predicted by Albert Einstein in his general theory of relativity, published in 1916….
…In Stray, you play as an injured cat who has been separated from his family. He’s searching for a way back to them through the winding alleys of a decaying “cybercity.” Humanoid robots that lend an air of melancholy to the neon-lit streets are the only residents of this strange city. On his journey, the cat will find and befriend a small drone named B-12. They’ll work together to survive and get back home….
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
By Cat Eldridge: Fourteen years ago this week, the Stargate SG-1 series ended its decade-long run. Based on the Stargate film by Dean Devlin and Roland Emmerich, it was created by Brad Wright and Jonathan Glassner. The former was a writer for Forever Knight and Highlander; the latter was a writer on such series as War of The Worlds, Time Trax, Star Trek: Voyager and The Outer Limits. Both had worked together on The Outer Limits.
It started off as a Showtime series running there for five seasons before moving to Sci-fi for the last five seasons. The creators were the primary producers.
The primary cast was Richard Dean Anderson (as Col. Jack O’Neill), Michael Shanks, Amanda Tapping, Christopher Judge and Don S. Davis. Much later on the series, several Farscape alumni would show up as Claudia Black and Ben Browder would join the cast.
The show would spawn the series Stargate Atlantis, Stargate Universe, and a Stargate Origins miniseries and two DVD films as well, Stargate: The Ark of Truth and Stargate: Continuum. Wiki lists a series that I wasn’t aware of, an animated television series called Stargate Infinity. There is an audio series as well.
It off course has the usual collectibles — novels, action figures, t-shirts. Some have become quite expensive. The General Jack O’Neill Stargate SG-1 Diamond Select figure mint now fetches several hundred dollars.
Finalists have been announced for the 2021 Silver Falchion award given by the Killer Nashville Writers Conference in Franklin, Tennessee. The Silver Falchion award categories cover the spectrum of popular literature. The conference’s Reader’s Choice nominees also have been posted.
The conference takes place August 19-22. The awards dinner is on August 21.
Here are the finalists in Silver Falchion categories that include works of genre interest.
BEST SCI-FI / FANTASY
Jeremy and the Witches Medallionby Randy Gauthier
Servant of the Crownby Duncan M. Hamilton
In the Shadow of a Valiant Moonby Stu Jones & Gareth Worthington
Otakuby Chris Kluwe
Odyssey Taleby Cody Schlegel
Slipping into Darknessby D. M. Bourgeois
Borrowings of the Shan Van Vochtby Catherine Moore
Wonderlandby Zoje Stage
Sisters of the Moon by Alexandrea Weis
Borrowed Memoriesby Christine Mager Wevik
Inn the Spirit of Competitionby Becki Willis
BEST JUVENILE / Y.A.
The Crossingway by Lynn H. Elliott
Irish Town by Matthew John Meagher
Kassy O’Roarke Treasure Hunter by Kelly Oliver
Astrobia by James C. Paavola
Someone is Burning My Lord, Kumbaaya by Fiza Pathan and Michaelangelo Zane
BEST SHORT STORY COLLECTION / ANTHOLOGY
Crossing Bordersby Lisa Brackmann & Matt Coyle
Judge Lu’s Case Files, Stories of Crime & Mystery in Imperial China by P.A. De Voe
Minnesota Not So Nice: Eighteen Tales of Bad Behaviorby Barbara Merritt Deese, Pat Dennis, Michael Allan Mallory, and Timya Owen
Couch Detective Book 2by James Glass
Children of the Fang and Other Genealogiesby John Langan
Tom started out in comics by interning for both DC and Marvel, where he was an assistant to X-Men writer Chris Claremont. After his comics-inspired debut novel A Once Crowded Sky was published in 2013, and after a stint in the CIA, he went on to write Batman and Mister Miracle for DC, The Vision for Marvel, and many other projects, which won him an Eisner Award in 2018 for Best Writer. Plus — and I only realized this while taking note of comic artist Joe Giella’s recent 93rd birthday — we’ve both written Supergirl stories — 43 years apart! But that’s not the only commonality to our comics careers, as you’ll soon hear.
We discussed the two questions no one in comics can answer, his attempt at age 11 to get a job at Archie Comics, how he goes back to the beginning when writing a classic character such as Supergirl, whether Alan Moore would have had the impetus to create Watchmen in today’s environment, our dealings with comic book censorship, the weird way Monica Lewinsky caused him not to get hired by MAD magazine, the differences we discovered early on between Marvel and DC, what he learned as an intern to the legendary Chris Claremont, the Black Knight pitch he got paid for which was never published, the way comic book people are like circus folk, why the current state of Krypto proves I could never go back to writing comics, and much more.
(2) WORDPLAY IN ANNIE. [Item by Daniel Dern.] Historically, the bad guys in the Annie comics have had names ranging from more-or-less backwards, to descriptive ones. (Sorry, can’t think of or find examples off the top of my head nor thru brief web search, no time to walk over to L/O/A books in bedroom bookshelf…) (The names in Dick Tracy are no slouch, neither.) Currently Annie features a villain called “Bandy Dessinay”… and if that sounds familiar:
Bandes dessinées (singular bande dessinée; literally ‘drawn strips’), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in the French language and created for readership in France and Belgium.
As for why I recognized the rephoneticized term, it’s mostly from the year or three that I was subscribing to ComiXology Unlimited (their streaming digital comic book offering), where Bandes Dessinées was often one of the group/type categories along with (something like, IIRC) issues, series, collections.
Interestingly (at least, I think so), “Annie has appeared in the Dick Tracy comic strip after Little Orphan Annie was discontinued.” according to the Pigtails in Paint article on “Harold Gray’s Little Orphan Annie”.
Pogo fans will, of course, remember Albert Alligator and Beauregard Frontenac Bugleboy III (“The Faithful Dog”) (or perhaps Ponce de Leon Montgomery County Alabama Georgia Beauregard Possum, per a different web site) periodically gearing up as “Little Arfin’ Lulu,” with (his) eyes “all blunked out” and Sandy.
(3) PAPERBACK SHOW RETURNS. March 20, 2022 will be the date for the Los Angeles Vintage Paperback Collectors Show. The 42nd edition of the show (which had to skip 2021) will take place as usual at the Glendale Civic Auditorium, in Glendale, California.
(4) SHARPSON REVIEWED. [Item by Olav Rokne.] “The Future Refusing To Be Born” at TheHugo Book Club Blog. I keep thinking about the book, and how the author ties rejection of modernity (nostalgia) to authoritarianism. Definitely think that Sharpson will end up on my personal ballot for the Astounding Award based on this book.
In Neil Sharpson’s debut novel When The Sparrow Falls, that place is The Caspian Republic: a country founded by expatriate American and Russian bioconservative activists, whose boundaries are roughly those of present-day Azerbaijan.
While the rest of the world has embraced an almost-singularitarian future of AI-guided mass prosperity, near immortality, and widespread expansive human rights, this Caspian Republic has hewed to a quasi-religious “Humanity First” doctrine and polices the use of technology.
…Sharpson’s prose is sparse, clear, and engaging. He ably paints a picture of a deeply flawed society, and one that is the all-too-believable result of nostalgia-driven politics and identity-driven ideology. Because the Caspian Republic’s technology is pretty much limited to what was common in North America in the 1980s, readers will be reminded of late-era Cold War spy stories….
Lem’s centenary is being celebrated in Poland as the Year of Lem, and now Vienna, the writer’s home in the 1980s, has joined in, staging a series of musical events collectively dubbed the Lem Festival.
Poland’s Adam Mickiewicz Institute (IAM) is the driving force behind the project, in co-operation with the ImPuls Tanz festival and the Klangforum Wien ensemble.
During the events, which run through the end of July, dancers and musicians are expected to invite audiences “to reflect on the possibility of communication with ‘the Alien,'” according to the Polish institute.
This is because, a century after Lem was born, and following the NASA rover’s landing on Mars, this question has again become our civilisation’s most pressing problem, the organisers have said….
(6) THEY MADE IT. The Uncanny Kickstarter hit its initial funding goal – now they start work on the stretch goals.
JASON SIZEMORE: Do you and Levar Burton hang out? Talk a little about the process of working with Mr. Burton and hearing your words narrated by Mr. Reading Rainbow?
BONNIE JO STUFFLEBEAM: What an experience! I got an unexpected email from Julia Smith, the producer of LeVar Burton Reads, inviting me to be LeVar’s featured writer at his live Dallas event for my story “In the City of Martyrs.” I had no idea that this was an email that one could get, so I was immediately ecstatic to both appear live and to have my story appear on the podcast. The night of the show, I got to meet Julia and LeVar, both amazing and talented professionals, then got to hear LeVar read my story to musical accompaniment. After the reading, we did a Q&A with LeVar and then with the audience.
What I remember most from the event was LeVar’s generosity; he offered to meet-and-greet the very large group of people who came to support me. Also, the audience questions for the Q&A were perceptive as hell. The audience was clearly full of serious readers, and I’m not sure there’s a better feeling than to be surrounded by people who share that passion. Then, of course, there was the magic of hearing my short story read by a man whose voice I grew up listening to. Normally, I can’t divorce the reading of my own stories from the fact that I wrote them, but hearing LeVar read my work with a balalaika setting the story’s mood throughout, I got goosebumps.
…However, Disney pushed back hard against Johansson’s arguments. In a statement issued to Yahoo Finance, the media giant said, “There is no merit whatsoever to this filing. The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.”…
“They have shamelessly and falsely accused Ms. Johansson of being insensitive to the global COVID pandemic, in an attempt to make her appear to be someone they and I know she isn’t,” Lourd, co-chairman of Creative Artists Agency said in a statement. Lourd represents some of Hollywood’s biggest stars besides Johansson, such as Brad Pitt and George Clooney. Disney did not respond to requests for comment on Lourd’s statement….
“Scarlett has been Disney’s partner on nine movies, which have earned Disney and its shareholders billions,” Lourd said. “The company included her salary in their press statement in an attempt to weaponize her success as an artist and businesswoman, as if that were something she should be ashamed of.”
(9) BLUE ORIGIN TRIES TO REVIVE NASA’S INTEREST. Blue Origin says it’s willing to cover $2 billion of the cost for a second lunar lander contract, should NASA award one. In a July 26th letter to NASA Administrator Bill Nelson, Blue Origin founder Jeff Bezos said his company is willing to waive up to $2 billion in payments over the current and next two government fiscal years in exchange for a fixed-priced contract. In April, NASA selected SpaceX as the recipient of its Human Landing System (HLS) contract, a decision that competitors Blue Origin and Dynetics protested shortly after. The full letter is at the link, here are some excerpts:
Blue Origin is committed to building a future where millions of people live and work in space to benefit the Earth….
This is why Blue Origin answered NASA’s urgent call to develop a Human Landing System. We built the National Team – with four major partners and more than 200 small and medium suppliers in 47 states – to focus on designing, building, and operating a flight system the nation could count on. NASA invested over half a billion dollars in the National Team in 2020-21, and we performed well. The team developed and risk-reduced a safe, mass-efficient design that could achieve a human landing in 2024.
Our approach is designed to be sustainable for repeated lunar missions and, above all, to keep our astronauts safe. We created a 21st-century lunar landing system inspired by the well-characterized Apollo architecture — an architecture with many benefits. One of its important benefits is that it prioritizes safety. As NASA recognized, the National Team’s design offers a “comprehensive approach to aborts and contingencies [that] places a priority on crew safety throughout all mission phases.”
Unlike Apollo, our approach is designed to be sustainable and to grow into permanent, affordable lunar operations. Our lander uses liquid hydrogen for fuel. Not only is hydrogen the highest-performing rocket fuel, but it can also be mined on the Moon. That feature will prove essential for sustained future operations on the Moon and beyond.
From the beginning, we designed our system to be capable of flying on multiple launch vehicles, including Falcon Heavy, SLS, Vulcan, and New Glenn. The value of being able to fly on many different launch vehicles cannot be over-stated…
Yet, in spite of these benefits and at the last minute, the Source Selection Official veered from the Agency’s oft-stated procurement strategy. Instead of investing in two competing lunar landers as originally intended, the Agency chose to confer a multi-year, multi-billion-dollar head start to SpaceX. That decision broke the mold of NASA’s successful commercial space programs by putting an end to meaningful competition for years to come….
(10) TED LEWIN (1935-2021). Illustrator and writer of children’s books Ted Lewin died July 28. Jane Yolen paid tribute on Facebook.
Heartbroken–this says it all. Ted and [his wife] Betsy were dear friends for many years and Ted illustrated David’s only children’s book (HIGH RIDGE GOBBLER) and a bunch of mine, Several of his originals for the books decorate my dining room. I see them everyday. Ted was a lovely, lovely man, a wonderful storyteller, who brought much beauty to the world.
Ted Lewin illustrated over 200 books, winning a 1994 Caldecott Honor for Peppe The Lamplighter. A number of these were done in collaboration with his wife, Betsy.
As a young man who wanted to go to art school at the Pratt Institute, he earned money to finance his education by taking a summer job as a professional wrestler – the beginning of a fifteen year part-time career that eventually inspired his autobiographical book I Was a Teenage Professional Wrestler.
Lewin’s professional honors also include a Silver Medal in the Society of Illustrators Annual Show (2007), and he and Betsy were inducted into the Society of Illustrators Hall of Fame in 2015. [Click below for larger image.]
(11) MEMORY LANE.
1987 – In July of 1987, Emma Bull’s War for The Oaks was published by Ace Books. It would win a Locus Best First Novel Award and be nominated for a Mythopoeic Fantasy Award. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here as some of them are from Minnesota fandom. Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. (They were printed. I have a signed one here.) And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of fandom with lyrics by John Ford, Steven Brust and others.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s exemplary Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.)
Born July 30, 1947 — John E. Stith, 74. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000.
Born July 30, 1947 — Arnold Schwarzenegger, 74. Terminator franchise, of course, as well as Running Man, Conan the Barbarian and Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots. Though I think that’s more rumor than reality.
Born July 30, 1948 — Carel Struycken, 73. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen.
Born July 30, 1966 — Jess Nevins, 55. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident.
Born July 30, 1966 — Jason Watkins, 55. His first genre role was William Herrick in Being Human. He’s also had a recurring role on Dirk Gentely as DI Gilks. And he voiced Captain Orchis on Watership Down. Naturally, he’s been in Doctor Who, specifically as Webly in the Eleventh Doctor story, “Nightmare in Silver”. He showed up in The Golden Compass as Bolvangar Official.
Born July 30, 1970 — Christopher Nolan, 51. Writer, producer and often director as well of the latest Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work. His latest, Tenet, has been nominated for a Hugo this year.
Born July 30, 1975 — Cherie Priest, 46. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these? She won an Endeavour Award for her Dreadnought novel.
(13) COMICS SECTION.
Frank and Ernestshows the judge throwing the book at an unexpected traffic offender.
(14) GET YOUR ANSWERS READY. Your hosts for Science Fiction 101 podcast are Phil Nichols of the Bradburymedia website, who is also known for the Bradbury 100 podcast and the Bradbury 101 YouTube channel; and Colin Kuskie of the Take Me To Your Reader podcast. Episode 7, “We Goes There”, features a sci-fi quiz.
Advance publicity for the Marble Arch Mound — London’s newest visitor attraction — suggested that an Arcadian landscape would be created in the middle of the city, with spectacular views over Hyde Park.
A huge artificial hill, over 80 feet high, would rise at one end of Oxford Street, London’s busiest shopping district. Costing around 2 million pounds, or about $2.7 million, design renderings suggested that it would be covered in lush trees and that visitors would be able to climb to the top — and “feel a light breeze” against their skin.
The hill was part of a £150 million plan by Westminster Council to lure visitors back into the center of the city after the pandemic. In May, Time Out, London’s main listings magazine, described it as “visually arresting/bonkers.”
The reality has turned out to be somewhat different. Since opening on Monday, the mound has been widely mocked online as more of a folly than a dream — a pile of blocky scaffolding covered in patches of vegetation that look in danger of slipping off, and that it isn’t even high enough to look over the trees into Hyde Park….
A commenter on the article said:
To be fair to Westminster City Council that spot has become increasingly difficult to manage, with the combination effect of a long record of unplanned and haphazard development accumulating to create serious problems.
Obviously, the confluence of ley lines and faerie roads there lead to that being the natural place for the portal to Avalon, which in turn attracted the gate into Narnia. But, installing the secret entrance to Q branch’s main workshop so close to both the back door to the Ministry of Magic and unquiet spirits of Tyburn Tree was asking for trouble, and probably meant spatio-temporal subsidence would inevitably produce The Rift.
Although finding a more plausible way to conceal the essential interdimensional-engineering work needed might have been better, it can be argued that attracting widespread ridicule with this hill has provided the sort of smokescreen that was wanted more cost-effectively.
We probably shouldn’t rush to judgement, and wait for the official paperwork to be declassified and released under the 5,000-year rule.
If you’re homeless and looking for temporary shelter in Hawaii’s capital, expect a visit from a robotic police dog that will scan your eye to make sure you don’t have a fever.
That’s just one of the ways public safety agencies are starting to use Spot, the best-known of a new commercial category of robots that trot around with animal-like agility.
The handful of police officials experimenting with the four-legged machines say they’re just another tool, like existing drones and simple wheeled robots, to keep emergency responders out of harm’s way as they scout for dangers. But privacy watchdogs — the human kind — warn that police are secretly rushing to buy the robots without setting safeguards against aggressive, invasive or dehumanizing uses.
In Honolulu, the police department spent about $150,000 in federal pandemic relief money to buy their Spot from robotics firm Boston Dynamics for use at a government-run tent city near the airport.
“Because these people are houseless it’s considered OK to do that,” said Jongwook Kim, legal director at the American Civil Liberties Union of Hawaii. “At some point it will come out again for some different use after the pandemic is over.”…
Cat owners who love to take pictures of their furry friends now have a new excuse to pull out their smartphones and take a snapshot: it may actually help the cat.
A Calgary, Alberta, animal health technology company, Sylvester.ai, has developed an app called Tably that uses the phone’s camera to tell whether a feline is feeling pain.
The app looks at ear and head position, eye-narrowing, muzzle tension, and how whiskers change, to detect distress. A 2019 study published in peer-reviewed journal Scientific Reports found that the so-called ‘feline grimace scale,’ or FGS, is a valid and reliable tool for acute pain assessment in cats….
In what can only be considered a triumph for all robot-kind, this week, a federal court has ruled that an artificially intelligent machine can, in fact, be an inventor—a decision that came after a year’s worth of legal battles across the globe.
The ruling came on the heels of a years-long quest by University of Surrey law professor Ryan Abbot, who started putting out patent applications in 17 different countries across the globe earlier this year. Abbot—whose work focuses on the intersection between AI and the law—first launched two international patent filings as part of The Artificial Inventor Project at the end of 2019. Both patents (one for an adjustable food container, and one for an emergency beacon) listed a creative neural system dubbed “DABUS” as the inventor.
The artificially intelligent inventor listed here, DABUS, was created by Dr. Stephen Thaler, who describes it as a “creativity engine” that’s capable of generating novel ideas (and inventions) based on communications between the trillions of computational neurons that it’s been outfitted with. Despite being an impressive piece of machinery, last year, the US Patent and Trademark Office (USPTO) ruled that an AI cannot be listed as the inventor in a patent application—specifically stating that under the country’s current patent laws, only “natural persons,” are allowed to be recognized. Not long after, Thaler sued the USPTO, and Abbott represented him in the suit….
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Zombies Ate My Neighbors and Ghoul Patrol,” Fandom Games says this game will take you back to the ’90s (remember Scholastic book fairs? All-denim outfits?) and will “tickle your nostalgia nose” but still frustrate you even though you’re not a teenager any more, but have kids and a mortgage.
(21) TINGLING BULLETINS AS THEY BREAK. Chuck Tingle told Facebook followers today that the music rights holders withdrew their complaints three days ago, but Twitter still hasn’t done doodly about restoring his account.
first off POWER OF LOVE IS STRONG with help of some true buckaroos behind scenes (who i will thank when this is all over and direct you to their websites and other ways) AND ALSO with help of all buckaroos on social media: SONY MUSIC and IFPI have decided to withdraw their copyright complaints and say ‘okay just take them down lets trot on you can have your account back’ which is HUGE DEAL. SO THANK YOU SO MUCH THIS PROVES LOVE IS REAL. also even though this situation is frustrating for chuck i must say sincere thank you to sony and ifpi this was a choice they made to do right thing by chuck in the name of the buckaroo lifestyle. so thank you everyone (with more thanks to come)
this happened THREE DAYS ago and twitter was notified. since then twitter has not responded to any methods of contact from chuck or sam rand or manager of chuck. chuck remains suspended with no way of contacting them that does not get automated response even though fact of the matter is:
THERE IS NO REASON FOR CHUCK TINGLE TWITTER TO BE SUSPENDED AT THIS POINT i do not have copyright infringement marks anymore or any other infractions. i have sent message to say ‘can you tell WHY my account is still suspended even after you said it would be better if i fixed these issues?’ and no response.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Paul Weimer, Olav Rokne, Michael J. Walsh, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
Both star and showrunner will bow out following a six-part series (set to air later in 2021), two specials (already planned for 2022), plus one final feature-length adventure for the Thirteenth Doctor which will also mark the BBC’s centenary next year.
In a statement, Chibnall said: “Jodie and I made a ‘three series and out’ pact with each other at the start of this once-in-a-lifetime blast. So now our shift is done, and we’re handing back the TARDIS keys.
“Jodie’s magnificent, iconic Doctor has exceeded all our high expectations. She’s been the gold standard leading actor, shouldering the responsibility of being the first female Doctor with style, strength, warmth, generosity and humour. She captured the public imagination and continues to inspire adoration around the world, as well as from everyone on the production. I can’t imagine working with a more inspiring Doctor – so I’m not going to!…”
Whittaker, who was cast as the first female incarnation of the Doctor in 2017, said: “In 2017 I opened my glorious gift box of size 13 shoes. I could not have guessed the brilliant adventures, worlds and wonders I was to see in them. My heart is so full of love for this show, for the team who make it, for the fans who watch it and for what it has brought to my life. And I cannot thank Chris enough for entrusting me with his incredible stories.
“We knew that we wanted to ride this wave side by side, and pass on the baton together. So here we are, weeks away from wrapping on the best job I have ever had. I don’t think I’ll ever be able to express what this role has given me. I will carry the Doctor and the lessons I’ve learnt forever.
“I know change can be scary and none of us know what’s out there. That’s why we keep looking. Travel Hopefully. The Universe will surprise you. Constantly.”
…Within the current stable of Who writers, only a handful (including Vinay Patel and Pete McTighe) have written more than one episode, and it’s unclear whether the BBC would look within the current writing staff or elsewhere to find someone to take on the often demanding showrunner job.
In other words, the speculation isn’t just for who could replace Jodie Whittaker any more. Who is the new Chris Chibnall? Taking all bets…
The upcoming thirteenth series of Doctor Who will be six episodes long, the BBC has confirmed.
It was originally announced that there would be eight episodes in the season, but it has now been announced that the main series will consist of just half a dozen episodes, each of which will form part of an ongoing storyline.
In addition, a trilogy of specials will now air in 2022 – one more than had previously been planned, with the first airing on New Year’s Day 2022 and a second following later in spring 2022.
…The third feature-length special, in which the Thirteenth Doctor will regenerate, will then air in autumn 2022, forming part of the BBC’s Centenary celebrations.
(2) COVID POLICIES FOR TWO MEGACONS. PAX West, which is September 3-6 this year, is requiring proof of either vaccination or a negative COVID test for attendance this year — see “Health & Safety Update”.
Throughout the year, the PAX team has been actively working to support a safe environment for our PAX West visitors. We are pleased to announce that, in line with the recommendations of state and local public health authorities, we will be implementing a vaccination or negative COVID-19 test requirement for everyone at PAX West. We appreciate your patience as we worked with our venue and the authorities to create our comprehensive plan….
…As the nation continues to emerge from the pandemic, the rules and expectations are changing fast. We are working closely with the public health officials at the Georgia Department of Public Health, the Fulton County Health Department and the experts hired by our hotels to establish a set of health and safety protocols. We don’t know at this point what these ground rules will look like by Labor Day, but we are committed to communicating them as soon as the plan is finalized and at least 30 days before the convention.
(3) WINDOW ON A CENTURY. Tanner Greer asks what we can learn from the popularity of YA in “Escaping Only So Far” in City Journal.
…Future social historians will not be able to consult an oral tradition of fairy tales in an investigation of the twenty-first century’s “mental ordering,” but they will have an equally vast catalog of fictional narratives at their disposal. For the most popular stories of our own day also tend toward the fantastic. Speculative fiction—fantasy, science fiction, and dystopian prophecies—has captured the imagination of twenty-first-century man. These flights of fancy are the cornerstone of our popular culture; their protagonists are our cultural heroes. They testify to the power of escapism.
Yet like the fairy tales of old, our escapist yarns can escape only so far. Their imagery and plotting are irrevocably tied to our society. Despite their diverse subgenres and distinct audiences, these fictional narratives share a set of attitudes and convictions about the nature of authority, power, and responsibility. They provide a window into the moral economy of the twenty-first century’s overmanaged meritocrats.
The rise of the young-adult novel is the most significant literary event of this century. The significance of the genre—often simply called “YA”—is best appreciated when juxtaposed with general trends in Anglophone reading. In an age that has seen both the average number of books read and the average number of hours spent reading steeply decline, YA readership has exploded, and not just among young adults. In 2012, one marketing firm discovered that slightly more than half of all American YA readers were older than 22. Just under one-third were somewhere between 30 and 44….
…Speaking to IGN about their new Lord of the Rings podcast series—called “Friendship Onion”—Dominic Monaghan and Billy Boyd (who played Merry and Pippin) touched upon a time when pressure from executives above the Lord of the Rings production team wanted to amplify the stakes of the series by killing off one of its four smallest stars. Apparently, the tall folk were off-limits, and the stakes of, say, a massive war between the forces of good and evil for the fate of all Middle-earth could only be raised if you found one of the cutest hobbits around and stabbed them to death or something.
“It’s a good job that didn’t happen, because it would have been me,” Monaghan joked to IGN. “It definitely would have. There’s no way they are killing Frodo and Sam, and the only ones that would be left would be Merry and Pippin. They wouldn’t kill Pippin because Pippin has a really strong story with Gandalf. It would have definitely been me.”
(5) HALFLING MYTHCON THIS WEEKEND. The virtual “Halfling” 2021 Mythopoeic Society conference takes place online July 31-August 1. They are offering a special “flat rate” conference membership of $20, whether or not you’re a member of the Mythopoeic Society.
June 5th, 2021 marked the 56th Annual Nebula Awards Ceremony! Writer and Comedian Aydrea Walden hosted for a second year, and the awards were presented by multiple notable figures in the science fiction and fantasy community!
Scarlett Johansson may have retired as the Avengers’s resident Black Widow and passed the torch to Florence Pugh, but it appears that the actress still has some unfinished business with Marvel Entertainment and its parent company, Walt Disney. As originally reported in the Wall Street Journal, the actress — who played Natasha Romanoff over a 10-year period from 2010’s Iron Man 2 to the Black Widow solo adventure that opened in July after a year-long delay — has filed a breach of contract lawsuit against her former employers.
At issue is the way that Disney ultimately chose to release the movie. Originally scheduled to open exclusively in theaters in May 2020, Black Widow was repeatedly delayed due to the coronavirus pandemic. Eventually, the studio made the decision to pursue a hybrid release, opening the massively-budgeted movie in multiplexes the same day it premiered on the Disney+ streaming as a Premier Access title. (Premier Access films are available to Disney+ subscribers for an extra $29.99 surchage.)
According to the lawsuit that Johansson filed on Thursday in Los Angeles Superior Court, that hybrid release plan breached her original contract with Marvel Entertainment and Disney, which reportedly guaranteed an exclusive theatrical release. Furthermore, her salary for the film would be based largely on how it performed at the box office….
Starting your first podcast can be daunting. Perusing microphones and equipment, while fun, can be disheartening as the cost quickly becomes prohibitive. But one need not get discouraged, as it is possible to get started with a very small (or no) budget. Many of the things you will need can be obtained for free and in this article we’ll show you where to find the tools you need.
When it comes to microphones you can be looking at spending anywhere from 10s of dollars to 1000s, but the cell phone in your pocket already has a pretty decent mic built-in, and it’s good enough to get you started. Most cell phones will also have a built-in recording app, and there are plenty you can download for free. If using these go into the settings and make sure to set the sample rate and bit depth as high as possible.
Once you have made your recording it’s time to edit the recording into the beautiful finished product that will be your podcast. Fortunately from here on out everything you’ll be needing can be downloaded for free, and many of the tools we’ll be discussing are powerful and versatile….
(9) A NEBULOUS WINNER. As a byproduct of another author mourning how his name got misspelled in a recent award shortlist announcement I learned that Isaac Asimov famously suffered the same indignity – see the “Isaac Asimov FAQ” at Asimov Online.
Asimov hated it when his name was misspelled in print or mispronounced by others. His desire to have his name spelled correctly even resulted in a 1957 short story, “Spell my Name with an ‘s'”.
(Notable instances of his name being misspelled occurred on the cover of the November 1952 issue of Galaxy, which contained “The Martian Way”, and on his 1976 Nebula Award for “The Bicentennial Man”.)
When in 1940 he wrote a letter to Planet Stories, which printed it and spelled his name “Isaac Asenion”, he quickly fired off an angry letter to them. (His friend Lester Del Rey took great delight in referring to him as “Asenion” for many years afterward. On the other hand, Asimov himself referred to positronic robots with the Three Laws as “Asenion” robots in The Caves of Steel.)
Asimov was quite perturbed when Johnny Carson, host of the Tonight Show, pronounced his first name as I-ZAK, with equal emphasis on both syllables, during an appearance on the television show in New York in 1968.
(10) MEMORY LANE.
July 29, 1953 – Sixty-eight years on this date, War of The Worlds premiered in Atlantic City. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson with narration by Sir Cedric Hardwicke. The Martian war machines were designed by Al Nozaki, and the sizzling sound effect would be used again as the first Trek series phaser sound. (You know what novel it was adapted from.) The film was both a critical and box office success with its earnings making it the top SF film of the year. Weirdly, it would win a Retro Hugo at Noreascon 4 for Best Dramatic Presentation, Short Form due to its running time of 85 minutes (per IMDB). Audience reviewers at Rotten Tomatoes currently give it a seventy-one percent rating.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 29, 1876 – Maria Ouspenskaya. In the Forties, she did a run of pulp films, to wit The Wolf Man, Frankenstein Meets the Wolf Man and Tarzan and the Amazons. A decade or so earlier, she was in the fantasy film Beyond Tomorrow. (Died 1949.)
Born July 29, 1888 – Farnsworth Wright. Editor of Weird Tales. He regularly published Smith, Lovecraft and Howard, and even Hamilton. He’s also noteworthy for starting the commercial careers of three noteworthy fantasy artists — Bok, Brundage and Finlay. He’s been nominated for three Retro Hugos to date. (Died 1940.)
Born July 29, 1927 – Jean E. Karl. She founded Atheneum Children’s Books, and she edited Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange Tomorrow, Beloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. (Died 2000.)
Born July 29, 1941 – David Warner, 80. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful.
Born July 29, 1955 – Dave Stevens. American illustrator and comics artist. He created The Rocketeer comic book and film character. It’s worth noting that he assisted Russ Manning on the Star Wars newspaper strip and worked on the storyboards for Raiders of the Lost Ark. The Rocketeer film was nominated for a Hugo at MagiCon which was the year Terminator 2: Judgment Day won. (Died 2008.)
Born July 29, 1982 – Dominic Burgess, 49. His first genre roles are sixteen years back as a cop in Batman Begins, and as Agorax in the Ninth Doctor story, “Bad Wolf”. A decade later, he gets his first recurring role as Ember in The Magicans. He’s had roles in Marvel’s Agents of S.H.I.E.L.D., The Leftovers, The Good Place, Teen Wolf, The Flash, Supernatural, American Horror Story: Apocalypse and Picard.
(12) COMICS SECTION.
Half Full has one of Charlotte’s forgotten web messages.
Crankshaft has a garden so overflowing with zucchini it reminds somebody of a Star Trek reference.
(13) THIS IS HILARIOUS. I had never seen The Core (2003) before today when I flicked on Pluto TV in time to watch the scene where they land the Space Shuttle in the Los Angeles River (!!!) This was hilarious. The best thing since the Galaxy Quest landed in the convention center parking lot.
Genre is safe. Genre is comfortable. Genre tells us, as readers, what to expect. As writers, genre gives us guidelines to follow, which can make it a lot easier to plan a story: put the villain monologue here, put the meet cute there, tragically kill the protagonist’s mentor in this part of the story. But do we rely on genre conventions too much? Can genre hold us back? Is genre busting good? In this episode of Rite Gud, we are joined by writer and designer Matt Maxwell.
Maybe there are people for whom this isn’t a loaded question. I’m not sure I’ve met any of them. “Favorite” is a freeze-up word, a demand impossible to meet. Picking just one? Are you serious? But there are 17 books from just last year that are my favorites!
The thing about this question, though, is that it isn’t entirely about the answer. It’s also about what the answer seems to say—the shorthand inherent in talking about books, and who reads what, and what we get out of and return to in the ones we hold closest to our hearts. If someone tells you their favorite book is The Catcher in the Rye, you are likely to draw some conclusions about them. Same goes for someone who names The Princess Bride, or The Lord of the Rings. But what if they say A Tale for the Time Being or Firebreak or The Summer Prince? Does the answer still mean much if you don’t recognize the book?
(16) YOU’RE HIRED. Gawker is back, as the New York Times notes in “Gawker: The Return”, and which I report here because I love the new editor’s modest resume:
…In her editor’s note on Wednesday, Ms. Finnegan wrote that when approached to lead the site last year, she had said, “Absolutely no way in hell.”
A second approach in January won her over. Ms. Finnegan hired a team of 12, mostly women, including four contributing writers.
“I suppose my selling points as a potential editor in chief of Gawker were that I had previously worked at Gawker and Bustle and was unemployed,” Ms. Finnegan wrote. “I was also willing to do it, which not many people can say.”
(17) MOD ARRIVES AT ISS. [Item by Mike Kennedy.] The Russian module, Nauka, has completed its trip to the International Space Station, though there are still nearly a dozen (previously planned) spacewalks needed to put it into service. You may recall that Nauka initially had problems completing engine burns necessary to match orbits with the ISS. “Russian lab module docks with space station after 8-day trip” at Yahoo!
The 20-metric-ton (22-ton) Nauka module, also called the Multipurpose Laboratory Module, docked with the orbiting outpost in an automatic mode after a long journey and a series of maneuvers. Russia’s space agency, Roscosmos, confirmed the module’s contact with the International Space Station at 13:29 GMT.
The launch of Nauka, which is intended to provide more room for scientific experiments and space for the crew, had been repeatedly delayed because of technical problems. It was initially scheduled to go up in 2007.
In 2013, experts found contamination in its fuel system, resulting in a long and costly replacement. Other Nauka systems also underwent modernization or repairs.
Nauka became the first new module in the Russian segment of the station since 2010. On Monday, one of the older Russian modules, the Pirs spacewalking compartment, undocked from the Space Station to free up room for the new module….
The International Space Station is currently operated by NASA astronauts Mark Vande Hei, Shane Kimbrough and Megan McArthur; Oleg Novitsky and Pyotr Dubrov of Russia’s Roscosmos space corporation; Japan Aerospace Exploration Agency astronaut Akihiko Hoshide and European Space Agency astronaut Thomas Pesquet.
In 1998, Russia launched the station’s first module, Zarya, which was followed in 2000 by another big module, Zvezda, and three smaller modules in the following years. The last of them, Rassvet, arrived at the station in 2010.
The Borg have landed — or, at least, researchers have discovered their counterparts here on Earth. Scientists analysing samples from muddy sites in the western United States have found unusual DNA structures that seem to scavenge and ‘assimilate’ genes from microorganisms in their environment, much like the fictional Borg — aliens in Star Trek that assimilate the knowledge and technology of other species. These extra-long DNA strands join a diverse collection of genetic structures — including circular plasmids — known as extrachromosomal elements (ECEs). Most microbes have one or two chromosomes that encode their genetic blueprint. But they can host, and often share between them, many distinct ECEs. These carry non-essential but useful genes. Borgs are a previously unknown, unique and “absolutely fascinating” type of ECE, says Jill Banfield, a geomicrobiologist at the University of California, Berkeley. She and her colleagues described the Borgs’ discovery earlier this month. month (B. Al-Shayeb et al. Preprint at bioRxiv https://doi.org/gnsb; 2021).
(20) VIDEO OF THE DAY. In “Loki Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, says there’s at least a half hour of talking in every episode (like the architect scene in The Matrix) and people who think Loki in a multiverse is a spoiler should avoid the subtitle of Doctor Strange 2: In The Multiverse Of Madness.”
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Petréa Mitchell, Rob Thornton, StephenfromOttawa, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Patrick Morris Miller.]
Fantastic Four #35, the giant-sized 60th anniversary issue, will be on the stands September 1, 2021.
Joining series writer Dan Slott will be legendary artist John Romita Jr., marking his highly-anticipated return to Marvel. In addition to drawing a story within this epic issue, Romita Jr. will also grace the issue with a wraparound cover.
Highlighting Reed, Sue, Ben, and Johnny’s transformation since Stan Lee and Jack Kirby first created them, the artwork serves as both a celebration of Fantastic Four’s journey and a teaser of the story inside: a showdown across Fantastic Four history against the master of time travel—Kang the Conqueror!
“I was lucky to begin my career with Marvel and now am extremely lucky to re-connect with Marvel. That’s an enormous amount of good fortune. I sincerely thank all the folks up at Marvel, and Disney, who worked for this fortunate re-connection to happen.,” Romita Jr. said. “To add to all this, and I hate to add a third section to my good fortune, is the opportunity to start off with a huge project, which is the 60th anniversary of the Fantastic Four!”
Home to concepts and characters that revolutionized comic book storytelling, the Fantastic Four have enjoyed one of the most memorable sagas in comic book history. Check out John Romita Jr.’s cover below along with some never-before-seen artwork and be there for one of their greatest adventures yet when Fantasic Four #35 hits stands on September 1.
…Though not all of the stories take place in Africa, they all speak to the same African future that Okorafor is creating and envisioning. Sometimes this future is at the nexus of American industrialism and the exploitation of Africans like in The Book of Phoenix, in which Okorafor shows the rage and anger of a child used and experimented on. Sometimes her stories show the aftermath of such greed. In Who Fears Death, Okorafor writes of the strife of Sudan and the resilience of its people through the story of Onyesonwu. Readers watch her grow from an infant to a powerful being with the ability to save and heal a whole people. Though the landscapes change, the heart of an Africanfuturist universe is being carved out within these books. Eventually in Binti, Africa reaches the stars by way of the character literally running away so she can be the first of her people to attend a top intergalactic school. Binti is the future of her people, carrying the weight of all the past struggles of them and herself—the histories both told and not….
A Passage North, Anuk Arudpragasam (Granta Books, Granta Publications)
Second Place, Rachel Cusk, (Faber)
The Promise, Damon Galgut, (Chatto & Windus, Vintage, PRH)
The Sweetness of Water, Nathan Harris (Tinder Press, Headline, Hachette Book Group)
Klara and the Sun, Kazuo Ishiguro (Faber)
An Island, Karen Jennings (Holland House Books)
A Town Called Solace, Mary Lawson (Chatto & Windus, Vintage, PRH)
No One is Talking About This, Patricia Lockwood (Bloomsbury Circus, Bloomsbury Publishing)
The Fortune Men, Nadifa Mohamed (Viking, Penguin General, PRH)
Bewilderment, Richard Powers (Hutchinson Heinemann, PRH)
China Room, Sunjeev Sahota (Harvill Secker, Vintage, PRH)
Great Circle, Maggie Shipstead (Doubleday, Transworld Publishers, PRH)
Light Perpetual, Francis Spufford (Faber)
The shortlist will be announced September 14, and the winner on November 3.
(3) COMPLICATED Q&A. LeVar Burton was interviewed by David Marchese in the July 4 New York Times Magazine. It’s mostly about his Jeopardy! stint, but he also discusses his 1997 sf novel Aftermath, which has recently been reprinted. “LeVar Burton’s Quest to Succeed Alex Trebek”
…Forgive me for making the subtext of these questions the text, but I’m trying to see if we can complicate the image of you as almost a secular pop-culture saint like Alex Trebek or Fred Rogers. And one of the things that I came across that maybe does complicate things is your novel, “Aftermath.”5
[5 Published in 1997, Burton’s only novel to date is a dystopian story about a United States recovering from a series of catastrophic events, including violent racial conflicts after the assassination of the nation’s first Black president-elect by a white extremist.]
Wow. I love talking to people who have taken the time to read my book. I’m enormously proud of it. I just recorded a digital version of it with a new author’s note. I threw out the old author’s note about how I came to be a science-fiction fan and instead addressed the time in which we find ourselves now and some of the ways in which the events at the beginning of the novel are kind of prescient.
I don’t really know how well the book sold, but I think it’s fair to say that it’s obscure. Is it possible that the public wasn’t eager to accept the side of your sensibility that it represented? I was surprised by the violence, the allusions to sexual assault — just the darkness in it.
I would venture to say, based on some encounters that I have had on Twitter, that there is a population of people who aren’t willing to see me displaying an aspect of my character that perhaps goes against their idea of who I am. They feel like they have the right to opine on who I should be, what I should and should not say. That’s an interesting part of this dynamic of fame. However, I spent a lot of time and energy discovering, defining, divining who I am and how I want to live my life. What you do with what I put out there is your business. What I put out there is my business….
…A couple of weeks ago, as we headed towards what would be a fantastic and thoughtful Tolkien Society Summer Seminar, it came apparent that a part of the Tolkien fandom were quite vocally angry that diversity should be a topic associated with Tolkien. We saw a rival conference set up (as if other conferences have ever been a bad thing), we saw podcasts and YouTube rants. Social media saw the same people posting angrily about the affront that the Tolkien Society were holding a seminar – not sure where these lot have been, the Tolkien Society have hosted seminars every year for longer than some of them were born….
…Here’s the thing. No matter how far back these cave trolls want to try and drag us, we (as a fandom and a society) are going to move forward. We are diverse, we are inclusive. Will we make mistakes? Of course, we are human. But I will stand by groups that at their core hold values such empathy, kindness and being welcoming to all.
And at the centre of it all – our love of Tolkien’s works.
Roverandom is the endearing tale of a little dog’s adventures after being turned into a toy by a wizard. Tolkien originally told this story to his children after one of them had lost a toy dog on vacation. After searching for the lost toy unsuccessfully, Tolkien devised Roverandom to help explain what happened to the toy. Years later, he put the story into the book format we now have….
(6) LUMPY LOKI. [Item by Martin Morse Wooster, Designated Reader, Financial Times.] In the July 24 Financial Times, Fiona Sturges interviews Richard E Grant about his role on Loki.
Grant hams it up terrifically as Classic Loki, one of several ‘variant’ Lokis marooned in a purgatory known as ‘The Void’ (other variants include Alligator Loki and Kid Loki.) When he first saw his costume — scoffed-grubby-with clear sagging in the crotch area — he was a little crestfallen. ‘My first question was, ‘Where are the muscles?’ If you look at Jack Kirby’s original drawings in the comic, the guy had muscles. But the costume designer was very insistent that I was relying on Loki magic (for strength). So I didn’t get my way. I thought, ‘Oh well, it’s a withered and old Classic Loki that they’re going to get!’
The role also required Grant to grapple with CGI and green screen technology. He notes that in 2019’s Star Wars: The Rise Of Skywalker, in which he played Allegiant General Pryde, ‘ all the doors were functional, all the lights on the consoles worked, and there were stormtroopers’ By contrast, in Loki, his alligator co-star was made of three cushions roughly sewn together.
As June came to an end, Facebook CEO Mark Zuckerberg told his employees about an ambitious new initiative. The future of the company would go far beyond its current project of building a set of connected social apps and some hardware to support them. Instead, he said, Facebook would strive to build a maximalist, interconnected set of experiences straight out of sci-fi — a world known as the metaverse.
The company’s divisions focused on products for communities, creators, commerce, and virtual reality would increasingly work to realize this vision, he said in a remote address to employees. “What I think is most interesting is how these themes will come together into a bigger idea,” Zuckerberg said. “Our overarching goal across all of these initiatives is to help bring the metaverse to life.”
The metaverse is having a moment. Coined in Snow Crash, Neal Stephenson’s 1992 sci-fi novel, the term refers to a convergence of physical, augmented, and virtual reality in a shared online space. Earlier this month, TheNew York Times explored how companies and products including Epic Games’ Fortnite, Roblox, and even Animal Crossing: New Horizons increasingly had metaverse-like elements. (Epic Games CEO Tim Sweeney has been discussing his desire to contribute to a metaverse for many months now.)…
Sergeant Sam Anderson from Starman Jones by Robert A. Heinlein (1953)
Had runaway Max Jones never met Sam Anderson, late of the Imperial Marines, Max’s plans to follow his late uncle Chester into space would have come to nothing. Chester may have been a member in good standing of the Astrogators’ Guild, but he never signed the necessary paperwork nominating Max for membership. As far as the Guild is concerned, that is that.
Sam, on the other hand, has the ethical flexibility, experience, and connections needed to circumvent onerous regulation. Thanks to Sam’s experienced mentorship, Max acquires all the necessary papers needed to work in space and a position on board the Asgard. Max’s odd talents will prove invaluable when the Asgard is lost in space. Those talents would never have been there to help the Asgard without genially amoral Sam’s corrupting influence.
(9) HELP SOLVE A MYSTERY. Filer Jake says at the Something Awful forums someone has posted a Polaroid picture from 1989 in which a paperback book, believed to be SF, can be seen, and asked “What is that book?”
We’re seriously stumped, to the point where I’ve been trawling a copy of the ISFDB to get titles that might be of the same length as the one in the picture, and am also considering downloading their cover DB so as to do some heavy-duty image analysis.
I’m hoping that you’d be willing to add this as an item in a Pixel Scroll, as in the words of the original asker “Why should we be the only ones to be haunted by this?”
This is the picture. You can see why they’re having so much trouble figuring out the answer. But maybe the pattern of the cover will tickle something in your memory banks?
(10) MEMORY LANE.
July 28, 2007 – On this date fourteen years ago, Jekyll, a British series produced as a sequel to The Strange Case of Dr Jekyll and Mr Hyde novella, finishes airing on BBC One. Steven Moffat wrote all six episodes with Douglas Mackinnon and Matt Lipsey each directing three episodes. Elaine Cameron and Jeffrey Taylor were the producers. It starred James Nesbitt in the lead role with the rest of the cast being Gina Bellman, Paterson Joseph, Denis Lawson, Michelle Ryan, Meera Syal and Fenella Woolgar. Critics loved it with James Jackson of The Times saying Nesbitt’s acting as Hyde was “entertainingly over the top as a dozen Doctor Who villains, with a palpable sense of menace to boot”. A second season was written by Moffat but the BBC never picked up the option on it. Eight years later, ITV would air Jekyll and Hyde based off the same source material and it too would cancelled after one series.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 28, 1866 — Beatrix Potter. Probably best known for Tales of Peter Rabbit but I’d submit her gardening skills were second-to-none as well as can be seen in the Green Man review of Marta McDowell’s Beatrix Potter’s Gardening Life. Those skills are reflected in her fiction. (Died 1943.)
Born July 28, 1928 — Angélica Gorodischer, 93. Argentinian writer whose Kalpa Imperial: The Greatest Empire That Never Was got translated by Ursula Le Guin into English. Likewise Prodigies.has been translated by Sue Burke for Small Beer Press. She won a World Fantasy Award for Lifetime Achievement. You can read Lightspeed Magazine’s interview with her here.
Born July 28, 1931 — Jay Kay Klein. I’ll direct you to Mike’s excellent look at him here as I can’t add anything to what he says. I will note that Jay Kay was a published author of three stories, “Century of Progress”, “Mass Communication“ and “On Conquered Earth”. The first two in Analog, the latter in If. None of these have been republished since. (Died 2012.)
Born July 28, 1941 — Bill Crider. Primarily a writer of mystery fiction, his extensive bibliography includes three stories in the Sherlock Holmes metaverse: The Adventure of the Venomous Lizard, The Adventure of the St. Marylebone Ghoul and The Case of the Vanished Vampire. He also wrote a Sookie Stackhouse short story, “Don’t Be Cruel” in the Charlaine Harris Metaverse. His “Doesn’t Matter Any Matter More” short story won a Sidewise Awards for Alternate History and his “Mike Gonzo and the UFO Terror” won a Golden Duck Award. (Died 2018.)
Born July 28, 1955 — Dey Young, 66. One of those performers who appeared in multiple Trek series. She was in Next Gen’s “The Masterpiece Society” as Hannah Bates, in Deep Space Nine’s “A Simple Investigation” as Arissa and and in Enterprise’s “Two Days and Two Nights” as Keyla. She’s got minor roles in Running Man, Strange Invaders and Spaceballs as well.
Born July 28, 1966 — Larry Dixon, 55. Husband of Mercedes Lackey who collaborates with her on such series as SERRAted Edge and The Mage Wars Trilogy. (They were CoNZealand GoHs last year.) He contributed artwork to Wizards of the Coast’s Dungeons & Dragons source books, including Oriental Adventures, Epic Level Handbook, and Fiend Folio.
Born July 28, 1968 — Rachel Blakely, 53. You’ll most likely know her as Marguerite Krux on Sir Arthur Conan Doyle’s The Lost World as that was her longest running genre role. She was briefly Alcmene on Young Hercules, and played Gael’s Mum on The Chronicles of Narnia: The Voyage of the Dawn Treader. And showed up as Penelope in the “Ulysses” episode of Xena: Warrior Princess.
Born July 28, 1972 — Elizabeth Berkley, 49. Her best known role is Verhooven’s Showgirls which is decidedly not genre even if Kyle MacLachan is in it. She’s done some genre work including The Twilight Zone, Perversions of Science which appears to be akin to the Tales from The Crypt series, the animated Armitage III: Polymatrix series, and the Threshold series which pops up regularly in these Birthday notes.
(12) SJW CREDENTIAL BUNDLE. StoryBundle’s 2021 Cattitude Bundle, curated by Kristine Kathryn Rusch, is available for three more weeks. Get the full list of books and the rest of the deal at the link.
This bundle thrills me. Often, I curate StoryBundles filled with books I’ve read. Always, I curate with authors whose work I like. But as I curate them, I’m aware that I am a moody reader who rarely wants to read what’s prescribed. So, with the books I have only read parts of or haven’t read at all, I put them in a To-Be-Read pile to finish when the mood strikes.
With cat fiction, though, the mood always strikes me. I’ll stop whatever I’m doing to read a cat story. Well, that’s not entirely true. I’ll do whatever I’m doing, unless I’m petting one of my three cats.
Many of the books in this bundle combine cats and magic. It seems a proper combination. Cats can twist themselves into the strangest positions. They have an uncanny way of loving us or torturing us (depending on how they feel about us). They have a mysterious edge, even if they’re the friendliest cat on the planet.
Warhammer retailer Games Workshop is handing its shop workers, model makers, designers and support staff a £5,000 bonus each after sales and profits benefited from tabletop gamers escaping lockdown by fighting bloodthirsty battles with orcs, elves and alien hordes.
The Nottingham-based company behind the popular fantasygaming equipment and Lord of the Rings figurines said its 2,600 ordinary workers would split a £10.6m special bonus on top of a £2.6m profit share.
Senior managers will share an extra £1.1m bonus pot, up from £300,000 the year before, after sales rose by just over a third to £361m and pretax profits soared almost 70% to £151m….
(14) WITCHER SPINOFF. This trailer for a Witcher anime spinoff dropped on Wednesday. The Witcher: Nightmare of the Wolf premieres August 23 on Netflix.
The world of The Witcher expands in this anime origin story: Before Geralt, there was his mentor Vesemir — a swashbuckling young witcher who escaped a life of poverty to slay monsters for coin. But when a strange new monster begins terrorizing a politically-fraught kingdom, Vesemir finds himself on a frightening adventure that forces him to confront the demons of his past.
Huge news out of Harvard: In 2017, the world for the first time observed an interstellar object, called ‘Oumuamua, that was briefly visiting our Solar system. Based on astronomical observations, ‘Oumuamua turned out to have highly anomalous properties that defy well-understood natural explanations. We can only speculate whether ‘Oumuamua may be explained by never seen before natural explanations, or by stretching our imagination to ‘Oumuamua perhaps being an extraterrestrial technological object, similar to a very thin light-sail or communication dish, which fits the astronomical data rather well.
After the release of the ODNI (Office of the Director of National Intelligence) report on Unidentified Aerial Phenomena (UAP), the scientific community now needs the determination to systematically, scientifically & transparently look for potential evidence of extraterrestrial technological equipment. The impact of any discovery of extraterrestrial technology on science & on our entire worldview would be enormous.
Given the recently discovered abundance of Earth-Sun systems, the Galileo Project is dedicated to the proposition that humans can no longer ignore the possible existence of Extraterrestrial Technological Civilizations (ETCs), and that science should not dogmatically reject potential extraterrestrial explanations because of social stigma or cultural preferences, factors which are not conducive to the scientific method of unbiased, empirical inquiry. We now must look through new telescopes, both literally and figuratively. The Galileo Project aims to identify the nature of UAP and ‘Oumuamua-like interstellar objects using the standard scientific method based on a transparent analysis of open scientific data to be collected using optimized instruments.
The Galileo Project follows three major avenues of research:
1. Obtain High-resolution, Multi-detector UAP Images, Discover their Nature: This goal will be accomplished by searching for UAP with a network of mid-sized, high-resolution telescopes and detector arrays with suitable cameras and computer systems, distributed in select locations. The data will be open to the public and the scientific analysis will be transparent.
We anticipate extensive Artificial Intelligence/Deep Learning (AI/DL) and algorithmic approaches to differentiate atmospheric phenomena from birds, balloons, commercial or consumer drones, and from potential technological objects of terrestrial or other origin surveying our planet, such as satellites. For the purpose of high contrast imaging, each telescope will be part of a detector array of orthogonal and complementary capabilities from radar, Doppler radar, and high-resolution synthetic aperture radar to high-resolution, large camera visible range and infrared band telescopes. If an ETC is discovered to be surveying Earth using UAP, then we have to assume that the ETC has mastered passive radar, optical and infrared technologies. In such a case, our systematic study of such detected UAP will be enhanced by means of high-performance, integrated and multi-wavelength detector arrays.
2. Search for and In-Depth Research on ‘Oumuamua-like Interstellar Objects:
The Galileo Project research group also will utilize existing and future astronomical surveys, such as the Rubin Observatory, to discover and monitor the properties of interstellar visitors to the Solar system. We will conceptualize and design, potentially in collaboration with interested space agencies or space ventures, a launch-ready space mission to image unusual interstellar objects such as ‘Oumuamua by intercepting their trajectories on their approach to the Sun or by using ground-based survey telescopes to discover interstellar meteors.
3. Search for Potential ETC Satellites: Discovering potential 1 meter-scale or smaller satellites that may be exploring Earth, e.g., in polar orbits a few hundred km above Earth, may become feasible with VRO in 2023 and later, but if radar, optical and infrared technologies have been mastered by an ETC, then very sophisticated large telescopes on Earth might be required. We will design advanced algorithmic and AI/DL object recognition and fast filtering methods that the Galileo Project intends to deploy, initially on non-orbiting telescopes.
(16) PICS OR IT DIDN’T HAPPEN. The Expanse was a Jeopardy! clue. I can prove it. (Do we still call this a screenshot?)
(17) TRAILER FOR A PROMISED FAN FILM. Strap in for a fun Star Wars fan film from writer/director Anthony Ferraro, Forsaken Mandalorian and the Drunken Jedi Master. “The goal was to make a fan film driven by dramatic performances rather than winks and nods to the franchise. But not to worry, we do some winking and nodding,” Ferraro promises. The video launches August 6 on the Create Sci-FiYouTube channel.
Hope hinges on two men with no hope.
A forsaken Mandalorian hunts down a Hutt Courier to recover an asset that unexpectedly leads him to team up with an outcast drunken Jedi Master to fulfill his sworn duty.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, N., Jake, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]
On day one they’ve raised over $10,000 of their initial $18,700 goal.
“Uncanny features passionate SF/F fiction and poetry, gorgeous prose, and provocative nonfiction, with a deep investment in our diverse SF/F culture,” says Lynne. “We publish intricate, experimental stories and poems with verve and vision, from writers from every conceivable background. With the hard work of the best staff and contributors in the world,Uncanny Magazine has delivered everything as promised (or is in the middle of delivery) with our Years One, Two, Three, Four, Five, Six, and Seven Kickstarters. This year, the magazine has been recognized as a Hugo Award finalist, four stories have been recognized as Hugo Award finalists, four stories have been recognized as Nebula Award finalists, and two stories plus the editors-in-chief have been recognized as World Fantasy Award finalists. We are deeply honored and grateful.”
Michael adds, “We couldn’t have done all of this without the amazing support of our Kickstarter community, who we call the Space Unicorn Ranger Corps after our logo mascot. This is also their magazine; their support makes it possible for us to make all of this amazing content available for free on our website. We still feel Uncanny‘s mission is important, especially in these times. And hopefully, we will meet the stretch goals and be able to offer additional flash fiction stories this year.”
For Year Eight, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Maurice Broaddus, Rae Carson, John Chu, C.L. Clark, S.B. Divya, A.T. Greenblatt, Carlos Hernandez, Steven Graham Jones, Fonda Lee, Maureen McHugh, C.L. Polk, Kelly Robson, and John Wiswell.There will also be numerous slots for unsolicited submissions.
Uncanny Magazine Year Eight plans to showcase original essays by Keidra Chaney, Javier Grillo-Marxuach, Gay Haldeman, Jim C. Hines, Jeannette Ng, Greg Pak, and Rebecca Romney, plus poetry by Linda D. Addison, Tenille K Campbell, Millie Ho, Ewen Ma, Brandon O’Brien, Terese Mason Pierre, and Dominik Parisien.
And if they get the support, after they hit the initial target here’s what comes next:
$27,700 – Pay our submissions editors a modest stipend
$31,700 – A Flash Fiction story added to each issue!
Uncanny Magazine issues are published as eBooks (MOBI, PDF, EPUB) bimonthly on the first Tuesday of that month through all of the major online eBook stores. Each issue contains 5-6 new short stories, a reprinted story, 4 poems, 4 nonfiction essays, and 2 interviews, at minimum.
Material from half an issue is posted for free on Uncanny’s website (built by Clockpunk Studios) once per month, appearing on the second Tuesday of every month (uncannymagazine.com). Uncanny also produces a monthly podcast with a story, poem, and original interview. Subscribers and backers will receive the entire double issue a month before online readers.
Three student clubs are protesting a policy change by the University of Massachusetts Amherst which has evicted their 9,200-volume science fiction library from the permanent space it occupied for almost six decades. The groups have distributed the following press release asking for public support, including signing the “Help save a historic student library” at Change.org.
The UMass Science Fiction Society (UMSFS) library is a historic public lending library, founded in 1964, with over 9,200 items in its collection. However, a new policy by the University of Massachusetts Amherst has taken away the permanent space for the library which has been in existence for nearly six decades. This new policy effectively denies the public access to the second-largest science fiction library in New England. It acts as the location for thousands of books, videos, and board games which are accessible to anyone who wants to get a library card. In addition to the books available for lending, the library serves as a reading room for its patrons, and meeting space for several clubs. The collection was built through generous donations of books from students, alumni, and other community members, and cared for by generations of student volunteers. As of June 23, over 2500 people have signed the petition to preserve this historic student library.
This new policy comes at an odd time, just after completion of the $62 million Student Union, half of which is paid for by an increase in student fees, with no mention ahead of time about the curtailment of permanent club spaces. It also comes as most students are finally able to return to campus. Under the new policy, clubs are not allowed to have “designated” spaces on campus. Instead, clubs must rent out rooms in advance. While this might work for other clubs, the library has a large collection which requires a more permanent space.
History. UMSFS is one of the oldest college science fiction clubs in the country and once hosted Isaac Asimov. Countless students have benefited over the years from the chance to explore this deep and varied collection, meet other students with similar interests, deepen their sense of connection with the college, find their niche and safe space. The students treasure this collection, their club, and their connection with its long history.
Notable alumni including Suzanne Palmer, a Hugo Award winner, and Jane Yolen, a prolific and award-winning author, have spoken out about the loss of the UMSFS library. Palmer tweeted “That place was my heart, the first place in my life I felt safe.” Yolen put out a statement on Facebook “I am appalled at such a possible move on the UMass library’s part and devoutly hope they will reconsider it.”
Over 35 other alumni have sent in testimonials as to the value of the UMSFS library. The exploration of science fiction can deepen the joy of reading, help expand imagination, and are part of academic research. The world is changing rapidly and we need people who have a greater vision of possibilities for the future.
Three Clubs Affected. The library space and collections are shared by UMSFS, the Game Hobbyists’ League, and the Anime and Manga club. The Game Hobbyists’ league has 242 items in its collection. The Anime and Manga Club has 1,026 items. The library is a keystone; it provides a hub for club meetings, and a space where members of the community can get together and socialize over common interests. All three of the clubs hold weekly meetings during the school year and organize events such as book clubs and film screenings.
Curtailing Access and Endangering the Books. Loss of the space has forced the removal of the books to storage in Bartlett Hall. It would not be feasible to run a lending library from long-term storage. The storage space UMass has provided is not climate-controlled, which could quickly and irreparably damage our books due to heat and humidity. Our library has numerous valuable and rare materials, including first editions, such as Survivor, Octavia Butler’s lost novel, and signed posters from science fiction giants such as Ray Bradbury. This move by the University violates the UMSFS Constitution (which was approved by the University), which states that UMSFS is a lending library. Without a place to lend out the books, they will continue to be confined to storage. UMSFS is a Registered Student Organization with the college, serving students for several generations, but this new policy by UMass Amherst blocks it from achieving its mission. Books and the life of the mind should be respected by an esteemed institution of Higher Education. This student created and run library space is a gem that should be protected by the University instead of replaced by administrative office space.
The move-out is currently in process. The public is asked to assist by: