Dan Dare Operations Manual

dan-dare-bookThere’s now a Dan Dare Pilot of the Future – Space Fleet Operations Manual for devotees of the Dan Dare comic that appeared in Britain’s Eagle magazine during the 1950s and 1960s. The book, which can be ordered from Haynes Publishing, includes –

  • A personal introduction by the Controller of Space Fleet, Dan Dare.
  • A history of spaceflight, propulsion systems and our first steps to the Moon and Mars.
  • Comprehensively annotated cutaway drawings of the principal ISF spaceships, space stations and installations, along with many of the alien craft that Space Fleet has encountered, by cutaway artist Graham Bleathman.
  • Profiles of ISF personnel, and the aliens they have faced over the years.
  • Space Fleet history: a guide to ISF’s missions and Dan Dare’s adventures.

Artist Frank Hampson created Dan Dare

and assembled around him a team working at fever pitch in Epsom, Surrey, to script his stories, design his space-craft and gadgets and bring the character and his adventures to life.

Hampson used family, friends and colleagues to pose up in costumes for photographs which formed the basis of the finished drawn strips.

But it wasn’t pure fantasy, with as much care taken with the science – as far as was known or hinted at at the time – as with the fiction.

A Daily Mail reporter writing about the new book seems to feel Star Trek got credit for a bunch of ideas it looted from Dan Dare –

Indeed many technologies which appeared in Star Trek in the mid 1960s had their first outing in Dan Dare more than a decade earlier. For example, ‘Beam me up Scottie’ became a catch-phrase in the transporter room of the Starship Enterprise.

But the teleportation technology was seen as early as 1950 in Dan Dare where it was called a ‘telesender’ – technology which scrambled and unscrambled atoms to send people vast distances.

Hampson, who died in 1985 aged 66, commented in later life that Star Trek had ‘really cleaned out’ Dan Dare’s technology cupboard of ideas.

Although there’s a reason Hollywood is notorious for thieving other people’s material, and who knows where Star Trek first saw the idea, teleportation was already part of the canon of science fiction by the time Hampson started using it.    

Arthur Conan Doyle’s “The Disintegration Machine” (1927) is a story in the Professor Challenger series about an invention that can dissolve matter and reassemble it.

Arthur C. Clarke – said to have been a science advisor for Dan Dare – described a technology in “Travel by Wire!” (1937) that disassembles an object and transmits the information to a receiving device at the destination where it is reassembled out of thin air.

Just how far back can this idea be traced? Richard Wagner’s Der Ring des Nibelungen features the Tarnhelm, a magic helmet which confers, among other things, the power of teleportation. Siegfried makes use of that capability in Götterdämmerung.

I find it appealing to think that coincidence inspired Clarke’s famous quote, “Any sufficiently advanced technology is indistinguishable from magic.”

And I bet Hollywood lawyers have a corollary — “Any idea that can be traced to the public domain is indistinguishable from mine.”

[Thanks to John King Tarpinian for the story.]

SF Encyclopedia Gallery

The Science Fiction Encylopedia opened an online gallery on May 15 stocked with 1,837 book covers (and more to come.)

The contents are searchable by author, title keyword, illustrator and publisher. They can also be displayed as a slide show, or retrieved at random by clicking on  Lucky Dip.

Readers can participate in the upgrade and expansion of the gallery –

Some important Gallery pictures are smaller than we’d prefer. Ideally all portrait-format images should be 600 pixels wide, but those of the following first editions and of several others are only 350 pixels wide. We welcome larger scans of copies in good condition, and will of course give credit to anyone who can provide one – a new scan from your own or a willing friend’s collection, please, not online images which may be entangled in copyright issues.

Here is a wish list of items the editors have already identified for improvement:

Anthony Burgess – A Clockwork Orange
Arthur C Clarke – Childhood’s End
Frank Herbert – Dune
A Merritt – The Face in the Abyss
James H Schmitz – The Witches of Karres

If you can help, please use the SFE email contact form.

[Via Ansible Links, courtesy of John King Tarpinian.]

Big Day at the Hawkeye Initiative

The CEO at a game design company decorated his office with a large poster of a female character posed as Rosie-the-Riveter in sexy attire. A woman data scientist who liked a lot of other things about her job but loathed this picture finally thought of a way to make her point. She got an artist to do a parody with a male “Brosie-the-Riveter” and one morning before the boss arrived hung it in place of the original.

I stood in the entryway, dizzy with joy. It was glorious. There Brosie stood, proud, nipples testing the air like young gophers in springtime, the post-apocalyptic breeze gently swaying his banana hammock. Brosie said, loud and proud: “Get ready, world! I am here to lubricate your joints and tighten your socket.”

Surprisingly, the boss not only got the message, he accepted the implicit criticism.

This story has become the second most popular post ever at The Hawkeye Initiative. It’s a powerful example of using the Hawkeye Test to instigate change in the workplace.  

The Hawkeye Test says:

If your female character can be replaced by Hawkeye in the same pose without looking silly or stupid, then it’s acceptable and probably non sexist. If you can’t, then just forget about it.

[Thanks to James Bacon for the story.]

Take Back The Art

James Bacon covers a rare kind of art exhibit in a new post for Forbidden Planet.

Pop artist Roy Lichtenstein currently has a show on at the Tate Modern –

While the public is intimately familiar with his work, what they may be unaware of is that many of his images were directly “appropriated” from comic artists like Irv Novick, Russ Heath, Jack Kirby, John Romita and Joe Kubert, who received no fee or credit.

Says James, “It is therefore incredibly exciting to hear, that Rian Hughes (‘Yesterday’s Tomorrows’, ‘Cult-Ure’, and ‘Lifestyle Illustration of the 60s’) has initiated an art show entitled ‘Image Duplicator’ to be held at Orbital Comics on Neal St, Leicester Square, London, from May 16th to the 31st, coinciding with the end of the Tate’s Lichtenstein show.”

Click on the link to James’ post for full details.

Forry Ackerman Inaction Figure

Forrest J Ackerman, the Dark Horse Comics statuette

Forrest J Ackerman, the Dark Horse Comics statuette

Beethoven probably never got his own action figure either… Not that Forry moves, just the same, Dark Horse Comics’ Forry Ackerman statuette is an instant front-runner for next year’s Rondo Awards in the Best Toy, Model or Collectible category –

Forrest J Ackerman, commonly known to fans as “Forry”, comes to life in this colorful 13″ tall statue. Forry was the creator, editor and principal writer for Famous Monsters of Filmland, a magazine that influenced generations while spreading the love of the horror genre he was also known for his “Ackermansion,” a sprawling house in Los Angeles that held his extensive horror book and memorabilia collection. For fifty years, Forry shared his collection with fans during open-house events. As an agent, writer, editor, and actor, he had far-reaching influence in the science fiction, horror, and fantasy community. The statue includes a nameplate on the base with one of Forry’s most popular nicknames, “Dr. Acula.”

And think how cool it would be if LASFS bought a batch of these to give its Forry Award winners (instead of the nothing they get now.)

[Thanks to John King Tarpinian for the story.]

The Original Robin and the Original Ray

Jerry Robinson at ComiCon in 2008.

The other day I noted that Batman’s sidekick, Robin, was named after comics creator Jerry Robinson, the late artist who consulted on the “ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950” exhibit open now in Maryland.

Robinson was still alive when the exhibit showed locally at the Skirball a few years ago. He was interviewed for the Los Angeles Times’ Hero Complex blog in 2009.

John King Tarpinian remembers being in Ray Bradbury’s company when he met Robinson at ComiCon –

Five or six years ago, at ComiCon I am wheeling Ray around the main hall. Coming the other way is Jerry Robinson, also being wheeled around. They both saw each other at the same time, and reached out to hug each other (really just grabbing each other’s arms). The look on the faces of the attendees was priceless. They’d look left, and utter OMG it is Ray Bradbury, then look right and utter OMG it is Jerry Robinson. Ray and Jerry was oblivious to the surrounding as they were just happy to have run into each other.

Speaking of Robin

“ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950” exhibit at the Jewish Museum of Maryland runs until August 18. The display was curated by the late Jerry Robinson, creator of Batman’s nemesis The Joker and the artist after whom Batman’s sidekick Robin was named.

With the American economy in deep Depression and the rise of fascism in Europe, a group of young, largely Jewish, artists began to create illustrated stories of superheroes and provided the nation with an optimistic antidote to a growing sense of despair and helplessness. Featuring superhero memorabilia, original comic book art, and video interviews with the creators of superheroes, offers visitors an exclusive, behind-the-scenes look at the Golden Age of comic books.

“ZAP! POW! BAM!” includes an interactive telephone booth, a drawing studio where visitors can try their hands at comic book art, and a ride on the Bat Mobile.

Spoiler: Robin Is On The Roof

There is an old comedy sketch where someone is chastised for blurting out, “Your cat is dead.” The fellow is told he should have led up to the bad news gradually – “Your cat is on the roof.” Then, “Your cat fell off the roof.” And finally….

That is what I want to do with this story, cushion the blow.

For Robin, who is not just Batman’s sidekick but also his son in the current iteration, has been killed off in the latest Batman Incorporated, part of DC’s “New 52.”

Or am I simply guilty of buying into marketing hype here? Is it really news anymore when a comic book publisher kills off a superhero? That’s practically a regular part of every franchise’s lifecycle. These heroes don’t stay dead.

David Betancourt of the Washington Post’s “Comic Riffs” column predicts both a replacement Robin (possibly female) and a resurrected Robin in the fullness of time –

Let’s not forget who Damian is: Although he’s halfWayne, he’s also half al Ghul. His mother, Talia, is the daughter of Ra’s al Ghul, one of Batman’s greatest foes. A man who has stayed alive for centuries using Lazarus pits. Lazarus pits that have the power to bring someone back from the dead.

As unwise as it may seem for DC to kill Damian at all — let alone so soon — it’s even more unwise to think that we’ll never see him again.

[Thanks to Martin Morse Wooster for the story.]

Elfquest Archive Goes To Columbia

Richard and Wendy Pini have donated the archive of Elfquest, the popular comic book they created 1978, to Columbia University Libraries/Information Services’ Rare Book and Manuscript Library.  

Columbia is getting every piece of original art from ElfQuest, including original art boards and pages from the comic book series, which was largely self-published by the Pinis. 

Richard Pini explains why they did not follow the trend of many other artists and sell their original pages –

At first, the decision to hang on to every page of Wendy’s Elfquest art was mostly a commercial one; we never knew when we might need the original boards for reprinting.  There was also an emotional component. I remembered the long hours Wendy put in, the editorial debates we had, the shared joy of seeing exactly the right expression on a character’s face. Now that we have high-quality digital scans of it all, we’re honored to donate the entire archive to Columbia.

The Pinis’ archives also include original art from an unrealized animated adaptation of Michael Moorcock’s fantasy novel Stormbringer and from a graphic novel adaptation of The Masque of the Red Death; drafts of scripts and novelizations; copies of each edition of the ElfQuest graphic novels; fanzines created by both the Pinis and their fans; correspondence, contracts, and legal records; and the design for Wendy Pini’s Red Sonja cosplay costume.

[Thanks to Michael J. Walsh for the story.]

Joe Pilati Death Reported

Joe Pilati.

Joe Pilati passed away on June 8 last year. A teenaged fanzine editor in the Sixties, Pilati had been for the past three decades the chief writer and editor for Corporate Campaign, Inc., supporting labor rights, free speech and environmental issues.

He earlier worked for the Boston Globe, the Boston Phoenix and the Village Voice, before joining the staff of the Amalgamated Clothing and Textile Workers Union in 1976 to help craft the historic J.P. Stevens Campaign.

Joe Pilati started Smudge, his first fanzine, in 1960 at the age of 14. Jay Lynch, later founder of Bijou Funnies but then only 16 himself, soon discovered the zine and started doing cartoons for Pilati

Well…In 1960 I was in high school doing cartoons for the school paper and stuff.  In an issue of Cracked magazine, which was edited by Paul Laikin back then, I saw a plug in the letter column that Paul gave to a kid in Pearl River, NYnamed Joe Pilati.  Pilati had just published the first issue of SMUDGE, a little fanzine printed on a ditto machine that ran interviews and news about the guys who did the professional satire mags of the day…HELP!, MAD, CRACKED, SICK, those mags.   So I sent for a copy, and wound up doing illustrations and cartoons for SMUDGE.  That plug in Cracked was also seen by Skip Williamson, Art Spiegelman, and several other kid cartoonists.  They all sent for SMUDGE and did drawings for SMUDGE.  In the back of SMUDGE, Pilati would run reviews of amateur satire fanzines printed on ditto machines and mimeograph machines by kids around the country.  Many of ‘em contained original satirical articles on a variety of topics.  Kids doing their own imitations of MAD.

Pilati published Smudge on his school’s ditto machine. The zine had a circulation of 80 copies. He also ran news and interviews with the editors, writers and artists of the various Mad-style satire magazines of the era.

A couple years later Pilati shifted his efforts to a new fanzine named Enclave with a focus on science fiction and politics. Enclave attracted new work by Harlan Ellison and Ray Nelson. It had a larger circulation, 150 copies – good coverage in the fandom of those days.

Joe Pilati’s raucous sense of humor – and ability to yank columnist Tom Perry’s chain – was chronicled in a 1965 issue of Hyphen:

But other than that, Joe Pilati is a very pleasant house guest. It’s nice for an isolated fan to find someone else with similar attitudes… for instance, towards the coming of the mail. My wife and the neighbors are practically indifferent to this exhalted event, but Joe shows a proper reverence. My only complaint is he seems to get more than I do.

That, and of course his carelessness about MY mail. I was working from 10am to 6pm recently and had to call home each day to find out what had come. “Nothing,” Garrett said after Joe had brought in the mail. I went home to lunch with my heart down in my socks. When I came back I found a note to call home. Joe Pilati was apologetic. “There is a letter from Bob Lichtman for you,” he said. “It got lost in my letters. I’m really sorry, Tom.” I could hear him chuckling off mike. “That’s OK, Joe,” I said. “There’s also a letter from Germany, he added. Now his laughter was wild, insane. “It must have got, uh, lost among my huge masses of letters,” “Sure, Joe, sure,” I said, senile tears in my old eyes. Fortunately, there WERE letters from Lichtman and Germany waiting when I got home—else you might read in Fanac next year about a sensational fannish murder case in Ohama, Bebraska.

Pilati’s death was brought to fandom’s attention by the February 2013 issue of a political newsletter edited by one of his friends.
[Thanks to Andrew Porter for the story.]