Meet Team Journey Planet

By Chris Garcia: Team Journey Planet for 2017 were James Bacon, Michael Carroll, Vince Docherty, Chris Garcia, Jackie Kamlot, Mark Meenan, Helen Montgomery, Pádraig Ó Méalóid, Chuck Serface, and Steven H Silver, Hugo nomination-worthy editors, one and all!

Journey Planet received a Hugo Nomination in the Best Fanzine category, and those of you who are observant will note that the editors are listed as Team Journey Planet. As we explore new ideas, working hard to bring new angles and voices to fanzines, we expand, and this is a neater listing that the ten names of folks who did the heavy lifting to bring Journey Planet to life in 2017.

The entire concept of Journey Planet is based around a rather strange idea – someone comes to us with an idea, or James or I will come up with a weird idea, and from there we put together an issue dedicated to a theme. We need to be excited, animated, and fascinated by the idea, it really needs to capture the imagination, and we work hard to reach out to fans to engage them. We have had hundreds of fans contribute to out ‘Instant Fanzine’ section, where they answer questions for us, and through this skulduggery, we hear new and fresh fan opinions, that otherwise might be missed.

James and I always need to feel passionate, egging each other on, motivating, and encouraging, and we then rely on other editors too get us past inevitable writing blocks and problems, and we go at it, sometimes we are at the cold face, writing ourselves or soliciting hard, and other times, observing over an overall strategy for the issue.

I do layout for the zine most of the time, and our editors who aren’t James and I are usually the ones who handle the copyediting. When we started JP, with Claire Brialey was the one keeping James and I from going off the rails, the idea was for a themed zine, and as time went by, we changed our MO to the point where our other editors are a key part of the process. Without them, the thing we call Journey Planet today wouldn’t exist. Plain as that.

2017 was a great year for us, starting with Padraig O’Mealoid and Michael Carroll coming on-board for No More Heroes: A History of Irish Comics Part 2. This is a great example of the importance of the editors who come to us. They bring us the approach to individuals we’d otherwise have no touch with. Without Padraig and Michael coming on-board, the issue would never have happened. There’s a good reason why we love working with those two exceptional Irishmen: they’re amazing, they bring with them incredible connections and talent. Just look at that cover from Mike! Amazing!

Speaking of people we love working with, Hugo winner Helen Montgomery comes to us for two issues about Disney! The first one was Disney on Rails, all about the trains of Disney, perhaps the most esoteric and fascinating issue we’ve ever attempted, saw Jackie Kamlot make her JP editing debut. The issue that looks at Disney more generally, which was actually the one that Helen came to us with back in 2015, and featured so many great folks I love, and an amazing cover from Hilary Pearlman-Bliss that makes me incredibly happy.

Between our Disney excursions, multiple-time Hugo nominee Steven H Silver joined us for the first time to edit an issue I unofficially named “Programatic” where we brought some incredible stuff together from some great people. It’s about convention programming, from a few different angles. It’s an incredibly fun issue for me to go back over!

Chuck Serface, the King of Men!, joined us in celebrating Bay Area legend, and WorldCon 76 gHost of Honor, Bob Wilkins. This was an issue that celebrated Creature Features, the late night television show that brought a lot of fans to science fiction and horror fandom, and a major influence on both Chuck and I. A lot of great fun, and a return from Hugo winner Mo Starkey on the cover.

We finished the year with an exceptional issue with Vincent Docherty and Mark Meenan about 40 Years of Glasgow Conventions. Awesome stuff! Another issue where I personally knew nothing, where without the folks who came on board, the issue just doesn’t happen.

So, indeed, know that Team Journey Planet for 2017 is James Bacon, Michael Carroll, Vince Docherty, Chris Garcia, Jackie Kamlot, Mark Meenan, Helen Montgomery, Pádraig Ó Méalóid, Chuck Serface, and Steven H Silver!

Diversity again

By John Hertz: Where I live it’s the first day of spring. For Bruce Gillespie, the New Zealand for 2020 Worldcon bid, and like that, it’s fall. Diversity again. Easier said than done, but worthy of both.

I like to think science fiction has to do with diversity. John Campbell and Larry Niven, among others, have said our essential element is Minds as good as you but different. Easier said than done, but worthy of both.

The other day I saw a hundred folks had reported their Hugo nominations here (nice photo of Hugo trophies, thanks). Someone said “I am struck by how very * different * all our tastes are”. I didn’t happen to think so. The reports looked very similar to me. Another said “if [people are finding] mostly works by [X], it would indicate to me that either 1) the sources they are using … are extremely insular, or 2) they are – consciously or unconsciously – self-selecting for things written by [X].” Of course that’s neither complete nor conclusive. But it’s an important indicator.

It often seems “What’s incorrectly included?” shows up more easily than “What’s incorrectly omitted?” To see that something’s been left out you have to get the big picture. You have to be bigger than your immediate adventure. I once said that to Jon Singer, who is no dope; he said “How?”

Friends can help; in particular, diverse friends. If everyone I hang out with is just like me, who’ll point out what I’ve been missing? Of course it’s a strain. You find yourself thinking “How could you do such a thing?” This is a question better answered than brandished. If we only mean by it “Too strange, gotta go” we don’t learn anything.

One of the sandboxes I play in is Fanzineland. People have been pouring in new sand. It’s fascinating. Not so long ago fanzines were on paper – mostly; according to legend there’ve been slices of bologna, or worse – don’t ask me what I saw in Bruce Pelz’ refrigerator – but then came electronic media, and we had to think it out again.

All of us. Not just the folks upon whom new stuff poured, but the folks who poured in with it. Diversity can’t just be You have to accommodate me, but I don’t have to accommodate you.

Well then. Here are some fine fanzines, fanwriters, fanartists, of 2017, whose names leapt to my mind, conspicuously omitted by those hundred folks (and of course neither complete nor conclusive). Some of them can be found on-line, e.g. through Bill Burns’ eFanzines; that doesn’t matter much to me, it may to you. I couldn’t begin to guess which, if any, will appear on the Hugo ballot; that’s not why I’m writing. Let’s say that next time you get to How do I love thee? you count the ways. Or, not to top that, because I can’t, let’s consider Love your neighbors, for they are not like you. Or let’s just say I like to share my toys with friends.

Fanzines

  • Alexiad
  • Askance
  • Askew
  • Banana Wings
  • Beam
  • Chunga
  • Counterclock
  • Enter at Your Own Risk
  • Flag
  • Inca
  • Iota
  • Littlebrook
  • Lofgeornost
  • The MT Void
  • Nice Distinctions
  • Opuntia
  • Purrsonal Mewsings
  • Raucous Caucus
  • Trap Door
  • The White Notebooks
  • The Zine Dump

Fanwriters

  • Sandra Bond
  • William Breiding
  • Claire Brialey
  • Randy Byers
  • Graham Charnock
  • Pat Charnock
  • Leigh Edmonds
  • Lilian Edwards
  • Nic Farey
  • Janice Gelb
  • Steve Green
  • Rob Hansen
  • Andy Hooper
  • Kim Huett
  • Lucy Huntzinger
  • Jerry Kaufman
  • Steve Jeffery
  • Sue Jones
  • Christina Lake
  • Evelyn Leeper
  • Mark Leeper
  • Fred Lerner
  • Robert Lichtman
  • Rich Lynch
  • Joseph Major
  • Lisa Major
  • Mike Meara
  • Jacqueline Monahan
  • Murray Moore
  • Joseph Nicholas
  • Ulrika O’Brien
  • Roman Orszanski
  • Lloyd Penney
  • Mark Plummer
  • John Purcell
  • David Redd
  • Yvonne Rousseau
  • Yvonne Rowse
  • Darrell Schweitzer
  • Paul Skelton
  • Fred Smith
  • Ylva Spangberg (imagine a ring over the second “a”)
  • Dale Speirs
  • Garth Spencer
  • Milt Stevens
  • Suzanne Tompkins
  • Philip Turner
  • R-Laurraine Tutihasi
  • Pete Young

Fanartists

  • Harry Bell
  • Sheryl Birkhead
  • Ditmar
  • Kurt Erichsen
  • Brad Foster
  • Alexis Gilliland
  • Jeanne Gomoll
  • Teddy Harvia
  • Sue Mason
  • Ray Nelson
  • Ulrika O’Brien
  • Taral Wayne
  • Alan White

Humpty Dumpty tells Alice (Through the Looking-Glass, ch. 6) “You’re so exactly like other people…. two eyes, so – nose in the middle, mouth under. “It’s always the same.” Alice says any other way might not look nice. He answers – and these are his last words – “Wait till you’ve tried.” Of course it doesn’t occur to him that he falls under the same description himself.

Journey Planet’s Tribute to Judge Dredd

The Journey Planet team of Chris Garcia, Mike Carroll and James Bacon report –

We’ve been exceptionally lucky with this issue of Journey Planet on Judge Dredd, getting permission to publish a comic story, and also interview the creators of Judge Dredd, John Wagner and Pat Mills who brought Judge Dredd to the comic book pages of 2000AD forty-one years ago

We felt we wanted to show readers some of Judge Dredd. All text about a comic is hard, we wanted fans to get the chance at experiencing the best that the comic has to offer currently.

Chris and James felt that the standalone story, ”The Third Person” was one of the best comic stories last year, and we are all grateful to Mike Molcher and Rebellion for allowing us to reprint this Judge Dredd story in full.

The story covers interesting elements such as neuro-diversity and a unique approach to pre-determinism, as well a cultural reference.

James and Chris wanted to do a feature on it, but reckoned that while a diverse and varied set of views and reviews might be interesting, our own thoughts potentially were dangerously sycophantic. We got a range of voices to share their thoughts, professional games developer Helena Nash, author Anton Marks, academic Jack Fennell, fan Kelly Beuhler, Irish Comic News Blog Editor David Ferguson and comics scholar Lisa Macklem among others to offer insight and comment on this fabulous ten-page story.

We introduce the art, character and historical elements to new readers, have features on related publications, as well as articles that are firmly tongue in cheek as well as serious pieces considering the character and stories.

We wanted something for the new reader as well as for the fans who know the lore of Dredd, but would like to read fresh angles and perspectives.

We also take a look at other Judge Dredd fanzines, with special features on the long-running Zarjaz and the brand-new Belfast-based zine Sector 13.

We are grateful to all our contributors, and Mike Molcher of Rebellion.

Journey Planet 39: Judge Dredd is available at the link.

MT Void Publishes 2000th Issue

Mark and Evelyn Leeper in 2002. Photo by Mark Olson.

By Bill Higgins: 1978 was a good year for me and, apparently, a good year for starting fanzines. Congratulations on celebrating File 770‘s fortieth anniversary! And last Friday I noticed that Issue Number 1998 of MT Void had slipped into my mailbox. Which means that Evelyn and Mark Leeper are scheduled to publish the two-thousandth issue on February 2, 2018.

Here’s an account of the zine’s history Mark wrote in 2009 (Volume 28, No. 23, Whole Number 1574):

TOPIC: A Brief History of the MT VOID and the Mt. Holz Science Fiction Society (comments by Mark R. Leeper)

We have had some questions about the Mt. Holz Science Fiction Society and the MT Void. Let me try to answer all the questions in one very short history.

Since we first met Evelyn and I have always mixed out interest science fiction with our socializing. We were in the science fiction club at the University of Massachusetts from before school started freshman year until we graduated. The last six months I was the president of the club. Evelyn preferred to be the club librarian and did about six times the work anyone else in the club did.

When we graduated we married, and while I was getting my Masters from Stanford we filled the need for a science fiction club by joining PenSFA, the Peninsula Science Fiction Association, which included such members as artists George Barr and Jim Thomas.

When I graduated Stanford I went to work for Burroughs Computer Corporation in Detroit. Wednesday evenings we would go over to Wayne State University and attend the science fiction meetings of the Wayne Third Foundation. We liked the people of that area, but Detroit was depressing and cold. Also, Burroughs was a rather unpleasant place to work. After three and a half years, at the end of 1977, we left and went to work for Bell Laboratories, the research arm of the telephone company.

Bell Laboratories was one of the primary scientific research environments in the world, and they treated their employees well. They even funded social clubs for their staff. But nobody had started a science fiction club. This seemed peculiar for a cutting edge research facility. There was a little science fiction activity, but it consisted of one group what shared the cost of a subscription to the Science Fiction Book Club and then they passed the books around by inter-office mail. This was not entirely satisfying. We did go to the Empiricon science fiction convention in November, 1978. On the way home I told Evelyn that we really ought to found a science fiction discussion group at Bell Laboratories. Things were never the same again. By the end of 1978 we had a working science fiction club.

Bell would give some minimal funding to the club and we could use company facilities if we could get ten people to say they would join it. At first we thought finding ten people interested would be difficult. That fear was quickly disposed of. We should have been able to call ourselves the “Bell Labs Science Fiction Club”, but that was not allowed by the company so we were just the “Science Fiction Club”.

We met every other week and discussed one book and picked another for the following meeting. So two notices had to go out through inter-office mail for each meeting, one to remind people of the coming meeting and one to tell people what book had been chosen for the next meeting. That was a notice a week, and they started hand-written and photocopied, then typed, and eventually e-mailed. A year or so later the meetings were changed for once every three weeks so we would send out two notices every three weeks, but we soon returned to weekly publication. It seemed pointless to just have one item per notice so I started commenting on films and making jokes. Evelyn would write book reviews and other comments and announcements.

We at first were based at Bell Laboratories in Holmdel, New Jersey, but members would come to meetings from other nearby Bell Laboratories locations, particularly Lincroft and Middletown. Each of these locations had a two-letter code to make addressing in interoffice mail quick. Holmdel was HO; Middletown was MT; Lincroft was LZ. Why Lincroft was not LC we never found out. The meetings were at whichever facility Evelyn and I were at the time. We were moved around. At a time when we were in Middletown we decided that the club and the notice needed a better name. We could have called ourselves the Middletown-Holmdel-Lincroft Science Fiction Club, but we shortened that using the mail codes to the MT HOLZ. That is not an abbreviation for a mountain’s name, and there appears to be no Mount Holz. Instead it is pronounced as if it were “empty holes.” The weekly notice has was similarly named the MT VOID or pronounced “empty void.” These names were proposed by member Paul S. R. Chisholm.

There are still something like 215 real members of the MT HOLZ Science Fiction Society. Activities have become increasingly rare. For a long time there was a video film festival that went along with the club showing pairings of related films like THE POWER and SCANNERS, WHO? and THE RETURN OF MARTIN GUERRE, or Z and ELENI. As participation dropped off the festival died and was reborn once or twice. These days we do not even announce showings to the whole club, but this activity goes on. The one activity that still goes strong is a weekly publication of surprising length, the MT VOID. It may well be the science fiction fanzine that has had the greatest number of issues. The notice/fanzine has had 1574 issues going back to 1978. The members get the MT VOID emailed to them, but it is reprinted on numerous web locations and my reviews appear separately on sites like the Internet Movie Database and Rotten Tomatoes. [-mrl]

Asked for a comment on reaching issue 2000, Mark Leeper replied, “If you are going to start a fanzine one thing you should have that we did not have is an exit strategy.”

I can’t recall when I myself began subscribing to MT Void. Sometime in the Nineties? Maybe the late Eighties? Anyway, it has given me many years of pleasurable reading, as movie reviews, book reviews, wit, whimsy, and the occasional mathematical puzzle paraded past my eyeballs.

I salute Evelyn, Mark, and their correspondents for the remarkable longevity of their creation, and for their efforts in maintaining a high level of entertainment. Long may MT Void wave!

Journey Planet’s “Disney on Rails” Issue

“Yes, in one way or another I have always loved trains.” Walter E. Disney.

By James Bacon: Here at Journey Planet we are pleased to announce that we have released a whole issue entitled and about “Mapping Disney’s Railways”. In fairness, we have not gotten our cartographers kit out, but rather focused on Walt Disney’s love of trains.

Download it directly here [PDF file].

Starting with Walt Disney as a youth in Marceline, where his Uncle would drive trains and he himself was a “Train Butcher” through to his live steam model railway, The Carolwood Pacific Railroad, surrounding his home in Los Angeles, we have tried to capture in the fanzine many the many railway elements that intersected with Walt Disney.

From there, the fanzine looks at the trains that were built and bought for Disneyland, from the Steam Trains, to Monorails, to Viewliner Train of tomorrow. Looking at the engines that exist in a variety of Parks, and discussing historical questions, the zine has drawn on many sources, including Michael Broggies’ Walt Disney’s Railroad Story which captivated me.

This is the seminal work, indeed it is more than that, it was inspirational to me, and I started to try and figure out parts that the book touched on, or that I had read elsewhere, and match up the stories, and it was just so much fun.

This book is fabulous. Although I have read many, and went down many routes of fun research, and picked up articles and magazines, it was perfect to read as it was like marrying all the pieces of Disney together. It is a definitive history, not just because of the details, but because Broggie was there, he was on the footplate of the train with Walt, he was working the Carolwood Pacific Railway empty stock movements, he was shown the workings and allowed to drive Lilly Belle, he is a Disney Historian and offers brilliant insight. His ability then to translate all this information into a four-hundred page book is sublime. I bought the 2nd edition and the 4th is awaiting me in Boston, which I will visit for Smofcon.

The book, is available at The Carolwood Society Website.

Some sources proved very elusive, The Railroad Magazine from  October 1965, has an amazing article called “I Have Always Loved Trains” by Walt Disney and is a vital piece of testimony, which I wanted to find.

The Irish Railway Record Society Library had many Railroad Magazines from 1965 but not October, while The Boston Public Library’s issue was also missing from the shelves. Finding a copy via my local library was impossible and COPAC mostly failed me, and that is a system that searches the catalogues of some 90 major libraries across Ireland and the UK. Although it did have The Railroad Man’s Magazine listed. Fortunately a photocopy of the article emanated from the USA.

As well as the Railways at the Parks, which have fascinating technologies, there is the Carolwood Society’s “Walt’s Barn” at the LA Live Steamers in Griffith Park there is the Lilly Belle parlour car, which is exceptionally exclusive at Disneyland, and a Carolwood Pacific Room at Disney’s Wilderness Lodge at Walt Disney World.

Many fans and professionals contributed on the subject as part of the ‘instant fanzine’ section, from Michael Marshall Smith to Kerry Kyle.

Own The Zine That Started the Trouble at the First Worldcon

For sale on eBay is Forry Ackerman’s copy of A WARNING, the pamphlet produced and smuggled into the 1939 Worldcon by Dave Kyle, but that was blamed on the Futurians and led to them being barred from the convention in the Great Exclusion Act. Asking price: $1,000.

Six members of the New York Futurian Society were kept out of the con – Donald A. Wollheim, Robert A. W. Lowndes, Cyril Kornbluth, Lois Gillespie, Frederik Pohl and John Michel – most of whom became leading figures in the history of sf.

(L-R) Robert W. Lowndes, Donald A. Wollheim, Chester Cohen, Cyril Kornbluth, John B. Michel. (Photograph by Jack Robins.)

Why didn’t Dave Kyle get into trouble? Simple – he didn’t own up to what he had done. As Kyle explained in a Fancyclopedia reminiscence:

I, for better or for worse, was the trigger for the banning of those six fans. I published the infamous “yellow pamphlet” which provoked the incident. My Futurian friends didn’t know about my handout, but they were blamed, thus “planning to disrupt” the gathering. It reflects the times in so many ways, both fannishly and internationally. The four-page pamphlet, with a cover that read “IMPORTANT! Read This Immediately! A WARNING!”, was dated July 2, 1939. I had printed several hundred of them, a bright yellow sheet folded in quarters, and cached them behind a hot water radiator for distribution at the crucial moment. And the message? It was “Beware of dictatorship — ” I had written that the convention committee might “coerce or bully” con-goers into taking intemperate actions. I said, “Make this a democratic convention! Be careful. Demand discussion! Hear the other side! We believe that free speech, co-operation, and democratic acts and thoughts must be granted to science fiction fandom.”

Sound pretty innocent? Well, that was the way the villain Communists would present things, too, in those days. And that really was the basis for the paranoia exhibited, that the radical elements of fandom would disrupt the convention by politicizing it. Sound crazy? Not to those running the convention. So, the sudden appearance of the first pamphlet on Saturday morning alerted the three leaders. A search discovered the batch of “Warnings” under the radiator. Wollheim, the Futurian spokesman, denied any knowledge, but was disbelieved. I kept my mouth shut. That’s why I was allowed into the meeting. I did try to speak up about the banning, but the agenda was well fixed in place, all of which, perhaps, was due to my yellow pamphlet‘s self-fulfilling prophecy.

John Michel co-authored the pamphlet, according to Andrew Liptak’s “The Futurians and the 1939 World Science Fiction Convention”. For bonus reading, eFanzines has scans of three accounts of the controversy produced soon after it happened.

How To Contribute to the Worldcon’s Annual APA

A message from John Purcell:

SUBJECT: Contributing to WOOF #42 – the Worldcon Order of Faneds, the APA (Amateur Press Association) collated annually at the World Science Fiction Convention – at WorldCon 75 in Helsinki, Finland.

Here is an UPDATE on what You Need To Know:

There is a European Official Editor of WOOF #42! Simo Suntila, a fanzine fan for many years, has “volunteered” (at the end of Jukka Halme’s volunteer-prodding stick) to be an OE as well. Since he is a local Finland Fanzine Fan (a Scandinavian N3F, there), that means contributions can be emailed ahead to him at khuure@gmail.com in PDF (preferred) or Word Document attachments and he will then print contributions locally well before the collation occurs. The due date for these WOOFzines is Saturday, 5 August 2017; that gives Simo a week to print them before the collation. A proper Table of Contents will thus be created ahead of time, as well. Gee, this sounds so shudder organized!

Speaking of the WOOF #42 collation, it is tentatively set for Saturday, 12 August 2017, from 1300 to 1500 hours (as it will be listed in the program guide: all times are done in military or international time; otherwise that translates to 1 to 3 PM for those folks who don’t do math) in the Fanzine Lounge at WorldCon 75. España Sheriff is the Fanzine Lounge Coordinator, and I have contacted her to see if we can arrange for refreshments (soft drinks and munchables) to be available for the collating masses.

Copy count of contributions is still set at a limit of 50 copies. [NOTE: If that is not enough, we will try to get the word out as quickly as possible to people who are bringing their WOOFzine to the collation.) I guess North American fans who wish to contribute and will not be attending WorldCon 75 can send their pre-printed WOOFzines to me ahead of time (ask me for my mailing address), but please include a 9″x12″ SASE. Your final collated copy of WOOF #42 will be mailed to non-attending North American contributors upon my return home to keep postage costs down. Naturally, if contributors are attending the convention, they should bring their pre-printed contributions to the collation, and are encouraged to participate in said collation. Not only does the collation go faster, it is much more fun, too. We want to treat this like the RUNE and MINNEAPA collation parties I remember from the late 1970s and early 1980s. If historic trends continue, the total page count of WOOF #42 will be 80-100 pages in length. We might need a bigger stapler.

I am still – silly me – willing to create an e-apa version of this year’s WOOF, and send it off to Bill Burns for eFanzines, another to Fanac.org for archiving, and any other interested parties. Therefore, please send your emailed contributions (as either PDF or Word Document attachments) to Simo Suntila at khuure@gmail.com or me at askance73@gmail.com by 5 August 2017. We will make sure that all submitted contributions get into the APA in one way, shape, or format.

For additional information, here is the link to the article WOOF is the Answer” written by John Hertz for the File 770 website: There is more information there for your edification and entertainment.

As additional information develops, it will be shared on many group pages on Facebook, the FILE 770 website, and also in my fanzines ASKANCE and ASKEW.

Special Plans For FAPA’s 80th Birthday

Steven and Vicki Ogden write:

ATTENTION FAPA MEMBERS PAST AND PRESENT!

The next mailing of FAPA (Fantasy Amateur Press Association) will mark the 80th year of FAPA (Aug 1937 to Aug 2017) and we intend to do something special by inviting all members past and present to contribute something and include some historical musings about their time in FAPA or Science Fiction/Fantasy fandom in general.

Anything you can provide will be appreciated! If you want to send us an email or mail us something (one copy will be sufficient) or post something on the Facebook page we’ll include it in the mailing. Anything and everything will be accepted for this one special occasion (text, art, reprints of old articles or stuff). This is an important milestone and we’d like as many people as possible to voice their sentiments about FAPA, their involvement with science fiction fandom in general or any aspect of science fiction that touched their lives. Please note that we go to press Aug 12, 2017, so all submissions need to be in my hand before that date.

Please help in this endeavor by forwarding this invitation to past members you may know that might be interested in participating. Thank you so much for your participation!

If you are not currently a member of FAPA, I can’t promise you’ll get a copy of FAPA (unless someone wants to become a member of FAPA, which I would LOVE to happen!), but Vicki and I are planning on putting together our own personal contribution with all of the folk’s contributions and I could provide a copy of that if someone wants one.

The Facebook page is called “FAPA — SF Fandom’s Oldest Apa” and is accessed at https://www.facebook.com/groups/409930185866875/

Our email address is steven.ogden@yahoo.com

Our mailing address is:

Steven & Vicki Ogden
10200 Long Meadow Road
Oklahoma City, OK 73162

WOOF is the Answer

By John Hertz: The torch of WOOF has passed to John Purcell of Texas.  He will be Official Editor of WOOF this year, his second time around; he previously served in 2013.

He is also this year’s TAFF (Trans-Atlantic Fan Fund) delegate.  Although he campaigned using images of Henry Purcell, which Gerard Manley Hopkins taught us to rhyme with reversal, Brother John is from a branch of the family whose name is pronounced “purr-SELL”.

WOOF, the World Order Of Faneditors, is an amateur publishing association (or “amateur press association”) whose contributions are collected, and whose distributions are issued, at and from (but not by or for) the World Science Fiction Convention.

The 2017 Worldcon will be August 9-13 at Helsinki, Finland.  Some Worldcons have nicknames, but this one, the 75th, is just called Worldcon 75.

An apa is an assemblage of amateurs’ publications.  You send copies of yours and get back a distribution containing yours and everybody else’s.

We borrowed the notion of apas from another hobby, amateur journalism.  What seems the first apa was theirs, founded 1876 (NAPA the National Amateur Press Ass’n), still ongoing.  The first in the SF community was FAPA the Fantasy Amateur Press Ass’n, founded 1937, also still ongoing.

Apas come and go on various continents, each apa with its own rules, customs, and jokes.  Most apas have been quarterly or monthly.  I’m in one that’s weekly.  WOOF is yearly.

The central receiver-sender of WOOF is the Official Editor.  The 2017 WOOF distribution will be WOOF 42.

This year’s copy count is 50, i.e. 50 copies required of each contribution.

WOOF is another invention of the late great Bruce Pelz.  As Suford Lewis said, he had a fruitful imagination.  Some say his epitaph, among us anyhow, should be Si monumentum requiris circumspice (Latin, “If you seek his monument, look around you.”

This year the OE must have your contribution by noon (local time) on Saturday, August 12th.  A Table of Contents will be made and collation will follow.

The Fanzine Lounge at this year’s Worldcon will be hosted by España Sheriff.  The OE plans to collate WOOF there.  He hopes to get a WOOF drop-off box placed there after the con opens on Wednesday.

If you do not expect to be present, please make your own arrangements.  Some long-time WOOFers have seldom been able to attend the con at all, instead sending contributions via friends, providing for return envelopes and postage as needed.

Usually WOOF distributions consist of contributions stapled together, and at least some copies of the distribution are sent by real-mail.  Please consider accordingly the media by which and onto which you publish your contribution.

Various apas have tales of fans’ sending strange paper or even slices of bologna.  Some practices are more honored in the breach than in the observance.

What to write about?  Well, cabbages, kings, why the sea is boiling hot (I think it’s the influence of the sun, myself), whether pigs have wings; rum-pots, crack-pots, and how are you, Mr. Wilson?

The OE this year may be able to print some contributions sent him by E-mail; ask him, askance73 [at] gmail [dot] com.  You’ll recognize the title of his fanzine Askance.  You may also write to him at 3744 Marielene Cir., College Station, TX 77845, U.S.A.  Despite the street where he lives, he is not very near Abilene, 260 miles away.  That may seem close if you are Jukka Halme.

College Station is so named on account of a railroad.  The Houston & Texas Central began building there in 1860.  The Agricultural & Mechanical College of Texas opened in 1876 (there’s that year again), first public institution of higher education in the State, since 1963 Texas A&M University.

You may also write to or call me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057, U.S.A., (213)384-6622 (Pacific Daylight Time).

We might sing (with apologies to Betty Comden, Adolph Green & Jule Stein, 1960) WOOF is the answer; some OE for WOOF is the answer: once you’ve found him, build your zine around him; make our OE happy, make just one OE happy, and you will be happy too.

Journey Planet 31, Something Good To End 2016

journey-planet-31-cover-jp31-copy_orig

James Bacon invites one and all to download Journey Planet #31, co-edited by James, Christopher J Garcia and Pádraig Ó Méalóid.

In December 1966, fifty years ago now, a 15-year-old Irish teenager called Tony Roche did a remarkable thing. He published the first issue of a comics fanzine called The Merry Marvel Fanzine.

What was remarkable about this was that this was the first comics ‘zine on this side of the Atlantic. They had already existed in the US, but it would be over six months before the first British comics fanzine, Ka-Pow, produced by Phil Clarke and Steve Moore, would appear, in July 1967.

By producing The Merry Marvel Fanzine, and subsequently Heroes Unlimited, Tony Roche, all unbeknownst to himself, helped set in motion a tradition of ‘zines and communication between comics fans that continues, unbroken, to this day.

Tony went AWOL in the summer of 1969 – like many another – leaving the fan community to pursue an international academic career, culminating in a Professorship in Irish Literature in UCD. But he has now reappeared, and had opened a treasure chest full of unbelievable goodies, some of which he has allowed us to share, including artwork, articles, his Merry Marvel Marching Society membership card, and a previously unpublished Letter of Comment written by Alan Moore, shortly after his fifteenth birthday.

This issue of Journey Planet includes

  • An oral history of the time from Tony, which traces his adventures, including trips to a New York comic con and the very first British comic con
  • Fan artwork by legendary comics artist Paul Neary
  • An unpublished Alan Moore letter, sent to Heroes Unlimited in late 1968
  • Articles on Wertham’s Seduction of the Innocent, and The Avengers by Tony Roche from Heroes Unlimited
  • Unpublished correspondence from BBC presenter John Peel to Heroes Unlimited
  • A few words from Dez Skinn

And more!