How To Contribute to the Worldcon’s Annual APA

A message from John Purcell:

SUBJECT: Contributing to WOOF #42 – the Worldcon Order of Faneds, the APA (Amateur Press Association) collated annually at the World Science Fiction Convention – at WorldCon 75 in Helsinki, Finland.

Here is an UPDATE on what You Need To Know:

There is a European Official Editor of WOOF #42! Simo Suntila, a fanzine fan for many years, has “volunteered” (at the end of Jukka Halme’s volunteer-prodding stick) to be an OE as well. Since he is a local Finland Fanzine Fan (a Scandinavian N3F, there), that means contributions can be emailed ahead to him at khuure@gmail.com in PDF (preferred) or Word Document attachments and he will then print contributions locally well before the collation occurs. The due date for these WOOFzines is Saturday, 5 August 2017; that gives Simo a week to print them before the collation. A proper Table of Contents will thus be created ahead of time, as well. Gee, this sounds so shudder organized!

Speaking of the WOOF #42 collation, it is tentatively set for Saturday, 12 August 2017, from 1300 to 1500 hours (as it will be listed in the program guide: all times are done in military or international time; otherwise that translates to 1 to 3 PM for those folks who don’t do math) in the Fanzine Lounge at WorldCon 75. España Sheriff is the Fanzine Lounge Coordinator, and I have contacted her to see if we can arrange for refreshments (soft drinks and munchables) to be available for the collating masses.

Copy count of contributions is still set at a limit of 50 copies. [NOTE: If that is not enough, we will try to get the word out as quickly as possible to people who are bringing their WOOFzine to the collation.) I guess North American fans who wish to contribute and will not be attending WorldCon 75 can send their pre-printed WOOFzines to me ahead of time (ask me for my mailing address), but please include a 9″x12″ SASE. Your final collated copy of WOOF #42 will be mailed to non-attending North American contributors upon my return home to keep postage costs down. Naturally, if contributors are attending the convention, they should bring their pre-printed contributions to the collation, and are encouraged to participate in said collation. Not only does the collation go faster, it is much more fun, too. We want to treat this like the RUNE and MINNEAPA collation parties I remember from the late 1970s and early 1980s. If historic trends continue, the total page count of WOOF #42 will be 80-100 pages in length. We might need a bigger stapler.

I am still – silly me – willing to create an e-apa version of this year’s WOOF, and send it off to Bill Burns for eFanzines, another to Fanac.org for archiving, and any other interested parties. Therefore, please send your emailed contributions (as either PDF or Word Document attachments) to Simo Suntila at khuure@gmail.com or me at askance73@gmail.com by 5 August 2017. We will make sure that all submitted contributions get into the APA in one way, shape, or format.

For additional information, here is the link to the article WOOF is the Answer” written by John Hertz for the File 770 website: There is more information there for your edification and entertainment.

As additional information develops, it will be shared on many group pages on Facebook, the FILE 770 website, and also in my fanzines ASKANCE and ASKEW.

Special Plans For FAPA’s 80th Birthday

Steven and Vicki Ogden write:

ATTENTION FAPA MEMBERS PAST AND PRESENT!

The next mailing of FAPA (Fantasy Amateur Press Association) will mark the 80th year of FAPA (Aug 1937 to Aug 2017) and we intend to do something special by inviting all members past and present to contribute something and include some historical musings about their time in FAPA or Science Fiction/Fantasy fandom in general.

Anything you can provide will be appreciated! If you want to send us an email or mail us something (one copy will be sufficient) or post something on the Facebook page we’ll include it in the mailing. Anything and everything will be accepted for this one special occasion (text, art, reprints of old articles or stuff). This is an important milestone and we’d like as many people as possible to voice their sentiments about FAPA, their involvement with science fiction fandom in general or any aspect of science fiction that touched their lives. Please note that we go to press Aug 12, 2017, so all submissions need to be in my hand before that date.

Please help in this endeavor by forwarding this invitation to past members you may know that might be interested in participating. Thank you so much for your participation!

If you are not currently a member of FAPA, I can’t promise you’ll get a copy of FAPA (unless someone wants to become a member of FAPA, which I would LOVE to happen!), but Vicki and I are planning on putting together our own personal contribution with all of the folk’s contributions and I could provide a copy of that if someone wants one.

The Facebook page is called “FAPA — SF Fandom’s Oldest Apa” and is accessed at https://www.facebook.com/groups/409930185866875/

Our email address is steven.ogden@yahoo.com

Our mailing address is:

Steven & Vicki Ogden
10200 Long Meadow Road
Oklahoma City, OK 73162

WOOF is the Answer

By John Hertz: The torch of WOOF has passed to John Purcell of Texas.  He will be Official Editor of WOOF this year, his second time around; he previously served in 2013.

He is also this year’s TAFF (Trans-Atlantic Fan Fund) delegate.  Although he campaigned using images of Henry Purcell, which Gerard Manley Hopkins taught us to rhyme with reversal, Brother John is from a branch of the family whose name is pronounced “purr-SELL”.

WOOF, the World Order Of Faneditors, is an amateur publishing association (or “amateur press association”) whose contributions are collected, and whose distributions are issued, at and from (but not by or for) the World Science Fiction Convention.

The 2017 Worldcon will be August 9-13 at Helsinki, Finland.  Some Worldcons have nicknames, but this one, the 75th, is just called Worldcon 75.

An apa is an assemblage of amateurs’ publications.  You send copies of yours and get back a distribution containing yours and everybody else’s.

We borrowed the notion of apas from another hobby, amateur journalism.  What seems the first apa was theirs, founded 1876 (NAPA the National Amateur Press Ass’n), still ongoing.  The first in the SF community was FAPA the Fantasy Amateur Press Ass’n, founded 1937, also still ongoing.

Apas come and go on various continents, each apa with its own rules, customs, and jokes.  Most apas have been quarterly or monthly.  I’m in one that’s weekly.  WOOF is yearly.

The central receiver-sender of WOOF is the Official Editor.  The 2017 WOOF distribution will be WOOF 42.

This year’s copy count is 50, i.e. 50 copies required of each contribution.

WOOF is another invention of the late great Bruce Pelz.  As Suford Lewis said, he had a fruitful imagination.  Some say his epitaph, among us anyhow, should be Si monumentum requiris circumspice (Latin, “If you seek his monument, look around you.”

This year the OE must have your contribution by noon (local time) on Saturday, August 12th.  A Table of Contents will be made and collation will follow.

The Fanzine Lounge at this year’s Worldcon will be hosted by España Sheriff.  The OE plans to collate WOOF there.  He hopes to get a WOOF drop-off box placed there after the con opens on Wednesday.

If you do not expect to be present, please make your own arrangements.  Some long-time WOOFers have seldom been able to attend the con at all, instead sending contributions via friends, providing for return envelopes and postage as needed.

Usually WOOF distributions consist of contributions stapled together, and at least some copies of the distribution are sent by real-mail.  Please consider accordingly the media by which and onto which you publish your contribution.

Various apas have tales of fans’ sending strange paper or even slices of bologna.  Some practices are more honored in the breach than in the observance.

What to write about?  Well, cabbages, kings, why the sea is boiling hot (I think it’s the influence of the sun, myself), whether pigs have wings; rum-pots, crack-pots, and how are you, Mr. Wilson?

The OE this year may be able to print some contributions sent him by E-mail; ask him, askance73 [at] gmail [dot] com.  You’ll recognize the title of his fanzine Askance.  You may also write to him at 3744 Marielene Cir., College Station, TX 77845, U.S.A.  Despite the street where he lives, he is not very near Abilene, 260 miles away.  That may seem close if you are Jukka Halme.

College Station is so named on account of a railroad.  The Houston & Texas Central began building there in 1860.  The Agricultural & Mechanical College of Texas opened in 1876 (there’s that year again), first public institution of higher education in the State, since 1963 Texas A&M University.

You may also write to or call me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057, U.S.A., (213)384-6622 (Pacific Daylight Time).

We might sing (with apologies to Betty Comden, Adolph Green & Jule Stein, 1960) WOOF is the answer; some OE for WOOF is the answer: once you’ve found him, build your zine around him; make our OE happy, make just one OE happy, and you will be happy too.

Journey Planet 31, Something Good To End 2016

journey-planet-31-cover-jp31-copy_orig

James Bacon invites one and all to download Journey Planet #31, co-edited by James, Christopher J Garcia and Pádraig Ó Méalóid.

In December 1966, fifty years ago now, a 15-year-old Irish teenager called Tony Roche did a remarkable thing. He published the first issue of a comics fanzine called The Merry Marvel Fanzine.

What was remarkable about this was that this was the first comics ‘zine on this side of the Atlantic. They had already existed in the US, but it would be over six months before the first British comics fanzine, Ka-Pow, produced by Phil Clarke and Steve Moore, would appear, in July 1967.

By producing The Merry Marvel Fanzine, and subsequently Heroes Unlimited, Tony Roche, all unbeknownst to himself, helped set in motion a tradition of ‘zines and communication between comics fans that continues, unbroken, to this day.

Tony went AWOL in the summer of 1969 – like many another – leaving the fan community to pursue an international academic career, culminating in a Professorship in Irish Literature in UCD. But he has now reappeared, and had opened a treasure chest full of unbelievable goodies, some of which he has allowed us to share, including artwork, articles, his Merry Marvel Marching Society membership card, and a previously unpublished Letter of Comment written by Alan Moore, shortly after his fifteenth birthday.

This issue of Journey Planet includes

  • An oral history of the time from Tony, which traces his adventures, including trips to a New York comic con and the very first British comic con
  • Fan artwork by legendary comics artist Paul Neary
  • An unpublished Alan Moore letter, sent to Heroes Unlimited in late 1968
  • Articles on Wertham’s Seduction of the Innocent, and The Avengers by Tony Roche from Heroes Unlimited
  • Unpublished correspondence from BBC presenter John Peel to Heroes Unlimited
  • A few words from Dez Skinn

And more!

This Was the Forrest Primeval

Ackerman Square sign installation. Photo by Michael Locke.

Ackerman Square sign installation on November 17. Photo by Michael Locke.

By John Hertz: When I passed a storefront bearing a sign “Esperanto Inc.”, I knew it would be a good day for remembering Forrest J Ackerman (1916-2008).

If he were reading over my shoulder he might say “But Esperan-Test was Roy Test [1921-2009].”  Maybe he is.  They were among the happy few who in 1934 founded the Los Angeles Science Fantasy Society, oldest SF club on Earth.  Roy’s mother Wanda was the secretary; Forry called her minutes Thrilling Wanda Stories.  In an inspired pun he called SF fandom the Imagi-Nation.

Eventually we recognized as First Fandom all those who had been active at least as early as the first World Science Fiction Convention in 1939.  Forry’s first published letter was in Science Wonder Quarterly ten years earlier.

On November 17, 2016, the City of Los Angeles, as advertised, declared the four corners of Franklin & Vermont Aves. to be Forrest J Ackerman Square.  This was in District 4; Councilman David Ryu was there.  The ceremony was on the southeast corner, in front of Forry’s beloved House of Pies restaurant.  When he had to give up the Ackermansion on Glendower Ave. his real-estate agent was told “Get me something within a half-mile radius of the House of Pies”, and did.  Another Ackermiracle.

The Acker Mini-mansion. Photo by Michael Locke.

The Acker Mini-mansion. Photo by Michael Locke.

The City’s placards acknowledged 4e as “Mr. Sci-Fi”; he had coined sci-fi when high-fidelity audio recording was new and people talked of hi-fi.  He knew but was unconvinced by the sorrow some of us came to feel at the scornful use of his expression in the mass media.  His attitude might have been Don’t fight them, embrace them.  I never discussed it with him.  He wasn’t a fighter, he was a lover.

I also never discussed what he knew of Owen Glendower.

I was merely the first, by no means the only, person to remind Ryu’s staff there was no period after the J.  Forry had gone to court making that his legal name.  Replacement placards were promptly promised.  A deputy showed me the Council resolution had written it right.

Ackerman Square dedication placard (with erroneous period after the initial "J").

Ackerman Square dedication placard (with erroneous period after the initial “J”).

Most of the sixty standing on the corner, and all the speakers, knew Uncle Forry as the Ackermonster, for twenty years editor, writer, chief cook and bottle-washer, and blithe spirit of Famous Monsters of Filmland.  They spoke of his generosity — which he certainly had — and his turning focus from the stars to people behind the camera, make-up artists, technicians.  They thanked him for inspiring them to become professionals and to achieve recognition.

Some of the Ackerman devotees on hand for the dedication. Photo by Michael Locke.

Some of the Ackerman devotees on hand for the dedication. Photo by Michael Locke.

Half a dozen from LASFS were there too, including two on the board of directors and a former president.  No one had invited us to speak, nor indeed to attend; we came because we were willing and able (must be both) and it seemed the fannish thing to do.

LASFS delegation. Standing (L-R) Michelle Pincus, Gavin Claypool, Beverly Warren, Matthew Tepper. Kneeling (L-R) John Hertz, Debra Levin, Shawn Crosby.

LASFS delegation. Standing (L-R) Michelle Pincus, Gavin Claypool, Beverly Warren, Matthew Tepper. Kneeling (L-R) John Hertz, Debra Levin, Shawn Crosby.

It’s a proud and lonely thing to be a fan.  I’m not surprised that commercial science-fiction conventions run to six-figure numbers while our local Loscon draws a thousand.  The difference is in the participation.  Not much mental voltage is needed to imagine people must be either buyers or sellers.

Some fans do turn pro; if willing and able, why not?  Some pros develop careers as fans.  Some people are active as both.  Forry was.  But as Patrick Nielsen Hayden says, and he should know, in our community fandom is not a junior varsity for prodom.

And there was cake. Photo by Michael Locke.

And there was cake. Photo by Michael Locke.

Forry’s hundredth birthday will be in a few days, November 24th.  Buy a book — or write one.  See a movie — or take part in one.  Send a letter of comment to a prozine — or a fanzine (since you’re here in Electronicland you might as well know, and you may already, that you can find some fanzines electronically.)

Visit fans in another country, in person or by phone or mail.  Forry did all those.  To him it was all good.

Photo by MIchael Locke.

Photo by MIchael Locke.

Swedish Fanzine Scholarship Rewarded

The Swedish Royal National Library announced April 11 that “Research on science fiction fanzines gets this year’s Klemming Scholarship”. Hampus Eckerman has provided a translation of the press release.

Jerry Määttä, PhD in Comparative Literature, has been awarded this year’s Klemming Scholarship of 50 000 swedish crowns from the Royal National Library. He receives the award for his project “Swedish science fiction fanzines, about 1970-1990: bibliography, functions, forms of expression.”

The citation reads: “A scientifically rigorous application with realistic implementation plan on an exciting and underutilized category of material that deserves more attention.”

A fanzine is a simple amateur produced publication that is primarily intended for a small circle of readers with a common, but in the public’s eyes narrow interest. This year Klemming scholar Jerry Määttä studies the Swedish science fiction fanzines uniqueness, functionality and expression.

The project is meant to result in a bibliography of the most important Swedish science fiction fanzines from the 1970s and 1980s. The aim is also to study the fanzine as an expression of a pre-digital Community similar to that of digital media (mailing lists, web forums and social media) later launched to a wider public.

The applications in this year’s call for proposals have been assessed by Dr Erika Kihlman, Stockholm University, tf. Head of Department Miriam Nauri, KB, and associate professor Jonas Nordin, KB.

Määttä’s webpage outlines his other scholarly activities:

He is currently involved in research of the study “The End of the World: The Rhetoric and Ideology of Apocalypse in Literature and Film, ca. 1950–2010”. He seems drawn to this area as his previous study was “Elegy for an Empire: The Disaster Stories of John Wyndham, 1951–1957”. Another study on the same subject, “Keeping Count of the End of the World – A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives”, can be downloaded from here: http://www.cultureunbound.ep.liu.se/v7/a23/cu15v7a23.pdf

The download is in English.

[Thanks to Hampus Eckerman for the story.]

Free Download of NYRSF’s Special Hartwell Memorial Issue

David G. Hartwell in 2006.

David G. Hartwell in 2006.

The New York Review of Science Fiction #330 is a Special Memorial Issue devoted to the magazine’s co-founder, the late David G. Hartwell. Produced in conjunction with the International Association for the Fantastic in the Arts, it presents “a collection of memories, conversations, appreciations, poetry, arguments, and outpourings from friends, family, fellow travelers, clients, coworkers, and others whose lives David touched.”

The Ebook/PDF can be downloaded free here.

Andrew Porter, who sent me the link, cautions that the download link is live for only another four days. In case that’s true, get a move on! However, no time limit is mentioned in NYRSF’s announcement on Twitter –

— nor on vendor’s site, Weightlessbooks.com.

Contributors

  • Patrick Nielsen Hayden
  • Kathryn Cramer
  • Gary K. Wolfe
  • Dave Drake
  • Eugene Reynolds
  • Gordon Van Gelder
  • Mary Robinette Kowal
  • James Morrow
  • F. Brett Cox
  • Marco Palmieri
  • Henry Wessells
  • Susan Palwick
  • Toni Weisskopf
  • Michael Swanwick
  • Ann Crimmins
  • Kit Reed
  • Farah Mendlesohn
  • Rudy Rucker
  • Shira Daemon Houghton
  • Joseph T. Berlant
  • Judith Collins
  • James Frenkel
  • Jan Vane?k, Jr.
  • Paul Levinson
  • Kathryn Morrow
  • Joe Milicia
  • Michael Levy
  • Gregory Benford
  • Samuel R. Delany
  • Jean-Louis Trudel
  • Donald “Mack” Hassler
  • Paul Park
  • Randy Byers
  • Gwyneth Jones
  • Liz Argall
  • Michael Bishop
  • John Clute
  • Lisa Padol
  • Andy Duncan
  • Yves Meynard
  • Darrell Schweitzer
  • David Brin
  • Alex Donald
  • Jo Walton
  • B. Diane Martin and David G. Shaw
  • Ron Drummond
  • Alexei Panshin
  • Christopher Brown
  • Stephen B. Gerken
  • Kevin J. Maroney

 

 

SF Scholar Rob Latham Fired by University of California

Rob Latham in 2008.

Rob Latham in 2008.

Rob Latham, a tenured professor of English at University of California, Riverside and a member of its science fiction research cluster who evangelized the Eaton Collection throughout fandom, has been fired by the UC Board of Regents. Charges of sexual harassment and substance abuse are addressed in Latham’s 3,900-word statement, first presented to the Regents and now published by the Academe Blog, however, the exact charges are not quoted.

He denied the complaint of sexual harassment:

….I can’t believe that this case, which began with false charges of sexual harassment brought by a disgruntled graduate student and his girlfriend, has been allowed to reach the Board of Regents. It should have been settled through informal mediation long ago.

However, not only was no such good faith effort ever attempted by the UCR administration, but I was never even invited to respond to the charges or to submit exculpatory evidence. Instead, the administration adopted an adversarial posture from the outset, as if the original allegations—the vast majority of which we now know to be untrue—had already been proven. As Vice Provost Daniel Ozer testified at the disciplinary hearing, the administration never sought to change course even when it became clear that the two complainants had submitted doctored evidence and leveled charges that were proven false by a police investigation.

He argued the issue of substance abuse was being manipulated to support a disproportionate disciplinary action:

I made a serious error of judgment in relation to substance abuse, for which I sought treatment one full year before any charges were filed against me. The Senate, for whatever reason, gave me no credit for that effort at self-correction, and now Chancellor Wilcox is asking you to dismiss me for the recurrence of a psychological illness, rather than for the original charges of flagrant, serial sexual harassment—charges that were considered and dismissed by the Hearing Committee, whose findings the Chancellor has accepted in their entirety.

He levied many criticisms against the hearing process in his address to the Regents, including —

I have outlined, in my ten-page written statement, the political pressures and rank homophobia that deformed the disciplinary process, including acts of official misconduct that are currently being investigated by the Faculty Senate. All I will repeat here is that the intervention of the graduate student union, at an early juncture of this case, and their threats to “go public” if the administration did not acquiesce to their demand for my “removal as Professor of English,” was crucial in setting the administration on the course they pursued. This course included manipulating and corrupting an ostensibly fair and impartial Title IX investigation, coaching student witnesses supportive of their case while attempting to intimidate those supportive of me, and suppressing evidence crucial to my defense before the Faculty Senate.

Latham spent the first 13 years of his teaching career at the University of Iowa as a Professor of English and American Studies, where he ran a Program in Sexuality Studies.

He was hired by UC Riverside in 2008 to join the English Department faculty, with responsibilities that included serving as an informal liaison to the J. Lloyd Eaton Collection of Science Fiction, Fantasy, Horror, and Utopian Literature. He received the Clareson Award for Distinguished Service from the SF Research Association in 2012, the field’s premier award.

Latham has made many connections with fanzine fans. He contributed a perceptive and well-received article to Earl Kemp’s eI #37 about using fanzines for academic research. Mike Horvat’s vast fanzine collection landed at the University of Iowa because a former student of Latham’s, Greg Beatty, a UI graduate spotted the listing online, and immediately emailed Latham.

Despite the growing prestige of UCR’s science fiction collection and research, there have been signs of conflict between the administration and faculty members in UCR’s science fiction research cluster. Both Latham and Nalo Hopkinson, a well-known sf writer and another member of that research cluster, publically expressed concern in summer 2014 about the way the Eaton Collection was being administered (see “How Healthy Is The Eaton Collection?”.)

Nothing that was aired in 2014 seems directly related to the issues in Latham’s hearing, other than the foreshadowing of the toxic professional relationships explicitly described in Latham’s statement to the Regents:

My hiring was the result of an international search for a senior scholar, mounted by former Dean Steve Cullenberg and former Chancellor Tim White, two very good men and superb administrators with whom I had an excellent working relationship. However, following the hire of Chancellor Wilcox in 2013—and especially of Provost D’Anieri in 2014—the atmosphere at UCR changed from one of cooperation and consultation with faculty to one of confrontation and hostility. I say this merely to indicate that I gave seven years of exemplary service to the campus but, following the lodging of false charges by a student with a grudge, have been hounded by a vengeful administration intent on railroading me out of my job.

Readers do not have full information to evaluate the case, nor is that likely to become public unless Latham follows up with a lawsuit and the suit goes to trial. However, news of Latham’s firing is all the more surprising for coming at the same time his standing as a scholar has been affirmed by an announcement that the MLA 2017 session “Dangerous Visions: Science Fiction’s Countercultures” will base its call for papers on responses to Latham’s “Countercultures” chapter in his edited volume The Oxford Handbook of Science Fiction (2014).

[Thanks to Andrew Porter and Nick Mamatas for the story.]

File 770 #165 Available

Another New Year’s Eve tradition — ring out the year with the fanzine version of File 770.

Click here — File 770 #165, [5MB PDF file]

With a cover by Steve Stiles, the issue features these original articles:

  • One Month a Grand Master by Larry Niven and John Hertz
  • The Rotsler Winners: Personal Musings by Taral Wayne
  • John Hertz’s Westercon Notebook, a report of the 2014 convention
  • Red Letter Days, Taral Wayne muses about the calendar

Plus reprints of three popular articles:

  • The Man From U.N.C.L.E by James H. Burns
  • My Father, And The Brontosaurus by James H. Burns
  • Viewing The Remains of Bradbury’s House by John King Tarpinian

Journey Planet Letters Issue

journey planet 26 letters COMP

Journey Planet #26 delivers “Letters from Absentia” – about the art of letter writing, penmanship, stamps, philatelia, fountain pens and ink, as well as letters in time of war, and gameplay. Get your copy here.

The theme issue was assembled by guest editors Meg Frank, Esther MacCallum-Stewart, and Linda Wenzelburger, plus James Bacon and Chris Garcia.

We have a veritable rogue’s gallery, starting with work and writing from Terry Pratchett, Seamus Heaney, Iain Banks, Robert Rankin, Alan Moore, Jimi Hendrix, Steve Gaynor and Myke Cole. Regulars Helena Nash, Pádraig Ó Méalóid and James Bacon focus on a variety of subjects from letters to the pen of Flann O’Brien to stalking Neil Gaiman’s pens, and there’s also advice about getting pens, histories of games by mail, food and letters, heartbreak and handwriting.

The editors have utilised handcrafted scripts, postal artwork, a customised ink and headers, and correspondence from the Instant Fanzine (sent by post, of course!) to illustrate the pages of the zine.

I’ll be surprised if our resident pen collector, John King Tarpinian, isn’t among the first to download the issue!