Future Worlds Prize 2024 Shortlist Takes Readers from Snow Leopards to Suit Sellers

Future Worlds Prize for Science Fiction And Fantasy Writers Of Colour announced its 2024 shortlist today, which this year takes readers from a world powered by energy gained from the act of mapping territories to the streets of Hong Kong where a suit maker finds success with a mysterious new fabric.

The eight shortlisted stories (in alphabetical order by author surname) are:

  • The Unbound Atlas by Zita Abila
  • Blood on Shadowed Blades by Nelita Aromona
  • The Suit Sellers of Kowloon by Ese Erheriene
  • Ek Haseena Thi by Isha Karki
  • The Yawn of the Pond by Inigo Laguda
  • Walk in Fire by Ruairidh MacLean
  • Tribe of the Snow Leopards by Farah Maria Rahman
  • Let None Through by M.A. Seneviratne

This year’s prize will be judged by:

  • 2021 Future Worlds Prize winner M.H. Ayinde
  • writer and novelist author Isabelle Dupuy
  • quantum physicist turned best-selling author Femi Fadugba
  • founder of Originate Literary Agency, Natalie Jerome
  • Arthur C. Clarke Award-winning author Tade Thompson.

Future Worlds Prize for Fantasy and Science Fiction Writers of Colour aims to find new talent based in the UK writing in the SFF space, from magical realism and space operas to dystopia and more. The winner will receive a prize of £4,500, the runner-up £2,500 and the remaining six shortlisted authors will each receive £850. 

All shortlisted writers, the runner-up and the winner will also receive mentoring from one of the prize’s publishing partners. The winner of the Future Worlds Prize 2024 will be announced at an event in May.

The prize’s publishing partners are Bloomsbury Publishing, Daphne Press, Orion Books’ Gollancz, Penguin Random House’s Michael Joseph, Hachette’s SFF imprint Orbit, Hodder’s Hodderscape, and Pan Macmillan’s Tor.

Future Worlds Prize was founded by bestselling author Ben Aaronovitch in 2020, and was previously named the Gollancz and Rivers of London BAME SFF Award. The prize is financially supported by Aaronovitch and Bridgerton actor Adjoa Andoh. It is administered by Future Worlds Prize CIC, a not-for-profit organisation. 

The 2023 winner was Mahmud El Sayed for his novel What the Crew Wants. M.H. Ayinde won in 2021; A Song of Legends Lost, the first book in her trilogy, is due out in 2024. The inaugural prize was won by Esmie Jikiemi-Pearson for The Principle of Moments, which was released in 2023 and is a Sunday Times bestseller.

About the shortlisted authors and their work

Zita Abila

Zita is a Nigerian-British writer and artist. She grew up in the Netherlands and across England, from Manchester to rural Lincolnshire, then at 17 she moved to London to study Law at King’s College London. She has a MA in Literature and Culture from the University of Birmingham, where she developed a love of oral histories and lost languages, which often find their way into her stories. In 2023, she graduated from the HarperCollins Author Academy, and was shortlisted for the FAB Prize and Golden Egg Award. Her artwork has been exhibited at Somerset House as part of the London Design Festival, and at the Victoria Miro Gallery in 2022.

Blurb for The Unbound Atlas

The Unbound Atlas is a cross-over romantic fantasy where Babel meets Daughter of Smoke and Bone. In a world powered by energy gained from the act of mapping territories, 23-year-old Yagazie is employed as an artist in the Fantasy Maps department of the Royal Academy of Mapmaking in London, and spends her days keeping her head down to not draw attention to her underlying ability to map souls. But when the wrong person learns she is a soul-mapper, she is kidnapped by a soulless young man, we’ll call him X, and drawn into a journey mapping souls around the world, collecting long-buried secrets which could upend the map-based economy.

Nelita Aromona

Growing up in the concrete jungle of inner-city London, Nelita Aromona escaped into reading and writing to experience many different lives from the moment she could hold a book for herself. Now that she’s a little older, she’s a project manager in construction who always finds the time to watch anime and k-drama, and learn Japanese. Blood on Shadowed Blades is the tip of the iceberg of all the black stories she wants to tell, with the hope that every character makes a reader feel something

Blurb for Blood on Shadowed Blades

Assassin. Aliriko. K. — Amidst the war against his nightmares and the investigation into the missing women, orders from above send K on a mission to kidnap the princess of a neighbouring kingdom with his killing instinct leashed, or suffer the fate that his ancestors faced long ago.

Princess. Tegu. Zeria. — With her hand forced to expedite her plans to sit on another throne, Zeria’s request for aid lands her in the care of a man who shouldn’t exist, and leads her to confront the consequences spawned from royal rule.

But the assignment that brings them together is only the beginning of uncovering secrets of generations past, and healing the wound that makes Syneria bleed.

Ese Erheriene

Ese Erheriene is an emerging writer of short stories, fiction and poetry. Born and raised in South East London, she has lived in France, Norway, and across Asia. A journalist, she wrote for The Wall Street Journal — in London and Hong Kong — for almost six years. In 2020, she moved to Portugal for a year to write about identity, [dis]connection and culture. This became her short story ‘The Knowledge’, published in the Goldfish Anthology (2023). Her fiction was longlisted for the Deborah Rogers Fund Award in 2023 and her poetry was commissioned for the Montcalm Hotel Marble Arch as part of its relaunch.

Blurb for The Suit Sellers of Kowloon

A short story set among the men who work as suit sellers and tailors on the streets of Kowloon, in Hong Kong. We follow Siddharth as, one by one, sellers begin to go missing under mysterious circumstances — but the thread running through it all is the love story between Siddharth and his wife: Onovughakpor. This is a brief meditation on what we do to survive, on the idea that people contain multiples and on how life rarely progresses in a straight line.

Isha Karki

Isha Karki is a writer and PhD student based in London, currently thinking through the complexities of representing sexual violence, trauma, and testimonies on the page. Her short fiction has won the Dinesh Allirajah Prize, Galley Beggar Press Short Story Prize and Mslexia Short Story Competition. Her work has appeared in publications such as khōréō, Lightspeed, and Nightmare Magazine, and she is an alum of Clarion West.

Blurb for Ek Haseena Thi

In Ek Haseena Thi, a film student travels to an isolated haveli in the borderlands of India. Thirty years ago, the haveli was the set for a much-hyped Bollywood horror film which was never released after its leading heroine vanished without a trace. Drawing on myth and the gothic, Ek Haseena Thi reclaims monstrosity and sisterhood, interrogating the extractive violence wreaked by wealth and privilege. Ek Haseena Thi is part of Good Girls, a genre-crossing collection of short stories which experiment with folklore, body horror, dystopia and the surreal to explore rape culture, violence, and trauma through the lens of brown womanhood.

Inigo Laguda

Inigo Laguda is a Yoruba-British writer, poet and musician from Hertfordshire. His soundscapes have appeared in The Serpentine Gallery, Venice Biennale and 180 The Strand. His poetry has won awards by The Young Poet’s Society. His nonfiction has appeared in Black Youth Project, Netflix and The Metro. His short stories have been long-listed for The Commonwealth Short Story Prize and received a special commendation for The Guardian & 4th Estate 2021 Prize. He was long-listed for the 2023 Bloomsbury Mentorship Programme and is an alumnus of the 2022/2023 London Library Emerging Writers Programme.

Blurb for The Yawn of the Pond

The Yawn of the Pond follows a nameless poacher-hunter with a supernatural ability to conspire with nature as he attempts to fulfil a promise. Tasked with finding the granddaughter of Baruti – his mentor, closest friend and Khoisan elder – the journey takes him across the Central Kalahari Game Reserve of Botswana. After crossing paths with a safari guide from the Makgadikgadi Pans, the guide and the poacher-hunter come face to face with ancient powers.

Ruairidh MacLean

Ruairidh MacLean is the son of a Dominican and a Scot; small island people who survived Catholicism and Calvinism and a bad party in South London to find each other. Until 2022 he was an English teacher in a London FE college where he taught students to love, endure and conspire against the English language. Last year he left that work to dedicate himself to his first vocation; writing stories about alien magicians and humane machines.

Blurb for Walk in Fire

The Quiet Land is a strange country, a fragment written out of history by those fleeing a world determined to destroy itself. But a peace apart cannot last and the horrors of the outside world are not as distant as its architects believe. Tales comprises ten fantastical stories; a tower grows eternally; friends become predator and prey; refugees flee a never-ending war. These apparently independent fables weave together the fate of the Quiet Land, illuminating the threads that connect its curious lives and draw them blindly towards catastrophe. 

Walk in Fire is the third such episode, the story of an alien attraction across a portal of fire; of thought and flesh united by flame.

Farah Maria Rahman

Farah Maria Rahman lives in London and studied English at the University of Sussex and Goldsmiths College. She has been published in Litro magazine, 365 Tomorrows, Tales of the DeCongested Vol 1 (Apis Press), Brittle Star, Shot Glass journal, New Humanist, Tribune, Huffington Post and Crossing the Dissour. She has been an artist in residence at The Guesthouse Project in Cork city, and her story The Alder Tree was performed at the Whose Woods These Are: A festival of trees at the Dock Arts Centre in Carrick-on-Shannon. She was selected for the Royal Literary Fund Writers’ Pool bursary in 2006. 

Blurb for Tribe of the Snow Leopards

On Aurotopia, a planet much like Earth, Tahmina is growing restless. The rules of her village are constantly revised by the all-powerful ‘elders’, and following orders is not what she’s best at. When her closest friend goes missing, Tahmina must go against all that she knows to find her. But what she discovers goes beyond anything she could have imagined… her home is being colonised by the Earth-born, and her ‘best friend’ is on their side.

M.A. Seneviratne

M.A. Seneviratne is a tea-hoarding Sri Lankan auntie and writer of speculative fiction. An alumnus of the University of Cambridge where she obtained her LLM and the inability to ride a bicycle, she is now pursuing a PhD in Socio-Legal Studies. When she isn’t researching or writing, she likes to procrastinate and avoid writing about herself in the third person. You can find her short fiction at Tasavvur or her handful of terribly composed tweets at @Bookish_Auntea.

Blurb for Let None Through

Ceylon, 1925. At a holder university built for maintaining peaceful relationships between Ceylon’s native species, a pair of mysterious professors recruit a group of students: thought-consuming Vetala Reith Samarakoon, flesh-eating Pisahcha Laila Pinto and their inevitable human prey Cassius Ramachandran. Driven by their individual agendas, the trio join a secret society for reviving indigenous literature in exchange for guaranteed entry into Oxford and Cambridge. But when a body is found on campus and a suspicious nun launches a murder investigation, they soon learn the true price of an ‘English’ education.

[Based on a press release.]

Robert Tilendis Review: Trader Joe’s Dark Chocolates

Trader Joe’s Super Dark Chocolate

Trader Joe’s Super Dark Chocolate with Almonds

Trader Joe’s Dark Chocolate Truffle

Review by Robert Tilendis: Trader Joe’s may very well be the most socially conscious grocery store in the country. The Trader Joe’s website promises that everything packaged under the “Trader Joe’s” label offers no artificial flavors, colors or preservatives, no genetically modified ingredients, no MSG, and no added trans fats. In the case of Trader Joe’s Organic Chocolates, this also includes certification by both the USDA and Quality Assurance International, and since organic chocolate is the product of a fairly limited group of producers, it’s almost guaranteed that the growers are getting fair, and probably premium prices. So, how does all that social consciousness taste?

The Super Dark Chocolate is guaranteed 73% cacao, which pretty much insures a good, strong chocolate taste. The scent is comparatively pronounced, rich and earthy. The texture is somewhat brittle, while it turns a bit chewy in the mouth. There’s just enough sweetness in the bar to offset the bitterness of the chocolate, with a slight taste of blueberries and a bittersweet aftertaste.

The Super Dark Chocolate with Almonds has the same rich scent, the same texture. The almonds seem to provide crunch rather than flavor: any hint of almond is overpowered by the chocolate, which is very rich and fruity, with a hint of molasses — although there’s a also a hint of dryness in the aftertaste that may be almond after all. This is another 73% cacao offering, with just enough sweetness to offset the bitterness.

The Dark Chocolate Truffle surprised me somewhat. This bar contains 57% cacao, so the chocolate flavor is not so pronounced, although the texture is only slightly less brittle than the darker chocolates. The scent combines chocolate and nuts. It’s slightly sweet, tasting of berries. There is nothing particularly “truffle-y” about it, either in texture or flavor — it’s quite firm and not particularly rich-tasting.

OK — these are not the most drop-dead chocolates I’ve tasted recently, but they’re way up there — for a product that is not artisan-produced and is readily available, they’re very high quality.

Pixel Scroll 3/15/24 What Can You Scroll About Chocolate Covered Stepping Disks?

(1) WALDROP TO THE SCREEN. George R.R. Martin tells us, “The Chickens Are Coming” at Not A Blog.

Howard Waldrop is gone, but his work will live on.

…And here’s the latest one, an adaptation of Howard’s most famous story, THE UGLY CHICKENS.  Winner of the Nebula.   Winner of the World Fantasy Award.   Nominee for the Hugo, but, alas, not a winner.   A pity, that.  Howard never won a Hugo, but in some more Waldropian  world he has ten of them lined up on his mantle.

Felicia Day (SUPERNATURAL, THE GUILD, DR. HORRIBLE’S SING ALONG BLOG) stars in our film of “that dodo story.”   Mark Raso (COPENHAGEN, KODACHRONE) directed.   Michael Cassutt (TWILIGHT ZONE, MAX HEADROOM, TV101, EERIE INDIANA, and many more) did the screenplay.

Howard saw a rough cut of the film before he died.   He liked it, which pleases me no end.   I only wish we had been able to screen the final cut for him.

(2) HIGH CALIBER CANON. The Atlantic’s list of“The Great American Novels” includes Fahrenheit 451 by Ray Bradbury, The Haunting of Hill House by Shirley Jackson, A Wrinkle in Time by Madeleine L’Engle, Do Androids Dream of Electric Sheep by Philip K. Dick and a number of other works of genre interest.

(3) INTERNATIONAL BOOKER PRIZE LONGLIST. Based on the descriptions of the works at the website, there are no books of genre interest among the 13 that made the International Booker Prize 2024 longlist.

(4) BECOMING THE LIFE ON MARS. Space.com interviews Robert Zubrin about his new book: “’The New World on Mars’ offers a Red Planet settlement guide”.

To say that Dr. Robert Zubrin, the esteemed Colorado-based aerospace engineer, author, lecturer and founding president of the Mars Society, has the Red Planet on his mind is a colossal understatement.   

This pioneering educational voice and influential space authority has written many books on the timely topic of Mars and Mars settlement over the years as interest in humankind’s role in its ultimate development has risen exponentially. Now Zubrin adds to his impressive catalog of visionary volumes about our mysterious planetary neighbor with the recent release of “The New World on Mars” (Diversion Books, 2024), a fascinating and infinitely readable peek into Mars’ inestimably rosy future….

Space.com: One of the most interesting chapters deals with the psychological aspects of leaving Earth and establishing an identifiable Martian culture with its own customs, rites and rituals and the importance of that process. Can you elaborate on that subject more?

Zubrin: The Mars Society over the past couple years held two contests asking people to design a 1,000-person Mars colony and a one-million-person Mars city-state. And by design we meant not just the technology or the economy, but the social system, political system, what kind of sports are likely to be played, as well as the aesthetics. 

Between the two contests, there were something like 300 entries. The ideas proposed spanned a huge range of political systems from socialist, to democratic and libertarian. Rather than attempt to choose my favorite system for a Martian utopia, I took the point of view that there will be many Martian cities founded by different people with very different ideas on what the ideal state should be, and it’s going to be sorted out by natural selection.  

Some of the answers I came up with I like a lot, like human liberty. But this is in contradiction to many visions of science fiction colonies that are totally controlled because no one would immigrate to one. The ones that will outgrow the others will clearly be the ones that are most attractive to immigrants. Freedom is a great attractor. North Korea does not have an illegal immigrant problem. Martian colonies will have to be highly inventive and invention only thrives under freedom. I believe a Mars colony will also require a great deal of social solidarity, so it will not be multi-cultural and will need to have a strong sense of community and common identity….

(5) DOCTOR WHO STARTING TIME.  From Variety we learn “’Doctor Who’ Starring Ncuti Gatwa Reveals May Premiere Date”.

…The new season of “Doctor Who,” starring “Sex Education” breakout Ncuti Gatwa as the Fifteenth Doctor, will premiere on May 10.

The new installment will be the first-ever to launch on Disney+ and release simultaneously worldwide. The premiere will start on May 10 at 7 p.m. ET in the U.S. and internationally (excluding the U.K.) with Christmas special “The Church on Ruby Road” airing before two brand-new episodes. In the U.K., the season will premiere at midnight GMT on May 11 on BBC iPlayer.

…A new trailer for the season will debut on March 22.

(6) SHATNER WON’T BE ECLIPSED – FOR LONG, ANYWAY. The Los Angeles Times interviewed “William Shatner on his long career, horses and watch design”. Behind a paywall, unfortunately. Here’s the first paragraph:

A documentary on his life, “You Can Call Me Bill,” directed by Alexandre O. Philippe (“Lynch/Oz”), is scheduled to roll out in theaters March 22 to coincide with his 93rd birthday. He continues to host and narrate the puzzling-phenomena History series “The UnXplained With William Shatner.” A 2022 performance at the Kennedy Center, backed by Ben Folds and the National Symphony Orchestra, is about to be released both as an album, “So Fragile, So Blue,” and a concert film. The title song, says Shatner, “encompasses a lot of my thinking about how we’re savaging the world, and [I’d hope] it’d be a song that people would listen to and perhaps be inspired to do something about global warming.”

And on April 8, for 15 minutes before the shadow of an eclipse falls over Bloomington, Ind., Shatner will address “55, 60,000 people” in the Indiana University football stadium. “So what do you say, what do you write, what do you do? I’m going to have to solve those problems.”…

(7) SIMULTANEOUS TIMES CELEBRATES ANNIVERSARY. Space Cowboy Books presents a special six-year anniversary episode of Simultaneous Times in collaboration with Worlds of IF Magazine bringing you works from the pages of Worlds of If Magazine #177. Listen to the podcast at the link. Story and poetry featured in this episode:

  • “Contact” by Akua Lezli Hope; with music by Fall Precauxions. Read by the author
  • “The Pain Peddlers” by Robert Silverberg; with music by Phog Masheeen. Read by Jean-Paul Garnier
  • “Time Junkies” by Pedro Iniguez; with music by Fall Precauxions. Read by the author

Theme music by Dain Luscombe

(8) RELICS OF WONKY PROMOTION TRANSMUTED TO CHARITY GOLD. “Props from botched Willy Wonka event raise more than £2,000 for Palestinian aid charity” reports the Guardian. The charity is Medical Aid for Palestinians.

Props from a botched Willy Wonka event in Glasgow that went viral after frustrated attenders called the police have raised more than £2,000 at auction for a Palestinian aid charity.

Fabric backdrops from the “immersive experience”, which was cancelled midway, were found in a bin outside the warehouse where it took place.

Monorail Music, a record shop in the city, auctioned the remains on eBay after they were passed on by the finder. The listing said: “Don’t miss out on this rare opportunity to own a piece of history.”

The Wonka event gained online notoriety after images of the sparsely decorated warehouse in Glasgow, staffed by actors dressed as Oompa Loompas and other characters, spread worldwide. On Thursday, the listing had a total of 57 bids and the items were sold for £2,250. Michael Kasparis, online manager of Monorail, described the outcome as “amazing”….

(9) RED FLAGS RAISED ABOUT TCG-CON. Outside the Asylum urges “Don’t Go to TCG-Con”. Here’s the synopsis of a long post with many receipts:

Summary: TCG-con frequently does not pay out its advertised prizes and staff compensation. They currently owe upwards of $50,000 to players, cosplayers, judges, and other staff members for previous conventions, and appear to be in the process of collapsing entirely. I would strongly recommend not purchasing a ticket to their future events, trying to get a refund if you already have, and warning anyone you know away from them as well. If you’re owed money yourself, see the end of this page for information on next steps.

(10) GRANT PAGE (1939-2024). Deadline pays tribute in “Grant Page Dead: Australian Stuntman In ‘Mad Max’ Films & 100-Plus Others Was 85”.

Grant Page, the Australian stunt icon who performed in and coordinating stunts for the original Mad Max,sequel Beyond Thunderdome,the upcoming prequel Furiosa: A Mad Max Sagaand more than 100 other films and TV series, died Thursday in a car crash. He was 85.

A legend of Aussie cinema, Page worked … on the 1979 action classic Mad Max,which introduced the world to Mel Gibson. He performed and served as stunt coordinator on …  its 1985 second sequel Mad Max Beyond Thunderdome… He also worked on … prequel, Furiosa: A Mad Max Saga, which is on the radar to premiere at Cannes in May, and on his 2022 pic Three Thousand Years of Longing.

(11) COMICS SECTION.

The New Yorker cartoon for the Ides of March gives us Dr. Seuss’ interpretation instead of Shakespeare’s.

(12) I BECAME WHAT I BEHELD. “Grant Morrison Responds to Zack Snyder’s Take on Batman Killing, ‘If Batman Killed His Enemies, He’d Be the Joker’” (comicbook.com) – in a quote at Comicbook.com.

Filmmaker Zack Snyder recently stirred up some controversy when he defended his aggressive version of Batman from Batman v Superman: Dawn of Justice who killed, a choice that for many comic book fans runs counter to basic tenets of the character. Now, comic book writer Grant Morrison is weighing in and they don’t agree with Snyder. According to Morrison, “if Batman killed his enemies, he’d be the Joker.”

In their newsletter Xanaduum (via ScreenRant), Morrison — whose own work has been among some of the more definitive takes on Batman — dug into not only the practical aspect of why Batman doesn’t kill (because he’d end up arrested by Commissioner Gordon, in theory) but also the psychological aspect of the character and how Batman’s “no-kill” rule is something locked into him from the time he was a small child and is a part of his mental state having never fully developed, in some respect, out of the child who saw his parents murdered in Crime Alley.

“That Batman puts himself in danger every night but steadfastly refuses to murder is an essential element of the character’s magnificent, horrendous, childlike psychosis,” Morrison wrote.

There’s also the matter of the line between what Batman does and what the villains do. Villains kill; Batman does not. It makes all the difference, at least to Bruce Wayne who, should he ever cross the line, would then become no better than those who killed his parents….

(13) SNOWPIERCER RESCUED. It won’t be frozen out by streaming services after all says Deadline: “’Snowpiercer’: AMC Picks Up Season 4 After TNT Scrapped Sci-Fi Drama”.

The final season of Snowpiercer has finally found a home.

The fourth season of the sci-fi drama will air on AMC after the company acquired the rights to the Tomorrow Studios-produced series. It comes after TNT scrapped the show last year as part of a wider Warner Bros. Discovery content write-down strategy.

Deadline revealed in January 2023 that the fourth season wouldn’t air on its original home, as part of a slew of content cuts that also included the axing of Batgirl, Abrams’ HBO drama Demimonde, and TBS series such as The Big D, Chad and Kill The Orange Bear….

(14) A YELLOWSTONE UNSTUCK IN TIME. Gizmodo assures us “Josh Brolin’s Sci-Fi Hole Show Will Get Even Sci-Fi-er, Holier in Season 2”.

…The central mysteries of Outer Range surround that giant hole, which materializes on property owned by Brolin’s Wyoming rancher character and is eventually established to be a time portal. Along the way, various characters go missing, are revealed to have been born in different centuries, notice odd happenings that seem anachronistic, or are unmasked as characters we’ve already met who happen to be several years older than they should be. In season two, we’ll all take a time leap; the action begins in 1984 with a younger version of Brolin’s character, and Vanity Fair describes the narrative structure as “gamely hopping between different decades (and centuries) with newfound propulsion.”

An astrophysicist called in to help the time-travel stuff make sense—but according to new showrunner Murray, “The biggest part of what time travel meant to me and the writers was: How can this help us expose something that a character’s going through?” We’re very intrigued to see where this wild trail heads next….

(15) DISHING IT UP. A reporter tells BBC that “’Journalists are feeding the AI hype machine’”.

When Melissa Heikkilä looks back on her past four years writing about artificial intelligence (AI), two key things jump out to her, one good, one bad.

“It’s the best beat… AI is a story about power, and there are so many ways to cover it,” says the senior reporter for magazine MIT Technology Review. “And there are so many interesting, and eccentric people to write about.”

That’s the positive. The negative, she says, is that much of the wider media’s coverage of AI can leave a lot to be desired.

“There is more hype and obfuscation about what the technology can and cannot actually do,” says Ms Heikkilä. “This can lead to embarrassing mistakes, and for journalists to feed into the hype machine, by, for example, anthropomorphizing AI technologies, and mythologizing tech companies.”…

(16) RIGHT TURN, CLYDE. And while we’re on the subject of dud reportage – “Seismic signal that pointed to alien technology was actually a passing truck” says Physics World.

In January 2014 a meteor streaked across the sky above the Western Pacific Ocean. The event was initially linked to a seismic signal that was detected on Papua New Guinea’s Manus Island. This information was used by Harvard University’s Amir Siraj and Avi Loeb to determine where the object likely fell into the ocean. Loeb then led an expedition that recovered spherical objects called spherules from the ocean bottom, which the team claimed to be from the meteor.

Because of the spherule’s unusual elemental composition, the team has suggested that the objects may have come from outside the solar system. What is more, they hinted that the spherules may have an “extraterrestrial technological origin” – that they may have been created by an alien civilization.

Now, however, a study led by scientists at Johns Hopkins University has cast doubt on the connection between the spherules and the 2014 meteor event. They have proposed a very different source for the seismic signal that led Loeb and colleagues to the spherules.

“The signal changed directions over time, exactly matching a road that runs past the seismometer,” says Benjamin Fernando, a planetary seismologist at Johns Hopkins who led this latest research.

“It’s really difficult to take a signal and confirm it is not from something,” explains Fernando. “But what we can do is show that there are lots of signals like this, and show they have all the characteristics we’d expect from a truck and none of the characteristics we’d expect from a meteor.”

That’s right, it was a truck driving past the seismometer, not a meteor….

(17) WAR OF THE WORLD. “Air defense for $13 a shot? How lasers could revolutionize the way militaries counter enemy missiles and drones” at Yahoo!

Britain this week showed off a new laser weapon that its military says could deliver lethal missile or aircraft defense at around $13 a shot, potentially saving tens of millions of dollars over the cost of missile interceptors that do the job now.

Newly released video of a test of what the United Kingdom’s Defense Ministry calls the DragonFire, a laser directed energy weapon (LDEW) system, captured what the ministry says was the successful use of the laser against an aerial target during a January demonstration in Scotland.

“It’s a potential game changer for air defense,” the video says as a bright laser beam pierces the night sky over a firing range in the remote Hebrides archipelago, creating a ball of light as it hits its target.

The Defense Ministry says the DragonFire can precisely hit a target as small as a coin “over long ranges,” but it did not offer specifics. The exact range of the weapon is classified, it said.

The laser beam can cut through metal “leading to structural failure or more impactful results if the warhead is targeted,” a UK Defense Ministry statement said….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Sandra Miesel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

2024 LA Vintage Paperback Collectors Show & Sale on 3/17

Many authors will be signing at the 2024 Vintage Paperback Collectors Show. Tim Powers, Larry Niven, Barbara Hambly, Laura Brodian Freas Beraha, John DeChancie, Steven Barnes, Mel Gilden, Craig Miller, Tim Kirk, Gary Phillips and Lisa Morton are just some of the more than 45 authors who will be there. The event takes place Sunday, March 17 at the Glendale Civic Auditorium (1401 Verdugo Rd.) from 9 a.m. to 4 p.m. Admission is $10. Mark your calendar!

Here is the full slate of guests and scheduled times of appearance.

There will be over 80 dealer tables. Dealers at the show have been spending the year looking in other places for inventory and are bringing their finds to this show to offer them to you.

Here is the list of vendors and a map of where you’ll find them.

Note: Since the following schedule was put together Ann Bannon, Peter Atkins, John Shirley, and Jonathan Maberry have had to cancel.

2023 Aurealis Awards Shortlists

The Canberra Speculative Fiction Guild has released the 2023 shortlists for the Aurealis Awards.

The winners will be celebrated at the Aurealis Awards ceremony in May – more information to follow soon.

BEST CHILDREN’S FICTION

  • The lonely lighthouse of Elston-Fright, Reece Carter (Allen & Unwin)
  • Ghost book, Remy Lai (Allen & Unwin)
  • The letterbox tree, Rebecca Lim & Kate Gordon (Walker Books Australia)
  • Deadlands: Hunted, Skye Melki-Wegner (Walker Books Australia)
  • The hotel witch, Jessica Miller (Text Publishing)
  • Spellhounds, Lian Tanner (Allen & Unwin)

BEST YOUNG ADULT SHORT STORY

  • “The lingering taste of your last supper”, Matthew Davis (Shallow Waters Patreon, Crystal Lake Entertainment) 
  • “Moonfall”, Alison Evans (Everything under the moon, Affirm Press) 
  • “Precarious Waters”, Pamela Jeffs (Precarious waters and other dark tales, Four Ink Press) 
  • “Follow The Water”, J Palmer (Where the weird things are Vol 2, Deadset Press)
  • “An 80s tenement love story”, Anthony Panegyres (Bourbon Penn #31)
  • “Integrated learning”, C H Pierce (Aurealis #166) 

BEST HORROR SHORT STORY

  • “Il re Giallo”, Matthew R Davies (Strange Aeon: 2023)
  • “Death interrupted”, Pamela Jeffs (Body of work, Canberra Speculative Fiction Guild)
  • “Stokehold”, Pamela Jeffs (SNAFU: Punk’d, Cohesion Press)
  • “There are things on me”, Matt Tighe (Killer creatures down under: Horror stories with bite, IFWG Publishing International) 
  • “Trial by fire”, Matt Tighe (Etherea Magazine #18, Sunburnt Fox Press)
  • “Blood born”, Pauline Yates (Midnight Echo #18, Australasian Horror Writers Association)

BEST FANTASY SHORT STORY

  • “Sea mist, shore witch”, Mikhaeyla Kopievsky (Where the weird things are Vol 2, Deadset Press)
  • “What bones these tides bring”, Nikky Lee (Remains to be told: Dark tales of Aotearoa, Clan Destine Press)
  • “The reeds remember”, Juliet Marillier (The other side of never, Titan Books)
  • “The dark man, by referral”, Chuck McKenzie (This fresh hell, Clan Destine Press)
  • “The unexpected excursion of the murder mystery writing witches”, Garth Nix (The book of witches, HarperVoyager)
  • “12 days of Witchmas”, Tansy Rayner Roberts (Patreon, self-published)

BEST SCIENCE FICTION SHORT STORY

  • “Beirut robot hyenadome”, Thoraiya Dyer (Shoreline of Infinity #36)
  • “Change YourView”, Matt Tighe (Nature: Futures)
  • “Trial by fire”, Matt Tighe (Etherea Magazine #18, Sunburnt Fox Press)
  • “Hollywood animals”, Corey J White (Interzone #295)
  • “Customer service”, Emily Wyeth (Mother’s milk, Sempiternal House)

BEST GRAPHIC NOVEL / ILLUSTRATED WORK

  • MEAT4BURGERS, Christof Bogacs & Beck Kubrick (self-published)
  • Frankenstein Monstrance Preview #1, Jason Franks & Tam Morris (IPI Comics)
  • Monomyth, David Hazan & Cecilia Lo Valvo (Mad Cave Studios)
  • Ember and the Island of Lost Creatures, Jason Pamment (Allen & Unwin)

BEST COLLECTION

  • The measure of sorrow: Stories, J Ashley-Smith (Meerkat Press)
  • The gold leaf executions, Helen Marshall (Unsung Stories)
  • Firelight, John Morrissey (Text Publishing)

BEST ANTHOLOGY

  • Strangely enough, Gillian Hagenus (Ed.) (MidnightSun Publishing)
  • An unexpected party, Seth Malacari (Ed.) (Fremantle Press) 
  • The book of witches, Jonathan Strahan (Ed.) (HarperVoyager)

BEST YOUNG ADULT NOVEL

  • Borderland, Graham Akhurst (UWA Publishing) 
  • When ghosts call us home, Katya de Becerra (Macmillan)
  • Archives of despair, Caleb Finn (Penguin Random House Australia)
  • The weaver, Melanie Kanicky (MidnightSun Publishing) 
  • The spider and her demons, sydney khoo (Penguin Random House Australia)
  • The non-magical Declan Moore, Nathan Taylor (Magpie Drive Press)

BEST HORROR NOVELLA

  • The morass, Zachary Ashford (Crystal Lake Entertainment)
  • The leaves forget, Alan Baxter (Absinthe Books)
  • “Hole world”, J S Breukelaar (Apex Magazine #141)
  • “Quicksilver”, J S Breukelaar (Vandal: Stories of damage, Crystal Lake Entertainment)
  • Radcliffe, Madeleine D’Este (Deadset Press)
  • Bitters, Kaaren Warren (Cemetery Dance)

BEST HORROR NOVEL

  • Borderland, Graham Akhurst (UWA Publishing) 
  • When ghosts call us home, Katya de Becerra (Macmillan)
  • The graveyard shift, Maria Lewis (Datura Books)
  • Some shall break, Ellie Marney (Allen & Unwin)
  • Cretaceous canyon, Deborah Sheldon (Severed Press)
  • Bunny, S E Tolsen (Pan Macmillan Australia)

BEST FANTASY NOVELLA

  • The leaves forget, Alan Baxter (Absinthe Books)
  • “Hole world”, J S Breukelaar (Apex Magazine #141)
  • The wizard must be stopped!, Taylen Carver (Stories Rule Press)
  • “A marked man”, T R Napper (Grimdark Magazine #36)
  • A wicked blade, Tansy Rayner Roberts (self-published)
  • Gate sinister, Tansy Rayner Roberts (self-published)

BEST FANTASY NOVEL  

  • Shadow baron, Davinia Evans (Orbit / Hachette)
  • The will of the many, James Islington (Text Publishing)
  • The sinister booksellers of Bath, Garth Nix (Allen & Unwin)
  • Of knives and night-blooms, Tansy Rayner Roberts (self-published)
  • The blood-born dragon, J C Rycroft (BattleWarrior Press)  
  • How to be remembered, Michael Thompson (Allen & Unwin)

BEST SCIENCE FICTION NOVELLA

  • “Eight or die”, Thoraiya Dyer (Clarkesworld #206/207)
  • Killware, Tim Hawken (Seahawk Press)
  • Once we flew, Nikki Lee (self-published)
  • The last to go, A D Lyall (Shawline Publishing Group)
  • “Showdown on planetoid Pencrux”, Garth Nix (Asimov’s Science Fiction, July/August 2023)
  • Bitters, Kaaren Warren (Cemetery Dance)

BEST SCIENCE FICTION NOVEL

  • Minds of sand and light, Kylie Chan (HarperCollins Publishers)
  • The comforting weight of water, Roanna McClelland (Wakefield Press)
  • Aliens: Bishop, T. R. Napper (Titan Books)
  • Dronikus, Marko Newman (AndAlso Books)
  • Time of the cat, Tansy Rayner Roberts (self-published)Traitor’s run, Keith Stevenson (coeur de lion publishing)

[Based on a press release.]

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes”IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall”Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship”ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

SFWA Announces the 59th Nebula Awards Finalists

The Science Fiction and Fantasy Writers Association (SFWA) announced the finalists for the 59th Annual Nebula Awards® in a livestreamed presentation on March 14.  

The awards will be presented in a ceremony on Saturday, June 8, that will be streamed live as it is held in-person in Pasadena, CA, as part of the 2024 Nebula Conference Online. Winners in each category will be determined by the vote of Full, Associate, and Senior members of SFWA.

Here is the complete list of finalists:

Nebula Award for Novel

  • The Saint of Bright Doors, Vajra Chandrasekera (Tordotcom)
  • The Water Outlaws, S.L. Huang (Tordotcom; Solaris UK)
  • Translation State, Ann Leckie (Orbit US; Orbit UK)
  • The Terraformers, Annalee Newitz (Tor; Orbit UK)
  • Shigidi and the Brass Head of Obalufon, Wole Talabi (DAW, Gollancz)
  • Witch King, Martha Wells (Tordotcom)

Nebula Award for Novella

  • The Crane Husband,  Kelly Barnhill (Tordotcom)
  • “Linghun”,  Ai Jiang (Linghun)
  • Thornhedge, T. Kingfisher (Tor; Titan UK)
  • Untethered Sky,  Fonda Lee (Tordotcom)
  • The Mimicking of Known Successes,  Malka Older (Tordotcom)
  • Mammoths at the Gates,  Nghi Vo (Tordotcom)

Nebula Award for Novelette

  • “A Short Biography of a Conscious Chair“, Renan Bernardo (Samovar 2/23)
  • I Am AI, Ai Jiang (Shortwave)
  • “The Year Without Sunshine“, Naomi Kritzer (Uncanny 11-12/23) 
  • “Imagine: Purple-Haired Girl Shooting Down The Moon“,  Angela Liu (Clarkesworld 6/23)
  • “Saturday’s Song“, Wole Talabi (Lightspeed 5/23)
  • “Six Versions of My Brother Found Under the Bridge“, Eugenia Triantafyllou (Uncanny 9-10/23)

Nebula Award for Short Story

  • “Once Upon a Time at The Oakmont“, P.A. Cornell (Fantasy 10/23)
  • “Tantie Merle and the Farmhand 4200“, R.S.A Garcia (Uncanny 7-8/23)
  • “Window Boy“, Thomas Ha (Clarkesworld 8/23)
  • “The Sound of Children Screaming”,  Rachael K. Jones (Nightmare 10/23)
  • “Better Living Through Algorithms”, Naomi Kritzer (Clarkesworld 5/23)
  • “Bad Doors”, John Wiswell (Uncanny 1-2/23)

Andre Norton Nebula Award for Middle Grade and Young Adult Fiction

  • To Shape a Dragon’s Breath, Moniquill Blackgoose (Del Rey) 
  • The Inn at the Amethyst Lantern, J. Dianne Dotson (Android)
  • Liberty’s Daughter, Naomi Kritzer (Fairwood) 
  • The Ghost Job, Greg van Eekhout (Harper)

Nebula Award for Game Writing

  • The Bread Must Rise, Stewart C Baker, James Beamon (Choice of Games)
  • Alan Wake II, Sam Lake, Clay Murphy, Tyler Burton Smith, Sinikka Annala (Remedy Entertainment, Epic Games Publishing)
  • Ninefox Gambit: Machineries of Empire Roleplaying Game, Yoon Ha Lee, Marie Brennan(Android) 
  • Dredge, Joel Mason (Black Salt Games, Team 17)
  • Chants of Sennaar, Julien Moya, Thomas Panuel (Rundisc, Focus Entertainment)
  • Baldur’s Gate 3, Adam Smith, Adrienne Law, Baudelaire Welch, Chrystal Ding, Ella McConnell, Ine Van Hamme, Jan Van Dosselaer, John Corocran, Kevin VanOrd, Lawrence Schick, Martin Docherty, Rachel Quirke, Ruairí Moore, Sarah Baylus, Stephen Rooney, Swen Vincke (Larian Studios) 

Ray Bradbury Nebula Award for Outstanding Dramatic Presentation

  • Nimona, Robert L. Baird, Lloyd Taylor, Pamela Ribon, Marc Haimes, Nick Bruno, Troy Quane, Keith Bunin, Nate Stevenson (Annapurna Animation, Annapurna Pictures)
  • The Last of Us: “Long, Long Time”, Neil Druckmann and Craig Mazin (HBOMax)
  • Barbie, Greta Gerwig, Noah Baumbach (Warner Bros., Heyday Films, LuckyChap Entertainment)
  • Dungeons & Dragons: Honor Among Thieves, Jonathan Goldstein, John Francis Daley, Michael Gilio, Chris McKay (Paramount Pictures, Entertainment One, Allspark Pictures)
  • Spider-Man: Across the Spider-Verse, Phil Lord, Christopher Miller, Dave Callaham (Columbia Pictures, Marvel Entertainment, Avi Arad Productions)
  • The Boy and the Heron,  Hayao Miyazaki (Studio Ghibli, Toho Company)

Author Martha Wells graciously declined her nomination as a novel finalist this year for System Collapse published by Tordotcom. In 2022, Wells also declined a nomination for novella and felt that the Murderbot Diaries series has already received incredible praise from her industry peers and wanted to open the floor to highlight other works within the community.

[Based on a press release.]

Warner Holme Review: The Future Is Female! Volume Two: The 1970s

The Future Is Female! More Classic Science Fiction Stories By Women Volume Two: The 1970s. Edited by Lisa Yaszek (Library of America, 2023)

Review by Warner Holme: Lisa Yaszek’s The Future Is Female! More Classic Science Fiction Stories By Women Volume Two: The 1970s is a continuation of the previous volume from the same editor. Putting together a selection of stories from a more condensed period of time, this volume focused on a single decade nonetheless includes a fascinating assortment of material.

A very nice introduction by the editor provides context for the pieces in the collection as well as thoughts from individuals for working at the time. In addition there are a number of unadvertised pieces by women involved. Specifically, as early as page xiv there are illustrations from various SF publications which were created by women of the time. The first of these is a very nice figure originally in Galaxy magazine circa June 1975 which is by the well-known artist Wendy Pini. While these are a major surprise, they are all carefully credited and appreciated, although a few that definitely appeared in color are rendered in black and white.

“Bitching It” by Sonya Dorman Hess opens the volume with real action. While many think of the early 1970s as still a time when science fiction was clean and aspirational about the future, this piece is dark and twisted and grotesque in a way that seems well matching horror or dystopia of the time. Featuring everything from spousal abuse to dog attacks, it’s a strangely disturbing story that actually has a lot to say.

Another interesting piece is Elinor Busby’s “Time to Kill.” Featuring a mixture of disturbing thematic ideas for time travel and a strange look at the idea of time evening itself out, it begins with a woman running back to her time machine before flashing back to her decision to commit a very specific murder. Really it is extremely short and doesn’t do much that hadn’t been done before with the concept of time travel, however it does so in a very in your face way that addresses a problem of both rejecting the past and taking drastic action to make matters worse. On the other hand the fact a number of less severe solutions are offered and rejected in favor of a religious version of child murder could be seen as making the entire story at metaphor for avoiding extremism.

Wrapping up the book are a variety of nice biographical pieces on the offers as well as a very detailed selection of notes which occasionally include single commentaries lasting for multiple pages. 

The biographies leave the reader in a strange position of remembering that this is one of the rare collections by Library of America in which a large percentage of the authors have passed on. This doesn’t so much affect the quality of the book as make it a very different read than one might have expected, at least with that little detail in the back of a reader’s mind.

The Future is Female! Volume Two represents a very nice companion.to the first book. While we mentioned stories each represent fascinating moments in the history of the genre, other included pieces are often brilliant and well-known, including the science fiction horror piece “The Screwfly Solution” by Raccoona Sheldon and Kate Wilhelm’s “The Funeral.” While not every story appeals to every taste, it does represent a fascinating book at that decade for women working in the field.

2024 Yoto Carnegies for Children’s Writing and Illustration Shortlists

The Yoto Carnegies, the UK’s longest running book awards for children and young people, announced their 2024 shortlists at the London Book Fair on March 13.

The Yoto Carnegies celebrate outstanding achievement in children’s writing and illustration and are unique in being judged by librarians, with respective Shadowers’ Choice Medals voted for by children and young people.  

The shortlists have been whittled down from the 36 longlisted titles by the expert judging panel which includes 12 librarians from CILIP: the library and information association’s Youth Libraries Group. 

Only one book is described in the press release as having predominant fantastic elements, writing medal finalist The Boy Lost in the Maze by Joseph Coelho, illustrated by Kate Milner, which incorporates the myth of the Minotaur.  

The 2024 Yoto Carnegie Medal for Illustration shortlist

  • The Tree and the River by Aaron Becker (Walker Books) 
  • April’s Garden by Catalina Echeverri, written by Isla McGuckin (Graffeg) 
  • Lost by Mariajo Ilustrajo (Quarto) 
  • The Wilderness by Steve McCarthy (Walker Books) 
  • To the Other Side by Erika Meza (Hachette Children’s Group) 
  • The Midnight Panther by Poonam Mistry (Bonnier Books UK) 
  • The Bowerbird by Catherine Rayner, written by Julia Donaldson (Macmillan Children’s Books) 
  • The Search for the Giant Arctic Jellyfish by Chloe Savage (Walker Books)  

The 2024 Yoto Carnegie Medal for Writing shortlist

  • The Door of No Return by Kwame Alexander (Andersen Press) 
  • The Song Walker by Zillah Bethell (Usborne) 
  • Away with Words by Sophie Cameron (Little Tiger) 
  • The Boy Lost in the Maze by Joseph Coelho, illustrated by Kate Milner  
    (Otter-Barry Books) 
  • Choose Love by Nicola Davies, illustrated by Petr Horáček (Graffeg) 
  • Crossing the Line by Tia Fisher (Bonnier Books UK) 
  • Safiyyah’s War by Hiba Noor Khan (Andersen Press) 
  • Steady for This by Nathanael Lessore (Bonnier Books UK) 

The winners will be announced and celebrated on Thursday, June 20 at a live and streamed ceremony at the Cambridge Theatre.  

The winners will each receive a specially commissioned golden medal and a £5,000 Colin Mears Award cash prize. The winners of the Shadowers’ Choice Medals – voted for and awarded by the children and young people – will also be presented at the ceremony. They will also receive a golden medal and, for the first time this year, £500 worth of books to donate to a library of their choice.

[Based on a press release.]

Pixel Scroll 3/13/24 Pixel Would Like A Word With Engineering

(1) SFWA NEBULA FINALIST ANNOUNCMENT TOMORROW. The Science Fiction & Fantasy Writers Association (SFWA) will announce the 2023 Nebula Award finalists (to be presented this year in Pasadena) on the SFWA Youtube channel, tomorrow, March 14, starting at 5:00 p.m. Pacific. 

Once again, we’ll be calling upon a talented group of SAG-AFTRA narrators to take us through an evening filled with a variety of outstanding speculative fiction works. 

It’s sure to be a night to remember! We hope you’ll join us!

(2) NEBULA CONFERENCE SCHOLARSHIP DEADLINE. Also tomorrow — March 14, is the deadline to apply for the scholarships SFWA is offering for members of under-served communities to attend the Nebula conference! The 2024 Nebula Conference will take place June 6-9 in Pasadena, CA and online. If you or someone you know may benefit from these scholarships, please apply here or share this link: https://airtable.com/appqxO86fh6JpPBNR/shrjMcYbZyuTxhwVH

Scholarship applications must be completed on this form by March 14th, 2024. The scholarship recipients will be selected from the applicant pool by lottery. Applicants may be considered for more than one scholarship if they identify with more than one of the following groups.

Here are the categories of scholarships being offered and the number of online conference scholarships available for each:

  • Scholarship for Black and/or Indigenous Creators: This scholarship is open to Black and/or Indigenous creators in the United States and abroad. (quantity: 15 online scholarships)
  • Scholarship for AAPI Creators: This scholarship is available to Asian creators, Asian American creators, and creators from the Pacific Islands. (quantity: 15 online scholarships)
  • Scholarships for Hispanic/Latinx Creators: This scholarship is available to creators with backgrounds in Spanish-speaking and/or Latin American cultures. (quantity: 15 online scholarships)
  • Scholarship for Writers Based Outside of the U.S.: This scholarship is available to creators who live outside the United States. (quantity: 15 online scholarships)
  • Scholarship for members of the LGBTQIA+ Community: This scholarship is available to creators who identify as LGBTQIA+. (quantity: 15 online scholarships)
  • Scholarship for creators with disabilities: This scholarship is available to creators who identify as having a disability. (quantity: 15 online scholarships)
  • Scholarship for creators who face financial barriers: This scholarship is available to creators whose financial situations may otherwise prevent them from participating. (quantity: 15 online scholarships)
  • Scholarship for in-person registration are available in limited quantities for creators who identify with one of our online scholarship groups. This scholarship does not include funds for travel, lodging or other related expenses to attend the conference, only for registration.

SFWA says, “Our support of underserved communities isn’t possible without your help. If you are able, please consider making a donation at sfwa.org/donate to help us fund additional scholarships in the future.”

(3) COMPLETE TOLKIEN POEMS VOLUME PLANNED. “Collected poems of J R R Tolkien to be published for first time”The Bookseller has details.

HarperCollins will publish The Collected Poems of J R R Tolkien, edited by Christina Scull and Wayne G Hammond, in September 2024, the first time all the author’s poems will appear in one volume. 

HC, which holds world all-language rights to Tolkien’s works, said: “Poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown.” One of Tolkien’s  poems “The Voyage of Éarendel the Evening Star”, begun in 1914, is where the “Silmarillion” first appears and both The Hobbit and The Lord of the Rings “are enriched with poems both humorous and haunting, magical and moving”. Tolkien scholars Scull and Hammond will provide analysis of each poem. 

Scull and Hammond were hired for the project by Christopher Tolkien’s, J R R Tolkien’s son and executor of his literary estate until Tolkien died in 2020. They said: “Charged at first to review only his early poems, we soon saw the benefits of examining the entire poetic opus across six decades, vast though it is with hundreds of printed and manuscript sources…Not long before his death, we were able to send Christopher a trial portion of the book, which he praised as ‘remarkable and immensely desirable’.”…

(4) SPEAKING OF. “The Oral History of ‘Repo Man,’ the Greatest Indie Sci-Fi Movie Ever Made” at Inverse.

Somewhere in the California desert, a police officer pulls over a 1964 Chevrolet Malibu as it lurches wildly across the highway. After interrogating the driver, he opens the trunk and is instantly vaporized by a blinding light that reduces him to a skeleton, leaving behind only a pair of smoldering leather boots.

Thus begins Repo Man, a sci-fi cult classic sci-fi with a nihilistic worldview and a punk rock soundtrack that by all accounts probably shouldn’t exist….

Dick Rude (plays Duke): I was a teenager going to the Lee Strasberg Theatre Institute in Los Angeles. I wrote a script called Leather Rubberneck with a friend of mine from school, about two kids who get drafted. Alex [Cox, writer and director] wanted to make the film, but it didn’t pan out. So he incorporated it into Repo Man. A lot of the characters, some of the dialogue, some of the ideas, there was quite a bit of it that was used in Repo Man….

Jonathan Wacks: We went through the Yellow Pages and looked up studios and producers and we sat and typed letters. We knew they wouldn’t pick up our phone. We sent hundreds of letters out and got zero responses. So we decided to raise $500,000 and shoot it at UCLA so we could use the equipment for free.

Peter McCarthy: The thing with UCLA is you never wanted to get your diploma. Once you did, you couldn’t go back and use anything….

Olivia Barash: I was talking to Alex, and I said, “Who are you going to have do the title track?” And he goes, “There’s one of two people. David Byrne, we have something out to his agent. But I really want Iggy Pop, we just don’t know where to find him.” And I said, “I know where to find him. He’s in my building. He’s my neighbor.” So Alex came over, and we rang the intercom outside, and Iggy answered. And that’s how we got Iggy….

(5) J-LO AND AI. “’Atlas’ trailer: Jennifer Lopez uses AI to save humanity in sci-fi thriller” – here’s Mashable’s introduction:

The first trailer for Netflix’s futuristic sci-fi thriller Atlas is here, featuring Jennifer Lopez having a very bad day.

Atlas follows the titular character Atlas Shepherd (Lopez), a government data analyst with a healthy distrust of artificial intelligence. However, after a mission to capture a rogue robot from her past goes wrong, she soon finds herself having to trust AI in order to save humanity. If AI wrote propaganda, this is probably what it would sound like….

(6) IT’S A TIE. “Reading with… Liz Lee Heinecke” at Shelf Awareness.

…Favorite book when you were a child:

It’s a three-way tie, with a few runners-up.

As a kid, I desperately wanted a horse but knew I would never have one, so I lived vicariously through Maureen and Paul Beebe’s adventures in Misty of Chincoteague by Marguerite Henry and illustrated by Wesley Dennis.

Dragonsong by Anne McCaffrey had it all as far as I was concerned: a gifted girl who isn’t allowed to be a musician because of her gender, tiny, colorful dragons called fire lizards, and a nearby planet that rained down flesh-eating parasites frequently enough to keep things exciting. I probably read it 20 times.

The Tombs of Atuan is the second book in Ursula K. Le Guin’s Earthsea series and features a female protagonist who struggles against the confines of a role that’s been chosen by others. Most of the story takes place in a nightmarish underground labyrinth, where Le Guin’s hero Ged (Harry Potter’s prototype) struggles to steal a talisman. I loved everything about it.  

I was always on the lookout for books about girls on adventures. When visiting the library, I often checked out Astrid Lindgren’s Pippi Longstocking books or the Danny Dunn series by Raymond Abrashkin and Jay Williams, which features a girl who loves physics.  

Your top five authors:

Ursula K. Le Guin: She caught my attention as a middle-grade reader with her Earthsea fantasy series and has kept me captivated as an adult.

She uses science fiction to escape the social confines of our planet and explores themes of colonization, race, environmental destruction, political systems, gender roles, and sexuality without ever losing sight of the story. The Word for World Is ForestThe Dispossessed, and The Left Hand of Darknessare three of my favorites.

Amy Tan: I can’t recall whether The Kitchen God’s Wife or The Joy Luck Clubwas my first Amy Tan book. I adore the funny, relatable stories she tells about women and family, and enjoy learning about Chinese culture and history. The Bonesetter’s Daughter, which weaves science and anthropology into the story, was fantastic too. I became an even bigger fan after hearing Tan sing with the Rock Bottom Remainders at First Avenue a few years ago.  

J.R.R. Tolkien: I can’t count how many times I’ve re-read The Lord of the Rings. I love losing myself in Middle-earth, with its mountains and languages and monsters and lore, and I’ve always been a sucker for a well-told hero’s journey.

Margaret Atwood: Sometimes I think she can see the future. The Handmaid’s Taleis a masterpiece in so many ways. I heard her speak once, and I recall her saying that she grew up reading science fiction stories with her brother. It’s amazing how the books we read as children shape us as adults.

Ann Patchett: She has been one of my favorite authors for years. As a reader interested in themes of music, science, and theater, she’s hit the mark over and over again with books like Bel CantoState of Wonder, and Tom Lake. I can’t wait to see what she writes next….

(7) THE WRITERS’ PRIZE. A non-genre work, Liz Berry’s The Home Child, was announced as the winner of the poetry category (£2000) and The Writers’ Prize Book of the Year (£30,000) at the London Book Fair on March 13.

Born in the Black Country and now living in Birmingham, The Home Child was inspired by the story of Berry’s great-aunt Eliza Showell, one of the many children forcibly emigrated to Canada as part of the British Child Migrant Schemes. This beautiful novel-in-verse about a child far from home was described as ‘absolutely magical’ by Fiona Benson.

The book achieved the highest number of votes from the 350+ celebrated writers in the Folio Academy, who exclusively nominated and voted for the winners of The Writers’ Prize 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 13, 1956 Dana Delany, 68. I remember Dana Delany best for her role as nurse  Colleen McMurphy on China Beach, set at a Vietnam War evacuation hospital.  It aired for four seasons starting in the late Eighties. Great role, fantastic series. I rewatched it a decade or so ago on DVD — it held up very well.

Dana Delany

So let me deal with her main genre role which was voicing Lois Lane. She first did this twenty years ago in Superman: The Animated Series for forty-four episodes, an amazing feat by any standard.  That role would come again in Superman: Brainiac AttacksJustice League: The Flashpoint Paradox (avoid if you’ve got even a shred of brain cells), in a recurring role on the Justice League and Justice League Unlimited series, The Batman and even in the Superman: Shadow of Apokolips game.

Her other voice role of note was for Wing Commander Academy as Gwen Archer Bowman. And she wasn’t Lois Lane but Vilsi Vaylar in Batman: The Brave and the Bold’s “The Super-Batman of Planet X!”. 

She’ll have a one-off on Battle Galactica as Sesha Abinell; more significantly she has a starring role as Grace Wyckoff in the Wild Palms series. 

Oh, she showed up on Castle as FBI Special Agent Jordan Shaw in a two-part story, the episodes being “Tick, Tick, Tick…” and “Boom!”. 

So I’m going to finish with her role in Tombstone, Emma Bull and Will Shetterley’s favorite Western film along with the Deadwood series. It’s an inspiration she says for her Territory novel. And I love it as well. Delany played magnificently Josephine Sarah “Sadie” Earp, the common-law wife of Wyatt Earp. The final scene of them dancing in the snow in San Francisco is truly sniffles inducing. 

(9) CREATOR CANNED. Variety reports “X-Men ’97 Creator Beau DeMayo Fired Ahead of Premiere on Disney+”. Article does not give a reason.

Beau DeMayo, the showrunner and executive producer behind Disney+’s upcoming animated series “X-Men ’97,” has been fired ahead of the March 20 premiere, Variety has confirmed.

DeMayo had completed work on Seasons 1 and 2 of “X-Men ’97” ahead of his exit. He will not attend the March 13 Hollywood premiere for the show. His Instagram account, on which he had been previewing artwork and answering fan questions about “X-Men ’97,” has also been deleted.

He wrote and produced “X-Men ’97,” which is a continuation of the popular “X-Men: The Animated Series” that aired on Fox Kids in the ’90s. It is unclear why DeMayo was fired from “X-Men ’97” so close to the premiere, but he will no longer promote the show or be involved with future seasons….

(10) NO MICHELIN STARS FOR MORDOR. CBR.com chronicles “Every Meal Hobbits Eat In Tolkien’s The Lord of the Rings”.

Peter Jackson and actor Billy Boyd found a memorable way to convey that love in The Lord of the Rings: The Fellowship of the Ring. As Aragorn leads the Hobbits toward Rivendell, Pippin asks about “second breakfast” and a litany of additional meals that will presumably be skipped as they continue. Tolkien specified six meals in the Prologue to The Fellowship of the Ring — which roughly match European traditions — but two of them are essentially the same meal. Here’s a rundown of each one to give a good idea of what Pippin is missing….

Here’s the one I’m always interested in:

Second Breakfast

Tolkien mentions second breakfast in The Hobbit, with Bilbo settling down to his just as Gandalf appears to tell him that the Dwarves have already left for The Lonely Mountain. It serves as a quiet joke — stressing that Hobbits in general and Bilbo in particular enjoy eating — as well as emphasizing the comfortable lifestyle he’s leaving behind to go on his adventure with the Dwarves. It also serves as the inspiration for Pippin’s line about second breakfast in The Fellowship of the Ring, which he doesn’t deliver in Tolkien’s text.

(11) PRAISE FOR STARMEN. [Item by Francis Hamit.] Demetria Head is a book blogger, one of that legion of reviewers who do it without pay and for the joy of it.  Ms. Head actually read the entire book and delivered an almost forensic analysis.  I think her work deserves wider exposure.

Demetria Head Review from BookBub and A Look Inside book blogs

“STARMEN” by Francis Hamit is a sprawling epic that seamlessly blends elements of magical realism, historical fiction, and sci-fi fantasy to create a mesmerizing tale that will captivate readers from start to finish. Set against the backdrop of the American Southwest in 1875, the novel introduces us to a cast of richly drawn characters whose lives become intertwined in a web of intrigue, adventure, and supernatural mystery.

At the heart of the story is George James Frazer, a budding anthropologist working for the Pinkerton National Detective Agency, whose quest to contact a local Apache tribe leads him on a journey beyond the realms of ordinary reality. When a mysterious hot air balloon appears over the town of El Paso, owned by the British Ethnographic Survey, Frazer finds himself drawn into a world of ancient magic and hidden truths.

The characters in “STARMEN” are truly the heart and soul of the novel, each one fleshed out with depth and nuance that makes them feel like living, breathing individuals. From the determined and resourceful Frazer to the enigmatic Apache witches and the ruthless Pinkerton agents, every character brings their own unique perspective to the narrative, driving the plot forward with their conflicting desires and motivations.

Plot development in “STARMEN” is masterfully executed, with Hamit weaving together multiple storylines that intertwine and intersect in surprising and unexpected ways. From the quest to find a missing heir to the discovery of a town inhabited by extraordinary gunfighters, each twist and turn of the plot unfolds with breathtaking intensity, keeping readers on the edge of their seats until the very last page.

What truly sets “STARMEN” apart is its seamless blend of genres, incorporating elements of historical fiction, magical realism, and hard sci-fi into a cohesive and compelling narrative. From the romantic entanglements to the political intrigue and the mind-bending concepts of quantum mechanics and string theory, the novel offers something for every reader, appealing to fans of both traditional historical fiction and speculative fiction alike.

Overall, “STARMEN” is a tour de force of storytelling that will transport readers to a world of adventure, mystery, and wonder. With its unforgettable characters, intricate plot, and bold exploration of complex themes, it is a must-read for anyone seeking an immersive and thought-provoking literary experience.

(13) SHAKEN TO THEIR CORE. [Item by SF Concatenation’s Jonathan Cowie.] I have not seen it yet (but have downloaded to mem stick for home viewing – it might be rubbish???) In the TV series Pending Train, “100 People Accidently Time-Travel By Train to a Destroyed Earth in 2063”. See video at the link.

In Tokyo, train passengers find themselves fighting for their very survival after their train car jumps into an apocalyptic future

(14) ON THE AIR. Breathe (2024) with Jennifer Hudson, Milla Jovovich, Sam Worthington, Common, and Quvenzhané Wallis. In Theaters, On Digital, and On Demand April 26.

(15) VIDEO OF THE DAY. How It Should Have Ended brings us up to date with “Previously On – DUNE”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Francis Hamit, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]