Pixel Scroll 4/20/24 Was Cheops A Very Large Cat? Only The Builders Know

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(1) UKRANIAN WOMEN IN SF. Michael Burianyk’s English-language roundtable interview with Ukrainian Science Fiction and Fantasy writers Daria Piskozub, Svitlana Taratorina, Iryna Hrabovska, Natalia Matolinets and Nataliya Dovhopol has just been published in the British Science Fiction Association blog, Vector: “Ukrainian Women in SF: A Roundtable Conversation”. The wide-ranging discussion, on Ukrainian Science Fiction and Fantasy, literature and culture, language and translation, women’s writing, is insightful and often touching and even harrowing at times.

…There is a strong trend of more Ukrainian SFF being published. Why did you think this was happening?

Nataliya It’s mainly about escapism. After spending the night in a bomb shelter and doom scrolling all day, one needs something less traumatic. Yet, SFF can also help to cope with feelings, to project one’s own experiences on those in the stories. Then the ban on book imports from Russia and a growing interest in Ukrainian culture has created more of a demand for domestic literature….

(2) HORROR UNIVERSITY OPEN FOR ENROLLMENT. StokerCon has announced the 2024 Horror University Online workshop schedule. From May 30 to June 1, they will present nine live, in-person workshops at StokerCon 2024 in San Diego, CA. See items at the link.

HORROR UNIVERSITY is designed for horror writers interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. These workshops are taught by some of the most experienced voices in horror. Full descriptions and registration information for our STOKERCON 2024 Workshop Schedule is available in the Horror University School on Teachable: https://horror-university.teachable.com/courses/category/stokercon-2024.

REGISTRATION IS OPEN NOW!

Registration for each workshop is $65 for non-HWA-members. HWA members receive a 15% discount on individual courses or a 20% discount on registration for five or more courses. Log into the Members Only area of www.horror.org and check the discounts page for codes. General registration for StokerCon does not include Horror University programming; additional registration is required so that the Con is able to compensate each instructor for their workshop and support the cost of the program.

(3) FIVE FOR YOUR MT TBR. Lisa Tuttle’s roundup of “The best recent science fiction, fantasy and horror” for the Guardian reviews Calypso by Oliver K. Langmead; Someone You Can Build a Nest In by John Wiswell; The Familiar by Leigh Bardugo; The Underhistory by Kaaron Warren; and The Universe Delivers the Enemy You Need by Adam Marek.

(4) GAY FURRY HACKERS. Them reports“Gay Furry Hacker Group SiegedSec Breached Far-Right Media Outlet Real America’s Voice”.

The gay furry hacker group SiegedSec has done it once again, this time claiming responsibility for leaking the data from a far-right media outlet.

In a Monday post to its Telegram channel, the group announced that it had hacked the app for Real America’s Voice, a right-wing media outlet founded in 2020 that regularly features far-right activists like Steve Bannon and Charlie Kirk. The outlet also frequently platforms conspiracy theories and transphobic rhetoric.

As part of SiegedSec’s ongoing hacktivism campaign OpTransRights, the group said they released the personal information of over 1,200 users on the app, including their full names, phone numbers, and email addresses. The group also said they “went poof on their files,” wiping user data from the app’s API and its cloud storage.

“[T]hroughout our attacks on transphobic entities, we have received concerns that our attacks will be used to label the LGBTQ+ community as ‘terrorists’ and ‘criminals,’” the group wrote in a Telegram message. “[T]he thing is, these types of people will blame the LGBTQ+ community regardless of what we do. they will look for a reason to hate, they won’t listen to reason, they want to spread lies to shun people different than them.”…

(5) COPYRIGHT’S WOBBLY LEGAL LINE. “Author granted copyright over book with AI-generated text—with a twist” reports Ars Technica.

…The novel draws from Shupe’s eventful life, including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the [Copyright Office] is grappling with artificial intelligence, especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement [emphasis added] of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text [emphasis added] as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book. [emphasis added]

(6) GLASGOW 2024 NEWS. The Glasgow 2024 Worldcon “In Memoriam” list is being constantly updated by Steven H Silver. They ask of you know of someone you believe should be included, please let us know.

(7) DUNE MUSICAL AT WORLDCON. Glasgow 2024 also invites members to “Prepare for a unique twist on Frank Herbert’s masterpiece with Dune! The Musical. Solo artist Dan Collins will take you on a whimsical one-hour journey across Arrakis with humour and song.” There will be a performance at the Worldcon.

A memoir in song by the Earl of Caladan, trusted adviser to the Padisha Emperor and beloved troubadour-warrior, the bard Gurney Halleck.

Following the success of his work on “A Child’s History of Muad’Dib” Gurney will perform hits from his back catalogue and introduce never-before-heard songs from his time among the Fremen.

Sing along with little Paul Atreides on his journey to Sietch Tabr; can he tame the worm, save the world and get the girl?

Forget everything you know about Arrakis and get ready for Dune! The Musical…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 20, 1939 — Peter S. Beagle, 85. [By Paul Weimer.] It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle.  As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.  

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel.  As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

Peter S. Beagle

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form.  “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

(9) COMICS SECTION.

(10) CLOSING WORDS. GiantFreakinRobot discusses “The Last Essay Ray Bradbury Wrote Before He Died”.

…At points, he describes how his librarian would get upset with him because he’d check out so many books when she didn’t think he’d read them all. But he did, he read every word he could get his hands on. As Bradbury explains, books “are the building blocks, the DNA, if you will, of you.”

Reading fed Ray Bradbury’s appetite for knowledge and his curiosity, which led to his understanding of writing and imagination. He expressed his love for books throughout his work, including, famously, in his 1953 novel Fahrenheit 451, which describes a future world where books and reading is against the law.

Having his last essay be about the art of reading in general is more than a little fitting for Ray Bradbury. It acts as something of a career summation, an explanation for why literature and the act of reading are just so very important for us as humans. There really is no better sendoff for the writer, an inspiration for all us.

(11) BLUEY. Chris Barkley assures me sff fans will want to know this news: “’Bluey’ Drops Surprise New Episode on Disney” at The Hollywood Reporter. I’m guessing Chris knows this show exists because he has kids in his life. When my daughter was young I knew about Blue’s Clues and Mister Rogers Neighborhood in detail. Now kids’ TV is an undiscovered country for me.

… The new episode comes a week after “The Sign,” a special, 28-minute installment of the beloved kids’ show debuted (most Bluey episodes run under 10 minutes). The special drew waves of critical praise for its emotional storyline centering on the Heeler family possibly selling their home and moving to another city where dad Bandit would take a new job, as well as a wedding between the Heelers’ Uncle Rad and Frisky.

Coupled with the preceding episode, “Ghostbasket,” the special spawned widespread speculation that Bluey was ending. While the long-term future of the show, originally commissioned by Australia’s ABC and the BBC in the U.K. hasn’t been decided — “the BBC has asked for me never to talk about the kids’ voices or the future of Bluey,” creator Joe Brumm told The Hollywood Reporter in 2023 — “Surprise” ensures that “The Sign” isn’t the last episode of the series.

Bluey has been a breakout hit for Disney+ in the United States. It’s the most streamed show in the country this year in terms of total viewing time, according to Nielsen’s streaming ratings, after ranking second in 2023 and sixth in 2022….

(12) LESSONS FROM THE UKRAINE. The New York Times asks “Do Tanks Have a Place in 21st-Century Warfare?”

… Despite their power, tanks are not impenetrable, and they are most vulnerable where their heavy plated armor is the thinnest: on the top, the rear engine block and the space between the hull and the turret. For years they were mainly targeted with land mines, improvised explosive devices, rocket-propelled grenades and anti-tank guided missiles, like “shoot and scoot” shoulder-fired systems. These were widely used early in the Ukraine war because they could strike tanks from above and hit them up to 90 percent of the time.

The drones that are now being used against tanks in Ukraine are even more accurate. Known as first-person view drones, or FPVs, they are equipped with a camera that streams real-time images back to their controller, who can direct them to hit tanks in their most vulnerable spots. In several cases, the FPVs have been sent in to “finish off” tanks that had already been damaged by mines or anti-tank missiles so that they could not be retrieved from the battlefield and repaired, Colonel Reisner said.

Depending on their size and technological sophistication, the drones can cost as little as $500 — a paltry investment for taking out a $10 million Abrams tank. And some of them can carry munitions to boost the impact of their blast, said Colonel Reisner. These could be rocket-propelled grenades, he said, or self-forging warheads known as explosively formed penetrators, or EFPs, that were widely used in roadside bombs during the war in Iraq. Colonel Reisner has collected videos of tanks in Ukraine being chased down by the drones or drones flying into their open turrets.

“Welcome to the 21st century — it’s unbelievable, actually,” said Colonel Reisner, a historian and former armor reconnaissance officer who oversees Austrian forces’ training at the Theresian Military Academy….

(13) MILITARY AI. “’Machines set loose to slaughter’: the dangerous rise of military AI” – a 2020 article from the Guardian.

The video is stark. Two menacing men stand next to a white van in a field, holding remote controls. They open the van’s back doors, and the whining sound of quadcopter drones crescendos. They flip a switch, and the drones swarm out like bats from a cave. In a few seconds, we cut to a college classroom. The killer robots flood in through windows and vents. The students scream in terror, trapped inside, as the drones attack with deadly force. The lesson that the film, Slaughterbots, is trying to impart is clear: tiny killer robots are either here or a small technological advance away. Terrorists could easily deploy them. And existing defences are weak or nonexistent.

Some military experts argued that Slaughterbots – which was made by the Future of Life Institute, an organisation researching existential threats to humanity – sensationalised a serious problem, stoking fear where calm reflection was required. But when it comes to the future of war, the line between science fiction and industrial fact is often blurry. The US air force has predicted a future in which “Swat teams will send mechanical insects equipped with video cameras to creep inside a building during a hostage standoff”. One “microsystems collaborative” has already released Octoroach, an “extremely small robot with a camera and radio transmitter that can cover up to 100 metres on the ground”. It is only one of many “biomimetic”, or nature-imitating, weapons that are on the horizon…

(14) NO SIRENS ON TITAN. “Dragonfly: NASA Just Confirmed The Most Exciting Space Mission Of Your Lifetime” enthuses Forbes.

NASA has confirmed that its exciting Dragonfly mission, which will fly a drone-like craft around Saturn’s largest moon, Titan, will cost $3.35 billion and launch in July 2028.

Titan is the only other world in the solar system other than Earth that has weather and liquid on its surface. It has an atmosphere, rain, lakes, oceans, shorelines, valleys, mountain ridges, mesas and dunes—and possibly the building blocks of life itself. It’s been described as both a utopia and as deranged because of its weird chemistry.

Set to reach Titan in 2034, the Dragonfly mission will last for two years once its lander arrives on the surface…

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Nearly 200,000 views and not even out for two days…. Matt O’Dowd over at PBS Space Time wonders “Why Is The World Rushing Back To The Moon?”

The Moon has been one of the most important theoretical stepping stones to our understanding of the universe. We’ve long understood that it could also be our literal stepping stone: humanity’s first destination beyond our atmosphere.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Michael Burianyk, Francis Hamit, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Tananarive Due Wins LA Times Book Prize for SFF

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The Los Angeles Times Book Prizes winners were announced April 20.

Tananarive Due’s The Reformatory: A Novel won the Science Fiction, Fantasy & Speculative Fiction category, a book the Times describes as “part horror, part historical fiction in its examination of life under Jim Crow law in the South.”

The other finalists in the category were:

  • Daniel Kraus, Whalefall
  • Victor LaValle, Lone Women: A Novel
  • V. E. Schwab, The Fragile Threads of Power
  • E. Lily Yu, Jewel Box: Stories

Two other works of genre interest won awards: the Graphic Novel/Comics category, Emily Carroll, for A Guest in the House; and in the Young Adult category, Amber McBride for Gone Wolf.

Here is the complete list of LA Times Book Prize winners.

Achievement in Audiobook Production (presented by Audible)

  • Dion Graham and Elishia Merricks, Thank You (Falettinme Be Mice Elf Agin): A Memoir, Macmillan Audio

Art Seidenbaum Award for First Fiction

  • Shannon Sanders, Company: Stories, Graywolf Press

Biography

  • Gregg Hecimovich, The Life and Times of Hannah Crafts: The True Story of The Bondwoman’s Narrative, Ecco/HarperCollins

Christopher Isherwood Prize for Autobiographical Prose

  • Claire Dederer, Monsters: A Fan’s Dilemma, Knopf

Current Interest

  • Roxanna Asgarian, We Were Once A Family: A Story of Love, Death, and Child Removal in America, Farrar, Straus and Giroux

Fiction

  • Ed Park, Same Bed Different Dreams: A Novel, Random House

Graphic Novel/Comics

  • Emily Carroll, A Guest in the House, First Second

History

  • Joya Chatterji, Shadows at Noon: The South Asian Twentieth Century, Yale University Press

Mystery/Thriller

  • Ivy Pochoda, Sing Her Down: A Novel, MCD

Poetry

  • Airea D. Matthews, Bread and Circus: Poems, Scribner

Science Fiction, Fantasy & Speculative Fiction

  • Tananarive Due, The Reformatory: A Novel, Saga Press

Science & Technology

  • Eugenia Cheng, Is Math Real? How Simple Questions Lead Us to Mathematics’ Deepest Truths, Basic Books

Young Adult Literature

  • Amber McBride, Gone Wolf, Feiwel & Friends

Glasgow 2024 Opens Hugo Awards Voting

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Glasgow 2024 today opened online and mail voting for this year’s Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer. All ballots must be received by Saturday, 20th July 2024, 20:17 GMT.
  
The Final Ballot is open to holders of Glasgow 2024 memberships in the categories of Attending Adult, Young Adult, and Teen Members, Online Attending Members, and WSFS Members. (Holders of Day Tickets, Online Attending Tickets, and Child/Infant Attending Tickets are not eligible to vote in the Final Ballot).
 
More information about the Hugo Awards, including full instructions on how to complete and submit a final ballot can be found on the Glasgow 2024 website. Also provided are PDF versions of the ballot in both English and Chinese. These printable ballots can be downloaded by members who prefer to submit their votes by postal mail. All ballots, whether submitted electronically or by postal mail, must be received by the deadline of 20.17 GMT on Saturday, July 20th, 2024.
 
Instructions have also been sent to all eligible Glasgow 2024 Members by email, using the email address associated with their membership. They encourage members to check their junk/spam/promotions folders for this email if they do not appear to have received it because voter notification messages may be flagged as spam by some email systems. Worldcon members who are uncertain of their status or who experience problems with the online ballot form should contact the committee at [email protected].
 
Only members of the 2024 Worldcon are eligible to vote on the final ballot. To join the convention, see the Glasgow 2024 Membership Page.
 
Any questions about the administration of the 2024 Hugo Awards should be directed to [email protected].

HUGO VOTER PACKET. Glasgow 2024’s Nicholas Whyte, in an online Town Hall session today, said the Hugo Voter Packet will be released a few weeks from now, during May.

BUSINESS MEETING. Whyte also said the Worldcon Business Meeting will be livestreamed and recorded. However, he reminded viewers, the rules do not allow virtual participation in the meeting.

[Based on a press release.]

2024 Tähtifantasia Award Shortlist

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The Helsinki Science Fiction Society has chosen the nominees for the 2024 Tähtifantasia Award, given for the best fantasy book published in Finnish during the previous year.

The award jury is composed of critics Jukka Halme and Aleksi Kuutio, Osmo Määttä of Risingshadow.net and Niina Tolonen, a book blogger. Aleksi is the chair and is also on the Board of The Finnish Critics’ Association.

  • Jorge Luis Borges: Kertomukset (Stories. Translated into Finnish by Anu Partanen, Teos)
  • R. F. Kuang: Babel (Babel. Translated into Finnish by Helene Bützow, Teos)
  • Vehka Kurjenmiekka: Kellopelisydän (Aula & Co)
  • J. S. Meresmaa: Tytär hämärän, piika pimeän (Myllylahti)
  • Gene Wolfe: Soturi sumussa (Soldier of the Mist. Translated into Finnish by Heikki Karjalainen, Moebius)

Pixel Scroll 4/19/24 Pixel And Her Friends

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(1) GET READY FOR SELF-PUBLISHED FANTASY BLOG-OFF 10. The ninth contest is about to wrap up, and sponsor Mark Lawrence warns there will be a quick turnaround to start SPFBO 10:

SPFBO 10 (SPFBOX) will open to entries on Friday the 10th of May 2024 at 1pm GMT. The link will be posted here.

The SPFBO 10 contest will start on the 1st of June 2024.

Since SPFBO 9 filled its 300 slots in ~40 minutes, a different system will be used this year so that people in some time zones don’t have to get up in the middle of the night. The entry form will stay open for 24 hours. After it’s closed 300, manuscripts will be randomly selected from the pool of those who have signed up….

(2) 2024 STURGEON SYMPOSIUM. The Gunn Center for the Study of Science Fiction will hold the third annual Sturgeon Symposium from October 24-25, 2024. Samuel R. Delany will be there.

We are delighted that Samuel R. Delany has accepted our invitation to speak at the symposium. As an innovative author, Delany has redefined the boundaries of SFF as well as literary criticism through his explorations of language, society, sexuality, and narrative form. This year’s symposium acknowledges his lasting impact on science fiction, speculative fiction, and literary criticism.

Delany will speak on the subject “Samuel R. Delany and Theodore Sturgeon: Exclusion, Loneliness and Difference”.

See the Call for Papers here.

(3) DORAN ILLUSTRATED GOOD OMENS DELAYED. Artist Colleen Doran announced “Good Omens Rescheduled” — to accommodate her recovery from cancer treatment.

A couple of weeks ago, Neil Gaiman gave me a call to let me know he was not worried about me flaming out on Good Omens despite my truly awful 2023, and if I needed more time or some help to please take it. Shortly before that, the folks at Dunmanifestin, the publishing arm of the Terry Pratchett Estate, dropped me a line to say the same.

I was very much hoping I’d spring back to normal life after my cancer treatment was finished, but no. I felt like I’d been hit by a truck. My mental and physical energy comes and goes. I told Neil I need to be working ten hour days but have trouble managing six.

Anyway, I nervously requested the dreaded deadline extension and got it. Frankly should have asked for a big(ger) one months ago, but having never had this kind of health issue before, I didn’t know what to expect re: recovery. Some people spring back quickly, and some don’t. I figure I’m fair to middlin’.

So, the Good Omens release date is set for spring next year…

Gaiman and Wilkins say:

As a team, we collectively support Colleen and the time and space needed to finish the graphic novel after the past year she has been powering on through, and have a quick note from both Neil Gaiman and Rob Wilkins, the manager of the Terry Pratchett Estate:

Neil: “I’ve been amazed and impressed by how much Colleen has done so far, despite dealing with health issues. We are proud of her and her dedication to adapting Good Omens with such care, and look forward to holding the finished books in our hands.”

Rob: “Colleen is doing a fantastic job bringing the graphic novel to life. We’re absolutely delighted with each and every page and it is essential she can work comfortably whilst giving the book the time it deserves. She has our full support and we can’t wait for you to see the results.”

(4) BALTICON SF FILM FESTIVAL. Balticon 58, taking place May 24-27, 2024 will feature the Balticon Sunday Short Science Fiction Film Festival. The festival will include “Night of The Cooters” (2022) produced by George RR Martin from a story by Howard Waldrop, directed by Vincent D’Onofrio.

On the program will be 19 Selections from 10 Countries. The showings run 4.5 hours with two intermissions.  Day rates are available for Sunday. 

(5) SCRAPER, NO SCRAPING! “Amazon is filled with garbage ebooks. Here’s how they get made.” according to Vox.

…Here is almost certainly what was going on: “Kara Swisher book” started trending on the Kindle storefront as buzz built up for Swisher’s book. Keyword scrapers that exist for the sole purpose of finding such search terms delivered the phrase “Kara Swisher book” to the so-called biographer, who used a combination of AI and crimes-against-humanity-level cheap ghostwriters to generate a series of books they could plausibly title and sell using her name.

The biographer in question was just one in a vast, hidden ecosystem centered on the production and distribution of very cheap, low-quality ebooks about increasingly esoteric subjects. Many of them gleefully share misinformation or repackage basic facts from WikiHow behind a title that’s been search-engine-optimized to hell and back again. Some of them even steal the names of well-established existing authors and masquerade as new releases from those writers. According to the Authors Guild, it would be impossible for anyone but Amazon to quantify these books — and that’s not information Amazon is sharing….

… It’s so difficult for most authors to make a living from their writing that we sometimes lose track of how much money there is to be made from books, if only we could save costs on the laborious, time-consuming process of writing them.

The internet, though, has always been a safe harbor for those with plans to innovate that pesky writing part out of the actual book publishing. On the internet, it’s possible to copy text from one platform and paste it into another seamlessly, to share text files, to build vast databases of stolen books. If you wanted to design a place specifically to pirate and sleazily monetize books, it would be hard to do better than the internet as it has long existed…

(6) JOHN G. TRIMBLE (1936-2024). Longtime LASFSian John Trimble, husband of Bjo Trimble, died April 19.  Lora Boehm, his daughter, made the announcement on Facebook. The Fancyclopedia notes that he co-chaired Westercon 18 and chaired Westercon 23, He worked on several Equicons, chairing one.

John Trimble in 2004.

He was a co-founder of the LASFS club newzine, De Profundis, for a time helped edit its genzine Shangri-L’Affaires. He also edited To the Stars, a short-lived newzine backed by Authors Services.

John and Bjo Trimble married in 1960 – having met under Forry Ackerman’s piano during a party at his house. Bruce Pelz published A Fanzine for Bjohn in their honor when they wed. (And paging through a copy at their 40th anniversary party I found it’s a highly entertaining read!)

Bjo and John Trimble at Star Trek: Discovery premiere in 2017.

They were early members of the Society for Creative Anachronism and served on its Board of Directors. Together they were Fan Guests of Honor at ConJosé, the 2002 Worldcon.

Lora’s obituary adds:

…Their 3 children, Kathryn, Lora and Jenn have been a constant joy and the addition of husband to Lora, Jason and Jenn’s husband Chris have completed the family.

In 1966 they found a group of people interested in mediaeval combat and arts. They joined the Society of Creative Anachronism (SCA) . John served 2 terms as a member of it’s board of directors, was a landed Baron of the first Barony. His arms were the very first to be registered with the college of Heralds and both John and Bjo have been members ever since. Later that year he said to his wife, “Gee it’s a shame a good science fiction show like Star Trek is going to be canceled. We should do something about that!” And the same Star Trek campaign was born. For over 58 years John and Bjo Trimble have been ambassadors for science fiction, the space program and the SCA. Meeting and hosting people from all walks of life, all over the world.

John has touched thousands of lives in a way that positive and full of joy. He will be greatly missed.

John Trimble and daughter at CostumeCon 1 (1983). Photo by Carl.
John Trimble wearing “The Glow and Rotate Vest” at CostumeCon 2 (1984). Photo by Carl.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 19, 1946 — Tim Curry, 78. Let me note upfront that this is very much not an overview of everything that he’s done but my picks of what I like most. 

So let’s start off with him as Cardinal Richelieu, the corrupt Cardinal who in charge of the Red Guards in The Three Musketeerswhich came out forty-one years ago from Disney. He magnificently costumed as you can see here and had the most devilish beard as well. It’s a wonderfully over the top role that works even that I think he only has than a handful of scenes. It won’t surprise anyone here for me to say he comes to a dramatic and wonderfully flamboyant demise.

Next up must be his role in that film. Need I say which one? I think not. He rose to prominence as Dr. Frank-N-Furter reprising the role he had originated in the 1973 London and 1974 Los Angeles musical stage productions. Good, that output, and that singing. What an amazing performance it was. I’ve seen it a number of times including yes in a theater at midnight. Seattle if memory serves me right. 

Tim Curry in Rocky Horror.

Would you like to know what my absolutely favorite Tim Curry performance is? That would be him in Clue. When I wrote it up here three years back, I noted that “It had a stellar cast of Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull. Lesley Ann Warren and Eileen Brennan. Tim Curry played The Butler.”  

Tim Curry in Clue

Such a role it was. Hyperkinetic, full of Bugs Bunny worthy action on his part and some of the best bouncing off all walls possible dialogue ever said by a Butler.

Siskel and Ebert hated the three alternative endings as different theatres originally got one of three though eventually all theatres got all of them. It still bombed. 

My final is him as Gomez Addams in Addams Family Reunion. Not perhaps the first person that you’d think of for the role given John Astin originated the role and Raul Julia had played him twice to that date, each being sharp-dressed gentleman, but he turned out to a rather splendid choice first the third outing as the director Tony Payne wanted this version of the character to be weird and Curry does weird oh very well.  

Tim Curry as Gomez Addams.

So there’s my choices. So what’s your favorite role by him? 

(8) MORE FALLOUT. Variety tells us “’Fallout’ Renewed for Season 2 at Amazon”.

“Fallout” has been renewed for Season 2 at Amazon Prime Video.

The announcement comes after Variety reported that a second season was set to receive $25 million in tax credits by relocating shooting to the state of California.

Based on the video game franchise of the same name, the series is set two hundred years after the apocalypse. The official description states it follows “the gentle denizens of luxury fallout shelters that are forced to return to the irradiated hellscape their ancestors left behind—and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.”

(9) AVENGERS AND OTHERS ASSEMBLE. Here’s an amusing video – we’ll call it ”Superheroes stop for a traffic light”.

(10) A REASON TO MAKE A MARTIAN ODYSSEY. “NASA’s downed Ingenuity helicopter has a ‘last gift’ for humanity — but we’ll have to go to Mars to get it” says Live Science.

NASA’s Ingenuity Mars Helicopter has beamed back its final message to Earth, which included a heart-warming goodbye to mission scientists. The record-breaking robot will now spend the rest of its days collecting data that could be used in future Mars missions — but only if future robots or astronauts go all the way to the Red Planet to get it.

The pigeon-size helicopter, or rotorcraft, first landed on the Red Planet on Feb. 18, 2021, alongside the Perseverance rover, and it successfully completed the first-ever powered flight on an alien world on April 19 of the same year. The Ingenuity mission’s initial goal was to fly five missions across 30 days. But the tiny chopper ended up flying 72 times on Mars, spending more than two hours in the air and traveling 14 times farther than initially planned, according to a statement by NASA.

According to NASA:

…If a critical electrical component on Ingenuity were to fail in the future, causing data collection to stop, or if the helicopter eventually loses power because of dust accumulation on its solar panel, whatever information Ingenuity has collected will remain stored on board. The team has calculated Ingenuity’s memory could potentially hold about 20 years’ worth of daily data….

(11) WHAT’S THE RECIPE FOR THESE PLANETS? “Uranus and Neptune aren’t made of what we thought, new study hints” reports Live Science. Whatever you expected to find on Uranus, look again…

Astronomers have long believed that the ice giants Uranus and Neptune are rich in frozen water. However, a new study suggests they may also have tons of methane ice.

The findings could help solve a puzzle about how these icy worlds formed.Much about Uranus and Neptune remains unknown. These ice giant worlds have had just a single spacecraft visitor, Voyager 2, which flew past them in the 1980s. As a result, scientists have only a hazy idea of the ice giants’ compositions — for example, that they contain significant amounts of oxygen, carbon and hydrogen.

… Of the various models they built, the astronomers found that those with methane fit their criteria, with the methane — either in solid chunks or, given the pressure, in a mushy state — forming a thick layer between the hydrogen-helium envelope and the water layer. In some models, methane accounted for 10% of the planet’s mass….

(12) TWO^H^H^H ONE NEW PITCH MEETINGS^H. [Item by Mike Kennedy.]

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Cat Eldridge Review: Neil Gaiman’s Neverwhere: The Author’s Preferred Text

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Neil Gaiman’s Neverwhere: The Author’s Preferred Text (William Morrow, 2017)

Review by Cat Eldridge: There are any number of editions, many in the author’s preferred edition, of Neverwhere from inexpensive paperbacks to really costly hardcover editions signed by Gaiman. And of course, it exists as a digital publication in the same author’s preferred edition, not to mention as a graphic novel, a BBC series, which is interesting if flawed, and a full cast audio-drama, which is splendid. But the edition I own, well, aside from at least three audio works, one read by Gaiman and two full cast productions, and an ebook, is the illustrated edition with artwork by Chris Riddell which is what I’m reviewing here and what these illustrations are from.

Now I’ll admit that I don’t really actually collect paper books anymore as I prefer reading these days on the iPad as I can set the font and such to what suits me best, and being in and out of hospital because of a serious knee injury means I always have all my current reading on the iPad. 

But this edition of Neverwhere is as much an art object as it is something to be read. An art object that I couldn’t find in the genre area of Books-A-Million as they’d shelved it in horror, which is appropriate, actually. That said, I will read it as it looks wonderful as something to be read on an evening.

It’s not a big hardcover book, measuring just eight inches by five inches. It comes sans dust jacket but has a front cover of Door (and I’m assuming that you’d not be reading this review if you’ve not most likely already read Neverwhere several times so I won’t be saying who the characters are in this review) standing on a sidewalk in London Above with a Doorway showing London Below in the background. And yes there’s a rat shown. Not a cute rat. The back panel has a quote from Croup of Croup and Vandemar asking Richard where Door is. And there’s another rat there. There’s lots of rats illustrated here. Very appropriate.

I‘m reasonably sure that you already know about Gaiman so I’ll talk about Riddell. He’s a British illustrator and occasional writer of children’s books and a political cartoonist for the Observer, the quite left-leaning newspaper. He’s won many an award for both his work there and that of other works for whom he’s provided the illustrations. As far as I can tell, this is his first genre undertaking. He’s lauded for his drawings which make very good use of actual pen and ink craft.

So here we get hundreds of his illustrations, including of course all the major characters such as Croup and Vandemar, who are even more scary as he envisions than I had thought in my mind’s eye, as you can see here; The Marquis is splendid in his medieval looking garb; Richard looking, well, lost and needy as he is in the novel; Lamia looking properly vampirish; and even Jessica, who I never liked. Why there’s even the Great Beast coming off looking a lot more horrifying here than he did in the video series where he just looked silly.

There’s full border wrap-arounds showing London Below folk. And of course as I noted lots of rats, most looking not at all charming.

So if you’re looking for a new edition for yourself, I wholeheartedly recommend this edition which also includes “How the Marquis Got His Coat Back” novelette which is a sequel to the novel. Or a prequel. 

Pixel Scroll 4/18/24 Quick Is Your Pixel, By Mickey Scrollane

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(1) JEMISIN IN KANSAS. KU’s Gunn Center for the Study of Science Fiction invites readers to join them on April 25, 2024 for the next “KU Common Book Lecture [VIRTUAL]: An Evening with N.K. Jemisin.” Learn more about the influence of Octavia E. Butler on Jemisin’s work. Register at the link.

The KU Common Book program is coordinated by the KU Libraries, the Hall Center for the Humanities, and the Division of Academic Success. Author N. K. Jemisin will visit campus in April to give the Common Book Lecture. The Common Book for the 2023-24 school year is Parable of the Sower by Octavia E. Butler. Butler, who died in 2006, was influential to the career of Jemisin, a fellow science fiction writer, and Jemisin also wrote the forward to the most recent edition of Parable of the Sower.

(2) PEN AMERICA LITERARY AWARDS UNDER PROTEST. “Amid Mounting Criticism, PEN America Literary Awards In Limbo” reports Publishers Weekly.

Amid growing criticism over its response to the humanitarian crisis in Gaza, freedom of expression nonprofit PEN America is facing questions over whether its Literary Awards ceremony, World Voices Festival, and Literary Gala, all scheduled to be held within the next month, can proceed as planned.

Last week, a number of nominees withdrew their books from consideration for PEN awards citing the organization’s response to the war in Gaza. Esther Allen, one of three cofounders of the World Voices Festival, declined this year’s PEN/Ralph Manheim Award for Translation. Since that time, nine of the 10 longlisted authors for this year’s PEN/Jean Stein Book Award, which comes with a $75,000 monetary prize, have withdrawn their books from consideration.

According to the activist organization Writers Against the War on Gaza (WAWOG), a further 20 authors have withdrawn their longlisted books for other PEN awards including the PEN/Robert W. Bingham, PEN/Hemingway, PEN/Robert J. Dau, and PEN/Voelcker awards, as well as the PEN Translation Prize, PEN Award for Poetry in Translation, and PEN/Heim Translation Fund Grant. The books have since been rounded up in a collection, “2024 PEN America Literary Awards Boycott for Palestine,” curated by WAWOG and currently featured on the homepage of Bookshop.org.

Furthermore, on April 17, 21 authors signed a letter of refusal addressed to the executive board and trustees of PEN America demanding, among other items, the immediate resignations of board president Jennifer Finney Boylan, CEO Suzanne Nossel, and the executive committee. Another nine signatories have pledged to donate prize money to mutual aid funds funds in Gaza. (Iliad translator Emily Wilson, who was not a signatory, also pledged to donate prize money in a tweet this morning.)…

…When contacted for comment, a PEN America administrator told PW that the organization is in touch with authors nominated for this year’s awards, and has paused announcing this year’s awards finalists as it deliberates on how to move forward with the upcoming awards ceremony, which is slated for April 29. The administrator added that the PEN/Jean Stein Award will not be awarded by default to the one remaining longlisted author, as the judging protocol for the award has not been changed in response to the withdrawals.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to sup on scallops with Arthur Suydam in Episode 223 of the Eating the Fantastic podcast.

It’s time to take a seat at the table for the first of two dinner conversations which took place during last month’s AwesomeCon in Washington D.C. — starting with Arthur Suydam, whose professional comics career began when he drew a story published in the May 1974 issue of House of Secrets for DC, right around the time my own comics career started at Marvel editing the British reprint line in June. We somehow never encountered each other as we navigated the comic community of the ’70s, and in fact, we never met until the Saturday of our meal.

Arthur Suydam

After a bunch of those horror stories for various DC titles, Suydam moved on to Epic Illustrated, Heavy Metal, and other publications where he could do the kind of painted work most people know him for today, writing and drawing such features Mudwogs, The Adventures of Cholly & Flytrap, and others.

He’s perhaps most well known for his zombie work — which includes dozens of covers for the Marvel Zombie series and spin-offs — which earned him the nickname of “The Zombie King.” In 2008, Marvel even released a hardcover tribute titled Marvel Zombies: The Covers. His artwork has also appeared in such titles as Batman, Conan, Tarzan, Predator, and Aliens, and his cover art was featured on Ghost Rider, Hellstorm, Moon Knight, Wolverine, Marvel Zombies vs. The Army of Darkness, and many others. He’s also provided noir-ish, retro covers for the Hard Case Crime paperback line.

We discussed the way a lengthy hospital stay resulted in him falling in love with comics, what Joe Orlando said to convince him to start his comics career at DC instead of Warren, the permission he was granted upon seeing the ghastly artwork of Graham Ingels, what he learned from dealing with cadavers during his art student days, how Gil Kane hurt his feelings by chewing out his early work, the grief Frank Frazetta got out of dealing with Mad magazine, the way his work for Epic Illustrated made Archie Goodwin squirm, why Marvel teamed him up with Robert Kirkman for its Marvel Zombies project, his reason for avoiding social media like the plague, and much more.

(4) MEET DANGEROUS VISIONS. The new Patton Oswalt and J. Michael Straczynski introductions to the latest edition of Dangerous Visions can be read on Amazon. (The linked sample also includes the Michael Moorcock and Harlan Ellison forewords from the 2002 edition, and Ellison’s intro from the original 1967 edition.)

(5) CAITLIN THOMAS. Deepest condolences to the Thomases who lost their daughter Caitlin yesterday. For those looking to help, a GoFundMe is here.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 18, 1971 — David Tennant, 53. Of the modern Doctor Whos, the one performed by David Tennant is my favorite by far. (It won’t surprise you that Tom Baker is my classic Doctor.) I liked him from the very first time that he appeared, in “The Christmas Invasion”.  (Spoiler alert from here out.) The fact that he won’t finish his transition until he inhales the fumes from a dropped flask of tea. Oh, what a truly British thing to have him do! 

David Tennant

Christopher Eccleston was good but I thought that he didn’t have long enough to fully settle into the role so I felt his character was more of a sketch than a fully developed character. His certainly would have been a better Doctor if he’d decided to stay around, but he didn’t. 

Tennant on the other hand had three series plus some specials, he’d also be the Doctor in a two-part story in Doctor Who spin-off, Sarah Jane Adventures, “The Wedding of Sarah Jane Smith”. He got time to settle into his character.  And what a character it was — intelligent, full of humor, sympathetic and just alien enough in his quirkiness to believable that he wasn’t human. 

Oh, and the stories. So, so great. Those along with his companions made for ever so great watching. My favorite companion? Each had their strengths — Rose Tyler, Donna Noble and Martha Jones, all made fine companions in very different ways. 

If I could pick just one story from his run, it’d be “The Unicorn and The Wasp” with Agatha Christie as a character and Donna Noble as the companion. And it was a country manor house mystery! 

Yes, I know he came back as the Fourteenth Doctor. Or will. Not having Disney I’ve no idea which tense applies. I know I could look it up but I’m haven’t and not inclined to subscribe to that service just to watch this series and there’s nothing else there I’m that much interested in. 

It’s certainly not his only genre role,and yes he played several Doctor Who roles before being the Tenth Doctor. He had a role in the BBC’s animated Scream of the Shalka and appeared in several Big Finish Productions. I think I read he played a Time Lord in one of them. 

Now let’s see about his other genre roles… One of my favorite series, Randall & Hopkirk (Deceased), had him  up as Gordon Stylus in the “Drop Dead” episode. The Quatermass Experiment film had him as Dr. Gordon Briscoe. He was in Harry Potter and the Goblet of Fire as Barty Crouch Jr., a fine performance he gave there.

In How to Train Your Dragon and How to Train Your Dragon: The Hidden World, which I think has awesomely cute animation, he voices Spitelout Jorgenson, a warrior of the Hairy Hooligan Tribe. Need I say more? I think not.  DreamWorks Dragons was another series in which he voiced this character. 

In Star Wars: The Clone Wars, he had a short run there as Huyang. 

Huh. He even voiced a character in a Teenage Mutant Ninja Turtles series, one called Fugitoid, a sort of android figure.

He’s the voice of Dangerous Beans in The Amazing Maurice off Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

The last role I’ll mention is his Jessica Jones one and one that honestly made me not watch the series. No, I’ll not say why as that’d be a major spoiler. He was called Kevin Thompson / Kilgrave. 

(7) COMICS SECTION.

  • Thatababy gets into kaiju algebra.
  • Tom Gauld might be thinking of Pluto. Or not.

(8) SUNKEN CHEST. This is not how you expect a superhero to start out looking. Jason Aaron redefines the King of Atlantis in a new Namor comic book series that arrives July 17.

The eight-issue epic will forever reshape the seas and bare the dark history of Atlantis and its fiercest, most infamous defender. Stay tuned for more information.

(9) ONCE IN A LULLABY. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature takes us somewhere over the rainbow with an exo-planet: “An exoplanet is wrapped in glory”.

Astronomers spot the first planet outside the Solar System to boast a phenomenon reminiscent of a rainbow.

The rainbow-like phenomenon called a glory (artist’s illustration) appears at the boundary between the day and night sides of the exoplanet WASP-76b.

Primary research here.

(10) BLATAVSKY, LINNAEUS, AND MERMAIDS, AND , OH MU! [Item by Steven French.] Oh, how I long for lost Lemuria! “Like Atlantis, Lemuria Is a Lost Land That Never Existed, But Became So Much Bigger” at Atlas Obscura. Lots of inventive maps at the link.

PHILIP SCLATER SHOULD HAVE STOPPED writing in 1858. That’s when he published one of the foundational texts of biogeography, the science that studies the distribution of species and ecosystems across space and time.

But there was one little primate that didn’t neatly fit into Sclater’s division of the world into six biogeographical realms. He had found fossils of lemurs in both Madagascar and India, even though those places belong to two wholly separate realms. (In today’s biogeographical parlance, those would be the Afrotropical and Indomalayan zones, respectively.)

So he did what other scientists of the day did when faced with similar disconnects: He proposed a vast land bridge that had once linked Madagascar to India. And he gave that hypothetical continent, now swallowed by the Indian Ocean, an appropriate name: Lemuria…

(11) YETI. That’s the mystery creature at the heart of Primevals.

(12) VIDEO OF THE DAY. [Item by Daniel Dern.]

From 12 years ago.  “Be sure to watch to the end,” says Dern. “The Best Star Trek Commercial Ever”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Scott Edelman, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jan Vanek jr.]

Zack Be Wins 2024 Jim Baen Memorial Short Story Award

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Zack Be was named the winner of this year’s Jim Baen Memorial Short Story Award Contest for his story “Locus of Control.” The contest has been held annually since 2007 by Baen Books, in partnership with the National Space Society, to discover original stories celebrating optimistic, near-future space exploration.

FIRST PLACE

  • “Locus of Control” by Zack Be

SECOND PLACE

  • “Extraction” by Trent Guillory

THIRD PLACE

  • “Saving Gallivander” by William Paul Jones

Be, a Maryland resident, will be honored at the 2024 International Space Development Conference, in Los Angeles, CA, May 23-26, 2024. In addition to the award, his winning story will be published at Baen.com, paid professional rates, and Be will receive membership in the National Space Society.

Judges for the award were author and space scientist Les Johnson, and the editorial staff of Baen Books, and entries were judged anonymously.

[Based on a press release that wasn’t sent to File 770. Via Locus Magazine.]

What the Jim Baen Memorial Short Story Award looks like.

2024 Prometheus Award Finalists For Best Novel

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The Libertarian Futurist Society has announced the five finalists for the Best Novel category of the 44th annual Prometheus Awards.

  • Theft of Fire,  by Devon Eriksen (Devon Eriksen LLC); 
  • Swim Among the People,  by Karl. K. Gallagher (Kelt Haven Press); 
  • God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon); 
  • Lord of a Shattered Land,  by Howard Andrew Jones (Baen Books);
  • Critical Mass, by Daniel Suarez (Dutton)

The Best Novel winner will receive an engraved plaque with a one-ounce gold coin. An online Prometheus awards ceremony is planned for August at a time and event to be announced.

Here are capsule descriptions of the Best Novel finalists, explaining how each fits the distinctive focus of the Prometheus Awards:

Swim Among the People, by Karl K. Gallagher (Kelt Haven Press) — The fifth novel in Gallagher’s Fall of the Censor series (following Captain Trader Helmsman Spy and three other previous Best Novel finalists) continues the struggle between a freer polity of planets and a much larger interstellar empire that maintains totalitarian control by censorship, the suppression of history, destruction of older books and other memory-holing to cement power. This sequel focuses on how a subjugated people on a reconquered planet can continue to pursue and preserve knowledge while resisting an occupying authoritarian regime through voluntary covert organization. Of fresh interest: an exploration of a previously unrevealed society of Jewish culture, maintaining its customs in hiding for centuries; and an early discussion of liquid democracy, as parliamentary candidates seek enough support from some minimum percentage of voters to get a seat with no restrictions on party or geography.

God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon) — Subversive and satirical, the fifth and final novel in the Gaia’s Wasp series (and sequel to 2023 Best Novel finalist A Beast Cannot Feign) offers a mixture of unorthodox libertarian provocations and Christian eschatology amid taboo-smashing clashes of two cultures: Earth humans and Wyrms, human refugees from another planet. The story revolves around the rising tensions and increasing likelihood of nuclear war between Earth governments, desperate to preserve their power, and the Wyrms, genetically modified to resist disease and political-psychological control. As Wyrms settle Western Australia’s desert, building a radically free colony to survive the End Times, Earth’s rulers scheme to avert social collapse from the loss of millions of the world’s most productive men emigrating to this “Galt’s Gulch.” The novel raises thorny questions about coercion, consent, sainthood, morality, masculinity, femininity, and the use of weapons of mass destruction.

Theft of Fire, by Devon Eriksen (Devon Eriksen LLC) — Taking place mostly on an asteroid-mining ship diverted to reach what may be hidden alien technology, this chamber-sized space opera is set within an anarchocapitalist-style frontier where industrialization and colonization have spread throughout the solar system. Both formal and informal contracts are central here, with free-market innovations and alien artifacts unleashing vast wealth and progress as independent Belters conflict with enforcers hired by corporate elites. Conflicts (and sexual tensions) develop between the ship’s stubborn captain (a resourceful loner operating as an occasional pirate) and the robot-protected, super-smart, pintsized SpaceX heiress who has taken over his ship and locked him out of its computer controls. Notable for the originality and plausibility of Leela, an A.I. character, the novel offers a complex portrait of the pros and cons of its free-wheeling future while offering insights into agency, ethics, free will, contracts, property rights and other human rights.


Lord of a Shattered Land, by Howard Andrew Jones (Baen Books) — This epic sword-and-sorcery novel, first of a projected trilogy, revolves around Hanuvar, a grief-stricken former general risking his life to free the enslaved remnants of his peace-loving, free-trading people as he finds allies and travels through a brutal empire filled with human and inhuman dangers. Rather than seeking revenge, Hanuvar embraces a libertarian ethic of non-aggression while striving to avoid harming the innocent. Woven into its rich, far-flung narrative are more than a dozen key scenes underlining the meaning of freedom and why it motivates so many to try to achieve it for themselves and others. Loosely inspired by the conflict between imperial Rome and Hannibal’s defeated Carthage, the saga illuminates the deep passion for liberty while underlining the evils of slavery, the horrors of mind control, the cruelties of tyranny and the temptations of absolute power.

Critical Mass, by Daniel Suarez (Dutton) — Set in the inner solar system, this fast-paced sci-fi thriller follows engineer-entrepreneurs striving against the odds to use space-mined materials to build infrastructure in space for commercial development. Heroic characters risk their lives in an audacious mission to complete a space station, allowing construction of a nuclear-powered spaceship and rescue of stranded crew members on the distant asteroid Ryugu. The resourceful band must achieve their goals amid shortsighted opposition, censorship, shifting alliances and international tensions of Earth governments. Unusually realistic in depicting the perils of living and working in space, Suarez achieves a high level of plausible engineering speculation. Government is shown as the problem and cooperation through free enterprise as part of a space-based solution to problems on Earth. Included is a plausible depiction of the creation of a functional, private, decentralized currency beyond the reach of Earth, relevant in this era of inflationary government fiat money.

Seventeen 2023 novels were nominated by LFS members for this year’s award. The other nominees were: Futureproof, by Stephen Albrecht (Hybrid Global Publishing); Queen Wallis, by C.J. Carey (Sourcebooks Landmark);  The Long View, by Mackey Chandler (Amazon); Liberty’s Daughter, by Naomi Kritzer (Fairwood Press); Prophet Song, by Paul Lynch (Atlantic Monthly Press); Julia, by Sandra Newman (Harper Collins’ Mariner Books); House of Gold,  by C.T. Rwizi (47North);  Victory City, by Salman Rushdie (Random House); Trail of Travail, by R.H. Snow (Rosa de Oro); Black Hats, by Steve Wire (Plaintext Publishing); Hacking Galileo, by Fenton Wood (Amazon); and Misplaced Threats, by Alan Zimm (BookMarketeers).

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently given in sf. The Prometheus Hall of Fame category for Best Classic Fiction, launched in 1983, is presented annually with the Best Novel category.

All LFS members have the right to nominate eligible works for the Prometheus Awards. A 12-person judging committee, drawn from the membership, selects the Prometheus Award finalists for Best Novel. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full Members) have the right to vote on the Best Novel finalist slate to choose the annual winner. 

The LFS says these are the kinds of work recognized by the Prometheus Award –

For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the ethical and practical foundation for peace, prosperity, progress, justice, mutual respect, and civilization itself.

A full list of past Prometheus Award winners in all categories is here. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog. 

 [Based on a press release.]

Michaele Jordan Review: Babel

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Babel or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R.F. Kuang.

Spoiler alert: this book is brilliant.

Review by Michaele Jordan: We all raged over the Hugo nominations scandal. We wrote angry letters, we excoriated the self-appointed censors, we bemoaned the tarnish on our beloved awards, we vowed to make sure this never happens again. And then we had to move on, get on with our lives. So I grabbed up a number of books that I’d heard might have been nominated if the committee had played fair and honest. I started with Babel or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R.F. Kuang.

And now I’m angry all over again. Because this is one of the best books I have EVER read. It is a masterpiece. That it should be censored, not for any evil accusations against China — which is treated with respect – but simply because it mentions China (which would be difficult to avoid in a book about British colonialism and the Opium Wars) is not merely ugly – it is evil.

I can almost hear you muttering, “’a book about British colonialism and the Opium Wars’? Doesn’t sound like a masterpiece to me. Sounds really dull. And what’s that got to do with SFF, anyway?”

It’s set mostly in Oxford in the 1830’s – which is depicted with a stunningly authentic realism, except for one little thing: an extra college (with its associated building, the tower of Babel)  has been inserted into the university. It’s small, prestigious college and hard to get into. Candidates are required to speak at least three languages fluently to qualify and, having gained entry, spend years studying more languages. It’s a school of translation, and translation is the central power source of the magic that keeps the empire running.

It’s a very subtle magic. It works by inscribing two words (called a match pair) onto a silver plate. The first word (usually English) suggests what the user wishes to do. The second is the same word in a different language. But, as any fluent speaker can tell you, translation is never precise – every language has its own nuances, its own associations. That slight difference in meaning infuses the silver. The resulting power causes the silver bar to operate much like an electric battery. And so it’s everywhere, keeping ships afloat, keeping mills operating and street lamps lit, and managing the empire. And it all runs on silver.

So Britain needs silver to keep everything running. Silver is NOT an infinite resource, but the need for it is. We therefore remain in a truthful analog of Britain in the 1830’s. England is conquering the world, and angry about China’s refusal to enter into a “normal” trade relationship, i.e., two-way trading. China has silver, but they won’t buy anything from the west, so their silver remains in China. Britain can only find one thing that the Chinese will buy: opium. Opium is illegal in China. But the British insist on selling it to them anyway. This will not end well.

A novel needs characters to put a human face on political strategies. We have four main characters – students in a very small class at the university. Two are dark-skinned and two are light skinned. Two are boys (one white and one black) and two are girls (again, one white and one black) Three of them are immigrants of some sort. Robin is half Chinese and pale (in a dim light or from a distance, he can pass as white. Ramy is Arab, and so dark-skinned. Victoire is French, but she’s originally from Haiti. And lastly, we come to Letty, the only one who is not an immigrant. She’s a classic English rose,

Oxford considers itself the creme de la creme. Which means it expects itself to be all white and all English. Robin, Ramy, and Victoire suffer daily insults and indignities. Letty, not so much. But she’s still female, and women are not normally admitted to Oxford. So even she is viewed with a mixture of condescension and suspicion.

Even if I wanted to commit spoilers, it would take pages and pages to explain the story. (Hey, It took Ms. Kuang hundreds of pages to tell it.), So I’ll leave off now, and let you discover for yourself what happens next.

But, please, read this book.