Pixel Scroll 12/11/17 You Ain’t Pixelin’ Dixie!

(1) DEFENDANTS COMMENT ON COMIC CON VERDICT. Bryan Brandenburg has this to say about the verdict in the SDCC v, SLCC lawsuit.

I woke up this morning facing a bright new future. The weight of the world has been lifted from Dan [Farr]’s and my shoulders. We have successfully cleared our names and lifted the cloud of accusation that has been surrounding us for 3 1/2 years.

– We were accused of stealing and hijacking. The jury said we were NOT GUILTY of this. There was no willful infringement.

– We were accused of trying to associate our convention with the San Diego convention. The jury said that we were NOT GUILTY of this. They found no evidence of false designation of origin.

– We were accused of causing $12,000,000 damage to the SDCC brand. They said we were the very worst offender. The jury found no evidence of damage. They awarded San Diego $20,000 in damages, less than .2% of what they asked for sending a clear message that we didn’t hurt the San Diego brand and this is what will be paid out for the worst of the 140 comic cons.

– We were accused of infringing San Diego’s trademarks, along with 140 other “infringers”…other conventions that call themselves “comic con”. The jury said that we were guilty. San Diego said, “They’re all infringers, that we and 140 other conventions that use the term comic con were guilty.” So for now they have 3 valid trademarks. We think that they will still lose “comic-con”. We’re proud to be lumped in with some of the finest comic cons in the country.

Dan and I have no regrets about standing up for ourselves when we took action after receiving a cease and desist. In hindsight, we would not have taken the car down to San Diego. For that we apologize to San Diego Comic Con. They are a great event with great people.

This process helped me realize once again that we truly have the best fans in the world. You have been there for us and it was comforting to have so many pulling for us. We are glad that we were able to clear our names at a minimum. But there are a lot of things moving in the background which I cannot talk about. All good things.

We own the trademark for FanX. There are over 140 comic cons and one FanX. That’s not a booby prize. If we needed to drop comic con from the name and just be FanX we have a trademark for that and a lot of positive brand awareness. Almost all the hundreds of thousands of people that have attended our events are familiar with that brand and name.

We’re not sure exactly how things will play out. We may change our name. We may appeal. But one thing is for certain. 2018 will be our best year yet….

(2) NEW LOGO. Bubonicon 50 takes place August 24-26, 2018 in Albuquerque, NM with Guests of Honor John Scalzi and Mary Robinette Kowal, Toastmaster Lee Moyer, and Guest Artist Eric Velhagen. Bubonicon 49 Toastmaster Ursula Vernon has created a special logo:

(3) THE CUTTING ROOM. I was very interested to learn How Star Wars was saved in the edit – speaking here about the original movie.

A video essay exploring how Star Wars’ editors recut and rearranged Star Wars: A New Hope to create the cinematic classic it became.

 

(4) EXPAND YOUR MASHUP WARDROBE. Still gift shopping? A lot of places online will be happy to sell you the shirt off their backs!

(5) LONG LIST ANTHOLOGY IS OUT. David Steffen announced the release of the Long List Anthology Volume 3, available as an ebook from Amazon and Kobo, in print from Amazon. He said more ebook vendors are in the works, including Barnes & Noble, iBooks, and others.

This is the third annual edition of the Long List Anthology. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers

There are 20 stories in the volume – see the complete list at the link.

(6) BEYOND PATREON. Here’s the hybrid approach that The Digital Antiquarian will take in the aftermath of Patreon’s problems.

I’ll be rolling out a new pledging system for this site next week. Built on a platform called Memberful, it will let you pledge your support right from the site, without Patreon or anyone else inserting themselves into the conversation. The folks from Memberful have been great to communicate with, and I’m really excited about how this is shaping up. I think it’s going to be a great system that will work really well for many or most of you.

That said, my feeling after much vacillation over the last several days is that I won’t abandon Patreon either. Some of you doubtless would prefer to stay with them, for perfectly valid reasons: for high pledge amounts, the new fee schedule is much less onerous; some of you really like the ability to pledge per-article rather than on a monthly basis, which is something no other solution I’ve found — including Memberful — can quite duplicate; some of you really want to keep all of your pledges to creators integrated on the same site; etc. And of course it’s possible that Patreon will still do something to mitigate the enormous damage they did to their brand last week. At the risk of introducing a bit more complication, then, I think the best approach is just to clearly explain the pros and cons of the two options and leave the choice in your hands

(7) VIRTUAL BEST OF YEAR – FANTASY EDITION. Jason, at Featured Futures, has completed the set by posting his picks for the Web’s Best Fantasy #1 (2017 Stories).

As with Web’s Best Science Fiction, Web’s Best Fantasy is a 70,000 word “virtual anthology” selected from the fifteen webzines I’ve covered throughout the year, with the contents selected solely for their quality, allowing that some consideration is paid to having variety in the reading experience. The contents were sequenced as best I could with the same concern in mind.

(8) RATIFYING STURGEON’S LAW. Fanac.org has added “Lunacon 15 (1972) – Theodore Sturgeon Guest of Honor speech” to its YouTube channel, a 38-minute audiotape, enhanced with numerous images and photos (including two taken by Andrew Porter.)

Isaac Asimov introduces Theodore Sturgeon’s Guest of Honor speech at the 1972 Lunacon. There are corny puns and jokes from both of them, but primarily the talk is a serious, constructive discussion of Sturgeon’s “best beloved field”, and a defense against those that would marginalize and dismiss it. There are a few poignant minutes at the end about the (1972) US government amassing citizens’ private data, without any ability to challenge it. More than 40 years later, it’s still important, and worth listening.

 

(9) TODAY’S THING TO WORRY ABOUT. Andrew Porter draws our attention to the fact that the German film Münchhausen came out in 1943. As he sees it, “We could have a Nazi film under consideration for a retro-Hugo!”

The complete film is available on YouTube, with English subtitles.

(10) BILLINGS OBIT. Harold Billings (1931-2017), librarian, scholar, and author, died November 29. (The complete Austin American-Statesman obituary is here.)

He spent fifty years at the University of Texas general libraries, rising from cataloger to Director of General Libraries, a position he held for the last twenty-five years of his career. … Harold also edited and wrote extensively about authors Edward Dahlberg and M. P. Shiel. Reflecting a long time interest in Arthur Conan Doyle, in 2006 he received the Morley-Montgomery award for his essay The Materia Medica of Sherlock Holmes. In recent years, Harold had turned to supernatural literary fiction, authoring such stories as “A Dead Church”, “The Monk’s Bible”, and “The Daughters of Lilith”.

(11) TODAY’S BIRTHDAY GIRL

  • Born December 11, 1922 — Maila Nurmi. (Vampira)

(12) HEROIC EFFORT. Reportedly, “New research finds that kids aged 4-6 perform better during boring tasks when dressed as Batman”. Hampus Eckerman says, “I’m sure this works for adults too.”

In other words, the more the child could distance him or herself from the temptation, the better the focus. “Children who were asked to reflect on the task as if they were another person were less likely to indulge in immediate gratification and more likely to work toward a relatively long-term goal,” the authors wrote in the study called “The “Batman Effect”: Improving Perseverance in Young Children,” published in Child Development.

(13) WITH ADDED SEASONING. Star Trek: The Jingle Generation.

(14) THAT FIGURES. This must be like Rule 34, only it’s Rule 1138: If it exists, something Star Wars has been made out of it. “Funko POP! Star Wars Trash Compactor Escape (Luke & Leia) Exclusive Vinyl Figure 2-Pack [Movie Moments]”.

(15) MORE MYCROFT. SFFWorld’s Mark Yon reviews The Will to Battle by Ada Palmer”.

Probably the thing I like the most about The Will to Battle is that we get to know in much more depth the inner workings of the political aspects of the world that Palmer has imagined. We learn much more about things that we have only seen mentioned before (the set-set riots or the difference between Blacklaws, Greylaws and Whitelaws, for instance) and we even witness a trial, a meeting of the Senate and the Olympic Games. I really enjoyed discovering how the author had planned with incredible care every little aspect and finding out that little details that seemed to be arbitrary are, in fact, of crucial importance.

(16) YOUNG UNIVERSE. Linked to this news before, but the Washington Post’s account is more colorful: “Scientists just found the oldest known black hole, and it’s a monster”

That hope is what drove Bañados, an astronomer at the Carnegie Observatories in California, to the Chilean mountaintop in March. It was not entirely clear whether he’d be able to find a quasar so far away. Supermassive black holes swallow up huge amounts of matter, squeezing the equivalent mass of several hundred thousand suns into a space so small that gravity wraps around it like an invisibility cloak and causes it to vanish. An object like that needs a long time to grow and more matter than might have been available in the young universe.

But the object Bañados and his colleagues discovered, called ULAS J1342+0928, was even bigger than they’d bargained for — suggesting that something might have made black holes grow more quickly. Scientists don’t yet know the underlying reasons for such rapid growth, or whether still older black holes are waiting to be found.

“This is what we are trying to push forward.” Bañados said. “At some point these shouldn’t exist. When is that point? We still don’t know.”

In a companion paper published in the Astrophysical Journal Letters, the scientists report another odd finding: The galaxy where ULAS J1342+0928 dwells was generating new stars “like crazy,” Bañados said. Objects the size of our sun were emerging 100 times as frequently as they do in our own galaxy today.

“To build stars you need dust,” Bañados said. “But it’s really hard to form all this dust in such little time on cosmic scales — that requires some generations of supernovae to explode.”

During the universe’s toddler years, there hadn’t been time for several rounds of stars living and dying. So where were the ingredients for all these new stars coming from?

(17) THE RISKS OF TALKING TO THE COPS. I saw Ken White’s  “Everybody Lies: FBI Edition” for Popehat linked by a FB friend and found it riveting. While it’s focused on criminal law, a lot of this advice is still good even if you’re only talking to someone about your taxes.

Dumbass, you don’t even know if you’re lying or not. When an FBI agent is interviewing you, assume that that agent is exquisitely prepared. They probably already have proof about the answer of half the questions they’re going to ask you. They have the receipts. They’ve listened to the tapes. They’ve read the emails. Recently. You, on the other hand, haven’t thought about Oh Yeah That Thing for months or years, and you routinely forget birthdays and names and whether you had a doctor’s appointment today and so forth. So, if you go in with “I’ll just tell the truth,” you’re going to start answering questions based on your cold-memory unrefreshed holistic general concept of the subject, like an impressionistic painting by a dim third-grader. Will you say “I really don’t remember” or “I would have to look at the emails” or “I’m not sure”? That would be smart. But we’ve established you’re not smart, because you’ve set out to tell the truth to the FBI. You’re dumb. So you’re going to answer questions incorrectly, through bad memory. Sometimes you’re going to go off on long detours and frolics based on entirely incorrect memories. You’re going to be incorrect about things you wouldn’t lie about if you remembered them. If you realize you got something wrong or that you may not be remembering right, you’re going to get flustered, because it’s the FBI, and remember even worse. But the FBI would never prosecute you for a false statement that was the result of a failed memory, right? Oh, my sweet country mouse. If you had talked to a lawyer first, that lawyer would have grilled you mercilessly for hours, helped you search for every potentially relevant document, reviewed every communication, inquired into every scenario, and dragged reliable memory kicking and screaming out the quicksand of your psyche.

(18) MRS. PEEL IS NO RELATION. Bananaman: The Musical is on stage at the Southwark Playhouse in the UK through January 20.

Bananaman is one of the flagship characters in the world’s longest running comic, The Beano. He was also the subject of the hugely popular TV cartoon that ran on the BBC during the 1980s. With a useless hero and some equally clueless villains, Bananaman’s riotously funny, slapstick humour has been sealed into the memories of those who saw him first, and will now spark the imagination of a new bunch of Bananafans.

In “A Call To Action” Marc Pickering is playing Bananaman’s nemesis Doctor Gloom. The song comes in the first half when Doctor Gloom is planning ways in which to deal with Bananaman who is thwarting his plans for world domination!!

(19) FIXED THAT FOR YOU. Damien Broderick says “A strange and terrible thing happened” with his book, now available in a modified 2018 version — Starlight Interviews: Conversations with a Science Fiction writer by Damien Broderick.

The first printing, also from Ramble House affiliate Surinam Turtle Press (owned by Dick Lupoff) turned out to have a botched variant of Russell Blackford’s chapter. My fault, I freely confess it! I only learned of this goof after I gave Russell his copy at the recent World Fantasy con in San Antonio.

Russell and I delved into the dark heart of several hard drives and managed to recompile his intended text. With the help of Chum Gavin, a repaired version of the book has now appeared on Amazon (although their website announcement has retained a mistaken pub date from earlier this year). If any Chum purchased a copy of the botched version, do let me know and I will hastily dispatch a Word doc of RB’s True Chapter. For those very few Chums who somehow forgot to rush their order for the book to Amazon, now is your near-Xmas chance to make good that lapse!

(20) OUTSIDE THE STORY. K. C. Alexander describes a variation on the classic writer’s advice in “Don’t Show, Don’t Tell”  at Fantasy-Faction.

You’re probably familiar with Welcome to Night Vale, so you’ll recognize the Night Vale Presents line in this incredible and fascinating podcast. The key difference, however, is this one presents more of a focused story, all delivered from a single point of view—Keisha; a truck driver (narrated by the matchless Jasika Nicole) searching for her dead wife. Named, naturally, Alice. (One other POV appears later in season, which I will not spoil here, but it is eerie af.) This is a creeping, haunting, sometimes lonely story about a heartbroken woman struggling with a mental illness—namely, a panic/anxiety disorder, and the paranoia and fear that comes with. After the death of her wife, an experience she was not there to witness, our fearful protagonist hires on with a long-haul trucking service to find answers.

Her story is narrated through snatches of narrative delivered on CB radio.

So what makes this podcast the keystone for “don’t show, don’t tell?”

It’s the outside stuff we never see. What’s going on outside her narration, what the people outside of our view are doing and why they are doing it. The ripples “shown” in Fink’s writing remain so subtle that you may not hear them, understand them, until your second or third listen. They are small ripples, hardly noticeable in black water, bringing with them an expertly woven sense of dread. But why? From where?

We don’t know.

(21) THE CLASSICS. The comments are fun, too. (If you need the reference explained like I did – clicketh here.)

(22) NETFLIX TRAILERS. New seasons for two genre shows on Netflix.

  • Sense8 — Finale Special First Look

  • Marvel’s Jessica Jones: She’s Back

Just don’t get in her way. Marvel’s Jessica Jones Season 2 coming March 8, only on Netflix.

 

(23) BEFORE THEY WERE FAMOUS. Marcus Errico, in “The secret history of ‘Christmas in the Stars,’ the bonkers ‘Star Wars’ holiday album co-starring Jon Bon Jovi” on Yahoo! Entertainment, discusses the super-cheesy and super-obscure Star Wars Christmas album that came out in 1980.

Unlike his previous cover-heavy albums, Meco started from scratch with the music. He and Bongiovi needed Star Wars-themed Christmas songs and they needed them fast, but they weren’t having much luck with the songwriters they approached. Enter a struggling composer named Maury Yeston, who was trying to put together the musical that would become Nine and could use some extra cash. “I met with Meco and I said, ‘Look, this may sound ridiculous to you, but if you want to do a Star Wars Christmas album you have to have a story,” Yeston told the CBC. “This is obviously Christmas in the world of Star Wars, which means this is in a galaxy far, far away, thousands of years ago. It’s not now. So call it Christmas in the Stars.” Meco was sold on the idea of the album having a through-line and recruited Yeston.

Yeston, who would go on to win a Tony Award for Nine and eventually write the smash Broadway musicals Titanic and Grand Hotel, cranked out nearly 20 Yule-appropriate tunes, nine of which made the final lineup. “The Meaning of Christmas,” minus Yoda, was radically retooled from the original version because Lucas didn’t want any of the traditional, religious-themed lyrics to be associated with the Force. It established the story of the album, set in a factory where droids make gifts for one “S. Claus.”

 

Playlist

[Thanks to JJ, Dave Doering, John King Tarpinian, Andrew Porter, Ed Fortune, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

2018 Golden Globe Nominations

Nominations for the 75th annual Golden Globe Awards have been announced. For the full list, see Variety. The 2018 Golden Globe nominations of genre interest are:

Best Picture – Drama:

  • The Shape of Water

Best Picture – Comedy or Musical:

  • Get Out

Best Performance by an Actress in a Motion Picture – Drama:

  • Sally Hawkins, The Shape of Water

Best Performance by an Actor in a Motion Picture – Musical or Comedy:

  • Daniel Kaluuya, Get Out

Best Performance by an Actor in a Supporting Role in a Motion Picture:

  • Richard Jenkins, The Shape of Water

Best Performance by an Actress in a Supporting Role in a Motion Picture

  • Hong Chau, Downsizing
  • Octavia Spencer, The Shape of Water

Best Animated Film:

  • The Boss Baby
  • The Breadwinner
  • Coco
  • Ferdinand
  • Loving Vincent

Best Director – Motion Picture:

  • Guillermo del Toro, The Shape of Water

Best Screenplay – Motion Picture:

  • Guillermo Del Toro, Vanessa Taylor, The Shape of Water

Best Original Score – Motion Picture:

  • The Shape of Water

Best Original Song – Motion Picture

  • “Home,” Ferdinand
  • “Remember Me,” Coco

Best Television Series – Drama:

  • Game of Thrones
  • The Handmaid’s Tale
  • Stranger Things

Best Performance by an Actress in a Television Series – Drama:

  • Caitriona Balfe, Outlander
  • Elisabeth Moss, The Handmaid’s Tale

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television:

  • Kyle MacLachlan, Twin Peaks

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

  • David Harbour, Stranger Things
  • Christian Slater, Mr. Robot

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

  • Ann Dowd, The Handmaid’s Tale

Pixel Scroll 12/10/17 The Greatest Scroll On Earth

(1) LAST JEDI REVEW. Craig Miller attended the official world premiere of Star Wars: The Last Jedi:

No Spoilers Review: A pretty amazing achievement. More emotion than most Star Wars films. And more humor (though not a gag fest like, Thor Ragnarok). Some surprises. Including a “surprise” I thought was likely yet still surprised me when it happened by the way they did it. I haven’t quite processed where I think it should go in my pantheon of Best Star Wars Movies but it’s certainly up near the top of the list. Star Wars and The Empire Strikes Back still hold the top honors but this is getting near it.

His post includes a couple of sweet photos of Kelly Marie Tran (who plays Rose) seeing a fan dressed as her character for the first time.

(2) FIRST IMPRESSIONS. Mashable collected a bunch of tweets sent by people who saw the movie: “‘The Last Jedi’ first premiere reactions are here and – you guessed it – the Force is strong”.

Star Wars: The Last Jedi held its star-studded world premiere at the Shrine Auditorium in Los Angeles on Saturday night, and the credits had barely finished rolling before attendees hit Twitter to share their first reactions to Rian Johnson’s take on the Skywalker saga.

While spoilers and plot details are under strict embargo until Dec. 12 at 9 a.m. PT, that didn’t stop fans from weighing in on the tone of the movie…

(3) IMPEDIMENT TO FAKE REVIEWS. Mad Genius Club’s Amanda S. Green brings news of “Amazon Review Policy Change & More”.

Since Amazon first opened its virtual doors, there have been concerns about reviews. Not just for books but for all the products sold through its site. It is no secret that authors have paid for reviews — and some still do. Or that there have been fake accounts set up to give sock puppet reviews. There have been stories about sellers and manufacturers planting fake reviews as well, all in the hopes of bolstering their product rankings and ratings. From time to time, Amazon has taken steps to combat this trend. One of the last times they did it, they brought in a weighted review system. This one differentiates between “verified purchasers” and those who did not buy the product viz Amazon. Now there is a new policy in place, once that should help — at least until a new way around it is found.

Simply put, Amazon now requires you to purchase a minimum of $50 worth of books or other products before you can leave a review or answer questions about a product. These purchases, and it looks like it is a cumulative amount, must be purchased via credit card or debit card — gift cards won’t count. This means someone can’t set up a fake account, buy themselves a gift card and use it to get around the policy….

(4) AND HEEERE’S PHILIP! Kim Huett asks, “Do you ever have those moments when you discover a different side to an author? Well of course you do. We all do. I did just the other day in regards to Philip K. Dick:” See “Straight Talking With Philip K. Dick” at Doctor Strangemind.

It’s in Lighthouse #14 (October 1966) that Carr published a Philip K. Dick article called Will the Atomic Bomb Ever Be Perfected, and If So, What Becomes of Robert Heinlein? This piece doesn’t read like a fully formed article in my opinion. It’s a series of unconnected paragraphs that feels more like a transcript of Dick’s responses to a series of questions that had been posed by a talk show host (Conan O’Brien most probably, I can’t imagine who else would enjoy interviewing Phil Dick). Take this line:

‘I have written and sold twenty-three novels, and all are terrible except one. But I am not sure which one.

That so feels like the sort of thing a talk show guest might say to set the tone of the interview. Watch out audience, I’m quirky and don’t take anything too seriously.

Mostly though Dick expresses the sort of blunt and sweeping opinions I never thought he was likely to come out with….

(5) MAKE IT SNOW. Let SyFy Wire help with your holiday shopping — “2017 Gift Guide: Beam up these great Star Trek gifts”. My favorite —

U.S.S. Enterprise Sushi Set

If you love Star Trek AND sushi then this awesome sushi set will hit the sweet spot. The set includes a shiny Enterprise NCC-1701 in mid-warp and propped on a wooden base, which is actually… a sushi plate. If you remove the top of the saucer section, you even get a small dish for soy sauce. Slide out the warp effects of the nacelles and voila, you have your own pair of chopsticks.

Get it for $34.99 at Star Trek Shop

(6) NO PRIZE. In the Paris Review, Ursula K. Le Guin makes a meta suggestion: “The Literary Prize for the Refusal of Literary Prizes”.

I refused a prize once. My reasons were mingier than Sartre’s, though not entirely unrelated. It was in the coldest, insanest days of the Cold War, when even the little planet Esseff was politically divided against itself. My novelette The Diary of the Rose was awarded the Nebula Award by the Science Fiction Writers of America. At about the same time, the same organization deprived the Polish novelist Stanislaw Lem of his honorary membership. There was a sizable contingent of Cold Warrior members who felt that a man who lived behind the iron curtain and was rude about American science fiction must be a Commie rat who had no business in the SFWA. They invoked a technicality to deprive him of his membership and insisted on applying it. Lem was a difficult, arrogant, sometimes insufferable man, but a courageous one and a first-rate author, writing with more independence of mind than would seem possible in Poland under the Soviet regime. I was very angry at the injustice of the crass and petty insult offered him by the SFWA. I dropped my membership and, feeling it would be shameless to accept an award for a story about political intolerance from a group that had just displayed political intolerance, took my entry out of the Nebula competition shortly before the winners were to be announced. The SFWA called me to plead with me not to withdraw it, since it had, in fact, won. I couldn’t do that. So—with the perfect irony that awaits anybody who strikes a noble pose on high moral ground—my award went to the runner-up: Isaac Asimov, the old chieftain of the Cold Warriors.

(7) TOLKIEN CANONIZATON CONFERENCE CANCELLED. The hosts of a December 18 conference in Rome to popularize the idea of canonizing J.R.R. Tolkien, an initiative of the SUPR (Student Association of Roman pontifical universities) and sponsored by the CRUPR (conference of rectors of Roman pontifical universities), say they have had to cancel the event in the face of unspecified opposition. You can see they didn’t go quietly.

(8) IMAGINING A PAST, AND A BETTER PRESENT. French novelist Jean d’Ormesson died December 6 at the age of 92 reports the New York Times.

It was only in 1971 that “La Gloire de l’Empire” — translated into English as “A Novel. A History” — secured a lasting place for him in 20th-century French literature.

The book, a fictional compendium of imagined history, won the academy’s coveted Grand Prix.

“This has to be one of the most engrossing histories ever written — yet not a word of it is true,” William Beauchamp, a French literature scholar, wrote in The New York Times Book Review when the book was published in English in the United States in 1975.

He added: “Jean d’Ormesson’s empire is pure invention; his book, fictional history. If numerous details suggest the real empires of Rome, Persia, Byzantium, of Alexander or Charlemagne, they are devices designed to achieve verisimilitude — the illusion of reality.”

When Mr. d’Ormesson entered the academy in 1973, at the age of 48, he was the youngest of its 40 members, all of them committed to maintaining the purity of the French language and to promoting French literary merit.

All were also men; the body had barred women since its founding in 1635. But that changed in 1981, when Mr. d’Ormesson sponsored Marguerite Yourcenar, a writer and classical scholar, to join the academy. Though he incurred much criticism and not a few misogynistic jibes for his championing her, she was accepted….

(9) TODAY IN HISTORY

  • December 10, 2009 Avatar makes its world premiere.

(10) TODAY’S BIRTHDAY LIBRARIAN

  • Born December 10, 1851 – Melvil Dewey, inventor of the Dewey Decimal System. As a young adult he advocated spelling reform; he changed his name from the usual “Melville” to “Melvil”, without redundant letters, and for a time changed his surname to “Dui”.

(11) DOWNSIZING. Parade’s Amy Spencer, in “Sunday With…Matt Damon”, asks the star of Downsizing such novel softball questions as “What’s a situation where, in real life, you felt really small?” and “What is something small that means a great deal to you?” At least he didn’t have to answer any questions about potatoes.

(12) BEARLY THERE. Framestore animation director Pablo Grillo goes into Paddington 2: “Paddington 2: The challenges of making the film”. (Video at the link.)

(13) BEATING THE BUSHES. Botanical exploits: “How British plant hunters served science”.

Reginald Farrer (1880-1920) was one of four 20th Century botanists who made expeditions to then remote parts of China to discover and bring back plants.

He and his contemporaries – George Forrest (1873-1932), William Purdom (1880-1921) and Frank Kingdon-Ward (1885-1958) – are remembered in a new exhibition at the RHS Lindley library in London.

…Frank Kingdon-Ward, son of a botany professor, was perhaps the most prolific of the four plant collectors.

“He carried out over 20 expeditions in total – not all in China; he travelled all over, in India as well and Assam Himalayas, and really his first love was exploration,” says Sarah McDonald.

Kingdon-Ward frequently cheated death on his travels. Once, lost in the jungle, he survived by sucking the nectar from flowers. Another time, a tree fell on his tent during a storm, but he crawled out unscathed. And he survived falling over a precipice only by gripping a tree long enough to be pulled to safety.

In a letter to his sister, he wrote: “If I survive another month without going dotty or white-haired it will be a miracle; if my firm get any seeds at all this year it will be another.”

(14) MARTIAN BOG. If only Heinlein could make The Traveler happy – a magazine review at Galactic Journey. “[December 9, 1962] (January 1963, IF Science Fiction)”.

Podkayne of Mars (Part 2 of 3), by Robert A. Heinlein

Part II of Heinlein’s new juvenile(?) about Miss Poddy Fries and her space jaunt from Mars is a bit more readable than the last one, but it’s still overwritten and gets bogged in detail.  This is the spiritual successor to The Menace from Earth I’d hoped to share with my daughter, but I don’t think it’s quite good enough.  Three stars for this installment.

(15) CASTING FOR PIKACHU. Trae Dorn of Nerd & Tie reports “Ryan Reynolds Has Been Cast as ‘Detective Pikachu’ Because Why the Hell Not”.

So one of the weirdest projects out there for a while has been Legendary’s live action/cgi hybrid Detective Pikachu movie. I mean, it’s a live action/cgi hybrid Detective Pikachu movie. No one was really expecting it to happen, and now the latest news is that it has a rather unexpected star: Ryan Reynolds.

That’s right, Ryan Reynolds is going to play Detective Pikachu in the Detective Pikachu movie. I mean, it’s not bad casting – Reynolds is a talented actor – but it’s definitely weird casting. I mean, he’s a funny guy (remember, unlike most Pokemon, Detective Pikachu can talk), but it’s not a direction most people thought casting would go.

(16) DIAGNOSIS. Definitely sorry for his health problems, but how many cold sufferers inspire such a colorful description?

(17) VIRTUAL BEST OF YEAR. Jason, at Featured Futures, has posted his picks for the Web’s Best Science Fiction #1 (2017 Stories). His “virtual anthology” is a table of contents of selected links to 70,000 words of the best science fiction published online in 2017.

Web’s Best Fantasy will cover the fantasy stories. The stories for both “volumes” were chosen from fifteen markets: Apex Magazine, Beneath Ceaseless Skies, Clarkesworld Magazine, Compelling Science Fiction, Diabolical Plots, Fantastic Stories of the Imagination, Flash Fiction Online, Grievous Angel, Lightspeed, Nature, Nightmare, Strange Horizons, Terraform, Tor.com, and Uncanny.

(18) EDGED WEAPONS. Gary K. Wolfe reviews Quillifer by Walter Jon Williams at Locus Online.

In one of Donald Barthelme’s funnier stories, a hapless would-be writer finds that one of the questions on the National Writer’s Examination (“a five-hour fifty-minute examination, for his certificate”) involves recognizing at least four archaic words for sword. On the basis of his new novel Quillifer, Walter Jon Williams would get that certificate with flying colors. His vocabulary of antique weaponry is formidable, as well as his command of archaic military and naval terminol­ogy: the tale is packed with enough chebeks, dirks, calivers, pollaxes, and demiculverins to win a dozen Scrabble or trivia games, not to mention such neologisms as “gastrologist,” “logomania,” “poetastical,” “credent,” and others which, as Quillifer and others proudly announce, they “just made up.” As should be evident, there’s a good deal of infectious playfulness involved here, and the question that quickly arises is whether this is going to be infectious enough, or Quillifer himself ingratiating enough, to power us through what promises to be at least three hefty volumes of episodic adventures.

(19) CAT TALES AND OTHERS. In the LA Times’ Jacket Copy section, “Michelle Dean loves Ursula K. Le Guin’s cat stories. Which is a good start”:

Here we get some thoughts on publishing too, or rather, as the book calls it, “The Lit Biz.” Posts on this theme include a lament about how often people ask her “why” she writes — she calls this question “highly metaphysical.” It also includes Le Guin’s frustration with the notion that someone, somewhere has written the Great American Novel. But that argument gradually morphs into a paean to John Steinbeck’s “The Grapes of Wrath,” the novel Le Guin evidently feels might be closest to a Great American novel. And then also segues, in a pleasingly bloggy way, into an anecdote about how Le Guin actually knew Steinbeck in her youth and hid with him in the bushes at a terrible wedding with racist guests. “We need to get away from boring people and drink in peace,” she records Steinbeck saying on this occasion. Amen, Great American Writer.

(20) LETTERS TO SANTA. The Guardian found the North Pole in an unexpected place: “Santa Claus, Indiana gets 20,000 letters a year – and ‘elves’ reply to all of them”.

The letters, sometimes addressed to Santa Claus, Indiana, sometimes to just “Santa Claus”, come from all over the US, and even from outside the country. They’re processed by a team of 300 “elves” who write personal replies – penning up to 2,000 notes a day.

“It’s an amazing thing making children happy,” said Pat Koch, the town’s Chief Elf. Koch, 86, is in charge of the mammoth effort. She’s been handling Santa’s correspondence since she was 11 years old.

“We just sit in there and laugh and cry,” Koch said.

“We get letters from children that say: ‘We learned to use the potty’ – well, their mother writes for them – ‘So we hope Santa will come’.

“Or they stopped sucking their thumb. Or some children write very sad letters: ‘I’m living with my grandma and I want to be with my daddy.’”

The elves also receive mail from older people who are lonely and want a letter from Santa, Koch said. Sometimes inmates write to Santa Claus, asking him to send a letter to their children. Post arrives from as far away as Japan, China and Malaysia. Each is read and responded to.

(21) WRATH OF KHAN REVISITED. Orange Band gives old movies the trailers they deserve.

[Thanks to Cat Eldridge, JJ. Carl Slaughter, Martin Morse Wooster, Andrew Porter, Brian Z., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Documentary Explores Lewis, Tolkien, and World War I

A five-part documentary film series A Hobbit, a Wardrobe, and a Great War about “the transformative friendship between C.S. Lewis and J.R.R. Tolkien forged amid the trauma of war,” is in production. The film’s release date is set for November 11, 2018, to coincide with the 100-year anniversary of the end of World War I.

Joseph Loconte

The documentary film series, “A Hobbit, a Wardrobe, and a Great War,” explores how the experience of two world wars shaped the lives and literary imagination of two internationally famous authors and friends, J.R.R. Tolkien and C.S. Lewis. Based on Joseph Loconte’s New York Times bestseller, the film examines how Tolkien’s combat experience during the First World War—at the Battle of the Somme—launched him on his literary quest.
The film reveals how the conflict reinforced Lewis’s youthful atheism—he was injured in combat—but also stirred his spiritual longings. The film traces the careers of both men at Oxford University, and their deepening friendship as they discover a mutual love of medieval, romantic literature. Facing the threat of another world war, Tolkien and Lewis reach back into their earlier experience of war as they compose their epic works of fantasy, The Lord of the Rings and The Chronicles of Narnia.

The filmmakers’ goal is “to make the Christian vision of Lewis and Tolkien, both veterans of the Great War, part of the cultural conversation.”

Diana Glyer

Besides author Loconte, scholars appearing onscreen include Colin Duriez, Diana Glyer, Malcolm Guite, Debbie Higgens, Walter Hooper, Stuart D. Lee, and Michael Ward. View the five-minute trailer, where you can see Diana briefly at 1:48, and again at 3:35.

Ready Player One – Official Trailer

Warner Bros. Ready Player One is coming to theaters March 30, 2018

From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon.

The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.

Spielberg directed the film from a screenplay by Zak Penn and Ernest Cline. The film was produced by Donald De Line, Spielberg, Kristie Macosko Krieger and Dan Farah; with Adam Somner, Daniel Lupi, Chris DeFaria and Bruce Berman serving as executive producers.

“Ready Player One” stars Tye Sheridan (“X-Men: Apocalypse,” “Mud”), Olivia Cooke (“Me and Earl and the Dying Girl,” “Bates Motel”), Ben Mendelsohn (“Rogue One – A Star Wars Story,” “Bloodline”) and T.J. Miller (“Deadpool,” “Silicon Valley”), with Simon Pegg (the “Star Trek” movies, the “Mission: Impossible” movies) and Oscar winner Mark Rylance (“Bridge of Spies,” upcoming “Dunkirk”).

ComicMix Suffers Setback in Star Trek/Seuss Mashup Lawsuit

Revoking part of an order she handed down this summer, federal Judge Janis L. Sammartino ruled December 8 that Dr. Seuss Enterprises gets to engage both copyright and trademark claims in a lawsuit against ComicMix for a crowd-funded book project titled Oh, The Places You’ll Boldly Go!

The litigation began last November, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go!, featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go!

The judge had dismissed the trademark infringement portion of the claims in June (“ComicMix Gains Partial Victory in Dr. Seuss Lawsuit Over Literary Mash-Up”), however, The Hollywood Reporter story “Lawsuit Over Mashup of ‘Star Trek’ and Dr. Seuss Gets Past Alpha Quadrant” said the judge has considered an amended complaint and is allowing all the claims to move forward including one for unfair competition. (Here’s the full opinion.)

The biggest difference is the analysis of trademark and quite notably, what is causing ComicMix some trouble on that front is the font of its title.

Nominative fair use is an important concept in trademark law, referring to certain allowances to use another’s mark for purposes like commentary, criticism, comparative advertising, or parody. The standards were articulated by an appeals court in 1992 in a case where newspapers used toll numbers to conduct polls of The New Kids on the Block.

Sammartino looks at three factors to determine whether ComicMix has an appropriate defense of nominative fair use in this dispute. On two of those factors — whether the product in question is readily identifiable without use of the trademark and whether ComicMix has done acts that would falsely suggest sponsorship or endorsement by Dr. Seuss Enterprises — the defendants get the edge. But ComicMix can’t dispense with the trademark and unfair competition claims thanks to that other factor — whether its use of Dr. Seuss’ mark is more than reasonably necessary to identify it.

The mark in question is the title, “Oh, the Places You’ll Go!”

Judge Sammartino explained:

Defendants not only use the words ‘Oh! The Places You’ll Go!’ in the title of Boldly but also use the exact font used by Plaintiff. The look of the lettering is unquestionably identical on both books, down to the shape of the exclamation point. This situation is similar to that in Toho [a precedent case]. The Court finds it was unnecessary for Defendants to use the distinctive font as used on Go! to communicate their message (i.e., that Boldly is a mash-up of the Go! and Star Trek universes).

The reference to Toho is a callback to a case made by Toho, the controller of the Godzilla intellectual property, against a book publisher in 1998.

Glenn Hauman portrayed the decision to ComicMix readers in a positive light, focusing on this part of the ruling — “Judge rules that an illustration style can’t be a trademark”.

Yesterday, Judge Janis Sammartino handed down a ruling in our ongoing case, Dr. Seuss Enterprises v. ComicMix, allowing the case to proceed to discovery while narrowing the allegations in significant ways.

Quoting from the decision:

Plaintiff cited no authority to support its assertion that its general “style” is a protectable trademark. Plaintiff only argues that the book can be subject to both trademark and copyright protection and that distinctive characters can qualify as trademarks. Plaintiff claims the Ninth Circuit has recognized Plaintiff owns trademark rights to “the character illustration of the Cat [in the Hat’s] ‘stove-pipe hat’.” But the illustration of the Cat’s hat is different than the general “illustration style” and non-specific “characters and backgrounds found throughout” Plaintiff’s books, in which Plaintiff asserts trademark rights now. And Plaintiff does not allege trademark rights in any specific character or background image in [Oh, The Places You’ll] Go! The Court is not holding illustrations of specific characters within Go! are precluded from trademark protection, but at this stage of the proceedings and based on the information in front of the Court, the Court finds that Plaintiff’s claimed general “illustration style” is not protectable.

Hauman continued:

…When we speak of an artist’s “trademark style” we’re not actually speaking of a legal trademark, and as such it’s not something that can be legally claimed.

And this means that if, say, Ty Templeton draws a portrait of me looking like I was drawn by Dr. Seuss, there’s not a thing Dr. Seuss Enterprises can do about it.

Of course, this is generally a good thing. This means that no artist can be charged with stealing someone else’s “trademark style” or the way they draw (or for that matter, how they shoot a photograph or a movie). We all learn from each other, we all influence each other— particularly in comics— and we all build on other works and artistic traditions and styles to create new works of art to tell stories.

The judge summed up her decision — “the Court again cannot say as a matter of law that Defendants’ use of Plaintiff’s copyrighted material was fair,” which could be up to a jury if the case goes to trial. She denied ComcMix et al’s motions to dismiss DSE’s claim of copyright infringement, trademark infringement and unfair competition.

[Thanks to Carl Slaughter for the story.]

Pixel Scroll 12/9/17 All Pixels Great And Small

(1) EVERYBODY’S TALKIN’. Fleen continues its epic roundups about the Patreon controversy and lists the alternatives:

The logic of the decision is, if not in my opinion sound, at least defensible, but Patreon didn’t trust its users enough to defend it. The (best reading) incompetent or (worst reading) dishonest way they treated their user base is a mark that will persist. Kickstarter is smart enough to keep to their plans for Drip, maybe speed things up by 10%, but they won’t rush to open the gates to all; they know that as the invites go ever wider (and when they’re ready, invites are no longer needed), creators that don’t trust Patreon any more will be waiting to shift. Ko-Fi, Venmo, Paypal, Tippeee, Flattr, Google Wallet, and other means of cash transfer are suddenly burning up the search engines.

(2) BOTTOM LINE. Three-time Hugo-winning professional artist Julie Dillon tweeted daggers at Patreon management. Jump onto the thread here:

(3) WITHOUT REPRESENTATION. Rose Lemberg compares the Patreon fee rollout with another fiasco:

(4) WHO VIEW. Here’s the newest Doctor Who Christmas Special trailer.

(5) BRAVE NEW WORDS AWARD CREATED. “Starburst Launches Brave New Words Book Prize”. Nominations are being accepted through the end of the year. Submission guidelines at the link.

STARBURST Magazine, the world’s premier platform for new and exciting genre media, is pleased to announce that it will now have a prize for genre-related writing. The award ceremony will be part of The STARBURST Media City Festival.

The Brave New Words award is for someone who produces break-out literature that is new and bold. We are looking to highlight exciting work that breaks new ground in the field of Cult Entertainment.  Editors, writers, publishers, and bloggers can be nominated. We are looking for works produced in 2017. A shortlist will be announced early 2018 and the winner will be announced at The STARBURST Media City Festival, at Salford Media City 16th – 18th March 2018.

The panel of judges will be announced soon.

(6) ECLECTIC WORKS. The Economist has posted a wide-ranging list of the “Books of the Year 2017” – two fiction titles are of genre interest.

Fiction

Lincoln in the Bardo. By George Saunders. Random House; 368 pages; $28. Bloomsbury; £18.99
Abraham Lincoln’s son dies young and enters a multi-chorus Buddhistic underworld. One of the year’s most original and electrifying novels.

Austral. By Paul McAuley. Gollancz; 288 pages; £14.99
A chase thriller set in late 21st-century Antarctica that combines elements of Jack London, J.G. Ballard and William Gibson. A significant contribution to writing about the anthropocene.

(7) MORE ON COMIC CON LITIGATION. Rob Salkowitz gives Forbes readers a pro-San-Diego spin on the verdict in “Jury Decides For San Diego Comic-Con In Trademark Suit”.

‘David vs. Goliath?’ Farr and Brandenburg also saw advantages in taking their case public, rallying fans to the idea that “comic con” belongs to everyone, not one particular institution. They ran a coordinated campaign on social media including promoted Facebook posts, marshalling an online army of supporters to comment, upvote and retweet their position and paint themselves as altruistic “Davids” standing up to the “Goliath” of SDCC, which is seen by some as the embodiment of commercialism and Hollywood hype.

It was disclosed in court proceedings that the two organizers voted themselves bonuses of $225,000 each as they were mounting a crowdfunding campaign to get fans to pony up for their legal defense. However, the comment threads on SLCC’s posted content indicated that the tactics were effective in mobilizing fan anger.

“Comic-Con is a Brand.” CCI, meanwhile, saved its best lines for the court. They asserted that Comic-Con was a brand recognized to apply exclusively to the San Diego show, and offered in evidence a survey showing that more than 70% of respondents agreed. The validity of the survey was called into question by SLCC attorneys during the trial but the jury appeared to accept it as proof.

“This is a brand that we must protect from these defendants and anyone else who seeks to exploit or hijack it,” Bjurstrom said.

SDCC’s lawyers also asserted the defendants knew this to be the case when they launched their own event, an assertion the jury apparently rejected in their deliberations regarding damages. In filings seeking summary judgment, Comic-Con produced emails and public statements by Farr and Brandenburg boasting of how they sought to “hijack” the media notoriety of SDCC to boost their own event, and settled on the name “comic con” expressly to leverage fan enthusiasm around the festival that draws upwards of 140,000 to San Diego each July and generates billions of media impressions and coverage during its 4-day run.

(8) PAUL WEIMER. Book Smugglers continue their own unique holiday season with “50th Anniversary of The Prisoner – Paul Weimer’s Smugglivus Celebration”.

The Prisoner is the story of an nameless British secret service agent, played by Patrick McGoohan. McGoohan was no stranger to playing spies and secret agents. McGoohan had previously played a British secret service agent, John Drake, in Danger Man. Patrick McGoohan, based on the strength of his performance in that show, had been offered the role of James Bond in Dr. No, but had turned it down. That would have been a rather strange thing if he had accepted, because the no-nonsense John Drake is erudite, thoughtful, not much of a lady chaser and quite different than James Bond in other aspects as well. Whilst filming The Prisoner, McGoohan would also get the role of a British secret agent in the Cold War spy thriller Ice Station Zebra. He also would be asked again, and to turn down again, James Bond, for Live and Let Die.

(9) MOSAIC AUTOBIOGRAPHY. The University of Oregon Libraries’ magazine Building Knowledge has compiled a first-person Ursula K. Le Guin biography [page 20, PDF file] “illustrated with her personal keepsakes, told (mostly) in her own, inimitable words” all drawn from the collections of the UO Libraries.

“If I can draw on the springs of ‘magic,’ it’s because I grew up in a good place, in a good time even though it was the Depression, with parents and siblings who didn’t put me down, who encouraged me to drink from the springs. I was encouraged by my father, by my mother. I was encouraged to be a woman, to be a writer, to be any damn thing I wanted to be.”

Jeffrey Smith sent a note with the link:

It’s a snowy day here in the east, so I’ve been going through the week’s mail. I just received the Fall 2017 issue of the University of Oregon Libraries’ magazine Building Knowledge, and started flipping through it before throwing it out, and found myself reading quite a bit of it. After enjoying the article on the book about Oregon’s marine invertebrates, I continued paging through and was surprised to see an article on Ursula Le Guin (page 20), with some great old family photos (many of which I had seen the last time I was out at UO) — there’s also one on the inside back cover. Then I turned the page and saw my own picture (bottom of page 24).

Guess I won’t be tossing this out after all.

(10) IAN WATSON. An Ian Watson interview at The Bloghole: “Space Marine! And an Interview with a Legend”.

Firstly, Space Marine, and the Inquisition trilogy which started with Draco, were the first “proper” novels set in the Warhammer 40k universe. I know it was a little while ago, but was there much input from Games Workshop at the time, or were you left to your own devices in terms of how you chose to interpret the setting?

[IAN WATSON] Go back quarter of a century and Mr Big was Bryan Ansell, Managing Director/Owner of GW who wanted to read “real” novels by “real” novelists set in his beloved Warhammer domains. As intermediary Bryan hired David Pringle, editor of Britain’s leading SF magazine Interzone, operating from Brighton as GW books. David had already recruited half a dozen authors who regularly contributed stories to Interzone, but no one would touch Warhammer 40K with a bargepole. So it fell to me to read Rogue Trader and many other encyclopedic publications which Nottingham HQ proceeded to send me, including printouts of nonfiction work-in-progress such as the manual of Necromunda, and much else. Bryan Ansell did send me quite a long letter lovingly detailing the sounds which 40K weaponry should make, so that I should be geared up sensually to describe combat. As far as I’m aware (though beware of false memory!) I was given no instructions at all regarding plot or characters and I simply made up the story, within the constraints of what I knew about the 40K universe. I toured the 40K universe, and after a few years the GW games designers decided that they disapproved of a broad approach, compared with single-action novels set on single worlds. (Those are more compatible with games, of course.)

(11) NEW LEADERSHIP FOR WADE CENTER. The Marion E. Wade Center of Wheaton College, Illinois is a major research collection of materials by and about seven British authors: Owen Barfield, G.K. Chesterton, C.S. Lewis, George MacDonald, Dorothy L. Sayers, J.R.R. Tolkien, and Charles Williams. The college has announced who the new directors of the Center will be: “Introducing Newly Named Wade Co-Directors Crystal and David C. Downing”.

Dr. Crystal Downing is currently Distinguished Professor of English and Film Studies at Messiah College, PA. She has published on a variety of topics, with much of her recent scholarship focused on the relationship between cultural theory and religious faith. Her first book, Writing Performances: The Stages of Dorothy L. Sayers (Palgrave Macmillan 2004) received an international award from the Dorothy L. Sayers Society in Cambridge, England in 2009. The thought of Sayers and C.S. Lewis is evident in Crystal’s next two books, How Postmodernism Serves (My) Faith (IVP Academic 2006) and Changing Signs of Truth (IVP Academic 2012). The success of her fourth book, Salvation from Cinema (Routledge 2016) has led to her current book project, The Wages of Cinema: Looking through the Lens of Dorothy L. Sayers. Crystal has received a number of teaching awards and was the recipient of the Clyde S. Kilby Research Grant for 2001 from the Wade Center.

Dr. David Downing currently serves as the R.W. Schlosser Professor of English at Elizabethtown College, PA. He has published widely on C.S. Lewis, including Planets in Peril: A Critical Study of C.S. Lewis’s Ransom Trilogy (UMass 1992), The Most Reluctant Convert: C.S. Lewis’s Journey to Faith (IVP 2002), which was awarded the Clyde S. Kilby Research Grant for 2000, Into the Region of Awe: Mysticism in C.S. Lewis (IVP 2005), and Into the Wardrobe: C.S. Lewis and the Narnia Chronicles (Jossey-Bass 2005)….

They follow Wade founder and first director Clyde S. Kilby (1965–1980), director Lyle W. Dorsett (1983–1990), and director Christopher W. Mitchell (1994–2013).

(12) TODAY IN HISTORY

  • December 9, 1983  — John Carpenter’s adaptation of Stephen King’s Christine premieres.

(13) MAKE THE KESSEL RUN IN 13 STEPS. You could make this. Disney Family has the recipe: “Nothing Says the Holidays Like a Millennium Falcon Gingerbread Starship”. The final step is —

Attach the cockpit (piece #3). Then start decorating the Millennium Falcon! Use frosting to outline the ship, add details, and attach cookies, chocolate wafers, peppermints, chocolates, and candies.

(14) THE GAME IS SLOW AFOOT. The Hollywood Reporter knows “Why ‘Game of Thrones’ Won’t Return Until 2019”.

At least one more full winter will pass until the winter of Westeros arrives one last time, as the final season of Thrones will not arrive until 2019. Production on the eighth and final season began in October and will reportedly run through August 2018 — a full year following the season seven finale, all but dashing any prospects for Thrones‘ arrival in the next calendar year.

“Our production people are trying to figure out a timeline for the shoot and how much time the special effects take,” HBO programming president Casey Bloys told The Hollywood Reporter over the summer about the long wait between seasons of Thrones. “The shooting is complicated enough — on different continents, with all the technical aspects — and the special effects are a whole other production period that we’re trying to figure out. That is a big factor in all of this.”

(15) VERSE ON THE WEB. Here’s the teaser trailer for Spider-Man: Into the Spider-Verse.

Enter a universe where more than one wears the mask. Watch the Spider-Man: Into The Spider-Verse trailer now, in theaters next Christmas

 

(16) DEL TORO DEL MAR. Now that it’s officially out, NPR’s Chris Klimek says  The Shape of Water is An Elegant Fable Of Starfish-Crossed Lubbers”.

The Shape of Water, the latest R-rated fairy tale from Mexican auteur Guillermo del Toro, offers a sense of what might spawn if those two Rimbaldi feature-creatures were to mate. The Spielbergian gentleness wins out, by a lot, making for a hybrid that’s just a little too cuddly to rate with The Devil’s Backbone or Pan’s Labyrinth, del Toro’s twin masterpieces. I wish his new film had spent at least a little time being frightening before it phased into aching and swooning; with its lush evocation of longing amid gleaming midcentury diners and cinemas and Cadillacs, SoW sometimes feels like The Carol of the Black Lagoon. But it’s a transporting, lovingly made specimen of escapism — if it’s possible for a movie that depicts a powerful creep blithely abusing women in the workplace to count as escapism — and easily the strongest of del Toro’s seven English-language features, though it spin-kicks less vampire butt than Blade II did. To place yourself in GDT’s hands, as he tells the type of story he tells better than anyone else, is a rich pleasure.

(17) BOUNCING MATILDA. Can you hear this GIF? BBC explores “Why some people can hear this silent gif”. “An optical illusion for the ears” –apparently not new, but it’s news again.

Dr DeBruine received more then 245,000 responses from people claiming to hear a sound accompanying the animation, with 70 per cent of respondents saying they could hear a thudding sound.

(18) DISSECTING ANOTHER HOLIDAY. Having vented about Thanksgiving in the first, John C. Wright’s second Dangeous column is: “It’s Not Just the Décor. Why the Left Truly Hates Christmas”.

In the culture of life, life is a gift from the hand of the Creator. It is not ours to decide to keep or to destroy. In the culture of life, your life is not your own.

This means your unborn daughter or your grandmother in the terminal ward can live, despite any pragmatic, dead-eyed, empty-hearted, cost-cutting reason to murder her.

That is the end goal of all of this. The end goal is a black mass where innocent life is sacrificed. Nothing is sacred but the whim of Caesar. No one prospers, but Moloch feeds.

Yes, strange as it sounds, that is what is at stake.

The War on Christmas is a war by the unhuman against the human.

(19) END GAME. Bob Byrne tells “the story of how TSR destroyed one of the greatest wargaming companies in history” in “Simulations Publications Inc: The TSR Incursion” at Black Gate.

The death blow came in 1982 and it would be delivered by Brian Blume, who initially looked like a white knight. Well, at least a moderately gray one. Wagner and SPI secured a $425,000 loan from TSR, secured by its assets and intellectual properties (uh oh!).

The majority of the loan was used to repay the venture capitalists, which eliminated that problem, but it was the modern day equivalent of getting an advance on your credit card to pay down the existing balance on another credit card. You still have to pay off that second credit card advance.

Only two weeks later, TSR called in the loan, which SPI had absolutely zero ability to pay back. TSR announced in March that it had “initiated a legal and economic chain of events” to buy SPI. Once it realized the company’s debt situation, it backed off of that and stated that TSR had acquired the company’s assets, but not its debts. I’m still not sure how TSR got away with that.

WOW! How can you look at it in any other light than that TSR lent the money so it could immediately foreclose on SPI and acquire all its games? I mean, yeesh.

(20) NEW ART EXHIBIT. Tove Jansson is profiled by Dominic Green in The New Criterion. “Adventures in Moominland”. “Tove Jansson” opened at the Dulwich Picture Gallery, London, on October 25, 2017 and remains on view through January 28, 2018.

It was a Swedish actress, Greta Garbo, who said she wanted to be alone, and a Swedish director, Ingmar Bergman, who documented what it felt like. It was, however, Tove Jansson (1914–2001), a Swedish-speaking Finn, who may have produced the most truthful record of the inner life of postwar Scandinavia. Best known in the English-speaking world as the illustrator of the Moomintroll comic strips, Jansson was also a painter, cartoonist, and writer of stories for children and adults. In Scandinavia, the breadth of her work is common knowledge. The Helsinki Art Museum contains a permanent Jansson gallery, and sends visitors out on a “Life Path of Tove” sculpture trail around her hometown. There is even a Moomin Museum in nearby Tampere, featuring the Moominhouse, a five-story doll’s house that Jansson built. And posthumously, the Moominlegend has incorporated Jansson’s complex and often unhappy private life.

“Tove Jansson,” now at London’s Dulwich Picture Gallery, is a comprehensive survey, and the first Jansson exhibition designed for a foreign audience

(21) LATE NIGHT LAST NIGHT. Lost ‘Star Wars’ Footage Of Luke Skywalker At The Cantina.

[Thanks to Andrew Porter, Diana Glyer, JJ, John King Tarpinian, Ed Fortune, Jeff Smith, Chip Hitchcock, Stephen Burridge, Carl Slaughter, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Detecting SF in
Murdoch Mysteries

By David K.M. Klaus: I found Murdoch Mysteries by following disparate links, always one of the great things about the Web.  It looks like great fun.

Seasons 1-6 are on Hulu, 1-7 on Netflix, and 1-8 on Amazon, and I suspect you have at least one of those services; also on DVD and Blu-ray, and there are connected webisodes, in which the viewer is invited to solve the case through clues in each one.  This Wikipedia page includes Canadian availability since it is a Canadian show, with Australian, British, and even French availability.

There is a definite science-fictional element as this is set at the turn of the 19th-20th Centuries, yet Murdoch invents prototypes for cases or foresees more modern devices using the technology of the time — sonar, microwave ovens, airships, bit-mapped graphics using a letter-number coordinate color code on a telegraph to send a fax, Silly-Putty (!), even the game Clue.

There’s a subplot in which one character, a police constable, spends an entire season trying to write a fantasy novel.  There are two cross-overs with future (that is, now) detective shows through two different means.

Guest characters include Arthur Conan Doyle, Mark Twain (portrayed by William Shatner), H. P. Lovecraft, Harry Houdini, Jack London, Nicola Tesla, Thomas Edison, the Wright Brothers, Alexander Graham Bell, and more.

There have been many guest stars who have been in sf genre shows such as Colm Meany, Victor Garber, Trenna Keating, Aaron Ashmore, Samantha Bond, David Hewlett, Robbie Arnell, etc.

It’s even had Colin Mochrie, who described himself as the last Canadian actor who hadn’t been on the show before (not actually true, but close), like one theater actor of whom I read who described himself as the only New York actor who had never been in an episode of Law & Order.  

It hasn’t had Benedict Cumberbatch, Julian Glover, William B. Davis, Adam Baldwin, Alan Tudyk, or Jewel Staite, but if the show is on long enough, they will be inevitable because the show will be running out of actors.

It has had Canadian fan Yvonne Penney, who won a walk-on role and appeared in two episodes.

Yvonne is in the background between Julia and William (pink hat).

If you already know all of this, sorry, it’s just that even though it’s been Emmy-nominated in the U. S., I never heard of it before and I’m looking forward to watching it.

Pixel Scroll 12/8/17 Is There A Hologram On My Shuttlecraft That Says ‘Dead Klingon Storage’?

(1) CHECK-IN. The 1954 Worldcon chair Les Cole and Esther Cole, who live in the vicinity of the Ventura, CA fires answered Rich Lynch’s query about how they are doing —

Thanks for asking. Les and I and doggies are OK. Fire went passed us. The air is heavy, so we stay indoors. Much of southern California is rough.

(2) HERBERT MAY BE HONORED BY HOMETOWN. Metro Parks Tacoma Public Information Manager Michael Thompson says a recommendation to name a local peninsula “Dune Peninsula at Point Defiance Park” and its loop trail “Frank Herbert Trail” probably will go to the Park Board for a vote in January. The proposal has been working its way through the system for some time. The News Tribune has an update: “‘Dune’ author Frank Herbert finally set to get his due in his hometown of Tacoma”:

While the Metro Parks Board will have the final say on the matter — and it’s the elected body’s prerogative to deviate or tweak — it’s clear that the public has spoken, and Metro Parks’ staff has attempted to listen. During a public outreach effort earlier this year, more than 500 possible names were submitted via an online survey. The majority of responses referenced Herbert or “Dune.”

“This name provides a simple, evocative identifier that highlights the uniqueness of the peninsula remediation and new park features,” according to the staff recommendation. “On a literary level, it honors the name of the book series by Frank Herbert, a famous Tacoma author, which was inspired by the environmental history of Tacoma’s Asarco copper smelter site, directly adjacent to the peninsula.”

Last month, Thompson helped a local radio reporter tour the peninsula with park commissioner Erik Hanberg. “‘Dune’ And The City Of Destiny: How Tacoma Inspired One Of The World’s Most Acclaimed Sci-Fi Authors”.

If you go to the base of Point Defiance in Tacoma and look east, you’ll see a finger of earth jutting into Puget Sound.

It formed as toxic slag spilled from a copper smelter during the city’s industrial heyday.

For years, it was a foreboding sliver of black, glassy material. Today, workers and machines roam the peninsula as they transform it into a grassy park with Puget Sound views.

Tacoma Metro Parks Commissioner Erik Hanberg has a space-age term for what’s going on there. He calls it “terraforming.”

(3) BACK TO THE STACK. Doris V. Sutherland does a good job framing the issues in “Rocket Stack Rumpus: Critics, Authors, and Non-Binary Science Fiction” accompanied by light analysis. Sutherland concludes:

Greg Hullender responded by writing an apology-cum-rebuttal in collaboration with Eric Wong and altering the offensive reviews. Despite this, he has paid a high price for his faux pas. Locus decided that he was unfit to recommend stories to readers and removed him from its reading list jury, making the following announcement on Twitter.

Thank you to those who brought their concerns about RSR to our attention. Greg Hullender will not be involved in the Locus Recommended Reading List. We support our wonderfully complex and diverse SF community, and hope for continued positive dialogue on these issues.

The reference to positive dialogue seems out-of-place. The Rocket Stack Rumpus marks a breakdown in communications all around, from a reviewer missing the point of the stories he was covering, to authors misreading his reviews in turn. Meanwhile, the issue of Rocket Stack Rank’s provincial approach to stories set against non-Western cultural backdrops–as flagged up by Rose Lemberg in this Twitter thread–ended up being lost alongside Hullender’s misunderstanding of non-binary SF, which is perhaps a secondary issue.

There may well be positive dialogue to come out of the controversy, but at the present moment, there is little of it to be seen.

(4) MEAT AND PROPER. Autocorrect is being blamed rather than legislators falling down on the job: ” Typo in Bill C-45 legalizes cannibalism instead of cannabis”.

Canada is one step closer to the accidental legalization of cannibalism after the House of Commons passed a typo-ridden Bill C-45, formerly known as The Cannabis Act.

“I think no one wanted to be the one to point out the error,” MP Sara Anderson said. “We all thought someone else would do it, and then they called the vote, and here we are, all voting to legalize cannibalism.”

(5) RADICAL CHANGE. If this catches on, Twitter will get awfully quiet.

(6) ANDERS STORY COLLECTION. At Locus Online, “Rachel Swirsky reviews Six Months, Three Days, Five Others by Charlie Jane Anders”.

Anders’s unique humor provides a uniting theme. Only some of the stories are explicitly comic, but all benefit from her linguistic wit and her quirky but generous characterization. Her stories seem to say with affection, “People. We’re weird. What can you do?” She’s particu­larly good at tailoring prose to her characters, revealing their lives through their diction. Char­acters go to “one of those mom-and-pop Portu­guese places” and “the kinda-sorta gay bar.”

(7) MCDUFFIE AWARD OPEN. The 4th Annual Dwayne McDuffie Award for Diversity in Comics is taking entries until December 31.

Please attach a link or a 15mb .PDF file of the work to be considered. When submitting work, we strongly suggest sending the first issue of a series. If submitting anything other than the first issue, a one-page synopsis of what came before must accompany the submission. Also, we suggest sending the first 25-30 pages or first chapter of a graphic novel. We cannot guarantee anything more will be considered. If one is available, please also attach a .JPG photo of the entrant to the email. Please do not include any further attachments.

The award’s three new selection committee members are Jennifer de Guzman, Jamal Igle and Mikki Kendall, who join Mark D. Bright, Joan Hilty, Heidi MacDonald, Kevin Rubio, Gail Simone, and Will J. Watkins.

(8) ELIGIBILITY POSTS. Cat Rambo is doing her annual award eligibility post round-up, this year including editors, publishers, and magazines: “2017 Award-Eligible Work Blog Posts & Roundups for F&SF”. Right now there are about 20 entries on the list. She will be doing daily updates.

(9) CLASS TOMORROW. Cat Rambo says there is still space, including a couple of free slots, in the December 9 class “Speculative Poetry with Rachel Swirsky”.

Next classes are Saturday, December 9 – 9:30-11:30 AM or Wednesday, February 7, 2018, 4-6 PM. (Each class is a separate session.)

Poetry requires intense linguistic control. Every word matters. Whether you’re a poet who wants to create fantastical verses, or a prose writer who wants to learn the finely tuned narrative power that poetry can teach, you’ll find something in this class.

(10) WRITER’S LIFE. A short interview with Ursula K. Le Guin at Shelf Awareness:

Who do you write your blog for? Do you ever read the comments, and if so, what do you learn from them, if anything?

I write them for anybody who wants to read them. (Writers live in hope.)

Yes, sure, I read all the comments. They’re mostly good-natured, and some are thoughtful and enlightening.

You say that dystopian literature is yang-driven, and its opposite–utopian literature–is also yang-driven. Is there a literature that presents a realistically complex vision of a world in balance? Or is that just fantasy?

Of course it’s just fantasy. That’s why I write fantasy…

(11) NOBODY LIKES BEING SLAPPED. Cat Rambo, talking about writers and audiences: “Nattering Social Justice Cook: This Is Not A Review”.

So why did this book hit me so hard in an unhappy place? Because it was so smart and funny and beautifully written and involved connected stories about a favorite city and magic, which are three of my favorite things. And because it had a chapter that was one of the best short stories about addiction that I’ve read, and that left me thinking about it in a way that will probably shape at least one future story.

And yet. And yet. And yet. Women were either powerful and unfuckable for one reason or another or else fell into the category marked “women the protagonist sleeps with”, who usually didn’t even get a name. Moments of homophobic rape humor, marked by a repeated insistence on the sanctity of the hero’s anus, and a scene in which he embraces being thought gay in order to save himself from a terrible fate, ha ha, isn’t that amusing. And I’m like…jesus, there is so much to love about this book but it’s like the author reaches out and slaps me away once a chapter or so.

(12) TODAY IN HISTORY

  • December 8, 1991 Hook premieres in Hollywood.

(13) TODAY’S BIRTHDAY BOY

  • Born December 8, 1950 – Rick Baker, the Monster Maker

(14) COMICS SECTION.

  • John King Tarpinian saw that First Contact isn’t going too well in Close To Home.

(15) END OF THE MAZE. Maze Runner: The Death Cure comes to theaters January 26.

In the epic finale to the Maze Runner saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.

 

(16) CONTRARIAN. Go figure. While Patreon was in flames yesterday, Jon Del Arroz climbed aboard — “Jon Del Arroz Patreon Launch!”.

(17) EWW. It’s admittedly a mixed message when I say “Don’t look!” then put in a link anyway — “Here’s What It Looks Like When You Fry Your Eye In An Eclipse”.

“We were very surprised at how precisely concordant the imaged damage was with the crescent shape of the eclipse itself,” noted Dr. Avnish Deobhakta, a retina surgeon at New York Eye and Ear Infirmary of Mount Sinai in New York, in an email to NPR.

He says this was the most severely injured patient they saw after the eclipse. All in all, 22 people came to their urgent care clinic with concerns about possible eclipse-related damage, and most of them complained of blurred vision. Of those, only three showed some degree of abnormality in the retina. Two of them had only mild changes, however, and their symptoms have gone away.

The young woman described in this case report, at last check, still has not recovered normal vision.

(18) SUPPORTING SPACE EXPLORATION. Bill Nye says The Planetary Society’s latest collaboration with the Chop Shop store is mission posters for kids, like this one:

(19) TENTACLE TIME. In the garden: “‘Underwater city’ reveals mysterious octopus world”.

Once thought of as solitary creatures, scientists discover ‘underwater city’ full of octopuses living side by side

A couple of assumptions are often made about octopuses. First, that they are smart. There is truth in that: octopus behaviour such as tool use, predation techniques and puzzle-solving suggest a higher level of intelligence than other invertebrates. Everyone has watched an octopus unscrewing a jar.

Second, they have a reputation for being solitary. So solitary in fact that an official collective noun for octopuses doesn’t even exist (though ‘tangle’ has been suggested).

This may have to change, however. Over the last decade, scientists have discovered that octopuses aren’t always lone beasts. In fact, octopuses engage in rich, fascinating and unusual behaviours when they interact with each other.

(20) PATREON SURVIVOR, IF POSSIBLE. Cat Rambo is weathering the storm by asking readers how to add more value to her Patreon campaign (and also whether or not to bail from it): https://www.patreon.com/catrambo

Cat She says, “I’ve lost about 15% of my income from there so far, but I’m a very minor player. however if there is something the F&SF is not seeing from me but desperately yearns for, now’s the time to weigh in: “Patreon Changes”.

(21) FRONT PAGE NEWS. I have added to the File 770 sidebar a link to John Hertz’ review of The Glass Bead Game (Hesse), which has found a permanent online home.

(22) KRYPTON. SyFy has put out a teaser trailer for its series about Superman’s homeworld. ScienceFiction.com sums it up:

The series is set two generations before the destruction of the Man of Steel’s home planet. ‘Krypton’ follows Superman’s grandfather (Cameron Cuffe), whose House of El was ostracized and shamed, as he fights to redeem his family’s honor and save his world from chaos. The Seg-El name is both a nod to Superman co-creator Jerry Siegel and a reference to John Byrne’s 1980s miniseries, ‘The World of Krypton.’ Cameron Cuffe is set to play Seg-El alongside with Georgina Campbell as Lyta Zod.

 

(23) THE DARK SIDE. Charles Payseur turns his attention to dark fantasy and horror in “Quick Sips – The Dark #31”.

December brings a pair of stories to The Dark Magazine that focus sharply on observation and theater. In both, women drawn into roles where they are closely watched by men, and in both these experiences are further framed in terms of a sort of voyeurism. In one, a woman is filed, in the other, a woman is part of a play. Both feature stages and bring the reader in as spectators and in some ways as participants. We are the eyes that act as camera and as audience.

(24) BLOW BY BLOW. Sci-Fi Design has a gallery of “Comic Book Covers Recreated Using Balloons”.

Comic book cover art is awesome. They use a variety of styles, but have you ever seen comic book covers that are made from balloons? These awesome balloon sculptures as comic book covers were created by Phileas Flash. They take days to make and the pieces themselves fit into a 10 foot by 10-foot space. Then photoshop is used to add the letters which are also balloons. I love all of the detail that he gets with this unusual medium.

(25) POP CULTURE SUMMIT. Rolling Stone took notes: “Alice Cooper on His Dinner With David Bowie and Ray Bradbury”.

After Cooper’s initial meeting with Bowie in the late Sixties, they later forged a friendship. Once, they even had dinner together with Fahrenheit 451 author Ray Bradbury. “It was really interesting, because these guys were in outer space somewhere,” he says. “They were talking about quantum physics, and I’m going, ‘So … what kind of car are you driving?'” Cooper laughs.

(26) CAMERON PROJECT. Alita: Battle Angel Official Trailer.

From filmmakers James Cameron and Robert Rodriguez. Alita Battle Angel is in theaters July 20, 2018. Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson.

 

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Cat Rambo, Greg Hullender, David K.M. Klaus, Carl Slaughter, Martin Morse Wooster, Rich Lynch, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Darren Garrison.]

Jury Decides in Favor of San Diego Comic-Con

A federal jury ruled today that Salt Lake Comic Con infringed on a trademark held by San Diego Comic-Con by using the words “comic con” in their name without permission. However, the jury did not award the $12 million in damages sought by San Diego Comic-Con, only $20,000, finding no willful infringement of the copyright by SLCC.

The case was tried in San Diego. Defendants Dan Farr and Bryan Brandenburg have said that if the verdict went against them, Salt Lake Comic Con would appeal to the Ninth Circuit Court of Appeals. They have previously told the media the court battle will not affect their ability to put on the next convention, which draws more than 100,000 people to the Salt Palace.

Deseret News reporter McKenzie Romero tweeted some specifics about the jury’s determinations:

[Thanks to Dave Doering for the story.]