(1) DANGER WILL ROBINSON! “’Lost in Space’ robot saved from Valley Village fire” reports Daily News.
TV and movie props that included a robot reportedly from TV’s “Lost in Space” were saved from destruction late Wednesday in Valley Village due to the efforts of Los Angeles firefighters.
The LAFD responded about 11:30 p.m. to a garage fire in the 5100 block of Whitsett Avenue. Firefighters attacked the blaze, which was electrical in nature, a fire department spokesman told a photographer at the scene.
The home belongs to a prop designer and special effects artist who was out of town at the time, according to a caretaker who woke to the smell of smoke.
(2) JOCULARITY. Two Easter hams are heard from.
Congrats @MidAmeriCon2 for being the first Worldcon in YEARS not to release a Hugo nominee list on Easter Saturday, ie Publicity Dead Zone.
— John Scalzi (@scalzi) March 27, 2016
— Kameron Hurley (@KameronHurley) March 27, 2016
(3) HEARSAY. Mark Evanier’s friend has convinced him this weekend’s blockbuster is “Not the World’s Finest” – as he explains at News From ME.
I don’t have a whole lot of interest in seeing the new Batman Vs. Superman movie, a film which has achieved something I didn’t think was possible. It actually caused my dear friend Leonard Maltin to use the word “sucks” in his review. Even Rob Schneider never managed that and lord, how he tried.
(4) PARAGRAPH FROM A FUTURE TRIP REPORT. GUFF delegate Jukka Halme outlined how he spent the day.
Sunday at Contact 2016 has been a small whirlwind. Moderated my first panel (Through New Eyes), which went really well. Chatted way too long at the Fan Fund table with the Usual Suspects. Bought books. Just a few. Waited ages for my Pad Thai at the hotel restaurant, that was brimming with people and not too many employees, Presented a Ditmar, with a little bit of Bob Silverberg routine (VERY little) to Galactic Suburbia. Held an auction for fan funds, which went smashingly well. And missed the bar, since this is a dry state and while it is apparently OK to sell alcohol during Easter Sunday, places either close up really early, or everybody had left the bar.
(5) AN AUTHOR’S USE OF NAVAJO CULTURE. “Utah author features Navajo characters, history in new science fiction thriller” in Deseret News.
After serving a mission for The Church of Jesus Christ of Latter-day Saints on a Navajo reservation in New Mexico, Robison Wells, who lives in Holladay, fell in love with both the area and the people he served. When he wrote his newest book, “Dark Energy” (HarperTeen, $17.99, ages 13 and up), which features several Native American characters and is scheduled to be released March 29, he worried about portraying them in the correct way.
“I wanted to show respect for the culture,” he said. “I didn’t want to appropriate their culture or their traditions.”
He sent his manuscript out to a lot of Navajo readers to get their reactions and tried to adjust his book accordingly. He knew writing a story centering on Native American characters and history would be a difficult and controversial thing to do, but he felt that it was such a compelling story that he had to tell it.
(6) ADDRESS FOR HAMNER CONDOLENCES. Anyone wishing to send a letter or card to the family may do so at the address below.
P.O. Box 220038
Newhall, CA 91322
(7) TODAY’S BIRTHDAY BOY
- Born March 27, 1963 — Quentin Tarantino
(8) TODAY’S BLOOD-PRESSURE BOOSTER. Jason Sanford says “The Retro Hugo Awards must be fixed”.
If any particular Worldcon wants to give out Retro Hugos, then e-book and/or online anthologies of eligible authors and stories must be made available to those nominating for the awards. And that must include works which are not in the public domain. Yes, it would take time to do this but I imagine most publishers and/or author estates would be willing to make the stories available for members at no cost.
But even if voters have access to stories from decades ago, it’s still unlikely that as many people will take part in the Retro Hugo nominating process as takes part in nominating for the regular Hugos. This, unfortunately, leaves the Retro Hugos open to missing important works and to being gamed.
To fix this here’s my next suggestion: Use a combination of juries and regular Worldcon members to nominate works for the Retro Hugos.
I know juries seem like the ultimate insider power play, but when you’re dealing with stories published 75 or 100 years ago it can be useful to have experts in that genre time period also nominating stories. Perhaps the jury could nominate two of the five works in each category, and Worldcon members could nominate three of five. This also seems like a sensible way to make sure the nominated stories are truly the best that year has to offer.
(9) CAN MUSK AFFORD A MARTIAN ODYSSEY? “Neil deGrasse Tyson to Elon Musk: SpaceX Is ‘Delusional’ About Mars”. A writer at The Motley Fool explains Tyson’s reasons.
In less than 10 years from now, SpaceX may or may not beat NASA in the race to Mars. Astrophysicist, Hayden Planetarium director, and host of the National Geographic Channel’s StarTalk Dr. Neil deGrasse Tyson is placing his bet on “not.”
“The delusion is thinking that SpaceX is going to lead the space frontier. That’s just not going to happen…” Tyson said in an interview with The Verge. Tyson laid out his arguments for why fans of a solo SpaceX trip to Mars suffer from a “delusion.” According to Tyson, there are three main reasons SpaceX cannot go to Mars on its own.
Reason 1: Cost
“So if you’re going to bring in investors or venture capitalists and say, ‘Hey, I have an idea, I want to put the first humans on Mars.’ They’ll ask, ‘How much will it cost?’ You say, ‘A lot,'” Tyson said in the interview.
Tyson says it’s “very expensive” to go to Mars. How expensive? Some estimate $30 billion, but a bill of $160 billion isn’t out of the question, and critics in Congress charge that the total cost could reach $500 billion….
(10) CAT GOT YOUR TONGUE? Camestros Felapton is away traveling for a month. During their absence, Timothy the Talking Cat has taken over the blog, and has been busy posting such literary gems as “Timothy retells Dune”.
…Now there was this posh elitist liberal progressive family called the Artyfarties. They like super sucked at making money. The dad was a real wimp and the mum was in some sort of feminist cult. The son looked like the crazy guy in Agents of Shield but younger and more wimpy. The kid Artyfarties thought he was so much smarter than everybody but was a big wimp.
Now Boss Harkonen took pity on the Artyfarties. Big mistake! But he had a kind heart and he hated to see the Artyfarties suck so badly at businessing. So Boss Harkonen says to Dad Artyfarties: “You can run this planet for me. It is the only place you get Old Spice Magic which makes people young and makes spaceships run. It’s a classic monopoly, you can’t go wrong. Just don’t screw it up!” ….
(11) MEASURING SUCTION. Which is worse? Timothy the Cat’s retelling, or David Lynch’s? It’s close. Here’s Jonathan K. Dick’s evaluation of the movie at A.V Club, “Dune can’t capture the novel’s incalculable brilliance”.
So what the hell is wrong with Lynch’s Dune? Before the collective “everything” echoes through the internet, it’s important to understand that the phrase itself “Lynch’s Dune” should already throw up the kind of red flags usually reserved for impending, air-raid level danger. Four years removed from his time behind the chair as director for the spirit-lifting biopic The Elephant Man and its eight Academy Award nominations, Lynch received the go-ahead from producer Raffaella De Laurentiis to direct the film adaption of Dune. This after 20 years, no less than 10 directors, producers, screenwriters, scripts, and general filmmaking anxiety that included the likes of Ridley Scott, Rudy Wurlitzer, Robert Greenhut, and of course the brilliantly documented attempt by Alejandro Jodorowsky.
(12) FIRST SEASON FLINTSONES COSPLAY? The Traveler from Galactic Journey amusingly interprets cosplay at this weekend’s WonderCon in terms of what fans knew in 1961 — “[March 27, 1961] What A Wonder! (WonderCon)”.
These are generally smallish affairs compared to their business-oriented cousins, with attendance running into the hundreds. But for the fan who normally has a local community of just a half-dozen fellows (and perhaps many more as pen pals), going to a convention is like a pilgrimage to Mecca. One meets people with completely different experiences, different perspectives. There is the opportunity to get news from far and wide on exciting new projects, both fan and professional. And the carousing is second to none, both in the heights of enthusiasm and creativity.
Take a look at my newly developed roll of shots from “WonderCon”, a sizeable affair held last weekend in Los Angeles. These are some dedicated fans, some fabulous costumes, and some terrific times!
First off, a few attendees who came in street clothes: …
(13) MILESTONES ABOVE THE SKY. Motherboard advises that “‘In Space We Trust’ is a Beautiful History of Exploration”
In the timeline (which for all its beauty will entirely monopolize your CPU usage) you navigate the history of space as a young cosmonaut. The timeline begins with the October 4, 1957 launch of Sputnik and takes the user through all the major space milestones: first spacecraft, journeys to other planets, landings on celestial bodies.
Each milestone is accompanied by a series of stunning animations, a brief description of the event and a link to a Wikipedia page on the topic in case you want to read more. Your journey is orchestrated with an ethereal soundtrack that is overlaid with sounds from space like cosmonauts on a radio or rocket engines igniting.
[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]