Pixel Scroll 11/12/16 Like A Scroll On A Wire; Like A Pixel In A Midnight Choir

(1) ROBOTIC PREDICTION OR CAMPAIGN PROMISE? “Meet Sofia, the Humanoid Robot That Looks, Thinks and Talks Like a Human”.

Right now, artificially intelligent robots are part of the workforce, from hotel butlers to factory workers. But this is just the beginning.

According to Ben Goertzel, AI researcher and entrepreneur who spoke at the Web Summit in Lisbon this week, intelligent robots in human-like forms will surpass human intelligence and help free the human race of work. They will also, he says, start fixing problems like hunger, poverty and even help humans beat death by curing us of all disease. Artificially intelligent robots will help usher in a new utopian era never before seen in the history of the human race, he claims.

“The human condition is deeply problematic,” says Goertzel. “But as super-human intelligent AIs become one billion-times smarter than humans, they will help us solve the world’s biggest problems. Resources will be plentiful for all humans, work will be unnecessary and we will be forced to accept a universal basic income. All the status hierarchies will disappear and humans will be free from work and be able move on up to a more meaningful existence.”

(2) FAN FICTION. In an article called Full-body reading” on the website Aeon (aeon.co), University of Toronto English lecturer Anna Wilson talks about how her dissertation on medieval mystic Margery Kempe inspired her to deepen her appreciation of fan fiction and make her a more committed lesbian.

Fanfiction makes its source texts richer for its loving readers. It amplifies allusions and hidden currents, pulls out notes of characterisation and subtleties of plot, and spends time with them. After reading fanfiction, I return to texts I love with a new eye – sometimes a more critical one. For example, I read hundreds of stories embroidering the relationship between the Harry Potter characters Remus Lupin and Sirius Black, which – fanfiction writers suggested – was the real reason Sirius’s family had thrown him out. Thanks to fanfiction, I was wondering ‘Where are all the gay people at Hogwarts?’ long before J K Rowling announced that Dumbledore was gay (but his first crush was an evil wizard, and he apparently never loved again – thanks, JK).

Fanfiction can fill gaps in the world of the story, or tease out elements forbidden or unspeakable in the original text and bring them to the surface. These might be erotic; Fifty Shades of Grey (2011) began life as a hugely popular erotic fanfiction of the Twilight series that reimagined its characters Bella and Edward in an office BDSM setting. E L James brought out an element of Twilight that many readers found appealing – the erotic power dynamics between Edward and Bella – and rewrote those dynamics for a commercial audience. Another example is slash fiction – fanfiction that imagines a gay romance into a straight narrative, like those Remus/Sirius stories I binged on (the name ‘slash’ comes from the /).

Slash is particularly powerful for me as a queer woman because it subverts some fundamental assumptions in media narratives about who is watching, and what they want. When I read slash, I feel recognised and loved as a reader in a way I almost never do when I watch TV. In fact, fanfiction gave me something I’d been craving; it was literature for me. Though I’ve always loved science fiction, I felt obscurely unwanted by books in which the female characters were unsatisfying and marginalised: women are barely imagined as part of the science fiction audience, let alone catered to. By the same token, romance novels (one of the few genres that almost exclusively caters to women) were overwhelmingly heterosexual, with male and female characters I found boring and unrelatable, moving through prescribed motions that always ended with marriage and babies. Reading romance novels felt like forcing myself into a too-tight corset: reading fanfiction was like taking a deep breath.

(3) INDIVIDUAL PROTESTS. Two comics creators will quit attending shows in states that voted for Trump reports Bleeding Cool — “George Perez To Fulfill Current Commitments, Then Stop Attending Shows In Trump States”

Yesterday, Humberto Ramos, the Mexican comic book creator, currently topping the charts with Champions #1 for Marvel declared that he had chosen not to attend comic book shows in the US, in states that had voted to elect President-Elect Trump.

He was, today, joined in that by American creator George Pérez, co-creator of the New Teen Titans, also joined that number.

(4) SEFTON OBIT CORRECTION. While other details in the November 10 Pixel Scroll about the late Amelia (Amy) Sefton were correct, I was mistaken in identifying her as working for Tor. That is a different Amy Sefton. Thanks to Andrew Porter for the correction.

(5) TODAY IN HISTORY

  • November 12, 1982Creepshow opens in theaters nationwide.

(6) NEXT AT KGB. The Fantastic Fiction at KGB reading series will present John Langan and Matthew Kressel, on Wednesday, November 16, beginning at 7p.m. in New York’s KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs.)

John Langan

John Langan is author of two novels, The Fisherman and House of Windows.  He’s also published two collections, The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters.  With Paul Tremblay, he co-edited Creatures:  Thirty Years of Monsters.  He is one of the founders of the Shirley Jackson Awards and he currently reviews horror and dark fantasy for Locus magazine.

New and forthcoming are stories in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki.  In February of 2017, his third collection of stories, Sefira and Other Betrayals, will be published by Hippocampus Press.

John Langan lives in New York’s Hudson Valley and teaches classes in creative writing and Gothic literature at SUNY New Paltz.  With his younger son, he’s studying for his black belt in Tang Soo Do.

Matthew Kressel

Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has been twice nominated for a Nebula Award and has or will soon appear in such markets as Lightspeed, Nightmare, Tor.com, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and the anthologies Cyber World, After, Naked City, The People of the Book.

From 2003-2010 he published and edited Sybil’s Garage, an acclaimed SF magazine. He also published the World Fantasy Award-winning anthology Paper Cities and for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional. He co-hosts the Fantastic Fiction at KGB reading series alongside Ellen Datlow. When not writing fiction he codes software for companies large and small, studies Yiddish (Nu?), and recites Blade Runner in its entirety from memory.

(7) CROSSOVER SEASON. The CW has released a promo for upcoming DC crossover between Supergirl, The Flash, Arrow and DC’s Legends of Tomorrow, a sequence of episodes that begins November 28.

During a press event earlier this week, executive producer Marc Guggenheim offered up a few details on the crossover, which will actually begin at the end of an episode of Supergirl as Kara is enlisted by Barry (Grant Gustin) and Cisco (Carlos Valdes) to help battle the threat of the extraterrestrial Dominators.

“Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” states Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends.

 

(8) BRING OUT YOUR UNDEAD. Fox has ordered a pilot for a drama series based on bestselling vampire novel The Passage.

Sink your teeth into this news, vampire fans: Fox is adapting the popular book trilogy The Passage into a drama series.

The network has ordered a pilot for a TV adaptation of Justin Cronin’s book series, per our sister site Deadline. Friday Night Lights writer Liz Heldens will pen the pilot, with Cloverfield‘s Matt Reeves attached to direct.

The 2010 novel The Passage, a New York Times bestseller, envisions a post-apocalyptic future where virus-infected vampires roam the earth, with human colonies banding together to survive. (That book was followed by 2012’s The Twelve and this year’s The City of Mirrors.) Fox bought the film rights to The Passage before it was even published, and a Twilight-like film series was planned for years, but now they’re opting to bring it to the small screen.

(9) MUSEUM GETS TAKEI COLLECTION. George Takei is giving 70 years of his belongings to a museum. The LA Times gives you a viewing.

The donation itself was announced in September.

Actor and activist George Takei is donating a trove of art and artifacts from his life and career to the Japanese American National Museum in Los Angeles.

The museum announced the gift Wednesday and said the collection will be featured in an exhibition next year. “New Frontiers: The Many Worlds of George Takei” is set to open March 12, 2017.

Takei’s collection includes photos, sculptures, scripts and other memorabilia from his “Star Trek” days, as well as his run for Los Angeles City Council in 1973 and the Olympic torch he carried ahead of the 1984 games in Los Angeles.

(10) MR. SCI-FI IS BACK. Sci-Fi Writer-Director-Producer Marc Zicree talks about politics in science fiction, as relates to Trump, alternate worlds with different Presidents, how science fiction reaches across all political beliefs, and more.

[Thanks to John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

102 thoughts on “Pixel Scroll 11/12/16 Like A Scroll On A Wire; Like A Pixel In A Midnight Choir

  1. What Mark said. Culture shock is a real thing, and not as easily solved as all that. While I agree the kids should do some research, there’s a common assumption across the pond that Europe and North America (and Australia) are more similar than they really are.

  2. Bill: Well then who should be blamed?

    The fact that you’re talking about “blame” (I mean, really, WTF??? “blame”? for what?) indicates that you’re completely missing the point, in addition to, as Mark has pointed out, trying to boil an extremely complex situation down into a handful of simple variables.

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