The Many Thrones of YouTube

Curated by Carl Slaughter: (1) Black Panther photo breakdown.

(2) 1993 first draft outline for the Game of Thrones intended trilogy.

(3) New Rockstars delves deep into the opening episode of Game of Thrones Season 7.

(4) Littlefinger versus Varys:  Who played the better game?

Varys:  “Chaos is a pit.”

Littlefinger:  “Chaos isn’t a pit.  Chaos is a ladder.”

(5) Deleted scenes from Game of Thrones

(6) Daenerys versus Varys

(7) The White Walkers are coming.  Not through, not under, not over, but around.  This is Talking Thrones’ interpretation of The Hound’s fire vision.  Plenty of clues from the books and the show to confirm this theory, including Patch Face from the books.

(8) The fate of Arya Stark.

(9) Lessons The Hound taught Arya  –  and vice versa.

(10) Arya loses Nymeria because “the girl is no one.”

(11) 22 Times Lady Olenna From Game Of Thrones Was the Queen of Shade

Cersei:  “Ah yes, the famously tart tongued Queen of Thorns.”

Oleena: “And the famous tart Queen Cersei.”

(12) Why Daenerys Will Not Win The Game of Thrones

(13) 100 greatest quotes from Game of Thrones

(14) 10 Reasons Star Wars Is Darker Than You Thought

(15) How The Inquisitor Killed So Many Jedi

(16) 18 Times Pam From True Blood Was The Vampire Queen Of Sass

(17) Edna

(18) The Strain, Season 4 featurette

(19) Why Valerian failed at the box office

(20) What Culture offers suggestions for fixing Doctor Who

(21) Inhumans primer

(22) Robin will be in the Batgirl movie

Pixel Scroll 7/25/17 J.J. Abrams Apologizes For Pixelwashing In File Trek: Into Scrollness

(1) NEW DAY JOB. Congratulations to Uncanny Magazine’s Lynne M. Thomas who has been appointed to head the Rare Book & Manuscript Library of the University of Illinois at Urbana- Champaign, one of the largest repositories for rare books and manuscripts in the United States: “University of Illinois alumnus to head Rare Book and Manuscript Library”

Exactly 20 years after starting work as a graduate assistant in the Rare Book and Manuscript Library, Lynne M. Thomas is returning as the new head of the library.

Thomas, who earned her master’s degree in library and information sciences at the University of Illinois in 1999, has been the curator of rare books and special collections at Northern Illinois University since 2004 and the head of distinctive collections there since 2014. She’ll begin her appointment at the library and assume the Juanita J. and Robert E. Simpson Rare Book and Manuscript Library Professorship on Sept. 1.

While working at Northern Illinois University, Thomas helped grow its holdings of the papers of contemporary sf authors.

(2) PUBLICATION OF BLACK SFF WRITERS. Fireside Magazine has issued “The 2016 #BlackSpecFic Report” (follow-up to its 2015 report):

We are considering the field both with and without the “People of Colo(u)r Destroy!” special issues of Lightspeed, Nightmare, and Fantasy Magazine, since they constitute a project that is limited to one year. Without these issues, a sample of 24 professional SF/F/H magazines yielded 31 stories by Black authors out of 1,089 total stories — that’s 2.8% — while 2.9% of 2016’s published unique authors are Black. In 2015 we found figures of 1.9% and 2.4%, respectively. While there’s no way to determine yet if these small increases are evidence of gradual long-term improvement or just normal variation — two years is too short a trajectory for that — perhaps we can find a cautious degree of optimism…..

Effects of the “People of Colo(u)r Destroy!” Issues

In spite of comprising a tiny portion of the field’s story volume, the “PoC Destroy” issues collectively contained over 20% of 2016’s stories by Black authors. They alone raise the 2016 field-wide ratio by nearly a full percentage point, from 2.8% to 3.6%. Put another way: any improvements that took place from 2015 to 2016? The “PoC Destroy” issues are responsible for about half….

Where Do We Go From Here?

Again, we think there’s reason to have a degree of optimism. Some magazines made substantive changes to their editorial staffs and marketing strategies subsequent to the 2015 report, which was released late enough last year that any resulting improvements would impact only 2017 and beyond. It’s for this reason that this 2016 follow-up is not a comparative analysis but rather should serve as a baseline for comparison in future years.

Progress isn’t always linear; not all magazines have equal resources or lead times, which is why we want to hear from editors and publishers. What are your strategies for combating low publication rates of Black authors? Please answer our survey to let us know.

Black SF/F writers: we’d like to hear your comments and suggestions for how we can improve future reports. This also goes for data collection; we’re working purely from what’s publicly available on the Internet, and we don’t want to force people to publicly self-identify in order to be counted. If you suspect your stories are not included in this count and would like them to be, just want to double check, or have any other concerns — please let us know. Our email address is BlackSpecFicReport@gmail.com; correspondence will be kept confidential.

(3) CHIPPING IN. A Scroll last month talked about one man getting chipped; now it’s an entire company workforce: “Wisconsin company Three Square Market to microchip employees”.

Three Square Market is offering to implant the tiny radio-frequency identification (RFID) chip into workers’ hands for free – and says everyone will soon be doing it.

The rice grain-sized $300 (£230) chip will allow them to open doors, log in to computers and even purchase food.

And so far, 50 employees have signed up for the chance to become half-human, half-walking credit card.

(4) GAME OF SIMPSONS. The Verge has learned “Matt Groening is making an animated medieval adult fantasy with Netflix” called Disenchantment.

Netflix announced today that Matt Groening, creator of The Simpsons and Futurama, will be developing a medieval animated adult fantasy called Disenchantment. It’s scheduled to begin streaming on Netflix in 2018.

The series’s protagonist is a young, “hard-drinking” princess named Bean (Broad City’s Abbi Jacobson), and her two male companions are a “feisty elf” named Elfo (Nat Faxon) and a demon named Luci (Eric Andre). While both The Simpsons and Futurama have dynamic, fleshed-out female characters, this is Groening’s first series with a clear female lead.

Rough Draft Studios, the studio that does the art for Futurama, will animate Disenchantment. From the few details Netflix is offering, it’s easy to imagine a sort of epic-fantasy version of Futurama, with the same acerbic, absurdist humor as Groening’s other shows. In the US, Netflix doesn’t have a series that fits this exact bill, though Archer may come closest. (Netflix also carries Futurama, so Disenchantment should fit in.)

(5) ROLL THE BONES. Tom Galloway sent this link with the comment, “Curiously, ‘Santa Fe, NM’ isn’t given as a location from which large bets would raise suspicions…” — “Growing Strong: Inside the Burgeoning ‘Game of Thrones’ Gambling Business”.

Increasingly, Thrones also lends itself to speculation in the financial sense of the word. As Thrones has ascended to its singular place in the splintered TV firmament, it’s not only come to be covered like the Oscars and the Super Bowl, but it’s started to support a similar secondary market of rumors and wagers. Thanks to the series’ big built-in audience, large (if shrinking) cast of characters, and uncertain endgame, Game of Thrones and gambling go together like lovestruck Lannister (or Targaryen) twins.

Some Thrones-related betting contests, like The Ringer’s Thrones Mortality Pool, are just for fun. But in recent years, a number of ostensible sportsbooks have gotten in on the action, with prominent sites such as Sportsbet, MyBookie.ag, and Pinnacle (which debuted its Thrones odds this year) trying to capture a piece of the (hot) pie. The best-known of these books is Bovada, an online gambling and casino-games site owned by a group based in Québec.

Bovada began publishing prop bets for Game of Thrones in 2015. Since the start, those bets have been the personal province of Pat Morrow, who’s been with Bovada for a decade and has served as the site’s head oddsmaker for the past four years. Technically, Morrow oversees all of the site’s wagers, but he’s much more likely to delegate work on the data-based bets that make up most of the site’s offerings. The Thrones odds come from his head alone, both because they require a personal touch and because no one else at Bovada is as qualified to apply it

(6) TODAY IN HISTORY

  • July 25, 1969 – In theaters: The Valley of Gwangi, a schlockfest of cowboys vs. dinosaurs in Forbidden Valley

(7) SPACE STYLES. The Fashion Spot is telling everyone “Gucci’s Fall 2017 Campaign Is Out of This World!”

Alessandro Michele continues to raise the bar at Gucci while refusing to follow the rest of the fashion pack. His advertising campaigns for the iconic Italian fashion house are often extremely well-received by our hard-to-thrill forum members (despite a few controversies). The newly unveiled Fall 2017 campaign, captured by Glen Luchford, is on another planet — literally. Yes, Michele revisits his sci-fi concept, going all-out for the new mainline campaign — complete with dinosaurs, hovering spaceships, models channeling their inner alien and so much more.

(8) T AND SEE. Lisa Allison at Adventures In Poor Taste lists her faves: “SDCC 2017: Top 5 nerdy t-shirts”. John King Tarpinian says he’d have bought this shirt –

#2: Vampires Don’t Do Dishes

I was drawn to this one for a few reasons. It pairs a quote from What We Do in the Shadows starring Jemaine Clement with a sort of buck toothed, vampire. It’s fun, creepy and artistic. The Benday dots on the sides are a nice touch.

(9) BITER BIT. A Discovery magazine columnist showed several fee-for-publication medical journals seem to have nonexistent professional standards, in “Predatory Journals Hit By ‘Star Wars’ Sting”.

A number of so-called scientific journals have accepted a Star Wars-themed spoof paper. The manuscript is an absurd mess of factual errors, plagiarism and movie quotes. I know because I wrote it….

Four journals fell for the sting. The American Journal of Medical and Biological Research (SciEP) accepted the paper, but asked for a $360 fee, which I didn’t pay. Amazingly, three other journals not only accepted but actually published the spoof. Here’s the paper from the International Journal of Molecular Biology: Open Access (MedCrave), Austin Journal of Pharmacology and Therapeutics (Austin) and American Research Journal of Biosciences (ARJ) I hadn’t expected this, as all those journals charge publication fees, but I never paid them a penny.

So what did they publish? A travesty, which they should have rejected within about 5 minutes – or 2 minutes if the reviewer was familiar with Star Wars. Some highlights:

“Beyond supplying cellular energy, midichloria perform functions such as Force sensitivity…”

“Involved in ATP production is the citric acid cycle, also referred to as the Kyloren cycle after its discoverer”

“Midi-chlorians are microscopic life-forms that reside in all living cells – without the midi-chlorians, life couldn’t exist, and we’d have no knowledge of the force. Midichlorial disorders often erupt as brain diseases, such as autism.”

“midichloria DNA (mtDNRey)” and “ReyTP”

And so on. I even put the legendary Tragedy of Darth Plagueis the Wise monologue in the paper…

…This matters because scientific publishers are companies selling a product, and the product is peer review. True, they also publish papers (electronically in the case of these journals), but if you just wanted to publish something electronically, you could do that yourself for free. Preprint archives, blogs, your own website – it’s easy to get something on the internet. Peer review is what supposedly justifies the price of publishing.

[Via Ansible Links.]

(10) PASSING THE HELMET. And in other bogus Star Wars news, Darth Vader has started a GoFundMe: “Help Me Build a Death Star!”.

The Empire is under attack. We are in urgent need of funds to construct a Death Star to crush this rebel alliance!

It had raised zero of its $900 million goal when I last checked in.

(11) SUCKING UP DATA. Speaking of world domination – Eric Persing shared this link with the comment, “This is pretty much the beginning of how the robots take over humanity…right? The vacuum maps your home, sells your home layout to the highest bidder and before you know it, the toaster is trying to kill you.” — “Roombas have been mapping your homes for years, and that data’s about to be sold to the highest bidder”.

As Reuters reports, Roomba maker iRobot is bullish on the prospect of selling what it learns about your home to whoever might want it. “There’s an entire ecosystem of things and services that the smart home can deliver once you have a rich map of the home that the user has allowed to be shared,” iRobot boss Colin Angle told Reuters.

If that sounds more than a little creepy that’s because, well, it is, but companies pushing into the smart home market would most certainly be willing to pony up the dough for the data. Products like smart speakers, security monitors, high-tech thermostats, and many other gadgets could potentially benefit from knowledge of your home’s layout, but in order for iRobot to actually sell archives of the data, it would likely need to be anonymize — that is, scrubbed of any personally identifiable information and lumped in with countless others.

(12) NOT MY FAULT. Munchkin is concerned:

(13) PUPPY RADAR. Camestros Felapton has compiled a list of authors and works being promoted for the Dragon Awards in “Time for those Dragon Projections!”

  1. The titles listed are based on what I have found trawling the web looking for people who were, to some degree or other, promoting works to be nominated for a Dragon Award. I found a lot but who knows what I missed. I did find some stuff on Facebook but it and other places are hard to search inside of. Also, maybe some authors are promoting the Dragons like crazy in forums I cna’t access or on their email lists. Who knows? So large pinches of salt please.
  2. There is though a ‘status’ column and that is even a greater testament to hubris in data collection. The higher the status the more wallop I think the promotion of the work had – either in multiple places or by venues with known impact (e.g. the Rabid slate). “Low” though also includes stuff whose promotional impact I don’t know. Some are authors I don’t know but who may have some legion of highly devoted followers ever ready to throw their bodies and email addresses at an awards website. It is NOT any kind of assessment of the quality or even the popularity of the work – so if you an author and you see ‘very low’ next to your book, don’t be disheartened.
  3. So it is all a bit pointless then? No, no. Basically the more stuff on the list that appears as Dragon Awards finalists, the more the finalists were determined by overt public campaigning on blogs – and predominately from the Rabid and Scrappy corners. The less stuff on the list making it as finalists, then the less impact that kind of campaigning had on the Dragon Awards.

(14) THE SHARKES BITE. The Clarke Award will be announced this week. The Shadow Clarke jury dashes off one more review, then begins analyzing the Sharke experience and the future of the Clarke award.

An inspector investigates the case of a disappeared man but despite his occasional dreams of solving the case, he never uncovers the truth and only succeeds in stripping away layer after layer of appearance until nothing is left. Infinite Ground is a kind of metatext in which the ostensible missing person investigation in the plot simultaneously functions to interrogate fundamental aspects of being such as identity and even existence, as though the world itself is also text. By the end of MacInnes’s novel we are no longer sure if the man, the inspector and the society they come from are still in existence or, indeed, if they ever existed at all. Among the many facets of the text is a strain of the kind of hermeneutic deconstruction that marks out my natural enemies in any literature faculty. ‘At the heart of meaning there is no meaning’ is the refrain of this theme but it often seems to coexist very comfortably with institutional power structures and academic management hierarchies. MacInnes takes this to extreme levels of quantum indeterminacy and fractal microbiology that defy any kind of systematisation, however there is still a level of destruction wrecked on everyday life in texts like this which I find uncomfortable. I am reminded of reading Paul Auster’s different, but not entirely dissimilar New York Trilogy and turning afterwards to Dashiell Hammett for an equally relentless but more grounded interrogation of social existence. MacInnes, however, had me turning to Hammett within 30 pages…

So, what did we achieve here?

If nothing else – apart from a few good jokes floating around the web about who has read which Iain Banks novels – we have demonstrated why the actual Clarke Award juries don’t make their deliberations public. Nevertheless, I do think the level of discussion and analysis we have provided has been a positive feature even when this has provoked a certain amount of pushback. There hasn’t been a hidden agenda and the motivations and various criteria used by members of the shadow jury have become reasonably clear across the process. Anyone looking at the project from the outside is in a position to weigh up the assumptions and judgements made and to criticise these for deficiencies; and, of course, a number of people have done this. I have found it interesting to read the discussion on File770 and twitter as well as on the comment boxes on the Sharke posts themselves. Some of this seems fair and some seems unfair; but that is often the way of things.

As this year’s Clarke festivities wind inexorably towards their close, I thought it would be interesting to cast an eye over the landscape ahead of us. It does the heart good to have something to look forward to, after all, and what could be more fun than making a few early advance predictions about next year’s Clarke Award?

I’m not here to discuss the more obvious entries. We all know that Kim Stanley Robinson, Cory Doctorow, Kameron Hurley and Ann Leckie have new novels out this year and everybody will be talking about them as possible contenders soon enough. As the books I’m most interested in tend to be those that hover around the edges of genre, I thought I’d do better to focus upon novels published by mainstream imprints that might otherwise be overlooked by SFF commentators. With a little over half the year gone, there will inevitably be titles I’ve overlooked, authors I’ve not come across yet. This is just a tiny sample of what next year’s Clarke jury might have to look forward to.

And as a bonus, a review of the actual Clarke shortlist from Strange Horizons. Interestingly, the reviewer has a good go at linking the 6 nominees together thematically, even though the Sharkes were of the opinion that the shortlist lacked a coherent theme…

In theme, style, and content, the 2017 Clarke Award shortlist—Emma Newman’s After Atlas, Yoon Ha Lee’s Ninefox Gambit, Tricia Sullivan’s Occupy Me, Becky Chambers’s A Closed and Common Orbit, Colson Whitehead’s The Underground Railroad, and Lavie Tidhar’s Central Station—is a diverse set. However, in different ways, each of these books speaks to [Jill] Lepore’s concern about “a fiction of helplessness and hopelessness.” Perhaps, as a function of the times we are in, these books do not heed Le Guin’s call to envision alternatives to how we live. The futures—and in one case, the past—that these books offer is either dystopic or close to dystopic, in utterly recognizable ways. Many of the pregnant battles of today—for democracy, for equality, for privacy, and against universal surveillance—have in these pages been lost for good, and there is no pretence that any individual, or group of individuals, has the power to transform the world. There is little in the way of grand narrative or vaulting ambition in terms of the stories that these novels set out to tell. Far greater—and in some cases, exclusive—focus is placed on human relationships, on more mundane struggles; it is as if Marx’s utopianism of overthrowing centralized power has been replaced by Foucault’s bleaker understanding of power’s ubiquity, and the dispiriting realization that the struggle is limited to daily, quotidian acts. Above all, there is—almost—a palpable mistrust of any radical re-imagination of the ways in which society might be organised.

(15) CARRIE VAUGHN. Lightspeed poses questions to the author in “Interview: Carrie Vaughn”.

You explored Enid’s world in your Hugo-nominated short story “Amaryllis,” which, contrary to most post-apocalyptic stories, has a positive ending. What made you want to explore the dark side of this world at novel length in Bannerless?

It’s a multifaceted culture with both good and bad to it, and Enid is in a unique position to see both. I went into the story assuming that a culture built up like this one is, with a huge amount of scrutiny to go along with the community building, is going to have some unintended consequences, such as the bullying of outsiders.

(16) CONNECTIONS. Matt Mitrovich reviews Nick Woods’ Azanian Bridges for Amazing Stories.

Azanian Bridges is a well-written novels that tackles a difficult period of South African history that, in the grand scheme of things, only recently ended. I read it shortly after I finished Underground Airlines and found myself comparing the two novels. Both deal with de jure racial inequality in two different countries continuing long after it ended in our timeline. To be honest, I felt Underground Airlines had a bigger impact on me since I am an American and have a better understanding of my own country’s past, but if you have any knowledge of South African history, there is enough about this world that Nick created for you to enjoy.

And yet the actual history plays a secondary role to the primary purpose of Azanian Bridges: that we can have peace if we can bridge the divide between peoples.

(17) COSPLAY AT COMIC-CON. ScienceFiction.com shares stunning photos in “SDCC 2017: Cosplay Gallery Part 1”.

(18) ONE DOES NOT SIMPLY EVICT THE SUPERNATURAL. Todd Allen continues The Mister Lewis Incidents  — a monthly short form satirical horror detective / urban fantasy series featuring the adventures of a “physics consultant” who consults on matters that defy the laws of physics. The fourth one is out commercially and the fifth one is in the hands of the crowdfunding folks.

The Gentrified Bodega Investigates the Secrets of a Shady Landlord

Wherever rents are rapidly rising, and especially where there’s rent control, there’s always a problem with landlords stepping outside the law to evict renters.  But what happens when there’s something in the building that isn’t human and isn’t ready to leave?

About The Gentrified Bodega

“The neighborhood was improving and people were dying to move in. Then their bodies were turning up in the back aisle of the bodega. The building wove a web of shady evictions, fake leases and unexplainable deaths. Can Mister Lewis discover the secret of the gentrified bodega or will the housing crisis be solved by mass attrition?”

The Gentrified Bodega is available on Amazon Kindle, B&N Nook and Kobo or direct from the publisher.

(19) ALL WET. Aquaman Movie 2018 Teaser Trailer.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge,JJ, Todd Allen, Carl Slaughter, DMS, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Judge Issues Gag Order in Comic Con Suit

Salt Lake Comic Con’s Bryan Brandenburg has worked hard to gain public support for his side in the trademark infringement suit brought by San Diego Comic-Con. He’s been so successful at generating favorable publicity that SDCC’s lawyers asked Judge Anthony Battaglia to impose a gag order on the litigants, which he granted July 18.

San Diego Comic-Con’s request for a protective order played up Brandenburg’s own press coverage claims as a basis for requesting the order:

Since the inception of this dispute, Defendants have brazenly engaged in a strategic public campaign to disparage SDCC and “win this case in the court of public opinion.” Defendants’ public campaign has included statements made in numerous press releases, news articles, on websites and on social media including Facebook and Twitter. Indeed, Defendants boast they have secured more than 200,000 media articles reporting on the case that are “favorable” to Defendants.

Additionally, many of the statements made publicly by Defendants are misleading, prejudicial, inflammatory, or false. These include numerous claims that SDCC lied and/or committed fraud on the government in order to obtain its trademarks.

(Brandenburg’s fraud allegations are covered here.)

The complaint continues:

Defendant Bryan Brandenburg consistently disparages SDCC and/or its board members on social media by suggesting SDCC lies and engages in other unethical behavior.  Brandenburg’s comments are designed to harm SDCC and incite others on social media to engage in disparaging discussions about SDCC. Moreover, Brandenburg’s comments about SDCC almost always relate to this litigation and the suggestion that the dispute is frivolous.  Defendants repeatedly litigate their case by using media outlets to mischaracterize the parties’ positions and taint the public’s perception regarding the issues in dispute in this case.  Defendants’ media campaign is increasing in intensity as this case nears trial.  Defendants’ goal is to win this case by using media outlets to tarnish the reputation of SDCC and taint the jury pool.  As Defendant Bryan Brandenburg stated in one of Defendants’ many press releases, “I am asking for support from the community and all the powers of the Universe to bring victory to us in this case.”

Judge Anthony Battalgia, though motions for summary judgment in the case are still pending, seems to have been swayed by the argument that publicity is tainting the jury pool. The Hollywood Reporter, in “Comic-Con: This Year’s Convention Comes With a Judge’s Gag Order” explains the order, which denies part of the relief requested by SDCC while granting the most important items:

…Battaglia rejects a move to stop Farr and Brandenburg, and those associated with them, from making any false or misleading statement about San Diego Comic-Con or the merits of the dispute. That would be an unconstitutional prior restraint, the judge concludes.

However, accepting evidence that “the venire is being influenced through social media dialogue,” the judge is preventing both sides from making statements accusing, suggesting or implying that San Diego Comic-Con lied or committed fraud. Additionally, the parties aren’t allowed to discuss the alleged genericness of the term “comic con,” how the mark may or may not be descriptive, and whether San Diego Comic-Con abandoned its trademark rights.

The parties are being allowed to post court papers, but only in full and without further comment. The judge is also warning that violation of the order will warrant strong sanctions.

There’s a livelier article at Techdirt, “San Diego Comic Con Gets Gag Order On Salt Lake Comic Con”, where the writers are still pissed that SDCC subpoenaed them in 2015 about their coverage of the suit:

You can read the demand for a protective order here or below, and if I had to summarize it, it’s basically: “it’s no fair that Salt Lake Comic Con is getting good press coverage and we’re being mocked, so the court should silence them.” I read through the document and I kept expecting more… and… that’s really it. They literally complain that they’re losing in “the court of public opinion” and argue that it’s somehow unfair that one side is talking about this case publicly and they should be barred from any further conversation. And, it gives some more context to the paranoid view that was clear in the subpoena we received: SDCC and/or its lawyers are so focused on the negative press coverage that they seem to assume that something more nefarious is going on… beyond the basic likelihood that lots of people think this lawsuit is over-aggressive bullying by SDCC.

And about the gag order itself, Techdirt’s Mike Masnick says:

I have trouble seeing how the first two are unconstitutional prior restraint, but the rest are allowed to be gagged — especially something as mundane as discussing whether comic con is generic or descriptive. But, really, since the court apparently doesn’t want anyone discussing that kind of thing, perhaps go ahead and have a discussion in the comments about that very question. And, in case SDCC’s high priced lawyers are looking at this yet again, I’ll remind you once again that we have no relationship of any kind with the organizers of the Salt Lake City event. We just don’t like big bullies silencing people or filing questionable lawsuits.

Bryan Brandenburg’s only public statement since the order has been to make the announcement ordered by the court. He told Facebook followers:

United States District Judge Anthony J. Battaglia of the United Stated District Court for the Southern District of California has ordered that no editorial comments, opinions, or conclusions about San Diego Comic Convention v. Dan Farr Productions, LLC, et al., No. 14-cv-1865 AJB (JMA) (S.D. Cal.), be made on social media, and that no highlights or summaries of the status of the proceedings or the evidence presented be made on social media.

Naturally, fans like Chris Hamatake were quick to observe:

But there’s no restriction on fans commenting or expressing opinions, right? As I’m not part of the litigation process, I don’t see that anything posted by fans could affect the legal process either way…

Brandenburg laconically agreed, “No,” and his Facebook commenters immediately resumed their vocal support for SLCC.

[Via Petréa Mitchell.]

Pixel Scroll 7/24/17 Look Upon My Scrolls, Ye Mighty, And Despair

(1) BANNED IN SAN DIEGO. United Airlines told people leaving San Diego after Comic-Con that TSA had banned comic books from checked luggage, but was permitting them in carry-ons.

Le Chic Geek’s Jeanne Marie Hoffman spread the story: “TSA Bans Comic Books in Checked Luggage for Comic-Con”.

The TSA banned comic books from checked luggage for flights leaving San Diego after Comic-Con.

This is problematic in a few ways.  First, attendees tend to purchase rare comic books that they are trying to keep in pristine shape.  Yes, you can do with when you have a few comic books in your carry on–but remember, this is a convention.

People aren’t flying out to San Diego to purchase *one* comic book.

Second, while large vendors enter into freight shipping contracts, small vendors rely on their checked bags to get their wares to and from the convention.

TSA tweeted a denial saying no, they’re not banning comic books (so why did United?)

TSA also addressed it in a blog post, “Let’s Close the Book on Book Screening Rumors”, which confusing gives an “answer” talks about carry-ons, not checked bags. So the whole thing remains as clear as mud.

Do you have to remove books from your carry-on bags prior to sending your bag through the X-ray?

Short answer: No

Longer answer (but still pretty short): You know us… We’re always testing procedures to help stay ahead of our adversaries. We were testing the removal of books at two airport locations and the testing ran its course. We’re no longer testing and have no intentions of instituting those procedures.

So, with that out of the way, you might be wondering why we were interested in books. Well, our adversaries seem to know every trick in the book when it comes to concealing dangerous items, and books have been used in the past to conceal prohibited items. We weren’t judging your books by their covers, just making sure nothing dangerous was inside.

Occasionally, our officers may recommend passengers remove items such as heavy, glossy programs during a special event with a lot of travelers such as Super Bowl programs.

(2) ROOM FOR MORE. GoFundMe for Dwain Kaiser’s widow, Joanne, is now up to $17,979, far above $10,000 goal. You can still contribute.

(3) BEGINNING WHO. Nicholas Whyte suggests there are as many doors into the series as there are Doctors: “Doctor Who: advice for someone who hasn’t seen it yet”.

Dear Chris, You asked me:

Friend in US wants to start watching Dr Who now there is a female doctor. Which are the seminal episodes she should watch in advance? Is there one episode per season she should watch?

Unless your friend is already a big fan of sf shows from the last century, she should probably start with New Who, meaning the 2005 reboot with Christopher Eccleston. One sometimes needs to be forgiving of the production values of Old Who, and it may not be right to demand that tolerance of a newbie. For what it’s worth, I answered a similar question about the first eight Doctors here many years ago; and a couple of years later I polled my blog readers on their favourite stories from the first ten Doctors here (and also on their least favourite stories here). But for now, we’re looking at New Who.

(4) DESTROYING SF AGAIN. Thirty-one days remain in the Kickstarter “Disabled People Destroy Science Fiction / Uncanny Magazine” — seeking funding for an Uncanny Magazine special double issue: Disabled People Destroy Science Fiction and Uncanny Magazine Year Four. At this writing it’s achieved $8,402 of its $20,000 goal.

(5) BY COINCIDENCE. New York’s Museum of Modern Art is running an exhibit “Future Imperfect: The Uncanny in Science Fiction” from July 17–August 31.

Imagine a science-fiction film series with no space travel, no alien invasions or monsters, and no visions of the distant future. Imagine instead a dazzling array of science-fiction films that focus on alternate visions of Earth in the present or very near future. Science fiction, at least in the movies, essentially boils down to two questions: Are “they” coming to kill us or to save us? And, what does it mean to be human? Presented in association with the Berlinale and the Deutsche Kinemathek-Museum für Film und Fernsehen, this exhibition of more than 40 science-fiction films from all over the world — the United States, the Soviet Union, China, India, Cameroon, Mexico and beyond — explores the second question: our humanity in all its miraculous, uncanny, and perhaps ultimately unknowable aspects. Since the dawn of cinema, filmmakers as diverse as Kathryn Bigelow, Kinji Fukasaku, Rikwit Ghatak, Jean-Luc Godard, Georges Méliès, Michael Snow, Alexander Sokurov, and Steven Spielberg have explored ideas of memory and consciousness; thought, sensation, and desire; self and other; nature and nurture; time and space; and love and death. Their films, lying at the nexus of art, philosophy, and science, occupy a twilight zone bounded only by the imagination, where “humanness” remains an enchanting enigma. Guest presenters include John Sayles, Michael Almereyda, Larry Fessenden, Lynn Hershman Leeson, and more.

Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art.

(6) TWEET BRAWL. Looks like Wilson Cruz is getting some pushback on his Star Trek: Discovery character, but he’s giving as good as he gets. Use this tweet to beam up to where the discussion is happening:

(7) TRIVIAL TRIVIA

Could you have named them? The founding members of Marvel Comics’ super-hero team the Avengers were: Iron Man, the Hulk, Ant-Man, The Wasp and Thor.

(8) STEINBERG OBIT. Marvel legend Florence Steinberg (1939-2017) died July 23. Heidi MacDonald paid tribute at ComicsBeat.

Florence “Fabulous Flo” Steinberg, an iconic member of the original Marvel Bullpen, has passed away, age unknown but truly ageless.

Flo was the sole Marvel staffer besides Stan Lee himself in the early Marvel Comics of the 60s. She can be heard on this immortal Merry Marvel Marching Society record starring Stan, Jack Kirby and Flo in her inimitable Boston/Queens accent.

 

At Marvel, Flo was the true Gal Friday, helping with every aspect of getting books out the door. She left in 1968 but didn’t leave publishing: in 1975 she published Big Apple Comix, an early indie comic that included “mainstream” comics creators doing more personal stories.  As great as Stan and Jack were, they never launched out entirely on their own as publishers, as Flo did.

(9) BENNETT OBIT. Tolkien fan Joanne Bennett died July 14. She started the Crickhollow branch of the Mythopoeic Society some 40 years ago, covering the Reno-Sparks- Carson City area. Here is an excerpt from the family obituary.

Many of the students who most enjoyed her classes and teaching also were members of Wooster’s Tolkien Society, which she founded in the late 1960s upon discovering and becoming captivated by the Middle Earth fantasy world that J.R.R. Tolkien created in the Lord of the Rings and The Hobbit. Many of those students became her lifelong dear friends as she and they continued their relationships and discussions even up until the last days of her life in a group called Crickhollow and through ongoing individual relationships with other former students.

(10) TODAY IN HISTORY

  • July 24, 1948 — Debut of Marvin the Martian in Bugs Bunny’s Haredevil Hare

(11) TODAY’S BIRTHDAY SUPERHERO

  • July 24, 1951 — Lynda Carter

(12) COMIC SECTION. Not recommended for the theologically sensitive, the webcomic Meanwhile In Heaven purports to show the Big Guy in all of his infinite wisdom.  There’s a recent arc where God has decided to redecorate using a Star Trek theme. We find out there are some things that Leonard Nimoy won’t do. And the story continues in “Captain’s Log”.

(13) PREDICTING MAGIC. Lois McMaster Bujold tells folks on Goodreads another Penric novella is on the way.

I am pleased to report that I have finished the first draft of a new Penric & Desdemona novella. (For that peculiar value of “finished” that means, “still dinking till it’s pulled from the writer’s twitchy hands.”) Title will be “Penric’s Fox” Length, at this moment, is around 37,400 words. It is more-or-less a sequel to “Penric and the Shaman”, taking place about eight or nine months after that story. Final editing and formatting, arranging for cover art to send it out into the world nicely dressed, etc., will take some unknown amount of time and eyeball-endurance, but e-pub will likely happen in August.

(14) RECOMMENDED BADNESS. Marshall Ryan Maresca tells about his love for “KRULL: A Bad Movie I’ve Watched Many, Many, MANY Times”

As I’ve said before, there’s something to admire about a movie that points to the fences and swings with everything that it has.  Because Krull is just that movie.  It really wants to be the epic fantasy movie– it wanted to be the movie that did for epic fantasy what Star Wars was for space opera.   And by god, it throws everything it can think of up on the screen to become that, and more.  I mean, it’s not just an epic fantasy movie.  It’s an epic fantasy movie that’s hiding inside a full-on sci-fi space-opera, like a Russian nesting doll.  On top of that, it’s got prologue and epilogue voice-over to let you know that this is just the tip of the iceberg of the total amount of story here.  Yes, it was laying the groundwork for sequels and prequels and all sorts of things that were never meant to be.

(15) NINE WORLDS. London’s Nine Worlds con (August 4-6) has posted its program schedule. There are a lot of good, thoughtful items, and at least three I can say I haven’t seen at any con I’ve attended:

(16) ART LESSON. Nikola at Thoughts on Fantasy teaches us “How to Make a Clichéd High Fantasy Cover”.

I’ve encountered a few covers that take it a bit far, but I thought it’d be amusing to go even further, and have a bit of fun with the tropes of my favourite genre… so here is my recipe for a no-holds-barred, all-boxes-ticked, epic high fantasy book cover (accompanied by examples from the most clichéd design I can muster). I’m no graphic designer, but I imagine that will add a nice level of unprofessional shine to my examples.

  1. Fantasy Landscape

It’s a good idea to start your cover with a moody fantasy setting. This can be any of the following:

  • medieval cityscape
  • castle or tower
  • craggy mountains
  • dark forest + looming trees
  • rough sea + sailing ship

If you want to go full-fantasy cliché, try to include as many of the above as possible, just to be sure you cover all your bases.

Her recipe has 12 ingredients altogether.

(17) SFF TREND ON JEOPARDY! Tom Galloway keeps a close eye on these things:

OK, some current Jeopardy! writer is definitely an sf fan and is having fun with categories. A few weeks ago we had the adjacent “Shaka” and “When the Walls Fell” categories in Double J!.

Last Tuesday, July 18th, the last two Double J! categories were “The Name of the Wind” and “The Wise Man’s Fear”, the titles of Patrick Rothfuss’ first two books in his trilogy. As with the Trek named categories, no clues related to Rothfuss, although the $2000 in Fear was about Dune.

(18) NO RELATION. We know some fans’ names are not so uncommon that there couldn’t be others running around with the same name. That doesn’t seem to make it any less surprising.

Steven H Silver writes:

On my recent trip to Europe, Elaine and I stopped in Bath.  While there, I spotted this ice cream shop, which, despite its name, is not owned by a Hugo Award winning fan artist.

And Paul DiFilippo recently posted a picture of a product called Malcolm Edwards Beer Shampoo.

(19) WHEN THE ‘W’ IN WTF STANDS FOR WHO. Here is a bit of a whoot about last week’s announcement of the new Doctor Who, which came at the end of the Wimbledon men’s singles finals.

Legions of Doctor Who fans caught several minutes of televised sport, many for the first time, this evening.

In their haste to learn who the new Doctor will be, tens of thousands of fans were confused by the spectacle of a man running when he wasn’t being chased by an Ice Warrior.

The BBC was inundated with complaints from viewers who saw David Tennant in the Wimbledon crowd and believed it to be some sort of spoiler, or who thought that shots of someone chasing a ball were footage of some kind of ground level Quidditch match and started cheering before they realised their error.

“The people dressed in white chasing about weren’t even the robots from Krikket, which was an unused Douglas Adams script,” avid Whovian Simon Williams told us.

(20) EYE OF THE STORM. Marcus Errico of Yahoo! Movies, in “First CAPTAIN MARVEL Concept Art Shows Brie Larson in Her Supersuit”, says at Comic-Con Brie Larson was busily promoting the Captain Marvel movie coming from Marvel Studios next year.  It’s set in the 1990s, has the Skrulls in it, and has Nick Fury with two eyes with a possible explanation as to how he ended up losing one eye.

(21) FROM THE ARCHIVES. Paul DiFilippo thinks he has found a never-reprinted Arthur C. Clarke short story, and Bonestell illustration in a 1962 issue of The Elks Magazine. He has scanned the pages and posted them at The Inferior 4 blog.

(22) COMMEMORATIVE DRINKS. Andrew Porter learned that the building where Gollancz published is now a trendy hotel.

Gollancz was located in London’s Covent Garden, at 14 Henrietta Street, from 1928 until the early 1990s. The new hotel, with only 18 bedrooms, is at 14 and 15. The drinks menu references Gollancz’s past, as publisher of Arthur C. Clarke, Kingsley Amis, George Orwell and others, with drinks named “Down and Out,” “Lucky Jim,” “Fall of Moondust,” “Sirens of Titan,” and “Cat’s Cradle.”

For a history of the company, see the Science Fiction Encyclopedia’s ”Gollancz” entry.

(23) DRINK UP. The Verge tells you where to find it — “The Moon has more water than we thought”.

The Moon has more water than previously thought, and it’s deep below the lunar surface. A new study suggests that water is widespread beyond the poles, where it was already known to exist, although scientists don’t know exactly how much water is there. The discovery has consequences for future missions to the Moon.

Scientists analyzed lunar rock samples that contain tiny, water-trapping beads of glass; these beads formed when magma erupted from the Moon’s interior billions of years ago, trapping water inside them. The scientists then looked at satellite data collected by an Indian lunar orbiter to check where these water-trapping glass beads are. The results, published today in Nature Geoscience, show that there are widespread “hot spots” of water-rich volcanic material beyond the Moon’s poles.

(24) WESTEROS IS COMING. George R.R. Martin updated fans through his Livejournal on the status of the unfinished Winds of Winter:

I am still working on it, I am still months away (how many? good question), I still have good days and bad days, and that’s all I care to say.

Another project, the first of a two-volume collection of fake histories of the Targaryen kings called Fire and Blood, is “likely” for publication in late 2018 or 2019.

Whether WINDS or the first volume of Fire and Blood will be the first to hit the bookstores is hard to say at this juncture, but I do think you will have a Westeros book from me in 2018… and who knows, maybe two.

Meantime Gardner Dozois’ new anthology, The Book of Swords, has been scheduled for release on October 10, and is now available for pre-order from Amazon. As Martin notes —

And of course it also includes “Sons of the Dragon,” a chronicle of the reigns of Aegon the Conquerer’s two sons, Aenys I Targaryen and Maegor the Cruel, for those who cannot get enough of my entirely fake histories of Westeros. That one has never been published before in any form, though I did read it at a couple of cons.

(25) FIFTH FIFTH. Not to be missed — these comments in File 770 today:

[Thanks to JJ, ULTRAGOTHA, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Dann Todd, Harold Osler, Alan Baumler, Tom Galloway, Moshe Feder, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Alan Dorey (1958-2017)

Alan Dorey

Alan Dorey, a major figure in British sf fandom since the late Seventies, died July 24. The cause was not announced.

Dorey was one of eight co-editors who started Interzone magazine in 1982, along with John Clute, Malcolm Edwards, Colin Greenland, Graham James, Roz Kaveney, Simon Ounsley and David Pringle. (Dorey left Interzone after issue 10.)

He first became active in fandom while attending Leeds University in the late Seventies. He co-founded the Surrey Limpwrists (a local club near his hometown), worked on the Eastercon committee, and was elected Chairman of the BSFA, all in 1979. He continued as BSFA chair until 1985. During that span he also wrote a lot of columns and reviews for BSFA’s fanzines Matrix and Vector.

His own fanzines included Black Hole for the Leeds University sf club, Gross Encounters, and Sirius (with Mike Dickinson).

His fanpublishing resume did not include the first issue of Another Bloody Fanzine (1979), although he and Joseph Nicholas shared the masthead. As Rob Hansen explains in his British fanhistory, THEN:

For some months, Alan Dorey and Joseph Nicholas had been telling everyone of their intention to puiblish a fan zine of that name that would be devoted to killer fanzine reviews to end all killer fanzine reviews, so when ABF 0 dropped onto their doormats most assumed it was the much awaited thunderbolt….

The hoax penned by David Langford and Kevin Smith caused at least as much of an uproar as had been promised by the real editors, and when Nicholas and Dorey did in fact put out an issue by that title in late 1979 it was almost anticlimactic.

Dorey’s fanac tailed off in the 1990s but in 2012 he revived Gross Encounters where he explained:

The late 1990s saw my activity increasingly head towards the back burner, taking its place amongst a host of other projects that sat there gently simmering away. I can’t quite place my finger on the exact moment, but sometime between 1998 and the fuss over the new millennium, the shilling in the meter must have run out and the burner flickered no more.

By then his real passion was his radio show. Dorey’s first experience in radio came decades ago at BBC Radio Manchester. He wrote book reviews and discussed them on air with the show’s host, Briony Barton. Since 2006 he had been a presenter and DJ at Forest FM, where his show was called “Music Box.” Dorey described it this way –

The show runs to a loose format which can be summed up as “old, New, Borrowed, Blues” . It’s a simple formula, but it works and it ensures that there’s always plenty of new music as well as older sounds and a mix of genres. There’s a handy little phrase in putting a show together—”hammocking”: this is the process of bookending segments with more familiar music so that casual listeners aren’t put off with too much new and unfamiliar music.

Today many listeners have left messages on his Facebook page praising his openness to new music and support for local artists.

Dorey is survived by his wife, Rochelle, and their children.

[Thanks to Andrew Porter and Steven H Silver for the story.]

And on the Seventh Day Comic-Con Rested

Curated by Carl Slaughter: More trailers released around San Diego Comic-Con.

  • THE EXPANSE Season 3 TRAILER

  • FUTURE MAN Teaser Trailer SEASON 1 Comic Con

  • MARVEL’S THE DEFENDERS Season 1 “Confession” Clip

  • THE ORIGINALS Season 5 TRAILER Comic Con

  • Once Upon A Time Season 7 Comic-Con Trailer

  • MARVEL’s THE DEFENDERS Season 1 “The Final Phase” Clip

Pixel Scroll 7/23/17 Whenever We File Out, The Pixels Always Shout, ‘There Scrolls John Jacob Jingleheimer Schmidt!’

(1) TALKIN’ ABOUT MY REGENERATION. The Doctor Who Christmas Special 2017 trailer is online.

(2) A PREVIOUS GENERATION. Meanwhile, at Comic-Con, Harrison Ford still doesn’t know whether he was a replicant: “Blade Runner 2049: Harrison Ford responds to Deckard replicant mystery”.

Moderator Chris Hardwicke couldn’t help but ask Ford if Blade Runner 2049 would address the lingering questions about Deckard’s identity – human or replicant?

After a long pause, the star responded: “It doesn’t matter what I think.”

So that clears that up then.

(3) ACTUAL COMICS NEWS FROM COMIC-CON. NPR observes “Yes, Some Comics Are For Kids — And They’re Big Business”.

Before I left for San Diego Comic-Con this week, I checked in with Lucy Strother, a fourth grade teacher in Philadelphia whose students just love comics. “We have like a comics and graphic novels bin in the library and it’s perpetually empty because the kids are so obsessed with comics and graphic novels,” she says.

Strother says graphic novels are an important way to get kids used to reading longer chapter books with more mature ideas. And for her students, there’s one author who reigns supreme. “The queen of my classroom is Raina Telgemeier.”

“My name does mean queen,” Telgemeier laughs. She’s here at Comic-Con to talk comics and meet young readers; her latest graphic novel, Ghosts, is a gentle, lovely story for middle grade readers, about a girl coming to terms with her little sister’s serious illness.

(4) OPEN FOR CLICKS. The Westercon 72 (and aspiring 2019 NASFiC bid) website has gone live. The con will be in Layton, UT.

(5) OUT OF THE SHADOWS. Clarke Awards administrator Tom Hunter sent out the links himself:

Adrian Tchaikovsky has also been busy reviewing all six books on this year’s shortlist, splitting his reviews into three equal parts.

  • Part one: Faith In The Future covers A Closed and Common Orbit by Becky Chambers and Central Station by Lavie Tidhar.

I want to wave a flag for Chambers’ aliens?—?while there is a definite Trek-like philanthropic principle going on, the species are all well defined, and then the individuals are separately defined so that you don’t get the common problem of “all of X species are like this”, and furthermore “X species are basically humans with this hang up and a narrowed emotional range”. Like Planet, Orbit makes a virtue of telling the stories of ordinary people in a multispecies galactic community, with plenty of digressions and diversions that only add to the verisimilitude of the world and the characters.

  • Part two: The Evil That Men Do discusses The Underground Railroad by Colson Whitehead and After Atlas by Emma Newman.

Where this book crosses from the historical into Clarkes territory is the railroad of the title. Now I have a confession here, because my knowledge of this period is limited and my first introduction to the phrase ‘underground railroad’ was in Babylon 5, which utterly baffled me because I thought they were talking about a literal one. And in Whitehead’s book, there is. Instead of the loose network of sympathisers and rescuers, white and black, there is a genuine railroad under the ground smuggling slaves from place to place, constantly in danger of being discovered by the slavers. In this way, Whitehead gives us the southern US as a series of “stations” (3) where different scenarios play out between black and white, slave and free.

Tricia Sullivan is a SF author of considerable repute, with Occupy Me her fourth visit to the Clarkes shortlist (having, I believe, won it in 1999 with Dreaming in Smoke). This is a book about time, space, energy and angels, and it’s going to be relatively difficult to talk about because finding out what is actually going on is one of the chief pleasures of the book. The plot effectively starts in the middle and then unfolds towards the beginning and the end simultaneously, and that is entirely appropriate for the sort of physics that is flying around in the plot. Flying, in fact, is a major theme.

(6) SURVIVING CHILDHOOD. Here are “9 dangerous toys that prove kids were just tougher before 1990”. John King Tarpinian says he had these —

Clackers

Clackers had a lot of fun nicknames: knockers, click-clacks, bangers, knocker bockers or knicker knackers. But by any name, these 1970s toys were dangerous as heck, especially if you got the original acrylic glass clackers that some kids were either strong enough or intent enough to shatter. It was enough to get the attention of the Society for Prevention of Blindness, who issued their own warning, before a 1973 Consumer Product Safety Commission arrived to deliver the country to the coddling culture that condemned toys like clackers (which are available today in safer wooden, plastic or metal varities) and birthed a generation of nervous parents today.

 

(7) CARLSON OBIT. SF Site News reports the death of Jeff Carlson:

Author Jeff Carlson (b.1969) died on July 17. Carlson published the short story “Exit” in 1994? and his next story, “Pressure,” appeared in 2001. His first novel, The Plague Year appeared in 2007 and opened a trilogy, including The Plague War and The Plague Zone….

(8) TODAY IN HISTORY

  • July 23, 1999 — Disney’s Tarzan became the first all-digital film
  • July 23, 1995 The Outer Limits reboot aired “I, Robot” with Leonard Nimoy

(9) WHETHER TO RATIFY. This year’s Hugo administrator Nicholas Whyte, writing as a private individual, gives his take on several rules changes pending at this year’s business meeting: “The 2017 WSFS Business Meeting: Deterring Slates”.

Three Stage Voting

I was one of a number of people last year who put our names to another proposal, Three Stage Voting, which is on the agenda as amendment C.4. This would introduce an extra voting stage. After nominations are made, and the top fifteen candidates identified, Hugo voters (members of that year’s Worldcon) would vote on whether or not to accept the top fifteen as acceptable finalists. Voters would choose “Reject”; “Accept; or “Abstain”. Those rejected by at least 60% of the combined total of “Accept” and “Reject” votes, if and only if the number of “Reject” votes is at least the higher of 600 or 20% of the number of eligible voters, would be barred from the final ballot, which would have the top five (or six) vote-getters from the nominations tally minus any that were rejected by the new process. This was passed by the 2016 Business Meeting and must now be ratified by the 2017 Business meeting to come into effect for next year.

I signed this last year, but I no longer support it, for the following reasons….

Whyte gives four reasons. When it comes to 3SV, Whyte and Dr. Mauser (quoted yesterday) have some common ground.

(10) PUMP UP THE VOLUME,  A different kind of Apple Music — “Sing Different: Steve Jobs’ Life Becomes An Opera”. Chip Hitchcock says, “It’s in an appropriately tech location; you can see the lights of Los Alamos from the theater site.”

Even Campbell was initially skeptical of the idea, which came from 40-year-old composer Mason Bates. Bates was convinced that in Jobs’ “complicated and messy” life, he’d found the right subject for his very first opera.

“He had a daughter he didn’t acknowledge for many years; he had cancer — you can’t control that,” Bates says. “He was, while a very charismatic figure, quite a hard-driving boss. And his collisions with the fact that he wanted to make everything sleek and controllable — yet life is not controllable — is a fascinating topic for an opera.”

The (R)evolution Of Steve Jobs shifts back and forth in time over the course of 18 scenes. Its fragmented, non-linear narrative was a deliberate choice by Campbell and Bates, who wanted to reflect Jobs’ personality and psyche. “Steve Jobs did have a mind that just jumped from idea to idea to idea — it was very quick,” Campbell says.

(11) WONDER WOMAN. Marcus Errico of Yahoo! Movies, reporting from Comic-Con, in “WONDER WOMAN II Offiicially Confirmed at Comic-Con, Script ‘In The Works Right Now”, writes DC “to the surprise of no one’ officially green-lit Wonder Woman II, but they’re still working on the script and Patty Jenkins is not yet attached to the project.

Every mention of the film, star Gal Gadot, or images of the Amazonian princess in action during Warners’ Saturday presentation in Hall H was an applause line. And when the simple Wonder Woman II graphic appeared at the end of a sizzle reel, the crowd went wild.

Gadot entered the Hall arm in arm with her Justice League co-star Ben Affleck, joining cast mates Jason MomoaEzra Miller, and Ray Fisher onstage to show off a new trailer for the Nov. 17 release.

The #justiceleague hits the stage and the crowd goes wild!!! . . . #dcsdcc #sdcc #sdcc2017

A post shared by Yahoo Movies (@yahoomovies) on

(12) AND YOU THINK YOUR CON HAS TECH PROBLEMS. Pokemon Go event overloads: “Refunds as Pokemon fest beset by glitches”.

As many as 20,000 attendees at a Pokemon Go festival in Chicago are being offered refunds after technical glitches meant fans were mostly unable to catch anything – let alone “them all”.

Disappointed fans will also be offered $100 in the form of the app’s in-game currency, Pokecoins.

The event on Saturday had been touted as a chance for fans to come together and catch some of the rarest monsters on the hugely successful app.

But fans booed and chanted “fix our game!” and “we can’t play!” as executives from Niantic, the game’s creator, attempted to explain the problems.

At one point a bottle was thrown at a presenter on stage – it missed.

(13) FLORIDA MAN. The Orlando Sentinel reports a hometown fan (and File 770 reader) is headed for Helsinki.

Juan Sanmiguel’s affinity for intergalactic storytelling has taken him around the globe.

Next month he’ll check off a new country as he’s off to Finland for the annual Worldcon and Hugo Awards — which are known as the most prestigious for the science-fiction genre. The awards are scheduled for Aug. 11 in Helsinki.

For the past 25 years, he’s made the annual trek to the convention in countries such as Australia, Scotland, Canada and England.

“I haven’t missed one since [1992],” said Sanmiguel, who has attended the convention a total of 27 times. “It’s still prestigious … the biggest one so far was the one in London three years ago.”

Also president of the Orlando Area Science Fiction Society, Sanmiguel briefed members of the club Sunday on this year’s nominees, which include mainstream filmed works such as “Stranger Things,” “Deadpool,” “Ghostbusters” and two episodes of the acclaimed “Game of Thrones” series.

[Thanks to Chip Hitchcock, John King Tarpinian, Cat Eldridge, Nicholas Whyte, JJ, and Tom Hunter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Barrett.]

2017 Seiun Awards

The winners of the 48th Seiun Awards were announced on July 22.

The Seiun Award Ceremony will be held on August 26th at Donburacon LL, the 56th Japan SF Convention in Shizuoka, Japan.

Best Japanese Long Story

  • ULTRAMAN F by Yasumi Kobayashi (Hayakawa Publishing, Inc.)

Best Japanese Short Story

  • “Last and First Idol” by Gengen Kusano (Hayakawa Publishing, Inc.)

Best Translated Long Story

  • United States of Japan by Peter Tieryas / tr. Naoya Nakahara (Hayakawa Publishing, Inc.)

Best Tranlated Short Story

(2 winners)

  • “Backward, Turn Backward” by James Tiptree, Jr. / tr. Kazuko Onoda (Hayakawa Publishing, Inc.)

and

  • “Simulacrum” by Ken Liu / tr. Furusawa Yoshimichi (Hayakawa Publishing, Inc.)

Best Dramatic Presentation

  • Shin Godzilla

Best Comic

  • KOCHIRA KATSUSHIKAKU KAMEARIKOENMAE HASHUTSUJYO by Akimoto Osamu (Shueisha, Inc.)

Best Artist

  • Naoyuki Katoh

Best Non-fiction

  • “SF” IS “SUTEKI FICTION” by Haruna Ikezawa (Hayakawa Publishing, Inc.)

Free Section

  • The 113th element was named Nihonium.

by Element 113 Research Group led by Group Director Kosuke Morita of the RIKEN Nishina Center for Accelerator-Based Science Research Group for Superheavy Element

[Thanks to Hirohide (Jack R.) Hirai for the story.]

Draft Resolution About Worldcon Publications Policies

Worldcon 75’s recent clarification of its publications policy – and the reason one was needed – has prompted Jo Van Ekeren, Chris Barkley, Seth Breidbart, Greg Machlin, Farah Mendlesohn, Rick Moen, and Steven Silver to submit for consideration by this year’s Business Meeting a resolution that expresses what they feel are the best practices in making publications available in a digital age, and calls on Worldcon committees to communicate their policies well in advance.


Proposed Resolution of Continuing Effect

Short Title: Convention Publications to be Delivered to Members

Resolved, That it is the sense of the Business Meeting that…

  • Each Worldcon should deliver to all convention members the Progress Reports and the Souvenir Program Book in electronic format, either by mass delivery, or by individually-accessed downloads.
  • Each Worldcon should offer all Members the option to have delivered to them the Progress Reports in printed form.
  • Attending Members may choose to accept the Souvenir Program Book in printed form as provided at the convention, or to receive only the electronic format.
  • Each Worldcon should offer Supporting Members the option to have delivered to them the Souvenir Program Book in printed form.
  • The Worldcon may specify in advance a nominal fee to offset the printing and delivery costs for each of these publications for Supporting Members.
  • If a fee is to be charged for the printed version of either the Progress Reports and / or the Souvenir Program Books, this should be specified up front in the convention’s bid submission.
  • The option to sign up for the printed version of either or both publications should be included on the Site Selection ballots, and through the convention’s electronic Registration process.
  • Supporting Members who have not previously opted to select the print options may do so up to six weeks in advance of the Worldcon.
  • Attending Members who are unable to attend the convention will have their Souvenir Program Books delivered to them at no additional cost.
  • Printed Souvenir Program Books should be delivered to the members who opted for them within 3 months of the close of the convention.

Moved by: Jo Van Ekeren, Chris Barkley, Seth Breidbart, Greg Machlin, Farah Mendlesohn, Rick Moen, Steven Silver.

Commentary: The above is the revised version of my proposal for the WSFS Business Meeting for a Resolution of Continuing Effect regarding the distribution of Worldcon Progress Reports and Souvenir Program Books.

Resolutions are non-binding, but they are retained in a permanent document and provide advice to future Worldcons of the members’ preferences for how things should be handled.

http://www.wsfs.org/wp-content/uploads/2016/10/2016-Rulings-of-Continuing-Effect-for-2017.pdf

The intent of this resolution is not to hamstring Worldcon committees, or cause them financial hardship, or require unnecessary usage of natural resources for printing; but to ensure that the Worldcon membership has access to the convention publications in their preferred format.

I did specifically consider print-on-demand when writing this up, and do not believe that its verbiage excludes POD as an acceptable option for providing either the PRs or the Souvenir Book. If someone sees a way that it would exclude POD, please let me know.

I agree that in an ideal world, Supporting Members would continue to receive printed copies of the PRs and the Souvenir Program Book at no additional cost, because it *is* an accessibility consideration.

However, given the rising cost of printing and especially postage charges, I think it is not realistic to expect that practice to continue without raising the current ceiling on the Supporting Membership fee and allowing Worldcons to recoup those costs. Depending on a member’s geographical location and that of the convention, printing and postage charges for one Souvenir Book could well eat up the entire amount of the Supporting Membership fee (or even exceed it).

This resolution is intended to provide guidance to future Worldcons for ensuring that each of these two publications is available to all members in their choice of printed or digital format, and that the availability and arrangements for these are communicated up front to members during the bid process, as well as on the convention’s website and social media announcements.

Jo Van Ekeren


 

More 2017 Comic-Con Trailers

Curated  by Carl Slaughter. More trailers that have been tailored for San Diego Comic-Con 2017.

  • JUSTICE LEAGUE Trailer #3 NEW EXTENDED Comic Con

  • Thor: Ragnarok Comic-Con Trailer

  • GOTHAM Season 4 Comic-Con Trailer

  • ARROW Season 6 Comic-Con Trailer

  • SUPERGIRL Season 3 Comic-Con Trailer

  • WESTWORLD Season 2 Trailer

  • THE FLASH Season 4 Comic-Con Trailer

  • STRANGER THINGS Season 2 Trailer

  • DC’S LEGENDS OF TOMORROW Season 3 Comic-Con Trailer

  • BRIGHT Trailer

  • READY PLAYER ONE Trailer

  • PREACHER Season 2 Official SDCC Trailer