Pixel Scroll 8/18/17 And Though She Thought Mike Knew The Answer, Well He Knew But He Would Not Say

(1) THIS JOB IS NOT THAT EASY! Nicholas Whyte is back with “The Adminstrator’s Worldcon – part 2 of my 2017 Hugo memories”.

I almost didn’t make it to Worldcon 75. My taxi was 15 minutes late picking me up from home, and then encountered serious traffic en route to Zaventem airport. I was far too late to check my bag and brought it through security, where I almost came unstuck because of the Official Hugo Glue, which Dave McCarty had given me at Smofcon in December and I now needed to give back to him. (In fact we did not need it, as the artist who created the bases had engraved the winners’ plaques and attached them to the bases herself.) Five different security officials inspected the Official Hugo Glue Gun (which fortunately in Dutch is not a gun but a “lijmapparaat”, glue machine) before I was allowed to go on my way. The captain of my plane then scolded me, entirely fairly, for bringing “hand luggage” which was, in his words, “way too big”. But he did not throw me off, and I arrived in Helsinki.

Whyte includes a clear photo of the Hugo base by itself:

(2) ALL’S WELL. Yesterday’s Scroll quoted Renay’s tweets about the dismaying condition of Lady Business’ Hugo when it arrived. She told File 770 the problems were quickly resolved:

It turns out it was melted glue from where the felt was attached to the base (it’s hot here in Arkansas!). It’s been cleaned off with no problems and we’re looking into the proper type of glue to reattach the felt so disaster averted!! The bolt and washer were missing, too, but we’re going to pick a replacement up tomorrow. Nicholas Whyte from the Hugo team was super responsive. I’m also impressed everything arrived so fast. Those Worldcon 75 volunteers are ON IT.

(3) HUGO WINNER. The speech Ada Palmer was too overwhelmed to read at the Hugos is posted at her blog: “Campbell Award & Invisible Disability”.

Thank you very much. I have a speech here but I actually can’t see it. I can think of no higher honor than having a welcome like this to this community. This… we all work so hard on other worlds, on creating them, on reading them, and discussing them, and while we do so we’re also working equally hard on this world and making it the best world we possibly can. I have a list with me of people to thank, but I can’t read it. These tears are three quarters joy, but one quarter pain. This speech wasn’t supposed to be about invisible disability, but I’m afraid it really has to be now. I have been living with invisible disability for many years and… and there are very cruel people in the world for which reason I have been for more than ten years not public about this, and I’m terrified to be at this point, but at this point I have to. I also know that there are many many more kind and warm and wonderful people in this world who are part of the team and being excellent people, so, if anyone out there is living with disability or loves someone who has, please never let that make you give up doing what you want or working towards making life more good or making the world a more fabulous place.

(4) CONREPORT. Cora Buhlert shares her Worldcon experience in a short video, Cora’s Adventures at WorldCon 75 in Helsinki. Includes a shot of one of the File 770 meetups.

(5) CURBED ENTHUSIASM. Mark Ciocco weighs in on “Hugo Awards 2017: The Results”.

The 2017 Hugo Awards were announced on Friday, so it’s time for the requisite whining/celebration that peppers the steak of our blogging diet (that’s how food works, right?) Um, anyway, despite my formal participation in the awards process roughly coinciding with the Sad/Rabid Puppy era/debacle, this marks the fourth year wherein I’ve contributed to the results. This year’s awards were less directly impacted by those meddlesome puppies, but I feel like we’re still suffering through an indirect backlash and overcorrection. This isn’t exactly new, so let’s just get on with it. (For those who really want to geek out and see how instant-runoff voting works, the detailed final and nominating ballots are available.)

The Obelisk Gate by N.K. Jemisin takes the rocket for Best Novel, making Jemisin just the third author to have back-to-back wins in this category (joining the ranks of Orson Scott Card and Lois McMaster Bujold). She’s a good author, but damn, these books are not for me. Both were at the bottom of my ballot and while I can see why her novel won last year, this one is a little more baffling. It appears to have been a close race though, with All the Birds in the Sky only narrowly missing the win. I regret not putting it higher on my ballot, as it’s the only non-series finalist, and that’s something that’s becoming more and more of an issue… My preferred Ninefox Gambit came in third in the voting, which wound up being a theme for my first ranked works this year….

(6) PHOTO FINISH. Amal El-Mohtar coincidentally provides another clear photo of the Hugo base.

(7) WHAT THEATRICAL GENIUSES ARE READING. Broadway World delivers “Your 2017 Summer Reading List Courtesy of Lin-Manuel Miranda”, which includes a few genre works:

(8) WHAT YOUNG PEOPLE ARE READING. At Young People Read Old SFF, James Davis Nicoll has sicced the panel on “By the Waters of Babylon”. (Wow – I first read that in a junior high school textbook, when I was a Young People myself!)

The second story in Phase II of Young People Read Old SFF is Stephen Vincent Benét’s 1937’s“By The Waters of Babylon”. He’s more obscure than he once was now—dying at age 44 didn’t help him stay in the spotlight—but you may have encountered his The Devil and Daniel Webster or Benét’s upbeat toe-tapper, Nightmare, with Angels, quoted in part in John Brunner’s disco-era The Jagged Orbit…

(9) ROWELL REUNITES RUNAWAYS. Marvel is bringing back Nico, Karolina, Molly, Chase, Old Lace and even Gert.

This fall, best-selling YA writer Rainbow Rowell (Carry On, Eleanor and Park), superstar artist Kris Anka (All-New X-Men, Star-Lord) and Eisner-winning colorist Matt Wilson (The Mighty Thor, Black Widow)  team up to bring the universe’s pluckiest team of super heroes back to where they belong: in the pages of a Marvel comic book.

“As a Runaways fan, it’s been such a thrill for me to see these characters together again,” said writer Rainbow Rowell. “I can’t wait to let everyone else into the party.”

“For years I batted other editors and creators back from the Runaways,” said Executive Editor Nick Lowe. “I was the last Editor to edit them and they are precious to me, so I didn’t want just ANYBODY to bring them back. So when my new favorite writer (Rainbow’s Eleanor & Park slayed me in the best way) said they were her favorites, I knew I had half of the lightning I needed. Kris [Anka] was the other missing link for the PERFECT RUNAWAYS creative team and I’m so excited to share them with the world!”

(10) NO CAPTAIN SULU. Mr. Sci-Fi, Marc Scott Zicree, talks about an unproduced Trek series:

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

 

(11) TODAY IN HISTORY

  • August 18, 1947 – Hewlett-Packard Co. is incorporated, nine years after William Hewlett and David Packard sold their first oscillators from a garage in Palo Alto, where they had set up shop with $538 in capital. Moving from oscillators, the first of which they sold to Disney for the movie Fantasia, the Stanford graduates built one of the world’s largest electronics companies
  • August 18, 2001Stacy: Attack of the Schoolgirl Zombies premieres in Japan.

(12) TODAY’S BIRTHDAY BOY

  • Born August 18, 1925 – Brian Aldiss

COMICS SECTION. John King Tarpinian approves of the monkey business on Brevity.

(13) INFRINGEMENT SUIT. In January the Arthur C. Clarke estate, Penguin Random House and Simon & Schuster joined with the estates of Ernest Hemingway, Truman Capote, Jack Kerouac to sue Frederik Colting, Melissa Medina, and their publishing firm, Moppet Books, charging copyright infringement. They charged that KinderGuides seek “to capitalize on the [classic] Novels’ enduring fame and popularity,” describing the titles as “a transparent attempt to recast their unauthorized derivatives as ‘study guides’ intended for the elementary school set.”

Publishers Weekly has a progress report on the litigation in “Still No Opinion, but Judge’s Order Bans Distribution of ‘Infringing’ KinderGuides”.

Following a summary judgment ruling last month, a federal judge this week signed off on a permanent injunction immediately barring Moppet Books from distributing in the U.S. any versions of its KinderGuides series held to be infringing, until the works on which they are based enter the public domain. In addition, Moppet Books also agreed to destroy all current copies of the infringing works “in its possession or under its control” within 10 days.

Don’t expect the shredders to fire up quite yet, however. While the ban on distribution is effective immediately, the injunction includes an automatic stay on the destruction of existing stock, pending the “final outcome” of the appeal process.

…On July 28, Judge Jed Rakoff issued a summary judgment for the plaintiffs, rejecting Moppet Books’ claims that the works, created by founders Frederik Colting and Melissa Medina for the company’s KinderGuides series, were protected by fair use. The ruling came just days after oral arguments were presented in the case, and without an accompanying memorandum by Rakoff explaining his decision, which the judge said would come “in due course.”

…Meanwhile, despite the ongoing legal battle, Moppet Books is moving ahead with plans to launch a new line of books in October, including a collection of KinderGuides based on public domain works, and two original nonfiction works.

(14) WHAT’S THAT, ROCKY? The New York Times, in “When Dinosaurs Ruled the Earth”, reports that new fossil discoveries show prehistoric “squirrels” glided through forests at least 160 million years ago.

In a study published on Wednesday, a team of paleontologists added some particularly fascinating new creatures to the Mesozoic Menagerie. These mammals did not lurk in the shadows of dinosaurs.

Instead, they glided far overhead, avoiding predatory dinosaurs on the ground — essentially flying squirrels of the Jurassic Period, from an extinct branch of mammals that probably still laid eggs.

(15) BRADBURY DRAMATIZED. Broadway World says a one-man Bradbury play will be part of a stage festival in New York next month.

Bill Oberst Jr. brings his award-winning solo performance, “Ray Bradbury‘s Pillar Of Fire,” one of Bradbury’s darkest tales, to Theatre Row on Sunday, Sept. 17 at 6:00pm. The NYC debut is part of the United Solo Theatre Festival.

Ray Bradbury has something to say to us at this exact moment in time;” said Oberst, “that we are citizens of the cosmos first, that the way we imagine our future determines our future, and that the most dangerous minds are those which cannot imagine themselves to be wrong.”

Oberst’s one-act adaptation uses Ray Bradbury‘s poetic prose to tell the story of William Lantry, a 400-year-old corpse who rises from the grave in the year 2349 to find himself the last dead man on Earth. Filled with hatred for a future world where superstition, gothic literature and human burials are all banned, Lantry decides to create an army of the dead. Bradbury later called the novella “a rehearsal for Fahrenheit 451.” He also famously said, “I don’t predict the future, I try to prevent it.”

(16) OLD HOME WEEK. Andrew Porter used to live in part of the historic Henry Siegel mansion, whose story was chronicled in the Daytonian in Manhattan blog yesterday.

…This is where I first published ALGOL, DEGLER! and then S.F. WEEKLY. It’s where I lived while I worked on the 1967 Worldcon, NYCon 3. I had numerous fan gatherings there, and have photos of Ted White and Arnie Katz in my room. This block of East 82nd Street is also the direct approach to the Metropolitan Museum of Art, whose fabled entrance stairs are visible directly down at the end of the block.

He wrote a long, fascinating comment there, including this genre tidbit –

In later years, part of the basement housed a toy store accessed by a stairway from the bookstore above. The proprietor told me that some of the toy soldiers he sold came from the collection of Donald A. Wollheim, a well-known collector and once publisher of DAW Books. And one of the buyers was George R.R. Martin, whose “Game of Thrones” (HBO) is so popular.

…For many years there was also a bookstore. In early 2017, Crawford Doyle Booksellers, which claimed to be there for 21 years, closed. However, there’d been a bookstore there since at least the late 1950s. I know, because as a teenager, I had a job delivering Womrath Library rental books to posh apartments around the area.

(17) IN THE FLOW. The Hugo Award Book Club discusses John Scalzi’s latest novel in “Review: The Collapsing Empire”.

Given John Scalzi’s track record, high profile, and vocal fan base, it seems likely that The Collapsing Empire will be given a fair amount of consideration on many 2018 Hugo nominators’ lists.

Based on how fun this book is at times, that consideration is probably warranted. The novel is set in an interstellar empire tied together by limited faster-than-light traderoutes known as ‘the Flow.’ This empire — The Interdependency — has lasted for millennia because of the economic dependence of its member worlds to each other. The key protagonists are the new Empress of the Interdependency, and the son of a scientist on a distant world whose father has spent decades discovering that the flow is going to collapse. The overaching plot — which has some parallels to Asimov’s Foundation— is expertly constructed and well-paced. Although the characters all seemed to speak with a similar voice, their motivations were clear, and the conflicts felt natural.

(18) THROWING SHADE. Solar-powered California prepares for the eclipse:

“We’re doing a lot of coordination, a lot of preparation,” says Deane Lyon, a manager at the California Independent System Operator (ISO), which manages about 80 percent of the state’s electric grid. “It’s probably the most work this company has done to prepare for a three-hour event in our history.”

Solar power already comes with up and downs, in the form of clouds.

“So this was a particularly cloudy day,” says Jan Klube of Enphase, pulling up a graph showing the solar output from one California home. The Petaluma-based company monitors rooftop solar systems around the country day in and day out.

To show how a single cloud can make a difference, he points to the afternoon hours, when the output dips by about a third. “You see the big drop, so there’s a cloud coming and going,” he explains. “That’s why you see the zigzag.”

If your solar panels are in the path of totality during the eclipse, “it will go all the way to zero,” he says.

California isn’t squarely in the path, but the moon’s partial shadow will obscure 90 percent of the sun in the north, down to nearly 60 percent in the south. That’s more than enough to cause some anxiety for the people who have to keep California’s lights on.

(19) THE DARK SIDE. Scientists to study whether nature really goes crazy during an eclipse: “Will The Eclipse Make Crops And Animals Flip Out? Scientists Ask (Really)”.

With the help of elementary school students, University of Missouri biology professor Candi Galen is putting out microphones near beehives, in gardens and in a pumpkin patch to record buzzing activity.

“I don’t think it is really known the cues that bees use or don’t use when they are foraging that tell them to jump ship and go back their hives or stay put,” Galen says. “Bees depend upon the environment to regulate their temperature, and that may suggest that if indeed it does cool off a few degrees as the eclipse progresses, then they would get less active because they would be at a lower temperature physiologically.”

Researchers are also working with nearby cattle ranchers and even fishermen to monitor fish activity, Reinbott says.

(20) DNA EDITING. An NPR report is allowed to go “Inside The Lab Where Scientists Are Editing DNA In Human Embryos”.

Critics, however, pounced on the news. They fear editing DNA in human embryos is unsafe, unnecessary and could open the door to “designer babies” and possibly someday to genetically enhanced people who are considered superior by society.

As the debate raged last week, I asked Mitalipov if I could visit his lab to see the next round of his experiments. He wants to confirm his initial results and determine whether the method can be used to repair other mutations.

He agreed to a visit, and on Monday, I became the first journalist to see these scientists cross a line that, until recently, had been taboo.

Chip Hitchcock adds a historical note: “Readers of antique SF may remember Heinlein’s elaborate description of deductive sorting of ova in Beyond This Horizon; another infodump bites the dust.”

(21) PUNISHER. The Verge invites everyone to watch The Punisher teaser trailer:

The Defenders hits Netflix today, and with it comes a look at Marvel’s upcoming show The Punisher. Frank Castle was introduced in season 2 of Daredevil. He’s played by Jon Bernthal, who will reprise his role as the gun-toting Army vet out for revenge.

Various rips of the trailer are popping up all over YouTube…

 

(22) SAY HELLO. Amazon Prime video will stream The Tick on August 25.

From creator Ben Edlund comes the hero you’ve been waiting for. In a world where heroes and villains have existed for decades, a mild-mannered accountant named Arthur has his life turned upside down when he runs into a mysterious blue superhero, The Tick, who insists that Arthur become the brains to his brawn in a crime-fighting duo. Will Arthur resist the call of Destiny or join the fight?

 

[Thanks to Cat Eldridge, John King Tarpinian, Hampus Eckerman, JJ, James Davis Nicoll, Karl-Johan Norén, Carl Slaughter, Chip Hitchcock, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 8/6/17 Surely You’re Scrolling, Mr. Fileman

(1) ANOTHER MASTERPIECE OF CONRUNNING. Mothership says Akiba Town, held this weekend in Singapore and which markets itself as a “Japanese culture event bringing in official anime merchandise along with fan artists and guest cosplayers” — was a mess: “S’pore-organised cosplay event riddled with multiple problems, slammed by cosplay community”. It changed venues a week before the event, allowed stolen artwork to be sold as official merchandise, oversold vendor space, and the list goes on….

(2) A STELLAR GATHERING IN SCANDINAVIA. Sff authors and editors outside The English Bookshop, Uppsala, Sweden:

Front: Teresa Nielsen Hayden, Amal el-Mohtar, Likhain, Ann Leckie, Jo Walton, Fran Wilde, Vivian Shaw, Arkady Martine (Dr. AnnaLinden Weller), Patrick Nielsen Hayden.

Back: Amanda Downum, Max Gladstone, Ada Palmer, Elizabeth Bear, Scott Lynch.

(3) CANADA’S BIRTHDAY PARTY BUGS SOME PEOPLE. It’s one thing to have bats in your belfry – quite another to have a giant spider: “Ottawa archbishop surprised by negative reaction to robotic spider on cathedral”.

The spider, named Kumo, is one of two giant robots created by a street theater company of artists, technicians and performers based in Nantes, France. The company, La Machine, was in Ottawa July 27-30 as part of celebrations marking Canada’s 150th birthday.

The spectacle of robots, music and other special effects drew tens of thousands to Ottawa’s downtown.

The show opened July 27 in the evening, with Kumo “waking up” to organ music from inside the cathedral. As the spider, suspended from cranes, climbed off its perch between the towers, “snow” fell from above as part of the event’s special effects.

“I don’t understand how allowing a mechanical spider to stand on the cathedral is anything but disturbing, disappointing and even shameful,” wrote Diane Bartlett on the archbishop’s Facebook wall.

…Archbishop Terrence Prendergast said he was surprised by the negative reaction to an artistic initiative after critics called the spider’s placement “sacrilegious,” “demonic,” and “disrespectful” of a sacred space.

“My cathedral staff and I anticipated that some … might object, but thought it would be minimal, as nothing demeaning was intended in the spider being near the church,” said the archbishop in an email interview with Canadian Catholic News.

“I regret that we had not sufficiently understood that others would see this event so differently. I say to those who were shocked that I understand that this would have been upsetting for them and that I regret that a well-intentioned effort to cooperate in a celebration was anything but that for them.”

(4) MY NAME IS…JACK. A nine-year-old “guardian of the galaxy” has applied to NASA for the Planetary Protection Officer job which was discussed here the other day.

(5) SUMMERTIME. At Galactic Journey, The Traveler says a Fritz Leiber story is the saving grace in a stinker issue of IF — “[August 6, 1962] Bookkends (September 1962 IF Worlds of Science Fiction)”.

So in this languorous time, about the only consistent pasttime I can enjoy, aside from my records, is the ever-growing pile of stf (scientifiction, natch) magazines.  One of the ones I look forward to is IF, which, if it is not always stellar, usually has a few items of interest.  This month, the September 1962 issue has a lot of lousy stories, and editor Pohl cunningly placed the best one in front so as to dull the impact of the sub-par stuff that follows.  But the last tale is a fine reprise of the first, quality-wise.  See if you agree:

A famous author and actor, Leiber’s works often approach sublimity.  This is one of them, combining both beautiful prose and cutting edge science fiction….

(6) A TO Z. When yesterday’s Scroll said a website had picked an sf author for every letter of the alphabet – all male — Karl-Johan Norén immediately set about balancing the books with his own alphabetical list of 26 influential sf authors – all women:

A Eleanor Arnason

B Leigh Brackett

C C. J. Cherryh

D Pamela Dean

E Carol Emshwiller

F C.S. Friedman

G Mary Gentle

H Nalo Hopkinson

I Jean Ingelow

J Shirley Jackson

K Katharine Kerr

L Megan Lindholm

M Judith Merrill

N Andre Norton

O Octavia Butler

P Meredith Ann Pierce

Q Chelsea Quinn Yarbro

R Joanna Russ

S Mary Shelley

T James Tiptree, jr.

U Ursula K Le Guin

V Joan Vinge

W Kate Wilhelm

X Xia Jia

Y Jane Yolen

Z Marion Zimmer Bradley

(7) DISABLED HAVE GRIEVANCE WITH A LONDON COMICON. The Guardian reports “Young adult literature convention under fire over disabled facilities”.

Authors who appeared at the YALC young adult literature convention over the weekend, including Alex Wheatle and Joanne Harris, have spoken out about what they feel was a lack of disabled facilities at the event. Their complaints centre on the sequestering of one of two disabled toilets for the use of celebrities attending the associated Comicon festival on a lower floor.

Organisers of the event, tied to the London Film and Comic Convention (Comicon) at Olympia in London, were accused by one visitor of “ablism” after wheelchair users ended up squeezing into busy lifts and negotiating crowds to reach accessible toilets on the Comicon floor.

Actor and playwright Athena Stevens, who has cerebral palsy, described organiser Showmasters’ decision to rope off one of the facilities for famous figures attending Comicon – including Benedict Cumberbatch – as “ablist”….

Disabled charity Scope said that defining “reasonable” provision of toilet facilities was a grey area under the Disability Discrimination Act, but it did seem that Showmasters had shown a disregard for their disabled attendees over access to them.

Showmasters, however, denied claims that accessible facilities were unavailable on the same floor as the literary festival, which attracted 40,000 visitors, but acknowledged problems on Saturday. “There were two disabled toilets on that floor, and one was behind the green room wall,” he said. Overcrowding at lunchtime on Saturday had meant that wheelchair users were forced to use facilities on another floor, a spokesman conceded, but not for the whole weekend. Showrunners will consult disabled people to ensure there was no repetition of the problem, he added.

(8) TODAY IN HISTORY

  • August 6, 1996 A Game of Thrones by George R.R. Martin is released.
  • August 6, 2003 — Asteroids renamed to honor final Shuttle Columbia crew

(9) TODAY’S BIRTHDAY BOYS

  • Born August 6, 1934 — Piers Anthony
  • Born August 6, 1970 – Filmmaker M. Night Shyamalan

(10) OH, SWEET SUMMER CHILD. Where’s the prestige in writing cheap books? The Guardian listens as “Philip Pullman leads writers condemning ‘pernicious’ book discounts”.

With more than two months to go before Philip Pullman’s long-awaited new novel from the world of His Dark Materials is published, pre-orders have sent La Belle Sauvage flying up bestseller lists. But with booksellers already slashing the cover price in half, the award-winning author has spoken out about how cheap books devalue the experience of reading, and called for an end to the “pernicious” doctrine of “market fundamentalism” if literary culture is to survive.

Pullman is president of the Society of Authors, which is launching a campaign for publishers to stop damaging authors’ earnings by discounting bulk sales to book clubs and supermarkets, and has slammed the cut-price culture in his trade.

“I don’t like it when I see my books sold cheaply,” Pullman said. “But I’d like to think I’m speaking on behalf of all authors who are caught in this trap. It’s easy to think that readers gain a great deal by being able to buy books cheaply. But if a price is unrealistically cheap, it can damage the author’s reputation (or brand, as we say now), and lead to the impression that books are a cheap commodity and reading is an experience that’s not worth very much.”

(11) A MISS IS AS GOOD AS A MILE. “That’s one small step for Tallinn…”: driverless bus service gets through first three days with “no major incidents”: “‘No major incidents’ as driverless buses launch in Estonia”

A pair of vehicles are operating on a route through the city as part of the Baltic state’s presidency of the European Union, and have so far managed not to collide with any other road users, national broadcaster ERR reports.

But there have been a number of near misses since the launch on Saturday, ERR says. An eyewitness reports that one of the buses failed to give way to a police car with its lights flashing on Monday; while an ERR photographer saw a bus ignore a red light at a pedestrian crossing, ploughing on regardless of the “surprise” it had provoked.

Despite no-one driving, local traffic law means that there still has to be a responsible person on board, meaning that all passengers are greeted by a host. They’ve been tasked with explaining the technology to passengers new to the world of autonomous vehicles, ERR says.

(12) AVOID BEING A STARVING ARTIST. Brad R. Torgersen’s seven items of writing advice in “Random crumbly bits of author stuff” end with —

7) So don’t quit your damned day job. Seriously. Do. Not. Quit. Your. Day. Job. It sucks trying to write full-time and work full-time. It sucks more not paying bills and being forced out of your house or your apartment. It sucks even more depending on the good will of your relatives, or your church, or government programs. If I had $10 for every embarrassed pauper author who proudly proclaimed, “I am a full-time writer, so fuck you,” and then (s)he went back to begging for lunch money, I wouldn’t have to work anymore. Starving artistry is not a holy calling. Really, it’s not. I know I am gonna get burned at the stake for saying it. But seriously, do not check out of the “mundane” work force. Not unless you’ve got a metric ton of dough in the bank, or you’ve got a spouse who eagerly volunteers to carry the mundane load — while you labor at the desk in the attic. But if you’ve got responsibilities to meet, and mouths to feed, please, meet them and feed them. As Steven Barnes said at Norwescon ’07, suffering for your art may be noble, but making your family suffer for your art, just means you’re an asshole.

(13) INHUMANS. In this“Marvel’s Inhumans” clip, Maximus and Medusa face off.

(14) YOUTUBE ARCHEOLOGY. Today I discovered there’s a whole subgenre of YouTube videos which take the musical intros to famous TV series and swap in visuals from Star Trek. I admire the effort, although they’re rarely funny. I found this one from 2008 to be somewhat amusing — it starts with the advantage that the original A-Team intro included a lot of self-referential humor.

[Thanks to Hampus Eckerman. John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/31/17 I’ll Get You, My Pixel, And Your Little Scroll, Too

(1) FANDOM FEST AFTER ACTION REPORT. Randall and Anne Golden decided they’d go to Louisville’s Fandom Fest despite “Weird Al” Yankovic’s cancelling his appearance. They lowered their expectations and lived to tell the tale in a two-part conreport.

We finished our FandomFest experience and were out the door by 12:30. For the math-curious that’s four hours of two-way driving, one hour spent on the line to get in, forty minutes on ticket exchanges, and 110 minutes on actual conventioning. We’ve done worse for less.

By the end of the day at least a couple hundred more fans had packed into the Macy’s and begun turning into a bona fide crowd. Anne noted that today’s attendance was probably more people than the actual Macy’s had entertained in years. But it was never anywhere near 1700. For a show that once welcomed a five-digit annual attendance, that’s an alarming deceleration.

For a show in its twelfth year, with so many years of experience and resources (you’d think, anyway), that’s a drastic sign either of incompetence, evil, or intentional downsizing. We can’t speak for the innumerable fans still upset with their FandomFest fleecing and still crying out for retribution, but I wish more could be done for them.

Previously on Midlife Crisis Crossover: on Saturday my wife Anne and I attended FandomFest in Louisville, KY, the twelfth iteration of this entertainment/”comic” convention that’s quite low on comics, heavy on controversy, improper in its online customer service, saddled with a years-old negative image not really helped by the depressing role call of thirty-one canceled guests, and graded a solid F by the Better Business Bureau. But beyond the mountains of baggage, their volunteers were pretty friendly to us in person despite their upper management, and the fifteen actors in the house seemed like decent folks.

Publisher Tony Acree of Hydra Publications talked about the (literal) silver lining he found in the clouds surrounding the con — “Fandom Fest 2017 Day 1 Recap”. (Lots of cosplay photos in his Day 2 and Day 3 recaps.)

What hasn’t changed, is the number of high quality vendors who have been to Fandom year after year. Hydra Publications lucky to be in “Author Corner” along with Stephen Zimmer and Holly Phillippe of Seventh Star Press, the wonderful ladies of Per Bastet, along with Lydia Sherrer, Lacy Marie and my fellow Hydra authors, Arlan Andrew Sr., Dave Creek, Lynn Tincher and Stuart Thaman. Oh. And super editor Josiah Davis.

Despite all the negative news, we sold more books this year on Friday, than we did last year. To you, the fans, we say thank you.

 

Arlan Andrews Sr. and Dave Creek at the Hydra table

Jeff raises an interesting question – when quoted by the press, the co-organizer of Fandom Fest went by the name Myra Daniels.

Noah Bisson posted a video of his walkthrough of the con. Crowding was definitely not an issue.

(2) NO SHOW. Steve Davidson, in “What’s Happening with the TV Show?”, explains why you shouldn’t be looking for an Amazing Stories revival on NBC. For one thing, the check wasn’t in the mail.

I waited for a period of time to determine if I would receive something.  After months of waiting and still receiving nothing, a notice of Termination/Breach of Contract was sent to NBC legal, seeing as how pretty much everybody we had previously been working with was no longer with NBC.  It sure looked to us like Amazing Stories The TV Show had become an orphan:  no showrunner, prior contacts no longer with the company, no word, no checks.

The notice was properly delivered to NBC in May of this year.  Despite the fact that the orginal contract would have expired in August of this year, I had completely lost confidence in two things:  NBC’s ability to treat me properly AND NBC’s ability to deliver a show.

(3) HE SECONDS. Robert J. Sawyer has added himself to the list of people sponsoring the “Separate Fantasy and Science Fiction Hugo Best-Novel Awards Amendment” submitted by Chris Barkley and Vincent Docherty and discussed here last week.

(4) MOVING DAY FINALLY HERE FOR MACMILLAN.  After years of rumors, Macmillan Publishers is really going to bid farewell to the iconic Flatiron Building.

Macmillan Publishers is officially leaving the Flatiron Building, having signed up for 261,000 square feet at Silverstein Properties’ 120 Broadway.

The space will span five full floors, the New York Post reported. In April, sources told The Real Deal the publisher was weighing a move to the Lower Manhattan building, but the size of the space was not clear.

Asking rents at 120 Broadway are in the mid-$50s per square foot, according to the newspaper.

Macmillan is the Flatiron Building’s sole tenant. The property has not been totally empty since it was built more than a century ago. Sorgente Group of America, which owns a majority stake, may rent it out to new tenants or potentially go through with a plan to turn it into a hotel.

(5) SHAKEN UP. A Marvel Comics editor posted a selfie of herself and some coworkers enjoying milkshakes. For this innocuous act, she has been harassed on Twitter: “Female Marvel Comics editor harassed online for milkshake selfie”. (Warning: the harassment is extensively quoted in the article.)

Antos condemned the abuse the following day, writing that “the internet is an awful, horrible, and disgusting place.” She added, “Woke up today to a slew of more garbage tweets and DMs. For being a woman. In comics. Who posted a selfie of her friends getting milkshakes.”

(6) TODAY IN HISTORY

  • July 31, 1971 — Astronauts David Scott and James Irwin became the first people to drive a vehicle on the Moon.
  • July 31, 1976 — NASA released the famous “Face on Mars” photo, taken by Viking 1.
  • July 31, 1999 — The ashes of astro-geologist Eugene Shoemaker were deposited on the Moon.

(7) TODAY’S BIRTHDAY GIRL

  • July 31, 1965 – J.K. Rowling

(8) TODAY’S BIRTHDAY WIZARD

  • Born July 31, 1980 – Harry Potter

(9) TODAY’S BIRTHDAY KRYPTONIAN

  • Born July 31, 1966 – Dean Cain

(10) COMIC SECTION. Chip Hitchcock recommends today’s Rhymes With Orange.

(11) FILER ALERT. Greg Machlin extends an invite to all Filers in Helsinki for his very first Worldcon panel as a panelist —

Science Fiction & Fantasy in Musical Theatre

Thursday 16:00 – 17:00, 103 (Messukeskus)

Wicked, Into the Woods, Rocky Horror, Little Shop of Horrors – fantasy and science fiction have long been represented in the musical theatre. The panelists discuss their favorites and also perhaps some not-so successful SF musicals.

Emily January, Sari Polvinen (M), Ada Palmer, Greg Machlin, Sami Mustala howeird

Also on the panel: Ada Palmer (Too Like The Lightning).

Machlin adds: As someone who’s written and had produced a fair amount of sci-fi/fantasy theatre (Keith Haring: Pieces of a Life in L.A. in 2014; the one-act “Sushi” all over the place), this is my jam. I may, if the other panelists are patient, present a song from an actual sci-fi musical I wrote the book and lyrics for, The Great Swiss Cheese Conspiracy Theory.

(12) MARLOWE MAKES FINALS. Congratulations to Francis Hamit who is a finalist in the London 2017, New Renaissance Screenwriting Competition. The winners will be announced at the awards ceremony, on August 20.

Christopher Marlowe

Feature Screenplay • Drama, Thriller, War, History, Biography

Francis Hamit 

COUNTRY  U S A

The poet, playwright and spy lives in two worlds at a time when politics was religion and vice-versa. He is a brilliant playwright and an effective spy but his intemperate ways and desire for power as well as fame combined with a free thinking pose of atheism eventually lead to his death at the hands of his fellow agents at the order of Queen Elizabeth herself. Timeline is from 1585-1593 and includes real events such as the Babington Plot, The execution of Mary, Queen of Scots, and the sailing of the Spanish Armada. Characters based upon real personalities of the time, and extensive research.

(13) LET DARKNESS FALL. The Planetary Post, hosted by Robert Picardo, is devoted to the Total Solar Eclipse coming on August 21.

In this month’s episode, we explore all things eclipse, including a special visit to NASA JPL to see a spacecraft that can create artificial eclipses!

…The Total Solar Eclipse on August 21st is coming up! We’re getting ready with the U.S. National Parks Service and a new Junior Ranger Eclipse Explorer activity book. Also, Starshade is new technology being studied by a team at JPL/NASA and Picardo has the inside scoop.

 

(14) ON BOARD. The Borg site is impressed with this tie-in edition of the classic game: “Monopoly–Planet of the Apes means a tie-in madhouse for Hasbro”.

For its next franchise tie-in, Hasbro has partnered with 20th Century Fox Consumer Products to release this summer’s strangest mash-up game: Monopoly: Planet of the Apes Retro Art EditionIt’s not just your typical Monopoly tie-in with a popular franchise.

For Monopoly: Planet of the Apes Retro Art Edition, Hasbro tapped artist Dan Perillo to give the game a design it might have had, had it been released when the movie premiered in 1968.  Perillo is known for his retro style.  One of his works was featured in last year’s Star Trek: 50 Years/50 Artists project (reviewed here at borg.com), and he’s produced some stunning work for Mondo.  Perillo’s work for the new Monopoly game should appeal to Planet of the Apes fans, but it’s also a dose of silly fun that will appeal to fans of all things retro.

The standard game is altered–slightly.  Instead of paying an Income Tax, in the new edition you get strung up on a spit by your hands and feet and led off.  Instead of the joy of landing on Boardwalk you get to discover the ruins of the Statue of Liberty.  And that’s Taylor’s marooned space capsule instead of the valuable Short Line railroad.  Perillo created six character tokens to choose from: Taylor, Cornelius, Zira, Dr. Zaius, Nova, or a gorilla general (it looks like you could play the gorilla as either General Ursus from Beneath of the Planet of the Apes, Chief of Security Urko from the TV series, or General Aldo from Conquest of the Planet of the Apes).  As with all Monopoly editions, the four corners of the gameboard never change.

(15) NEVERTHELESS, HBO PERSISTED. The Wrap, in “HBO Responds to #NoConfederate: Slavery Drama Will Be Handled ‘With Care and Sensitivity’”, says that the hashtag #NoConfederate was the #1 hashtag last weekend. Despite the protests HBO replied they are going to develop this series.

A campaign protesting the planned HBO series “Confederate” flooded social media Sunday night, with viewers tweeting #NoConfederate in massive numbers during “Game of Thrones,” propelling the hashtag to Twitter’s No. 1 trending spot in the U.S. and No. 2 worldwide.

“We have great respect for the dialogue and concern being expressed around ‘Confederate,’” HBO responded in a statement. “We have faith that [writers] Nichelle, Dan, David and Malcolm will approach the subject with care and sensitivity. The project is currently in its infancy so we hope that people will reserve judgment until there is something to see.”

“Confederate” tells an alternate version of history in where the South has seceded from the Union… and slavery has remained legal and continued into the modern era.

(16) WHITE HOUSE BEAT. Camestros Felapton has a scoop: “Breaking news: Talking cat named Whitehouse Communications Director”.

Followed by another scoop: “Breakin News: Timothy the Talking Cat Fired as Whitehouse Communications Director”.

Both stories are dated August 1. How is anybody supposed to compete with someone who gets tomorrow’s cat news today?

(17) THRONE QUESTIONS. Did Camestros and Melisandre graduate from the same J-school? …Vulture has burning questions after “The Queen’s Justice,” the latest episode of “Game of Thrones”:

  • Did Varys get a tan on Dragonstone?
  • Does Melisandre know how Varys will die?
  • Will it all come down to two women battling for the Iron Throne?
  • Will Theon ever redeem himself?
  • What fate awaits Yara?
  • Which city is a worse place to live: Gotham or King’s Landing?
  • Will Cersei really marry Euron? And is Euron actually the best thing to ever happen to Jaime?
  • How has Cersei not yet grown out that pixie cut?
  • Why is Littlefinger quoting True Detective to Sansa?
  • We know, Baelish, time is a flat circle. #hbocrossover
  • When will Jon find out about his parentage?
  • Will Jorah and Sam forge the alliance between Jon and Dany?
  • Was that seriously all we get to see of Casterly Rock?

(18) CULTURE WARRIORS. At Nerdist, “Darth Vader and Captain Picard Face Off for a Sci-Fi Debate”. Click through to see the debate between two toys.

When you have toys, all things are possible, including a dream crossover between Star Wars and Star Trek: The Next Generation! In the new episode of Toy Shelf, we finally get to see what happens when Captain Jean-Luc Picard of the Federation starship Enterprise encounters the Dark Lord of the Sith: Darth Vader!

Keep in mind that these are toys that know they are toys. And Vader catches Picard as he goes for more of a cowboy diplomacy by swinging a lightsaber around. It’s pretty much the laser sword of Picard’s dreams, and if Vader was looking to tempt the Captain to the Dark Side of the Force, then he would have a pretty good head start.

(19) RARITY. Ashley Hoffman of TIME, in “A Super Rare Copy of Super Mario Bros. Just Sold for $30,000 on eBay”, says that a copy of “Super Mario Bros. that has been sealed since its release in 1985 and never opened just sold for $30,100 on eBay

To outsiders, that may seem like a high cost to become the proud owner of a game, but they might not appreciate the most exciting feature, which distinguishes this Nintendo Entertainment System game from all those unwrapped $10 versions: a hangtag on the back that indicates the copy originates from back when video games hung on pegs in stores.

“They said the reason that game went for so much was because Mario was always sold in the system,” CEO Drew Steimel told Mashable quoting the experts of Reddit. “You bought it with the system, it came in the box. This particular copy was from before that happened, before Nintendo decided to bundle them. They only did it for a short time.”

You read that right. No box for this game, hence its final price.

(20) BOTTLED LIGHTNING. I would have answered yes if the question had been, “Should I use this to launch a torpedo?”

(21) HARD SCIENCE FICTION. The 1910 Thomas Edison production A Trip To Mars begins with “The Discovery of Reverse Gravity.”

[Thanks to rcade, Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, Greg Machlin, Francis Hamit, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 7/5/17 I’m A Yankee Doodle Pixel…Scrolled On The Fifth Of July

(1) PROTECT YOUR BRAND. At the SFWA Blog Shanna Swenson advises “Don’t Tweet Your Rejections”.

Rejection is one of the worst parts of writing. When you get a story or novel rejected by an editor or agent, it stings. Your first instinct may be to go online and seek comfort and commiseration by letting your followers know what you’re going through. But stop and think before you spread the news of your rejection all over social media.

You never know who might be reading what you post. An author’s social media platform can be a selling point, so people considering representing or buying a novel are likely to look you up to see what you post and what your audience is like. Even if they aren’t seeking information on you, publishing is a small world, and you never know what someone might see because someone else liked, shared, commented on, replied to, or retweeted it. It’s safest to assume that anyone you might submit to may see everything you post.

Anything you say in a public forum becomes a part of your image, and do you want to associate rejection with your personal “brand”? But it’s not just about image. It’s about strategy. When you inform potential buyers that someone else doesn’t want something you’ve produced, you make it less valuable. It’s human nature to value things more when they’re in demand and less when others don’t want it.

(2) ALTERNATIVE HISTORY THINGIE. Jo Lindsay Walton asks us to “Imagine if one day I actually finished this novel”.

What if Beyonce Knowles had not been tragically taken from us at the age of only twenty-four? Would she have continued to grow and flourish as an artist? Or would she have reposed comfortably into a middle-of-the-road R&B career trajectory? What kind of world might we live in today? This story is not about that.

As seasons have given way to seasons, my belly has grown less of liability. There is still something hidden beyond its curvature. There is still some genital structure ever beyond the horizon, whose properties I can only infer from the beliefs of the girlfriends who mount its numinous ink. But the belly which I once dragged around with me shamefully crashes before me gloriously. My belly announces me, tugs me laughingly by my hand along by white-flowered hedgerows. It is as if my whole life often is no more than a small pretty pink ribbon flapping in the wake of the one boulder that finally manages to mows into Indiana Jones.

I would like to nominate as the title of such a novel The Leftover Pre-incarnation Lives of Mycroft Canner. Just a thought.

(3) SPEAKING OF MYCROFT. Standback hopes you will read his essay about the themes and social dynamics in Too Like The Lightning which, like all Gaul, is divided into three parts:

Too Like The Lightning constructs a utopian society?—?but not one it thinks can survive. It plots the course of that society’s collapse?—?but not because they did anything wrong.

Consolidation, here, is when a system starts out with a bunch of different agents, competing and cooperating and interacting between them, and gradually evolves into a system with only a few major actors, each stronger and more solid than before.

Though it is seldom directly in focus, much of the underlying structure of Too Like The Lightning portrays this process of consolidation. Terra Ignota’s society began with a near-infinite assortment of options and identities….

In our previous parts, we discussed the thought experiment of a pluralistic utopia?—?and Too Like The Lightning’s conclusion that peaceful coexistence is an inherently unstable social structure.

And yet, while it can be doleful, it is not bleak. An invigorating current of optimism runs through Too Like The Lightning, and completes its theme.

(4) CROC OF THE WALK. Madagascar was a tough neighborhood in the Jurassic.

A giant ancient crocodile which measured 24 feet in length and possessed razor sharp T-Rex teeth was once the top predator in Jurassic Madagascar, a new study has found.

But unlike modern crocodiles, this killer beast walked on its hind feet as it hunted prey or scavenged for food….

(5) GENTLE GIANT. On the other hand, Atlas Obscura says the dinosaurs of the Cenozoic period can be very cute: “Fall in Love With the World’s First Animated Dinosaur”.

In February 1914, [Winsor] McCay debuted “Gertie the Dinosaur” on the vaudeville circuit. Created from over 10,000 drawings, “Gertie” became an instant hit. It is often credited as being the first animation to feature a character with a distinct personality and as the first work of key frame animation.

In his vaudeville act, McCay would walk onto the stage with a whip, calling out for Gertie. The cartoon started playing. McCay gave Gertie a series of commands, which she then performed in-screen.

 

(5) LOADS OF QUESTIONS. Podcaster Shaun Duke will be a very busy fellow when the NASFiC starts in Puerto Rico tomorrow: “My NASFiC / San Juan 2017 Schedule and Podcast Interviews”.  This is just part of his schedule:

  • TH 18:00 – San Geronimo   Social Justice and SFF: It’s been there from the beginning.
    • Social Justice Warriors are destroying SFF with these new-fangled ideas! Um, no. SFF has always been used as a tool to examine social and political issues. Come discuss how works like 1984, Brave New World, Animal Farm, and the Handmaid’s Tale explore oppressive regimes, and what, if any hope SFF can give us. (bilingual)
    • Panelists:  Shaun Duke, Marie Guthrie (m), Isabel Schechter, Javier Grillo-Marxuach
  • FR 11:00 – San Geronimo   A Chat with Tobias Buckell
    • Shaun Duke interviews GoH Tobias Buckell
    • Panelists:  Tobias S. Buckell, Shaun Duke
  • FR 13:00 – San Cristobal   Whitewashing and White Savior Fail: How did Benedict, Tilda, and ScarJo become people of color?
    • Avatar, the James Cameron version and the Last Airbender one. The new Star Trek 2nd movie. Doctor Strange. Ghost in the Shell. Iron Fist. These and more feature POC characters, yet when they are made into movies and tv, the actors cast are always white. Let’s discuss why this is and why representation matters. (bilingual)
    • Panelists:  Shaun Duke, Isabel Schechter (m), Javier Grillo-Marxuach, Pablo Vazquez

(6) TRIVIAL TRIVIA

Dr. Seuss wrote the book Green Eggs and Ham after his publisher bet him $50 that couldn’t write a book using only 50 words. (Source: Wikipedia)

(7) ONE THOUSAND AND ONE. When John W. Campbell started Unknown, L. Ron Hubbard asked him for exclusive rights to submit stories written in the world of the Arabian Nights. Are today’s readers that aware of Islamic fantasy traditions? Muhammad Aurangzeb Ahmad thinks not — “This is the Muslim tradition of sci-fi and speculative fiction”.

Think invisible men, time travel, flying machines and journeys to other planets are the product of the European or ‘Western’ imagination? Open One Thousand and One Nights – a collection of folk tales compiled during the Islamic Golden Age, from the 8th to the 13th centuries CE – and you will find it stuffed full of these narratives, and more.

Western readers often overlook the Muslim world’s speculative fiction. I use the term quite broadly, to capture any story that imagines the implications of real or imagined cultural or scientific advances. Some of the first forays into the genre were the utopias dreamt up during the cultural flowering of the Golden Age. As the Islamic empire expanded from the Arabian peninsula to capture territories spanning from Spain to India, literature addressed the problem of how to integrate such a vast array of cultures and people. The Virtuous City (al-Madina al-fadila), written in the 9th century by the scholar Al-Farabi, was one of the earliest great texts produced by the nascent Muslim civilisation. It was written under the influence of Plato’s Republic, and envisioned a perfect society ruled by Muslim philosophers – a template for governance in the Islamic world.

As well as political philosophy, debates about the value of reason were a hallmark of Muslim writing at this time. The first Arabic novel, The Self-Taught Philosopher (Hayy ibn Yaqzan, literally Alive, Son of Awake), was composed by Ibn Tufail, a Muslim physician from 12th-century Spain. The plot is a kind of Arabic Robinson Crusoe, and can be read as a thought experiment in how a rational being might learn about the universe with no outside influence. It concerns a lone child, raised by a gazelle on a remote island, who has no access to human culture or religion until he meets a human castaway. Many of the themes in the book – human nature, empiricism, the meaning of life, the role of the individual in society – echo the preoccupations of later Enlightenment-era philosophers, including John Locke and Immanuel Kant.

(8) LIVING OUT STORIES. A group believes live-action role playing can be used to break stereotypes about Palestine, and as a means of social and cultural exchange — “LARP in Palestine: let’s challenge the reality with fiction”.

…Over the past 6 years, a group of volunteers have been coming together to build a Larp community in Palestine with support from Nordic Larpers. “Birth of Larp in the Arab World” is a book summarizing our projects both in Arabic and English.

Using Larp, We played many stories : Finland was occupied (check out Halat Hisar). Hundred of kids were pretending to be animals, and fighting oppressive lions with magical water balloons. A wedding between a Palestinian girl and a Norwegian man (see here). A man was killed by his sister because he had a relationship with another girl. Children with superhero’s powers are attending a boarding school. A tribe that lived in Jericho 3,000 years ago and used dancing battles as a mean to solve conflicts. And many other stories…

Learn more about us in this feature in This Week in Palestine here.

Larp is a tool for participatory storytelling that allows us to be whatever we want. We believe in using Larp as an effective tool to promote dialogue and participatory art.

Our Larp community took the decision to institutionalize itself in a non-profit organization called Bait Byout. Bait Byout is the Arabic name for the role-playing kids play pretending to be adults. Bait Byout aims at contributing to a free society through creating positive impact in the lives of individuals using creative and critical tools within an entertaining, loving and safe space for everyone….

(9) LEGO ADS WIN AWARDS. Adweek has “The Story Behind Lego’s Brilliant Print Ads From the Cannes Festival”.

Lego makes some of the most delightful advertising around, and this series of print ads from Ogilvy Bangkok are just about perfect, from concept to execution.

The work, which won three silver Lions (in Print & Publishing and Outdoor) and a bronze (in Design) at the Cannes festival last month, shows kids literally envisioning their future careers by building them from the inside with Legos.

The tagline: “Build the future.”

 

(10) HE’S NOT CHICKEN. Gina Ippolito, in a Yahoo piece called “Hodor Can’t Hold Off The Lunch Crowd In New KFC Commercial Inspired by ‘Game of Thrones'”, says that all sorts of advertisers, including KFC and a weird Icelandic vodka, are eager to hire Game of Thrones actors to hawk their products.

A new KFC commercial starring Kristian Nairn, aka Hodor from Game of Thrones, has the actor reenacting a scene from the famous “Hold the Door” episode of the show.

In the commercial, Nairn fretfully looks at the clock because lunchtime is coming and he knows there will be crowds. As hungry people file in, all shouting that they want “chicken and fries,” it all becomes too much for Nairn, who repeats “chicken and fries” over and over with a faraway look in his eyes, eventually turning the phrase into “chicken and rice.” The spot is a play on the heartbreaking revelation on Game of Thrones about how Hodor came to be known as Hodor — and why it’s the only word he seems to be able to speak.

(11) ANOTHER SUPERHERO COMMERCIAL. When they’re clever, they’re a lot of fun.

(12) SPIELBERG REVIVAL. Director Steven Spielberg’s “Close Encounters of the Third Kind to celebrate 40th anniversary in theaters” says SyFy.

What is not clear is which version of the movie will be re-released. There are three: the original 135-minute theatrical version, a 132-minute “Special Edition” and a 137-minute “Collector’s Edition” cut, which Spielberg says is his preferred version.

The director is not a huge fan of either the original cut or the Special Edition, so it seems likely that the Collector’s Edition, which he calls his definitive version, is the one that would get reissued (I would take either the original or the Collector’s Edition; the Special Edition — for which Columbia Pictures wrongly insisted that Spielberg include a look inside the alien mothership — I could do without).

The Collector’s Edition was created primarily for home video release and given only a very limited theatrical run in 1999, so now would be a chance for it to reach a wider audience (and probably promote sales of a new Blu-ray reissue as well).

For fans of this masterpiece — one of Spielberg’s best films, and regularly listed as one of the top sci-fi movies of all time — seeing a fresh new theatrical print on the big screen will be a terrific way to celebrate the movie’s 40th anniversary.

(13) COMIC CON BOOSTS READING. Denver Business Journal’s Monica Mendoza, in “Denver Comic Con draws 115,000, packs a $10 million economic punch”,  notes that Denver Comic Con, held on June 30-July 2, is a subsidiary of a nonprofit, Pop Culture Classroom, which encourages literacy among Denver residents.

Pop Culture Classroom had an idea of hosting a comic convention to raise money for its organization and get children interested in reading. In its first year, there were 30,000 attendees to the convention that features comic book, science fiction and fantasy writers and artists. There are comic cons around the world and more than 20 in cities across the U.S.

(14) PUSH-BACK. It’s a good thing Denver’s local Comic Con is doing so well, because Mile Hi Comics (which calls itself “America’s Largest Comics dealer” and had space at the Denver con held a week ago) has given up on San Diego Comic-Con after 44 years of involvement.

To explain a bit more, my first little one-table booth in 1973 cost $40 to rent for the weekend. When we received our booth renewal for last year, our costs for our 70′ of space had been raised to over $18,000. While quite costly, that one factor alone would not have precluded us from returning, as we had paid $16,500 in rent the previous year.

What made the situation nearly impossible, however, was that foot traffic in the exhibit hall declined dramatically last year. Even at its peak on Saturday afternoon, our end of the building (which was primarily comics) was uncrowded. The San Diego Fire Marshals were partially to blame, as they put much stricter controls on the number of badge holders allowed in the building at any given time. That might not have been such a bad idea, except that it amplified the harm already being caused by the incredible proliferation of off-site events that are now being set up for upwards of eight blocks all around the convention center. When you can see GAME OF THRONES, POKEMON, and hundreds of other exhibits across from the convention hall for free, why bother going in to the hall? Many fans did not.

(15) A WRITER’S DEDUCTIONS. Tax planning pro tip:

He also gets to deduct all his purchases of faster-than-light spacecraft and red velour shirts

(16) WHITEFAIL. Not sure how I only scored 31 points Buzzfeed’s 100-question quiz: “How Stereotypically White Are You?” Maybe I need to drink more, because I could not truthfully say I ever drunkenly sang the lyrics to an Elton John song, though I’ve done that plenty of times cold sober.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Standback, Cat Eldridge, and mlex for some of these stories. Title credit goes to File 770 contributing editor of the day Arie Quinn.]

Pixel Scroll 7/2/17 Pixeldimethylaminotickaldescroll

(1) PREMIO MINOTAURO. Nieve en Marte (Snow on Mars), a science fiction novel written by Pablo Tébar, is the winner of the 2017 Minotauro Award, Spain’s literary award for the best unpublished SF, fantasy or horror novel. The prize is worth 6,000 Euros.

The novel earned the unanimous vote of the Minotauro Award Jury, this year composed of writers Javier Sierra and Manel Loureiro, the Director of the Sitges – International Fantastic Film Festival of Catalonia, Ángel Sala, movie producer Adrián Guerra and the editor in chief of Ediciones Minotauro publishing house, Marcela Serras.

This is the fourteenth year that the International Fantastic and Science Fiction Literature Award has been presented by Ediciones Minotauro. (Hat tip to Europa SF.)

(2) AT THE LANGUAGE FOUNDRY. Editor Joe Stech says from now on he’s calling what his magazine publishes “Plausible Science Fiction”.

I was at convention yesterday and heard a panel discussion about the old “hard vs. soft” science fiction debate. I realized while listening that there is a huge amount of baggage that people associate with the term “hard science fiction,” and that by using it when I describe the focus of Compelling Science Fiction I may be conveying something different than intended. Because of this, I’m going to start using a different term when talking about what sub-genre Compelling Science Fiction focuses on: “plausible science fiction.” The word “plausible” is still ambiguous, but I believe it doesn’t have all the semantic cruft that has built up over the decades around “hard.” We will no longer reference “hard science fiction” when describing our magazine, even though what we look for in stories is not changing.

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency….

(3) STORY TIME. LeVar Burton reads to you — in the intro he says he’ll pick short stories from a lot of genres, including his favorite, science fiction — on the Levar Burton podcast.

LeVar Burton is an Actor, Director, Educator & Cofounder of the award-winning Skybrary App, host and Executive Producer of PBS’s Reading Rainbow and lifelong children’s literacy advocate.

(4) COMPLETELY MAD,  I TELL YOU. Dorothy Grant at Mad Genius Club lets a “friend” explain the best strategies for not selling books in  “How to Successfully not Market your Book: Or Doing it All Wrong (Almost) By Alma Boykin”

Alma Boykin here. I have been successfully getting in my own way and not marketing (fiction) books since December 2012. In the process, I’ve managed to make pretty much every mistake you can do as an indie author, bar one. Dorothy Grant, Cedar Sanderson, and others have written a lot about how to market your books and stories. So here’s a quick guide on how to successfully not market your book, thus ensuring that only the most selective, discriminating, or lucky readers will ever find it. …

  1. No social media presence ever. I did give in and start a blog, Cat Rotator’s Quarterly,(Alma! I added the blog name and link! You should promote it! -Ed.) in February 2014, but I have no Twitter, Facebook, G+, LiveJournal, Snapchat, Pinterest, or whatever other social media platforms are out there. This is another great way not to tell people about your books. What they don’t know about, then can’t find. HOWEVER! If used properly, social media can help not-sell your work. Some of the best ways are to overload anyone who follows you with near-daily announcements about “Only three years, two months, and a day and a half until the release of [book]!” or “Hey, boy my book! Buy my book!” The more often you remind people to buy your work, the more they will drop your feed and flee the company of your works. Think of it as the electronic version of the whiney 5-year-old in the back seat asking “Are we there yet? Are we there yet? I gotta go. Are we there yet?”

(5) SUMMER READING. The Verge says “Here are 16 books coming out this month that you should also check out”, beginning with —

Dichronauts by Greg Egan

Greg Egan is known for some spectacular science fiction novels in recent years, and his latest looks pretty out there. It’s set in a strange universe where light can’t travel in every direction. Its inhabitants can only face and travel in one direction: east. Otherwise, they’ll get distorted across the landscape. A surveyor named Seth joins an expedition to the edge of inhabitable space, where they discover an unimaginable fissure in the world — one that will stop the ongoing migration of its inhabitants. The only way forward is down, to try and find a way to save everyone.

(6) THE WORST FORM OF GOVERNMENT, AFTER ALL THE REST. David Langford has made a belated addition to the July Ansible – a copy of “the tasty General Election campaign flyer from a candidate in our area.” Well worth a look.

(7) COME TO THE FAIR. Also thieved from Ansible, this item about Ken McLeod’s slate of events at the Edinburgh International Book Fair.

  • On Tuesday 15 August at 6:30 I’ll be talking with Stephen Baxter about his new novel The Massacre of Mankind,
  • On Wednesday 16 August 2017 at 7.15pm I’ll be chairing a discussion with Charles Stross and Jo Walton on ‘End Times, Crazy Years’, to ask: what happens when reality outdoes dystopia, let alone satire?
  • My own work comes up for discussion on Thursday 17 August at 2.30 pm, when I’m on with Charlie Fletcher, who, like me, has just completed a trilogy.
  • I’ve long been a proponent of the argument, which I first encountered in the work of Gary Westfahl, that informed and engaged criticism by active readers has shaped the SF genre perhaps more than any other, from the letter columns of Amazing Stories onward. Who better to test this contention with than two outstanding critics who are also outstanding writers? That’s what’s on offer on Thursday 17 August at 5.30 pm, when I chair a discussion between Adam Roberts and Jo Walton.
  • For this final event in the strand, Rockets to Utopia? on Friday 18 August at 6.30 pm, we have two truly exceptional writers. Nalo Hopkinson is a Guest of Honour at this year’s World Science Fiction Convention in Helsinki, …Ada Palmer is a historian, who burst on the SF scene only last year with her acclaimed, complex novel Too Like the Lighting …Nalo and Ada are joined by me and Charlie, and we’re chaired by Pippa Goldschmidt. Pippa writes close to the edge of SF, has previously featured at the Book Festival, and in an earlier life held the Civil Service title ‘Chair of Outer Space’, so should have no difficulty chairing a panel.

(8) TODAY’S DAY

  • History of World UFO Day

World UFO Day was organized by WorldUFODay.com in 2001, and was put together to bring together enthusiasts of UFO’s and the evidence they’ve all gathered to support their existence. …Many of them believe they already have arrived, and anyone who knows anything about UFO’s is aware of the stories of abductions and what is seen as the seminal event in UFO history, the crash at Roswell. While they believe that the governments of the world are presently hiding this information from the populace, this in no way discourages believers from continuing to search for the truth they’re certain is out there.

(9) TALKING FOR DOLLARS. The truth may be out there, but the number of people looking for it seems to be declining. Consider this report from The Register, cleaning up after the latest mess: “Shock: NASA denies secret child sex slave cannibal colony on Mars”.

NASA has not enslaved a colony of children on Mars nor is it using them for vile orgies on the Red Planet nor feasting on them to harvest their precious bone marrow, officials have told The Register….

On Thursday, one of President Trump’s favorite talking heads, Alex Jones, interviewed ex-CIA officer Robert David Steele during his radio show. Steele made some astonishing – think nuttier than squirrel crap – allegations of NASA covering up that humankind already has an outpost on the Mars. And that the alien world was red not just with oxidized iron dust but with the spilled blood of innocent youngsters snatched off the street and shipped into outer space.

“We actually believe that there is a colony on Mars that is populated by children who were kidnapped and sent into space on a 20-year ride. So that once they get to Mars they have no alternative but to be slaves on the Mars colony,” Steele claimed. How exactly they are still children after 20 years of space travel wasn’t, funnily enough, explained.

…”There are no humans on Mars yet,” NASA spokesman Guy Webster told El Reg last night, presumably restraining himself from adding” “I can’t believe I have to answer this kind of stuff.”

(10) TODAY IN HISTORY

  • July 2, 1959 – Premiered on this date, Plan 9 From Outer Space.
  • July 2, 1992 — Theoretical physicist Stephen Hawking breaks British publishing records on this day. His book A Brief History of Time has been on the nonfiction bestseller list for three and a half years, selling more than 3 million copies in 22 languages.

(11) SAVE THE BOOKS. History will be rewritten – if it’s not destroyed first. See The Guardian’s book review, “The Book Smugglers of Timbuktu by Charlie English review – how precious manuscripts were saved”.

For African historians, the realisation during the late 1990s of the full scale of Timbuktu’s intellectual heritage was the equivalent of the discovery of the Dead Sea Scrolls for scholars of Judaism in the 1950s. When the African American academic Henry Louis Gates Jr visited Timbuktu in 1997 he actually burst into tears at the discovery of the extraordinary literary riches. He had always taught his Harvard students that “there was no written history in Africa, that it was all oral. Now that he had seen these manuscripts, everything had changed.”

Yet with the coming of al-Qaida, there was now a widespread fear that this huge treasure trove, the study of which had only just begun, could go the way of the Baghdad, Kabul or Palmyra museums, or the Bamiyan Buddhas. Before long, efforts began to smuggle the most important of the manuscripts out of Timbuktu and to somehow get them to safety in Bamako, the capital of Mali. The story of how this was done forms the narrative backbone of The Book Smugglers of Timbuktu, which consequently reads like a sort of Schindler’s list for medieval African manuscripts, “a modern day folk tale that proved irresistible, with such resonant, universal themes of good versus evil, books versus guns, fanatics versus moderates”.

(12) JUST THE FACTS. How well will you do on the Guardian’s twentieth anniversary “Harry Potter quiz: 20 years, 20 questions”?

It’s exactly two decades since the first of JK Rowling’s books was published. Try our Nastily Exhausting Wizarding Test to see how much you have learned since then.

I got 8/20, which is better than I usually do on internet quizzes.

(13) NO JUSTICE. There’s a reason CBS never greenlighted its Justice League series, even if it did include the Green Lantern. ScreenRant says, actually, there are fifteen reaons why…. “15 Things The Unseen Justice League TV Pilot Got Wrong”.

You’d be hard pressed to find a comics or cinema fan not aware of the highly anticipated Justice League film due this November. What many of these fans might not know is that this is actually the second attempt at adapting DC Comics premiere super team – with the feature-length pilot for a CBS Justice League of America TV series pre-dating it by a whole decade!

The reason why most people are oblivious when it comes to the Justice League pilot is simple: it never aired in the United States (although it did see the light of day on some international networks). The rationale behind the CBS executives’ decision to bury the pilot is even simpler: it’s… uh, not very good (like, at all).

The worst of all was its –

  1. Mockumentary-style Interviews

Another “surprisingly ahead of its time” aspect of the Justice League pilot gone horribly wrong is its inclusion of mockumentary-style, to-camera interviews intercut through the episode.

Ever since The Office popularized the mockumentary format in TV comedy, there have been plenty of imitators with little interest in accurately simulating its “real-world” mechanics (looking at you, Modern Family). But way before any of these – heck, before The Office itself! – the Justice League pilot was completely throwing any sense of verisimilitude out the window entirely!

Think about it: who is filming these interviews? How come they know our heroes secret identities? Why isn’t the rest of the show shot like a documentary? These questions and more immediately come to mind as soon as the first interview cut-away rolls around, but those looking for answers shouldn’t get their hopes up.

(14) EVERY VOTE A SURPRISE. Tpi’s Reading Diary shares “My Hugo award votes 2017 part 1: novellas” and says Seanan McGuire’s story is in first place on his ballot.

Every Heart a Doorway by Seanan McGuire Young teenagers, mostly girls, have gone to alternative worlds where they felt at home. The alternative worlds are mostly different, some are fantasy lands, others are based on logic, some are based on some kind of horror motive, and so on. In the most cases, the youths felt at home on those worlds. For some reason, some of them have been cast out. Time has moved at a different rate for them in many cases. It might have been years in our world and their parents assumed that their children had been abducted/run out and are most likely dead. The relationships between the children and their parents are usually very strained – and usually they were strained even before the youths went away. The victims are gathered to a special school, which is run by an old woman who herself had the same fate as a teenager. She looks middle-aged but is possibly much older. A young girl goes to the school. Soon other pupils start to die – gruesomely. The other pupils naturally first have some suspicion toward the new pupil, especially as she comes from a world where death himself is an important figure. A pretty good story with a new look at what Alice in Wonderland and Narnia (according to the novella, Lewis didn’t really know anything, he just used stories he had heard – badly) might actually mean. A nice and interesting story, with unusual characters and excellent writing.

(15) WHATEVER. Two tweets make a post – is that a metric thing? John Scalzi and Dan Wells make merry on the last day of a con — “In Which I Trespass Against Dan Wells at Denver Comic Con, and He Exacts His Fitting Revenge, a Tale Told in Two Tweets”.

(16) BAD TO THE BONE. BBC Trending gleefully explains “Why coders are battling to be the… worst”

Why have computer programmers on Reddit been battling it out to make volume control as bad as possible?

[Thanks to JJ, Cat Eldridge, Cheryl S., John King Tarpinian, Joe Stech, and David Langford for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 6/1/17 SCROLLS NIX HIX PIXELS

(1) IT BURNS. At Young People Read Old SFF, curator James Davis Nicoll has them reading Connie Willis’ “Fire Watch”.

As we’ve seen, past popularity means nothing to the young people of today, who insist on judging stories on their merits and not the warm feeling their grandparents may have had reading a now-venerable story. What did the Young People think of this classic story?

Mikayla definitely does not have a warm feeling.

I found the narrator’s reaction to communism ridiculous. As far as I can tell, the narrator is more upset by the idea of communism than by the Nazis actively bombing the city. The idea that someone so removed from these events would have such a personal hatred of communism, despite coming from the far future, makes this story feel very American and very dated.

(2) THE (BRAIN) IMITATION GAME. IEEE Spectrum has a special issue this month on the topic of current attempts to model the human brain: “Special Report: Can We Copy the Brain?” About half the articles are free to nonsubscribers.

Gregory N. Hullender says the key takeaways are:

  • Artificial Neural Network software does have useful applications, but it has little in common with real brain tissue.
  • Special hardware meant to model the brain has been developed but does not yet have any useful applications.
  • Current brain simulations only simulate a fraction of a brain, and they run thousands of times slower than real brains do.
  • Modelling 1 mm^3 of a rat’s brain is considered an ambitious undertaking.
  • There is considerable debate as to whether we understand how the brain works at all.

I liked this quote from “Neuromorphic Chips Are Destined for Deep Learning — or Obscurity”

“It has often been noted that progress in aviation was made only after inventors stopped trying to copy the flapping wings of birds and instead discovered — and then harnessed — basic forces, such as thrust and lift. The knock against neuromorphic computing is that it’s stuck at the level of mimicking flapping wings, an accusation the neuromorphics side obviously rejects. Depending on who is right, the field will either take flight and soar over the chasm, or drop into obscurity.”

The article “Can We Quantify Machine Consciousness” makes some exciting claims about “Integrated Information Theory” (IIT). It’s less exciting when you realize that the authors are the inventors of the IIT concept and not everyone agrees with them.

(3) THE LONG HAUL. “Bias, She Wrote: The Gender Balance of The New York Times Best Seller list” — a statistical study of women writers based on analysis over time of the prestigious list. (Lots of graphs.)

Almost every category started out as heavily male-dominated, and many have stayed that way. These categories align with stereotypes about male interests: fantasy and science fiction, spy and political fiction, suspense fiction, and adventure fiction, have all been consistently male-dominated since their introduction to the list. A best-selling female fantasy/sci-fi author today is just as rare as a best-selling female literary author in the 1950s.

Then, there are the genres that have flipped. The horror/paranormal genre is now almost at gender parity, owing no small thanks to paranormal romance novels. Mystery is the most balanced genre over time, which shouldn’t be surprising given the genre’s history. The 1920s and 30s are known as the “Golden Age of Detective Fiction,” and were dominated by a quartet of female authors known as the Queens of Crime: Agatha Christie, Dorothy L. Sayers, Ngaio Marsh and Margery Allingham.

Best-selling romance novels were mostly written by men in the 1950s, but in the 1960s women took over. By the 1980s, female authors solidly dominated the genre, probably because female writers had a natural advantage writing for mostly female readers about mostly female experiences of love and sex.

(4) SENSELESS DECISION. Io9 says Netflix has whacked fan favorite Sense8:

After a mere two seasons of streaming on Netflix, the Wachowskis’ Sense8 has been cancelled, according to Netflix VP of original content Cindy Holland.

(5) CARRIE FISHER ESTATE. The Carrie Fisher and Debbie Reynolds Personal Property Auction will be held by Profiles in History on September 23. The catalog is not yet available online. Hardcover copies of this celebrity artifact can be pre-ordered.

Highlights from the upcoming auction include:

  • Carrie Fisher’s life size “Princess Leia” with blaster statue in a vintage wooden phone booth. This is the figure that was featured by Fisher in her in her HBO special Wishful Drinking and the documentary Bright Lights: Starring Carrie Fisher and Debbie Reynolds. Pictured left.
  • Debbie Reynolds’ screen used “Kathy Seldon” lavender silk chiffon dress from the “You Were Meant For Me” musical sequence in Singin’ in the Rain. Pictured right.
  • Carrie Fisher’s on-set chair with personalized chair back that is embroidered “Star Wars: The Saga Continues” used on Return of the Jedi. Pictured at bottom.
  • Debbie Reynolds’ screen used “Annie” two piece stage costume from Annie Get Your Gun.
  • Carrie Fisher’s life size C-3PO with electronic lighting elements. Pictured below.
  • Carrie Fisher’s life sized bronze, limited edition Yoda statue by Lawrence A. Noble.
  • Carrie Fisher’s vintage original 1978 Kenner Star Wars Princess Leia action figure, still in it’s original packaging.
  • Debbie Reynolds’ personal, rare, vintage original half sheet movie poster for Singin’ in the Rain signed by Debbie and inscribed to her by Gene Kelly and Donald O’Connor

(6) IT’S COMPELLING. The seventh issue of Compelling Science Fiction is now live. Editor Joe Stech lists the highlights —

I’m proud to present another five compelling stories by some amazing authors! The issue begins with the lengthily-titled “What’s a Few Years When You Get Money and Friends in High Places?” by R R Angell, a story about a bodybuilder who is offered a large sum of money to swap his body with a wealthy man (via head transplant). I was pleasantly surprised at the positive vibe the story manages to convey despite the trials of the protagonist (8400 words). The second story in our line-up, Michèle Laframboise’s “Thinking Inside the Box,” is an outlandish story about an alien race that requires constant environmental change in order to maintain psychological health (6400 words). Our third story, “Cogito Ergo Sum” by Mike Adamson, focuses on a conversation with an android about what it means to be human. It’s a well-known theme in science fiction, but I thought this story was executed particularly well (6950 words). Next we have “Integration” by John Eckelkamp, a very short story about a nascent AI getting its first taste of elementary school (1800 words). Our final story is an underwater tale, “Fathom the Ocean, Deep and Still” by David Bruns. The story is about a living bio-engineered city (6020 words).

(7) WHAT AN EDITOR DOES. Uncanny Magazine’s Lynne M. Thomas answers Katrina J.E. Milton’s questions in The Midweek:

Milton: Have you always loved science fiction?

Thomas: I’ve always loved to read, but I didn’t grow up reading much science fiction. I read mostly classics and some romance until I branched out more during college. My husband avidly read sci-fi and fantasy for years, though. Now I curate a science fiction and fantasy collection as one of 42 special collections at NIU. I need to know what’s happening in the field, so it’s crucial to know what is getting attention, and when to purchase books and add to the collection. … One of my favorite books has always been “A Wrinkle in Time.” I didn’t really think of it as science fiction at the time, but I re-read the book more or less annually. Meg Murry has always been a character I’ve really connected with. Being intelligent and kind were marked as more important than makeup and being pretty in that book, which was a powerful message to an awkward 11-year-old version of me.

(8) HUGO READING. Peter J. Enyeart has ranked his “2017 Hugo picks: Novellas”. Here’s what he has to say about his two top choices.

2. The Ballad of Black Tom by Victor LaValle The story of a young black Lovecraftian con man in 1920s New York. This is actually a retelling of “The Horror at Red Hook” and, in the spirit of “Shoggoths in Bloom,” is kind of a reinterpretation or even reclaiming of Lovecraft for those groups of humans (which seemed to include anyone not a male WASP) that Lovecraft despised. I found it absorbing and fun. It is interesting how many writers just can’t stop themselves from writing Cthulhu Mythos stories, despite the myriad reasons to dislike Lovecraft. (I was obsessed with him in high school, myself.) I suppose it’s because there’s a lot of breadth and depth there, and also the opportunity for a critical dialogue. Writing Lovecraft fan fiction seems respectable, even, and I certainly seem to enjoy reading it. Speaking of which…

1. The Dream-Quest of Vellitt Boe by Kij Johnson When one of her students leaves with a man from the waking world, a professor in Ulthar sets out after her. Well, this has a lot going for it that immediately makes me favorably inclined: (1) I’ve always adored this corner of the Mythos and thought it criminally underappreciated; (2) I’m a sucker for quest stories involving travel to varied and strange locales; and (3) I adore Kij Johnson. You never know what you’re going to get when you start in to one of her stories, but you do know you’re in sure hands. And this is no exception. If the LaValle piece is a reclamation of the Mythos for non-whites, this reclaims it for women. I enjoyed every word (and it’s littered with so many lovely ones, like gems in a magic cave). It also has a great ending, which is frequently the difference between a good story and a great one. The best of “escapist” literature gives you something to take back with you to the “real” world, a fresh view as if you’re questing through it yourself [3]. This is the best of escapist literature. Give it awards!

(9) TOUTED FOR NEXT YEAR’S HUGOS. The Hugo Award Book Club observes that Gregory Benford has never been shortlisted for the award’s Best Novel category (despite his Timescape having been so well-regarded it won the 1981 Nebula). They think “The Berlin Project (2017) Gregory Benford” might earn him a place on next year’s ballot.

There are reasons to believe his latest novel may be his best shot yet at finally adding that Best Novel Hugo to his list of accolades.

This book is Benford’s first novel as sole author in more than a decade, and it’s a departure for him. But in many ways, the Berlin Project feels like the novel that Benford was born to write.

His knowledge of the people he’s writing about shines through, and they feel like fully rounded human beings, in a way that some of the protagonists in his previous novels have not. These are people that Benford knows, and he writes about them with evident affection. While the science is front and centre (not unusual in a Benford novel), the characters do not take a backseat. The first 350 pages are a taught, meticulously researched alternate history that delves into the nitty-gritty technical details of the race to build an atomic bomb. It’s a believable departure from the real history. One small decision made differently that makes sense, and everything flows from that departure point….

(10) WONDERFEFE. The Washington Post’s Michael Cavna interviewed Wonder Woman director Patty Jenkins, who talks about sexism in the film industry and how women should make sure their voices are heard: “Wonder Woman has been a warrior, a secretary and a sexpot. What version did the movie use?”

For Jenkins, fortunately, there was no wavering. She was determined to bring to the big screen the fierce-but-compassionate type of Wonder Woman she first saw on the ‘70s small screen.

“All these years, there’s been talk about Wonder Woman, and the thing I was very firm and steadfast about was: I only wanted to be involved in this if I can have a chance to bring back the Wonder Woman that I love,” Jenkins tells The Washington Post’s Comic Riffs. “I’m not interested in an alt-Wonder Woman; I’m not interested a new Wonder Woman. I’m interested in the Wonder Woman that I grew up with.

What Jenkins saw in TV’s bicentennial Wonder Woman was something close to the initial ideal of creator William Moulton Marston.

“It’s been interesting that she was created as such an idealized woman who is incredibly powerful who yet has everything about being a woman at her side,” Jenkins continues. “And it’s been funny: Lynda [Carter] was so that in the ‘70s with her Wonder Woman.”

(11) MORE MENTING, LESS DRINKING. Brenda W. Clough shares brief “SFWA Nebula Conference 2017” report at Book View Cafe.

I signed up to be a mentor, and was assigned not one but two mentees (the evolution of language here is especially notable; not only did I have mentees but we discussed our menting, as in “How did your menting go, did you ever catch up with your mentee?”). I got together with first one and then the other, and essentially tried to cram in tons of professional advice and answer all their questions. I also brought some pussyhats, because Grandmaster Jane Yolen demanded one, and we were photographed, hopefully for Locus.

(12) LOOSED A FATEFUL LIGHTNING. Abigail Nussbaum has eight books to cover in “Recent Reading Roundup 43”, among them a Civil War ghost story and this Hugo nominee —

Too Like the Lightning by Ada Palmer – It’s interesting that in the space of a single year, Tor published two debut novels about non-dystopian, non-corporatist future societies in which the boundaries of national and ethnic identity have been replaced by global affinity groups, to which people assign themselves according to their interests and philosophy. For all my reservations about its technothriller plot, I have to say that I prefer Malka Older’s Infomocracy to Palmer’s Too Like the Lightning, largely because I find the world in that book more interesting, and more believable as a place where people like me might possibly live.

(13) THE HOUSE GROUSE. It’s bigger than your average bear — “Microsoft founder Paul Allen reveals world’s biggest-ever plane” .

Microsoft co-founder Paul Allen has shown off the “Stratolaunch”, a colossal aircraft he hopes can soon help to hoist satellites into low earth orbit.

Allen’s company of the same name has been working on the craft since 2011, with the help of Scaled Composites.

The result of their efforts is 238 feet long, 50 feet tall and has a wingspan of 385 feet [Allen likes Imperial measurements — Ed]. The wingspan is the largest ever built, topping even Howard Hughes’ “Spruce Goose” aka the “Hughes H-4 Hercules.”

The Stratolaunch needs that colossal wing, and six engines typically used for the Boeing 747, because Allen wants it to carry up to 550,000 pounds of payload. His plan calls for the plane to “take off from a runway and fly to the approximate cruising altitude of a commercial airliner before releasing a satellite-bearing launch vehicle.”

(14) ADS THAT SUBTRACT. Marketing puts their foot in it: “Chloe Moretz ‘appalled and angry’ over body-shaming Snow White animated film advert”

Chloe Moretz said she hadn’t seen the marketing and has apologised to fans.

Plus-size model Tess Holliday tweeted a photo of the billboard poster and tagged the actress in her post, saying it was basically body-shaming.

(15) LASSO THE STARS. BBC gives Wonder Woman 4 stars out of 5.

In Wonder Woman’s reimagining of the princess myth, Diana, Princess of the Amazons, leaps through the air deflecting bullets with her bracelets. She enters a formal reception with a sword tucked into the back of her evening dress. But she differs from conventional princesses and superheroes in an even more pointed way — one that speaks to today’s fraught global politics. While Batman is motivated by vengeance for his parents’deaths and Superman is dedicated to saving those in peril, Wonder Woman wants nothing less than world peace. All this in a crisply executed action movie with an engaging narrative, and, in Diana (Gal Gadot), as swift and strong a heroine as anyone could have wished for.

(16) THE BALLAD OF TOLKIEN. J.R.R. Tolkien’s work, later adapted into a piece of The Silmarillion, now published in its original form: “JRR Tolkien book Beren and Lúthien published after 100 years”

Beren and Lúthien has been described as a “very personal story” that the Oxford professor thought up after returning from the Battle of the Somme.

It was edited by his son Christopher Tolkien and contains versions of a tale that became part of The Silmarillion.

The book features illustrations by Alan Lee, who won an Academy Award for his work on Peter Jackson’s film trilogy.

(17) INSIDE BASEBALL. A post for SciFiNow.UK, “Raven Strategem author Yoon Ha Lee on how his spaceships became bags of holding”, jokes about the reason before revealing a disability has something to do with it.

Bags of Holding…in SPAAACE!

When I first realized I had to deal with starship layouts in the hexarchate, I had two choices. I could either sit down (probably with my long-suffering husband) and make a loving diagram of a ship and its layout, and refer to it assiduously every time I had someone go from point A to point B. Or I could say, “Screw it,” and not deal with the problem.

Dear reader, as you have no doubt figured out already, I went with the second option.

(18) EVEN DEEPER INSIDE BASEBALL. Hmmm…

(19) THE CURE. Cream by David Firth is a short animated film on YouTube about what happens when a miraculous product that solves all medical problems is introduced and the violent reaction against it.

[Thanks to Stephen Burridge, James Davis Nicoll, Gregory N. Hullender, Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster, Aaron Pound, Dann, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 5/31/17 I Watched TBR Piles Grow In The Dark Near Tannhäuser’s Gate

(1) THE UGLY SPACEMAN. Adam Roberts tells New Scientist readers, “If I were a Martian, I’d start running now”.

Exploration has never been neutral, and it’s hard to believe that future exploration of the cosmos will be different. So: doesn’t SF have a duty to flavour its fantasies of boldly going with a smidgen of ideological honesty? “Exploration Fiction” is, after all, better placed than any other kind of literature to explore exploration itself.

(2) IN VINO VERITAS. The Dandelion Wine Fine Arts Festival takes place in Waukegan on June 3. The Chicago Tribune has the story —

Ray Bradbury wrote about the happiness machine in his iconic novel “Dandelion Wine,” published in 1957 and reminiscent of his early boyhood days exploring the ravines of Waukegan.

Sixty years later, the annual Dandelion Wine Fine Arts Festival in Bowen Park offers participants the chance to create pictures of their own “happiness machines” for the community art project….

“The festival is an important way to honor and pay tribute to Ray Bradbury and it’s a great time for everybody to finally get over winter — spring’s here — and it kicks off summer,” Rohrer said.

Bradbury served as the festival’s honorary chairman until his death in 2012. The festival tradition ensures his legacy will live forever in Waukegan. Typically more than 1,000 adults and children come to the festival each year, Rohrer said.

John King Tarpinian says of dandelion wine, “I am told it tastes like grass.”

(3) LITERARY TOURIST. Laura J. Miller’s “Dark Futures” adapts the age-old literature vs. science fiction dichotomy as a vehicle to administer a kick to Donald Trump from a different angle. However, that still forces her to discuss actual writers and books, a discussion she ends with this malediction:

Science fiction has always promised its readers fictional wonders they can’t get in other genres, stories in which the stakes are high and the ideas are heady. What’s surprising is not that literary novelists are increasingly taking up science fiction’s tools, but that more of them didn’t try it sooner. Now, as the present crumbles away into a future that evolves more quickly than most of us can track, it seems impossible to write about contemporary life without writing science fiction. But the secret to doing it well doesn’t lie in suspenseful chase scenes, weighty messages or mind-blowing existential puzzles. That stuff can be fun, but it can also feel pretty thin without something that’s supposed to be a specialty of literary novelists: the fullest appreciation of humanity in its infinite variety and intricacy. Do justice to that, and the wonders will take care of themselves.

The article enraged a whole handful of sf writers, quoted by Jason Sanford in his rebuttal post, “Laura Miller, or what happens when a literary critic loathes genre fiction but knows that’s where the best stories are?”

So. Much. Fail. In. One. Essay. And before you believe I’m biased because I’m one of those lowly SF authors who need step aside for my literary betters, check out the reaction of other authors to Miller’s words:

Part of the problem with the essay, beyond Miller’s actual condescending words, is that she overlooks the ability of SF authors to write at the level of the authors she’s praising. She grudgingly gives William Gibson and Karen Joy Fowler minor props but ignores the stylistic and literary ability of SF masters like Samuel R. Delany, Ursula K. Le Guin, Gene Wolfe, N. K. Jemisin, Connie Willis and so many others.

(4) TRAINING WHEELS. The Telegraph explains “Why Harry Potter fans will like the new Bank of Scotland £10 note”.

An image of the Glenfinnan Viaduct – part of the West Highland Railway Line that was made famous by the Harry Potter movies – will remain on the reverse of the design, but with the addition of a steam locomotive hauling a heritage tourist train.

(5) BINDING PLANS. Provided they don’t let the Doctor himself navigate, “A TARDIS-inspired shared library is coming to Woodbridge” this weekend.

Fans of Doctor Who will have a new destination to check out in Detroit. On Saturday, June 3 at noon, a TARDIS-inspired shared library will be installed at the corner of Vermont and Warren.

Dan Zemke has been a fan of Doctor Who and wanted to build a TARDIS (a Police Box time machine that stands for Time and Relative Dimension in Space). It can transport a person anywhere in time and space, kind of like a great book. Inspired by his brother Jon, who rehabs houses in Woodbridge and had a large mural painted on one prominent home last year, Dan decided to create a practical use for it and build it into a library. With the help of his dad, the time machine/library is now ready to be installed.

It’s big — 10 feet tall and likely weighs a ton — and they’re seeking book donations since it can hold so many. Zemke says he’d like to include a large book where people can write and share their own stories.

The public is invited to the installation at noon on June 3. And if you have some books to contribute, feel free to bring them.

(6) FOURTH STAGE LENSMAN. Joe Vasicek experiences “What it’s like to write after a life interruption”. His post takes readers from Stage Zero through Four.

Stage 0: Procrastination

I guess I should write — but first, I should check my email. Also, there’s a couple of publishing tasks I need to do. I’m also kind of hungry, come to think of it.

Wow, those publishing tasks took a lot longer than I thought they would. I could start writing now, but I’d only have half an hour, and what can I possibly get done in that time? Maybe I should just relax for a bit and play this addictive online game…

Stage 1: BIC HOC

All right, no more excuses. It’s butt in chair, hands on keyboard time!

What’s wrong with my chair? Did someone put a magnet in it? It seems like my butt gets repulsed every time I try to sit down in it. I can knock off a couple of paragraphs, but then I have to get up and pace for a while. Or do some chores. Or–

No! I’ve got to focus. But man, it feels like I’m pulling teeth. The words just aren’t coming. It’s been more than an hour, and how much have I written? Holy crap, that’s pathetic.

Well, it’s the end of the day, and I only managed a few hundred words, but that’s better than nothing I guess.

(7) BACK FROM THE SHADOWS. Carl Slaughter observes:

NBC cancelled the Constantine live action series after only one season. CW’s Arrow series brought the Constantine character in for 2 episodes. Now CW is giving the Alan Moore-created comic book character another crack at a television series through animation. Constantine actor Matt Ryan will return to voice the animated version. Here’s a history of Constantine.

 

(8) BERKELEY OBIT. Makeup artist Ron Dursley Berkeley (1931-2017) died May 9.

His 50-year career included working on George Pal’s The Time Machine (1960), The Seven Faces of Dr. Lao, and Star Trek. He won one Primetime Emmy, and was nominated four times altogether.

His non-genre work spanned The Manchurian Candidate, Anne of a Thousand Days, and Who’s Afraid of Virginia Woolf?

(9) COMIC SECTION. John King Tarpinian recommends the librarian humor in today’s Farcus.

(10) ADA PALMER. In May 2017, Ada Palmer came out with Seven Surrenders, the second in her Terra Ignota series. The Will to Battle comes out in December 2017.

 

SEVEN SURRENDERS

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war — a long era of stability threatens to come to an abrupt end.

For known only to a few, the leaders of the great Hives, nations without fixed locations, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds. And yet the balance is beginning to give way.

Mycroft Canner, convict, sentenced to wander the globe in service to all, knows more about this conspiracy the than he can ever admit. Carlyle Foster, counselor, sensayer, has secrets as well, and they burden Carlyle beyond description. And both Mycroft and Carlyle are privy to the greatest secret of all: Bridger, the child who can bring inanimate objects to life.

(11) MARVEL INVADES GOTHAM. You can find Marvel at BookCon 2017 starting tomorrow:

This weekend, Marvel returns to New York’s Javits Center for BookCon 2017, spotlighting how Marvel continues to branch out and bridge the divide between pop culture and book buyers, librarians, and book fans of all ages.

This Thursday, June 1st, join novelists Jason Reynolds (Miles Morales: Spider-Man), R. L. Stine (Man-Thing), and Margaret Stohl (Mighty Captain Marvel) as they are joined by some of the biggest names from the House of Ideas — as well as some surprise Mighty Marvel Guests! These blockbuster creators will discuss bringing their prose skills to Marvel’s graphic fiction, bringing Marvel characters into the prose world, and the exciting universal appeal of Marvel’s new wave of graphic novels.

Can’t make it to the convention? Follow along on Marvel.com and @Marvel on Twitter.

 

(12) SINCEREST FORM OF FLATTERY. The passing of actor Roger Moore prompted Dwayne Day to consider the actor’s legacy as the face of the James Bond franchise in an article for The Space Review.

Roger Moore passed away on May 23 at the age of 89. Moore, who was born in London in 1927, was best known for playing James Bond in seven movies between 1973 and 1985, more Bond movies than any other actor. Moore’s Bond appearances included the 1979 film Moonraker, the highest-grossing Bond movie until Daniel Craig rebooted the franchise in the 2000s. Moonraker is one of several Bond movies with a space theme, but the only one where James Bond travels into space.

Moonraker often tops critics’ lists of the worst Bond movie made, although it sometimes ties for that dubious honor. Like most Bond films, it recycled a lot of over-used plot devices: the megalomaniacal billionaire bent on world destruction, lame double-entendres, blatant sexism, dumb quips Bond makes upon dispatching a bad guy, the amazing coincidence that Bond happens to possess exactly the right gizmo he needs at the moment of maximum peril, and the absurdity of a “spy”with brand name recognition whom everybody recognizes the second he walks through the door. But these were the franchise’s fault, not Moore’s…

Moonraker was made because producer Cubby Broccoli saw the box office returns from Star Wars and decided that his next Bond movie should be set in space. Broccoli was shameless, but his decision paid off handsomely, with a worldwide gross of $210 million in then-year dollars. Although Moonraker frequently rates among the worst Bond movies, it made more money than any other Bond film for the next 16 years. Moore reprised the role three more times.

(13) WHEN VENUS WAS A SOGGY MESS. A Bradbury story with sound effects — radio reinvented! “THE LONG RAIN, by Ray Bradbury, sound-designed & narrated by Alexander Rogers”.

THE LONG RAIN is my personal favorite short story from Ray Bradbury’s classic body of tales, The Illustrated Man. Written in 1950, it paints a deadly and seductive image of an interminably rainy planet of Venus. Admittedly, science now shows us Venus is more of a lead oven than a drenched rainscape, but let’s not take Venus literally in this sense. I’ve always felt that planets in sci-fi are more of a mental/spiritual arena in which to place relatable, earthly characters.

Bradbury’s writing here is so poetic and so visual, I just knew a vocal narration wasn’t enough. An audiobook like this deserves a rain soundtrack, complete with soggy footsteps and storms and rivers and shimmering things. May you enjoy the sound design as well as the characters!

(14) THE DOG DAYS. Once I read John Scalzi’s opening tweet I knew it was going to be a slow news day….

(15) REALLY FINICKY. Mashable has a funny video: “Cute kitty devastates the crew of the Nostromo in this recut trailer of ‘Aliens'”.

The spacecraft Nostromo has an unwanted guest wreaking havoc on the crew. No, it’s not a bloodthirsty Alien… but an adorable kitten? Watch what happens in this re-imagined trailer.

 

[Thanks to John Hertz, JJ, Martin Morse Wooster, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

2017 Compton Crook Award

Too Like the Lightning by Ada Palmer is the winner of the 2017 Compton Crook Award. The award is presented by the members of the Baltimore Science Fiction Society for the best first novel in the genre published during the previous year.

A check for $1,000 and a commemorative plaque will be presented to Palmer during Balticon 51’s Opening Ceremonies on May 26.

The award is named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. The award has been presented since 1983 and is also known as the Compton Crook/Stephen Tall Award.

More information on author Ada Palmer can be found at her website. An excerpt from the winning novel can be read here.

Pixel Scroll 4/18/17 There Is A Scroll In Everything, That’s How The Pixel Gets In

(1) WISDOM. Chuck Wendig’s birthday gift to himself can also be shared with the universe — lucky us: “What I’ve Learned After 5 Years And 20 Books: 25 Lessons”. JJ’s favorite is #21. This is my pick —

  1. The Opposite Of ‘Kill Your Darlings’ Is ‘Know Which Hill To Die On’

Early on you learn to kill your darlings. Your work has these precious, preening peacocks who strut about for their own pomp and circumstance. These darlings are like chairs you can’t sit on, food you can’t eat — they’re just there to look pretty and take up space. So, you kill them. You learn to kill them. You get good at killing them. And then, one day, you realize maybe you got too good at it. Maybe you went too far. You started to think of everything as expendable, everything as negotiable. But it isn’t. It can’t be. I learned this writing Star Wars: yes, those books are not purely mine. They belong to the galaxy, not to me. Just the same? It’s my name on those books. If they fail, they fail on my watch. If there’s something in there you don’t like, it doesn’t matter if it’s something Mickey Mouse his-own-damn-self demanded I put in there: it lands on my doorstep. That’s when I saw the other side of the brutally execute your peacocks argument: some peacocks stay. Some peacocks are yours, and you put them there because that’s where you want them. Maybe they add something specific, maybe you’re just an asshole who demands that one lone peacock warbling and showing its stuff. But you own that. You have to see when there are battles to lose, and when there are wars to win. There are always hills to die on. It can’t be all of them. You want to die on every hill, then you’re dead for no reason and the book will suffer. But some things are yours and you have to know which ones to fight for, and why. You have to know why they matter and then you have to be prepared to burn the book to ash in order to let it stay.

(2) WRITE LIKE THE LIGHTNING. Too Like the Lightning author and Hugo nominee Ada Palmer is interviewed in the Chicago Maroon.

CM: Where’d your inspiration arise from, and what made you want to write a book with such an intersection of so many topics like philosophy, politics, science fiction?

AP: I mean, good science fiction is like that. Great science fiction is full of ideas, not just one, or two, or five ideas, but new ideas in every page. Also, I was inspired by reading pre-modern science fiction, which I do as a historian. We think of science fiction as a late 19th- and 20th-century genre, but Voltaire wrote a science fiction short story called “Micromegas,” in which aliens from another star and from Saturn come to the Earth. When they make first contact with people, the first thing they discuss is, “Is Plato or Descartes correct about how the soul and body connect to each other?” and “Is Thomas Aquinas’s discussion of Aristotle’s divisions of the parts of the soul true?” Voltaire’s society was obsessed with providence, so providence and the existence of God and the immaterial soul was what his people talked to aliens about, and it was as plausible to him as our science fiction works are to us.

So I wanted to write science fiction that used the amazingly sophisticated vocabulary of modern science fiction, all the great developments we’ve had in terms of thinking about AI and flying cars, but to ask questions like Voltaire would.

(3) GOT TO HAVE IT. A couple of other Hugo nominees woke up the internet.

Ditch Diggers has been nominated for a Hugo Award! You did it! Mur and Matt will go up against the likes of The Coode Street Podcast and Tea & Jeopardy in Helsinki for Best Fancast (even though we’re all professionals. Because there’s only one podcast category)! Thank you to all Ditch Diggers listeners who supported the show and don’t forget to vote for Mur and Matt for the Hugo itself!

(4) PROFESSIONALISM. Michi Trota reinforces the lessons of Odyssey Con in “Volunteers, Professionals, and Who Gets to Have Fun at Cons”.

…Being on the job at a con doesn’t have to ruin my fun–or anyone else’s for that matter–but you know what does? The dude with the grabby hands and eyes trained on my chest. The person who kills a conversation with their racist jokes. The gatekeeper who quizzes me on the X-Men then tries to play Gotcha! with a question about Legend of Zelda because obviously the brown Asian woman’s just playing at being a nerd. The asshole selling misogynistic art. A concom that selectively enforces their code of conduct and dismisses concerns I’ve expressed about my safety because “Stories about X’s behavior are just exaggerated.” Not only does that ruin any fun to be had, it also makes my job that much harder to do, potentially costs me opportunities as a creator, and makes me wonder how much of my investment that con is actually worth (Elise Matthesen had some excellent things to say about the real costs of harassment and who pays them).

This is where the argument that having things like rules, codes, and policies that attendees and organizers are expected to abide by also ruins everyone’s fun usually comes up. But it begs the question: just whose fun are we referring to here? Because let’s be real, con’s haven’t always been fun for everyone.

… The widespread adoption and implementation of anti-harassment policies and codes of conduct has made it a bit easier for people like me to be more involved in fandom. They don’t mean that I never run into problems, but it’s less likely those problems will outweigh the time and effort I invest in those cons. It’s because of my participation and attendance at cons as both a fan and a pro that I was able to meet people and find opportunities that helped me get to where I am now. Expectations of professionalism on the part of con organizers are not unreasonable simply because those organizers are volunteers. There’s absolutely nothing wrong about professionals treating cons as a workplace (particularly if they’re guests who have been contracted by the con for their presence) and nothing preventing pros and fans from being friendly with each other. There’s nothing about running your con with a minimum of professional standards, practices, and behavior that excludes everyone also having fun.

If your fun is dependent using your status as a volunteer as an excuse to not act responsibly, if it requires victims to stay quiet about mistreatment: then it’s not really a fun time for “everyone” is it? It’s not the expectation of professionalism that’s killing the fun at cons, it’s the lack of it.

As Deb Geisler says, “Never, ever, ever should “but we’re just volunteers” be an excuse not to do the finest job of which we are capable.”

(5) STUMBLING BLOCK QUESTIONS. Alyssa Wong says it in her own way in “Why ‘I’m a feminist, but –‘ isn’t enough”.

ii.

Incidents of sexual harassment in the SFF field are distressingly numerous. And it’s nothing new; Isaac Asimov was so well known to grope women that in 1961 he was asked to deliver a “pseudo lecture” on “the positive power of posterior pinching” (read the correspondence between Earl Kemp, chairman of Chicon III, and Asimov here).

But this isn’t 1961. SFF is more global, diverse and inclusive than ever, and much richer for it. Writers who challenge and explore systematic injustice and oppression through their work are myriad; their work can be found in bookstores, presses, and online across genres, across the world.

And yet we keep asking:

are you sure she didn’t just have a vendetta?

how could it be sexual harassment if he didn’t touch her?

why do we need to be so politically correct?

Why? Because real people are affected. Because both macro- and microaggressions are harmful.Because everyone deserves to feel safe in professional settings, and for writers and industry professionals, that is what conventions are. Moreover, Wiscon is a feminist SFF convention. If safe feminist space exists in genre, Wiscon should definitely be part of it.

What concerns me is the number of women and men who continue to stand up for known abusers. In this sense, it seems that Jim Frenkel is not alone.

(6) CARPENTRY. Cat Rambo also says it is “Time to Fix the Missing Stair”, in a multifaceted post that includes this allusion to a Superversive SF post, and highlights from a relevant panel at last weekend’s Norwescon.

…[Re: Monica Valentinelli’s departure as OdysseyCon guest] One manifestation of that is a brief statement asking why she hates women, declaring that her example will make conventions reluctant to invite any women in the future. Let’s unpack that one a little because the underpinnings seem ill-constructed to me.

There are many kinds of humans in the world. That means there’re also many kinds of women. The logic of the above statement says two things: 1) that it is wrong for people speak out about conditions that are uncomfortable, unprofessional, or sometimes even dangerous and 2) that only people with the strength to survive a gauntlet that can include being groped onstage, being mocked publicly, having their work denigrated for no reason other than having been produced by a woman, and a multitude of other forms of harassment deserve careers and the rest are out of luck. Does that really need to be demanded for someone to have a career? Writers are notoriously unstable mentally as it is. Serial harassment is a professional matter.

This was underscored for me on a Norwescon (a con that does a great job with selecting programming and volunteers and understands the issues) panel that I moderated last Friday, Standing Up to the Mob, with panelists Minim Calibre, Arinn Dembo, Mickey Schulz, and Torrey Stenmark. The description was:

How do you support female creators who are being harassed online by the ravening hordes of the unenlightened? Tips for voicing your support in ways that mean something.

Here are Arinn Dembo’s excellent notes on the panel overall.

(7) THEY’RE GONE. Would you like to bet this writer’s stance was a factor in today’s decision to retire the Lovecraft nominee pins?

(8) THE ONE-PERSON SALES FORCE. A lot of things affect an indie author’s sales and it isn’t easy to keep all of them in mind, as Amanda S. Green explains in “It really is a business” at Mad Genius Club.

The next thing I looked at happened to be my product pages. Oh my, there is so much there we have to take into consideration and we don’t tend to. At least I don’t. Sure, I want to have the best possible cover to draw the reader’s eye. I want a snappy and interesting blurb to grab the reader and make them want to buy the book. But I don’t tend to check the product page on anything other than my laptop. I forget to look at it on my Kindle Fire or Mom’s iPad. I sure forget to look at it in my phone. Or, more accurately, I used to forget it. After the last few days, I won’t. What I learned is that the longer blurbs will work on a tablet or computer screen but, on a phone, they are a pain because you have to keep scrolling. Not good. Scrolling for a screen or two is one thing but for screen after screen after screen — nope. Not gonna happen. Fortunately, most of mine weren’t that bad and those that were happen to be on two titles I am going to withdraw because they were supposed to be short term promo titles initially.

(9) I’M A DOCTOR NOT A MILLIONAIRE. By the way, if you want to know how much the tricorder X Prize was worth, the Washington Post article says that Final Frontier Medical Devices, led by Dr. Basil Harris, won the $2.6 million first prize in this contest, with Dynamical Biomarkers Group got $1 million for second place.

(10) MAGAZINE LAUNCH. Anathema has published its first issue. The free, online tri-annual magazine publishes speculative fiction by queer people of color. The magazine was funded by a 2016 IndieGoGo campaign.

Exceptional art is a bruise: it leaves its mark on you. At its best it leaves us vulnerable and raw, transformed by the experience. At Anathema we’re interested in giving that exceptional work a home. Specifically the exceptional work of queer people of colour (POC). As practicing editors we’re keenly aware of the structural and institutional racism that makes it hard for the work of marginalized writers to find a home.

So Anathema: Spec from the Margins is a free, online tri-annual magazine publishing speculative fiction (SF/F/H, the weird, slipstream, surrealism, fabulism, and more) by queer people of colour on every range of the LGBTQIA spectrum.

(11) TODAY IN HISTORY

  • April 18, 1938 – Superman made his first appearance in Action Comics #1. (Cover-dated June, but published in April.)

(12) TAFF. SF Site News reports John Purcell has won the Trans-Atlantic Fan Fund race. Voting details at the link.

(13) CARTOON OF THE DAY. Martin Morse Wooster recommends The Bigger Picture, a cartoon by Daisy Jacobs done in the style of a painting about two brothers feuding over their ailing mother. It was a 2015 Academy Award nominee

(14) DEVIL’S DICTIONARY. In McSweeney’s, Rajeev Balasubramanyam’s “A Short Description of Cultural Appropriation for Non-Believers” supplies a wryly amusing 10-point illustration of the term.

(15) WINTER IS HERE. Dave Truesdale, who had a lot to say about “special snowflakes” at last year’s Worldcon, has been using an F&SF forum discussion to call into account Liz Bourke’s Tor.com post “Thoughts on the 2017 Hugo Awards Ballot”.

….Going back to 1993, women received the majority of the 15 Hugo short fiction nominations that year. Hardly discrimination by the entire SF field. And that was just shy of 25 years ago!

But now it’s not yay!, look how far we’ve come in a positive celebration for a year in which women and poc dominate several major awards ballots, it’s neener neener we dominated an award ballot and “This year is a historic one for the Hugo Awards in more ways than one. In addition to the changes to the awards process, this is the first year in which the Best Novel nominees have been so completely devoid in white men.” [[Link added]]

Why the F bring up white men I ask for the umpteenth time. Why not white straight women too, then, who have been on the ballot plenty over the past 40 or 50 years and have taken up plenty of slots that could have gone to poc, especially in the past decade or so (pick your starting point).

Why just white men? An unconscious bias perhaps? A conscious prejudice? Give me a sound reason why not just “white” people, or “men” were noted in the article, but “white men.” There’s something else going on here. The article doesn’t have to come right out and be the instigation of a flame war in its use of inflammatory language and tone to reveal certain things about the writer or her view of the situation. That she’s more subtle in doing it doesn’t give her a pass.

He came back again and added:

In the stuff-you-always-think-of-later department:

CJW wrote: “She noted the lack of white men on the Best Novel list, because there were no white men on the Best Novel list.”

There were also no black, brown, yellow, or red men on the list either. So why single out white men I ask again for the 3rd or 4th time? Subconscious prejudice bubbling to the surface because that is her default–that pesky white color? What could possibly be the reason she forgot non-white men? I mean, there has to be a perfectly reasonable explanation for her discriminatory statement.

Although other commenters weren’t interested in engaging with Truesdale’s complaint, they couldn’t resist dropping in another coin to see him go off again.

SHamm ended a reply —

P.S.: Dave, I am not quite sure from your phrasing: are you under the impression that Milo Yiannopoulos is a “straight white male”?

P.P.S.: Dave, I believe Best Novel nominee Liu Cixin qualifies as a “yellow man,” in your parlance, although I am told that particular descriptor is no longer much in vogue.

P.P.S.: Dave, does it have to be a “straw MAN”? Asking as a man.

Truesdale answered:

SHamm, of course Milo is gay, but he doesn’t agree with the party line and so is reviled and efforts are made to silence him.

Liu Cixin is a yellow man in historical terminology, which makes the essayists use of “white men” even more telling. Person of color=OK. White men not OK.

Straw man is just a phrase we are all familiar with. No need to make anything out of it.

Why bring Puppies into this? No Sad Puppy I know of is afraid of women/people of color/LGBTQ writers dominating the awards. Certainly not me. I’ve said it a hundred times, the more the merrier. The problem for me arises when these same people heralding diversity for their own benefit try to silence diversity of thought from everyone else. And if you dare speak out you suffer the consequences–inside and outside the SF field, witness Milo and others lately who have suffered similar fates while trying to express differing views on university campuses (though maybe not with the violence attendant at Milo’s cancelled talk). It’s the darker underside agenda of those rallying behind good causes such as diversity that puts the lie to their true agenda. And it’s hurting SF. Again, writers aren’t taking the kinds of chances in speaking of social or political issues they used to, for fear of various forms of reprisal from those waving the banner of diversity. Their diversity only runs in one way, and its killing free speech and controversial thought experiments in our stories. That Puppy crap still being thrown out is ridiculous and an intellectual dodge. Besides, there was no SP this year as far as I know, but every time this discussion comes up someone thinks that tossing in SP or RP is the answer to everything, when it is an excuse to honestly address the issue.

(16) MAKES SENSE. The head of Netflix isn’t worried about Amazon and HBO because, he says, they aren’t the competition.

But today, on Netflix’s Q1 earnings call, [Netflix CEO Reed] Hastings got a little more expansive, in a bong-rip-in-a-dorm-room way, if that’s still a thing. (Is that still a thing?) Here’s the answer he gave to an Amazon competition question; we join this one mid-response, right after he finished praising Amazon and Jeff Bezos:

They’re doing great programming, and they’ll continue to do that, but I’m not sure it will affect us very much. Because the market is just so vast. You know, think about it, when you watch a show from Netflix and you get addicted to it, you stay up late at night. You really — we’re competing with sleep, on the margin. And so, it’s a very large pool of time. And a way to see that numerically is that we’re a competitor to HBO, and yet over 10 years we’ve grown to 50 million, and they’ve continued modestly growing. They haven’t shrunk. And so if you think about it as, we’re not really affecting them, the is why — and that’s because we’re like two drops of water in the ocean, of both time and spending for people. And so Amazon could do great work, and it would be very hard for it to directly affect us. It’s just — home entertainment is not a zero-sum game. And again, HBO’s success, despite our tremendous success, is a good way to illustrate that.

(17) AND NOW FOR MORE SCIENCE. This unauthenticated video may date before the Ice Age. Or before breakfast today.

(18) INKLINGS NEWS. Inklings Abroad is developing an international registry of known Inklings groups.

(19) DANCE WITH ME. Believe it — Guardians of the Galaxy has a La La Land moment!

(20) THINK TWICE BEFORE GETTING THAT EXTRA LARGE SODA. In its own way, Guardians of the Galaxy Vol. 2 threatens to have as many endings as Return of the King. As ScienceFiction.com says — “Just To Outshine The Rest Of Marvel’s Movies, ‘Guardians Of The Galaxy Vol. 2? Will Have 5 Post-Credit Scenes!”

Director James Gunn blew away expectations with his first foray into Marvel’s Cinematic Universe, and now he’s doing it again by adding five post-credit scenes at the end of ‘Guardians of the Galaxy Vol. 2‘! Originally it was being announced that he had four included from early press screenings and now Gunn himself took to clarify that it would be five. That’s one announcement he could make that would easily top his return to helm ‘Guardians of the Galaxy Vol. 3, ‘ but honestly, I think we were all hoping that was going to happen anyway.

This will set an all new record for the most post-credit scenes in a superhero movie, possibly of any genre.

[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, Cat Rambo. and Kate Nepveu for some of these stories. Title credit goes to File 770 contributing editor of the day Schnookums Von Fancypants.]

2017 Compton Crook Award Finalists

The Baltimore Science Fiction Society has announced the novels up for the 2017 Compton Crook Award:

  • Ninefox Gambit by Yoon Ha Lee, Solaris
  • Arabella of Mars (the Adventures of Arabella Ashby) by David D. Levine, Tor Books
  • Sword and Verse by Kathy MacMillan, HarperTeen
  • Sleeping Giants (The Themis Files) by Sylvain Neuvel, Del Rey
  • Too Like the Lightning (Terra Ignota, Book 1) by Ada Palmer, Tor Books
  • Sleep State Interrupt by T.C. Weber, See Sharp Press

The award winner will be announced in May at Balticon 51.

The Compton Crook Award is presented by BSFS to the best first novel by an individual (no collaborations) published each year in the field of Science Fiction, Fantasy, or Horror. Selection is made by vote of the BSFS membership. The winner gets $1,000 and a commemorative plaque.

The Award is named for science fiction author Compton Crook (d. 1981), who wrote under the nom de plume Stephen Tall. The award has been given since 1983.