Pixel Scroll 8/9/23 Raiders Of The Lost Pixel Scroll Archive

(1) VIDEO GAME INSPIRED BY FOGLIO UNIVERSE. The Girl Genius™: Adventures In Castle Heterodyne game will release on Steam on September 5 (PC, Mac, Linux). You can now play the game demo there.

We’re told a full press release may be coming. Meanwhile, here’s a preview trailer from March 2023.

(2) GOLDMAN FUND APPLICATIONS FOR PALESTINIANS ATTENDING WORLDCON ARE OPEN. Dream Foundry has opened applications for grants from the Goldman Fund Applications for Palestinian creatives and fans seeking to attend the 2024 World Science Fiction Convention in Glasgow. The application window runs from July 31 – November 5, 2023 although applications outside this window may be considered for any remaining funds. 

This is the Goldman Fund’s inaugural year. Offered through Dream Foundry’s Con or Bust program, the fund has a total of £8,000 per year for five years, and will assist citizens of Palestine and self-identified members of the Palestinian diaspora with expenses incurred from travel to and attendance at the annual WorldCon. The fund was created by Farah Mendlesohn in memory of her mother, Carole Goldman. 

Con or Bust is a grant-making program that provides greater access for creators and fans of color to science fiction conventions, events, and professional development opportunities. Since its relaunch as a Dream Foundry program in 2023 it has provided direct support to fifteen individuals, and hosted multiple networking and support events. Dream Foundry is actively accepting donations and endowments to expand this program.

To find more information or apply for support from the Goldman Fund visit Con-or-Bust.

(3) JUNK BOOKS GONE AFTER FRIEDMAN RAISES ISSUE. “Amazon removes books ‘generated by AI’ for sale under author’s name” reports the Guardian.

Five books for sale on Amazon were removed after author Jane Friedman complained that the titles were falsely listed as being written by her. The books, which Friedman believes were written by AI, were also listed on the Amazon-owned reviews site Goodreads….

…The books were “if not wholly generated by AI, then at least mostly generated by AI”, Friedman said. She began looking for ways to get the titles taken down immediately and submitted a claim form to Amazon. Yet according to Friedman, as she had not trademarked her name, Amazon told her it would not remove the books.

However, the books had been taken down from both Amazon and Goodreads by Tuesday, which Friedman suspects is due to her speaking out about the issue on social media. “Unless Amazon puts some sort of policy in place to prevent anyone from just uploading whatever book they want and applying whatever name they want, this will continue, it’s not going to end with me,” said Friedman. “They have no procedure for reporting this sort of activity where someone’s trying to profit off someone’s name.” On her blog, she called on the sites to “create a way to verify authorship”….

…When asked about Friedman’s case, an Amazon spokesperson told the Guardian: “We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised. We welcome author feedback and work directly with authors to address any issues raised. We invest heavily to provide a trustworthy shopping experience and to protect customers and authors from misuse of our services.”

(4) PAY THE WRITER. Alan Dean Foster discusses revenue issues that writers are striking over in “Alan Dean Foster: The BFG Interview” at Book and Film Globe.

The writers’ and actors’ strike going on now in Hollywood raises urgent issues. The evolution of film distribution has got writers and actors concerned about their rights to “residuals,” i.e., present and future earnings from adaptations and streaming of their creative work. Do you see this as pretty much the crux of your dispute with Disney over Star Wars revenues? 

Alan Dean Foster: The great majority of performers who make any kind of reasonable living do so because of their residuals. Yes, my dispute with Disney involved royalties (author’s residuals, if you will). 

But the current issues are much greater. A good example is the use of CGI to allow the producers of the remake of Willy Wonka to cast Hugh Grant as an Oompa-Loompa, thus shutting out all true Little People from casting. If such continues, every one of them will be out of work.  

It’s one thing to use CGI to resurrect a deceased actor to reprise a role, quite another to replace an actor with CGI. This will only get worse as the technology gets better. Actors know this, and it is something they are fighting against.

(5) PUBLISHERS BALKING. Publishers Weekly finds book publishers are resisting a request they believe would “make them ‘complicit’ in an act of censorship” — “As New Law Looms, Follett Asks Publishers to Help ‘Rate’ Their Own Books for Sale in Texas”.

…But with the law’s September 1 effective date bearing down, Follett School Solutions, the nation’s largest distributor of books to schools, does see a path forward in Texas—and that path apparently includes asking publishers to help rate their own books.

“Without having a 3rd party yet for the required ratings (Sexually Relevant and Sexually Explicit), our goal is to get as robust of a collection of purchasable content ready on September 1st and continue building as titles are rated,” reads the text of a memo from Follett officials addressed to Publishing Partners, which was shared anonymously with PW. “However, this is quite a workload. Follett is asking you to provide us with a simple spreadsheet helping us to identify titles which fall into two categories: either NO Questionable Content or Possible SR or SE Content (which we would send to a 3rd party for rating). Again, our goal is to get as many of your titles [available] on September 1st as possible.”

In the memo, Follett officials acknowledge that Texas has yet to provide detailed “guidelines” for how to rate books for sexual content. “But every title we can deem ‘OK’ to provide to them on September 1 for sale will be of benefit,” the memo states.

However, with their pending federal lawsuit seeking to block the new Texas law from taking effect, publishers and other industry stakeholders are balking at Follett’s request to help the vendor rate their titles. Though all of the Big Five publishers declined to comment directly on the Follett memo for this story, multiple publishers confirmed its details. One publishing executive told PW on background that they understand the bind Follett faces in Texas with the new law but that complying with the request to rate their books would make them “complicit” in an act of censorship. And in a statement, one publisher, Hachette, went on record to broadly reject the idea of rating its books.

(7) ARTHUR SCHMIDT (1937-2023). Film editor Arthur Schmidt died August 9 at the age of 86. Deadline led with his many genre credits: 

Arthur Schmidt, the film editor whose decades-long collaboration with director Robert Zemeckis on classics such as Forrest GumpWho Framed Roger RabbitCast AwayContact and all three Back to the Future films won him two Oscars, has died, Deadline has confirmed. He was 86.

Schmidt’s two Best Film Editing Oscars came for Roger Rabbit (1988) and Forrest Gump (1994). His other collaborations with Zemeckis included Death Becomes Her (1992) and What Lies Beneath (2000)….

(8) MEMORY LANE

2007 [Written by Cat Eldridge from a choice by Mike Glyer.]

Ian McDonald is the author of our Beginning this Scroll. He’s one of my favorite writers with Desolation Road and its sequel, Ares Express, being the works of his I’ve read the most times. 

Up next is River of Gods. It’s wonderful.  Our Green Man reviewer said of it, “You can hold whole universes in your hand, between the covers.”

Then there’s The Dervish House, the best Istanbul set SF novel ever. Really it is.  It may not be our Istanbul, but it is a great SF Istanbul. 

Now we come to our Beginning from Brasyl, which was published by Pyr sixteen years ago with a cover illustration by Stephan Martiniere. It won a BSFA, and was nominated for a Hugo at Denvention 3 as well as a Campbell Memorial, Nebula, Quill Awards and the Warwick Prize for Writing.

And now for our Beginning…

MAY 17–19, 2006 

Marcelina watched them take the car on Rua Sacopã. It was a C-Class Mercedes, a drug dealer’s car, done up to the tits by the Pimp My Ride: Brasileiro design crew with wheel trim and tail and blue lighting that ran up and down the subframe. Subwoofers the size of suitcases. The design boys had done a good job; it looked a fistful more than the four thousand reis Marcelina had paid at the city car pound. 

One time they passed it: three guys in basketball shorts and vests and caps. The first time is the looking time. A second time, this time the checking time, pretending to be interested in the trim and the rosary and Flamengo key-fob hanging from the mirror (sweet touch) and was it CD multichanger or a hardpoint for MP3? 

Go, my sons, you know you want it, thought Marcelina in the back of the chase car in a driveway two hundred meters up hill. It’s all there for you, I made it that way, how can you resist? 

The third time, that is the taking time. They gave it ten minutes’ safety, ten minutes in which Marcelina sat over the monitor fearing would they come back would someone else get there first? No, here they were swinging down the hill, big pretty boys long-limbed and loose, and they were good, very good. She hardly saw them try the door, but there was no mistaking the look of surprise on their faces when it swung open. Yes, it is unlocked. And yes, the keys are in it. And they were in: door closed, engine started, lights on. ‘We’re on!’ 

Marcelina Hoffman shouted to her driver and was immediately flung against the monitor as the SUV took off. God and Mary they were hard on it, screaming the engine as they ripped out onto the Avenida Epitácio Pessoa. ‘All cars all cars!’

Marcelina shouted into her talkback as the Cherokee swayed into the traffic. ‘We have a lift we have a lift! Heading north for the Rebouças Tunnel.’ She poked the driver, an AP who had confessed a love for car rallying, hard in the shoulder. ‘Keep him in sight, but don’t scare him.’ The monitor was blank. She banged it. ‘What is wrong with this thing?’ The screen filled with pictures, feed from the Mercedes’ lipstick-cams. ‘I need real-time time-code up on this.’ Don’t let them find the cameras, Marcelina prayed to Nossa Senhora da Valiosa Producão, her divine patroness. Three guys, the one in the black and gold driving, the one in the Nike vest, and the one with no shirt at all and a patchy little knot of wiry hair right between his nipples. Sirens dopplered past; Marcelina looked up from her monitor to see a police car turn across four lanes of traffic on the lagoon avenue and accelerate past her. ‘Get me audio.’

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 9, 1899 P.L. Travers. Yes, she’s genre. A flying nanny is certainly fantasy. Did you know there are total of eight books? I’m sure I’ve seen the film but it’s been so long that I remember ‘nought about it another than her flying and the animated penguins. Tell me that I’m actually remembering that were animated penguins in it and it’s not my brain trauma adding them to it… (Died 1996.)
  • Born August 9, 1914 Tove Jansson. Swedish speaking Finnish artist who wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would be a total of nineteen books. Moominvalley, the animated series, played on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credited her for him becoming a fiction writer. (Died 2001.)
  • Born August 9, 1927 — Daniel KeyesFlowers for Algernon was a novel that I read in my teens. Two of my teachers, a married couple if memory serves me right this long on, decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned and that I remember) and rewriting this I remembered that I did see Charly. He has three other genre novels, none that I’ve heard of. (Died 2014.)
  • Born August 9, 1947 John Varley, 76. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now? He was nominated for quite a few Hugos with wins coming at Heicon ‘70 for “The Persistence of Vision” novella, Chicon IV for “The Pusher” short story and at Aussiecon Two for “Press Enter []” short story.
  • Born August 9, 1949 Jonathan Kellerman, 74. Author of two novels in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
  • Born August 9, 1954 Victor Koman, 69. Three-time winner of the Prometheus Award, his short stories have appeared in such publications as The Magazine of Fantasy & Science Fiction, Galaxy and Fred Olen Ray’s Weird MenaceKings of The High Frontier which won of those Prometheus Awards also was on the long list for a Nebula. 

(10) CRITICS RECOGNIZE MS. MARVEL.  Comicbook.com celebrates as “Ms. Marvel Wins Television Critics Association Award”.

Ms. Marvel has won a Television Critics Association award. On Monday, it was announced that the Disney+ series had won the TCA Award for Outstanding Achievement in Family Programming. This was a new category for 2023 and saw the series up against fellow Disney+ programs American Born ChineseHigh School Musical: The Musical: The Series and The Mysterious Benedict Society, Disney Channel’s Marvel’s Moon Girl and Devil Dinosaur, Apple TV+’s Jane, Hulu’s Love, Victor, Netflix’s Never Have I Ever, and Paramount+’s Star Trek: Prodigy….

(11) DIMINISHED RETURNS. CBR analyses why the viewers stayed away from “Doctor Who’s Lowest Rated Episodes, According To IMDb”. For example:

#12 “Sleep No More” – Series 9, Episode 9

IMDb Rating: 5.8

In “Sleep No More,” the accomplished Twelfth Doctor and Clara Oswald find themselves in the mysteriously silent Le Verrier space station. With the help of a military rescue team led by Nagata, the Doctor and his companion try to discover what happened with the station’s personnel.

The episode utilizes a found footage style to tell the story, with one of the characters interrupting certain sections to explain what the audience is about to see or has just experienced. This gimmick, though interesting on paper, seems to do nothing but over-complicate the plot as it goes along. Furthermore, many fans found the main enemy of “Sleep No More” to be ridiculous and childish, which immediately hurt the episode as a whole.

(12) TRAILBLAZER. Sharon Lee gave a speech at Colby College in February 2010, including a career retrospective. Listen to an audio recording here.

(13) CATMAN. “Mark Twain Liked Cats Better Than People” says the Smithsonian. Don’t you?

…Twain owned up to 19 cats at one time, writes Livius Drusus for Mental Floss, “all of whom he loved and respected far beyond whatever he may have felt about people. His cats all bore fantastical titles, among them: Apollinaris, Beelzebub, Blatherskite, Buffalo Bill, Satan, Sin, Sour Mash, Tammany, Zoroaster, Soapy Sal and Pestilence, writes Drusus.

Twain also wrote cats into his fiction. “Cats make cameos in some of his most famous works,” writes the National Portrait Gallery.  In The Adventures of Tom Sawyer, a cat named Peter features, but he was one of many, writes the gallery….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Jessica Eanes, Danny Sichel, Hampus Eckerman, Sharon Lee, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Buffalo NASFiC 2024 Announces Guests of Honor

The bid for Buffalo, NY – the only bid filed for the 2024 NASFiC – today was officially announced the winner of the site selection vote at a business meeting held during Pemmi-Con in Winnipeg. The WSFS Constitution provides for a NASFiC (North American Science Fiction Convention) to be held in years that the Worldcon is held outside North America, as it will be again next year.

Buffalo NASFiC 2024 will be held July 18-21 at the Hyatt Regency Buffalo and the Niagara Convention Center. The con will be chaired by Wayne Brown. Their website is here.

The convention’s Guests of Honor are:

ALAN DEAN FOSTER – AUTHOR GUEST OF HONOR

Alan Dean Foster

Alan Dean Foster’s writing career began when August Derleth bought a long Lovecraftian letter of Foster’s in 1968 and much to Foster’s surprise, published it as a short story in Derleth’s bi-annual magazine The Arkham Collector. Sales of short fiction to other magazines followed. His first attempt at a novel, The Tar-Aiym Krang, was bought by Betty Ballantine and published by Ballantine Books in 1972. It incorporates a number of suggestions from famed SF editor John W. Campbell.

Since then, Foster’s sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several “Best of the Year” compendiums. His published oeurve includes more than 120 books.

NILAH MAGRUDER – YA/COMICS GUEST OF HONOR

Nilah Magruder

Nilah Magruder is based in Maryland. She is the author of M.F.K., a middle-grade graphic novel and winner of the Dwayne McDuffie Award for Diversity, HOW TO FIND A FOX, and WUTARYOO. She has published short stories in Fireside Magazine and the All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages anthology. Nilah has also written for Marvel Comics, illustrated children’s books for Disney-Hyperion, Scholastic, and Penguin, and works as a writer and storyboard artist in television animation. She is currently making graphic novels for middle-grade and young adult readers. When she is not working, Nilah is baking, gardening, and snuggling with her assortment of cats and dogs.

KAJA FOGLIO & PHIL FOGLIO – ARTIST GUESTS OF HONOR

Kaja Foglio is a Seattle-based writer, artist and publisher. She founded Studio Foglio, LLC in 1993 as a venue for her Magic the Gathering art prints, but quickly expanded into publishing. She co-writes the comic series Girl Genius with her husband Phil, and is the chief graphic designer and Web mistress for Studio Foglio and Airship Entertainment, and masterminded their stunningly successful transition to webcomic form. She won a Hugo award in 2009, 2010 and 2011 for Girl Genius along with her husband, Phil. You can read Girl Genius comics online at www.girlgenius.net.

Phil Foglio got his B.F.A. in Cartooning the same year he won the Hugo Award for Best Fan Artist back in 1977 and 1978 and is still waiting for the wealth and unlimited power he was told this would bring. In the meantime, he has made a career as a writer and artist because he liked the idea of commuting fifty feet to his office. Over the years he has worked in the fields of science fiction, comics, and gaming. His current project is the Hugo award winning comic book series Girl Genius, which he works on with his wife, Kaja. His hobbies include travel, gardening, and waiting.

TONY & SUFORD LEWIS – FAN GUESTS OF HONOR

Suford Lewis was active in LASFS and appeared in Westercon masquerades before going to Radcliffe in 1961 and joining MITSFS. Now in Boston, she is a founding member of the New England SF Association, has chaired Boskone, and was a member of TAPA. She is a computer scientist. Since 1968, she has been married to Tony Lewis, a physicist who is also a fan.

Tony Lewis is a longtime Boston fan who was born in Gotham City Hospital (he claims no relation to the Wayne family). He joined MITSFS in 1957 and was very active in the club while he earned a Ph.D. in Nuclear Physics from MIT, including serving as Librarian and Onseck. He was known as the Evil Dr. Lewis, a title he relished.

Pixel Scroll 2/16/23 My AI Is Up Here

(1) MISPLACED FEAR. Behind a paywall in The Atlantic, Margaret Atwood tells the answer to “Who’s Afraid of The Handmaid’s Tale?” Chosen as the magazine’s “One Story to Read Today”, her piece was given this introduction:

A Virginia school board recently demanded the removal of The Handmaid’s Tale from school-library shelves. Its author, Margaret Atwood, replied in the form of an Atlantic essay this past weekend, arguing that trying to stop young people from reading something will only make them want to read it more. “Has sex become too readily available?” she writes. “Banal, even? A boring chore? If so, what better way to make it fascinating again than to prohibit all mention of it?”

The article begins:

It’s shunning time in Madison County, Virginia, where the school board recently banished my novel The Handmaid’s Tale from the shelves of the high-school library. I have been rendered “unacceptable.” Governor Glenn Youngkin enabled such censorship last year when he signed legislation allowing parents to veto teaching materials they perceive as sexually explicit.

This episode is perplexing to me, in part because my book is much less sexually explicit than the Bible, and I doubt the school board has ordered the expulsion of that. Possibly, the real motive lies elsewhere. The conservative Christian group Focus on the Family generated the list of “unacceptable” books that reportedly inspired the school board’s action, and at least one member of the public felt the school board was trying to “limit what kids can read” based on religious views. Could it be that the board acted under the mistaken belief that The Handmaid’s Tale is anti-Christian?…

(2) IMAGINARY PAPERS. Today the ASU Center for Science and the Imagination published the latest issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

In this issue, environmental humanities scholar Pamela Carralero writes about the Scottish climate fiction graphic novel IDP: 2043, computer scientist Judy Goldsmith writes about ethics-focused approaches to E. M. Forster’s “The Machine Stops,” and futurist Suzette Brooks Masters writes about a new report on imagining better futures for democracy.

(3) SPEAK SOFTLY. “Michael Dorn trolled Star Trek haters with Worf voice in elevator” at EW.

Dorn — who, as Klingon character Worf, had to routinely endure hours of prosthetic makeup — recalled the interaction Thursday as part of The View‘s special Star Trek: The Next Generation cast reunion. The reunion was hosted by Whoopi Goldberg, who reprised her role as Guinan from the series as the ABC set transformed into the sci-fi show’s Ten Forward lounge….

(4) FOSTER Q&A. Media Death Cult’s Moid Moidelhoff conducts “The Big Interview” with Alan Dean Foster.

Alan Dean Foster is a living legend of science fiction and fantasy. He has written over 60 novels across multiple original series but is perhaps best known for his novelisations of film scripts including Star Trek, The Thing, Alien, and of course, he was the ghostwriter for the original Star Wars novel.

(5) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 60 of Simultaneous Times on all streaming services including Podomatic. Stories featured in this episode:

  • “Turf War 2200” by Matthew Sanborn Smith – with music by Phog Masheeen. Read by Jean-Paul Garnier
  • “Dinosaur Personal Ads” by Sarina Dorie – with music by Fall Precauxions. Read by Jean-Paul Garnier

(6) MEMORY LANE.

1908[Compiled by Cat Eldridge.]

There are classics in children’s literature, and Kenneth Grahame’s The Wind in the Willows is definitely one of them. 

It was first published by Methuen in 1908. Most of you probably know the Arthur Rackham illustrated version but that isn’t the quoted edition as that was the Limited Editions Club in 1940 which was, errr, a limited edition with a slipcase. This has a frontpiece illustrated by Graham Robertson as shown below. No other illustrations.

No, I don’t know what young children or Eden have to do with The Wind in the Willows but it’s been a long time since I read it.

I think that it’s a quintessential English novel of manners with animals representing the various English human characters you’d find in other novels. The closet comparison I think of oddly enough is the Lord Peter Wimsey mysteries. Not sure why. 

I’ve read it a number of times and it’s always a delight. The characters are well drawn, the setting is fun and the situations are humorous to say the least. 

And now the Beginning…

THE Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said, “Bother!” and “O blow!” and also “Hang spring-cleaning!” and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gravelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged, and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, “Up we go! Up we go!” till at last, pop! his snout came out into the sunlight and he found himself rolling in the warm grass of a great meadow.

“This is fine!” he said to himself. “This is better than whitewashing!” The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 16, 1938 Chuck Crayne. An important conrunner who died before his time. (I’m quoting Mike there, so please don’t complain.) He was a LASFS member who was most active during the Sixties and Seventies. You can read Mike’s full post on him here. (Died 2009.)
  • Born February 16, 1953 Mike Glyer, 70. I decide to let one of y’all give him Birthday greeting so let’s hear Paul Weimer do it: “I first became of the inestimable Mr. Glyer because of seeing his name in Locus, multiple times, for something called File 770. When I found it online and started to read the blog, I only stepped in the middle of a stream of decades long science fiction fandom that has been his pole star. Mr. Glyer’s fandom has been an inspiration and model for myself, and doubtless, many others. I am glad that I have helped in my own small way to help with the edifice of SF fandom that he has created and in a very real way, embodies. Although I still have not yet managed to meet him in person, I am proud to call him a friend. Happy Birthday Mike!”
  • Born February 16, 1954 Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas, are also my favs. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about whisky, good food and his love of sports cars. (Died 2013.)
  • Born February 16, 1957 Ardwight Chamberlain, 66. The voice of Kosh on Babylon 5. And that tickles me, as I don’t think they credited it during the series, did they? Most of his other voice work English dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island.
  • Born February 16, 1964 Christopher Eccleston, 59. The Ninth Doctor who’s my third favorite among the new ones behind David Tennant and Jodie Whittaker. Other genre work includes 28 Days LaterThe SeekerG.I. Joe: The Rise of CobraThor: The Dark WorldThe LeftoversThe Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre

(8) COMICS SECTION.

(9) BELATED BIRTHDAY WISHES. [Item by Daniel Dern.] A few more “Happy 100th, Charles Schultz” comic strips that I’m told were not in the Schulz Museum tribute list previously linked.

(10) IT COULD BE SFF. [Item by Alan Baumler.] A snippet from a review by Abigail Nussbaum which made me, at least, want to read the book. “Telluria by Vladimir Sorokin” at Lawyers, Guns & Money.

I’ve been waiting a while for Strange Horizons to run my review of Vladimir Sorokin’s 2013 novel Telluria, published last year by NYRB Classics with a translation by Max Lawton. I wasn’t familiar with Sorokin, a Russian writer who began his career poking at the foibles of the Soviet Union, and has continued to do the same with Putin’s Russia, before picking up this book. But the premise intrigued me, not least because it seemed to intersect with science fiction. Telluria is part of a loose sequence of novels which all take place in a post-post-Soviet setting which Sorokin has dubbed the New Middle Ages, in which familiar geopolitical entities have fractured and new battle lines have been drawn. In this novel, Sorokin introduces the titular drug, which produces euphoria by transporting users to a world where their deepest desires are realized—desires that can be political or ideological as well as personal.

(11) GOOD ITALIAN WOOD, GOOD ITALIAN IRON. “Factory Photos Show Fully Private Space Station Under Construction” at Futurism.

Space startup Axiom Space is making significant progress on its all-private space station dubbed Axiom Station, which it claims will be “the successor to the International Space Station.”

Images shared by former NASA astronaut Micahel López-Alegría, who was part of the startup’s first all-private astronaut mission to the ISS last April, show massive segments of the Axiom Station being fabricated at a factory in Italy….

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Alan Baumler, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/31/21 The Pixelscroll Experiment

(1) FINAL GIRLS CONSIDERED. Stephen Graham Jones cheers on the “final girls” of slasher movies at CrimeReads: “Let’s All Be Final Girls”.

…Part of the final girl’s DNA, after all, is the scream queen, typified in Fay Wray’s performance in King Kong. She wasn’t necessarily the first of her kind, but talkies were relatively new in 1933, so her scream was especially loud—loud enough to carry across the whole century.

However, final girls may come from the tradition of scream queens, but that doesn’t mean scream queens are final girls themselves. Yes, scream queens are menaced by horror, and yes, they survive their ordeals, but what their screams tend to do, actually, is bring the men in to deal with this bully. These scream queens are, after all, “white women in peril,” usually from some “dark” monstrosity—a giant gorilla, say. Their main function in the story is to cringe and run, and be abducted. Scream queens are damsels, perpetually in distress.

The final girl is no damsel. She doesn’t scream to call a man in to help her. No, she takes this lumbering beast down herself….

(2) PAGES MISSING. Dean Wesley Smith’s and Kristine Kathryn Rusch’s WMG Publishing told Facebook readers their website is currently having major problems. Their ISP, Bluehost, is to blame – a company that no longer hosts File 770 I’m relieved to say.  

If you’ve tried going to the WMG website the past week or so, you’ll discover that it seems to no longer have any content. This is a result of an issue with our website hosting platform, Bluehost, that we are still trying to get them to resolve. They accidentally deleted it…all 1,500 or so pages of it (we have backups, of course, but they can’t seem to restore the site even using those…it’s a long, frustrating story). At this point, we have no idea how long our website will be down, so in this newsletter, all of the links we direct you to are external. Please send some positive tech vibes our way that Bluehost resolves this issue soon.

(3) HEARING FROM FRIENDS. Cora Buhlert’s Fancast Spotlight introduces listeners to the “Unknown Worlds of the Merril Collection” podcast hosted by Oliver Brackenbury.

Who are the people behind your podcast or channel?

I host, screenwriter Chris Dickie is the producer, and ultimately the Friends of Merril volunteer group are behind the show. The Friends of Merril are dedicated to spreading awareness of, and otherwise supporting, the Merril Collection of Science Fiction, Speculation & Fantasy – located on the 3rd floor of the Lillian H. Smith branch of the Toronto Public Library system. With over 80,000 spec fic texts going back over two hundred years, it’s a tremendous asset for writers, scholars, and readers, one I’ve benefited from greatly.

Why did you decide to start your podcast or channel?

Well, Chris had just joined the Friends and when I asked him if he had anything specific he’d like to try in promoting the Merril, he said he’d been wanting to try podcasting. I’d been wanting to create some kind of shareable promotional content for the Merril, and had plenty of experience with hosting from my old Youtuber days. So, we figured we’d give it a whirl and see if it helped spread awareness of the Merril!

As far as I can tell, it’s certainly helped spread the good word. But we can always do more!

(4) STRONG MUSEUM’S ERIC CARLE EXHIBIT. Eric Carle: A Very Hungry, Quiet, Lonely, Clumsy, Busy Exhibit opens at The Strong Museum in Rochester, NY on Saturday, September 18 and will be on display through January 2.

Step into the pages of beloved author and illustrator Eric Carle’s Very series of picture books—including the iconic Very Hungry Caterpillar… Co-organized by Children’s Museum of Pittsburgh and The Eric Carle Museum of Picture Book Art in Amherst, MA, Very Eric Carle is the first North American traveling exhibit for children inspired by the work of Eric Carle.

At this play-and-learn exhibit, visitors step into the pages of Eric Carle’s colorful picture books. His classic “Very” series, all illustrated in his hand-painted tissue paper collage technique, introduces five special insects who take journeys of discovery. Each story is a testament to Eric Carle’s love of nature, his respect for the emotional lives of children, and his recurring themes of friendship, creativity, and the power of imagination….

(5) RAY’S HOMETOWN GETS A CONVENTION. Wauke-Con, Waukegan’s First Comic Book Convention, will be held October 16-17 at the Ray Bradbury Experience Museum, located at lucky 13 N. Genesee, from 12-6 p.m. both days. 

(6) STAR SCRIPTURE. “Star Trek Series Bibles Released Through Official Website” reports Gizmodo. Links to the Bibles themselves are here.

Series bibles are a staple of television production. Part early pitch, part worldbuilding exercise, they form the fundamental basis for the earliest concrete visions for a TV show on the road to production. And now you can get a glimpse at the documents behind decades of Star Trek TV, giving access to some truly fascinating behind-the-scenes materials.

The series bibles for TNGDS9Voyager, and Enterprise have been floating around the internet in various iterations for a while, but in a new piece by Rob Wieland today, the official Star Trek website provided a fresh look at the foundations of the first four major Star Trek TV continuations. Thanks to these documents, fans can see how these iconic shows were first imagined, what changed on the road to the small screen, and what ideas were the ones writers decided were the most-thought provoking and exciting to sell these shows on to networks….

(7) PUPPIES: THE NEXT GENERATION. With Debarkle Chapter 60, Camestros Felapton some significant late arrivals to sf’s culture wars, Nick Cole and Jon Del Arroz: “Dramatis Personae — The Next Generation”.

…In February of 2016 former soldier, actor and writer Nick Cole[5] announced that he had been “banned by the publisher”. Cole had already published a few books with Harper Collins including a trilogy of post-apocalyptic books and a novel Soda Pop Soldier in which gamers fight a virtual reality war for corporations. It was the sequel (or rather prequel) to Soda Pop Soldier that led to the dispute. Cole had planned for the story to feature a Terminator-style AI rebellion and for motivation, he had decided that the AI at the source of the rebellion would deduce that humanity would kill it after watching a reality TV show in which a character has an abortion….

(8) FILE 007. The next James Bond movie, No Time To Die, comes to U.S. theaters on October 8.

(9) MEDIA BIRTHDAY.

  • 1979 – Forty-two years ago on this date, Time After Time premiered. (It would lose out to Alien for Best Dramatic Presentation at Noreascon Two.)  It was directed by Nicholas Meyer who wrote the screenplay from a story by Karl Alexander and Steve Hayes, and produced by Herb Jaffe. The primary cast was Malcolm McDowell, David Warner and Mary Steenburgen. Reception by critics was unambiguously positive, the box office was good and the audience reviewers at Rotten Tomatoes currently give it an excellent sixty-eight percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. He showed up on The Island of Dr. Moreau as Sayer of the Law. (Died 1984.)
  • Born August 31, 1933 — Robert Adams. He’s remembered for the Horseclans series, his overall best-known works though he wrote other works. While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
  • Born August 31, 1949 — Richard Gere, 72. He was Lancelot in First Knight, which starred Sean Connery as King Arthur, and he was Joe Klein in The Mothman Prophecies. That’s it for genre film work. First Knight for me is more than enough to get Birthday Honors, but he also was in live performances of Rosencrantz and Guildenstern Are Dead in the Sixties. Though definitely not genre, one of my roles by him was as defense attorney Billy Flynn in Chicago
  • Born August 31, 1958 — Julie Brown, 63. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 52. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca.
  • Born August 31, 1971 — Chris Tucker, 50. The way over the top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man. 
  • Born August 31, 1982 — G. Willow Wilson, 39. A true genius. There’s her amazing work on the Sasquan Hugo Award-winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as well. Oh, and the Cairo graphic novel with its duplicitous djinn is quite the read. The only thing I’ve by her that I’ve not quite liked is her World Fantasy Award winning Alif the Unseen novel.  I’ve not yet read her Wonder Women story but should soon. Her Invisible Kingdom, vol 2: Edge of Everything is nominated at DisCon III for a Best Graphic Story Hugo.
  • Born August 31, 1992 — Holly Early, 29. She was Lily Arwell in the Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.” She was also Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and Hermia in A Midsummer Night’s Dream.

(11) HE LOST ON JEOPARDY! “Mike Richards is out as producer of ‘Jeopardy!’ and ‘Wheel’”AP News has the story.

Mike Richards is out as executive producer of “Jeopardy!”, days after he exited as the quiz show’s newly appointed host because of past misogynistic and disparaging comments.

Richards is also no longer executive producer of “Wheel of Fortune,” according to a memo to staff that was confirmed by Sony Pictures Television, which produces both of the shows.

“We had hoped that when Mike stepped down from the host position at Jeopardy! it would have minimized the disruption and internal difficulties we have all experienced these last few weeks. That clearly has not happened,” Suzanne Prete, an executive with the game shows, said in the memo.

…In her memo, Prete said she will work with Richards’ interim replacement, Michael Davies, until further notice. Davies produces ABC’s “Who Wants to Be A Millionaire.”

(12) STAY FROSTY. James Davis Nicoll helps Tor.com readers find “Five Chilly SF Stories to Help Beat the Summer Heat”, including —

Icerigger by Alan Dean Foster (1974)

Interstellar salesman Ethan Frome Fortune made one small mistake when he traveled to the desolate ice-world of Tran-ky-ky. He boarded the same starship as the fantastically wealthy and eminently kidnappable Hellespont du Kane, and du Kane’s daughter Colette. An attempted kidnapping ensues.

The kidnapping fails. A single kidnapper survives. He and his prospective kidnappee and several innocent bystanders (including Fortune) end up marooned on Tran-ky-ky.

The castaways are a diverse lot; at least one of them, adventurer Skua September, is suited to survival on a backward, frozen world. Other off-worlders could save them…if the stolen shuttle had not crashed on the other side of the world from the trading post.

Providentially, a nearby community of indigenes are willing to assist the odd-looking off-worlders. There is just one minor complication. Even now, a nomad horde is bearing down upon the town. Perhaps the off-worlders can help the desperate townsfolk repel the attack. If not, the humans will die alongside the townsfolk.

(13) PORTAL CREATOR. At The Walrus, Jason Guriel makes the case for “Why William Gibson Is a Literary Genius”.

…It’s been four decades since William Gibson’s short story “Johnny Mnemonic” appeared in the May 1981 issue of Omni magazine. He’d already published a couple of pieces, but “Johnny” was a landmark feat of fiction: in a matter of eight magazine pages, Gibson roughed out the contours of an entire world.

The world Gibson was building was a wormhole away from most science fiction—from space-opera optimism and the sort of intergalactic intrigue that’s settled by laser sword. Gibson’s heroes were hustlers, their turf the congested city. They used substances, skirted the law, and self-edited via surgery (see Molly’s nails). He provided more detail, the following year, in the story “Burning Chrome,” which coined the term cyberspace: a boundless 3-D grid, “an abstract representation of the relationships between data systems”—a kind of web. And then, in 1984, he went even deeper with Neuromancer. His zeitgeist-rattling debut novel was about a hacker for hire who navigated cyberspace using a modem and an Ono-Sendai Cyberspace 7 deck, a Gibson confection that rests on his hacker’s lap (and sounds a lot like a modern-day laptop)….

(14) DOUBLING DOWN. In “Tales Twice Told”, episode 60 of the Two Chairs Talking podcast, Perry Middlemiss and David Grigg discuss recent award winners, the nominees for the Short Story category of this year’s Hugos, and the books they’ve been reading. 

David was particularly impressed by “The End of the World is Bigger Than Love” by Davina Bell, winner of this year’s Children’s Book Council of Australia Book of the Year for Older Readers: “Probably the best piece of SF I’ve read all year”.

(15) OLDER THAN YOU THINK. Smithsonian Magazine says archeologists have established “King Arthur’s Stone Is Older Than Stonehenge”.

Arthur’s Stone, an enigmatic rock burial in Herefordshire, England, is one of the United Kingdom’s most famous Stone Age monuments. Now, reports Carly Cassella for Science Alert, excavations carried out near the tomb—named for its supposed ties to King Arthur—have shed light on its beginnings, revealing that Neolithic people built it as part of an intricate ceremonial landscape.

“Although Arthur’s Stone is an iconic … monument of international importance, its origins had been unclear until now,” says dig leader Julian Thomas, an archaeologist at the University of Manchester, in a statement. “Being able to shine a light on this astonishing 5,700-year-old tomb is exciting and helps to tell the story of our origins.”

(16) METAVERSE. [Item by Martin Morse Wooster.] In the Washington Post, Dalvin Brown says for a Ready Player One-style metaverse to happen, tech companies not known for cooperation will have to work together and virtual reality headsets will have to be much more popular than they are now (the Entertainment Software Association says only 29 percent of America’s 169 million gamers have a virtual reality system). “What is the metaverse? Microsoft, Facebook want to build next version of the Internet”.

What is the metaverse?

The term was coined by writer Neal Stephenson in the 1992 dystopian novel “Snow Crash.” In it, the metaverse refers to an immersive digital environment where people interact as avatars. The prefix “meta” means beyond and “verse” refers to the universe. Tech companies use the word to describe what comes after the Internet, which may or may not be reliant on VR glasses.

Think of it as an embodied Internet that you’re inside of rather than looking at. This digital realm wouldn’t be limited to devices: Avatars could walk around in cyberspace similar to how people maneuver the physical world, allowing users to interact with people on the other side of the planet as if they’re in the same room.… But for a robust virtual universe, everyone needs to want and afford VR headsets. The technology would need to be stylish and minimal enough to interest more people and sophisticated enough to work seamlessly. That hasn’t happened yet.

Nimble wireless headsets, like Facebook’s Oculus Quest 2, take a hit on image quality, while bulky VR goggles, like the HTC Vive Pro 2, enable more computing power with their wires. Facebook’s Oculus Quest 2 is among the most affordable at $299, while the HTC Vive Pro 2 headset starts at $799 plus the cost of controllers.

(17) ANOTHER VERSE. When you’re a fan, it’s important to be able to tell your multiverse from your metaverse. “Marvel Comics Reveals 8 New Tentpole Titles”.

In celebration of Marvel’s Birthday today, Marvel Comics revealed its first look at eight new tentpole titles that will shape the future of the Marvel Universe in the months to come.

Here’s one of them —

Marvel Comics’ Avengers Forever pulls together archaeologist Tony Stark aka the Invincible Ant-Man and Avengers from across the multiverse to bring order to timelines where ‘hope’ is a four letter word. Jason Aaron and Aaron Kuder present an all-new series that will redefine the Avengers as…the Multiverse’s Mightiest Heroes.

(18) VIDEO OF THE DAY. Brian And Charles is a short film about a lonely farmer who decides to build a robot to be his friend and what happens when the robot starts having issues.

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

#DisneyMustPay Uncovers Additional Unpaid Writers

SFWA reports that Alan Dean Foster’s missing royalties owed by Disney have been resolved, however, about a dozen additional authors have requested assistance from the organization, including the authors of Empire Strikes BackReturn of the JediIndiana Jones, and multiple other properties. SFWA has provided Disney with the names of authors who are similarly missing royalty statements and payments going back years. (For details of Foster’s claims, see Cora Buhlert’s coverage of “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference” held in November 2020.)

Because contract issues with Disney-owned/controlled companies continue to affect multiple authors across different writer organizations, to advocate for these writers, Science Fiction and Fantasy Writers of America (SFWA) formed the #DisneyMustPay Joint Task Force with the Authors GuildHorror Writers AssociationNational Writers UnionNovelists, Inc., Romance Writers of America, and Sisters in Crime to identify and guide authors who might be owed money. The task force includes members such as Neil GaimanTess GerritsenMary Robinette Kowal, and Chuck Wendig. The committee has identified the key areas to be addressed. Disney needs to:

  1. Honor contracts now held by Disney and its subsidiaries.
  2. Provide royalty payments and statements to all affected authors.
  3. Update their licensing page with an FAQ for writers about how to handle missing royalties.
  4. Create a clear, easy-to-find contact person or point for affected authors.
  5. Cooperate with author organizations that are providing support to authors and agents.

The #DisneyMustPay Task Force reports they presented these steps to Disney and offered them an opportunity to include a statement in an email to their members. Disney declined.

Authors may be missing royalty statements or checks across a wide range of properties in prose, comics, or graphic novels. This list is incomplete and based on properties for which we have verified reports of missing statements and royalties: 

  • LucasFilm (Star WarsIndiana Jones, etc.)
  • Boom! Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
  • Dark Horse Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
  • 20th Century Fox (Buffy the Vampire SlayerAlien, etc.)
  • MGM (Stargate)
  • Marvel WorldWide (SpiderManPredator)
  • Disney Worldwide Publishing (BuffyAngel)

“Writers must be paid or given missing royalty statements; these contracts must be honored,” said Mary Robinette Kowal, President, SFWA. “We urge all authors to review their statements to make certain they are in order.” 

To get help in seeking resolution, an affected author does not need an agent or membership in any author organization. Writers who are missing royalties or royalty statements may fill out this form hosted by SFWA. Anonymity is guaranteed.

Last year, Alan Dean Foster came to SFWA’s Grievance Committee because he had written novels and was not being paid the royalties that were specified in his contract. During the investigation, SFWA discovered that Disney was now the rights holder and contacted them. The initial contact refused to pay.

Disney’s argument was that they had purchased the rights but not the obligations of the contract. SFWA was forced to take the matter public to get a resolution. SFWA suspected that other authors would be similarly affected. 

SFWA says Disney is being reactive rather than proactively working with them to address the significant issue that has been brought to their attention.

SFWA reports that while in talks for Foster’s Alien novels, Disney was told that he was also missing statements and royalties for his Star Wars novelizations. They would not begin the process nor resume royalty statements until Mr. Foster contacted them with a formal claim. 

“SFWA wishes to create a cooperative relationship with Disney, but the corporation flatly refuses to work with us,” said Kowal. “They say they are committed to paying the authors, but their actions make it clear that Disney is placing the onus to be paid on the authors, while at the same time attempting to isolate the authors from receiving counsel from their professional author organization.”

During the initial #DisneyMustPay campaign, SFWA proposed a hypothetical situation based on Disney’s position that they had purchased the rights but not the obligations to Mr. Foster’s work. In this scenario, Company A might sell a property to their sister Company B to get out of paying royalties.

This situation is no longer hypothetical. Fox had licensed the comics rights to Buffy the Vampire Slayer to Dark Horse. After Disney purchased Fox, they withdrew those rights from Dark Horse and granted them to Boom! Comics. When one Buffy author contacted Boom! about missing royalties, they were told that “royalties don’t transfer.”

Disney is one of the owners of Boom! Comics.

Since Disney has declined to cooperate with the task force in identifying affected authors, the #DisneyMustPay Joint Task Force is requesting help to contact everyone who might be affected. The joint task members ask writers, readers, and fans to alert authors who may be affected.

And the Task Force lists other ways to support this effort:

  • Do not boycott, as this will disproportionately affect those authors who are being paid. 
  • Use #DisneyMustPay on social media. Help is needed to bring the task force’s five action items to the attention of Disney’s decision-makers.
  • Visit WritersMustBePaid.org, a new website set up by our new task force, and share it.
  • Do purchase the works of affected authors for which they are receiving royalties.

The #DisneyMustPay Joint Task Force is making sure writers’ working conditions are fair and safe, but individual negotiations are, rightly, between the authors, their agents, and the rights holder. Hence, the Disney Task Force is looking at structural and systemic concerns. 

One of those concerns is identifying the authors whose royalty payments may have been missed as a result of acquisition integration. Working with the task force would have streamlined identifying those authors for Disney—since the Task Force has current contact information for the various organizations’ members—and Disney knows when acquisitions happened and for which properties. 

Without that cooperation, the #DisneyMustPay Joint Task Force is broadcasting, widely and loudly, to make sure that everyone who might be affected hears the message. 

Additional updates and information will be available at www.writersmustbepaid.org.

[Based on a press release.]

Pixel Scroll 4/28/21 SecUnit Said “Stop It. Don’t Tempt Fate So Soon. We Have Five More Segments Of Sanctu’ry Moon.”

(1) CONVINCING DISNEY TO PAY. In“DisneyMustPay: authors form task force to fight for missing payments”, The Guardian’s Alison Flood tells how pressure is being applied to Disney.

A task force made up of science fiction and fantasy, romance, crime and horror authors has been formed in an attempt to persuade Disney into paying authors outstanding royalties for novelisations and comics relating to their properties, including Star Wars, Alien and Indiana Jones.

The so-called DisneyMustPay Joint Task Force includes major writers Neil Gaiman, Tess Gerritsen, Mary Robinette Kowal and Chuck Wendig among its members. It has been formed by the Science Fiction and Fantasy Writers of America in partnership with the Author’s Guild, Horror Writers Association, National Writers Union, Novelists, Inc., Romance Writers of America, and Sisters in Crime.

The author organisations came together after the SFWA became involved in the author Alan Dean Foster’s battle to get Disney to pay him royalties for his bestselling novelisations of Star Wars and Alien. Foster was asked to write his novelisation of Star Wars: A New Hope by George Lucas himself, which was published in 1976. When Disney acquired Lucasfilm in 2012, it bought the rights to the Star Wars novel, while Disney’s acquisition of 20th Century Fox in 2019 meant it also bought rights to Foster’s novelisations of Alien, Aliens and Alien 3….

But despite the books still being in print, Foster claimed that Disney was not paying him royalties for them and that he’d had to go public after the company ignored multiple queries from his agents, legal representatives and the SFWA. The latter claimed that Disney had argued that it had purchased the rights, but not the obligations of the contract.

(2) SLF OLDER WRITERS GRANT. The Speculative Literature Foundation will be taking applications for the SLF $1000 Older Writers Grant from May 1-31. Complete guidelines here.

The SLF $1000 Older Writers Grant is awarded annually, since 2004, to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. We are currently offering a $1000 grant annually, to be used as each writer determines will best assist his or her work.

This grant will be awarded by a committee of SLF staff members on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work, and an autobiographical statement describing themselves and their writing (500-1000 words) for our files, and for possible public dissemination on our website.

This grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard science fiction to epic fantasy to ghost stories to horror to folk and fairy tales to slipstream to magical realism to modern myth-making — and more. Any piece of literature containing a fabulist or speculative element would fall under our aegis, and would potentially be work that we would be interested in supporting.

(3) IT’S ABOUT TO HATCH. Melinda Snodgrass invites readers to look over her shoulder as she explains “How I Plot”.

I mentioned on Twitter that I was getting ready to outline or break two new novels, and a follower asked if I could describe my process. It ended up being a really looong Tweet thread so I thought I would pull it all together here for folks who might not be on Twitter. I always outlined from the time I first started writing, I think it was a function of having been a lawyer and knowing that a brief has to take a judge or a jury to a certain conclusion so structure is important. I’m also the type of person who likes to have an itinerary when I travel and hotels booked in advance. But it wasn’t until I got my first job in Hollywood that I truly learned how to “break a story”. Ira Behr, Rick Manning and Hans Beimler were my teachers and they were very good ones. So without further ado….

First, I never start anything unless I know the ending. I don’t mean the wrap up, falling action, but the actual exciting climax. The next thing I ask myself is “What is the theme of this book?” What is it I want to impart about the human condition? The human heart in conflict with itself as William Faulkner wrote.

My short hand for this is “Plot is the shit that happens. Theme is why it matters.”…

(4) CHRIS GARCIA’S SFF FILM PODCASTS. Chris Garcia says he’s rediscovered a ton of episodes of his old podcasts and has started posting them on a new series of feeds.

  • Fantasy Film 101 is available from Pinecast or Apple. Its 16 episodes cover fantasy film history, emphasizing short films, foreign works, and the super-artsy.

(5) JOHN HODGMAN WEIGHS IN ON TIME TRAVEL CONTROVERSY. [Item by Martin Morse Wooster.] This is John Hodgman’s column from the April 18 New York Times Magazine.

Tony; “My son read that the director James Gunn’s favorite time-travel movie is A Christmas Carol.  That isn’t time travel!  Please find against Scrooge, my son, and James Gunn, just to be sure.  (P.S.  I was mistaken.  Apparently, it was Robert Zemeckis who said this.”

Hodgman:  “I had never thought of Scrooge’s big night as time travel!  And for that reason I find against you.  Back To The Future is wonderful but only one template for time travel in movies.  There’s the multiple timelines concept, as in Avengers:  Endgame, which would account, say, for an alternate universe in which Robert Zemeckis, director of Back To The Future, could be wrong about time travel.  But as with all these stories, they are designed to inspire imagination, not stamp it out as you seek to do with your own Tiny Tim.  G Buy your son the biggest goose in town as damages.”

(6) AND THAT’S NOT ALL! [Item by Daniel Dern.] The new season (starts May 2) of DC Legends Of Tomorrow looks like a wild whacky ride! Watch the trailer even if you currently don’t plan to watch the show! And io9’s post “Legends of Tomorrow Season 6 Trailer: Aliens, Disney, Reality TV” says that beyond what the trailer shows, the season will include other references —

… And that’s not all! Entertainment Weekly confirms there will also be a Clue episode, an ALF episode (because of course there is), and, according to showrunner Phil Klemmer, “another episode that’s virtually all Constantine (Matt Ryan) in the Spanish Civil War, and that could just as well be from the Constantine TV show,” which sounds completely awesome….

(7) FIRM GRASP ON THE CATNIP. In“Timothy Reviews The Dispossessed by Ursula Le Guin” at Camestros Felapton, Timothy the Talking Cat propounds literary truths about a great classic that were previously unsuspected by any human being. But fairly obvious to a cat, evidently.

Greetings, salutations and the assorted lyrics of Hello, Goodbye by the mop-headed foursome from Liverpool to you all. I am, once again, your inimitable host and master of ceremonies, Timothy the Talking Cat esquire, who shall be taking you on a journey into the foundational texts of modern scientifiction….

(8) IMMERSIVE WHO. From a Digital Spy report: “Doctor Who – John Barrowman and David Bradley for Time Fracture”.

Doctor Who‘s John Barrowman and David Bradley are set to reprise their roles for the theatrical event Time Fracture.

The pair, who play Captain Jack Harkness and the First Doctor on the BBC sci-fi series respectively, have recorded cameo appearances for the Immersive Everywhere event.

Time Fracture is set to take place at Immersive | LDN in London and will put fans in the middle of a new Doctor Who story set at the time of the Blitz.

(9) COLLINS OBIT. Apollo 11 astronaut Michael Collins died April 28. Acting NASA Administrator Steve Jurczyk had this to say:

“Today the nation lost a true pioneer and lifelong advocate for exploration in astronaut Michael Collins. As pilot of the Apollo 11 command module – some called him ‘the loneliest man in history’ – while his colleagues walked on the Moon for the first time, he helped our nation achieve a defining milestone. He also distinguished himself in the Gemini Program and as an Air Force pilot.

“Michael remained a tireless promoter of space. ‘Exploration is not a choice, really, it’s an imperative,’ he said. Intensely thoughtful about his experience in orbit, he added, ‘What would be worth recording is what kind of civilization we Earthlings created and whether or not we ventured out into other parts of the galaxy.’…”

(10) TODAY’S DAY.

  • April 28 National Superhero Day. Marvel, naturally, celebrated by advertising a forthcoming production.

(11) MEDIA BIRTHDAY.

  • April 28, 1946 — On this night in 1946, The Shadow’s “Dreams of Death” episode first aired. It starred Lloyd Lamble (of Quatermass fame) as Lamont Cranston and The Shadow with Lyndall Barbour as Margot Lane and Lloyd Berrill as The Announcer. The Shadow in the radio series was quite different from the printed version as he was given the power to “cloud men’s minds so they cannot see him”. This was at odds with the pulp novel character who relied solely on stealth and his guns to get the job done. Likewise Margo Lane was a radio creation that would later be added to the pulps. You can hear the episode here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 28, 1840 Palmer Cox. He was known for The Brownies, his series of humorous books and comic strips about the troublesome but generally well meaning sprites. The cartoons were published in several books, such as The Brownies, Their Book for some forty years starting in the 1870s. Due to the immense popularity of his Brownies, one of the first popular handheld cameras was named after them, the Eastman Kodak Brownie camera. (Died 1924.) (CE) 
  • Born April 28, 1910 – Sam Merwin.  Edited FantasticStartlingThrillingWonder, later Fantastic Universe; for a while editor of Satellite, associate editor of Galaxy; his letter columns were lively; he generally improved our field.  Six novels, six dozen shorter stories for us; also romance and detective fiction, under various names.  (Died 1996) [JH]
  • Born April 28, 1914 – Phil High.  Working thirty years as a bus driver did not prevent,  may have helped, his writing a dozen novels, fourscore shorter stories.  See here.  (Died 2006) [JH]
  • Born April 28, 1917 Robert Cornthwaite. Actor in such Fifties films as The Thing From Another WorldThe War of the WorldsMen Into Space and Destination Space. He would be active well in the Twentieth Century in such productions as The Twilight ZoneVoyage to the Bottom of the SeaColossus: The Forbin Project The Six Million Dollar ManBuck Rogers in the 25th Century and White Dwarf. (Died 2006.) (CE) 
  • Born April 28, 1926 – Jim Bama, age 95.  Fourscore covers, a few interiors for us; interviewed by Vincent Di Fate in SF Chronicle.  Outside our field, Westerns, sports, commercial art.  Here is The 480.  Here is V.  Here is He Could Stop the World.  Illustrators Hall of Fame.  Artbooks The Art of JBThe Western Art of JBJB, American Realist with introduction by Harlan Ellison.  [JH]
  • Born April 28, 1926 – Bill Blackbeard.  One short story that I know of; correspondent of AmazingFantasy TimesRiverside QuarterlyWeird Tales; fanziner, in various apas including The Cult.  Extraordinary collector of comics in newspapers and otherwise, eventually 75 tons; he produced 200 books, and that ain’t the half of it.  See here (note by Our Gracious Host), here (Fancyclopedia 3), here (The Comics Journal).  (Died 2011) [JH]
  • Born April 28, 1930 Carolyn Jones. She began played the role of Morticia Addams (as well as her sister Ophelia and the feminine counterpart of Thing, Lady Fingers) in The Addams Family. Though she had an uncredited role in the original The War of the Worlds which was her first genre role as a Blonde Party Guest, and she was Theodora ‘Teddy’ Belicec in the Invasion of the Body Snatchers. She had a recurring role as Marsha, Queen of Diamonds on Batman. (Died 1983.) (CE)
  • Born April 28, 1948 Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here as reviewed by Kage’s sister Kathleen. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for a night when I want something English and really fantastic. (Died 2015.) (CE) 
  • Born April 28, 1959 – Fran Dowd, age 62.  Chaired Eastercon 49; with husband John Dowd active in Eastercons and Novacons; F & J both Fan Guests of Honour at Eastercon 61.  Sofa, i.e. chair when we need one, of the Sheffield Science Fiction and Fantasy Society.  Posted her Books Read in 2020 here.  [JH]
  • Born April 28, 1970 – Danielle Ackley-McPhail, age 51.  Nine novels, five dozen shorter stories, a dozen poems; a score of anthologies with various co-editors. Member and supporter of Broad Universe.  Was at the last known Lunacon in 2017, then in 2019 HELIOsphere.  She and husband Mike McPhail publish ESpec Books.  [JH]
  • Born April 28, 1971 Chris Young, 50. Bryce Lynch in the Max Headroom series which I still hold is of the best SF series ever done. The only other genre I think he’s are two horror films, The Runestone and Warlock: The Armageddon. Unless you call voice roles in The Brave Little Toaster Goes to Mars and The Brave Little Toaster to the Rescue genre… (CE) 
  • Born April 28, 1982 Samantha Lockwood, 39. Daughter of Gary Lockwood of 2001: A Space Odyssey fame. And she apparently was in yet another video Trek fanfic though this may not have ever gotten done before Paramount squashed them, Star Trek Equinox: The Night Of Time. There’s a trailer but no actual episode that I can find, so her role in Sci-Fighters which as Girlfriend is her only genre role. (CE)

(13) COMICS SECTION.

  • The Far Side involves what happens when aliens are the ones posing a familiar nature question.
  • Dracula said, “I never drink…wine.” The zombies in Bliss say something else.

(14) SUPER PRESSURE. “’What if Superman was your dad?’ Comics legend Mark Millar on Jupiter’s Legacy” – a profile in The Guardian.

… Jupiter’s Legacy is based on Millar and artist Frank Quitely’s 2013 cross-generational saga about rifts in a super-powered family, whose conflicting politics and ideologies manifest themselves as a global power struggle, causing significant collateral damage. “People expected it to be like Kick-Ass or Kingsman,” he says, “which are quite nihilistic, really violent and ironic, whereas this show is very sincere. Kick-Ass is a pastiche of superheroes, but Jupiter’s Legacy is a love letter. The big question is: is it ethically correct, if you have the power to save the world, to stand back and do nothing?”

… The series contains what Millar calls a “boomer versus millennial argument”. This is reflected mostly through the Sampson family: Sheldon (AKA The Utopian) and Grace (AKA Lady Liberty) are the elder, age-defying leaders of The Union, a paramilitary team that has symbolised the American ideal ever since they gained their superpowers during the Great Depression of the 1930s. Cut to the present day and we find their children, Chloe and Brandon, are increasingly disillusioned by their parents’ code and expectations. “Superman is the best guy you could possibly have,” says Millar, “but imagine if he was your dad? That’s the idea with The Utopian, who the whole world loves. But what does that mean for your children? Because the pressures are incredible.”

Daniel P. Dern adds:

Like many-to-most supercapes these days, the issues of power/authority along with “hard to have a life when you’re a cape” fuel this. It’s not as extreme as The Boys.

Mark Millar has written bunches of superhero comics (including an entire publishing brand of his own creations).

Frank Quitely is one of my favorite comic artists. For example, All-Star Superman (1-12), Flex Mentallo (1-4), a great run on New X-Men.

Jupiter’s Legacy is based on a manageable-to-read # of comics — 24 issues across 5 books/volumes, plus 10 issues of JUPITER’S CIRCLE, a prequel series.

Wanna read before, after or during watching:

  • Library-e-borrow LEGACY books 1-4 via HooplaDigital
  • Buy the individual comic issues or the collected-into-books
  • Borrow the books from your library
  • Buy & e-read via Kindle, ComiXology.

I enjoyed the comics; I’m ready to watch the show and see how it goes.

(15) STRETCH RUN. [Item by Michael Kennedy.] After achieving all the basic goals on flights 1–3, Ingenuity is now ready for a little stretch. Stretch goal, that is. Flight 4 will go further, faster, and take more photos than ever before. As for what might happen on flight 5, project Chief Engineer Bob Balaram said, “We have been kicking around several options regarding what a flight five could look like. But ask me about what they entail after a successful flight four.” “With Goals Met, NASA to Push Envelope with Ingenuity Mars Helicopter”.

… The fourth Ingenuity flight from Wright Brothers Field, the name for the Martian airfield on which the flight took place, is scheduled to take off Thursday, April 29, at 10:12 a.m. EDT (7:12 a.m. PDT, 12:30 p.m. local Mars time), with the first data expected back at NASA’s Jet Propulsion Laboratory in Southern California at 1:21 p.m. EDT (10:21 a.m. PDT).

“From millions of miles away, Ingenuity checked all the technical boxes we had at NASA about the possibility of powered, controlled flight at the Red Planet,” said Lori Glaze, director of NASA’s Planetary Science Division. “Future Mars exploration missions can now confidently consider the added capability an aerial exploration may bring to a science mission.”

The Ingenuity team had three objectives to accomplish to declare the technology demo a complete success: They completed the first objective about six years ago when the team demonstrated in the 25-foot-diameter space simulator chamber of JPL that powered, controlled flight in the thin atmosphere of Mars was more than a theoretical exercise. The second objective – to fly on Mars – was met when Ingenuity flew for the first time on April 19. The team surpassed the last major objective with the third flight, when Ingenuity rose 16 feet (5 meters), flying downrange 164 feet (50 meters) and back at a top speed of 6.6 feet per second (2 meters per second), augmenting the rich collection of knowledge the team has gained during its test flight campaign.

“When Ingenuity’s landing legs touched down after that third flight, we knew we had accumulated more than enough data to help engineers design future generations of Mars helicopters,” said J. “Bob” Balaram, Ingenuity chief engineer at JPL. “Now we plan to extend our range, speed, and duration to gain further performance insight.”…

(16) THE HOLE MOON CATALOG. The New York Times echoes an artist’s question: “Why Aren’t More Moon Craters Named for Women?” Illustrations at the link.

The moon’s surface is pockmarked with craters, the relics of violent impacts over cosmic time. A few of the largest are visible to the naked eye, and a backyard telescope reveals hundreds more. But turn astronomical observatories or even a space probe on our nearest celestial neighbor, and suddenly millions appear.

Bettina Forget, an artist and researcher at Concordia University in Montreal, has been drawing lunar craters for years. Ms. Forget is an amateur astronomer, and the practice combines her interests in art and science. “I come from a family of artists,” she said. “I had to fight for a chemistry set.”

Moon craters are named, according to convention, for scientists, engineers and explorers. Some that Ms. Forget draws have familiar names: Newton, Copernicus, Einstein. But many do not. Drawing craters with unfamiliar names prompted Ms. Forget to wonder: Who were these people? And how many were women?

“Once this question embeds itself in your mind, then you’ve got to know,” she said.

Ms. Forget pored over records of the International Astronomical Union, the organization charged with awarding official names to moon craters and other features on worlds around the solar system. She started underlining craters named for women.

“There was not much to underline,” Ms. Forget said.

Of the 1,578 moon craters that had been named at that time, only 32 honored women (a 33rd was named in February)….

(17) EIGHTIES FLICKS. “80s Sci-Fi Films Explored in Trailer For The Nostalgic Documentary In Search Of Tomorrow”GeekTyrant tells why it’s worth watching.

A new trailer has been released for the upcoming documentary In Search of Tomorrow, which taps into the nostalgia of the sci-fi films of the 80s. For any of you who grew up in the 80s and enjoyed these films, this is the kind of doc that you can truly appreciate.

The film comes from journalist and filmmaker David A. Weiner and it’s a “four-hour-plus retrospective of ’80s sci-fi movies featuring interviews with actors, directors, writers, SFX experts, and composers.” They have over 75+ interviews and there are a lot of stories and revelations that come to light….

(18) SPOILERS MAYBE? Anthony Mackie was on Colbert last night to discuss being the new Captain America and to marvel at a piece of The Falcon swag Colbert acquired. “’Humbling And Exciting’ – Anthony Mackie On Becoming Captain America”.

(19) COLBERT (ON FRESH AIR) TALKS ABOUT HIS INTRO TO SF & F. [Item by Daniel Dern.] Among other things. The SF stuff starts around minute 30, where he names a handful of authors that many Filers will know, including a few that you rarely hear in mainstream conversations, like A.E. Van Vogt  Also, how Joe Biden is arguably (my word not his or Terri’s) part of his “origin” story going from playing a character to being a (night show) host as himself. “Stephen Colbert On Missing His Live Audience And Making Comedy A Family Business” on NPR.

On why he turned to sci-fi and fantasy in his grief when his brothers and father were killed in a plane crash when he was a kid

Anything is possible [in fantasy stories]. Often it’s a young man who finds himself with extraordinary powers that he didn’t have at the beginning of the story. There’s a “chosen one” in fantasy stories. Often there’s a missing father figure — if they’re not just orphans outright. … I think being able to make  an alternate world where there are new rules, or the character who you identify with can make his own rules, maybe even bring back the dead or make things impossible possible … I think that’s related to being in a constant state of grief and anxiety and needing a place to be able to escape to.

[Thanks to John King Tarpinian, Mike Kennedy, JJ, BravoLimaPoppa, Martin Morse Wooster, IanP, Andrew Porter, Cat Eldridge, John Hertz, Daniel Dern, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Lenora Rose.]

Pixel Scroll 4/15/21 Pixel Dawns On MarbleScroll

(1) PAY THE WRITER. Adam Whitehead in “Disney and Alan Dean Foster approaching settlement on royalties” at The Wertzone brings promising news:

Foster does not go into details, but notes on his webpage.

“The irritating imbroglio with Disney, which you may have read about, is moving towards a mutually agreeable conclusion. A formal statement will be forthcoming.”

Hopefully the matter will now be resolved and Disney will agree to uphold their contractual obligations moving forwards with both Foster and all other impacted authors.

For background, see Cora Buhlert’s post “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference”.

(2) NO, THE REAL WRITER. The Guardian says the proceeds of a literary prize were ripped off by scammers: “Rathbones Folio prize paid £30,000 to scammers posing as the winner”. (Incidentally, they did make it good to the genuine winner.)

… Publishing industry magazine the Bookseller revealed on Wednesday that the Folio, which is awarded to the year’s best work of literature regardless of form, was scammed by “sophisticated cyber-criminals”. The scammers posed as the Mexican author [Valeria] Luiselli, who had won with her novel Lost Children Archive, and requested that the £30,000 payment be made through PayPal.

Minna Fry, the prize’s executive director, confirmed that the funds were lost and that “the police were informed at the time, as were key industry colleagues”.

“Our winner Valeria Luiselli was awarded her prize money in full, and the lost funds were absorbed by cost savings elsewhere,” she added.

The prize is run by a charity and is independent from its sponsor, Rathbone Investment Management. Fry said the investment firm “have supported us through this incident and helped us to put in place additional safeguarding measures”.

This is not the first time a book prize has been targeted by fraudsters. A spokesperson for the Baillie Gifford prize for non-fiction, worth £50,000, confirmed that it was also targeted in November, but no funds were paid.

“Someone emailed pretending to be the 2020 winner Craig Brown and asked us to pay the prize money via PayPal,” a spokesperson for the prize told the Bookseller…

(3) EXIT THE WAYFARER UNIVERSE. On the Imaginary Worlds podcast “Becky Chambers Goes Wayfaring”.

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next.

(4) WEB OF LIES. [Item by Olav Rokne.] Spider-Man co-creator Stan Lee casts an oversized shadow across comic book fandom. But arguments abound about how much credit he deserves for the various works he is purportedly behind. In a new deeply-researched biography True Believer, journalist Abraham Riesman looks at this iconic figure. It’s a terrific book that perhaps people should be considering for Best Related Work on *next year’s* Hugo ballot, and that the Hugo Book Club Blog reviewed this week:  “The Lies That Bind”.

There is a long tradition of fandom idolizing a certain variety of PT Barnum-style self-promoter. This tradition has come under much-needed scrutiny in the past decade thanks to works such as Astounding by Alec Nevala-Lee and The Pleasant Profession of Robert A. Heinlein by Farrah Mendelsohn. Abraham Riesman’s True Believer is a welcome addition to this critical reckoning.

(5) SPOTTED IN GOTHAM. Did you know François Truffaut took the robot dog out of his film of Fahrenheit 451 because there was no technology for the dog? Well, that future has just about arrived: “NYPD Deploys ‘Creepy’ New Robot Dog In Manhattan Public Housing Complex” in Gothamist.

… The remote-controlled bot was made by Boston Dynamics, a robotics company famous for its viral videos of machines dancing and running with human-like dexterity. (Versions of “Spot,” as the mechanical dog is known, can open doors, and are strong enough to help tow an 18-wheeler.)

Since October, the NYPD has dispatched the robot to a handful of crime scenes and hostage situations, raising fears of unwanted surveillance and questions about the department’s use of public dollars. The mobile dog, which comes equipped with automated sensors, lights, and cameras capable of collecting “limitless data,” is sold at a starting price of $74,000.

A spokesperson for the NYPD said the robot dog was on standby, but not used, during a domestic dispute at East 28th Street on Monday afternoon. After a man allegedly barricaded himself inside a room with a mother and her baby, officers showed up and convinced him to let them exit. The man was arrested for weapons possession, police said….

(6) MEDIA BIRTHDAY.

  • April 15, 1944 –On this day in 1944, The Monster Maker which was originally titled The Devil’s Apprentice premiered. It was directed by Sam Newfield and produced from a script written by by Sigmund Neufeld which was by Lawrence Williams, Pierre Gendron and Martin Mooney. It starred J. Carrol Naish, Talla Birell, Wanda McKay and Ralph Morgan. It was almost completely ignored by critics at the time and it currently holds an extremely low five percent rating on Rotten Tomatoes among audience reviewers. You can see it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 15, 1452 – Leonardo da Vinci.  One of our greatest neighbors.  Among his many drawings were things that could almost be made then; dreaming them up, and depicting them, took imagination very much like SF authors’ and illustrators’.  Here is a 500th-anniversary exhibit I made for Dublin 2019 the 77th Worldcon with high-tech graphics wizard Elizabeth Klein-Lebbink (shown as it appeared at Loscon XLVI later; scroll down past Rotsler Award photos).  (Died 1519) [JH]
  • Born April 15, 1908 – Howard Browne.  Edited Amazing and Fantastic; five novels, a dozen shorter stories for us, some under other names; also detective fiction; films, television.  More here.  (Died 1999) [JH]
  • Born April 15, 1933 Elizabeth Montgomery. She’s best remembered as Samantha Stephens on Bewitched. Other genre roles included being Lili in One Step Beyond’s “The Death Waltz” which you can watch here. She also had on every-offs in The Twilight Zone, Alfred Hitchcock Presents, and voicing a Barmaid in the “Showdown” episode of Batman: The Animated Series. (Died 1995.) (CE)
  • Born April 15, 1937  Thomas F. Sutton. Comic book artist who’s best known for his contributions to Marvel Comics and  Warren Publishing’s line of black-and-white horror magazines. He’s particularly known as the first artist of the Vampirella series. He illustrated “Vampirella of Draculona”, the first story which was written by Forrest J Ackerman. (Died 2002.) (CE)
  • Born April 15, 1938 – Unipán Helga, age 83.  (Personal name last, Hungarian style.)  Designed more than a hundred twenty books, many ours.  Here is The Antics of Robi Robot (in Romanian).  Here is an interior from the Jun 73 Korunk (“Our Age”).   Here is Orthopedic Hat.  Here is The Vicissitudes of a Brave Mouse.  Here is Calendar of Nature.  [JH]
  • Born April 15, 1941 – Mal Dean.  Six covers, twoscore interiors for us.  Particularly associated with Michael Moorcock and the graphic-art Jerry Cornelius.  Here is the Jun 69 New Worlds.  Here is “The Duke of Queens duels Lord Shark the Unknown” illustrating MM’s “White Stars”.  Here is the Nov 75 – Jan 76 Other Times.  Outside our field, jazz trumpeter & bandleader, illustrator; cartoonist.  Here is a posthumous artbook.  (Died 1974) [JH]
  • Born April 15, 1949 – Tim Bolgeo.  Uncle Timmy chaired LibertyCons 1-25, Chattacons 7-11.  Fan Guest of Honor at Con*Stellation III (not this one), DeepSouthCon 43, StellarCon 33, LibertyCon 32.  Four decades a fixture in fandom.  (Died 2019) [JH]
  • Born April 15, 1949  Sharan Newman, 72. Author of the most excellent Guinevere trilogy (GuinevereChessboard Queen and Guinevere Evermore), a superb reinterpretation of the Arthurian saga . They’re available at the usual digital suspects as is her superb Catherine LeVendeur medieval mystery series. Alas her SF short stories are not. (CE) 
  • Born April 15, 1966 – Cressida Crowell, age 56.  A dozen novels, particularly about How to Train Your Dragon (eleven million copies sold) and The Wizards of Once.  Illustrates many of her own books.  Blue Peter Book Award.  “Children are surrounded by adults who are VERY BOSSY.  They might not always mean to be bossy, and they have the best of intentions, but still.”  [JH]
  • Born April 15, 1974 Jim C. Hines, 47. Winner at Chicon 7 of the Best Fan Writer Hugo. Author of the Goblin Quest series which I’ve read at least two of and enjoyed. Same for his Magic ex Libris series. Yeah more popcorn reading. (CE) 
  • Born April 15, 1990 Emma Watson, 31. Hermione Granger in the Harry Potter film franchise which lasted an entire decade. She was Belle in Disney’s Beauty and the Beast, and the voice of Prince Pea in The Tale of Despereaux. (CE) 
  • Born April 15, 1997 Maisie Williams, 24. She made her professional acting debut as Arya Stark of Winterfell in Game of Thrones. She was Ashildr, a Viking woman of unique skills, the principal character of “The Girl Who Died”, during the time of Twelfth Doctor who would be back several times more. She was Wolfsbane in the Marvel film New Mutants. (CE) 

(8) COMICS SECTION.

(9) CLARION CALLS. The Clarion Science Fiction and Fantasy Writers’ Workshop, organized by the Arthur C. Clarke Center for Human Imagination at UC San Diego, is hosting the Winter Writers Series, a monthly series of conversations between Clarion alumni and instructors about the art of speculative fiction and their writing careers. These conversations, co-hosted by Mysterious Galaxy Bookstore, are presented via Zoom Webinars and are free and open to the public. Each conversation will include time for Q&A with the audience. The next is —

Speculative Horror

April 21, 2021, 5pm PT / 8pm ET (register here)

Join us for a conversation about ins and outs of writing modern horror with three astounding writers and Clarion alumni/instructors who terrify and unsettle us.

Jeffrey Ford is the author of the novels The PhysiognomyThe Girl in the GlassThe Portrait of Mrs. CharbuqueThe Shadow YearThe Twilight Pariah, and Ahab’s Return. His story collections are The Fantasy Writer’s AssistantThe Empire of Ice CreamThe Drowned LifeCrackpot Palace, and A Natural History of Hell.

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The EcstaticBig MachineThe Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including the World Fantasy Award, British World Fantasy Award, Bram Stoker Award, Whiting Writers’ Award, a Guggenheim Fellowship, Shirley Jackson Award, American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University.

Sam J. Miller is the Nebula-Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a best book of the year for Vulture, The Washington Post, Barnes & Noble, and more – and a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). A recipient of the Shirley Jackson Award and a graduate of the Clarion Writers’ Workshop, Sam’s work has been nominated for the World Fantasy, Theodore Sturgeon, John W. Campbell and Locus Awards, and reprinted in dozens of anthologies. A community organizer by day, he lives in New York City. His latest novel is The Blade Between.

(10) LEEDS LIBRARY ARTICLE ON E.R. EDDISON. The Secret Library / Leeds Libraries Heritage Blog profiles the author in “Novels That Shaped Our World: Life, Death and Other Worlds”.

…In 1922 he published his first and most notable fantasy work, The Worm Ouroboros. The Worm, a serpent or snake, derived from the old Norse, ormr. This he followed with three volumes set in the imaginary world first observed by the Lords Juss and Brandoch Daha as they gaze from the top of great mountain, Koshstra Pevrarcha in The Worm, Zimiamvia, known as The Zimiamvian trilogyMistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (published posthumously in 1958). His Icelandic sagas were: Styrbiorn the Strong (1926) and his much admired translation of Egil’s Saga (1930).

In 1963 almost twenty years after Eddison’s death his late wife, Winifred Grace, and his close friend and literary executor, Sir George Rostrevor Hamilton deposited into the care of the special collections of the Leeds Central Library the vast majority of Eddison’s manuscript works….

(11) LIVE OCTOTHORPE. Big doings by John Coxon, Alison Scott and Liz Batty on the Octothorpe podcast.  Listen to Episode 29 here — “Ode to Badger”.

John is not Chris Garcia, Alison is full of beans, and Liz is T. S. Eliot. We handle letters of comment and then spend an hour talking about ConFusion in a BUMPER EPISODE.

You also are invited to join them for Octothorpe Live on 25 April – either join the Facebook group here or email them at [email protected] for the Zoom link!

(12) VIDEO OF THE DAY. “Zack Snyder’s Justice League/Trilogy” on YouTube is HBO Max’s repackaging of Man Of Steel, Batman v. Superman, and Zack Snyder’s Justice League into a trilogy.

[Thanks to Edd Vick, Bruce D. Arthurs, John King Tarpinian, Martin Morse Wooster, JJ, StephenfromOttawa, Cat Eldridge, James Davis Nicoll, Steven French, Michael Toman, John Hertz, Olav Rokne, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/21/20 I Saw Mommy Kzin Santa Claus

(1) BAKE AND SHAKE. Fan Dave Rowe, who lives on the Big Island, reassured his friends today:

Last night (Sunday 20th) Halema’uma’u magma chamber caused an eruption at Kilauea Volcano (it’s already stopped), that’s about twenty miles from here, and an hour later there was an earthquake which we experienced.  No damage to us or our home. The lava flow went south-west, well away from us.

(2) PAY THE WRITER, REDUX. Inside the Magic, which specializes in covering Disney properties, quotes a less intransigent response to the unpaid royalty issue raised by Alan Dean Foster, SFWA, and others than the company originally gave:  “More Writers Report Missing Royalty Payments From Disney”.

…Disney initially responded by saying that it purchased the rights of the novels when it acquired the parent properties Lucasfilm and 20th Century and no longer needed to pay royalties. But a Disney spokesman has since come forward, and said, “We are carefully reviewing whether any royalty payments may have been missed as a result of acquisition integration and will take appropriate remedial steps if that is the case.”

While the royalty payments are expected to be a small percentage of Disney’s profits — especially with Lucasfilm’s properties — the more daunting task appears to be calculating how much Disney owes its writers over the past six years. That requires tracking down the sales of every book under every author’s name in every market around the world.

Foster’s agent estimates that he “had made more than $50,000 in royalties on the original Star Wars novelization alone before the checks stopped in 2012.”…

(3) ISS MAS. The stockings were hung by the bulkhead with care. “Starry Night: A History of Celebrating Christmas in Space” at Mental Floss.

…No American had an overlapping space mission with Christmas again until 1996, when John Blaha was on board Russia’s Mir space station. Blaha and the crew received a delivery from the Progress spacecraft, which was full of presents, cards, and food. “It was a shining star, rising toward us at great speed from beneath the horizon,” Blaha later recalled of the Progress. “All of a sudden, the light from the Progress extinguished as we passed into the shade of the Earth. Five seconds later, four lights on the Progress were turned on. I watched the remainder of the rendezvous through a tiny window in the aft end of the Kvant module.”

Opening the packages from Progress, he added, was “like Christmas and your birthday, all rolled together, when you are 5 years old.” What might become routine to Earthbound observers took on a new and special meaning in the vastness of space.

(4) DEGREE OF DIFFICULTY. Cliff sent me the link to “Goodreads’ 200 Most Difficult Novels”. I’m no fan of difficult novels, which accounts for my score of 13 read. In contrast, Cliff scored 45/200. But should any Neil Gaiman novel be on a “most difficult” list, let alone half a dozen of them? It’s also not clear what Stephen Hawking’s A Brief History of Time is doing on a list of novels although I shouldn’t complain, since I got a point for reading it.

(5) ET BLOWN HOME. [Item by James Davis Nicoll.] From a paper at arXiv.org: Model suggests absence of ET is one part we’re late to the party, one part we’re in the wrong neighborhood, and one part most technological species kill themselves off comparatively quickly. “A Statistical Estimation of the Occurrence of Extraterrestrial Intelligence in the Milky Way Galaxy”.

In the field of Astrobiology, the precise location, prevalence and age of potential extraterrestrial intelligence (ETI) have not been explicitly explored. Here, we address these inquiries using an empirical galactic simulation model to analyze the spatial-temporal variations and the prevalence of potential ETI within the Galaxy. This model estimates the occurrence of ETI, providing guidance on where to look for intelligent life in the Search for ETI (SETI) with a set of criteria, including well-established astrophysical properties of the Milky Way. Further, typically overlooked factors such as the process of abiogenesis, different evolutionary timescales and potential self-annihilation are incorporated to explore the growth propensity of ETI. We examine three major parameters: 1) the likelihood rate of abiogenesis ({\lambda}A); 2) evolutionary timescales (Tevo); and 3) probability of self-annihilation of complex life (Pann). We found Pann to be the most influential parameter determining the quantity and age of galactic intelligent life. Our model simulation also identified a peak location for ETI at an annular region approximately 4 kpc from the Galactic center around 8 billion years (Gyrs), with complex life decreasing temporally and spatially from the peak point, asserting a high likelihood of intelligent life in the galactic inner disk. The simulated age distributions also suggest that most of the intelligent life in our galaxy are young, thus making observation or detection difficult.

(6) GILER OBIT. David Giler, who won a Hugo as the producer of Aliens, died on October 19 in Bangkok, from cancer. Deadline recaps his career. These are just a few of his genre credits —

…Giler’s screenwriting credits include The Parallax View (1974), Fun With Dick And Jane (1977) and The Money Pit (1986). He has writing or story credits for both Aliens (1986) and Aliens 3 (1992), and was a producer of the original Alien (1979) and its seven sequels, up to 2017’s Alien: Covenant (though his and Hill’s involvement lessened in the later sequels).

…In television, Giler wrote scripts for ’60s series Burke’s Law, The Man From U.N.C.L.E. and The Girl From U.N.C.L.E. In 1970, at 25 years old, Giler took on Gore Vidal’s Myra Breckinridge, his battles with director Michael Sarne becoming nearly as infamous as the legendary Raquel Welch-Rex Reed flop itself. One significant outlier: Vidal himself, who praised Giler’s original draft and became a lifelong friend….

(7) MEDIA BIRTHDAY.

  • December 21, 1937 –On this day 83 years ago, Walt Disney released Snow White and the Seven Dwarfs, one of the earliest full-length animated films. It premiered at the Carthay Circle Theatre in Los Angeles, California. It was the first full-length cel animated feature film and the earliest Disney animated feature film.  It was a critical and commercial success and, with international earnings of more than eight million dollars during its initial release, (compared to its 1.5 million dollar budget), it briefly held the record of highest-grossing sound film at the time.  He took out a mortgage on his house to help finance the film. 

(7b) MEDIA ANNIVESARY.

1958 — At Solacon in South Gate, California, the first Hugo for Outstanding Movie would be awarded. It would go to Richard Matheson for The Incredible Shrinking Man, a Universal Film which had premiered the previous year for which he had written the screenplay based off his novel The Shrinking Man. It had been published by Gold Medal Books / Fawcett two years previously in paperback for thirty five cents. It would be his only Hugo. 

(8) TODAY’S DAY.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 21, 1892 – Dame Rebecca West.  Immortal for Black Lamb and Grey Falcon (1941; get an edition with her husband’s photos), she wrote us a novel and two shorter stories.  Feminist and idiosyncratic.  (Died 1983) [JH]
  • Born December 21, 1898 – Hubert Rogers.  One of our greatest artists, whom we naturally honored with not one Hugo or Chesley.  Five dozen covers, three hundred interiors.  Here is the Aug 40 Astounding.  Here is the Aug 49.  Here is the Jan 52.  Here is The Man Who Sold the Moon.  Here is an interior for “Children of the Lens”.  See Di Fate’s treatment in Infinite Worlds.  (Died 1982) [JH]
  • December 21, 1929 James Cawthorn. An illustrator, comics artist and writer who worked predominantly with Michael Moorcock. He had met him through their involvement in fandom. They would co-write The Land that Time Forgot film, and he drew “The Sonic Assassins” strip which was based on Hawkwind that ran in Frendz. He also did interior and cover art for a number of publications from the Fifties onwards including (but not limited to) Vector 3New Worlds SFScience Fantasy and Yandro. (Died 2008.) (CE) 
  • December 21, 1937 Jane Fonda, 83. I’m sure everyone here has seen her in Barbarella. Her only other genre appearances are apparently by voice work as Shuriki in the animated Elena of Avalor series, and in the Spirits of the Dead, a 1968 anthology film based on the work of Poe. She was the Contessa Frederique de Metzengerstein in the “Metzengerstein” segment of the film.  (CE) 
  • December 21, 1943 John Nance. Let’s just say he and David Lynch were rather connected. He’s Henry Spencer in Eraserhead, he had a small role as the Harkonnen Captain Iakin Nefud in Dune and he’s Pete Martell in Twin Peaks. He had a supporting role as Paul, a friend of Dennis Hopper’s villain character in Blue Velvet but even I couldn’t stretch that film to be genre adjacent. (Died 1996.) (CE)
  • Born December 21, 1944 – James Sallis, age 76.  For us a novel, a hundred twenty shorter stories, half a dozen poems, a hundred book reviews in The Magazine of Fantasy & Science Fiction, a stint co-editing New Worlds, two anthologies, Ash of Stars on Samuel Delany; also crime fiction (Grand Prix de Littérature policière, Hammett Award, Bouchercon lifetime achievement award), music including as a teacher and musicologist, translator e.g. Queneau’s Saint Glinglin.  [JH]
  • Born December 21, 1946 – Lenny Bailes, age 74.  San Francisco Bay Area fan, ornament (that’s applause, Lenny) to FAPAOMPASFPA.  Fanzines Ink Gun BluesWhistlestar.  Guest of Honor at Minicon 35.  [JH]
  • December 21, 1948 Samuel L. Jackson,  72. Where to start? Did you know that with his permission, his likeness was used for the Ultimates version of the Nick Fury? It’s a great series btw. He has also played Fury in the Iron ManIron Man 2, Thor, Captain America: The First AvengerThe AvengersCaptain America: The Winter SoldierAvengers: Age of Ultron and Avengers: Infinity War and showed up on Agents of S.H.I.E.L.D. too! He voiced Lucius Best (a.k.a. Frozone) in the Incredibles franchise, Mace Windu in The Phantom Menace and The Clone Wars, the Afro Samurai character in the anime series of the same name and more other genre work than can be listed here comfortably so go ahead and add your favorite role by him. (CE) 
  • Born December 21, 1963 – Mandy Slater, age 57.  A dozen short stories.  Interviewed Bob Eggleton for Secret City.  Worked on Program Ops (or “Oops”) at candidate-for-best-ever-Worldcon (the 47th) Noreascon 3.  [JH]
  • December 21, 1966 Michelle Hurd, 54. She currently portrays Raffi Musiker in Picard. (I weirdly thought she’d been on Trek before but she hadn’t.) She was in a twenty year old Justice League of America pilot as B.B. DaCosta / Fire, and one-offs in Beyond Belief: Fact or FictionLeap YearsCharmedFlashForward, and Witches of East End. She had recurring roles inAsh vs. Evil Dead as Linda Bates Emery and Daredevil asSamantha Reyes. (CE) 
  • December 21, 1966 Kiefer Sutherland, 54. My he’s been in a lot of genre undertakings! I think that The Lost Boys was his first such of many to come including FlatlinersTwin Peaks: Fire Walk with MeThe Three Musketeers, voice work in Armitage: Poly-MatrixDark City, more voice work in The Land Before Time X: The Great Longneck Migration, Marmaduke and Dragonlance: Dragons of Autumn TwilightMirrors, and yes, he’s in the second Flatliners as a new character. (CE)
  • Born December 21, 1982 – Eliza Wheeler, age 38.  Author and illustrator.  Here is Doll Bones.  Here is The Left-Handed Fate.  Here is “Sky Sailing”.  Here is Cornelius the Grudge Keeper.  In this interview after winning the SCBWI (Soc. of Children’s Book Writers & Illustrators) portfolio-showcase grand prize she shows how she built a picture and includes a few others like this.  [JH]

(10) COMICS SECTION.

  • Brewster Rockit’s idea for a 2020 holiday souvenir makes me think the strip should have ended with someone keeling over and saying, “Rosebud.”

(11) THE BURBANK LETTERS. At Black Gate, Bob Byrne reacquaints fans with Groucho Marx’s “The Casablanca Letters”. (And for a much fuller explanation, consult Snopes.)

I think that Groucho Marx was one of the funniest men who ever lived. And I laugh out loud a the movies he made with his brothers. Well, most of them, anyways. I strongly recommend his book. The Groucho Letters. When word was making the rounds around 1944 that the boys were going to make a movie called A Night in Casablanca, Warner Brothers threatened legal action.…

(12) ALIAS MOOSE AND SQUIRREL. The Smithsonian Magazine explores “How Bullwinkle Taught Kids Sophisticated Political Satire”.

Mr. Chairman, I am against all foreign aid, especially to places like Hawaii and Alaska,” says Senator Fussmussen from the floor of a cartoon Senate in 1962. In the visitors’ gallery, Russian agents Boris Badenov and Natasha Fatale are deciding whether to use their secret “Goof Gas” gun to turn the Congress stupid, as they did to all the rocket scientists and professors in the last episode of “Bullwinkle.”

Another senator wants to raise taxes on everyone under the age of 67. He, of course, is 68. Yet a third stands up to demand, “We’ve got to get the government out of government!” The Pottsylvanian spies decide their weapon is unnecessary: Congress is already ignorant, corrupt and feckless.

(13) ONE TO BEAM DOWN. In the Washington Post, Dalvin Brown discusses “immersive technology start-up Blank XR,” which plans to use virtual reality to beam holograms of performers into people’s homes, thanks to a $3500 headset that “projects 3-D images that respond to your voice and gestures” so you can immerse yourself in a concert at home. “BLANK XR has plans for mixed-reality concert platform”.

…Live-streaming performances and music downloads brought in some revenue, but those experiences aren’t as captivating or money-generating as in-person concerts. That’s where innovative tech offerings like holograms and personalized digital concerts fit in, according to Denise White, CEO of BLANK XR and former director of direct-to-consumer technologies at the Walt Disney Company.

“From our point of view, the new normal is holographic,” White said. “What that will enable you to do is put on a headset and actually have a conversation with your favorite artists.”

Digitizing musicians and capturing their likeness involves a two-step process…

(14) SOME RARE GOOD NEWS. And are you ready to hear it? “Holiday Special with Dwayne Johnson: Some Good News with John Krasinski”.

John Krasinski highlights some good news around the world, including weather from George Clooney, a message from Justin Timberlake, and John’s friend Dwanta Claus, aka Dwayne Johnson, joins to spread some holiday cheer for the end of 2020.

(15) VIDEO OF THE DAY. Ryan George, in “TENET Pitch Meeting” on ScreenRant, says that TENET “is so confusing and hard to hear that people will have to see it several times” to figure out what the film is all about.

[Thanks to Michael Toman, Trey Palmer, JJ, Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, John King Tarpinian, Stephen H Silver, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/8/20 Who’s Going To Sing If You Don’t Have Emperors?

(1) PRESCIENT PANDEMIC PROSE PRAISED. [Item by Olav Rokne.] In a thoughtful and in-depth piece about plague-related fiction, Joelle Renstrom (@couldthishappen) of Slate Magazine explores how Connie Willis’ 1992 Hugo Winner Doomsday Book seems particularly relevant in 2020. “Doomsday Book, the 1992 time-travel novel that sheds light on today’s pandemic”.

Doomsday Book—whose name is a nod to the Domesday Book, a 1086 survey commissioned by William the Conqueror—features two protagonists who try to stop the spread of deadly contagions 700 years apart. In the 2054 timeline of Doomsday Book, there are no cellphones, but thanks to a complex machine called the “net,” time travel exists. The net prevents time travelers from altering history, so its main use is for historians conducting research. In Oxford, England, history professor Dunworthy sends an undergraduate researcher back in time to what he thinks is 1320. Afterward, the time travel device technician who helped send the student back in time falls seriously ill with an unknown virus. The very night he is hospitalized, public health workers begin tracking down his primary and secondary contacts and researchers begin sequencing the virus. In this future, there are governmental and scientific systems in place to respond rapidly to a new contagion. Indeed, that’s the easier part. Willis underscores a poignant truth, particularly for contemporary readers:  A pandemic’s true toll is determined not by doctors and politicians, but by everyone else.

(2) IMAGINING LIFE ON OTHER WORLDS. Alien Worlds Season 1 is streaming on Netflix.

Applying the laws of life on Earth to the rest of the galaxy, this series blends science fact and fiction to imagine alien life on other planets.

(3) VOTER FAVORITE. Congratulations to Mikki Kendall whose Hood Feminism placed second in the Best Nonfiction category of the 2020 Goodreads Choice Awards.

(4) FANS SKEPTICAL ABOUT FUNDRAISING FOR TOLKIEN HOUSE. The UK’s Tolkien Society says they don’t support the Project Northmoor charity which is raising money to buy J.R.R. Tolkien’s Oxford house. The Society’s “Statement on Project Northmoor” lists concerns —

…As a leading Tolkien organisation, the Trustees considered whether Project Northmoor would help achieve the Society’s objective to educate the public in, and promote research into, the life and works of J.R.R. Tolkien. The Trustees unanimously concluded that it did not.

The Trustees’ specific concerns include that:

  • Project Northmoor’s two-page plan lacked sufficient detail;
  • No prominent members of the Tolkien community – be they writers, academics, artists etc – are directors of the company, or are named as running the project;
  • This would not be a museum and would not be open to the public;
  • Project Northmoor’s primary intention appears to be to run creative workshops, rather than educational programmes about Tolkien;
  • Project Northmoor’s plan includes spiritual retreats, which falls outside the scope of the Society’s objective;
  • Their business model includes running a bed and breakfast, with a full-time resident warden;
  • The property itself is a listed building in a conservation area – with a blue plaque proudly showing its connection to Tolkien – meaning the property is well protected under the law and not in need of rescue;
  • The relationship between the US and UK organisations appeared unclear; and
  • As a new organisation – Project Northmoor having only existed for a month – it is difficult to assess their ability, capability, and capacity to deliver the project successfully.

The Trustees wanted to provide this transparency of their conversation for the benefit of the Tolkien community. The Trustees – as is their legal duty under the law in England and Wales – were considering the best interests of the charity and whether it achieved the charity’s objective. For the above reasons they felt it did not.

(5) 55 YEARS AGO THIS WEEK. Mx. Kris Vyas-Myall helps Galactic Journey readers navigate the New Wave: [DECEMBER 4, 1965] A SIGN OF THE TIMES (MICHAEL MOORCOCK’S BOOKS OF 1965).

Across Britain, there has been a recent explosion of road signage. These are designed to establish safer traffic rules and to give people direction on how to use the area who would otherwise be unfamiliar. The one flaw with this is most people are confused as to what they mean….

Pedestrians do not fare much better. Only a small fraction knew that a white bar on a red circle means no entry, with many believing it meant something different, such as a pedestrian crossing.

This responses to the signage is similar to the relationship between science fiction readers and the new wave. For some they are stories full of meaningless symbols that go nowhere, for others it is an essential step in moving science fiction forward. And right at the centre of the new wave is Michael Moorcock.

In spite of being only 25 years old, Moorcock is one of the core figures in British science fiction. He previously edited both Tarzan Adventures and The Sexton Blake Library before taking over New Worlds magazine last year. For the last 5 years he has been a regular contributor to Carnell’s trio of magazines and has published books before such as The Stealer of Souls.

(6) ESSENCE OF WONDER. “For the Love of litRPG” is the theme of this week’s Essence of Wonder With Gadi Evron. Scheduled for Saturday, December 12 at 3 p.m. Eastern. Register at the link.

For an episode celebrating litRPG, a hugely successful genre ruled by indie authors, joining Gadi and Karen will be Shemer Kuznits, Avi Freedman, John Dodd, Avril Sabine, and Storm Petersen.

From what makes litRPG tick and our favorite authors, to the weird tropes hidden within, we fully intend to geek out.

(7) #DISNEYMUSTPAY. YouTuber Daniel Greene interviewed Alan Dean Foster and Mary Robinette Kowal about the #DisneyMustPay issue. Some interesting updates, including SFWA President Kowal confirming that Alan Dean Foster is not the only author affected. 

(8) YEAGER OBIT. Aviator Chuck Yeager (1923-2020) died December 7. The LA Times profiled the first man to break the sound barrier.

Chuck Yeager

After test pilot Chuck Yeager became the first man to break the sound barrier, he confessed to the highly un-Yeager-like emotion of fear.

“I was scared,” he wrote in a memoir, “knowing that many of my colleagues thought I was doomed to be blasted to pieces by an invisible brick wall in the sky. But I noticed that the faster I got, the smoother the ride. Suddenly, the Mach needle began to fluctuate, then tipped right off the scale.”

For 18 seconds on Oct. 14, 1947, Yeager was supersonic — a feeling he later likened to “a poke through Jell-O.” The achievement made Yeager an aeronautic legend — “the foremost in the Olympus,” according to author Tom Wolfe, “the most righteous of all the possessors of the right stuff.”…

NASA Administrator Jim Bridenstine issued a statement that concludes: “His path blazed a trail for anyone who wanted to push the limits of human potential, and his achievements will guide us for generations to come.”

(9) WALTER HOOPER OBIT. Walter Hooper (1931-2020). a literary advisor of the estate of C.S. Lewis, died December 7 of COVID-19. He served briefly in 1963 as C.S. Lewis’s private secretary prior to Lewis’s death, and became a custodian of Lewis papers and editor of his works. Joseph Loconte profiled him for National Review: “Remembering Walter Hooper: C.S. Lewis Expert Brought Author’s Work to World”.

…Hooper never tired of drawing attention to Lewis’s talent for making Christian thought persuasive to the layman. In his encyclopedic book C.S. Lewis: Companion and Guide, Hooper relates how Lewis gained national attention for his BBC broadcasts defending Christianity during World War II, receiving many speaking invitations. He engaged with fellow dons, members of the Royal Air Force, factory workers, and university students. “It was partly due to this varied experience,” Hooper writes, “that he came to see why the professional theologians could not make Christianity understandable to most people.” In the Protestant tradition to which he belonged (the Anglican Church), Lewis combined reason and imagination to translate the gospel into terms everyone could grasp.

“At times it embarrassed me, when Lewis was talking about God, that I hardly believed in the same way that he did,” Hooper told me. In this case, admiration generated a lifelong calling: What Christopher Tolkien achieved in excavating the work of his famous father, Walter Hooper accomplished for C.S. Lewis. At a recent conference in Slovakia, Hooper was asked to explain why he invested so much of his life quietly serving someone else’s legacy. He did not hesitate in answering: “I said, ‘It’s been wonderful. I wish to God I could do it all again.’”

(10) MEDIA ANNIVERSARY.

  • In 1982, Shadows of Sanctuary, the third Thieves’ World as edited by Robert Lynn Asprin, and published by Ace Books, wins the Balrog Award. It was not the first nominated as both Thieves’ World, the first anthology, and Tales from the Vulgar Unicorn, the second anthology, were also nominated. The Balrogs which were given out from 1979 to 1985  were created by editor Jonathan Bacon in Issue #15 of Fantasy Crossroads and first presented at the Fool-Con II convention on April Fool’s Day, 1979.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 8, 1861 Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.) (CE) 
  • Born December 8, 1894 – James Thurber.  The 13 ClocksThe Wonderful OThe White Deer are fantasy, supposedly but not necessarily for children.  The Last Flower seems to be science fiction.  What are we to make of his seventy-five “Fables for Our Time” – are they fantasy?  “The Rabbits Who Caused All the Trouble”?  “The Owl Who Was God”?  In “The Unicorn in the Garden” there really is a unicorn but denying it is wiser.  “If Grant Had Been Drinking at Appomattox” is a spoof of alternative history.  What of his cartoons?   In any event, his particular subtle, almost sour humor excels. (Died 1961) [JH]
  • Born December 8, 1894 E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.)  (CE) 
  • Born December 8, 1917 – James Taurasi.  A founder of fandom.  Attended the 1938 Philadelphia Conference.  One of the “triumvirate” (with Moskowitz and Sykora) who produced Nycon I the first Worldcon.  Ran “Fandom’s Corner” in Super Science Stories.  His Fantasy Times, later Science Fiction Times, won the 1955 & 1957 Best-Fanzine Hugo.  Big Heart (our highest service award). (Died 1991) [JH]
  • Born December 8, 1930 – John Morressy.  A score of novels, eighty shorter stories, some dark, some light-hearted.  In fantasy, Kedrigern is a reluctant wizard first shown as an adult, then prequels of his youth.  In science fiction, Nail Down the Stars and two more paint the same interstellar intrigue from three viewpoints while none sees the whole.  Professor of English at Franklin Pierce College.  (Died 2006) [JH]
  • Born December 8, 1939 Jennie Linden, 81. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well. (CE)
  • Born December 8, 1950 Rick Baker, 70. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London.  So what else is he known for? Oh, I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The ExorcistStar WarsThe Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version. (CE)
  • Born December 8, 1951 Brian Attebery, 69. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. (CE) 
  • Born December 8, 1954 Rebecca Neason. She wrote a Next Generation novel, Guises of The Mind,  plus several Highlander novels, and two fantasy novels; her widower says one novel went unpublished. She was a regular panelist at conventions in the Pacific Northwest. Jim Fiscus has a remembrance here. (Died 2010.) (CE) 
  • Born December 8, 1964 – Genevieve Graham, age 56.  First studied to be an oboe player; began writing after age 40.  Now devoted to Canadian historical fiction.  Two novels for us, four others.  Has read Charlotte’s WebHuckleberry FinnNineteen Eighty-Four.  [JH]
  • Born December 8, 1966 – Anthony Lewis, age 54.  Illustrator.  Three hundred children’s books; also advertising, design & editorial.  Here are the cover and two interiors for The Owl Tree.  Here are the cover and two interiors for Why Do Stars Come Out at Night?  Here is an interior for Why I Can’t See the Wind.  Here is his image for Follow the Reader posters, bags, bookmarks.  [JH]
  • Born December 8, 1982 – Elizabeth Miles, age 38.  Three novels, six covers.  Here is one, Moon Window.  [JH]

(12) COMICS SECTION.

(13) MONOLITHS PROLIFERATING. Birds do it. Bees do it. Even men with stainless steel do it: “California Men Declare Themselves Makers of Pine Mountain Monolith” says the New York Times. And there are two other new ones.

For the first time, someone has taken credit for erecting one of the monoliths that have popped up in the last few weeks, riveting the world.

A group of four artists and fabricators unveiled themselves on Saturday as the creators of the stainless-steel curiosity that was placed atop Pine Mountain in Atascadero, Calif., on Tuesday — and shared a YouTube video of a newly made replacement going up after some young men unceremoniously toppled the original and put a cross in its spot, livestreaming themselves in the process.

“We intended for it to be a piece of guerrilla art. But when it was taken down in such a malicious manner, we decided we needed to replace it,” Wade McKenzie, one of the California monolith’s creators, said in an interview Sunday evening.

The news of the origins of the monolith was first reported by the website YourTango.

McKenzie said he built the three-sided steel structure with the help of his friend Travis Kenney, Kenney’s father, Randall, and Jared Riddle, a cousin of Travis Kenney.

Early Friday morning, another shiny steel tower was discovered in downtown Las Vegas under the Fremont Street Experience, a five-block entertainment district in the city’s casino corridor.

And yet another was found Saturday morning in Los Padres National Forest by campers at a site about 100 miles southeast of the one in Atascadero, The San Luis Obispo Tribune reported. According to the Tribune, the Los Padres monolith has “Caution” written in red letters at the top and features an image of a U.F.O. The creators of the Atascadero monolith told the news outlet on Sunday that they had not placed the monolith there.

(14) THE ROCKETS OF ‘65. In Episode 42 of the Two Chairs Talking podcast, Perry Middlemiss and David Grigg discuss the fine art of tsundoku and then fire up the Hugo Time Machine yet again to return to the year of 1965, when Fritz Leiber’s “The Wanderer” won Best Novel Hugo. “Life, the Universe, and Everything”.

(15) FROM THE ARCHIVES. See a unique 1997 television production of Rodgers & Hammerstein’s Cinderella on YouTube.

Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. At the ball, she falls for handsome Prince Christopher (Paolo Montalban), whose parents, King Maximillian (Victor Garber) and Queen Constantina (Whoopi Goldberg), are anxious for him to find a suitable paramour.

(16) WRITING WITH AI. “What’s it like to write a book with an A.I.?” at Slate is an interview with K Allado McDowell.

What is it like to write with GPT-3, the latest language model neural network artificial intelligence system created by Open AI? Clarke Center Assistant Director Patrick Coleman interviewed K Allado McDowell, writer, researcher, and co-author of Pharmako-AI, the first book co-written with GPT-3, for Slate’s Future Tense series. For anyone interested in the nature of artificial intelligence as a model for human intelligence (and imagination) or the use of AI to create art and provoke new lines of thinking, Allado-McDowell’s provocative insights point to new approaches.

(17) SPEAKING OF ROBOTS. Calling Ursula K. Le Guin!

(18) VIDEO OF THE DAY. Epic Rap Battles of History has updated. This time, it’s “Harry Potter vs Luke Skywalker”, done entirely in Lego.

[Thanks to John Hertz, Olav Rokne, Cora Buhlert, Mike Kennedy, John King Tarpinian, JJ, Martin Morse Wooster, Michael Toman, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 11/23/20 Not One Of These Pixels Will Scry For Me

(1) YOU CONTROL THE HORIZONTAL, YOU CONTROL THE VERTICAL. Adam Whitehead has commentary on the newly announced 2021 Best Video Game Hugo in “Hugo Awards add a video game category for 2021” at The Wertzone. Includes a list of eligible prospects.

…Many, if not most, video games fall into the science fiction or fantasy. Seven years ago, I made a post about video games that engage with their SFF themes in a bit more detail (it’s probably about time I did a follow-up). With video games having been commercially available for forty-five years, and having been more popular than either the film or music mediums for more than twenty years, it is probably past time this move was made. I suspect far more people voting in the Hugos have played an eligible video game in any given year than have read a semiprozine or read a novelette, for example.

Assuming normal rules of eligibility, the following video games would be among those eligible for the award in 2021…

For the announcement, see File 770’s post “Ready Nominator One: Best Video Game Special Hugo Award Category Announced for 2021”.

(2) UNDERAPPRECIATED ARTWORK. Doug Ellis has launched a new series on the art of the Science Fiction Book Club’s bulletin Things to Comeat Black Gate: “The Art of Things to Come, Part 1: 1953-1957”.

… Like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I discovered the wonder of science fiction digests.

I remember the bulletin of the SFBC, Things to Come, arriving in our mailbox every month, and eagerly perusing the offerings to see if I wanted grab any of the featured selections or alternates, or something from the backlist. The SFBC purchase I most vividly recall reading was the Isaac Asimov edited anthology, Before the Golden Age, which was filled with great stories as well as fascinating biographical material by Asimov on his early days as a fan. Other favorite volumes include Leigh Brackett’s The Book of Skaith, Damon Knight’s Science Fiction of the Thirties and The Futurians, Frederik Pohl’s The Early Pohl, Frank Herbert’s Duneseries and Edgar Rice Burroughs’ Mars books, among many others. I remained a member through college before finally letting my membership lapse.

One of the benefits of being a member of the SFBC was receiving their bulletin, Things to Come. While the art inside sometimes just reproduced the dust jacket art, in many cases the art was created solely for the bulletin, and was not used in the book or anywhere else. Because one can never collect enough things, I gradually started collecting back issues of Things to Come for the art, particularly for the art of Virgil Finlay which began appearing in the bulletin in 1959. In 2005, I gathered those Finlay illos from the bulletins that I’d collected and published a small press booklet, Virgil Finlay: The Art of Things to Come.

(3) CONSENSUS 2019 HIGH FANTASY. [Item by Eric Wong.] Rocket Stack Rank has posted its annual Outstanding High Fantasy of 2019, with 35 stories that were that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction.

Included are some observations obtained from highlighting specific recommenders and pivoting the table by publication, author, awards, year’s best anthologies, and reviewers.

As for RSR, we recommended 13 stories (2 award worthy), were neutral on 17 stories, and only recommended against 5 stories (view by RSR rating).

(4) STATE OF THE ART. “Sci-fi’s Elizabeth Bear on Diversity, Mental Health, and Queers in Space” in a wide-ranging PopMatters interview.

…Bear is attentive to gender diversity in her work, incorporating not only female-identified protagonists but also gender fluid and non-binary characters. Given the fuss that contemporary politicians still make against efforts to render public discourse more inclusive in that respect, Bear’s efforts are especially useful in revealing how easy and natural the incorporation of non-binary pronouns and ideas can be. (See “Can a Bill Have a Gender? Feminine Wording Exposes a Rift”, by Christopher F. SchuetzeThe New York Times, 15 October 2020.)

“The first author who I ever consciously was aware of putting a non-gendered character into their books was Vonda McIntyre in Dreamsnake [1978]. Vonda did it by just never using pronouns for that character. I didn’t realize it until the third or fourth time I reread the book! I went like, ‘Wait a minute. Oh!’

“And then I started thinking about that. I have friends who identify as non-binary, I have trans friends, and it’s just common politeness. It’s like using somebody’s preferred form of their name. I mean obviously everybody makes mistakes, sometimes you don’t know what a person’s pronouns are. I’ve been trying to default to neutral pronouns until I know what the preferred ones are, which also offends some people, but you got to pick a hill to die on, I guess. Again, it’s a thing that just reflects the world as it is, rather than reflecting the world through a series of stereotypes that we’ve been told to expect as normal.

“I grew up in a queer family, steeped in the queer culture of the 1980s which was very gendered and not particularly trans-friendly, so I guess I started interrogating a lot of that at an earlier age than a lot of my peers. The first time I was consciously aware of having a friend who was trans was in my mid-twenties, I had a friend who transitioned. The thing happened that I think happens to everyone when a friend comes out to them–they realize that it’s not a big deal. I mean you can be a horrible bigot and make it a big deal, but that person is still your friend, or your relative, or your child, or your parent, or whatever it is that they are.

“What I realized at that point was that we as a culture were incredibly hung up on gender and enforcing gender stereotypes on people. This would have been in the mid-’90s, when everything was frickin’ pink and blue. In the ’70s and ’80s, when I was a kid, stuff was much less gendered. Everybody played with the same Legos and the same Lincoln Logs. There were some girl toys and some boy toys, but mostly there were just toys. By the time my friends were having kids, it was all either girl toys or boy toys. So that extreme gendering of things–it’s a natural reaction to push back against that.

“The real strength of my generation of science fiction writers, and the current generation of science fiction writers…is that we are much more diverse. And much more global. A lot of that is technology, obviously. I can text a friend in Paris, France and have an hour-long conversation with them for free and only pay for it by putting up with advertising, you know? So those connections are much stronger. That diversity of voices is incredibly, incredibly useful and is creating a much broader and more heterogeneous field than we previously had.”

(5) ALSO SPRACH UTAH. “Helicopter pilot finds ‘strange’ monolith in remote part of Utah”Yahoo! News has the story.

A mysterious monolith has been discovered in a remote part of Utah, after being spotted by state employees counting sheep from a helicopter.

The structure, estimated at between 10ft and 12ft high (about 3 metres), appeared to be planted in the ground. It was made from some sort of metal, its shine in sharp contrast to the enormous red rocks which surrounded it.

…Hutchings said the object looked manmade and appeared to have been firmly planted in the ground, not dropped from the sky.

“I’m assuming it’s some new wave artist or something or, you know, somebody that was a big 2001: A Space Odyssey fan,” Hutchings said.

(6) AI AI OH! [Item by Martin Morse Wooster.] In the November 14 Financial Times, Tom Faber profiles multimedia artist Lawrence Lek, whose work includes sf tropes.

The first film in the (Sinofuturism) series was showing that night (in 2017) at Corsica Studios.  Made in 2016, Sinofuturism (1839-2046 AD) draws parallels between western stereotypes of Chinese culture (such as computing, copying, and cheap labour) and our anxieties about the rise of artificial intelligence.  Its 2017 follow-up, Geomancer, uses game-like digital simulation to spin a wilder narrative about a sentient weather satellite about a sentient weather satellite which longs to be an artist.

With his newest work AIDOL (a play on “AI” and “Idol”) which debuted at Gallery Sadie Coles HQ last year, Lek sets his sights on the music industry.  The year is 2065, and in Malaysia waning pop star Diva enlists an AI ghostwriter to help her mount a comeback show at the eSports video game Olympics.

(7) MEDIA BIRTHDAY.

  • November 23, 1963 Doctor Who premiered with “An Unearthly Child”.  Starring William Hartnell as the First Doctor plus His Companions played by Carole Ann Ford as Susan Foreman, Jacqueline Hill as Barbara Wright and William Russell as Ian Chesterton. It was directed by Waris Hussein, with Verity Lambert and Mervyn Pinfield as producers. The story was written by Anthony Coburn and C. E. Webber. Most contemporary critics were pleased by “An Unearthly Child” but Variety oddly thought it had to be more realistic.  It has a respectable seventy percent rating among audience reviewers at Rotten Tomatoes. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 23, 1863 – Katharine Pyle.  Author, illustrator, poet.  A dozen books for us; at least fifty in all, some children’s.  Collected and retold fairy tales.  Poems and drawings for The Wonder Clock by her brother Howard.  Local history for children, Once Upon a Time in Delaware.  Here is The Counterpane Fairy.  This is for Granny’s Wonderful Chair.  This is for As the Goose Flies.  For Tales from Norse Mythology see here.  (Died 1938) [JH]
  • Born November 23, 1908 – Nelson Bond.  Four novels, a hundred fifty shorter stories – at which he was masterly: not least Lancelot Biggs, Spaceman; Meg, the priestess who rebelled; Pat Pending, who – yes.  Also radio & television.  Philatelist.  Rare-book dealer.  Correspondent of James Branch Cabell(“Tell the rabble my name is Cabell”).  Nebula Author Emeritus.  (Died 2006) [JH]
  • Born November 23, 1914 – Wilson “Bob” Tucker.  Mostly Wilson to the world – two dozen novels, as many shorter stories – mostly Bob to us.  Among our great fanwriters.  Le Zombie (so named after several Tucker Death Hoaxes) and then e-Zombie ran fifty years.  Fan Guest of Honor at Torcon I the 6th Worldcon and NyCon 3 the 25th.  A Hugo and a Retrospective Hugo as Best Fanwriter.  Often a toastmaster.  Coined “space opera”.  Tuckerization, putting into fiction the names (or nearly, like “Mike Glider”) or descriptions of people the author knows, or who won the privilege in some fannish fund-raiser, is named for him.  You can see four editions of his Neo-Fan’s Guide here, including one Our Gracious Host helped produce.  SF Commentary 43 (PDF) is the Tucker Issue; No. 79 (PDF) is the Tucker Issue, Second Edition; No. 80 (PDF) has many appreciations including mine.  (Died 2006) [JH]
  • Born November 23, 1916 Michael Gough. Best known for his roles in the Hammer Horror Films from the late Fifties and for his recurring role as Alfred Pennyworth in all four films of the Tim Burton / Joel Schumacher Batman series. His Hammer Horror Films saw him cast usually as the evil, and I mean EVIL! Not to mention SLIMY, villain in such films as Horrors of the Black MuseumThe Phantom of the OperaThe Corpse and Horror Hospital, not to overlook Satan’s Slave. In Doctor Who, Gough appeared as the villain in “The Celestial Toymaker” (1966) and then again as Councilor Hedin in “Arc of Infinity” (1983). He also played Dr. Armstrong in “The Cybernauts” in The Avengers (1965) returning the very next season as the Russian spymaster Nutski in “The Correct Way to Kill”. Gough worked for Tim Burton again in 1999’s Sleepy Hollow and later voice Elder Gutknecht in Corpse Bride. He would mostly retire that year from performing though he would voice later that Corpse Bride role and the Dodo in Burton’s Alice in Winderland. (Died 2011.) (CE) 
  • Born November 23, 1927 – Guy Davenport, Ph.D.  His being given the Introduction to Davidson’s unparalleled “Or All the Seas With Oysters” in The Avram Davidson Treasury will give you a clue.  His dissertation, on Ezra Pound – there’s a complicated man – was published as Cities on Hills.  While a Rhodes Scholar at Oxford, studied Old English under Tolkien.  Translated Heraclitus, Diogenes, Sappho, Anacreon.  About his collection Tatlin! (which he illustrated; no, not gossip, this one) see here.  (Died 2005) [JH]
  • Born November 23, 1951 David Rappaport. I remember him best as Randall, the leader of the gang of comically inept dwarves in Time Bandits who steal the map to Universe. I’m reasonably sure that it’s the only thing he’ll be remembered for of a genre nature having looked up his other works and found them to be decidedly minor in nature. Most of them such as The Bride, a low budget horror film, were artistic and commercial disasters. It is said that his death by suicide in 1990 is one of the reasons cited by Gilliam for there not being a sequel to Time Bandits. (Died 1990.) (CE) 
  • Born November 23, 1955 Steven Brust, 65. Of Hungarian descendant, something that figures into his fiction which he says is neither fantasy nor SF. He is perhaps best known for his novels about the assassin Vlad Taltos, one of a scorned group of humans living on a world called Dragaera. All are great reads.  His recent novels also include The Incrementalists and its sequel The Skill of Our Hands, with co-author Skyler White. Both are superb. His finest novel? Brokedown Palace. Oh, just go read it. It’s amazing. And no, I don’t love everything he’s done. I wrote a scathing scathing reviewing of Cowboy Feng’s Space Bar and Grille and he told us at Green Man that he might be the only person who liked the novel. Freedom & Necessity with Emma Bull is decidedly different but good none the less and his Firefly novel, My Own Kind of Freedom, stays true to that series. He’s quite the musician too with two albums with Cats Laughing, a band that includes Emma Bull, Jane Yolen (lyrics) and others. The band in turn shows up in Marvel comics. A Rose For Iconoclastes is his solo album and “The title, for those who don’t know, is a play off the brilliant story by Roger Zelazny, “A Rose For Ecclesiastes,” which you should read if you haven’t yet. Quoting him again, “’Songs From The Gypsy’ is the recording of a cycle of songs I wrote with ex-Boiled-in-Lead guitarist Adam Stemple, which cycle turned into a novel I wrote with Megan Lindholm, one of my favorite writers.” The album and book are quite amazing! (CE) 
  • Born November 23, 1960 – John Bunnell, 60.  Nine short stories.  Book reviews in three incarnations of Amazing; also Dragon.  When the English translation of The Name of the Rose came out, he told role-playing gamers “For all its erudite trappings and intimidating size… a tension-filled tale of precisely the sort that referees are so fond of weaving into gaming campaigns.”  True.  [JH]
  • Born November 23, 1966 Michelle Gomez, 54. Best known genre role is as playing Missy, a female version of The Master on Doctor Who from 2014 to 2017, for which she was nominated for the 2016 BAFTA TV Award for Best Supporting Actress. I admit having grown up with Roger Delgado as The Master so later performers playing this role took a bit of getting used to but she made a fine one.  She is also Mary Wardwell in The Chilling Adventures of Sabrina, and she plays Talia Bauerin in Highlander: The Raven which apparently is a very short-live spinoff from the Highlander series. Finally, she shows up in the Gotham series for two episodes simply as The Lady. (CE) 
  • Born November 23, 1967 Salli Richardson-Whitfield, 53. Best known genre role is as Dr. Allison Blake on Eureka which apparently in syndication is now called A Town Called Eureka. H’h? I’m reasonably sure her first genre role was as Fenna / Nidell in the “Second Sight” of Deep Space Nine but charmingly voiced Eliza Mazda,  the main human character, on the Gargoyles series!  She’s shows up as character named Dray’auc in “Bloodlines” on Stargate Sg-1 and had a role on a series called Secret Agent Man that may or may have existed. She’s was Maggie Baptiste in Stitchers, a series that lasted longer than I expected it would. (CE)
  • Born November 23, 1970 Oded Fehr, 50. Actor from Israel whose most well-known genre roles are as the mysterious warrior Ardeth Bay in The Mummy and The Mummy Returns, and as Carlos Oliveira (or his clone) in three of the Resident Evil films: ApocalypseExtinction, and Retribution. (His Mummy roles no doubt led to his casting in voice roles in Scooby-Doo in Where’s My Mummy? and as The Living Mummy in the animated Ultimate Spider-Man and Hulk and the Agents of S.M.A.S.H.) On Charmed, he played the demon Zankou, the main villain of the show’s seventh season. He’s had an impressively long list of appearances on TV series, including recurring roles on Once Upon A Time, StitchersV, and The First, a series about the first mission to Mars. He has also voiced characters on numerous other animated features and series. (CE) 
  • Born November 23, 1979 – Rachel Hawkins, 41.  Nine novels, two shorter stories.  “Taught high school English for three years, and … still capable of teaching you The Canterbury Tales if you’re into that kind of thing.”  Married to a geologist.  [JH]

(9) SOME FREE READS. Marvel is ramping up to a December release — encouraging some pre-reading by making it free reading.

Starting today, Marvel Unlimited, Marvel’s award-winning digital comics subscription service, is preparing for the King In Black! To celebrate the highly anticipated arrival of Marvel’s next epic comic event in December, Marvel Unlimited is unlocking access to the first five issues of Venom and the first two issues of Absolute Carnage – all FREE for fans everywhere, no subscription required.

To read these free issues, fans only need to download the Marvel Unlimited app, available on iPhone®iPad® and select Android™ devices, and dive right in. Venom #1-5 (2018) and Absolute Carnage #1-2 (2019) will be available today through December 14. Download the app and enjoy these issues today!

… A threat years in the making, Knull’s death march across the galaxy finally hits Earth in KING IN BLACK—with an army of thousands of symbiote dragons at his beck and call. Eddie Brock, AKA Venom, has seen firsthand the chaos that even one of Knull’s symbiotic monsters can wreak—will he survive an encounter with the God of the Abyss himself?

(10) FOSTER, A FURRY INSPIRATION. Patch O’Furr looks into a special corner of the big story — furry fan ties with Alan Dean Foster’s loved original series Spellsinger, and how it was optioned for a movie: “#DisneyMustPay Alan Dean Foster — A fight with furry fandom influence” at Dogpatch Press.

First published in 1983-1987, Alan Dean Foster’s Spellsinger fantasy series struck a chord for a burgeoning fandom. It features a law student, Jon-Tom, with janitor work and rock and roll dreams. He wakes up in a strange land after smoking something weird to escape mundanity, where he meets a rabble-rousing otter (Mudge) and turtle wizard (Clothahump). His new talking-animal world sets a stage for learning to channel magic with music… but only once per song. Playing Pink Floyd’s Money on his “Duar” guitar can solve a problem once… if he even gets it right.

Loaded with epic fantasy, humor, cartoonish characters, and even moments to make an imaginative reader read extra hard (hot tiger-women and gay unicorns!) — It was the right kind of story that reached the right fans at the right time. The animals weren’t just for kids; they drank, stabbed, screwed, and swore! It made me a 90’s furry before I knew there was a fandom for it.

Foster’s writing was pure fun, spiked with a threat of apocalyptic invasion and a race to defeat it in classic quest mode. I’d assume this was mid-list bookstore fare; not bestselling but solid original work for a productive author. Bigger pay would come with franchise adaptations — his novels for Star Wars, the Aliens movies, and Star Trek.

Making canon work for such big properties should earn secure income for a challenging career of genre writing. That is, if Disney would honor what Lucasfilm agreed to owe, after they acquired the company in 2012 for several billion dollars….

(11) UP ABOVE THE WORLD SO HIGH. “Bruce” the fiberglass shark from Jaws is now a museum exhibit – although floating on air he looks more like a tribute to Sharknado.

 The Academy Museum of Motion Pictures completed installation of one of the most iconic objects from its permanent collection, the only surviving full scale shark model from the 1975 Oscar®-winning film Jaws. This moment signals exciting momentum toward the Academy Museum’s much-anticipated opening on April 30,2021, where the 25-foot model (nicknamed “Bruce the Shark”) will be on view, free to the public. Jaws, directed by Steven Spielberg, won Oscars® for Film Editing, Sound and Original Score, and was nominated for Best Picture at the 48th Academy Awards® in 1976. 

… The monumental model is the fourth, final, and only surviving version of the shark model derived from the original Jaws mold. The creation of the infamous mechanical shark—which Spielberg is rumored to have named “Bruce” after his lawyer—was tasked to art director Joe Alves, whose original schematics depict the 25-foot long body, 400-pound head, and jaws nearly five feet wide. The three screen-used production molds cast in latex and rubber rotted and were destroyed. The Academy Museum’s version, cast in fiberglass for photo opportunities at Universal Studios Hollywood surrounding the film’s 1975 release, survived at Universal until 1990 when it found its way to Nathan Adlen’s family’s junkyard business in Sun Valley, California. In 2010, it was authenticated by Roy Arbogast, a member of the original Jaws film’s special effects crew, and in 2016, the Academy Museum acquired the shark model through a contribution by Nathan Adlen. The museum worked with special effects and make-up artist Greg Nicotero, co-founder of KNB EFX, to meticulously restore the fiberglass shark which had deteriorated from being outdoors for 25 years. 

(12) BUT LEADING UP TO WHAT? “Trader Joe’s Is Selling an Advent Calendar for Cats This Year”Taste of Home is sure this product will give your cat a religious experience.

…You will find 25 soft treats for your feline friend. The snacks are made of antibiotic-free Atlantic salmon and dried seaweed, according to the packaging. You can rest assured knowing that your cat will be enjoying high-quality ingredients. Plus, the drawings on the front of the calendar are just too cute.

(13) VIDEO OF THE DAY. In “Back To The Future Pitch Meeting” on ScreenRant, Ryan George says this is a special episode because his whole idea for pitch meetings happened because of a sketch by John Mulaney about how wild a pitch meeting for Back To The Future would be.

[Thanks to Martin Morse Wooster, Cat Eldridge, JJ, Doug Ellis, Michael Toman, Mike Kennedy, John King Tarpinian, Andrew Porter, Patch O’Furr, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]