Pixel Scroll 7/31/17 I’ll Get You, My Pixel, And Your Little Scroll, Too

(1) FANDOM FEST AFTER ACTION REPORT. Randall and Anne Golden decided they’d go to Louisville’s Fandom Fest despite “Weird Al” Yankovic’s cancelling his appearance. They lowered their expectations and lived to tell the tale in a two-part conreport.

We finished our FandomFest experience and were out the door by 12:30. For the math-curious that’s four hours of two-way driving, one hour spent on the line to get in, forty minutes on ticket exchanges, and 110 minutes on actual conventioning. We’ve done worse for less.

By the end of the day at least a couple hundred more fans had packed into the Macy’s and begun turning into a bona fide crowd. Anne noted that today’s attendance was probably more people than the actual Macy’s had entertained in years. But it was never anywhere near 1700. For a show that once welcomed a five-digit annual attendance, that’s an alarming deceleration.

For a show in its twelfth year, with so many years of experience and resources (you’d think, anyway), that’s a drastic sign either of incompetence, evil, or intentional downsizing. We can’t speak for the innumerable fans still upset with their FandomFest fleecing and still crying out for retribution, but I wish more could be done for them.

Previously on Midlife Crisis Crossover: on Saturday my wife Anne and I attended FandomFest in Louisville, KY, the twelfth iteration of this entertainment/”comic” convention that’s quite low on comics, heavy on controversy, improper in its online customer service, saddled with a years-old negative image not really helped by the depressing role call of thirty-one canceled guests, and graded a solid F by the Better Business Bureau. But beyond the mountains of baggage, their volunteers were pretty friendly to us in person despite their upper management, and the fifteen actors in the house seemed like decent folks.

Publisher Tony Acree of Hydra Publications talked about the (literal) silver lining he found in the clouds surrounding the con — “Fandom Fest 2017 Day 1 Recap”. (Lots of cosplay photos in his Day 2 and Day 3 recaps.)

What hasn’t changed, is the number of high quality vendors who have been to Fandom year after year. Hydra Publications lucky to be in “Author Corner” along with Stephen Zimmer and Holly Phillippe of Seventh Star Press, the wonderful ladies of Per Bastet, along with Lydia Sherrer, Lacy Marie and my fellow Hydra authors, Arlan Andrew Sr., Dave Creek, Lynn Tincher and Stuart Thaman. Oh. And super editor Josiah Davis.

Despite all the negative news, we sold more books this year on Friday, than we did last year. To you, the fans, we say thank you.

 

Arlan Andrews Sr. and Dave Creek at the Hydra table

Jeff raises an interesting question – when quoted by the press, the co-organizer of Fandom Fest went by the name Myra Daniels.

Noah Bisson posted a video of his walkthrough of the con. Crowding was definitely not an issue.

(2) NO SHOW. Steve Davidson, in “What’s Happening with the TV Show?”, explains why you shouldn’t be looking for an Amazing Stories revival on NBC. For one thing, the check wasn’t in the mail.

I waited for a period of time to determine if I would receive something.  After months of waiting and still receiving nothing, a notice of Termination/Breach of Contract was sent to NBC legal, seeing as how pretty much everybody we had previously been working with was no longer with NBC.  It sure looked to us like Amazing Stories The TV Show had become an orphan:  no showrunner, prior contacts no longer with the company, no word, no checks.

The notice was properly delivered to NBC in May of this year.  Despite the fact that the orginal contract would have expired in August of this year, I had completely lost confidence in two things:  NBC’s ability to treat me properly AND NBC’s ability to deliver a show.

(3) HE SECONDS. Robert J. Sawyer has added himself to the list of people sponsoring the “Separate Fantasy and Science Fiction Hugo Best-Novel Awards Amendment” submitted by Chris Barkley and Vincent Docherty and discussed here last week.

(4) MOVING DAY FINALLY HERE FOR MACMILLAN.  After years of rumors, Macmillan Publishers is really going to bid farewell to the iconic Flatiron Building.

Macmillan Publishers is officially leaving the Flatiron Building, having signed up for 261,000 square feet at Silverstein Properties’ 120 Broadway.

The space will span five full floors, the New York Post reported. In April, sources told The Real Deal the publisher was weighing a move to the Lower Manhattan building, but the size of the space was not clear.

Asking rents at 120 Broadway are in the mid-$50s per square foot, according to the newspaper.

Macmillan is the Flatiron Building’s sole tenant. The property has not been totally empty since it was built more than a century ago. Sorgente Group of America, which owns a majority stake, may rent it out to new tenants or potentially go through with a plan to turn it into a hotel.

(5) SHAKEN UP. A Marvel Comics editor posted a selfie of herself and some coworkers enjoying milkshakes. For this innocuous act, she has been harassed on Twitter: “Female Marvel Comics editor harassed online for milkshake selfie”. (Warning: the harassment is extensively quoted in the article.)

Antos condemned the abuse the following day, writing that “the internet is an awful, horrible, and disgusting place.” She added, “Woke up today to a slew of more garbage tweets and DMs. For being a woman. In comics. Who posted a selfie of her friends getting milkshakes.”

(6) TODAY IN HISTORY

  • July 31, 1971 — Astronauts David Scott and James Irwin became the first people to drive a vehicle on the Moon.
  • July 31, 1976 — NASA released the famous “Face on Mars” photo, taken by Viking 1.
  • July 31, 1999 — The ashes of astro-geologist Eugene Shoemaker were deposited on the Moon.

(7) TODAY’S BIRTHDAY GIRL

  • July 31, 1965 – J.K. Rowling

(8) TODAY’S BIRTHDAY WIZARD

  • Born July 31, 1980 – Harry Potter

(9) TODAY’S BIRTHDAY KRYPTONIAN

  • Born July 31, 1966 – Dean Cain

(10) COMIC SECTION. Chip Hitchcock recommends today’s Rhymes With Orange.

(11) FILER ALERT. Greg Machlin extends an invite to all Filers in Helsinki for his very first Worldcon panel as a panelist —

Science Fiction & Fantasy in Musical Theatre

Thursday 16:00 – 17:00, 103 (Messukeskus)

Wicked, Into the Woods, Rocky Horror, Little Shop of Horrors – fantasy and science fiction have long been represented in the musical theatre. The panelists discuss their favorites and also perhaps some not-so successful SF musicals.

Emily January, Sari Polvinen (M), Ada Palmer, Greg Machlin, Sami Mustala howeird

Also on the panel: Ada Palmer (Too Like The Lightning).

Machlin adds: As someone who’s written and had produced a fair amount of sci-fi/fantasy theatre (Keith Haring: Pieces of a Life in L.A. in 2014; the one-act “Sushi” all over the place), this is my jam. I may, if the other panelists are patient, present a song from an actual sci-fi musical I wrote the book and lyrics for, The Great Swiss Cheese Conspiracy Theory.

(12) MARLOWE MAKES FINALS. Congratulations to Francis Hamit who is a finalist in the London 2017, New Renaissance Screenwriting Competition. The winners will be announced at the awards ceremony, on August 20.

Christopher Marlowe

Feature Screenplay • Drama, Thriller, War, History, Biography

Francis Hamit 

COUNTRY  U S A

The poet, playwright and spy lives in two worlds at a time when politics was religion and vice-versa. He is a brilliant playwright and an effective spy but his intemperate ways and desire for power as well as fame combined with a free thinking pose of atheism eventually lead to his death at the hands of his fellow agents at the order of Queen Elizabeth herself. Timeline is from 1585-1593 and includes real events such as the Babington Plot, The execution of Mary, Queen of Scots, and the sailing of the Spanish Armada. Characters based upon real personalities of the time, and extensive research.

(13) LET DARKNESS FALL. The Planetary Post, hosted by Robert Picardo, is devoted to the Total Solar Eclipse coming on August 21.

In this month’s episode, we explore all things eclipse, including a special visit to NASA JPL to see a spacecraft that can create artificial eclipses!

…The Total Solar Eclipse on August 21st is coming up! We’re getting ready with the U.S. National Parks Service and a new Junior Ranger Eclipse Explorer activity book. Also, Starshade is new technology being studied by a team at JPL/NASA and Picardo has the inside scoop.

 

(14) ON BOARD. The Borg site is impressed with this tie-in edition of the classic game: “Monopoly–Planet of the Apes means a tie-in madhouse for Hasbro”.

For its next franchise tie-in, Hasbro has partnered with 20th Century Fox Consumer Products to release this summer’s strangest mash-up game: Monopoly: Planet of the Apes Retro Art EditionIt’s not just your typical Monopoly tie-in with a popular franchise.

For Monopoly: Planet of the Apes Retro Art Edition, Hasbro tapped artist Dan Perillo to give the game a design it might have had, had it been released when the movie premiered in 1968.  Perillo is known for his retro style.  One of his works was featured in last year’s Star Trek: 50 Years/50 Artists project (reviewed here at borg.com), and he’s produced some stunning work for Mondo.  Perillo’s work for the new Monopoly game should appeal to Planet of the Apes fans, but it’s also a dose of silly fun that will appeal to fans of all things retro.

The standard game is altered–slightly.  Instead of paying an Income Tax, in the new edition you get strung up on a spit by your hands and feet and led off.  Instead of the joy of landing on Boardwalk you get to discover the ruins of the Statue of Liberty.  And that’s Taylor’s marooned space capsule instead of the valuable Short Line railroad.  Perillo created six character tokens to choose from: Taylor, Cornelius, Zira, Dr. Zaius, Nova, or a gorilla general (it looks like you could play the gorilla as either General Ursus from Beneath of the Planet of the Apes, Chief of Security Urko from the TV series, or General Aldo from Conquest of the Planet of the Apes).  As with all Monopoly editions, the four corners of the gameboard never change.

(15) NEVERTHELESS, HBO PERSISTED. The Wrap, in “HBO Responds to #NoConfederate: Slavery Drama Will Be Handled ‘With Care and Sensitivity’”, says that the hashtag #NoConfederate was the #1 hashtag last weekend. Despite the protests HBO replied they are going to develop this series.

A campaign protesting the planned HBO series “Confederate” flooded social media Sunday night, with viewers tweeting #NoConfederate in massive numbers during “Game of Thrones,” propelling the hashtag to Twitter’s No. 1 trending spot in the U.S. and No. 2 worldwide.

“We have great respect for the dialogue and concern being expressed around ‘Confederate,’” HBO responded in a statement. “We have faith that [writers] Nichelle, Dan, David and Malcolm will approach the subject with care and sensitivity. The project is currently in its infancy so we hope that people will reserve judgment until there is something to see.”

“Confederate” tells an alternate version of history in where the South has seceded from the Union… and slavery has remained legal and continued into the modern era.

(16) WHITE HOUSE BEAT. Camestros Felapton has a scoop: “Breaking news: Talking cat named Whitehouse Communications Director”.

Followed by another scoop: “Breakin News: Timothy the Talking Cat Fired as Whitehouse Communications Director”.

Both stories are dated August 1. How is anybody supposed to compete with someone who gets tomorrow’s cat news today?

(17) THRONE QUESTIONS. Did Camestros and Melisandre graduate from the same J-school? …Vulture has burning questions after “The Queen’s Justice,” the latest episode of “Game of Thrones”:

  • Did Varys get a tan on Dragonstone?
  • Does Melisandre know how Varys will die?
  • Will it all come down to two women battling for the Iron Throne?
  • Will Theon ever redeem himself?
  • What fate awaits Yara?
  • Which city is a worse place to live: Gotham or King’s Landing?
  • Will Cersei really marry Euron? And is Euron actually the best thing to ever happen to Jaime?
  • How has Cersei not yet grown out that pixie cut?
  • Why is Littlefinger quoting True Detective to Sansa?
  • We know, Baelish, time is a flat circle. #hbocrossover
  • When will Jon find out about his parentage?
  • Will Jorah and Sam forge the alliance between Jon and Dany?
  • Was that seriously all we get to see of Casterly Rock?

(18) CULTURE WARRIORS. At Nerdist, “Darth Vader and Captain Picard Face Off for a Sci-Fi Debate”. Click through to see the debate between two toys.

When you have toys, all things are possible, including a dream crossover between Star Wars and Star Trek: The Next Generation! In the new episode of Toy Shelf, we finally get to see what happens when Captain Jean-Luc Picard of the Federation starship Enterprise encounters the Dark Lord of the Sith: Darth Vader!

Keep in mind that these are toys that know they are toys. And Vader catches Picard as he goes for more of a cowboy diplomacy by swinging a lightsaber around. It’s pretty much the laser sword of Picard’s dreams, and if Vader was looking to tempt the Captain to the Dark Side of the Force, then he would have a pretty good head start.

(19) RARITY. Ashley Hoffman of TIME, in “A Super Rare Copy of Super Mario Bros. Just Sold for $30,000 on eBay”, says that a copy of “Super Mario Bros. that has been sealed since its release in 1985 and never opened just sold for $30,100 on eBay

To outsiders, that may seem like a high cost to become the proud owner of a game, but they might not appreciate the most exciting feature, which distinguishes this Nintendo Entertainment System game from all those unwrapped $10 versions: a hangtag on the back that indicates the copy originates from back when video games hung on pegs in stores.

“They said the reason that game went for so much was because Mario was always sold in the system,” CEO Drew Steimel told Mashable quoting the experts of Reddit. “You bought it with the system, it came in the box. This particular copy was from before that happened, before Nintendo decided to bundle them. They only did it for a short time.”

You read that right. No box for this game, hence its final price.

(20) BOTTLED LIGHTNING. I would have answered yes if the question had been, “Should I use this to launch a torpedo?”

(21) HARD SCIENCE FICTION. The 1910 Thomas Edison production A Trip To Mars begins with “The Discovery of Reverse Gravity.”

[Thanks to rcade, Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, Greg Machlin, Francis Hamit, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 7/11/17 Be Kind To Your Scroll-Footed Friends, For A Duck May Be Somebody’s Pixel!

(1) NEW WFA TROPHIES ON THE WAY. Kim Williams, chair of the 2016 World Fantasy Con, told readers of WFC’s Facebook page that last year’s WFA winners, given certificates at the 2016 award ceremony in Columbus, OH will soon be receiving copies of the new statuette created by Vincent Villafranca.

Vincent Villafranca’s design was chosen to replace the Lovecraft bust trophy by the World Fantasy Awards Administration and the Board of the World Fantasy Convention following a year-long public competition.

(2) OMNI REBOOTS AMID RIGHTS LITIGATION. Penthouse Global Media, on July 10, announced the acquisition of OMNI magazine and that its upcoming issue is slated for print publication in late October.

“As Penthouse Global Media enters its second year under new ownership, our driving principle is to put all of the pieces of the brand back together again.  As a result of decades of neglect, much of this company’s brilliant legacy was lost…until now,” stated Penthouse CEO Kelly Holland. “I am proud to announce that one of those casualties, OMNI—the magazine of science and science fiction, heralded as one of Guccione’s most iconic brands—is once again a part of the Penthouse family where it belongs.  Thanks in large part to Pamela Weintraub, one of OMNI‘s original editors, who had the foresight to bring the brand back to life by re-registering the trademarks and launching a digital site, she, along with many of the original OMNI staff, will deliver the award-winning magazine to newsstands once again.”

Only days ago, to protect its intellectual property, Penthouse Global Media sued Jerrick Media, and various other defendants including Jerrick Media Holdings Inc., Jeremy Frommer, and actor Jared Leto, for copyright infringement, trademark infringement, unfair competition and false advertising, among other claims.

The lawsuit states:

Despite the fact that an application for registration of the OMNI Marks in connection with magazines had already been filed with the USPTO by Penthouse’s predecessor in interest, signaling to the world that the OMNI Marks were not available for use by Defendants, in 2013, Defendants Frommer and Schwartz again willfully and blatantly disregarded the intellectual property rights of others and began planning to publish an online science and science fiction magazine using the OMNI Marks and to republish and sell archival material from the original OMNI magazine. 29.

On or about June 27, 2013, Defendant Jerrick Ventures, LLC filed an application for registration of the purported trademark OMNI REBOOT (Serial No. 85,972,230), which registration was refused by the United States Patent and Trademark Office because of a likelihood of confusion with a registered OMNI Mark. On or about May 31, 2016, Jerrick Ventures, LLC filed a cancellation  proceeding before the Trademark Trial and Appeal Board (“TTAB”) seeking to cancel the OMNI Mark (Cancellation No. 92063829). Because Penthouse General Media seeks a declaration in the present action that its registered OMNI Marks are valid and should not be cancelled, it will seek to have the cancellation proceeding  before the TTAB stayed pending the judgment in this action. 30.

Despite knowing of the existence of the registered OMNI Marks, and despite being denied registration of Omni Reboot, Defendants nonetheless  proceeded to willfully and blatantly infringe on the OMNI Marks by operating an online magazine at https://omni.media, which it refers to as OMNI Reboot, that not only uses the OMNI Marks in connection with the publication of an online magazine featuring science and science fiction topics, but also contains archival material from the original OMNI magazine, including magazine articles and reproductions of OMNI magazine covers, all without the permission or consent of Penthouse.

Jeremy Frommer’s claims to the rights are allegedly based on an auction purchase:

Frommer bought at an auction erotic photography, films and historical documents, among other things associated with Guccione and Penthouse. He then began reselling those and other related items online, according to the complaint, and allowing the public to view Caligula for a fee. That triggered the first round of this fight in bankruptcy court in 2013, but the parties mutually dismissed their claims without prejudice.

Penthouse’s Holland minimizes that claim:

“We at Penthouse don’t believe a person can acquire the rights to a brand simply by stumbling upon some of its products,” Holland said. “If you buy a DC comic book at a garage sale it doesn’t give you the rights to make a ‘Wonder Woman’ movie, nor does one have a right to our legacy because they found an old Omni magazine.”

(3) PUBLICLY CHOSEN GARGOYLE. The Washington Post’s Marylou Tousignant found some items of fannish interest at the Washington National Cathedral.

Washington National Cathedral, the sixth-largest cathedral in the world, has 215 stained-glass windows. The most popular holds a piece of moon rock brought back by the Apollo 11 astronauts in 1969.

Another must-see is Darth Vader, carved into the cathedral’s north side. The “Star Wars” villain was one of four winning designs by middle-schoolers in a 1985 contest. Vader is one of 1,242 weird creatures staring down from the cathedral’s neck­stretching exterior.

(4) EYECATCHING. Marvel Comics will release lenticular covers for Marvel Legacy.

The biggest stories and most epic team-ups come to MARVEL LEGACY this fall, and now you can hold the past and the future in your hands! Today, Marvel is proud to announce that all of the Marvel Legacy homage variants will be available as lenticular covers – a true celebration of Marvel’s history and expansive universe!

As seen on Newsarama, all of Marvel Legacy’s homage variants were previously unveiled, showcasing the new Marvel Legacy line-up and classic covers of the past. Don’t miss your chance to own a part of Marvel history – enhance your collection with all of Marvel Legacy’s lenticular covers, coming to comic shops this fall.

(5) DID YOU WONDER? What will the next Wonder Woman movie be about? ” Rumor of the day: Diana will face off against the USSR in Wonder Woman 2″.

With Russia in the news so much these days, The Wrap has said in an unsourced report that Wonder Woman 2 will take place during the 1980s and feature Diana of Themyscira going head-to-head with agents of the Soviet Union.

That means that like its predecessor, Wonder Woman 2 will be a period piece — only not as far in the past as the World War I setting of Diana’s first standalone adventure.

Although Patty Jenkins is not officially confirmed to return as director, she is said to be developing the script for Wonder Woman 2 with DC Entertainment co-president Geoff Johns. And while the story will allegedly feature the USSR in an antagonistic capacity, there’s no word on whether other villains from Wonder Woman’s published history will appear as well.

(6) THE PAYOFF. Marvel says Secret Empire #9 will reveal Steve Rogers’ secret. On sale August 23.

When Steve Rogers was revealed to be an agent of Hydra due to the manipulations of Red Skull, the Marvel Universe was rocked to its core. Now, it’s the moment fans have been waiting for – and you’re not going to want to miss this reveal!

What is the secret of Steve Rogers? And how will it affect the Marvel Universe as we know it?

(7) WHY IT’S HARDER TO FIND GOOD REVIEWS. Speculiction’s Jesse Hudson, in “And the drop is due to”,  charts the site’s declining number of book reviews against his rising familiarity with PlayStation 3 games. He is in awe of the current gaming technology.

It’s no secret that modern video games are exponentially more realistic and immersive than their pixel and dot forebears.  For the unaware, the degree of realism and immersion in today’s video games is essentially one degree removed from cinematics—a gap that will be covered in the next few years, for sure.  What this means is that game creators are able to put players, as much as is possible, into the shoes of the characters running around the imagined worlds on screen.  Being a detective, mighty warrior (or warrioress), or space marine is this close.  Game developers have done all the work to give you agency in what are essentially silver screen experiences.  Instead of watching a movie, you become part of the movie, directing the character, depending on the game, through the story.  I still fully appreciate novels for retaining the distance between sensual and imagined reality—for forcing the reader to use their imagination.  But I also appreciate what modern gaming is doing to virtually eliminate this distance; if the game’s world and gameplay are well-developed and unique, then so too can be the experience.

(8) THOUGHTS THUNK WHILE THINKING. Nancy Kress tells about her Big Idea for Tomorrow’s Kin at Whatever.

Your mind does not work the way you think it does.

You probably assume that you consider data and come to rational conclusions. But all too often, people don’t take into account such pesky tendencies as confirmation bias (“This fact confirms what I already believe so it gets more weight”) Or polarization (“This situation is all good/bad”). Or emotionalism (“I feel this so it must be true”), a need for control (“I’m looking at what I can change and nothing else”), presentism (“The future will be like the present only maybe a little more so”), or scapegoating (“If this isn’t as I wish it to be, someone must be to blame!”)

When I set out to extend my novella “Yesterday’s Kin” into the novel Tomorrow’s Kin, which takes the story ten years farther along, I wanted to write about these distortions in your thinking. Oh, not you in particular (how do I know what you’re thinking as you read this—maybe it’s “She doesn’t mean me. I’m different.”) What interested me—especially in the current political climate—is the public mind as it relates to science and the perception of science….

(9) CROWLEY’S TIME HAS COME. Tor.com’s Matthew Keeley has published a brief profile of John Crowley, “Predicting the Future and Remembering the Past with John Crowley”, an author he notes is best known for his book Little, Big, but regrets is still not very well-known outside writing circles. The article aims to change this situation:

At Readercon a few years ago, I attended a panel on favorite science fiction and fantasy books. One author, one of the best working today, talked about the near-impossibility of writing a book so perfect as John Crowley’s Little, Big. There were wistful sighs from writers in the audience and nodded agreements from other panelists. Everyone in the room at that most bookish convention recognized that competing with Crowley was impossible.

Yet in many fan circles Crowley remains unknown. This literary master of the hermetic, hidden, and esoteric has for too long been as hidden as the obscure histories, gnostic theorists, and addled visionaries that populate his work. Despite the many awards; despite the praise of luminaries both inside the genre community, like Ursula K. Le Guin and Thomas Disch, and outside it, like Harold Bloom; despite his inclusion in both Bloom’s Western Canon and Gollancz’s Fantasy Masterworks, most fantasy readers don’t read him. Perhaps this is the year that changes.

(10) MARTINELLI OBIT. Italian-born actress Elsa Martinelli died of cancer in Rome on July 8. She was 82. Her genre work included The 10th Victim (1965), based on the Robert Sheckley novel.

(11) TODAY IN HISTORY

  • July 11, 1997 — On this day in 1997, Carl Sagan’s Contact entered theatres.
  • July 11, 2014 Dawn of the Planet of the Apes premiered theatrically.

(12) TODAY’S BIRTHDAY BOYS

  • Born July 11, 1899 – E.B. White
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known by his pseudonym, Cordwainer Smith

(13) JEOPARDY! CONTESTANT. On the July 11 episode of Jeopardy!, Kelly Lasiter, from the St. Louis area, admitted she’s an SF fan who attends conventions in the area, and went to the 2016 Worldcon in Kansas City.

She won the game, with $22,800, and will play again on Wednesday.

(14) WHERE THE GEEKNERDS ARE. Examined Worlds’ Ethan Mills praises a convention’s community building in “CONvergence 2017 Report”.

The deeper thing that CONvergence taught me back in the early-mid 2000’s was the value of cons as a space for community, something I’ve discussed before with regard to other cons.  While being a geek/nerd is not as uncool as it used to be, it’s still great to have a place where you can let your geek flag fly proudly.  No matter how intense your nerdery is, someone at con is nerdier.  You may be wearing Vulcan ears, but someone else may have a full Starfleet uniform and android-colored contacts to dress up as Data from Star Trek: The Next Generation (an actual costume I saw at CONvergence).

The openness of a place where people can love what they love without derision or judgment is a beautiful thing.  This aspect of fandom seems to be unappreciated by small but annoying parts of fandom like the Rabid Puppies and Gamergaters, but it’s safe to say that for the vast majority of fans, this is precisely what fandom is all about….

(15) WHERE TO SELL. Now available: the “SFWA Market Report for July” compiled by David Steffen.

(16) A DAY AT THE PLANT. At Amazing Stories, Adam Roberts is interviewed about his contribution to an anthology,

Gary Dalkin for Amazing Stories: ‘Black Phil’, your story in Improbable Botany, packs a huge amount into 20 pages. It combines the scientific, the political and the personal in a way which is ultimately very moving, and does so while gradually revealing to the reader a startlingly imagined near future earth. There is a lot of specific detail in the story and I’m wondering what your approach to writing a piece like this is, how much do you have planned out before you begin writing, and how much comes to you through the writing process? I’m asking this in part because I’m wondering how quickly you write, given you are a prolific author of highly imaginative, intricately constructed novels and have a day job as a professor of literature as well.

Adam Roberts: My approach to writing has changed, I suppose. When I was starting out as a writer I would generally plan things out fairly carefully; now I have more technical fluency, and can trust my hands to produce more of what’s needed if I let them loose on the keyboard. Not entirely though. It’s a balance, as with so much of life. If a writer maps every beat of every chapter in a detailed plan before she ever writes a word, the danger is that the actual writing turns into a chore, merely filling in the blocks in the grid, and if the writer gets bored writing then that tends to communicate itself to the reader. On the other hand, simply diving in with no sense of where you’re going or how the story is going to unfold, in my experience, will result in something too baggy and freeform, understructured and messy. So the praxis for me is threading a path between those extremes: having a sense of the overall shape of the thing, and which spots I definitely want to hit as I go, but working out some of the specifics as I write the first draft, to keep at least elements of it fresh. With short stories the process is a little different to novels: plot is constrained by the shorter space, so there’s a greater need for other things to hold the whole together – a governing metaphor, for instance, that can be unpacked and explored, provided it’s eloquent enough. In ‘Black Phil’ I was working with blackness as a colour and blackness as a mood, which meant that the story needed to make a certain kind of emotional sense, and the other elements were rather subordinated to that.

(17) IF YOU WANT TO GIVE HER A MISS. Canberra sff author Gillian Polack puts a different spin on the typical convention schedule announcement in “How to avoid me at Worldcon 75”.

This is the post you’ve been waiting for. Now you can plan your Helsinki visit knowing you can avoid me. You’ll also know that I can’t redeem myself with chocolate, for I have tiny scraps of Australia to give everyone instead. Ask me nicely and you could take home some opal or Australian turquoise or fool’s gold. (When I say ‘scraps of Australia’ I mean it quite literally.) Asking me politely would, of course, mean not avoiding me.

I can only be at a small bit of the auction, but I’m bringing Tim tams, a blow-up kangaroo and other exciting things to add to the bidding frenzy. This emans I’ll be there … sort of…for some of the time and my luggage will represent me the rest of the time….

(18) GOOD REVIEWS. The other day I said someone’s Hugo nominee reviews were lacking who hadn’t completely read most of the stories. Now, at the opposite end of the spectrum, I’ve encountered the hyperfeasance of Garik16 who claims, “I managed to read every nominee this year before the nominations were announced except for A Closed and Common Orbit (Yes I know I’m hipster bragging here lol).”

More importantly, his post, “Reviewing the Hugo Nominees: Best Novel”, is rich in analysis and substantive comments.

  1. Ninefox Gambit by Yoon Ha Lee

Review on twitter here:

Disclaimer: I’ve just finished this books sequel (Raven Strategem, review forthcoming next week), and will try to separate the two books since its fresh in my mind. Ninefox Gambit is a book that is Challenging to read.  Whereas other books might try to infodump explanations of how extremely complicated made up SF or Fantasy worlds work, Ninefox Gambit just drops you right in the world, made up terminology and all, and trusts you to figure it out on your own.  It’s probably a bit too far in this direction honestly – a short story in the same universe for example explains a little bit more and there’s no reason this book couldn’t have done the same – but if you can get past it, the result is just phenomenal.

This is a universe where calendars followed are of maximum importance, where mathematical calculations allow for armies to create devastating attacks on a battlefield, and where immortality may be very possible.  This book deals largely with the efforts of a mathematical genius but otherwise standard infantry soldier getting stuck with an undead general in her head – an undead general who is both brilliant and known for massacreing his own forces.  The interplay between them, as well as how the world works around them, results in a truly fantastic book.

This is one of those books that will have you going back after your first reread to find out things you might have missed, and to see how things read after the reveal later in the book. The book isn’t light in tone – the dominant government relies on ritual torture to keep its technology working for example – but it is absolutely gripping if you can get past the terminology at the start and contains some pretty strong themes of the values of freedom, justice and sacrifice.

I suspect it’ll come in 2nd in voting, but this has my vote.

And for bonus reading, here’s what Garik16 thinks about the Hugo nominated novellas, novelettes, and short stories.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Rob Thornton, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 5/30/17 When A Pixel Meets A Pixel, Scrolling Through The Rye

(1) CATREON. Cat Rambo has updated her Patreon appeal video.

(2) WHERE’S WEIMER? DUFF traveler Paul Weimer has reached Hobbiton in New Zealand.

(3) OPTION. Steve Davidson announced that the Experimenter Publishing Company has formed Experimenter Media LLC to develop the Amazing Stories name.

Amazing Stories, the iconic title of the world’s first science fiction magazine and the title of a well-known Steven Spielberg helmed 1980s anthology show, has been optioned for a multi-year deal with Experimenter Media LLC, a newly minted development studio.

The title was previously optioned by NBC/Universal Television in 2015.

Experimenter Media intends to develop the show as an anthology series that will showcase top quality writing by some of the greatest Science Fiction authors in the field.

(4) SAUR PRAISE. “Several-day trips provide a good way to (try) catch(ing) up on my sf (deadtree) magazine reading,” says Daniel Dern. “The highlight for this past weekend was Richard Chedwyk’s latest ‘saur’ story, ‘The Man Who Put the Bomp,’ in F&SF, March/April 2017.

“If you’re a long(-enough) regular reader of F&SF (since 2000, based on info I’m about to cite), you’ve been enjoying these charmingly delightful ‘Saur Stories’ (including the 2004 Nebula short story “Bronte’s Egg”).

“I wouldn’t dream of spoiling your reading enjoyment with any actual details. I will say that this story answers or at least addresses some of the questions about the saurs. Although not all.”

Here’s F&SF’s “Gallery of Covers for Richard Chwedyk’s Saur Stories”

(5) GIVE ME THAT OLD TIME RELIGION. Can this job be automated? “Robot priest delivers blessings in five different languages”:

The video shows a man selecting one of five languages from a screen on BlessU-2’s chest which prompts the robot to begin reciting Bible verses while raising its arms in the air as its hands began to glow.

“We wanted people to consider if it is possible to be blessed by a machine, or if a human being is needed,” Stephan Krebs of the church responsible for the robot told The Guardian.

Krebs added the robot was not designed to “robotize our church work,” but create a new discussion around religion 500 years after Martin Luther sparked a cultural upheaval by posting his 95 theses to a church in the 16th century.

 

(6) CLASS M PLANET. It may be Earth-sized but, baby! It’s cold outside — “New potentially habitable ‘super-Earth’ orbiting star 21 light years away has just been spotted”.

Astronomers have found a new “super-Earth” circling an M-dwarf star, and it could be habitable. The dwarf star, designated as GJ 625, is around 21 light years away from our solar system and is around 1/3rd the size and mass of the Sun.

Super-Earths are a kind of exoplanet with a greater mass than the Earth, but not exceeding the mass of ice giants such as Neptune or Uranus. Although the term “super-Earth” is generally used to refer to the mass of the planetary body, scientists also use the term to describe planets that are visually larger than Earth.

(7) WHO DAT? While viewing the Paddington 2 trailer, Peter Capaldi’s face popped out at me. Whoever “Mr. Curry” is, the soon-to-be-former Doctor Who is playing him in this movie. Paddington 2 hits UK cinemas on November 10.

Featuring an all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi, Madeleine Harris and Samuel Joslin with Ben Whishaw as the voice of Paddington and Imelda Staunton as Aunt Lucy and joined by new cast members Hugh Grant and Brendan Gleeson.

 

(8) IMPERIAL MIDLIFE CRISIS. They say clothes make the man — but what do they make him? “I’ll take the sandtrooper in white: Meet the rebel scum making Star Wars armour sets for a living”.

“I think a lot of the older men are buying it because they’ve always wanted to look like a character from Star Wars but have never been able to afford the originals,” says Edwards. “There is that thinking if you dress up as a stormtrooper and look at yourself in the mirror, then you are transported into the world of Star Wars.”

So, where does a 30-something who wants a piece of the legend go? Not the mass market of sub-£1,000 suits that targets the fancy dresser.

No, they tap a cottage industry of British specialists — Ainsworth’s Shepperton Design Studios, Edwards’ CfO, and RS Prop Masters in the UK.

This trio is busy vacuum forming sheets of white ABS plastic using curved moulds to a 1.5mm thickness, cutting out and assembling around 30 pieces per suit, making straps, body suits, eyepieces, mics, boots and blasters. Prices run from £1,200 — around $1,550.

And in case you were wondering, there are few concessions on size or girth. The original stormtrooper was 5ft 10in and 110lbs. He remains so. The most you can expect is a little extra plastic around the overlapping at the edges if you’re a little large for a stormtrooper.

(9) TODAY’S DAY

Loomis Day

The History of Loomis Day. As with many things, the history of Loomis Day is actually the history of a man, and an event, and how they changed the world to come. Mahlon Loomis was a dentist in the 1800’s who had an idea that had nothing to do with teeth. He knew about the electrical properties of the atmosphere, and like Tesla had conceived of an idea to transmit electricity through the air to a distant location. His idea was, perhaps, off a bit. He thought to ‘charge’ a layer of the atmosphere to create an electrical conduit between two metal towers set high on mountaintops (Sound familiar?). What we find interesting about this entire process is that in the end, most if not all of Loomis’s theories on how the atmosphere worked and, indeed, how his own apparatus worked were completely wrong.

Click here for the rest of the story.

(10) TODAY’S BIRTHDAYS

  • Born May 30, 1908  — Mel Blanc, voice of Bugs Bunny and many, many others cartoon characters.
  • Born May 30 — Anna Feruglio Dal Dan
  • Born May 30 — Ross Chamberlain
  • Born May 30 — Paul Oldroyd
  • Born May 30 — Nancy Lebovitz

(11) LISTEN UP. Seven of Laura Resnick’s “Esther Diamond” stories are available from Graphic Audio.

(12) CLOSE BUT NO CIGAR. Dave Farland tells Writers of the Future entrants who didn’t reach the highest rungs “Why You Only Got an Honorable Mention”.

Right now on my computer, I have a story up. I’ve read the first two pages, and although I’m a little soft on the opening paragraph, the rest of the first page is quite intriguing. My reaction is, “Looks like I’ll have to read this one.” In other words, I’m looking forward to reading it. I’m hoping that it can be a grand prize winner. I’m hoping that someday I’ll be able to say, “I was the one who discovered this author.”

Why do I feel that I have to read this particular story? First off, it has an engaging idea at its core. I know that from the first page. Second, the author is writing with clarity and grace. Third, the pacing is just right. In short, there are a lot of good things happening here for a first page.

Stories that keep me reading all the way through will almost always get an Honorable Mention. That’s my way of saying, “You’re writing almost at a professional level, but this one didn’t quite do it for me.” Or better yet, “I’d really like to see more from you. Keep trying!”

There are four simple reasons why a story may not rise above Honorable Mention.

* The idea for the story isn’t particularly fresh or interesting. You may not realize it, but the basic concept of your story has probably been done before. For example, let’s say that you decide to write a story about “Zombie Sharecroppers.” Great. You might write it beautifully, and I might get through the entire tale and enjoy it. But ultimately I have to look at it and ask, “Is the basic tenet of the story fresh and original? Did the author give it a surprise twist that lifted it above similar stories?” If the answer to both of those questions is no, then it will probably not get higher than an Honorable Mention. You’ll need to come at me next time with a fresh idea….

(13) SURROUNDED BY ALIENS. In the Washington Post, Ben Guarino uses the release of Alien: Covenant to discuss what we know about parasites, concluding that the notion in the Alien franchise that “a parasite could become a hybrid of human and host organism…has some scientific merit.”– “Disgusting ‘Alien’ movie monster not as horrible as real things in nature”.

The new film, according to Washington Post critic Ann Hornaday, is “a largely turgid, often thoroughly unpleasant affair.” Savvy moviegoers certainly expect some amount of unpleasantness — that sensation being par for the course whenever egg-laying parasites are involved.

But for all the cinematic aliens’ gravid grotesquerie, there exists a world where they would simply be chumps. It is a place crawling with more deceptive, more horrible things. Welcome to Earth.

The inhabitants of our planet directly inspired “Alien” screenwriter Dan O’Bannon and director Ridley Scott. O’Bannon in part looked to horror writer H.P. Lovecraft and previous works of science fiction. But he also plumbed the depths of nature, patterning “the Alien’s life cycle on real-life parasites,” as he said in his 2003 essay “Something Perfectly Disgusting.”

(14) FINELY TUNED EAR. Can you tell which track was written by computer? “For Video Soundtracks, Computers Are The New Composers”.

Four years later, Villegas, who works at a technical college, has a side business doing product reviews on his YouTube channel. He found that adding a little music really improved his videos.

“It just adds that third dimension that is missing sometimes,” he says.

But he hit a snag. Music is expensive. Villegas would either have to pay for rights or pay a composer.

“I upload weekly,” Villegas says. “So for me to pay a composer for 52 separate custom songs … wouldn’t make sense in the return on investment for me.”

Then Villegas discovered Jukedeck, a company that creates and sells computer-generated music. Jukedeck charges as little as 99 cents a track for a small business and $21.99 for a large business.

Chip Hitchcock comments, “The human track is by Vivaldi; IMO this means the program might be able to play checkers, but it’s a long way from winning at go.”

(15) BUBBLE AND SQUEAK. Preserving the sounds of old computers: “Fossils Of Technology: ‘The Imitation Archive’ Turns Near-Extinct Machines Into Music”.

Computers are part of the everyday sounds of our times — for a while. But as each new digital device slips into inevitable obsolescence, so do their signature sounds. Composer Matt Parker thought that meant losing touch with some of our history — so, he’s has created an archive of 126 sound recordings from the historic computers of Bletchley Park, the site where British mathematicians, scientists and spies broke German’s military codes during World War II. And he’s worked those sounds into a new series of musical compositions on an album called The Imitation Archive.

(16) THE GLASS HARMONICA CEILING. “The woman who could ‘draw’ music” (but was ignored because sound engineering was man’s work).

Few people know Daphne Oram, but she helped shape the sounds, and songs, we listen to today. A pioneer of electronic music, she wrote Still Point — thought to be the world’s first composition which manipulates electronic sounds in real time — in 1949. In 1957, she set up the famous BBC Radiophonic Workshop. The same year, she began working on her Oramics machine, which turned graphical gestures into music: the user could ‘draw’ the sounds they wished to hear.

(17) RUN SILENT, RUN DEEP. Wouldn’t you know it belongs to Microsoft? “Inside the quietest place on Earth”.

If LeSalle Munroe stands still for a few moments in his “office”, something unsettling can happen — he can hear the blood rushing around his body and his eyes squelch as they move in his skull.

While many people work in places filled with the tip-tap of keyboards, the hubbub of chatter from colleagues and a constant hum of computers, Munroe is surrounded by almost total silence. His office is the quietest place on the planet.

The specially constructed chamber is hidden in the depths of Building 87 at Microsoft’s headquarters in Redmond, Washington, where the firm’s hardware laboratories are based. Products like the Surface computers, Xbox and Hololens have all been developed here. Microsoft’s engineers built the room — known as an anechoic chamber — to help them test new equipment they were developing and in 2015 it set the official world record for silence when the background noise level inside was measured at an ear-straining -20.6 decibels.

(18) HE’S MAD, YOU KNOW. Wikipedia’s Featured Article for May 30 — “Harvey Kurtzman’s Jungle Book”:

Harvey Kurtzman’s Jungle Book is a graphic novel by American cartoonist Harvey Kurtzman, published in 1959. Kurtzman aimed it at an adult audience, in contrast to his earlier work for adolescents in periodicals such as Mad. The social satire in the book’s four stories targets Peter Gunn-style private-detective shows, Westerns such as Gunsmoke, capitalist avarice in the publishing industry, Freudian pop psychology, and lynch-hungry yokels in the South. Kurtzman’s character Goodman Beaver makes his first appearance in one of the stories.

Kurtzman created the satirical Mad in 1952, but left its publisher EC Comics in 1956 after a dispute over financial control. After two failed attempts with similar publications, Kurtzman proposed Jungle Book as an all-original cartoon book to Ballantine Books to replace its successful series of Mad collections, which had moved to another publisher….

(19) LONDON TOWN. If you want to hear more about London Comic Con than just Flash Gordon and The Hulk throwing tantrums, read the BBC’s mini-interviews with cosplayers and creators who were there.

Comic book illustrator Karen Rubins

“I’m here to sell my comics and prints and meet people who like my work.

“I work for a comic called The Phoenix with a strip called The Shivers by Dan Hartwell, and our characters include girl heroes solving mysteries and standing up to supernatural threats.

“In the comic village here at Comic Con there’s at least 50% female artists and it’s a great space to work, it’s really inclusive and there’s loads of different comics you can discover.”

[Thanks to Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Cat Rambo, Carl Slaughter, John King Tarpinian, and Steve Davidson for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/19/17 And He Beheld White Scrolls And Beyond Them A Far Green Pixel Under A Swift Sunrise

(1) BUSINESS MEETING. Worldcon 75 has posted the Business Meeting Agenda [PDF file] on the WSFS Business Meeting page. It’s 18 pages — and it may not be done growing yet.

(2) DELANY. The New Republic devotes an article to “Samuel R. Delany’s Life of Contradictions”.

The first volume, In Search of Silence, begins in 1957, when the author was just fifteen, a student at the academically exclusive (and very white) Bronx High School of Science. It ends in 1969, when he was already a successful novelist, about to leave for San Francisco to spend arduous years crafting the novel Dhalgren, his masterpiece. Traversing Delany’s youth, we see a precocious mind grappling with his own talent. Remarkably absent are extended reflections on the difficult circumstances of his outer life: At the time, Delany was navigating through the racism and homophobia of his era, and struggling with poverty, an early marriage, and his own disability. In light of this, the diaries’ portrayal of his serenely intellectual inner life is startling.

(3) COMING TO GRIPS. “On convention hugging” by Sigrid Ellis is a rational model for solving a social dilemma.

It’s SF/F convention season again, and once more we are all presented with the conundrum —

Do I hug this person hello and goodbye, or not?

Social hugging! It’s a thing! Yet, it is MOST DEFINITELY NOT A THING for a lot of people.

Here is how I, personally, navigate these situations. While this may not work perfectly for you, feel free to modify it for your own use….

(3) EMERGING INDIGENOUS VOICES. Silvia Moreno-Garcia says:

We are in touch with the Indigenous Studies Association (ILSA) and it seems this [award] will become a reality. Therefore you can find an IndieGoGo to funnel money via: https://www.indiegogo.com/projects/emerging-indigenous-voices#/. My name doesn’t appear on that page, it says Robin Parker, but I am in touch with Robin so don’t worry.

Through today, $70,485 has been pledged. Moreno-Garcia’s latest update has further information:

The Indigenous organization in question will reveal details about how the money will be handled once some logistics are determined, but they are a trustworthy group so don’t be afraid, the money will reach a good place.

There are many other place you could support: Indian and Cowboy, Red Rising Magazine. There’s the Centre for Indigenous Theatre, Native Earth Performing Arts, and last but not least Full Circle, which supports the development of Indigenous playwrights.

There are other ways to support Indigenous creators. Read, share and discuss their books. This should not be a one-time occurrence, guilt should not be the vector that guides your actions, virtue-signaling should not be your driver.

(4) APPERTAINMENT AT THE NEBULA CONFERENCE. They couldn’t slip a blatant typo like this past the pros:

(5) KAREN DAVIDSON OBIT. Karen Lynn Davidson, wife of Amazing Stories’ Steve Davidson, passed away today after a long battle with cancer. Steve said on Facebook, “Goodbye baby doll. I hope you got where you wanted to go.”

He also wanted everyone to know how much credit Karen deserved for the existence of Amazing Stories.

It is very important for me to be sure that everyone knows the following:

Behind the scenes, Karen made Amazing Stories happen.

Before we were married, Karen became well acquainted with my love for science fiction. She was not as interested (preferring Stephen King), but she happily indulged my passion…including all of my books.

When I discovered that the Amazing Stories trademarks had lapsed, Karen was the one who double checked me and confirmed that unbelievable fact.

When it came time to register new trademarks for the name, Karen was the one who agreed to spend some of our (very limited) cash reserves to fund the project.

When our investors dried up, Karen agreed to go back to work and allow me to try to bootstrap the magazine.

Whenever I was unsure what direction to take, Karen always provided valuable insight.

Whatever you may think of Amazing Stories, please know that without Karen, none of it would have happened.

This makes me wonder how many other non-fan supporters are owed a big debt by fandom and the genre for that support.

I’m taking the time now to thank Karen for this very special thing she did for me. If you know someone like her, it might be a good idea for you to do the same.

(6) TODAY IN HISTORY

  • May 19, 1928 — First Jumping Frog Jubilee in Calaveras County, California.
  • May 19, 2011 — HP Lovecraft’s The Whisperer in Darkness opens in Los Angeles.

(7) TODAY’S BIRTHDAY BOY

(8) NATAL YEAR FLIX. Thrillist invites you to check out “The Biggest Movie From the Year You Were Born”. It’s no surprise that I was considered old enough to see the “biggest” picture long before the “Best Picture” winner.

If you were born in 1953…

The BIGGEST movie was The Robe , which grossed $17.5 million in the United States.

The Best Picture winner was From Here to Eternity, which also won Oscars for Best Director (Fred Zinnemann), Best Supporting Actress (Donna Reed), Best Writing, Screenplay, Best Supporting Actor (Frank Sinatra), Best Cinematography, Black-and-White, Best Film Editing, Best Sound

But the best movie was Tokyo Story. A delicate, heart-crushing view into the lives of two grandparents reaching out to their narcissistic children for support and finding none — marked by director Ozu Yasujiro’s pristine attention to detail and framing.

(9) A HUNK OF BURNING LOVE. Add this to the list of things I’ve never heard about before: “China claims breakthrough in mining ‘flammable ice'”.

The catchy phrase describes a frozen mixture of water and gas.

“It looks like ice crystals but if you zoom in to a molecular level, you see that the methane molecules are caged in by the water molecules,” Associate Professor Praveen Linga from the Department of Chemical and Biomolecular Engineering at the National University of Singapore told the BBC.

Officially known as methane clathrates or hydrates, they are formed at very low temperatures and under high pressure. They can be found in sediments under the ocean floor as well as underneath permafrost on land.

Despite the low temperature, these hydrates are flammable. If you hold a lighter to them, the gas encapsulated in the ice will catch fire. Hence, they are also known as “fire ice” or “flammable ice”.

Chip Hitchcock suggests, “Filers may remember a sudden release of hydrated methane starting off a John Barnes(?) novel.”

(10) ICE HOUSE. Meanwhile, in the land of the midnight blog, Jon Del Arroz trolls the Worldcon.

(11) MEMORY VERSE. Carl Slaughter thought I should know this:

“I do not aim with my hand,
I aim with my eyes.

 

I do not shoot with my hand,
I shoot with my mind.

 

I do not kill with my gun,
I kill with my heart.” – The Gunslinger

 

The Dark Tower
Stephen King

(12) TRAGIC TROPE. Steven Harper Piziks tells “Why I Won’t See Alien: Covenant” — and he hopes everyone else will give it a miss, too. BEWARE SPOILERS.

I will not see this movie. I will not rent the DVD. I will not support this movie. And here’s why.

SPOILERS (you are warned)

According to various on-line sources, the sins of the same-sex relationship portrayal are the standard ones we’ve come to expect. First, although there were several initial shots to the contrary, there is little or no indication of a marriage–or any kind of relationship–between the two men throughout the film. They don’t touch. They don’t exchange endearments. There was apparently a brief moment of hugging between them in a preview, but that scene has been cut from the film, and that preview has been removed from the Internet. In other words, gay people are still invisible. No LGBT characters are actually in the spotlight. No LGBT protagonists. Just a couple of background guys who may or may not be in a relationship.

But the worst sin comes early in the second act. Hallett, one of the (so far probably) gay men, becomes infected with the alien infection, and a baby alien bursts out of his face. (Not his chest, like in the other movies, but out of his freakin’ face. He’s probably gay, so we have to up the nastiness.) While the ship’s captain leans in to murmur quiet apologies, Lope, the other probably gay guy, whispers, “I love you” and then is forced to walk away.

One more time, we have the gay tragedy….

(13) CRACKED CORNERSTONE. Critics gave the movie that launched the franchise a cool reception (for different reasons) — “‘Alien’: Why Critics in 1979 Hated It”. (I liked it a lot, myself.)

“Don’t race to [Alien] expecting the wit of Star Wars or the metaphysical pretentions of 2001: A Space Odyssey and Close Encounters of the Third Kind,” wrote Vincent Canby of The New York Times. A better comparison, he wrote, would be Howard Hawks‘ 1951 monster movie The Thing from Another World, all suspense and jump scares. Canby wasn’t the only critic to associate Alien with the kinds of horror flicks that played at 1950s drive-ins. Variety compared the film to It! The Terror from Beyond Space (1958), and The Guardian’s Derek Malcolm to The Creature from the Black Lagoon (1954). To these critics, Scott’s film was a throwback to a less sophisticated era of filmmaking. That’s why The Chicago Sun-Times’ Roger Ebert dismissed Alien as “basically just an intergalactic haunted-house thriller,” while Chicago Reader‘s Dave Kehr described the film’s conceit as “a rubber monster running amok in a spaceship.”

(14) PRIZE-WINNING ADS. Adweek reports “Graham, the Human Redesigned to Survive Car Crashes, Wins Best of Show at New York Festivals”. “Field Trip to Mars” and “Gravity Cat” also received awards.

Clemenger BBDO Melbourne has won Best of Show at New York Festivals for “Meet Graham,” the PSA campaign for Australia’s Transport Accident Commission (TAC) that involved the model creation of a human designed to withstand car-crash forces.

Automobiles have evolved much faster than humans. Graham was created by artist Patricia Piccinini, with help from a trauma surgeon and an accident research engineer, after she was commissioned to study the effects of road trauma on the human body. As the only “human” developed to withstand trauma on our roads, Graham is meant to make people stop and think about their own vulnerability, Clemenger says.

Two other campaigns received two Grand Prize Awards each: Lockheed Martin’s “The Field Trip to Mars” by McCann New York, in Activation & Engagement and Outdoor/Out of Home Marketing; and Sony Interactive Entertainment/Gravity Daze 2’s “Gravity Cat” by Hakuhodo Tokyo, in Branded Entertainment and Film–Cinema/Online/TV.

[Thanks to Chip Hitchcock, Mark-kitteh, Cat Eldridge. Steve Davidson, Carl Slaughter, John King Tarpinian, and Michael J. Walsh for some of these stories. A little bit short today because I’m fighting a terrible cold. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 1/13/17 Pixelcrantz And Guildenscroll Are Dead

(1) WHEN IRISH EYES ARE SMILING. Graeme Cameron has a great installment of “The Clubhouse” about the legendary Walt Willis at Amazing Stories.

In 1952 Walt was the recipient of the first Trans-Atlantic Fan Fund (TAFF) which paid his way to attend the Chicon II Worldcon in Chicago that year. To give you an idea of his inventiveness, he immediately wrote WILLIS DISCOVERS AMERICA (OR WHY MAGELLAN SAILED COMPLETELY AROUND IT), a report on his TAFF trip, BEFORE he made the trip. He crammed into its pages his impressions of America derived from all the American fanzines and correspondence he’d read to date.

“A Roscoeite!” exclaims the Chief Immigration Officer in horror. “By Ghu, this is a purple-letter day for us. We’ll show you how we treat vile infidels here. Men! Seize Ellis and transport him to Willis Island. His confederate too.”

“The South shall rise!” shouts Shelby defiantly as the Ghuist hordes close in on him. “Yeast is Yeast and …”

…Next, Willis and Shelby concoct a fiendish plan. They overpower a guard and a nurse, intending to put on their uniforms and walk out the door….

Willis and Shelby prepare to escape, but the unexpected happens.

“Now,” says Willis, “All we have to do is walk quietly out.”

He unlocks the door with the guard’s keys and is opening it slowly and noiselessly when there is the sound of rushing feet in the corridor and several men in prison guard uniform burst into the cell. Before Vick and Willis can utter a word they are gagged and bound by six of the strangers while the rest carry out the unconscious guard and nurse. The leader pauses dramatically on the threshold. “If anyone asks you who rescued Willis and Vick,” he says proudly, “tell them it was Harlan Ellison and the Cleveland Science Fantasy League. That’ll show Ken Beale. It’s not every fan group who would have thought of overpowering some of the guards and taking their uniforms.”

But every fan group does. Six in all, in fact, in sequence. Each offering Willis an opportunity to poke fun at them. Needless to say, no one escapes.

(2) GETTING AN AGENT FOR TV WRITING. Joshua Sky taps into his experience when offering his “Advice on Landing a Genre TV Lit Agent” at the SFWA Blog.

The first thing a writer will need are two killer television scripts, in the same format and in their target genre. This may sound obvious, but is nevertheless true. The hardest part isn’t just writing your script, it’s getting someone to read it, which is why it has to be excellent because second chances with a script reader are rare. The reason the writer will need at least two samples is because the agent wants proof that the scribe can do it more than once.

The writer will need to be very specific about exactly what kind of scribe they are gunning to be. A Hollywood agent won’t want someone who is open to any genre. For example: someone who blithely says that they’ll write anything, or enjoys both comedy and drama. So be precise. For our intents and purposes, we are targeting the science fiction / genre market. The samples that got me my second TV agent were two science fiction pilots. I pitched myself as the kind of writer who understood high-concept genre fare and yearned to write one-hour dramas. Shows like Man in the High Castle, Westworld and The Expanse.

After you have the requisite samples, and only then, you can begin submitting and querying agents. But to be honest, referrals work best. In my ten years in the industry, I have never met any writers who have been able to obtain a reputable TV agent via email query. I’ve heard tales of that happening, but they are very rare, like people who sell scripts that don’t live in LA, it’s more the exception than the rule.

(3) TWO OCTAVIA BUTLER ARTICLES. Salon interviews Junot Diaz — “Remembering Octavia Butler: ‘This country views people like Butler and like Oscar as aliens and treats people like us like we’re from another planet”.

But the readers and writers who admire Butler and dig her work are everywhere. One of them is Junot Díaz, author of “The Brief Wondrous Life of Oscar Wao” and “This Is How You Lose Her” and a lifelong science-fiction fan. Díaz, who teaches at MIT and lives outside Boston, corresponded with Salon about Butler and her work.

Let’s start with her achievement as a writer. How “significant” substantial. original, inventive, etc. was Octavia Butler?

Butler is a foundational figure and in my option one of the most significant literary artist of the 20th century. One cannot exaggerate the impact she has had across canons — as creators, readers, critics, we’re still wrestling with her extraordinary work. I teach her every single year without fail. To me she is that important.

Sheila Liming tells about “My Neighbor Octavia” at Public Books.

For years, I knew Octavia E. Butler, the famed African American science fiction and fantasy writer, by her first name only. That was the way she introduced herself when I first met her back in the fall of 1999. Butler had just purchased the house across the street from my parents’ and joined the ranks of our rather conventional suburban community in Lake Forest Park, WA, located just north of Seattle. A spate of rumors had attended her arrival on the block: “Octavia” wrote novels (about aliens!); “Octavia” had one of those “genius” grants; “Octavia” lived alone and was a reclusive artist type.

Andrew Porter sent these links together with this never-before-published photo of Butler.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

(4) BECOMING A WINNER. 2016 Tiptree fellowship winner likhain’s application statement has been posted online. (likhain appears to be the desired name, but they have also used M. Sereno, Mia S., or Mia Sereno, per this post by Rose Lemberg).

I want to share with you the personal statement I submitted as part of my application, answering the question of how I work with speculative narrative to expand or explore our understanding of gender. I wrote this at the eleventh hour before submissions for the Fellowship application closed; I was quite sure I wouldn’t get the fellowship anyway, but I felt I had to speak, to say why I was doing my work — even if it came out broken and incoherent and raw.

I’m glad the selection committee saw something in my words that resonated. I’m glad they felt my work deserved supporting — that there is something in it that bears developing, some form of brightness to be seen. I’m so honored to be a Tiptree Fellow.

How do I work with speculative narrative to expand or explore our understanding of gender?

Through my art, I explore the weight of my heritage as a queer Filipina, heir to a history of struggle and revolution, colonization and war; descendant of women who spoke and fought, built and taught, and were as unflinching in their pursuit of their goals as they were wholehearted in their love. My understanding of being a woman is different from the dominant narratives I see in the white West: from childhood, we were always the brave ones, the bright ones, the ones who gave the impossible because we were strong enough to shoulder unbearable cost, the ones who did what was needful when it was too difficult for men, the ones who stood as the last line of defense against annihilation and the dark.

(5) A NEW RECORD. Foz Meadows posted a screencap on Tumblr with this endorsement:

Dear internets, please enjoy the single most batshit ridiculous comment ever left on my blog.

It was left on her blog post “Westworld: (De)Humanising the Other”, but it was inspired by a slam against her and Steve Davidson by Vox Day.

(6) STAR WARRIOR. An actor who has had many memorable roles since becoming famous on Cheers adds his iconic mug to a new franchise — “Woody Harrelson officially joins young Han Solo film”.

Harrelson will join Game of Thrones actress Emilia Clarke, who also has an unspecified role, as well as Atlanta star Donald Glover as Lando Calrissian.

Alden Ehrenreich (Hail, Caesar!) has the lead part of the galactic smuggler, and he was recently photographed by a fan having lunch with Harrison Ford. We have yet to learn what words of wisdom the original Han Solo had for the new guy, although the bearded Ehrenreich appeared to have Ford beat in the “scruffy nerf-herder” department.

(7) BLATTY OBIT. William Peter Blatty, author of The Exorcist, has died at the age of 89. The New York Times obituary says —

“The Exorcist,” the story of a 12-year-old girl possessed by the Devil, was published in 1971 and sold more than 13 million copies. The 1973 movie version, starring Linda Blair and directed by William Friedkin, was a runaway hit, breaking box-office records at many theaters and becoming the Warner Bros. studio’s highest-grossing film to date. It earned Mr. Blatty, who wrote the screenplay, an Academy Award. (It was also the first horror movie nominated for the best-picture Oscar.)

“The Exorcist” marked a radical shift in Mr. Blatty’s career, which was already well established in another genre: He was one of Hollywood’s leading comedy writers.

Mr. Blatty collaborated with the director Blake Edwards on the screenplays for four films, beginning in 1964 with “A Shot in the Dark,” the second movie (after “The Pink Panther”) starring Peter Sellers as the bumbling Inspector Clouseau and, in some critics’ view, the best. His other Edwards films were the comedy “What Did You Do in the War, Daddy?” (1966); the musical comedy-drama “Darling Lili” (1970); and “Gunn” (1967), based on the television detective series “Peter Gunn.” He also wrote the scripts for comedies starring Danny Kaye, Warren Beatty and Zero Mostel.

(8) TODAY IN HISTORY

  • January 13, 1930 — Mickey Mouse comic strip debuted in newspapers.
  • January 13, 1957 — The Wham-O Company developed the first Frisbee.
  • January 13, 1972 A Clockwork Orange has its first showing in the UK.

(9) A FORETASTE OF HORROR. American Horror Story will return for a seventh season and has been renewed for two more beyond that.

The first details about the seventh edition of American Horror Story are being revealed.

The next edition of the hit horror anthology is adding two very familiar names: Emmy-winning actress Sarah Paulson and her fellow AHS franchise veteran Evan Peters are both on board, executive producer Ryan Murphy told reporters at the Television Critics Association’s press tour in Pasadena, California after a panel for the upcoming limited series Feud.

The next cycle will also be set in modern times, he said.

The revelations came after Murphy was asked if the upcoming season will keep its subject matter a mystery — like FX did with last year’s Roanoke.

(10) BIZARRE COLLECTABLES. Having a bunch of these around the house, sure, that will cheer you right up (rolls eyes) – Dangerous Minds tells about collectable Hieronymus Bosch figurines.

I’m not a big knickknack person. I like to keep my home sparse in the “tiny objects” departament. But I must admit I really do dig these Hieronymus Bosch figurines. They’re kinda cool-looking in their own obviously weird way. I especially like the ones from Bosch’s Garden of Earthly Delights.

They’re also not too expensive. The figurines start at around $45, depending on quality, size and detail. I’ve posted a range of different figurines and where to purchase below each image if you’re interested.

tree-man-hybrid-creature-statue-adaptation-by-hieronymus-bosch-5h-jb01-1_1024x1024_465_623_int

(11) RICHARD MATHESON FLASHBACK. From Time Magazine’s 2013 obituary:

Fear lives forever. If as kids we are scared witless by some moment in a story, movie or TV show, it goes into a bank of memories we can tap and withdraw, with a shudder or a smile, for the rest of our lives. In popular culture of the past 60 years, few writers deposited more images of dread in the cultural consciousness than Richard Matheson, who died Sunday June 23 at his Calabasas, Cal., home at the age of 87. Here are a few of the images he implanted:

A man notices he is losing wright — no, he’s getting smaller (The Incredible Shrinking Man). An airline passenger sees a gremlin cavorting maliciously on an airplane wing (“Nightmare at 20,000 Feet” on The Twilight Zone). A driver on a lonesome highway is menaced by a killer truck (“Duel,” made into a 1971 TV movie by Steven Spielberg). A child disappears into the fourth dimension, her cries still audible to her father (“Little Girl Lost,” The Twilight Zone). A plague of vampires roams the Earth (the novel I Am Legend). A man discovers he has psychic powers that make him hear the thoughts of his neighbors, and of the restless dead (A Stir of Echoes). A young couple is visited by a stranger who tells them they’ll be rich if they just push a button that will instantly kill someone they don’t know (“Button, Button,” The Twilight Zone). A woman buys a Zuni fetish doll as a joke gift, then is attacked and assaulted when the doll comes to life (“Prey,” later a segment in the TV movie Trilogy of Terror).

(12) WATCH THE SYMPOSIUM. Tiptree Winner Eugene Fischer links to eight 2016 Tiptree Symposium videos.

In December I traveled to Eugene, Oregon to attend the 2016 Tiptree Symposium, a two-day academic conference on the work of Ursula K. Le Guin. I got to see some old friends, made some new ones, briefly met Le Guin herself, and heard many thoughtful panels and lectures. If that sounds like something you’re sad to have missed, you’re in luck: the University of Oregon has put videos of the presentations online.

I’m planning to rewatch several of these, starting with the incredible panel Alexis Lothian put together on “Speculative Gender and The Left Hand of Darkness,” featuring Aren Aizura, micha cárdenas, and Tuesday Smillie presenting three trans perspectives on the novel. I took five pages of notes on this panel alone, and came away feeling I hadn’t been able to jot down everything I wanted to think more about.

(13) HARD TRUTHS. Selections from Chuck Tingle’s visit to “Ask Me Anything” on Reddit.

  • well the timelines get HARDER as they go deeper and deeper into the tingleverse and techincally the hardest timeline is THE TINGULARITY i have never gone that far down as I am worried I would not make it back. the farthest i have visited is the timeline where all language is the word butt and there channing tatum makes up most of reality
  • well it is easy to see that love is real when you think about the way the sun shines or the way CHANNING TATUM looks handsome with his new haircut. so you can think on these things and consider that there are other timelines where channing tatum does not exhist or even one where he is a large frog. but it is also important to remember that IT IS OKAY TO BE SAD and IT IS OKAY TO BE WORRIED this is a normal part of being a buckaroo, then we consider this am move forward togeather as courageous bucks
  • when i sit down to write a tingler I think about the basic way of the story (this is through meditation on the deck) and then I think WHAT IS THE BEST WAY TO MAKE THIS PROVE LOVE. sometimes a story is good and fun or maybe spooky but it does not prove love and this is the most important part. so i think the key as a true buckaroo is to think HOW CAN THIS MAKE ME PROVE LOVE? how can this make a reader feel hot-to-trot after like they want to prance and maybe kiss a handsome plane or a handsome meatball or even maybe a handsome concept of playoff odds

[Thanks to John King Tarpinian, JJ, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Complaint About Term “Neo-Nazi” Results in Foz Meadows Post Moving from Black Gate to Amazing Stories

Black Gate published Foz Meadows’ analytical essay “Unempathic Bipeds of Failure: The Relationship Between Stories and Politics” (archived version) on December 7.

As it originally appeared, the post included these lines  —

For the past few years, the Sad and Rabid Puppies – guided by an actual neo-Nazi – have campaigned against what they perceive as the recent politicization of SFF as a genre, as though it’s humanly possible to write a story involving people that doesn’t have a political dimension; as though “political narrative” means “I disagreed with the premise or content, which makes it Wrong” and not “a narrative which contains and was written by people.”

Vox Day, who was not named in Meadows’ piece but is the subject of the linked We Hunted the Mammoth article, immediately published an objection to her “neo-Nazi” characterization, and asked Black Gate to remove it.

I have written to John O’Neill, my former editor at Black Gate, asking him to remove this false, malicious, and materially damaging libel directed at me, and by extension, the Sad and Rabid Puppies. As I was a long-time contributor to Black Gate, Mr. O’Neill knows perfectly well that I am neither a neo-Nazi nor a National Socialist, I have never been a neo-Nazi or a National Socialist, I do not belong to, or subscribe to the tenets of, the German National Socialist Workers Party or any subsequent facsimile, and I do not appreciate the libelous attempts of Ms Meadows, to publicly and falsely assert that I am “an actual neo-Nazi”.

On December 11, Black Gate truncated its version of Meadows’ post. What remains now are two introductory paragraphs and a link indicating the rest can be read at Amazing Stories. (The link is not yet operative, for reasons outlined below.)

Foz Meadows explained for File 770 the steps that led to her essay originally appearing on Black Gate:

I pitched John a piece about the relationship between politics and SFF back on November 14th; he expressed an interest, and I turned it in to him on December 8th. He read, approved and posted it to the site himself.

The day after it appeared, O’Neill wrote to Meadows discussing reaction to the post.

Checking my email, I found two missives from John on the subject. The first warned me that there was some ugliness about insults and doxing me in VD’s comment thread; he said he’d been getting threats from VD’s readers, that VD himself had sent a lengthy email demanding a retraction, and to let him know if I started getting harassed.

The second email was longer: as VD lives in the EU where there are laws about Nazi affiliations, John said, he (VD) was concerned that being called a neo-Nazi could have adverse legal consequences for him, and though John expressed his agreement with and support of what I’d written, he nonetheless didn’t want to risk Black Gate being the source of an actual legal difficulty for someone else. As such, he asked if I’d consider changing my wording as a personal favour to him. I didn’t want to do that for a number of reasons, not least because we’re at a point in history where refusing to acknowledge the neo-Nazism of the alt-right, with which VD is openly affiliated, is a major contributing factor to its normalisation. To me, this was a statement worth defending. VD denies being a misogynist while saying that women shouldn’t have the right to vote, denies being racist while spouting white supremacist dogma, and denies being homophobic while defining queerness as a defect and a moral failing: that he would additionally deny being a neo-Nazi while defending anti-Semitism and espousing xenophobic, ableist and ultranationalist views, among others, fits the established pattern of his behaviour. His dislike of the label doesn’t moot its applicability, and as I pointed out to John, I’m hardly the first person to call him one, whether online or off. John agreed again, but reiterated his preference that Black Gate not risk responsibility for getting someone else in legal trouble, however hypothetically.

O’Neill proposed several ideas for removing the controversy from Black Gate.

Initially, it was suggested that I could either change my wording in the piece and write a footnote explaining why, or else move it to my own blog with a link remaining at Black Gate. However, John also mentioned that Steve Davidson of Amazing Stories had contacted him in support of what I’d written and was willing to back me up on it, and would I consider transferring the unaltered piece to his site? After a further back and forth with both Steve and John, I agreed to that. However, owing to various emails getting caught in spam filters, there was a miscommunication about timing between Steve and John: Steve wanted to research and write a footnote of his own before posting the piece to Amazing Stories, while John assumed it was good to go. Hence the current state of affairs where the truncated version is up at Black Gate, but linking to a URL that hasn’t yet posted the rest.

Essentially, then the issue is this: a man who happily uses feminazi as an insult, gives commenters who think Nazis are preferable to feminists a space on his blog, and who has publicly said that people have a right to be anti-Semitic, thinks my calling him a neo-Nazi is both inaccurate to the point of being libelous and concrete enough to potentially get him in trouble. Rather ironic, really.

Meadows’ expects the essay to reappear before long at Amazing Stories.

Black Gate’s O’Neill published the essay without having committed to keep it online when the inevitable objection came. That one would be coming could be predicted based on Vox Day’s success in extracting apologies from Tor Books’ Tom Doherty and Irene Gallo  after Gallo referenced the Rabid Puppies as a neo-nazi group on Facebook in 2015.

Steve Davidson Interviewed About Amazing Stories

amazing-poster-public-version-compressedBy Carl Slaughter: Amazing Stories isn’t just one of those old-time sci-fi magazines from the Golden Age of rockets, rayguns, and robots. Revived by publisher and fan Steve Davidson, it is well on its way to becoming a full-fledged speculative ezine, including pro rate fiction by current authors. Amazing Stories recently passed 35,000 registered users.

CARL SLAUGHTER: What was the inspiration for reviving Amazing Stories?

STEVE DAVIDSON: I’m a history buff and an SF fan. “Firsts” have always fascinated me and beyond being the first SF mag, Amazing Stories was the first magazine I was exposed to. I’d like to believe that I “almost” got a couple of stories published in it – I did get a couple of letters and an editorial mention during the Ted White era. And, of course, so many of the founders of the genre got their initial inspiration from the magazine (and Wonder Stories) that I felt it a shame that the magazine was no longer around.

When I discovered in 2008 that Hasbro had dropped the trademark (despite having had prior offers to purchase it), I figured two things: first, that someone ought to register the trademark if only to save it for future generations (indeed, it was fated to have become the title for a series of Canadian travel magazines) and I figured that if worse came to worse, I could easily sell the title to recover my investment, so it was really a no brainer. (And didn’t cost me as much as most since I do trademark and provisional patent applications.)

CS: What’s the vision?

SD: Initially what I stated previously; make sure the name remains in friendly, fannish hands.

But then it took over three years for the trademark to register, which gave me plenty of time to analyze publishing, SF publishing, electronic publishing, social networking, etc. and I formulated a plan that can be summed up as a “social magazine”. The basic idea was to partner a daily blog with a fiction magazine, all running on a social network type platform.

At the same time, I also decided on a couple of personal goals: 1. that Amazing Stories would never be “out of print” again; 2. that whatever I did, it would be on a sustainable basis (necessary for #1) and 3. that when it paid, it would be a professional market. (The fiction we have purchased so far has been paid for at “SFWA qualifying rates”.)

I wanted it to become a great watering hole for fandom, regardless of where your fandom took you. I identified 15 areas of interest (three genres of literature, television, art, film, comics, modeling, etc) that would receive regular coverage in the blog, hopefully drawing in readers whose primary interest was one or more of those disciplines. Then we’d use the social networking features to demonstrate to everyone that we all have far more in common than not.

Fiction-wise, the idea was to publish new fiction and reprint fiction weekly, bundle it together for an “issue” (e and POD); bundle three months together as a “quarterly” and then do the same with the entire year’s worth as an “annual”; this was designed to make everything available at different price points. If an “issue” was perceived as too expensive, you could wait and get three of them for what amounted to a discounted price, same, with a comparatively greater discount for the annual.

That of course was also designed to provide regular marketing pushes for the fiction as well – each piece would be promoted three times a year.

All of the above was predicated on two beliefs. First, that the name was iconic enough that I would be able to derive income from licensing the property. This has come to pass with three licensing deals (reprint line of books, signage and the NBC TV deal) with the possibility of more in the future. Second, that I would be able to find investors capable of understanding the vision and willing to invest in a “new” kind of publishing, where the platform generated the audience.

This latter concept has not borne fruit (yet).

And, I was not planning on launching when I did. In fact, I wasn’t going to launch until I found the investors, but I quickly found myself under so much pressure to “do something” that I took the initial plan and trimmed it for a no-funding, bootstrap effort, which is pretty much where we’ve been treading water for the past couple of years. It’s sustainable in that I can keep the site going indefinitely for little or no outlay, we have gotten a few issues out (working on one now) and have become a regular place on the internet for fans.

Amazing_April_2014_cover SMALL

 

CS: Who’s involved and in what capacity?

SD: Myself, Kermit Woodall as grand master of the website (and a side-job doing layout); Duncan Long as Art Director and provider of great illustrations, Tanya Tynjala as Spanish Language editor, Ricky Brown as reviews editor, Alexi Vandenburg for marketing and the “can’t be praised enough” Ira Nayman as managing editor. You can find everyone involved on our Staff page, not to mention the stalwarts who continue to regularly contribute! (http://amazingstoriesmag.com/amazing-stories-blog-team/)

CS: What kind of features do you currently offer and what’s in the works?

SD: Well, things have been greatly curtailed by my wife’s cancer diagnosis (this past April). Its quite serious and I am playing full-time care giver. This was a double-whammy though, as Karen was bringing in the bulk of our income while I worked on developing the site.

This past August we were scheduled to unveil our plan for returning the magazine to print with two annual issues, distributed in a manner that would have been unique to the industry, eminently economical and (no exaggeration) having the potential of printing several hundred thousand copies an issue. The potential for advertising revenue was solid, our research indicated that we could START with distribution numbers of between 30 and 40 thousand copies per issue and everything would be neatly tied together for that “watering hole” I mentioned.

The day before Karen’s diagnosis, I had passed pre-press info on to the staff. A couple of weeks later, Karen had a series of strokes in addition to the breast cancer and that killed all of my plans; the debut was to have been at MidAmeriCon II, where I was assured of an accepting audience (and the presence of most of the decision-makers in the field) and up until having to cancel those plans I was very confident of success.

Since then the daily work has passed to Ira.

We have plans – lots of them – but I don’t currently have the capacity to commit to anything long range; time is an issue, money is an issue, but we’ll keep moving forward until things change.  Our licensing partners continue to move forward – Bryan Fuller has returned to showrunning for the TV show and Futures Past Editions just added the 1929 Best of anthology and a facsimile edition of the Amazing Stories Annual to our offerings.

CS: What about anthologies and art collections?

SD: Anthologies, drawing on the magazine’s early years are already available, with more coming. Visit here to find them all.

For art, we’ve got our Frank R. Paul posters, as well as posters from two of our new issues. I’d love to do a “history of the art in Amazing Stories, but that kind of project is outside the budget at the moment.

CS: Who is using the Amazing Stories name and what’s the strategy for stopping them?

SD: Anyone and his brother who thinks that Trademarks work in the same way as copyrights. Hint: they don’t.

I don’t want to become an industry that threatens to sue everyone improperly using the name, but I also have a duty to my licensing partners to preserve and protect it. Right now I am spending what little free cash I have on IP attorneys. The research they are doing will determine who we go after and how; we’re still trying to decide whether to get settlements from “little guys” first, or go after a big kahuna first. The latter is potentially more attractive for a variety of reasons – publicity, the potential winnings (some have already been informed of their infringement and have chosen to ignore that notice, which means they could be up for treble damages) and the possibility of making things better for many others who find themselves in similar circumstances; going after little guys first is usually done to help build a case against the larger guys, but it usually involves a lot of what some might call “intimidation” and I’m not that comfortable with that. But in the end the attorneys are going to tell me what our best course will be and we’ll pursue it.

CS: Your take on the Hugo situation?

SD: I think it is a shame when folks determine that the only way they can experience success is to attack someone/something else. And I think it doubly shameful when most of the initiating angst comes from ignorance (apparently willful in some cases).

I view Fandom as a sub-culture. Further, it’s a mobile sub-culture, very similar (when you examine is closely) to Judaism in Diaspora. That latter culture has survived for thousands of years because it is protean and adaptable. Likewise for Fandom. We’ll get past the BS, we’ll have learned a few things, we’ll incorporate those lessons and we’ll move on. Because Trufans love Fandom for the potentials it promises and, as the Hugo voting in 2013 demonstrated, there’s one thing that will unite almost all of Fandom, and that is attacking the very idea of what Fandom is.

CS: Where can we catch up with you on the convention/fan circuit?

SD: At home. Due to my duties as caregiver, I have had to forgo all travel.

Pixel Scroll 12/7/16 While Pixels Watched Their Scrolls By Night

(1) DAMN THE SPOILERS, FULL SPEED AHEAD. Scott Timberg writes for Salon on “The art of ‘Archer’: ‘The arc of the character of Archer is really interesting’”. I’m told there are spoilers – but I rarely watch Archer so I read the profile anyway….

Oh, yeah, Archer’s favorite movie is what again?

He loves “Gator” and also “Smokey and the Bandit.” And there are references to “Deliverance” and “Hooper,” all of them.

I took this show originally as a kind of guilty pleasure for other retro straight guys who like single-malt scotch and ’50s Playboy and “Man Men.” But I’ve found gay men and left-leaning feminist women who love “Archer,” too.

It makes me wonder: Is this a show that heroizes Sterling Archer as the coolest cat ever or is it somehow a critique of toxic masculinity? Is he a sleek, Bond-like hero or a cross between a frat boy, a hedge fund asshole and a lacrosse bro?

I think it’s all of that. But I also think it’s up to each individual viewer; I would never tell anybody what to think about it. What I personally love about it is that it shows all sides of Archer, this character. On one hand, he definitely fits the image of the lacrosse bro. And then he has a moment where he says, “Pam, I think you’re my best friend.” There’s a real heart to this person.

He’s not a flat character at all. He definitely has blind spots, you know? And he definitely pretends to have blind spots. There’s a description of him as “willfully obtuse,” which I think is quite apt.

(2) PARALLAX VIEWS OF THE NEWS. “Cassini sends back intriguing pictures of Saturn from new ring-grazing orbit” says the Los Angeles Times.

Cassini’s cameras captured the latest images of the giant hexagon on Dec. 2 and 3, a few days after the spacecraft first began its new orbit on Nov. 30. Each side of that six-sided figure is about as wide as Earth. At the center, a giant storm swirls on the north pole. It’s a surprising structure, surrounded by Saturn’s smoother rings, and scientists have long wondered how it maintains its shape. (Saturn’s larger cousin, Jupiter, has no such shape at its northern pole.)

“Forget the Great Red Spot – Saturn has a hexagonal storm” reports the BBC. (Both articles have the same newly-released photos.)

The destructive ending being planned for Cassini is a result of the spacecraft having nearly exhausted its fuel.

But Nasa is also concerned about the small, yet important possibility that the probe will crash into one of Saturn’s moons at some point in the future.

Given that some of these bodies, such as Enceladus, are potential targets in the search for extra-terrestrial life, it has the potential to contaminate these bodies with terrestrial microbes borne on Cassini.

Starting from April, Cassini will begin its grand finale, in which it will make the first of 22 dives through the 2,400km gap between the planet and its innermost ring.

The spacecraft will make its final plunge into the atmosphere of Saturn on 15 September.

(3) FUND APPEAL. Katherine Kerr needs to rebuild her career so she can afford her husband’s care. More details on her Patreon site.

Yes, my author photo there looks a little grim. Here’s why. Six years ago, my much-loved husband developed early-onset Alzheimer’s dementia.  As you can probably guess, this turned our lives upside-down.  My writing career first faltered, then ground to a halt while I desperately tried to take care of him myself.  Didn’t work — we now have a full-time live-in caregiver while I try to get my writing back on track.  Our primary caregiver, VJ, is wonderful but he isn’t cheap, just worth every penny….

What I want to do is get my writing career back on track. I have a contract for a new book in the Deverry universe.  I also want to write more short fiction. In the meantime, however, those bills make it hard to concentrate.  I spend about $300 a week on food, basics, and utilities, plus even more on medical expenses. My current income falls short.  Any help I can get is very very welcome. And thank you all very much.

(4) HINES BENEFIT AUCTION #11. The eleventh of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for a flash fiction story from Stephanie Burgis, written specifically for the auction winner.

Today’s auction is for a brand new flash-fiction story written for you. That’s right, author Stephanie Burgis will write a story for the winner of the auction about any of the characters from her published novels – the winner gets to choose! You’ll let her know which character should be the protagonist, and Burgis will write it within a month of getting the commission. You can find all of her published works on her website.

Burgis reserves the right to share it with other readers later, but it will belong to the winner alone for the first month after she sends it to you.

(5) SWEDISH SF ARTIST LAUNCHES KICKSTARTER. There’s a new Kickstarter campaign for an RPG based on Simon Stålenhag’s art, Tales from the Loop: Roleplaying in the 80s that never was”.

In 1954, the Swedish government ordered the construction of the world’s largest particle accelerator. The facility was complete in 1969, located deep below the pastoral countryside of Mälaröarna. The local population called this marvel of technology The Loop.

Acclaimed scifi artist Simon Stålenhag’s paintings of Swedish 1980s suburbia, populated by fantastic machines and strange beasts, have spread like wildfire on the Internet. Stålenhag’s portrayal of a childhood against a backdrop of old Volvo cars and coveralls, combined with strange and mystical machines, creates a unique atmosphere that is both instantly recognizable and utterly alien.

Now, for the first time, YOU will get the chance to step into the amazing world of the Loop. With your help, we will be able to create a beautiful printed RPG book about the Tales from the Loop.

This game is our third international RPG, after the critically acclaimed Mutant: Year Zero and Coriolis – The Third Horizon. The lead writer is the seasoned Swedish game writer Nils Hintze, backed up by the entire Free League team who handle project management, editing, and graphic design.

(6) REPURPOSED HISTORY. The election of Donald Trump has made some people revise the history of the Puppy Wars of 2015 – can no one accurately remember what happened only last year? – to furnish a heroic example for the current resistance narrative. See — “Patrick S. Tomlinson Wants YOU To Fight The Power”.

Eventually, the intractable nature of the invaders became clear and a new strategy of opposition and containment emerged. To countermand the exploitation of the nomination rules slate voting represented, the equally devious, yet totally legitimate under the same rules, voting for “No Award” became the marching orders for the faithful.

And it worked. With a clear plan in place, our superior numbers and organizational skills kicked in and slapped the puppies’ poisoned pills out of five categories, doubling the number of times No Award had been given in the Hugo’s entire seventy-three-year history up to that point. I was sitting in the audience for the ceremony. It was electric.

And despite their whining in the aftermath about “burning down our own awards” the attack had been largely turned back. The very next year, puppy influence over the nominations had already begun to ebb, with fewer categories subject to full slating takeovers and fewer No Awards handed out as a result. More women and POC won major awards. And by next year, changes to the rules will see the threat recede even further in the future.

That is how in two short years we beat back the puppies, and that is the model we have to use now that the same sickness has metastasized onto our society, indeed all of Western Civilization. It’s easy to forget now, but the facts are the forces of fascism and intolerance are exactly like the hordes of GamerGate and the Puppies. They are loud, angry, aggressive, shameless, and without scruples.

But they are also a clear minority. As of this writing, more than two point three million more Americans had voted for Hillary Clinton over Donald Trump. More Americans voted for Democratic Senators. More Americans voted for Democratic Representatives in the House. It is only through exploitation of the rules in violation of the spirit of American democratic ideals that the forces of intolerance and bigotry maintain their majorities. This has been true for more than a decade. This makes them vulnerable to our superior numbers should we have the foresight and resolve to set aside our petty bickering and unify in an organized fashion and agree to a coherent plan of counterattack.

(7) POLISH FANZINE. For Eurocon this year the publishers of the Polish fanzine Smokopolitan produced an English-language edition, which includes two articles about fandom. You can download a .mobi or .pdf version here.

We proudly present our special English issue, created for Eurocon 2016 in Barcelona. Inside you will find short stories by, among others, Pawe? Majka, Andrzej Pilipiuk and Micha? Cholewa, as well as essays about many branches of speculative fiction in Poland

(8) GLENN IN HOSPITAL. Former astronaut and U.S. senator John Glenn reportedly has been hospitalized for the past week.

Hank Wilson with Ohio State University’s John Glenn College of Public Affairs said Wednesday that the 95-year-old Glenn is at the James Cancer Hospital, but that doesn’t necessarily mean he has cancer.

Wilson said he didn’t have other information about Glenn’s condition, illness or prognosis.

Glenn apologized for his poor eyesight this year at the renaming of Columbus’ airport after him. He said then he’d lost some of his eyesight because of macular degeneration and a small stroke. Glenn had a heart valve replacement in 2014.

(9) TODAY IN HISTORY

  • December 7, 1925 – Future five-time Olympic gold medalist and movie Tarzan Johnny Weissmuller set a world record in 150-yard free-style swimming.
  • December 7, 1945 House of Dracula shown for the first time. The film features four different actors in the role of Frankenstein’s Monster: Glenn Strange, Boris Karloff (via footage from The Bride of Frankenstein), Lon Chaney Jr. and his stunt double, Eddie Parker (via footage from The Ghost of Frankenstein).

house-of-dracula

(10) TODAY’S BIRTHDAY GIRL

(11) ANOTHER BEST OF THE YEAR LIST. The list of 44 books in “NPR’s Best SFF of 2016” has “Something to outrage (or at least annoy) almost everyone, I expect….,” promises Chip Hitchcock.

(12) AMAZING STORIES, THE MAGAZINE. Today Amazing Stories highlights “’The Great Milo’ by David Gerrold”, one of the stories by established pros included in its issue along with winning stories from its Gernsback Writing Contest. The tag from Gerrold’s story is —

Never piss off a man who buys ink by the barrel.

(13) COMING TO A TBR PILE NEAR YOU. Nancy Palmer and Bertie MacAvoy agree – they loved Craig Russell’s Fragment.

Nancy Palmer reviewed it at her website.

…I ended up reading the whole thing, compulsively. It’s a slender volume. The story, however, is a big one.

Sometimes what’s scary about a thriller is its plausibility. One of the things speculative fiction writers do best is tell the truth sideways.  And there’s a lot of truth here. Craig Russell’s near future ecological and political world are a little too easy to imagine as reality. It was a compelling, but uncomfortable read: I found myself reading faster as the story progressed, hoping there might be some way to avert disaster. Maybe something in the way of hope, that might be carried past the pages of the book and into the outer world. The hubris and political manipulation in Fragment: yes, there are real-world analogs. Seeing the potential outcome as spelled out in this novel? Dread inducing. But I couldn’t look away.

And Bertie MacAvoy praises it, too:

I just loved Craig Russell’s first novel, Black Bottle Man, and told him so, although I didn’t know the man at all.  It was an old-fashioned sort of novel, very much in control, and I found it fantastically well written.  May others have agreed, if you look at the number of awards it received for a debut novelist.  I awaited his second novel eagerly.

Not only  is it just as good, or better, but it is wildly unconventional, even for these most unconventional S.F. days, and it caught me so firmly I wasn’t even aware of the tricks he was playing on the reader until the book was 65% read. I love being tricked, when it is done well.  (Done poorly, however, of course, I just feel let down.)

It strides the border between intricate Science Fiction and an almost Kafka-esque style.  And doesn’t break the rules of either.  That is the ultimate trick.

So I advise all and sundry to read ‘fragment’.  You will be the better for it.  And, it’s quite a thrill-ride.

(14) CLIPPING SERVICE. “How The Internet Unleashed a Burst of Cartooning Creativity” is a piece on Medium.com that was originally published in The Economist in 2012 (so it’s not behind the Economist paywall).  Randall Munroe is prominently featured, but Kate Beaton and Zach Weiner are also interviewed. Also of interest is the section on Arab cartoonists who would be censored if they were restricted to newspapers but are freer to express themselves on the Net.

Triumph of the nerds

The decline of newspapers and the rise of the internet have broken that system. Newspapers no longer have the money to pay big bucks to cartoonists, and the web means anybody can get published. Cartoonists who want to make their name no longer send sketches to syndicates or approach newspapers: they simply set up websites and spread the word on Twitter and Facebook. Randall Munroe, the creator of “XKCD”, left a job at NASA to write his stick men strip, full of science and technology jokes (see above and below). Kate Beaton, a Canadian artist who draws “Hark, A Vagrant”, sketched her cartoons between shifts while working in a museum. Matthew Inman created his comic “The Oatmeal” by accident while trying to promote a dating website he built to escape his job as a computer coder.

The typical format for a web comic was established a decade or more ago, says Zach Weiner, the writer of “Saturday Morning Breakfast Cereal”, or “SMBC” (below). It has not changed much since. Most cartoonists update on a regular basis?—?daily, or every other day?—?and run in sequence. “I think that’s purely because that’s what the old newspapers used to do,” says Mr Weiner. But whereas many newspaper comics tried to appeal to as many people as possible, often with lame, fairly universal jokes, online cartoonists are free to be experimental, in both content and form.

(15) SFFSFF. The annual Science Fiction + Fantasy Short Film Festival (SFFSFF) at Seattle’s MoPOP has announced its program selections for the January 28, 2017 event. From Seattle Seahawks battling giant monsters through the city’s streets to a mind-altering cell phone app with unintended consequences, this year’s lineup of 23 films is presented in two packages with a 30-minute intermission between sessions and concludes with an awards ceremony. Ticket information and further details at the linked site.

(16) SCOUTING REPORT. This Inverse article – “11 Science Fiction Books That Will Define 2017” includes the official title and cover for book #3 in Jemisin’s Broken Earth Trilogy.

Science fiction books have always looked toward the future through both creative speculation and adventurous escapism. After the 2016 Presidential Election, science fiction authors are poised to be more influential than ever before.

Luckily for readers, sci-fi authors are known to churn out their books like rabbits, creating a never-ending stream of great works. In 2017, we’ll see the continuation of several acclaimed book series, but will also have plenty of impressive standalone science fiction, too. Below is a list of eleven books that are slated for release in 2017 that will define science fiction in the upcoming year. Keep in mind these dates can be finicky, and that they can change at warp speed. But, otherwise, happy reading to your future self!

[Thanks to Martin Morse Wooster, James Davis Nicoll, John King Tarpinian, Dawn “No Middle Name” Incognito, J(“No Middle Initial”)J, Hampus Eckerman, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]

Pixel Scroll 11/5/16 Scroll Ain’t Nothin’ But Pixel Misspelled

(1) ACKERMAN SQUARE DEDICATION. Although the neighbors didn’t succeed in having Forry Ackerman’s last home designated a cultural landmark, the city did name a Los Feliz neighborhood intersection in his honor.

The official dedication is November 17.

Come join the ceremony to honor Uncle Forry with commemorative plaques installed on all 4 corners of Franklin and Vermont where he spent so many happy decades visiting with fans and friends. The public is invited to meet at Franklin and Vermont (where the signs will be installed), southwest side, near House of Pies at 9:30 AM, November 17, 2016

(2) SUPPORTING MENTAL HEALTH. Gail Z. Martin explains “Why #HoldOnToTheLight Matters” at Magical Words.

The 100+ authors who agreed to write for #HoldOnToTheLight run the fame gamut. But all of us have fans and readers, Facebook friends and Twitter followers, people who hold us and our books in some regard. And to those people, however many they might be, our opinion matters. Our story matters.

We lost so many people in Southern fandom at the beginning of this year. I got tired to saying ‘good-bye’ and being invited to wakes. It made me mad, but I didn’t know what to do about it. Then in April I saw the #AlwaysKeepFighting campaign in Supernatural fandom and how the show’s stars used their fame and their connection to fans to do something really good.

And I wondered—what would happen if the authors whose books create the genre spoke out with their own stories about the impact of mental health issues on them, their characters, and their books?

We might not have the reach or following TV stars have, but we have some following. And when people in the public eye speak out and own taboo issues, the stigma lessens. We could encourage fans and stand in solidarity with the ones who are struggling and let them know that they are not alone.

Most of the blog posts are up now, with a few more straggling in. Life gets in the way, even of good intentions. I’m gobsmacked by the honesty, the willingness to share without flinching, the vulnerability revealed in the posts. You can read them here, as well as new ones when they post.

(3) HANDS OFF THE BRAND. Beset by internet thieves. Amazing Stories’ Steve Davidson calls out for “Help!”

Working in conjunction with our licensee – Futures Past Editions (a division of Digital Parchment Services, one of the original ebook publishers), we have been steadily producing a number of different publications.

These include – The Amazing Stories Best Of The Year anthologies –

Special “Anniversary” reprints –

Amazing Stories Classics novels –

and Authorized Replicas of individual issues of the magazine …

But there’s a fly in the ointment: lots and lots of other people seem to think they can willy-nilly use the Amazing Stories name to produce their own versions of the same things.  Right now, the bulk of Experimenter’s budget is being spent on intellectual property attorneys.  We’re pleased with their findings so far (but these kinds of things take a lot of time), but in the meantime – if you purchase a facsimile edition of an Amazing Stories issue (or a poster reprinting one of its fantastic covers) from anyone other than Futures Past Editions or this website, not a dime will be going to help fund this project.  It will instead go to people who obviously do not respect the history of the magazine (or the law).

(4) THE FOUNDATIONS OF UTOPIA. In the November 4 Guardian, China Mieville writes about Sir Thomas More’s Utopia on its 500th anniversary, explaining why the utopian impulse is still important in our cynical age.

If you know from where to set sail, with a friendly pilot offering expertise, it should not take you too long to reach Utopia. Since the first woman or man first yearned for a better place, dreamers have dreamed them at the tops of mountains and cradled in hidden valleys, above clouds and deep under the earth – but above all they have imagined them on islands.

… We don’t know much of the society that Utopus and his armies destroyed – that’s the nature of such forced forgetting – but we know its name. It’s mentioned en swaggering colonial passant, a hapax legomenon pilfered from Gnosticism: “for Abraxa was its first name”. We know the history of such encounters, too; that every brutalised, genocided and enslaved people in history have, like the Abraxans, been “rude and uncivilised” in the tracts of their invaders.

A start for any habitable utopia must be to overturn the ideological bullshit of empire and, unsentimentally but respectfully, to revisit the traduced and defamed cultures on the bones of which some conqueror’s utopian dreams were piled up. “Utopia” is to the political imaginary of betterness as “Rhodesia” is to Zimbabwe, “Gold Coast” to Ghana.

(5) FIFTH! Always remember the 5th of November. Preferably more than once.

Catholic dissident Guy Fawkes and 12 co-conspirators spent months planning to blow up King James I of England during the opening of Parliament on November 5, 1605. But their assassination attempt was foiled the night before when Fawkes was discovered lurking in a cellar below the House of Lords next to 36 barrels of gunpowder. Londoners immediately began lighting bonfires in celebration that the plot had failed, and a few months later Parliament declared November 5 a public day of thanksgiving. Guy Fawkes Day, also known as Bonfire Night, has been around in one form or another ever since. Though originally anti-Catholic in tone, in recent times it has served mainly as an excuse to watch fireworks, make bonfires, drink mulled wine and burn Guy Fawkes effigies (along with the effigies of current politicians and celebrities).

(6) ALLEGRO NON TROOPER. Ryan Britt reacts to news that “‘Starship Troopers’ Reboot Will Give Rico His Real Name Back” at Inverse.

In Robert A. Heinlein’s classic science fiction novel Starship Troopers, Johnny Rico’s name was actually “Juan” Rico, but the 1997 film turned him into a white guy. Now, a new reboot of Starship Troopers will stick closer to the novel, which probably means Rico will be Filipino again.

Though the Paul Verhoeven take on Starship Troopers is considered something of a kitsch classic among sci-fi movie fans, it’s tone and characters differ enough from the Heinlein text warrant a totally new film adaptation. According to the Hollywood Reporter producer Neal H. Moritz is gearing up to make a new Starship Troopers for Columbia Pictures. The continuity of this film will have nothing to do with the 1997 film nor any of the direct-to-video sequels. It “is said to be going back to the original Heinlein novel for an all-new take.” This means that even the intelligent alien insects — the Arachnids of Klendathu — might be completely reimagined, too.

(7) BABBITT OBIT.  Natalie Babbitt (1932-2016) died October 31.

Natalie Babbitt, the children’s author and illustrator who explored immortality in her acclaimed book “Tuck Everlasting,” has died in her Connecticut home. She was 84.

Natalie Babbitt poses with the cast of “Tuck Everlasting” on Broadway in April.

Babbitt’s husband, Samuel Babbitt, confirmed she died on Monday in Hamden, Connecticut. She had been diagnosed with lung cancer and was under hospice care at home when she died.

Babbitt wrote or illustrated more than 20 books, but she is perhaps best known for tackling the complex subject of death in her novel “Tuck Everlasting.”

…In 1966, she collaborated with her husband on a children’s book called “The Forty-ninth Magician,” her first published work. While her husband, a university administrator, became too busy to continue writing, the book was only the beginning in Babbitt’s nearly 50-year career. Her last published work was “The Moon Over High Street” in 2012.

Babbitt received the Newbery Honor Medal, the American Library Association’s Notable Book designations, and The New York Times’ Best Book designations, among other awards for her work.

(8) TODAY IN HISTORY –- WELL, CLOSE ENOUGH FOR GOVERNMENT WORK

Cartoonist Al Capp, creator of the Li’l Abner cartoon strip, conceived of a day in fictitious Dogpatch, USA, when all unmarried ladies (including the character Sadie Hawkins) could pursue their men. If the men were caught, marriage was unavoidable. The idea took off in real life—and in November 1938, the first recorded “girls-ask-boys” Sadie Hawkins Day dance was held. Today, the observance is usually celebrated on a Saturday in early November.

(9) BULLISH ON TWINKIES. The official health food of sci-fi readers goes public: “Hostess Brands, Purveyor of Twinkies and Ho-Hos, Returning to Wall Street”.

Hostess Brands Inc. is expected to start trading as a public company on Monday, putting the snack business to its first broad test of investor appetite since it was bought out of liquidation almost four years ago.

The 86-year-old brand behind the famous Twinkies cakes is due to list on the Nasdaq Stock Market with the ticker symbol TWNK.

(10) MAKING OF A SELF-PROFESSED “NASTY WOMAN”. Melinda Snodgrass covers a lot of personal history to make a point in “What Trump’s Misogyny Really Says”.

In due course and after a side trip to Austria to study opera I went on to graduate with a major in history, Magna cum laude, and a minor in music.  I enter law school.  I was part of the first really large wave of women entering law school and in the first week the male students made it very clear that they expected the women to type their papers for them.  Some of us refused.  Others didn’t, they knuckled under maybe to avoid being called fucking cunts.  The dean found out and to his credit it put a stop to that nonsense.

At the end of three years I graduate in the top 10% of my class, pass the bar and go looking for a job.  Eventually I end up in a corporate law firm.  Literally the first day I’m at work I’m in my small office in the back when I hear loud male voices in the outer office.  “I hear Charlie went and hired himself a girl!”  “Lets go see the girl.”   And then standing in the door of my office are six or seven men all staring at me.  I had that sick feeling I’d experienced back in college, but I was older and tougher so I made Oook oook noises and pretended to scratch under my arm like a chimpanzee in the zoo.  They got the message and vanished out of my doorway.

(11) CASH IN HAND. The Guardian previews the merchandise: “JK Rowling’s hand-drawn Tales of Beedle the Bard go up for auction”.

A handwritten copy of JK Rowling’s story collection The Tales of Beedle the Bard, which she made for the publisher who first accepted Harry Potter for publication, is set to fetch up to £500,000 when it is auctioned next month.

Rowling handwrote and illustrated six copies of her collection of fairytales set in the Harry Potter universe, giving them as presents to “those most closely connected to the Harry Potter books”. A seventh copy, which Rowling made to raise money for her charity Lumos, was sold at auction by Sotheby’s in 2007 for £1.95m.

(12) FOR A RAINY DAY. We may not have Damien Walter to kick around anymore, however, here’s one of his Guardian essays that appeared in August while I was out of action — “Bureaumancy: a genre for fantastic tales of the deeply ordinary”.

There’s nothing wrong with being a bureaucrat. So you’re a tiny cog in a machine made of abstract rules, paperwork, and the broken dreams of those who do not understand either. So what? You’re just misunderstood. Without you, nobody would know where to file their TPS reports. Nobody would even know what a TPS report is.

But writers understand. As species of personality go, the writer and the bureaucrat are closely related: they’re deskbound creatures who enjoy the comfortable certainties of Microsoft Office and dazzling us with wordcraft, be it small-print legalese or the impenetrable prose of literary fiction. Of course, Kafka understood the true power of the bureaucrat because he was one – and thus portrayed bureaucracy as a looming, all-powerful presence. The wonderful Douglas Adams imagined an entire planet faking the apocalypse just to get all its middle managers to evacuate in The Restaurant at the End of the Universe, while in Terry Pratchett’s Discworld, hell itself is one endless system of bureaucratic red tape, where doomed souls are made to sit through every last codicil and sub-paragraph of the rules pertaining to Health and Safety – all 40,000 volumes of them.

(13) KEVIN SMITH’S NEXT FLASH. He’s back — “The Flash: Kevin Smith’s ‘Killer Frost’ Episode Synopsis Revealed”.

Smith previously helmed the season 2 episode of The Flash, ‘The Runaway Dinosaur’ and is set to direct an episode of Supergirl’s second season as well. He has been teasing both episodes on social media; for The Flash, he promised more action than in ‘The Runaway Dinosaur’, revealed the ‘Killer Frost’ episode title, and confirmed the inclusion of Dr. Alchemy — who is proving to be a major antagonist in The Flash season 3. So, much of the ‘Killer Frost’ synopsis seems to confirm details we previously knew or could deduce.

As for Smith’s return behind the camera, since ‘The Runaway Dinosaur’ was well received by critics and fans, it stands to reason ‘Killer Frost’ may be similarly received by viewers. Smith himself has earned plenty geek credit given his own status as a fan of comics, so it’s likely he brings a unique perspective to The Flash.

(14) UNBOUND WORLDS LAUNCHES. The Unbound Worlds SFF site is holding a book giveaway contest to attract readers’ attention.

“Unbound Worlds has officially launched, and to celebrate this momentous occasion, we’re giving away a carefully curated library of TWENTY-THREE science fiction and fantasy titles! Enter below by November 18, 2016, at 11 PM EST for your chance to win.”

[Thanks to John King Tarpinian, rcade, Chip Hitchcock, David K.M. Klaus, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano (who is not to blame for the dialect in the version used).]

Fuller Steps Back From Star Trek: Discovery

Bryan Fuller has dropped out as showrunner of CBS’ Star Trek: Discovery because of the press of production responsibilities on two other shows reports Variety. However, he will remain involved as executive producer.

The decision was made late last week to hand the day-to-day showrunning reins to “Star Trek” exec producers Gretchen Berg and Aaron Harberts as “Discovery” gears up for the start of filming next month and a May 2017 premiere date. Fuller, who will remain an executive producer, will still be involved in breaking stories, and the show will continue to follow his vision for the universe that this latest “Trek” series will inhabit.

CBS Television Studios and Fuller had strained relations over the progress of production on Star Trek.

…Fuller is also juggling the final weeks of shooting and post-production duties on Starz’s upcoming drama “American Gods” and prepping a reboot of “Amazing Stories” for NBC. Fuller has penned the first two scripts for “Discovery” and has hammered out the broader story arc and mythology for the new “Trek” realm. But it became clear that he couldn’t devote the amount of time needed for “Discovery” to make its premiere date and with production scheduled to start in Toronto next month.

CBS had already pushed Star Trek’s premiere from January to May to accommodate writing and the production of visual effects.

“We are extremely happy with the creative direction of ‘Star Trek: Discovery’ and the strong foundation that Bryan Fuller has helped us create for the series,” said CBS Television Studios in a statement. “Due to Bryan’s other projects, he is no longer able to oversee the day-to-day of ‘Star Trek,’ but he remains an executive producer, and will continue to map out the story arc for the entire season…Bryan is a brilliant creative talent and passionate ‘Star Trek’ fan, who has helped us chart an exciting course for the series. We are all committed to seeing this vision through and look forward to premiering ‘Star Trek: Discovery’ this coming May 2017.”

(As a postscript — Is Steve Davidson relieved to hear the Amazing Stories reboot is still on Fuller’s plate?)