Pixel Scroll 6/16/17 There’s A Scroll In The Bottom Of The Sea

(1) JACK KIRBY NAMED DISNEY LEGEND. The late Jack Kirby will be honored with the Disney Legend Award at this year’s D23 Expo in Anaheim.

JACK KIRBY first grabbed our attention in the spring of 1941 with Captain America, a character he created with Joe Simon. Kirby then followed this debut with a prolific output of comic books in the Western, Romance, and Monster genres–all a prelude to his defining work helping to create the foundations of the Marvel Universe. For the next decade, Kirby and co-creator Stan Lee would introduce a mind-boggling array of new characters and teams — including the Avengers, Hulk, Thor, Iron Man, Silver Surfer, Ant-Man, Wasp, Black Panther, S.H.I.E.L.D., and the Inhumans. Kirby was inducted into the Eisner Hall of Fame’s 1987 inaugural class and continued creating comics throughout the ‘90s before passing away in 1994.

Other honorees of this year’s Legends Award are Carrie Fisher, Clyde “Gerry” Geronimi, Manuel Gonzales, Mark Hamill, Stan Lee, Garry Marshall, Julie Taymor, and Oprah Winfrey.

(2) BILL FINGER AWARD WINNERS. Jack Kirby, along with Bill Messner-Loebs, is also a winner of the 2017 Bill Finger Award presented by Comic-Con International.

Bill Messner-Loebs and Jack Kirby have been selected to receive the 2017 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer-historian Mark Evanier, was unanimous.

“As always, I asked on my blog for suggestions of worthy recipients,” Evanier explains. “Many were nominated and the committee chose Bill as the worthiest of those still alive and working, and Jack because although his artwork has always been justly hailed, his contribution as a writer has been too often minimized or overlooked. In fact, in the years we’ve been doing this award, Jack Kirby has received many more nominations than anyone else, but we held off honoring him until this year because it seemed appropriate to finally do it in the centennial of his birth, and because members of his family will be at Comic-Con to accept on his behalf.”

The Bill Finger Award was created in 2005 at the instigation of comic book legend Jerry Robinson. “The premise of this award is to recognize writers for a body of work that has not received its rightful reward and/or recognition,” Evanier explains. “Even though the late Bill Finger now finally receives credit for his role in the creation of Batman, he’s still the industry poster boy for writers not receiving proper reward or recognition.”

Kirby’s history was covered in the first item. Here’s the citation for the second winner.

Bill Messner-Loebs has been a cartoonist and writer since the 1970s. He has worked for DC, Marvel, Comico, Power Comics, Texas Comics, Vertigo, Boom!, Image, IDW, and the U.S. State Department (for which he produced a comic about the perils of land mines). He has written Superman, Flash, Aquaman, Mr. Monster, Hawkman, Green Arrow, Wonder Woman, Dr. Fate, Jonny Quest, Spider-Man, Thor, and the Batman newspaper strip. He wrote and drew Journey: The Adventures of Wolverine MacAlistaire and Bliss Alley, and he co-created The Maxx and Epicurus the Sage. He has also delivered pizzas, done custom framing, been a library clerk, sold art supplies, and taught cartooning.

(3) TROLLS. Recent Facebook experiences led David Gerrold to post a thorough discussion of trolling.

There is no freedom of speech on Facebook — Facebook is a corporation, like a newspaper or a television station. They are not obligated to protect your rights. You waived specific rights when you agreed to the terms of service —

But those terms of service have to be a two-way street. They represent a contract between service provider and consumer. And there must be a responsibility on the part of the service provider to protect the consumers from the abusive behavior of those who violate the social contract of our nation.

The social contract, you say? I’ve heard people argue, “I never agreed to a social contract.”

Actually, you agreed to it when you accepted the responsibility of being a citizen — you agreed to abide not only by the laws of the nation, but by the underlying promise of this land, the promise of liberty and justice for all.

So, I do not regard trolls as simply an internet annoyance — I regard them as human failures — as individuals who have forgotten the promise on which this nation was founded. They are not much better than caged chimpanzees who are good at screeching at the bars and throwing feces at anyone who gets to close.

Because in the great grand scheme of things, every moment of our lives is a moment of choice. We can choose to dream of the stars, or we can choose to wallow in the mud. We can choose to create something of value for ourselves and our families and our friends — or we can choose to destroy the well-being of others.

(4) TOLKIEN BIOGRAPHER AIDS CROWDFUNDING EFFORT. John Garth, author of Tolkien and the Great War, has donated signed copies of his book to the fundraising campaign for Oxford University’s project to document the First World War.

I’ve donated five signed copies of Tolkien and the Great War to help raise money for this appeal. It’s only thanks to the personal letters and photographs preserved by various Great War veterans, by families and by museums that I was able to bring to life the experiences of Tolkien and his friends in the training camps and trenches of the war. If you can donate, please do. Whether you can or can’t, please share this announcement:–

Win over £1,000/$1,000 worth of Tolkien Books… and Help Oxford University Save Items from World War One

Oxford University is currently crowd-funding a project to run a mass-digitization initiative of publicly-held material from the First World War and as is well known the experiences J. R. R. Tolkien underwent in 1916 in the Battle of the Somme had a profound effect on him and his writing. To assist with our major crowd-funding appeal we have been generously supported by Tolkien scholars and publishers, allowing us to present a prize draw opportunity to win three major publications amounting to over £1,000. Our sincerest thanks go to John Garth, Wiley/Blackwells, and Routledge for their help.

To enter the prize draw go to: https://oxreach.hubbub.net/p/lestweforget/

If you sponsor us by pledging £1 or more (or equivalent) you will be entered into a draw to win one of five copies signed by John Garth of his ‘Tolkien and the Great War’ (pbk, HarperCollins, 2011 – RRP: £9.99; $12.00; ‚¬11.99).

If you sponsor us by pledging £5 or more (or equivalent) you will also be entered into a draw to win one of three copies of ‘A Companion to J. R. R. Tolkien’ (hbk, Wiley/Blackwells, 2014) signed by the editor (RRP: £125; $140; ‚¬150).

Finally, if you sponsor us by pledging £10 or more (or equivalent) you will also be entered into a draw to a full set set of ‘J. R. R. Tolkien: Critical Assessments of Major Writers’ (4 volumes, hbk, Routledge, 2017) signed by the editor (RRP: £900; $1,180; ‚¬930)

In addition to these chances of winning, you will also be helping to save and preserve important objects from the First World War which are in danger of being lost on a daily basis.

Here’s the home site of the preservation project: ‘Lest we forget’ – a national initiative to save the memories of 1914-1918

We are raising £80,000 to train local communities across the UK to run digital collection days to record and save objects and stories of the generation who lived through World War One. Every item collected will then be published on November 11th 2018 through a free-to-use online database for schools, scholars, and the wider public.

But we cannot achieve this alone so please help by donating to support the training days, outreach activities, and the equipment we need.

saving the past for the future – world war one
2018 will mark the centennial anniversary of the end of World War One. Few families in Britain were unaffected by the conflict, and in thousands of attics across the country there are photographs, diaries, letters, and mementos that tell the story of a generation at war, of the loved ones who fought in the conflict, served on the home front, or lost fathers and mothers. Help us launch this national effort to digitally capture, safeguard, and share these important personal items and reminiscences from the men and women of 1914-1918. Help us support local digitisation events across village halls, community centres, schools, and libraries.

(5) THE FOUNDATION OF MIDDLE-EARTH. Josephine Livingstone reviews The Tale of Beren and Lúthien for New Republic in “J.R.R. Tolkien’s Love Story”.

And The Tale of Beren and Lúthien is more like a scholarly volume than a storybook. There are versions of the tale in verse, and versions in prose. There are versions where the villain is an enormous, evil cat, and versions where the villain is a wolf. Names change frequently. But instead of taking the “best text” route, where the editor chooses a single manuscript to bear witness to the lost story, Christopher Tolkien has offered up what remains and allowed the reader to choose. It’s a generous editorial act, and a fitting tribute in memoriam to his parents’ romance.

(6) MEDICAL UPDATE. Fanartist Steve Stiles sent this news about his diagnosis and treatment plans.

I just found out, via the lung specialist I saw the week before last, that I’m *NOT* having lung surgery at Sinai on the 20th, but rather a consultation re my “options” (would that be chemo vs. surgery? ), followed by *another* appointment to have a tube inserted down into my lung, which sounds like a whole bunch of fun. *THEN* I go in for surgery or whatever.

Looks like July is pretty well shot as far as having the two weekend cookouts with friends who we traditionally have over. It’s a drag, but considering the alternative….

(7) DALMAS OBIT. Author John Dalmas (1926-2017) has died reports Steve Fahnestalk:

With great sadness I learn that John Dalmas has died, either last night or early this morning; I understand he was in the hospital with pneumonia. Author of “The Yngling” and many other books, he was a good friend to MosCon and PESFA. You will be missed, Onkel !

Dalmas’ The Yngling, his first published sf, was serialized in Analog in 1969 and made especially memorable by Kelly Freas’ cover art.

(8) TRIVIAL TRIVIA

Ray Bradbury and Ralph Waldo Emerson are descendents of Mary Perkins Bradbury, who was sentenced to be hanged in 1692 in the Salem Witch trials, but managed to escape before her execution could take place.

(9) TODAY IN HISTORY

  • June 16, 1954 Them! premiere in New York City.
  • June 16, 1978Jaws 2 swims into theaters.

(10) THAT THING YOU DIDN’T KNOW YOU NEEDED. The Golden Snitch Harry Potter Fidget Spinners are selling like hotcakes. Who knows if there will be any left by the time you read this? (I’m kidding — they’re all over the internet.)

(11) AWESOMECON. The Washington Post’s Michael Cavna, in “Over Awesome Con weekend, D.C. will prove its geek-to-wonk ratio”, previews Awesomecon, the Washington, D.C. comicon taking place this weekend. He talks about the celebrities who are coming, including Chris Hadfield, Edgar Wright, David Tennant, and Stan Lee, still hustling at 94. A sidebar has short items of some of the panels, including “CosLove Presents: #I Can Be A Hero, where cosplayers talk about the good deeds they do, like volunteering at hospitals. Finally, Manor Hill Brewing (which is at manorhillbrewing.com) has the official Awesomecon beer, Atomic Smash, which has a robot and an A-bomb!

So could King, who worked overseas with the agency’s counterterrorism unit after 9/11, ever see the Caped Crusader making it as a CIA agent?

“I can see Batman doing the job,” King says, but it is “harder to see him filling out the paperwork. And without good paperwork skills, you’ll never even make ­GS-12 in this town.”

This town, where sometimes the political wonk and comics geek are the same person.

(12) GIFT CULTURE VS. WAGE CULTURE. At Anime Feminist, Amelia Cook triggers a collision between fandom’s gift culture and those running megacons who expect on skilled people to work for free — “The Big Problem Behind Unpaid Interpreters: Why anime fans should value their skills”. [Hat tip to Petréa Mitchell.]

This week Anime Expo, the biggest anime convention in the English speaking world, put a call out for volunteer interpreters. Anime Expo is far from a new event, and had over 100,000 attendees last year. How did they fail to account for the cost of professional interpreters when budgeting? If they can’t afford to pay interpreters, what hope do any of the smaller cons have?

Let’s be real: they didn’t fail to account for it, and they can afford it. AX is a big enough event in the fandom calendar that they could have bumped ticket prices up by under a dollar each to bring in the necessary funds. If for some reason that wasn’t an option, they’re a big enough name that they could even have crowdfunded it. There’s no good reason not to pay every single interpreter for their work. There are, however, a couple of bad ones.

The most generous reading of their actions is that not a single person on the entire AX staff understands what interpreting involves. More likely is that they considered it an unnecessary cost, knowing they could get enthusiastic amateurs to work for free without putting a value on their time. Ours is a culture of scanlators and fansubbers working for the love of it, right? Why not give these lucky worker bees a chance to meet some cool people and see behind the scenes of a big event?

….When I first saw the tweet from AX, it made me viscerally angry. I couldn’t stop thinking about it, to the point that I’ve written this post. What possible justification is there for this decision? What on earth made them think it would be acceptable? Were interpreters even discussed at the budgeting stage (and if not, why not)? Will they get their stable of unpaid amateur interpreters anyway, or will the outcry their tweet sparked make capable people steer clear? If they don’t get enough sufficiently capable volunteers, will they fork out for professionals or settle for people with a lower level of Japanese? What are their priorities in this situation? What were their priorities when they drew up this year’s budget?

(13) BATLIGHT. Here’s what it looked like when they flashed the Bat Signal on LA City Hall.

(14) SHARKES ON DUTY. The Shadow Clarke Jury’s latest reviews include coverage of two Hugo novel finalists (if you count that the Fifth Season one also covers the Obelisk Gate a bit.)

I wanted to begin this piece by noting that I put The Fifth Season at the top of my ballot for the Hugo last year — although this is somewhat undermined by the fact that I can no longer remember for sure if I actually voted. One time when I did actually vote was at the 2005 Glasgow Worldcon, where all that was required was posting a paper form into a ballot box in the dealers’ room. That year there was an all British shortlist suggesting perhaps that the domestic audience dominated the nomination process but also the then high international standing of British SFF. I voted for Iain M Banks’s The Algebraist, which was only on the ballot paper because Terry Pratchett had withdrawn Going Postal. The Hugo was won by Susanna Clarke’s Jonathan Strange & Mr Norrell, which I had read, loved, and placed last on my ballot because it was fantasy. In retrospect, I shouldn’t have been surprised at the result because J. K. Rowling and Neil Gaiman had won recently and, in any case, Jonathan Strange & Mr Norrell was probably the most substantial novel on that ballot. The only virtue I can now see in the decision I made at the time is that it served to reduce the difficulty of making a choice.

While an increasing number of writers have made strenuous and laudable efforts to confront the “boys’ own adventure’ stereotypes of core genre archetypes“ the most famous recent example being Ann Leckie’s Imperial Radch trilogy — progressive experimentation and stylistic complexity in terms of the text itself is much, much rarer and receives scant notice. When Yoon Ha Lee’s Ninefox Gambit turned up on this year’s Clarke Award shortlist, of the three books I’d not read already it was definitely the one I was most excited about. My encounters with Lee’s short fiction had left me with an impression of complex ideas nestled within a prose that was dense and highly coloured and often abstruse — pluses for me on all three counts. Would Ninefox Gambit prove to be my space opera holy grail: a thrilling adventure in terms of prose as well as high-concept, widescreen FX? I was eager to find out.

It’s space opera, you know?

One of last year’s most famous, most advertised, most-clearly-recognized-as-science-fiction novels, on a shortlist almost entirely of famous, advertised novels–especially in relation to the rest of the 86-title submissions list–the inclusion of Ninefox Gambit on the Clarke shortlist was inevitable. Its reputation as a challenging narrative, its loyalty to standard genre form, and the requisite spaceship on the cover have established its place in the science fiction book award Goldilocks zone. If things go as they did last year and in 2014, it’s also a likely winner.

Although I’ve already made it clear this is not the kind of book I would normally value or enjoy, the placement of Ninefox Gambit on the Clarke shortlist is something I asked for last year, though not in such direct terms:

(15) NUMBER OF THE FOX. Elsewhere, Terence Blake responded to Jonathan McCalmont’s earlier review of Ninefox with some interesting points: “NINEFOX GAMBIT (2): power-fantasy or philo-fiction?”

I agree with everything that McCalmont says about the novel’s structural flaws, and in particular the problematic subordination of Yoon Ha Lee’s speculative inventivity and complexity to the fascistic, bellicose form of military science fiction. However, I don’t fully recognize the novel from McCalmont’s description.

1) The novel reads like both science fiction and fantasy, but there are many ways to blur or to undercut the distinction. In the case of NINEFOX GAMBIT I think that the “fantasy” aspect is only superficial. It is derived from the fact that the “hard” science underlying the story is not physics but mathematics. It has this structural feature in common with Neal Stephenson’s ANATHEM, which nonetheless is a very different sort of novel….

(16) FROM TOP TO, ER, BOTTOM. For your fund of general knowledge — “Every British swear word has been officially ranked in order of offensiveness”.

The UK’s communications regulator, Ofcom, interviewed more than 200 people across the UK on how offensive they find a vast array of rude and offensive words and insults.

People were asked their opinion on 150 words in total. These included general swear words, words linked to race and ethnicity, gender and sexuality, body parts and health conditions, religious insults and sexual references, as well as certain hand gestures.

(17) MARVEL LEGACY 1. Sounds like Marvel is about to push the “reset” button.

An Asgardian titan. A Wakandan warrior bred to be a king. The very first Sorcerer Supreme.

Since its inception, Marvel has been delivering groundbreaking heroes and explosive stories. Now, prepare to return to the dawn of time, as Marvel introduces you to the first Avengers from 1,000,000 BC — when iconic torch-bearers such as Odin, Iron Fist, Star Brand, Ghost Rider, Phoenix, Agamotto, and Black Panther come together for the startling origin of the Marvel Universe, in MARVEL LEGACY #1!

The acclaimed team of writer Jason Aaron (Mighty Thor) and artist Esad Ribic (Secret Wars) reunite for an all-new 50-page blockbuster one-shot that will take you through time to the current Marvel Universe, showing you how it’s truly “all connected.” A true homage to Marvel’s groundbreaking stories, MARVEL LEGACY brings your favorite characters together for exciting and epic new stories that will culminate in returning to original series numbering for long-running titles.

MARVEL LEGACY #1 isn’t simply a history lesson,” says SVP and Executive Editor Tom Brevoort. “Rather, it’s the starting gun to a bevy of mysteries and secrets and revelations that will reverberate across the Marvel Universe in the weeks and months to come! No character, no franchise will be untouched by the game-changing events that play out across its pages. Jason and Esad pulled out all the stops to fat-pack this colossal issue with as much intrigue, action, surprise, mystery, shock and adventure as possible!€

MARVEL LEGACY #1 will present all fans — new readers and current readers — the very best jumping on point in the history of comics,” says Marvel Editor in Chief Axel Alonso. “What Jason and Esad have crafted is more grand and more gargantuan than anything we have ever seen before and introduces concepts and characters the Marvel Universe has never encountered. Fans are going to witness an all-new look at the Marvel Universe starting at one of the earliest moments in time carried all the way into present day. Not only will this be the catalyst for Marvel evolving and moving forward, but expect it to be the spark that will ignite the industry as a whole.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Steve Stiles, and Mark-kitteh for some of these stories, and a hat tip to Petréa Mitchell. Title credit belongs to File 770 contributing editor of the day Jayne.]

Pixel Scroll 5/21/16 Pixel Shop of Scrollers

(1) TREKKIN’ WITH FILLION? Here’s some clickbait for you – “Rumor Mill: Nathan Fillion New Star Trek Captain?” asks SciFi Obsession.

Many noticed how much weight Nathan lost for the final season of Castle. Now that it’s 8 year run is over, could he be sitting in the center seat for the new 50th Anniversary Trek series on CBS All Access?

(2) CAPT. JACK VAGUEBOOKS. And here’s a second helping of clickbait – Den of Geek quoted John Barrowman’s comments about coming back to Doctor Who.

Adding fuel to the fire that he could return to the live-action Doctor Who universe in the near future, John Barrowman has now instructed fans to “keep watching.”

Asked on The One Show whether he’d be returning to either Doctor Who or Torchwood, the Captain Jack Harkness actor said, “I’d love to, keep watching. Keep watching. I’d love to! I don’t know!”

“It’s not up to me,” he added, “but keep watching!”

(3) DOZOIS REVIEWS SHORT FICTION. Locus Online has posted an excerpt from the magazine edition, “Gardner Dozois reviews Short Fiction April 2016”, covering Clarkesworld 1/16, 2/16, Asimov’s 2/16, and Interzone 1-2/16. With the link, Greg Hullender passed along his theory that Dozois is Lois Tilton’s replacement.

(4) WHAT’S OPERA? Andrew Liptak recommends “15 Space Opera Books for Firefly Fans” at the B&N Sci-Fi & Fantasy Blog.

We don’t need to tell you that Firefly has transformed from failed TV series to cultural phenomenon in the years since its 2003 cancellation after an inauspicious 12-episode run on Fox. Joss Whedon’s Western-styled space opera might be missed, but in the years since, its fans have found ways to cope with its absence, turning to other TV shows, writing fan fiction—or searching out books that scratch their Big Damn Heroes itch. We always find ourselves reaching for a solid space opera novel during the summer months, so we’re offering up 15 space opera books for Firefly fans, each embodying one or more of the qualities that made that show so great.

(5) CHECK REJECTS. SJPA, the organization behind Anime Expo, has partially retracted its recently announced Youth Protection policy. Anime News Network has the story — “Background Checks Not Mandatory for Anime Expo, Except for Its Employees, Volunteers”.

The Society for the Promotion of Japanese Animation (SPJA), the California-based non-profit organization behind Anime Expo, announced on Friday that the criminal background check requirement it introduced as part of its Youth Protection Program are now only mandatory for its own employees and volunteers. Background checks are optional but strongly encouraged for Artist Alley participants, exhibitors, press, Guests of Honor, performers and vendors.

SPJA is partnering with the Nonprofit Risk Management Center to launch the Youth Protection Program to protect young attendees at Anime Expo. The Nonprofit Risk Management Center began streaming an introduction video for the program on Tuesday. The organization also began streaming a video on April 29 that explains the responsibilities of being a partner to the Youth Protection Program.

SPJA noted the other elements of the program that will remain in place:

We are creating SafeSpace kiosks and other means for youth to report and receive immediate help. Significantly increased private security and LA Police officers will be present onsite. To protect minors from exposure to adult content, spatial separation and ID checks will be enforced at AX. Exhibitors will be required to keep adult materials behind closed pipe and drape, and to conduct ID checks at entrances to adult areas. Similarly, adult programming will be physically separated from other programming spaces and IDs will be required for access.

The policy originally required all employees, volunteers, panelists, performers, guests, members of a guest’s or performer’s entourage, and Artist Alley participants to consent to a background check, as well as completing certain online youth protection training courses. Exhibitors, press, and vendors were also required to affirm that all representatives complete a background check. Some exhibitors had already signed to agree with this previous policy and submitted information to comply.

2016 WISB Awards(6) WISB AWARDS. Shaun Duke of The World in the Satin Bag has distributed the 2016 WISB Awards – including some for File 770!

The fiction section is led off by Silvia Moreno-Garcia’s novel Signal To Noise. The Best Non-Fiction Work was Eric Flint’s “A Response to Brad Torgersen.”

Now that awards season is in full swing, it’s time to release the winners of the 2016 WISB Awards.  As with every year of the award, the winners are selected from my reading and viewing experiences throughout 2015 and during my annual Hugo Awards reading binge.  As such, the long list included works published decades ago.

Unlike previous years, the 2016 WISB Awards included a long list, which you should check out to see all the great stuff I enjoyed.  You might also check out the 2016 Hugo Awards Reading/Watching List, which includes works from my original list and works suggested by readers.

As with every year of the awards, these selections are based entirely on my own tastes, which are imperfect, narrow, and weird….

(7) ALPHA GAME. The Traveler at Galactic Journey found a classic in “this month’s” F&SF — “[May 21, 1961] Pineapple Upside-Down Month (June 1961 Fantasy and Science Fiction).

Cordwainer Smith’s Alpha Ralpha Boulevard is one of the best stories I’ve read in a long time.  Most tales of the future are either frustratingly conventional or completely opaque.  Not so in Boulevard, which features a world dominated by “Instrumentality”, an omniscient computer dedicated to the happiness of humanity.  16,000 years from now, after a placid, highly regulated existence, people are, at last, offered the luxury of uncertainty (or at least the illusion thereof).

(8) PICS OR IT DIDN’T HAPPEN. I guess readers are supposed to be shocked and dismayed that if you leave a flag outside in the sun for 50 years it isn’t going to stay looking brand new.

On the other hand, nobody has any photos showing “The American flags on the Moon have all turned white”.

(9) OPPOSED BY MARS. But this story you can see with your own eyes. NPR tells you how easy it will be to view Mars this weekend.

Sometimes astronomy can be challenging, but spotting Mars this weekend should be a breeze.

Step 1: Head outside right after sunset and look toward the southeastern sky.

Step 2: Find the full moon. (So far, so good, right?)

Step 3: Look up and to the right, and find what looks like a bright red star.

That’s Mars, our planetary neighbor — getting up close and personal.

This weekend is the “Mars opposition,” when the planet shines most brightly; at the end of the month, in a related event, we’ll have the “Mars close approach,” when there’s the shortest distance between the two planets.

(10) YOUR ROBOTIC FUTURE. Robin Hanson’s The Age of Em: Work, Love and Life when Robots Rule the Earth will be released by Oxford University Press on June 1.

Age of Em cover

Many think the first truly smart robots will be brain emulations or ems. Scan a human brain, then run a model with the same connections on a fast computer, and you have a robot brain, but recognizably human.

Train an em to do some job and copy it a million times: an army of workers is at your disposal. When they can be made cheaply, within perhaps a century, ems will displace humans in most jobs. In this new economic era, the world economy may double in size every few weeks.

Some say we can’t know the future, especially following such a disruptive new technology, but Professor Robin Hanson sets out to prove them wrong. Applying decades of expertise in physics, computer science, and economics, he uses standard theories to paint a detailed picture of a world dominated by ems.

The book, set 100-150 years in the future, is “speculative nonfiction” by an economist. The publicity blurbs come from David Brin, Vernor Vinge, Gregory Benford, and Hannu Rajshiemi, among others.

The website includes a TEDx talk Hanson did which got 2.2 million hits.

(11) GOOD, IF YOU LIKE ADS. “Goodreads has found a new way to get money from authors while annoying their use base,” says Dawn Sabados. “Opt out of ads features are just so wonderful.”

“Goodreads Deals: A New Way to Promote Your Ebooks to Millions of Goodreads Members (U.S. Market)”

With the launch of Goodreads Deals in the U.S., we’re now offering authors and publishers a new way to amplify ebook price promotions to our millions of members. The Goodreads Deals program comes with built-in personalization options based on members’ Want to Read shelves, the authors they follow, and the genres they prefer—all designed to help your deals reach the readers with the highest interest in buying your books. Goodreads Deals is unique because we’ll enable you to reach existing fans and introduce your ebooks to new readers:

  • Existing Fans: Every second, our members add 6 books to their Want to Read shelves—that’s 15 million books per month that have captured the interest of readers. With Goodreads Deals, you can now tap into that interest. We’ll email members when a book on their Want to Read shelf has a price promotion. We’ll also email any members who follow the author on Goodreads.

(12) IT IS SO. Writer and My Little Pony: Friendship is Magic fan Emily Spahn, after learning that MLP is up for a Hugo because of the Rabid Puppies slate, wrote “I Have a Pony in this Race” to tell Hugo voters why the show (and that particular episode) are good sci-fi worthy of serious consideration rather than being just a troll nomination:

You know, it’s kind of appropriate that My Little Pony: Friendship is Magic was nominated for a Hugo in order to troll people. Our entire fandom was built on some trolling.

Way back in 2011, some guys on 4Chan started posting My Little Pony pictures and memes from the then-new series, Friendship is Magic. Other people complained, and being 4Chan, they responded by flooding the site with pictures of ponies.

But somewhere in there a strange thing happened. People checked out the show, whether because they thought the characters were cute or because they thought it would be dumb and wanted to mock it, and they liked it. Not ironically, and not because it was subversive or slipped adult humor in under the radar. They just really liked the simple stories about Twilight Sparkle and her pony friends. And Bronies were born.

Three weeks earlier a post written by Horizon, “MLP’s Hugo Award nomination: Into the culture wars”, provided historical context and  got picked up by Equestria Daily, MLP fandom’s biggest website.

It is ambiguous whether the nomination was serious and ideological (the episode in question is about Starlight Glimmer’s “equality cult”, making it a potential political statement), or whether it was a “joke” nomination in the same vein as short-story finalist Space Raptor Butt Invasion, but in either case it was pretty transparently proposed as a slap in the face to Hugo voters.

If you don’t give a crap about SFF or American culture wars, that should be all the context you need to understand what has other people upset, and help you avoid falling into the drama if you stumble into someone slamming MLP.

(13) SCHOOL’S IN! SF Crowsnest points to this Eighties-style trailer for the new X-Men movie. Xavier’s School for Gifted Youngsters is now open for enrollment… (X-Men: Apocalypse in theaters May 27.)

[Thanks to Dawn Sabados, Martin Morse Wooster, Cat Eldridge, Petrea Mitchell, Paul Weimer, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 5/8/16 The Pixelshop of Isher

(1) CHINESE NEBULA AWARDS. Regina Kanyu Wang, linking to the Chinese-language announcement, informed Facebook readers about three people who will be guests at the Chinese Nebula Awards this year: Worldcon 75 co-chair Crystal Huff, SFWA President Cat Rambo and Japanese sf writer Taiyo Fuji.

Crystal Huff responded:

I am so very honored and pleased to reveal what I’ve been quietly psyched about for a while now:… I am thrilled to go to China for my first ever visit, and meet new friends in Beijing and Shanghai! So thrilled!

Cat Rambo told File 770 she’s more than excited about the trip:

I am super!! stoked!! about it and have been spending the last month and half trying to pick up a little conversational Mandarin. Post Beijing, another Chinese SF organization is taking me to Chengdu for a similar ceremony involving SFF film awards. This trip is – next to being able to tell Carolyn Cherryh she was a SFWA grandmaster — one of the biggest thrills of being SFWA president I’ve experienced so far, and I’m looking forward to getting to know the Chinese publishing scene a bit better in a way that benefits SFWA and its members.

(2) ANIME EXPO HARASSMENT POLICY. Sean O’Hara reported in a comment, “Anime Expo just went hardcore with a new Youth Protection program that requires all employees, volunteers, vendors and panelists to submit to a criminal background check and take an online courses.”

Read the policy here [PDF file].

SPJA Youth Protection Policy

  1. Purpose and Goals

The Society for the Promotion of Japanese Animation (SPJA) recognizes the importance of protecting youth participants in SPJA events and activities, including online activities. SPJA has adopted a zero tolerance policy with regard to actions or behaviors that threaten the safety of young people, including violence, bullying, sexual harassment, sexual assault, and other inappropriate or potentially harmful actions or behaviors. SPJA views the safety and security of all participants—especially young people— as a top priority.

All participants at SPJA events and activities (including online activities) are encouraged to report any unsafe or inappropriate behaviors, conditions, or circumstances, including any violation of this Youth Protection Policy or violation of any other policy or rule intended to promote a safe environment….

(3) LIVING HISTORY. Ted White, the Hugo-winning fanwriter, pro, and former editor of Amazing, was interviewed for his local paper, the Falls Church News-Press, on May 6 – “F.C.’s Ted White Reflects on Comics, Sci-Fi and the Little City”. The reporter asked about his interests in sf, jazz, writing, and comics.

N-P: How were you introduced to comic books?

White: They were there. I found them. I mean, I can’t remember what the first comic book I ever saw was but it was probably one that one of the neighborhood kids had and it very likely didn’t even have a cover….We’re talking the war years, the ‘40s, early on [and] comic books just sort of passed from hand-to-hand. It was a long time before I bought my first comic book.

There’s an interesting story involved in all of this….One day, I think it was between the first and second grade, the summer, and…Madison had a swimming program for the summer.

And I would walk over to the school, which was a mile away but it didn’t matter because I used to walk everywhere, at a certain time in the morning and join up with a motley crew of other kids and be taken into Washington, D.C. to 14th and K Streets where there was the Statler Hotel….At the end of that we were brought back to Madison and it was time for me to walk home.

But I didn’t walk directly home. For some strange reason I followed N. Washington Street north…I’m not sure where I was headed to but north of Columbia Street there is a bank that used to be a Safeway, a tiny Safeway…and I’m walking in that direction and I’m almost opposite that Safeway when I meet a friend of mine who is pushing his bicycle up the sidewalk…and in the basket of his bicycle he has several comic books.

And we stopped and we talked and he showed me the comic books and I don’t know how I did it, but I talked him out of them and he gave them to me and one of them was an issue of Wonder Woman.

Now I had never seen Wonder Woman before – this was a brand new comic book to me. And it was strange. The art was strange…it was almost Rococo and the writing was even stranger….I started reading this comic book as I was coming along Columbia Street to Tuckahoe and I’m just sort of very slowly walking, reading intensely. It would be the equivalent of someone obliviously reading their cell phone while walking down a sidewalk….I was about halfway home when I look up and I see my mother rapidly approaching and she does not have a happy look on her face.

I am hours late because I’ve been spending all my time dawdling, reading comic books. And my mother took the comic books out of my hand and took the ratty dozen or so that I already had, most of them coverless, and took them out to our incinerator and burned them all.

This profoundly upset me but it also changed me. I was six or seven then, and I decided two things which I was happy to share with my mother. One of them was that she was never ever going to destroy anything of mine again and she never did….and the other thing it did was make me into a collector…from that point on I became a comic book collector…and by time I was in high school…I was written up in a newspaper called the Washington News as the boy with 10,000 comic books.

(4) SF DRAMEDY. Seth MacFarlane will do an sf comedy/drama series reports Collider.

Between Family Guy, American Dad, and The Cleveland Show, prolific writer/producer/voice actor Seth MacFarlane has voiced a lot of characters on television and created even more, but now he’s heading into the live-action realm for his next TV series.

Fox announced today that MacFarlane is developing a new, though still untitled comedic drama for the network for which he’ll executive produce and star based off a script he wrote. Here’s what we know: the series will consist of 13 hourlong episodes and takes place 300 years in the future where the crew of the Orville, “a not-so-top-of-the-line exploratory ship in Earth’s interstellar Fleet,” deal with cosmic challenges on their adventures.

(5) MARKET OPENS. Sunvault: Stories of Solarpunk and Eco-speculation edited by Phoebe Wagner and Brontë Wieland, which was funded by a Kickstarter appeal, now is open for submissions.

Submissions for fiction and poetry are open until June 4th. Submissions for line art and coloring pages are open until June 30th.

We want this anthology to reach outside Western and Anglophone traditions of speculative fiction, showcasing the way environment and environmental issues are talked about and perceived in all parts of the world. We encourage and welcome submissions from diverse voices and under-represented populations, including, but not limited to, people of color, members of the LGBTQ community, those with disabilities, and the elderly. Authors of all walks of life should feel encouraged to send us stories and poems celebrating these diverse characters and settings all around us.

(6) NO SH!T. Here’s some more good news — the No Sh!t, There I Was – An Anthology of Improbable Tales Kickstarter has funded, reaching its $8,500 goal. The anthology is edited by Rachael Acks.

(7) TODAY IN HISTORY

(8) SELECTIVE QUOTE. A responsible blogger would have chosen a tweet about the writer’s Amazon sales, his con appearances, or his charitable causes. But noooo…!

(8) YOUR BARTENDER. Marko Kloos shares his recipe for “frontlines: the cocktail”.

Just in time for the upcoming Manticon (where I will be Guest of Honor), I present to you the first Frontlines-themed cocktail: the Shockfrost.

Those of you who have read ANGLES OF ATTACK will know that the Shockfrost is featured in the novel as the specialty of the bars on the ice moon New Svalbard, and that it’s supposed to pack quite a punch. Andrew mentions the look (blue) and the flavors of the drink when he tries one for the first time (notes of licorice, mint, and God-knows-what-else). So I made a trip to the liquor store for ingredients and experimented with the flavors a bit to create a real-world replica….

(9) A SMASHING TIME. The Traveler at Galactic Journey reviews a monster movie: “[May 8, 1961] Imitation is… (Gorgo)”.

…Is it art for the ages?  Absolutely not.  Though there is some morality tacked on, mostly of the “humanity mustn’t think itself the master of nature” sort of thing, it’s an afterthought.  Characterization is similarly abandoned around the halfway mark.  This is no Godzilla — it is knocking over of toy cities for the fun of it.

At that, it succeeds quite well.  Gorgo makes liberal and reasonably facile use of stock footage (though the planes all inexplicably bear United States markings!) The cinematography is well composed, the color bright, the screen wide.  The acting is serviceable, and for anyone who wants to see what London looks like in this modern year of 1961, there are lots of great shots, both pre and post-destruction…

(10) INTERPRETING AN ICON. In “Captain America and Progressive Infantilization” Jeb Kinnison replies to Amanda Marcotte’s widely-read post about Cap.

…In her piece, “Captain America’s a douchey libertarian now: Why did Marvel have to ruin Steve Rogers?”, Marcotte is upset because the Cap didn’t knuckle under to “reasonable, common-sense” restrictions on his freedom to act for good. It’s not worth a detailed fisking — generating clickbait articles for a living doesn’t allow much time for careful writing — but she does reveal the mindset of those who believe every decision should be made by a committee of the select. The “unregulated” and “uncontrolled” are too dangerous to tolerate. Some key bits:

Steve Rogers is an icon of liberal patriotism, and his newest movie turns him into an Ayn Rand acolyte…

Most corporate blockbuster movies would cave into the temptation to make the character some kind of generic, apolitical “patriot,” abandoning the comic tradition that has painted him as a New Deal Democrat standing up consistently for liberal values. Instead, in both the first movie and in “Captain America: Winter Soldier,” we get Steve the liberal: Anti-racist, anti-sexist, valuing transparency in government and his belief that we the people should hold power instead of some unaccountable tyrants who believe might makes right.

Steve is All-American, so he is classically liberal: believing in the rule of law, equality of opportunity, and freedom to do anything that doesn’t step on someone else’s rights and freedoms. Amanda does not believe in individual freedom — she believes in “freedom,” approved by committee, with individual achievement subordinated to identity politics aiming at equality of outcome. No one should be free to judge the morality of a situation and act without lobbying others to achieve a majority and gaining approval of people like her….

(11) AN ORIGINAL MAD MAN. Ben Yakas, an interviewer for Gothamist, spent some time “Hanging With Al Jaffee, MAD Magazine’s 95-Year-Old Journeyman Cartoonist”.

His career took off in earnest in the early 1940s, initially while he was still in the Army. He taught wounded airmen how to do figure drawing at a hospital in Coral Gables, Florida, then was recruited by the Pentagon to create posters, illustrated pamphlets, and exercise pieces for soldiers in hospitals around the country. Once he was discharged, he worked at Timely Comics and Atlas Comics (precursors of Marvel Comics) with his first boss, Stan Lee. “He had been discharged from the military and took over from a substitute editor,” Jaffee said. “He said, ‘Oh, come ahead.’ He even wrote a letter to tell them that I had a job to go to so they favored my release. That’s how my career really got going.”

Jaffee explained his unusual working relationship with Lee, whom he first met when he was just 20 years old: “Usually in the comic book business, someone writes a script, an artist is called in, the artist shows pencils, and if the pencils are approved, the artist is told to finish with ink,” he said. “Each step is edited by the editor who approves of each stage. I didn’t have that with Stan Lee. He and I apparently hit it off so well that he just told me, ‘Go ahead and write it, pencil it, and ink it and bring it in.’ It was never rejected. I was very fortunate because it was so smooth working and we enjoyed each other’s company and he was a very, very bubbling with ideas kind of guy.”

That loose set-up turned out to be the norm for Jaffee throughout his career, even as he left Lee and ventured out into the uncertain world of freelancing: “We were responsible for our own income and upkeep. What you do is you wake up every Monday morning and you say, ‘What am I going to produce now to make a buck?'”

(12) AUDIO TINGLES. Starburst’s The BookWorm Podcast hosted by Ed Fortune enters the Hugos debate. Mostly by laughing: “Enter the Voxman”.

Ed reviews Star Wars Bloodline by Claudia Gray and Ninfa returns to review Victoria Avayard’s The Glass Sword. Extended chatter about the awards season and the usual silliness.

(13) SHORT SF VIDEO. Hampus Eckerman says, “This nice little gem became available on Youtube just a few days ago:”

The Nostalgist A Sci-fi Short Based on a Story From the Author of Robopocalypse

In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a beautiful but fragile veneer…

 

[Thanks to Andrew Porter, Sean O’Hara, Paul Weimer, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Doctor Science.]