Pixel Scroll 9/19/17 These Are A Few Of My Favorite Seven Impossible Things Before Breakfast

(1) DARMOK AND JALAD AT THE TIKI BAR. ThinkGeek invites you to get your “Star Trek The Next Generation Geeki Tikis”.

La Forge, Picard, Worf, Cardassian, Borg, Ferengi

Allow us to raise a toast to your taste in housewares with these Star Trek The Next Generation Geeki Tikis. A set of six, these tiki mugs let you drink with Captain Picard, Geordi La Forge, Worf, a Cardassian, a Ferengi, and the Borg. Yes, all of the Borg since they’re a collective consciousness. Best not to play trivia against that one. These tiki mugs hold around 14 oz. each, and they’ll look great next to your Horga’hn fertility statue.

 

(2) BOOK DONATIONS REQUESTED. John Joseph Adams posts:

Got any books you’d like to donate to a good home? My sister’s looking for donations for her school’s library:

In “Nothing to Read”, teacher Becky Sasala explains the need.

I recently assigned my juniors to independently read a book every nine weeks. We took part of a class period and visited the media center to ensure that every student had access to a variety of books. I was absolutely floored by the emptiness of the building. I guess I shouldn’t have been surprised; the county that I work (and live) in is a poor rural county. The average wage in Hoke County is $18,421. Most households’ combined income is less than $50,000. Less than 15% of adult residents hold a degree beyond high school. I also discovered that the library has not had any money to purchase new books since 2009. 2009!

Books appropriate for high school students can be sent to the following address:

  • Hoke County High School
  • c/o Rebecca Sasala
  • 505 Bethel Rd.
  • Raeford, NC 28376

More information at the linked post. There’s also a related Amazon wish list.

(3) HEINLEIN UNBOUND. Farah Mendlesohn, a historian, critic and fan who is a Hugo, BSFA, and BFA winner, and WFA, Mythopoeic, and Locus Award finalist for her scholarly non-fiction works on science fiction and fantasy, is crowdfunding the publication (by Unbound) of her critical study of the writings of a giant of the SF genre.

Dear Friends,

As you all know, I had to withdraw my book on Heinlein from the original publisher due to length. As I explored other options it became clear that no academic publisher could take it without substantial cuts, and no one who read it, could suggest any. So I am utterly delighted to be able to say that Unbound, a crowdsourcing press, have agreed to take the book.

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction and carried on writing until his death in 1988. His short stories contributed immensely to the development of science fiction’s structure and rhetoric, while his novels (for both the juvenile and adult markets) demonstrated that you could write hard SF with strong political argument. His vision of the future was sometimes radical, sometimes crosswise, and towards the end in retrenchment. He continues to influence many writers whether in emulation or reaction. Recent controversies in science fiction have involved fighting over Heinlein’s reputation and arguing about what his legacy is and to whom he belongs…

The key thesis of the book is a challenge to the idea of Heinlein as a libertarian and resituating him as a classical Liberal in the terms he understood; a man who prized the individual highly but understood the individual as at their best when enmeshed in the complex structure of a nurturing society.

Support levels start at £12 for the e-book, and higher levels include hardback copies, critiques of supporters’ non-fiction, workshops, and afternoon tea plus a tour of the personal library of Mendlesohn and SF critic Edward James.

(4) THE STORIES YOU WANT. Like everyone, Liz Bourke has her own specific set of interests, however, most readers have privately asked themselves the question in the title of her latest column, Sleeps With Monsters: Why Can’t More Books Pander To Me?” at Tor.com.

I’m a queer woman (bisexual, and to a degree genderqueer, if precision matters). Much of my reading experience, particularly with new-to-me authors, and even more so with male authors, involves bracing for things that are tiresome, wearying, and/or hurtful. Whether it’s active misogyny, background sexist assumptions, gratuitous sexual assault of women (which may or may not be used to motivate the character arc or development of male protagonists), Smurfettes, women without communities that include other women, transphobia, Buried Gays, or just the general sense that the world the author’s created has no room for people like me in it, there’s frequently a level of alienation that I need to overcome in order to be able to enjoy a new book—or film, or television show, or videogame, etc.—and constantly being braced for that alienation is exhausting.

And that’s even before we get to books that are outright badly done, alienating in ways that aren’t aimed at me (but fuck racism), or just aren’t to my tastes (a lot of comedy, most horror, certain themes that need to be really well done to work for me).

But I’m so used to experiencing this alienation, or to expecting it, that it’s a wrenching shock when I find books that just… welcome me in. That don’t place any barriers in my way. I don’t notice the amount of effort overcoming this alienation requires until I don’t have to make that effort—like not really knowing how much pain you were in until it stops.

(5) THE HOME STRETCH. Artist Gary Gianni’s Kickstarter to publish Hellboy: Into the Silent Sea, Gianni’s book with Mike Mignola, has gotten a great reception – in fact, they’ve just added their FOURTH stretch goal reward –

FOURTH STRETCH GOAL ANNOUNCED! Free all-new fully illustrated The Call of Cthulhu book by Gianni with 100 pencil drawings to all Kickstarter supporters who pledge $50 or more if we reach our Stretch Goal #4, 80K goal!

Gianni’s many credits include illustrating George R.R. Martin’s A Knight of the Seven Kingdoms.

(6) 21ST CENTURY AIR TRAVEL. The title promises “WorldCon 2017, aka The Best, Most Tedious Disaster Story Ever” and Anaea Lay delivers. And yet I read it all. Highly illogical!

When that broke up and it was time to head home, several of the people I’d been hanging out with very kindly and English-ly refused to go on to their hotel before making sure I could find where I was staying, despite my insistence that this was unnecessary.  The joke was on them, though, because I managed to have a fail-tastic adventure anyway.  You see, I knew the address of where I was staying, and I had the keys for getting in.  What I didn’t have was the apartment number.  In a building with eight floors.

(7) MARKETING TECHNIQUE. RedWombat explains a new piece to her agent:

(8) HE LOOKS BEFORE HE LEAPS. Arnie Fenner interviewed John Fleskes at Muddy Colors earlier this week. How many bungee-jumping publishers do you know?

People don’t normally equate daredevils with art books: how does doing death-defying stunts segue into becoming a publisher?

Well, the risk of doing a stunt and that of running a business is very similar, really. So, people have the tendency to call us “extreme” or “daredevils” but in reality each stunt is very calculated and planned far in advance. It’s not like we would just hook up a random bungee cord to anything and just jump off. I worked for a pair of brilliant engineers who would include us in the planning stages and I really learned to appreciate the analytical process of working for those who set up highly complicated stunts where peoples lives were on the line. By the time the actual stunt would happen, sure, if you went off script you could die, but there really wasn’t anything to seriously worry about. Oh, man, jumping out of a hot air balloon at 500 feet and falling 300 feet, now that is a feeling of absolute freedom to fly like that!

But, my real point is that it is a calculated risk when doing a stunt. Days, or weeks, or months of planning can go into what we did. It’s exactly the same with Flesk. Everything that I do is a risk. Instead of risking my life, I’m risking all of my finances, my company, and my livelihood.

The Call For Entries for Spectrum 25 will go out in a few weeks: can you share some of your perspective after having led the competition, judging, and annual for the past 4-going-on-5 years?

The greatest part of Spectrum, without a doubt, has been its community. It’s the people that make it worthwhile year after year. We’re all in it together, it’s here because of the generosity, the support and the downright goodwill of everyone involved. It’s so much bigger than me, it’s not about me whatsoever, but like I’ve mentioned before, it lets me play a role in doing for others. If I do things right, my name never comes to the front or is in the spotlight. I want it to be about the artists. That’s the part at the end of the day that satisfies me the most. That’s my drive. I prefer to work in the background as much as possible, only coming out when absolutely necessary and only when it is to serve others. This community, these artists, it’s one of the greatest things I’ve ever been a part of. That you and Cathy would tap me on the shoulder, that they would see something in me, I’m forever grateful. You’ve treated me like family. I’m truly blessed to know you both and be a part of Spectrum. You know, I’m still a bit shocked by where I am today? I never would have expected any of this.

(9) TODAY’S DAY

Talk Like A Pirate Day

(10) TODAY IN ALLEGED HISTORY

September 19, 1961 – Betty and Barney Hill were abducted for two hours by a UFO.

(11) TODAY IN REGULAR OLD HISTORY

  • September 19, 2000 – Michael Chabon’s Amazing Adventures of Kavalier & Clay, a novel about the glory years of the American comic book, was published. It won the 2001 Pulitzer Prize for fiction.

(12) TODAY’S BIRTHDAY WIZARD

  • Born September 19, 1979 — Hermione Jean Granger

(13) TODAY’S BIRTHDAY CAPED CRUSADER

  • Born September 19, 1928 – Adam West

(14) TODAY’S BIRTHDAY U.N.C.L.E. AGENT

  • Born September 19, 1933 – David McCallum

(15) LIVING PROOF. Remember when the Worldcon’s new YA Award couldn’t be called the Tesseract out of courtesy to an existing Canadian anthology series? If you weren’t already acquainted with it, now’s your chance. Compostela (Tesseracts Twenty) edited by Spider Robinson and James Alan Gardner will be released in the U.S. on October 9. (It’s already available in Canada.)

Compostela (Tesseracts Twenty) is an anthology of hard and soft science fiction stories that best represent a futuristic view of the sciences and how humanity might be affected (for better or worse) by a reliance in all things technological.

The stories contained within the pages of Compostela are a reflection of the world we live in today; where science produces both wonders and horrors; and will leave us with a future that undoubtedly will contain both. Journeys to the stars may be exhilarating and mind-expanding, but they can also be dangerous or even tragic. SF has always reflected that wide range of possibilities.

Featuring works by these Canadian visionaries:

Alan Bao, John Bell, Chantal Boudreau, Leslie Brown, Tanya Bryan, J. R. Campbell, Eric Choi, David Clink, paulo da costa, Miki Dare, Robert Dawson, Linda DeMeulemeester, Steve Fahnestalk, Jacob Fletcher, Catherine Girczyc, R. Gregory, Mary-Jean Harris, Geoffrey Hart, Michaela Hiebert, Matthew Hughes, Guy Immega, Garnet Johnson-Koehn, Michael Johnstone, Cate McBride, Lisa Ann McLean, Rati Mehrotra, Derryl Murphy, Brent Nichols, Susan Pieters, Alexandra Renwick, Rhea Rose, Robert J. Sawyer, Thea van Diepen, Nancy SM Waldman.

(16) THE EIGHTIES WERE STRANGER. Adweek is enthusiastic: “Netflix Is Making Stranger Things Versions of Classic ’80s Movie Posters, and They’re Amazing”.

Netflix is pulling out all the stops on social media in the weeks leading up to Season 2. Last month, the show’s official Twitter account began giving fans more of what they want by launching a weekly recap of each episode of the first season under the hashtag #StrangerThursdays, and tying each episode to a classic ’80s film.

Even more impressive, the art team at the show has paid homage to each film’s original poster art while placing the Stranger Things cast members in its universe. The tweets also include copy referencing the movies that inspired them.

The post has all of them, but here’s one example.

A fan has been inspired to make another —

(17) UHHH. A comic linked from File 770 prompted Steve J. Wright to refer to his Lego-playing days as “Grotesque Sexual Deviancy”.

At least, we thought we were just having fun.  It turns out, though, that we were transgressing the boundaries of gender as laid down by God and marketing departments.  We should never have engaged in the heinous perversion of unsegregated Lego.  Our Lego should have been sorted into strong, potent, manly Lego (mine) and soft, gentle, feminine Lego (my sister’s), and the division should have been rigorously maintained.  All these years I thought we were just playing with Lego, and instead we were promoting an insidious non-binary genderqueer agenda that subverts all the established notions of masculinity and femininity, that causes confusion and actual harm to children who are too young to handle the idea of boys playing with girls’ Lego, that will probably pollute our precious bodily fluids and hasten the downfall of Western civilization.

thought we’d just got a sensible arrangement, so that if, say, my sister wanted to hold a state funeral for one of the Crater Critters, she could grab a bunch of black Legos and build a hearse without any arguments.  Now I know that we were, in fact, undermining the very foundations of all that is good and decent and true.

(18) FRESH OUTBREAK OF TROLLS. Gwynne Watkins of Yahoo! Movies, in “‘Star Wars’ fan petition seeking removal of J.J. Abrams from ‘Episode IX’ picks up steam”, writes that 3,000 people have signed a petition demanding that J.J. Abrams be removed as director of Episode IX because they feel that Disney promised a fresh director for every installment.

The petition at Change.org begins:

Star Wars fans abroad were upset with the result of J.J. Abrams’ directing of Star Wars Episode VII: The Force Awakens. Although not reflected in the box office sales, most fans agree that Abrams’ vision for Episode VII resulted in a rehash of Star Wars Episode IV: A New Hope. There was virtually no creativity, and no risks taken. Such complacency cannot be the trajectory of this sequel trilogy. More specifically, the metric for success in a Star Wars movie cannot be box office sales. Lucasfilm and Disney *need* to listen to fan criticism. Star Wars fans deserve better. They demand better.

Almost 3,500 people have signed it so far.

(19) BONES. New books by the late Michael Crichton continue to appear. Fantasy Literature’s Ryan Skardal renders a verdict on one that came out this past May in Dragon Teeth: Palaeontologist wars”

Johnson is stranded in Deadwood with his bones, which everyone assumes is a cover for gold. Some readers may be pleased to learn that the Bone Wars between Cope and Marsh are drawn from history. Robert Louis Stevenson and Wyatt Earp also appear.

I did not find very much information on how finished Dragon Teeth was before publication, but, unlike Micro, there is no mention of another author who finished this work. It’s tempting to point out that this novel about fossils seems more skeletal than most of Crichton’s novels. The characters are flat, their interactions seem rushed, and every chapter is very short. There are moments of historical detail that are a bit more developed, such as when devout Christians express doubt about fossils and whether a perfect god could create something flawed — let alone something so flawed that it might go extinct. Even these details, however, feel like sketches.

(20) CON CEASES FOR SAFETY REASONS. The staff has put an end to an Ohio convention in the wake of the chair’s criminal conviction. Nerd & Tie has the story: “Anime Punch Disbands After Con Chair Michael Beuerlein Pleads Guilty to Sexual Battery”.

Columbus, OH based convention Anime Punch has been disbanded and will no longer hold any more events. The convention staff announced that they would be ceasing all future operations on in a statement on their official Facebook page on September 14…

The crime was prosecuted in Virginia, so probably was not committed at the convention.

(21) A SPECIALIZED NEED. Erika Satifka, in “Difference of Mind” at the SFWA Blog, points to a problem with most fictional treatments of mental illness.

According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important that when characters with mental illness are featured in one’s writing, the subject is treated with sensitivity and accuracy. Novels that portray such disorders well can make a huge difference.

Em Kalberg, the protagonist of my debut novel Stay Crazy, has paranoid schizophrenia. As I researched the novel, I found that there were very few positive representations of people with schizophrenia, and not just in speculative fiction, but everywhere. The vast majority of the time, characters with psychotic disorders are monsters or killers….

Besides her own Stay Crazy, Satifka recommends fourteen other novels, novellas, and short story collections that prominently feature characters with mental illnesses or trauma.

(22) TIS THE SEASON. Time to be reminded about “The REAL Legend Behind the Halloween Tree at Disneyland”:

Learning about Disneyland’s storied history is as fun as spending a day getting your thrills on at all of the attractions. From true tragic stories inspiring haunting legends to secrets and facts only the biggest park fans know, there’s always something else to discover about the Happiest Place on Earth – the legend of the Halloween Tree included.

Now, fans are probably familiar with the tree. The oak is located in front of the Golden Horseshoe Saloon in Frontierland. Every Halloween since 2007, the tree is decorated in a special way with jack-o’-lanterns hanging from its branches – but have you ever wondered why? The story goes that author Ray Bradbury, famous for Fahrenheit 451 and countless other fantasy, science fiction, mystery, and horror works, loved Halloween – and had a long history with Disney. Bradbury was a huge proponent of the Walt Disney Company and made his support for it clear throughout the years.

(23) SETTING THEM STRAIGHT. Camestros Felapton has been dismantling “Vlad James’” attack on the science in an Ursula Le Guin novel The Lathe of Heaven.

James wrote:

Unfortunately, she was less self-aware than [Harry Harrison], and injected phenomenally idiotic, pseudo-scientific explanations in her stories constantly.

Also:

She also claims that it would take the atmosphere “several hundred years to get rid of the CO2”. While I understand Le Guin found math difficult, if humans completely stopped producing CO2, it would take 9-12 days for the atmosphere to rid itself of the amount presently there. Or, if you believe global warm…err “climate change” hysterics, it will take…several years. A few hundred years is baseless ignorance.

But young Felapton, in “Science and Le Guin Part 2”, shows —

The quote from Le Guin is genuine and from The Lathe of Heaven published in 1970. It is also scientifically correct (more or less) whereas the criticism is scientific nonsense – indeed it is error piled on error….

A thorough takedown follows.

(24) THE SMELL IS OUT THERE. This is pretty damn funny – Anime Conventions: An Honest Guide.

(25) A MAGICAL TIME. IMDB says Andy the Talking Hedgehog is up 778% in popularity this week. Articles like The Guardian’s are the reason.

When Reid tweeted the Andy the Talking Hedgehog poster on Friday, the internet went nuts. That was partly because the poster featured a hedgehog, two cats, Dean Cain, Tara Reid’s Twitter profile pic manipulated to look slightly more wholesome and an unattributed quote calling it “a magical good time”. But it was also because the IMDb plot summary for the film read “Tara Reid brings her Oscar award-winning prowess to this documentary about a hedgehog that Dean Cain farted on giving it the ability to talk. It’s a fun-loving family movie that will for sure make you say “WOWZA. That’s a stinky fart!”’ That summary, incidentally, was attributed to Scott Baio.

Obviously, like the rest of the world, I desperately wanted to know the story behind Andy the Talking Hedgehog. Although we can rule out the summary as nothing more than internet high jinks, it would appear that the film is real. Back in November actress Maria Wasikowski tweeted a photo from the Andy the Talking Hedgehog set, alongside Dean Cain and, one month later, Tara Reid Instagrammed a shot of her character, Fairy BFF.

[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Arnie Fenner, Martin Morse Wooster, Andrew Porter, Karl-Johan Norén, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Spectrum Fantastic Art Live 2017

Spectrum Fantastic Art Live isn’t going to San Francisco after all. Plans to hold the 2016 event there in October have been set aside.

The next Spectrum Fantastic Art Live will take place April 21-23, 2017 in Kansas City, MO.

Arnie Fenner explained why in a post at Muddy Colors.

Anything is possible if the desire is there, but everything comes with a price tag and the subsequent tough decision to back away from plans to hold the show in San Francisco in association with the AAU was not made lightly. Spectrum Fantastic Art Live has always been about benefiting the entire art community—the creators, the patrons, and the fans—and everything with the show has to make sense, including the dates, the costs, and the venue. We had heard from a great many exhibitors and attendees who enjoyed the convenient, casual and friendly atmosphere of Kansas City and were actually disappointed by the move out of the midwest, which pleasantly surprised us.

We’ve always known that doing a convention isn’t just about our bottom line, but about everyone else’s, too, and we pay attention to what’s happening in the marketplace….

As with past shows, sales of originals and prints at SFAL in May 2015 were great for some, good for others, and not so hot for a few—that’s pretty much the way it always is for every convention, big or small.

Last Autumn sales were reportedly very disappointing for exhibitors of Fantasy-themed art at several conventions. Many felt that the poor sales might have been due to a recent Heritage auction which included another portion of Jane and Howard Frank’s immense art collection. Personally, I don’t believe that one really had anything to do with the other.

Speaking bluntly (as is my wont), original art is a luxury item and sales are often tied to the cycle of confidence and stability. The current political climate and tone of the Presidential campaigns (the Brexit hasn’t helped) have had a significantly negative impact on art purchases as people worry about the economy and the future in general. Shoot, even the 1% have cut back on their buying. With a convention there is always the temptation to “keep going full steam” and ignore the lookout’s warning that there’s ice ahead, but rather than bull through and make SFAL happen someplace sometime in 2016 regardless, we opted to take a breather, let the dust settle, and optimistically hope things get back to normal after November.

More news about attendee ticket prices, hotel information and special rates, and activities during the show will be posted as available on the SFAL website  and the SFAL Facebook page.

SFAL 2017 guests

Spectrum 23: The Best In Contemporary Fantastic Art Award Recipients

The Spectrum 23 Awards were presented May 7 at a gala celebration at the historic Society of Illustrators carriage house in New York City. Several hundred artists, patrons, and fans attended the ceremony, which also included an introduction by Spectrum Director John Fleskes and a memorial video commemorating creators that had passed away in the last year.

The awards were sculpted by Kristine Poole with appropriately gold or silver patinas by Colin Poole to illustrate the symbol of the artist’s Muse. The statues are 15″ tall and cast in bronze with either silver or gold accents. The Pooles also designed, sculpted, and presented the second Spectrum Rising Star Award to a young artist fresh in their career.

This year’s blue ribbon jury for Spectrum 23 consisted of Dave Palumbo, Cynthia Sheppard, Kirk Thatcher, Charlie Wen, and Terryl Whitlatch and determined Silver and Gold recipients in eight categories. The Spectrum Advisory Board also selected the 2016 Grand Master Honoree.

ADVERTISING

Nico-Delort-BlessingOfAthena-A-Spectrum23-nomination

Nico Delort, The Blessing of Athena

Gold Award

  • Nico Delort, “The Blessing of Athena”

Silver Award

  • Joseph Qiu, “24 Hour Movie Marathon”

Other nominees:

  • Bartosz Kosowski, “Discworld”
  • Colin Poole, “Vishnu’s Third Avatar”
  • Andrew Thompson, “Glitch”

BOOK

RovinaCai_TomThom-Spectrum23-nomination

Rovina Cai, “Tom, Thom”

Gold Award

  • Rovina Cai, “Tom, Thom”

Silver Award

  • Karla Ortiz, “Sorcerer of the Wildeeps”

Other nominees:

  • Chris Ayers, “Munchasaurus Rex”
  • Annie Stegg Gerard, “Renard and the Strawberries”
  • Donato Giancola, “Vesuvius”

COMIC

Daren-Bader-Tribes-of-Kai-pg41-C-Spectrum23-nomination

Daren Bader, Tribes of Kai

Gold Award

  • Daren Bader, “Tribes of Kai, page 41”

Silver Award

  • Nic Klein, “Drifter”

Other nominees:

  • Gael Bertrand, “Island #4 cover”
  • Tyler Crook, “Harrow County #1 cover”
  • Paolo Rivera, “Hellboy 1953”

CONCEPT ART

Vance-Kovacs-King-Luies-court-CA-Spectrum23-nomination

Vance Kovacs, King Louie’s Court

Gold Award

  • Vance Kovacs, “King Louie’s Court”

Silver Award

  • Te Hu, “Journey to West”

Other nominees:

  • Mirko Failoni, “The Mushroom Forest”
  • Seth Rutledge, “Window View”
  • Bayard Wu, “Dragon Island”

DIMENSIONAL

forest-rogers-morrigan-D-Spectrum23-nomination

Forest Rogers, The Morrigan

Gold Award

  • Forest Rogers, “The Morrigan”

Silver Award

  • Thomas Kuebler, “Adelpha and Her Sister”

Other nominees:

  • Akihito, “Death Wings”
  • Patrick Masson, “The Blind Death”
  • Dug Stanat, “Meeting Master Jones”

EDITORIAL

Tran_Nguyen_TravelingToaDistantDay-E-Spectrum23-nomination

Tran Nguyen, Traveling To a Distant Day

Gold Award

  • Tran Nguyen, “Traveling To a Distant Day”

Silver Award

  • Chris Seaman, “Family Portraithausen: A Tribute to Ray Harryhausen”

Other nominees:

  • Donato Giancola, “Empathy”
  • Greg Ruth, “Finnegan’s Field”
  • Sam Weber, “The Language of Knives”

INSTITUTIONAL

Tyler-Jacobson-Exalted-Angel-I-Spectrum23-nomination

Tyler Jacobson, Exalted Angel

Gold Award

  • Tyler Jacobson, “Exalted Angel”

Silver Award

  • Julie Bell, “Behind the Veil”

Other nominees:

  • Wesley Burt, “Natural Connection”
  • Bill Carman, “Medieval Batman”
  • Te Hu, “Offering”

UNPUBLISHED

Rob-Rey-Bioluminescence-U-Spectrum23-nomination

Rob Rey, Bioluminescence

Gold Award

  • Rob Rey, “Bioluminescence”

Silver Award

  • Wayne Haag, “Dust Devil”

Other nominees:

  • Dragan Bibin, “Pull”
  • Jaemin Kim, “King Under the Mountain”
  • Greg Opalinski, “Initiate”

RISING STAR AWARD

  • Victor Maury

Other nominees:

  • J.A.W. Cooper
  • Yoann Lossel

2016 GRAND MASTER HONOREE

  • Mike Mignola

Spectrum 23 Award Nominations

The Spectrum 23: The Best in Contemporary Fantastic Art Award finalists have been announced.

Five finalists for a Silver or a Gold award in each of the eight categories were selected by a jury of David Palumbo, Cynthia Sheppard, Kirk Thatcher, Charlie Wen and Terryl Whitlatch.

Spectrum: The Best In Contemporary Fantastic Art was founded in 1993 by Cathy Fenner and Arnie Fenner. Creators from around the globe participate in the competition each year. In 2014, John Fleskes became director of the competition and editor of the annual, and Flesk Publications the publisher of the book.

The winners will be announced during the Spectrum 23 Awards Ceremony that will be held at the Society of Illustrators in New York City on Saturday, May 7. The 2016 Spectrum Grand Master Award honoree will also be announced during the ceremony.

ADVERTISING CATEGORY

Nico-Delort-BlessingOfAthena-A-Spectrum23-nominationNico Delort
The Blessing of Athena



Bartosz-Kosowski-Discworld-A-Spectrum23-nominationBartosz Kosowski
Discworld


Colin-Poole-Vishnus-third-Avatar-A-Spectrum23-nominationColin Poole
Vishnu’s Third Avatar


Andrew-Thompson-Glitch-A-Spectrum23-nominationAndrew Thompson
Glitch


Joseph-Qiu-24HRmoviemarathon-A-Spectrum23-nominationJoseph Qiu
24 Hour Movie Marathon

 


 

BOOK CATEGORY

Chris_Ayers-Munchasaurus_Rex-B-Spectrum23-nominationChris Ayers
Munchasaurus Rex


RovinaCai_TomThom-Spectrum23-nominationRovina Cai
Tom, Thom


Donato-Giancola-Vesurius-B-Spectrum23-NominationDonato Giancola
Vesuvius


karla-ortiz-sorcererofthewildeeps-B-Spectrum23-nominationKarla Ortiz
Sorcerer of the Wildeeps


Annie_Stegg-Gerard-RenardAndTheStrawberries-B-Spectrum23-nominationAnnie Stegg Gerard
Renard and the Strawberries

 


 

COMIC CATEGORY

Daren-Bader-Tribes-of-Kai-pg41-C-Spectrum23-nominationDaren Bader
Tribes of Kai, page 41


Gael_Bertrand_cover_Island_Magazine-C-Spectrum23-nominationGael Bertrand
Island #4 cover


Tyler-Crook-HarrowCounty1Cover-C-Spectrum23-nominationTyler Crook
Harrow County #1 cover


Nic-Klein-DRIFTER-7-C-Spectrum23-nominationNic Klein
Drifter


Paolo-Rivera-Hellboy1953-C-Spectrum23-nominationPaolo Rivera
Hellboy 1953

 


 

CONCEPT ART CATEGORY

Mirko-Failoni-The-Mushroom-Forest-CA-Spectrum23-nominationMirko Failoni
The Mushroom Forest


Te-Hu-Journey_to_west-CA-Spectrum23-nominationTe Hu
Journey to West


Vance-Kovacs-King-Luies-court-CA-Spectrum23-nominationVance Kovacs
King Louie’s Court


Seth-Rutledge-Window-View-CA-Spectrum23-nominationSeth Rutledge
Window View


Dejian-Wu-leewiartDragon Island-CA-Spectrum23-nominationDejian Wu
Dragon Island

 


 

DIMENSIONAL CATEGORY

akihito-death-wings-D-Spectrum23-nominationAkihito
Death Wings


Thomas-Kuebler-Adelpha-and-Her-Sister-D-Spectrum23-nominationThomas Kuebler
Adelpha and Her Sister


Patrick-MASSON-Blind_Death-D-Spectrum23-nominationPatrick Masson
The Blind Death


forest-rogers-morrigan-D-Spectrum23-nominationForest Rogers
The Morrigan


Dug-Stanat-MeetingMasterJones-1-D-Spectrum23-nominationDug Stanat
Meeting Master Jones

 


 

EDITORIAL CATEGORY

Donato-Giancola-Empathy-E--Spectrum23-nominationDonato Giancola
Empathy


Tran_Nguyen_TravelingToaDistantDay-E-Spectrum23-nominationTran Nguyen
Traveling To a Distant Day


greg-ruth-Finnegans-Field-E-Spectrum23-nominationGreg Ruth
Finnegan’s Field


ChrisSeaman_FamilyPortraithausen-E-Spectrum23-nominationChris Seaman
Family Portraithausen: A Tribute to Ray Harryhausen


sam-weber-the_language_of_knives-E-Spectrum23-nominationSam Weber
The Language of Knives

 


 

INSTITUTIONAL CATEGORY

Julie-Bell-Behind-The-Veil-I-Spectrum23-nominationJulie Bell
Behind the Veil


Wesley-Burt-NaturalConnection-I-Spectrum23-nominationWesley Burt
Natural Connection


bill-carman-medievalbatman-I-Spectrum23-nominationBill Carman
Medieval Batman


Te-Hu-offering-I-Spectrum23-nominationTe Hu
Offering


Tyler-Jacobson-Exalted-Angel-I-Spectrum23-nominationTyler Jacobson
Exalted Angel

 


 

UNPUBLISHED CATEGORY

Dragan-Bibin-Pull-U-Spectrum23-nominationDragan Bibin
Pull


Jaemin-Kim-king-under-the-mountain-U-Spectrum23-nominationJaemin Kim
King Under the Mountain


Greg-Opalinski-Initiate-U-Spectrum23-nominationGreg Opalinski
Initiate


Rob-Rey-Bioluminescence-U-Spectrum23-nominationRob Rey
Bioluminescence


Wayne-Haag-Dust_Devil-U-Spectrum23-nominationWayne Haag
Dust Devil

Artwork © 2016 its respective artists. All Rights reserved.

Murray and Carol Tinkelman Pass Away

Carol and Murray Tinkelman. Photo courtesy Walt Engels.

Carol and Murray Tinkelman. Photo courtesy Walt Engels.

Acclaimed artist Murray Tinkelman (1933-2016) died January 30. He was 82. He was preceded in death by his wife Carol, who died January 16.

Arnie Fenner notes, “Fans might remember him best for his covers for Ballantine’s Lovecraft paperbacks in the late 1970s. Murray also did the covers for the hardcover and paperback Brunner’s The Sheep Look Up, Haldeman’s The Forever War, and others.”

Leading sf artist Vincent DiFate, a former President of the Society of Illustrators, describes the unique style of those covers:

In the 1960’s for example, he formulated an interesting method that applied colored inks and dyes to drawings rendered exclusively in line. Using this technique, Tinkelman almost single-handedly revolutionized the horror genre a decade later when his work began appearing on the covers of del Rey’s mass-market editions of books by noted horror author H. P. Lovecraft.

Since the artist used an open crosshatch technique, his illustrations appeared light in tone, reminiscent of an old photograph that had faded with time. Contrasted with the fully rendered paintings of other paperback artists, Tinkelman’s drawings looked so unlike traditional book cover art that they had an immediate and significant impact. In the case of the Lovecraft books, especially, which had been repackaged dozens of times before with the most dire and morbid of cover illustrations, Tinkelman’s airy, often whimsical visions lightened the look of those books and no doubt helped to introduce them to an entirely new audience of readers.”

Carol Tinkelman was Murray’s partner in his art studio from its inception in 1957. The Norman Rockwell Museum’s tribute credited her work on its behalf, and the couple’s generosity:

“Carol was a driving force behind Norman Rockwell Museum’s illustration collecting mission, and her passion was to help the Museum build its collection of original illustration art,” notes Museum Deputy Director/Chief Curator, Stephanie Haboush Plunkett. “She and Murray donated from their own collections extensively, and invited other artists to do so as well. Carol will be greatly missed. Her spirit was infectious and she truly loved the Museum and its work.”

Murray Tinkelman’s illustrations appeared in Atlantic Monthly, The New York Times, and The Washington Post. The National Park Service commissioned him to do drawings and paintings of National Parks and Monuments. He was an artist-reporter on several U.S. Air Force missions.

He had a one-man exhibit of his baseball art at The National Baseball Hall of Fame and Museum in Cooperstown in 1994. He also exhibited at The United States Sports Academy in Alabama, which named him the 1995 Sports Artist of the Year.

His work is represented in the permanent collections of the Brooklyn Museum, the Delaware Art Museum, the International Photography Hall of Fame & Museum, and the New Britain Museum of American Art.

In 1956, Tinkelman joined the celebrated Charles E. Cooper Studio and remained there until its disbanding, some eight years later. From the mid-1960s on, he became fully freelance and pursued simultaneous careers in illustration and as a painter of abstract expressionist artworks. In 1970, was named Artist of the Year by the Artists Guild of New York for his work as an illustrator.

He also enjoyed a reputation as a great teacher. In the late 1960s he joined the faculty at the Parsons School of Design and, as its Associate Chairperson. He later taught at Syracuse University, in its undergraduate and graduate programs. He received the 2001 Syracuse University Faculty Service Citation. He also was named the recipient of the 1999 Distinguished Educator in the Arts award from the Society of Illustrators in New York, the second living artist/educator to be so honored.

In the spring of 2013, Tinkelman he received an honorary doctorate from Ferris University’s Kendall College of Art in Grand Rapids, MI, and was inducted to the Society of Illustrators’ Hall of Fame.

[Thanks to Arnie Fenner and Andrew Porter for the story.]

Spectrum Fantastic Art Live Moves to San Francisco

SFAL 2016 logo COMPSpectrum Fantastic Art Live, the artist-focused convention that has been held for the last four years in Kansas City, will be moving to San Francisco in 2016 Spectrum Director John Fleskes announced yesterday. In partnership with the Academy of Art University, the convention will continue growing the public’s awareness of fantasy-themed art while bringing creators from around the world to exhibit and sell their works to collectors and fans in a welcoming atmosphere. The event will be held at the academy’s Jerrold building facility on October 28-30, 2016.

Spectrum Fantastic Art Live (SFAL) is an extension of the Spectrum annual, the award-winning book devoted to the year’s best fantastic art.

Beyond the art exhibition, workshops, panels and demonstrations, the long-term plan is for SFAL to expand to serve also as a trade show and job fair. “Whether it’s for film and television, publishing, comics, gaming, advertising or the theater, Spectrum has always been the home for the best and brightest creators of every type of fantastic art,” notes Cathy Fenner. “The show, like the Spectrum annual, makes it easier for art directors to connect directly with both new and established talent. Similarly, gallery owners and patrons are able to meet and form relationships with artists they might not otherwise know about. ‘More eyes equals more opportunities’ has always been our mantra, and the move to California will help that continue.”

John Fleskes, publisher of Flesk Publications and director of Spectrum, assumed the responsibilities of director and editor in 2013 following the retirement of founders Cathy and Arnie Fenner. He has been meeting with Academy of Art University representatives since 2014 in preparation for the move.

Founded in 1929 in San Francisco, the Academy of Art University is one of the country’s most innovative and creative institutions for higher learning. With nearly 18,000 students, it is the largest privately owned art and design school in the United States.

Cathy and Arnie Fenner have provided additional background in a public Facebook post.

The announcement has been made and we know that there are some that are disappointed that SFAL is moving to San Francisco in 2016 and others who are concerned about the switch to October for the show’s dates.

We don’t talk too much about all the behind-the-scenes stuff in organizing SFAL, but there were a lot of challenges and this year’s show was particularly difficult. It’s really a matter of available dates and venues and it has become increasingly hard in KC to get exhibit space at the same time a theater is available and there are enough hotel rooms for exhibitors and attendees. This year we were forced to change our exhibit space and our dates, which put us opposite the city’s long-running ConQuesT in the same hotel; they were gracious and we worked well together, but we felt like we were intruding on their territory, so to speak. Spring has always been surprisingly crowded for events downtown—we’ve never been able to rent the Music Hall, for example, for the awards ceremony because it’s booked solid with recitals and graduations in May—and with the pending construction of the Hyatt and the completion of the street cars, more and more conventions have been squeezing our dates. The addition of the KCComicon to the city in August along with the annual anime and horror cons—not to mention the World SF Convention in 2016—have made for a crowded genre landscape.

When we learned just before SFAL4 that the organizer of the local Planet Comicon had decided on the sly to move his 2016 show dates from March and secured our traditional dates for the convention center in May, the decision was sort of made for us. Competing for essentially much of the same audience in the same narrow time frame doesn’t make any sense: moving to March in THEIR original spot wasn’t an option for us because of a lack of hotel rooms (the Big 12 Basketball Tournement happens at that time; it didn’t affect the comicon because they draw very few overnight attendees whereas SFAL accounts for over 1000 hotel room nights). Moving to Fall in KC would have brought higher rental prices for a theater and fewer date options (the convention center is a busy place). Because of Planet Comicon’s tactic, the negative financial impact on the city, downtown hotels, restaurants, and businesses will be significant, but…that’s the way things are.

In light of the challenges we faced while organizing the 2015 show, John Fleskes had been exploring the possibility of moving SFAL to California and partnering with the Academy of Art University. Possible dates were explored throughout the lengthy discussions and though we realize that the October slot will conflict with other conventions, big and small, we also ultimately realize that there are conflicts with something somewhere virtually every week of the year. Spring wasn’t an option and October was the only time that worked with the University’s extremely busy schedule—so October it is.

We want to express our deepest gratitude to our KC committee who selflessly pulled together to make the first four SFALs possible: Carl V. Anderson, Amanda Banion, Arlo Burnett, James Fallone, Bunny Muchmore, Lazarus Potter, Jeff Smith, and Shena Wolf are eight big reasons why SFAL was such a positive experience for so many. We’d also like to thank our friends at Liberty Exhibition Services, the staffs at the Midland, Folly, and Alamo Theaters, our liaisons at the Marriott and The Aladdin Holiday Inn Hotel, and particularly John English and his instructors for their tireless support of the show and the hours spent instructing and encouraging young artists during the event. And, of course, we’d like to thank each of you who either exhibited at or attended the Kansas City shows.

 

Spectrum_Fantastic_Art_Live_Academy_of_Art_University COMP

Spectrum 21 Awards Finalists

The Spectrum 21 jury left to right: J. Anthony Kosar, Allen Williams, Cory Godbey, George Pratt and Shelly Wan

The Spectrum 21 jury left to right: J. Anthony Kosar, Allen Williams, Cory Godbey, George Pratt and Shelly Wan

Judging for the 2014 edition of the Spectrum Fantastic Art Annual was completed March 1 on the campus of San Jose State University. Finalists were chosen by jury members Cory Godbey, J. Anthony Kosar, George Pratt, Shelly Wan, and Allen Williams who looked at and evaluated over five thousand entries in eight categories in a single day of voting. Their selections of the year’s best fantastic art will appear in Spectrum 21, scheduled for October release.

Spectrum: The Best In Contemporary Fantastic Art was founded in 1993 by Cathy Fenner and Arnie Fenner. Creators from around the globe participate in the competition each year. With Spectrum 21 John Fleskes assumes the positions of director of the competition and editor of the annual. Flesk Publications is the new publisher of the book: Publishers Group West will continue as its distributor. The nominated images can be seen here on John Flesk’s blog.

Gold and silver medal winners in each category will be announced at the awards ceremony during Spectrum Fantastic Art Live, a weekend long celebration of fantastic art, in Kansas City, May 9-11. The Spectrum Grand Master Award will also be presented during the ceremony.

The gold and silver finalists are:

Advertising

  • Anita Kunz — Little Monsters
  • Victo Ngai — A Tiger Beer Chinese New Year
  • Shu Yan — Go Into the Gate
  • Kent Williams — The Criterion Collection Lord of the Flies
  • Gabriel Verdon — Hiversaires

Book

  • Scott Gustafson — Little Sambha and the Tiger with the Beautiful Purple Shoes with Crimson Soles
  • John Harris — Fire: the Road Beside the Wall
  • Petar Meseldzija — The Golden Apple Tree 1
  • Nicolas Delort — The End of the Road
  • Kirsti Wakelin — Dreamboats, Lilies, Koi and Chang Kuo-lao

Comics

  • He Jie Mona — All Corners of the Country: The Lost Buildings #4
  • David Palumbo — Aliens #1 cover
  • Thomas Campi — The Red Door
  • Mark A. Nelson — Seasons, page 1
  • Goni Montes — Clive Barker’s Next Testament #6

Concept Art

  • Theo Prins — Kite City 2
  • Theo Prins — Refugees
  • Brian Matyas — Messenger Girl
  • Vance Kovacs — John Carter Punches a Thark
  • Jamie Jones — Ackzero Interior

Dimensional

  • Colin and Kristine Poole — Hot Diggety Dog
  • Shaun Tan — Grimm Tales: Thousandfurs
  • The Shiflett Bros. — Vertical Man-Tank, 1892
  • Jessica Dalvo — Don’t Mind Me
  • Forest Rogers — Goblin Spider

Editorial

  • Nicolas Delort — Rumor of Angels
  • Yuko Shimizu — Hair Tree
  • Luo Xin — Recall
  • Tran Nguyen — The Insects of Love
  • Bill Mayer — Fragile Planet

Institutional

  • Bill Carman — Shared Eyewear
  • Rebecca Yanovskaya — Ascent of Man
  • Ed Binkley — The Hag Griselle Pays a Visit
  • Justin Sweet — Blacksea
  • Donato Giancola — Huor and Hurin Approach Gondolin

Unpublished

  • Jean-Baptiste Monge — Ode to the Moon
  • Yukari Masuike — Riding Horse on the Freezing Day
  • Annie Stegg — Lilaia the Naiad
  • Omar Rayyan — The Long Walk Home
  • Audrey Benjaminsen — Lady of Light

Gregory Manchess Exhibit Opens

Gregory Manchess

Gregory Manchess

[From the press release.] "Gregory Manchess: A Life In Paint," the first major exhibition of paintings by the award-winning artist, opens at the Museum of American Illustration in the Society of Illustrators headquarters in New York City on September 3. Renowned as both an illustrator and as an educator, Manchess' classic brushwork has appeared on hundreds of book covers and in National Geographic, Omni Magazine, Rolling Stone, and Time Magazine, as well as on stamps for the U.S. Postal Service including the most recent commemoration of the Freedom March on Washington.
The show includes over 50 original works which showcase the artist's love of the oil medium. Including portraiture, the figure in repose and in motion, and imaginative narratives, this retrospective show features selected personal paintings, covers for bestselling novels, pieces for major advertising campaigns, and illustrations for children¹s books. Several of his oils for Tor Books, Hardcase Crime, and for The Conquering Sword of Conan by Robert E. Howard appear in the exhibition.
A lecture and artist reception will take place Friday, September 27 at 6 p.m. The show is sponsored by Cathy and Arnie Fenner of Spectrum Fantastic Art LLC and is scheduled to run until October 26. Directions, museum hours, and other information can be found at the Society of Illustrators website.

Spectrum 20 Award Finalists

Spectrum 20 Jury & Directors: Tim Bruckner, Mark A. Nelson,
Irene Gallo, Michael Whelan, Cathy Fenner, Tim Kirk, and Arnie Fenner.

The Spectrum 20 Award jury members Tim Bruckner, Irene Gallo, Tim Kirk, Mark A. Nelson, and Michael R. Whelan evaluated over 6,000 entries before selecting 40 finalists for this year’s edition of the Spectrum Fantastic Art Annual.

Founded in 1993 by Cathy Fenner and Arnie Fenner, Spectrum: The Best In Contemporary Fantastic Art is among the most respected art showcases, covering a wide range of disciplines. It is the only “art annual” with categories devoted to comics, concept art, and sculpture.

Judging was completed March 2. Their selection of the year’s best fantastic art will appear in Spectrum 20, scheduled for October release in both hardcover and softcover from Underwood Books. Gold and silver medal winners in each category will be announced at the awards ceremony during Spectrum Live, a weekend long celebration of fantastic art, in Kansas City, May 17-19. The Spectrum Grand Master Award will also be presented during the ceremony, which will be held in the historic Midland Theater.

The gold and silver finalists are:

Advertising

  • Craig Elliott:ForestAwakening
  • Michael C. Hayes: Procession
  • Android Jones: Ganeshatron
  • Greg Ruth: Three Outlaw Samurai
  • Dan DosSantos: Dragon Empress

Book

  • Brom: Wipi
  • William O’Connor: Wargriffin
  • David Palumbo: Fed
  • Shaun Tan: Never Leave a Red Sock on the Clothesline
  • Charles Vess: Tanglewood: I Didn’t Know She Was a Bottle Witch

Comics

  • Jennifer L. Meyer: Aesop’s Ark,Ch. 2, P2
  • David Petersen: Mouse Guard Black Axe #4, Page 19
  • Paolo Rivera: Daredevil #10
  • Paolo Rivera: Captain America #1
  • João Ruas: Fables #121

Concept Art

  • Daniel Dociu: Guild Wars 2, Norn Lodge
  • Theo Prins: Southsun Cove
  • Paul Sullivan: Franken-animal
  • Justin Sweet: Marauders 2
  • Allen Willams: Tree of Tales

Dimensional

  • Dan Chudzinski: Turbulence
  • David Meng: Sashimi
  • Virginie Ropars: Mothra
  • Virginie Ropars: Acanthopis III
  • Katya Tal: Blanket Fairy

Editorial

  • Sam Bosma: Stability
  • Chris Buzelli: Book Monster
  • Sean Andrew Murray: He’s Gone Full-Bird
  • Victo Ngai: Best of the Best
  • Sam Weber: Cancer Monster

Institutional

  • Ed Binkley: A Cob of Chiseldon-Brimble
  • Lucas Graciano: Dragon Swarm
  • Tyler Jacobson: Ruric Thar, The Unbowed
  • Kekai Kotaki: Stampede
  • David Palumbo: Taken

Unpublished

  • Cory Godbey: The Fish Master
  • Lucas Graciano: Guardianship
  • Kekai Kotaki: Ride
  • Andrew Mar: Tell-Tale Heart
  • Tohru Patrick Awa: Sudden Shower

Spectrum Fantastic Art Awards

Quixotic Fusion at Spectrum Fantastic Art Live!

The Spectrum 19 Awards in eight categories were announced May 19 in Kansas City during Spectrum Fantastic Art Live!, a convention focused on fantasy and science fiction art and associated with SPECTRUM books.

The winners in each category are:

Advertising:
Gold – Tyler Jacobson: Talon of Umberlee
Silver – Android Jones: Boom Festival

Book:
Gold – Edward Kinsella: Wooden Bones
Silver – Jean-Babtiste Monge: Ragnarok

Comics:
Gold – Alex Alice: Sigfried III
Silver – Jim Murray: DOTA 2: Tales from the Secret Shop

Concept Art:
Gold – Justin Sweet: Jack the Giant Killer
Silver – Daniel Dociu: Hangar

Dimensional:
Gold – Virginie Ropars: Jack
Silver – Thomas S. Kuebler: I am Providence

Editorial:
Gold – Jean-Baptiste Monge: Mic Mac Cormac
Silver – James Gurney: Kosmocertatops

Institutional:
Gold – Raoul Vitale: Turin and the Glaurung
Silver – Android Jones: Water Dragon 2012

Unpublished:
Gold – Michael Whelan: CK Unmasked
Silver – Justin Gerard: Portrait of a Monster #3

Grand Master:
James Gurney

Presenters included Spectrum founders Arnie and Cathy Fenner, Tor Books Art Director Irene Gallo, and artists Gregory Manchess, Greg Spalenka, Iain McCaig, Jarrod and Brandon Schiflett, Donato Giancola, and Michael Whelan.

Finalists in each category were projected onto a 30′ wide screen; the screen was also used to remember those in the artistic community who had passed away in the previous year and to review the recipients of the Grand Master Award.

Framing the festivities were performances by the nationally renowned Quixtotic Fusion dance company and by Phadroid aka digital creator Android and dancer Phaedra Jones. The awards show was produced by Lazarus Potter of the Lazarus Design Group in association with Quixotic Fusion and the Midland Theater. Spectrum Fantastic Art Live! was organized by Jim Fallone, Shena Wolf, Bunny Muchmore, Arlo Burnett, Lazarus Potter, and the Fenners.

All of the award winning work will be included in Spectrum 19: The Best In Contemporary Fantastic Art, which will be published by Underwood Books in November.

More coverage and photos at Rockville Music Magazine.

Update: 05/23/2012: Irene Gallo has granted permission for the use of her photos here. I apologize for not providing credit earlier. That happened because the photos attached to the press release were not attributed.

Arnie and Cathy Fenner

Michael Whelan

Greg Spalenka

Greg Manchess

Android Jones

Irene Gallo

James Gurney

Mike Mignola

Justin Sweet

Concept