Pixel Scroll 3/17/18 Several Species Of Small Furry Filers Gathered Together In A Scroll And Grooving With A Pixel

(1) DISNEY EXTRACTS HAND FROM COOKIE JAR. Design Taxi reports “Disney Redesigns ‘Star Wars’ Posters After Getting Called Out For Plagiarism”.

Disney has unveiled a new set of posters for the upcoming Solo: A Star Wars Story after its previous artworks were called out by a French artist for plagiarism.

In this redesigned collection, Disney has amended the graphics whilst sticking to a similar color scheme.

Each character remains paired with a unique color. For instance, ‘Han’ is matched with an orange-red aesthetic, ‘Lando’ gets a blue hue, while ‘Q’ira’ receives a pink-purple scheme.

 

(2) SCRYING THE CRYSTAL CLARKE. Ian Mond takes his shot at predicting the Clarke Award shortlist in “Brief Thoughts on the Arthur C. Clarke Award 2018 Submissions List” at The Hysterical Hamster.

Mark Hepworth did the same in a comment here on File 770.

(3) MANO-A-MANO. Steven Barnes, while speculating about which characters will get killed off in the next Avengers movie, added an interesting cultural critique of the martial arts in Black Panther.

this is petty, and a trivial objection, but another missed opportunity was the battle between T’Challa and Killmonger during the ceremony. It relates to a complaint I had about Civil War (which I loved). This is from a life-long martial artist’s perspective, so I’m only partially serious. The problem is this: BP fought like everyone else in Civil War, and his technique looked very Asian. Korean in the kicks. Not what the Prince of Wakanda would use, because African arts are as lethal. But in BP, both T’Challa and Killmonger fought pretty much the same. I find it difficult to believe that Killmonger, never having been in Wakanda, would fight with techniques that look as if he had been trained by the same people who trained T’Challa. They could have had a fascinating clash of styles. But that is really nit-picking.

(4) PANTHER POLITICAL ANALYSIS. At Blog of the APA: In “Black Issues in Philosophy: A Conversation on The Black Panther”, Greg Doukas and Lewis Gordon discuss the politics and ethics of leading characters in the movie.

GREG DOUKAS: I am thoroughly perplexed by the reaction exhibited in some of my friends and colleagues, whose ideas I otherwise ordinarily agree with. The proposition they raise, and which I’ve been troubled by, is this: Over the duration of the film, our hero T’Challa [the Black Panther] makes a transformation from a nativist into a character representing a liberal politics of amelioration and liberalism more generally, while his nemesis Killmonger emerges as a distinctly Fanonian character in his own politics by presenting a radical critique of colonialism and racism. 

LEWIS GORDON: This is far from the case. First, Killmonger is not Fanonian. He is a tyrant. Fanon believed in radical democracy.  Wakanda is clearly a republic and possibly a constitutional monarchy in which each member of the society contributes as counsel and skilled citizen. It’s clearly a city-state or what in ancient Greek is called a polis, in which politeia (the thriving of citizens through activities cultivated by such a social space) is expected to occur. Killmonger is more like the case studies of colonial disorders in the later part of Fanon’s The Damned of the Earth. He is a tyrant because his relationship to everyone was asymmetrical, driven by resentment and hate, and his regard for life was nil. Think of how he killed his loyal girlfriend Linda and how he ultimately aimed to destroy or destabilize Wakanda—a functioning African state—with the now faddish Afropessimistic declaration of “burning it all down.”  His ego was such that he wanted to bar, through destruction of the special vibranium affected plant, the possibility of future Black Panthers emerging. Bear in mind also that T’Challa was not against fighting/violence. His point is that it should be used only when necessary, and he was doing so always on behalf of justice and a people in whose respect rested his legitimacy.  Killmonger didn’t care about respect from the people.  He also didn’t have respect for them. His “legitimacy” was like, say, Donald Trump’s: achieved purely from the strict adherence to the imperfect rules, though unlike Trump he actually defeated his opponent in fair combat. The people revolted against him not because he won the ritualistic battle but because his tyrannical rule defied the virtues the battle was to manifest. They fought against him in fidelity to the spirit of the rules.

(5) IMPRESSIVE. Rich Lynch actually came up with video of the Octavia Butler clue from Friday’s episode of game show Jeopardy! Click here: Jeopardy! Butler clue

(6) WHO AGAINST GUNS. Comics Beat updates readers: “Who Against Guns raises $16,000”.

We’ve been reporting on the fan-led effort known as Who Against Guns for several weeks now. Today, just over two weeks after the start of the campaign which launched February 26, organizers have announced that they’ve raised $16,000 for these gun violence prevention charities:  Community Justice Reform CoalitionMarch For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action.

(7) TOLKIEN’S DOG STORY. Middle-Earth Reflections takes up J.R.R. Tolkien’s Roverandom.

Originally Roverandom was conceived in 1925 when the Tolkiens — Ronald and Edith with their sons John, Michael and Christopher — went on a family holiday to Filey, Yorkshire. They rented a cottage with the view of the sea and the beach to spend a big part of September there. At that time the Tolkiens’ second boy Michael, who was about five years old, had a small, black-and-white toy dog. The boy  was extremely fond of it to the extent that he never parted with it. It was an unfortunate loss of that beloved toy during a walk on the beach one day and unavailing search for it that led Tolkien to make up a story about the dog’s adventures to explain its disappearance to the saddened boy.

In 1936, when The Hobbit was accepted for publication by Allen & Unwin, Tolkien was asked for more children’s stories, so he sent in Roverandom together with  Mr Bliss and Farmer Giles of Ham. However, Roverandom was not published then: in 1937 The Hobbit came out, proved a tremendous success and the publishers demanded more Hobbit stories from the author. It was only in 1998 that Rover’s tale finally saw the light of day.

Just like some other stories written by Tolkien, Roverandom began as something told to the amusement (or, in this case, consolation was the initial motive) of his own family. But as the story began to grow, it inevitably drew in more aspects of Tolkien’s background and interests. From a simple children’s story it established connections with Tolkien’s own Legendarium, Norse mythology, Arthurian legends, folklore, history and real events which took place at the time when the story was being created and written down.

(8) SPOILER WARNING. In Zhaoyun’s “Microreview [TV series]: The Frankenstein Chronicles” for Nerds of a Feather, the spoiler isn’t what you think.

It’s one of the longest-running gags in show business: cast Sean Bean in your TV series and there is an extremely high chance his character will perish by the end of season one. If in a movie, he’ll probably die heroically, indeed motivationally, spurring the surviving heroes on to greater successes; in TV series, his specter looms over the remainder of the show, meaning everything that happens from then on occurs in the shadow of his sacrifice (since he is usually innocent of any wrongdoing but is executed/killed anyway). So when I finally watched The Frankenstein Chronicles, I knew to expect a gruesome end for Bean’s “John Marlott” at the end of season one. I don’t even feel the need to issue a spoiler alert so far, because Sean Bean’s near-inevitable death early in projects is a truth universally acknowledged.

(9) TENTH ANNIVERSARY. Kasma editor Alex Korovessis offers 10 Years of SF as a free download:

10 Years of SF! is an anthology featuring some of the best stories I have had the privilege to publish over the past 10 years, since Kasma’s inception in 2009. It is available freely by clicking the appropriate button below.

(10) THE MORE THINGS CHANGE. A fan lamented:

In the few months I have been an active member of fandom, I have found knit into its fabric a conglomeration of ego, hate, progressiveness, overbearing acts, belligerence, perversities, totalitarianism, crack-pot ideas and every good and bad thing that goes to make up the outside world.

Today on Facebook? No, these are the words of Clarence “Sully” Roberds, an Illinois fan writing in November of 1939. Think about that the next time you read a complaint that fandom isn’t what it used to be.

(11) COMICS SECTION.

  • John King Tarpinian passes along Drabble’s stfnal St. Paddy’s joke.
  • And Bizarro’s tribute to the Sasquatch.

(12) 2019 HUGO RECOMMENDATIONS. Coffee break’s over – back to work!

Click to see Renay’s 2019 Hugo Sheet (at Google Docs).

(13) OFTEN IMITATED. Inverse celebrated the release of Forbidden Planet on March 15 in “62 Years Ago Today, the Template for All Sci-Fi Movies Was Born”.

Nearly every science fiction story you know and love today owes it all to one movie that came out in 1956, a film that set the standard for how sci-fi stories work for the modern audience. Franchises like Star Wars and Star Trek might have defined sci-fi for generations, but Fred McLeod Wilcox’s Forbidden Planet basically created sci-fi as we know it.

There’s even an opening scrawl with yellow text more than 20 years before the first Star Wars movie.

(14) BALLS. “Ikea Is Developing The Meatball Of The Future” – no, it’s not made from ground-up Billy bookcases.

Ikea is the largest furniture retailer in the world. But did you know that it’s also likely the largest meatball retailer in the world? Across its 340 stores worldwide, Ikea feeds people 2 million meatballs each day. Which is why Ikea’s high-concept Space10 lab is experimenting with a meatball of the future–one that uses zero actual meat. They call it the Neatball.

…The Space10 team is careful to clarify that none of these items are coming to market, but it’s interesting to see Ikea’s thought process on the future of food all the same. After all, Ikea has already given us a veggie version of its famous meatballs that people seem to like. And Space10 released meatball concepts not long ago that have since gone from art project to fully cooked concept here–because that’s what Space10 does: It prototypes the future for Ikea.

(15) AMAZON VS. CONSERVATIVES. Vox Day finds that Amazon’s alleged massacre of conservative authors’ book reviews is highly exaggerated [Internet Archive].

Of course, the mere fact that there is a closed alliance of authors with personal relationships who pay very close attention to reviews may explain at least a reasonable percentage of these deletions, given the terms of service. I checked out my reviews and it looks like ten or fewer reviews were deleted across all my various book listings. Not only that, but several of the reviews were one-star fake reviews, so two of my average ratings actually increased. This made me suspect that the deleted reviews were likely in open violation of Amazon’s terms of service, which Amanda Green’s investigation appears to have generally confirmed.

He also says in a comment:

Don’t get Clintonian. It’s not tricky at all. Are they family? Are they close friends? Did they work on your book?

If so, then don’t review their books.

That being said, I think Amazon would be well advised to limit reviews to Verified Purchases in addition to whatever conflict-of-interest limitations they see fitting.

Let’s face it, the world doesn’t need any more reviews on the lines of “I am so-and-so’s mother and I can’t believe he wrote a whole book! It’s really good!”

(16) COMICS RANT. The comics artist Colleen Doran went on an epic Twitter rant about “diversity hires.”

It implies things about race, it implies things about sex, it implies things about sexuality. And because I can’t read your mind, I don’t really know what “diversity hire” means to you. But I know what it means to me. So tread that ground with care.

Start the thread here —

(17) THE FORCE IS WITH THEM. Pacific Standard profiles “The Jedi Faithful”.

Disambiguating real-world practices from the traditions that the Star Wars franchise established is not so much a passing curiosity as one of the central reasons the group of Jedi has assembled here for the weekend. Belief in the Force here on Earth is ultimately simple enough, a matter of faith that requires no greater suspension of disbelief than praying to any other life-force or deity. However, the practical extension of that belief, as demonstrated in the Star Wars canon—namely, that one can use the Force to exert mental influence on the external world—poses a larger problem: The cosmos, absent green screens, doesn’t so easily succumb to the will.

And so, for those following the Gospel of Lucas, life can often seem a battle of approximations. Lightsabers here on Earth aren’t in fact shafts of light, but an alloy of plastic and LEDs. Jedi on Earth have downgraded telekinesis for noetic sciences and a belief that collective thought can influence external change. And, as their possession of DVD box sets, plastic lightsabers, and Star Wars kitsch indicates, they, unlike their fictional counterparts, haven’t quite subscribed to an ascetic’s denial of worldly attachments

(18) MAGIC SCHOOLS. L. Jagi Lamplighter says Superversive SF’s Fantastic Schools and Where to Find Them blog is “just a fun thing a couple of us are doing–covering magic schools and schooling in general. We are open to posts from anyone who writes about Magic Schools. It’s just a labor of love kind of thing. Nothing big. (Or anyone who has an opinion on either magic schools or schools in general.)”

She penned their most recent post: “Which Magic School Is For You: Roke”.

How many of you ever wished you could attend Roke? I bet many readers don’t even know what Roke is.

Once upon a time, in the long-ago dream time of the 1970s and 80s, there were three fantasy series everyone read: Tolkien’s Lord of the Rings, C. S. Lewis’s Narnia Chronicles, and Ursula LeGuin’s Earthsea Trilogy. Everyone who read fantasy had read all three, and they were considered equally great.

I remember the day, some years ago now, when I realized that while Narnia and Lord of the Rings had made the grade, Earthsea had been basically forgotten. Many modern fantasy fans had never heard of the books. They didn’t even know that LeGuin had invented one of their favorite concepts: the magic school.

But Ursula Leguin’s magic school in Wizard of Earth Sea was the first time a fantasy writer thought “Gee, we see so many wizards in stories. Who trains them? Where do they go to school?”

And what she gave us was Roke.

(19) MUPPETS. Gwynne Watkins, in the Yahoo Entertainment story “Miss Piggy’s ‘a mess inside’: Frank Oz and puppeteer pals reveal Muppet secrets”, interviews several associates of Jim Henson who are promoting Frank Oz’s HBO documentary Muppet Guys Talking.

If I were thinking about, from a viewer’s perspective, which Muppet changed the most over time, I would say Miss Piggy

Oz: Yeah, probably so. But Piggy is a different situation. I’ve said this before: Her beginnings were in the women’s liberation movement, just by accident. And I don’t consciously change things, but the characters don’t interact with the world — I interact with my world. And I don’t interact in such a way where I say, “Oh, I’ve got to put that in my character.” I think because of the zeitgeist, it just kind of happens without me knowing it. But Piggy’s a little different. Piggy is such a mess inside, that I think as the years go on, she gets more and more emotional baggage. And that’s mainly why she changes. She keeps being rejected by the frog. She keeps trying and cannot do the things that she wants to, like tell jokes or dance. So I think she has this emotional baggage that hurts her more and more and more, and as a result she covers more and more and more. That’s what I think. 

[Thanks to JJ, Mark Hepworth, Andrew Porter, John King Tarpinian, rcade, Cat Eldridge, David Doering, Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

Arthur C. Clarke Award 2018 Submissions List

The full list of eligible titles submitted for the Arthur C. Clarke Award 2018 has been posted.

This is not a longlist but a tally of all the books under consideration by the judges — 108 titles submitted by 46 publishing imprints and independent authors.

The shortlist for the 2018 Arthur C. Clarke Award for science fiction literature will be announced on May 2 and the winner on July 18.

SUBMISSIONS LIST

[Thanks to Mark Hepworth for the story.]

Pixel Scroll 2/3/18 As God Is My Witness, I Thought Pixels Could Scroll!

(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —

(2) ELLEN KLAGES DONATES CLARION WEST INSTRUCTORSHIP. Clarion West announced Karen Lord is the recipient of “The Sally Klages Memorial Instructorship 2018”.

The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….

Ellen Klages’ tribute begins —

Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.

Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.

Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….

[Via Locus Online.]

(3) PICACIO AT THE MIKE. In “Your 2018 Hugo Awards MC Is….” John Picacio tells why he is proud to be Worldcon 76’s choice.

Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.

There’s some history that comes along with this role.

  • I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
  • I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
  • I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.

(4) WITHOUT A SHADOW OF A DOUBT. 2016 Clarke Award judge David Gullen discusses what the experience taught him about his own fiction writing: “Things I Learned Judging the Arthur C. Clarke Award” at Medium.

At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.

(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.

(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.

Allen Steele wrote on Facebook yesterday:

The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.

This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.

I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.

A month ago Ian Randall Strock said he got the letter and named two others who’d received it:

It seems Readercon has begun their apparently new tradition of uninviting past guests. Last year, it was Darrell Schweitzer. Today, I got the letter, as did Warren Lapine.

Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?

Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.

Readercon 29 takes place July 12-15 in Quincy, MA.

(7) TODAY IN HISTORY

  • February 3, 1993 Star Trek: Deep Space Nine premiered in television syndication.

(8) TODAY’S BIRTHDAY SUBCREATOR

  • Born February January 3, 1892 – J.R.R. Tolkien [never mind….]

(9) COMICS SECTION.

  • Mike Kennedy sends Pearls Before Swine with an observation that sounds just like the kind of dismal thing Kurt Vonnegut would come up with. So you’ll love it, right? (?)
  • John King Tarpinian discovered a horrific satirical cereal box in Off the Mark. (Was that a description or a pleonasm?)
  • JJ admires Grant Snider’s The Specter of Failure at Incidental Comics.
  • Via RedWombat –

(10) ARE YOU SURPRISED? Mental Floss tempts readers with “16 Surprising Facts About Ray Bradbury’s Fahrenheit 451”. Some are no more surprising than this —

  1. BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.

A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.

  1. HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.

Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”

  1. HE SPENT $9.80 ON TYPEWRITER RENTAL.

Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”

(11) NOT YOUR TYPICAL FLORIDA MAN STORY. From Futurism, “Florida Man Becomes First Person to Live With Advanced Mind-Controlled Robotic Arm”.

Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.

The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.

(12) FROM SOMEWHERE BESIDES LAKE WOEBEGONE. Since the firing of Garrison Keillor A Prairie Home Companion has a new host and a new name – Cat Eldridge reviews “Live from Here, the show formerly known as APHC, hosted by Chris Thile” at Green Man Review.

… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.

Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?

… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs  ‘I’ll Be There’ in words and music….

(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —

Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.

(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)

(14) COUGH IT UP. Add this contraption to the list of things science fiction never predicted: “When The Flu Hits Campus, The Gesundheit Machine Will Be Ready”.

Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.

For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.

The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”

If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.

“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.

(15) MELTING, MELTING. BBC tells how “Space lasers to track Earth’s ice”.

Ice is the “climate canary”. The loss, and the rate of that loss, tell us something about how global warming is progressing.

In the Arctic, the most visible sign is the decline of sea-ice, which, measured at its minimum extent over the ocean in September, is reducing by about 14% per decade.

At the other pole, the marine floes look much the same as they did in the earliest satellite imagery from the 1960s, but land ice is in a negative phase.

Something on the order of 160 billion tonnes are being lost annually, with most of that mass going from the west of the White Continent.

(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.

[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 1/26/18 The Pixel Scroll Shadow Jury

(1) HE INTERRUPT THIS PROGRAM. Marissa Lingen praises the ConFusion committee’s handling of her report about a highly contentious audience member who tried to commandeer more than one panel at the con — “It’s not your turn, sir.” Here are a few excerpts from her step-by-step summary of what happened and thorough analysis of the issues involved.

…So let’s talk about my second panel, Disaster Response in SFF. I was moderating. A gentleman in the audience had enough of the free-flowing discussion provided by the panelists, apparently. He did not wait for Q&A or even raise his hand. He just jumped right in, interrupting the panel to lecture us with a long, hostile, rambling comment on his own theories of where this panel should go and how wrong we all were for not going there….

…Okay. So. I talked to some friends, some of whom were involved with the concom/staff, and given what I was saying and what they were hearing about his behavior, they encouraged me to file an incident report. ConFusion’s ops team did everything right here. Everything. They made sure that I was seated comfortably, offered water, offered my choice of report formats (written or out loud), that I had a person with whom I was comfortable with me for the whole time, that I could discuss my statement rather than just turning it in and not knowing whether it was getting any attention. They asked after my safety and comfort and what would make me feel safe and comfortable going forward at the con.

Here’s what felt like a sea change to me. Here’s what makes me write about this: they did not minimize OR maximize response. They were proactively interested in an incident of someone being rude and disruptive. At that point I was hoping that just having the incident report on file would be enough, that not having further confrontation would allow this person to go on with his con and simmer down, focus on time with friends, other panels, etc….

… 2. This was not sexual harassment. But it was gendered.

The person he approached to complain about me on Sunday was, like me, wearing some of the trappings of traditional femininity. The people who laughed in his face Friday afternoon with no complaints, no consequences to themselves? All male. All male and all masculine. And yes, I was the moderator on my panel–but he didn’t say a word about Patrick cheerfully saying, “Bye!” to him as he departed, or about Patrick backing up my moderating. There was no complaint about Patrick. It was all me.

I’ll cope with it. That’s fine. But see it for what it is.

Dealing with sexual harassment in convention spaces is hugely important. It has been hugely important for me personally. But don’t for a moment make the mistake of thinking that it is the only gendered interaction that matters. And don’t think for a moment that the dynamic would be the same if he’d decided to turn up glaring with Patrick or treat a male concom member the way he did the person on Sunday. It’s no accident he didn’t try–and so conventions need to be equally deliberate in their handling of this sort of thing. ConFusion was, and I thank them for it.

(2) GROWING EFFORT. John Picacio announced other pros have joined him and John Scalzi to fund Worldcon 76 attending memberships for Mexicanx creators and fans.

Ty Franck — one-half of the blockbuster literary team James S. A. Corey — has kindly joined my effort to improve #Mexicanx representation in sf/f. He’s now sponsoring one attending membership to Worldcon 76 in San Jose, while ace photographer Ctein is sponsoring two more attending memberships.

(3) NO-LONGER-SECRET AGENT. Scott Edelman lets you sink your teeth into Sicilian with Barry Goldblatt in Episode 58 of his Eating the Fantastic podcast.

Barry Goldblatt

At the suggestion of Barry Goldblatt, who founded the eponymous Barry Goldblatt Literary Agency in September 2000, we met at Bella Gioia, a Sicilian restaurant in Park Slope. A wonderful choice! But that’s to be expected when you get together with Barry, for he and I have eaten the fantastic many times before at such restaurants as Alinea in Chicago and Olo in Helsinki—though this is the first time you’re being invited to eavesdrop.

Barry’s clients including such writers as previous guest of the show Fran Wilde, Christopher Barzak, Libba Bray, Charles Vess, Nisi Shawl, and many others.

We discussed why he ended up as an agent rather than an astronaut, the happy accident that led to him being taught by the legendary science fiction writer James Gunn, the time Lloyd Alexander caused him to burst into squee-filled tears, J. K. Rowling’s first U.S. book signing and how she changed children’s publishing forever, what everyone thinks they know about agents that’s totally wrong, the sorts of things he’s told authors to help take their work to the next level, why it sometimes makes sense for him to submit a less than perfect book, whether the YA market is doing a better job with diversity than adult fiction, what he’s been looking for that he hasn’t been getting, and much more.

(4) FUN MUSEUM. The Interactive Museum of Gaming and Puzzlery near Portland, Oregon has these events coming soon:

  • 1-28 Sunday Noon – Introduction to Dungeons & Dragons
    Learn the basics of Role Playing with paper; how to create a character, roll dice, join an adventure, and more.
  • 2-1 Thursday 7 pm – Games Talk with Kyle Engen
    Our Steward of Research Kyle will be talking about graphic design in games, using selected items from the collection.

(5) STORIES OF FUTURE PAST. Rocket Stack Rank adds another way to find the good stuff – from 2016. Greg Hullender explains:

Not everyone uses Rocket Stack Rank to find things to nominate; some people just use it to find stories to read. Toward that end, we put together a look back at the best stories of 2016, combining results from all the different reviewers, anthologies, and awards that we follow to produce a comprehensive ranked list.

“2016 Best SF/F Short Fiction”

In the future, we’ll try to do this by August (so the 2017 version should be available in just six months). We’ll have a few follow-up pieces that play with the statistics in this data.ef

(6) MORE LE GUIN TRIBUTES. In the Paris Review

The thing about Ursula K. Le Guin was that she didn’t actually look like a rabble-rousing, bomb-throwing, dangerous woman. She had a gentle smile, as if she was either enjoying herself or enjoying what the people around her were doing. She was kind but firm. She was petite and gray haired, and she appeared, at least on first inspection, harmless.

The illusion of harmlessness ended the moment you began to read her words, or, if you were so lucky, the moment you listened to her speak.

She was opinionated, but the opinions were informed and educated. She did not suffer fools or knaves gladly, or, actually, at all. She knew what she liked and what she wanted, and she didn’t let that change. She was sharp until the end. She once reviewed a book of mine and was not altogether kind about all of it, and I discovered as I read her review that I would rather have been chided by Ursula K. Le Guin than effusively praised by any other living author.

  1. There is no reason a book of ideas can’t also be deeply moving, gorgeously written, and inhabited by people who take rooms in your heart and never move out.

(7) LE GUIN FAMILY NOTES A SUGGESTED CHARITY. Ursula Le Guin’s family has stated that the charity closest to her heart is the Malheur National Wildlife Refuge.

(8) REAL SPACE OPERA. Atlas Obscura lets you “Listen to Ursula K. Le Guin’s Little-Known Space Opera”, Rigel 9. Recording at the link.

If you’re an Ursula K. Le Guin fan, you’ve likely spent a lot of time in Earthsea, home to endless archipelagos and magical beings. You might have ventured to Gethen, with its glaciers and androgynes.

But you may not yet have made it to Rigel 9, a world that offers small red aliens, two-toned shadows from its double sun, and—depending on who you believe—a beautiful golden city. The planet is the setting of the little-known space opera, also called Rigel 9, released in 1985. The opera features music by avant-garde classical composer David Bedford, and a libretto written by Le Guin.

(9) JOHN CREASEY OBIT. Filker John Creasey died January 25. His wife, Mary, made the announcement on Facebook:

My husband, John Creasey, passed away this morning around 0915 or so. I hadn’t gotten there by then (he WOULD pick the day when I DIDN’T make my morning visit!). He was still on a ventilator until a doctor officially pronounces him. He had been going downhill for quite a while (multiple systemic infection organ failures), and hadn’t really recovered from the last septic shock crash. He had been non-verbal and non-communicative for at least the last two weeks. I will post later about funeral plans and such. I’m not going to collapse yet; he’s been effectively mostly out of our lives for over a year, and barely aware for much of the last six months, and that only occasionally, so this isn’t really much of a shock. I’m just glad he’s finally not hurting any more.

 

Joe Bethancourt (hat), Richard Creasey (young man in tie-dye) and John Creasey (larger adult man) perform Bethancourt’s filk song “Fishin’ for Chickens” at ConChord in 2005.

(10) TODAY IN HISTORY

  • January 26, 1964:  Hammer’s Kiss of the Vampire opens in its native United Kingdom
  • January 26, 1995:  Peter Weller stars in Philip K. Dick adaptation Screamers.

(11) TWO DAYS AGO’S BIRTHDAY BOY (SORRY WE MISSED IT!)

  • Born January 24, 1944 – David Gerrold

(12) THE SECONDS BLEED AWAY. The Bulletin of Atomic Scientists says it’s 2018 and time is running out:

IT IS 2 MINUTES TO MIDNIGHT

2018: The failure of world leaders to address the largest threats to humanity’s future is lamentable—but that failure can be reversed. It is two minutes to midnight, but the Doomsday Clock has ticked away from midnight in the past, and during the next year, the world can again move it further from apocalypse. The warning the Science and Security Board now sends is clear, the danger obvious and imminent. The opportunity to reduce the danger is equally clear. The world has seen the threat posed by the misuse of information technology and witnessed the vulnerability of democracies to disinformation. But there is a flip side to the abuse of social media. Leaders react when citizens insist they do so, and citizens around the world can use the power of the internet to improve the long-term prospects of their children and grandchildren. They can insist on facts, and discount nonsense. They can demand action to reduce the existential threat of nuclear war and unchecked climate change. They can seize the opportunity to make a safer and saner world.

(13) FREE COMIC ONLINE. Marvel is giving you the chance to dive into THANOS from rising stars Donny Cates and Geoff Shaw, the series that IGN is calling “one of Marvel’s most exciting titles” – for free.  THANOS #13, the first Marvel Legacy issue and the kick-off to Thanos Wins, is available now as a free digital comic for a limited time.

Head to www.marvel.com/redeem, enter the code THANOSWINS by Tuesday 1/30, and start reading now! Don’t miss the series that Comic Watch has raved is “the Mad Titan in all his power hungry glory.”

(14) WINTER WONDERS. Heavy Tokyo snowfall leads to snow-minions, snow-Jabba: “Japan’s amazing snowmen will blow your mind”. Photos at the link.

(15) INDIE PUBLISHER FOLDING. When Evil Girlfriend Media closes, it’s taking JDA’s Dragon Award-nominated novel with it  [link to Internet Archive]. Says JDA, “[it] will most likely not be available 30 days from now.” The publisher announced on Facebook they are ending the business:

Dear Readers,

I have notified our authors and editors that I am pulling their books from distribution. Their books will begin to drop from Kindle Select over the next 90 days with some as early as January 31. You can no longer purchase their books as an ebook but may borrow until the end of the 90 day period.

EGM went on hiatus last year for many reasons including that I took a new position with my employer. The commitments of this position make it impossible for me to continue in the publishing business. I hope you all support other indie publishers out there. It takes a lot of money, time, and dedication to create great books.

It has been a fast-paced and enjoyable couple of years. I look forward to the future and enjoying the great works the authors and editors I’ve worked with create.

Respectfully,

Katie Cord

(16) AN INDIE PUBLISHER STILL WITH US. The Kraken Collective is celebrating its anniversary this week — #KrakenFriends2018 Is Here!

The Kraken Collective is an alliance of indie authors of LGBTQIAP+ speculative fiction,  committed to building a publishing space that is inclusive, positive, and brings fascinating stories to readers.

 

(17) SHARKE REFLECTIONS. Shadow Clarke juror Nina Allan’s “Afterwards: thinking about the Sharke”, posted last September, may not have been mentioned here before:

The Sharke has changed me in multiple ways, most obviously as a critic and as a reader. Looking back on the self that first conceived the project, I now believe I had become as entrenched within a certain comfort zone as any hardcore space opera fan, accustomed to looking in the same places for what I deemed noteworthy, places that accorded comfortably with my expectations, which in their turn had mostly to do with style. How much more interesting to strip away one’s assumptions and see what happens. To come at things from a different angle. To stop feeling the need to fight a particular corner in terms of what is good and what is best. Personally, I’m still not a fan of The Underground Railroad. To my mind, it is possibly the most ‘commercial’ novel on the Clarke Award shortlist and its bland surface texture renders it ultimately forgettable to me as a reading experience. I find some of the sentence structure, not to mention the use of science fiction in Tricia Sullivan’s Occupy Me to be far more interesting. I have found the abstruse weirdness and raw vitality of Ninefox Gambit hanging around in my mind far longer than, for example, the sensitively rendered but ultimately predictable dystopian role-playing of Clare Morrall’s When the Floods Came. Viewed from this new perspective, the landscape of science fiction looks much more exciting to me than it did even before the Sharke was launched.

(18) LOVECRAFT COUNTRY. Lela E. Buis shares her “Review of Lovecraft Country by Matt Ruff”.

The year is 1954, and African American war veteran Atticus Turner is traveling north to Chicago. His dad Montrose has disappeared somewhere in New England, and with his Uncle George and his friend Letitia, Atticus sets out to find him…..

This is an entertaining read, as the characters are all resourceful and end up accomplishing what they need to do through the application of determination and common sense. Regardless of the Jim Crow setting, the characters feel contemporary, as if Ruff has set characters with modern sensibilities into the Lovecraft milieu.

I’ve read some other reviews that promote this book by saying racism is the real horror in the story. I didn’t really see that. If you’re unfamiliar with the facts of Jim Crow segregation and the kind of discrimination African Americans faced in the 1950s, then I suppose this could be a surprise. Presumably Ruff set his story in this period at least partly to display the racial issues, but actually he skims over it as fairly matter-of-fact. Everybody deals and nobody gets lynched.

What really stood out for me instead was the message that these black characters read and treasure the SFF classics of the day by Lovecraft, Burroughs, Bradbury, Asimov, etc., without any disconnect because of their race. Is that so? Currently these writers are all considered to be both racist and sexist because they reflect the attitudes of their era….

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Cat Rambo, Martin Morse Wooster, Andrew Porter, Jay Byrd, Michael Toman, ULTRAGOTHA, Karl-Johan Norén and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 1/25/18 Side Effects Of Pixel Can Include Enlarged Mt. TBRs

(1) CELEBRATING A HALF CENTURY OF BRITISH COMICS FANDOM. Rob Hansen also sent a link to Blimey! The Blog of British Comics where you can get a free download of Fanscene, “a monster (300+ page) one-off fanzine done to celebrate 50 years of comics fandom in the UK.”

It’s only available in .pdf form and download links can be found here: “Celebrate the 50th anniversary of UK fandom with FANSCENE!”

Rob Hansen’s piece starts on p.133 in part 2 of the download links.

(2) CAST A GIANT SHADOW. The members of the actual 2018 Arthur C. Clarke Award jury are:

Dave Hutchinson, Gaie Sebold, Paul March-Russell, Kari Maund, Charles Christian; and Andrew M. Butler (chair)

(3) BADLY MISUNDERSTOOD. Cara Michelle Smith explains “Just Because Voldemort Assembled an Army of Warlocks to Destroy All Muggles, It Doesn’t Mean He’s ‘Anti-Muggle’” at McSweeney’s.

Look, I know how things might seem. When it comes to being sensitive to Muggles, Lord Voldemort doesn’t have the best track record, and now he’s gone and mobilized an army of 3,000 warlocks, witches, and wizards and instructed them to destroy any and all Muggles they can find. I also acknowledge that he’s drummed up a fair amount of anti-Muggle sentiment throughout the wizarding world, with the way he’s referred to them as “filthy vermin” and “shitheads from shithole lands.” But did it ever occur to you that despite the Dark Lord having vowed that the streets will soon run red with Muggle blood, Voldemort might as well be, like, the least anti-Muggle guy you’ve ever met?

Let me tell you a little something about the Dark Lord: He loves Muggles. Seriously, the guy’s obsessed with them. They’re all he talks about. He can’t get enough of the funny way Muggles are always babbling about things that are completely foreign to wizards like him — things like student debt, and being able to afford healthcare, and not being systematically murdered by people more powerful than them.

(4) STOP IN THE NAME OF LOVE. And McSweeney’s contribute Drake Duffer offers a list of “Things That Begin a Sentence That Indicate You May Need to Refrain From Finishing That Sentence”.

I won’t steal any of his thunder, but you’re going recognize all his examples.

(5) JUNIOR STAR TREK. This video has been on YouTube since 2008, however, it’s news to me!

Back in 1969 ten-year-old Peter (“Stoney”) Emshwiller created his own version of a Star Trek episode using his dad’s 16mm camera. The, um, fabulous special effects were created by scratching on the film with a knife and coloring each frame with magic markers. The movie won WNET’s “Young People’s Filmmaking Contest,” was shown on national television, and, all these years later, still is a favorite at Star Trek Conventions.

 

(6) GOING DOWN TO STONY END. The “Oldest Modern Human Fossil Ever Discovered Outside Africa Rewrites Timeline of Early Migration” reports Newsweek.

An international research team working in Israel has discovered the oldest-known modern human bones ever found outside the African continent: an upper jawbone, including teeth, dated to between 175,000 and 200,000 years old. It shows humans left Africa at least 50,000 years earlier than we had thought.

The scientists unearthed the fossil at Misliya Cave, one in a series of prehistoric caves on Israel’s Mount Carmel, according to a Binghamton University press release. This region of the Middle East was a major migration route when humans spread out from African during the Pleistocene. A paper describing the findings was published in the journal Science.

“Misliya is an exciting discovery,” co-author Rolf Quam, an anthropology professor at Binghamton University, said in the press release. “It provides the clearest evidence yet that our ancestors first migrated out of Africa much earlier than we previously believed. It also means that modern humans were potentially meeting and interacting during a longer period of time with other archaic human groups, providing more opportunity for cultural and biological exchanges.”

(7) CORRECTION. Rob Hansen sent a correction about the date of Ron Ellik’s death: “I’ve subsequently been informed I got the date of his death wrong and that he died not on the 25th but on the 27th. sigh

Andrew Porter also sent a link to Fanac.org’s scan of his 1968 newzine SF Weekly #215 with complete coverage. Ellik was killed in an auto accident in Wisconsin while moving to St. Paul, MN. He had been planning to be married shortly after the move.

(8) HARRIS OBIT. Mark Evanier paid tribute to the late comics editor in “Bill Harris R.I.P.” at News From ME.

Comic book writer-editor Bill Harris died January 8 at the age of 84.

…One of his innovations when he was in comics was that he was one of the first editors to recognize that there was a promotional value in comic book fanzines. Many of the early zines of the sixties featured letters from Bill, telling fandom what would be forthcoming in the comics he edited. Few others in comics at the time saw any value in that but Harris predicted correctly the growing impact that fanzines and comic conventions would have on the field.

(9) COMICS SECTION.

  • Chip Hitchcock found a medical examiner working in a fairy tale in today’s Bizarro.
  • Chip also spotted a hero who’s made a career change in Bliss.
  • Mike Kennedy saw a kind of Fountain of Youth in Baldo.

(10) WORD. Vox.com has a post “Remembering Ursula Le Guin, Queen of Sass”:

And in 2016, More Letters of Note, Shaun Usher’s most recent collection of important letters written by important people, unearthed another classic Le Guin smackdown. In 1971 she was asked to blurb Synergy: New Science Fiction, Volume 1, the first of a four-volume anthology series that aimed to publish “the most innovative, thought-provoking, speculative fiction ever.” Le Guin was less than amused by the request:

Dear Mr Radziewicz,

I can imagine myself blurbing a book in which Brian Aldiss, predictably, sneers at my work, because then I could preen myself on my magnanimity. But I cannot imagine myself blurbing a book, the first of a new series and hence presumably exemplary of the series, which not only contains no writing by women, but the tone of which is so self-contentedly, exclusively male, like a club, or a locker room. That would not be magnanimity, but foolishness. Gentlemen, I just don’t belong here.

Yours truly,

Ursula K. Le Guin

(11) DENIAL. JDA cannot allow himself to believe that his behavior rather than his politics provokes the criticism directed his way, and so, after Jennifer Brozek spoke out about him (some quoted in yesterday’s Scroll) he blamed others for pressuring her to express those opinions: “How Terrible Gossip Destroys Friendships – My Story With Jennifer Brozek” [link to copy at the Internet Archive.]

(12) APING APES. Scientists in China successfully cloned monkeys, which is the first time primates have been cloned — “Scientists successfully clone monkeys; are humans up next?” Remember Mark Twain’s story about why God created the monkey – “He found out where he went wrong with Man.”

The Associated Press also did a video report:

For the first time, researchers have used the cloning method that produced Dolly the sheep to create two healthy monkeys, bringing science an important step closer to being able to do the same with humans.

From New Scientist — “Scientists have cloned monkeys and it could help treat cancer”.

The female long-tailed macaques represent a technical milestone. It should make it possible to create customisable and genetically uniform populations of monkeys, which could speed up treatments for diseases such as Parkinson’s, Alzheimer’s and cancer. But the breakthrough will inevitably raise fears that human cloning is closer than ever.

The monkeys hold such huge potential because they all inherit exactly the same genetic material, says the Chinese team that cloned them.

This would enable scientists to tweak genes the monkeys have that are linked to human disease, and then monitor how this alters the animals’ biology, comparing it against animals that are genetically identical except for the alterations. It could accelerate the hunt for genes and processes that go wrong in these diseases, and ways to correct them, the team says

Kendall sent these links with a comment: “Reading elsewhere about how some fruits and veggies have been quasi-ruined by doing this, I got a little nervous reading the New Scientist say, ‘It should make it possible to create customisable and genetically uniform populations of monkeys, which could speed up treatments for diseases such as Parkinson’s, Alzheimer’s and cancer.’ Even though they’re not talking about replacing the world’s monkeys with one strain of monkey. Still, this got a little dystopian-animal-cloning idea whirring around in my head.”

(13) HARDER THEY FALL. Here is the I Kill Giants trailer.

From the acclaimed graphic novel comes an epic adventure about a world beyond imagination. Teen Barbara Thorson (Madison Wolfe, The Conjuring 2) is the only thing that stands between terrible giants and the destruction of her small town. But as she boldly confronts her fears in increasingly dangerous ways, her new school counselor (Zoe Saldana, Guardians of the Galaxy) leads her to question everything she’s always believed to be true. I Kill Giants is an intense, touching story about trust, courage and love from the producers that brought you Harry Potter.

 

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Kendall, Rob Hansen, Carl Slaughter, JJ, Will R., and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 1/24/18 You Can Get Anything You Want At Filer’s Pixel Rant

(1) WORLDCON 76 MEMBERSHIPS SPONSORED FOR MEXICANX FANS, CREATORS. Artist John Picacio, a Worldcon 76 guest of honor, and John Scalzi, are funding four memberships —

John Scalzi, who will fund a pair of the memberships, also publicized the announcement on Whatever: “John Picacio Offering Worldcon Memberships to Mexicanx Fans and Creators”.

(2) COMMEMORATION. Naomi Novik was asked by the New York Times to write an appreciation of Ursula K. LeGuin. She responded with a poem — “For Ursula” – which begins:

I want to tell you something true
Because that’s what she did.
I want to take you down a road she built, only I don’t want to follow it to the end.
I want to step off the edge and go into the underbrush
Clearing another way, because that’s also what she taught
Not how to repave her road but how to lay another
Even if it meant the grass came through the cracks of the pavement, and the thicket ate it up.

(3) DID YOU REMEMBER? Philip K. Dick and Ursula K. Le Guin were at Berkeley High School at the same time in 1947. However, it spoils the story to add that they didn’t know each other…. See “When Ursula K. Le Guin & Philip K. Dick Went to High School Together” at Open Culture from 2016.

(4) OF ACE BOOPS. Doctor Strangemind’s Kim Huett draws this great anecdote from the pages of a classic Australian fanzine — “Ursula Le Guin & Her Elusive Hugo!”.

And now for my favourite Ursula Le Guin letter, one which highlights the two things I like best in an author, a lack of pretentiousness and a sense of humour. The following letter appeared in Philosophical Gas #2, published by John Bangsund in October 1970. The Hugo in question was awarded to Ursula for The Left Hand of Darkness at Heicon ’70, the worldcon held in Heidelberg, Germany in August of 1970. I assume the rocket was accepted on Ursula’s behalf by Terry Carr of Ace Books (which would explain a lot).

(5) SFWA AFFIRMED. Jennifer Brozek on “SFWA and its Community”:

Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time.

It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points in their writing careers. It was like looking at my past, present, and future writing self. They all understood the language of the writing professional and the publishing industry. It felt like coming home. It felt like family.

Recently, SFWA has had to deal with some tough issues. All of them center around protecting its membership at large. I know, intimately, what they’ve been going through—all the time spent, the discussions had, the decisions made—and I’m proud of the Board. I think, with the evidence they had on hand, they did the only thing they could do to protect the SFWA organization and the community they’ve built.

(6) MORE ON COMMUNITY. SFWA President Cat Rambo tweeted —

(7) RETURN OF THE SHADOW CLARKE JURY. CSFF Anglia has empaneled a new Shadow Clarke Jury for 2018 — Gary K. Wolfe, Alasdair Stuart, Maureen Kincaid Speller, Nick Hubble, Samira Nadkarni, and Foz Meadows. (Speller and Hubble are the only returning Sharkes.)

Dr. Helen Marshall, General Director of the Centre for Science Fiction and Fantasy says in “And Now for a Word from our Hosts”

The Arthur C. Clarke Award has long been an excellent point of reference for taking stock of the changes in the field. It has a deliberately loose mandate to identify the “best” science fiction book of the year, acknowledging that the definition of “best” must be decided by a changing pool of jurors on an annual basis. The Clarke shortlist and the eventual winner showcase the work that has been done in the field, providing an intriguing snapshot of a field in flux. Since its inception the award has been at the heart of a robust critical discussion which interrogates the centre of the genre, its heartland, as well as the margins, where the genre pushes outward. This is why we’ve chosen the Clarke Award submissions list as a starting point for our discussions, and why we return to their shortlist in our discussions.

…What a shadow jury might do, then, is bring these debates into sharper focus. We believe the criticism is valuable, and that detailed, provocative, and respectful criticism enhances our understanding of the text and the cultures which produced it. This form of criticism is not intended to serve the needs of marketers or publicists but those of readers and writers. It aims not only to make visible but also to illuminate and contextualise.

Shadow Clarke juror Maureen Kincaid Speller’s manifesto for the return engagement, “You’re Never Alone with a Critic – Shadowing the Clarke Award, 2018”, says in part —

Here’s the thing – a critic’s job is not to provide plot synopses, nor is it to tell you whether or not you’ll like a novel. It is definitely not a critic’s job to act as an unpaid publicity agent. A critic’s job is to look at the fiction itself, and to have a view about it. Critics write about all sorts of things. They think about where a text sits in relation to other works of sf, they explore themes, tease out aesthetic similarities and differences; they consider what a novel says about the world at large, and, yes, they make judgement based on their experience as informed readers. Which is, if you think about it, exactly the same kind of work as that carried out by an award jury.

Which makes it all the more puzzling that criticism per se has become so frowned upon in the last few years. Is it just that people don’t want to admit this is what is going on behind the scenes? Is it because the word ‘criticism’ carries two meanings, one analytical, the other disapproving? We couldn’t tell but we were fascinated by this pushback against the Shadow Clarke project and decided we needed to explore it further. So, we have decided to run the project for a second year, and this time, rather than simply focusing on the Clarke Award, we’re taking the opportunity to use the shortlisting process as a springboard to exploring the business of criticism more broadly, because we continue to believe that critical analysis has a vital role to play when it comes to talking about science fiction.

(8) STRONG ATTACHMENT. Live Science reports the discovery of a “1.7-Billion-Year-Old Chunk of North America Found Sticking to Australia”.

Geologists matching rocks from opposite sides of the globe have found that part of Australia was once attached to North America 1.7 billion years ago.

Researchers from Curtin University in Australia examined rocks from the Georgetown region of northern Queensland. The rocks — sandstone sedimentary rocks that formed in a shallow sea — had signatures that were unknown in Australia but strongly resembled rocks that can be seen in present-day Canada.

Will this open the way for an Aussie Worldcon with adjacent NASFiC?

(9) WHO IS COMING. LA’s premiere Doctor Who convention takes place in three weeks, and the program has been posted: “Gallifrey One 2018 Schedule of Events Now Online”.

With great pleasure, Gallifrey One today is proud to announce the release of our Schedule of Events for our upcoming convention, The 29 Voyages of Gallifrey One in February. As in prior years, we are using the Sched online scheduling system for a seamless and easy-to-navigate program that can be used on your desktop or mobile device….

Full Screen (General Purpose) version
Fully viewable version, with custom views of events, searchable, plus panelist and guest listings
http://gallifreyone2018.sched.com

(10) TODAY IN HISTORY

  • January 24, 1984 — Apple Computer, Inc. introduced the Macintosh personal computer.

(11) COMICS SECTION.

(12) RON ELLIK AND THE RONVENTION (1962). Although I never met LASFS member Ron Ellik, who died before I ever joined the club, he was a well-known newzine editor (Starspinkle) and influence on Bruce Pelz, who kept his friend’s name alive in the title of his annual wine and cheese party that I attended for years. Now Rob Hansen gives us new reasons to remember him —

Ron Ellik in 1962.

This year’s Eastercon is being held in Harrogate for the first time in more than half a century. Known as the RONVENTION, that earlier one was organised by Ron Bennett and attended by TAFF-winner Ron Ellik, hence the name. At the January first-Thursday pub meeting here in London, Eastercon committee and staff persons Mark Plummer and Caroline Mullan asked me if I could add a section on the RONVENTION to my website that they could link to. Since this was one of those I’d always intended to get around to I was happy to oblige. I drew mainly from conreports by James White and the two Rons when putting it together: “Ronvention, the 1962 Eastercon”.

I’m uploading this earlier than originally intended because of something I realised after I started work on it, namely that tomorrow, 25th January, is the fiftieth anniversary of Ron Ellik’s death at the tragically young age of 30. So I’m publishing it today in memory of him.

Weird to think that when Ron died, Martin Luther King and Robert Kennedy were still alive, the Beatles were still together, and astronauts had yet to leave Earth orbit and strike out for the moon.

(13) OSCAR ISSUE. The Washington Post’s Cindy Boren, in “Kobe Bryant’s Oscar nod rings awkward in a year Hollywood is hyper-focused on sexual assault”, says Dear Basketball, an Oscar nominee for Best Animated Short Film, may be in trouble because, despite its John Williams score and Glen Keane animation, it features Kobe Bryant, who settled a sexual assault case in 2003 for a substantial sum in an out-of-court settlement.

(14) WOEBEGONE. The MPR News (Minnesota Public Radio) post “Investigation: For some who lived in it, Keillor’s world wasn’t funny” has more information on the firing of Garrison Keillor. Several incidents are described at the link.

For weeks, Minnesota Public Radio refused MPR News’ repeated requests to comment on the company’s separation from Keillor. But as negotiations with Keillor’s company stalled and pressure from news organizations mounted, Jon McTaggart, president and CEO of MPR and American Public Media Group, broke his silence.

In an interview with MPR News Tuesday afternoon, he said the company’s separation of business interests from Keillor came after it received allegations of “dozens” of sexually inappropriate incidents involving Keillor and a woman who worked for him on A Prairie Home Companion. He said the allegations included requests for sexual contact and descriptions of unwanted sexual touching.

McTaggart, who after the interview with MPR News sent an email to MPR listeners and members further explaining the separation from Keillor, says cutting Keillor off was the most painful decision he’s made as CEO. But in-house and external investigations into the matter bore details he could not ignore.

“When we reached a point that from all sources we had sufficient confidence in facts that really required us to act, we took the action we did,” he said. “It was the right thing to do. It was the necessary thing to do, and we stand by it.”

Since the firing, Prairie Home Companion has been renamed Live From Here.

(15) WHAT FATE. Charles McNulty ponders “As artists fall into disgrace, must their art be consigned to oblivion?” at the Los Angeles Times.

The cavalier way men have systemically abused their power over women in and around the workplace warrants little leniency. But a more slippery question has emerged in this me-too moment of cultural reckoning: What to do with the works of artists whose conduct has been abhorrent?

In the growing gallery of alleged predators, there aren’t any artists I hold dear. James Toback’s films aren’t in my Netflix queue. I never mistook Kevin Spacey for one of the greats. And my admiration for James Levine’s conducting has been mostly of the dilettantish variety.

But inevitably a contemporary artist with whom I feel a special kinship will shatter my illusions about his or her character. I doubt that I will throw away the books or delete the recordings or swear off the films. I’m sure I’ll be disillusioned and quite possibly disgusted, but I know that an artist is not identical with his or her masterpieces and that few human beings can live up to their greatest achievements.

This is a theme that Marcel Proust returns to in his epic novel, “In Search of Lost Time” (more romantically known in English as “Remembrance of Things Past”). The narrator recalls a dinner party in which, as a young man, he meets his hero, the writer Bergotte. The young Marcel, intimidated to be seated among the important guests of the swanky Swanns, is struck immediately by the way Bergotte bears no physical resemblance to the man he had “slowly and painstakingly constructed … a drop at a time, like a stalactite, out of the limpid beauty of his books.”

More distressing to Marcel than Bergotte’s coarse appearance is “the busy and self-satisfied mentality … which had nothing in common with the type of mind that informed the books.” The narrator, a natural philosopher, begins to understand through this encounter that art is not contingent on the specific circumstances of an artist’s life.

(16) SF HISTORY. Michael Dirda, in “An expert’s guide to science fiction’s greatest — and neglected — works”, reviews the companion volume to A Conversation larger than the Universe, an exhibit on view at The Grolier Club in New York City from January 25 through March 10 (see the January 19 Pixel Scroll, item 7).

Being well-read both inside and outside the genre, Wessells contends that the first major work of alternate history was a 1931 collection of essays, edited by J.C. Squire, titled “If It Had Happened Otherwise.” Its fanciful “lapses into imaginary history” include “If Lee Had Not Won the Battle of Gettysburg,” by none other than Winston Churchill. Wessells also lingers over one of the most chilling dystopian novels of the 20th century, “Swastika Night,” written by Katharine Burdekin under the pen name Murray Constantine. Drafted in 1936 and published in 1937, it projects a Nazified far-future Europe where Hitler is worshiped as an Aryan god and women are kept in pens as breeding animals. (For more about this remarkable book, I recommend Daphne Patai’s excellent Feminist Press edition or the Gollancz SF Masterworks paperback, for which I wrote a short introduction.)

(17) A COMFORTING DOOM. Jill Lepore’s “A Golden Age for Dystopian Fiction” in the June 5-12 New Yorker last summer, is an essay-review of several dystopian novels, including Cory Doctorow’s Walkaway and Ben H. Winters’s Underground Airlines. Martin Morse Wooster flagged up its quotable last paragraph:

Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and infowars, the fiction of helplessness and hopelessness. It cannot imagine a better future, and it doesn’t ask anyone to bother to make one.  It nurses grievances and indulges resentments; it doesn’t call for courage; it finds that cowardice suffices.  Its only admonition is:  Despair more.  It appeals to both the left and the right, because, in the end, it requires so little by way of literary, political, or moral imagination, asking only that you enjoy the company of people whose fear of the future aligns comfortably with your own.  Left or right, the radical pessimism of an unremitting dystopianism has itself contributed to the unravelling ot the liberal state and the weakening of a commitment to political pluralism. ‘This isn’t a story about war,’ (Omar) El Akkad writes in American War.  ‘It’s about ruin.’  A story about ruin can be beautiful.  Wreckage is romantic.  But a politics of ruin is doomed.

(18) UP IN THE AIR. Maybe we’ll get them after all? “Degree in ‘flying car’ engineering offered online”.

The online course is being offered by Silicon Valley e-learning school Udacity and will begin in February.

It is the brainchild of former Stanford University professor Sebastian Thrun, who previously headed up Google’s self-driving car project, Waymo.

Prof Thrun is hoping to attract at least 10,000 applicants to what he is describing as a “nanodegree”.

A nanodegree, according to Udacity’s website, is an online certification that can be earned in six to 12 months, and aims to teach basic programming skills in various disciplines.

…Previously Udacity has offered a self-driving car course, which has attracted 50,000 applicants since 2016.

(19) KIDS PUT IT TOGETHER. “K’Nex builds toys rollercoaster you can ride in VR”. (Video) A little like those model railroad trains with the tiny camera on the front – only a lot faster.

Toy-maker K’Nex has designed a toy rollercoaster kit that children can assemble and then “ride” by wearing a virtual reality headset.

The BBC’s Rory Cellan-Jones tried it out at the Toy Fair 2018 exhibition in London.

(20) VOYAGE TO THE BOTTOM OF THE SEA. BBC reports “A submersible mission in Antarctic waters has revealed unique ecosystems so rare they deserve special protection, say scientists.” — “Antarctica’s Weddell Sea ‘deserves protected status'”.

The seabed investigation, co-ordinated by the campaign group Greenpeace, will help build the case for the creation of the world’s largest wildlife sanctuary.

Covering 1.8 million sq km, the marine reserve will be considered by Antarctic nations at a conference in October.

It would ban all fishing in a large part of the Weddell Sea.

… Along with the smaller creatures that live on the seafloor, the reserve would bring additional protection to larger animals such as leopard seals, orcas, humpback whales and penguins.

(21) WETTER RESISTANCE. The BBC’s Nicholas Barber argues “Why ‘The Shape of Water’ is the most relevant film of the year”.

All things considered, the savvy choice for best picture might be Guillermo Del Toro’s The Shape of Water, which has been nominated in a whopping 13 different categories. Admittedly, it’s yet another film with a male director, but it does have a female co-writer, Vanessa Taylor, and a female lead, Sally Hawkins, and it passes the Bechdel Test within minutes. If that weren’t enough, it has major black and gay characters, as well as a South American immigrant; true, he’s a half-human, half-newt South American immigrant, but that’s not the point. More diverse and inclusive than any of the other best picture nominees, the film doesn’t just rail against sexism, racism and homophobia, it argues that they are all symptoms of the same patriarchal disease – a disease which all voiceless and oppressed people should defeat together. In short, The Shape of Water is a lot more militant than the average magic-realist fable about a woman who fancies a fish-monster. What’s more, it’s even more topical now than when it premiered at the Venice Film Festival last August.

(22) WORKSHOP WISDOM. Cynthia Felice shared “Five things I learned at Clarion”. The first is:

  1. Writers who write naked or wearing only a fedora do not write any better than a writer who is fully dressed.

(23) TRAILER PARK TRASH. Cnet doesn’t want you to miss it — “Quentin Tarantino’s Star Trek gets a trashy parody trailer”.

Ever since news emerged that Quentin Tarantino, famous for films like “Pulp Fiction” and “Kill Bill,” had pitched a great idea for a Star Trek movie to film studio Paramount, we’ve been wondering what Tarantino Trek might look like.

We now have one possible answer in the form of “Star Trek: Voyage to Vengeance,” a fake trailer made up of moments from the original series.

The video comes from Nerdist and features a laundry list of some of the original series’ most cringe-worthy moments, including the space hippies and almost everyone Captain Kirk ever kissed.

 

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Mark Hepworth, ULTRAGOTHA, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, Daniel Dern, David K.M. Klaus, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Clarke Foundation Names 2017 Arthur C. Clarke Award Winners

The Arthur C. Clarke Foundation will present its annual awards at the “Unleash The Imagination” conference on December 9 at George Washington University.

The 2017 winners are:

Lifetime Achievement Award

Stephen Hawking

Stephen Hawking
(by video), PhD, Theoretical physicist, cosmologist, author and Cambridge professor

Innovator Award            

John Hendricks

John Hendricks
Founder and former Chairman of Discovery Communications, Founder and Chairman of CuriosityStream

Award for Imagination in Service to Society

Kim Stanley Robinson

Kim Stanley Robinson
Author of science fiction, including the Mars trilogy

[Thanks to Martin Morse Wooster for the story.]

Pixel Scroll 9/7/17 As I Was Scrolling Down The Stair, I Met A Pixel Who Wasn’t There

(1) REDRUM. James Davis Nicoll continues to chart the core: “Twenty Core Cyberpunk Works Every True SF Fan Should Have on Their Shelves”. He says the image at the post is of Uwaterloo’s famous Red Room. Here are three of his cyberpunk picks:

  • Synners by Pat Cadigan
  • The Fortunate Fall by Raphael Carter
  • When Gravity Fails by George Alec Effinger

(2) BATTENING DOWN TATOOINE. Is this anything like a silver lining? “Due to the hurricane, Disney World has removed some construction walls — which means we can see Star Wars Land”. Photos at the link.

First and foremost, there is a Category 5 hurricane, Hurricane Irma, hurtling towards Florida at a rapid pace and we hope everyone in the Sunshine State is staying as safe as possible, evacuating if that’s been ordered, and has plenty of water.

While Irma’s path across Florida is still unclear (it’s not expected to make landfall till the weekend), Disney World has already started making preparing for torrential rain and high winds. Things that can be bolted down have been bolted down, and things that are apt to blow away in the gusts of wind — like say, a fence and a tarp — have been removed. This means that many of the construction walls around Star Wars Land have come down. And this means, we can see the outskirts of Star Wars Land, and yes please.

(3) STAY FROSTY. The Society of Illustrators in New York is displaying a selection of work from Greg Manchess’ Above the Timberline from September 5 through October 28 in the Third Floor Hall of Fame Gallery.

The Society is pleased to present a selection of work from Greg Manchess’ latest stunning masterpiece Above the Timberline. This lavishly painted novel tells the story of the son of a famed explorer searching for his stranded father, and a lost city buried under the snows of a future frozen Earth.

When it started to snow, it didn’t stop for 1,500 years. The Pole Shift that ancient climatologists talked about finally came, the topography was ripped apart and the weather of the world was changed—forever. Now the Earth is covered in snow, and to unknown depths in some places. In this world, Wes Singleton leaves the academy in search of his father, the famed explorer Galen Singleton, who was searching for a lost city until Galen’s expedition was cut short after being sabotaged. But Wes believes his father is still alive somewhere above the timberline. Fully illustrated with over 120 pieces of full-page artwork throughout, Above the Timberline is a stunning and cinematic combination of art and novel.

Opening Reception on Thursday, September 28th, 6:30 pm. Open to the public. Cash bar. $10 suggested donation will benefit arts programming and exhibitions.

(4) ASKING FOR DONATIONS. Australian writer Lezli Robyn needs help paying for a procedure that will keep her eyesight from deteriorating further. Her employer has set up a GoFundMe. George R.R. Martin is one of many encouraging people to give.

Many of you know Lesley Robyn Glover (and I would like to introduce you to her if you don’t). She writes sf/fantasy as Lezli Robyn and works as my Assistant Publisher for Arc Manor…. What many of you who already know her may not realize is that due to a rare eye disorder, which is progressively getting worse, she is now considered legally blind without correction. When Lezli was 23 she was diagnosed with an unusual condition, Keratoconus, which is characterised by a progressive conical protusion of the cornea that results in her eyesight being distorted, to the point where she sees multiple images on top of each other and are no longer clear….

Since I pay Lezli Robyn I know what she earns–and it is not enough to be able to easily afford to pay for the treatment without which her eyeseight will continue to get worse.  I am also aware of financial and medical difficulties her parents are undergoing and it is almost impossible for them to fund the treatment. Currently a minimum of $2500 for each eye is required just for the basic procedure (not including specialist tests. medications, etc.) in Australia and it’s not covered by Lezli’s Australian medicare (see Optometry Australia’s article about it here ). The cost in the US, of course, can be significantly greater (up to $4000 per eye!) so it may actually be cheaper for her to fly to Australia to get the procudure rather than have it done in the US.

So I am asking our friends to join me in raising money for Lezli to be able to get this procedure done as soon as possible–before her eyesight gets worse. Keratoconus does eventually slow down in its progression but there is no specific timeframe, and in Lezli’s case the progession has consistantly continued unabated.

(5) NEXT YEAR’S HUGOS. The Hugo Award Book Club has updated their list of award-worthy 2017 works: “What’s worth considering for the ballot in 2018?”  For example:

Short Story

A Passing Sickness — Paolo Bacigalupi

Sanctuary — Allen Steele

Paradox — Naomi Kritzer

The Secret Life Of Bots — Suzanne Palmer

(6) RUN AWAY. Dominic Patten at Deadline joins the growing number of critics who’ve turned thumbs down: “‘The Orville’ Review: Seth MacFarlane’s Fox Sci-Fi Drama Is Lost In Space”.

Honestly, if your need for sci-fi is gnawing at you, hold your powder a couple more weeks and wait for Star Trek: Discovery, which premieres September 24. Even with the highly skilled likes of Norm Macdonald, Transparent’s Jeffery Tambor, Holland Taylor, 24 vet Penny Johnson Jerald and Victor Garber making appearances alongside the Family Guy guy and the Friday Night Lights alum, The Orville’s aspirations to find a new path to the final frontier in this age of Peak TV goes nowhere frat-boy fast.

In fact, with its urination gags and heavy-handedness on such topics as gender identity and racism, the only purpose of the lost-in-space The Orville seems to be to as a way for Fox to continue its lucrative relationship with MacFarlane and keep him happy.

(7) NOT ALL WIGHT MEN. Actor Nicolaj Coster-Waldau, who plays Jamie Lannister in Game of Thrones, in this interview discusses the possibility of main characters becoming Wights.

(8) MARS: ONE SCOOP OR TWO? The Planetary Society has notified members:

On August 28th, NASA’s Associate Administrator of Science announced that the space agency intends to accelerate planning for a sample return mission to Mars to launch no earlier than 2026. A new Mars telecommunications orbiter would take a backseat to an increased focus on building a fetch rover and a “Mars ascent vehicle” to launch samples into orbit.

Never before has NASA had approval from the budget masters at the White House to pursue such a mission. So, take it from me: this is a very positive step. There are a lot of details yet to be announced, and we will now look forward to the 2019 budget proposal currently being drafted by NASA and the White House to see how serious these plans are.

We have been working hard to help the Mars program, and thousands of Planetary Society members helped by sending messages to Congress and the White House. Congress has already signaled its support by proposing over $60 million in new funding for Mars next year in support of a future mission. Now, NASA has said it intends to bring Mars home to Earth. Thank you to all who took action. There are exciting times ahead.

(9) TODAY’S DAY

Buy A Book Day

The History of Buy a Book Day: Buy a Book Day was created in 2012 to educate people to the importance of books to our culture and civilisation as a whole. It is inarguable that books have been one of the greatest contributors to the advancement of the human race, by moving the hearts of many over the ages, stimulating their imaginations and helping them see the world in an entirely different light. Books have also served the simple but vital purpose of passing knowledge down from generation to generation. The creators of Buy a Book Day want nothing more than for people take a moment to truly appreciate books and their numerous roles in the human experience.

(10) TODAY IN HISTORY

  • September 7, 1958Queen of Outer Space premiered.
  • September 7, 1974 – The (animated) Partridge Family 2200 A.D. first aired on TV
  • September 7, 1984 — The Brother from Another Planet first screened in theatres.

(11) QUICK CALL. Almost makes the tricorder look like steampunk technology: “‘Pen’ identifies cancer in 10 seconds”.

How it works

The pen is touched on to a suspected cancer and releases a tiny droplet of water.

Chemicals inside the living cells move into the droplet, which is then sucked back up the pen for analysis.

The pen is plugged into a mass spectrometer – a piece of kit that can measure the mass of thousands of chemicals every second.

It produces a chemical fingerprint that tells doctors whether they are looking at healthy tissue or cancer.

(12) TALE OF THE SHARKE. Jonathan McCalmont’s “Lessons of Sharke” comments on his purposes in serving on the Shadow Clarke jury.

I was happy to get involved in the Shadow Clarke project because I wanted to a) help challenge the presumed supremacy of genre publishing by broadening the discourse to include science fiction novels from outside that cultural sphere and b) show that it was possible for regular readers to engage with the literature of science fiction in public using not only the full range of their emotions but also their own ideas about what constitutes good writing and good science fiction.

Regardless of whether you want to provoke change in existing social structures or create new social spaces embodying different principles, you need to be able to show what you’re about… if only to prove that alternatives to the status quo can exist. The Shadow Clarke project was by no means a flawless undertaking but I think it was successful not only in broadening the scope of genre discourse but also in demonstrating that ordinary readers can contribute more than simply hitting retweet and dutifully nominating their faves.

I expected both hostility and opposition because the Shadow Clarke project embodies a very different set of ideas about how we ought to engage with science fiction on the internet. Some might argue that those ideas and methods have always been present in genre culture but times change and cases must always be made anew. Looking back over the months I spent as a Sharke, I am proud of the writing we produced as a group; I think we championed books that would otherwise have been completely overlooked in genre circles and I think we provided dozens of articles that interrogate science fiction from a variety of nuanced and personal positions.

(13) BALLAD OF THE MTA. And our fate is still unlearned….

(14) THEY BITE. Camestros Felapton tells why “The Alt-Right View of ‘Free Speech’ isn’t Even Simplistic”, and illustrates his point with an example of how the Alt-Right turned on Vox Day.

The slow coalescence of various species of online misogyny and trolling into the modern crypto-fascist ‘Alt-Right’ has been entangled with a more general appeal for ‘free speech’ in odd circumstances. These kinds of appeals were often directed at internet comments sections and forums as arguments against community guidelines or in defence of those arguing for active discrimination or even violence against various groups. As appeals went, their purpose was primarily aimed at trying to fool liberals and conservatives into not taking action against people who were actively trying to disrupt online communities, harass vulnerable people or shout down opposing views – indeed actions that themselves were inimical to free speech.

(15) A SPARKLING BEVERAGE? From the Brooklyn Eagle comes this item: “No Bad Blood Over Unicorn Coffee”.

A multicolored beverage named after a mythical horse doesn’t sound like something that could cause controversy, but after a couple cafes went head to head in the legal realm, a settlement cleared the air. The End, a cafe in Williamsburg argued that Starbucks’ Unicorn Frappuccino was a rip off of its Unicorn Latte. After the two companies went up against each other in court, Brooklyn Federal Judge Arthur Spatt authorized a “mutually agreeable settlement,” according to The End’s lawyer. A Starbucks representative also said the terms, which are confidential, were mutual and the global chain no longer serves the colorful drink at its stores. (via the Daily News)

(16) BOOK RESEARCH. Sarah Gailey went right to the source and asked the (river) horse:

(17) SAY CHEESE. StarShip Sofa’s Jeremy Szal posted a suite of “Worldcon 75 Photos”. Lots of good ones. Here’s the last one in the set:

View post on imgur.com

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day C.A. Collins.]

Pixel Scroll 9/3/17 The Alpha Ralpha Boulevard Of Broken Dreams

(1) WESTEROS IN FERMENT. John King Tarpinian found these vintage wines languishing on the shelf at Pier One Imports.

(2) THE BEST WINE YET. You’ll find the rest of Ted Gioia’s essay on Dandelion Wine at Conceptual Fiction.

These efforts reached their culmination in Bradbury’s ambitions for a big “Waukegan novel,” which he sent to his publisher at the end of 1956.   Years later, the writer’s wife Maggie would mention that Dandelion Wine was Bradbury’s favorite among his books—although the author himself was more coy.  “They are all my children.  You can’t pick favorites when it comes to children.”   But if you have any doubts about how closely Bradbury identifies with this work you need merely look at is protagonist Douglas Spaulding, whose very name makes clear that he is the author’s alter ego:  Bradbury’s middle name is Douglas, and his great-grandmother’s maiden name was Spaulding.   Here in Green Town, Illinois—the stand-in for Waukegan—we follow in this boy’s path during the summer of 1928.

(3) HOPS TO IT. Woodbridge, Virginia’s Heroic Ale Works has all of their beers branded as superhero characters.  They brewed Escape Velocity Ale for the Escape Velocity convention sponsored by the Museum fo Science Fiction, which was held in Washington between September 1-3. See all the beer labels at the link.

You’ve tasted the beers, now get to know the stories behind the characters in the brand new, original ‘Heroic Aleworks Presents’ comics created by the owners of Heroic Aleworks, featuring artwork by talented artists from around the world.

(4) DEL TORO. Deadline, in “Guillermo Del Toro’s ‘The Shape Of Water’ Shines Bright In Lido Embrace – Venice”, says the director’s new SFF movie received an enthusiastic response at an Italian festival:

Guillermo del Toro gave the Venice Film Festival press corps a giant hug this morning, while also tugging — hard — at heartstrings. The press is hugging back. The filmmaker’s lyrical period fairy tale The Shape Of Water was met with sustained applause (and a fair amount of tears) as the lights rose in the Sala Darsena earlier today. Reviews that have followed are glowing, and this afternoon’s press conference was slightly delayed when reporters wouldn’t stop hooting and hollering as the filmmaker and his cast took their spots on the dais.

(5) THE SHARKE BITES. Megan AM summarized her experience as a Shadow Clarke juror in “SFatigued”. A good friend sent me the link, asking for my help in identifying who she’s talking about here. Thanks, pal!

In my mind, it was the American commentary that became the strangest and most unexpected turn of events. Suddenly, people from different corners of the USian SF blogosphere–people who admitted they never cared about or even paid attention to the Clarke Award before–suddenly had a lot to say and feel about open criticism aimed at what is becoming a corporatized award process– it appearing to be an industry award, rather than the critical award it was originally intended to be– all things they knew nothing about and took no time to comprehend. These people had a lot to say, not because they cared about the Clarke, but because… they could sense that some Sharke criticism might be aimed at their faves. And rightly so.

These people had a lot to say because they are not stupid. They are intelligent people who know exactly why something that should have nothing to do with them might feel a little bit threatening: They know their faves are not actually amazing, that they are actually inherently problematic, superficial, simplistic, dumbed down, and NOT award worthy. They know it because it is just that apparent. (And hardly worth the word count the Sharke jury spent on those books). They did not want to face it. Because they need it to feel safe. (And I get that. I really do. This is, after all, an important social sphere for many people.)

But the USian defensiveness was palpable. The stale, conservative watering hole for Hollywood Tonight-style SF news updates chronicled the Sharke process while its commenters huffed and puffed and said, “not gonna even waste my breaf on it” (but still did). Massively successful workshop authors who don’t seem to read much more than other massively successful workshop authors unloaded words about how readers like me will never appreciate the art of their simplicity (and then back-patted each other for how comforting and original they all are). (Comforting AND original! In the same sentence!) The young, white, feminist LGBTQ contingent–MY PEOPLE, goddammit–missed the big picture, as usual, because they benefit from the back-scratching, because they’re afraid to demand more of publishers and writers (because they’re afraid to demand more of themselves).

(6) SF IN POLAND. Marcin Klak, the Fandom Rover, in his Polcon report, tells who won the Janusz A. Zajdel Award:

Janusz A. Zajdel Award

The ceremony of this most prestigious Polish SF award was very simple this year. It did not include any artistic performances and was in fact just an announcement of the winners. Still, as each year, it was a very important part of the con. The results are as follows:

Best Novel

Krzysztof Piskorski — Czterdziesci i cztery (Forty and four)

Best Short Story

Lukasz Orbitowski and Michal Cetnarowski — Wywiad z Boruta (Interview with Boruta devil)

(7) FUR AND FEATHERS OVERRATED? The Guardian reports an Interesting study on the use of anthropomorphic animals in children’s books — “Children’s books with humans have greater moral impact than animals, study finds”.

Forget the morals that millennia of children have learned from the Hare and the Tortoise and the Fox and the Crow: Aesop would have had a greater effect with his fables if he’d put the stories into the mouths of human characters, at least according to new research from the University of Toronto’s Ontario Institute for Studies in Education (OISE).

In the Canadian study, researchers read one of three stories to almost 100 children between four and six years old: Mary Packard’s Little Raccoon Learns to Share, in which anthropomorphic animals learn that sharing makes you feel good; a version of the story in which the animal illustrations were replaced with human characters; or a control book about seeds.

(8) TODAY’S DAY

Pet Rock Day

Launched in the 1970s by advertising executive Gary Dahl, the pet rock was an antithesis to those living pets in need of regular care. It did, however, come with a mean “attack” mode. For a mere $3.95 people could adopt their very own rock, supplied on a bed of hay in an well-ventilated box. Like all things, pet rocks are more expensive these days, but you could always catch a wild one for free – just remember that undomesticated rocks may be more difficult to handle.

(9) TODAY IN HISTORY

  • September 3, 1976 — Viking 2 lander touched down on Mars at Utopia Planitia.

(10) COMICS SECTION. John King Tarpinian found today’s Close To Home is a moving experience.

(11) DRAGON CON ART SHOW. The Daily Dragon tells us the winners of the “2017 Dragon Con Art Show Awards”.

(12) WONDER OF THE WORLD. The Daily Dragon also covered “Life, Lust, and Laughs with John Barrowman”.

From his sparkling, shining star–filled entrance to his final innuendo, John Barrowman had the 7PM capacity crowd in the Hilton Grand Ballroom alternately in stitches and in awe. No one was safe from his star power.  His costume designers from Elhoffer Design were the first to feel his special brand of love, being unwittingly pulled on stage to celebrate his Wonder Woman outfit, complete with sparkling cape, tiara, and booty shorts. Their designs for Barrowman never cease to shock and amaze.

(13) DRAGON AWARDS CLIPPINGS. Here are miscellaneous reports and reactions to today’s Dragon Awards announcement.

More than 8,000 fans cast ballots for Dragon Award winners among 88 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming and tabletop gaming.  Winners were announced on Sept. 3 at Dragon Con, which runs September 1 to September 4, 2017 in Atlanta.

In all seriousness, congrats to Cory Doctorow on his win for “Walkaway”. The sequel to “A Place Outside The Wild” — “A Place Called Hope” — should be out in six weeks or so, and then I’ll be starting work on the follow-up to “Fade”, “Night’s Black Agents.”

Congratulations to the administrators of the Dragon Awards. In just two short years, you have ascended to the pinnacle and I feel you’ve only just got started. There may not be one of those incredible Dragon Awards sitting on my mantle (yet) but I am honored and humbled by the fact that I am, and will always be, a Dragon Award Finalist.

If I was the Dragon Award organisers I’d be happy with the results. Mainly safe choices that avoided rewarding poor behaviour.

First, I’d like to congratulate all of the nominees for the Dragon Awards. I had friends, both from cyberspace and meatspace, on the ballot. I’m sorry they didn’t win.

And now, I have a confession to make.

I didn’t vote this year. I didn’t vote for the Gemmells either.  Before anyone starts screaming about hypocrisy and double standards, I had a very good reason for not voting.

I didn’t read any of the nominees.

I’m not going to vote on a ballot when I haven’t read at least some of the titles under consideration.

  • John Scalzi had this to say:

  • Annalee Flower Horne condemned the proceedings out of hand, as did Lady Business’ Renay, and D. Franklin.

  • Here are assorted other tweets:

(14) KAYLON IN COSTUME. At ScreenRant, “Mark Jackson Says The Orville Is For ‘Disgruntled Star Trek Fans’”.

Seth McFarlane’s new TV show The Orville is about to hit TV screens with a stellar cast including Scott Grimes, Victor Garber, Adrianne Palicki and British actor Mark Jackson. …

So how did you film your scenes? Did you pull an Andy Serkis in a motion capture suit?

No it was me in that suit, and Seth specifically wanted that. When he was doing the Ted films, he was there giving the lines and he wanted that for this show too. I have never done anything like that before, it brings its own challenges, but to get it right you have to be in the suit and match what they’re doing. What was nice about the show is that it has a retro feel, which kind of harks back to the original Star Trek with the colors and innocence. I think Isaac is classic but not like C-3PO, even though at first I thought maybe he could be like that. He’s very fluid, he’s an efficient machine rather than being rigid.

How is Seth to work with? Is it anything like you have experienced before?

He has a real respect for acting and the craft of acting, he’s a man of many talent who is very supportive. It’s very funny when you meet such a comedic genius because you think they’re going to be really funny all the time, and then you feel like you have to be funny too, and it escalates into this shit show of funniness, but he’s not like that. He’s very bright, which can be quite intimidating, and knows exactly what he wants for the show, so is good at articulating that. We actually had a wrap party a few days ago at Seth’s house up in Beverly Hills, which is obviously fantastic, but the man knows how to throw parties. He turned his entire garden, I think he’s renovating at the moment so he could, into a spaceship bar, it was extraordinary. All of the waiting staff were done up like aliens in full prosethetics and there was a full ice sculpture of a spaceship as you walked in. That was very Hollywood, I feel.

(15) UP ABOVE THE WORLD SO HIGH. She’s back — “Record-breaking U.S. astronaut and crew back on Earth”.

NASA astronaut Peggy Whitson and two crewmates made a parachute touchdown in Kazakhstan on Saturday, capping a career-total 665 days in orbit, a U.S. record.

Whitson, 57, ended an extended stay of more than nine months aboard the International Space Station, a $100 billion research laboratory that flies about 250 miles (400 km) above Earth.

”I feel great,” the biochemist said during an inflight interview on Monday. “I love working up here. It’s one of the most gratifying jobs I’ve ever had.”

During her third mission aboard the station, Whitson spent much of her time on experiments, including studies of cancerous lung tissue and bone cells. She also completed four spacewalks, adding to her six previous outings, to set a record for the most time spent spacewalking by a woman.

(16) NO WONDER. Professor Marston and the Wonder Women is a biopic about the creator of the comic and his marital relationship. In theaters October 13.

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive’s feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston’s children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman’s creation.

 

(17) GET OUT OF JAIL FLEE. Infinity Chamber will be released September 15.

A man trapped in an automated prison must outsmart a computer in order to escape and try and find his way back to the outside world that may already be wiped out

 

[Thanks to John King Tarpinian, Martin Morse Wooster, Carl Slaughter, JJ, David Langford, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/28/17 The Pixhiker’s Guide To The Scrolexy

(1) WORLD SF. Rosarium Publishing has announced the table of contents for its American edition of Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, will be released March 1, 2018.

In its brief existence, Rosarium Publishing has worked hard in “introducing the world to itself” through groundbreaking, award-winning science fiction and comics. In combing the planet to find the best in each field, Rosarium’s own Bill Campbell has found a fellow spirit in Italian publisher, Francesco Verso.  Borrowing from the fine tradition of American underground dance labels introducing international labels’ music to the people back home, Rosarium brings to you Future Fiction: New Dimensions in International Science Fiction, a thrilling collection of innovative science fiction previously published by Francesco Verso’s company, Future Fiction. Here you will find thirteen incredible tales from all around the globe that will not only introduce you to worlds you may not be familiar with but also expand your horizons.

Table of Contents

  • James Patrick Kelly – Bernardo’s House (USA)
  • Michalis Manolios – The Quantum Mommy (Greece) – translated by Manolis Vamvounis
  • Efe Tokunbo – Proposition 23 (Nigeria)
  • Clelia Farris – Creative Surgery (Italy) – translated by Jennifer Delare
  • Xia Jia – Tongtong’s Summer (China) – translated by Ken Liu
  • Pepe Rojo – Grey Noise (Mexico) – translated by Andrea Bell
  • Liz Williams – Loose Strife (UK)
  • Ekaterina Sedia – Citizen Komarova Finds Love (Russia)
  • Nina Munteanu – The Way of Water (Canada)
  • Tendai Huchu – Hostbods (Zimbabwe)
  • Swapna Kishore – What Lies Dormant (India)
  • Carlos Hernandez – The International Studbook of the Giant Panda (USA)

(2) ACHIEVEMENT UNLOCKED. The Disabled People Destroy Science Fiction / Uncanny Magazine Year 4 Kickstarter met its goal in three days. The total last time I looked was $23,359 – the target had been $22,000.

(3) NEXT AT KGB. Fantastic Fiction at KGB reading series  hosts Ellen Datlow and Matthew Kressel present Gregory Frost & Rajan Khanna on Wednesday, August 16, 7 p.m. at the KGB Bar.

Gregory Frost

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, and The Pure Cold Light and a whole mess of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town” won an Asimov’s Readers’ Award for 2015. That worked out so well that he and M. Swanwick are currently engaged in writing another collaboration. Greg is the Fiction Workshop Director at Swarthmore College, and with Jonathan Maberry founded the Philadelphia branch of The Liars Club, a collective of semi-deranged and often inebriated authors. Greg is working on a collaborative series with Jonathan Maberry based upon their novella “Rhymer,” published in the anthology Dark Duets.

Rajan Khanna

Rajan Khanna is an author, blogger, reviewer, and narrator. His post-apocalyptic airship adventure series starting with Falling Sky and Rising Tide concluded in July 2017 with Raining Fire. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, and several anthologies. His articles and reviews have appeared Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies, and Lightspeed Magazine. Rajan lives in Brooklyn where he’s a member of the Altered Fluid writing group.

KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(4) IF YOU CAN MAKE IT THERE. Andrew Porter tells me there are New York authors with historic plaques on their old homes:

There are historic blue plaques on Montague Street, in the building where Norman Mailer lived for a while. Around the corner, there’s a bronze plaque on the building where W.H. Auden lived.

Once I heard that, I decided we should start agitating for historic plaques on the birth homes of  historic SF writers.

Andrew Porter suggested Isaac Asimov, Frederik Pohl, Robert Silverberg, and Julius Schwartz. Some others have added:

Avram Davidson, born in Yonkers, 1923

Robert Sheckley, b. 1928 (Brooklyn?)

and Tom Disch died on Union Sq. W. on 4 July 2008

(5) FUN APPROACH. Jared begins his review of The War of Undoing by Alex Perry at Pornkitsch —

This is a long – and often quite meandering – book. There’s a slow start, followed by a lot of quiet, discursive tangents. Several of Undoing’s plots and ‘hints’ don’t coalesce until the very end, and certain momentous occasions and world-changing events – which would be the very heart and soul of other fantasy novels – are downplayed, and shifted to the background. As a result, The War of Undoing can feel frustrating at times. But, and I can’t stress this enough, stick with it: this book simply has different priorities.

The War of Undoing uses a deceptively simple premise and a by-the-numbers fantasy world to great effect. It isn’t a book about what happens, where it happens, or, in some cases, even who it happens to. It is, instead, a book about the why – the choices we make, and what drives us to them.

That’s all worth excerpting – but then, Jared goes into overdrive deconstructing the book’s familiar motifs as if he was scoring the qualities of a role-playing game. That part is really entertaining.

(6) SENDING UP OLD WHO. Fathom Events will show “RiffTrax Live: Doctor Who: The Five Doctors” in theaters August 17 and August 24.

The Doctor is in the house! The RiffTrax house, that is! The stars of Mystery Science Theater 3000®, Mike Nelson, Kevin Murphy and Bill Corbett, are back on the big screen for a legendary riffing of the 1983 Doctor Who film “The Five Doctors.” Someone is taking the Doctor’s past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.

Join Mike, Kevin and Bill as they join the Five Doctors for one of the most thrilling Doctor Who adventures ever!

(7) BUDGET BOOK LAUNCH. Mark-kitteh says, “I’m reading The Prey of Gods by Nicky Drayden — rather fun concept so far, not sure where it’s going but I’m interested to find out — and I went to check out her website. I thought this recent blog post on the finances of her book promotion might suit as a scroll item” — “Book Promotion on a $800 Budget”.

ARC GIVEAWAYS AND EARLY REVIEWS:

Four to six months before your book launches, you want to start getting ARCs (Advance Reader Copies) into as many people’s hands as possible. These early reviewers will help generate buzz for your book and get other readers interested. The easiest way to do this is by holding giveaways on Goodreads. Goodreads is where readers congregate and socialize, so you get a lot of visibility through social shares. Plus, unlike Amazon, people can start leaving reviews and ratings as soon as the book is listed, and not just once launch day has arrived.

Aim to give away at least 30 physical ARCs through random giveaways and targeting bigger name reviewers. If you’re with a big house or small press, they should be offering some giveaways on their own and getting you reviewers, so you’ll just be supplementing as necessary. For these figures, I’m assuming it costs about $7 to ship each book and $8 per book copy beyond free books provided by the publisher. I’m also assuming if you’re with a big house, you’ll get at least 20 free copies of your book, 10 for small press, and 0 for indie authors.

I’d recommend doing three big pushes prior to launch, and two small giveaways (1-2 books each) in the months after launch. Goodreads users can mark your book as to-be-read when they enter the contest, which will make them much more likely to purchase your book. With each giveaway you should see more and more interest. Below you can see how much “to-read” numbers jump when there’s a giveaway. The smaller spikes are the start of the giveaways….

(8) JULIE GOMOLL OBIT. Julie Gomoll (1962-2017), sister of Jeanne, died this past weekend. Jeanne’s eulogy on Facebook is now set to public.

Jackie Dana wrote this deeply touching reminiscence of Julie: “Our Chief Schemer Has Left Us”.

That was the last time I got to see you, and now I’m just reeling. How is it that you’re not going to be around anymore? No more Julie snark on Facebook, no photos of Mr. Pants sitting inappropriately, no more brainstorming. I just can’t bear it.

I sit here trying to make sense of it all, and I know you’re probably just rolling your eyes, wanting to tell me to go do something else. But it’s you, Julie, and I can’t. I knew about your personal struggles, and I knew you were trying to reinvent yourself professionally (like all of the best entrepreneurs do). But even though things were tough sometimes, you were a fighter. A bad ass. So I just can’t understand.

One thing’s for sure. I’m not alone. There’s a not-so-small army of friends and family who you inspired, and we’re all struggling to understand. We miss you so much already. You didn’t leave a hole behind when you left us—you left a chasm as wide as the Grand Canyon.

A fundraiser for Austin Pets Alive! has been started in her honor.

Please join me in honoring the memory of Julie Gomoll, a true digital pioneer.

Julie founded Go Media in 1987. It became one of the first major digital agencies in Texas. The web just seemed to run in her veins. Even when companies asked Julie to create mailers, she’d build them a website. One day, I was fortunate enough to see Julie’s portfolio. One page after another, I saw another piece of Austin digital history. Dell. Whole Foods. The City of Austin. Julie helped pin these organizations on the digital map. With the switch of a DNS server, her company connected them to the entire world.

Julie took the money she made on the sale of Go Media to Excite, and invested in a coworking space named Launchpad. This wasn’t 2015?—?this was 2007. She was a coworking goddess when other people were sweating their 9–5. Launchpad was an unfortunate casualty of the 2008 recession. The coworking movement, however, was not. Dozens of other Austin coworking formal and informal spaces emerged thanks to early adopters like Julie. There are hundreds of small companies that emerged as a result…

Julie loved dogs. Like, pretty much any dog. She even built the first website for Austin Pets Alive!, which has saved thousands of them. Thanks, Julie. We’d like to help you save thousands more. Please help honor Julie’s memory by donating to Austin Pets Alive! in her name.

And Julie Gomoll’s professional website has more about that side of her story.

(9) ZIMMERMAN OBIT. Bookstore owner Lorraine Zimmerman died July 12 reports The Indy. Along with her husband Norman, she owned the Fahrenheit 451 bookstore in Laguna Beach, CA from 1976 until it closed in 1988. It wasn’t a specialty store, however, they did sell everything Bradbury had in print. I bought Bradbury’s book of Irish stories there in the Eighties.

Lorraine Zimmerman, owner of legendary Fahrenheit 451 Books in Laguna Beach (1978-1988), of Collected Thoughts Bookshop in Berkeley (1996-2004), and partner at Berkeley’s University Press Books (2004-2017), passed away on July 12. She was 76 and is survived by her two brothers, three children and seven grandchildren.

Born and raised in Chicago, Lorraine entered the University of Wisconsin, Madison, in 1957. Pausing from university studies after marrying and starting a family, Zimmerman relocated to Orange, Calif., with family in 1970. She resumed her studies at UC Irvine, earning a Bachelor of Arts degree in social ecology. A lover of books and ideas, Zimmerman bought Laguna Beach’s Fahrenheit 451 Books in 1976.

The bookstore soon received national recognition. In 1981, Lorraine was one of five booksellers interviewed in The New York Times for an article on independent bookstores. In 1987, the Los Angeles Times described Fahrenheit 451 Books as “one of the most distinctive independent bookstores in Southern California,” and “Laguna Beach’s literary landmark.” Zimmerman inspired Laguna residents with her own literary flare, publishing Fahrenheit Flasher, a newsletter with colorful images, stories about upcoming author signings and her reviews of forthcoming books. Zimmerman’s innovative promotional strategies included a children’s reading program that enrolled 40 families at its height, and a 12-book plan whereby customers received credit for the average price of their purchases.

Zimmerman made headlines by hosting book signings with such renowned authors as Ray Bradbury, Lawrence Ferlinghetti, Allen Ginsberg, June Jordan, P.D. James, and Michael Chabon. Upon selling Fahrenheit 451 Books, Zimmerman reflected on her experience in American Bookseller magazine, writing in May 1989: “Discussing books with customers and local writers; sponsoring literary events; having a finger on the pulse of current American thought through the knowledge of forthcoming books and my customers’ requests; having the ability to disseminate hard-to-find information–these were the daily rewards of bookselling.”

(10) TODAY IN HISTORY

  • July 28, 1957 The Cyclops premieres.
  • July 28, 1995 Waterworld debuted in theaters.

(11) COMIC SECTION. John King Tarpinian recommends today’s Moderately Confused.

(12) CLARKE WINNER. Colson Whitehead said in his Arthur C. Clarke Award acceptance remarks, “Way back when I was 10 years old, it was science fiction and fantasy that made me want to be a writer. If you were a writer, you could work from home, you didn’t have to talk to anybody, and you could just make up stuff all day. Stuff about robots and maybe zombies and maybe even miraculous railway lines. Fantasy, like realism, is a tool for describing the world, and I’m grateful that a book like The Underground Railroad, which could not exist without the toolkit of fantastic literature, is being recognized with the Arthur C. Clarke award.”

(13) ELLISON BIO. Daniel M. Kimmel gives a glowing review to his friend Nate Segaloff’s A Lit Fuse, The Provocative Life of Harlan Ellison.

What makes this so special? It is a full-bodied portrait of Ellison the writer as well as the ups and downs of his personal life. It doesn’t turn away from the touchy subjects (“The City on the Edge of Forever,” the Connie Willis controversy, the never published Last Dangerous Visions), but it also celebrates not only his successes, but the way he has inspired the writers who followed him, created works of lasting value, and demonstrates that while he is, indeed, one of the giants of science fiction, he is also a writer of mysteries, of criticism, of essays, and of one of the most interesting lives in modern American letters. Even If you are not a devoted Ellison fan, it is a fascinating story, and you may find yourself eager to fill in the gaps in your own reading of Ellison.

(14) SUMMERTIME AND THE READING IS EASY. The Washington Post’s Michael Dirda presents “A summer book list like no other”.

To everything there is a season, and the season for short stories is summer — except for tales of ghosts and demons, which should be reserved for late fall. To help you enjoy your time on a beach or in a hammock, here are seven short-story collections worth looking for.

Other Arms Reach Out to Me: Georgia Stories , by Michael Bishop (Fairwood Press). Michael Bishop is well known as a science fiction writer — don’t miss his best-of collection, “The Door-Gunner and Other Perilous Flights of Fancy” — but this new book collects his equally fine stories about contemporary Southern life. How can anyone resist “The Road Leads Back,” which pays homage to Flannery O’Connor? From the opening sentence, its tone is pitch-perfect: “Flora Marie did not want to visit the Benedictine monastery in Alabama. Back in April, at the insistence of her aunt Claire, who had paid for the pilgrimage, she’d made a fatiguing round-trip journey by air to Lourdes. Aunt Claire had believed that a reverent dip in the shrine’s waters would enable Flora Marie to throw away her crutches and live again as a ‘normal person.’ ” Other stories recall the trailer-park black humor of Harry Crews or Barry Hannah: In “Doggedly Wooing Madonna,” a misfit teenager repeatedly writes letters proposing to the Material Girl, who eventually pays him a visit while he is working at Finger Lickin’ Fried. Bishop closes his excellent collection with the Nebula Award-nominated “Rattlesnakes and Men.” …

(15) YOU’RE INVITED. There will be a “Chinese Fandom Fan Party” at Worldcon 75. The public is invited. (Here is the Facebook event link.)

Hosted by The Shimmer Program, Storycom and Science Fiction World Publishing House

Thursday, August 10 at 9 PM – 11 PM UTC+08 Room 103, Messukeskus, Helsinki, Finland

You have to be a Worldcon 75 member to attend the parties. Our party welcome all guests and feel free to share it with your friends who are coming to Worldcon this year! The more the merrier! Highlights:

  • Meet Chinese sf authors, Xia Jia, Zhang Ran, A Que, Luo Longxiang, Tan Gang, Nian Yu and more…
  • Meet Chinese editors in Science Fiction World to discuss how to publish your works in China
  • Meet Chinese fans who won Storycom’s Worldcon 75 Attending Funding…
  • Introduction of Chengdu City – “SF capital of China”
  • Welcome to The Fourth China (Chengdu) International SF Conference
  • Learn about various ways of attending cons in China for free
  • Free snacks and drinks
  • Chinese specialties and Chinese tea

(16) KEEPING UP WITH JEOPARDY! Steven H Silver sent me this information from the future about a genre reference on today’s episode of Jeopardy!

In Double Jeopardy, categories were:

Plan

9

From Outer Space

Other Odd Films

(17) SLUSSER CONFERENCE. Organizers have put out a call for papers for The George Slusser Conference on Science Fiction and Fantasy to be held at UC Irvine on April 26-29, 2018.

Coordinators: Jonathan Alexander (University of California, Irvine)

Gregory Benford (University of California, Irvine)

Howard V. Hendrix (California State University, Fresno)

Gary Westfahl (University of La Verne)

Although the late George Slusser (1939–2014) was best known for coordinating academic conferences on science fiction and editing volumes of essays on science fiction, he was also a prolific scholar in his own right, publishing several books about major science fiction writers and numerous articles in scholarly journals and anthologies. His vast body of work touched upon virtually all aspects of science fiction and fantasy. In articles like “The Origins of Science Fiction” (2005), he explored how the conditions necessary for the emergence of science fiction first materialized in France and later in England and elsewhere. Seeking early texts that influenced and illuminate science fiction, he focused not only on major writers like Mary Shelley, Jules Verne, and H. G. Wells but also on usually overlooked figures like E. T. A. Hoffmann, Benjamin Constant, Thomas De Quincey, Honoré de Balzac, Guy de Maupassant, J.-H. Rosny aîné, and J. D. Bernal. His examinations of twentieth-century science fiction regularly established connections between a wide range of international authors, as suggested by the title of his 1989 essay “Structures of Apprehension: Lem, Heinlein, and the Strugatskys,” and he fruitfully scrutinized both classic novels by writers like Arthur C. Clarke and Ursula K. Le Guin and the formulaic ephemera of the contemporary science fiction marketplace. A few specific topics repeatedly drew his interest, such as the mechanisms of time travel in science fiction and the “Frankenstein barrier” that writers encounter when they face the seemingly impossible task of describing beings that are more advanced than humanity. And he aroused controversies by criticizing other scholars in provocative essays like “Who’s Afraid of Science Fiction?” (1988) and “The Politically Correct Book of Science Fiction” (1994). No single paragraph can possibly summarize the full extent of his remarkably adventurous scholarship.

The George Slusser Conference on Science Fiction and Fantasy seeks to pay tribute to his remarkable career by inviting science fiction scholars, commentators, and writers to contribute papers that employ, and build upon, some of his many groundbreaking ideas; we also welcome suggestions for panels that would address Slusser and his legacy. To assist potential participants in locating and studying Slusser’s works, a conference website will include a comprehensive bibliography of his books, essays, reviews, and introductions. This selective conference will follow the format that Slusser preferred, a single track that allows all attendees to listen to every paper and participate in lively discussions about them. It is hoped that the best conference papers can be assembled in one volume and published as a formal or informal festschrift to George Slusser.

Potential contributors are asked to submit by email a 250-word paper abstract and a brief curriculum vitae to any of the four conference coordinators: Jon Alexander (jfalexan@uci.edu), Gregory Benford (xbenford@gmail.com ), Howard V. Hendrix (howardh@csufresno.edu), or Gary Westfahl (Gwwestfahl@yahoo.com ). The deadline for submissions is December 31, 2017, and decisions will be provided by mid-January, 2018. Further information about the conference schedule, fee, location, accommodations, and distinguished guests will be provided at the conference website.

(18) AT HOME WITH RAY’S HUGOS. Jonathan Eller writes about this photo —

Ray Bradbury’s two most recent Retro Hugo Awards, “Best Fan Writer, 1941” and “Best Fanzine, Futuria Fantasia, 1941,” have been in the Center for Ray Bradbury Studies since Center director Jon Eller accepted them on behalf of the Bradbury family at the 2016 World Science Fiction Convention in Kansas City (August, 2016). The Bradbury family graciously agreed to have the Bradbury Center curate these Hugo Awards through a long-term loan agreement completed earlier this year.  Here you see both awards in the Bradbury center, guarded by a Martian modeled on one of the 1970s stage productions of The Martian Chronicles.  The Bradbury Center, as well as the Indiana University School of Liberal Arts and IUPIU, are deeply indebted to the Bradbury family for this curatorial loan.  —  Jon Eller

[Thanks to Steven H Silver, Matthew Kressel, Howard Hendrix, Andrew, JJ, Cat Eldridge, Andrew Porter, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]