Pixel Scroll 4/19/17 I Am The Very Model Of A Modern Pixel Scroller

(1) VALENTINELLI CONSIDERS ANTIHARASSMENT PROJECTS. Monica Valentinelli has issued a “Tentative Plan for Con Safety Discussion and Call for Feedback”.

…I want to stress, however, that I am no expert on the subject of con safety. There are several people (4) who are already doing the work to make cons/events safer, and I feel that any forthcoming materials needs to emphasis those efforts and individuals. As I mentioned in the previous post, the discussion about con safety is far bigger than what happened at one con, and there can definitely be more than one solution (5) and multiple books.

What I Can Offer

Besides offering support, words of encouragement, or signal boosting where I can (6), I’ve had a few volunteers saying they’d be willing to help put together a book (7) on con safety. Doing so is complex, because a) it collates invaluable knowledge from existing volunteers b) people need to be paid fairly for their time c) it needs to be inclusive to address “what’s missing” from underrepresented groups d) it requires a publisher and ample distribution and e) possibly a Kickstarter….

(2) NERD CON SAYS GOODBYE. Nerd Con, an Escondido, CA event, sent its fans into mourning when they announced on March 31 that the con is kaput.

Nerd Con Announcement:

These past years have been so much fun and we’ve had such a blast meeting so many awesome people. Its been really exiting bringing people together through our events (Nerd Con, Nerdy New Year) and creating memories that will surely last a lifetime.

We would like to thank the multitude of really great people who spent countless hours of time and dedicated their energy into making Nerd Con and Nerdy New Year special events for everyone.

At this time we no longer have the necessary resources to continue producing these events. We realize that this may come as a shock to many of you and we would like to thank you in advance for your patience and understanding….

It may have been a touch overdramatic to say “These past years have been so much fun…” The con’s only been around for two years — the first was in 2015.

But that’s been long enough to energize a few critics. Some wag put up a webpage with the message “Nerd-Con 2017 in Escondido IS CANCELLED for non-payment for services” and filled it with complaints about his experiences at last year’s con.

(3) BACK TO KRYPTON. Might as well start covering this now, I’m sure we’ll be hearing a lot more about the series as time goes on — “Syfy’s Krypton: In Leaked Pilot Trailer, Grandpa Has a Message for Superman”.

The story of your family isn’t how we died, but how we lived.”

That’s the message being left by Kal-El’s grandfather in a leaked (and since-deleted, sorry!) trailer for Syfy’s upcoming Superman prequel pilot, Krypton.

Penned by David S. Goyer (Man of Steel) and Ian Goldberg (Once Upon a Time), Krypton is set two generations before the destruction of Superman’s home planet and follows the future Man of Steel’s forefather — Seg-El (played by The Halcyon‘s Cameron Cuffe), whose House of El was ostracized and shamed — as he fights to redeem his family’s honor and save his beloved world from chaos.

The cast also includes Georgina Campbell (Broadchurch) as Lyta Zod, a military cadet and Seg-El’s romantic interest; Ian McElhinney (Game of Thrones) as Seg-El’s own grandpa, a genius fascinated by space exploration; Rasmus Hardiker (Black Mirror) as Seg-El’s best friend; Elliot Cowen (Da Vinci’s Demons) as chief magistrate Daron Vex; and Wallis Day (The Royals) as Daron’s daughter Nyssa.

(4) MAJOR BLABBAGE. DenofGeek brings “Doctor Who: huge Christmas special rumors” – coverage that comes with a big fat warning sign —

Huge rumours could become huge spoilers, so only read this article about the Doctor Who Christmas special if you’re okay with that…

The Mirror is reporting that David Bradley will portray William Hartnell’s first Doctor in the 2017 Christmas special, (sort of) reprising his role from the 2013 making-of drama, An Adventure In Space And Time.

“In the plot, the 1st Doctor has to help the 12th [Peter Capaldi] play out his last mission in the TARDIS. The pair must work together to save [their] home planet Gallifrey by moving it to another dimension”, The Mirror claims.

The tabloid’s report continues: “Fans will discover the close-up shot of Capaldi’s eyes from the 50th [anniversary] special The Day Of The Doctor, was actually the start of his own regeneration.”

(5) VERSATILE AUTHOR LAUNCHES PATREON. Since we last heard from Malcolm Cross (“Malcolm Cross, MilSF, and Piracy”), the author of Dog Country, Dangerous Jade, and Extinction Biome:  Invasion, Dog Country has been nominated for the Ursa Major and Coyotl Awards, which are the equivalent of a Hugo and Nebula for furry writers.  Cross has started a Patreon to reignite his career.

(6) HAPPY NEW YEAR! Standback’s Short Story Squee & Snark online short story club is starting on stories from 2017.

With a whole Internet constantly supplying us with excellent short fiction, SSS&S is devoted to reading short stories often, and widely. Every week we read a story – hopping between magazines, authors, styles and subgenres. Then, we meet up back here and discuss – love it or loathe it, being able to talk stories over is often half the fun!

We’re kicking off discussing Sarah Pinsker’s “And Then There Were (N-One)” – the story of SarahCon, the exciting new convention for Sarah Pinskers from across the multiverse.

And, entering a new year of short fiction, we’re very eager for story recommendations – tell us what stories from 2017 you’d love to see discussed, because we’d love to discuss ’em!

(7) 70TH EASTERCON. Last weekend the bid for Ytterbium was chosen to host the 2019 British Eastercon over the Easter weekend, April 19-22 at the Park Inn, Heathrow.

The Guests of Honour will be Frances Hardinge, Sydney Padua, John Scalzi, and DC.

Follow them here on Facebook.

And if someone is willing to alleviate my ignorance of who DC is, please do!

(8) KAYMAR. Congratulations to long-time fan John Thiel on winning the N3F’s Kaymar Award for 2017.

The Kaymar Award is given in April every year, supposedly because the [National Fantasy Fan Federation] was organized in the month of April. The award, unlike other awards in fandom, can only be awarded once to a single person. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club historian. He went by the fan name of Kaymar

(9) LOST LOSS LEADER. For a mere $29,000 you can own a Lost In Space B-9 Robot 3rd Season Ultimate Prop Replica. (Though wouldn’t you think you could get the original for that much money?)

This B9 Robot was given the privilege to appear at the “50th Anniversary of Lost in Space” at the Hollywood show in Los Angeles. It also held a private exclusive photo shoot with the cast along with their signatures. Photo’s and video will be made available as part of this sale.

3rd season version (paint & finish as seen in the final season)

Functioning Components:

– Lots of Sound FX and Dialogue from the series!
– This Robot has a 6 channel remote control that works 5 motors.
– The Robot will come to life at your control and you can impress family and friends.
– It has dual arm & claw extensions that will open and close, move forward and back.
– The Robot has a rotating torso, entire functions may be used at same time to bring the Robot to life.

(10) TANGLED UP IN BLUE. Some say they were creeped out by the commercial for ”Pandora: The World of Avatar”, which opens May 27 at Walt Disney World in Florida.

To others, Avatar feels like a distant memory now, but according to Polygon

It may seem strange for an Avatar-themed park to be opening in 2017, but the Avatar franchise is far from over. Last April, Fox confirmed Cameron would direct Avatar 2, Avatar 3, Avatar 4 and Avatar 5 over the course of the next six years, with the final movie expected to be released around Christmas 2023. Avatar 2, the sequel to Cameron’s box office-breaking 2009 film, will be released around Christmas 2018.

(11) TODAY IN HISTORY

The object in the water was not a form of marine life. It was a toy submarine outfitted with a sea-serpent head. This was revealed in 1994 when Christian Spurling, before his death at the age of 90, confessed to his involvement in a plot to create the famous Surgeon’s Photo, a plot that involved both Marmaduke Wetherell and Colonel Wilson.

  • April 19, 1987 — The first television appearance of The Simpsons — Homer, Marge, Bart, Lisa, and Maggie — aired during the third episode of The Tracey Ullman Show.

(12) RESONANCE IMAGERY. Justira at Lady Business undertakes a deep. politically-based critique of two works in “Flawed Protagonists, Reader Discomfort, and the Semiotics of the Self: ‘Borderline’ & ‘White Tears’”.

…So let’s return to Millie before we move on to Seth and White Tears. One of Millie’s defining traits as a protagonist, when it comes to my reading experience, is that she made me uncomfortable, brought me discomfort. Sometimes this was the simple discomfort of a protagonist doing an obviously bad thing. That’s relatively was easy to deal with. But sometimes it was the book making a point. Let’s take Millie’s self-consciousness about her racism — that made me uncomfortable, too. Millie will form some negative impression of a character and then wonder, it’s not because he’s a POC, is it? Or, conversely, Millie will desire a POC in a pretty… shall we say, colour-coded way. This, she was less self-conscious about, but juxtaposed with the flip side of her racism, it seemed obvious to me. To me, Millie’s experience of this in her own head — am I thinking this because of X-ism? — ran perfectly parallel to my experience as a reader in regards to Millie: am I finding her unlikable in this moment because I’m ableist? This book uses reader discomfort as a tool to achieve a sociopolitical goal, to achieve a certain kind of consciousness, self-consciousness….

(13) SUBMISSION. Elizabeth Nolan Brown’s analysis and opinion, in “Drupal Developer Larry Garfield Ostracized Over Involvement in Sci-Fi Based Kink Community” on Reason’s “Hit and Run” blog, turns out to be about the consequences to an industry leader of being part of a community of “Goreans,” who are devotees of the novels of John Norman. (Amazing to find Gor novels in the news 40 years later.) A lot of the arguments about the interplay of personal rights and membership in communities are familiar from comments on various topics here.

Inc points out that “the deeper question about how much tolerance should be afforded to controversial views is one that has popped up multiple times in open-source communities” in recent years, from Brendan Eich’s removal as CEO of Mozilla over his opinion on same-sex marriage to the drama surrounding LambdaConf’s inclusion of programmer Curtis Yarvin (who runs a neoreactionary blog in his non-professional life).

Buytaert was at first quite explicit on his answer to this question. In a section of his blog post that’s now been deleted, the Drupal head opined that “someone’s belief system inherently influences their actions, in both explicit and subtle ways,” and wrote that he is “unwilling to take this risk going forward” with regard to Garfield’s potential beliefs about sex and gender potentially spilling over into his professional life. And here’s the real rub of it:

Larry’s continued representation of the Drupal project could harm the reputation of the project and cause harm to the Drupal ecosystem. Any further participation in a leadership role implies our community is complicit with and/or endorses these views, which we do not.

Whether Buytaert himself believes that Garfield is a sexist pervert is irrelevant—he’s clearly worried that other people will perceive Garfield as a sexist pervert, and afraid that this will create bad public-relations for Drupal. Rather than practice what he preaches about tolerance, respect, and creating “a culture of open-mindedness toward difference,” Buytaert offered up Garfield for social-justice sacrifice in order to appease prudes and busybodies. Here’s hoping the tech community continues to reject this sort of phony promise of diversity and attempts at inclusiveness through exclusion.

(14) FIRST NATIONS. Take Us to Your Chief and Other Stories: Classic Science Fiction with a Contemporary First Nations Outlook, edited by Drew Hayden Taylor, was released April 11.

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs.

Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective.

The nine stories in this collection span all traditional topics of science fiction–from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor’s First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a “good Native” in such an unnatural situation as a space mission.

Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.

(15) SENSE OF WONDER. John Joseph Adams’ Cosmic Powers anthology was released April 18 – cover by Chris Foss.

“Inspired by movies like The Guardians of the Galaxy and Star Wars, this anthology features brand-new epic stories from some of science fiction’s best authors.  For fans who want a little less science and a lot more action.”

Table of Contents

A Temporary Embarrassment in Spacetime  —  Charlie Jane Anders
Zen and the Art of Starship Maintenance  —  Tobias S. Buckell
The Deckhand, the Nova Blade, and the Thrice-Sung Texts  —  Becky Chambers
The Sighted Watchmaker  —  Vylar Kaftan
Infinite Love Engine  —  Joseph Allen Hill
Unfamiliar Gods  —  Adam-Troy Castro, with Judi B. Castro
Seven Wonders of a Once and Future World  —  Caroline M. Yoachim
Our Specialty is Xenogeology  —  Alan Dean Foster
Golden Ring  —  Karl Schroeder
Tomorrow When We See the Sun  —  A. Merc Rustad
Bring the Kids and Revisit the Past at the Traveling Retro Funfair  !—  Seanan McGuire
The Dragon that Flew Out of the Sun  —  Aliette De Bodard
Diamond and the World Breaker  —  Linda Nagata
The Chameleon’s Gloves  —  Yoon Ha Lee
The Universe, Sung in Stars  —  Kat Howard
Wakening Ouroboros  —  Jack Campbell
Warped Passages  —  Kameron Hurley
The Frost Giant’s Data  —  Dan Abnett

(16) VERNE DISCOVERY. Mysterious Universe says a Jules Verne time capsule has been found after researchers analyzed hints about its location on his tomb.

So far, the box has only been examined with X-rays and, unfortunately, it and the materials inside show deterioration from being buried since the late 1800s – Verne died on March 24, 1905. According to Paris Descartes University Field Archaeologist Elouan Beauséjour, the papers appear damp and crumbling and the engravings on the inside of the box are nearly illegible. Other things that can be identified include books and metal objects. Beauséjour says the examination has moved to a more detailed phase that may involve opening the box in a sterile and preservative environment. He plans to issue a statement as this progresses.

(17) CAPITAL INFUSION. Not quite another The Leaky Establishment reference, but some unexpected people are getting into nuclear power: “British reality star building a fusion reactor”.

Although it would be easy to dismiss Dinan as a dreamer, his startup Applied Fusion Systems is one of a growing number of firms investing in the promise of fusion. In the UK alone, there are at least two other companies trying to produce commercial nuclear fusion power stations. And as BBC Future reported last year, in the US, several projects have received the backing of wealthy technology billionaires including Amazon’s Jeff Bezos, Microsoft co-founder Paul Allen, Paypal co-founder Peter Thiel and former Google vice president Mike Cassidy.

(18) COOL BEANS. And a lab demo of “negative mass”.

Prof Peter Engels, from Washington State University (WSU), and colleagues cooled rubidium atoms to just above the temperature of absolute zero (close to -273C), creating what’s known as a Bose-Einstein condensate.

In this state, particles move extremely slowly, and following behaviour predicted by quantum mechanics, acting like waves.

They also synchronise and move together in what’s known as a superfluid, which flows without losing energy.

To create the conditions for negative mass, the researchers used lasers to trap the rubidium atoms and to kick them back and forth, changing the way they spin.

When the atoms were released from the laser trap, they expanded, with some displaying negative mass.

“With negative mass, if you push something, it accelerates toward you,” said co-author Michael Forbes, assistant professor of physics at WSU.

He added: “It looks like the rubidium hits an invisible wall.”

(19) SHIRLEY YOU JEST. When John Hertz cast his eye on the new Shirley Jackson bio Shirley Jackson: A Rather Haunted Life by Ruth Franklin (a Stoker nominee) this is what he discovered –

I turned to the index and found no entry for “One Ordinary Day, with Peanuts”. Various other works of hers were listed.

I haven’t read the book so can’t say if the story is included in the text and merely omitted from the index, or left out entirely.

Opinions differ as to whether it’s a horror story. I don’t think it is, but I do think it wonderful.

(20) FIRST PAST THE POST. Camestros Felapton rates “Hugo 2017: Best Dramatic Presentation Short”. Did that nominee we have already read Camestros raving about come in number one on his ballot? Well, yes!

(21) FURTHER DELIBERATIONS. More reviews from the Shadow Clarke jury – the hardest-working critics on the planet! Superb writers, too.

Empire V is about vampires, which is probably guaranteed to turn away many readers who could happily go the rest of their lives without seeing another vampire. The figure of the vampire has by this point been made to stand in for so many disparate things—the sexual predator, the romantic outsider, the lonely immortal, the feral beast, whatever—that the image feels quite emptied of meaning in itself. Merely knowing that there are vampires in a story no longer tells us anything useful about it. At best, one might make two safe guesses: one, that the story is not going to be about vampirism as such; two, that the vampires will be in some way a fringe element to society.

The first three books on my Sharke shortlist were an unabashed joy to me. Valente, Tidhar and Jemisin all delivered to my personal tastes in terms of prose, character and moral tone. I picked those books because I thought they would push my buttons and they did. I felt minimal friction while reading them or writing about them. Ninefox Gambit by Yoon Ha Lee was and is a different animal altogether; a book that I found challenging, elusive, tantalising and frustratingly obtuse by turns. This is unsurprising. I’m a historian and a medievalist by training, so military SF predicated on advanced mathematics is always going to test my limits. After 30 pages of immersion in Lee’s world I found myself entirely at a loss for what the hell was going on. My paradigmatic understanding of how things work smacked into the world of the novel at high speed. Stuff exploded, characters were killed, geocide was committed and I was left feebly grasping at threads as they whipped past me. I might have given up on the book in discombobulated despair if not for the muscular grip of the writing:

Hunters & Collectors is a book about celebrity and the way that online celebrity interacts with social class. Tomahawk presents himself as this hedonistic and transgressive figure but as his destruction suggests, his ability to transgress the rules of polite society is constrained by a particular social contract: As a critic, he can express himself as honestly as he wants as long as that self-expression does not extend beyond the realms of consumer advice to a critique of existing power structures and social systems. Be as rude as you like about restaurant owners, but don’t you dare talk about the government. The social contract also has an – unwritten but understood – rule that your celebrity and popularity are entirely dependent upon your ability to face the right direction at all times. Be as rude as you like about the out-group, but don’t you dare talk about people we aspire to be lest we turn against you. There is also an understanding that making any statement in public (even anonymously) positions you in a world where everyone spends their time tearing each other to pieces. Face the wrong direction and your support will evaporate and once your support evaporates, you can be utterly destroyed even if you have not done or said anything wrong. This is a dog-eat-dog world but only for those without any real power.

What I know as the Ashmolean Museum is, in Kavenna’s Oxford, the Tradescantian Ark, reflecting the fact that the collection Elias Ashmole gave to Oxford University was in part composed of John Tradescant the Younger’s collection of artefacts, known as the Ark, which he gave to Ashmole (or, depending on who you listen to, which Ashmole swindled him out of). So, perhaps we are in an Oxford which is less a ‘home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties’, as Matthew Arnold memorably described it, and instead a place where potential wrongs have been righted even before they were committed, and Jeremiah Tradescant’s ownership of his family’s remarkable collection is justly celebrated. Perhaps, but rather as light is both particle and wave, so wrongs can be righted even as the lost causes and forsaken beliefs persist.

[Thanks to Mark-kitteh, John Hertz, Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 4/14/16 I’m Sure That Was Polite On Some Planet

(1) GOOD NEWS. The Guardian reports — “Good Omens: Neil Gaiman to adapt Terry Pratchett collaboration for TV”.

Neil Gaiman, the author and longtime friend of Sir Terry Pratchett, has announced he will be writing the adaptation of their co-authored novel Good Omens for the screen.

Gaiman had previously said he would not adapt their 1990 fantasy novel about the end of the world without Pratchett, who died in March 2015 from a rare form of Alzheimer’s disease. Before his death, Gaiman wrote a BBC Radio 4 adaptation of Good Omens, which broadcast in 2014 and included a cameo from Pratchett; at the time, Gaiman said he had agreed to adapt it because: “I want Terry to be able to enjoy this while he’s still able to.”

But Gaiman, who flew into London on Thursday night for a memorial event for Pratchett at the Barbican, announced to whistles and cheers that he would be personally adapting the book for television. He said he had been spurred to change his mind when he was presented with a letter from Pratchett, intended to be read after his death….

But Wilkins revealed to the audience that Pratchett had left a letter posthumously for Gaiman. In the letter, Pratchett requested that the author write an adaptation by himself, with his blessing. “At that point, I think I said, ‘You bastard, yes,’” Gaiman recalled, to cheers.

“How much are we allowed to tell them?” Gaiman teased, before he was hushed by Wilkins. “Are we allowed to tell them it is a six-part television series?”

(2) GOOD VIEWS. Andrew Liptak explains how The View from the Cheap Seats Offers a Revealing Look into the Corners of Neil Gaiman’s Mind” at B&N Sci-Fi & Fantasy Blog.

…I’ve done all of these things, and yet somehow, it took the release of his new collection, The View from the Cheap Seats, to realize [Neil Gaiman’s] nonfiction is as compelling as the stories that have bewitched our imaginations.

The book assembles the best of Gaiman’s essays, introductions, speeches, and other musings. They’re generally brief—a couple of pages—but each speaks to his unique worldview so exactly, you can’t help but hear his distinctive voice in your head as you read. Each offers an enlightening peek into his unusual life and his passion for books and writing, from his close friendship with Tori Amos, to the genius of Gene Wolf and Harlan Ellison, to the value of libraries.

(3) HE HAS TWO LITTLE LISTS. Nick Mamatas points out that he made both Vox Day’s “Rampaging Puppies” slate of Locus Awards recommendations (for Hanzai Japan: Fantastical, Futuristic Stories of Crime From and About Japan, Nick Mamatas & Masumi Washington, eds.) and more recently, The Complete List of SJWs.

(4) THEY LIKE LEATHER. Well, Chauncey, there’s something I never expected to see. What’s that, Edgar? A leather-bound edition of Logan’s Run by William F. Nolan and George Clayton Johnson. From the Easton Press.

(5) THE POWER OF FIVE. Samantha Mabry discusses “Five Books That Carry Curses” at Tor.com.

The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)

“Because no matter what you believe, fukú believes in you.” The opening pages of Díaz’s novel are dedicated to explaining the curse that perpetually plagues the Wao family. This particular curse, otherwise known as fukú, apparently originated in Africa and traveled across the Atlantic to sink its fangs into the modern-day Dominican Republic. It’s tied to ancient history and a more recent bad man, and it’s carried through generations (sorry, Oscar). It’s inescapable, rears its head during all stages of Oscar’s short life, causing him all manner of personal turmoil, and can certainly be tied to his eventual demise.

(6) FANTASTIC BEASTS. Missed this one over the weekend — “Wizards Take Manhattan in New ‘Fantastic Beasts’ Trailer”.

But in the new trailer, revealed during the MTV Movie Awards on Sunday night, we get the full story of his coming to America and 1920s New York, including a stop at Ellis Island, where he uses some crafty magic to hide a title Beast from customs. (Watch the clip above.)

A voiceover notes “just like your suitcase, there’s much more than meets the eye” and then reveals Scamander’s backstory: Kicked out of Hogwarts for his beastly experiments, he still has the support of none other than future headmaster Albus Dumbledore himself.

(7) ACCORDING TO CUSTOM. Lawyer Lawrence M. Friedman perked right up when the litigation hit the screen — “Batman v. Superman and Import Licenses” at Law and the Multiverse.

Heading into Batman v. Superman: Dawn of Justice, I had some trepidation mixed with anticipation. You’ll have to judge the movie for yourself. My short review is that it is filled with great fan service and universe building, but continues to mistreat Superman as a character. To make up for that, Wonder Woman is great and Ben Affleck is perfectly good in the cowl and cape. That’s all I will say on the quality of the movie. What about the legal issues?

Very early in the movie, it becomes clear that Lex Luther and Lexcorp could use my professional help. Explaining why requires at least a minor spoiler. Consider yourself warned.

Following the events of Man of Steel, it becomes obvious to Lex Luther that kryptonite might be a useful tool to combat Superman and potentially other Kryptonians. One of his scientific henchmen, listed in the credits as Emmet Vale, finds a sizeable chunk in the Indian Ocean. As a side note, the existence of a potential “Professor Vale” in this universe is not good news for Superman. As a plot device, Luther realizes that he needs an import license and begins lobbying a Senator played by Holly Hunter for permission to import the kryptonite.

As a customs and trade lawyer, I may have been the only person in the theater to sit up just a little when I heard that. I lost the next couple minutes wondering to myself whether that would, in fact be true. Would Lexcorp, or any other legally compliant importer, need any kind of license to import a chunk of Kryptonite?…

(8) DAVID PROWSE GUESTS. SFFANZ spotted the new episode of web series Mission Backup Earth:

The series follows the struggle of humanity to colonize a habitable exoplanet.

In the near future, a cosmic catastrophe hits the Earth without warning. Unforeseen by any scientist, the Sun transits rapidly into a red giant. Having no choice, mankind must escape the solar system. The survivors become space nomads, seeking a viable replacement for Earth.

David Prowse has given a guest appearance in the new Episode and plays the scientist who develops the mission to save human kind from extinction.

 

(9) TEACHING WRITING. SF Site News has the story: “Julia Elliott Wins Shared World Residency”.

Julia Elliott has won the Shared World 2016 Amazon Writers-in-Residence. She will attend the Shared World Writers Workshop for teens at Wofford College in South Carolina, where she will meet with the aspiring authors and help teach and guide them in conjunction with the workshop’s other authors.

(10) TUNE CARRIER. John Scalzi sounds like the “stone soup” of vocalists – add a few ingredients and what a singer he’ll be!

(11) COURT SAYS DEITY IS NOT. The Register has the verdict: “Flying Spaghetti Monster is not God, rules mortal judge”.

A United States District Court judge has ruled that Pastafarianism, the cult of the Flying Spaghetti Monster (FSM), is not a religion.

Stephen Cavanaugh, a prisoner in the Nebraska State Penitentiary, brought the case after being denied access to Pastafarian literature and religious items while behind bars. Cavanaugh argued that he is an avid Pastafarian, has the FSM tattoos to prove it, and should therefore be allowed “the ability to order and wear religious clothing and pendants, the right to meet for weekly worship services and classes and the right to receive communion” while on the inside.

Prison officers denied his requests on grounds that Pastafarianism is a parody religion.

Judge John M. Gerrard agreed with the prison officers’ argument, noting that Pastafarianism was cooked up as a response to Intelligent Design being taught in the State of Kansas. The decision to teach Intelligent Design was justified as it being one of many widely-held religious beliefs about the origins of the Earth. Activist Bobby Henderson devised Pastafarianism Flying Spaghetti Monster as a riposte, claiming that it, too, was a widely-held belief and that it should also be taught in Kansas’ schools….

Judge Gerrard was not impressed by those offshore cases, quickly deciding that FSMism is a parody, not an actual religion. Nor was he impressed by Cavanaugh, who had a rather poor grasp on Pastafarianism’s key texts, which the judge took the trouble to read….

(12) GARETH THOMAS OBIT. Star of a TV series that gained a cult following, Gareth Thomas (1945-2016), who played Roj Blake on Blake’s 7 died Wednesday reports the BBC.

Yet he remains best known for Blake’s 7, which ran on BBC One from 1978 to 1981.

At its peak, the series was watched by 10 million viewers and was sold to 40 countries.

Thomas claimed never to have watched a single episode of the show, which was derided by some for its shaky sets and basic special effects.

The show also had a distinctly pessimistic tone – typified by the final episode, in which all the main characters were apparently killed off.

(13) TODAY IN HISTORY

(14) TODAY’S BIRTHDAY GIRLS

  • Born April 14, 1936 Arlene Martel
  • Born April 14, 1977 — Sarah Michelle Gellar

(15) TODAY’S BIRTHDAY BOY

(16) PLOWING SEASON ON TATTOOINE. The Hollywood Reporter says the dirt is flying — “Disney Breaks Ground on Star Wars Land in California and Florida”.

Disney SW land screen_shot_2016-04-14_at_9_17_11_am COMP

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney.

Disneyland has taken its first steps into a larger world.

On Thursday, the California and Florida theme parks broke ground on their highly anticipated attraction: Star Wars Land.

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney. “Star Wars-themed lands will be the largest-ever single-themed land expansions at Disneyland Resort and Walt Disney World Resort.”

Along with the update, Disney posted a 360-degree photo from the 14-acre construction site at Disneyland.

The opening date for the attractions has yet to be announced.

(17) NOT A BILL THE GALACTIC HERO REFERENCE. A comic book has the answer to this question.

Star Wars: The Force Awakens left us with a lot of burning questions, but one of the more peculiar ones is about C-3PO: Why did he have a red arm? Today in Star Wars Special: C-3PO #1 from Marvel Comics, written by James Robinson with art by Tony Harris, we got the answer in a story that takes place before the events of Force Awakens.

Warning: beware of full spoilers for Star Wars Special: C-3PO #1!

(18) WITH EXTRA ADDED AVATAR. “James Cameron Announces Four ‘Avatar’ Sequels” says a Hollywood Reporter article. Too bad it isn’t five – then it would be okay to laugh…

Fox ended its Thursday CinemaCon presentation with a surprise guest: James Cameron.

He announced that there will be four Avatar sequels, not the three previously planned. “We have decided to embark on a truly massive cinematic process,” he said.

Cameron said as he was planning the three sequels, he found it limiting. “We began to bump up against the limitations for our art form,” he said, explaining that he decided he would need more sequels to tell the whole story.

He said each of the four sequels will be able to stand alone, but will together create a saga. His goal is to release Avatar 2 at Christmas 2018 and the a new film in 2020, 2021 and 2022.

“I’ve been working the last couple of years with a team of four top screenwriters,” he said, “to design the world of Avatar going forward: The characters, the creatures, the environment, the new cultures.”

(19) X BERATED. Not everyone is sanguine about the company’s chance of handling Star Wars with kid gloves – consider the faux“Disney/Pixar’s X-WINGS Movie Trailer” from Big Bee Studio.

What happens when the people who made Cars & Planes get their hands on Star Wars? X-Wings. That’s what happens.

 

[Thanks to John King Tarpinian, Steven H Silver, David K.M. Klaus, Chip Hitchcock, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 2/2/16 A Spoonful Of Pixels Helps The Medicine Scroll Down

(1) ALTERNATIVE FUTURISM AT UCR. Despite everything else that’s happened to sf studies there, the sun still rose over Riverside this morning and the University of California Riverside announced new events in its continuing Alternative Futurisms Series. The series is funded by a $175,000 Sawyer Seminar grant from the Andrew W. Mellon Foundation.

Authors Daniel José Older and Walter Mosley will speak on Wednesday, Feb. 3, followed on March 3 by a panel of award-winning authors discussing the expectations of science fiction and fantasy produced by Caribbean writers….

“Throughout 2015-2016, the Sawyer Seminar on Alternative Futurisms is helping to build bridges amongst the various zones of scholarship and creation in people-of-color futurisms and fantastical narratives,” said Nalo Hopkinson, co-organizer of the yearlong seminar, a professor of creative writing and an award-winning author of science fiction and fantasy. “Following a successful fall quarter, which included a conference, film screenings and panel discussions, the winter quarter is focusing on creators of people-of-color science fiction and fantasy.”

… “The Sawyer Seminar has brought together faculty, students and the larger community around the important question of imagining a diverse future,” said Milagros Peña, dean of the College of Humanities, Arts and Social Sciences (CHASS). “I am proud of CHASS’s continuing commitment to science fiction studies.”

Events scheduled this month and in the spring include:

Thursday, March 3, 3:30 p.m. Interdisciplinary 1113 – Panel discussion on Caribbean science fiction and fantasy. Panelists are: with Karen Lord, an award-winning Barbadian author (“Redemption in Indigo,” “The Best of All Possible Worlds”) and research consultant; Karin Lowachee, an award-winning author (“Warchild,” “Cagebird”) who was born in South America, grew up in Canada, and worked in the Arctic; Nalo Hopkinson, award-winning author (“Midnight Robber,” “Falling in Love With Hominids”) who was born in Jamaica and teaches creative writing at UCR with a focus on the literatures of the fantastic such as science fiction, fantasy and magical realism; and Tobias Buckell, a best-selling author who grew up in Grenada and whose work (the “Xenowealth” series, “Hurricane Fever”) has been nominated for numerous awards.

Monday, April 11, 4 p.m. (location tbd) – Readings by Ted Chiang, whose work (“Tower of Babylon,” “Exhalation,” “The Lifecycle of Software Objects”) has won numerous awards; and Charles Yu, whose debut novel “How to Live Safely in a Science Fictional Universe” was a runner-up for the Campbell Memorial Award.

(2) EARTHSEA OF GREEN. The Kickstarter appeal for Worlds of Ursula K. Le Guin raised its target amount of $80,000 on the very first day. A total of $83,268 has been pledged by 1,164 backers as of this writing.

(3) RABID PUPPIES. Vox Day’s daily slate revelation was “Rabid Puppies 2016: Best Fan Artist”, with picks Karezoid, rgus, Matthew Callahan, Disse86, and Darkcloud013.

(4) DAY VERSUS DAVIDSON. Vox Day also reacted to Steve Davidson’s attempt to get Andy Weir to repudiate slates: “SJW attempts to block Weir nomination”.

As for why I did not recommend Mr. Weir as Best New Writer last year, it was for a very simple and straightforward reason. I had not read his novel. Unlike so many of the SJWs, I do not recommend novels I have not read, writers whose books I have not read, or artists whose work I have not seen. Those who have not brought their works to my attention have only themselves, and their publishers to blame, if I remain unfamiliar with them. I am but a mere superintelligence, I am not omniscient.

It is perhaps worth noting, again, that I do not care in the least what a writer or an artist happens to think about being recommended; die Gedanken sind frei. People can recuse themselves, publicly repudiate, or virtue-signal, or perform interpretive dance to express the depth of their feelings about Rabid Puppies. It makes no difference to me.

That being said, it appears Marc Miller is not eligible for Best New Writer despite having published his debut novel in 2015. I shall have to revisit that category at a later date.

Although it really doesn’t have any implications for the current discussion, it’s an interesting bit of trivia that Bryan Thomas Schmidt, who was on both the Sad and Rabid slates last year as a short fiction editor, was the person who edited Weir’s novel The Martian.

(5) BIGGER ISSUE. David J. Peterson argues that Puppy drama is overshadowing a really important issue – the lack of a YA Hugo.

No, to my mind the real injustice in the Hugo Awards is the lack of a separate award for YA fiction. More than anywhere else, YA is drawing new readers to science-fiction and fantasy. Yes, right now HBO’s Game of Thrones is huge, and it’s based on a very adult series of fantasy novels by George R. R. Martin, but beyond, what else is big—and I mean big big—in SFF? A few series come to mind: Harry Potter, The Hunger Games, Divergent, The Mortal Instruments. I’m sure you can think of others (oh, duh, Twilight, whatever you think of it). All of these are very successful YA series (all by female authors, incidentally), and all of them have been made into movies that range from moderately successful, to wildly, outrageously successful. Generally, though, unless it’s world-shatteringly successful, YA novels don’t stand a chance of being nominated for a Hugo, let alone winning (of all the books listed above, only two were nominated for best novel—Harry Potter and the Prisoner of Azkaban and Harry Potter and the Goblet of Fire—with the latter winning)….

Writing YA fiction is a different endeavor than writing adult fiction. There are different rules in play; a different audience to consider. It’s a different approach altogether. Different. Not better. Not worse. But different. Think of your favorite YA novel and your favorite adult novel (two that jump to mind immediately for me are Matilda and The Great Gatsby). Can you rank one over the other? I can’t. It’s not because I can’t decide which one is better: It’s because they’re not even playing by the same rules….

And that’s my point with YA and the Hugos. YA is underrepresented, but it’s not because readers are ignoring it or anything like that: It’s because it’s competing in a category it shouldn’t be. Right now, enormous YA works are grabbing new readers by the truckload and essentially delivering them into SFF fandom, but they don’t have a seat at the table. This is an issue that has been raised before, but I think the whole Sad Puppy thing has really shoved it to the side, and that, to me, is a real shame.

(6) SEEKS LOVE. Meantime, James Troughton just cuts to the chase —

(7) FINDS LOVE. Congratulations Laura Resnick on the film option offered on one of your romance novels!

The deposit has cleared, which means it’s time to announce: I’ve been offered a film option deal for my romance novel, FALLEN FROM GRACE. This means I’ve licensed the right for a filmmaker to apply for development money from (of all things) the National Film Board in South Africa (where the story would be relocated and the movie made, if it’s made). It’s a multi-stage process and may never get beyond this point (or may never get beyond the next point, “development,” etc.), but I’m still excited. I’ve had an initial approach 2-3 times before about film adaptations (though not for this book), but no one has ever before pursued it beyond the initial “are these rights available?”

(8) BLUE TWO. The New Zealand Herald reports “First Avatar sequel to start shooting in NZ this April”.

The follow-up to the blockbuster hit Avatar will start production in New Zealand this year.

Director James Cameron is set to start filming the first of three Avatar sequels in April, which are scheduled to be released one year after the other.

The first sequel was supposed to come out in cinemas later this year, but delays have forced the release date to the end of 2017.

According to My Entertainment World, the film will start shooting in California’s Manhattan Beach and New Zealand.

The website also reveals the premise for the film, saying “Jake Sully (Sam Worthington) permanently transfers his consciousness to his Na’vi avatar and begins a new life with Princess Neytiri (Zoe Saldana) after they defeat the human colonisers.”

(9) DRAWERS IN A MANUSCRIPT. M. Harold Page recommends a book about period costumes at Black Gate: “Pulp-era Gumshoes and Queen Victoria’s Underwear: Stitches in Time: The Story of the Clothes We Wear by Lucy Addlington”.

It puts us in the shoes (and unmentionables) of the people we read about — the Pulp-era gumshoes and flappers, the Victorian Steam Punk inventors, the swashbuckling musketeers. They all feel a bit more real when we know how they dress in the morning, how they manage the call of nature, what fashion bloopers they worry about, how their clothes force them to walk or sit.

It also helps us decode some of the nuances. For example, men’s shirts were actually regarded as underwear until well past the Victorian period. If you took off your jacket, you’d immediately don a dressing gown. To be in your shirtsleeves was to be not entirely decent. The color of your shirt reflected your class and… and it’s a rabbit hole of nuance and snobbery. You just have to read it.

(10) X-FILES. If you’re in the market for a spoiler-filled recap of the latest X-Files episode, click Mashable’s “’The X-Files’ Episode 3 was a silly hour of TV that couldn’t have been better”.

(11) TOO MUCH LAVA. Open Culture today highlighted this eight-minute animation of the destruction of Pompeii from 2013. Well worth the eight minutes.

A good disaster story never fails to fascinate — and, given that it actually happened, the story of Pompeii especially so. Buried and thus frozen in time by the eruption of Mount Vesuvius in 79 AD, the ancient Roman town of 11,000 has provided an object of great historical interest ever since its rediscovery in 1599. Baths, houses, tools and other possessions (including plenty of wine bottles), frescoes, graffiti, an ampitheater, an aqueduct, the “Villa of the Mysteries“: Pompeii has it all, as far as the stuff of first-century Roman life goes.

 

[Thanks to John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 commenter of the day IanP.]

Pixel Scroll 1/18/16 The 770 Horsemen of the Apocalypse

(1) USED BOOK LOVE. Eric Flint weighs in: “How Should An Author Look On Used Book Sales”.

I ran across this blog by the author Kristen Lamb:

PAY THE WRITER

…while reading this article by Rachel Kramer Bussel in Salon magazine:

Don’t feel guilty

It will come as no surprise to anyone who knows me or who has read any of the essays I’ve written in the past on copyright laws and online piracy that I generally agree with Bussel’s stance and disagree with Lamb’s. But there are some issues involved that Bussel doesn’t address which I think are actually more important than the ones she does. Another way to put it is that I don’t think she goes far enough. The essence of her argument is that the situation is more complicated than Lamb presents it as being, and is not an either/or situation. While it is true that a book sold in a used book store may represent an immediate loss to an author, it can be made up for in the long run by exposing more people to that author….

To make a living as a full time writer, or even to derive a significant income from writing, an author has to constantly recreate their readership base. The process is dynamic, not static. And the main way an author does so is by having that huge penumbra of free books—“free,” at least, from the author’s standpoint—surrounding the much smaller number of books which get sold in a way that brings direct income.

That’s why Lamb’s view of the matter is so skewed. She’s right that it’s an either/or situation, but she doesn’t understand that the relationship between “either” and “or” is a necessary and beneficial one.

(2) MARKETING TO “FANGIRLS”. Her Universe Press drew the attention of the New York Times in “Narrowing a Gap in the Sci-Fi Universe: One Fangirl Giving a Voice to Others”.

Ashley Eckstein, a self-described sci-fi fangirl, believes women like her are often overlooked. So several years ago she started a company to sell apparel featuring brands like Doctor Who, Star Trek and Star Wars to other fangirls. Now, believing those same women need a voice, she is expanding into publishing….

“Liking Star Wars is not a trend; it’s part of who you are,” she said, adding that she was disturbed to see women harassed for liking sci-fi and fantasy. “It was troubling to me; it was painful for fangirls.”

Mrs. Eckstein started her company, Her Universe, in 2009 after searching for a Star Wars T-shirt at a comic book convention. Unable to find anything suited for women, she instead saw an opportunity to target an overlooked consumer. Her company has since expanded from convention and Internet sales to include retail partners like Hot Topic and, starting in March, Kohl’s, which will sell a line of Her Universe active wear.

Now, Mrs. Eckstein sees another opportunity, this time as a publisher of sci-fi novels written by women. She said she got the idea after receiving unsolicited manuscripts at conventions. “Fans would hand me a book and say, ‘I wrote a story and could not get it published,’ ” she said. “I would come home with stacks of books.”

(3) NOR-CON GETS A REMATCH. Norwich’s local science fiction convention is back after a year’s hiatus.

The annual science fiction spectacular was missing from the calendar last year, but details have been announced for a revamped event in October at a larger venue and with the promise of even more for sci-fi fans to look forward to…

Mark Dean, director of Nor-Con Events Limited, said: “We’ve had a year’s break to restructure and rebrand. Due to demand we’ve moved to a larger venue at the Norfolk Showground, which will allow us to have more people, more exhibits and exhibits that will be able to move around like the Daleks and R2-D2s because we’ve got the space.”

As well as celebrities signing autographs and taking part in question and answer sessions, there will be exhibitions, demonstrations, trader stands as well as the Norwich Star Wars Club UK, comic artists and cosplay – “costume play” – groups.

This con made the “crime news” in 2013

When police arrived at the Norwich Sci-Fi and Film Convention on May 12 they found around a dozen fans belonging to two rival groups involved in a bitter exchange outside. The convention’s hosts, members of the Norwich Star Wars Club of the University of East Anglia, had refused entry to some fans from the rival Norwich Sci Fi Club.

The BBC reported this story under the misleading headline “Star Wars and Doctor Who fans clash at Norwich convention”

(4) CRITICS’ CHOICE. The 2016 Critics’ Choice Awards were presented at a ceremony broadcast by A&E on January 18.

Mad Max: Fury Road dominated the Film division. It was the winner in nine categories including Best Action Movie, Best Actor (Tom Hardy), Best Actress (Charlize Theron) Best Director (George Miller), and Best Visual Effects.

Inside Out won Best Animated Feature.

Ex Machina was named Best Sci-Fi/Horror Movie.

In the Television division, Mr. Robot was named Best Drama Series, and its cast members won Best Actor in a Drama Series (Rami Malek) and Best Supporting Actor in a Drama Series (Christian Slater).

Outlander was selected as the Best Binge-Worthy Show.

Big Bang Theory’s Mayim Bialik received the award for Best Supporting Actress in a Comedy Series.

Also, Rachel Bloom of Crazy Ex-Girlfriend won Best Actress in a Comedy Series. (File 770 keeps track of her successes because of the Hugo-nominated Ray Bradbury music video she did back in the day.) Popsugar reports:

After the Golden Globes and the Critics’ Choice Awards, you should know who Rachel Bloom is. The star of The CW’s Crazy Ex-Girlfriend took home the Critics’ Choice Award for her role on the musical comedy on Sunday. She was clearly shocked to be taking home yet another award,…

(5) ADAMS OBIT. Television’s Grizzly Adams, actor Dan Haggerty, died January 15 at the age of 73. His New York Times obituary lists horror movies he made late in his careerTerror Night (1987), Elves (1989) — playing an alcoholic mall Santa — and Axe Giant: The Wrath of Paul Bunyan (2013).

(6) SCOTTY WOULD APPROVE. A Guardian story tells us, “Star Trek stars endorse SNP’s bid to establish Europe’s first spaceport”.

The Star Trek stars William Shatner and George Takei have backed the Scottish National party’s ambition to establish Europe’s first spaceport in the UK.

The SNP MP Philippa Whitford led a debate in the House of Commons on Thursday on the future of the UK space industry, which she concluded by giving the Vulcan salute. The MP made the case for a spaceport to be established in her constituency of Central Ayrshire….

Welcoming the SNP debate, the actor William Shatner, Star Trek’s Captain James T Kirk, issued a statement that was read out to MPs: “Space is one of the last known frontiers mostly untouched by mankind and his politics. In opening a debate on this subject, my hope is you take the tenets of Star Trek’s prime directive to universally and peacefully share in the exploration of it. I wish you all a wonderful debate. My best, Bill.”

George Takei, Star Trek’s Lieutenant Sulu, tweeted his support: “I wish the SNP and the House of Commons well on their debate about their space program tomorrow. #WhereNoBritHasGoneBefore

(7) TODAY IN HISTORY

  • January 18, 2008 — After much secrecy, Cloverfield makes its theatrical debut.  An Easter egg in the movie has the sea monster from The Beast from 20,000 Fathoms, which was based on Ray Bradbury’s short story The Foghorn appearing in the driver side mirror of one of the cars.

(8) TODAY’S BIRTHDAY BOY

  • Born January 18, 1882  — A.A. Milne.

(9) TRUE BLUE. The Cirque du Soleil is doing a new show in the Avatar universe.

It’s been six years in the making, and now Cirque du Soleil’s “Toruk” is setting up camp in North American stadiums, bringing audiences the magical world of the moon Pandora and its inhabitants from James Cameron’s blockbuster “Avatar.” …

The story of “Toruk” is set 3,000 years before “Avatar,” long before humans set foot on Pandora.  It tells of a quest to find the mysterious creature Toruk, the only one who can save the sacred Tree of Souls from destruction

(10) THE SIMPSONS. Despite the Huffington Post’s clickbait headline, neither David Bowie nor Alan Rickman appeared in this 2013 episode of The Simpsons, however, what Benedict Cumberbatch does in the clip makes it worth 60 seconds of your time —

In the parody film Bart watches, a Hugh Grant-version of the Prime Minister, who is voiced by Benedict Cumberbatch, proclaims his love for a lower class lady named Eliza Commonbottom.

The two kiss, and a Pandora’s box of silly British pop cultural references is opened, which includes one of Rickman’s most famed portrayals, Snape (whom Cumberbatch also voiced), and a Bowie-penned song ‘All the Young Dudes’.

Oh, and there’s a ‘Doctor Who’ reference in the form of a TARDIS for good measure too – obviously.

 

[Thanks to John King Tarpinian, Hampus Eckerman, Andrew Porter, and David Doering for some of these stories. Title credit goes to File 770 contributing editor of the day, myself…]

Pixel Scroll 1/5/16 A Fine and Pixeled Place

Note: I’m going to start putting the year in the header, too.

(1) SNODGRASS ON AXANAR. Melinda Snodgrass commented about the suit against Axanar on Facebook.

So far a cease and desist order has only been issued and a lawsuit filed against Axanar, but speaking as a former attorney I see no way for CBS and Paramount to turn a blind eye to the other fan efforts. As it is they have an “unclean hands” issue because they allowed the fan productions to go forward for so many years without reacting. Now that they are taking notice they will have to take notice across the board — no exceptions. That’s my best prediction based on training and education.

Because I am a professional screenwriter and also as a trained attorney I feel I have to step away from any involvement with any Star Trek fan funded project. Out of love for Star Trek, and the chance to write for two wonderful actors from the original series I was excited to write a new Trek script. And at the time I agreed to do this CBS was giving everyone tacit approval, a sort of wink and a nod. That is no longer the case.

Am I disappointed? Of course. Having met Walter I would love to have written for him, but it’s not to be. Look, I don’t blame the network or the studio. Bottom line the intellectual property that is Star Trek belongs to them. They have an obligation and a right to protect their asset.

(2) BIG BUCKS BUT SMALL FOOTPRINT. Forbes writer Scott Mendelson ponders why “Five Years Ago, ‘Avatar’ Grossed $2.7 Billion But Left No Pop Culture Footprint”. Why does the film Avatar have no great fannish following (ala Star Wars)?

Despite a pretty swift case of blockbuster backlash, whereby pundits quickly attributed the film’s box office success entirely to the 3D effects, I still think it’s a pretty fantastic adventure film. The characters are simple but primal, and the storytelling is lean and efficient even while running nearly three hours. Avatar was arguably the right film at the right time, with a potent anti-imperialism message that came about just as America was waking up from its post-9/11 stupor and the rest of the world was more-than-ready to cheer a film where murderous private armies were violently defeated and driven away by impassioned indigenous people.

But it was basically a historical cinematic footnote not a year later, with no real pop culture footprint beyond its record-setting box office and groundbreaking 3D.

(3) ADVISED BY C3PU? Hasbro responded to complaints about not including a Rey figure in Monopoly.

https://twitter.com/HasbroNews/status/684205970248089600/photo/1?ref_src=twsrc%5Etfw

Few bought the explanation.

(4) GALLIFREY CONUNDRUM. LA’s Doctor Who-themed convention Gallifrey One has posted a “Program & Guest Update: Early Schedule, Fan Panels and More!” Here’s a panel devoted to a question I’ve wondered about myself.

Life and Death in the Moffat Era — These days it doesn’t seem like anybody who’s dead stays dead… it’s merely a setback! From Clara to Rory to Missy to Osgood to Davros and even the Time Lords — and you have to through the increasingly complicated history of River Song in there somewhere — has Steven Moffat’s decision to bring back multiple characters made death in Doctor Who anti-climactic? Or is it just another example of the wibbly-wobbly-timey-wimey fun that keeps the show fresh?

(5) USED BOOKSTORES. Mad Genius Club’s Amanda S. Green, in “Bookstores: Friend or Enemy”, a commentary on Kristen Lamb’s post about the publishing industry (also linked here the other day), makes an interesting point about used book sales.

When I started this post, I did so figuring I’d be flaying Lamb over how she viewed used bookstores. Why? Because some of the comments I’ve seen around the internet claimed she denounced used bookstores as bad for authors. She doesn’t, not really. She points out something a lot of readers don’t understand. When you buy a book from a used bookstore, the author gets nothing from that sale. Also, she rightly points out that the books you will find in such stores are, by the vast majority, traditionally published books. So, used bookstores aren’t much help for indie authors.

However, for authors whose books are found there, used bookstores do serve a purpose. In fact, it is much akin to the same purpose libraries serve. A person is more likely to pay a percentage of the price of a new book for an author they have never read before than they are to pay full price. So, even though that author doesn’t get a royalty from that particular sale, if the buyer likes the book, there is the possibility of a royalty sale down the road. Even if the reader doesn’t buy a new book later, they will discuss the book with others who might. To me, it is promotion and a good thing. Word of mouth is the best sort of promotion an author can have.

(6) TODAY IN HISTORY

  • January 5, 1889 — The word hamburger first appeared in print in the Walla Walla Union, Walla Walla, Washington.

(7) TODAY’S BIRTHDAY BOYS

  • Born January 5, 1914 — George Reeves, of Adventures of Superman fame. (He was also one of Scarlett O’Hara’s suitors in Gone With The Wind.)
  • Born January 5, 1929 — Russ Manning, artist of the comic strip Tarzan, whose credits include Magus Robot Fighter.
  • Born January 5, 1941 Hayao Miyazaki,  Japanese film director, producer, screenwriter, animator, author, and manga artist.

(8) DIRTY PICTURES. Settle down, they’re only pictures of dirt. NASA’s Curiosity Mars rover is now sending back close-ups of tall, ripple-ridden Martian sand dunes. Lots of photos here.

(9) GOTHAM. Formerly known as Pee Wee Herman — “Gotham: First Look At Paul Reubens As Penguin’s Father”.

Cobblepot is in need of a parental figure on Gotham, after his mother was killed toward the end of the first half of the season, by Theo “Dumas” Galavan. What role daddy dearest will play in that story is unclear, but from this image it looks like Penguin may have gotten his more vengeful side from his paternal parent.

While we don’t know exactly when Penguin’s Papa will show up, Gotham returns February 29, 2016, so we can expect him soon after.

(10) LEAPIN’ LITTERS. Not every dog has his day.

(11) THE CERTAINTY UNCERTAINTY PRINCIPLE. T. C. McCarthy can’t explain it.

(12) QUIDDITCH PONG. Combining the elements of Harry Potter’s favorite sport with beer pong, the Unofficial Quidditch Pong tabletop game assigns the player representing each house three unique spells. For example —

Slytherin:

Avada Kedavra– Once per game, choose a cup and remove it from the table. (can be used on Resurrection Stone)

Crucio– All of your opponents must make trick shots for one round

Imperio– Dictate which cup your opponents must make for one round

 

Quidditch Pong slide_2

(13) WETFOOT. Past LASFS President, actor Ed Green, plays one of the hundreds of faux lawyers and bankers fording the Rio Grande to illustrate a talking point in this Ted Cruz campaign ad. (If there’s a problem with the embedded video below, it can also be played at the Ted Cruz website Fix Our Border Yeah, like you would do that…)

Ed appears at in all his glory at :14, :25 and :35.

[Thanks to Dave Doering, John King Tarpinian, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 1/3 The Man from P.I.X.E.L.

coverWARP932 Keith Braithwaite

(1) BRAITHWAITE RESTORES CLASSIC ARTWORK. Gracing the cover of Warp #93, the Montreal Science Fiction and Fantasy Association clubzine, is this superlative painting —

The Doctor and his Companion, by Claude Monet (oil on canvas, 1875), a painting dating from a most fertile phase of the renowned French Impressionist’s career, was recently discovered in the attic of a house in Argenteuil in which Monet lived in the 1870s. Little is known of the subjects depicted as the artist left no notes as to their identity or relationship to him. No particulars on the gentleman or lady are to be found, either, in the local historical records of the time and the odd structure beside which the gentleman is standing remains a puzzle. Civic records offer no indication that such a structure ever existed, as if this curious blue box simply appeared out of thin air, and then disappeared just as mysteriously. The title of the work gives us our only clue as to the two subjects, suggesting that the gentleman was, perhaps, a medical doctor travelling with a female relative, Fiancée, or mistress. MonSFFA’s own Keith Braithwaite worked on the restoration of the painting.

(2) BLUE PEOPLE BEWARE. Yahoo! Movies reports “’The Force Awakens’ Barreling Toward ‘Avatar’Record”.

The space opera sequel is moving up the all-time domestic box office charts at a record clip and now is poised to overtake those pointy eared blue aliens as the top grossing film in history. Avatar earned $760.5 million during its stateside run and Star Wars: The Force Awakens has generated $740.4 million domestically after picking up $88.3 million over New Year’s weekend. It should take the crown from Avatar early next week.

(3) AXANAR DECONSTRUCTED. (There’s that word again. I hope I know what it means…) John Seavey at Mightygodking has created a FAQ about the Paramount/CBS lawsuit against Axanar Productions:

Q: Then why are they being sued? Paramount allows lots of these things, don’t they?

A: Oh, yeah. “Star Trek Renegades”, “Star Trek: Of Gods and Men”, “Star Trek Continues”…basically, it seems like as long as nobody’s making any money, Paramount turns a blind eye to these fan films.

Q: But this one they wouldn’t? Why?

A: Well, there is the fact that, in an update on Axanar’s Indigogo campaign, they said, “EVERYTHING costs more when you are a professional production and not a fan film. All of this and more is explained, along with our budget of how we spent the money in the Axanar Annual Report.”

And in that latest annual budget report, they said, “First and foremost, it is important to remember that what started out as a glorified fan film is now a fully professional production. That means we do things like a studio would. And of course, that means things cost more. We don’t cut corners. We don’t ask people to work full time for no pay. And the results speak for themselves.”

And:

“Please note that we are a professional production and thus RUN like a professional production. That means our full time employees get paid. Not much honestly, but everyone has bills to pay and if you work full time for Axanar, you get paid.

Also, no other fan film has production insurance like we do. We pay $ 12,000 a year for that. Again, a professional production.”

Also, in their Indiegogo FAQ, they had this little gem:

“Q: What is Axanar Productions?

Axanar is not just an independent Star Trek film; it is the beginning of a whole new way that fans can get the content they want, by funding it themselves. Why dump hundreds or thousands of dollars a year on 400 cable channels, when what you really want is a few good sci-fi shows? Hollywood is changing. Netflix, Hulu, Amazon, and other providers are redefining content delivery, and Axanar Productions/Ares Studios hopes to be part of that movement.”

Which kind of contradicts the “fan film” statement.

(4) WILL SMITH’S CHARACTER IS LATE. John King Tarpinian imagines the conversation went like this: “You want how much?  Sorry but your character just died.” In a Yahoo! News interview,  “Will Smith Says It Was Terrible When He Found Out His Independence Day Character Died”.

Will Smith found it unpleasant to learn that the fat lady had sung on Steven Hiller, the character he played in 1996’s Independence Day. “It was terrible when I found out my character died,” Smith told Yahoo.

Hiller’s death was revealed on a viral site for Independence Day: Resurgence. “While test piloting the ESD’s first alien hybrid fighter, an unknown malfunction causes the untimely death of Col. Hiller,” the site’s timeline reads. “Hiller’s valor in the War of ’96 made him a beloved global icon whose selfless assault against the alien mothership lead directly to the enemy’s defeat. He is survived by his wife Jasmine and his son Dylan.” You can see an image of Hiller’s fiery death by clicking here.

(5) ALL KNIGHT. Admiring Fred Kiesche’s Damon Knight quote in a comment here, Damien G. Walter tweeted —

(6) HE FIGURES. Camestros Felapton forays into toy design with his new “Hugo” brand “Stage Your Own Kerfuffle”  figures….

(7) JEFFRO MOVES UP. Vox Day is delegating management of the Castalia House blog to “The new sheriff in town”, Jeffro Johnson:

As Castalia House has grown, it has become increasingly difficult to balance my responsibilities as Lead Editor and as the manager of this blog. Because Castalia House shoots for excellence across the board, I have decided that it is time to step back and hand over my responsibilities for this blog to someone else.

And who is better suited to take it over than one of the very best bloggers in science fiction and gaming? I am absolutely delighted to announce that the Castalia House blogger, author of the epic Chapter N series, and 2015 Hugo nominee for Best Fan Writer, Jeffro Johnson, has agreed to accept the position of Blog Editor at Castalia House.

(8) ARISTOTLE. That leaves Vox Day more time to orchestrate his winter offensive. His first target is File 770 commenter Lis Carey.

Even I occasionally forget how fragile these psychologically decrepit specimens are. Anyhow, it’s a good reminder to ALWAYS USE RHETORIC on them. They’re vulnerable to it; they can’t take it. That’s why they resort to it even when it doesn’t make sense in the context of a discussion, because they are trying to make you feel the emotional pain that they feel whenever they are criticized.

Day is developing a Goodreads author page, and Carey mentioned yesterday she had already seen early signs of activity:

Ah, this may explain a recent comment on one of my reviews of last year’s Hugo nominees–and means maybe I can expect more.

The particular comments were on her review of Castalia House’s Riding The Red Horse.

(9) TODAY IN HISTORY

  • January 3, 1841 — Herman Melville ships out on the whaler Acushnet to the South Seas.

(10) TODAY’S BIRTHDAY BOY

  • Born January 3, 1892 – J.R.R. Tolkien, honored by Emily Asher-Perrin at Tor.com:

But of course, the world remembers Tolkien for changing the fantasy genre forever. By penning The Hobbit and The Lord of the Rings, Tolkien set a framework for fantasy literature that countless authors have attempted to recapture over the years. The creation of Middle-earth, from its languages to its poetry to its rich cultural history and varied peoples, was an astounding feat of imagination that no one had managed before with such detail and ardent care.

(11) SEMIPROZINES. Camestros Felapton continues moving through the alphabet in his “Semiprozine Round-Up: Cs and Ds”.

Keeping on going in the Cs and Ds of semiprozines.

  • The Cascadia Subduction Zone
  • The Colored Lens
  • Crossed Genres Magazine
  • Daily Science Fiction
  • The Dark Magazine
  • Diabolical Plots

(12) PARTS NOT TAKEN. “Leonardo DiCaprio Reflects On Turning Down Anakin Skywalker And Two SuperHero Roles” at ScienceFiction.com:

And it’s a philosophy that has led to him turning down parts in some guaranteed smashes and lots of cha-ching.  He recently revealed that he actually met with George Lucas, but ultimately passed on playing Anakin Skywalker in the ‘Star Wars’ prequels.

“I did have a meeting with George Lucas about that, yes.  I just didn’t feel ready to take that dive. At that point.”

Around this time, DiCaprio instead chose to make ‘Gangs of New York’ and ‘Catch Me If You Can’, the latter of which earned him a Golden Globe nomination.

Still he must be kicking himself.  The role instead went to Hayden Christiansen and look at how his career took… oh, ahem.  Nevermind.

(13) REMEMBERING BAEN. While researching another post, I rediscovered David Drake’s 2006 tribute to the late Jim Baen, who had just recently passed. Shortly before Baen’s death the two were on the phone and Baen asked, “You seem to like me. Why?” The answer is rather touching.

And then I thought further and said that when I was sure my career was tanking–

You thought that? When was that?”

In the mid ’90s, I explained, when Military SF was going down the tubes with the downsizing of the military. But when I was at my lowest point, which was very low, I thought, “I can write two books a year. And Jim will pay me $20K apiece for them–”

“I’d have paid a lot more than that!”

And I explained that this wasn’t about reality: this was me in the irrational depths of real depression. And even when I was most depressed and most irrational, I knew in my heart that Jim Baen would pay me enough to keep me alive, because he was that sort of person. He’d done that for Keith Laumer whom he disliked, because Laumer had been an author Jim looked for when he was starting to read SF.

I could not get so crazy and depressed that I didn’t trust Jim Baen to stand by me if I needed him. I don’t know a better statement than that to sum up what was important about Jim, as a man and as a friend.

(14) PEACE IN OUR TIME. In “The Stormbunnies and Crybullies”, John C. Wright devotes over 2,000 words to making his closing offer irresistible in that special way only he knows how.

But I am a forgiving man, jovial and magnanimous. I make the following peace offer: Go your way. Cease to interfere with me and my livelihood, do your work, cease to libel me and meddle with my affairs, withhold your tongue from venom and your works from wickedness, and we shall all get along famously.

Otherwise, it is against my self interest to seek peace with you. Peace is a two sided affair: both parties must agree. So far only Mr. Martin has even expressed a desire for it.

(15) WHAT KEEPS YOU FROM WRITING? Nandini Balial at Pacific Standard helps writers name their fears — “Gremlins and Satyrs of Rejection: A Taxonomy of Writers’ Foes”

THE SATYRS OF MOUNT OUTLET: Like its cousin Olympus, Mount Outlet stretches far beyond human sight into luxurious billowy clouds. The work its satyrs produce is sharp and daring. Vast networks of bloggers, freelancers, and even reporters churn out viral but self-aware listicles, personal essays that make me cry more than they should, and short stories so good I’m inclined to simply put my pen away. On Twitter, their satyrs (editors) trade barbs and witticisms with the speed of a Gatling gun. A poor peasant like me may approach the foot of the mountain, but my tattered, unworthy scrolls and I will soon turn around and head home.

(16) PUBLISHING STINKS. Kristen Lamb, in “The Ugly Truth of Publishing & How BEST to Support Writers”, says don’t bother reviewing her books on Goodreads, because that’s where the trolls are:

Tweet a picture of our book. Put it on Facebook. People in your network ARE noticing. Peer review and approval is paramount in the digital age. And don’t support your favorite author on Goodreads as a first choice (AMAZON reviews are better). The only people hanging out on Goodreads for the most part are other writers and book trolls.

Support us on your regular Facebook page or Instagram or Twitter. Because when you post a great new book you LOVED your regular friends see that. When they get stranded in an Urgent Care or an airport? What will they remember? THAT BOOK. They won’t be on Goodreads. Trust me.

(17) DISSONANCE. After reading Kristen Lamb’s discouraging words, I encountered M. L. Brennan calling for everyone to get up and dance because Generation V earned out and what that means”. That’s not the next post I’d have expected to see, straight from leaving Lamb’s black-crepe-draped explanation of the publishing industry.

One thing to bear in mind, because it’s easy to lose sight of it when you look at that last paragraph — if I hadn’t received an advance, I wouldn’t have made more money on this book. I would still have earned $7615.78 on the series — except earning that first $7500 would have taken me two years, rather than being entirely in my pocket on the day that Generation V hit the bookstores. And that $7500 paid my mortgage, my electric bill, and other bills, which made it substantially easier for me to write. Without that advance, it would’ve taken me longer to write Iron Night, Tainted Blood, and even Dark Ascension, because I would’ve been having to hustle other work elsewhere and spend less time writing.

(18) NONE DARE CALL IT SF. Whether Joshua Adam Anderson styles himself an sf fan I couldn’t say (though he did take a course from Professor James Gunn), but his LA Review of Books article “Toward a New Fantastic: Stop Calling It Science Fiction” is a deep dive into the abyss of genre. His attempt to define (redefine?) science fiction is precisely what fans love.

LAST JULY, Pakistani science fiction writer Usman Malik published a clarion call for his home country. In it, he made the claim that “[e]ncouraging science fiction, fantasy, and horror readership has the potential to alleviate or fix many of Pakistan’s problems.” While it would be difficult to disagree with the idea that science fiction is a positive force in the world, many of Malik’s reasons for championing the genre are problematic. To begin with, Malik — along with just about everyone else — still, for some reason, calls “science fiction” science fiction. His essay actually contains a handful of reasons why we should stop calling it “science fiction,” and it also inadvertently addresses how and why we need to liberate ourselves from genre itself — and how “science fiction” can help us do just that.

(19) PLANNING BEGINS: Paul Johnson’s early word is that the event to honor his father, the late George Clayton Johnson, might be in February at the Egyptian Theater in Hollywood.

P Johnson snip Egyptian

[Thanks to John King Tarpinian, Will R., Paul Weimer, Brian Z., and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Cameron KO’s Roger Dean in Avatar Suit

A U.S. District Court in New York has dismissed Roger Dean’s lawsuit against James Cameron: Dean had claimed aspects of the Avatar planet Pandora were stolen from his artwork.

dean-asia-cover__130629021944Dean’s art has appeared on top-selling record albums by many bands, among them Yes and Asia, been displayed in museums and published in books. And when Dean’s suit was announced last year, Harlan Ellison, who won a settlement from Cameron over Terminator in the 1980s, said he was eager to testify in Dean’s behalf. (He wasn’t called upon.)

Judge Jesse M. Furman wrote in his decision that some of the similarities between Dean’s work and elements of Avatar are due to both drawing on images in nature, which is in the public domain, while other elements in Dean’s works that are protectible are overwhelmed by the differences between them and the scenes in the movie.

For example, the “Hallelujah Mountains” [in Avatar] are depicted, in photorealistic detail, as massive floating islands of different shapes and sizes densely blanketed with plants, trees, and other vegetation. By contrast, Plaintiff’s works are more stylized and fantastical, featuring smaller, egg-shaped islands —more akin to large boulders than mountains —with little or no vegetation other than a prominent, solitary tree almost as large as the island itself.

Dean’s loss is just the latest in an uninterrupted series of rulings against plaintiffs who claimed they were owed money or ought to receive damages for the use of their work in Avatar.

Kelly Van sued Cameron in 2010 saying Avatar was based on his 2003 book Sheila the Warrior: the Damned. His case was thrown out of court by a judge who said the “plot similarities are abstract ideas that are not protected by copyright.”

In 2013, courts dismissed claims by Eric Ryder, who alleged the movie ripped off his story K.R.Z. 2068, described as an “environmentally-themed 3-D epic about a corporation’s colonization and plundering of a distant moon’s lush and wondrous natural setting,” and by Gerald Morawski, who had sued for breach of contract, fraud and negligent misrepresentation because he had pitched a project to Cameron’s people titled Guardians of Eden and that he signed a nondisclosure agreement which expressly provided that he would retain his original ideas.

Cameron has also won cases brought by Emil Malak, claiming the film infringed his 1998 screenplay Terra Incognita, and Bryant Moore, arguing his screenplays and drawings had been used to create Avatar.

Reportedly the statute of limitations for filing copyright infringement claims expired in December 2012. However, there may be different limits for other causes of action that might leave the door open for more suits.

Avatar has been a litigation magnet since earning nearly $2.8 billion in box-office receipts. It’s reputed to be the top earning movie of all time, although an interesting footnote in the Dean decision, quoting the scholarly book Principles of Macroeconomics, questions the #1 ranking:

“Movie popularity is usually gauged by box office receipts. By that measure, Avatar is the number 1 movie of all time with domestic receipts of $761 million . . . . But this ranking ignores an obvious but important fact: Prices, including those of movie tickets, have been rising over time. Inflation gives an advantage to newer films. When we correct box office receipts for the effects of inflation . . . [t]he number 1 movie is now Gone With the Wind ($1,604 million) . . . . Avatar falls to number 14.”

Construction Begins on Disney World’s Avatar Land

avatar at disney worldThe Avatar-themed Disney World attraction first announced in 2011 began construction this month, part of an estimated $800 million renovation and expansion of the park’s Animal Kingdom.

The Animal Kingdom work is a personal priority of Tom Staggs, chairman of Disney’s global theme-park division reports the Orlando Sentinel.  Staggs helped negotiate Disney’s Avatar licensing deal with filmmaker James Cameron and 20th Century Fox.

Animal Kingdom is home to three of Disney World’s 10 highest-rated attractions: Expedition Everest, Kilimanjaro Safaris and Festival of the Lion King. The Themed Entertainment Association says Animal Kingdom already outdraws Disney’s Hollywood Studios and Universal’s Harry Potter-powered Islands of Adventure. What Disney is really looking for is to elevate Animal Kingdom into a full-day destination. According to the Sentinel:

The park’s struggle to keep guests for a full day has become a hard-to-ignore flaw because it has exacerbated overcrowding problems elsewhere at Disney World. Many of the visitors checking out of Animal Kingdom in midafternoon head for the Magic Kingdom, which is bursting with more than 17 million annual visitors, or the Downtown Disney retail area, which struggles with parking shortages in the evenings.

It’s hoped the luminescent night-time environment shown in Avatar will translate to something that keeps tourists in Animal Kingdom after dark.

The Avatar area will open in 2017, replete with floating mountains, lush jungle scenery and a ride on a “banshee,” the flying predator seen in the movie.

[Thanks to Petréa Mitchell for the story.]

Big Blue

James Cameron signed an agreement with Fox to direct two sequels to Avatar in October 2010, but the existence of an additional prequel was claimed by Roger Dean in a lawsuit filed against Cameron this June. Now we know the whole story — 20th Century Fox has revealed it will make three Avatar sequels, to be filmed simultaneously beginning in 2014.

James Cameron will co-author the scripts with three different sets of collaborators says Deadline.com:

Cameron has set War Of The Worlds scribe Josh Friedman to write one film; Rise Of Planet Of The Apes‘ Rick Jaffa & Amanda Silver to write another; with the third to be written by Shane Salerno, who wrote and directed the upcoming documentary Salinger and who previously worked with Cameron on a remake of Fantastic Voyage at Fox. The writers will collaborate with Cameron separately and co-write three separate movies with him.

The first sequel will be released in December 2016, with the others following in December 2017 and 2018.

Roger Dean Sues James Cameron

dean-asia-cover__130629021944Artist Roger Dean has filed a $50 million lawsuit against Avatar’s James Cameron for copyright infringement and unjust enrichment. And Harlan Ellison says he would love to testify in Dean’s behalf.

Dean’s work has been used on top-selling record albums by many bands, among them Yes and Asia, been displayed in museums and published in books. Filed on June 27, the federal suit contends: 

The similarities of each such work are substantial, continuing, and direct so as to rule out any accidental copying or similarity in scenes common to the genre. The infringing portions of Avatar are so similar to Plaintiffs Works that Defendants and others employed in the preparation of the film must have had access to the Plaintiffs Works.

Specific examples include:

The two key tree forms in the Na’vi homeland, the ‘Hometree’ and the ‘Tree of Life’ and other features of the Pandora landscape, are copies from Plaintiff’s [Dean’s] body of work, in particular the paintings ‘Pathways’ and ‘Floating Jungle’.… These are iconic themes revisited in 10 major paintings over 45 years with a large number of sketches and watercolors going back to initial work in the mid 60’s.

Also:

The Defendants’ ‘Signature Landforms’ are accordingly copied from Plaintiff’s works along with textures, patterns and many other distinctive elements and features of Plaintiff’s works. As a result the overall look and feel of the planet Pandora substantially resembles a Roger Dean world in that Pandora’s most striking and memorable features are those created by Plaintff.

Beyond $50 million in damages, Roger Dean wants an injunction, a full accounting and a court order posted online stating the defendants violated his copyright. He wants his rights enforced for future Avatar projects, too:

Further, upon information and belief, Defendants intend to film two (2) sequels and possibly a ‘prequel’ to Avatar, and a Walt Disney World Avatar-themed attraction, which sequels, prequel and attraction are very likely to utilize many of the original images of Plaintiff which would further continue Defendants breach of contractual obligations owed to Plaintiff.

If Roger Dean needs any help, Harlan Ellison is eager to testify about his own experience with James Cameron. Ellison asked readers of his forum to spread the word:  

SHOUT-OUT TO PHIL NICHOLS & EVERYBODY ELSE …
IN THE WORLD !!!!!!!!

Please make it go viral, if you can, that HARLAN ELLISON IS READY TO TESTIFY FOR ROGER DEAN in his plagiarism lawsuit against James Cameron. Please refresh Roger’s memory that I have been in his place, same guy, same allegation, and that I won…with smoking gun in Mr. Cameron’s mouth, along with his foot. I have no animus toward Cameron, but he really must stop stealing from his betters.

Please, anyone, get to Roger or his legal staff, and at least have them become aware of this vital litigious history!

I have great fondness for Roger Dean and the immaculate originality of his work. The moment I saw AVATAR I recognized the breaking&entering of the Dean Sacrament.

Any help will be appreciated. This suit has been long in the coming.

Yr. Pal, Harlan

Update 07/02/2013: This afternoon Harlan posted, “Just got a call from the amazing, famous Roger Dean, from the UK. Thank you all for getting my shout-out to him. Godspeed, Roger, as you try, as I once did, to teach James Cameron that NO ONE can puff oneself up blowhard enough to escape one’s own thieving ways. Or, as Michelangelo put it, ‘Where I steal an idea…I leave my knife.'”