Pixel Scroll 9/29/17 Like The Best And Worst Of Typos That Lose Control

(1) TASTING SESSION. James Davis Nicoll feeds his test subjects “Ugly Chickens” by Howard Waldrop at Young People Read Old SFF.

With so many works to choose from, which of Waldrop’s stories to pick? “The Ugly Chickens” seemed like a safe bet; the setting is comfortably mundane and it won both the Nebula and World Fantasy Award, as well as garnering nominations for the Hugo, the Locus and the Balrog. I’ve been wrong before; what did the Young People actually think?

Some say yay. Not Mikayla:

I’m not generally a fan of this style of story anyway, but it didn’t matter because I was pretty much done by the third paragraph.

(2) HOME COOKING. Aaron Pound has launched the “The Ad Astra Cooking Project” at Dreaming About Other Worlds.

I recently acquired Ad Astra: The 50th Anniversary SFWA Cookbook, a collection of recipes from members of the Science Fiction Writers of America edited by Cat Rambo and Fran Wilde. As with all things, I intend to review it, but reviewing a cookbook poses a challenge that most other books do not: There is really no way to accurately review the book based upon reading it. Cookbooks are interactive – you can only appreciate them if you cook the recipes and eat them. So that is exactly what I am going to do….

The book was created to raise funds for the SFWA Legal Fund to support writers in need. The overall theme of the recipes in the book is supposed to be “party”, working on the theory that writers know how to throw a party. A lot of the recipes were solicited for this work, but some were originally collected by Astrid and Greg Bear for a cookbook that was never published. The introductory material includes Connie Willis passing on some excellent cooking advice from Charles Brown, and Carrie Vaughn explaining how to create a cocktail laboratory, including a couple of recipes for some classic cocktails to try. Larry Niven contributes a chapter on how to serve hundreds of cups of Irish Coffee to eager convention-attendees, an essay that is clearly informed by lots of experience….

First out of the oven is — “Ajvar by K.V. Johansen”.

The first recipe in Ad Astra: The 50th Anniversary SFWA Cookbook is one that K.V. Johansen discovered when some of her books were translated into Macedonian and she began traveling to the Republic of Macedonia, presumably to promote her work. Ajvar is an eggplant and bell pepper concoction flavored with garlic, cider vinegar or lemon juice, and hot sauce that can be served as a spread on naan or bread….

(3) CHANGING COLORS OF THE SEASON. It’s time for Petréa Mitchell’s “Fall 2017 SF Anime Preview” at Amazing Stories. Here’s one example of what you have to look forward to –

ClassicaLoid 2

The premise: More surreal comedy about characters patterned on famous composers using musical powers to bend reality. And Antonín Dvo?ák will be a pygmy hippopotamus.

Derivative factor: Sequel

The buzz: The first ClassicaLoid was a surprise hit in Japan, but there’s less enthusiasm about it in English-speaking fandom.

Premiere: October 7

(4) ALL FALL. Meanwhile, back on American TV — “Your Guide To (The Many, Many) Sci-Fi And Fantasy TV Premieres And Returns In October” from Creators.

The Fall season launched in September with over a dozen returns and premieres, but things really kick into gear in October. At current count there are 23 (!) shows returning to the schedule or starting their freshman seasons this month, and that means you have quite a lot of #scifi and #fantasy shows to pick from. Below is a rundown of the October entries and you can see the full Fall schedule here.

 

(5) CLASSIC SF BOUND FOR TV. Deadline has a blast of genre news: “Amazon Developing ‘Ringworld’, ‘Lazarus’ & ‘Snow Crash’ In Genre Series Push”.

Amazon has set up three high-profile drama series for development: Ringworld, based on Larry Niven’s classic science fiction book; Lazarus, based on the comic book by Greg Rucka (Jessica Jones); and Snow Crash, based on Neal Stephenson’s cult novel.

The streaming platform has been ramping up its slate with new projects as part of a programming strategy overhaul in search of big, buzzy shows. A major emphasis has been put on fast-tracking big-scope genre drama series in the mold of Game of Thrones and The Walking Dead, with Sharon Tal, brought in earlier this year as Head Of Event Series, tasked with spearheading efforts. The deals for Ringworld, Lazarus and Snow Crash are part of that push….

More discussion at the link.

(6) EATING THE FANTASTIC. Scott Edelman beckons his audience to “Ruminate over reindeer with Johanna Sinisalo in Episode 48 of Eating the Fantastic.

Johanna Sinisalo

Joining me this episode was Johanna Sinisalo, who was one of this year’s Worldcon Guests of Honor. Her first novel, Ennen päivänlaskua ei voi (Not Before Sundown) won the Finlandia Prize for Literature in 2000 and the James Tiptree Jr. Memorial award in 2004. Her novel Enkelten vert (Blood of Angels) won the English PEN Award. She was a Nebula Award nominee in 2009 for “Baby Doll.” Her novel Auringon ydin (The Core of the Sun) recently won the 2017 Prometheus Award for Best Novel. She has won the Atorox award for the best Finnish-language SF short story seven times.

We discussed what she learned in advertising that helped her be a better writer, how Moomins helped set her on the path to becoming a creator, why she held off attempting a novel until she had dozens of short stories published, the reason the Donald Duck comics of Carl Barks were some of her greatest inspirations, the circuitous way being an actor eventually led to her writing the science fiction film Iron Sky, and more.

(7) KINGS GO FORTH. Daniel Dern says, “This NPR segment gives a good sense of what the King father/son event I went to was like – some of the readings and the schmoozing, including many of the same points and anecdotes I heard them do in person. (hardly surprisingly).” — “Stephen And Owen King On The Horror Of A World Without Women In ‘Sleeping Beauties’, Author interview by Mary Louise Kelly”, initially on NPR’s Morning Edition.

(8) CAVEAT EMPTOR. These are supposed to be Top 10 Facts You Didn’t Know About Star Trek Discovery. If it turns out you knew them, I don’t know where you go for a refund.

(9) COMICS SECTION.

Chip Hitchcock and John King Tarpinian send this warning about a peril for Filers, in yesterday’s Bizarro.

(10) SAFETY FIRST. John Scalzi’s question elicits a thread of entertaining answers….

(11) HAPPY ANNIVERSARY, WESLEY. Teresa Jusino is giving orders at The Mary Sue: “Star Trek: TNG at 30: Here’s Why Wesley Crusher Was Awesome, So You Just Shut Up.”.

Basically, the moral of so many episodes of TNG was basically Hey adults! Maybe if you’d listen to Wesley instead of telling him to shut up all the time, you might learn something! In “The Naked Now,” the entire Enterprise crew is infected with a Polywater intoxication that makes everyone all primal and horny and totally into their own deepest desires. So, naturally, what’s the oft-ignored Wesley’s deepest desire? (Besides Ashley Judd?) That’s right, he makes himself the Acting Captain of the ship thanks to a doohickey that he made for fun that can replicate Captain Picard’s voice.

And yet, even while under the influence, he’s such a genius that he’s able to figure out how to quickly turn the ship’s tractor beam into a repulsor beam when the adult Chief of Engineering tells him it would be too hard. He uses the repulsor beam to propel the disabled Enterprise away from another ship, narrowly avoiding the fragments of an exploding star that would’ve hit them. This is the kind of thing Wesley Crusher was capable of on a bad day….

(12) THE MONEY KEEPS ROLLING IN. Vox Day’s crowdfunded Alt*Hero raised $37,000 of its $25,000 goal in about a day. Three donations account for $10,000 of the receipts, however, the site reports 426 backers so far.

A new alternative comic series intended to challenge and eventually replace the SJW-converged comics of DC and Marvel.

(13) AVENGERS GO BOOM. But he may not be able to keep pace with Marvel’s effort to replace itself —

It’s the end of an Avengers Era as we know it! And in the team’s final days, a change has come to the Marvel Universe in the form of a story that’s filled with so much action and so much drama, Marvel had no choice but to make it a weekly epic!

Beginning this January, Marvel will unleash the epic AVENGERS: NO SURRENDER with AVENGERS #675, a weekly saga that unites the casts and creative teams of three titles into an epic tale of heroic action, jaw-dropping cliffhangers, and drastic adventures! The AVENGERS, UNCANNY AVENGERS and U.S. AVENGERS come together in a powerhouse of an event that will be unleashed in a story as spectacular and epic as the Marvel Universe itself.

Featuring one of Marvel’s biggest collaborations to date, each issue will be co-written by superstar writers Mark Waid, Al Ewing and Jim Zub with art by Pepe Larraz for the first month, Kim Jacinto for the second month, and Paco Medina for the third month.

(14) REMINDS ME OF HEINLEIN. More dreams: “Elon Musk says rockets will fly people from city to city in minutes”.

Mr Musk made the promise at the International Astronautical Congress (IAC) in Adelaide, Australia.

A promotional video says the London-New York journey would take 29 minutes.

Mr Musk told the audience he aimed to start sending people to Mars in 2024. His SpaceX company would begin building the necessary ships to support the mission next year.

He says he is refocusing SpaceX to work on just one type of vehicle – known as the BFR – which could do all of the firm’s current work and interplanetary travel.

(15) SURF’S UP. The BBC reports a journal article: “Tsunami drives species ‘army’ across Pacific to US coast”.

Scientists have detected hundreds of Japanese marine species on US coasts, swept across the Pacific by the deadly 2011 tsunami.

Mussels, starfish and dozens of other creatures great and small travelled across the waters, often on pieces of plastic debris.

Researchers were surprised that so many survived the long crossing, with new species still washing up in 2017.

The study is published in the journal Science.

(16) GENE FIXING. Beyond CRISPR: “DNA surgery on embryos removes disease”.

Precise “chemical surgery” has been performed on human embryos to remove disease in a world first, Chinese researchers have told the BBC.

The team at Sun Yat-sen University used a technique called base editing to correct a single error out of the three billion “letters” of our genetic code.

They altered lab-made embryos to remove the disease beta-thalassemia. The embryos were not implanted.

The team says the approach may one day treat a range of inherited diseases.

(17) DANGER UXB. Neat video: “WW2 bombs blown up at sea in Japan”.
US-made shells have been destroyed in a controlled underwater explosion in Japan.

(18) KILLING GROUND. Real-life source of some “Call of Duty” scenery: “The deadly germ warfare island abandoned by the Soviets”.

That expert was Dave Butler, who ended up going with them. “There was a lot that could have gone wrong,” he says. As a precaution, Butler put the entire team on antibiotics, starting the week before. As a matter of necessity, they wore gas masks with hi-tech air filters, thick rubber boots and full white forensic-style suits, from the moment they arrived.

They weren’t being paranoid. Aerial photographs taken by the CIA in 1962 revealed that while other islands had piers and fish-packing huts, this one had a rifle range, barracks and parade ground. But that wasn’t even the half of it. There were also research buildings, animal pens and an open-air testing site. The island had been turned into a military base of the most dangerous kind: it was a bioweapons testing facility.

(19) THANKS, DONORS. David Steffen’s Long List Anthology is getting longer — “3 Novellas Added! All 3 Print Copies Reward!”

9 days left to go in the campaign, and we’ve reached another stretch goal to add 3 novellas which adds another 58,000 words to the book!  All 3 excellent science fiction stories by S.B. Divya, Mary Robinette Kowal, and Gu Shi with translation by Ken Liu and S. Qiouyi Lu.

I’ve also added a reward level that includes a print and ebook copy of each of the 3 volumes of the anthology for $80–if you’ve already pledged but you’d like print copies of all 3 you can choose to upgrade.

There are still a couple of stretch goals left.  The next one’s just a short hop of $58 from where we are now to add “We Have a Cultural Difference, Can I Taste You” by Rebecca Ann Jordan.  And another $300 beyond that to add one more novella “Hammers on Bone” by Cassandra Khaw.

[Thanks to John King Tarpinian, Chip Hitchcock, Daniel Dern, Cat Eldridge, JJ, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP.]

Pixel Scroll 2/14/17 Whoops! Forgot To Pull The Handle!

(1) CLARKE AWARD-ELIGIBLE BOOKS. The director of the Arthur C. Clarke Award has released the complete submissions list of eligible books received.

…I need to be clear, this is not a long list. Rather this is a list of every eligible title officially submitted to us by its publisher or creator for consideration for this year’s award.

…Ten or so years ago, when I first started doing this, it had become apparent that some of the ‘why the heck has that been shortlisted?’ reaction we tended to enjoy on releasing a new shortlist stemmed from the fact that many of the books put forward to our judges might not have been part of the general SF books conversation.

As such, their sudden arrival on a science fiction award list might have taken even some of the keenest award watchers somewhat by surprise, and we all know how much critics love having someone else discover something first…

Solution: put the full submissions list out there in advance of any official shortlist announcement so its there for everyone to see and discuss and even attempt some amateur prognostication on what the actual, official, top six list would look like….

This year we received 86 books from 39 publishing imprints and independent creators.

This is down somewhat from last year’s total of books, where we received 113 titles, and is the first drop below the 100 mark for several years….

(2) SHADOW CLARKE. Members of the Clarke Shadow Jury have begun posting at the official site.

Until relatively recently, the only SFF awards I knew were those mentioned on book covers: the Hugo, the Nebula, and the Clarke. The first Clarke winner I ever read was probably either The Handmaid’s Tale or Take Back Plenty, but those were older editions that didn’t mention it on the covers, so at that time I didn’t know. So the first time I realized there was such a thing as a Clarke Award was when I saw it on the cover of Paul McAuley’s Fairyland, the 1996 mass market paperback with the big blue face on the cover, with “Winner of the Arthur C. Clarke Award” on its forehead.

It’s almost funny that I hadn’t heard of the award by that time, given that Clarke was a local celebrity. If there were ever any local announcements of the original 1987 grant or of any of the subsequent winners, I missed it. I don’t think there were any, though. Things were a lot more disconnected in those days, and the award was firmly rooted somewhere else. And anyway, Clarke lived in a different version of Colombo than I did. A few years before I was born (and not long after Elizabeth II finally stopped being our head of state, nearly a quarter-century after independence from the Empire) the Sri Lankan government brought into law an entire new immigration status, the non-citizen Resident Guest, to accommodate Clarke personally. Apparently even as late as 1982 this was still being called “the Arthur Clarke Law,” which we might call that a fourth law on top of the better-known three already named for him (and the only one which is actual law.)

I have written about the Clarke Award in Foundation and I was also part of the panel which discussed ’30 Years of the Arthur C. Clarke Award’ at the 2016 Eastercon (an edited transcript of which is due to appear in Vector this year). I see participation in this shadow jury as offering the possibility of connecting such kinds of critical activity with my typical informal  approach to the Clarke of inaccurately predicting the shortlist, reading it, arguing about it, guessing the winner and attending the ceremony to find out how wrong I was. All in all, this is an unmissable opportunity to expose simultaneously the idiosyncrasies of my personal taste and the foundations of my critical thought.

And Maureen Kincaid Speller comments on her own blog in “Shagreen, or chagrin: the shadows begin to gather”.

…I’ve been a Clarke judge myself and it is no picnic. I’m sure a lot of people imagine it’s all ‘wow, free books’, but a look at the submissions list will tell you that the jewels are accompanied by a lot of dross – and yes, let’s be blunt about this, dross. This is not unique to the Clarke Award, by any means. I’ve been a Tiptree judge, and witnessed a Campbell Award judge at work; it goes with the territory. But while it’s worth being mindful of the fact that one woman’s dross is another man’s treasure, some dross is just dross …

If there is a problem, with the Clarke and other juried awards, it’s that … actually, there are two problems. One is that the jury’s deliberation is private, and indeed it should be, but as a result we have no access to the debate and can never know what prompted them to make certain decisions. There is probably horse-trading some years, and publishers are not always willing to have their titles submitted if they’re trying to market a book a certain way that is emphatically not science fiction. We don’t know, we can only guess, and it makes things difficult when a book doesn’t appear on a shortlist, and we ask ‘why didn’t they put that on?’ not knowing that the publisher couldn’t or wouldn’t submit. Judges can ask for books but that doesn’t mean they’ll arrive.

But the other problem is that when the shortlists roll out, ‘what were they thinking?’ is a quick and easy response, because it’s really hard to come up with anything else, in the absence of prior debate. And too often this becomes a veiled attack on the competence of the judges, which is not fair on them. They were asked to judge and they did their best in the circumstances. The one thing I will say is that it has seemed to me in recent years that the organisations who nominate judges have tended not to nominate practising critics, which means that one particular approach to sf has been neglected. And that may look like special pleading, but critics have their place in the ecosystem too, alongside the readers….

(3) APEX APOLOGY. Apex Magazine editor Jason Sizemore has revised his “Intersectional SFF – Response” piece from the version excerpted in yesterday’s Scroll.  The main part now reads –

Editor’s note: In my rush to take down the “Intersectional SFF Round Table” and to immediately assure our readers that they were being heard, I shared a hastily-written non-apology that was defensive when I didn’t meant it to be, and shut down the very conversation I wanted to have. I am sorry for that. My revised explanation of the decision to remove the round table is below. – Jason Sizemore

Dear Readers,

On Friday, we posted an “Intersectional SFF Round Table” in support of the Problem Daughters campaign and anthology. Though the post was put together by the Problem Daughters staff without input from us, we made the editorial decision to share the post exactly as it was delivered, without considering the implications of who was (and who wasn’t) included in that discussion. Almost immediately, we were made aware of multiple issues with that post, and removed it.

It was our hope that the original post would help bring awareness to the Problem Daughters project, and spark a discussion about intersectional SFF with our readers. Frankly, by virtue of their lived experiences, the authors and editors working on that anthology have a greater wisdom on what is and is not intersectionality than I will ever possess, and I appreciated their contribution.

However, that doesn’t absolve our editorial team of the responsibility of vetting the content that appears on Apex Magazine, and no conversation like this should be presented as a complete picture of intersectionality or even SFF in general. Going forward, we will make a greater effort to listen to the voices of our community, to learn, and include….

(4) YOUTUBE STAR EMBARASSES THE FRANCHISE. Disney’s Maker Studios and YouTube have axed some of their projects with superstar PewDiePie after he posted an anti-Semitic video reports CBS News.

The content creator, whose real name is Felix Kjellberg, posted a now-deleted video on Jan. 11 that showed him laughing while two men held up a sign that said “death to all Jews.” Kjellberg hired the two men on Fiverr, a site where users can hire people to complete tasks for $5.

It’s not the first time the YouTube star posted a video with anti-Semitic remarks. Since August 2016, he had posted nine videos with anti-Semitic jokes or iconography, reports the Wall Street Journal.

Kjellberg has a record-breaking 53 million subscribers on YouTube, and makes millions off of his videos. Last year, he was YouTube’s highest paid star, raking in $15 million in 2016, reports Forbes.

Though Kjellberg’s signature style has been to shock fans with silly and sometimes crude humor, Disney’s Maker Studios, the division who partnered with the creator, says his latest stunts are unacceptable.

Wired specifies the affected projects:

YouTube’s response was tepid at first: It reportedly pulled ads from only one of the videos in question. But this morning the company said it was cancelling the second season of PewDiePie’s show and dropping ads from all of the offending videos, as well as pulling PewDiePie’s channel from a premium advertising program called Google Preferred.

(5) DISCOVERY ADDS BRASS. Star Trek: Discovery has cast three new Starfleet membersSciFiNow.uk has the story.

Joining Michelle Yeoh’s Captain Georgious aboard the starship Shenzhou are Terry Serpico, Maulik Pancholy and Sam Vartholomeos. In an update on the official CBS page, the network also revealed details about the characters the three actors will be playing.

Serpico, who is best known for his role in Army Wives, is set to play Admiral Anderson, a high-ranking official of Star Fleet. Pancholy, who recurred as Jonathan in 30 Rock and Sanjay in Weeds, is Dr Nambue, the Shenzhou’s Chief Medical Officer. Vartholomeos will play Ensign Connor, a Junior Officer in Starfleet Academy who was assigned to serve on the Shenzhou.

Joining Michelle Yeoh and the new additions on the Star Trek: Discovery are Sonequa Martin-Green as Lieutenant Commander Rainsford, James Frain as Sarek, Doug Jones as Lieutenant Saru, Anthony Rapp as Lieutenant Stamets, Chris Obi as T’Kuvma, Shazad Latif as Kol and Mary Chieffo as L’Rell.

Star Trek: Discovery will be a semi-prequel to The Original Series, set ten years before the start of James T Kirk’s five-year mission.

(6) SPEAKING OF TRUNK MANUSCRIPTS. Heritage Auctions is offering a Stagecoach Trunk once owned by Samuel L. Clemens. To own it will cost you at least $25,000 plus a hefty buyer’s fee, but you can read about it for free.

[Mark Twain]. Stagecoach Trunk once owned by Samuel L. Clemens. St. Louis, Missouri: J. Barwick Trunk Manufacturer, circa 1865. Dome-top, single compartment stagecoach trunk, likely purchased by Clemens in 1867 while he was in St. Louis, with “Property of / Samuel L. Clemens” painted in black on the outside of the lid. Approximately 9500 cubic inches, measuring roughly 18 x 18 x 30 inches. Original leather covering, geometric patterns tooled in black, with six wooden slats and two center-bands and matching binding, four edge clamps, lock, hinges, handle caps; interior lined with patterned paper, original tray fitting, later woven strap affixed to right side of interior to prevent further over-opening. General wear, as expected, lacking original handles, latches and interior tray; large portion of paper lining removed from interior of lid, dampstain to the bottom interior. An astounding artifact from arguably the most important author in American literature.

This trunk served Twain during the sweet spot of his career, those prolific years from when he published his first major work, The Celebrated Jumping Frog of Calaveras County, and Other Sketches in the same year that this trunk was acquired, and right through Tom Sawyer in 1876 and Huckleberry Finn in 1885. One can’t help but think that such important manuscripts were likely housed in this trunk during his travels.

Though remembered today primarily for his literary efforts and association with the Mississippi River, some of the best-loved books of Twain’s career were his travel writings, including his first two book-length works, The Innocents Abroad, about his journey on the steamship Quaker City to Europe and the Holy Land, published in 1869, and his 1872 follow up, Roughing It, about his adventures in the American West. Alan Gribben inspected a similar trunk owned by Twain, also with the paper scraped away from the interior of the lid, and argued that he opened it to its fullest position and used it as a provisional writing desk, writing notes on the wood (“Mark Twain’s Travel Trunk: An Impromptu Notebook” with Gretchen Sharlow, published in Mark Twain Journal). Conceivably, this trunk similarly functioned as a desk, potentially during the composition of his early travel works. It appears the interior paper lining was deliberately removed at an early date with roughly ninety-degree angles and is approximately the size of notebook paper (before further wear extended the right edge).

(7) FOREIGN EXCHANGE. Deadbeat roommate Thor is back. In fact, you get a whole suite of scenes with — “Rogers & Barnes. Stark & Rhodes. Thor & Darryl.” – when you plunk down real money (not Asgardian buttons) for Marvel Studios’ Doctor Strange on Digital HD. A bargain at twice the Asgardian price!

(8) HOLMES OBIT. Midlands (UK) artist and bookseller Dave Holmes died February 13. Many knew him from his days working at Andromeda, Birmingham’s main SF bookstore, or at The Magic Labyrinth in Leicester.

He is one of the people David Gemmell’s Last Sword of Power (1988) is dedicated to, and at least two writers, Mark Morris and Ian Edginton, credit Holmes’ influence on their careers.

He was a character, which had its good and bad sides. As Edginton says:

He lived life on his own terms and never apologised for it. He hurt people in his life but I can’t sit in judgement. I have done questionable things in my time, things I regret and would do over again differently if I could. None of us are angels. I’m not perfect and I don’t expect my friends to be either.

Incidentally, Holmes was the fellow Iain Banks asked to hold his glass before Banks set out – as legend tells it — to climb the exterior of the Metropole Hotel during the 1987 Worldcon. (As legend tells it is not necessarily what happened, although Banks was pleased to repeat the tale as the introduction to an autobiographical account of his real urban climbing exploits.)

(9) TODAY IN HISTORY

  • February 14, 278 — Valentine, a holy priest in Rome in the days of Emperor Claudius II, was executed. Allegedly.
  • February 14, 1940 — Clayton “Bud” Collyer first portrayed the Man of Steel in this second episode of the Adventures of Superman radio series, broadcast on February 14, 1940. The episode (“Clark Kent, Reporter”) was the first of a serial involving a villain known as “The Wolf.”

(10) DAYS OF THE DAY. Being sf/f fans, you can easily kill these two birds with one stone —

  • International Book Giving Day

Devoted to instilling a lifelong love of reading in children and providing access to books for children in need, Book Giving Day calls on volunteers to share their favorite book with a young reader. Although the holiday originated in the UK, book lovers around the world now join in the celebrations every year.

  • Extraterrestrial Culture Day

An officially acknowledged day in New Mexico (Roswell), Extraterrestrial Culture Day celebrates extraterrestrial cultures, and our past, present and future relationships with extraterrestrial visitors.

(11) TODAY’S BIRTHDAY BOYS

  • Born February 14, 1859 — George W. G. Ferris, Jr. (inventor of the ferris wheel).
  • Born February 14, 1919 – Dave Kyle
  • Born February 14, 1970 Simon Pegg

(12) TEA. Ann Leckie recommends a technological solution to a writerly dilemma in “On Tea”.

So! The first, most common pitfall in making tea: You heat the water, throw the bag (or the infuser full of leaves) into the cup, pour the water, set it on the desk beside you and…promptly forget about it as you dive into your work. Hours later you remember that tea, now cold– and bitter enough to strip paint.

Friends, there is a simple solution to this, provided you remember to implement it: a timer. This could be a voice assistant on your computer or your phone, an app made purposely for timing the steeping of tea, or a dollar store kitchen timer shaped like a strawberry. Really, it doesn’t matter, but this is a tea-hack that can cost very little and vastly improve your tea-drinking experiences.

(13) SOUND AND FURY. NPR Music interviews Game of Thrones composer Ramin Djawadi about writing music for the screen.

So you have these early conversations, you come up with a general feel for the score, and then you start fine-tuning as you see the images and get to know the characters. Is that what you’re saying?

Correct. In the case of Game Of Thrones, before I started writing I sat down with [David Beinoff and D.B. Weiss]. We talked about the tone of the show, and I just listened to what their vision was. … They’ll say, “We really like this instrument, do you think you can make this work? We like the violin, we don’t like this.” All that information helps me, and then I go in and actually turn that into music and go from there.

What’s an example of something they might have said as you were collaborating?

One thing we always laughed about was that they said, “We don’t want any flutes.”

(14) ON THE AIR. A substitute for jetpacks? Passenger drones in Dubai.

A drone that can carry people will begin “regular operations” in Dubai from July, the head of the city’s Roads and Transportation Agency has announced at the World Government Summit.

The Chinese model eHang 184 has already had test flights, said Matt al-Tayer.

The drone can carry one passenger weighing up to 100 kg (220 pounds) and has a 30 minute flight time.

The passenger uses a touch screen to select a destination. There are no other controls inside the craft.

It is “auto-piloted” by a command centre, according to a video released by the government agency.

(15) IN THE BEGINNING. Andrew Porter draws our attention to his favorite scene in Gentlemen Broncos, the only part he likes —

Just saw the opening credits for this forgettable 2009 film on HBO. The opening credits are done as covers of SF paperbacks, using actual artwork from numerous SF magazine and paperback covers, including a lot of works by Kelly Freas.

Click through to watch a video of the credits, and read the interview with director Jared Hess.

Tell us about your initial ideas for this sequence.

JH: We had the idea when we wrote the screenplay that we wanted the opening credits sequence to be a bunch of science fiction book covers where the credits were embedded in place of the book titles. While we were shooting the film, my production designer, Richard Wright, and people on the production side were going through existing artwork to see what was available. The idea was to scan and tweak them and then print up new book covers and shoot them at the end of production.

We were first looking for stuff that looked right and helped set the tone but we quickly learned that it was going to be difficult to clear the rights since a lot were part of family estates. Luckily the artwork that I liked the most was from a guy named Kelly Freas and they were able to contact his wife — he had passed away — so most of the artwork in the title sequence is stuff he had drawn for different science fiction journals as well as books. What was weird was that a couple of the characters he’d drawn looked liked the people in our film, like Jemaine’s book. The one we have for Sam Rockwell (a piece by David Lee Anderson) also bears a striking resemblance. It was kind of uncanny.

(16) FREDDY’S FEELING BETTER. The Hollywood Reporter says Robert Englund is returning as his iconic horror movie character Freddy Krueger one final time for a documentary “focused on the special effects makeup that crafted his dream-invading youth murderer in the Nightmare on Elm Street series.”

Nightmares in the Makeup Chair will highlight the importance of practical makeup — with the help of special makeup effects artist Robert Kurtzman — in addition to Englund paying tribute to late director Wes Craven and sharing some stories from his time working on the slasher films.

(17) THE UNREDISCOVERED COUNTRY. Breaking news – London After Midnight is still lost! (You can always count on File 770 for these dramatic updates…)

Earlier today Dread Central reported rumors that a print of the long-lost 1927 movie had been discovered.  People got excited for a couple of hours. Why? John Squires explains in his post at Bloody Disgusting:

A few years before directing Dracula and Freaks, Tod Browning made a silent horror film titled London After Midnight. Starring Lon Chaney as “The Hypnotist,” the 65-minute film was distributed by MGM in December of 1927; though audiences saw it upon release, it’s likely that everyone who did is no longer with us. Sadly, the last known copy was destroyed in the infamous MGM vault fire of 1967, which tragically resulted in the loss of many silent and early sound films.

But then Dread Central had to quash its own report —

UPDATE 2: 3:40 PM PT – More info from Carey:

A film archive in The Canary Islands received what look to be nitrate frames from London After Midnight around 1995. They got these from a private collector.

In 2012, the archive opened a Flickr account and posted this image among others it was posted for about five years and nobody seemed to notice it until last month.

Then this image was posted shortly thereafter…”

These were both posted on the Facebook page Universal Monsters & More. I’ve contacted them and they have said they have more stills and that they will share them with us.

The school of thought seems to be that these were cut out of trailers for London After Midnight by a projectionist in the Canary Islands. But nobody is sure.

For now at least, it seems that LONDON AFTER MIDNIGHT remains lost….

The hunt continues.

(18) GREEN SCREEN. Avengers: Infinity War has started production.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Andrew Porter, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day, the unsuspecting Kip W.]

Decoupage Is Back

Avengers shoesCustom By Kylee offers custom-made decoupage shoes and comic-themed accessories like these Avengers Comic Book High Heels (above), a Star Wars Kindle Case, a Wonder Woman wallet and many others. On first glance the catalog page shouted “Sixties Pop Art Revival” to me, though with the advantage of modern materials Kylee Copeland is able to expand the possibilities even more.

[Thanks to John King Tarpinian for the story.]

Klaus: Show Them The Money

TheAvengers2012PosterBy David Klaus: Deadline’s Nikki Finke reports Avengers 2 casting isn’t settled because everybody needs more money:

First and foremost Marvel does not have Downey in place yet. ”They need him, and they don’t have him. He’s got a lot of leverage,” one insider tells me. Much less so Scarlett Johannsen (paid to pop up in Marvel movie after movie), Chris Evans (whom some sources say made his deal for Avengers 2 when he signed for Captain America 2), Chris Hemsworth (a much bigger star now than before and unsigned for Avengers 2), Mark Ruffalo (whose Hulk role already was cast 3 times and could be the most vulnerable), Jeremy Renner (probably grateful for more exposure), Samuel L. Jackson (Scarlett’s doppelganger) among others who were paid pittances for their first movies, not much better for the sequels, and are counting on at least $5 million upfront and better back ends for Avengers 2.

Comic fans are going to be really upset if there are major actor replacements for some of the now-established Marvel hero characters — but with Robert Downey, Jr. getting $35,000,000 in salary for The Avengers while other leads got as little as $200,000, rumblings are inevitable — when you add the strict diet and exercise required for the super-hero physiques….

It’s like first-season Star Trek, in which Shatner got $5,000/per week, and Nimoy got $1,250/week for the same work load.

Avengers SFX at Grantland

“Behind the Creation of New York City for ‘The Avengers’” is Grantland Channel’s fourth in a series of “Inside ILM.”

Industrial Light & Magic had to reach deep into its bag of tricks to create the movie’s battles above the streets of New York– for one reason, because you can’t get a permit to fly a helicopter 50 feet above the Park Avenue viaduct…