Compton Crook Award Nominees 2018

The 2018 Compton Crook / Stephen Tall Award nominees have been announced. The award is given by the Baltimore Science Fiction Society for the best science fiction or fantasy novel published during the previous year by an author new to the genre. The winner will be revealed at Balticon 51’s opening ceremonies on May 25.

The nominees are:

  • Nicky Drayden for The Prey of Gods published 6/13/2017 by Harper Voyager with ISBN-13: 978-0062493033
  • Elan Mastai for All Our Wrong Todays published 2/7/2017 by Dutton with ISBN-13: 978-1101985137
  • Robyn Bennis for The Guns Above: A Signal Airship Novel published 5/2/2017 by Macmillan with ISBN-13: 978-0765388766
  • Karin Tidbeck for Amatka  published 6/27/2017 by Vintage with ISBN-13: 978-1101973950
  • Vic James for Gilded Cage (Dark Gifts) published 2/14/2017 by Del Rey with ISBN-13: 978-0425284155
  • Theodora Goss for The Strange Case of the Alchemist’s Daughter (The Extraordinary Adventures of the Athena Club) published 6/20/2017 by Saga Press (Simon & Schuster) with ISBN-13: 978-1481466509
  • Cat Sparks for Lotus Blue published 3/7/2017 by Tabs with ISBN-13: 978-1940456706

Voting members of BSFS have until the end of April to send their votes to  and remember only valid voting members of BSFS, not just Balticon members, can vote for this stage of the Crook Award.  Final voting for the Award closes at the end of April and the winner will be announced soon thereafter.  Congratulations to all of these fine authors.

More information on Balticon, the Maryland Regional Science Fiction Convention, can be found at

Past Compton Crook Award winners information can be found here.

Neal Stephenson Wins 2018 Robert A. Heinlein Award

Neal Stephenson in 2008.

Neal Stephenson, science fiction and futurist author, is the 2018 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Stephenson’s body of work, including his 15 novels and many non-fiction articles.

The award will be presented on the evening of Friday, May 25 at opening ceremonies during Balticon 52, the Maryland Regional Science Fiction Convention. Stephenson will not be able to attend due to prior scheduled international travel. Accepting for Stephenson will be his editor, Jennifer Brehl of William Morrow an imprint of HarperCollins Publishers.

Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society. A grant from the Heinlein Society funds half of the costs associated with the award.

The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robbins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award, suitable for home or office wall display.

The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein. The current Chairman of the Selection Committee is Michael F. Flynn.

Virginia Heinlein authorized multiple awards in memory of her husband, including the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.

More information on the Robert A. Heinlein Award, including past winners, can be found here.

Neal Stephenson’s official webpage — He lives near Seattle, WA.

[Based on a press release.]

Memories of D Potter

D Potter at “New York is Book Country,” mid-1980s. Photo by and copyright © Andrew Porter

People are sharing memories of the late D Potter, a long-time fanzine fan who passed away October 25 in Oakland.

She lived in New York in the early 1980s, when these photos by Andrew Porter were taken.

That also was the period when she was Fan GoH at Balticon 16. It occurred to me they must have run a bio of her in the program book, and BSFS’ Dale Arnold very kindly connected me with this wonderful 1982 tribute by Avedon Carol.

D Potter (right). Photo by and copyright © Andrew Porter

Pixel Scroll 5/29/17 The Time Has Come, The Pixel Said, To Talk Of Many Scrolls

(1) TO THE MAX. George R.R. Martin’s never-produced Christmas script for Max Headroom finally came to life — at the Jean Cocteau Theatre: “Merry Xmas to All, and to All a Good Max”.

Our week-long M-M-Maxathon concluded on Satuday night at the Jean Cocteau with a staged table reading of “Xmas,” my thirty-year-old unproduced (until now) MAX HEADROOM script. And I have to say, we went out on a high note. We had a sold-out theatre, and the audience seemed to enjoy every moment of the performance, laughing and applauding at all the right places. After thirty years, I was not at all sure how well my old script would hold up… especially with an audience of Max Headroom fanatics, many of whom had just sat through an entire week of Max, watching every one of the produced episodes. MAX HEADROOM was a really smart show, with some fine writing… tough acts to follow. But most of the viewers seemed to think “Xmas” was just as good as what had gone before, which gratified me no end…


(2) SUPER SNIT. There was some huffing and puffing at the London Comic Con between a pair of famous actors although no blows were actually struck, no matter the New York Post’s headline — “Flash Gordon and The Hulk fight at Comic Con”.

It was a real-life battle of the superheroes at a comic fest over the weekend — when Hulk actor Lou Ferrigno got into a brawl with “Flash Gordon” star Sam Jones, and fans had to jump in and break them up.

“I don’t know if I was the real superhero, because if there was a clash of the Titans, I would have got squashed,” said Darryn Clements, who stepped in to help separate the musclebound actors at London’s ComicCon on Saturday, according to the Sun.

In fact, the duo were back at their adjoining tables the next day peaceably signing for fans.

(3) TROLL PATROL. A Twitter troll prompted a question during an MSNBC interview: “George Takei shuts down racist criticism of new “Star Trek’ series”.

“People are finding the time to hate on “Star Trek’ for having diversity,” host Joy Reid prompted. “What?”

“Well you know — today, in this society, we have alien life-forms that we call trolls,” Takei replied.

He explained: “And these trolls carry on without knowing what they’re talking about and knowing even less about the history of what they’re talking about. And some of these trolls go on to be presidents of nations.”

(4) URSINE DESIGN. I don’t know why this surprises me. Build-A-Bear offers a whole flock of Star Wars-themed products, including Darth Vader Bear.

Never underestimate the power of the dark side. Our exclusive Darth Vader Bear comes with his signature helmet, cape and control chest panel, permanently attached. Complete your destiny and add Darth Vader’s iconic Breathing Sound, Imperial March Song and his red Lightsaber.

(5) THE (DONUT) HOLE TRUTH. Scott Edelman writes: “Yes, I know, the William F. Nolan episode of Eating the Fantastic was only released Friday — but I couldn’t resist bringing live this donut celebration of Balticon as it was ending, to assuage the sadness of the guests who’d have to wait another year to return — Eating the Fantastic — 13 guests devour 12 donuts and reminisce about 51 years of Balticon.”

Since last July’s Readercon Donut Spectacular episode of Eating the Fantastic has proven to be so popular, I thought I’d try harvesting memories about another long-running con, and so plopped myself down in a high-traffic area of the Balticon hotel with a dozen Diablo Donuts. But first, I shared this photo on social media so the hungry hordes would know to be on the lookout for me.

(6) UNRAVELING THE SLEEVE OF CARE. Camestros Felapton, recognizing the world’s hunger for quality writing advice, nevertheless has decided to let them starve a little longer — “If You Want to Write a Book, Write Every Third 5 Minute Interval in a Period of 15 Minutes, Also Never Sleep”.

Here at Felapton Towers and via our leading Science Fiction/Fantasy/Military History publishing arm Cattimothy House, we meet and train many aspiring authors — people who we’ve turned from mere robotic vacuum cleaners into leading voices in modern fiction. We’ve compiled all our experience and writing advice into this one article that WILL help you turn your dreams into a book!

So you are about to write a book? Remember, on the day you start, millions of others will be starting a book also. Worse, BILLIONS of people live on Earth and many of them are also capable of thinking about starting a novel. Bear in mind that approximately only SIX books are published each year and of those FOUR are guide books to Disneyland. In order for your book to be published, it has to be better than the books those several billion people on Earth might write. Most of those people have more interesting lives than you and also probably nicer personalities.

Lesson 1: You have to defeat your rivals. Your book has to be better than your rivals. Looking at that the odds, that implies you’d be best trying to sabotage them from finishing their book. But how? Well, articles like this can help! Find a blog, a writers group or maybe a popular online media organisation and instead of writing a book, write an article full of bad writing advice! BINGO! All those billions of rivals will read it, follow your advice and either write a terrible book or give up in exhaustion…


  • Born May 29, 1889 — James Whale, who said: “A director must be pretty bad if he can’t get a thrill out of war, murder and robbery.”

(8) COMIC SECTON. Cat Eldridge recommends xkcd’s “Opening crawl”.

(9) HOW THE DRAGON ROLLS. Click to read Declan Finn’s recommendations for the Dragon Awards. Hey, you got to respect the guy’s frankness —

DISCLAIMER: I have not read all of the following. In some cases, I’ve had less and less time to read the more I write. And I’ve submitted to … a lot this year, so I’m a little all over the place. Also, there are some genres I just don’t read, usually. I tend to avoid Horror and Alternate History, even though there are some books that are going to change my mind (Brian Niemeier and Lou Antonelli, for example, for horror and Alt History, respectively). If you have thoughts or suggestions, then by all means, COMMENT. And now, UNLEASH THE DRAGONS

(10) WORDS & PICTURES. Joe Sherry resumes “Reading the Hugos: Graphic Story” at Nerds of a Feather.

We continue our Reading the Hugos series with a look at Graphic Story. I can’t help but compare a bit to the five finalists from last year’s ballot and only Invisible Republic would make the cut here. I was already impressed with Monstress, Saga, and Paper Girls as each collection was on my nominating ballot. Heck, I was impressed enough by Paper Girls to include both of the published collected editions on my ballot – so I was definitely glad to see the first book make the cut. Beyond that, this list is dominated by two publishers with an even split between Marvel and Image. Granting that these are generally some excellent books and were on my ballot, I still would have liked to have seen a wider variety of publisher’s on the list. I just can’t say specifically what because I’m not well read enough in what’s going on in comics today – which I would also guess might be the case of a lot of voters. Or maybe I’m just projecting. Either way, let’s get to this year’s finalists.

(11) FILMMAKER TEASES NEXT PROJECT. Popular Mechanics says “It’s Humans Versus Aliens in Neill Blomkamp’s New Sci-Fi Project” .

Teasing a new sci-fi studio called Oats Studios since April, Neill Blomkamp’s ready to show us what he has in store for his future sci-fi ambitions. A new trailer, released today, for a short film currently named “Volume 1” will stream on Steam “soon.” But while the particulars of the movie are lacking in detail, the trailer is nothing short of a top-notch sci-fi film.


(12) ONLY A MEMORY. Carl Slaughter recalls:

At age 27, Josh Trank became the youngest director to open a film at #1 with Chronicle. He was hired to direct a standalone Star Wars film and assigned to direct the Fantastic 4 reboot. The Fantastic 4 set was plagued with production problems and received a 9% Rotten Tomatoes rating. Lucasfilm fired him when Fantastic 4 controversies spilled onto the Internet. He has not been seen on the speculative front since.


[Thanks to JJ, John King Tarpinian, Scott Edelman, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Rambo.]

Balticon 51 Names Second Special Guest

S. M. Stirling, creator of the Draka, Nantucket (Island in the Sea of Time) and Emberverse (Dies the Fire and The Change) series will attend Balticon 51 as Special Guest.

He has published over 59 books, including novels co-authored with David Drake, Jerry Pournelle, Holly Lisle and James Doohan. Stirling is especially well-known for his tales involving time travel and alternate history, interests shared by author Eric Flint, Balticon 51 GoH, whose health problems will keep him from attending in person.

The Baltimore Science Fiction Society said:

We thank him for joining us for the weekend and look forward to his participation on many panels as well as signing opportunity. With the addition of Steven Brust and S.M. Stirling as special guests, and with the telepresence participation of Eric Flint, Balticon has gone about as far as we can to enhance the at con experience of fans at Balticon 51 to compensate for Eric Flint’s sudden travel restrictions. BSFS would like to thank Eric Flint for trying with such great dedication to make it physically to Balticon 51 and to Steven Brust and S.M. Stirling who put aside their own Memorial Day plans to travel so far to enhance the lives of many SF fans.

[Thanks to Dale Arnold for the story.]

Flint Won’t Make It To Balticon 51; Brust Added As Special Guest

The Baltimore Science Fiction Society announced that Balticon 51 Guest of Honor, Eric Flint, will not be able to travel to the con due to health constraints; he will, however, be attending some sessions via video teleconference.

Flint has been battling cancer, and opportunistic diseases such as pneumonia, which he discussed on Facebook.

Author and musician Steven Brust, the author of the Draegara fantasy novels, the Incrementalists secret-history series, To Reign In Hell, and Cowboy Feng’s Space Bar and Grill will be coming to Balticon 51 as a Special Guest. A lot to look forward to — Brust’s resume reads: “I’m the author of twenty-six novels and one solo record. I’m an enthusiastic amateur drummer, guitarist, banjo player, and poker player.”

The 1632 MiniCon is still a go. While series creator Flint will be missing, all of the other contributors to the 1632 universe are still coming to Balticon 51, so the 1632 programming will carry on.

[Thanks to Dale Arnold for the story.]

2017 Compton Crook Award

Too Like the Lightning by Ada Palmer is the winner of the 2017 Compton Crook Award. The award is presented by the members of the Baltimore Science Fiction Society for the best first novel in the genre published during the previous year.

A check for $1,000 and a commemorative plaque will be presented to Palmer during Balticon 51’s Opening Ceremonies on May 26.

The award is named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. The award has been presented since 1983 and is also known as the Compton Crook/Stephen Tall Award.

More information on author Ada Palmer can be found at her website. An excerpt from the winning novel can be read here.

2017 Compton Crook Award Finalists

The Baltimore Science Fiction Society has announced the novels up for the 2017 Compton Crook Award:

  • Ninefox Gambit by Yoon Ha Lee, Solaris
  • Arabella of Mars (the Adventures of Arabella Ashby) by David D. Levine, Tor Books
  • Sword and Verse by Kathy MacMillan, HarperTeen
  • Sleeping Giants (The Themis Files) by Sylvain Neuvel, Del Rey
  • Too Like the Lightning (Terra Ignota, Book 1) by Ada Palmer, Tor Books
  • Sleep State Interrupt by T.C. Weber, See Sharp Press

The award winner will be announced in May at Balticon 51.

The Compton Crook Award is presented by BSFS to the best first novel by an individual (no collaborations) published each year in the field of Science Fiction, Fantasy, or Horror. Selection is made by vote of the BSFS membership. The winner gets $1,000 and a commemorative plaque.

The Award is named for science fiction author Compton Crook (d. 1981), who wrote under the nom de plume Stephen Tall. The award has been given since 1983.

Robert J. Sawyer Wins 2017 Heinlein Award

Robert J. Sawyer. Photo by Christina Frost.

Canadian hard sf writer Robert J. Sawyer has won the 2017 Robert A. Heinlein Award, given annually to an author of outstanding published works in science fiction and technical writings that inspire the human exploration of space.

Sawyer’s most-recent book is Quantum Night, from Ace, his 23rd novel. Sawyer was an initial inductee into the Canadian Science Fiction and Fantasy Hall of Fame.

The Robert A. Heinlein Award is managed and sponsored by the Baltimore Science Fiction Society. The award selection committee is chaired by Michael F. Flynn and is composed of science fiction writers..

The Robert A. Heinlein Award is a sterling silver medallion bearing Heinlein’s image as depicted by artist Arlin Robbins. A grant from the Heinlein Society funds half the costs associated with the award.

The list of past winners of the Robert A. Heinlein Award can be found here.

Pixel Scroll 6/10/16 Sevenfives

(1) TURING POPCORN TEST. “Movie written by algorithm turns out to be hilarious and intense” promises Ars Technica, where it’s free to view.

Knowing that an AI wrote Sunspring makes the movie more fun to watch, especially once you know how the cast and crew put it together. Director Oscar Sharp made the movie for Sci-Fi London, an annual film festival that includes the 48-Hour Film Challenge, where contestants are given a set of prompts (mostly props and lines) that have to appear in a movie they make over the next two days. Sharp’s longtime collaborator, Ross Goodwin, is an AI researcher at New York University, and he supplied the movie’s AI writer, initially called Jetson. As the cast gathered around a tiny printer, Benjamin spat out the screenplay, complete with almost impossible stage directions like “He is standing in the stars and sitting on the floor.” Then Sharp randomly assigned roles to the actors in the room. “As soon as we had a read-through, everyone around the table was laughing their heads off with delight,” Sharp told Ars. The actors interpreted the lines as they read, adding tone and body language, and the results are what you see in the movie. Somehow, a slightly garbled series of sentences became a tale of romance and murder, set in a dark future world. It even has its own musical interlude (performed by Andrew and Tiger), with a pop song Benjamin composed after learning from a corpus of 30,000 other pop songs.

After viewing, Pat Cadigan begged to differ, “Actually, it was neither hilarious nor intense. It was incoherent. And non-intense.”

(2) BAREFOOT CONTESTED. Aaron Pound reported “obnoxious and surly” behavior by hotel security at Balticon 50 including the now-famous “Shoe Cop” who was “enforcing their previously unannounced policy that shoes had to be worn at all times.”

Longtime fan Hobbit, whose preference is to go barefoot, was particularly upset.

I and a traveling companion were some of the first casualties … we only made through less than a day there before simply bailing out. While the barefoot issue was only about a third of what pushed me over my limit by the time we put it all in the rearview, I complained bitterly to Marriott’s customer-care department [as Renaissance is one of their brands] about the way we were treated.

Hobbit has posted the complaint letter and corporate replies.

I would like to lodge a formal complaint against your property at Renaissance HarborPlace, in Baltimore.  I was there for an event scheduled through this past Memorial Day weekend, May 26 – 30 2016, to help with its technical setup and operations.  The event was a science fiction convention named Balticon, in fact its fiftieth year in existence, put on by the Baltimore Science Fiction Society (BSFS). This was its first year at this particular hotel property, and may well be the last.

Within mere minutes of arriving to unload gear and begin building our technical infrastructure, I and several of my colleagues were harassed by the hotel security staff for not wearing shoes. Some number of my crew generally work without shoes for an extensive set of positive reasons, including but not limited to increased agility, comfort, *safety*, and situational awareness.  While perhaps a bit unusual in the relevant activities, it is our personal right and freedom to enjoy and presents no unacceptable risk or concern to either ourselves or the venues we occupy.  The many health *benefits* of going barefoot are also well known.  We accept full responsibility for our own care and safety, and at that level it is not up to any other entity to dictate to us about it either way.

The harassment continued and escalated through that evening, even after our staff offered a temporary compromise by confining our activities to our assigned function space and slipping on shoes to go elsewhere on the property. The only shoes I had with me were effectively light-duty slippers which would cause me to be significantly *less* surefooted and safe while working, and thus were not a viable option.  This was also true of our other staff, who only had open-toe sandals and other seasonally-appropriate footgear on hand.  Ultimately I was unable to continue working the convention setup, and wound up simply leaving the entire event prematurely because it seemed like the only reasonable option left open to me….

Hobbit also has barefoot advocacy information online.

In early 2016 I began to correspond with some of the other online barefoot advocates in my area, and participate in various group activities like hikes and dinner gatherings.  I viewed this as further support in my own journey, particularly with helping bring awareness and reason to typically stodgy organizations that harbored some unreasoned sixties-holdover fear and loathing for bare feet.  In keeping with my own personal tradition of advising any number of companies on best customer-facing practices in the online world, it seemed a short step to use those same techniques and reach out to them to discuss customer and client policy decisions about footwear in an escalated fashion.

While my past efforts to inform have met with an entire spectrum of successes and failures, I’ve chosen this point in time to start bringing it to the web and chronicle some of the major interactions

(3) UNDER CONSTRUCTION. The Digital Antiquarian begins an opus about “god-game” development with “SimCity Part 1: Wil Wright’s City in a Box”.

This description subtly reveals something about the eventual SimCity that is too often misunderstood. The model of urban planning that underpins Wright’s simulation is grossly simplified and, often, grossly biased to match its author’s own preexisting political views. SimCity is far more defensible as an abstract exploration of system dynamics than as a concrete contribution to urban planning. All this talk about “stocks” and “flows” illustrates where Wright’s passion truly lay. In other words, for him the what that was being simulated was less interesting than the way it was being simulated. Wright:

I think the primary goal of this [SimCity] is to show people how intertwined such things can get. I’m not so concerned with predicting the future accurately as I am with showing which things have influence over which other things, sort of a chaos introduction, where the system is so complex that it can get very hard to predict the future ramifications of a decision or policy.

When SimCity was finally released, the public, including plenty of professionals in the field of urban planning who really should have known better, credited Wright’s experiment with an authority it most definitely didn’t earn. I’ll return to this point in my next article, in the course of which we’ll try to figure out what so many thought they were seeing in Wright’s simplistic take on urban planning.

After working on the idea for about six months, Wright brought a very primitive SimCity to Brøderbund, who were intrigued enough to sign him to a contract. But over the next year or so of work a disturbing trend manifested. Each time Wright would bring the latest version to Brøderbund, they’d nod approvingly as he showed all the latest features, only to ask, gently but persistently, a question Wright learned to loathe: when would he be making an actual game out of the simulation? You know, something with a winning state, perhaps with a computer opponent to play against?

(4) SEASONING. Life eventually taught Alma Alexander what her younger self had needed to know about “Madness and the Age of Innocence” (at Book View Café.)

Back when I was nineteen years old and steeped up to my innocent ingenue ears in the Matter of Britain, I dreamed up a story – technically a novel, I guess, seeing as it was over 40,000 words, but not much over. It was a solid chunk of writing, though, pretty much written over a year or so when I was about 18, and it told the story of Queen Guenevere….

Andre Brink, South Africa’s pre-eminent novelist, started his report thusly:

“This is an impressive piece of writing, especially if it is taken into account that it was written by a 19-year-old. I have no doubt that this young woman will be a major writer one day.”


You heard the but coming, didn’t you?…

He went on to say that the story was too tame, especially given the subject matter of lust and adultery and multi-layered betrayals. There was plenty of drama, he said, but there was none of… oh, let me quote him again… “…it lacks what Kazantzakis calls ‘madness’.”

Today, I know of this madness. I understand it from within. I take no issue with his comments, not from this side of the bridge of time, because he was probably right – my story was one of innocence rather than guilt and machinations, my Queen was a child caught up in an adult world, much as I was at the time. But when he wrote this report, I had yet to read Kazantzakis. I had heard of Zorba the Greek, but I had not read the book, nor seen the movie at that time.

(5) DEPRESSION ART. MD Jackson reminds you of everything you’ve forgotten (or never knew) to answer the loaded question: “Why was Early Comic Book Art so Crude? (Part 1)”, at Amazing Stories.

A friend of mine recently asked why it is that the artwork in comic books has gone from being so crude and rudimentary in the beginning to being so much more photo-realistic today. Well, I thought that was a good question, so I am setting out to answer it. And although the question seems simple, the answer is not, and it will take more than one post to fully cover.

Were the early comic book artists untalented hacks? Or did the early limitations of printing technology hamper their creative expression? The answer, in my view, boils down to: a bit of both.


  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.


  • June 10, 1922 — Judy Garland


  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak

(9) DINO DUDES. Den of Geek has “Jurassic Park 4: new concept art from lost film”.

Artist Carlos Huante recently shared concept art from a much earlier take on Jurassic Park 4…

If you Frankensteinized the DNA of the Hulk, Wolfman and a velociraptor in a petri dish, you’d get Raptorman. He was due to appear in a Jurassic Park film, but ltimately it wasn’t meant to be.

Raptorman was part of a screenplay envisions by John Sayles and William Monahan when they were penning an earlier take on Jurassic Park 4, featuring genetically enhanced soldier-o-saurus reptiles created by a corporation to be mercenaries that are supposed to wrangle the rogue dinos trampling North America.

(10) DELANY. From Shelf Awareness: Image of the Day: NYS Writers Hall of Fame.

NYS Hall of fame COMP

Samuel R. Delany, Roz Chast and Roger Angell

For the seventh year, the Empire State Center for the Book inducted a group of diverse writers into the New York State Writers Hall of Fame. Honorees Samuel R. Delany, Roz Chast and Roger Angell (pictured, l.-r.) attended the June 7 event at New York City’s 3 West Club, where Maya Angelou, Jean Craighead George, Grace Paley and Don Marquis were recognized posthumously. Stephen Sondheim was not able to attend due to illness. In his acceptance remarks, science fiction writer Delany told of his fondness of fellow inductee Don Marquis’s famed characters Archy and Mehitabel.

(11) INDIEGOGO. Scholar Kenneth James wants to raise $60,000 of support for his work on “Autumnal City: The Journals of Samuel R. Delany”.

Currently I am compiling and editing Delany’s personal journals.  The journals will be published by Wesleyan University Press in what is projected to be a series of at least five volumes, with each volume covering approximately one decade’s worth of material.  I have recently completed the first volume, In Search of Silence; this volume is now in the final stages of production at Wesleyan and is slated to appear at the end of this year. It covers the period from Delany’s teenage years in the late 1950s to the end of the 1960s, during which time Delany established himself as a major figure in what came to be called New Wave science fiction.  The second volume, Autumnal City, will present Delany’s journals from the 1970s, during which time he wrote the bulk of what many consider the pivotal work of his career, Dhalgren (1975), as well as Trouble on Triton (1976), the first volume of the Nevèrÿon tetralogy (Tales of Nevèrÿon [1979]), and many works of criticism.

In this campaign I am seeking funding to produce the second volume.  If I secure this funding, the project – which involves researching, compiling, transcribing, editing, and annotating the text – will take two years to complete.  The total amount I am seeking, for two years of full-time work on the project, is $60,000.

There has been $1,355 pledged to date, and the appeal has 2 months to run.

(12) JOURNAL EYEWITNESS. Matthew Cheney enthsiastically endorses the project.

I’m just back from spending a few days at the Delany archive at Boston University, and I’ve looked through a few of the 1970s journals. They’re truly thrilling for anybody interested not only in Delany the writer, but in the writing and thinking process in general. They’re especially interesting for those of us who think that after 1969, Delany’s work only got more brilliant. They are working journals, not really diaries as we generally think of them, and they clarify a lot of questions of when particular things were written, and why, and how. That makes them, if nothing else, of immense scholarly value. But they’ve also got material in them that just flat-out makes for good reading.

(13) ENVIRONMENTAL MESSAGE SF. “Sharman Apt Russell Guest Post–‘BFF: Science Fiction and the Environmental Movement’” at Locus Online.

In 1864, a hundred years after the start of the Industrial Revolution, the American scholar George Perkins Marsh wrote about the impact of a society rapidly cutting down its forests, destroying its topsoil, and polluting its water. Marsh thundered, “The ravages committed by man subvert the relations and destroy the balance which nature has established, and she avenges herself upon the intruder by letting loose her destructive energies.” He predicted an impoverished Earth with “shattered surface,” “climatic excesses,” and the extinction of many species, perhaps even our own.

In his own way, Marsh was an early science fiction writer.

(14) DO YOU WANT TO GET PAID? Peter Grant’s Mad Genius Club post “Writing your passion…or not?”  makes an argument for avoiding saturated markets. The commenters overall favored passion-directed writing.

In the same way, I see authors trying to ‘break in’ to the market in a particular genre and getting discouraged.  That may be because it’s a crowded genre (e.g. romance and/or erotica) where there are already lots of books and authors and it’s hard to get noticed;  or it’s a field where there are relatively few readers in relation to the overall book market (e.g. those interested in the domestic life of the Polynesian parrot!);  or it’s a moribund genre which hasn’t attracted interest or support from either publishers or big-name authors for some time (e.g. Westerns).  To authors facing such challenges, my advice is:  Why not try to write in a genre where you will be noticed, and where you can offer a quality product that will attract reader interest?  You may not be passionate about that genre, but is that any reason not to try your hand at it?

(15) OLDERS Q&A. “Malka Older and Daniel José Older Discuss Infomocracy, Cyberpunk, and the Future!” — Leah Schnelbach covered the event for

There was already a nice crowd gathered for the concatenation of Olders at Greenlight Bookstore, and by the time the reading began, the seats were full, and many people already had copies of Malka Older’s debut novel, Infomocracy. The novel takes us into the near-future, twenty years after Information, a powerful search engine monopoly, guided the world in a shift from a fractious collection of nation-states to global micro-democracy. Now the world is entering another election year, and idealists, policy wonks, spies, and rabble-rousers are all struggling to see which democracies will come out on top.

Older read, and then her brother, Bone Street Rumba series author Daniel José Older, joined her in front of the crowd for a lively interview and Q&A. You can read the highlights from their conversation below!

(16) SILENT MOVIE. Here’s a video documenting what Mystery and Imagination Bookshop looked like on June 9, 2016.

[Thanks to John King Tarpinian, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]