Pixel Scroll 9/4/23 Scroll Harlequin, Said The Pixel Man

(1) VIRTUAL SFF CONFERENCE. The theme of the Virtual International Conference on the Fantastic in the Arts (VICFA), to be held November 5-11, 2023, is “AI, Algorithms, Automata and Art”  Organized by new Virtual Conference Coordinator and Afropantheologist Oghenechovwe Ekpeki. Go to the link to register.

Guests of Honor: Martha Wells, Steven Barnes, and Annalee Newitz

Guest Scholar: Alec Nevala-Lee, Wole Talabi, and Jennifer Rhee

This is a time when the fathers of AI have stepped back from their creation and finally acknowledged the catastrophic entity their privileged curiosity has developed. Artists have long warned of the potentials and dangers of artificial intelligence, and those forecasts are now being proven to be true. Current literature defining and redefining our relationship with the artificially intelligent and automated include Martha Well’s The Murderbot Diaries, Steven Barnes’s “IRL,” Annalee Newitz’s Autonomous, Ted Chiang’s “The Lifecycle of Software Objects,” Tade Thompson’s Far from the Light of Heaven, James Morrow’s “Spinoza’s Golem,” Dilman Dila’s “Red Bati,” Tlotlo Tsamaase’s “The Thoughtbox,” Ernest Cline’s Ready Player One, and Anil Menon’s “The Man Without Quintessence.” Groundbreaking films and games introducing the 21st Century to the AI Age include 2001: A Space OdysseyBlade Runner, The MatrixEx MachinaGhost in the Machine, and Final Fantasy VII. Organized by new Virtual Conference Coordinator and Afropantheologist Oghenechovwe Ekpeki.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Percy and Josh Rountree on Wednesday, September 13 beginning 7:00 p.m. Eastern.

Benjamin Percy


Benjamin Percy is the author of seven novels — including The Sky Vault, published this fall by William Morrow — three story collections, and a book of essays. He writes Wolverine, X-Force, and Ghost Rider for Marvel Comics. He is a member of the WGA and has scripts in development at Sony, Paramount Plus, and Paramount Pictures.

Josh Rountree

Josh Rountree has published short fiction in a wide variety of magazines and anthologies, including Beneath Ceaseless Skies, The Deadlands, Bourbon Penn, Weird Horror, and Found: An Anthology of Found Footage Horror. His latest short story collection is Fantastic Americana and his novel The Legend of Charlie Fish is available now from Tachyon Publications.

Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs.)

(3) ALL ABOARD. Cass Morris begins her first fine-grained account of the experience on Disney’s Star Wars-themed Halcyon Starcruiser in “Day One on the Halcyon, Part 1” at Scribendi.

…The shuttle was so cool. It’s the most elaborate elevator anyone has ever been in, designed to very much look like the interior of a shuttle. It has viewscreens at the top where you can see other ships taking off and leaving, and then as you ascend, it goes to blue streaks — although I have some quarrel with the idea that you go through hyperspace to get up to orbit. I get that they wanted to give everyone that classic experience, but canonically, it makes no sense. You don’t go to lightspeed within atmosphere.

Another lovely blueshirt, Tara, took us up to our room, chatting a bit along the way about what brought us to the Halcyon, so we started dropping a little backstory. The only real downside to all of this was having to use our real names for check in, a problem that continued with dinner and events and such. If I had any small tweaks to suggest, it would be that they could map character names to overwrite those real names for people who come prepared! We did make it clear, though, that those were just our Earthen aliases — because we wanted it clear from go that we were there to play….

About this time, we also got our first messages from Cruise Director Lenka Mok. She introduces herself, welcomes you to the Halcyon, and then gives four dialogue options geared to start you down one of the narrative paths: Resistance, First Order, Scoundrel, or Jedi. This definitely doens’t lock you in, but it kicks things off, especially for people who don’t immediately go around the ship looking for trouble. Noah picked the scoundrel answer; I picked Resistance….

(4) MAKING BAYCON. Galactic Journey pops in for a visit at the 1968 Worldcon: “[September 4, 1968] Open your Golden Gate (Baycon: Worldcon 1968)”.

…Worldcon exploded in attendance last year, in part thanks to the influence of Star Trek, and it shows no sign of fading.  Nearly 1500 people came to the Claremont Hotel in placid, undramatic Berkeley, California for a weekend of fan interaction….

I expect “undramatic” was intended ironically, and yet, The Traveler makes no mention of the whiff of tear gas that reached fans in the Claremont from the demonstrations happening down the hill.

(5) FREE TIME READING DOWN IN UK. “More than half of UK children do not read in their spare time, survey reveals” – the Guardian has the story.

More than half of children and young people do not enjoy reading in their free time, according to a survey from the National Literacy Trust (NLT). The charity said reading enjoyment was lowest among disadvantaged children, and warned that the research should serve as a “wake-up call”.

More than 56% of eight to 18-year-olds said that they do not enjoy reading in their spare time, while reading enjoyment has fallen to the lowest level since the charity began the survey in 2005. Of the 64,066 children surveyed, 43% said they enjoyed reading in their free time – down 15 percentage points from a peak of about 58% in 2016.

Reading enjoyment, reading levels at school and overall literacy skills were lowest among children from disadvantaged backgrounds. Of those children who receive free school meals, 60% said they do not enjoy reading in their free time…

(6) BUCK ROGERS SOLAR SCOUTS! “Make sure to paste these into your first editions — or not,” urges Andrew Porter.

(7) SIGNS OF THE TIMES. In September’s first, free story from Sunday Morning Transport, “Resurrection Highway”, A. R Capetta “takes readers on a spectacular road trip beyond anything we could have imagined.”

You climb the fence, hit the yard of the body shop at three in the morning—whispered among automancers as the best time—and write sigils on the tires in a thick glop of white paint. You skim the wheels with the specially prepared olive oil, which Rye always called wake-up juice, infused with chilis and lemon peel and much less savory ingredients that you sourced from that guy in the Haight who swore the marrow was fresh….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1905 Mary Renault. Her superb Theseus novels, The King Must Die and The Bull from the Sea, are definitely genre. I also recommend, though very much non-genre, Funeral Games which deals with Alexander’s successors. It is a messy tale indeed. (Died 1983.)
  • Born September 4, 1916 Robert A. W. Lowndes. He was known best as the editor of Future Science FictionScience Fiction, and Science Fiction Quarterly (mostly published late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians. A horror writer with a bent towards all things Lovecraftian ever since he was a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
  • Born September 4, 1924 Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read; even though The Whispering Mountain is supposed to a prequel to the series, I don’t think it’s really that good. The Wolves of Willoughby Chase is certainly the one in the series I used to see stocked in my local bookstores before the Pandemic. No Hugos, but she won an Edgar Allan Poe Award for Night Fall. (Died 2004.)
  • Born September 4, 1924 Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against SatanIncubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
  • Born September 4, 1941 Peter Heck, 81.  He has written the “On Books” review column in  Asimov’s Science Fiction for nearly thirty years; he has also provided material to Locus and The New York Review of Science Fiction. He’s written both mysteries and genre fiction with Robert Lynn Asprin on four volumes of the Phule’s Company series.
  • Born September 4, 1962 Karl Schroeder, 61. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation. 

(9) COMICS SECTION.

  • Thatababy isn’t too young to be into superheroes.
  • And we bring you a Tom Gauld doubleheader.

(10) INSEPARABLE. The Guardian invites readers to “Meet Catty Bradshaw! The stars who take home pets from sets”. “SJP’s kitten! Sophie Turner’s dire wolf! Viggo Mortensen’s entire stable of horses! Some celebs just can’t say goodbye to their on-screen animals”.

On Instagram, SJP confirmed that she has adopted the fluffy feline in real-life, too. “His off-camera name is Lotus,” she wrote. “Adopted officially by the Parker/Broderick family in April. If he looks familiar, that’s because he is.”

Parker isn’t the first actor who couldn’t bear to part with their furry sidekick when filming wrapped. Here are more screen stars who became so attached to their four-legged friends, they went on to adopt them …

Sophie Turner’s dire wolf

Turner made her Game of Thrones debut as flame-haired Winterfell princess Sansa Stark aged 14. While filming the fantasy saga’s first season, she took a shine to Zunni, the Mahlek Northern Inuit dog who portrayed Lady, Sansa’s pet dire wolf. When Lady was killed off (blame Cersei and Joffrey), Turner persuaded her parents to rehome Zunni. Not everyone on the production was sad to see the dog depart. “Zunni was a terrible actor,” admitted Turner. “Really bad on-set and wouldn’t respond to calls. They were ready to fire her.” Don’t get her started on those diva dragons….

(11) LISTEN UP. Au audio report from Marketplace: “Video games for all!”.

Video games for all!

Students at a video game design program in the Bay Area use the medium to explore cultural history, LGBTQ relationships, emotional wellbeing and more.

(12) VIDEO OF THE DAY. Ryan George warns there are spoilers ahead in the Blue Beetle Pitch Meeting”.

[Thanks to Chris Barkley, Cat Eldridge, Steven French, SF Concatenation’s Jonathan Cowie, Oghenechovwe Donald Ekpeki, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 7/3/23 The Pixeler You Click, The Scroller You File

(1) FINE POINTS. “Your Genes Aren’t Your Destiny: On Ann Leckie’s ‘Translation State’”: a review by David M. Higgins in the LA Review of Books.

… Ultimately, Qven’s determination to have eir pronouns recognized is fundamental to the entire story: whether you can be recognized on your own terms, or whether you must have categories of identity (such as gender, ethnicity, species, and legal citizenship) inflicted upon you or withheld from you by others, is the central problem the book addresses. But for Qven, everything comes down at key moments to the way Pirate Exiles inspires em to joyfully envision emself as “a princex in disguise,” like Kekubo. “What would a princex in disguise do?” Qven asks emself multiple times as the novel builds toward its climax, and eir most important decisions are consistently influenced by the inspiration they draw from identifying with Kekubo.

This thematic emphasis—the way that small details (like a character’s obsession with trashy adventure serials) can ultimately shape and influence the largest possible events (such as the fall of an empire)—is one of the hallmarks of Leckie’s work. Her recurring argument is that minor details, events, actions, and influences are never truly minor: everything has consequence, even if it is not immediately visible….

(2) SAFETY LAST. Evgeny Morozov, author of To Save Everything, Click Here: The Folly of Technological Solutionism, wrote an opinion piece about “The True Threat of Artificial Intelligence” for the New York Times.

…The mounting anxiety about A.I. isn’t because of the boring but reliable technologies that autocomplete our text messages or direct robot vacuums to dodge obstacles in our living rooms. It is the rise of artificial general intelligence, or A.G.I., that worries the experts.

A.G.I. doesn’t exist yet, but some believe that the rapidly growing capabilities of OpenAI’s ChatGPT suggest its emergence is near. Sam Altman, a co-founder of OpenAI, has described it as “systems that are generally smarter than humans.” Building such systems remains a daunting — some say impossible — task. But the benefits appear truly tantalizing.

Imagine Roombas, no longer condemned to vacuuming the floors, that evolve into all-purpose robots, happy to brew morning coffee or fold laundry — without ever being programmed to do these things.

Sounds appealing. But should these A.G.I. Roombas get too powerful, their mission to create a spotless utopia might get messy for their dust-spreading human masters. At least we’ve had a good run.

Discussions of A.G.I. are rife with such apocalyptic scenarios. Yet a nascent A.G.I. lobby of academics, investors and entrepreneurs counter that, once made safe, A.G.I. would be a boon to civilization. Mr. Altman, the face of this campaign, embarked on a global tour to charm lawmakers. Earlier this year he wrote that A.G.I. might even turbocharge the economy, boost scientific knowledge and “elevate humanity by increasing abundance.”

This is why, for all the hand-wringing, so many smart people in the tech industry are toiling to build this controversial technology: not using it to save the world seems immoral.

They are beholden to an ideology that views this new technology as inevitable and, in a safe version, as universally beneficial. Its proponents can think of no better alternatives for fixing humanity and expanding its intelligence.

But this ideology — call it A.G.I.-ism — is mistaken. The real risks of A.G.I. are political and won’t be fixed by taming rebellious robots. The safest of A.G.I.s would not deliver the progressive panacea promised by its lobby. And in presenting its emergence as all but inevitable, A.G.I.-ism distracts from finding better ways to augment intelligence….

(3) DELANY AT 81. “How Samuel R. Delany Reimagined Sci-Fi, Sex, and the City” in The New Yorker.

… In the stellar neighborhood of American letters, there have been few minds as generous, transgressive, and polymathically brilliant as Samuel Delany’s. Many know him as the country’s first prominent Black author of science fiction, who transformed the field with richly textured, cerebral novels like “Babel-17” (1966) and “Dhalgren” (1975). Others know the revolutionary chronicler of gay life, whose autobiography, “The Motion of Light in Water” (1988), stands as an essential document of pre-Stonewall New York. Still others know the professor, the pornographer, or the prolific essayist whose purview extends from cyborg feminism to Biblical philology.

There are so many Delanys that it’s difficult to take the full measure of his influence. Reading him was formative for Junot Díaz and William Gibson; Octavia Butler was, briefly, his student in a writing workshop. Jeremy O. Harris included Delany as a character in his play “Black Exhibition,” while Neil Gaiman, who is adapting Delany’s classic space adventure “Nova” (1968) as a series for Amazon, credits him with building a critical foundation not only for science fiction but also for comics and other “paraliterary” genres….

(4) E.T. 2023 A.D. “Henry Thomas on life after ET: ‘We got a lot of weird visitors – some people were fanatical’” in the Guardian.

…After ET came out in 1982, life was never the same for Thomas, who had only appeared in one film before being cast in Spielberg’s smash hit. Now 51, he recalls a six-year-old Drew Barrymore tottering over to him on set to ask how many films he had been in. “Oh, you poor thing,” she answered airily. “I’ve been in four.” But aside from reading lines and knowing his cue, the little boy from rural Texas didn’t really know what acting was, let alone fame. “It was a total unexpected side-effect of doing this fun thing I had wanted to do,” he says now, from his home in Oregon. “I had no clue that my life would change in any way. I worked on this movie, then I’m back on the farm, I’m back at school – but now people are pointing at me in the street.”

Even as a child, he was aware that his mother, Carolyn, resented how his fame was impacting the whole family. She would take him to auditions and shoots until his late teens, and always felt the need to protect him. “She was doing the best job that she knew how to do,” he says. “My whole family weren’t really well equipped to deal with anything like that. And other than a few precautions, we didn’t change our lives that much. Consequently, we got a lot of weird visitors to our residence and things like that, phone calls.”

Complete strangers would want to speak to a little boy? He nods. “We had to call the authorities a few times. ET was a real sensation, some people were fanatical about it.”

Former child actors are often asked: would you let your children act? Thomas, who has three children, has given varying answers over the years, but he’s resolute when I ask. “Pursue it when you’re older,” he says. “I still don’t think it’s a great way to grow up. It was exciting for me, I went to some strange locales and met some interesting people. But it was also very disruptive to my parents’ marriage. Our social life got weird. You get famous and suddenly every cousin that you never knew looks you up. People are strange, they do weird stuff. As a kid, that’s a lot to deal with. And when you’re an adult [too], but at least then you have all of the faculties, hopefully, to deal with fame.”

(5) MEMORY LANE.

1981 [Written by Cat Eldridge from a choice by Mike Glyer.]

At Chicon IV in 1982 where Marta Randall was Toastmaster, C. J. Cherryh would win the Best Novel Hugo for Downbelow Station which was set in her Alliance–Union universe during the Company Wars period. 

It was published by DAW forty-two years ago and originally had been called The Company War by the author with the cover art by David B. Mattingly. The format was paperback. 

It is, I believe, a splendidly written novel that has aged rather well. Is it the best novel in the series? I think so, though there’s an argument that can be made for Cyteen which won the Hugo at Noreascon 3. 

Now for her Beginning…

EARTH AND OUTWARD: 2005–2352 

The stars, like all man’s other ventures, were an obvious impracticality, as rash and improbable an ambition as the first venture of man onto Earth’s own great oceans, or into the air, or into space. Sol Station had existed profitably for some years; there were the beginnings of mines, the manufacturies, the power installations in space which were beginning to pay. Earth took them for granted as quickly as it did all its other comforts. Missions from the station explored the system, a program far from public understanding, but it met no strong opposition, since it did not disturb the comfort of Earth. 

So quietly, very matter of factly, that first probe went out to the two nearest stars, unmanned, to gather data and return, a task in itself of considerable complexity. The launch from station drew some public interest, but years was a long time to wait for a result, and it passed out of media interest as quickly as it did out of the solar system. It drew a great deal more attention on its return, nostalgia on the part of those who recalled its launch more than a decade before, curiosity on the part of the young who had known little of its beginning and wondered what it was all about. It was a scientific success, bringing back data enough to keep the analysts busy for years . . . but there was no glib, slick way to explain the full meaning of its observations in layman’s terms. In public relations the mission was a failure; the public, seeking to understand on their own terms, looked for material benefit, treasure, riches, dramatic findings.

What the probe had found was a star with reasonable possibilities for encouraging life; a belt of debris, including particles, planetoids, irregular chunks somewhat under planet size with interesting implications for systemic formation, and a planetary companion with its own system of debris and moons . . . a planet desolate, baked, forbidding. It was no Eden, no second Earth, no better than what existed in the sun’s own system, and it was a far journey to have gone to find that out. The press grappled with questions it could not easily grasp itself, sought after something to give the viewers, lost interest quickly. If anything, there were questions raised about cost, vague and desperate comparisons offered to Columbus, and the press hared off quickly onto a political crisis in the Mediterranean, much more comprehensible and far bloodier. 

The scientific establishment on Sol Station breathed a sigh of relief and with equal quiet caution invested a portion of its budget in a modest manned expedition, to voyage in what amounted to a traveling miniature of Sol Station itself, and to stay a time making observations in orbit about that world. 

And very quietly, to further imitate Sol Station, to test manufacturing techniques which had built Earth’s great second satellite . . . in stranger conditions. Sol Corporation supplied a generous grant, having a certain curiosity, a certain understanding of stations and what profits could be looked for from their development. 

That was the beginning.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 3, 1898 E. Hoffmann Price. He’s most readily remembered as being a Weird Tales writer, one of a group that included Lovecraft, Robert E. Howard, and Clark Ashton Smith. He did a few collaborations, one of which was with H. P. Lovecraft, “Through the Gates of the Silver Key”. Another work, “The Infidel’s Daughter”, a satire on the Ku Klux Klan, also angered many Southern readers. (Died 1988.)
  • Born July 3, 1926 William Rotsler. An artist, cartoonist, pornographer and SF author. Well, that is his bio. Rotsler was a four-time Hugo Award winner for Best Fan Artist and one-time Nebula Award nominee. He also won a “Retro-Hugo” for his work in 1946 and was runner-up for 1951. He responsible for giving Uhura her first name, created “Rotsler’s Rules for Costuming”, and well, being amazing sounding. (Died 1997.)
  • Born July 3, 1927 Tim O’Connor. He was Dr. Elias Huer in Buck Rogers in the 25th Century for much of its run.  (I really, really liked that series.) Other genre appearances were on The Six Million Dollar ManThe Twilight ZoneThe Outer LimitsWonder WomanKnight Rider, Next Gen and The Burning Zone. (Died 2018.)
  • Born July 3, 1927 Ken Russell. Film director whose Altered States based off of Paddy Chayefsky’s screenplay is certainly his best-remembered film. Though let’s not overlook The Lair of the White Worm he did off Bram Stoker’s novel, or The Devils, based at least in part off The Devils of Loudun by Aldous Huxley. (Died 2011.)
  • Born July 3, 1937 Tom Stoppard, 86. Screenplay writer, Rosencrantz and Guildenstern Are Dead which is adjacent genre if not actually genre. Also scripted of course Brazil which he co-authored with Terry Gilliam and Charles McKeow. He also did the final Indiana Jones and the Last Crusade rewrite of Jeffrey Boam’s rewrite of Menno Meyjes’s screenplay. And Shakespeare in Love which he co-authored with Marc Norman.
  • Born July 3, 1943 Kurtwood Smith, 80. Clarence Boddicker in Robocop, Federation President in Star Trek VI: The Undiscovered Country, and voiced Kanjar Ro in Green Lantern: First Flight. He’s got series appearances on Blue ThunderThe Terrible ThunderlizardsThe X-FilesStar Trek: Deep Space NineStar Trek: VoyagerMen in Black: The Series3rd Rock from the SunTodd McFarlane’s SpawnJudtice LeagueBatman BeyondGreen Lantern and Beware the Batman. His last role was as Vernon Masters as the superb Agent Carter.
  • Born July 3, 1946 Michael Shea. Shea’s first novel, A Quest for Simbilis was an authorized sequel to the first two of Jack Vance’s Dying Earth novels. Vance was offered a share of the advance but declined it. (It was declared non-canon when the next novels in the series were written by Vance.) A decade, he’d win a World Fantasy Award for his Nifft the Lean novel, and a second twenty years later for a novella, “The Growlimb.” (Died 2014.)
  • Born July 3, 1948 Marc Okrand, 75. A linguist in Native American languages who’s the creator of the Klingon language. He first applied it by dubbing in Vulcan language dialogue for Star Trek II: The Wrath of Khan, and then was involved in the Search for SpockThe Final FrontierThe Undiscovered Country, and the both rebooted Trek films. Later he developed the language for the Kelpien race in the second season of Discovery.

(7) COMICS SECTION.

Loose Parts shows why pirate cosplay is difficult for certain aliens.

Tom Gauld keeps busy.

(8) IT’S TIME. Moses Ose Utomi’s “My Little Time Demon” is a free read at Sunday Morning Transport, offered to encourage subscriptions.

I have a sixth sense: I can tell when someone’s given up on life. In this case, though, the guy’s ice-cream-cone face tattoo says enough….

(9) GUEST MESS. Charon Dunn went to BayCon where “a staff member misunderstood the concept behind a ‘VIP and Guest Welcoming Event’ and 86’d me and a few other guests from it, so I’m doing my alchemical ‘turning BS into art’ thing.” “Mister Gatekeeper”: Here’s first stanza.

Mister Gatekeeper
You sent me back into the crowd
Mister Gatekeeper
You told me that I was not allowed
According to my badge, I was on the list
But you turned me away, and now I’m pissed
Mister Gatekeeper, someday that gate’s gonna slam on you
It’s true
Mister Gatekeeper, someday that gate’s gonna slam on you

(10) 500 MILLION-YEAR-OLD TURF & SURF. “Fossil-rich Welsh quarry yields trove of soft-bodied animals at dawn of modern life” reports Science.

Between 540 million and 485 million years ago, during the Cambrian period, so many new, complex animal life forms arose that paleontologists speak of the Cambrian Explosion or the Biological Big Bang. But by 400 million years ago, almost all of those species disappeared, eventually replaced by the ancestors of most modern animals. There have been few clues about what happened in between, but fossils from 462 million years ago recently discovered in a quarry in central Wales are filling in that gap, researchers report today in Nature Ecology & Evolution.

“It is wonderful,” says Douglas Erwin, a paleontologist at the Smithsonian Institution’s National Museum of Natural History who was not involved with the work. There are “some beautiful specimens, including some surprising discoveries.”

The Welsh fossils, discovered by a paleontologist couple who live near the quarry, reveal some Cambrian life forms held on for millions of years longer than paleontologists had thought before going extinct, and certain classes of modern animals got their starts earlier than expected. There are also some familiar creatures, including arthropods such as crustaceans and horseshoe crabs, as well as sponges, starfish, and worms. Many of them by that point already had long histories and continue to thrive to this day, so their presence among the fossils isn’t surprising. But the quarry also holds strange creatures thought to have arisen and vanished during the Cambrian period, such as opabiniids, which had five eyes and a long proboscis, and scaly slugs called wiwaxiids. Newcomers spotted in the deposits include modern families of glass sponges and a group of crustaceans called horseshoe shrimp, which were thought to have arisen much later….

(11) IN BRIT CIT, IT WAS THE END OF THE WORLD ON B. BEEB CEEB RADIO 4 THIS SUNDAY. [Item by SF Concatenation’s Jonathan Cowie.] The BBC aired an audio SF play. Following a global plague, in a future where there is no longer communication between countries, some of humanity seeks solutions, perhaps to seek a new home, and Britain’s Albion has discovered a habitable planet…

Yes, this is a re-run of a previously aired radio play, but for those into SFnal audio-drama, it is one arguably worth noting. You can download the programme here: “The Goldilocks Zone”

Further information:

Astrophysicist Sofia Khaled’s discovery of a potentially habitable planet opens up painful memories for her but a startling new truth for humanity.

When future Earth discovers an uncorrupted “cosmic” truth, data finally becomes a force for good as a cover-up with catastrophic global impact is revealed in this thrilling drama spanning fifty years.

The Goldilocks Zone by Tanika Gupta was developed through OKRE Experimental Stories. The consultant scientists were Professor Caswell Barry and Dr. Adam Kampff.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip WIlliams.]

Pixel Scroll 5/28/19 Pix-El, Last Scroller Of Krypton

(1) BAYCON. The Mercury News shared its very positive impression of last weekend’s BayCon: “Bay Area science fiction fans beam up to San Mateo to talk Star Trek, transgender fans and activism”.

…Speakers over the weekend included Brianna Wu, a congressional candidate from Massachusetts who was one of the most high-profile victims of an online harassment campaign aimed at women in the video game industry in recent years.

In conversations with the attendees on Sunday — an intimacy organizer Chris Castro said is a selling point of BayCon over larger conventions — Wu and moderator Gregg Castro discussed activist burnout and creating spaces for people who want to help but may not be comfortable canvassing or making phone calls. Wu also encouraged more women to run for office, calling it “the best job in the world.”

Also presenting at that panel was Sarah Williams, who grew up in Fremont and now lives in Davis. She said discussing social issues and activism is “almost necessary” in science fiction because it’s so forward-looking. The panels are also useful in fans’ personal lives, she said. As a queer woman, Williams said she knew she had to be supportive when her daughter told her she was a transgender girl.

Still, she said, she needed guidance on what support her daughter would need. She could access that through panels such as “Transfans,” a presentation held on Sunday morning about transgender science fiction fans. Williams said she also knew she could look up the speakers and reach out to them for advice.

However, Sumiko Saulson was present at another panel which didn’t reflect that kind of acceptance, and wrote about the experience on Facebook:

I’m reluctant to get into what happened when I was on a panel yesterday because it was fairly traumatic, but the short of it is that a well-known author guest (David Brin) started the panel by saying he wouldn’t trust regular Americans with this but we’re alpha sci fi writers, then went into a very ableist spiel about how we all know some beings – including, specifically certain humans, and he referenced the developmentally disabled – are inferior, people are just too politically correct to say so. Then he asked a moral dilemma question about if it would be more ethical to uplift animals and have them as servants than to genetically alter humans as servants and make them low IQ

Then he got into an argument with a young enby [non-binary] person in the audience who was sitting near Darcy (Chris Hughes) and the rest of the extremely poorly moderated panel included lots of yelling between the audience and panel, as he’d set the tone. He seemed to be intentionally asking baited or loaded questions….

(The report goes on for several more paragraphs in which some panelists’ conduct grew even more disturbing.)

(2) ANIMENEXT UPDATE. As a result of harassment allegations against AnimeNEXT chair Eric Torgersen (see Pixel Scroll for May 22, item #4), he has been suspended while the con’s board of directors investigate. They made the following announcement on Facebook over the weekend:

…as of April 14th, 2019, Eric Torgersen has been suspended from AnimeNEXT staff, pending this investigation, and will not be present at the 2019 event. AnimeNEXT and Universal Animation, Inc. have hired a neutral third party to conduct the investigation.

Additionally, Mr. Torgersen has not been a member of the board since 2018 and has not been Convention Chairman since 2017.

AnimeNEXT and Universal Animation, Inc. want our convention to be a safe and positive experience. As such, we do not condone harassment of any kind. We appreciate your patience and understanding until this investigation is completed.

Sincerely,

The Universal Animation Inc. Board of Directors

(3) ENTERPRISING FANS. Ernest Lilley tells Amazing Stories readers all about the Museum of Science Fiction’s weekend event: “MOSF Escape Velocity 2019 — Dominique Tipper GoH “.

While Amazing Stories editor Steve Davidson was holding down a booth at Balticon, the Capital Region’s largest sci-fi convention, I was an hour away at the Museum of Science Fiction’s annual convention: Escape Velocity 2019.

Escape Velocity is a different sort of con than anything else in sci-fi. Visually it looks like a media con, with lots of large-scale movie props and cosplayers, but behind the closed panel doors, there’s a serious attempt to create a fusion of pop-sci-fi culture, accessible science, resources for educators, and even a few policy wonks talking about the future of space conflict….

(4) PROOF NEGATIVE. Fabrice Mathieu unblushingly presents MOON SHINING » or: How Stanley Kubrick shot the Apollo 11 Mission?  — “an imaginative behind the scenes of the Moon Landing of Apollo 11 directed by Stanley Kubrick in 1969!”

(5) MOON COLLECTIBLES AUCTION. And yet people bid millions on Heritage Auction’s Spring Space Exploration Auction #6206

This was the second installment of The Armstrong Family Collection™ (TAFC) and, when the floor sessions were over, the top seven and fifteen of the top twenty sale prices were TAFC lots. A section of Lunar Module Flown Wright Flyer Wing Cloth and a Lunar Module Flown Wright Flyer Propeller Piece tied for top price at $175,000 each. Currently, the total sales are $4.579 million with Post-Auction Buys continuing.

(6) WHO’S TOXIC? Marvel’s Captain Marvel is coming out on Blu-Ray, heralded by the release of an extended version of a scene from the film. It’s caused an uproar.

Stylist takes this side: “Why Captain Marvel’s deleted scene on toxic masculinity has angered trolls”.

… Captain Marvel counters with a handshake and introduces herself. The man tells her: “People call me… The Don.”

Releasing an unimpressed “wow”, Captain Marvel then unleashes her superhero powers on the man, sending electrical pulses through her hand, forcing the man to his knees in pain.

“Here’s a proposition for you,” she says. “You’re going to give me your jacket, your helmet and your motorcycle, and in return, I’m going to let you keep your hand.”

He quickly hands over his keys, and Captain Marvel lets go, adding: “What, no smile?”

In just a minute-long scene, Captain Marvel sums up what’s wrong with men telling women to smile, and unsurprisingly, that’s made some men angry.

…The men criticising the scene — and attacking Larson — are missing the point, and being purposefully obtuse as to its message.

Yes, it shows Captain Marvel using her powers to harm someone else, but plenty of superheroes before her have done exactly the same, and gone much further than she did. That Captain Marvel is called out for behaviour that male superheroes have got away with for decades is sexist.

And saying the scene will hurt “feminist causes” is a fundamental misunderstanding of what feminism is about — women want equality, and that partially means dismantling the idea that the only good women are nice women.

Max Florschutz takes the other side in “The Captain Marvel Kerfluffle”.

…. Both sides have, as you can predictably guessed, gone up in arms. Both make some good points, and both make some bad points.

However, the reason I chose to take some time out of my crunched day to post about this was because at its core, the argument Disney’s marketing team and the writers of Captain Marvel have claimed is … well, wrong.

Vers isn’t a hero in that scene. Not by any definition of the term. And to see people so aggressively defending Vers actions as “heroic,” even the writing team? Well … I think that’s in part why the Captain Marvel had the problems it had.

See, the problem isn’t that the scene exists, but that people, creators included, are insisting that it is “heroic.” And it isn’t. It’s far from it, in fact, unless you’re aiming to redefine “heroism” as something completely different. Which I don’t think the writers are trying to do … They just genuinely don’t seem to know what heroism is.

Already there are people defending the “heroism” of the scene online by saying that naysayers are only unhappy because it’s “a woman,” declaring that no one had issues with a male character doing similar in Terminator 2.

No. Because in Terminator 2 the T-800 is nota hero. He’s an anti-hero. If someone declares that heroic, than they’re wrong. Flat out. He threatens physical harm to innocents because he doesn’t care, and has no morals. Classic anti-hero trait.

Vers threatening a slimy guy past simply shutting him down isn’t heroism with the goal of stealing his possessions isn’t heroism. It’s the mark of an anti-hero, just as it was with the T-800….

(7) DOGGONE IT. This week New Zealand’s Stuff showed that a problem persists: “Game of Thrones fans buying huskies from unregistered breeders”.

…A New Zealand husky rescue charity that has dealt with hundreds of abandoned dogs after Game of Thrones ramped up the breed’s popularity is pushing for reform outlawing “backyard breeders.”

Michelle Attwood, who founded the Canterbury-based charity Husky Rescue NZ in 2009, said that hundreds of huskies had been abandoned to her charity every year since Game of Thrones launched – their TV connection clear through names like Ghost, Nymeria, Stark and Snow.

Huskies have become a real “status symbol,” she said, with Thrones fans driving a vicious cycle.

Peter Dinklage publicized the problem in 2017:

At the time he released a statement:

‘Game of Thrones’ star Peter Dinklage is asking fans to stop buying huskies as pets just because they resemble the fictional direwolves in the blockbuster HBO show. The actor warns fans the pups still need constant care after the novelty wears off. “Not only does this hurt all the deserving homeless dogs waiting for a chance at a good home in shelters, but shelters are also reporting that many of these huskies are being abandoned,” Dinklage said Tuesday in a statement released by PETA.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 28, 1908 Ian Fleming. The James Bond novels of course which are no doubt genre but also Chitty-Chitty-Bang-Bang which originally was published in three volumes and became a much beloved film. Like Heinlein, he would do a travelogue, this one called Thrilling Cities. (Died 1964.)
  • Born May 28, 1951 Sherwood Smith, 68. YA writer best known for her Wren series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
  • Born May 28, 1954 Betsy Mitchell, 65. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties.
  • Born May 28, 1977Ursula Vernon, 42. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is also the creator of The Biting Pear of Salamanca, a digital work of art which became an internet meme in the form of the LOL WUT pear. 
  • Born May 28, 1982 Alexa Davalos, 37. Her first genre role i think was Gwen Raiden on the fourth season of Angel. She‘s Juliana Crain currently on The Man in the High Castle. And she was Andromeda in the remake of Clash of the Titans

(9) HUGO AWARDS ON JEOPARDY! TOMORROW.For once you get the news before the show is aired. Kevin Standlee says, “The Hugo Awards will be featured in a category on Jeopardy! on Wednesday, May 29.”

(10) DARKNESS FALLS. Fantasy Book Critic weighs in on “Necromantica by Keith Blenman (reviewed by Lukasz Przywoski)”.

…Necromantica is, essentially, a love story. You feel it in the way Lama speaks to Mornia. You see it in Mornia’s behavior. Remember, they’re not sharing a drink. They’re in the midst of the battle and they slaughter enemies. Call it a dark fantasy romance. I mean, you don’t write a story called Necromantica without it being dark, right?

Lama and Mornia share heart-wrenching stories. Mornia used to live a free, spiritual life and wanted to grow into a healer. By the time the story begins, her life has been robbed from her and ell her loved ones killed. She survived, but she’s broken. Whatever magic she possessed, she used for revenge. Instead of healing people, she focused on black arts and necromancy. …

(11) BY THE HAIR ON THEIR CHINNY-CHIN-CHIN. SYFY Wire’s “Fangrrls” column has published a “scientific” study entitled “A very serious cultural study on beards and which dudes look hotter with them.”

To beard or not to beard, that is the question.

Last year, when the Avengers: Infinity War trailer revealed that Chris Evans’ Steve Rogers had grown a beard, the internet went wild. How is it possible that Evans, this hunky cinnamon roll of a golden retriever boy scout bro, could get even hotter? It was almost unfair, yet there it was. We mourned the loss of Cap-beard for an extended period of time on SYFY FANGRRLS, but it also got us thinking as to what it was about some well-organized facial hair that had us all aflutter.

It turns out that there’s a scientific reason for that. It’s not just pure shallowness! According to a study in 2013 on the subject, facial hair acts as a major influence in shaping people’s ideas about what we expect from men in society. The study revealed that “women judged faces with heavy stubble as most attractive and heavy beards, light stubble and clean-shaven faces as similarly less attractive.” For men, it was the opposite case, with full beards as the most attractive. Those conducted for the study also revealed that full beards were judged as an excellent sign of parenting ability and healthiness, so all your daddy Steve Rogers jokes paid off in a big way.

They go on to judge the beard-appeal and stylings for Jason Momoa, Chris Evans, Henry Cavill, Chris Hemsworth, John Krasinski, Rahul Kohli, Keanu Reeves, and Jason Mantzoukas.

(12) LOVE THAT MECHA. Future War Stories tunes into Japanese TV in “Future War Stories From the East: Armored Troopers VOTOMS”.

…Many of the more famous anime and manga is often defined and remembered because of a certain iconic character, unique setting, or piece of machinery (which is often Mecha). Some imported Japanese animations or comics are lucky enough to be imported wholly to the West along with other associated products like models, video games, or toys. Others were not so lucky and came over to our shores in pieces and over a great length of time, forging fans along with way….

…What is “Armored Trooper VOTOMS”? VOTOMS is the brainchild of Fang of the Sun Dougram creator Ry?suke Takahashi and despite being developed in 1983, VOTOMS is still an on-going Japanese military science fiction franchise encompassing anime TV series, OVAs, video games, models, and toys. At about the time that Fang of the Sun Dougram was ending its run on Japanese television, Takahashi and Nippon Sunrise animation studio would continue the mecha-centered war stories with the VOTOMS 52 episode television show that aired on TV Tokyo from April 1st, 1983 through March 23rd, 1984….

(13) NOVELLA NOTIONS. Garik16’s Hugo finalist reviews continue with — “Reviewing the 2019 Hugo Nominees: Best Novella”.

Hugo Award voting just opened at the start of May and continues through the end of July.  For those of you new to the Science Fiction/Fantasy genre, the Hugo Award is one of the most prominent awards for works in the genre, with the Award being given based upon voting by those who have paid for at least a Supporting Membership in this year’s WorldCon.  As I did the last two years, I’m going to be posting reviews/my-picks for the award in the various categories I feel qualified in, but feel free to chime in with your own thoughts in the comments….

(14) COLLECTIBLE HARDCOVERS. Gizmodo/io9: “Folio Society Is Doing Special Editions for All of A Song of Ice and Fire…If It’s Ever Finished”.

The Folio Society recently announced that it was releasing a special collector’s edition of A Game of Thrones, the first novel in George R.R. Martin’s A Song of Ice and Fire series. Now, on the cusp of the series finale for HBO’s Game of Thrones, it looks like we can expect even more—the entire A Song of Ice and Fire, including those famously still-unwritten books. Of course, that all depends on whether Martin ever finishes them. 

In a statement to io9, the Folio Society’s representative confirmed that it was following up its A Game of Thrones hardcover edition with other books in the A Song of Ice and Fire series. The publisher says the project is a collaborative with Martin, who’s been involved “every step of the way.” The first book is available for preorder, and is set to come out on July 16.

(15) [PROCESSOR] POWER TO THE PEOPLE. “The tablet computer pulled by donkey” – BBC has the story, and a photo:

Back in 2016, mobile technology the like of which had not been seen before rolled into the remote community of Funhalouro, in Mozambique.

Pulled by donkey, the container consisted of four LCD screens, powered by solar panels.

It was a mobile roadshow, starting with music to draw a crowd and then switching to a three-minute film on the biggest of the screens.

While the topic – digital literacy – was not the most entertaining, it was engaging for the audience, many of whom had never seen a screen or moving images before.

After the film, the audience was invited to use smaller touchscreen tablets to answer a series of questions about what they had seen.

There were prizes of T-shirts and caps for those with the highest scores.

For those who couldn’t read, the questions were posed in diagram form….

(16) VIDEO OF THE DAY. In “The Shocking Truth of Lightsabers vs. Lightning,” on YouTube, Martin Archer, a physicist at Britain’s Queen Mary’s University, says that if lightsabers are made of plasma, having two of them blast each other is a bad idea and having lightning bolts sent toward a lightsaber is a really bad idea.

[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, John King Tarpinian. Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 4/21/19 A Scroll Without A Pixel Is Like A Walrus Without An Antenna

(1) LITERARY DIVE. Juliette Wade and her Dive Into Worldbuilding team interview “Caroline Ratajski”. There’s a detailed synopsis you can read at the link, and a video recording you can see on YouTube.

…We asked how writing a chapter every two weeks for an audience affects her writing process. It does put certain limits on her. She can’t revise anything that came before. She needs to give events a runway, wants to avoid writing a specific year when events occurred, etc. She has an outline, and she has an outline of how the characters should interact and grow over time. She also has a sense of how she wants the garden to develop, and what she wants the climax to look like.

Carrie [Caroline] described this as the “fanfic model of writing.” She used to write fanfic, so it works for her. The response of the audience buoys her. She says this has all the advantages of fanfic, and also The Secret Garden is out of copyright, so that saves a lot of trouble. Patreon is a good vehicle for serial storytelling. Carrie said she wasn’t reinventing anything. The original book was also a serial that was collected into a book. Carrie explained that she is not echoing the chapter structure, but following the narrative beats pretty closely. Lennox does meet her cousin in secret. She does have a somewhat combative relationship with her maid, though in the retelling, the maid is not Dickon’s sister.

(2) PRE-WEDDING ALBUM. Kurt Erichsen, 2002 Rotsler Award winner, has published a collection of his strips in Murphy’s Manor – the 30-Year Wedding.

Of all the cartoon projects I’ve drawn, by far the biggest is my LGBT comic strip, Murphy’s Manor. It was syndicated in local Gay and Lesbian newspapers from 1981 to 2008 – 1,183 comic strips total.

I’m happy to announce a new collection of Murphy’s Manor comic strips in a self-pub book, distributed through Amazon. The title is Murphy’s Manor – the 30-Year Wedding. It includes cartoons about gay relationships, ultimately leading to marriage, with or without approval of the government. All told, there are 120 comic strips: 98 from the strip’s original run, and 22 new ones. Front and back covers are in color; the interior comic strips are black and white.

In 2015 when John and I were able to get married legally, I decided to proceed with the book. It was slow going – can you believe it took me nearly 4 years to put it together?? Most of which was in production of the new cartoons. I used to produce 4 strips a month!

Click on this link: Murphy’s Manor – the 30 Year Wedding. I am also working on an eBook (Kindle) version. This is a new format for me, and working out all the kinks could take a bit of time. Hopefully not another four years.

(3) TINTINNABULATION. Open Culture reveals“How Andy Warhol and Tintin Creator Hergé Mutually Admired and Influenced One Another”. Bet you didn’t know about that.

The field of Tintin enthusiasts (in their most dedicated form, “Tintinologists”) includes some of the best-known modern artists in history. Roy Lichtenstein, he of the zoomed-in comic-book aesthetic, once made Tintin his subject, and Tintin’s creator Hergé, who cultivated a love for modern art from the 1960s onward, hung a suite of Lichtenstein prints in his office. As Andy Warhol once put it, “Hergé has influenced my work in the same way as Walt Disney. For me, Hergé was more than a comic strip artist.” And for Hergé, Warhol seems to have been more than a fashionable American painter: in 1979, Hergé commissioned Warhol to paint his portrait, and Warhol came up with a series of four images in a style reminiscent of the one he’d used to paint Jackie Onassis and Marilyn Monroe.

(4) <ROLLEYES>. Dear Simon & Schuster, There is no such thing as a Hugo Award for Best New Writer.

(5) PULP BOWIE. “Artist Reimagines David Bowie Songs as Old Pulp Fiction Book Covers” at My Modern Met.

When LA-based screenwriter Todd Alcott isn’t writing for feature films, he’s working on his artistic side project. He merges his love of pulp fiction with music to create David Bowie-inspired vintage comic book covers.

Alcott uses pre-existing vintage paperbacks as his starting point, before digitally altering the text and parts of the image to create his mashup prints. These once loved, now tattered and worn books have been given a new lease on life, and Alcott has chosen no better subject to grace their covers than the equally beloved Starman. And best of all, Bowie’s fascination with sci-fi, his outlandish fashion, and his love of the antihero make him a natural fit as a graphic novel protagonist.

(6) A COMING OF AGE STORY. Middle age, that is. Past TAFF winner Jim Mowatt’s confession begins —

My wife often teases me about my being associated (married) with a woman who has attended an Oxbridge institution, is the daughter of a civil servant and eats avocado. A fruit that has become so closely associated with privileged millennials. To provide his wife with the foodstuffs she desires, working class Jim from Leeds has to creep into a supermarket, buy an avocado and escape from the store without been seen in the possession of this pompous fruit.

However, I now wonder whether I am reaching the stage where I must embrace the fact that I’m no longer Jim from the block and that I have reached that rather unnerving state of being that enables me to buy ridiculous fruit, not always worry about the price of things and enjoy gentle middle England humour. It’s a terrifying thought but maybe I should just relax and drown in the crocheted gentility of it all.

(7) D&D. In “How Dungeons & Dragons somehow became more popular than ever”, Washington Post writer Gendy Alimurung discusses how Dungeons and Dragons has evolved to attract Millennials, including finding other players through Meetup groups, and having the fifth edition of the D&D manual in 2014 attract more women by being less sexist (women’s strength is no longer always less than men’s and no “sexist artwork–no more armored bikinis, no more monsters with breasts, no more topless ladies (unless her character really, really calls for it” that ensures that 38 percent of D&D players are now women.

(8) BOWEN OBIT. The English writer John Bowen (1924-2019) reportedly died April 18 at the age of 94. Matthew Davis sent this tribute:

Bowen wrote numerous offbeat thrillers (in a territory between Angus Wilson and Patricia Highsmith), and “After the Rain” (1958) is about an apocalyptic flood, but he has a small cult reputation in British fantasy and science fiction television. His 1970 TV play “Robin Redbreast” has been rediscovered and championed as a contemporary folk horror equal to “The Wicker Man”. He wrote half of the episodes of the outstanding 1971 Orwellian dystopian TV series “The Guardians”, and also contributed several fine ghost stories during the form’s 1970s TV heyday. Not Sfnal at all are the episodes he wrote of the TV mystery series “Hetty Wainthrop Investigates” – the original book was written by his partner David Cook

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 21, 1928 Dee Hartford, 91. Miss Iceland, companion of Mister Freeze in two episodes of the Sixties Batman show.  Also had appearances on Time Tunnel, Lost in Space, Land of The Giants, The Man from U.N.C.L.E., The Twilight Zone, The Outer Limits and The Alfred Hitchcock Hour. Yes, she was very pretty and that really counted in that time.
  • Born April 21, 1939 John Bangsund, 80. Prominent Australian fan in the Sixties through Eighties. A major force with Andrew I. Porter behind Australia winning the right to host the 1975 Aussiecon, and he was Toastmaster at the Hugo Award ceremony at that convention.
  • Born April 21, 1945 Takao Koyama, 74. Japanese anime scriptwriter. He is one of the most influential individuals in anime, due to his seminal scripts and his teaching of the next generation of writers. Works that he’s done scripts for which are available with subtitles include The Slayers, Dragon Ball Z and Spirit Hero Wataru.
  • Born April 21, 1954 James Morrison, 65. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much remembered Space: Above and Beyond series. Starship Troopers without the politics. He also appeared as Warden Dwight Murphy in the third season of Twin Peaks.  He’s got far too many one-off genre appearances to list here, so do your favorite.
  • Born April 21, 1965 Fiona Kelleghan, 54. Author of the critical anthology The Savage Humanists In which she identifies a secular, satiric literary movement within the genre. She also did Mike Resnick: An Annotated Bibliography and Guide to His Work. A work in progress by her is Alfred Bester, Grand Master: An Annotated Bibliography.
  • Born April 21, 1979 James McAvoy, 40. In the Frank Herbert’s Children of Dune series, he was Duke Leto II Atreides. Later roles included Mr. Tumnus in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Professor Charles Xavier in X-Men film franchise, Victor Frankensteinin Victor Frankenstein and Bill Denbrough in It – Chapter Two

(10) COMICS SECTION.

  • Free Range has Scully and Mulder pursuing the truth about Easter.

(11) A CAT NAMED GOOSE. Dana Marquez tells Sideshow readers “Everything You Need to Know About Captain Marvel’s Cat”. Feel free to eavesdrop.

So what’s up with the Goose the cat anyway? Unless you’ve followed the comics, the film may have lost you there when it introduced the flerken’s surprise powers and alien backstory. She’s not just Nick Fury’s soft spot; she’s a beast- literally! Read along for more information on Goose’s true comic origin and to find out just what the heck a flerken really is.

(12) BAY WATCH. BayCon 2019 is a month away:

(13) LAW ENFORCEMENT ACTIVITY. This crimebreaking headline comes from SYFY Wire: “Norwegian police ‘arrest’ Night King on grounds of animal cruelty and destruction of property”.

In a parody Facebook post from a few days back, the upstanding police officers of Trondheim, Norway proudly announced that they had apprehended the White Walker leader on grounds of animal cruelty and appalling rumors of wall destruction. These are obvious references to the villain’s actions in Season 7, where he killed one of Dany’s dragons (before turning it into an ice zombie) and destroyed The Wall, allowing his undead army to march into the territory of living humans.

“This particular post was meant to be funny; these kind of posts generate a lot of attention and new followers for us. That’s useful when we later ask for help i.e. solving crime or search for missing persons,” the Trondheim police told SYFY Wire in a statement. “Behind the mask is one of our younger officers, handpicked for the job.”

In addition, the post included photos of the Night King (dressed in an orange prison jumpsuit, of course) posing for a mugshot and being led into a solitary jail cell. The arresting officers, jokingly referred to as Trondheim’s night’s watchmen, also accused the Night King of turning once-fruitful regions into desolate wastelands.

(14) HUGO REVIEWS. Steve J. Wright has completed his Hugo Short Story Finalist reviews (and they are excellent reviews, as usual).

(15) NOT COMPLETELY FORGOTTEN. Todd Mason sends along  “Friday’s ‘Forgotten’ Books and More: the links to the reviews: 19 April 2019” – you’ll find links to all these reviews in his post (reviewer’s name first, title and author/editor’s name last).

This week’s books and more, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles…

  • Patricia Abbott: News of the World by Paulette Jiles
  • Barbara Barrett: The Edge of Tomorrow by Howard Fast
  • Joachim Boaz: New Worlds SF, April 1964, edited by John Carnel
  • John Boston: Amazing: Fact and Science Fiction Stories,  May 1964, edited by Cele Goldsmith Lalli
  • Ben Boulden: “Hawksbill Station” (novella version) by Robert Silverberg
  • Brian Busby: The March of the White Guard by Gilbert Parker
  • Susanna Calkins: Death and the Joyful Woman by “Ellis Peters” (Edith Pargeter)
  • Martin Edwards: Marion aka Murder Off the Record by John Bingham
  • Peter Enfantino: (Proto-Marvel) Atlas Horror Comics, March 1952
  • Will Errickson: Dead White by Alan Ryan
  • José Ignacio Escribano: La berlina de Prim (“Prim’s Carriage”) by Ian Gibson
  • Curtis Evans: The Cases of Lieutenant Timothy Trant by “Q. Patrick” (Richard Webb and Hugh Wheeler); “Mrs. B’s Black Sheep” by “Q. Patrick”; Speaker of Mandarin by Ruth Rendell
  • Olman Feelyus: Frankincense and Murder by Baynard Kendrick
  • Paul Fraser: Astounding Science-Fiction, September 1943, edited by John W. Campbell, Jr. 
  • John Grant: A Line of Blood by Ben McPherson
  • Aubrey Hamilton: The Dogs of War by Frederick Forsyth
  • Rich Horton: Take a Girl Like You by Kingsley Amis; The Story of Doctor Dolittle by Hugh Lofting; Reduction in Arms and The Barons of Behavior by Tom Purdom; Rachel Swirsky’s short fiction; The Stepsister Scheme by Jim C. Hines; Gene Wolfe, 1931-2019; Fandom Harvest and other fannish writing by Terry Carr
  • Jerry House: The Vanguard of Venus by Landell Bartlett; Eh!, November-December 1954 (Charlton Comics’ first imitation of Mad)
  • Kate Jackson: The Noonday Devil by Ursula Curtiss; Love Lies Bleeding by Edmund Crispin
  • Tracy K.: The Shortest Way to Hades by Sarah Caudwell; Entry Island by Peter May
  • Colman Keane: Deep Cover and Recoil by Brian Garfield
  • George Kelley: The Best of Li’l Abner by Al Capp
  • Joe Kenney: The Great God Now by Edward S. Hanlon; American Avenger #1: Beat a Distant Drum by “Robert Emmett” (Robert L. Waters)
  • Rob Kitchin: IQ by Joe Ide
  • B. V. Lawson: Death on Remand by “Michael Underwood” (John Michael Evelyn)
  • Evan Lewis: “The Ghost of Dutch Emil”  and “Right Hook to Tokyo” by Ed Lacy (prose content in Rangers Comics August 1946 and December 1945 respectively)
  • Steve Lewis: “Murder, 1986” by P. D. James (Ellery Queen’s Mystery Magazine, October 1970, edited by Frederic Dannay); “A Madonna of the Machine” by Tanith Lee (Other Edens II edited by Christopher Evans and Robert Holdstock); Spit in the Ocean by Shelley Singer; “Long Shot” by Vernor Vinge (Analog Science Fiction/Science Fact, August 1972, edited by Ben Bova); The Saint in New York by Leslie Charteris; Spider-Woman, June 1978, written and illustrated by Marv Wolfman, Carmine Infantino and Tony DeZuniga; “Skin Deep” by Kristin Kathryn Rusch (Amazing Stories, January 1988, edited by Patrick Price)
  • Lawrence Maddox: the Assignment: novels by Edward S. Aarons
  • John F. Norris: Dangerous to Me by “Rae Foley” (Elinore Denniston)
  • John O’Neill: The Nightmare and Other Stories of Dark Fantasy by “Francis Stevens” (Gertrude Barrows Bennett)
  • Matt Paust: Smoke Detector by Eric Wright 
  • James Reasoner: Captain Shark #2: Jaws of Death by “Richard Silver” (Kenneth Bulmer)
  • Richard Robinson: G Stands for Glory: The G-Man Stories by Norvell Page  
  • Gerard Saylor: Directorate S by Steve Coll
  • Jack Seabrook and Peter Enfantino: DC War Comics, October 1974
  • Steven Silver: “Build Your Own A-Bomb and Wake Up the Neighborhood” by George W. Harper (Analog Science Fiction/Science Fact, April 1979, edited by Stanley Schmidt)
  • Victoria Silverwolf: Worlds of Tomorrow, April 1964, edited by Frederik Pohl
  • Dan Stumpf: The Screaming Mimi by Fredric Brown
  • Kevin Tipple: …A Dangerous Thing by Bill Crider, “TomCat”: The Complete Cases of Inspector Allhoff, V. 1 by D. L. Champion; “An Urban Legend Puzzle” by Rintaro Norizuki (translation by Beth Cary), Ellery Queen’s Mystery Magazine, January 2004, edited by Janet Hutchings; The 3-13 Murders by Thomas B. Black

(16) POWERS NOT USED FOR NICENESS. The Boys premieres on Amazon July 26, 2019.

THE BOYS is an irreverent take on what happens when superheroes, who are as popular as celebrities, as influential as politicians and as revered as Gods, abuse their superpowers rather than use them for good. Subscribe to tvpromosdb on Youtube for more The Boys season 1 promos in HD!

[Thanks to JJ, Martin Morse Wooster, Bonnie McDaniel, Matthew Davis, Chip Hitchcock, Rich Lynch, Hampus Eckerman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Todd Mason, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip WIlliams.]

Pixel Scroll 5/28/17 No File For You Till You Scroll All Your Pixels

(1) THANKED AND EXCUSED. Mattie Brahan, in a non-public post, said her husband, Darrell Schweitzer, was told he won’t be needed as a Readercon 28 program participant –a piece of news Barry Longyear exaggerated in his public post as “banning”.

Readercon has been banning (“disinviting”) former guests from being guests, Darrell Schweitzer being the most recent about whom I’ve heard. I originally thought it was for political reasons (I was part of the Northern Maine Rebellion), but apparently the reason was age, experience, having been around for too long. It’s sort of like having an AA meeting and forbidding the attendance of anyone who has more than one year of sobriety….

Is it really because Schweitzer is too old? There are any number of men and women listed as part of the forthcoming Readercon program who are not young.

(2) THE FOREVER QUEUE. Io9 reports yesterday at Disneyland “Lines Snaked Through Entire Park for Disney’s Guardians of the Galaxy Ride Debut”.

Looks like the hype was real. Disney’s ride for Marvel’s Guardians of the Galaxy — Mission: Breakout! opened at Disney’s California Adventure on Saturday… and the effects could literally be felt everywhere in the park.

The Pandora section of Disney’s Animal Kingdom also opened in Florida over the weekend. It took fans about two hours just to get into the Pandora park, and ride lines were averaging about three to four hours for rides. Hell, some people reporting three-hour lines to get into the damn gift shops. Insane amount of standing and slowly walking aside, fans seemed happy with both Mission: Breakout! and Pandora.

(3) OPEN CASTING. Yes, this needs to happen. Emily Asher-Perrin and Leah Schnelbach team up to answer “Who Could Play This Merry Fellow? Dreamcasting Tom Bombadil” at Tor.com.

Emily pointed out that there should have been a DVD extra of Bombadil material, and then, naturally, that led to a dreamcasting of Bombadil. We gave ourselves a few restrictions–these had to be people who would have fit the role in 1999-ish, when they would have been hired for The Fellowship of the Ring, and all of the actors have been cast on the assumption that supermodel Claudia Schiffer is playing Goldberry…

(4) NEGATORY, GOOD BUDDY. As for my own attempt to cast the next Doctor Who — “Would Hayley Atwell Take The Role Of Doctor Who? Here’s What She Says”.

Hayley Atwell is frequent on fan’s most wanted lists, and while Atwell would likely kill it in the role, what does she actually think of all this? She wants that particular role to go to someone else.

I don’t want to play it. No. It’s just not my thing, but I really respect it. I’m a big fan of Phoebe Waller-Bridge, though. She plays the lead in Fleabag. There were talks of her being the next Doctor, and she’s so funny and eccentric and unique; she’d be great. I can’t really see anyone other than her playing it.

Appearing at Heroes and Villains Fanfest in London (via Geekfeed), Hayley Atwell made it quite clear that she doesn’t want to be the next Doctor.

(5) WHAT YOU MISSED. Chaz Boston Baden reports on his party at this weekend’s BayCon:

“A Bear’s Picnic” closed at 3:30 am, when the last four people left. As far as I know, no noise complaints were received about out party, even when Diane Osborne started singing about her rooster being dead….

Curious as to what song that might be I Googled “lyrics dead rooster” –you’d be surprised how many songs feature them.

(6) BODY WORK. Camestros Felapton went to the movies. He has posted the autopsy —“Review: Alien Covenant”.

…Covenant and its predecessor Prometheus are both variations on the theme of the original Alien. The same elements have to appear (some of which are shared with Aliens films), the horseshoe ship and the undiscovered planet and the body horror. The tone is serious and visuals are striking.

Covenant’s cast is sufficiently good and the dialogue strong enough that while the characterisation is not deep there is at least a sense of these people having some depth of character –it’s just that we don’t get to see it before they variously die horribly. Looking back at the original film, I suppose the same could have been said of it –even Ripley….

(7) FAN FILM. The Verge says “This Harry Potter prequel fan film looks even better than Fantastic Beasts” –and they’re right, it’s pretty slick.

The story follows a witch named Grisha Mac Laggen (heir to Griffindor and original character to this film), who suspects trouble when Hepzibah Smith, a descendant of the Hufflepuff family, was found murdered. The case goes cold, but Laggen suspects that there’s some sort of dark magic at play, and she believes that former Hogwarts student and future dark wizard Tom Marvolo Riddle is involved somehow. Visually, the teaser looks stunning, with visual effects and production design that feel like they fit alongside that of the official Harry Potter films.

 

(8) TODAY IN HISTORY

(9) A BIT OF FAME. Contributor Francis Hamit’s letter to the editors of TIME Magazine got a mention:

May 25, 2017

HACKING U.S. DEMOCRACY

Massimo Calabresi’s May 29 story about Russia’s use of social media to influence Americans was a reminder to be “wary of the source of that liked/upvoted social post,” wrote Sanjeev Verma of Sunnyvale, Calif. However, as Francis Hamit of Sherman Oaks, Calif., pointed out, foreign attempts to sway American politics aren’t necessarily new. “It’s just that we are finally paying attention,” he noted.

Hamit adds, “What TIME used was the tag line of a longer letter about Soviet €˜active measures’ during the Vietnam War.”

(10) SHAZAM. Adweek tells about a recent public service campaign: “Shazam Suddenly Started Forgetting Song Titles to Highlight a Little-Known Fact About Alzheimer’s”.

We’re naturally inclined to attribute human characteristics to the apps that continuously follow us around, which is part of why Siri is so amusing and Alexa so charmingly useful. But for Alzheimer’s Research U.K., agency Innocean Worldwide U.K. brought a horribly human attribute to Shazam–the ability to forget…

 

The purpose of the campaign was to tell young people that Alzheimer’s disease doesn’t just concern seniors; it can affect people as young as 40 years old. Over 40,000 people under 65 are living with dementia in the U.K. alone.

The effort ran through the month of April in the U.K. In mere hours, the agency says, “The Day Shazam Forgot” yielded 2,018,206 impressions, with 5,096 visitors visiting the Alzheimer’s Research U.K. donation page. (Hopefully they remembered their credit card information.)

(11) HUGO SHORTS. Camestros Felapton continues sharing his ballot, and the reasons therefore: “Hugo 2017: Short Story”.

  1. “Seasons of Glass and Iron” Amal El-Mohtar It had a tough job against strong competition but I do think this one stood out. The story takes two elements from lesser-known fairy tales: a woman who has to live on top of a glass mountain and a woman who has to walk the earth in iron shoes until their soles are worn away. El-Mohtar captures the atmosphere of the stories but also turns them to her own purposes.

(12) HUGO LONGS. Ethan Anderton’s Twitter robots made me look, but it was later pointed out to me that the material had been thieved from Mark Kaedrin, so here’s the direct link to Mark — “Hugo Awards: The Dark Forest and Death’s End”.

Those ideas that evoke the fabled SF goal of Sense of Wonder are what make these books work. The more sociological and philosophical aspects of the story are a little less focused and successful, leading to some inconsistency in terms of characters and pacing that perhaps make the series too long and pull the books down a peg or two. I suspect some things are lost in translation here, but this is not meant as a slight on Ken Liu (who translated the first and third books in the series), just an acknowledgement that translations naturally produce, for example, awkward dialog and pacing. I’ll put this on me too, as reading a book from another culture always presents challenges that I’ll readily admit I’m not always equal to. However, most of my complaints are far outweighed by what this series gets right, and this will rank high on my Hugo ballot, though I don’t know that it will unseat my current frontrunner (which remains Ninefox Gambit).

(13) THE DAMN DOGS DON’T LIKE IT. WIRED ponders “Why Are Colleges So Hostile to Fantasy Writers?”

For decades aspiring fantasy writers have been subjected to dismissive behavior from college professors who disparage genre literature, even though such professors often admit they’ve never actually read any fantasy or science fiction. This sort of hostility is unfortunately alive and well today, as college freshman Alina Sichevaya can attest.

“I’d heard everyone else’s horror stories, because occasionally this comes up on Twitter, and people will talk about their college experience,” Sichevaya says in Episode 257 of the Geek’s Guide to the Galaxy podcast. “But I definitely wasn’t expecting such a strong response from my professor about genre fiction.”

Sichevaya says she attempted to defend fantasy, and to recommend high-quality examples to her professor, but she’s not optimistic it’ll do much good.

(14) HOW TO LOSE THE SALE. Stay away from these if you want to sell to Dave — “Dave Farland’s 10 Points to Avoid in Writing Short Fiction” at Writers of the Future.

…Seriously, though, I sometimes wish that I could explain to a young writer why I’m passing on a story. So I’m going to talk about it here.

Here are ten reasons why I reject stories quickly–usually within the first page:

  1. The story is unintelligible.Very often I’ll get submissions that just don’t make sense. Often, these seem to be non-English speakers who are way off in both the meaning of words, their context, or in their syntax, but more often it’s just clumsiness. I’ve seen college presidents who couldn’t write. But this lack of care is on a gradient scale, from “I can’t figure out what this is about” to “I don’t want to bother trying to figure this out” to “there are minor problems in this story.” For example, yesterday a promising story called a dungeon the “tombs.” Was it a mistake, or a metaphor? I don’t think it was a metaphor. The author had made too many other errors where the “almost correct” word was used.
  2. The story is unbelievable. “Johnny Verve was the smartest kid on earth, and he was only six. He was strongest one, and the most handsome, too. But the coolest part was when he found out he had magical powers!” At that point, I’m gone, and not just because there were four uses of “was” in three sentences…

(15) TROLLING. Squawks over women-only screenings of Wonder Woman in Texas.

Now unimpressed men are lambasting the idea on Facebook, claiming they are being discriminated against.

“Great, let us know when you have guys-only screenings of Thor, Spider-Man, Star Wars, etc. Let’s see you walk the walk now that you set this precedence [sic],” one man wrote.

“Very sorry if you feel excluded,” came the reply on the [Alamo DraftHouse] cinema’s official account.

(16) ALL WOUND UP. Picture of cyclones on Jupiter’s south pole: “Juno Spacecraft Reveals Spectacular Cyclones At Jupiter’s Poles”.

NASA’s Juno spacecraft has spotted giant cyclones swirling at Jupiter’s north and south poles.

That’s just one of the unexpected and puzzling findings being reported by the Juno science team.

Juno arrived at Jupiter last summer. It’s the first spacecraft to get a close-up look at the planet’s poles. It’s in an orbit that takes it skimming close to the cloud tops of the gas giant once every 53 days.

(17) HOW TO TALK TO FILM CRITICS AT MOVIES. The BBC trashes the movie of Gaiman’s “How to Talk to Girls at Parties”: “This is one of the worst films ever made”.

It may seem harsh to say that How to Talk to Girls at Parties is one of the worst films ever made, given that it isn’t a cynical studio blockbuster, but an indie passion project with a budget that wouldn’t pay for the Botox on most Hollywood productions. But this shambolic punks-meet-aliens rom-com is directed by John Cameron Mitchell, the acclaimed auteur behind Hedwig and the Angry Inch. It’s also adapted from a short story by Neil Gaiman, it has costumes by the triple-Oscar-winning Sandy Powell, and it features Nicole Kidman and Elle Fanning. If nothing else, then, it should seem vaguely professional. Instead, it’s like a shoddy school play put on by a drama teacher who thinks he’s cool for liking the Sex Pistols.

(18) MONSTROUS HIT. Carl Slaughter notes: “The Munsters wasn’t just a horror sitcom. It was a cultural phenomenon. After only 2 seasons and 70 episodes, it was buried by another cultural phenomenon: Batman.”

[Thanks to Mark-kitteh, Mark Kaedrin, Chip Hitchcock, Francis Hamit, Carl Slaughter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 5/1/17 Heigh-Ho, The Derry-O, A Pixel We Will Scroll

(1) CLARA COMING BACK? In a spoiler-filled post, “This ‘Doctor Who’ Companion Could Be About to Return for the Christmas Special “, Lewis Jeffries speculates about the 2017 Doctor Who Christmas Special.

On Twitter, it has been stated that Eddie’s Diner has been booked by BBC Doctor Who for two days of filming. Hardcore fans know that Eddie’s Diner is in fact Clara and Ashildr’s (Maisie Williams) TARDIS in disguise. So this can only mean one thing, the return of Clara Oswald and Ashildr.

(2) HELP WANTED. James Ciment, PhD, Acquisitions Editor for Popular Culture at ABC-CLIO, has an opening:

ABC-Clio, a reference and academic publisher based in Santa Barbara, California, is looking for an editor (or co-editors) for a reference book on aliens in popular American culture—popular literature, film, television, graphic fiction, and other genres and media. Book length and specific content will be determined by the editor in consultation with the publisher. The deadline for submission of the manuscript is flexible, within a range of 18 to 30 months. The book is intended for the college, public and academic high school library markets. Requirements for the editor are flexible as well but editor must have significant publishing history in the field of literary/film criticism, popular culture studies and/or related fields. Academic affiliation is recommended but not required. Reference editing experience helpful. Editor duties include developing a TOC, soliciting contributing writers, and editor manuscript for content. Publisher will provide administrative support and will be responsible for copy-editing and indexing.

Interested persons should send their CV to acquisitions editor James Ciment at: [email protected]

(3) LET THE APPERTAINMENT BEGIN. Steve Davidson knows that as often as I need to invite people to appertain themselves their favorite beverage (after spotting one of my typos), I probably need to order in bulk. And if I’m doing that, the bottles should have a house label – which he has supplied.

(4) DERRINGER AWARDS. The 2017 Derringer Awards winners, for short mystery fiction, have been announced. Unfortunately, Bruce D. Arthurs’ Derringer-nominated short story, “Beks and the Second Note,” did not get the nod. Here are the stories and authors that did:

2017 Derringer Award Results

BEST FLASH STORY (1 – 1,000 words)

  • Herschel Cozine for “The Phone Call” (Flash Bang Mysteries, Summer 2016)

Best Short Story (1,001 – 4,000 words)

  • Linda Barnes for “The Way They Do It in Boston” (Ellery Queen’s Mystery Magazine, September/October 2016)

Best Long Story (4,001- 8,000 words)

  • Victoria Weisfeld for “Breadcrumbs” (Betty Fedora: Kickass Women In Crime Fiction, Issue 3, September 2016)

Best Novelette (8,000 to 20,000 words)

  • Terrie Farley Moran for “Inquiry and Assistance” (Alfred Hitchcock’s Mystery Magazine, January/February 2016)

Edward D. Hoch Memorial Golden Derringer

  • Robert Randisi

(5) POD DRAMA. Tor Labs is a newly launched dramatic podcast imprint. Here’s an excerpt from Patty Garcia’s press release.

Tor Books, a leading global publisher of science fiction and fantasy, announced today that it is launching TOR LABS, a new imprint emphasizing experimental approaches to genre publishing, beginning with original dramatic podcasts.

Helmed by Senior Editor Marco Palmieri and Editor Jennifer Gunnels, Tor Labs will debut this summer with Steal the Stars, a science fiction audio drama which will be produced in partnership with Gideon Media and written by Mac Rogers, the award-winning writer of the global hit podcast thrillers, The Message and LifeAfter.

(6) TRAVEL FUNDING SOUGHT. Three Brazilian fans; Andressa Dreka, Mayara Teixeira Dos Santos, and Luis Alessio are crowdfunding to come to the UK for Lazlar Lyricon 3, a Hitchhiker’s Guide to the Galaxy funcon being run in Stoke on Trent in June.

The trio help run Obrigado Pelos Peixes (“Thanks for All the Fish”) an organization in Brazil that ran its own convention, Don’t PaniCon, last year, and plan another for 2017.

James Bacon notes:

A few special items were auctioned at the recent UK Eastercon to help raise money for the project. These included an official Hitchhiker’s quote towel from the 1980s and a pair of beer glasses with Hitchhiker inspired designs from the 42nd Cambridge Beer Festival. This raised GBP212 for the fund.

The crowdfunding is being carried out on a Catarse site, via https://www.catarse.me/OPPnoLazlarLyricon3.

As File 770 reported over the winter, Lazlar Lyricon 3 will take place June 9-11. Committee members include Stefan Lancaster, Emma J. King, David Haddock and Alan Sullivan.

The first two Lazlar Lyricons were part of a series of conventions in the 1980s, 90s and early 00s colloquially called ‘Fun Cons’, which also included the Incons, Dangercons, and several one-off conventions such as Year of the Wombat and Aliens Stole my Handbag.

(7) READING ALOUD. Cat Rambo says, “A lot of us have listened to SFWA’s Executive Director Kate Baker narrating podcasts over the years, but here’s someone narrating one of Kate’s pieces” — “Old Teacups and Kitchen Witches by Kate Baker” on Cast of Wonders.

This time the narrator is –

Karen Bovenmyer earned an MFA in Creative Writing: Popular Fiction from the University of Southern Maine. She teaches and mentors students at Iowa State University and serves as the Nonfiction Assistant Editor of Escape Artists’ Mothership Zeta Magazine. She is the 2016 recipient of the Horror Writers Association Mary Wollstonecraft Shelley Scholarship. Her short stories and poems appear in more than 40 publications and her first novel, Swift for the Sun, will be available Spring 2017. Follow her online and on Twitter.

(8) EPISODE ONE. At the B&N Sci-Fi & Fantasy Blog, Meghan Ball and Kelly Anderson recap “American Gods Episode One: ‘The Bone Orchard'”.

Our reactions

Kelly: Welp. This show knows how to make an entrance! Pilots are all about being memorable, and I think I can say from the get-go this one certainly succeeded on that level. They went for a combo of stark, Tarantino-esque visuals, husky-voiced, gritty storytelling, and a grimy ‘70s vibe, and it all blends together to create the perfect mood for this story. It’s surrealist noir, if such a genre exists—everything is slightly off-kilter, and even the scenery makes you look twice (that alligator bar! I gotta get me one of those!). It’s as if somebody went back in time and gave Magritte computer graphics and possibly some acid, and I love it.

Meghan: That was an astonishing trippy-as-hell hour of television. I never thought I’d see the day someone actually followed through with bringing this book to life, and certainly not in a way so savagely, monstrously beautiful. I especially loved the use of music. Whoever chose it deserves a raise. “Where Did You Sleep Last Night?” playing while Shadow stares mournfully at Laura’s grave? Absolute perfection. They also used “Iko Iko” by the Dixie Cups in the bar scene, which is also mentioned in the novel. That was especially cool. Everything about the premiere felt lush and organic, and utterly real as it was surreal. I’m a fan of Tarantino movies, and even I was gasping in shock during the opening Viking scenes, which completely set the tone.

(9) THE LONG HAUL. At Vox, there’s an overview by someone who’s seen the first four episodes.

If you’re like me and haven’t read Gaiman’s iconic source material, the TV series doesn’t spend a whole lot of time trying to catch you up. There will inevitably come a point when — as blood rains from the sky and some god or another intones an ominous missive about death — you’ll squint and realize you have no idea what’s happening.

But that’s okay by American Gods. Having seen four episodes, I think it’s safe to say that the mysteries being explored by the show’s first season are intricate, and that Fuller and Green are in no rush to give away their secrets. This will be frustrating for people watching from week to week, but American Gods is making the bet that you’ll be intrigued enough by what it teases to stick with it — and on that front, it’s probably right.

(10) INDEPENDENTS’ DAY. The Seattle Review of Books covers #independentbookstoreday celebration: “Our Independent Bookstore Day, in photos”.

(11) GLOWING GOO YOU CAN CHEW. Where to find it? Cat Rambo has a clue.

My most recent newsletter is up and includes class news and a link to a recipe for edible glow in the dark gel: “News and More Stuff from Chez Rambo”

(12) SAX AND VIOLENCE. Echo Ishii watches old TV: “SF Obscure: Night Man “.

What do you get when you cross light jazz, Taylor Dayne, and questionable costume choices? And then you throw in special guest appearances by Jerry Springer and Donald Trump? Why you get Night Man, a show that surprisingly stayed on air for two seasons.

Night Man(1997-1999) is the story of Johnny Domino, a professional saxophonist, who is struck by lightning and earns a telepathic ability to see evil. It’s loosely based on an original comic. He also teams up with some scientists on the run who provide him with a special suit that allows him to deflect bullets and fly. It actually took a few episodes to figure out exactly what the suit does vs. Johnny Domino’s own ability- and I have the sneaking suspicion it was not entirely developed well by the writers.

(13) BAD MIKE.

So the rest of you better hurry and get that reading done or I’ll take a bite out of you, too.

(Or – and this was the point — you could wait to fling poo at the Hugo shortlist ‘til you’ve read it, something that never occurred to C. and Matt.)

(14) PURITY OF ESSENCE. Can penguins be forced to bark? Jay Maynard wants to “Make Penguincon Great Again” —  by kicking out everything he doesn’t like.

Still, I’d promised this year’s con chair that she’d get a fair chance to address my concerns, so I came back one more time. Guess what? More hard-left GoHs — the odious Coraline Ada Ehmke, she of the Contributor Covenant that prohibits project members from being politically incorrect any time, anywhere, in any venue, on pain of expulsion (who had to cancel due to an emergency); Sumana Harihareswara, who I found out the hard way was a hard-core feminist as well; and Cory Doctorow, well-known left-wing author — more politically correct panels, 15 of them on such topics as “Queering Your Fiction” and “Let’s Get the Taste of 2016 Out of Our Mouths” and “Exploring Themes in Zen Cho’s Work” (with “Intersectionality, diaspora and immigration, the culture of British education, and queer relationships also appear in Cho’s stories over and over” in the description). When I was asked to submit lists of panel topics, I was instructed not to be controversial, but it seems the Left has no such admonition.

This was further borne out by the very first thing that happened at Opening Ceremonies: right after the con chair took the mic, she introduced one member of the convention committee, who proceeded to name 8 or 9 American Indian tribes that had lived in Southeast Michigan in the past and said that “we are their guests here”. That bit of virtue signaling came straight out of the political correctness playbook.

The con’s expanded harassment policy is also of the same stripe; it basically allows anyone to complain that they are being harassed on the flimsiest of excuses, and the con can then eject the subject of the complaint summarily with no recourse and no refund. This is the kind of policy that has routinely been used against those who are merely politically incorrect at other cons, most notably the Worldcon in Kansas City.

There were exactly two panels on topics that the Left would not approve of, both relating to firearms. In fairness, I will also point out that the con did, for the first time, officially sponsor and pay for the Geeks with Guns event. Still, the overall feel is that of overpowering political correctness.

All of this adds up to one inescapable conclusion, for me: those who oppose the politically correct orthodoxy are not Penguicon’s kind of people. Oh, sure, they’ll happily take our money, but we’re not “one of them”.

I go to cons to escape the culture wars, not to get hit over the head with how much of a nasty, eeeeevil person I am for being a white male. We are all, first and foremost, SF fans and computer geeks. People should leave their politics at the door and celebrate SF and open source computing for their own sakes. For the first decade, at least, Penguicon did. It doesn’t any more.

Jer Lance disagrees with the diagnosis: “On the Need to Make Great Things Great Again”

Among my plans for the day, today, was to put together a quick writeup congratulating the staff of Penguincon for throwing an undeniably successful convention—the 15th in a series! Instead, I’d like to take a moment to respond to a long-time attendee’s paen to modern divisive politics; a blog post with the snappy title “Make Penguincon Great Again.” In his post, Jay “Tron Guy” Maynard makes the assertion that Penguincon has fallen to the “leftists” and resulting event is no longer one that is comfortable for people like him.

…Instead, I would like to focus on Jay’s proposed solution. Tron Guy—an attendee since the very first event—would “return the con explicitly to being nonpolitical.” Maynard yearns for the days when we focused on apolitical topics like Geeks with Guns – Societal & Political (year 1), Hidden Totalitarian Assumptions in ‘I, Robot’ (year 3), Don’t Be Evil: The Google Books Settlement (year 9), Technology as Legislation (year 5), and of course the keynote address from the very first Penguincon by Eric S. Raymond (on whose blog this Make Penguincon Great Again concept was born) which discussed “open source, the hacker culture, and the second amendment.” As Archie Bunker sang, those were the days!

In case my point was too subtle, Penguicon has never been any more apolitical than science fiction itself, despite claims to the contrary.

….I came to my first Penguincon in 2006 during its 4th year. I came for the tech conference side of the house and actively disdained the “comicon, nerd shit.” Over the ensuing 11 years, I have attributed a tremendous amount of my personal growth to my having been repeatedly and relentlessly exposed to things outside of my comfort zone through the convention. My hardline libertarian stance has softened to that of a moderate conservative through immersion in concepts that were foreign to me until such time as it was easier to understand them than repel them.

In that understanding, I’ve earned empathy….

(15) IT’S A THEORY. K.B. Wagers argues the change is happening: “The Rise of the Unlikable Woman”

There have always been unlikable characters in fiction, though the idea of the anti-hero?—?brooding, self-centered, wholly unredeemable?—?has long been considered a man’s territory. From crotchety but lovable Han Solo to the downright dangerous Riddick, no one complains that these characters aren’t people you’d trust to watch your house, let alone have a cup of tea with.

Women in fiction, by contrast, can only be unlikable if they are redeemable in some fashion or another?—?or if they’re ultimately punished. Black Widow in the Marvel Cinematic Universe is struggling for redemption (and turned into a nursemaid for the Big Guy as a result). Were she still unrepentant about the death she’s dealt?—?as Loki is?—?she would find less compassion from the audience. Emma Bovary, in Gustave Flaubert’s Madame Bovary, receives her punishment (in the form of her death) at the end of the novel as a result of her sexual desires.

But now, women characters are rising up from the ashes of these expectations….

(16) SIGNS OF THE TIMES. On Planetary Post, March for Science participants joined host Robert Picardo in support of space science and exploration in Washington, D.C.

(17) CLARKE CENTER. Episode 7 of Into the Impossible, the Arthur C. Clarke Center for Human Imagination’s podcast, takes you to ”New Spaces”.

We’re looking at new spaces in space, speaking with Drs. Yvonne Cagle (astronaut and physician) and Adam Burgasser (astrophysicist). We talk about why we send humans into space, the discovery of potentially habitable worlds at TRAPPIST-1 and how we imagine them, the role of interstellar art, the evolution of human physiology in zero-g, why the scariest thing about being an astronaut might be finding yourself on stage at the Oscars with Dr. Katherine Johnson, subject of the film Hidden Figures, and how important it is that we remain vigilant in our embrace of diversity across disciplines.

(18) BAT EXCLUSIVITY. ScreenRant claims there are “15 Things Batman Can Do (That No One Else Can)”.

Given his intensive combat training and genius-level sleuthing skills, the Dark Knight Detective is one of the most formidable heroes in the DCU (or the world of comics in general), giving him a skill-set that dwarfs many of his superpowered peers.

  1. He Has Contingency Plans to Take Down Enemies…and His Friends

As we stated earlier, Batman prepares for everything. And we mean everything. In addition to strategizing on how to take down all of his arch-enemies and other deadly threats, he does what some might see as a betrayal–he creates contingency plans against every one of his fellow Justice League team members (in Grant Morrison’s 2000 Justice League: Tower of Babel storyline).

Using his genius intellect, he develops brutally efficient ways to neutralize his teammates’ powers: he binds Green Lantern with his own power ring, makes Aquaman terrified of water, uses fire against Martian Manhunter, liquid nitrogen to subdue Plastic Man, virtual reality against Wonder Woman, and he even creates a weapon to give The Flash seizures.

His strategizing backfires, however, when Ra’s al Ghul steals his plans and takes down his allies. Needless to say, his fellow Justice League members were none too pleased with this, and they  subsequently had his membership revoked. It’s not easy for Batman to have friends.

(19) BATMAN & BILL. Hulu is releasing Batman & Bill on May 6, which is a documentary about Bill Finger’s contributions to the Batman mythos. FirstShowing.net explains the “Official Trailer for Hulu Doc ‘Batman & Bill’ About a Batman Creator”

“The most mysterious man in Gotham City wasn’t in a mask and cape.” Hulu has released an official trailer for a documentary titled Batman & Bill, which will premiere exclusively on Hulu starting early May. The documentary “unmasks” one of the greatest secrets in the comic industry – that Batman wasn’t created by Bob Kane alone, it was primarily Bill Finger who created the iconic superhero. This seems like a fascinating doc with plenty to offer for comic book fans, including inside stories and excellent art from the early days of Batman. It’s cool to see a doc like this that actually looks worth watching on Hulu.

 

(20) BATMAN & BOB. Offered on eBay and now marked down from $1,500 to $1,050, a signed first edition of Bob Kane’s autobiography Batman & Me with original signed ink Batman drawing by Kane.

Batman & Me. Forestville: Eclipse Books, 1989. First Edition. Copy number 144 of 1000 numbered copies signed by Bob Kane with an original ink drawing of Batman by Kane. The autobiography of the artist who created the immortal comic book character Batman in 1939. Extensively illustrated. Fine in slipcase.

(21) THE FIRST HALF OF HISTORY. Fanac.org has posted a recording of a 1968 Worldcon comics panel with Marv Wolfman and Harry Harrison. I guess a few things  have happened since then:

Baycon, the 26th WorldCon, was held in Oakland, California in 1968. This very entertaining panel features a discussion about contemporary comics by the then relative newcomer, Marvin Wolfman, and a plethora of engaging stories by Harry Harrision. Harry talks about Bill Gaines (EC Comics) and working with Wally Wood. The stories are funny, the context and history of the field are priceless. Moderated by Paul Moslander, this excellent recording is courtesy of the Pacifica Radio Archives.

 

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Cat Eldridge, Steven H Silver, Martin Morse Wooster, Cat Rambo, James Bacon, and Bruce D. Arthurs for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]

Jon Del Arroz Off BayCon 2017 Program, Claims Decision Is Politically Motivated

Jon Del Arroz

San Francisco-area writer Jon Del Arroz has spent the past few Memorial Day Weekends speaking at BayCon, but he wasn’t asked back in 2017. He says it’s because he’s a Trump supporter. Del Arroz’ version has been discussed or reblogged today by Vox Day, Nick Cole, Declan Finn, Superversive, Brian Niemeier, and Marina Fontaine, who characterize him as a martyr of science fiction’s culture wars.

The BayCon committee, however, says he had just been rotated off programming for this year. They had already pre-invited him to return in 2018.

Del Arroz, in “Bringing Home The Baycon (Or What I Learned From Being Blackballed)”, accused BayCon of trying to destroy his career, of bigotry — and of simple bad manners.

A couple of weeks ago,  I found out that I had been blackballed from speaking at my own home convention, a place I’ve loved and cherished for almost a decade. This was a wanton act of discrimination, and perhaps more importantly, a show of utter disinterest in promoting prominent local science fiction authors. With a supposed emphasis on diversity, this act done to a Hispanic author casts an even darker shadow. It’s about as disturbing as it gets to see folk that you considered friends for years treat you with that level of disregard, while in the same stripe ignoring attendees who deliver me death threats.

Most shockingly, the event organizers (of whom I know very well and very personally) in question did not respond personally, but delivered a form letter to explain the ostracization. It’s disingenuous and displays a dismissal and dehumanization of which I could hardly conceive….

The reason I was disinvited was because it is well known that I support the President of the United States, duly elected and all, and that I’m happy about the way the country is being run. You know, like most normal people are. That’s the only thing that’s changed between then and now. It’s the same dangerous rhetoric out there that many of these folk who run the convention post on such a consistent basis that has turned Facebook from a “fun catching up with friends” website to a hellhole of fear, anger and hate (which as Master Yoda taught us, leads to suffering!). It’s impossible to communicate anymore, and as such, there is a small but vocal power structure of people in the convention scene and publishing that can’t tolerate the concept of seeing my pretty face. I am a minority that’s been discriminated against, not because of my race, but because of my ideas. In Science Fiction, ideas are everything, and it’s frightening to think about those being shut down as a consequence. These people want my career to fail, and they believe they can accomplish that by silencing me and giving me the cold shoulder.

BayCon chair Chris Castro answers that politics never entered into the decision, it was the result of an overall change in policy designed to freshen the program, Castro wrote on Facebook:

This was shared before, but I want to make sure everyone has had a chance to read how our process for implementing programming this year has changed.

http://baycon.org/bcwp/programming-2/

There never has, nor ever will be any decisions made to invite or not invite guests based on their political beliefs or personal philosophies. Every decision we make in regards to who participates in our con as a guest always takes into consideration our theme and focus for the year. Each decision is made professionally, communicated professionally, and always comes down to a group decision by executive and programming staff.

BayCon always seeks to make each convention weekend a fun, engaging and safe place for fans to connect with each other, geek out, and enjoy themselves without harassment. Our decisions are always made with this goal in mind.

The linked text includes this explanation —

“But I’m always on the program!” Going forward there is no such thing as a guest who is guaranteed to be on the program every year. The overwhelming feedback we’ve gotten has been that our attendees have their favorites, but they want new voices and new ideas mixed in with the classic program items and long-time guests. In order to make room for those new voices we will be asking some of our long-standing guests to step back and take a year off now and then. Not receiving an invitation one year does not mean you are off the list, just that this year was a better fit for other participants. At the discretion of the board, the chair and the programming staff, some guests who have been accustomed to an annual invite will be finding themselves with a year off. We encourage those people to come to BayCon as attendees both to enjoy the convention and to support their fellow panelists until they are asked back themselves. “Not this year” is absolutely not code for, “never again!”

Susie Rodriguez, of BayCon’s programming staff, answered File 770’s question about Jon Del Arroz specifically.

Jon has absolutely been a valued member of our program and our community in the past. This year he was not issued an invitation. When he contacted me to ask if he’d been accidentally overlooked, I sent him the following:

“Dear Jon,

Thank you for your interest in BayCon 2017. We have made some changes to the programming which are discussed in detail here: http://baycon.org/bcwp/programming-2/

At this time we are not issuing you an invitation for this year’s convention. You are definitely on our guest list for 2018 and we hope very much to see you there.

Sincerely,

BayCon Programming”

It is not a form letter. It is a personalized letter that was created for him and only him. As you can see, it even included a pre-invitation to participate next year, a thing that is not part of our standard rejection letter.

We are sorry he feels the need to conduct himself in this manner and that he has decided that being off the program for a single year constitutes a blackball. We are choosing to respect his decision not to participate in BayCon in the future and letting it go at that. Other guests have been rotated out in the past and while there are sometimes hurt feelings, this reaction has been unique.

I will reiterate Chris’s words above. Political beliefs and personal philosophies are not a litmus for choosing guests. Who a guest voted for is simply not an issue.

There’s only so many places to use people on convention panels. BayCon’s effort to make room on program for new voices by cycling off some of the regulars addresses a similar problem our local LosCon has also faced. I am reminded that when a friend of mine was left off LosCon program after decades of participation he took it very personally and made the rounds complaining to everyone he knew, exerting all the emotional pressure he could to regain something he felt entitled to have. (It worked, in his case.)

But no, this can’t just be a case of hurt feelings. It must be the tragic fate befalling someone who is a lonely dot of red in California’s sea of blue.

BayCon’s Founding Fathers, Brothers and Sisters

Victory has a hundred fathers, defeat is an orphan, goes the familiar saying. No doubt that explains how some conventions seem to have no parents, while others could use a Solomon to settle claims about their history.

For example, in Living in Atlantis #2, a lavishly illustrated fanzine filled with autobiographical insights about Seventies fanhistory, John McLaughlin’s editorial reveals a controversy over who founded BayCon, the San Jose convention which celebrated its 25th anniversary last year.

Just 26 concom and staff, and about a dozen gophers, ran BayCon ’82. One of them was Hotel Liaison Michael Siladi, identified as one of the convention’s founders in last year’s program “BayCon Trivia: 25 Years Young.” McLaughlin believes he and Randall Cooper alone are BayCon’s co-founders: “Should, then, those 40 people all be considered ‘founders’ of BayCon? No. Because, before anyone can join a con staff, the convention first has to exist, either as a concept, organizational structure, or business entity.”

There is justice on both sides of the argument. Founder tends to be a pretty elastic term. It may attach to a single individual who conceives an institution, or it may extend to everyone who shares the risk to get a project off the ground. Americans liberally define as Founding Fathers all the signers of the 1787 Constitution – even signer John Dickinson, who before the Revolution opposed John Adams in debate about the Declaration of Independence. (Kevin Standlee will now rise and sing Dickinson’s lyrics from 1776).