Pixel Scroll 3/7/18 I Lurk Therefore I Scroll

(1) PITCH IN. John Picacio calls for donations to help Mexicanx Initiative attendees afford travel to Worldcon 76.

While the initial Membership Fund is essentially “mission accomplished” because we fully funded 50 Attending Memberships, the Assistance Fund has been accepting separate monies since January, for helping Recipients with their travel, hotel and food needs because so many face an expensive, sometimes complex, journey. I’ve been doing that without going public, but as of today — anyone can give to The Fund, encouraging diversity and inclusion toward a stronger, more balanced sf/f field.

And here’s where you make it happen:


Your money will go directly to Worldcon’s Treasury. They will allocate it toward The Assistance Fund (different from the already-completed Sponsored Membership Fund). How will the Assistance Fund money be distributed to the Recipients? Every dollar will be given to the Recipients via Worldcon 76’s Registration Team at the convention in August, and will be distributed in equal portions. I suspect our south-of-the-border Mexicanx will receive the bulk of the funds, divided evenly amongst them. The north-of-the-border Mexicanx will receive the remainder, again divided evenly amongst them. No Assistance grants will be distributed until funding is completed, but 100% will go to our Membership Recipients at Worldcon 76.

This way, all will receive a share of assistance, but the south-of-the-border attendees will receive more than the north, which is what I want. In the coming weeks, I hope we can generate at least $15,000 to help these folks make their Worldcon dream come true, and from what I’m hearing, we already have $6000 toward that figure.

Make donations through Worldcon 76’s “Mexicanx Initiative Assistance Fund”.

This fund is to assist members sponsored via Guest of Honor John Picacio’s Mexicanx Initiative to cover their travel and lodging expenses. Worldcon 76 and SFSFC are managing this fund independently of the main Worldcon 76 budget as directed by Mr. Picacio.

(2) MARKET INFO. Parvus Press’ focused submission call for writers of color and indigenous persons — “Open Call: Writers of Color” continues until April 30, 2018 at midnight US Eastern Time. Managing editor John Adamus says:

Everyone should have a chance to see themselves in art, and not as caricature or as some demonized trope solely in the story to make some other character look better. Authorial voice and truth are what make stories passionate and dynamic expressions of the personal and the creative, and no one should ever feel like their voice and truth somehow aren’t worth making known.

I think one of the great creative crimes that we’re now really starting to prominently see reversed is the silencing and minimizing of authors and creators who aren’t the majority or who don’t identify along majority lines. All stories have the potential to affect and move other people, but only if they’re given equal space on shelves and in minds and hearts.

It is so important to me that Parvus Press be a place where the minority author find opportunity and that their voice and story not be relegated to the side or the back because of biases or differences. I’m proud to be able to work with all authors and see them succeed, no matter who they are or how they identify. Representation matters.

(3) HOPPER’S GENRE WORK. You recognize Nighthawks, but what came before that? Not sff, but what the heck. LitHub tells about “The Unlikely Pulp Fiction Illustrations of Edward Hopper”.

In the winter of 1956, Alexander Eliot, art critic for Time magazine, interviewed Edward Hopper for a cover feature on the painter’s roundabout path to fame. Intended to familiarize general audiences with the man behind classic paintings like Nighthawks and Early Sunday Morning, the resultant profile reads today like a paean to an American master. Eliot was taken with Hopper’s “unalterable reserve.” Presenting the artist as a frugal and unsentimental old man who often conflated self-effacement and self-flagellation, he painted his own portrait of a folksy messiah—a humble savant capable of rescuing American realism from a clique of “clattering egos.”

Given this messianic tilt, it’s not surprising that as Eliot broached Hopper’s early days as a commercial artist, he referred to the period as his “time in the desert.”

… Between March 1916 and March 1919, Hopper illustrated five issues for the publication. In these magazines, the famed realist—a man whose plaintive portraits and landscapes now sell for tens of millions of dollars—drew heading art for stories like “The Sourdough Twins’ Last Clean-Up,” “Snuffy and the Monster,” and “A Fish Story About Love.” Hopper enlivened these stories with images that ranged from amusing to maudlin. One illustration, perched above Holda Sears’ “The Finish,” shows an explorer in a life-and-death struggle with a man-sized python. Another, atop Hapsburg Liebe’s “Alias John Doe,” depicts two cowboys “tabletopping” a patsy—one of his subjects kneeling behind their victim while the other topples him over. Additional pictures portray rampaging apes, spear-wielding natives, and pioneers wearing coonskin caps.

(4) BURTON READS BRADBURY. Phil Nicols’ Bradburymedia naturally was first to spot “LeVar Burton Reads… Bradbury”.

LeVar Burton – Emmy and Grammy Award-Winning actor-director, and star of Star Trek – has a weekly podcast where he reads selected short stories. Think of it as PBS’ Reading Rainbow for adults! The most recent episode is a full reading of Ray Bradbury’s “The Great Wide World Over There”.

The production values are high in this series. Not just a straight reading of the story, the episode includes subtle sound effects and almost subliminal music cues. Burton performs each character distinctly – and the sound design separates the characters out from the narration, so that it almost sounds like a full cast dramatisation, but the cast is just LeVar alone.


  • JJ hopes this future fan isn’t cured — Bizarro.

(6) GAME OF BREW. Ommegang Brewing has announced the final one of their Game of Thrones beers, Bend the Knee, which is coming out on Memorial Day with three different labels, so you can choose whether you want the Stark, Targaryen, or Lannister versions.

This is a beer that’s nine percent alcohol by volume, which is a lot!  So it leads to a new definition of binge-watching:  while you’re at home watching the show, you can binge AND watch at the same time!

(7) AND A SHIRT TO STEER ME BY. There can’t be many things left on his bucket list. This is one: “William Shatner Wants to Play a Red Shirt on ‘Star Trek'”.

Star Trek icon William Shatner has a surprising role on the top of his list of Star Trek characters he’d like to play who are not James T. Kirk.

Shatner is out promoting his new film Aliens Ate My Homework and in speaking to Cinema Blend he revealed that if he were to play someone else in Star Trek, it would be a simple red shirt.

I guess it technically doesn’t count that he died in a Trek movie wearing a red vest.

(8) CSI: FOREST. Unlike redshirts, red squirrels are the survivors in this forest: “Red squirrel numbers boosted by predator”.

This is according to scientists at the University of Aberdeen, who carried out an in-depth forensic study of the relationship between the three species.

The pine marten is a predator of the reds, but in areas where it thrives, the number of grey squirrels reduces.

The journal study suggests that the pine martens reverse the “typical relationship” between red and grey squirrels, where the red always loses out, according to lead researcher Dr Emma Sheehy.

“Where pine marten activity is high, grey squirrel populations are actually heavily suppressed. And that gives the competitive advantage to red squirrels,” she said.

“So you see lots of red squirrels and you see them coming back into areas where they hadn’t been for quite some time.”

…Pine martens – cat-sized members of the weasel family – are gradually becoming re-established in parts of Scotland, after their near extinction in the UK.

They used to be trapped in large numbers by game-keepers, and also hunted for their fur, which was a valuable export from Scotland.

It is has been illegal to hunt the animals since the 1980s, and their numbers are now increasing.

(9) A BETTER SCARECROW. This should have been an entry on Shark Tank: “‘Super Monster Wolf’ a success in Japan farming trials”.

A robot wolf designed to protect farms has proved to be such a success in trials that it is going into mass production next month.

The “Super Monster Wolf” is a 65cm-long, 50cm-tall robot animal covered with realistic-looking fur, featuring huge white fangs and flashing red eyes, Asahi Television reports.

It’s been designed to keep wild boar away from rice and chestnut crops, and was deployed on a trial basis near Kisarazu City in Japan’s eastern Chiba prefecture last July.

When it detects an approaching animal, its eyes light up and it starts to howl, Asahi TV says.

(10) ROBERT MOORE WILLIAMS. Galactic Journey reviews an Ace Double issued 55 years ago — “[March 6, 1963] Generation Gap (Ace Double F-177)”. The Traveler wasn’t impressed with Robert Moore Williams’ side of the volume:

Robert Moore Williams was first published in the pre-Campbell days of Analog.  He has since written more than a hundred stories for a variety of magazines, but his DNA was baked in the Golden Age of science fiction.  The future world of The Star Wasps is an archaic, mechanistic one.  Society simplistically hinges on the activities of a half-dozen people.  There is a Resilient Woman Character whose primary role is to be the Love Interest.  After the intriguing set-up, Wasps degenerates into a figurative car chase, with people running around and pulling levers until the enemy is defeated.

Robert Moore Williams was one of the first sf writers I personally met, and he was impressive for unapologetically calling himself a “hack” whose career depended on avoiding a too-literary style. As he would say: “I have to stink ‘em up just right.”

(11) RETRO OSCARS. Io9’s Germain Lussier makes his pitch for “12 Scifi Movies That Totally Deserved to Win Best Picture Before The Shape of Water”. Hells yeah, give cousin Judy an Oscar!

The Wizard of Oz

Even in 1939, the Academy acknowledged that The Wizard of Oz was a masterpiece. The movie got six nominations, including Best Picture, but only won statuettes for song and score. It probably would’ve had a better chance if it wasn’t up against Gone With the Wind. Still, The Wizard of Oz remains one of the most beloved films of all time regardless of genre, and would have been a worthy recipient of the biggest honor in movies.

(12) PORGS MEET TERPSICHORE. And while I’m talking about io9, I say bless them for pointing out this video:

[Thanks to JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]

Pixel Scroll 3/2/18 Green Eggs And Lembas

(1) ADDING AN OSCAR. Animation World Network asks, “Do Digital Characters Deserve Academy Awards?”

Producing photorealistic digital humans, animals and other types of creatures has been a one of the holy grails for computer scientists and digital artists since the nascent days of the CGI technology revolution. More recently, in the last 10-15 years, many filmmakers have made significant strides toward achieving the goal — some more convincingly than others — of bringing believable photoreal human and lifelike digital characters to the screen.

From the first full-length photorealistic animated film, Hironobu Sakaguchi’s Final Fantasy: The Spirits Within (2001) to Peter Jackson’s ground-breaking Lord of the Rings trilogy (2001-2003), Robert Zemeckis’ innovative but not hugely popular Polar Express (2004) and Beowulf (2007), David Fincher’s mesmerizing The Curious Case of Benjamin Button (2008), various wildly popular Marvel movies starting with Iron Man (2008), and of course, seminal films like James Cameron’s Avatar (2009) and Rupert Wyatt’s Rise of the Planet of the Apes (2011), filmmakers have continually raised the bar, and stakes, with a series of increasingly complex digital characters that don’t just wow audiences with their stunning visuals, but capture people’s hearts with their believably emotional performances. The growing list of such digital performances is a testament to the unending audience appetite for visually engaging storytelling produced by a new generation of talented filmmakers more and more adept at embracing and making use of sophisticated production technology.

… According to Edlund, when you consider digital characters such as Caesar, you must also consider the team responsible for animating the performance. “Well, [the Academy is] studying this whole issue,” he says. “I know Andy Serkis thinks that he was the first one to use motion-capture and all that, and he’s a talented guy. But the thing is, Andy Serkis’s performances are also tweaked by animators, and so rather than giving Andy Serkis the entire award…if he were to be nominated and voted in, you’d have to split the award with the animators. So, it’s a very difficult thing. There’s always a serendipity about performance. There are things not on the page of the script that happen within the performance of the actor. When you animate, everything is intellectual, everything is being created. So, this is the valley that animators have to cross.”

(2) ALL FAME IS FLEETING. It’s time again for Young People Read Old SFF. James Davis Nicoll has turned them loose on Hall of Fame short story “It’s A Good Life” by Jerome Bixby.

Jerome Bixby was one of those reliable, unremarkable mid-listers the field used to support in decades past. In general, his work was a decent way to pass a half hour but not often memorable. “It’s a Good Life” is the exception, selected for the Hall of Fame, adapted to TV and the silver screen and referenced in a number of other works. Of course, the story’s heyday was in the distance past, in a now half-forgotten era of slide-rules and black & white television. How will it read to my Young Readers?

(3) #WHOAGAINSTGUNS. Doctor Who fandom is becoming a nexus of support in efforts against gun violence. A podcast, with some Who celebrities as participants, will be used as a fundraiser reports Comics Beat — “Doctor Who writers, artists, fans launch podcast to benefit gun violence prevention”

This groundswell of action also includes fan communities. One such organization is .Gallifrey Stands, a coalition who announced their Who Against Guns campaign on Monday. According to organizers, the campaign is “an initiative to encourage Doctor Who fans to take action against gun violence.”

To that end, the group has organized a massive charity podcasting effort: 40 Doctor Who fans, which include professional Doctor Who writers and artists, will record an exclusive commentary to the 1969 Classic Who story “The War Games.” The 11-episode podcast will only be released to listeners who make a donation of $10 or more to an organization committed to ending gun violence. Supporters then forward their receipt to the group, and the commentary will be made available for download on March 12th.

Who Against Guns suggests that fans direct donations towards several groups working to prevent gun violence: the aforementioned March For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action. In recognition of Doctor Who’s international fan base, organizers have said they will honor donations made to charities that work to prevent gun violence outside of the US, and have provided a few suggestions on their website.

One of Who’s biggest names is involved — “Steven Moffat joins Who Against Guns”.

Doctor Who showrunner and writer Steven Moffat is joining the effort to raise money for gun violence prevention charities–but only if fans donate a total of $7000 by March 12. If they do, Moffat will provide a special commentary on episode 10 of “The War Games.”

…He joins a growing roster of professional Doctor Who scribes that have signed on to Who Against Guns, lending their thoughts to a commentary which includes Paul Cornell (“Human Nature”, “Family of Blood”) Jamie Mathieson (“Oxygen”, “Flatline”), Andrew Smith (“Full Circle”), and Peter Harness (“The Zygon Invasion”, “Kill The Moon”).

Comic professionals have also lent their efforts to the campaign. Titan Comic artists  Rachael Stott (Doctor Who: The Thirteenth Doctor), and Simon Fraser (Doctor Who: The Eleventh Doctor) are among those commentating, as are a number of Doctor Who podcasters.

(4) ARCHIVE RESCUED. Comichron’s John Jackson Miller reports “History saved: Comics Buyer’s Guide bound and file copies, distributor publication library preserved”. Miller and Maggie Thompson have saved the Krause era (1983-2013) of Comics Buyer’s Guide from destruction.

Krause Publications, which for years published both Comics Buyer’s Guide and Comics Retailer,  is closing its Iola, Wis., office in March, moving the remaining personnel to a larger city. But as my fellow former employee Maggie Thompson learned last week, the file copies of most of the magazines were to be discarded, as well as a significant portion of the library materials.

For Comics Buyer’s Guide — read my history of the magazine here — this took in a huge number of issues. More than 5,000 copies, between two and ten each of every issue from #482 in 1983 to #1699 in 2013. This amounted to 105 cases weighing more than two tons — all destined for destruction.

The company donated the materials to Maggie and me to place, but the caveat was that we only had 72 hours to find homes for them all — and while Maggie sent the CBG bound copies to Columbia University, the file copies were still a very large problem.

(5) WATCH THE WATCH. The Verge says Pratchett’s famous series is coming to television: “BBC Studios is adapting Terry Pratchett’s iconic Discworld books for a six-part TV series”.

Discworld is a massive series written by Pratchett — who died in 2015 — which spans 41 books, dozens of characters, and a variety of smaller, thematic sub-series within the larger work. This show will reportedly be a six-episode series, with a current working title The Watch. That implies that it’ll be based off one of the most popular subsets of the overall series, featuring the Ankh-Morpork City Watch, which grows from a ramshackle group of a couple officers trying to get by to a full-fledged city police force over the course of the series.


  • Born March 2, 1904  — Theodor Seuss Geisel

Narragansett Beer has reason to celebrate.

Today we celebrate the birthday of Dr. Seuss with a little bit of history you might not have known… So pull up a chair and prepare for the story of how Dr. Seuss made his way into our wonderfully weird world of beer.

Who Knew? Dr. Seuss Could Brew?

Whether it’s the childhood memories of his books or you’re watching the new films today, Dr. Seuss’s tales are “too good to miss.” Theodor Seuss Geisel was born on March 2, 1904 in Springfield, MA. Remember those famous illustrations he made for Narragansett Beer back in the day? The most famous being the tray shown above. Antique collectors date these works around the 1940?s. He did other illustrations that appeared in print ads and coasters like this one.

One of the most interesting facts was that both his father, Theodor Robert Geisel, and grandfather Geisel were brewers. In fact, his German immigrant grandfather owned the Kalmbach and Geisel Brewery, or “Come Back and Guzzle” as the locals called it, in Springfield. In 1894 it was renamed the Highland Brewery and five years later it became part of the Springfield Breweries.

(7) LE GUIN OVERVIEW. John Crowley, in “The Whole Household of Man”, reviews the Library of America edition of Ursula K. Le Guin’s The Hainish Novels and Stories for Harper’s Magazine.

In the science fiction of Ursula K. Le Guin, who died last month at the age of eighty-eight, planets circle suns other than ours, yet have landscapes and skies and seas not so unlike ours and natives who are mostly not very different from us. A single, tremendous idea made her imagined realms effectively strange, even while binding them all together as realms of the human. This is what she conceived: Some hundreds of thousands of terrestrial years ago, an advanced society on an Earth-like planet called Hain discovered the principle of near-light-speed travel, and with this advance they began to explore their galaxy. They sought planets where, whatever the differences from their home, beings like themselves could live and thrive, and there they planted colonies. Over the course of cosmic time, nine planets (among them our Earth, called Terra) were populated by Hainish people. Some of the populations are different in body and all different to some degree in culture; they come to have histories reaching back to time out of mind, and ways of doing and understanding things that are also ancient—but they are our own relations, brought and adapted to their worlds by our common ancestor. For every way we differ there is a way in which we are alike.

Le Guin’s parents were both famed ethnographers—her father, Alfred Kroeber, documented the life of Ishi, called “the last wild Indian in California”; her mother, Theodora, wrote Ishi in Two Worlds, a popular telling of his story. Le Guin became in her fiction not one ethnographer or historian but many. She deploys a force of investigators throughout the Hainish-populated parts of the galaxy to rediscover colonies founded millennia before, who observe and collect and draw conclusions that sometimes turn out to be inconsistent with one another—just as human ethnography and ethnographers do.

(8) NATIONAL BIRD. NPR’s All Things Considered says “If You Want To Find The Millennium Falcon, Just Head To The National Cathedral”.

For the last six months, a red-tailed hawk has made its home in the ramparts of the Washington National Cathedral. And now, it officially has a name: Millennium Falcon.

(9) MONSTROUS GOOD STORY. Edmonton Hugo’s Book Club argues that Emil Ferris’ recent graphic novel My Favourite Thing Is Monsters should be strongly considered for nomination for this year’s Best Graphic Story Hugo. They compare the art to that of luminaries like Robert Crumb and Maurice Sendak, and suggest that this artwork elevates is above other contenders for comic book awards this year: “Best Graphic Story 2017 – My Favourite Thing Is Monsters”.

My Favorite Thing Is Monsters is the first graphic novel from Chicago-born illustrator and toy designer Emil Ferris. It may be the most significant and worthwhile graphic presentation to be published in the past decade.

Told in the form of a diary written by a 10-year-old girl in late-‘60s Chicago, My Favorite Thing Is Monsters is a love-letter to classic horror movies, to science fiction fandom, and to Forrest J. Ackerman’s Famous Monsters Of Filmland.

Ferris weaves a variety of narratives through the work, as the young protagonist Karen Reyes investigates the murder of her mysterious neighbor Anka Silverberg. Reyes’ isolation and alienation are expressed through her transformation (possibly only in her imagination) into a werewolf-style monster.

(10) SAFETY FIRST. Superseding flat-packs? “AutoSaw: Robot carpenter makes custom furniture”.

Robotics have long been used to manufacture mass-produced, flat-pack furniture but MIT’s work could pave the way for robots to create custom furniture for specific purposes and spaces.

The robots will cut the wood correctly, adding the holes needed to assemble it, and carry the component parts around the room.

Compared to existing machines used by carpenters, AutoSaw is considerably cheaper and more mobile. As well as Roomba, the project uses two robots from German firm Kuka – though the particular model utilised by MIT’s team has since been discontinued.

(11) MORE THAN A LITTLE. There was so much penguin poo it was visible from space, says the BBC. Oh, and so were the birds: “Penguin super-colony spotted from space”.

Scientists have stumbled across a huge group of previously unknown Adélie penguins on the most northerly point of the Antarctic Peninsula.

Numbering more than 1.5 million birds, they were first noticed when great patches of their poo, or guano, showed up in pictures taken from space.

The animals are crammed on to a rocky archipelago called the Danger Islands.

(12) JUNK AVOIDANCE. Inspired by Gravity: “The teenage scientist tracking a sea of space junk”. [Video.]

When Amber Yang watched the film Gravity – which features a cataclysmic collision which destroys the International Space Station – it gave her an idea.

She knew that hundreds and thousands of miles above Earth, pieces of wreckage were whizzing around our planet – some of them big enough to cause billions of dollars worth of damage to precious satellites and spacecraft.

So Yang, bored by her schoolwork, decided to try and find a way of tracking it, and ensuring cosmic debris doesn’t become a danger to the next generation of humans venturing into space.

(13) BEST OF BRITISH SF. Here is the table of contents for “Best of British Science Fiction 2017” edited by Donna Scott. Twenty-two stories, from established names and rising stars.

Introduction – Donna Scott
Blinders – Tyler Keevil
In the Night of the Comet (2017) – Adam Roberts
The Walls of Tithonium Chasma – Tim Major
3.8 Missions – Katie Gray
Over You – Jaine Fenn
The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
Uniquo – Aliya Whiteley
Looking for Laika – Laura Mauro
A Good Citizen – Anne Charnock
Mercury Teardrops – Jeff Noon
The Nightingales in Plàtres – Natalia Theodoridou
The Road to the Sea – Lavie Tidhar
When I Close My Eyes – Chris Barnham
Targets – Eric Brown
London Calling – Philip A. Suggars
The Last Word – Ken MacLeod
After the Atrocity – Ian Creasey
Voicemail – Karen McCreedy
Green Boughs Will Cover Thee – Sarah Byrne
Airless – N.J. Ramsden
Product Recall – Robert Bagnall
The Endling Market – E. J. Swift
About the Authors

(14) SPACE MUSIC. Broken Bells’s “The Ghost Inside” is a music video that has spaceships and other sf imagery in it.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Tim Walters, Mark Hepworth, James Davis Nicoll, Martin Morse Wooster, Cat Eldridge, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

An Investigation into Bheer

By Ahrvid Enghom: What fuels science fiction and its fandom? Easy: bheer! (Yes, I spell it that way.)

Sweden has a complicated relationship to bheer. Strong bheer was actually banned until the rationing book (“motboken”) system on alcohol was scrapped in 1955, but you could buy weaker pilsner lager. When stronger bheer became legal people ordered “a strong bheer” in the pubs and even “a big strong one” (“en stor stark”).

Few Swedish pubs offer “a pint”. You order “en stor stark”. The problem is that there’s no definition of how “big” (“stor”) such a bheer is! The local paper Mitt i Södermalm has rushed to rescue, and put their top investigative reporters on the problem: how big is “a big strong one”?

In its latest issue, February 6, they have measured the liquid contents of “en stor stark” on 100 Stockholm pubs.

Should you come to a convention in Stockholm (the next one is Fantastika/Swecon June 16-18, https://fantastika2018.wordpress.com/in-english/ ) you may benefit from the following statistics:

  • The biggest big strong one was 57 cl (72 SEK) or a pint – yes, you can get those, and it was of course served on the English-style pub The Tudor Arms on Grev Street.

  • The smallest big strong one was 25 cl (40 SEK), and the place to avoid is Habibi on Skåne Street,

  • The most expensive one costed 89 SEK (around 10 Euros) for 40 cl and if you’ve just signed a golden book contract you can waste your money at Proviant on Sture Street.

  • The cheapest one costed just 25 SEK (40 cl) at Lion Bar on Långholms Street. Overjoyed fans are seen checking their maps – and the closest Metro station is Hornstull.

  • The AVERAGE big strong bheer (from the 100 tested) was 41.64 cl, and the average price was 61.64 SEK (slightly less than 6 Euros).

  • The paper also calculated the alcohol/SEK (alcohol per Swedish crown). 1 cl of alcohol costs 29.36 SEK (ca 3 Euros) on average.

  • The best alcohol/SEK is to be found at D-Pub Klosterkeller on Horns Street, which by offering 50 cl for just 30 SEK (ca 3 Euros) gives you 1 cl of alcohol for 12 SEK (ca 1.2 Euro). All of fandom cheers!

Everything from this important feat of investigative journalism when it at its best can be found here: https://alltomstockholm.se/restaurangbar/krog/krogar-mycket-glaset/. It’s in Swedish, but if you have a few strong ones, that will not be a problem.

Pixel Scroll 12/2/17 And With Strange Pixels Even Scrolls May File

(1) I SEE BY YOUR OUTFIT. Smofcon, the con for conrunners has convened in Boston.

  • John Scalzi is there to share what pros expect from conventions.

  • Steve Davidson of Amazing Stories is on hand, too.

The convention is well attended for Smofcons, registration and hospitality were working efficiently the last time I passed through and many interesting conversations have been heard and overheard.

  • An issue of Journey Planet with a con programming theme has been released in time for Smofcon.

  • Jeeze, I played the inaugural version of this game in 1987.

  • Richard Gadsden’s additions to the “Fannish Inquisition” questionnaire are inspired by the virtual wall of TSA.

(2) JUMP IN. Charles Payseur shares his experience and advice to encourage the growth of a deeper and more diverse field of sff short fiction reviewers. “So You Want To Be A Short SFF Reviewer?” at Quick Sip Reviews.

Hi. My name is Charles Payseur and I began reviewing short SFF in early 2014 for Tangent Online, with Dave Truesdale as my guide and mentor. If you shuddered just a bit there, I’m sorry. But imagine, little baby queer me, just getting into the field in my mid 20s, wide-eyed and bushy-tailed. And running into that. I’ve had an Education. One that’s been somewhat dearly bought, but here I am, closing in on four years later.

Short SFF is a field dominated by broken stairs and strange pitfalls. What’s more, it seems to attract some (fairly loud) people who really like to make objective statements of merit with regards to stories and are absolute shit at admitting when they’re in the wrong while simultaneously being wrong fairly frequently and jerks generally. It’s a field that chews and spits out a great many excellent reviewers while seeming to find time to praise and promote the most toxic and insensitive. It’s often tiring, draining, and infuriating. But it’s also kind of amazing. Welcome!

My general goal in this is just to give something of a guide for people wanting to get started in short SFF reviewing. Because the field needs more and more diverse voices if it’s to self-govern away from the most toxic examples of short SFF reviewer. It’s not a comprehensive guide, but I’ve left my contact info toward the bottom if you have any more questions. So yeah, let’s get started!

(3) GOOD TO GO. NASA will be able to keep the mission going awhile longer: “Voyager 1 Fires Up Thrusters After 37 Years”.

If you tried to start a car that’s been sitting in a garage for decades, you might not expect the engine to respond. But a set of thrusters aboard the Voyager 1 spacecraft successfully fired up Wednesday after 37 years without use.

Voyager 1, NASA’s farthest and fastest spacecraft, is the only human-made object in interstellar space, the environment between the stars. The spacecraft, which has been flying for 40 years, relies on small devices called thrusters to orient itself so it can communicate with Earth. These thrusters fire in tiny pulses, or “puffs,” lasting mere milliseconds, to subtly rotate the spacecraft so that its antenna points at our planet. Now, the Voyager team is able to use a set of four backup thrusters, dormant since 1980.

…Since 2014, engineers have noticed that the thrusters Voyager 1 has been using to orient the spacecraft, called “attitude control thrusters,” have been degrading. Over time, the thrusters require more puffs to give off the same amount of energy….

On Tuesday, Nov. 28, 2017, Voyager engineers fired up the four TCM thrusters for the first time in 37 years and tested their ability to orient the spacecraft using 10-millisecond pulses. The team waited eagerly as the test results traveled through space, taking 19 hours and 35 minutes to reach an antenna in Goldstone, California, that is part of NASA’s Deep Space Network.

Lo and behold, on Wednesday, Nov. 29, they learned the TCM thrusters worked perfectly — and just as well as the attitude control thrusters.

(4) MAKE IT SO. Food & Wine reports “New ‘Star Trek: The Next Generation’ Holiday-Themed Beer Getting National Release”.

Courtesy of New York’s Shmaltz Brewing Company comes Star Trek: The Next Generation 30th Anniversary Ale – Captain’s Holiday. Yes, that’s a mouthful, but this beer is trying to cover a lot of bases. Not only is this tropically-tinged beer brewed with natural citrus flavors intended as a holiday release, this “Collector’s Edition” product is also meant to commemorate the 30th anniversary of Star Trek: The Next Generation which first aired back in 1987. As such, the name “Captain’s Holiday” actually comes from the title of an episode of that series in which “the crew convinces Captain Picard to take a much-needed vacation on the pleasure planet Risa” (of course).

(5) MYTHLORE AT 50. Help the Mythopoeic Society pick what belongs in the collection — “Reader’s Choice: The Best of Mythlore’s First Fifty Years”.

IN 2018 WE CELEBRATE THE FOUNDING OF MYTHLORE, the scholarly journal of the Mythopoeic Society, which published its first issue in January 1969. Reader’s Choice: The Best of Mythlore’s First Fifty Years will collect and reprint the very best articles, artwork, reviews, letters, and creative work, all nominated by readers, along with commentary about the journal’s founding and history, and will be published in time for Mythcon 49.

(6) A GRATEFUL WILLIS. In Connie Willis’ “Thanks on Thanksgiving” post she remembers three people who had a big influence on her.

  1. My eighth-grade teacher, whose name I do remember.

Mrs. Werner was my home-room teacher, and every day after lunch she read aloud to us, one of which was Rumer Godden’s AN EPISODE OF SPARROWS.  This is NOT a children’s book, even though its heroine, Lovejoy, was ten years old.  She was also a thief.  She lived in post-war London, and when she decided she wanted to build a garden in the rubble of a bombed-out church, she not only shoplifted seeds and a trowel, but recruited other kids to steal for her.  She was also thoroughly unpleasant.  Not without reason.  She had a slutty mother with an assortment of nasty boyfriends and was often left with strangers for months at a time.  As I say, not a book for junior-high-schoolers.

I have no idea what anybody else in the class thought about the book, but I loved it AND Lovejoy.  It was my first introduction to Rumer Godden, who I fell in love with, especially her novel about grief, IN THIS HOUSE OF BREDE.  It was also my first introduction  to how you can take a classic and update it (AN EPISODE OF SPARROWS is actually Frances Hodgson Burnett’s THE SECRET GARDEN retold.)

And it was my first introduction to the Blitz, planting a seed which blossomed when I went to St. Paul’s years later and fell in love with the fire watch and the history of London during the war–which had a HUGE impact on my life.


  • December 2, 1979 Star Trek appeared in the funny papers with a daily comic strip.


  • Born December 2, 1914 – Ray Walston – your choice, My Favorite Martian, or the Devil in Damn Yankees.

(9) CLASSIC MACHADO. Jane Dykema, in “What I Don’t Tell My Students About ‘The Husband Stitch’” at Electric Lit, says, “The first story in Carmen Maria Machado’s ‘Her Body and Other Parties’ brings up big questions about who we believe and why.”

I was first introduced to the husband stitch in 2014, when a friend in medical school told me about a birth her classmate observed. After the baby was delivered, the doctor said to the woman’s husband, “Don’t worry, I’ll sew her up nice and tight for you,” and the two men laughed while the woman lay between them, covered in her own and her baby’s blood and feces. The story terrified me, the laughter in particular, signaling some understanding of wrongdoing, some sheepishness in doing it anyway. The helplessness of the woman, her body being altered without her consent by two people she has to trust: her partner, her doctor. The details of the third-hand account imprinted into my memory so vividly that the memory of the story feels now almost like my own memory. Later that year, Machado’s “The Husband Stitch” was published, and sometime after that, I read it, and the details of Machado’s scene were so similar, down to the laughter, down to the words “don’t worry” (though in Machado’s story they’re directed at the woman), that I’m not sure now what I remember and what I read.

(10) ELEMENTARY. “The Serial-Killer Detector” in The New Yorker tells how A former journalist, equipped with an algorithm and the largest collection of murder records in the country, finds patterns in crime.

Hargrove created the code, which operates as a simple algorithm, in 2010, when he was a reporter for the now defunct Scripps Howard news service. The algorithm forms the basis of the Murder Accountability Project (MAP), a nonprofit that consists of Hargrove—who is retired—a database, a Web site, and a board of nine members, who include former detectives, homicide scholars, and a forensic psychiatrist. By a process of data aggregating, the algorithm gathers killings that are related by method, place, and time, and by the victim’s sex. It also considers whether the rate of unsolved murders in a city is notable, since an uncaught serial killer upends a police department’s percentages. Statistically, a town with a serial killer in its midst looks lawless….

(11) HEAD ‘EM OFF AT THE PASS. Sounds like a Kage Baker story. The Pharaoh’s city from The Ten Commandments is still under the sand south of San Francisco: “Sphinx head discovered beneath sands of California blows dust off one of the greatest stories of extravagance in Hollywood history”.

The head of a sphinx uncovered from beneath the sand dunes of California has blown the dust off one of the greatest stories of extravagance in Hollywood history.

The perfectly intact 300-pound plaster head was unearthed by archaeologists excavating the set of Cecil B. DeMille’s 95-year-old movie set for The Ten Commandments.

The piece, buried in the Guadalupe-Nipomo Dunes, is unlike anything found on previous digs, said Doug Jenzen, Executive Director of the Dunes Center.

“The majority of it is preserved by sand with the original paint still intact.


(12) BABELFISH.  The BBC tells about “The translator that sits in your ear”.
So how does the Pilot earpiece work? It uses a sophisticated microphone array along with noise-cancelling algorithms to listen to spoken words from and around the user.

“Those words are passed to the cloud where it is processed through speech recognition, machine translation, and speech synthesis, before it is sent back to the user and anyone else whose Pilot earpiece is synced into the conversation,” explains Ochoa. “This happens within minimal delay, usually in milliseconds.”

There are a number of competitors hot on the heels of the Pilot, including Clik, Skype, and Google, which last month launched its Pixel Buds, complete with the ability to translate in real time between 40 languages. The Pilor earpiece currently works with 15 languages, but can be ugraded to translate more. But with its head start, and now its prestigious nomination, the Pilot may be a step ahead.

(13) FAKE GUARDIAN. Someone’s trying to act like the actor: “Chris Pratt alerts fans to ‘pervy imposter'”.

Guardians of the Galaxy’s Chris Pratt has taken to social media to alert his fans to a “pervy dude” who has been allegedly impersonating him online.

“Somebody is trying to pretend to be me on Facebook,” he wrote on Instagram.

The US actor claimed the “imposter” had been “apparently hitting on a lot of different female fans, trying to get their numbers and who knows what else.”

“I find this behaviour reprehensible,” he continued. “If I find out who it is I’ll have their account shut down.”

(14) MEGAFAME. I read both authors, but it felt surreal to see Lee Child and N.K. Jemisin sharing the marquee in the same article.


(16) GREAT COLLECTION. John O’Neill is “Remembering Frank M. Robinson’s Legendary Pulp Collection” at Black Gate.

A complete collection of Weird Tales is a towering achievement. Weird Tales, which had chronically poor circulation, is one of the most sought-after pulps on the market, as it was the most important home of the most significant pulp writers of early fantasy, including H.P Lovecraft, Robert E. Howard, Clark Ashton Smith, and many, many others. Copies in good condition typically go for several hundred dollars each, and early issues for significantly more than that….

The 1970s might have been the last time it was possible to compile a collection like this, at least for any kind of reasonable sum. His entire collection was auctioned off while Frank was still alive by John Gunnison at Adventure House, and netted a total well north of a million dollars.

(17) ALL WET. Den of Geek goes “Diving Into The Shape of Water with Michael Shannon”, an actor who will also be in HBO’s Fahrenheit 451.

Den of Geek: Have you and Guillermo ever talked about working together before?

Michael Shannon: No, this was totally out of the blue. I didn’t know Guillermo. I was out here doing something silly, I don’t know. Maybe I was out for the indie film Spirit Awards or something and my agent said, “Guillermo del Toro wants to have lunch with you while you’re in town this weekend.” I said okay. So he came to my hotel and we sat at this table out back, and he just laid it all out. Said, “I’ve been writing this movie for a long time. I’ve been writing it with particular people in mind, and you’re one of those people. Are you interested?” And I said okay. That was it. It’s an astonishingly simple and concise story.

He said he wrote Strickland with your voice in his head. So when you got to read the character, what struck you about the character?

I thought it was funny. I thought it was a funny character. I saw a lot of humor in it. I liked the opportunity to play some uptight, confused government agent guy. I mean he’s kind of a train wreck inside, but he’s presenting this exterior of authority and competency, which is a total fabrication at the end of the day.

(18) DON’T BE SHY. In 1962 some authors didn’t want to be known for writing sf. Not much different from 2017, eh? Galactic Journey’s Victoria Silverwolf gives a rundown on the situation of half a century ago: “[DECEMBER 2, 1962] THEY CAME FROM THE MAINSTREAM (SF BOOKS NOT PUBLISHED AS SF)”.

Russian-born writer Vladimir Nabakov, best known for his controversial novel Lolita (toned down somewhat in this year’s film adaptation), creates a very unusual structure in his new book, Pale Fire.  It consists of a poem of 999 lines by an imaginary poet, followed by footnotes written by an equally fictional critic.  Read together, the poem and footnotes come together to form a plot of impersonation, exile, and murder.  What makes this a work of science fiction is the fact that it takes place in a world different from our own.  The story deals with the deposed king of the European nation of Zembla.  It takes place in an alternate version of the USA, which contains the states of Appalachia and Utana.

(19) CUISINE OF THE FUTURE. Sometimes that future doesn’t seem very far away.

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 11/1/17 Surely This Has Been Done Already?

(1) TALESPINNER. Ken Liu’s Star Wars book is out today.

Star Wars: Legends of Luke Skywalker [is] a set of tall tales about the Jedi Knight that have been passing from cantina to freighter and from mouth to audio receptor ever since a certain farm boy left Tatooine for the wider galaxy far, far away…

Devan Coggan interviews me for Entertainment Weekly: “Ken Liu Tells Star Wars Tall Tales in The Legends of Luke Skywalker:

Legends follows a number of young deckhands working aboard a ship bound for Canto Bight (a casino world featured in the upcoming The Last Jedi). Together, they swap six different stories about Luke, each passed down from a different storyteller. One comes from a droid who claims to have witnessed Luke singlehandedly lead a droid rebellion, while another comes from a tiny, flea-like creature who claims to have had a pivotal role in Luke’s escape from Jabba’s palace. One of the particular highlights is the tale told by a former Imperial engineer, who says that Luke Skywalker was nothing but a piece of propaganda made up by the Rebellion. The real Luke is a con artist named Luke Clodplodder, who orchestrated a massive scam with his friends aboard a ship called the Century Turkey.

(2) BORDERLANDS GETS ITS PERMANENT HOME. Via Shelf Awareness, the good news: “Success: Borderlands will buy Haight St. building thanks to its fans”.

Unable to secure a large loan from a bank, Beatts put the question to Borderlands’ clientele – would they be interested in funding the purchase for 1373 Haight St?

They were. In 18 days, lenders put up $1.9 million.

Recycled Records currently occupies the building, but the record store owner was planning to retire after the sale of the building, Beatts said.

Were any lessons learned?

“I learned that I’m the kind of person who can raise close to two million dollars in two and a half weeks, that was a surprise. I also learned that, if you really want to achieve your goal, you have to pursue every single solution,” Beatts wrote in an email to Mission Local.

He’d made offers on two other buildings before Haight Street panned out, and had toyed with other funding models before settling on the patron loan approach.

(3) IN THE SLAM. SPECPO visits Minneapolis: “Outreach report: The Not-So-Silent Planet [MN]”.

This month I had the chance to see the work of the folks at Word Sprout who organize The Not-So-Silent Planet.

As a regular event, The Not-So-Silent Planet currently holds the distinction of being the longest-running speculative literature slam in Minneapolis, Minnesota at the famed Kieran’s Pub. We’ll have to do some research to verify, but so far it seems like it may also well be the longest-running speculative literature slam in the country or even the cosmos. But then again, space is a very big place.

Typically held in the Poet’s Room at Kieran’s, it’s an evocative space with great energy and a supportive and enthusiastic audience. For an October reading they had almost a dozen readers and audience members including their special guest Kyle Dekker, organizer Phillip Andrew Bennett Low, and Riawa Thomas-Smith. There was a good mix of poetry, short stories, flash fiction, and experimental works.

(4) GIRLS JUST WANT TO HAVE FUN. Io9’s Charles Pulliam-Moore tells how “The Gotham City Sirens Are Taking Over Riverdale in Harley and Ivy Meet Betty and Veronica”‘.

The premise to DC and Archie Comics’ crossover special Harley and Ivy Meet Betty and Veronica reads like a piece of fan fiction, something television or film studio executives dream about but would never dare actually writing. Obviously, this is why the comic’s first two issues, written by Marc Andreyko and Paul Dini with illustrations from Amanda Conner and Laura Braga, so damned good. They’re so ridiculously absurd, it’s almost impossible not to enjoy the hell out of them. [SPOILERS FOLLOW]

Daniel Dern sent the link with a comment: “Looked fun when I skimmed the new issue (#2) at the comic store, I’ll wait until the six issues are available as borrowable book (or issues show up via one of the legitimate free/low-cost digital comic services I’m using).”

(5) ANOTHER CASUALTY. Book World customers are going into mourning – the chain is shuttering its 45 stores: “Closing the books: Book World to close all its stores and liquidate inventory”.

Book lovers in the Brainerd area are likely to shed a tear at Tuesday’s announcement by Book World Inc.—it is closing all its stores because of poor sales and online competition.

The Appleton, Wis.-based company will liquidate all its inventory starting Thursday in an “everything-must-go” sale at all of its 45 locations across seven states, including the one in Baxter.

“We anticipate that running at least through the end of the year … into January, but that’s really contingent on inventory—and certainly staffing plays a part in that, too—but primarily inventory,” said Book World Senior Vice President Mark Dupont.

The family-owned independent chain of bookstores located throughout Wisconsin, Michigan, Illinois, Iowa, Minnesota, North Dakota and Missouri offers a huge selection of books for all ages.

(6) IN THE REARVIEW MIRROR. TIME Magazine anointed this pair the winners of the internet’s Halloween costume contest:  “This Couple Won Halloween By Pranking People With Their ‘Levitating’ Star Wars Bike”.

YouTube vloggers Jesse Wellens and Carmella Rose dressed up as Luke Skywalker and Princess Leia, but not in their classic Star Wars garb. Instead, they dressed as Luke and Leia as rebels zipping through the forest world of Endor from The Return of the Jedi and the only thing missing was an Ewok or two.

While that retro costume would certainly rate well with Star Wars fans, Wellens and Rose had a plan to put their costume over the top. With a little help from some friends at Lithium Cycles, they built a replica of a Speeder Bike that looked like it was actually floating and rode it through the streets of Manhattan. The sight was exhilarating enough that even wizened, seen-it-all New Yorkers couldn’t help but gawk.


(7) ON THE BLOCK. Robby the Robot is one of the star attractions in Bonham’s Out of This World auction on November 21.

There’s also a good article about Robby at New Atlas: “The original Robby the Robot goes up for auction”

Forbidden Planet was MGM’s first major science fiction film. Robby cost US$120,000 to build (US$1.2 million in today’s money) and was constructed out of vacuum-form Royalite plastic, acetate, and aluminum with rubber hands, a Perspex transparent “head” and a pair of men’s size 10.5B black leather loafers inside the feet for the actor wearing the 100 to 120 lb (45 to 54 kg)) prop/costume, which was articulated like a suit of armor.

But Robby was more than a suit. He included seven war-surplus electric motors to power his mechanical “scanners” and “brain,” plus a “mouth” made of blue neon tubes run by a 40,000 Volt power source run via a cable out of the robot’s heel or onboard batteries.


  • Born November 1, 1917 — Zenna Henderson
  • Born November 1, 1923 — Gordon R. Dickson


  • John King Tarpinian finds a bittersweet farewell to Halloween in Lio.
  • Mike Kennedy was convinced that it sucks to be chosen after reading today’s Basic Instructions.

(10) DUBIOUS HOLIDAYS FOR CHILDREN. Camestros Felapton is back in full stride, in another argument with Timothy the Talking Cat: “McEdifice Returns: Chapter We’ll Be Back After This Short Break”.

“Well I for one endorse the concept,” replied replied replied Camestros, “After all you made up International Tim Day, Catmas and The Feast of Saint Felix the Squirrel Killer.”

“It is a DISTRACTION you fool! A distraction from our important work!” replied replied replied replied Timothy, slamming his tiny fist-like paw on the desk in front of him. “I need some help from you with this project and you are off doing who knows what for that mechanical fusspot!”

“I was burning what Americans call ‘candy’ in a pre-emptive bonfire night.”

“Bonfire night?”

“Ah, yes – you miss out every year because pets must be hidden on bonfire night. It is an annual British festival of fireworks and municipal arson based on 17th-century anti-Catholicism and remembrance of a time some time tried to blow up parliament but with syncretic elements of pagan pre-winter festivals. Also traditionally children beg for money by demonstrating to adults that they have made an effigy of a man who was tortured to death which they will burn later. It is very traditional.”

“Now who is making stuff up?” said the cat skeptically.

“On reflection Catmas sounds more plausible.” agreed Camestros. “So what help do you need?”

(11) HALLOWEEN FOR THOSE NOT IN THE WORLD SERIES. MLB.com has pictures: “The baseball world pulled off some epic Halloween costumes this year”. Here’s one of them:

(12) THE GREAT UNREAD. Mental Floss revisits “15 Children’s Books No One Reads Now”. The list includes a story that stresses how important it is to stay between the lines.


Ask anyone about anthropomorphic trains and their first response is likely to be “Thomas the Tank Engine.” Or, if you’re a purist, “The Little Engine That Could.” “Tootle,” first published in 1945, is likely way down the list, if he even comes up at all. But for many years, the industrious engine was on track to become one of the best-selling books of all time.

Andrew Porter says, “Gosh, I have the Little Golden Book of this, which includes numerous wonderful illustrations, including –”

(13) ON OLD OLYMPUS’ TOWERING TOPS. Chip Hitchcock suggests, “Since we’re discussing variations in religion, a note on a fannish religion,” “The Other Reformation: How Martin Luther Changed Our Beer, Too”

On this day 500 years ago, an obscure Saxon monk launched a protest movement against the Catholic Church that would transform Europe. Martin Luther’s Protestant Reformation changed not just the way Europeans lived, fought, worshipped, worked and created art but also how they ate and drank. For among the things it impacted was a drink beloved throughout the world and especially in Luther’s native Germany: beer.

The change in beer production was wrought by the pale green conical flower of a wildly prolific plant — hops.

Every hip craft brewery today peddling expensive hoppy beers owes a debt of gratitude to Luther and his followers for promoting the use of hops as an act of rebellion against the Catholic Church. But why did Protestants decide to embrace this pretty flower, and what did it have to do with religious rebellion?

Therein foams a bitter pint of history.

In the 16th century, the Catholic Church had a stranglehold on beer production, since it held the monopoly on gruit — the mixture of herbs and botanicals (sweet gale, mug wort, yarrow, ground ivy, heather, rosemary, juniper berries, ginger, cinnamon) used to flavor and preserve beer. Hops, however, were not taxed. Considered undesirable weeds, they grew plentifully and vigorously — their invasive nature captured by their melodic Latin name, Humulus lupulus (which the music-loving Luther would have loved), which means “climbing wolf.”

(14) TIME TO CONFESS. Keeping up the seasonal theme: “After 20 Years, Can Cornell Finally Bust Open Its Great Pumpkin Mystery?”

In 1997, someone speared a massive pumpkin on the spire atop of Cornell’s McGraw Tower … 173 feet in the air.

No one knew who. No one knew why. And no one knew how.

In fact, for a while, no one even knew — for sure — if it was a pumpkin. Suspicions grew as the gourd lingered on, month after month. But some students figured that one out with the help of a drill attached to a remote-controlled weather balloon, which captured a sample. (Seriously.)

It was definitely a pumpkin.

But the other mysteries remain today. And Farhad Manjoo — Cornell alum, former editor-in-chief of the school paper and now a tech reporter at the New York Times — wants answers.

He calls the pumpkin-ing of the tower “the greatest prank in Cornell history.” And he’s asking the pranksters — or those who love them — to step forward and claim their glory.

(15) SPLASH. More data on Chicxulub: “Asteroid impact plunged dinosaurs into catastrophic ‘winter'”.

An independent group earlier this year used a global climate model to simulate what would happen if 100Gt of sulphur and 1,400Gt of carbon dioxide were ejected as a result of the impact.

This research, led by Julia Brugger from the University of Potsdam, Germany, found global annual mean surface air temperatures would decrease by at least 26C, with three to 16?years spent at subzero conditions.

“Julia’s inputs in the earlier study were conservative on the sulphur. But we now have improved numbers,” explained Prof Morgan.

“We now know, for example, the direction and angle of impact, so we know which rocks were hit. And that allows us to calibrate the generation of gases much better. If Julia got that level of cooling on 100Gt of sulphur, it must have been much more severe given what we understand now.”

(16) STILL GOING AROUND. Play it again: “The firm saving vinyl”.

Whether gathering dust in your loft or currently spinning on your turntable, it’s a fair bet that at least some of your vinyl records came from a small factory in the Czech Republic.

The facility in question is the headquarters of GZ Media, based in the small town of Lodenice, 25km (16 miles) west of the Czech capital, Prague.

GZ is today the world’s largest producer of vinyl records, of which it expects to press 30 million this year, for everyone from the Rolling Stones and U2, to Lady Gaga and Madonna.

The success of the company is a far cry from the early 1990s, when vinyl records appeared to be on the way out, with music fans having switched en masse to compact discs.

(According to an NPR interview a few years ago, Jefferson Airplane bassist Jack Casady is a fan of vinyl.)

[Thanks to John King Tarpinian, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, JJ, Dave Doering, and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the diurnal period Acoustic Rob.]

Pixel Scroll 10/16/17 Three Times Pixel Filer Dreamed Of The Marvellous Scroll

(1) CORE FOR RAVENCLAWS. At BookRiot, Rachel Brittain offers “A Hogwarts House Reading List: 20 Books for Ravenclaws”.

It’s also about creativity and individuality, originality and acceptance. All Ravenclaws value learning and curiosity, but not all Ravenclaws are traditionally book smart or love school. Like all the houses, Ravenclaw is home to a wide and diverse group of students. Admittedly, most of them have aced arithmancy, potions, transfiguration, care of magical creatures, DADA, and received OWLs so good it made Professor Flitwick cry, but still. No two Ravenclaws are alike. Except in one thing: Ravenclaws. Love. Books.

So set down your Self-Spelling Quill and your charms homework for just a moment, friends, and check out these twenty books for Ravenclaws that are sure to spark your imagination and make you a little smarter along the way.

Two of the books on the list are:

The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows

About: the letters written between Juliet Ashton and a group of friends from Guernsey who survived the German occupation by concocting a fake book club after being caught breaking curfew.

Because: it’s all about books and the friends you can make because of them, even in the midst of chaos and crisis.

The Reason I Jump by Naoki Higashida

About: Naoki Higashida, who describes what it’s like to be autistic in his own words.

Because: learning how other people think and process the world around them is something you find endlessly fascinating and important.

(2) STAR CROSSED (OUT). Slate’s “Browbeat” blog tells how Kirkus Reviews changed their review after fierce criticism – from people who can’t have read the book yet: “YA Novel About ‘Mob Mentalities’ Punished After Online Backlash”.

American Heart won’t be published until January, but it has already attracted the ire of the fierce group of online YA readers that journalist Kat Rosenfield has referred to as “culture cops.” To them, it was an irredeemable problem that Moriarty’s novel, which was inspired in part by Huckleberry Finn, centers on a white teenager who gradually—too gradually—comes to terms with the racism around her. On Goodreads, the book’s top “community review,” posted in September, begins, “fuck your white savior narratives”; other early commenters on Goodreads accused Moriarty of “profiting off people’s pain” and said “a white writer should not have tackled this story, and neither should a white character be the center of it.”

The backlash escalated last week, when Kirkus Reviews gave American Heart a coveted “starred review,” which influences purchases by bookstores and libraries. Kirkus’ anonymous reviewer called the book “by turns terrifying, suspenseful, thought-provoking, and touching,” and praised its “frighteningly believable setting of fear and violent nativism gone awry.” The book’s critics were not pleased with the commendation.

Author Laura Moriarty commented on Facebook:

Dear friends, I write this with a heavy but hopeful heart. If and when you have time, I would appreciate your thoughts on this (longer than average) post. And feel free to share.

My new novel, American Heart, is a crossover novel (for both older teens and adults) that imagines a United States where American Muslims are deported to “safety zones” in Nevada. The main character is a young non-Muslim who believes the deportations are necessary until she meets an American Muslim headed to freedom. You may or may not have noticed, but even though the book isn’t due out until 1/30/18, it already has a very low rating on Goodreads. This is because a group, profiled in Kat Rosenfield’s “The Toxic Drama on YA Twitter” for Vulture, has been bombarding American Heart with one-star reviews because they don’t approve of the idea of the book and because they are assuming it is a white-savior narrative. (Actually the main character realizes, accurately, that she alone can’t save anyone, but you would only know that if you’d read the book.) Most of reviewers on Goodreads openly admit to not having read the book.

I was encouraged last week when Kirkus Reviews gave American Heart a starred review (starred as in ‘this is great!’ not one star like the mad people on Goodreads), calling it a “moving portrait of an American girl discovering her society in crisis, desperate to show a disillusioned immigrant the true spirit of America.” The Kirkus reviewer, an observant Muslim and a woman of color, called the book “sensible, thought-provoking, and touching . . and so rich that a few coincidences of plot are easily forgiven.” (Okay, okay, fine, I’ll take it.)

As one may have predicted, the book’s very vocal critics (again, this group is made up almost entirely of people who have not read the book) were outraged by the starred review. That’s fine. That’s their right to free speech. What has both surprised and disturbed me, and what I think would be surprising and disturbing to anyone concerned about censorship and free speech, was that this morning, Kirkus announced it was: retracting American Heart’s starred review.

Kirkus offered this explanation in “A Note From The Editor In Chief”.

It is a policy of Kirkus Reviews that books with diverse subject matter and protagonists are assigned to Own Voices reviewers—writers who can draw upon lived experience when evaluating texts. Our assignment of the review of American Heart was no exception to this rule and was reviewed by an observant Muslim person of color (facts shared with her permission). Our reviewer is an expert in children’s & YA literature and well-versed in the dangers of white savior narratives. She found that American Heart offers a useful warning about the direction we’re headed in as far as racial enmity is concerned.

The issue of diversity in children’s and teen literature is of paramount importance to Kirkus, and we appreciate the power language wields in discussion of the problems. As a result, we’ve removed the starred review from kirkus.com after determining that, while we believe our reviewer’s opinion is worthy and valid, some of the wording fell short of meeting our standards for clarity and sensitivity, and we failed to make the thoughtful edits our readers deserve. The editors are evaluating the review and will make a determination about correction or retraction after careful consideration in collaboration with the reviewer.

(3) INDIE. SFWA President Cat Rambo completes her series about what the organization has to offer indie writers: “SFWA and Independent Writers, Part Four: What Lies Down the Road”

Going forward, I expect more and more indies to enter the organization as it proves that it’s giving them solid valid for their membership in the form of:

  • Community
  • Knowledge sharing
  • Publications like the Bulletin and the Singularity
  • Chances attend and sell books at places like Baltimore Bookfest, ALA, and other book-related events
  • Marketing opportunities for themselves such as the Speakers Bureau
  • Promotional opportunities for their work such as the New Release Newsletter
  • Reading material (there’s a lot on those internal forums)
  • The wealth of networking and information available via the SFWA Nebula Conference
  • Existing programs like Griefcom, the Emergency Medical Fund, and the Legal Fund

(4) CHECKMATE. A recent episode of The Post Atomic Horror Podcast, which appeals to fans with an interest in filking and other poetic diversions, featured a guest who summarized the Enterprise’s episode “A Night In Sickbay” to the tune “One Night in Bangkok”. The summary begins about 2 minutes into the episode and proceeds for roughly 4 minutes.

Come for the filk, stay for the commentary!

(5) VIEW FROM A GANTRY. Rocket Stack Rank’s October 2017 ratings are live, and Jeremiah Tolbert’s novella The Dragon of Dread Peak was the highest-rated story.

(6) REMODELING COMPLETE. Locus Online’s lovely redesigned website went live today.

(7) HOT OFF THE PRESS. An institute for design in Holland has come up with an experimental edition of Ray Bradbury’s Fahrenheit 451 which requires you to nearly burn the book to read it: “Ray Bradbury’s Fahrenheit 451: This edition can be read only if you apply heat to the pages”. See it in action —


  • October 16, 1995 Candyman was released in theaters in the U.S.

(9) EYE SPY. At Fantasy Book Critic, Tom Doyle considers “The Unreliability of Magical Surveillance”.

In my American Craftsmen trilogy, psychic spies (farseers) can view intel across the distances of time and space (farsight). Their visions guide the missions of magical and mundane soldiers, and they play against the farseers of hostile powers. I want to look briefly at some of the popular stories of magical surveillance. The use of magical or psychic means to view across space and time is an old idea. Yet few of the stories that come immediately to mind view such power as an unambiguous good for the wielder. In the story of Snow White, the evil queen uses a magic mirror for scrying. Like many such devices, the mirror is a two-edged weapon. On the one hand, the mirror demonstrates what powerful surveillance can accomplish; for example, the attempt of Snow White and the huntsman to fake her death fails because of it. On the other hand, the mirror seems to be driving the queen to her eventual destruction by doling out only as much information as she requests and no more. In The Lord of the Rings, we have the Mirror of Galadriel, the palantíri, and the Ring itself. All of these are in their own way unreliable. The Mirror of Galadriel shows Sam a vision of an industrializing Shire that momentarily discourages him from his mission, when his mission is the one hope of Middle Earth. Denethor’s palantir gives him true intel, but only what Sauron wants him to see, and so he goes mad with despair. In turn, Aragorn is able to use Saruman’s palantir to nudge Sauron into rushing his attack. The Ring seems to serve as a sort of tracking device, but only when Frodo puts it on does it work well enough to zero in on him….

(10) SPEAKING UP. AudioFile is campaigning to get a Grammy Award nomination for Neil deGrasse Tyson’s Astrophysics for People in a Hurry. Those eligible to vote will do so between October 16-19.

What is the nature of space and time? How do we fit within the universe? How does the universe fit within us? There’s no better guide through these mind-expanding questions than acclaimed astrophysicist and bestselling author Neil deGrasse Tyson.

But today, few of us have time to contemplate the cosmos. So Tyson brings the universe down to Earth succinctly and clearly, with sparkling wit, in digestible chapters consumable anytime and anywhere in your busy day.

(11) BALLS. Motherboard takes readers “Inside the Most Exclusive High-Powered Rocketry Event in America”.

“We might be digging a hole to get at this thing, man,” Joshua Allen told me as we barreled across Nevada’s Black Rock Desert in the back of a covered pickup truck.

Allen and his peers from Oregon State University had just launched their homemade rocket at Big Ass Load Lifting Suckers (BALLS), an annual gathering of rocketeers that showcases the most powerful amateur rockets in the US. It was their first time at the event, held late in September, and they hoped that their two-stage rocket would fly to 100,000 feet, about one-third of the way to space proper. The Oregon State students, many of whom graduated in May, had spent the last year designing, building, and testing the rocket we were hunting from a pickup. Allen estimated that it contained over $20,000 of purchased and donated materials—and after a malfunction during its flight, he wasn’t sure they would recover it in one piece, if at all.

Every September for the last 27 years, the Tripoli Rocketry Association—one of the two amateur rocketry groups in the US—has hosted BALLS as a showcase of the rockets built by people like Allen that are too powerful to be safely flown anywhere but the middle of the desert. Black Rock is a well-worn stomping ground for amateur rocketry due to its expansive, barren lake bed that lacks any signs of life or flammable materials. This was the location that the first civilian team launched a rocket into space in 2004 and is frequented throughout the year by local high-powered rocketry groups in the southwest.

In order to bring hundreds of rocketeers together for a weekend of punching holes in the sky, Tripoli must obtain a flight waiver from the Federal Aviation Administration that allows the organization to fly over 100,000 feet. It’s the highest flight waiver granted to amateur rocketeers by a federal administration anywhere in the world.

(12) TOURIST ATTRACTION. Just how many tourists will be attracted is the question “A Giant Concrete Orb in Northern Iceland Moves With the Arctic Circle”. (Say what you like, it looks like Rover from The Prisoner to me.)

On Grímsey, a remote island 25 miles off the northern coast of Iceland, sits a massive orb of concrete that marks the Arctic Circle. The artwork, called Orbis & Globus (“Circle & Sphere”), weighs 8 metric tons (almost 9 tons US), and will be physically moved a short distance each year because the Arctic Circle is moving, too.

“The Arctic Circle marks a point where the Sun never sets in the summer and never rises in the winter,” Steve Christer, a partner with Studio Granda, which created the work in a partnership with artist Kristinn E. Hrafnsson, told me over the phone from Reykjavik. “It isn’t just a point on a map.” At 66.5 °N, the Arctic Circle moves a little bit each year as the Earth travels through space, shifting on its axis. (Earth’s axial tilt can vary by about 2° over the course of a 40,000-year cycle.) This giant orb will have to be repositioned every year by an average of 14.5 meters. Christer told me they’ll hire a contractor to do it.

The orb was commissioned by the nearby town of Akureyri, which was seeking “a symbol for the Arctic Circle on the island of Grímsey,” he said. Getting the work there was no easy feat.

(13) HALLOWEEN REVIVALS. Joel Ryan, in the Yahoo! TV piece “TV’s Lost Halloween Classics:  Six Specials From Beyond The Grave”,  introduces a new generation to “Mad Monster Party,” “Halloween is Grinch Night,” and the Cartoon Network adaptation of “The Halloween Tree.”

  1. The Worst Witch The Tim Curry Halloween movie for the whole family, about a boarding school for aspiring broomstick types, also boasts the fabulous Diana Rigg, Fairuza Balk (The Craft), the post-Facts of Life Charlotte Rae, and production design that screams HBO in the mid-1980s. (Yes, we know The Worst Witch was a British coproduction, but then again, that’s what HBO originals looked like in the mid-1980s: things that were not quite of Hollywood.) In any case, the movie is a charming reminder of those simple days before the Hogwarts Express rolled into the creative space.

(14) GULLIVER’S CREATOR. Nature’s Greg Lynall, in “In Retrospect: Gulliver’s Travels”, looks at the science in Gulliver’s Travels, in a piece commemorating the 350th anniversary of Jonathan Swift’s birth. (Apologies – I can’t make my computer pick up excerpted text.)

(15) HAMIT SCRIPT RACKS UP ANOTHER AWARD. Francis Hamit has won a third screenwriting contest with his screenplay for the forthcoming feature film Christopher Marlowe.

The Elizabethan-era historical thriller is slated to be produced primarily in the United Kingdom by famed Producer Gary Kurtz. On September 16, 2017 the screenplay won the “Best Thriller Screenplay” prize at the GO International Independent Film Festival in Washington, DC. Hamit’s previous awards for this work were at the 2016 Hollywood Book Festival and the 2017 New Renaissance Film Festival in London.

(16) WOKE-O-METER. Motherboard offers a solution: “Want More Diverse Entertainment? A New Site Has You Covered”

When it comes to movie reviews, there are plenty of resources that can tell you the most critically-acclaimed films and popular flicks. But what about when it comes to how woke they are?

Enter Mediaversity, a website that reviews TV and movies based on how well they represent diverse gender, race, and LGBTQ characters and stories, created by Li Lai, a graphic designer from New York.

“What really solidified this idea for me was last year when I was watching Oscar nominees and critically-acclaimed TV shows,” Lai told me over the phone. “Right in a row I watched Narcos, Game of Thrones, and The Revenant. All of them had awful portrayals of women.”

She was surprised that all of these highly-praised works were so tone deaf. Lai hopped online to look up reviews that might elucidate this aspect of media, as well as diverse representations of race and LGBTQ characters and stories. But she realized there was a dearth of information. There are plenty of resources if you want to know how entertaining a movie is, or how artistic, or how clever the dialogue is. But it’s a lot harder to find out whether or not the only time women appear onscreen is in rape scenes.

So, nine months ago, Lai decided to create Mediaversity, a labor of love which she said she currently has no plans to monetize. Though, like all reviews, the ratings are subjective, Mediaversity has a guideline for how Lai and her fellow reviewers—a diverse team of friends and bloggers—measure a show’s representation success, and uses a letter grading system from A+ to F.

(17) ANOTHER HALLOWED BREW. A gigantic “monster” IPA with just the right balance to bring palates back from the dead: “Stone Brewing’s Concoctions Go Wild and Dr. FrankenStone’s Monster IPA is Born”.

Late one evening, into the deepest vaults of Dr Frankenstone’s steaming lab – a monster IPA was born. This morbid creation was the result of our brewers pushing the hop limits (most of which are successful) to an insane level that would unleash an IPA like none other from the brewery. It was a creature that haunted our brewers for many nights, as this beaker-buster was something they could not explain, yet was such a balanced delight to taste. Unbeknownst to our brewers, the horrific beast of a beer was a result of their blending sessions that got out of hand! After the first taste of the fresh liquid, our brewing team of mad scientists knew they had to re-create this experiment for October only in draft form.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Harold Osier, John A Arkansawyer, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 9/5/17 For Sale: Baby Pixels. Never Scrolled

(1) GAME OF TINGLES. Zoe Quinn has posted a new trailer for Tingle, her dating simulator game based on the works of Chuck Tingle. Dual Shockers has the story — “Tingle Gets a New Pre-Alpha Trailer Featuring a Ton of Actors and Personalities”. May not be safe for work. Unless your boss is a unicorn.

The dating simulator looks incredibly strange. The trailer features a moving butt plaque, horse masks, terribly drawn male genitalia, puzzles, mini-games, and lots more. You can check it out down below. While the game could definitely be considered not safe for work, Quinn is including options that’ll make Tingle less raunchy.

(2) PRATCHETT ON DISPLAY. This is the event publicized by running over Pratchett’s hard drive with a steam roller… The “Terry Pratchett: HisWorld” exhibit at the Salisbury Museum (in Salisbury, England) runs from September 15 until January 13.

This is an exclusive major exhibition based on the extraordinary life of Sir Terry Pratchett, the creative genius behind the Discworld series. Follow his journey to becoming one of our best known and best loved writers. This unique exhibition will include artwork by the man himself and treasured items owned by Sir Terry which have never previously been on public display. Also featured will be over forty original illustrations by Paul Kidby, Sir Terry’s artist of choice.?

(3) HEAR SF IN PHILLY. When the new SFWA-sponsored Galactic Philadelphia reading series begins October 24 the readers will be –

Gardner Dozois was the editor of Asimov’s Science Fiction magazine for almost twenty years, and also edits the annual anthology series The Year’s Best Science Fiction, which has won the Locus Award for Best Anthology more than any other anthology series in history, and which is now up to its href=”http://amzn.to/2xLXXFN”>Thirty-Fourth Annual Collection. He’s won the Hugo Award fifteen times as the year’s Best Editor, won the Locus Award thirty-one times, including an unprecedented sixteen times in a row as Best Editor, and has won the Nebula Award twice, as well as a Sidewise Award, for his own short fiction, which has been most recently collected in When the Great Days Come. He is the author or editor of more than a hundred books, including a novel written in collaboration with George R.R. Martin and Daniel Abraham, Hunter’s Run, and, in addition to many solo anthologies, the anthologies, Songs of the Dying Earth, Warriors, Dangerous Women, and Rogues, all co-edited with George R.R. Martin, the last two of which were New York Times bestsellers. Coming up is a major solo fantasy anthology, The Book of Swords. He has been inducted into the Science Fiction Hall of Fame, and won the Skylark Award for Lifetime Achievement in Science Fiction. Born in Salem, Massachusettes, he now lives in Philadelphia, Pennsylvania.

Lara Elena Donnelly is the author of the glam spy thriller Amberlough, and its upcoming sequels Armistice and Amnesty. Her short fiction and poetry has appeared in or is forthcoming from Strange Horizons, Escape Pod, Mythic Delirium, Nightmare, and Uncanny. She is a graduate of the Alpha and Clarion workshops, and a past winner of the Dell Magazine Award. In the summer, Lara is onsite staff at the Alpha SF/F/H Workshop for Young Writers. She lives in Harlem, but exists virtually on most social media platforms as @larazontally, and on her website at laradonnelly.com

The venue will be the Irish Pub, located at 2007 Walnut Street, Philadelphia 19103, a block west of Rittenhouse Square, and start at 7:30 p.m. [H/T to SF Site News.]

(4) THE END OF CINEMATIC HISTORY. In Washington, D.C., people are invited to watch “My Favorite Movie with Francis Fukuyama: Children of Men”.

Join Francis Fukuyama for a screening and discussion of Children of Men, the haunting 2006 adaptation of PD James’ dystopian novel (directed by Alfonso Cuarón) set in 2027, when all women have become infertile and humanity is facing extinction.

This is the latest installment of our “My Favorite Movie” series featuring thought leaders hosting their favorite movies, and short conversations about them. Professor Fukuyama is a senior fellow at Stanford’s Freeman Spogli Institute and the author of The Origins of Political Order and The End of History and the Last Man.

The screening of Children of Men will take place at 6:30 p.m. on Monday, September 19th at Washington, D.C.’s Landmark E Street Cinema at 555 11th Street NW.  If you would like to attend, please RSVP to futuretensedc@gmail.com with your name, email address, and any affiliation you’d like to share. You may RSVP for yourself and up to one guest. Please include your guest’s name in your response. Seating is limited.

(5) FILER ON PODCASTLE. Congratulations to Heather Rose Jones, who has a brand new original short story out from Podcastle.org today, “Hyddwen.” Check it out.

Morvyth, the daughter of Rys, had no desire for a husband because of the passion and the love she had for Elin, the Lady of Madrunion. And after what we spoke of above–sending the gull as love-messenger to her, and the trick with the sack at the wedding feast, and sending the Irishman away empty-handed–Morvyth came to live at Llyswen. And there they spent three years in happiness and joy.

(6) ANN LECKIE, CHEESE EVANGELIST. There’s an uptick in interviews with Ann Leckie’s next book coming out this month: “Hugo Award–winner Ann Leckie talks new book, sci-fi politics, and Provel cheese” in St. Louis Magazine. Lots in here about the Imperial Radch series, and women winning all the Hugos this year – but no tea recommendations! Firm opinions about cheese, though….

St. Louis is home to a not-small number of award-winning creators—and BookFest St. Louis plans to gather them, along with writers from around the nation, in September.

Not least among those authors is space opera writer Ann Leckie, whose Ancillary Justice is the first novel to win the “triple crown” of the Hugo, Nebula, and Arthur C. Clarke science fiction awards. The book’s Imperial Radch trilogy went on to grab additional Locus awards and prestigious nominations. Leckie will speak at a science fiction panel with fellow writers Charlie Jane Anders, Annalee Newitz, and Mark Tiedemann.

The September 23 event precedes the following Tuesday’s release of her fourth novel, Provenance, a standalone that’s set several years after the Imperial Radch trilogy and will feature new characters and star systems….

Is there anything around here that you’re a big fan of?

…I find myself often, when I’m travelling and talking to other writers from other places, telling them that they absolutely have to try St. Louis–style pizza. I don’t know what’s wrong with the people who are like, “That’s not even pizza!” Well it is; it’s just not the pizza that you’re used to, right? So I’ve been trying to spread the word about St. Louis–style pizza.

Spread the Provel gospel.

Yes. It’s made in Wisconsin only for the St. Louis pizza market. That’s what Wikipedia said. It’s only—there’s no other use for Provel cheese except us. It’s made almost exclusively for the St. Louis pizza market.

Writer’s note: NPR confirms Wikipedia’s story.

Nowhere else?

Nobody else knows what Provel is. Isn’t that kind of amazing? Which is I think part of why when people encounter that, and it doesn’t act like the cheese that they’re used to—not only is it not the cheese they’re used to on pizza; it’s a completely foreign cheese. So it’s like… [She pulls a face.] But they’re just wrong. It’s wonderful.

I thought you’re one of few who have that opinion. But a decent enough number, apparently.

I mean, it’s our pizza. You have to take it on its own terms. You can’t say, “This isn’t New York style, this isn’t Chicago style,” because it’s not. It is what it is.

(7) ROBBY ON THE BLOCK. William Malone has announced he’s selling Robby the Robot.

ROBBY GOES OFF to COLLEGE. I’m sure this will come as a shock to some of you. I just wanted to let all my friends know that after much thought and consideration, I have decided to put the Original Robby the Robot and his Car up for auction. This is not a hasty decision by any means. It’s actually something I’ve been thinking about for some time. I’ve had Robby for over 37 years and have enjoyed seeing him everyday and having coffee with him every morning (though he always preferred an STP Daiquiri to espresso). While I’ve tried to make Robby available to be seen and enjoyed as much as possible, I’ve come to realize his proper place is in a museum. I’m hoping this is where he’ll wind up. Robby is an icon and a star and just a plain good guy (err robot). Over the years, I’ve always tried to look after his best interests and he certainly has been good to me. I feel like I’ve never really owned Robby, I’m just his caretaker. It’s time for the next part of his journey. He will outlive us all.

Robby will be on sale at the New York Bonhams/TCM auction in November.

(8) SMOKE YOU CAN SEE FOR LIGHTYEARS. TV Line warns “The Orville Review: Seth MacFarlane’s Somber Sci-Fi Dud Crashes and Burns”.

Consider this a red alert to TV fans everywhere: Are you expecting Seth MacFarlane’s new Fox series The Orville to be a fun Star Trek parody packed with wall-to-wall jokes? Two words of advice: Abandon ship.

Despite what Fox’s official site claims, The Orville — premiering this Sunday at 8/7c — is not a “hilarious comedy.” It’s not even a comedy. Yes, there are a few Family Guy-esque punchlines scattered throughout, but as bafflingly as this sounds, The Orville is mostly a straightforward drama… and not a very good one, at that. Riddled with sci-fi clichés and paralyzed by a grim self-importance, MacFarlane’s shiny new vessel ends up being a colossal dud that not only fails to take flight, it short-circuits before it even gets out of the docking bay.

(9) HISTORY FROM ANOTHER PLANET. Star Wars: Episode IX director Colin Trevorrow has been cut loose:

Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.

The Hollywood Reporter heard this from unnamed sources:

Sources tell The Hollywood Reporter that script issues have continued to be a sore spot throughout Episode IX’s development, with Trevorrow having repeated stabs at multiple drafts. In August, Jack Thorne, the British scribe who wrote the upcoming Julia Roberts-Jacob Tremblay movie Wonder, was tapped to work on the script.

Sources say that the working relationship between Trevorrow and Lucasfilm head Kathleen Kennedy became unmanageable. Kennedy, who had already been through one director firing/replacement on the Han Solo spinoff movie, was not eager for a sequel and tried to avoid this decision.


  • There is a school of thought that if you need to use a bookmark, you don’t have a first-rate mind. Today’s Drabble shows the down side of that. Thanks to John King Tarpinian for the laugh.
  • He also recommends today’s installment of Brevity, a terrible pun which made me laugh (don’t they all?)

(11) WATCHING STINKERS. List Challenges says these are “100 of the Worst Movies Ever” and gives you a chance to add up how many you’ve seen. Apparently I’ve done a pretty good job of sparing my eyeballs, having seen only 15 out of 100. (Was Down Periscope really that awful? I wouldn’t tell you to hurry and see it, but I know I didn’t throw my popcorn box at the screen either.)

(12) HARASSMENT SURVEY. Jess Nevins has published the results of his “Sexual Harassment in the Science Fiction & Fantasy Communities Survey”.

The science fiction and fantasy community has a problem: sexual harassment and sexual predation by men.

I put up a survey recently on the subject. The results, while not surprising, were nonetheless sobering. Of 802 respondents:

  • 24% had been sexually harassed at a convention.
  • 35% had witnessed sexual harassment at a convention.
  • 40% had a family member, friend, or colleague who had been sexually harassed at a convention.

In addition to overall numbers, he collected anecdotal information.

… Some of the victims of harassment refuse to go to specific conventions any more, whether because of that convention’s weak anti-harassment policies, the weak response by the convention’s staff to complaints about harassment, or because a harasser is a regular participant of that convention. Some of the victims refuse to go to any conventions now, because of their negative experiences. Some of the victims are no longer comfortable at conventions unless they are in the presence of a male partner or friend or group of friends. Some of the victims have developed PTSD as a result of being harassed.

(13) MULTITUDES ATTEND DRAGON AWARDS. They may be blurry photos taken with a phone, but they are clear enough to show the number of fans present for the Dragon Awards.

View post on imgur.com

(14) CLOSEUP OF THE EUGIE AWARD. This is a much better picture than I was able to find the other day.

(15) WHO CROSSES THE POND. Hold it, that sounds like an episode plot, not geography. The news story is: ATB Publishing has started shipping copies of Red, White and Who: The Story of Doctor Who in America by Steven Warren Hill, Jennifer Adams Kelley, Nicholas Seidler, Robert Warnock,  Janine Fennick and John Lavalie.

In this book you’ll find the rich history of everything DOCTOR WHO in the USA—from American TV Guide listings of Canadian broadcasts in 1965, through the Dalek movies, the early struggles of the Public Broadcasting System, the BBC sales attempts, the official debut on American television in 1972, the explosion in popularity among US viewers in 1979, the twentieth anniversary celebration in 1983, the conventions, the books, the merchandise, the fan clubs, the video releases, the games, the USA Tour, and every imaginable fan activity including cosplay, fan films and audios, PBS pledge drive volunteering, websites, podcasts, and much more, to the new heights of success, popularity, and fandom participation in the 21st century. It’s an enlightening and entertaining journey for everyone who admires DOCTOR WHO…and not just for American fans, but devotees around the globe.

(16) THEY KEPT WATCHING THE SKIES. Now they know which star they were looking at: “Scientists recover nova first spotted 600 years ago by Korean astrologers”.

On a cold March night in Seoul almost 600 years ago, Korean astrologers spotted a bright new star in the tail of the constellation Scorpius. It was seen for just 14 days before fading from view. From these ancient records, modern astronomers determined that what the Royal Imperial Astrologers saw was a nova explosion, but they had been unable to find the binary star system that caused it—until now. A new study published today by the journal Nature pinpoints the location of the old nova, which now undergoes smaller-scale “dwarf nova” eruptions. The work supports that idea that novae go through a very long-term life cycle after erupting, fading to obscurity for thousands of years, and then building back up to become full-fledged novae once more.

“This is the first nova that’s ever been recovered with certainty based on the Chinese, Korean, and Japanese records of almost 2,500 years,” said the study’s lead author Michael Shara, a curator in the American Museum of Natural History’s Department of Astrophysics.

(17) FANTASTIC FICTION AT KGB. Ellen Datlow and Matthew Kressel will present Katherine Vaz and Chris Sharp at the next gathering of Fantastic Fiction at KGB on September 20.

Katherine Vaz

Katherine Vaz is best known for her fictional chronicling of the stories of the Portuguese in America, often with a magical-realism twist. Her novels include Saudade, a Barnes & Noble Discover Great New Writers selection, and Mariana, selected by the Library of Congress as one of the Top Thirty International Books of 1998. Her collections Fado & Other Stories and Our Lady of the Artichokes & Other Portuguese-American Stories have won, respectively, a Drue Heinz Literature Award and a Prairie Schooner Book Prize. She’s taught fiction as a Briggs-Copeland Fellow at Harvard and was a Fellow of the Radcliffe Institute for Advanced Study. She’s a frequent contributor to the anthologies of Ellen Datlow (and Terri Windling)plus a story in the upcoming Mad Hatters and March Hares.

Chris Sharp

Chris Sharp is the author of Cold Counsel, a human-free, post-Ragnarok, dark fantasy romp and The Elementalists, a YA epic about dragons and climate change—with new installments coming soon to both series. His articles have appeared in Tor.com, and he also writes extensively for feature films and episodic television. Prior to moving to MA and committing full time to writing, he worked as an independent film/commercial producer in NYC. His photography has appeared in New York Times Magazine, his drawing in the Corcoran Gallery of Art, and some of the films he produced have won awards at festivals around the world.

The readings begin 7 p.m. on Wednesday, September 20th, 7pm at KGB Bar (85 East 4th Street (just off 2nd Ave, upstairs.) in New York.

(18) SEASONAL BREW. It’s the right time of year for New Belgium Brewing to send its Voodoo Ranger Atomic Pumpkin Ale to market.

Enough with the run-of-the-mill pumpkin beers. I’m not interested in an ale that takes cues from a frozen coffee drink, and neither are you. That’s why I made Atomic Pumpkin. Does it really feature Habanero peppers? Yep! What about Saigon Cinnamon? Ding! I round it all out with a hearty malt bill that makes for a spicy brew that puts the “Fun” back in Pumpkin. (Spelling was never my strength). — Voodoo Ranger

[Thanks to John King Tarpinian, JJ, DMS, Carl Slaughter, Mark-kitteh, Rebecca Hill, Craig Glassner, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]</a<>

Pixel Scroll 9/3/17 The Alpha Ralpha Boulevard Of Broken Dreams

(1) WESTEROS IN FERMENT. John King Tarpinian found these vintage wines languishing on the shelf at Pier One Imports.

(2) THE BEST WINE YET. You’ll find the rest of Ted Gioia’s essay on Dandelion Wine at Conceptual Fiction.

These efforts reached their culmination in Bradbury’s ambitions for a big “Waukegan novel,” which he sent to his publisher at the end of 1956.   Years later, the writer’s wife Maggie would mention that Dandelion Wine was Bradbury’s favorite among his books—although the author himself was more coy.  “They are all my children.  You can’t pick favorites when it comes to children.”   But if you have any doubts about how closely Bradbury identifies with this work you need merely look at is protagonist Douglas Spaulding, whose very name makes clear that he is the author’s alter ego:  Bradbury’s middle name is Douglas, and his great-grandmother’s maiden name was Spaulding.   Here in Green Town, Illinois—the stand-in for Waukegan—we follow in this boy’s path during the summer of 1928.

(3) HOPS TO IT. Woodbridge, Virginia’s Heroic Ale Works has all of their beers branded as superhero characters.  They brewed Escape Velocity Ale for the Escape Velocity convention sponsored by the Museum fo Science Fiction, which was held in Washington between September 1-3. See all the beer labels at the link.

You’ve tasted the beers, now get to know the stories behind the characters in the brand new, original ‘Heroic Aleworks Presents’ comics created by the owners of Heroic Aleworks, featuring artwork by talented artists from around the world.

(4) DEL TORO. Deadline, in “Guillermo Del Toro’s ‘The Shape Of Water’ Shines Bright In Lido Embrace – Venice”, says the director’s new SFF movie received an enthusiastic response at an Italian festival:

Guillermo del Toro gave the Venice Film Festival press corps a giant hug this morning, while also tugging — hard — at heartstrings. The press is hugging back. The filmmaker’s lyrical period fairy tale The Shape Of Water was met with sustained applause (and a fair amount of tears) as the lights rose in the Sala Darsena earlier today. Reviews that have followed are glowing, and this afternoon’s press conference was slightly delayed when reporters wouldn’t stop hooting and hollering as the filmmaker and his cast took their spots on the dais.

(5) THE SHARKE BITES. Megan AM summarized her experience as a Shadow Clarke juror in “SFatigued”. A good friend sent me the link, asking for my help in identifying who she’s talking about here. Thanks, pal!

In my mind, it was the American commentary that became the strangest and most unexpected turn of events. Suddenly, people from different corners of the USian SF blogosphere–people who admitted they never cared about or even paid attention to the Clarke Award before–suddenly had a lot to say and feel about open criticism aimed at what is becoming a corporatized award process– it appearing to be an industry award, rather than the critical award it was originally intended to be– all things they knew nothing about and took no time to comprehend. These people had a lot to say, not because they cared about the Clarke, but because… they could sense that some Sharke criticism might be aimed at their faves. And rightly so.

These people had a lot to say because they are not stupid. They are intelligent people who know exactly why something that should have nothing to do with them might feel a little bit threatening: They know their faves are not actually amazing, that they are actually inherently problematic, superficial, simplistic, dumbed down, and NOT award worthy. They know it because it is just that apparent. (And hardly worth the word count the Sharke jury spent on those books). They did not want to face it. Because they need it to feel safe. (And I get that. I really do. This is, after all, an important social sphere for many people.)

But the USian defensiveness was palpable. The stale, conservative watering hole for Hollywood Tonight-style SF news updates chronicled the Sharke process while its commenters huffed and puffed and said, “not gonna even waste my breaf on it” (but still did). Massively successful workshop authors who don’t seem to read much more than other massively successful workshop authors unloaded words about how readers like me will never appreciate the art of their simplicity (and then back-patted each other for how comforting and original they all are). (Comforting AND original! In the same sentence!) The young, white, feminist LGBTQ contingent–MY PEOPLE, goddammit–missed the big picture, as usual, because they benefit from the back-scratching, because they’re afraid to demand more of publishers and writers (because they’re afraid to demand more of themselves).

(6) SF IN POLAND. Marcin Klak, the Fandom Rover, in his Polcon report, tells who won the Janusz A. Zajdel Award:

Janusz A. Zajdel Award

The ceremony of this most prestigious Polish SF award was very simple this year. It did not include any artistic performances and was in fact just an announcement of the winners. Still, as each year, it was a very important part of the con. The results are as follows:

Best Novel

Krzysztof Piskorski — Czterdziesci i cztery (Forty and four)

Best Short Story

Lukasz Orbitowski and Michal Cetnarowski — Wywiad z Boruta (Interview with Boruta devil)

(7) FUR AND FEATHERS OVERRATED? The Guardian reports an Interesting study on the use of anthropomorphic animals in children’s books — “Children’s books with humans have greater moral impact than animals, study finds”.

Forget the morals that millennia of children have learned from the Hare and the Tortoise and the Fox and the Crow: Aesop would have had a greater effect with his fables if he’d put the stories into the mouths of human characters, at least according to new research from the University of Toronto’s Ontario Institute for Studies in Education (OISE).

In the Canadian study, researchers read one of three stories to almost 100 children between four and six years old: Mary Packard’s Little Raccoon Learns to Share, in which anthropomorphic animals learn that sharing makes you feel good; a version of the story in which the animal illustrations were replaced with human characters; or a control book about seeds.


Pet Rock Day

Launched in the 1970s by advertising executive Gary Dahl, the pet rock was an antithesis to those living pets in need of regular care. It did, however, come with a mean “attack” mode. For a mere $3.95 people could adopt their very own rock, supplied on a bed of hay in an well-ventilated box. Like all things, pet rocks are more expensive these days, but you could always catch a wild one for free – just remember that undomesticated rocks may be more difficult to handle.


  • September 3, 1976 — Viking 2 lander touched down on Mars at Utopia Planitia.

(10) COMICS SECTION. John King Tarpinian found today’s Close To Home is a moving experience.

(11) DRAGON CON ART SHOW. The Daily Dragon tells us the winners of the “2017 Dragon Con Art Show Awards”.

(12) WONDER OF THE WORLD. The Daily Dragon also covered “Life, Lust, and Laughs with John Barrowman”.

From his sparkling, shining star–filled entrance to his final innuendo, John Barrowman had the 7PM capacity crowd in the Hilton Grand Ballroom alternately in stitches and in awe. No one was safe from his star power.  His costume designers from Elhoffer Design were the first to feel his special brand of love, being unwittingly pulled on stage to celebrate his Wonder Woman outfit, complete with sparkling cape, tiara, and booty shorts. Their designs for Barrowman never cease to shock and amaze.

(13) DRAGON AWARDS CLIPPINGS. Here are miscellaneous reports and reactions to today’s Dragon Awards announcement.

More than 8,000 fans cast ballots for Dragon Award winners among 88 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming and tabletop gaming.  Winners were announced on Sept. 3 at Dragon Con, which runs September 1 to September 4, 2017 in Atlanta.

In all seriousness, congrats to Cory Doctorow on his win for “Walkaway”. The sequel to “A Place Outside The Wild” — “A Place Called Hope” — should be out in six weeks or so, and then I’ll be starting work on the follow-up to “Fade”, “Night’s Black Agents.”

Congratulations to the administrators of the Dragon Awards. In just two short years, you have ascended to the pinnacle and I feel you’ve only just got started. There may not be one of those incredible Dragon Awards sitting on my mantle (yet) but I am honored and humbled by the fact that I am, and will always be, a Dragon Award Finalist.

If I was the Dragon Award organisers I’d be happy with the results. Mainly safe choices that avoided rewarding poor behaviour.

First, I’d like to congratulate all of the nominees for the Dragon Awards. I had friends, both from cyberspace and meatspace, on the ballot. I’m sorry they didn’t win.

And now, I have a confession to make.

I didn’t vote this year. I didn’t vote for the Gemmells either.  Before anyone starts screaming about hypocrisy and double standards, I had a very good reason for not voting.

I didn’t read any of the nominees.

I’m not going to vote on a ballot when I haven’t read at least some of the titles under consideration.

  • John Scalzi had this to say:

  • Annalee Flower Horne condemned the proceedings out of hand, as did Lady Business’ Renay, and D. Franklin.

  • Here are assorted other tweets:

(14) KAYLON IN COSTUME. At ScreenRant, “Mark Jackson Says The Orville Is For ‘Disgruntled Star Trek Fans’”.

Seth McFarlane’s new TV show The Orville is about to hit TV screens with a stellar cast including Scott Grimes, Victor Garber, Adrianne Palicki and British actor Mark Jackson. …

So how did you film your scenes? Did you pull an Andy Serkis in a motion capture suit?

No it was me in that suit, and Seth specifically wanted that. When he was doing the Ted films, he was there giving the lines and he wanted that for this show too. I have never done anything like that before, it brings its own challenges, but to get it right you have to be in the suit and match what they’re doing. What was nice about the show is that it has a retro feel, which kind of harks back to the original Star Trek with the colors and innocence. I think Isaac is classic but not like C-3PO, even though at first I thought maybe he could be like that. He’s very fluid, he’s an efficient machine rather than being rigid.

How is Seth to work with? Is it anything like you have experienced before?

He has a real respect for acting and the craft of acting, he’s a man of many talent who is very supportive. It’s very funny when you meet such a comedic genius because you think they’re going to be really funny all the time, and then you feel like you have to be funny too, and it escalates into this shit show of funniness, but he’s not like that. He’s very bright, which can be quite intimidating, and knows exactly what he wants for the show, so is good at articulating that. We actually had a wrap party a few days ago at Seth’s house up in Beverly Hills, which is obviously fantastic, but the man knows how to throw parties. He turned his entire garden, I think he’s renovating at the moment so he could, into a spaceship bar, it was extraordinary. All of the waiting staff were done up like aliens in full prosethetics and there was a full ice sculpture of a spaceship as you walked in. That was very Hollywood, I feel.

(15) UP ABOVE THE WORLD SO HIGH. She’s back — “Record-breaking U.S. astronaut and crew back on Earth”.

NASA astronaut Peggy Whitson and two crewmates made a parachute touchdown in Kazakhstan on Saturday, capping a career-total 665 days in orbit, a U.S. record.

Whitson, 57, ended an extended stay of more than nine months aboard the International Space Station, a $100 billion research laboratory that flies about 250 miles (400 km) above Earth.

”I feel great,” the biochemist said during an inflight interview on Monday. “I love working up here. It’s one of the most gratifying jobs I’ve ever had.”

During her third mission aboard the station, Whitson spent much of her time on experiments, including studies of cancerous lung tissue and bone cells. She also completed four spacewalks, adding to her six previous outings, to set a record for the most time spent spacewalking by a woman.

(16) NO WONDER. Professor Marston and the Wonder Women is a biopic about the creator of the comic and his marital relationship. In theaters October 13.

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive’s feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston’s children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman’s creation.


(17) GET OUT OF JAIL FLEE. Infinity Chamber will be released September 15.

A man trapped in an automated prison must outsmart a computer in order to escape and try and find his way back to the outside world that may already be wiped out


[Thanks to John King Tarpinian, Martin Morse Wooster, Carl Slaughter, JJ, David Langford, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/21/17 What A Strange Pixel — The Only Winning Scroll Is Not To File

Just an appetizer Scroll today, as my cold has devolved to the flu.

(1) DEMON MEME. And I‘ll make the first course of this appetizer “Occult sandwiches”. No excerpt (can’t get more lo-cal than that) because it looks to be one long Imgur graphic. Its style of humor will reward the attention of anyone who likes the kind of wordplay indulged in by Gaiman and Pratchett.

(2) THE REAL ATWOOD. Years ago all the focus was on Margaret Atwood’s insistence that she didn’t write science fiction. It kept us from learning so many very interesting things about her, as illustrated by this Guardian profile about “Margaret Atwood: a high priestess of fiction who embraces the digital age”.

At 77, Atwood combines the loftiness of a high priestess who does not suffer fools gladly with an unstinting generosity to those she deems not to be foolish. She is a passionate environmentalist, with a particular interest in birds, which she shares with her husband, Graeme Gibson.

If her determination to live by her principles occasionally seems incidentally comic — as when she embarked by boat on an international tour of a stage show publicising the second novel of her MaddAddam trilogy, The Year of the Flood — she also brings to her politics a healthy dose of intentional humour.

On a recent visit to her Toronto home, her longtime UK publisher Lennie Goodings was surprised to meet her carrying a paper bag bulging with four large rubber turkeys. “She showed them to me with that funny, head on a tilt, wicked smile of hers. They squawked when she pressed them.” It turned out that she and Gibson were about to present the prizes at an annual RSPB competition. “The winners each receive a rubber turkey from Margaret, at which point she conducts them in a squeezing squawking choir.”

Atwood traces her concern with the environment back to a childhood spent criss-crossing the forests of Canada with her entomologist father. She was the second of three children, and the family’s itinerant lifestyle meant that she did not go to full-time school until she was eight years old. She began publishing her poetry while a student at the University of Toronto, won her first major literary prize for a poetry collection published in 1964, and three collections later diversified into fiction in 1969 with The Edible Woman, about a woman driven mad by consumerism

(3) I KNOW I DIDN’T VOTE FOR IT. Edmonton’s Hugo Award Book Club blog just came online in May and they’ve attracted attention with their verdict:

1973: The Worst Hugo Award

1973 was a very good year. Income inequality was at its historical lowest in America, union density was at its highest, major victories were happening in civil rights.

But in the world of science fiction, it was the year that one of the worst novels ever to win the top Hugo award was honoured for all the wrong reasons.

And, yes, they already took into account the traditional loser in the debate.

(4) ELVISH. Greg Hullender (via Nicholas Whyte’s website) discovered Carl F. Hostetter’s “Elvish as She Is Spoke” [PDF file] and he enthusiastically forwarded the link with a flurry of comments.

It’s a linguistic assessment of attempts to flesh out Tolkien’s two Elvish languages.

The first key point is that Tolkien obviously wasn’t fluent in either language himself, partly because he kept changing them both, and partly because he doesn’t seem to have ever worked out all the details of the syntax. He doesn’t seem to have been trying to construct a language like Esperanto that anyone would actually use; he was simply having fun. So this is why he didn’t leave a lot of examples of Elvish text behind: he had difficulty writing anything in Elvish himself.

Second, the “neo” languages that people have tried to construct from Tolkien’s work are terribly naive, and often contradict some of the little bits of Elvish that Tolkien actually left us. The author compares it to the hilarious 19th-Century work “English as She is Spoke.” (If you don’t read anything else, skip to page 249, starting with “Elvish as She is Spoke.”)

That said, I think the author is a little hard on the neo-Elvish folks. Tolkien simply didn’t leave enough behind for them to do what they want to do. Lacking that, they’ve tried to be inventive. In the process, they’ve produced something that at least has a very Elvish “feel” to it, and (judging from the movies) sounds very nice. Also, the things that would make it more realistic (e.g. irregularity and polysemy) would make it much harder for native English speakers to learn. Even though neo-Elvish doesn’t withstand close study, it’s good enough for most people to suspend disbelief. That’s probably the most you can reasonably ask of a fantasy language.

Carl Hostetter is part of the Elvish Linguistic Fellowship which has spent decades having scholarly fun exploring Tolkien’s languages.

(5) COMIC SECTION. Wiley in Non Sequitur today comments on the cartoonists’ favorite award, the Reuben.

(6) REUBEN AWARD. The National Cartoonist Society will present the Reuben Awards on May 278. The 2016 Cartoonist of the Year nominees were announced March 2.

LYNDA BARRY is a cartoonist and writer. She’s authored 21 books and received numerous awards and honors including an Honorary Doctor of Fine Arts degree from University of the Arts, Philadelphia, two Will Eisner Awards, The American Library Association’s Alex Award, the Washington State Governor’s Award, the Wisconsin Library Associations RR Donnelly Award, the Wisconsin Visual Art Lifetime Achievement Award, and was inducted into the Will Eisner Hall of Fame in 2016. Her book, “One! Hundred! Demons!” was required reading for all incoming freshmen at Stanford University in 2008. She’s currently Associate Professor of Interdisciplinary Creativity and Director of The Image Lab at the University of Wisconsin-Madison were she teaches writing and picture-making. Lynda was nominated for Cartoonist of the Year for 2016 and will be the recipient of the Milton Caniff Lifetime Achievement Award at the 71st Reuben Awards dinner in Portland Oregon this year. You can follow Lynda on Twitter at @NearSightedMonkey.

STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Universal Uclick. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children. This is his ninth nomination for Cartoonist of the Year. Visit Stephan’s blog and the Pearls Before Swine website.

HILARY PRICE is the creator of Rhymes With Orange, a daily newspaper comic strip syndicated by King Features Syndicate. Created in 1995, Rhymes With Orange has won the NCS Best Newspaper Panel Division four times (2007, 2009, 2012 and 2014). Her work has also appeared in Parade Magazine, The Funny Times, People and Glamour. When she began drawing Rhymes With Orange, she was the youngest woman to ever have a syndicated strip. Hilary draws the strip in an old toothbrush factory that has since been converted to studio space for artists. She lives in western Massachusetts. This is Hilary’s fourth nomination for the Cartoonist of the Year. You can visit Rhymes With Orange online here.

MARK TATULLI is an internationally syndicated cartoonist, best known for his popular comic strips Heart of the City and Lio, which appear in 400 newspapers all over the world. He currently has written three books in a children’s illustrated novel series titled Desmond Pucket, which has been optioned for TV by Radical Sheep. He also has two planned children’s picture books coming from Roaring Book Press, an imprint of McMillian Publishing. The first, Daydreaming, will hit bookstores in September 2016. Lio has been nominated three times for the National Cartoonists Society’s Best Comic Strip, winning in 2009. Lio was nominated for Germany’s Max and Moritz Award in 2010. This is Mark’s third nomination for Cartoonist of the Year. You can follow Mark on Facebook at https://www.facebook.com/mtatulli/ and find his Lio strips here http://www.gocomics.com/lio.

ANN TELNAES creates editorial cartoons in various mediums- animation, visual essays, live sketches, and traditional print- for the Washington Post. She won the Pulitzer Prize in 2001 for her print cartoons. Telnaes’ print work was shown in a solo exhibition at the Great Hall in the Thomas Jefferson Building of the Library of Congress in 2004. Her first book, “Humor’s Edge”, was published by Pomegranate Press and the Library of Congress in 2004. A collection of Vice President Cheney cartoons, “Dick”, was self-published by Telnaes and Sara Thaves in 2006. Other awards include: The National Cartoonists Society Reuben division award for Editorial Cartoons (2016), The National Press Foundation’s Berryman Award (2006) — The Maggie Award, Planned Parenthood (2002) — 15th Annual International Dutch Cartoon Festival (2007) — The National Headliner Award (1997) — The Population Institute XVII Global Media Awards (1996) — Sixth Annual Environmental Media Awards (1996).

Telnaes worked for several years as a designer for Walt Disney Imagineering. She has also animated and designed for various studios in Los Angeles, New York, London, and Taiwan.

Telnaes is the current president of the Association of American Editorial Cartoonists (AAEC) and is a member of the National Cartoonists Society (NCS). This is Ann’s first Cartoonist of the Year nomination.You can visit Ann’s website, http://www.anntelnaes.com, and follow her on twitter at @AnnTelnaes.

And there are 45 nominees in 15 NCS Divisional Categories. Needless to say, it’s a lot more entertaining to look at the illustrated lists over at the NCS site.

(7) BATTLE OF THE BOTTLES. Ommegang Brewery is coming out with an additional three beers in its Game of Thrones series, this time in a new line called “Bend the Knee”.

Bend the Knee:

When fans last gripped their glasses at the end of Game of Thrones’ sixth season, the great houses of Westeros were on the brink of an epic conflict. Cersei had ascended to the Iron Throne as the first queen of Westeros, Jon Snow and Sansa Stark had just reclaimed the North, and Daenerys Targaryen had set sail for the Seven Kingdoms. To commemorate the coming melee in the Emmy® Award-winning show’s epic seventh season, Brewery Ommegang and HBO Global Licensing are excited to announce a new beer in their collaborative series: Bend the Knee Golden Ale.

Paying homage to the struggle for control of the Seven Kingdoms, Bend the Knee will be available on draft and in a series of three collectible 750ml bottles, all finished in matte black and adorned with one of the three Great House sigils: Stark, Targaryen, or Lannister.

And while the show returns on July 16, fans can mark their calendars for the official nationwide release of the beer, which will be on shelves around Memorial Day.

(8) A CARD OF HIS OWN. At last night’s Nebula Award ceremony veteran SFWA volunteer Steven H Silver was given a great surprise — he has been added to the Science Fiction Historical Trading Cards Series.

[Thanks to John King Tarpinian, Cat Eldridge, Greg Hullender, Martin Morse Wooster, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]