Pixel Scroll 8/22/17 One Pixel Makes You Larger, And One Pixel Makes You Scroll

(1) CHILDHOOD’S BEGINNING. When people finally stop sending letters, here’s the kind of thing we’ll be missing: “UK toys celebrated on Royal Mail stamps”.

The UK’s favourite toys from the past 100 years are being celebrated in a new set of stamps from the Royal Mail.

Characters in the set include the Sindy doll and Action Man, as well as brands like Spirograph, Stickle Bricks and Fuzzy Felt.

Meccano, the Merrythought bear, W Britain toy figures, Space Hopper and Hornby Dublo trains also feature.

The series of 10 stamps will be released on Tuesday at 7,000 post offices and to buy online.

Royal Mail spokesman Philip Parker said: “British toymakers enjoyed a reputation for quality and innovation.

“These nostalgic stamps celebrate 10 wonderful toys that have endured through the decades.”

 

(2) PARDON MY SHADOW. If someone had not added “photobomb” to the language, this would not be nearly so clickworthy: “The International Space Station just pulled off the photobomb of a lifetime” at Quartz.

Captured by NASA photographer Joel Kowsky while looking up from Banner, Wyoming, perfectly timed images show a tiny ISS passing in front of the sun.

(3) WABBIT TWACKS. Ricky L. Brown tells Amazing Stories readers about a bizarre crossover project in “Comic Review: Batman/Elmer Fudd Special #1”.

Batman/Elmer Fudd Special #1 was written by Tom King (The Vision, The Sheriff of Babylon) with cover and interior art by Lee Weeks (Daredevil) while color was provided by Lovern Kindzierski (Marvel) and lettering by Deron Bennett (DC, Vault).

This unique crossover is part of a six issue DC Universe / Looney Tunes One-Shot collection. In addition to the Batman Fudd combo, the list of other comics includes: Legion of Super-Heroes/Bugs Bunny Special #1 written by Sam Humphries with art by Tom Grummett and Scott Hanna (June 14, 2017); Martian Manhunter/Marvin the Martian Special #1 written by Steve Orlando and Frank Barberi with art by Aaron Lopresti (June 14, 2017); Lobo/Road Runner Special #1 written by Bill Morrison with art by Kelley Jones (June 21, 2017); Wonder Woman/Tazmanian Devil Special #1 written by Tony Bedard with art by Barry Kitson (June 21, 2017); Jonah Hex/Yosemite Sam Special #1 written by Jimmy Palmiotti with art by Mark Texeira (June 28, 2017). Though these are billed as “one-shot” issues which are typical stand-alone stories, we can only hope/assume that DC Comics has left the window open for many more installments down the line seeing that they chose to include ”#1” in the title designations on their website. Just sayin’.

(4) POD PEOPLE. Fandompodden interviewed current and future Worldcon organizers for its first podcast in English. (They’re usually in Swedish.)

This is our very first English speaking podcast aiming new and old international fandom friends. We have three amazing interviews from the recent Worldcon 75 in Helsinki. Jukka Halme, supreme overlord of the finnish Worldcon. Dave Clark of the San Jose organisation and finaly Steve Cooper and Emmy England of Dublin 2019. Your host for the show is Håkan Wester and Patrick Edlund. Enjoy

(5) CATALANO REJOINS GEEKWIRE. You can now listen to the first episode of GeekWire’s new podcast interview/article series which Frank Catalano is hosting/reporting. It’s about pop culture, science fiction and the arts, and how one of those three topics intersects with tech. The first guest is Greg Bear, on the state of science fiction: “Science fiction has won the war: Best-selling author Greg Bear on the genre’s new ‘golden age’”.

“Nowadays, there’s so many private ventures that when I wrote the War Dogs series, I made the private ventures face forward, and called the Martian colonists Muskies, as a tribute to Elon’s dreams, if not to what the reality is going to be,” he said.

Seattle is a hotbed of science fiction thinking in all these corporations.

As a “hard” science fiction writer who does extensive research, Bear has dived into everything from nanotechnology (his 1983 novel Blood Music is credited by some as being its first use in science fiction) to planetary science. A current fascination, in part because it’s a key setting in the War Dogs trilogy, is Titan. “It’s got a hazy orange layer,” he explained. “It’s full of plastics, and waxes, and organic chemistry. Then, it turns out, it’s actually got a water ocean underneath.”

Access the podcast directly here. (parts of it will also air on KIRO-FM Seattle, as well as be available for streaming).

Some of the top films, TV shows and books today are what was once called “genre fiction,” like sci-fi and fantasy. So is it a golden age for the geeky arts? Or is this mainstream-ization of geek culture more ominous? We explore that question with renowned sci-fi author Gret Bear in the first episode of our special pop-culture podcast series, hosted by Frank Catalano.

Catalano says, “Upcoming episodes will include interviewing SFWA President Cat Rambo about the relevance of awards in science fiction and fantasy and the role of diversity, and curators at Seattle’s Museum of Pop Culture (MoPOP) about the challenges in preserving science fiction and fantasy artifacts from film and TV that were never designed to last. More episodes to come after that, probably at the rate of one or two a month (as my day job allows).”

(6) FUNNY BOOK SALES FALL. Rod Lamberti reports “Comic Store In Your Future: The Secret Empire Sales Drop”.

It didn’t surprise me to read that July 2017 saw the first drop in overall comics sales of the year. A drop in sales did happen. This summer was weaker than last summer sales wise for us. Rebirth last year was a big seller. Our orders were lower than last year reflecting less demand for comics.

(7) MORE ON ALDISS. Christopher Priest writes a remembrance of Brian Aldiss on his blog that’s much more personal than the literary obit he wrote for The Guardian: “Here it began, here it ends”.

In fact, I was too hard up and too shy to go the SF convention, and did not meet Brian Aldiss in person until about 1965. Then, when he found out my name, he said, ‘I remember you — you wrote me that intelligent letter! Come and have a drink!’ It was the first moment of a friendship that was to last, with the usual ups and downs of any friendship between two difficult men, for more than half a century.

This is a photograph taken in June 1970, by Margaret, Brian Aldiss’s second wife. Brian had generously invited me down to their house in Oxfordshire to celebrate the publication of my first novel Indoctrinaire. Also there was Charles Monteith, who was not only my editor at the publishers Faber & Faber, he was Brian’s too. He had been responsible for buying and publishing all the early Aldiss books, including those short stories I had admired so much, and the fabulous bravura of Non-Stop.

(8) HENDRIX AND ALDISS. John Picacio posted this photo of Jimi Hendrix reading a Penguin sf collection edited by Brian Aldiss. Hendrix reading sf was actually a regular thing, as this 2010 Galley Cat article reminds: “Jimi Hendrix and His Science Fiction Bookshelf”.

Photograph by Petra Niemeier of Jimi Hendrix in 1967 reading Penguin Science Fiction

Most people don’t remember anymore, but rock legend Jimi Hendrix was a science fiction book junkie. We caught up with one the guitarist’s biographers to find out more about his science fiction bookshelf.

In the new book, Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, the Untold Story of a Musical Genius, authors Steven Roby and Brad Schreiber take a deeper look at the guitarist…

(9) TODAY’S BIRTHDAY BOYS

Ray Bradbury’s 88th birthday cake

  • Born August 22, 1920 – Ray Bradbury
  • Born August 22, 1978 – Late-night talk show host James Cordon, who also was in some episodes of Doctor Who.

(10) BIRTHDAY GIFT APPEAL. Money is being raised to preserve books and other items donated to IUPUI by Ray Bradbury.

His collection of books, literary works, artifacts, correspondence, manuscripts, photographs, and so much more is housed at IUPUI in the Center for Ray Bradbury Studies. The Center is led by Professor Jon Eller, a personal friend of Bradbury’s for over 23 years and noted scholar of the author’s works.

Without Bradbury, the world wouldn’t be the same. Preserving these assets will help ensure that generations of fans, scholars, authors, filmmakers, and historians are able to pay tribute to the October Man.

Help us preserve the books of the man who knew what society would be without them.

Your generous gift to this campaign will provide general support to the Center and assist in the preservation of the vast collection. DONATE NOW  and help us reach our $5000 goal.

(11) FAMILY TREE. And Bradbury’s family tree includes a Salem woman convicted as a witch. There’s some kind of lesson to be learned about the genetics of sf writers here – if I only knew what it was.

(12) SURVEY. Jess Nevins is conducting a survey about sexual harassment in the sf community.

(13) WHEDON REVEALED. The Wrap’s Beatrice Verhoeven, in “Joss Whedon’s Fan Site Shuts Down After Ex-Wife’s Explosive Essay”, says that Whedonesque.com is shutting down after Joss Whedon’s ex-wife, Kai Cole, posted an essay in The Wrap accusing Whedon of serial infdielity during 15 years of marriage.

(14) PLUS AND MINUS. At Fantasy Literature, Bill Capossere struggles with his final verdict on “The Hike: A surreal and often humorous journey”.

As noted, The Hike is a fast-moving work, despite coming in at just under 400 pages. I read it in a single sitting of just a few hours. Magary keeps things moving apace, save for a few sections that carry on perhaps a little too long. His fluid prose carries the reader along smoothly and easily even if they won’t find themselves lingering over it for its lyricism or startling nature. The humor is another reason it goes down so easily, most of it coming from that crab, who is, well, kinda crabby. The crab is given a run for its comic money, though, by Fermona the giant, who runs a kind of Thunder Dome Buffet for herself. The book isn’t all lightness and humor, however. Magary’s portrait of Ben’s suburban family life is a bit thin, but does strike some emotional chords in scenes where Ben is with or thinking of his children.

(15) VAMPIRE HUNTER. Next year the Stephen Haffner press will bring out The Vampire Stories of Robert Bloch. Right now, Stephen is crowdsourcing help in tracking down the original artwork for his cover.

Robert Bloch (1917-1994) is one of the most fondly remembered and collected authors of crime, horror, fantasy, and science fiction of the 20th Century. Noted by many as the author of Psycho, Bloch wrote hundreds of short stories and over 30 novels. He was a member of the Lovecraft Circle and began his career by emulating H.P. Lovecraft’s brand of “cosmic horror.” He later specialized in crime and horror stories dealing with a more psychological approach.

While we have secured permission from the rights-handlers for Gahan Wilson‘s artwork for the cover image, we have been unable to locate the original “Parkbench Vampire” painting.

The image originally appeared on the cover of the humor digest, FOR LAUGHING OUT LOUD #33 (Dell Magazines, October, 1964) promising a “Hilarious Monster Issue!”.

As shown above and to the right, someone—somewhere—had access to the original artwork and placed a low-res image on the internet.

We have sent queries to several Gahan Wilson-collectors as well as many collectors of SF-art-in-general asking for the whereabouts of the original artwork, but nothing has surfaced yet.

So, if you, or someone you know, has a lead on where the original artwork resides, or can assist in supplying a high-resolution scan of the painting, please contact us ASAP at info@haffnerpress.com.

(16) BEWARE SPOILERS. Fantasy-Faction’s Zachary A. Matzo reviews The Silent Shield by Jeff Wheeler.

The Silent Shield, the fifth main book in Jeff Wheeler’s Kingfountain series, is proof positive that creative consistency makes for a good read. I feel like a bit of a broken record at this point, but Wheeler has once again crafted a short, engaging novel that manages to not only advance the overall narrative but succeeds in expanding the thematic scope of the series. The Silent Shield marks a new high point in a story that has been consistently excellent, and proves once again that one can craft a mature, emotionally resonant and accessible tale without relying upon the grim, the dark or the explicit.

(17) THE FIRST NUKE. Matt Mitrovich’s verdict is that the book is worth a read, in “Book Review: The Berlin Project by Gregory Benford” at Amazing Stories.

Do you ever feel like we are living in a timeline where people are actively trying to roll back the clock? For example, renewable energy technology is being ignored for coal, despite experts saying it is on its way out. We even have the president attacking Amazon as if online shopping is inferior to retail stores. Now people are apparently nostalgic for the constant threat of nuclear war, which makes The Berlin Project by Gregory Benford unfortunately relevant in this day and age.

The Berlin Project tells the story of Karl Cohen, an actual scientist who worked on the Manhattan Project and father-in-law to the author. In our timeline, he devised a way of using centrifuges to make weapons grade uranium for a nuclear bomb. Now in our timeline, this method was rejected in favor of a gaseous diffusion method which cost billions and delayed the project significantly while the engineering problems were worked out. Benford proposes, however, that Karl is more assertive and has a little luck early on by getting private investors on board who hope to use nuclear power for civilians in the future. Thus a nuclear bomb is built a year earlier in time for the Normandy invasion. As the title suggests, the target for America’s first nuclear strike is Berlin, but the city’s destruction doesn’t necessarily give the Allies the outcome they were hoping for….

[Thanks to John King Tarpinian, Kevin J. Maroney, Frank Catalano, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 7/18/17 Fahrvergnügen 451

(0) What’s Daniel Dern’s title a reference to? Some commercials that aired before many of you were born.

(1) COLONIZE OR QUARANTINE? Pilita Clark, the Financial Times environment correspondent, complains “Elon Musk’s inter-planetary fantasy spells danger for Mars”.  (This link goes straight to a paywall, but via Google I found a way around.)

What is troubling is that he (Musk) seems to think of Mars mush as early European explorers viewed Africa and the Americas, as places to be colonised regardless of the consequences.

Mars is in a pristine state and experts say it should stay that way if we are to find proof of past or present life there.  Plonking a city of 1m humans on it would wreak havoc with such efforts, according to veteran space scientists such as Andrew Coates of University College London, whois working on the ExoMars rover due to launch in 2020.

Prof Coates says the big global dust storm on Mars could carry specks of terrestrial matter across the planet that scientists could mistake for evidence of Martian life.  He also worries about Mr Musk’s breezy attitude to the brutally cold weather on Mars, where temperatures average minus 63C.

(2) THE BREW THAT MADE KENTUCKY FAMOUS. We’ve mentioned Wil Wheaton’s beer before. Here’s this year’s edition of “Drew Curtis / Wil Wheaton / Greg Koch Stone Farking Wheaton w00tstout.

COLLABORATORS

Drew Curtis, Fark.com Creator & Patent Troll Killer

Wil Wheaton, Actor & Web Celeb

Greg Koch, CEO & Co-founder, Stone Brewing

It’s been four years since this otherworldly stout burst out of our collective proverbial chests. Four years since the primally viscous first release ooze-snaked across the galaxy. This specialty imperial stout draws its huge flavor from wheat (that’s Wil, natch), pecans and bourbon barrels (two homages to Drew’s home of Kentucky) and Greg’s lifelong quest for pushing the limits of “why the hell not?” to make bigger, bolder beers. The result is a mind-blowing amalgamation of intense yet smooth flavors, perfect for a warm summer evening, a cozy winter’s night or the approaching destruction of the entire human race (be it externally or internally inflicted).

For this year’s bottle art, we were thrilled to entrust the task to heralded comic book writer and artist Walt Simonson. He was gracious enough to work with us in exchange for our donation to The Hero Initiative, a charity organization that provides retirement funds for golden-age comic book artists.

(3) MARVEL’S LIVESTREAM FROM SDCC. Marvel Entertainment will air the action from their booth at Comic-Con starting Thursday, July 20.

Hosted by TWHIP! The Big Marvel Show’s Ryan Penagos and Lorraine Cink, and Marvel Gaming host Jessica Brohard, viewers will be able to watch booth events with their favorite Marvel comic, television and movie talent, hear panel recaps from special guests, and learn about all the fun surprises happening on the convention floor, from exclusive merchandise to special signings. Join in on the fun by visiting www.marvel.com/SDCC2017 or Marvel’s YouTube channel.

 

  • Thursday, July 20: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Friday, July 21: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Saturday, July 22: 11:00 a.m. PT/1:00 p.m. ET – 5:00 p.m. PT/8:00 p.m. ET
  • Sunday, July 23: 11:00 a.m. PT/1:00 p.m. ET – 3:00 p.m. PT/6:00 p.m. ET

(4) FROG FURY. The New York Times covers the brawl: “Kermit the Frog Performer and Disney Spar Over an Ugly ‘Muppet’ Firing”.

“This is my life’s work,” said Mr. Whitmire, 58, who lives in the Atlanta area. “The only thing I’ve done my whole adult life, and it’s just been taken away from me. I just couldn’t understand why we couldn’t resolve this.”

Disney, which acquired the Muppets in 2004 from the Jim Henson Company, painted a wholly different picture, portraying Mr. Whitmire as hostile to co-workers and overly difficult in contract negotiations. Members of the Henson family said they supported the dismissal as well.

… Henson’s family, which still runs the Jim Henson Company, chose Mr. Whitmire to replace Henson as Kermit in 1990 after Henson unexpectedly died of pneumonia at the age of 53. Some of those same family members say they supported the decision to replace Mr. Whitmire, though they are no longer involved with the Muppets.

“He played brinkmanship very aggressively in contract negotiations,” Lisa Henson, president of the Jim Henson Company, and Jim Henson’s daughter, said in a telephone interview.

Ms. Henson said Mr. Whitmire was adamantly opposed to having an understudy for his role, which presented problems when it came to what she called “B-level performances, such as a ribbon-cutting.” She said he was unwilling to appear on some of these occasions but also refused to develop an understudy and that he “blackballed young performers” by refusing to appear on the show with them.

Brian Henson, the company’s chairman and Jim Henson’s son, said that while Mr. Whitmire’s Kermit was “sometimes excellent, and always pretty good,” things changed when he was off set.

“He’d send emails and letters attacking everyone, attacking the writing and attacking the director,” he said.

Whitmire, meanwhile, has continued to characterize himself as indispensable in posts at Muppet Pundit, such as — “The Muppet Performers are not Interchangeable”.

The point is that there is so much vital and significant knowledge that was gained by the dwindling few of us who consistently stood next to Jim. From his characters to his methods and philosophies, it’s stuff you can never fully intuit from watching the Muppets. I know that to be true because I, too, was a completely obsessive Muppet fan with preconceived notions of my own that had to be unlearned when Jim hired me in 1978.

I approach The Muppets as a lineage tradition. For the inside knowledge-base steeped in its origins to survive and be passed down, there has to be a line of transmission, or you had to be there. For the Post-Jim performers to really understand enough about the Muppets to carry on the lineage they need to continue to be around the core performers Jim mentored as long as any of those people are willing and able to share.

None of this is a value judgement of any individual, it is a pointing out of the value of historical perspective so long as that perspective is used progressively. Having had the opportunity to spend the last 27 years cultivating knowledge of Jim along with feeling his presence through Kermit, I find myself at a place where evolving Jim’s vision has begun coming from a deep empathetic connection to him.

So, I see my most important task as providing a taste of the atmosphere created by Jim Henson to those Post-Jim core performers who will never otherwise come by it. My hope was to install it directly into their hearts and minds so that they could, in turn, be inspired to do the same for the next generation of performers instead of the characters becoming stale copies of their former selves. But, as I look around at what is presently transpiring it’s clear to me that the job is far from done.

(5) NO SH*T! Eliot Peper of Harvard Business Review tells “Why Business Leaders Need to Read More Science Fiction”.

At the end of the 19th century, New York City stank. One hundred fifty thousand horses ferried people and goods through the streets of Manhattan, producing 45,000 tons — tons! — of manure a month. It piled up on streets and in vacant lots, and in 1898 urban planners convened from around the world to brainstorm solutions to the impending crisis. They failed to come up with any, unable to imagine horseless transportation.

Fourteen years later, cars outnumbered horses in New York, and visions of manure dystopia were forgotten.

If 19th-century urban planners had had access to big data, machine learning techniques, and modern management theory, these tools would not have helped them. They simply would have confirmed their existing concerns. Extrapolating from past trends is useful but limiting in a world of accelerating technological change.

Science fiction can help. Maybe you associate it with spaceships and aliens, but science fiction offers more than escapism. By presenting plausible alternative realities, science fiction stories empower us to confront not just what we think but also how we think and why we think it. They reveal how fragile the status quo is, and how malleable the future can be…..

Science fiction isn’t useful because it’s predictive. It’s useful because it reframes our perspective on the world. Like international travel or meditation, it creates space for us to question our assumptions. Assumptions locked top 19th-century minds into believing that cities were doomed to drown in horse manure. Assumptions toppled Kodak despite the fact that its engineers built the first digital camera in 1975. Assumptions are a luxury true leaders can’t afford.

(6) FOR SOME VALUES OF OVERDUE. John Ostrander reminisces about a career spent pushing deadlines in “The Digital Dog Ate My Homework. Honest.”

In my earliest days as a pro writer, I did everything on typewriter (first manual and then electric; rumors that I chiseled them on stone tablets are just mean). I didn’t have a computer until later and, even when I did, some companies (including DC) were not equipped to receive them electronically. So that meant printing them up on my dot-matrix printer and then rushing them off to FedEx for overnight delivery.

Unless you called in your package by a certain time, usually much earlier than you had the work done, you had to take the package to the nearest FedEx office. If you didn’t hit the office by closing time (usually around 6 PM), you had to make the Midnight Run to the main FedEx office out by the largest airport around. More than once, Kim was the driver while I finished collating the pages, stuffing them in the envelope, and addressing the delivery slip. Let me tell you, Speed Racer had nothing on Kim. She’d run stoplights and take stop signs as suggestions to be ignored. Often, we’d meet other local freelancers also making the death defying Midnight Run. It almost got to be a club.

(7) TODAY IN HISTORY

  • July 18, 1986 Aliens burst into theaters.
  • July 18, 2001 Jurassic Park III opened.
  • July 18, 2008 The Dark Knight, the fifth film in the big-screen Batman series, opens in theaters around the United States.

(8) EVERY BREATH YOU TAKE. At Fantasy Literature, Bill Capossere and Tadiana Jones each review Caesar’s Last Breath: Decoding the Secrets of the Air Around Us by Sam Kean. Capossere begins:

Informative, witty, vivid, often compelling, sometimes juvenile, knowledgeable, clear, and written throughout with verve and panache via what feels like a wholly singular voice, Sam Kean’s Caesar’s Last Breath: Decoding the Secrets of the Air Around Us (2017) is what every non-fiction book should aspire to. It’s been a while since I’ve so enjoyed a work of non-fiction so thoroughly and consistently.

Kean divides his exploration of air into three large sections, the first dealing with the origin of our current atmosphere, one of many our planet (if not humanity) has seen….

Jones is just as enthusiastic:

Kean has a vivid and engaging style of writing, with a wry sense of humor, which elevates Caesar’s Last Breath far above most pop science books. Gas molecules are described as feral, oxygen as a madman, our moon as an albatross (as compared to the gnats that circle most other mooned planets), and gravity as “that eternal meddler” that won’t abide two planets in the same neighborhood. I learned about the Big Thwack (when a hypothetical planet called Theia smashed into our earth, vaporizing itself and eventually reforming into our moon), the Oxygen Catastrophe of 2,000,000,000 BC, and the mushroom cloud-shaped cakes baked during the heady days of the late 1940s when nuclear blasts didn’t really seem all that dangerous.

(9) INSIDE BASEBALL. Jennifer Brozek shared “10 Things I Learned While I Was A Director-At-Large for SFWA” at the SFWA Blog.

6: Authors, even your favorite author, are only human.

Everyone has either heard the story, or experienced it themselves: “I used to love reading AuthorX, but then I met them and discovered they are terrible. I can’t read their work anymore.” Sometimes it is hard to discover your idols are human with human wants, needs, foibles, opinions, habits, and flaws. When you work on SFWA’s Board of Directors, you usually see all the behind-the-scenes stuff.

Sometimes, you work with an author/editor on a SFWA project and it doesn’t go as smoothly as you like. Sometimes, it appears as if an author once admired has nothing but scorn for the work you are doing and no desire to help out—just kvetch and complain. Sometimes, authors come to the Board at their worst—financial or medical difficulties, personal conflicts that threaten to spiral out of control, issues with editors, agents, or publishers. They don’t have their “public face” on. They are human. They make mistakes. They can be hurt. They put their pants on one leg at a time.

This is one of those learning lessons that really surprised me. I’m not sure why. I just know it did.

(10) STARFINDER’S APPENDIX N. Paizo is producing a new science fantasy RPG named Starfinder, and they’ve released an image of the “Inspirational Media” pages from the game.  It’s a wide list of old and new SF, not just books but also comics, movies, and games.

In the comment thread one of the developers remarks, “That said, I am excited to see fans talking about the things that moved them that we didn’t include. Those suggestions, and the conversations they start, are to me the greatest legacy of all these inspirational media appendices.”

Few appendices have made as big a splash in gaming history as Gary Gygax’s Appendix N. (I thought Cosmo’s appendix bursting at Gen Con that one year might have it beat, but he reminded me that was technically a gallbladder removal, so it’s OUT OF THE RUNNING!) That formative list of novels hit in 1979, in the AD&D Dungeon Master’s Guide. In it, Gygax laid out some of the works that had made the largest impact on him in the creation of Dungeons & Dragons, from Leigh Brackett and Robert E. Howard to Jack Vance and Andre Norton. In doing so, he created a reading list for an entire generation of gamers and fantasy fans, and had a tremendous impact on the genre as a whole.

When we created the Pathfinder RPG Core Rulebook in 2009, we gleefully took the opportunity to publish our own version of Appendix N, keen to introduce fans to our new favorites like Clive Barker and China Miéville, along with grand masters like C. L. Moore. Yet it was ultimately still a fairly small list—just a single column of text—and cribbed heavily from Gygax, focusing solely on novels.

When I first sat down to paginate the Starfinder Core Rulebook, I knew that space was going to be at a premium. I had, by some estimates, 800+ pages of content to cram into something even smaller than Pathfinder’s 576 pages. Yet I also knew that just one page of inspirational media wasn’t going to be enough. In order to make a game like Starfinder, we had to stand on the shoulders of innumerable giants, both childhood heroes and our friends and peers. We couldn’t in good faith restrict ourselves to just literature, either. How could you have Starfinder without Star Wars and Alien? Without Shadowrun and Warhammer 40,000? Without Starcraft and Mass Effect? It just wouldn’t be the same.

(11) BIG EARS. BBC News video: “Telescopes to reach nine billion light years away”.

South Africa has started to set up radio telescopes far more powerful than any current ones in use around the world, in its pioneering search for extra terrestrial activity.

(12) WATER HAZARD. In Washington, D.C. a security robot drowns in a fountain mishap. “We were promised flying cars, instead we got suicidal robots.”

A security robot in Washington DC suffered a watery demise after falling into a fountain by an office building.

The stricken robot, made by Knightscope, was spotted by passers-by whose photos of the aftermath quickly went viral on social media.

(13) RETURN TO TONE. Ian Leslie’s post “Unfight Club” on Medium contends there is a way to have discussions on Twitter without devolving into flame wars, virtue signalling, etc. etc.  If only.

  1. Beware the moral surge. The moral surge is the rush of pleasure you get?—?the dopamine hit?—?when you assert your moral integrity in public. A certain kind of columnist lives for it; much of social media is driven by it. Virtue signalling is its outer manifestation, but I’m talking about an inner mechanism. We’re all subject to it, and that’s not a bad thing in itself?—?it makes sense that we should feel good for ‘doing the right thing’ in the eyes of our group. But when you ingest too much of this drug, or get dependent on it, you end up giving your own bad behaviour a pass. When you’re addicted to the moral surge, personal abuse begins to seem like nothing when measured against high principles. ‘Anything I say to or about that person, however nasty or dehumanising, is justified, because they voted for austerity, which murders people,’ (the more apocalyptic your public language, the purer the hit). Letting your tribe see you condemn others feels good?—?so good that it degrades your own moral machinery. Viciousness becomes a virtue. Don’t let this happen to you: recognise your susceptibility to the moral surge, and be wary of it.

(14) THE EARLY 21ST CENTURY. Martin Wisse calls The New Weird “The last whites only literary movement in science fiction”.

As said, diversity when looked at from that white, middle class male perspective tends to focus on who’s being written about more than on who’s doing the writing. Not that this isn’t important in its own right, but it will still reflect the same limited perspective and no matter how well intentioned, often reducing anybody who isn’t (white, male, middle class) to the exotic. Diversity from this perspective is always from the outside looking in, making it easy to fall into stereotypes, cultural appropriation, orientalism and othering. You get things like making mutants as a metaphor for the Civil Rights struggle and thinking that’s enough, or writing alternate history in which America is conveniently empty when the Europeans land. This sort of diversity is only possible if your audience and peers are the same as you, or you can at least pretend they are.

The New Weird happened at arguably the last time that you could still hold up this pretence without immediadely being contradicted by the very same people you’re denying the existence of. Twitter, Youtube and Facebook didn’t exist yet, blogging was in its infancy and existing fannish and science fiction online spaces were still dominated by, well, white middle class men. What made Racefail not just possible but inevitable was that between the New Weird and Racefail the internet became not just mainstream but ubiquitous as both access and ease of access increased; it’s no coincidence that much of Racefail took place on Livejournal, one of the earliest social media sites and one that had long been home to sf fandom. Tools or sites like Twitter or Tumblr have only made it easier for everybody to let their voice be heard, harder to ignore people when they address you directly. It has its advantages and disadvantages, but the upshot is that science fiction can no longer pretend to be just white, middle class or male.

(15) LICENSE REVOKED. John C. Wright says “Dr. Who Is Not”.

The replacement of male with female is meant to erase femininity. In point of fact, and no matter what anyone thinks or wishes, readers and viewers have a different emotional relationship to female characters as male. This does not mean, obviously, that females cannot be protagonists or cannot be leaders. It means mothers cannot be fathers and queens cannot be kings.

It means if you want a female Norse warrior goddess, go get Lady Sif or Valkyrie, and leave Thor alone. It means if you want female Time Lady from Gallifrey, go make a spin off show starring Romana or Susan or The Rani, and leave The Doctor alone.

I have been a fan of Dr Who since age seven, when Tom Baker was the Doctor. I have tolerated years of public service announcements in favor of sexual deviance that pepper the show. But this is too much to tolerate.

The BBC has finally done what The Master, the Daleks and the Cybermen have failed to do. They killed off the Doctor.

Dr. Who is dead to me.

(16) ON HIS GAME. So can John shout BINGO! yet?

(17) PRO TIPS. Now I’m wondering what anyone would be asking David about File 770 at his site. Maybe, “Why doesn’t Mike pay for material”?

(18) TWEETS OF FAME. To satisfy your appetite for something that has nothing whatever to do with science fiction, we present this link to Bored Panda’s “The 10+ Most Hilarious Parenting Tweets Of The Year So Far”. Here’s #2 on their list —

(19) VIDEO OF THE DAY. “A Single Life” is an animated short nominated for an Oscar in 2014 by Job, Joris, and Marieke which asks what happened if you had a 45 RPM record that enabled you to travel through time?

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Francis Hamit, Chip Hitchcock, and Nancy Sauer for some of these stories. Title credit goes to  File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/30/16 You Only Five Twice

july-1942-patriotic-pulps

(1) MEMORIAL DAY. Honoring service and sacrifice — James H. Burns’ 2015 tribute to the WWII generation:

Yet, one of the biggest influences on that generation has remained generally uncommented on. Decades later, it can almost be viewed as a secret text, or a  vast compendium, that may well have helped prepare our country’s youth for the immense challenges that awaited them.

In the 1930s, during the height of the Great Depression–still the toughest economic calamity that ever faced the United States–ANYONE could tune in, on the radio, to the terrific adventure series, comedies and dramas that were performed LIVE, for national broadcast.

It didn’t matter if you were rich or poor, or what race or creed you encompassed. There was a wide array of delights simply waiting to be discovered….

(2) LLAMA DROP. Kameron Hurley has a book out tomorrow that she expects to be controversial. She recommends several rules of engagement to her readers, beginning with —

Hey, hey folks, my first essay collection, The Geek Feminist Revolution, drops TOMORROW, May 31!

In anticipation of its release, here are some things you should know that I know and some things you should know about how I’ll be comporting myself online during the launch:

  1. Some people (the minority, but oh, what a vocal minority!) will HATE this book, even and especially those who’ve never read it and have never heard of me and have no idea what it’s actually about. I fully anticipate several pile-ons. I expect lots of garbage in my social feeds. But fear not! All of my email is screened, I’ve muted the majority of the worst accounts and keywords on Twitter, and buttoned up other things to ensure this goes as smoothly as possible. I WILL BE FINE. CHIN UP.
  2. This leads us to THIS point, which is: NO WHITE KNIGHTING. All I ask if there’s a pile-on is for you to NOT tag me if you argue with trolls. My troll policy is mute and ignore. I’ve found that very effective. You are, of course, free to argue with whomever you want on the internet, but as a courtesy, I ask that you keep me out of it, or I’ll have to mute you too, and we don’t want that! In related news: DON’T POINT ME TO BAD REVIEWS or TELL ME TO READ TERRIBLE COMMENTS. I mean, unless you’re a troll? But I don’t think you’re a troll. Like, I mean, for real, folks? I never, ever, read the comments, and I’m not going to be reading bad reviews, even funny ones, for months yet. Thank you….

(3) LLAMA THUMBS DOWN. At Fantasy Literature, reviewer Bill Capossere’s verdict is The Geek Feminist Revolution: Just didn’t do it for me”. I’ve heard of “damning with faint praise,” on the other hand, this review is devoted to “damning with faint damns.”They follow after a three-paragraph confession of the expectations he brings to a book of essays.

The pieces certainly aren’t badly written, but there just wasn’t enough there for me, whether in terms of style or content. Often, the thrust of the piece wasn’t all that fresh. What does it take to succeed in writing? Persistence. How does one succeed? One has to be willing to fail. Women are horribly trolled on the net. Writers have a responsibility to consider the impact of how they present their worlds and the people who inhabit them, etc.

Now, I don’t have an issue with covering territory that has been covered extensively for a long time or, in the case of more contemporaneous issues, has been covered extensively elsewhere (well, maybe I have a little issue). But if you’re going to present me content I’ve seen lots of other places or have been reading for some time, then you need to do something else for me. When I talk to my students in creative writing I call this the “so what” issue with non-fiction. You have to give the reader a reason to keep reading something they’ve seen before. Maybe it’s the beauty of the language, maybe it’s the stimulating structure. But something.

With regard to structure, the essays in The Geek Feminist Revolution are almost strictly linear and mostly singularly focused. As for language, it’s adequate for communicating the ideas, but rarely rises above that. It’s conversational, passionate, but nothing will have you linger over the phrasing or is particularly dense with meaning.

(4) CHINA SF CON. Shaoyan Hu’s article at Amazing Stories covers “A Time to Share, a Time to Enjoy – The Closing Ceremony of the 8th Shanghai Science Fiction & Fantasy Festival”.

In the main hall, the ceremony was incorporated with the final stage of a mind contest called ‘Useless Superpowers’, in which the participants were encouraged to come up with ideas of superpowers that had no practical values but could become interesting under certain circumstances. They were requested to present the ideas with any means of their choice, such as videos, pictures, stage performances, and so on.

The winner was a student from Shanghai Jiao Tong University. The imaginary superpower he had fabricated was ‘Immovable’, which meant the owner of the power could prevent anything from moving by simply touching it. Now, just imagine, someday in the future, if an asteroid is going to crash into the Earth, guess who will be sent out to the space to stop it?

(5) BALTICON AUTOGRAPH MACHINE. See George R.R. Martin sign and sign and sign in Chris Edwards’ half-minute video on Facebook.

(6) WISCON WARNING. Wondering what happened.

(7) CAPTAIN AMERICA SPOILER WARNING. With the mandatory warning out of the way, here is Brad Torgersen’s warning about violating fans’ expectations for a franchise.

Of course, the whole Captain America = Hydra Nazi thing, is a stunt. It will be eventually written up such that this shocking reveal is just the top-most layer on a plot cake wherein good old Steve is still true-blue American, and so forth. But by then the writers will have gotten what they wanted out of said stunt: attention, eyeballs, chatter, and (theoretically) sales.

Or . . . not?

Sometimes, stunts like this can dramatically backfire. If the audience suspects that it …is being shown contempt (by the creators) then the audience may very well turn its back. Superheroes are treasured icons for fans across the spectrum, and if you mess with those icons too much, you truly are playing with fire.

(8) IN A CAPTAIN CRUNCH. Echoing one of Torgersen’s notions about the fans no longer accepting the authority of the creator, comics veteran Gerry Conway has been besieged by fans trying to tell him the history behind Captain America. Here are a few examples from the Twitter exchange.

However, not everyone is engaging in the Captain America controversy with the same firestorm intensity….

(9) AUDIO BANDERSNATCH. Diana Pavlac Glyer’s Kickstarter funded – in fact, later today it achieved its first stretch goal.

I’m walking on SUNSHINE!! We met our funding goal for “Bandersnatch Goes AUDIO!!” Michael Ward will be narrating this book, and I am absolutely THRILLED. We still have one more day to meet some delicious stretch goals: I’d love to give each and every backer a copy of the 20-page discussion guide, and I’m still wondering if James A. Owen can draw a bandersnatch blindfolded. But for now, here’s the important thing: this is a real dream come true. This  audiobook will really really happen, and I want to thank YOU for taking part. I’m so excited and so, so grateful. WOOT!! Bandersnatch is going AUDIO!!

10) FAMILY REUNION. Fanac.org has uploaded video of “Science Fiction’s 50th Anniversary Family Reunion” from Noreascon 3 (1989). After the Sunday brunch, many of the greats reminisced – including Isaac Asimov, Terry Pratchett, Jack Williamson, Samuel Delany, Fred Pohl, Forry Ackerman, David Kyle, Connie Willis, and others.

(11) IT WAS A NEEDLESS TRAGEDY. The Onion has learned “Leaked Documents Reveal Studio Executives Knew About ‘Gods of Egypt’ Before It Released Onto Public”. Gasp!

Suggesting that the disastrous events of three months ago could have been averted, federal investigators stated Wednesday that a trove of leaked documents confirmed high-ranking studio executives had full knowledge of Gods Of Egypt long before the film was released onto unsuspecting Americans….

[Thanks to John King Tarpinian, Michael J. Walsh, and Leslie Turek for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]