2017 Eisner Award Winners

The winners of the Will Eisner Comic Industry Awards 2017 were announced July 21 at San Diego Comic-Con International.

Best Short Story

  • “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC)

Best Single Issue/One-Shot

  • Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse)

Best Continuing Series

  • Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Limited Series

  • The Vision, by Tom King and Gabriel Walta (Marvel)

Best New Series

  • Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse)

Best Publication for Early Readers (up to age 8)

  • Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra)

Best Publication for Kids (ages 9-12)

  • Ghosts, by Raina Telgemeier (Scholastic)

Best Publication for Teens (ages 13-17)

  • The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel)

Best Humor Publication

  • Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)

Best Anthology

  • Love is Love, edited by Marc Andreyko (IDW/DC)

Best Reality-Based Work

  • March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)

Best Graphic Album—New

  • Wonder Woman: The True Amazon by Jill Thompson (DC Comics)

Best Graphic Album—Reprint

  • Demon, by Jason Shiga (First Second)

Best U.S. Edition of International Material

  • Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse)

Best U.S. Edition of International Material—Asia

  • The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)

Best Archival Collection/Project—Strips (at least 20 years old)

  • Chester Gould’s Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)

  • The Complete Wimmen’s Comix, edited by Trina Robbins (Fantagraphics)

Best Writer

  • Brian K. Vaughan, Paper Girls, Saga, We Stand On Guard (Image)

Best Writer/Artist

  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Penciller/Inker or Penciller/Inker Team

  • Fiona Staples, Saga (Image)

Best Painter/Multimedia Artist (interior art)

  • Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse)

Best Cover Artist (for multiple covers)

  • Fiona Staples, Saga (Image)

Best Coloring

  • Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel)

Best Lettering

  • Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse)

Best Comics-Related Periodical/Journalism

  • The A.V. Club comics coverage, including Comics Panel, Back Issues, and Big Issues, by Oliver Sava et al., www.avclub.com

Best Comics-Related Book

  • Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper)

Best Academic/Scholarly Work

  • Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury)

Best Publication Design

  • The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon)

Best Webcomic

Best Digital Comic

WILL EISNER SPIRIT OF COMICS RETAILER AWARD

  • Comicazi, Robert Howard, David Lockwood, Michael Burke. Somerville, MA

The five finalists were:

  • Comicazi, Robert Howard, David Lockwood, Michael Burke. Somerville, MA
  • The Comic Bug, Jun Goeku, Mike Wellman. Manhattan Beach, CA
  • Illusive Comics and Games, Anna Warren Cebrian. Santa Clara, CA
  • Kingpin Books, Mário Freitas. Lisbon, Portugal
  • Space Cadets Collection Collection, Jen King. Oak Ridge North, TX

The Spirit of Comics award judges were:

  • John Hertzler (actor, Star Trek: Deep Space Nine)
  • Josh Geppi (president, Diamond International Galleries)
  • Victoria Jamieson (graphic novelist, Roller Girl, The Great Pet Escape)
  • Adam Sherif (2016 Spirit Award winner, Orbital Comicz, London, UK)
  • Bill Morrison (executive editor, MAD magazine)

BILL FINGER AWARD WINNERS

  • Jack Kirby
  • Bill Messner-Loebs

RUSS MANNING AWARD

  • Anne Szabla, writer-artist of Bird Boy (Dark Horse)

The award is presented to a comics artist who, early in his or her career, shows a superior knowledge and ability in the art of creating comics. It is named for Russ Manning, the artist best known for his work on the Tarzan and Star Wars newspaper strips and the Magnus, Robot Fighter comic book, and a popular guest at the San Diego convention in the 1970s.

The 2017 nominees were:

  • Rafael de Latorre, artist of Animosity and Superzero (AfterShock)
  • Riana Dorsey, artist of Cloud Riders (Hashtag Comics)
  • Mindy Lee, artist of Bounty (Dark Horse)
  • Leila Leiz, artist of Alters (AfterShock)
  • Anne Szabla, writer/artist of Bird-Boy (Dark Horse)

BOB CLAMPETT HUMANITARIAN AWARD

  • Joe Ferrara
  • Marc Andreyko

WILL EISNER COMIC AWARDS HALL OF FAME

Judges Choices (automatically inducted)

  • Milt Gross (1895–1953)
  • H. G. Peter (1880–1958)
  • Antonio Prohías (1921–1998)
  • Dori Seda (1950–1988)

Voters Choices

  • Gilbert Hernandez and Jaime Hernandez
  • George Perez
  • Walt Simonson
  • Jim Starlin

Pixel Scroll 6/16/17 There’s A Scroll In The Bottom Of The Sea

(1) JACK KIRBY NAMED DISNEY LEGEND. The late Jack Kirby will be honored with the Disney Legend Award at this year’s D23 Expo in Anaheim.

JACK KIRBY first grabbed our attention in the spring of 1941 with Captain America, a character he created with Joe Simon. Kirby then followed this debut with a prolific output of comic books in the Western, Romance, and Monster genres–all a prelude to his defining work helping to create the foundations of the Marvel Universe. For the next decade, Kirby and co-creator Stan Lee would introduce a mind-boggling array of new characters and teams — including the Avengers, Hulk, Thor, Iron Man, Silver Surfer, Ant-Man, Wasp, Black Panther, S.H.I.E.L.D., and the Inhumans. Kirby was inducted into the Eisner Hall of Fame’s 1987 inaugural class and continued creating comics throughout the ‘90s before passing away in 1994.

Other honorees of this year’s Legends Award are Carrie Fisher, Clyde “Gerry” Geronimi, Manuel Gonzales, Mark Hamill, Stan Lee, Garry Marshall, Julie Taymor, and Oprah Winfrey.

(2) BILL FINGER AWARD WINNERS. Jack Kirby, along with Bill Messner-Loebs, is also a winner of the 2017 Bill Finger Award presented by Comic-Con International.

Bill Messner-Loebs and Jack Kirby have been selected to receive the 2017 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer-historian Mark Evanier, was unanimous.

“As always, I asked on my blog for suggestions of worthy recipients,” Evanier explains. “Many were nominated and the committee chose Bill as the worthiest of those still alive and working, and Jack because although his artwork has always been justly hailed, his contribution as a writer has been too often minimized or overlooked. In fact, in the years we’ve been doing this award, Jack Kirby has received many more nominations than anyone else, but we held off honoring him until this year because it seemed appropriate to finally do it in the centennial of his birth, and because members of his family will be at Comic-Con to accept on his behalf.”

The Bill Finger Award was created in 2005 at the instigation of comic book legend Jerry Robinson. “The premise of this award is to recognize writers for a body of work that has not received its rightful reward and/or recognition,” Evanier explains. “Even though the late Bill Finger now finally receives credit for his role in the creation of Batman, he’s still the industry poster boy for writers not receiving proper reward or recognition.”

Kirby’s history was covered in the first item. Here’s the citation for the second winner.

Bill Messner-Loebs has been a cartoonist and writer since the 1970s. He has worked for DC, Marvel, Comico, Power Comics, Texas Comics, Vertigo, Boom!, Image, IDW, and the U.S. State Department (for which he produced a comic about the perils of land mines). He has written Superman, Flash, Aquaman, Mr. Monster, Hawkman, Green Arrow, Wonder Woman, Dr. Fate, Jonny Quest, Spider-Man, Thor, and the Batman newspaper strip. He wrote and drew Journey: The Adventures of Wolverine MacAlistaire and Bliss Alley, and he co-created The Maxx and Epicurus the Sage. He has also delivered pizzas, done custom framing, been a library clerk, sold art supplies, and taught cartooning.

(3) TROLLS. Recent Facebook experiences led David Gerrold to post a thorough discussion of trolling.

There is no freedom of speech on Facebook — Facebook is a corporation, like a newspaper or a television station. They are not obligated to protect your rights. You waived specific rights when you agreed to the terms of service —

But those terms of service have to be a two-way street. They represent a contract between service provider and consumer. And there must be a responsibility on the part of the service provider to protect the consumers from the abusive behavior of those who violate the social contract of our nation.

The social contract, you say? I’ve heard people argue, “I never agreed to a social contract.”

Actually, you agreed to it when you accepted the responsibility of being a citizen — you agreed to abide not only by the laws of the nation, but by the underlying promise of this land, the promise of liberty and justice for all.

So, I do not regard trolls as simply an internet annoyance — I regard them as human failures — as individuals who have forgotten the promise on which this nation was founded. They are not much better than caged chimpanzees who are good at screeching at the bars and throwing feces at anyone who gets to close.

Because in the great grand scheme of things, every moment of our lives is a moment of choice. We can choose to dream of the stars, or we can choose to wallow in the mud. We can choose to create something of value for ourselves and our families and our friends — or we can choose to destroy the well-being of others.

(4) TOLKIEN BIOGRAPHER AIDS CROWDFUNDING EFFORT. John Garth, author of Tolkien and the Great War, has donated signed copies of his book to the fundraising campaign for Oxford University’s project to document the First World War.

I’ve donated five signed copies of Tolkien and the Great War to help raise money for this appeal. It’s only thanks to the personal letters and photographs preserved by various Great War veterans, by families and by museums that I was able to bring to life the experiences of Tolkien and his friends in the training camps and trenches of the war. If you can donate, please do. Whether you can or can’t, please share this announcement:–

Win over £1,000/$1,000 worth of Tolkien Books… and Help Oxford University Save Items from World War One

Oxford University is currently crowd-funding a project to run a mass-digitization initiative of publicly-held material from the First World War and as is well known the experiences J. R. R. Tolkien underwent in 1916 in the Battle of the Somme had a profound effect on him and his writing. To assist with our major crowd-funding appeal we have been generously supported by Tolkien scholars and publishers, allowing us to present a prize draw opportunity to win three major publications amounting to over £1,000. Our sincerest thanks go to John Garth, Wiley/Blackwells, and Routledge for their help.

To enter the prize draw go to: https://oxreach.hubbub.net/p/lestweforget/

If you sponsor us by pledging £1 or more (or equivalent) you will be entered into a draw to win one of five copies signed by John Garth of his ‘Tolkien and the Great War’ (pbk, HarperCollins, 2011 – RRP: £9.99; $12.00; ‚¬11.99).

If you sponsor us by pledging £5 or more (or equivalent) you will also be entered into a draw to win one of three copies of ‘A Companion to J. R. R. Tolkien’ (hbk, Wiley/Blackwells, 2014) signed by the editor (RRP: £125; $140; ‚¬150).

Finally, if you sponsor us by pledging £10 or more (or equivalent) you will also be entered into a draw to a full set set of ‘J. R. R. Tolkien: Critical Assessments of Major Writers’ (4 volumes, hbk, Routledge, 2017) signed by the editor (RRP: £900; $1,180; ‚¬930)

In addition to these chances of winning, you will also be helping to save and preserve important objects from the First World War which are in danger of being lost on a daily basis.

Here’s the home site of the preservation project: ‘Lest we forget’ – a national initiative to save the memories of 1914-1918

We are raising £80,000 to train local communities across the UK to run digital collection days to record and save objects and stories of the generation who lived through World War One. Every item collected will then be published on November 11th 2018 through a free-to-use online database for schools, scholars, and the wider public.

But we cannot achieve this alone so please help by donating to support the training days, outreach activities, and the equipment we need.

saving the past for the future – world war one
2018 will mark the centennial anniversary of the end of World War One. Few families in Britain were unaffected by the conflict, and in thousands of attics across the country there are photographs, diaries, letters, and mementos that tell the story of a generation at war, of the loved ones who fought in the conflict, served on the home front, or lost fathers and mothers. Help us launch this national effort to digitally capture, safeguard, and share these important personal items and reminiscences from the men and women of 1914-1918. Help us support local digitisation events across village halls, community centres, schools, and libraries.

(5) THE FOUNDATION OF MIDDLE-EARTH. Josephine Livingstone reviews The Tale of Beren and Lúthien for New Republic in “J.R.R. Tolkien’s Love Story”.

And The Tale of Beren and Lúthien is more like a scholarly volume than a storybook. There are versions of the tale in verse, and versions in prose. There are versions where the villain is an enormous, evil cat, and versions where the villain is a wolf. Names change frequently. But instead of taking the “best text” route, where the editor chooses a single manuscript to bear witness to the lost story, Christopher Tolkien has offered up what remains and allowed the reader to choose. It’s a generous editorial act, and a fitting tribute in memoriam to his parents’ romance.

(6) MEDICAL UPDATE. Fanartist Steve Stiles sent this news about his diagnosis and treatment plans.

I just found out, via the lung specialist I saw the week before last, that I’m *NOT* having lung surgery at Sinai on the 20th, but rather a consultation re my “options” (would that be chemo vs. surgery? ), followed by *another* appointment to have a tube inserted down into my lung, which sounds like a whole bunch of fun. *THEN* I go in for surgery or whatever.

Looks like July is pretty well shot as far as having the two weekend cookouts with friends who we traditionally have over. It’s a drag, but considering the alternative….

(7) DALMAS OBIT. Author John Dalmas (1926-2017) has died reports Steve Fahnestalk:

With great sadness I learn that John Dalmas has died, either last night or early this morning; I understand he was in the hospital with pneumonia. Author of “The Yngling” and many other books, he was a good friend to MosCon and PESFA. You will be missed, Onkel !

Dalmas’ The Yngling, his first published sf, was serialized in Analog in 1969 and made especially memorable by Kelly Freas’ cover art.

(8) TRIVIAL TRIVIA

Ray Bradbury and Ralph Waldo Emerson are descendents of Mary Perkins Bradbury, who was sentenced to be hanged in 1692 in the Salem Witch trials, but managed to escape before her execution could take place.

(9) TODAY IN HISTORY

  • June 16, 1954 Them! premiere in New York City.
  • June 16, 1978Jaws 2 swims into theaters.

(10) THAT THING YOU DIDN’T KNOW YOU NEEDED. The Golden Snitch Harry Potter Fidget Spinners are selling like hotcakes. Who knows if there will be any left by the time you read this? (I’m kidding — they’re all over the internet.)

(11) AWESOMECON. The Washington Post’s Michael Cavna, in “Over Awesome Con weekend, D.C. will prove its geek-to-wonk ratio”, previews Awesomecon, the Washington, D.C. comicon taking place this weekend. He talks about the celebrities who are coming, including Chris Hadfield, Edgar Wright, David Tennant, and Stan Lee, still hustling at 94. A sidebar has short items of some of the panels, including “CosLove Presents: #I Can Be A Hero, where cosplayers talk about the good deeds they do, like volunteering at hospitals. Finally, Manor Hill Brewing (which is at manorhillbrewing.com) has the official Awesomecon beer, Atomic Smash, which has a robot and an A-bomb!

So could King, who worked overseas with the agency’s counterterrorism unit after 9/11, ever see the Caped Crusader making it as a CIA agent?

“I can see Batman doing the job,” King says, but it is “harder to see him filling out the paperwork. And without good paperwork skills, you’ll never even make ­GS-12 in this town.”

This town, where sometimes the political wonk and comics geek are the same person.

(12) GIFT CULTURE VS. WAGE CULTURE. At Anime Feminist, Amelia Cook triggers a collision between fandom’s gift culture and those running megacons who expect on skilled people to work for free — “The Big Problem Behind Unpaid Interpreters: Why anime fans should value their skills”. [Hat tip to Petréa Mitchell.]

This week Anime Expo, the biggest anime convention in the English speaking world, put a call out for volunteer interpreters. Anime Expo is far from a new event, and had over 100,000 attendees last year. How did they fail to account for the cost of professional interpreters when budgeting? If they can’t afford to pay interpreters, what hope do any of the smaller cons have?

Let’s be real: they didn’t fail to account for it, and they can afford it. AX is a big enough event in the fandom calendar that they could have bumped ticket prices up by under a dollar each to bring in the necessary funds. If for some reason that wasn’t an option, they’re a big enough name that they could even have crowdfunded it. There’s no good reason not to pay every single interpreter for their work. There are, however, a couple of bad ones.

The most generous reading of their actions is that not a single person on the entire AX staff understands what interpreting involves. More likely is that they considered it an unnecessary cost, knowing they could get enthusiastic amateurs to work for free without putting a value on their time. Ours is a culture of scanlators and fansubbers working for the love of it, right? Why not give these lucky worker bees a chance to meet some cool people and see behind the scenes of a big event?

….When I first saw the tweet from AX, it made me viscerally angry. I couldn’t stop thinking about it, to the point that I’ve written this post. What possible justification is there for this decision? What on earth made them think it would be acceptable? Were interpreters even discussed at the budgeting stage (and if not, why not)? Will they get their stable of unpaid amateur interpreters anyway, or will the outcry their tweet sparked make capable people steer clear? If they don’t get enough sufficiently capable volunteers, will they fork out for professionals or settle for people with a lower level of Japanese? What are their priorities in this situation? What were their priorities when they drew up this year’s budget?

(13) BATLIGHT. Here’s what it looked like when they flashed the Bat Signal on LA City Hall.

(14) SHARKES ON DUTY. The Shadow Clarke Jury’s latest reviews include coverage of two Hugo novel finalists (if you count that the Fifth Season one also covers the Obelisk Gate a bit.)

I wanted to begin this piece by noting that I put The Fifth Season at the top of my ballot for the Hugo last year — although this is somewhat undermined by the fact that I can no longer remember for sure if I actually voted. One time when I did actually vote was at the 2005 Glasgow Worldcon, where all that was required was posting a paper form into a ballot box in the dealers’ room. That year there was an all British shortlist suggesting perhaps that the domestic audience dominated the nomination process but also the then high international standing of British SFF. I voted for Iain M Banks’s The Algebraist, which was only on the ballot paper because Terry Pratchett had withdrawn Going Postal. The Hugo was won by Susanna Clarke’s Jonathan Strange & Mr Norrell, which I had read, loved, and placed last on my ballot because it was fantasy. In retrospect, I shouldn’t have been surprised at the result because J. K. Rowling and Neil Gaiman had won recently and, in any case, Jonathan Strange & Mr Norrell was probably the most substantial novel on that ballot. The only virtue I can now see in the decision I made at the time is that it served to reduce the difficulty of making a choice.

While an increasing number of writers have made strenuous and laudable efforts to confront the “boys’ own adventure’ stereotypes of core genre archetypes“ the most famous recent example being Ann Leckie’s Imperial Radch trilogy — progressive experimentation and stylistic complexity in terms of the text itself is much, much rarer and receives scant notice. When Yoon Ha Lee’s Ninefox Gambit turned up on this year’s Clarke Award shortlist, of the three books I’d not read already it was definitely the one I was most excited about. My encounters with Lee’s short fiction had left me with an impression of complex ideas nestled within a prose that was dense and highly coloured and often abstruse — pluses for me on all three counts. Would Ninefox Gambit prove to be my space opera holy grail: a thrilling adventure in terms of prose as well as high-concept, widescreen FX? I was eager to find out.

It’s space opera, you know?

One of last year’s most famous, most advertised, most-clearly-recognized-as-science-fiction novels, on a shortlist almost entirely of famous, advertised novels–especially in relation to the rest of the 86-title submissions list–the inclusion of Ninefox Gambit on the Clarke shortlist was inevitable. Its reputation as a challenging narrative, its loyalty to standard genre form, and the requisite spaceship on the cover have established its place in the science fiction book award Goldilocks zone. If things go as they did last year and in 2014, it’s also a likely winner.

Although I’ve already made it clear this is not the kind of book I would normally value or enjoy, the placement of Ninefox Gambit on the Clarke shortlist is something I asked for last year, though not in such direct terms:

(15) NUMBER OF THE FOX. Elsewhere, Terence Blake responded to Jonathan McCalmont’s earlier review of Ninefox with some interesting points: “NINEFOX GAMBIT (2): power-fantasy or philo-fiction?”

I agree with everything that McCalmont says about the novel’s structural flaws, and in particular the problematic subordination of Yoon Ha Lee’s speculative inventivity and complexity to the fascistic, bellicose form of military science fiction. However, I don’t fully recognize the novel from McCalmont’s description.

1) The novel reads like both science fiction and fantasy, but there are many ways to blur or to undercut the distinction. In the case of NINEFOX GAMBIT I think that the “fantasy” aspect is only superficial. It is derived from the fact that the “hard” science underlying the story is not physics but mathematics. It has this structural feature in common with Neal Stephenson’s ANATHEM, which nonetheless is a very different sort of novel….

(16) FROM TOP TO, ER, BOTTOM. For your fund of general knowledge — “Every British swear word has been officially ranked in order of offensiveness”.

The UK’s communications regulator, Ofcom, interviewed more than 200 people across the UK on how offensive they find a vast array of rude and offensive words and insults.

People were asked their opinion on 150 words in total. These included general swear words, words linked to race and ethnicity, gender and sexuality, body parts and health conditions, religious insults and sexual references, as well as certain hand gestures.

(17) MARVEL LEGACY 1. Sounds like Marvel is about to push the “reset” button.

An Asgardian titan. A Wakandan warrior bred to be a king. The very first Sorcerer Supreme.

Since its inception, Marvel has been delivering groundbreaking heroes and explosive stories. Now, prepare to return to the dawn of time, as Marvel introduces you to the first Avengers from 1,000,000 BC — when iconic torch-bearers such as Odin, Iron Fist, Star Brand, Ghost Rider, Phoenix, Agamotto, and Black Panther come together for the startling origin of the Marvel Universe, in MARVEL LEGACY #1!

The acclaimed team of writer Jason Aaron (Mighty Thor) and artist Esad Ribic (Secret Wars) reunite for an all-new 50-page blockbuster one-shot that will take you through time to the current Marvel Universe, showing you how it’s truly “all connected.” A true homage to Marvel’s groundbreaking stories, MARVEL LEGACY brings your favorite characters together for exciting and epic new stories that will culminate in returning to original series numbering for long-running titles.

MARVEL LEGACY #1 isn’t simply a history lesson,” says SVP and Executive Editor Tom Brevoort. “Rather, it’s the starting gun to a bevy of mysteries and secrets and revelations that will reverberate across the Marvel Universe in the weeks and months to come! No character, no franchise will be untouched by the game-changing events that play out across its pages. Jason and Esad pulled out all the stops to fat-pack this colossal issue with as much intrigue, action, surprise, mystery, shock and adventure as possible!€

MARVEL LEGACY #1 will present all fans — new readers and current readers — the very best jumping on point in the history of comics,” says Marvel Editor in Chief Axel Alonso. “What Jason and Esad have crafted is more grand and more gargantuan than anything we have ever seen before and introduces concepts and characters the Marvel Universe has never encountered. Fans are going to witness an all-new look at the Marvel Universe starting at one of the earliest moments in time carried all the way into present day. Not only will this be the catalyst for Marvel evolving and moving forward, but expect it to be the spark that will ignite the industry as a whole.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Steve Stiles, and Mark-kitteh for some of these stories, and a hat tip to Petréa Mitchell. Title credit belongs to File 770 contributing editor of the day Jayne.]

Maggin, Hughes Are 2016 Bill Finger Award Winners

Elliot S! Maggin and the late Richard E. Hughes have been selected to receive the 2016 Bill Finger Award for Excellence in Comic Book Writing. The award is given under the auspices of San Diego Comic-Con International. Each year the selection committee, chaired by Mark Evanier, chooses two recipients, one living and one deceased, whose body of work “has not received its rightful reward and/or recognition.”

Elliot S! Maggin began his career the hard way, submitting a script completely on “spec” to DC Comics in 1971. Editor Julius Schwartz thought it was the best submission he’d seen in several decades and bought it. Before long, Maggin was writing for most of DC’s star characters with a special emphasis on Superman. He has published several novels, including the upcoming Not My Closet and the soon to be re-released Superman: Miracle Monday. Among his other comic book credits are Green Arrow, Archie’s Super-Teens, Batman, Justice League, Elseworlds, Hulk, Peter Parker, Strange Sports Stories, Wonder Woman, Shazam, Ellison’s Dark Corridors, Star Raiders, Joker, and a bunch of others, including a Marvel Classics version of Homer’s 24-book Iliad “crowbarred” (his term for what he did) into 48 pages. He has also taught at every grade level including adults, run twice for Congress, designed games and software, and raised horses, dogs, bees, and kids.

Richard E. Hughes (1909–1974) was one of the most prolific writers and editors to ever work in comics, so much so that his work was published under dozens of pen names ranging from “Ace Aquila” to “Zev Zimmer.”  Even “Richard E. Hughes” was a pen name for the man born Leo Rosenbaum. “Hughes” began writing for advertising and pulps in the 1930s, and his first known comic book credits were for Pine Comics where he co-created and wrote Doc Strange (no relation to the later Marvel hero) for Thrilling Comics #1 in 1940. His best-known character of that era was probably The Black Terror for Standard Comics. He eventually assumed the editor position for publisher Ben Sangor and helmed Sangor’s American Comics Group, which published both funny comics and the first horror titles, such as Adventures Into the Unknown. Hughes wrote many of the scripts for years and almost all of them the last decade of ACG’s existence. His best-known work came in a 1958 issue of Forbidden Worlds, where he wrote and co-created the Fat Fury, Herbie Popnecker, who later spun off into his own, well-remembered comic book series of the sixties, Herbie.

In addition to Evanier, the selection committee consists of Charles Kochman (executive editor at Harry N. Abrams, book publisher), comic book writer Kurt Busiek, artist/historian Jim Amash, cartoonist Scott Shaw!, and writer/editor Marv Wolfman.

The Bill Finger Award honors the memory of William Finger (1914–1974), the first writer of Batman. Many have called him the “unsung hero” of the character. The award was created in 2005 at the instigation of Jerry Robinson.

2015 Eisner Award Winners

eisnerawards_logo_2Comic-Con International announced the winners of the 2015 Will Eisner Comic Industry Awards on July 10.

Named for comics creator the Will Eisner, the awards, now in their 27th year, highlight the best publications and creators in comics and graphic novels.

Best Short Story

Best Single Issue (or One-Shot)

  • Beasts of Burden: Hunters and Gatherers, by Evan Dorkin & Jill Thompson (Dark Horse)

Best Continuing Series

  • Saga, by Brian K. Vaughan & Fiona Staples (Image)

Best Limited Series

  • Little Nemo: Return to Slumberland, by Eric Shanower & Garbriel Rodriguez (IDW)

Best New Series

  • Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)

Best Publication for Early Readers (up to age 7)

  • The Zoo Box, by Ariel Cohn & Aron Nels Steinke (First Second)

Best Publication for Kids (ages 8-12)

  • El Deafo, by Cece Bell (Amulet/Abrams)

Best Publication for Teens (ages 13-17)

  • Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)

Best Humor Publication

  • The Complete Cul de Sac, by Richard Thompson (Andrews McMeel)

Best Digital/Web Comic

Best Anthology

  • Little Nemo: Dream Another Dream, edited by Josh O’Neill, Andrew Carl, & Chris Stevens (Locust Moon)

Best Reality-Based Work

  • Hip Hop Family Tree, vol. 2, by Ed Piskor (Fantagraphics)

Best Graphic Album—New

  • This One Summer, by Mariko Tamaki & Jillian Tamaki (First Second)

Best Graphic Album—Reprint

  • Through the Woods, by Emily Carroll (McElderry Books)

Best Archival Collection/Project—Strips (at least 20 years old)

  • Winsor McCay’s Complete Little Nemo, edited by Alexander Braun (TASCHEN)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)

  • Steranko Nick Fury Agent of S.H.I.E.L.D. Artist’s Edition, edited by Scott Dunbier (IDW)

Best U.S. Edition of International Material

  • Blacksad: Amarillo, by Juan Díaz Canales & Juanjo Guarnido (Dark Horse)

Best U.S. Edition of International Material—Asia

  • Showa 1939–1955 and Showa 1944–1953: A History of Japan, by Shigeru Mizuki (Drawn & Quarterly)

Best Writer

  • Gene Luen Yang, Avatar: The Last Airbender (Dark Horse); The Shadow Hero (First Second)

Best Writer/Artist

  • Raina Telgemeier, Sisters (Graphix/Scholastic)

Best Penciller/Inker

  • Fiona Staples, Saga (Image)

Best Painter/Multimedia Artist (interior art)

  • J. H. Williams III, The Sandman: Overture (Vertigo/DC)

Best Cover Artist

  • Darwyn Cooke, DC Comics Darwyn Cooke Month Variant Covers (DC)

Best Coloring

  • Dave Stewart, Hellboy in Hell, BPRD, Abe Sapien, Baltimore, Lobster Johnson, Witchfinder, Shaolin Cowboy, Aliens: Fire and Stone, DHP (Dark Horse)

Best Lettering

  • Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse)

Best Comics-Related Periodical/Journalism

Best Comics-Related Book

  • Genius Animated: The Cartoon Art of Alex Toth, vol. 3, by Dean Mullaney & Bruce Canwell (IDW/LOAC)

Best Scholarly/Academic Work

  • Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews, edited by Sarah Lightman (McFarland)

Best Publication Design

  • Little Nemo: Dream Another Dream, designed by Jim Rugg (Locust Moon)

Eisner Hall of Fame Inductees

  • Marjorie ”Marge” Henderson Buell (creator of Little Lulu)
  • Bill Woggon (creator of Katy Keene)
  • John Byrne
  • Chris Claremont
  • Denis Kitchen
  • Frank Miller.

(The first two were selected by the Eisner Awards judges, and the last four were voted in by con members.)

Other Awards Presented at Ceremony

Bill Finger Award For Excellence in Comics Writing

  • John Stanley & Don McGregor

The Bob Clampett Humanitarian Award

  • Bill and Kayre Morrison

Spirit of Comics Retailer Award

  • Packrat Comics in Hilliard, Ohio

Russ Manning Newcomer Award (tie)

  • Greg Smallwood
  • Jorge Corona

Incidentally — Jonathan Ross was the presenter:

2015 Bill Finger Award To McGregor, Stanley

Don McGregor and the late John Stanley have been selected to receive the 2015 Bill Finger Award for Excellence in Comic Book Writing, which is given under the auspices of San Diego Comic-Con International. Each year the selection committee, chaired by Mark Evanier, selects two recipients, one living and one deceased.

Don McGregor began his career writing comic books with work for Warren (Creepy, Eerie) in 1971, and in 1972 he joined the editorial staff at Marvel Comics. Before long, he was writing for Marvel where his work became known for its unique voice. His runs with the character Black Panther in Jungle Action and on Killraven in Amazing Adventures drew strong fan response, as did his later efforts for other publishers: Detectives, Inc; Sabre, Nathaniel Dusk, and the acclaimed Ragamuffins. He also wrote Zorro both for comic books and comic strips.

McGregor will receive his award in a ceremony at Comic-Con on July 10.

John Stanley is best known for writing and occasionally drawing Little Lulu for Dell Comics from 1945 to 1959, turning Marge’s single-panel gag cartoon into a popular and hilarious series of stories and creating most of the supporting cast for Lulu’s world. His rich characterizations and humor made for a memorable series, and he applied those skills to other Dell and Gold Key comics, including Nancy and Sluggo, Melvin Monster, O.G. Whiz, and Thirteen (Going On Eighteen). As with his contemporary Carl Barks, Stanley’s work was almost completely anonymous, but avid fans unearthed the secret of who was doing that superb work. Stanley left comics for other work in the early seventies and passed away in 1993.

His Finger Award will be accepted by his son, James.

In addition to Evanier, the selection committee consists of Charles Kochman (executive editor at Harry N. Abrams, book publisher), comic book writer Kurt Busiek, artist/historian Jim Amash, cartoonist Scott Shaw!, and writer/editor Marv Wolfman.

The Bill Finger Award honors the memory of William Finger (1914–1974), the first writer of Batman. Many have called him the “unsung hero” of the character. The award was created in 2005 at the instigation of Jerry Robinson.