Pixel Scroll 2/3/17 The Pixel That Rowed The Scroll Ashore

(1) ASIMOV ON THE AIR. BBC Radio 4, as part of their 15 Minute Drama series, will be adapting five of the stories from Asimov’s I, Robot. Original broadcasts will run from February 6-10. As usual, episodes will be available for online listening “shortly after broadcast”.

A couple of clips promoting the series are already online –

Scriptwriter Richard Kurti tells us why Isaac Asimov’s sci-fi stories were so remarkable in their ability to predict the future.

Actor Nick Briggs introduces his characters and tells us what he finds appealing about Isaac Asimov’s sci-fi stories. He also explains why he doesn’t think we should fear a future dominated by robots.

Episode One will be ROBBIE.

The rise of robotics in the 21st century, told through the poignant and mysterious story of enigmatic lawyer, Stevie Byerley. Starring Hermione Norris.

Episode One : ROBBIE As a child, Stevie Byerley is raised by Robbie, a robotic childminder, because her parents are too busy working. The powerful bond she forms with the robot is unbreakable. Their relationship will change the course of Stevie’s life.

Originally written over 60 years ago, Isaac Asimov’s stories are becoming truer with every day that passes. The world that he imagined is now upon us.

(2) BURNT ENDS AND ZOMBIES. In Episode 28 of Scott Edelman’s Eating the Fantastic he feasts on BBQ with Craig Engler, Co-Creator/Writer/Co-Executive Producer of the hit zombie TV show Z Nation.

Join us as we discuss what life’s like when you’re a professional game player for Nintendo, how running the Syfy Channel’s digital side led to him getting a shot at writing TV movies such as Zombie Apocalypse, why he wrote Weight Hacking, his geek guide to losing weight and getting fit, plus much more, including behind-the-scenes secrets on the past, present, and future of his hit zombie TV show Z Nation.

 

Craig Engler

(3) SHE STABS IT WITH HER STEELY KNIFE. Violette Malan ranks “My Top Five Sword-Fight Movies” at Black Gate.

You don’t have to read many of my posts to know that The Princess Bride is pretty well my favourite movie. And though I love the sword fighting scene between Wesley and Iñigo, and the later one between Iñigo and Count Rugen, they are not actually my favourite sword fighting scenes. In both cases, it’s really the dialogue that makes the scenes memorable. So what movies would I rank above The Princess Bride in sword fighting wonderfulness?

Here they are, in the order in which I thought of them.

The Three Musketeers (1973, directed by Richard Lester)

One of the great things about this movie, along with its sequels The Four Musketeers, and The Return of the Musketeers, is that they all feature the same cast. There are good fight scenes in all the films (Oliver Reed is more impressive in the sequels), but it’s the first one I know the best. I particularly like the fantastic opening sequence, where D’Artagnan’s father teaches him the “secret thrust.” Anything between D’Artagnan (Michael York) and Rochefort (Christopher Lee) is well worth watching. There’s also some terrific ensemble fighting, notably the scene between the four leads and the Cardinals’ Guard in the convent courtyard. It should be noted that Christopher Lee was a fencer IRL as well…

(4) KA-CHING! Mary Rosenblum analyzes “What REALLY Sold in 2016?” at the SFWA Blog.

In 2016, 43% of all traditionally published books were purchased online.  Now, THAT is a reason to break out the champagne!  Why?  Because most readers pay little to no attention to the publisher.  As long as the small press or self published book looks professional and has a professional looking cover,  it’s competitive with books from the ‘bookstore’ publishers.  If your ebook or print book includes those 5 critical elements for success and looks like the other professionally published books out there, readers don’t care who published it.  They’ll look at price.

Aha!  That might just be the reason that self publishing authors sell almost as many ebooks as the traditional publishers. They can usually price their books lower.

But what about print books?

2016 Self Published Print Book Sales

In 2016, 21,800,000 self published print books were sold, mostly published through Create Space.  The average price was $10.34.  Amazon imprints sold another 959,000 copies.

That’s a lot of print book money!

(5) NEW EDITION FROM PENGUIN. Here’s the version of George Orwell’s book for the alternate timeline you’re living in.

(6) COMPLIMENTING SMUGGLERS. Nigel Quinlan writes, “I would like to selfishly draw your attention to the new issue of The Book Smugglers’ Quarterly Almanac. It contains a fun Mid-Grade fantasy short story by me, ‘The Gobbleens,’ which is featured on the utterly gorgeous cover.”

I’m happy to give it a mention, in part for the beautiful cover, and in part because I owe them thanks for sending a copy of the first one, which had a great story by Tansy Roberts.

Collecting original short fiction, essays, reviews, and reprints from diverse and powerful voices in speculative fiction, THE BOOK SMUGGLERS’ QUARTERLY ALMANAC is essential for any SFF fan.

IN THIS VOLUME (JANUARY 2017): BECKY CHAMBERS, SHERRI L. SMITH, A.E. ASH, KATHERINE MACLEAN, NIGEL QUINLAN, ZETTA ELLIOTT, ALLIAH/VIC, KATE C. HALL, NICOLE BRINKLEY, ANA GRILO AND THEA JAMES

(7) OCTAVIA BUTLER. Maura McHugh reviews the graphic novel adaptation of Octavia Butler’s Kindred on Irish national radio, now up as a podcast on this page — “Arena with Sean Rocks, Monday, January 30”

Maura McHugh reviews the sci-fi graphic novel “Kindred” by Octavia E Butler which has been adapted by writer Damien Duffy and artist John Jennings (published by Abrams ComicArts)

(8) BURNING MAN. I09 did a story on the edition of Bradbury’s Fahrenheit 451 that was bound is asbestos. John King Tarpinian adds this “Fun Fact” —

Ray had one of his copies with burn marks on it because he would hold a lighter to it to show people it would not burn.

(9) TO THE STARS. The Arthur C. Clarke Center for Human Imagination has released the fourth episode of is podcast Into the Impossible, about “How to Make a Spaceship”.

How do you jumpstart the private spaceflight industry? Passion, commitment, bold risk-taking, some inspiration from Charles Lindbergh, and a little luck. On today’s show, we hear from Peter Diamandis, whose XPRIZE Foundation launched the competition that gave us the first private manned spaceflight–and paved the way for Virgin Galactic, SpaceX, Blue Origin, and his own Planetary Resources, among others–along with the prize-winning pilot, Brian Binnie, and the writer Julian Guthrie, who chronicled their stories along with those of the other teams from around the world inspired by this unprecedented challenge. Also on this episode: convincing Arthur C. Clarke to buy your college friends dinner and a nearly disastrous incident with a mother-in-law and a cup of coffee.

Be sure to check out Julian Guthrie’s book, How to Make a Spaceship: A Band of Renegades, an Epic Race, and the Birth of Private Spaceflight, for the rest of the story!

(10) QUOTABLE QUOTE

“The next time you’re abducted, just steal something off the ship.”  — Neil DeGrasse Tyson

(11) TODAY IN THE HISTORY OF THINGS YOU NEVER HEARD OF

  • February 3, 1993:  Dystopian satire Acción Mutante opens in its native Spain.

(12) BIRTHDAY WIZARD

  • Born February 3, 1970  — Warwick Davis

(13) HAZARDOUS DUTY. No OSHA in the Empire? “Why ‘Star Wars’ Hates Handrails: Finally We Know Why People Keep Plummeting to Their Death”.

Ever noticed that most of the locations in the Star Wars universe wouldn’t pass a basic safety inspection? A number of characters plummet to their doom throughout the series, and the risk of accidentally falling on The Death Star or in Cloud City, or even tripping into that floor hatch on the Millennium Falcon, seems incredibly high. A new episode of the official web series The Star Wars Show explains that this was by design: George Lucas was against building guardrails on Star Wars sets.

 

(14) THE OUTFIELDER WHO WOULD BE KING. San Francisco Giants baseball player Hunter Pence posted a great photo of him wearing a Hakuna Matata t-shirt trying to free Excalibur from the Sword in the Stone at Disneyland. He couldn’t do it! The throne rests easy tonight.

(15) COMIC HISTORY LESSON. Atlas Obscura remembers “Marie Duval, the pioneering 19th-Century Cartoonist That History Forgot”.

In the late 1800s, London was swept up in the new craze of visual, satirical journalism. When Judy magazine, a twopenny serio-comic, debuted a red-nosed, lanky schemer named Ally Sloper who represented the poor working class of 19th-century England, it was one of the first recurring characters in comic history.

But credit for that character has long gone to the wrong person. Two people were responsible for Ally Sloper—and one of the creators has only recently been rediscovered by academics and comic fans.

Wearing a shabby stovepipe hat and carrying a rickety umbrella, the iconic and popular cartoon is often credited to Charles H. Ross, a playwright, cartoonist, and eventual editor of Judy. However, Ally Sloper was actually illustrated and developed by two artists: Ross and his wife, actress-turned-cartoonist Marie Duval—who was responsible for the bulk of the Ally Sloper comics.

(16) SPEAK UP. This LEGO Batman Movie promo clip introduces the voice actors behind the characters.

[Thanks to John King Tarpinian, Nigel Quinlan, Bruce D. Arthurs, Cat Eldridge, and Martn Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 1/5/17 But You Scroll One Lousy Pixel….

what-would-carrie-do

(1) WWCD? Cody Christensen of Cedar City, Utah has a petition on Change.org  called “Make Leia an Official Disney Princess” which requests that Disney induct Princess Leia into the pantheon of princesses and that some sort of ceremony for Carrie Fisher be held at a Disney theme park.  He has over 40,000 signatures.

After the tragic lose of Carrie Fisher, we feel that it is only fitting for Disney to do away with the rule that an official Disney princess must be animated and make Leia a full-fledged princess. This would be a wonderful way to remember Carrie and a welcoming to one of Disney’s new properties that is beloved by millions.

What we are asking is that the Walt Disney Corporation hold a full ceremony inducting Leia as the newest Disney princess as well as a special service in memory of Carrie Fisher.

Christensen told Geek how he got the idea for the petition.

“I started the petition because it was something that bugged me since Disney bought the property. Disney had princesses and Leia was a Princess. Then I found out that Disney had set rules for who could and couldn’t be a princess. (Supercarlin brothers video) With Carrie’s death, I think that it’s time to change the rules.”…

“I actually have 5 daughters and there are constantly princess movies playing in the background.” he said “We are big fans of the current Princess line-up, but I think that Leia is a really strong, positive, awesome role model for my girls, and she would make a great addition.”

(2) SPEAKING OF DISNEY PRINCESSES. Abigail Nussbaum reviews Moana, The Lobster, Star Trek Beyond and Lalaland at Asking the Wrong Questions.

Moana – Disney’s latest attempt to reinvent the princess movie takes two novel approaches: drawing on Polynesian folklore and mythology for its story, and recruiting Hamilton wunderkind Lin-Manuel Miranda to write the film’s songs.  Heroine Moana (Auli’l Cravalho) is torn between her duties as the daughter of the village chief and her desire to roam the seas, but finds herself able to gratify both desires when she’s tasked with restoring the heart of creation goddess Te Fiti, aided by Maui (Dwayne Johnson), the demigod who originally stole it.  The plot is thus a picaresque, in which Moana and Maui encounter various dangers and challenges on their journey to Te Fiti, during which they also bond and help each other overcome their hang-ups.  It’s a similar structure to Tangled–still, to my mind, the best of the modern princess movies–but Moana lacks that film’s multiple intersecting plot strands and broad cast of characters, and ends up feeling simpler and more straightforward.  What it does have is genuinely stunning animation, especially where it draws on the scenery of the Pacific islands and the iconography of Polynesian cultures, and some excellent songs by Miranda, which pay homage to both the Disney and musical theater traditions while still retaining entirely their own flavor–I’m particularly fond of a scene in which Moana and Maui encounter a giant, jewel-encrusted lobster (Jemaine Clement), who sings a David Bowie-inspired glam-rock ballad, and then complains that no one likes him as much as The Little Mermaid‘s Sebastian.  But pretty much every song here is excellent and memorable in its own right.

(3) TAIL-GUNNER LOU. “Is there a blacklist?” asks Lou Antonelli, because the rejection slips he gets now are not quite as warm as they once were.

A colleague asked me the other day if I felt there is a blacklist in literary s-f against non-PC writers.

I replied I don’t know, there’s no way to tell for sure; that’s the nature of a blacklist – it’s a conspiracy.

I will say that before 2015, when I was a double Sad Puppy Hugo nominee, my rejections almost always included invitations to submit to that market again.

Now, that is very uncommon, and in fact almost all my rejections now end with “best of luck” or “good luck with your writing” – and no encouragement to submit again.

Someone wrote anonymously to encourage Lou’s suspicions, inspiring a follow-up post decorated with a photo of Senator Joe McCarthy:

I don’t often approve anonymous comments, but I did in this one case, since it sounded true, and given the subject matter, it’s completely understandable why someone would prefer to remain anonymous:

“Day after the election, when I posted a picture of myself with a Trump hat, a famous editor of whom almost anyone would know her name, had her assistant message me to tell me how awful I am, that I’m not going to be invited to write in anthologies again, coupled with the threat that the publishing industry is small and word travels fast.

“Blackballing is real. But you are not alone.”

(4) BUMPER CROP. Mark-kitteh noticed that after SFCrowsnest’s brutal review of Uncanny Magazine #14 yesterday, Uncanny’s editors made some lemonade:

(5) UTES READ GEEZERS. At Young People Read Old SFF, James Davis Nicoll has set the table with Miriam Allen DeFord’s “The Smiling Future”.

Miriam Allen de Ford was a prolific author of both mysteries and Fortean-flavoured science fiction stories. She was also an active feminist, disseminating information about family planning in a time when that was illegal in many regions. Although widely anthologized while alive , since her death she seems to have lapsed into obscurity, at least on the SF side of thing. A pity.

“The Smiling Future” is perhaps not de Ford’s best known science fiction work but it does have the advantage of being on the internet archive, not true of much of her work (because her work was mainly for The Magazine of Fantasy and Science Fiction, none of which is on the archive). Also, it has dolphins and who doesn’t like dolphins? Selecting it out of all the de Fords I could have selected is therefore something of a calculated risk. Will the risk pay off?

There was enough of a positive reaction to get a good discussion going.

(5) WARNING. It takes a long time to stop laughing at Camestros Felapton’s “A Poster for Timothy”.

(6) SECOND WARNING. Not that Camestros Felapton won’t be a nominee for his work published in 2016, but the first thing he should put in his Hugo eligibility post from 2017 is “A Cat Reviews LaLaLand. Quite funny, though beware, spoilers abound! …I read it anyway.

(7) PUPPY THOUGHTS. Brian Niemeier  L.Jagi Lamplighter is delighted to be part of SuperversiveSF’s new collection Forbidden Thoughts, which boasts a foreword by Milo Yiannopoulos.

But what can you do with a super controversial story in this age of safe spaces and trigger warnings?

Then, in the midst of the Sad Puppy fervor, I caught a glimmer of an answer. Jason Rennie, editor of Sci Phi Journal and the brilliant mind behind SuperverisveSF, suggested in the midst of a flurry of Sad Puppy emails, that the authors involved get together and do an anthology of anti-PC stories, kind of a modern Dangerous Visions–putting into story form all those thoughts that the SJWs don’t want people to think. Basically, doing what SF is supposed to do, posing difficult questions.

Those of us on the email chain decided on the title: Forbidden Thoughts.

I LOVED this idea. Here was my answer to what to do with my controversial story.

So, I kept on Jason about this, and I kept on the other authors. When a few were too busy to be able to fit writing a new short story into their schedule, I convinced them to submit incendiary blog posts.

So we now had a volume with stories by, among others, John, Nick Cole, Brian Niemeier, Josh Young, Brad Torgersen, Sarah Hoyt, and, a particularly delightful surprise for me, our young Marine fan friend, Pierce Oka. Plus, non fiction by Tom Kratman and Larry Correia submitted some of his original Sad Puppy posts–the thing that started it all!

(8) THE FORBIDDEN ZONE. There probably are a few things The Book Smuggler would like to forbid: “The Airing of Grievances – Smugglivus 2016”

In publishing and on Twitter, advocates for equality, feminists, poc readers and authors were attacked left and right every time they called out racism and sexism in publishing. And folks, there was a lot of that this year. Like that one time when a publisher had a book of “parody” covers that was so racist it almost made our eyes bleed. White authors continued to be awful and show their asses, like that one who said that those who call out cultural appropriation are getting “too precious.” And just a few days ago, we all found out that racist nazi piece of shit Milo Yiannopoulos got a huge book deal with a major publishing house…

(9) TODAY’S BIRTHDAY BOY

Born January 5, 1914 — George Reeves, TV’s first Superman.

(10) SOMETHING TERPSICHOREAN. Sparknotes explains Bradbury’s dedication of Something Wicked This Way Comes.

In “A Brief Afterword,” Bradbury explains why Something Wicked This Way Comes is dedicated to Gene Kelly and describes how the book was written. Bradbury met Gene Kelly in 1950 and they became friends shortly thereafter. In 1955 Kelly invited Bradbury and his wife, Maggie, to a private screening of his “collection of musical dance numbers with no connecting plotline,” Invitation to the Dance, at MGM studios. Bradbury and his wife walked home and along the way he told his wife that he desperately wanted to work with Kelly. She suggested that he go through his stories until he found something that would work, turn it into a screenplay, and send it to Gene Kelly. So Bradbury looked through many of his short stories and found The Black Ferris, a ten page story about two young boys and a carnival. For a little over a month he worked on the story and then gave Gene Kelly the eighty page outline of a script that he had created. Mr. Kelly called Bradbury the next day to tell him that he wanted to direct the movie and asked for permission to find financing in Paris and London. Although Bradbury gave his assent, Gene Kelly returned without a financer because no one wanted to make the movie. Bradbury took the partial screenplay, at the time titled Dark Carnival, and over the next five years turned it into the novel Something Wicked This Way Comes that was published in 1962. As Bradbury writes at the end of his afterword, the book is dedicated to Gene Kelly because if he had not invited Bradbury to that screening of his movie, then Something Wicked This May Comes may never have been written. When the book was published, Bradbury gave the first copy to Gene Kelly.

(11) CALLING ALL CARLS. An emergency session of internet scholars has convened at Camestros Felapton’s blog to help him identify “That difficult first novel”.

I was stumped by a trivia question which asked: “What was the first novel in English?”

The problem with the question is one of setting boundaries, specifically:

  • What counts as a novel? Do legends count? What about Thomas Malory’s Le Morte D’Arthur? Is it a novel, a retelling or a purported (if fanciful) attempt at history?
  • What counts as ‘in English’? Does Chaucer’s middle English count? What about Malory’s middle English (which is more like modern English than Chaucer?)
  • Do translations count? Don Quixote is very like a novel, so might the first translation of that into English count?

(12) LOUDSPEAKER FOR THE DEAD. ScienceFiction.com has the story behind this particular effect — “Raising Cushing: New Video Shows Off CGI Work Done To Create ‘Rogue One’ Grand Moff Tarkin”.

Now, for those interested in how exactly they managed to bring Tarkin to life in the film, ABC News has released a new video on Twitter courtesy of ILM (check it out below) showcasing some of the work that went into building Tarkin, that shows in a handful of seconds what clearly took MONTHS of effects work to accomplish, giving us in brief all of the steps necessary to get the character right. They cast a man that already bore a striking resemblance to Peter Cushing, then digitally enhanced his features until he was Peter Cushing, animating all of his moments from that point onward to carry on the illusion.

 

(13) WHEN SHALL WE THREE MEET AGAIN? A reboot of Charmed is in the works.

The story hails from Jessica O’Toole, Amy Rardin and Snyder Urman with O’Toole and Rardin penning the script.

The original Charmed starred Alyssa Milano, Holly Marie Combs, Shannen Doherty and Rose McGowan. Combs has already tweeted her reaction, saying “We wish them well.” Milano also took to Twitter. “#Charmed fans! There are no fans like you. You’re the best of the best,” she said.

(14) THEY CAME FROM SPACE. Here’s another job that pays more than yours — “These guys hunt for space rocks, and sell them for enormous profit to collectors”.

These ancient meteorites can be older than the Earth itself. The price tag is high: Just 100 grams of Mars rock, enough to fit in the palm of a hand, can demand $100,000.

For help tracking down such rare rocks, private collectors turn to professional meteorite hunters. These adventurers earn their living by crisscrossing the globe, searching for astronomic treasures. The risks are real, including prison and death, but so are the potential rewards — rocks that can be flipped quickly for fortunes.

The man who sold Jurvetson his Mars rock is 44-year-old Michael Farmer. Since the late 1990s, Farmer has traveled to some 80 countries looking for these precious rocks. Perhaps his best-known find is a nearly 120-pound meteorite discovered in Canada, which he and his partners sold to the Royal Ontario Museum in Toronto for $600,000.

“Any time you dig up a treasure worth more than half a million bucks, it’s a good day,” said Farmer, who works closely colleagues around the world tracking meteorite showers.

This work is not for the faint of heart. In 2011, Farmer was kidnapped, beaten and nearly killed by Kenyan thieves. That same year, he was charged with illegal mining in Oman and imprisoned for two months. Farmer says his motivation is not purely monetary, but rather the thrill of the chase.

(15) GETTING THE POINT ACROSS. After seeing this cover some of you will find it hard to believe I am not the Washington Post’s copyeditor:

[Thanks to Martin Morse Wooster, Rose Embolism, JJ, Mark-kitteh, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 12/30/16 Use File 770; It Softens Your Pixels While You Read The Books. You’re Scrolling In it!

(1) OUR NEIGHBOR. It’s official —

A team of astronomers composed of P. Kervella (CNRS / U. de Chile / Paris Observatory / LESIA), F. Thévenin (Lagrande Laboratory, Côte d’Azur Observatory, France) and Christophe Lovis (Observatory of the University of Geneva, Switzerland) has demonstrated that Proxima, the nearest star to the Sun, is gravitationally bound to its neighbors Alpha Centauri A and B. The nearest stellar system to the Earth is therefore a triple star. Proxima is known to host the nearest exoplanet, a telluric planet orbiting in its habitable zone. This discovery implies that the four objects (Alpha Cen A, B, Proxima and Proxima b) share the same age of ~6 billion years.

 

Paul Gilster discusses the discovery at Centauri Dreams.

Now as to that orbit — 550,000 years for a single revolution — things get interesting. One reason it has been important to firm up Proxima’s orbit is that while a bound star would have affected the development of the entire system, the question has until now been unresolved. Was Proxima Centauri actually bound to Centauri A and B, or could it simply be passing by, associated with A and B only by happenstance?

(2) THE REPRESSION INHERENT IN THE SYSTEM. YouTube’s Nostalgia Critic demands to know “Where’s the Fair Use”?

(3) PAYING TO VOLUNTEER. While it’s commonly expected at the conventions I’ve worked that volunteers will be members of the con, this is a new one on me – having to join a secondary group in order to volunteer. “Phoenix Comicon announces changes to volunteering; paid fan group membership required” reports An Engishman in San Diego.

Square Egg Entertainment, the organisation behind Phoenix Comicon, today announced a sizeable change to its practice of staffing – and pooling volunteers for – their three annual events:  Phoenix Comicon, Phoenix Comicon Fan Fest, and Keen Halloween. Square Egg will no longer be staffing these shows with hired hands, instead now filling those roles from the organising committee and paid membership of the Blue Ribbon Army (which originally started out as a fan group for PHXCC, and has subsequently become a social club with 501(c)(7) status).

Members of the Army have to be at least 18 years old and – here’s the kicker for a number of fiscally-minded volunteers – they also do have to become fully paid-up members of the fan group, with membership prices to join starting at $20 per year and going up to $100 per year. That’s right: you effectively have to now pay to become a Phoenix Comicon volunteer.

For what it’s worth, the Blue Ribbon Army leadership isn’t being compensated

Are your board members paid?

All Blue Ribbon Army board members are unpaid volunteers. All financial information, as required by law for a 501(c)7 organization, will be posted.

(4) BOTTOM OF THE GALACTIC BARREL. Love this article title — “15 Star Wars Characters Who Are Worthless At Their Jobs” from ScreenRant.

  1. Storm Troopers – Just Bad At Their Jobs

They just had to be here, as they’re cinematic legends when it comes to utterly failing at your job. Imperial Stormtroopers, as we’re told, are precise. The Empire has access to vast resources, so you’d think its military force would be well up to scratch. Stormtroopers even get a pretty good showing the first time we see them, managing to take over Princess Leia’s ship with only a few casualties. And then almost every time after that we see them, they’re getting destroyed like they put their helmets on backwards and their armor is made of tinfoil….

(5) BILLIONAIRE BOOK RECOMMENDATIONS. Three of the “10 Books Elon Musk – ‘Tesla Founder and Billionaire’ wants you to read” are SFF, beginning with –

1. The Hitchhiker’s Guide to the Galaxy by Douglas Adams

Back when Elon Musk was a moody teen growing up in Pretoria, South Africa, he went looking for the meaning of life in the work of grumpy philosophers. It didn’t help. Then he came upon The Hitchhiker’s Guide to the Galaxy, which taught him that the hardest part was to properly phrase the question but that once this was done the answer was easy. It changed his whole perspective.

(6) A CRACKED THEORY. Cracked brings all its scholarly powers to bear in “Snow White is a LOTR Sequel: A Mind-Blowing Theory”.  

Mortal man Beren and elf maiden Luthien Tinuviel (of the New Jersey Tinuviels) are forebears of the kings of Numenor and Gondor. Seeing as how the love story of Beren and Luthien echoes through the millennia in their great-great-many-times-great-grandchildren, it comes as no surprise that a similar fate awaits Aragorn and Arwen’s descendant, Snow White.

The family resemblance would only be uncannier if Steven Tyler cast her in inappropriately weird videos during her early teens.

At this point you may be thinking that we’re smoking too much of that pipe with Gandalf, but have you noticed Snow White’s rapport with the birds and beasts of the wild? The way they listen and respond to her?

Doesn’t this suggest a deep connection with nature, as someone with Elvish blood would have?

(7) COMING ATTRACTIONS. Plenty of genre flicks on Film School Rejects’ “The 52 Most Anticipated Movies of 2017”.

…[Our] 52 Most Anticipated Movies list is always a big hit because it operates under a simple premise: if you’re going to see one movie for every week of the new year (and you should), these are the ones on which we’d stake a claim. Because we spend a great deal of time thinking about upcoming movies and an even sadder amount of time researching them, we’re exactly the kind of people who are qualified to give out said advice. Qualified enough to say, with confidence, that these 52 movies are likely to be worth your time. They may not all turn out to be great, but they will be worth seeing and discussing throughout the year….

Beauty and the Beast (March 17)

Neil Miller: If we’re being honest?—?and we are at all times?—?Disney’s live-action parade of remakes is actually turning out to be a better idea in practice than it was on paper. Both Kenneth Branagh’s Cinderella and Jon Favreau’s The Jungle Book gave us an interesting take on their respective stories. Neither was the disaster that many, perhaps out of a dedication to an anti-remake stance, had predicted. This is what gives us further hope for Beauty and the Beast, the success of which will rest mostly on the shoulders of Disney’s live-action effects teams and Emma Watson, both of which have proven track records. Six weeks ago, Disney released a trailer that showed off both of these things in action. The Beast effects that cover up Dan Stevens’ handsome mug look good and Emma Watson looks right at home as Belle. We’re still not sure of those CGI housewear items with anamorphic features, but we’ll see how that pans out in the final product.

(8) DUFF VOLUNTEER. Paul Weimer has announced his candidacy for the Down Under Fan Fund.

(9) REMEMBERING RICHARD ADAMS. In 1843 Magazine, Miranda Johnson, an environment correspondent for The Economist, discusses her grandfather Richard Adams, including how Adams’s experiences fighting in Operation Market Garden in World War II informed the battles in Watership Down, how her family all became characters in her grandfather’s novels, and what happened when Adams had lunch with Groucho Marx.

He also never forgot friends he made during his service. One in particular, Paddy Kavanagh, stuck with him for his fearless defence of the Oosterbeek perimeter as part of Operation Market Garden during September 1944. Paddy gave his life so that my grandpa’s platoon could escape. So my grandfather brought him back in the character of Bigwig in “Watership Down”, who stands alone to defend a tunnel in the rabbits’ new warren. Originally in the story, Bigwig also died. But my mother and aunt protested so much that my grandpa changed the tale. “We said nobody must die,” my aunt recalls, “except for Hazel, because it seemed an important part given his old age.”

(10) HOLLYWOOD MEMORIAL. ULTRAGOTHA found the story and JJ tracked down a photo —

Carrie Fisher doesn’t have a Star on the Walk of Fame, so fans appropriated a blank one and are leaving tributes. Including two cinnamon buns.

(11) WWCD 2017. Redbubble is selling merchandise with the WWCD art and giving the money to charity —

100% of the proceeds will be donated to bipolar disorder through the Brain and Behavior Research Foundation: https://bbrfoundation.org/

what-would-carrie-do

(12) TODAY IN HISTORY

  • December 30, 1816 — Percy Shelley and Mary Wollstonecraft were married.

(13) TODAY’S BIRTHDAY GIRLS

  • Born December 30, 1980 — Eliza Dushku
  • Born December 30, 1982 — Kristin Kreuk.

(14) TODAY’S BIRTHDAY BOY

  • Born December 30, 1865 – Rudyard Kipling

(15) PRINTS IN THE FORECOURT. Filmmaker Roger Corman, a former Worldcon GoH, has been immortalized in concrete at a slightly less well-known theater than you usually think of when it comes to this sort of thing —

Roger Corman may not be a household name, but among movie fans he’s a cult hero.

In October, a tribute was held at the Vista Theatre to celebrate his 62-year career.

The legendary filmmaker was immortalized October 12th in the cement of the Vista’s forecourt with a handprint ceremony, alongside those of Dark Shadows star Jonathan Frid; James Bond girl Honor Blackman; special effects pioneer Ray Harryhausen and Cassandra Peterson—also known as Elvira, Mistress of the Dark.

“I think it’s kind of fun that [my handprints] will be out there forever,” said Corman before burying his hands deep in a patch of cement on the edge of Sunset Drive.

(16) MARS. Charles E. Gannon was part of a Dragon Con panel reported in Space.com“Space Colonies Will Start Out Like the Wild West, Grow Family-Friendly”

Like in the Old West, the goal would be for the colony to become self-sustaining, the panel said. Once a colony could support itself, it would no longer need to rely on materials from Earth to survive. When asked if an organization on Earth could realistically hope to control what was happening on Mars, Davis said, “If they’re still getting their caloric intake from someplace else, yup, you can.” [Poll: Where Should Humanity Build Its First Space Colony?]

Gannon named the biggest challenge facing a colony that aimed to grow independent from the people back home: the supply of volatiles, particularly oxygen and water. The first explorers would need to find a way for colonists to harvest those on the new world, Gannon said.

“If you have to ship those to the colony, it will be both economically and physically dependent and probably never be profitable or really safe,” Gannon said.

Even if an underground colony relied on rocks to shield itself from deadly radiation, it would still need enough water for similar shielding during vehicular missions, he said, making ice harvesting crucial to the colony’s survival.

“There are plenty of other [challenges],” he said. “But this is the minimum ante for long-term self-supportability.”

(17) PLANET NINE FROM OUTER SPACE. NPR tells us “Astronomers Seeking Planet 9 Hope To Soon Catch A Glimpse”.

On the top of Hawaii’s Mauna Kea mountain Thursday, astronomers will point the large Subaru Telescope toward a patch of sky near the constellation of Orion, looking for an extremely faint object moving slowly through space.

If they find what they’re looking for, it will be one of the most important astronomical discoveries in more than a century: a new planet in our solar system.

Technically, a new planet hasn’t been discovered since Neptune was spotted in 1846. Pluto, discovered in 1930, was demoted to “dwarf planet” a decade ago. If a new planet is found, it will be the new Planet Nine.

(18) TRADING INSULTS. Huffington Post’s “Self-Publishing: An Insult To The Written Word”  by Laurie Gough, “Award-winning author of three memoirs…a journalist and travel writer”, begins —

As a published author, people often ask me why I don’t self-publish. “Surely you’d make more money if you got to keep most of the profits rather than the publisher,” they say.

I’d rather share a cabin on a Disney cruise with Donald Trump than self-publish.

The rest of the article carries on in the same condescending tone which so aggravated Larry Correia that he stormed back from a self-imposed internet vacation to write a reply, “Fisking the HuffPo’s Snooty Rant About Self-Publishing” for Monster Hunter Nation. (Gough’s article is quoted in italics. Correia’s replies are bold. Of course they are…)

The problem with self-publishing is that it requires zero gatekeepers.

Nope. The problem with self-publishing is that there are so many competitors that the challenge is to differentiate yourself from the herd. Sure, lots of them are crap (I can say the same thing for tradpub too), but if you find a way to market yourself and get your quality product in front of the right market, then you can make quite a bit of money.  

From what I’ve seen of it, self-publishing is an insult to the written word, the craft of writing, and the tradition of literature.

From what I’ve seen, I’d say the same thing about the Huffington Post.

As an editor, I’ve tackled trying to edit the very worst writing that people plan on self-publishing just because they can.

As an actual editor who gets paid for this stuff, that sentence reads like garbage.

I’m a horrible singer. But I like singing so let’s say I decide to take some singing lessons. A month later I go to my neighbor’s basement because he has recording equipment. I screech into his microphone and he cuts me a CD. I hire a designer to make a stylish CD cover. Voilà. I have a CD and am now just like all the other musicians with CDs.

Only you just described exactly how most real working bands got their start. Add a couple of kids with a guitar and drums, set up in your buddy’s garage, and start jamming. Eventually you will get good enough that you can book some local gigs, and if people like you, they will give you money for your stuff.

Except I’m not. Everyone knows I’m a tuneless clod but something about that CD validates me as a musician.

Nobody gives a crap about “validation”. Validation don’t pay the bills.

(19) MEDIA FAVES. It’s Aliette de Bodard’s turn to bestow Smugglivus year-end cheer at The Book Smugglers.

In media, the most striking thing I watched this year is actually from last year: it was the masterful Doctor Who episode “Heaven Sent”, a tour de force by Peter Capaldi that slowly starts making horrifying sense throughout its length (and that I actually paused and rewatched just to make sure it all hung together — it does and it’s even more impressive on a rewatch). I haven’t had time to consume things from this year: most of my watching has been old things, like Black  Orphan (I can’t believe it took me this long to find out about it, it’s so good, and Tatiana Maslany is just amazing playing all the clones), and Miss Fisher’s Murder Mysteries, period mysteries featuring the awesome Phryne Fisher (and her amazing wardrobe).

(20) CATCHING UP WITH CAMESTROS. Doctor Who was on Camestros Felapton’s telly on Christmas — “Review: The Return of Doctor Misterio – 2016 Dr Who Christmas Special”.

In the 2016 Christmas Special, Moffat lays out a gentle Richard Curtis-like romantic comedy but about superheroes and alien brain parasites. No puzzles and an evil invasion plot from the bad guys that echoed both Watchmen and the Aliens of London episode from series 1 of the reboot. A wise choice that made for a funny and light episode.

The episode was not a deconstruction of the superhero genre but played the tropes simply and straight but also at a relatively shallow level. Primarily a play on the Clark Kent/Lois Lane, secret identity, romance angle but with an added play on romantic comedy trope of the woman who somehow can’t see the man she actually is looking for is standing right next to her.

(21) CAMESTROS IS A MARATHON NOT A SPRINT. Then he dashed out to see the new Star Wars movie – “Review: Rogue One”.

Well, that was fun in a Blake’s 7 sort of way.

What I liked about the film was it had a certain freedom to it. The story has one simple job: by the end of the plot, the plans for the Death Star have to be on a Rebel spaceship pursued by Darth Vader. How to get to point B is undetermined and indeed where point A is to start with nobody knows. Indeed, the film initially is a bit confused about where A is, flitting from one plane to another. However, after some initial rushing around the galaxy, the story comes together.

Felicity Jones as Jyn Erso, captures a nice sense of both bravado and cynicism as the daughter of the man who designed the Death Star. Her emotional journey isn’t complex but given the number of genre films in which people appear to act incomprehensibly it was nice to have a character whose motivations were personal and direct. Her shift from reluctant rebel to a leader of a commando force is shaped overtly and plausibly by plot events.

(23) CAN’T END TOO SOON. By then the year 2016 was just about done – and Camestros designed the most suitable container for its farewell journey.

[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Mark-kitteh, Michael J. Walsh, David K.M. Klaus, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]  

Pixel Scroll 12/10/16 The Scroll’s My Destination

(1) WIRE TOWN. The UK’s Daily Mail ran a photo gallery, “A city balancing on The Wire: Eerie pictures capture the lonely beauty of Baltimore’s Street corners at night revealing another side to its crime-ravaged neighborhoods”, and contrary to what you might expect from a collection with that title, the first picture is of the Baltimore Science Fiction Society clubhouse.

(2) MY LUNGS REMEMBER SASQUAN. The Darwin Award candidates responsible for the wildfires during Sasquan, the 2015 Worldcon, have been sentenced. “Vancouver men who started wildfire ordered to pay state $2.3 million” reports The Oregonian.

Three Vancouver men responsible for setting fire to 110 acres of forest in southwestern Washington have been ordered to pay the state more than $2.3 million in firefighting costs.

The Daily News reports Nathan Taylor was sentenced Monday and all three defendants were ordered to pay damages the state Department of Natural Resources.

Court documents say the fire started July 19, 2015 after Taylor, his brother Adrian Taylor and Michael Estrada Cardenas used propane tanks and soda cans for target practice near Woodland.

(3) ESCAPE FROM SAN QUENTIN. The Public Domain Review has “Astral Travels With Jack London”, a lengthy discussion of Jack London’s great 1914 sf novel The Star Rover. Jack London died in November 1916.

London’s sole foray into the realm of science fiction and fantasy is simultaneously a hard-bitten, minimalist monologue about life in solitary confinement and an exuberant tour of the universe. The book’s narrator, Darrell Standing, moves disarmingly from the agony of his confinement in a strait-jacket to his travel amidst the stars equipped with a glass wand that allows him to access an infinity of past lives, including a fourth-century hermit, a shipwrecked seal-hunter, a medieval swordsman, and a confidant of Pontius Pilate. It is a novel about sensory deprivation in a shared reality, and sensory overload in a private one.

This is a deeply eclectic book. It borrows liberally from the forebears of the fantasy genre: fairy stories, Norse legend, Greek myths. But it also manages to include feuding UC Berkeley scientists, “dope fiends,” Neolithic hunter-gatherers, kimchi, and a journalistic exposé of the modern prison system. The bizarre multiplicity is precisely the point. London’s narrative does many things, but it always seems to circle back to the question of how the worlds encompassed within a single consciousness can interfere with the shared reality of modern society. As we hurtle towards a near future of immersive virtual reality and unceasing digital connectedness, The Star Rover has much to tell us.

(4) NEIL GAIMAN IS THE PRIZE. A reading of Edgar Allan Poe’s “The Raven” by Neil Gaiman is a Worldbuilders Fundraising Reward.

The Worldbuilders charity passed its stretch goal of a million dollars, so I lit a whole bunch of candles, put on a coat once worn by a dead brother in the Stardust movie, and I read Edgar Allan Poe’s poem THE RAVEN by candlelight. You can donate to Worldbuilders at worldbuilders.org. And you should.

 

(5) NUMBER FIVE. The Traveler at Galactic Journey marvels at the recent development of radio astronomy in “[Dec. 10, 1961] By Jove! (Jupiter, the Fifth Planet)”.

In the last ten years or so, a brand new way of looking at Jupiter has been developed.  Light comes in a wide range of wavelengths, only a very small spectrum of which can be detected by the human eye.  Radio waves are actually a form of light, just with wavelengths much longer than we can see.  Not only can radio be used to communicate over long distances, but sensitive receivers can tell a lot about the universe.  It turns out all sorts of celestial objects emit radio waves.

Jupiter is one of those sources.  After this discovery, in 1955, astronomers began tracking the planet’s sporadic clicks and hisses.  It is a hard target because of all of the local interference, from the sun, our ionosphere, and man-made radio sources.  Still, scientists have managed to learn that Jupiter has an ionosphere, too, as well as a strong magnetic field with broad “Van Allen Belts.”  It also appears to be the only planet that broadcasts on the radio band.

Using radio, we will be able to learn much about King Jove long before the first spacecraft probes it (perhaps by 1970 or so).  It’s always good to remember that Space Age research can be done from home as well as in the black beyond.  While I am as guilty as the next fellow of focusing on satellite spectaculars, the bulk of astronomy is done with sounding rockets and ground-based telescopes – not to mention the inglorious drudgery of calculations and report-writing, universal to every science.

(6) HINES BENEFIT AUCTION #14. The fourteenth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed coy of Impulse by Steven Gould.

Today’s auction comes from award-winning author and former SFWA president Steven Gould, who’s offering an autographed first edition hardcover copy of his novel IMPULSE, which is currently being developed for a pilot on YouTube Red.

About the Book:

Steven Gould returns to the world of his classic novel Jumper in Impulse.

Cent has a secret. She lives in isolation, with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport, and from the government agencies who want to use his talent. Cent has seen the world, but only from the safety of her parents’ arms. She’s teleported more than anyone on Earth, except for her mother and father, but she’s never been able to do it herself. Her life has never been in danger.

Until the day when she went snowboarding without permission and triggered an avalanche. When the snow and ice thundered down on her, she suddenly found herself in her own bedroom. That was the first time.

(7) TOBLER’S PICKS. The Book Smugglers continue their year-end theme: “Smugglivus 2016: Books That Surprised Me (In a Good Way) by E. Catherine Tobler”. They published Tobler’s short story “The Indigo Mantis” earlier this year.

Bloodline, Claudia Gray

I did not expect to read another Star Wars novel in my lifetime; the expanded universe of books was never wholly my thing. I liked the Han Solo novels (A.C. Crispin) well enough, but could not get into the Thrawn books, or anything tackling Leia. And then, Bloodline showed up. Bloodline spends some time with Leia after Jedi and before The Force Awakens and let me say, I never realized how much I missed not seeing Leia be allowed to grieve over the loss of Alderran. Gray gives us that and much more, unpacking and exploring Leia’s marriage with Han Solo, and yes, her relationship to Darth Vader. Such a satisfying read.

(8) DEBRIS WHACKER. Finally somebody’s cleaning up space. From NPR, “Japan Sends Long Electric Whip Into Orbit, To Tame Space Junk”

A cable that’s as long as six football fields has been launched into orbit — and when it’s deployed, it’ll test an idea to knock out orbital debris. Japan’s space agency sent the electrodynamic tether into space along with supplies for the International Space Station.

Reels aboard the Japan Aerospace Exploration Agency’s Kounotori 6 craft will deploy the 700-meter (2,296 feet) tether, essentially unspooling a clothesline in space that could help clean up the roughly 20,000 pieces of potentially hazardous space debris that are tracked by systems on Earth.

Those pieces of junk are dangerous enough on their own — but they can also generate thousands more smaller pieces of debris if they collide, creating even more risk to the space station and satellites orbiting the Earth.

With the official acronym of EDT (for electrodynamic tether), the Kounotori’s cable “is a promising candidate to deorbit the debris objects at low cost,” JAXA says.

(9) ONE THOUSAND AND ONE IRAQI DAYS. At NPR, Amal El-Mohtar reviews the Iraqi SF anthology: “’Iraq + 100’ Is Painful, But Don’t Look Away”.

Though a few of the stories — Alhaboby’s “Baghdad Syndrome,” Hassan’s “The Here and Now Prison,” and Ibrahim al-Marashi’s “Najufa” — are warm and hopeful, focused on love, family, and friendship, overall the collection hurts. Underlying these pieces are exhaustion, disgust, contempt, disillusionment, all of which Western readers of speculative fiction will no doubt find alienating; built into our narrative of fiction’s usefulness is a sense of healing, catharsis, nourishment that this collection resists. Thoughts of the future are rooted in the recent past and present, leeching poison from its earth, and what grows can’t be separated from that soil, as when Alhaboby writes “I knew that soon my vision would start to go the way the lights once did over Baghdad all those years ago … You see, if you’re a sufferer of Baghdad Syndrome, you know that nothing has ever driven us, or our ancestors, quite as much as the syndrome of loving Baghdad.”

(10) THE LONG WATCH. Former LASFS President, now thriving commercial actor, Ed Green appears in this spot beginning at :14 —

(11) TODAY IN HISTORY

  • December 10, 2009 Avatar makes its world premiere.

(12) ALDRIN LEAVES NEW ZEALAND. He’s recovered from what ailed him at the South Pole — “Astronaut Buzz Aldrin heads home after stay in Christchurch hospital”.

Mr Aldrin’s manager, Christina Korp, tweeted a photo of him on the flight home, saying they hoped to return again.

“But next time for vacation and not evacuation,” she wrote.

Mr Aldrin began showing signs of altitude sickness, including low oxygen levels and congestion in his lungs, after reaching the South Pole.

“Once I was at sea level I began to feel much better,” he said last Sunday.

(13) ENGLISH EVOLVING BEFORE YOUR EYES. Thanks to everyone at work in the File 770 comment laboratory….

(14) HIGHEST BIDDER. Black Gate says the sale happened Friday on eBay — “Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100”.

(15) CHRISTMAS HORROR AND SHATNER – TOGETHER! Hampus Eckerman, inspired by a link in the last Pixel Scroll, decided to check online for more Christmas Horror movies. And he found the most horrific of al – one starring William Shatner(!)

In A Christmas Horror Story, Shatner is the DJ who sets the scene —

Interwoven stories that take place on Christmas Eve, as told by one festive radio host: A family brings home more than a Christmas tree, a student documentary becomes a living nightmare, a Christmas spirit terrorizes, Santa slays evil.

christmas-horror-story

(16) STAR TREK CHRISTMAS. Here’s how the franchise paid tribute to the Christmas season.

  • Captain Sisko & the DS9 Ensemble sing “Wonderful Deep Space Nine”

In the grand tradition of Star Trek captains singing holiday standards, for your consideration: “Wonderful Deep Space Nine” sung by Captain Sisko, Major Kira, Constable Odo, Lieutenant Commander Worf, Chief O’Brien, Congenial Barkeep Quark, Plain Simple Garak, and the rest of the Star Trek: DS9 ensemble. Special appearances by Morn, Martok, Moogie, and Vorta Iggy Pop.

 

  • Star Trek Voyager – Christmas 2008

The Voyager crew give their take on the 12 days of Christmas.

 

(17) ANIMAL MAGNETISM. The Jimmy Kimmel Show ran videos in which “Pets React to Star Wars Rogue One Trailer.”

[Thanks to JJ, Chip Hitchcock, Eva Whitley, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 12/5/16 And They Will Know Us By The Trail Of Pixels

(1) POSTER CHILD. Early this year Cat Rambo placed herself at the forefront of the movement encouraging writers to put up awards eligibility posts, and using the authority vested in her by the Science Fiction Writers of America now calls on everyone to do it.

Practicing what she preaches, Rambo has done a year-end recap of her publications:

The stories of my own I am pushing this year are “Left Behind” (short story), “Red in Tooth & Cog” (novelette), “Haunted” (novella co-written with Bud Sparhawk), and the fantasy collection Neither Here Nor There. SFWA members should be able to find copies of those on the member boards; I am happy to mail copies to people reading for awards whether or not you are a member. Drop me a line and let me know the preferred format. I am looking for reviewers interested in Neither Here Nor There and happy to send copies as needed.

The recap contains links to nearly 30 other F&SF writer awards eligibility posts.

(2) PW PRIDE. Rambo is also proud of Publishers Weekly’s starred review for her new short story collection Neither Here Nor There.

This double collection showcases Rambo’s versatility within the fantasy genre. In the “Neither Here” half, tales set in her existing worlds of Tabat (“How Dogs Came to the New Continent”) and Serendib (“The Subtler Art”) rub shoulders with new worlds of magic and mystery. “Nor There” displays her skill at seeing our world through different lenses, with locations including steampunk London (“Clockwork Fairies”) and urban fantasy Seattle (“The Wizards of West Seattle”)…

(3) SCREEN TIME. George R.R. Martin is getting busy recommending things for Hugos – including other people’s things.

For my part, I already know what two of my Hugo nominations for Best Dramatic Presentation, Long Form will be. ARRIVAL, to start with. Terrific adaptation of a classic story by Ted Chiang. Brilliant performance from Amy Adams. (She is always great, I think, but this was her best role to date). A real science fiction story, not a western in space. Intelligent, thought-provoking, with some wonderfully alien aliens. And WESTWORLD, season one, from HBO. Of course, as with GAME OF THRONES, one can nominate individual episodes of this one in Best Dramatic Presentation, Short Form… but for me it makes more sense to nominate the entire season in Long Form. (GAME OF THRONES season one was nominated in this fashion

(4) HITS AT THE LIBRARY. Library Journal’s “Best Books 2016” picked these as the top five titles from the year’s SF and fantasy.

Borderline, by Mishell Baker
The Long Way To A Small, Angry Planet, by Becky Chambers
The Invisible Library, by Genevieve Cogman
Every Heart A Doorway, by Seanan McGuire
Behind The Throne, by K.B. Wagers

(5) SURPASSING THE MASTER. No spoilers for the movie Arrival in the following excerpt, only for the story it’s based on. But it’s natural that the movie spoilers quickly follow in Peter Watts analysis of the adaptation: “Changing Our Minds: ‘Story of Your Life’ in Print and on Screen”.

What might come as a shock— and I hesitate to write this down, because it smacks of heresy— is that in terms of storytelling, Arrival actually surpasses its source material.

It’s not that it has a more epic scale, or more in the way of conventional dramatic conflict. Not just that, anyway. It’s true that Hollywood— inevitably— took what was almost a cozy fireside chat and ‘roided it up to fate-of-the-world epicness. In “Story of Your Life”, aliens of modest size set up a bunch of sitting rooms, play Charades with us for a while, and then leave. Their motives remain mysterious; the military, though omnipresent, remains in the background. The narrative serves mainly as a framework for Chiang to explore some nifty ideas about the way language and perception interact, about how the time-symmetric nature of fundamental physics might lead to a world-view— every bit as consistent as ours— that describes a teleological universe, with all the Billy Pilgrim time-tripping that implies. It’s fascinating and brow furrowing, but it doesn’t leave you on the edge of your seat. Going back and rereading it for this post, I had to hand it to screenwriter Eric Heisserer for seeing the cinematic potential buried there; if I was going to base a movie on a Ted Chiang story, this might be the last one I’d choose.

(6) CALL FOR PAPERS. GIFcon, Glasgow International Fantasy Conversations, is looking for papers and creative works. The deadline is December 19. The SFWA Blog gave their announcement a signal boost:

With a focus on intersections (academic and creative writing; film, art, and games) we aim for GIFCON’s inaugural event to be a crossroads at which these communities can meet and come into conversation.

Fantasy at the Crossroads: Intersections, Identities, and Liminality

29th – 30th March 2017

What is Fantasy? This is a question that the University of Glasgow’s MLitt in Fantasy has explored throughout its first year. While this may seem an unanswerable question, for many of us, fantasy is where reality and the impossible meet. Fantasy inspires a sprawling collection of worlds that stem from a myriad of identities, experiences, and influences. From traditional epics to genre-melding, fantasy branches out into every style imaginable. Cross-sections of genre and identity create cracks in traditional forms, opening in-between spaces from which bloom new ideas and stories.

Examples of intersections in fantasy can be found in:

– Julie Bertagna’s Exodus trilogy, which explores environmentalism within the context of fantasy and science fiction.

– Arianne “Tex” Thompson’s Children of the Drought series, which focuses on subversions of race and gender.

– China Miéville’s The City and the City, which fuses the detective novel with the fantastic.

– Eowyn Ivey’s The Snow Child, which uses fairy tale inspirations to create a magical realist setting and narrative.

– Netflix’s Stranger Things, which melds horror with Dungeons and Dragons via a coming-of-age science fiction story.

– The Elder Scrolls video game series, which intersects narrative, music, and visual arts.

– Frank Beddor’s Looking Glass Wars series, which combines science fiction and fantasy to explore unique, genre-melded world-building.

…Please submit a 300-word abstract, along with a 100-word biography (both in DOC or RTF format) to submissions.gifconference@gmail.com by Monday 19th December 2016.

(7) RIVENDELL AUDIO. Here is the schedule of December Readings from Rivendell program in the Twin Cities, MN.

readings-from-rivendell-december

(8) WETA DIGITAL END OF YEAR PARTY 2016. I’d love to be on the invitation list for this shindig —

The Weta Digital End of Year Party has always had the reputation of being the best party in town. As with previous years, no one knew where the party was being held, or what was involved, all we knew was we had to go to platform 9 at the Wellington train station. After boarding buses at the station, we were transported to the secret location. This is what went down after we arrived… The party was themed by the four elements of nature – Water, Fire, Air/Wind and Earth. As you can see in the video, the themed installations and performance art at the party location were fantastic, and an amazing time was had by all! A big thanks to Weta Digital for putting on such an incredible party!

 

(9) PUCK VS. CUPID. The Book Smugglers present Tansy Rayner Roberts’ review of the year’s favorites in “Smugglivus 2016: A Very TansyRR Smugglivus”. There’s a lot of entertaining writing in the post, not to mention revelations about the previously unsuspected (by me, anyway) subgenres of gay hockey comics and novels.

This has also been an important year for Check! Please, one of my favourite all time web comics. I a couple of scary, stressful months earlier in the year, and the Check! Please fandom pulled me through until I was ready to face the world again. Check! Please was already an adorable gay hockey comic about bros and sports and friendship and pies, but its creator Ngozi gave us so many gifts this year, starting in February with The Kiss which pretty much made the comics fandom lose their collected minds.

Their love is so canon, y’all!

We’ve also had several waves of updates throughout the year, following the ups and downs of our hero Bitty and his secret NHL boyfriend. Ngozi also launched a Kickstarter for the book publication of Year 2 which was crazy successful, showing how dramatically her work’s popularity has soared since Jack Zimmermann got a clue that he was a character in a sweet gay rom com, not a gritty hockey tragedy.

(10) HINES BENEFIT AUCTION #9. The ninth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed copy of Jenna Black’s Replica, and a matching handmade pendant to go with it.

Today’s auction is for an autographed copy of REPLICA and a handmade pendant to go with it (pictured below). You can see samples of Black’s other gorgeous pendants at her Etsy store.

About the Book:

Sixteen-year-old Nadia Lake’s marriage has been arranged with the most powerful family in the Corporate States. She lives a life of privilege even if she has to put up with paparazzi tracking her every move, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image—no easy feat when your betrothed is a notorious playboy.

Nathaniel Hayes is the heir to the company that pioneered human replication: a technology that every state and every country in the world would kill to have. Except he’s more interested in sneaking around the seedy underbelly of the state formerly known as New York than he is in learning to run his future company or courting his bride-to-be. She’s not exactly his type…not that he can tell anyone that.

But then Nate turns up dead, and Nadia was the last person to see him alive.

When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory back-up, he doesn’t know what—or rather, who—killed him. Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.

(11) NOT ASKING SANTA FOR THESE. This link leads to a page from Hunter’s Planet of the Apes Archive. Consider it an online museum of print advertising for Planet of the Apes merchandise.

(12) IN DOORSTOPS TO COME. Ann and Jeff VanderMeer have sold another Big Book – “Announcing The Big Book of Classic Fantasy”.

As Ann and I announced on social media last week, we’re thrilled to have sold another behemoth of an anthology, The Big Book of Classic Fantasy, to editor Tim O’Connell at Vintage Books!! Tentatively scheduled for publication in 2018 and covering roughly the period 1850 up to World War II. Thanks to our agent, Sally Harding, and the Cooke Agency. This will be our fourth huge anthology project, following this year’s The Big Book of Science Fiction, The Time Traveler’s Almanac, and the World Fantasy Award-winning The Weird.

Will this anthology include not just your favorite classics from the English language, but also translations from all over the world? Yes. Will it include never-before-translated new stories? Yes. Will it include the best of the Decadents and the Surrealists in a fantastical vein? Oh yes, most certainly. We hope to widen our net on the translation side, focusing on areas of the world that have been underrepresented in prior anthologies.

(13) WILLIAMS OBIT. Van Williams, famed as television’s The Green Hornet, has died at the age of 82.

Variety reports he actually died on Nov. 28, but his passing only became publicly known on Sunday.

Born in 1934 in Forth Worth, Texas, Williams was working as a diving instructor in Hawaii when he was discovered in 1957 by producer Mike Todd, who persuaded him to move to Hollywood. He earned his big break two years later with a lead role on the ABC private detective drama “Bourbon Street.” He followed that with “Surfside 6,” starring opposite Troy Donahue.

However, it’s on the short-lived “Green Hornet” that Williams made a lasting mark as newspaper publisher Britt Reid, who fought crime as the masked Green Hornet alongside his partner Kato, so memorably played by Bruce Lee.

(14) TODAY IN HISTORY

  • December 3, 1974 – The last new episode of Monty Python’s Flying Circus was broadcast on the BBC.

(15) TODAY’S BIRTHDAY BOY

  • Born December 5, 1901 – Walt Disney

disney-comic-lio161205

(16) A CAPRINE TRAGEDY. As discussed in comments on an earlier Scroll, the Gävle Yule Goat was burned down on its inauguration day, and replaced by a baby goat made of straw.

Only a week later, a vandal drove a car into the replica.

But in the early hours of Monday, those who were unable to sleep and instead found themselves watching the goat’s webcam feed (we’re told this is a thing) were able to see in real-time how someone raced towards the new goat in their car and brutally ran it over.

(17) SEND THE BILL TO LUCASFILMS. VentureBeat has been reliably informed coff that “The Death Star would cost $7.8 octillion a day to run”.

The British energy supplier Ovo has put some very well-spent hours into a comprehensive calculation of the operating costs of the Death Star, which will return to the spotlight in the December 16th movie Rogue One. They conclude that operating the planet-destroying starbase would cost 6.2 octillion British pounds, or $7.8 octillion, per day—that’s $7,800,000,000,000,000,000,000,000,000.

To put that absurdly large number in perspective, $7.8 octillion is more than 100 trillion times the $70 trillion annual global economic activity of Earth, or 30 trillion times the roughly $200 trillion in wealth on our little blue planet.

(18) WHAT IF THEY’RE NOT LITTLE AND GREEN? NPR reports on NASA’s efforts to recognize life if they find it:

There’s a growing interest in so-called biosignatures — or substances that provide evidence of life — because NASA has upcoming missions that have real potential to search for them. Those include a visit to Europa in the 2020s and the 2018 launch of the James Webb Space Telescope, which could scan the atmospheres of planets around other stars.

The last thing NASA officials want is a repeat of the experience with the Viking missions back in the 1970s, when analysis of Martian soil chemistry produced what was initially interpreted as evidence of life — but then later deemed a false-positive.

“I remember the aftermath of that,” says James Kasting, a professor of geosciences at Penn State University, who was tasked with planning this week’s meeting. “NASA was criticized heavily for looking for life before they had investigated the planet and for not having thought that through carefully. They’re hoping to avoid that same experience.”

Finding life means first defining life, and NASA’s Green says the key features are that it must metabolize, reproduce and evolve.

(19) ESA WILL BUILD ROVER. The European Space Agency will build a Mars rover, even if the cost keeps going up.

Europe will push ahead with its plan to put a UK-assembled robotic rover on the surface of Mars in 2021.

Research ministers meeting in Lucerne, Switzerland, have agreed to stump up the outstanding €436m euros needed to take the project through to completion.

The mission is late and is costing far more than originally envisaged, prompting fears that European Space Agency member states might abandon it.

But the ministers have emphatically reaffirmed their commitment to it

(20) AUTO INTELLIGENCE. Uber has bought an AI company to move toward self-driving car.

Ride-sharing service Uber has acquired a New York-based artificial intelligence start-up which it hopes can speed up its progress in creating self-driving cars.

The deal, for an undisclosed sum, will see Uber gain 15 specialist researchers who will form a new division at the company known as Uber AI Labs.

(21) DISAPPEARING STAR. Did you enjoy the video of Chris Pratt’s magic, linked here the other day? Cards aren’t the only medium he does tricks in — “Chris Pratt keeps cropping Jennifer Lawrence out of Instagram selfies and it’s hilarious”.

The acting megastar duo are both starring in upcoming sci-fi romance Passengers, but throughout the film’s promo tour 37-year-old Pratt has been enjoying social media hijinks by cutting out 26-year-old Lawrence whenever the pair share a snap together….

 

(22) WINTER IS COMING. At Dangerous Minds, “Stunning images of pagan costumes worn at winter celebrations around the world”.

In a recent interview, French photographer Charles Fréger revealed that he has always been fascinated by European tribal traditions. This fascination inspired the well-known artist to travel all around Europe to capture images of people dressed in ritualistic costumes honoring the arrival of winter and other seasonal celebrations.

Fréger began his journey in Austria and to date has photographed stunning costumes and rituals from 21 countries around the world. According to Fréger there are many celebrations that mark the arrival of winter that take place in the Czech Republic and, say, Italy that are quite similar when it comes to the materials that are used to create the costumes. Such as the incorporation of animal pelts, branches from trees, horns and bells into the costumes. Though they may share similar appearances, the story behind each living piece of folklore varies from country and location. Here’s more from Fréger about why so many of these celebrations often involve a human masquerading as an animal:

It is not about being possessed by a spirit but it is about jumping voluntarily in the skin of an animal. You decide to become something else. You chose to become an animal, which is more exciting than being possessed by a demon.

(23) LOL. Larry Correia goes through the comments carefully answering everyone’s questions about when the electronic and audiobook versions of his latest novels will be available, when one fan decides to yank his chain:

Ben Smith: Will the leather bound book have a kindle version?

(24) MR. GREEN HAS ARRIVED. Let’s kick off the verse segment of today’s Scroll with a link to Theodora Goss’ “The Princess and the Frog” which begins….

I threw the ball into the water.
The frog came out and followed after,
bringing me the golden ball —
which I did not want at all, at all.

(25) SEASONED GREETING. Joe H. and Heather Rose Jones produced this collaboration in comments.

Lo, how a pixel scrolling,
From tender file hath sprung…
Of Glyer’s laptop coming
As SMOFs of old hath sung

(26) THEN ONE FOGGY CHRISTMAS EVE. In a piece called “Hamildoph (An American Christmas Story)” the group Eclipse 6 performs “Rudolph, the Red-Nosed Reindeer” as if it was done by the cast of Hamilton.

I cannot fly if I cannot see, people!
I’m in dire need of assistance.
Brrr
Your Excellency, you wanted to see me?
Rudolph, come in—did you say “brrr”?
Yes, sir, ‘cause it’s freezing.

 

[Thanks to JJ, Chip Hitchcock, Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 10/16/16 Ticking Pixels To A Cat

(1) ARCHIVAL VIDEO OF NEBULA AWARDS. Video from the 1984 Nebula Awards ceremony has been posted.

You can see Octavia Butler accepting a Nebula for her novelette “Bloodchild” around the 11:30 mark.

Not seen on the video are some of the post-ceremony lowlights described on the SFWA website:

Presented at Warwick Hotel, New York, New York on May 5, 1985

Ian and Betty Ballantine were presented with a special award for their pioneering contributions to science fiction and fantasy publishing.  The Business Meeting took place on Saturday at noon and was followed by the traditional editors’ panel, and agents’ panel. LACon sponsored the pre-banquet reception.  As with the 1983 event, publishing professionals outnumbered authors.  Attorney Tim Jensen was the primary speaker and spoke about taxes and the author. Following the banquet, Harlan Ellison punched Charles Platt over comments Platt had made regarding an award given to Larry Shaw.  Tom Disch also punched William Gibson, without explanation.

 

(2) APOLOGY DYNAMICS. Ann Leckie has further thoughts — “On Apologies”.

So I want to say this straight out–the apology is not for the apologizer. The person offended against has no obligation whatever to accept any apology at all, or to forgive, or to stop being hurt or angry, or to pretend they’re not hurt or angry any more. I mean, if they want to, if they can, if they think it’s proper, sure. But the apology is for the person who was offended, and they have no obligation to respond in any particular way. Or respond at all, frankly.

(3) SUNIL PATEL NEWS. The Book Smugglers announced today they will no longer publish Sunil Patel’s work.

This past weekend, several women put forward their encounters with a well-known male SFF author, citing his history of manipulation, gaslighting, grooming behavior, and objectification of women in the speculative fiction community. We have read all of the accounts. We are listening to the stories. We stand with the women who have been the subject of this author’s behavior.

In light of these revelations, we have made the decision to no longer publish Sunil Patel’s work. We have removed The Merger from sale, and have canceled all forthcoming short stories and essays with the author.

As members of the SFF community, as publishers, and as women, we cannot in good conscience support this author’s work any longer.

Fantastic Stories also has taken Patel off its projects.

These decisions follow from accusations of abuse that have been discussed on Twitter. Two women who specifically named Patel were Kristine Wyllys and Sarah Hollowell.

Other women authors have supported the conversation by posting generally about their professional experience. You can connect with two of them here —

(3A) PATEL RESPONDS.

(4) THE MAP IS NOT THE TERRITORY. Ahrvid Engholm recently quoted this article, relevant to our discussions of the Nobel Prize for Literature, in his apazine.

The member of the Swedish Academy Per Wästberg has written an article about the work behind the Nobel Prize in literatur. It was in the daily Svenska Dagbladet Oct 4th, “The Prize that is Dynamite for Culture”, and the Swedish original piece is here: http://www.svd.se/priset-som-ar-kulturell-dynamit  But I thought I should give you a few snippets and some info from his article:  “Geograhpy is not our subject.” The Academy does not try to spread the grace between countries, languages and continents. After Saramaago he says they”could have given the prize three years in a row to Portugal, if it had been motivated”.

(5) BETWEEN THE COVERS. Bob Dylan not only survived William Shatner’s performance of his music, he also lived down having TV sitcom star Sebastian Cabot record his songs. Sebastian Cabot was a British born actor (died 1977 aged 59) whose most popular role was Mr. French, the nanny in Family Affair, and before that, a college professor who helped detectives in Eric Ambler’s TV series Checkmate. And he played Mr. Pip in a Twilight Zone episode. Cabot recorded an album of Bob Dylan covers in 1967, after his first successful season as the nanny, from which this track is taken.

(6) CLARK ASHTON SMITH. Carl Slaughter reports, “Night Shade offers paperback editions of the collected works of legendary weird fiction author Clark Ashton Smith. Volume 1 was released in 2015, volumes 2 and 3 were released in January and May, volume 4 was released in September, and volume 5 is set for January 2017.  There will also be a collection of miscellaneous writings in May 2017.”

“None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer.” —H. P. Lovecraft

Many of the hardcovers in this series, first published between 2007 and 2011, have been long unavailable since the original printings sold out, and over the years have become quite pricey on the secondary market. Night Shade continues to get more inquiries regarding availability of this series than any other title we’ve released. Now, we’re excited to announce that we’ve come to an agreement with the estate to release new paperback editions of all of Smith’s short fiction, which includes volumes one through five of the original series, plus the additional sixth volume of miscellaneous writings.

Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape “weird fiction” in the early twentieth century, alongside contemporaries H.P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical.

The Collected Fantasies series presents all of Smith’s fiction chronologically. Authorized by the author’s estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith’s own notes and letters. Their efforts have resulted in the most definitive and complete collection of the author’s work to date.

The End of the Story—September 2015
The Door to Saturn—January 2016
A Vintage from Atlantis—May 2016
The Maze of the Enchanter—September 2016
The Last Hieroglyph—January 2017
The Miscellaneous Writings of Clark Ashton Smith—May 2017

[Thanks to DMS, Natalie Luhrs, JJ, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 4/20/16 Through the Scrolling-Glass

(1) FARSCAPE ON BIG SCREEN. ComicBookMovie.com reports “Rockne O’Bannon Officially Confirms FASRSCAPE Movie”.

After years of rumours, Rockne O’Bannon has finally confirmed that a Farscape movie is actually happening. The show was cancelled back in 2003 and a mini-series titled Farscape: The Peacekeeper Wars was aired in 2004 to provide closure to the fans but it appears we shall be getting more Farscape in the near future. Confirmation comes from TV.com’s Ed Shrinker who had a friend that attended the Showrunners panel at Wondercon which O’Bannon was a part of.

(2) BEAGLE COMING TO BALTICON. Peter S. Beagle will be a Special Guest of Honor at Balticon 50, taking place over Memorial Day weekend in Baltimore, MD.

“It’s Peter’s birthday, but the fans are getting the gift,” says Beagle’s attorney, Kathleen Hunt.

(3) AXANAR IS DOCKED. In “’Star Trek: Axanar’ Fan Film Docked After Copyright Suit from CBS/Paramount”, Elizabeth Howell gives Space.com readers a status report on the lawsuit.

… According to Peters, Winston & Strawn subsequently filed a motion to dismiss the lawsuit. CBS and Paramount responded, he said, by amending portions of the complaint. The new complaint alleges that copyrights were violated in matters such as the pointy ears and “distinctive eyebrows” of Vulcan, the gold-shirt uniforms of Federation officers, and the Klingon language, according to documents posted by The Hollywood Reporter on March 13.

New motion to dismiss

In the meantime, the production of “Axanar” is on hold pending the result of the lawsuit. If the lawsuit is resolved in the film’s favor, Peters said, production will still be delayed, as it would take a couple of months to organize everything, including coordinating the actors’ schedules and resuming work on elements such as the costumes.

Winston & Strawn filed a new motion to dismiss on March 28. CBS and Paramount have yet to file a response in court.

“The motion provides examples as to how CBS and Paramount overreach in what they claim are elements protected under copyright, and fail to be specific as to exactly which copyrights have been infringed upon; and, in the case of the potential feature film Axanar, claims of alleged copyright infringement cannot be made against a film that doesn’t yet exist,” read part of an Axanar statement on the motion to dismiss.

(4) A THOUSAND WORDS IS WORTH A PICTURE OF A CAT. At Camestros Felapton’s blog, Timothy the Talking Cat has his claws out: “Ctrl-Alt-Delete – A Reviewing”.

[Timothy] No sarcasm. Don’t forget, this time I control the narrative. I can make you say anything. Say “I’m a poo-poo head”
[Camestros] I’m a poo-poo head.
[Timothy] OK say I’m a fish’s butt.
[Camestros] You are a fish’s butt.
[Timothy] Oops – forgot the speech marks. So back to the book – naturally you hated it?
[Camestros] You know I actually enjoyed quite a bit of it.

Despite what you might assume from this exchange, they spend most of their time reviewing books. But as today’s Top Level Poster I can quote whatever part I like.

(5) ICE FIVE. Theory: Game of Thrones is science fiction, not fantasy: “This Is the Most Insane and Compelling Theory for How the Wall in Game of Thrones Stands”. Esquire’s John Maher delves into the ideas advanced by vlogger Preston Jacobs.

Let’s go back to the Wall, a prime example in the case of Game of Thrones. Maybe there is some sort of magic keeping it up. “Or maybe,” Jacobs suggests, “there’s some sort of refrigeration unit.”

It seems farfetched, until you start digging deeper—and Jacobs, an auditor for the U.S. State Department by day, is an expert at doing just that. After re-reading the series a couple of years ago, he jumped right into reading the vast majority of Martin’s extant works, including every story that’s taken place in the author’s most frequently visited setting, a shared universe called the Thousand Worlds….

The Long Night itself seems to hint at the explanation for how this world—as Jacobs and other theorists do, let’s call it Planetos—became the way it was. A winter that lasts for a generation seems pretty hard to believe, even in a world with seasons as crazy as those on Planetos. In the first season of Game of Thrones, Tyrion discusses with Maester Aemon and Lord Commander Mormont the longest winter he’d ever lived through, and mentions it lasted three years. But as Jacobs points out, there is such a thing as a generation-long winter in the real world: a nuclear winter.

In the Thousand Worlds universe, humanity is at perpetual war with multiple hive-minded species—a form of life that pops up in A Song of Ice and Fire as well, and which Jacobs explores in detail in one of his theories. During this endless war, the hive-minded races typically destroy human worlds using nuclear weapons, wait a hundred years for the dust to settle, and then invade and enslave the survivors. And in the interim, something familiar happens, as it does on High Kavalaan, a planet in Martin’s first novel, Dying of the Light.

“I think the book that really made me think Westeros could be post-apocalyptic was Dying of the Light,” says Jacobs. “When he started writing about nuking people, with everybody hiding in mines and founding their own houses and holdfasts, it just occurred to me that the Long Night could be a nuclear winter.”

(6) HEINLEIN ON THE LINE. At the MidAmericCon II site, Toastmaster Pat Cadigan has blogged her fannish origin story.

Forty years ago, in the spring of 1976 in Lawrence, Kansas, the phone rang in the late afternoon, about an hour and a half before I had to go and teach a belly-dance class. When I picked up, a deep, warm-as-a-woolly-blanket man’s voice said, ‘Hello, Mrs. Cadigan. This is Robert Heinlein.’

And I freakin’ died.

Seriously; I died. This is my afterlife. Isn’t it great?

Okay, let me back up a little….

(7) HUGO TIME. It’s no coincidence that Hugo Administrator Dave McCarty and staff are doing a lot of work just about now:

First, on behalf of the Hugo administration staff and all the rest of the folks making preparations to run MidAmeriCon II, I want to thank all of the people who participated in our Hugo and Retro Hugo nomination processes. There were over 4,000 of you and that is a new record participation by quite a large margin.

There’s a large number of tasks we have to do to administer the Hugos. Identifying eligible nominators and voters, setting up servers and web pages to handle secure nominations and voting, answering hundreds of questions about the process for the members, making sure everyone’s nominations are counted appropriately even if they don’t use the same name for something they loved that all the other folks who loved it used or nominated it in the wrong category accidently, locating and contacting the potential finalists to get their acceptance and inform them of how the process works and what to expect, coordinating with convention events staff to run the awards ceremonies and pre-receptions, and numerous other tasks. The previous run on sentence would be staggeringly large if we tried to give a full accounting of everything the awards administration entails. It can be fun, it can be exhausting, and it can even sometimes be frustrating. When we do a good job, though, it’s very rewarding.

(8) HUGO LOVE FROM WORDPRESS. Kevin Standlee’s The Hugo Awards website came in for recognition today —

(9) NEIL GAIMAN. Gaiman on mourning Pratchett — “Good Omens, Cheap Seats, and the Memorial”.

I haven’t blogged for a long time, but right now I’m on a train, and it feels like a good time to catch up. This morning I was interviewed by Charlie Russell for his documentary on Terry Pratchett. (Charlie made the previous BBC Terry Pratchett documentaries, Living With Alzheimer’s, Choosing to Die, and Facing Extinction.) We did it in a Chinese restaurant in Gerrard Street, because Terry and I had first met in a Chinese restaurant, in February 1985. It was easy and pleasant, and then suddenly it wasn’t. I was talking about the last time I’d seen Terry, and what we said, and I found myself crying uncontrollably, unable to talk. And then I pulled it together, and we carried on….

The memorial the other night was beautiful. I wore my mourning frock coat that Kambriel made for me, and I went out that afternoon and bought a white shirt and a black tie. (Actually, I bought four shirts, which, given how often I wear white shirts, should take me easily to the end of my lifetime.)

I read the introduction to A Slip of the Keyboard, which I’d written for Terry while he was alive. I got sad at the end but that was fine. And I held it together just fine when Rob, Terry’s amazing right-hand man, presented me with a big black author’s hat Terry had left me. I couldn’t put it on, though. I wasn’t ready for that. (I tried it on later, in the dressing room. I looked, to my mind, like a rabbinical cowboy assassin. Not that there’s anything wrong with that.)…

(10) MORE LIKE INDIE FOR SMART PEOPLE. Sarah A. Hoyt, in “Going Indie For Dummies: You Lays Down Your Money” at Mad Genius Club, begins her survey of professional services available to indie authors with a warning –

I cannot emphasize enough that you should at all costs avoid paying money up front to have any of the necessary stuff done to your book.  Particularly if your indie ebook is a short story or a novella, it’s QUITE possible you’ll never see that money again….

Then she follows with a lot of practical experience. (And no, I am not picking this quote as a setup for predictable comments about Baen copyediting, but because writers in general suffer through this.)

b) Copy editing: even houses confuse this with “editing” and I’ll get a list of typos or repeated words from editors who are supposed to be doing high-grade structural.  It’s what most people think of as “editing.”

PLEASE make sure you get a copy editor who actually knows what he/she is doing.  Again it is too easy for a copy editor to screw with a book by making the wrong choices, and/or not getting what you’re trying to say.  (I recently had a copy edit that suggested changing “calloused hands” to “callous hands” — yes, her hands are cold and unfeeling.  What the actual F?)  so several steps:

1- look for a copy-editor with references and call/email those references where the copy-editor can’t hear/read and ask for the real skinny and how hard they are to work with.

2- ask them what manual of style they use.  If you get back “manual?” or “I just use sensible grammar” and this is a paid copy-editor it’s time to bail, ladies, gentlemen and fuzzy toys.  There are many ways of doing things including punctuation (unlike what your grammar teacher told you.)  I favor, for my own checking, Strunk and White which has a slightly British flavor.  Most publishing houses use Chicago Manual of Style.  Baen uses Words to Print (I think that’s the title.)  You want to make sure your books are consistent, so make sure your copyeditor uses a style you can live with.

(11) TODAY IN HISTORY

(12) TODAY’S OTHER HISTORY LESSON. Hmm. Good point.

(13) TODAY’S BIRTHDAY BOYS

  • Born April 20, 1937 — George Takei, age 79 today.
  • Born April 20, 1964 – Andy Serkis

(14) IN BOOKS TO COME. “Andy Weir, Author of The Martian, Shares Details About His Next Novel” at The Smithsonian. Here’s a guy nobody will ever accuse of having SJW tendencies.

Your next book will have a woman as the central character. Given that “gender wars” in science fields is still a contentious topic, why did you decide to go with a lady lead? What kinds of challenges does your protagonist face, and does her gender play any role in those challenges?

I don’t take part in any political debates. So I’m certainly not trying to make a point by having a female lead. She’s just a character I came up with that I thought was cool, so she’s the lead.

The book is another scientifically accurate story. The main character is a low-level criminal in a city on the moon. Her challenges are a mix of technical/scientific problems, as well as juggling personal interactions—staying a step ahead of the local police, working with shady and dangerous people to do illegal things.

She doesn’t encounter any distinctly “female” challenges. There’s no love plot. And the story takes place in a future society where there is practically no sexism.

(15) NOT JUST TANG. The BBC discusses “Four ways NASA is teaching us how to live more sustainably”.

2. Clean water

In space, water is in short supply, so Nasa has developed an innovative way to filter waste water on the ISS using chemical and distillation processes. This lets it turn liquid from the air, sweat and even urine into drinkable H2O.

In fact, since 2008, more than 22,500 pounds of water have been recycled from urine alone on the ISS – something that would have cost more than $225m (£160m) to launch and deliver to the station from Earth.

“Most people are horrified when they see what we drink!” says Ms Coleman. “But the filtered water up there just tastes beautiful, it really is delicious.”

Nasa has since licensed the technology to companies on Earth, which have created portable filters for use in places where fresh drinking water is scarce.

Filters produced by US firm Water Security Corporation, for example, have been installed in villages across Mexico and Iraq, allowing residents to purify water from contaminated sources.

(16) RILEY INTERVIEWED. David Dubrow conducted an “Interview With David A Riley” after the author dropped off a Horror Writers of America award jury last week amidst controversy.

Why did you withdraw from the jury of the Bram Stoker Award for Best Anthology?

Because, as I saw it, that was the best thing to do for the good of the HWA. There is nothing prestigious or glamorous about being a juror. It does involve a lot of unpaid, unseen, arduous work reading an enormous number of books by authors or publishers or, in the case of anthologies, editors, keen to have their books included amongst the finalists for the Stoker awards. Of course the juries cannot add more than a few books, but it does mean reading all those submitted, good, bad or indifferent. I know from when I was a juror for First Novels this can be a hell of a chore. Standing down, therefore, was easy – it saved me a lot of hard work, some of it far from enjoyable. I only put my name forward because the HWA sent out a last minute email appealing for volunteers from active members for this position. I thought I was helping the HWA by stepping forward, never realising the reaction stirred up by certain individuals, some of whom already had a personal grudge against the HWA and are not even members….

Are you still part of the UK National Front?

I resigned in 1983 and have not been involved since.

A lot of people have characterized you as a fascist. Would you say that’s a fair description of your politics?

No.  It’s an easy label to flash around, usually by those who are fascists themselves, particularly from the left. Fascists don’t believe in free speech and try to suppress it for their opponents. I have never in my life tried to do that. They are also prepared to use physical violence against their political opponents. I was never involved in anything like that. I would add that during the time I was involved in the party any member who associated with a neo-nazi group, either in Britain or overseas, faced expulsion. This, I can confirm, was enforced.

(17) EISNER AWARD MANGA. Brigid Alverson reviews six works in her post “This Year’s Eisner-Nominated Manga Shows What the Medium Can Do” at B&N Sci-Fi & Fantasy Blog.

Nominees for the Eisner Awards, the top honors in the comics industry, were announced on April 19. This year’s nomnees in the manga category (technically, “Best U.S. Edition of International Material—Asia”) offer a range of different types of manga, from genre comedy to poignant literary works. As a former Eisner judge myself, I know how hard the choices are, and this year’s slate is exceptionally good. All these series are accessible to non-manga readers as well as longtime fans. Let’s dive in and take a look!

Assassination Classroom, by Yusei Matsui This was the surprise nominee, because it’s not exactly a highbrow series, though it is wickedly funny. The setup is totally over the top: a class of misfit high school students are assigned the job of killing their teacher, Koro-sensei, an octopus-shaped alien who has announced he will destroy the earth at the end of the school year. Armed with weapons that are harmless to humans but deadly to their teacher, they study his weaknesses and plot new attacks, and new assassins join the class as the series goes on. What makes it so fun (and so weird) is that Koro-sensei is actually a really good teacher, and he uses his superpowers to help his students as much as to evade their attacks. He’s quirky, overly fond of gossip, a bit self-indulgent, and he often finishes a face-off with an opponent by doing something silly like giving them a manicure. This is a series that shonen fans will particularly enjoy, as there are a lot of inside jokes about the conventions of the genre, but it’s also a fun action comedy for anyone willing to go all in on suspension of disbelief. There is a darker side to Koro-sensei, and occasionally he lets the jovial mask slip, adding a bit of edge. The judges nominated volumes 2-7 of this series for the award.

(18) STEM INTO STEAM. Wil Wheaton has posted “My speech to the 2016 USA Science and Engineering Festival”.

Which brings me to funding.

You’re never too young for science – getting children interested in the world around them, and asking them to try and figure out how things work is a fundamentally good idea. Curious children will naturally gravitate towards STEAM subjects. Let’s encourage that and make sure that a child who wants to explore that particular part of our world has everything she needs to get there, and keep learning about and making awesome things when she leaves. This is and will continue to be a challenge. Despite the clear and undeniable benefits of a comprehensive education, including science education, not only to individuals but to our entire society, we have allowed the funding of our schools to become part of the culture wars. This is as disgraceful as it is predictable. When so many of our poorly-named “leaders” deny scientific consensus on everything from climate change to vaccines, a scientifically literate and well-informed populace can be tremendously inconvenient to them and theiir corporate owners. Well … good. Let’s be inconvenient to them. Let’s educate and empower a generation who will be real leaders, and carry our nation into the future.

We all know that it’s possible to fund STEAM education. The money is there, it’s just being spent on other things. Making enough noise and applying enough sustained pressure to change this will not be easy. It will actually be quite hard. But when has America ever shied away from doing things that are hard? Everything worth doing is hard, and President Kennedy said as much when he challenged our nation to go to the moon. Right now, decades later, every single one of us has benefitted in some way from that commitment. Right now, a generation of future scientists can look to MARS and beyond, because nearly fifty years ago, we did whatever it took to go to the moon.

Why aren’t we doing that today? Because it’s hard?

 

(19) 2016 SPECULATIVE FICTION EDITORS. The Book Smugglers are already “Announcing the Editors of Speculative Fiction 2016 & Call for Submissions”.

In which we announce the editors for the 2016 edition of the award-winning collection Speculative Fiction

As you probably know by now, we are the new publishers of the ongoing editions of Speculative Fiction: The Best Online Reviews, Essays and Commentary – a collection that celebrates the best in online Science Fiction and Fantasy nonfiction. We are currently hard at work on the publication of SpecFic ’15 – edited by Foz Meadows and Mark Oshiro – and we feel it is time to move on to the next very important step for next year: announcing the two new editors for 2016.

Since its inception in 2012, the Speculative Fiction collection has been envisioned as an annual publication, curated by a new pair of editors each year. Each incumbent pair is also given the weighty task of selecting the next year’s editors.

Today, we are extremely proud to finally announce the editors of Speculative Fiction 2016: Liz Bourke and Mahvesh Murad!

Apparently items for the 2015 collection needed to be submitted to the editors? Well, I didn’t send in anything from File 770, so that’s that.

(20) CELEBRITY VERSIONS OF BB-8 AUCTIONED. Til April 24 you can bid on a variety of BB-8 droids that have been kitted up by celebrities. 100%* of the proceeds from this auction will be donated to Great Ormond Street Hospital Children’s Charity, on behalf of Force For Change.

The Londonist ran an article and a gallery of photos.

We enjoyed the recent Star Wars film. But, like many, we couldn’t help thinking that BB-8 would look far more fetching dressed up as the globus cruciger from the Crown Jewels, or else painted in the colours of the Union Flag, tarted up like a teapot, or made to look like one of the Beatles.

Our wishes are fulfilled at a new exhibition and charity fundraiser. The cutesy droid has enjoyed a makeover from dozens of artists and celebrities, with the best efforts on show at White Rainbow Gallery (47 Mortimer Street) until 21 April.

Contributing celebrities include Daisy Ridley, John Boyega, Mark Hamill, Anthony Daniels, Warwick Davis, Simon Pegg (responsible for the Beatles droid, above), Paddy McGuinnes, Jonathan Ross, Nicola Adams and the band Years and Years. Each has daubed the droid with a design celebrating an element of British culture, from Robin Hood to the Sex Pistols.

bb8 auction

(21) LOOK UP IN THE SKY. Alastair Reynolds is in awe by the end of a session of starwatching (“Pattern Recognition”) —

The light I caught had travelled 25,000 years to reach my telescope. If there’s ever a day when that sort of thing doesn’t send a shiver down my spine, please feel free to shoot me.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Will R., Steven H Silver, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 3/22/16 The Scrolls Are Alive With The Sound of Pixels

(1) MEDIA CON INFLATION. Rob Salkowitz at ICv2 says “As The 2016 Con Season Begins, Seams Are Starting To Show”.

Competition for big names is getting crazy. Every show wants the top names to draw fans, but the bidding war for A-list talent is starting to sound unsustainable. I’ve heard reliable reports that the appearance fees for the Wizard World Show in Philadelphia in June, which lists Chris Evans, Chris Helmsworth, Tom Hiddleston, Sebastian Stan, Anthony Mackie and the stars of Back to the Future, top $1 million in guaranteed money.

Well sure. Those are all the stars of what seems likely to be 2016’s biggest movie, all in one place.

But this is having a trickle-down effect. Because this is Star Trek’s 50th anniversary, the surviving original cast members and just about everyone associated with all versions of the show, are in unusually high demand. Competition to get these names on the marquee has reportedly led to cancelled contracts, bidding wars, waivers of exclusives, a shift from guaranteed revenues for autograph sales to straight appearance fees, and other cutthroat tactics.

Cons need to make that money back somewhere, and it’s coming from three places: fans, exhibitors and sponsors.

Costs are rising for attendees. Badges for 3- and 4-day events are starting to crack the $100 level, and that’s just the start. More and more events are not only adding VIP packages, which start around $195 and can go as high as $800-900, but are also requiring fans to pre-pay for celebrity photo ops and celebrity autographs in advance. SVCC even experimented with charging a $10 surcharge for admission to the Back to the Future Panel in its big room on Saturday afternoon, only to oversell the event and not have room for prepaid customers.

(2) PATHFINDER. Marion Deeds has an excellent report on FOGCon 2016 at Fantasy Literature.

Is 72 Letters Enough? In Search of the Perfect Language

I consider a panel “good” if I come away with new book titles to track down, or lots of ideas. By those two measurements, this panel was the best panel of the convention. Panelists included Ted Chiang, who took his inspiration from the Umberto Eco book In Search of the Perfect Language (The Making of Europe). The other panelists were Cathy Hindersinn and Steven Schwartz, with Michelle Cox moderating. There was another panelist but I don’t remember her name and it doesn’t appear in the program. Hindersinn studied linguistics before making a lateral move and becoming a computer programmer. Schwartz is part of the FOGCon committee and writes speculative fiction and epic poetry. He loves language and he loves to talk about language. Cox has an MA in Church History and theology and is a technical writer.

Chiang is scary-smart, articulate if a bit abstract at times, and serious, but he has a great wit, which was on display during the panel. This panel was held in the large room and, as near as I could tell, there was one empty chair. Several people were standing. The panelists were opinionated, and in some cases their passion outstripped their knowledge; the audience was the same way. It was brilliant.

Chiang used the Eco book as a jumping off point for a discussion and critique of the conceit of a “perfect” language; one that existed in the past, in humanity’s “golden age;” a language that all humans could speak and understand. There are two parts to that idea: universalism; the idea that there is one language every human on the planet can communicate in, (perhaps as a second language); and then a language that has the smallest possible divide between the signifier and the thing signified.

(3) STRANGE PUBLISHING TREND. The New Republic reports “The Mass-Market Edition of ‘To Kill A Mockingbird’ Is Dead”.

We may never know what Lee’s will stipulates, but the estate’s first action in the wake of Lee’s death is both bold and somewhat baffling: The New Republic has obtained an email from Hachette Book Group, sent on Friday, March 4 to booksellers across the country, revealing that Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird…..

That said, mass-market paperbacks have been on a precipitous decline lately, though TKAM’s success, particularly in the education market, makes it a notable exception. But many publishers are moving away from the format. Pressed for further comment, a HarperCollins spokesperson informed me that “Like many American classics, To Kill A Mockingbird’s primary paperback format will be the trade paperback edition.” That’s an important distinction: The general trend in publishing has been against the mass-market and toward more expensive (and durable) editions—many American classics, including The Great Gatsby and The Grapes of Wrath no longer have mass-market editions.

(4) THE IMPORTANCE OF BEING EARNEST. Murray Leinster’s warning is just waiting for tech to catch up. A Logic Named Joe: The 1946 sci-fi short that nailed modern tech. 70 years later, Murray Leinster’s disaster scenario is the internet you know and love.”

The story goes on to tell how “Joe,” a rogue logic with a slight manufacturing defect, becomes self-aware and resolves to provide his owners and all other “logic” users with whatever information they require. Leinster says of Joe:

Joe ain’t vicious, you understand. He ain’t like one of those ambitious robots you read about that make up their minds the human race is inefficient and has got to be wiped out an’ replaced by thinkin’ machines. Joe’s just got ambition. If you were a machine you’d wanna work right, wouldn’t you? That’s Joe. He wants to work right. And he’s a logic, an’ logics can do a lotta things that ain’t been found out yet.

This, in turn, leads to logics around the city providing tips on everything from poisoning spouses to covering up drinking binges and robbing banks. Only when Joe is taken offline is that information hidden away from humanity and order restored.

(5) TODAY’S BIRTHDAY BOY

  • Born March 22, 1931 – William Shatner. The whole internet is barely big enough to contain everything there is to know about his show biz career. Google revealed to me that Shatner was on the old What’s My Line? game show in January 1965.

He was there to plug the premiere episode of his (then) new lawyer drama series For The People — which fortunately for all concerned failed in time for him to be cast in Star Trek.

(6) TODAY’S OTHER BIRTHDAY BOY

trekkie-recipe-william-shatners-cappuccino-muffins_w654

(7) RECORD STRAIGHTENER. Larry Correia has been unfairly charged with abandoning the battlefield, as he explains in “The Guardian’s Village Idiot Declares Another Career Ruined”.

I wasn’t going to write anything about SP, but it has come to my attention that a new narrative has arisen amongst the mushy headed dope punditry of fandom, because they are always scrambling for something to get their collective panties in a bunch over. This time it is that Brad and I are cowards—and are probably misogynistic women haters too—because we abandoned poor female Kate to their mighty wrath.

Well, you’ll have to forgive Brad’s cowardice, because he has been deployed by the US Army to the Middle East for the last year, supporting missions against terrorists, but that’s nothing compared to the courage it takes to have a good fandom slapfight. (And really? Scared of what? There are only so many ways you guys can send out a press release alleging that somebody is a racist).

And you’ll have to forgive me too, because I thought I had made my point in 2014 that the system was biased, and I was done. Only Brad asked me to come back to help in 2015, so I did, and after the CHORFs proved my point for me far better than I ever could—wooden assholes and No Awarding the most deserving editor in the business—I said at the end of that I was done.

Why am I out? Mostly because it was a giant time suck, and I’ve got stuff to do. Unlike most of my detractors, I actually write books for a living. I wrote a novella worth of posts on SP in public, and another one worth of emails on the topic behind the scenes. Then there is the joy of spending an hour on the phone with reporters, so that they can quote one sentence from you, and then quote paragraphs from some dolt who knows jack about the topic but belongs to the right clique.

Honestly, in the time I spent on Sad Puppies, I probably could have gotten another book out the door. Plus in 2016 I’ve got my European research trip, I have a new business venture I’ve not talked about at all, I bought a big chunk of property, and mountain fortress compounds don’t build themselves. All that’s in addition to the three novels that are coming out this year, the short fiction collection I have to put together, and the MHI anthology I have to edit.

So I could either try to prove again the point that I’ve already proven, or I can get paid more. Hmmm…. Tough call.

(8) A PUPPY SURPRISE. Apparently Jeffro Johnson was the last person on Earth to realize this was the game plan from Day 1. “Comments on Sad Puppies IV and Rabid Puppies II” at Jeffro’s Space Gaming Blog.

You know, I have to say… making the Puppies lists for Best Related Work was a real shock for me. That’s just not something that ever even occurred to me as being a possibility. Maybe it’s a bit ironic, but it’s actually humbling to have even a modest number of people think that well of me. I honestly don’t know what else to say, but “thank you.” So: thank you! 

(9) HONORED. Cheah Kai Wai (Benjamin Cheah) is also pleased to be included. See “Rabid Puppies Recommended”.

I am greatly honoured to accept such praise, and am deeply humbled by the fact that there are people who believe I am worthy of standing beside such luminaries as Stephen King and Andy Weir. Looking at the rest of the Rapid Puppies recommendations, I am fully confident that the recommendations will live up to the Rapid Puppies’ mission of making the Hugos great again.

Further, I am especially pleased by Vox Day’s inclusion of Space Raptor Butt Invasion. Science fiction is the literature of ideas, allowing radical concepts to be explored in great detail. This story is indubitably a masterwork that skilfully portrays interspecies non-heterosexual relations within a vividly-created science fictional universe, and would surely be a shoo-in for the Hugos among certain quarters.

(10) REMOVAL REQUEST. In revolutionary Boston the tea had to be thrown overboard. This time it jumped.

Emma Newman speaks “Regarding Tea and Jeopardy being included on a certain list”.

All I know is that I would like Tea and Jeopardy to be removed from this latest list. I don’t want something that Pete and I spend a hell of a lot of time and energy creating to be associated with anything like this. Our podcast has made it to the nominations shortlist two years in a row on its own merit and if we are lucky enough to be shortlisted for a third time, I want it to be because people listen to the show and are moved to nominate it. Nothing more.

Sadly, it seems that requests to be removed for the Sad Puppies 4 list are being ignored. Whilst part of me agrees that people can put whatever they like into a list on their own website, the part that values courtesy disagrees with the refusal to respect a creator’s requests to remove something from it. I’m sorry if this hurts the feelings of the people involved, but no matter what the intentions are this year, no matter the reasons why our podcast made it onto that list, I personally do not want my work to be associated with it.

(11) SECOND CUP. Peter Newman affirms the request in “Tea and Jeopardy, Hugo nominations and Sad Puppies”.

To be clear, I have never solicited the attention of this group, nor do I endorse it. I was not asked if Tea & Jeopardy could be included and I am told that requests to be taken off the list will be ignored. That said, I’d like Tea & Jeopardy to be taken off the Sad Puppies 4 list.

(12) SCHMIDT ASKS OUT. Bryan Thomas Schmidt tells Facebook readers he’s unhappy to find himself on the Rabid Puppies slate.

So apparently the abominable Vox Day put me on his Hugo list this year. First I heard if it. I have paid NO attention this year to lists, etc. I would demand removal but he clearly cares not what people think and states flat out he will not entertain removal requests. I “No Awarded” him last year and would again. I do not approve of this and see it as his attempt to do me further harm. Just going to ignore.

He’s also got an asterisk next to his name on the Sad Puppies 4 List now, too.

In fact, Schmidt says he would rather not be considered for the Hugo at all.

Although I am flattered when friends say they nominated me for the Hugo, please do not waste votes on me this year. I do not want to participate in this broken, biased process, at least until perhaps people of all creeds and levels can be fairly considered without politics ruling the day. I would decline a nomination if offered, though I highly suspect there will be no need. Instead, please consider MISSION: TOMORROW for the Locus Awards. Thanks.

(13) LIMITING DAMAGE. David D. Levine also got his short story “Damage” asterisked by asking to be removed from the Sad Puppies 4 List in a comment.

(14) SUPPORT FOR KATE PAULK. Amanda S. Green in “Cranky Writer is, well, cranky” said —

As for those who don’t want to be associated with SP4, I suggest you go back and look at what Kate has done throughout the year. The list is not something she pulled out of thin air. This is a list that is based solely on recommendations made by anyone who wanted to take part. By telling Kate you don’t want to be associated with the list, you are basically telling your readers — your fans and the people who buy your work — that you don’t value their support. You are letting fear of what a few in the industry might think of you override what should be important: keeping your fans happy. Unless, of course, you don’t give a flip what your fans think and you like slapping them in the face for daring to support your work and recommend it for what has been one of the most prestigious prizes in the industry.

(15) BETWEEN A ROCK AND A HARDSHELL. Alexandra Erin brings back the field’s most insightful reviewer, John Z. Upjohn, USMC (Aspired) – “Sad Puppies Review Books: Yertle the Turtle”.

The villain of the piece is a turtle named Mack who is so dissatisfied with his place in the world that rather than climbing the ladder and making something of himself, he instead blames society for such petty things as the pain in his back and his lack of food. Not content to merely complain, he uses his extraordinary power and privilege to impose his will upon all other turtles. Lacking the gumption and will to raise himself up, he instead only tears down, and will not be satisfied until all other turtles have been brought down to his level.

(16) DELVING. Alexandra Erin’s “Nineteen Puppy Four” contains her opinion of the Sad Puppy worldview and motivations.

Well, so much for the notion that this year’s litter of Sad Puppies were kinder, gentler, or even more moderate than last year’s. Over the past weekend, when the initial reactions to their new list were still more initial, Sarah Hoyt posted a response that was… well, we’ll say “typically hyperbolic”, but also quite telling.

A lot of it follows the “BUT MOM, I’m NOT Touching Him!” school of legalism that sprouts up whenever reactionaries try to argue with or by what they think is progressive logic, but as she goes on, she eventually compares Puppy critics to such nuanced things as German citizens whipped into a frenzy of anti-Semitism by the Nazi party, only “worse” because those who disagree with the Pups are doing it of our own free will. In the same piece, she refers to those who dissent from her party line as being slaves bound in chains.

(17) NOT THE DOG IN THE NIGHT. Paul Cornell can still hear them.

(18) AND NOW ABOUT SOME BOOKS. Book Smugglers Publishing thinks you will be interested in Superheroes in Space.

Broken by Susan Jane Bigelow has earned a Starred Review by Publishers Weekly, a super great review by Foz Meadows over at Hugo Award winner A Dribble of Ink and has sold TV rights. Broken is Book Smugglers Publishing’s first novel and the opening act in The Extrahuman Union Series….

Introducing readers to Susan Jane Bigelow’s sprawling series in which Extrahumans will fight wars, overthrow governments, fall in and out of love, have life-changing adventures and travel the stars in search of a home—and their promised freedom—Broken is out now and is available as a trade paperback and ebook (EPUB & MOBI) from all major retailers online. The print book contains the novel, two illustrations from Kirbi Fagan, and a sneak peek at Sky Ranger, the second book in the series (published this June). The ebook edition also contains a prequel short story, Crimson Cadet, as well as an essay from the author and a Q&A with the artist.

(19) ET TU PENTAWERE? Scanners do not live in vain when it comes to extracting secrets from the mummies of Pharoahs.

The New Kingdom Pharaoh Ramesses III was assassinated by multiple assailants — and given postmortem cosmetic surgery to improve his mummy’s appearance.

Those are some of the new tidbits on ancient Egyptian royalty detailed in a new book by Egyptologist Zahi Hawass and Cairo University radiologist Sahar Saleem, “Scanning the Pharaohs: CT Imaging of the New Kingdom Royal Mummies” (American University in Cairo Press, 2016).

[Thanks to John King Tarpinian, Darren Garrison, and James H. Burns for some of these stories. Title credit goes to File 770 contributing editor of the day Peace Is My Middle Name.]

Pixel Scroll 2/18/16 Pixel Bell Rock

(1) INTERNET HIGHWAY ROBBERY. Chuck Wendig tees off on a Huffington Post UK editor who preens about not paying their 13,000 contributors.

Because it isn’t “authentic.” To pay writers.

You toxic tickledicks.

You venomous content-garglers.

You thieves, you brigands, you media lampreys.

Let us expose this hot nonsense for what it is: a lie meant to exploit writers and to puff up that old persistent myth about the value of exposure or the joy of the starving artist or the mounting power of unpaid citizen journalism.

The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.

But it is an opportunity for them, not for you.

But it seemed to me after a strong start Wendig’s rant winds down and loses headway:

Writing is work. Most things begin with writing. Though I find writing a pleasure, it is also a thing that requires great mental effort. It is not mere content — that word said almost dismissively, as if it is a synonym for styrofoam peanuts. (And by the way: you actually have to buy styrofoam peanuts. They aren’t free unless you rob them from boxes shipped to you.) Content is not slurry. It’s not protein goo. It’s not mud or air or some readily available resource…

Intrinsic value and market value are different things. While I don’t think Chuck Wendig believes all writing has the same market value, or necessarily any market value, it seems to me he has conflated spiritual and economic value in this paragraph.

Wendig is right that Huffington Post capitalizes on uncompensated labor, of course. If HuffPo is making money, that establishes that the content collectively has some market value. Since none of that value flows through to the contributor, you can argue an injustice.

But are all these contributors trying to launch writing careers? I do agree that if somebody is trying to be a pro writer, which not all HuffPo contributors necessarily are, they should be working on material that has a paying market.

(2) THAT GETTING PAID THING. In a series of tweets, John Scalzi thanked Wendig for doing the heavy lifting today, and tossed in a few more points:

(3) WRITING VS. WIDGETS. Elizabeth Bear tells about detoxing as a writer, metaphorically speaking, in “if you live for something, you’re not alone”.

One of the things I’ve realized that I need to work on in order to develop a healthier relationship with my job involves certain toxic aspects of the professional writing/publishing culture that I’ve done an overly good job of internalizing. And I’m trying to scrape it out of my soul, because in the long term it winds up being the opposite of productive when dealing with a creative career.

Some of that is a competition thing: “Writer X turns in three books a year and I’m a slacker if I don’t, too!” And that’s not great, honestly, and the sheer pressure to produce isn’t great, either, and doesn’t necessarily lead to good work. One has to think up new things to say between books, after all, or one ends up writing the same book over and over again. No use in that.

I think there’s a certain bravado of culture among may writers that is actively toxic in a lot of ways. And it’s tied to the NaNoWriMo kind of mode of “produce a bunch of stuff really fast, lather rinse repeat” pressure, and also the “THIS JOB SUCKS AND WE’RE WARRIORS FOR DOING IT” thing. It’s this weird Puritan machismo in suffering.

I mean, you don’t learn to write well by turning out 50K in a month once a year. It’s the two pages a day or whatever that get you there. Constant practice, as with any art. And mammals don’t respond well to punishment for performance. If we do a thing and the result is horrible, we generally avoid doing that thing again

(4) STARSHIPPING. From the Initiative for Interstellar Studies, Principium, Issue 12, February 2016 [PDF file]. The overview begins —

In this edition our guest introduction is by Gill Norman. Gill is a former director of i4is. She has helped us become the reasonably well organised body that we now are. Her thoughts here are on the necessity of human engagement in Interstellar Studies and space in general, Space: It’s all about people. She tells us how we need to engage resources and talents from all who feel our outward urge. Scientists and engineers are essential but so are entrepreneurs, PR experts and, of course, the best administrators we can find!

(5) FRAUD AT ICE CREAM COUNTER. “Astronaut ice cream is a lie”!

Astronaut ice cream — did it really fly? Vox’s Phil Edwards investigates, with the help of the Smithsonian and an astronaut.

 

(6) MOVING DAY. “China displaces nearly 10,000 humans for huge telescope in search for aliens” reports Asia One.

China will move nearly 10,000 people to make way for the world’s largest radio telescope which promises to help humanity search for alien life, state media reported on Tuesday.

It’s compensating them less than $2,000 each to relocate.

(7) CONGRATULATIONS: Becky Thomson and Tom Veal, friends for over 45 years, have announced they are engaged to be married. The wedding will be on June 25, in Ft. Collins, Colorado.

(8) SIGNALLING THE BEST. At SF Signal, “Top 15 Sci-Fi Comics of 2015 (Becky Cloonan, Kelly Sue DeConnick, Greg Rucka, More” .

We don’t write many articles about comics here at SF Signal. That’s not to say that we dismiss comics as literature, though. Many of the contributors to this blog are huge fans of the medium, but sites devoted the field abound, and whether superheroes are actually science fiction or a form of fantasy that simply employs sci-fi conventions as convenient MacGuffins is debatable. The one notable exception to our comic freeze out is our annual list of the top science fiction comics of the year… which number exactly one, because last year’s list was our first.

To my surprise, though, last year’s list of the Top 14 Sci-Fi Comics of 2014 turned out to be one of our top ten most popular articles of 2015. So, back by popular demand, here’s a rundown of the best on-going science fiction comics to hit stands in 2015. It’s not exhaustive, because there were a LOT of great sci-fi series this year, but it’s what we consider these to be the cream of the crop. Feel free to debate or contribute your own suggestions in the comments below….

(9) KENYON/CLARE ARTICLE. Laura Miller at Slate writes with a fannish slant about “The Shadowhunters vs. the Dark-Hunters”.

A lawsuit between two best-selling authors involves fantasy, romance, charges of plagiarism, and fan fiction gone mainstream….

I have friends with deep roots in fandom—albeit without much connection to this particular sector of it—who believe that this is the true source of the undying animosity toward Clare: She left fandom “badly,” or, worse yet, she seemed to be repudiating her own origins in that community by changing the spelling of her name. Fan-fiction writers are routinely and viciously ridiculed and shamed for their hobby, which makes their communities especially insular and self-policing. “Back in the day,” Cleolinda Jones, a onetime regular at Fandom Wank, wrote to me, “we used to say, ‘The first rule of fanfic is, do not take money for your fanfic.’ Because the overriding fear was intellectual property holders would sue everybody and shut fandom down.” Rights-holders that once issued cease-and-desists against fan sites for using promotional photos now encourage fan art and other tributes, Jones says, but in the early 2000s, “I just really cannot overstate the sense of living on borrowed time by the grace of the IP holders.” This would explain why word-for-word plagiarism, as opposed to the transformative appropriation of another creator’s characters and setting, would seem a catastrophically reckless sin against the entire community.

Of course, Clare was reviled—and adored—in Harry Potter fandom even before the plagiarism charges against her came to light. And fan fiction itself has come a long way, spawning numerous real-world stars, fan writers such as E.L. James who move on to publish best-sellers. Clare was among the very first to do this. But the prospect of going pro and striking it rich seems to many fan-fiction writers like a serpent in the garden, corrupting what once felt like an idyllic, egalitarian gift-economy of like-minded dabblers. Once, fandom was a destination in itself; now it’s just another stepping stone for ambitious writers with their eyes on a richer prize. Like so much of the idealism of the early Internet, this, too, has become an offshoot of the marketplace. “I think what you don’t understand,” one friend told me when I expressed bafflement that Clare’s fellow fan-fiction writers didn’t view the popularity of her books as a feather in their collective cap, “is that a lot of them just feel used.” When I admitted that didn’t make sense to me, she added, “It’s hard to explain, but that doesn’t mean it isn’t real.”

(10) CON OR BUST. MidAmeriCon II has also pitched in:

MidAmeriCon II, August 17-21, 2016, Kansas City, MO, USA. MidAmeriCon is the 2016 WorldCon; its Guests of Honor are Kinuko Y. Craft, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Tamora Pierce, and Michael Swanwick, and its Toastmaster is Pat Cadigan.

MidAmeriCon has donated four memberships to Con or Bust, either in full or as upgrades to supporting memberships (if the recipient already has one).

(10) TAKING ART IN NEW DIRECTIONS. “Best Fan Artist?” asks Steven H Silver. GPS Doodles’ Stephen Lund creates figures by riding his bike in meatspace on routes tracked by Strava. Some are Star Wars-themed.

GPS Yoda

“Doodle a Jedi I must”

Wasn’t it Yoda, Grand Master of the Jedi Order, who said “Doodle. Or doodle not. There is no try”?

Well, doodle I must. And on May the 4th, there’s little choice but to doodle the Jedi Order’s most disciplined master of the Force. Good ol’ Yoda.

“Take a ride on the dark side”

Subject: ride along I’d like to request one. Can you come up with a suitable topic? Vader and his young apprentice perhaps?

It sounded like fun – not just the Star Wars theme but the idea of having someone along for the ride.

Kudos to Geoff, who stuck with me for the entire 4.5+ hours with no inkling whatsoever about what we were doodling. He was completely in the dark (“on the Dark Side,” I suppose you could say) until he got home afterward and downloaded the ride to Strava.

(11) TODAY IN HISTORY

  • February 18, 1930 – Clyde Tombaugh discovered planet Pluto, before it became a dwarf.
  • February 18, 1977 – First unmanned test flight of space shuttle Enterprise mounted on another aircraft.

(12) ARE YOU SHOCKED? Kate Paulk’s award overview series continues with “Hugo Categories Highlight – The Short Fiction Categories”.

The problems of the Hugo voting/nominating population being relatively small and to a large extent long-term fans who could be termed the science fiction “establishment” (in the sense that many of these people have been to the same conventions for twenty and more years and helped each other run quite a few of them) have probably had years where they actually could read everything eligible with the result that they’ve seen practically everything.

This leads to a kind of weird inversion of killer mailbox syndrome (what happens to your marvelous tale about a killer mailbox when the slush reader has just read the third killer mailbox piece in the slush dive and the other three were horrible. The horrible gets imputed to your story because of the human mind’s extreme pattern-making and association ability) where something that isn’t all that great seems the freshest, most wonderful piece of the year because it’s sufficiently unlike the rest of the entries it stands out. This gets good-but-not-extraordinary works nominated and winning awards because they aren’t like everything else.

There’s no need for a conspiracy to explain some of the “winning the future” selections in recent years – this effect will do just as nicely, particularly since many of said voting group have very similar opinions about what constitutes a desirable message and from what I’ve seen are honestly shocked that their views of what is right and proper are not shared by the rest of fandom (two rules that we fans have to remember: sufficiently advanced stupidity is indistinguishable from malice; and highly intelligent people are capable of extremely advanced stupidity).

(13) THE REBUTTAL. Vox Day at Vox Popoli makes additional arguments supporting his contention that he is a better editor than David Hartwell.

The SF-SJWs at File 770 are appalled at the fact that Tor Books and Castalia House author John C. Wright is willing to go on the record and state that, in his opinion, I am a better editor than the late, Hugo Award-winning editor David Hartwell:…

You see, I have perspective that they do not. Unlike them, I have seen Mr. Wright’s unedited prose. I know exactly what it looks like. And as it happens, it looks very much like the prose that appears in Mr. Wright’s novels that are published by Tor Books. John is an excellent writer; he is one of the greatest SF/F writers alive. But he writes very, very quickly and he is prone to what one might describe as an exuberant approach to writing. Last year, Castalia House offered him a contract for a 60k-word book. I am now reading the manuscript, which clocks in at nearly 200k words. Even those authors who don’t like Mr. Wright or his style might well contemplate suicide if they truly understood how speedily and effortlessly the man writes… and writes well. When I say he is a great writer, I do not do so lightly, nor do I do so because I am fortunate enough to publish some of his works. I say it out of pure envy and awe.

…. UPDATE: It appears my surmise about the extent to which Mr. Wright’s books were edited at Tor Books was correct, as per L. Jagi Lamplighter Wright

Just in case anyone wondered: John has tremendous respect for Mr. Hartwell, whom he admired, appreciated working with, and liked as a person. But Mr. Hartwell almost never made any changes to John’s manuscripts.

(14) ADMIRATION. John C. Wright’s contributions to the foregoing discussion included this compliment to another author:

I would have trouble editing George RR Martin’s books. Most of the comments here mock him, but he is an exquisitely skilled writer, a consummate writer. His writing is a little dark for me, but reread the opening prologue of GAME OF THRONES: the text establishes a fullfledged three dimensional character, a man who is realistic yet sympathetic, and who is snuffed out as a redshirt a few paragraphs later to show you how the monster works — and it comes as a surprise because usually the redshirts are not given a backstory. What in other hands would have been a boring B-movie horror scene in Martin’s is a masterful, and even moving, establishing scene. Now, to be frank, I have not read his last two volumes, and I may never, because he has killed off too many likable characters and is taking too long to get anywhere: but once the series is done, and I know it reaches a satisfying conclusion, I may revisit that decision. So Mr. Martin may be suffering from the victory disease, where some of his discipline lapses due to his popularity. Or he may be, as I am, an exuberant writer who likes his digressions.

(15) TROPE TRAP. At The Book Smugglers, Carlie St. George “examines the Sexy Douchecanoe trope” in “Trope Anatomy 101: Reader, I Didn’t Marry Him – I Kicked His Jerk Ass to the Curb”.

The Sexy Douchecanoe isn’t an official trope, as such; at least, it’s not one that I often find people analyzing, subverting, and/or railing against. It is one, however, that I run into constantly because, while they’re often unfairly associated with strapping, half-dressed men on paperback covers, Sexy Douchecanoes actually pop up in every medium and every genre. The first time I remember coming across one, I was maybe 20 and reading Naked in Death by JD Robb. At the time, I’d been interested in giving romance a go, but as I hadn’t read much of the genre, I wasn’t entirely sure where to start. I figured the best plan was to pick a romance that was also a murder mystery set in the future.

And maybe that plan would have been successful, if I hadn’t hated the love interest with the power of a thousand suns.

(16) MONSTER HIGH NOTE. Lady Gaga and Mattel are teaming to create a Monster High doll.

You know you’ve made it big when you’re commissioned by a major toy manufacturer to design a doll. That’s exactly what’s happened to Lady Gaga. The singer/actress is adding “toy designer” to her resume now with a forthcoming Monster High doll. Is there anything she can’t do? She’s designing the doll with her sister, costume designer Natali Germanotta. Which is totally fitting, given Gaga’s Mother Monster moniker.

 

https://twitter.com/LGMonsterFacts/status/698251609860485120

(17) THIRD MILLENNIUM. Part three of “Who Are Millennial Fans: An Interview with Louisa Stein” by Henry Jenkins at Confessions of an Aca-Fan.

[Louisa Stein] I mentioned above the TV series Supernatural’s ambivalent depictions of female fans over the years. Supernatural is a series that has a dynamic and rich transformative fandom, and the majority of those participating in the fandom are women. Supernatural fans, while expressing love for the series and its characters and potential, have long been critics of its gender and racial politics, and have spoken out at times about how they have felt misrepresented and even attacked by the series and its metatexts, for example, in response to a preview that declared the teenage girl the “ultimate monster.”

(18) STUBBY ON SPUDS. At Tor.com Stubby the Rocket says, “Matt Damon Has Replaced Sean Astin as the Face of Pop Cultural Potato Enthusiasm”. Yes, I guess he has…. (It’s a reference to this antique video from the dawn of YouTube.)

[Thanks to David K.M. Klaus, Brian Z., Dave Doering, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]

Pixel Scroll 1/8/16 Live Long and Phosphor

(1) THEATER OF BOOM. Not just the popcorn, but the whole theater — “One Plus Partnership’s cinema interior resembles the aftermath of an explosion”.

One Plus Partnership‘s Exploded cinema in Wuhan, China, won the Civic, Culture and Transport category at Inside Festival 2015.

The Hong Kong-based interior design firm arranged angular blocks in different sizes and materials to create the impression that a huge explosion had taken place in the space.

…Lung says that the idea was to create a space that feels like it could be from a science-fiction film.

 

(2) THE BOMBS OF OTHER DAYS. The “10 Least Successful Science Fiction TV Spinoffs” at ScreenRant. Number 10 is one I’ve never even heard of before –

The sci-fi series Total Recall 2070 was Canadian-German co-production that, in theory, sounded wildly ambitious. It drew inspiration from not just one, but two of the most successful Philip K. Dick movie adaptations. Similar to Paul Verhoeven’s darkly humorous blockbuster Total Recall, the story revolved around modified memories and took place on a futuristic version of Earth as well as the newly-colonized Mars. But Total Recall 2070 also followed policemen hunting renegade androids in a neo-noir megalopolis akin to the one in Ridley Scott’s Blade Runner. Philip K. Dick wasn’t mentioned in the show’s credits though, as the series barely resembled original stories these movies were based on.

Total Recall 2070 premiered on Canadian TV channel CHCH in January of 1999. It also aired on Showtime, where network executives toned down show’s violence, nudity and strong language considerably for an American audience. Total Recall 2070 aired for one 22-episode season before being canceled.

Unlike most of these other bombs, both characters in the #1 worst show have rebounded from failure and are currently quite popular.

(3) RELEASE THE PRISONER MOVIE! Ridley Scott is in negotiations to direct The Prisoner reports Deadline Hollywood.

I hear that Scott is in early negotiations on a deal to come aboard and direct The Prisoner, the screen version of the 1968 Patrick McGoohan British TV series. This has been a plum project at Universal for some time with numerous A-list scribes including Christopher McQuarrie writing drafts. The most recent version was by The Departed scribe William Monahan. The film is being produced by Bluegrass Films Scott Stuber and Dylan Clark. Scott’s Scott Free team will likely become part of it as they get the script that makes the director happy.

(4) BBC HAS A CLUE. Dirk Gently’s Holistic Detective Agency has been ordered to series at BBC America. The Hollywood Reporter has the news.

BBC America is getting its graphic novel on.

Drama Dirk Gently’s Holistic Detective Agency has been picked up straight to series with an eight-episode order, the cable network announced Friday ahead of its time at the Television Critics Association’s winter press tour.

Based on Douglas Adams’ graphic novels first published in 1987, the story centers on the titular holistic detective who investigates cases involving the supernatural. Chronicle‘s Max Landis will pen the series, which is a co-production between AMC Studios, Ideate Media and comics powerhouse IDW Entertainment as well as Circle of Confusion (The Walking Dead).

(5) BRUCE SHIPPED TO MUSEUM. The shark from Jaws has a date with destiny as a museum exhibit.

Bruce the shark, the famous seafaring predator from Jaws, has found a new home at the Academy of Motion Picture Arts and Sciences’ museum.

The Academy announced Thursday that a full-scale model of the shark, the last surviving one from the 1975 movie, has been donated to the museum by Nathan Adlen. During filming of Jaws, director Steven Spielberg nicknamed the shark Bruce after his lawyer Bruce Ramer.

The Fiberglas model is the fourth and final version made from the original mold. Created for display at the Universal Studios Hollywood at the time of the film’s release, the prop remained a popular backdrop for photos until 1990, when it was moved to the yard of Aadlen Brothers Auto Wrecking, a firm in Sun Valley, Calif., that regularly bought or hauled used vehicles from Universal Studios. With the business slated to close this month, owner Nathan Adlen is giving the historic prop to the Academy Museum, which is set to open in 2018.

(6) IT WAS A VERY GOOD YEAR. Jo Lindsay Walton’s “My favorite looks back at 2015 of 2015” is a compilation of links to around 30 different writers’ year-end posts.

Come home 2015, you’re drunk. Please come home. We need you. We need you.

(7) TODAY’S BIRTHDAY BOYS

Mathews, of course, was the star of two Ray Harryhausen fantasy movies,The Seventh Voyage of Sinbad and Gulliver’s Travels, as well as the similarly-themed Jack the Giant Killer (the latter, one of my all-time favorite fantasy films, in fact!).

Mathews was a classic leading man, who had the unusual ability — still too easily overlooked when contemplating actors — to be believable in the wildest of celluloid special effects situations.

(8) TODAY’S BIRTHDAY REPLICANT

It’s a boy! It’s a Roy! For Blade Runner fans, 8 January 2016 is a date of major significance. It’s the “day of activation” for Roy Batty, one of the most charismatic and significant characters in this landmark movie. He’s a replicant, or android – and, although he might not be flesh and blood, he certainly makes us think about what it is to be human. He’s arguably the heart and soul of the movie, even more than its putative hero, played by Harrison Ford

Blade Runner, directed by Ridley Scott, is one of the most influential films of the 1980s, a philosophical science fiction-action work set in the near future that’s steeped in a sense of the past, a reflection on memory, identity, emotion, creation and invention that takes place in a dazzling yet downbeat neo-noir urban landscape. Loosely based on Philip K. Dick’s novel Do Androids Dream Of Electric Sheep?, its events begin to unfold in November 2019, in a world in which highly realistic androids, known as replicants, have been built by a company called the Tyrell Corporation.

Batty (brilliantly played by Rutger Hauer) is a replicant from the Nexus-6 class, and he’s looking for answers to questions about his own past and future: how he was made, and how he can prolong his life and that of his  Nexus-6 comrades. Ford plays a character called Rick Deckard, a bounty hunter. His job is to hunt down and kill replicants, who are illegal on Earth.

(9) TODAY’S BIRTHDAY BLOGS

  • Born January 8, 2007 The Book Smugglers. And they know how to celebrate – by publishing a book!

…And a brand new anthology: Tales of First Contact collects the five short stories from our First Contact series and is available now from your retailer of choice. Or you know, via a review copy – all you have to do is ask. We are also happy to offer giveaway copies – just let us know.

 

anthology

(10) A REVIEW FOR MILLENNIALS. Austin Walker at Giant Bomb interprets The Force Awakens for his particular generation — “Off the Clock: Space Opera Millennials and Their Grand Narratives”. BEWARE SPOILERS.

Like most of us in our own lives, each of these characters has a limited understanding of the universe, and especially of the past. What do other worlds look like? What was “the Galactic Empire” really? Is the Force real, and if so how does it work? Nowhere is this difference in understanding illustrated better than in how these characters view Han Solo: For Ren, he’s an uncaring father, for Finn, he’s a brilliant war hero, and for Rey he’s a legendary smuggler. Each finds their understanding challenged by a more complicated truth: Han was an absent dad because he cared so much; the great Rebellion war hero is a scoundrel without a plan…

(11) DS9 +1. Maxistentialism makes the argument in “Star Trek: Deep Space Nine In 82.5 Hours” that it is the best series in the franchise.

But some time between fifth grade and now, I’ve come to recognize that while Star Trek: The Next Generation holds a special place in my heart, it is not the best incarnation of Star Trek. That title belongs to what writer Ronald D. Moore called Next Generation’s “bastard stepchild,” Star Trek: Deep Space Nine.

Deep Space Nine is a remarkable show. It is unfairly overlooked as one of the foundational programs (like Buffy, The Sopranos, and Hill Street Blues) of our current golden age of television. DS9 introduced long, serialized stories about morally ambiguous characters to network television ten years before Battlestar Galactica, Breaking Bad, and Game of Thrones.

(12) DEL TORO. Guillermo del Toro is in talks to take over the Fantastic Voyage remake.

John King Tarpinian has little to say about the remake, but he remembers the year the original version came out:

When the original movie was in theaters my parents decided that summer vacation would be on Catalina Island.  Being parents they decided the best place for a kid to be on the island was inland at a resort with a pool so he could go swimming…but I digress.  One of the guests at the hotel was a Mr. Goff, who was some sort of designer of the sets.  The thing I remember that impressed my parent was he also worked on an old black and white movie, Casablanca.

(13) LEVERAGING YOUR WORK. Luna Lindsey at the SFWA Blog has an impressive, multilayered strategy for “Tackling the Dreaded Bio” – a writing chore that’s not as simple as it looks.

 What a Bio Accomplishes

Bios seem like such a chore, perhaps because we think of them as an obnoxious necessity rather than an opportunity. As writers, we also tend to dislike telling our own stories. And that’s exactly what a bio does.

When a reader bothers to check the bio, it’s because your story (or blog post, or appearance on a panel) has captured their interest. They want to know more and that’s awesome! A catchy bio will help them remember you, and they may even be inspired to seek out your other creations. That’s exactly what you want. Your bio will propel them into your other worlds. So make it good!

(14) AGAIN AND AGAIN. A Radio Times video identifies “18 actors who have travelled between the universes of Harry Potter and Doctor Who.”(This was posted a year ago. Have there been any more crossovers since then?)

[Thanks to John King Tarpinian, Alan Baumler, James H. Burns, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]