Tag Archives: Bud Plant

Pixel Scroll 6/27/23 All The World Seems Less Vile When We’re Reading The File

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(1) AI AND CLICK FARMERS GAMING KINDLE UNLIMITED. AI-generated books are hitting the best-seller lists in the Kindle Unlimited store. Stacy King points out that one of the best-sellers in the War & Military Fiction category is “URGENT CHARACTER NAME: URGENT CHARACTER NAME” by Minh Duong. Thread starts here.

(2) BOSEMAN SELECTED FOR WALK OF FAME. GamesRadar+ reports “Chadwick Boseman to receive posthumous star on the Hollywood Walk of Fame” and names the other who will be honored in 2024.

Chadwick Boseman is set to receive a posthumous star on the Hollywood Walk of Fame as part of their class of 2024. The actor died from colon cancer in August 2020 at the age of 43. He was diagnosed with the disease in 2016, but kept his illness private until his death. 

Best known for his starring role in Marvel’s Black Panther as King T’Challa of Wakanda and the titular superhero (and other appearances in the Avengers movies), Boseman also starred in films like Da 5 Bloods, 21 Bridges, and Ma Rainey’s Black Bottom. He received a posthumous Oscar nomination for his performance in the latter, and he was also posthumously awarded the Emmy for Outstanding Character Voice-Over Performance for his work in animated Marvel series What If…?

Boseman was selected to appear on the Walk of Fame in the motion picture category, with other groups including television, recording, live theatre/live performance, and radio. Honorees are chosen every year by the Hollywood Chamber of Commerce out of hundreds of nominees. Other new additions to the movie category include Gal Gadot, Michelle Yeoh, Chris Pine, Maggie Gyllenhaal, Christina Ricci, Marvel Studios president Kevin Feige, and Illumination CEO Chris Meledandri.

Those in the TV category include Ken Jeong, Eugene Levy, Sheryl Lee Ralph, Michael Schur, and Kerry Washington. The cohort’s other posthumous honoree is Otis Redding, in the live performance category. Redding died in a plane crash in 1967.

(3) SPIDER-MAN’S POWERFUL B.O. The Hollywood Reporter is taken by surprise as the new Spider-Man movie bounces back to the top of the charts: “Box Office: Spidey Beats ‘Elemental’, ‘The Flash’ Tanks”.

In a box office upset, Sony holdover Spider-Man: Across the Spider-Verse edged out Pixar’s Elemental to win the weekend all the way in its fourth outing. Rarely does a film reclaim the top spot like that amid fierce summer competition.

Spidey took in an estimated $19.3 million as it raced past the $300 million mark domestically to finish Sunday with a North American total of $317.1 million and an impressive $560.3 million worldwide.

Elemental took in an estimated $18.5 million upon falling only 39 percent in its second weekend, a strong hold after suffering the worst start in the modern history of Pixar. The film’s hold means it’s being helped by strong word of mouth….

… The news for DC and Warner Bros.’ big-budget superhero pic The Flash — which opened last weekend opposite Elemental to a sobering $55.1 million — grew worse as it fell off 72 percent to $15.3 million for a domestic cume of $87.6 million. Unlike Elemental, The Flash received poor exit scores. (The studio had hoped for a decline of 55 percent.) Insiders concede the film, starring Ezra Miller, is a huge miss and is being rejected by audiences on a wholesale basis….

(4) MAKING THE ROUNDS. Craig Miller comments on screenings of Ruby Gillman, Teenage Kraken and Elemental before reporting on a Propstore reception where some top-end costumes and art were displayed ahead of an auction. See the photos on his Facebook page.

…Herewith, photos of a few of the pieces. I think the gem of the auction is Carrie Fisher/Princess Leia’s Medal Ceremony dress from the end of “Star Wars”. Estimated to sell for, perhaps, $1,000,000. Also on display were an asteroid miniature from “The Empire Strikes Back”, Michael Keaton’s Batman costume from “Batman Returns” and Tommy Lee Jones’ Two-Face costume from “Batman Forever”, an original painting by Ralph McQuarrie done for the ILM crew shirt for “Star Wars”, a matte painting for the Death Star trench (interesting at least to me, I have hanging in the hall outside my office the matching photo – about 3’x3′ – of the Death Star trench miniature that was painted over and cut out to make this matte), Harrison Ford’s “Blade Runner” costume, Daniel Radcliff’s costume from “Harry Potter and the Chamber of Secrets”….

(5) MISSING FROM HISTORY. After Thomas Monteleone got expelled from the Horror Writers Association, and Mort Castle started a kerfuffle about being left out of an HWA Blog Q&A series, author Lionel Ray Green asked Brian Keene: “Feeling forgotten: Do older horror writers have a point?”

…In his June 21st podcast, Keene addressed the Castle and Monteleone controversies.

“I know there was a big kerfuffle with Mort Castle,” Keene said. “I did not see Mort’s comments, but people I trust have paraphrased them for me. I think we can have empathy for Mort. I don’t think it’s terrible of him to feel forgotten. I think his feelings are valid because Mort did some important things. I don’t know, maybe Mort should’ve read the room … maybe there was a better way of expressing it. 

“Tom’s comments were reprehensible. They were inexcusable. And I’m in no way defending him. But I do think Tom’s comments stem from a place of hurt, of feeling forgotten. There was a time when Tom Monteleone did a lot in this genre. He was one of the movers and shakers. In some of the much-deserved blowback to his comments, you saw a lot of ‘Who’s Tom Monteleone?’ which kind of proves the point. The guy was feeling forgotten.” 

Keene said he talked to Bram Stoker Award-nominated author Ronald Malfi about the issue during StokerCon 2023 earlier this month. 

“Ron Malfi and I had a heart-to-heart about this in the bar at StokerCon,” Keene said. “We feel it’s our generation’s responsibility to spotlight some of these people. I try to do that in my newsletter. Right now, I’m campaigning for Chet Williamson to get a Lifetime Achievement Award from the HWA. I think he deserves it.” 

Williamson received six Stoker Award nominations from 1987 to 1990, including two for his novels Ash Wednesday and Reign….

(6) FUTURAMA TRAILER. Paste Magazine sets the table: “Futurama Lives on Hulu, Entire Cast Returns in First Trailer”.

…Oh yeah, we’re definitely mining some nostalgia here. It certainly feels like this iteration of the show is attempting to go back and replicate nearly everything fans still love and reference about the original series, right down to bit players like the colony of worms that once invaded Fry’s colon after some bad truck stop egg salad. At least the voices of the characters sound more or less intact, mercifully avoiding the tiredness and unnatural delivery that has become an expected part of new Simpsons episodes for the last decade. We’re also not sure how to feel exactly about the series seemingly making a point of falling back on topical humor, with jokes clearly directed at the COVID-19 pandemic, cryptocurrency and even the popularity of Frank Herbert’s Dune following its big-screen adaptation. Hopefully, this version of Futurama can prove it still has some reason to exist, beyond brand recognition….

(7) TURNING IN THE WORK. “Rosamund Pike acts in ‘Wheel of Time’ and reads (and reads and reads) it, too” the Washington Post learned.

When told how long she’s been recording the audiobooks for the Wheel of Time, the fantasy series by Robert Jordan, Rosamund Pike sounded disconcerted.

“You mean so far, with the three I’ve done?” she asked. “It’s 80 hours?” (To be precise, between “The Eye of the World,” “The Great Hunt” and the most recent installment, “The Dragon Reborn,” which has just been released, it’s 87 hours and 23 minutes.) Pike was calling in from Prague, where she and her family moved a few years ago for the production of the television series adapted from Jordan’s books. She is a producer of the series and stars as the magical priestess Moiraine. Over video, what passed over her face, hearing that time estimate, could be called a grimace. “Well — that’s good.” Her eyebrow arched. “Yeah, that’s … nice.”

Pike’s account of how she got involved in this epic project has a “hero’s journey” ring to it: the call to adventure, the reluctant protagonist, then some intervention that encourages them to leave the world they knew. When Macmillan Audio initially approached her, she turned the job down. Though she’d recorded audiobooks before — including Jane Austen, a historical spy novel and a murder mystery — for most of her life she hadn’t been much of a fantasy fan: “I think I’d always been quite grounded in reality,” Pike told Stephen Colbert in 2021. “… I didn’t feel I needed to branch out into creatures and mythological beasts…”

(8) MEMORY LANE.

1986 – [Written by Cat Eldridge from a choice by Mike Glyer.]

And then there’s Gene Wolfe. What an amazing writer. I was surprised in doing this write-up to find that he had not won any Hugos, though he has won World Fantasy Awards both for his long and short form work, along with a BSFA, a BFA and Nebulas.

So what do I like by him? First and foremost is the exemplary The Book of the New Sun series. Now this is what fantasy should be. I’ve not read all of The Wizard Knight series but what I have read has been very enjoyable; and likewise the stand-alone novels Pirate Freedom and the fascinating travel affair The Land Across as I love imaginary European countries.

So our Beginning this Scroll is from Soldier of the Mist, the first novel of the Latro series. It was published by Gollancz in 1986. It picked up Nebula and World Fantasy Award nominations. 

And here’s our Beginning…

I write of what has just occurred. The healer came into this tent at dawn and asked whether I recalled him. When I said I did not, he explained. He gave me this scroll, with this stylus of the slingstone metal, which marks it as though it were wax. 

My name is Latro. I must not forget. The healer said I forget very quickly, and that is because of a wound I suffered in a battle. He named it as though it were a man, but I do not remember the name. He said I must learn to write down as much as I can, so I can read it when I have forgotten. Thus he has given me this scroll and this stylus of heavy slingstone metal. 

I wrote something for him in the dust first. He seemed pleased I could write, saying most soldiers cannot. He said also that my letters are well formed, though some are of shapes he does not know. I held the lamp, and he showed me his writing. It seemed very strange to me. He is of Riverland. 

He asked me my name, but I could not bring it to my lips. He asked if I remembered speaking to him yesterday, and I did not. He has spoken to me several times, he says, but I have always forgotten when he comes again. He said some other soldiers told him my name, “Latro,” and he asked if I could remember my home. I could. I told him of our house and the brook that laughs over colored stones. I described Mother and Father to him, just as I see them in my mind, but when he asked their names, I could tell him only “Mother” and “Father.” He said he thought these memories very old, perhaps from twenty years past or more. He asked who taught me to write, but I could not tell him. Then he gave me these things.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1909 — Billy Curtis. You’ll best remember him as the Small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experienced goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a little person in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), Bewitched, Gilligan’s Island, Planet of The Apes or Twilght Zone. (Died 1988.)
  • Born June 27, 1941 — James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. I’m sure that I’ve read at least Inherit the Stars and The Gentle Giants of Ganymede. Tell me about his short fiction please. A decent amount of his work is available on the usual suspects. (Died 2010.)
  • Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
  • Born June 27, 1959 — Stephen Dedman, 64. Australian author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it.  He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. 
  • Born June 27, 1966 — J. J. Abrams, 57. Let’s see… He directed and produced the rebooted Star Trek, Star Wars: The Force Awakens and Star Wars: The Rise of Skywalker (he was a co-writer on the latter two), but I think I will single him out as the executive producer of the Fringe series, the Lost series, and Person of Interest. 
  • Born June 27, 1972 — Christian Kane, 51. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage may or may not be genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 — Tobey Maguire, 48. Spider-man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film.
  • Born June 27, 1987 — Ed Westwick, 36. British actor who has roles in the dystopian Children of Men, S. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).

(10) DIRECT ANSWERS. Hear from the renowned comic dealer in “ICv2 Video Interview: Bud Plant, Part 1”.

For his article on direct market pioneer Bud Plant (see “Bud Plant, a Pioneer“), Dan Gearino (author of The Comic Shop, see “New Edition of ‘Comic Shop’“) conducted a meaty video interview with Plant, which you can watch in three parts:

  • In Part 1 (see video below), Plant talks about the very early days of the comics business in the 1960s, and some of the first comic stores in California. 
  • In Part 2, he talks about meeting Phil Seuling, the beginnings of the direct market, and opening the first Comics & Comix store.
  • In Part 3, he talks about rapid growth in the 1980s, selling his wholesale business to Diamond, and the meaning of it all.

We are also making available full transcripts of the interview, in three parts corresponding to the three parts of the video interview.

ICv2 Interview Transcript: Bud Plant Part 1
ICv2 Interview Transcript: Bud Plant Part 2
ICv2 Interview Transcript: Bud Plant Part 3

(11) MOSCOW SUCKS. “’First trailer for timely Moscow-set sci-fi horror Empire V” at Deadline.

Victor Ginzburg’s timely sci-fi horror Empire V, which is described as a social parody of Russia being controlled by vampires, world premieres at Montreal’s Fantasia Fest this July.

Ahead of the debut, Deadline can reveal a first trailer for the film which has gained fresh resonance following the revolt in Russia over the weekend by Yevgeny Prigozhin’s Wagner mercenary group.

Based on a 2006 satirical novel by Victor Pelevin, the film revolves around a 19-year-old Muscovite who is turned into a vampire, propelling him into an elite and powerful echelon of society that has controlled humanity since time immemorial.

… Sony had been due to release the film in Russia on more than 1,800 screens in the first quarter of 2022, but the government refused to release its distribution permit, effectively banning the film….

There is an “exclusive” trailer embedded in the Deadline article, which visually is probably 99% the same as this one released a year ago.

(12) THE WITCHER INFOGRAPHIC. The premiere of season 3 of the Geralt of Rivia adventures is coming this week. On this occasion, JustWatch thought you’d like to see how the miniseries and animated film performed compared to Netflix’s tentpole, starring Henry Cavill. 

Despite efforts, The Witcher: Blood Origin failed to captivate viewers, receiving -2.3% less popularity than the animated film The Witcher: Nightmare Of The Wolf. The movie also pales in comparison to Netflix’s flagship series The Witcher, that surpassed the combined popularity of the miniseries and film by a remarkable 8 times.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, John Hertz, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Finding A More Complete (Little) Nemo — Upcoming Bargain Book Alert, Plus A Few Snakes-Hands And Rabbit-Holes

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By Daniel Dern: (Note: I thought I was going to write a short-paragraph item, but it turns out that, once again, I was wrong, wrong, wrong – thrice, as in, in looking to address additional sub-topics, questions and such, this piece got longer three times (although at least not three times as long as my initial sally.)

One thing I’ve learned over the years is that if you see something you think you want (and can afford), as Steve Goodman says in the unparenthesized part of the title of his song “You better get it while you can (the ballad of Carl Martin)”, because if you wait, by the time you change your mind, you may have missed your chance, either from availability or price.

COLLECTING NEMO. For me, this includes certain books, including some of Winsor McKay’s collections of his (insert list of superlatives) comic strip adventure of Little Nemo. (No relation to the fish.) Ditto, among other stuff, Theodore Sturgeon, translations and renditions of Green Eggs & Ham (over a dozen so far), and Pogo. (Absent surprises, I’ve got enough Pogo — not all, I think, and in any case, in a mix of editions, but certainly enough — some via the huckster table of the late David Hartwell, who was also a Pogophile. More Pogophilic information perhaps in a scroll-to-come, possibly in collusion with Chris Barkley.)

Last week, through the July 7 weekly email update from Bud’s Art Books (a.k.a. Bud Plant’s Art Books a.k.a. Bud Plant’s), which, while I may only buy one or two items a year through them, I love seeing what’s new — or on sale,  I learned about an upcoming Complete Little Nemo collection.

And, having just pre-ordered a copy for myself, I’ll now share the info, with some related thoughts, info, suggestions, links, snakes-hands, and Internet-rabbit-hole entryways…and various free/budget ways to get/read much, if not necessarily all, of McKay’s Little Nemo.

ADVENTURES IN SUNDAYLAND. McKay was one of the seminal pioneers of newspaper comics (along with George Herriman (“Krazy Kat”), Harold Gray, and many, many others.) Nemo was main character in McKay’s weekly Sunday full-newspaper-page “broadsheet” size (16×21 inches) comic strip, usually titled Little Nemo In Slumberland, from 1910 through 1927.

Per the title, Nemo, a young boy, had adventures in dreamland, where, among other things, size and perspective, even direction, would morph from panel to panel — beds would grow legs, characters would stride buildings and walk on ceilings, and more. The art and detail remain mindblowing today.

I learned about McKay and Nemo through the various books of and about these early comic strips. (Feel free to read the Wikipedia entry on Little Nemo for more info.)

click for larger image

NOTE/DISCLAIMER. Like many comic strips, books, radio plays, movies, of a century ago (and before and after that), McKay’s Little Nemo strips include some characters/material that today is considered problematic/inappropriate, notably the character Impy.

Fellow Filer and Nemophile (though, in his own words, “more obsessed with George Herriman’s Krazy Kat”) Chris Barkley, who I checked with in writing this article, offers this thought: “As for Impy, I would say that he was a very common racial caricature of the period and that anyone who loves the arts of that era is certainly aware of the issue and accepts that it’s wrong.”

(For articles on this, web-search “Winsor McKay racism” or “racist”.)

I’m curious whether Braun’s essay in this Complete includes and comments/reporting on this. Helpful/informative comments on this welcome!

REPRINTING NEMO. Sometime during the 70’s, Fantagraphics put out one or two volumes collecting many of these strips… but I didn’t learn about them in time (and didn’t make an effort to find them, other than looking and inquiring every time I was in a comic shop or used book store, which, admittedly, back then was pretty often). (A friend of mine, it turns out, did splurge back then, and still has his copy.)

Come 1989, Fantagraphics started their six-volume set of Little Nemo. By then, I’d learned my lesson, and bought ’em as they came out; they’re on my shelf, along with a “Best of” and a few other Nemo collections, and a related book or two like the Winsor McKay: His Life and Art biography.

And when I learned about Sunday Press’ printed-in-full-original-size hardcover Little Nemo in Slumberland, I cheerfully ante’d up. (Here’s a sample page.) During the decade I was a weekly volunteer literacy tutor, usually to third-graders, on the day when I’d ‘bring in some of my books’ to show the class, I included this one as, with apologies to Norman Juster’s Phantom Tollbooth, “the biggest book I own.”) On the other hand, I decided I didn’t need Volume II when it came out, and, while it’s still available, I don’t feel the need to own it… and likewise, don’t have their Krazy Kat or any other of Sunday Press’ editions.

I apparently missed Taschen Press’ 2014 two-volume hardcover The Complete Little Nemo, with all 549 Nemo strips (some only recently public-domain available for projects like this) plus a long illustration essay by Alexander Braun. This gem was near-“broadside”-size at nearly 15×20 inches, weighed 18.32 pounds — and went for a near-modest (for what it was) price of $200. (Amazon currently lists a few copies available, starting at $800.)

Over the next few years, (according to a quick helpful phone chat with someone at Bud’s), Taschen followed up with slightly-smaller-page-size and softcover versions (which they apparently have done with other books as well), of the two volumes, and other publishers (Checker, for one) similarly published Best of or other Nemo collections. But I have not been proactively searching for more Nemo in quite a while (other than an occasional web search), although I will check the graphic novels and collections section in the occasional used bookstore, library sale or yard sale, just in case. (And of course I’m not just looking for Nemo.)

click for larger image

(FINALLY!) COMING SOON, PERHAPS TO A BOOKSTORE NEAR YOU. But the Coming Soon section in the July 7, 2022 weekly mailing from Bud Plant caught my eye with Winsor McCay: The Complete Little Nemo, a single-volume hardcover 704-page reprint of the 2014 Taschen two-volume set including “all 549 of Nemo’s nighttime escapades through Slumberland alongside a 140-page illustrated essay from art historian Alexander Braun.”

Price: $80 (from Plant, Taschen, and Amazon, not including tax or shipping) — less than half the original 2014 $200 price.

This version isn’t quite as big or heavy as the 2014 — according to the Taschen listing it’s 11.3 x 14.4 inches, weighing 4.23 kg (9.31 lbs), in English edition, with German and French translation as download.

While this page size is smaller than the original collection (which was close to the original Sunday funnies page size), it’s still decently sized — similar to the Fantagraphic and other reprint volumes I already have. Slightly bigger than an iPad Pro 12.9’s display, for a probably more familiar comparison. (And this version, again, has strips that hadn’t been public-domain-available back when those earlier reprint books were done. And it’s got new extra material I’m optimistically looking forward to reading.)

So, like I said at the top, after a few minutes of dithering, I advance-ordered a copy (from Bud Plant, ponying up for modest postage).

THE LITTLE DUDE ENDURES. Meanwhile, Nemo, like the Dude, endures, both in post-McKay continuations (Eric Shanower and others) and homages. For example, in issue #11, “Moving In” of Neil Gaiman’s Sandman (collected in “The Doll’s House” volume of Sandman), there two-pages of when Jed (Rose’s younger brother) is being held captive by Brute and Globe that mimic McKay’s Nemo layout and style. (Sorry, not finding an image to cite, or at least not one I’m sure is fair to link to.)

In 2014, Little Nemo: Dream Another Dream, a 144-page collection of new McKay/Nemo homages, by artists and writers including Bill Sienkiewicz, Charles Vess, P. Craig Russell, done full “broadsheet” size like Sunday Press’, appeared. (Which I didn’t discover until 2019 — see my File770 Item (10) RE-FINDING NEMO — as I type this, available from Bud Plant for the close-out price of $50.

(See the Cultural Influences section in Little Nemo‘s Wikipedia page for additional Nemologisms.)

TOM KIDD: FINDING GNEMO. Speaking of snakes-hands, one Nemo-influenced deserves (and is getting) its own sub-section here, if for no other reason than its sfnal aspects.

SF/F artist Tom Kidd is another McKay-influenced, as alluded to in his “Gnemo” drawings and paintings, many set in McKay City. (See his Gnemo’s Sketchbook blog posts.)

If Kidd (or at least his art) is in the Art Show at a con you’re attending, be sure to check the Print Shop for affordable copies (or buy directly from Kidd) (they’re well worth framing), and admire any originals on display.

For non-wall-at-home gratification, consider buying (or library-borrowing) one or both of Kidd’s art/sketch collections, which include many of his Gnemos. (it looks like Kidd is selling highly-affordable copies via Etsy.)

  • Kiddography: The Art & Life of Tom Kidd — pricey on Amazon, but I’m seeing “$30+” via Etsy
  • Tom Kidd Sketch Book ($15 via Etsy).

FINDING FREE OR LESS EXPENSIVE NEMOS. If you want to check out some Nemo before splurging, or spending at all, you’ve got options:

  • Free: The Comic Strip Library has free-to-browse scans of Nemo strips that are now in public domain. (Also some Krazy Kats.) (Note, there’s a “View High Quality Image” option at each page’s top.)
  • GoComics (see my Reading Daily Comic Strips Online Scroll) includes Little Nemo. You can get to them free, or subscribe.
  • Borrow/E-borrow: I’m not, oddly, seeing any Little Nemo — or any Winsor McKay at all — e-borrow-available via Hoopla (), but I’d be surprised in your local library (or its inter-library loan network) doesn’t include one or more Nemo collections.
  • See whether your local comic shop or used book store has any used McKay/Nemo.
  • E-read: Kindle includes about a dozen one-year-runs for $2.99 each, e.g., for 1909 if you want to dip a small toe into the water.
  • E-Read: Google Books offers a bunch of digital Little Nemo books — most are the single-year ~53-pagers, for $1.03 each (versus $2.99 on Kindle) — but for the same buck-and-change, there’s also this 423-page “Little Nemo – The Complete Comic Strips (1905 – 1914) by Winsor McCay“ with 422 full color comic strips in ultra high definition (ca. 1700 pixels by 2200 pixels). You can buy and read them through your desktop/notebook web browser — or on your Android or iOS mobile device, using the Google Play App. (Yes, I’ve tried and confirmed you can read them on an iPad.) (You’ll need a Google account, e.g., a Gmail account.)

Brief general compare/contrast observations/comments about reading Nemo digitally, even on a 12.9″ tablet (or my 32″ desktop display), versus one of my 11×13″ books. The bigger the image, the easier to read — and there’s a lot of text, both captions and word balloons.

On the other hand, digitally, the color on many images seems crisper. How the new Taschen book will compare, I should know by Labor Day.

(At this point, like Nemo, I fell out of bed and woke up, wondering whether the new collection will have me consider selling my six volumes of Fantagraphics Nemo…)

Pixel Scroll 5/12/18 Don’t Pixel Under The Kitten-Tree With Anyscroll Else But Me

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(1) PLUG PULLED ON GAMING CON. The Dark Carnival Games convention in Denver was shut down by the hotel this weekend. Violence between some people on the premises seems to have been the cause – for example, see this video of a fight that purportedly occurred there.

Trae Dorn explains one of the con’s unusual characteristics in his post at Nerd & Tie.

Dark Carnival Games Con (or “Dark Carnival Game Con” according to some of the other official materials) isn’t exactly your typical gaming convention. It’s a game convention for Juggalos hosted by the Insane Clown Posse themselves.

In fact, after the shutdown, Insane Clown Posse issued a statement on Facebook:

…Juggalos…we love you. We appreciate you. And we acknowledge all your wonderful work and creativity in making DCG a Dark Carnival blessed and beautiful space that was truly For Juggalos, By Juggalos. However, due to circumstances that are beyond our control, the DCG Con Conventiion Hall has been shut down, to the tears and heartbreak of our wonderful 100% Juggalo-run staff and amazing attendees who put their hearts and souls into making this space for our beloved Juggalo Family. This was COMPLETELY out of our hands, ninjas. We here at Psychopathic Records apologize and we are with you, we will be here in the hotel, and we love you more than you will ever know….

(2) ARE CODES OF CONDUCT WORKING? Alisa Krasnostein has made available the results of her “Audit of Australian Science Fiction convention Codes of Conduct”. Her survey received 81 responses. Analysis and graphs at the link.

Executive Summary

After personally hearing recounts of a few very troubling incidents, I decided to conduct a survey of attendees at Australian SF conventions to assess the prevalence of harassment still being experienced there….

…Drilling down into the details of how these codes of conduct are being enforced, and how complaints are being addressed, raised some real issues for concern.

The successful enforcement of a code of conduct relies on a reporting process that is well publicised, accessible, supportive, safe and trusted.

Only 85% of the respondents were aware of the code of conduct. 70% knew whom to approach for assistance as per the code of conduct. All three of the main SF conventions inform attendees to report any incidents of harassment to the convention committee. Swancon includes WASFF board members as a point of contact. Only one of the conventions tells attendees how to identify these points of contact (by the colour of their con badge).

I find this to be grossly insufficient. It relies on convention attendees to know not only the names but also match them to the faces of organisers of the event they are attending, and to be able to locate them during a personally stressful or distressing time. Additionally, in my experience, both as a convention attendee and organiser, convention committee members are incredibly busy and not remotely accessible at the best of times. Let alone when you need a quiet and private moment to lodge an upsetting complaint….

(3) AS IF MILLONS OF VOICES SUDDENLY CRIED OUT. Inverse reports “That pesky Obi-Wan Kenobi movie might actually be happening” — “Obi-Wan ‘Star Wars’ Movie Rumored to Be in Secret Pre-Production”.

Since August of 2017, persistent rumors have suggested that a standalone Star Wars movie about Obi-Wan Kenobi, and starring Ewan McGregor is definitely going to happen. However, since then, there has been no official confirmation from Lucasfilm about this project. But, on Thursday, the day of the early Los Angeles premiere of Solo: A Star Wars Story, a new rumor surfaced that the Obi-Wan movie is already in secret pre-production.

…[A]ccording to an anonymous source who spoke to Fantha Tracks on Thursday, “The project is sufficiently along that an art department is now in full pre-production mode at Pinewood Studios, England…A number of concept artists, prop modelers, and storyboard artists are working as a team across the two locations on the film…”

(4) EATING THE FANTASTIC. Scott Edelman says don’t miss a chance to  chow down on chive dumplings with Mary SanGiovanni in Episode 66 of his Eating the Fantastic podcast. Scott adds, “Warning: The post — though not the episode itself — include video of me strumming ‘Monster Mash’ on the ukulele!” Hm, I better see if my liability insurance covers that….

Did you listen to the 24-hour Scares That Care Telethon, hosted by Brian Keene and his cohorts from The Horror Show with Brian Keene podcast, which ended at noon today after having raised $21,591 for that 501c3 charity devoted to helping those coping with childhood illness, burns and breast cancer? If not, don’t worry. Because though its content was for the most part livestreamed only, never to be seen or heard again, I’ve got some of it for you right here.

Because once again, Eating the Fantastic invaded!

During last year’s telethon, as captured in Episode 34, I brought BBQ and chatted with that best-selling zombie author himself, while this year I picked up takeout from Viet Thai Cafe for dinner with Mary SanGiovanni.

Mary’s the author of The Hollower trilogy, the first volume of which was nominated for the Bram Stoker Award, plus the recent novels Chills and Savage Woods. Her collections include Under Cover of Night, A Darkling Plain, and Night Moves. She’s also the host of the Cosmic Shenanigans podcast.

We discussed H. P. Lovecraft’s racism and sexuality (or lack thereof), how having grown up in New Jersey might have given her the toughness she needed to survive her early short story rejections, why she ended up writing horror instead of science fiction even though her father read her Isaac Asimov and Frank Herbert when she was a kid, which novella she wrote that will never see the light of day, how watching The Exorcist III changed her life, why she’s no longer afraid of vampires, the reason her motto if she founded a religious cult would be “doorways are meant to be opened,” the first writer she met who treated her like an equal, the identify of “the George Carlin of Horror,” and much, much more.

(5) PREFERRED BOOKSTORES. N. K. Jemisin contributed to Lonely Planet’s list: “11 authors recommend US bookstores worth traveling for”.

WORD Books in Greenpoint, Brooklyn

Recommended by NK Jemisin, author of The Stone Sky

WORD Books in Greenpoint is probably my current favorite. It’s tiny and cramped, yet they consistently manage to have at least one book that I absolutely HAVE to buy, every time I go there. And the downstairs event space makes up for the tight fit upstairs; I had the launch party for The Fifth Season there and it was lovely. There was even enough room for a homemade volcano! And readings, and talks and more. It’s on a gorgeous street with historic architecture and a little park, easily bike-able or train-able. All they lack is a bookstore cat. Why don’t bookstores do those anymore? Oh, allergies. Well, it’s perfect except for that.

(6) BUD PLANT OUT. One of the San Diego Comic-Con giants is going away: “Comic-Con Pioneer Vendor, Bud Plant, Calls it Quits After 48 Years”.

“I’m proud that we had as many as 11 booths up until 2008, 10 of new products and one with out-of-print material,” he said. “But since that disastrous year, when sales dropped by 40 percent, we’ve been downsizing in an effort to still make it work.”

Francis “Bud” Plant, 66, of Grass Valley noted how he spent “seven full days on the road” and 13-hour days at the annual July show.

He said event organizers had always treated him well, but “attendees these days are, in general, not our customers or they are not looking for books.”

(7) WHO’S WHO IN EOFANDOM. Fanac.org posted a scan of L.D. Broyles’ “1961 Who’s Who #1”. Lots of fans you never heard of before, I betcha. However, I did pretty well on page 4 – recognized 5 out of 9 fans listed, including Greg Benford and Ruth Berman. You might be intrigued by Roger Ebert’s entry, from before he made the big time —

(8) TODAY IN HISTORY

  • May 12, 1988 — Earth Girls Are Easy premiered on this day.

(9) COMICS SECTION.

(10) WE INTERRUPT THIS WAKE… After Syfy cancelled The Expanse The Verge’s Andrew Liptak found a way to soften the blow: “The Expanse author James S.A. Corey is writing a new space opera trilogy”.

Coming off of this morning’s news that the Syfy channel was not going to renew The Expanse for a fourth season, there is some positive news for fans of the series: Orbit Books has announced that it has signed Expanse author James S.A. Corey for three books of a new space opera series.

Corey is actually two authors: Daniel Abraham and Ty Franck, who co-wrote The Expanse series, which is expected to run for nine novels, the last of which will hit bookstores in 2019. That series has become a popular hit with readers and was adapted as a television show on the Syfy channel that premiered in 2015 with Abraham and Franck as producers. The duo have written outside of the series before: they wrote a Star Wars novel about Han Solo in 2014, Honor Among Thieves. Abraham tells The Verge that “Orbit is where James S.A. Corey really began, and I’m delighted that we have another projected queued up with them once The Expanse is complete.”

(11) DISNEY WORLD’S HOTTEST ATTRACTION – FOR ONE DAY. Syfy Wire has videos and stills — “WATCH: Maleficent the dragon bursts into flames during Disney World parade”.

We all know that dragons are supposed to breathe fire, not catch fire. Well,  Maleficent never got that memo.

Friday afternoon, during the Festival of Fantasy parade at Walt Disney World’s Magic Kingdom, an enormous animatronic float of Maleficent in dragon form caught fire. The fire occurred when the dragon arrived in Liberty Square, with about 15 minutes remaining in the parade. No one was injured, and the fire was extinguished quickly.

 

(12) A PENNY FOR YOUR VIKING THOUGHTS. Atlas Obscura delves into “The Mystery of Maine’s Viking Penny”.

On February 6, 1979, Kolbjørn Skaare, a Norwegian numismatist with a tall, wide forehead, walked into the Maine State Museum to see the coin. Just a few years earlier, he had published Coins and Coinage in Viking-Age Norway, a doctoral thesis that grew from the decade-plus he had spent as a keeper at the University of Oslo’s Coin Cabinet. The first specialist to examine the coin in person, he had just a day with it before Bruce J. Bourque, the museum’s lead archaeologist, had to address the national press.

Skaare saw “a dark-grey, fragmentary piece,” he later wrote. It had not been found whole, and the coin had continued to shed tiny bits since it was first weighed. A little less than two-thirds of an inch in diameter, it had a cross on one side, with two horizontal lines, and on the other side “an animal-like figure in a rather barbarous design,” with a curved throat and hair like a horse’s mane. In his opinion, it was an authentic Norwegian penny from the second half of the 11th century.

The mystery centered on its journey from Norway to Maine. It was possible to imagine, for example, that it had traveled through the hands of traders, from farther up the Atlantic coast, where Norse explorer Leif Eriksson was known to have built a winter camp. If the coin had come to America in the more recent decades, the hoaxer—presumably Mellgren, Runge, or someone playing a trick on them—must have been able to obtain a medieval Norse coin.

(13) FAMILIAR FIGURE. Here’s something else in silver that’s come from the mint a little more recently…. The New Zealand Mint has just introduced its very first Star Trek pure silver miniature: “Captain Kirk Takes the Silver”.

3D master sculptor Alejandro Pereira Ezcurra designed the Kirk miniature, which is available now in a limited worldwide production of only 1,000 casts. Produced from a minimum of 150g pure silver, it stands approx 10cm tall, is finished with an antique polish, and features a unique production number stamped into the base.

 

They want US$550 for the Captain. The New Zealand Mint is also offering some less expensive silver Trek collectibles. There’s a series of coin notes with images of the Classic Trek crew. Who knew the day would come when money would be issued with Lt. Uhura on one side and Queen Elizabeth II on the other?

Made from 5g of pure silver, the note’s reverse has images of Uhura and the U.S.S. Enterprise NCC-1701 and is coloured and engraved with Star Trek themes.

The obverse features the Ian Rank-Broadley effigy of Her Majesty Queen Elizabeth II and is legal tender in Niue.

(14) REPOPULATION TROPE. Wired headline: “How Hard Could It Be to Repopulate the Planet?” Editor Gordon Van Gelder addresses repopulating the Earth stories (including his collection Go Forth and Multiply), John W. Campbell, and much more in an episode of Wired’s Geek’s Guide to the Galaxy.

In the 1950s many science fiction writers explored the idea of a global disaster that leaves behind only a single man and woman, who would then have to carry on the human race. According to science fiction editor Gordon Van Gelder, a popular variant of this idea featured a twist ending in which the last man and woman turn out to be Adam and Eve.

“It was one of those stories that science fiction would lend itself to so readily, and newbies would be drawn to it, like ants going to a sugar cube,” Van Gelder says in Episode 308 of the Geek’s Guide to the Galaxy podcast.

The idea became so overused that magazines would specifically prohibit writers from submitting “Adam and Eve stories.” And while such stories would remain the bane of science fiction editors for decades, the theme of repopulation also produced a number of interesting thought experiments, many of which Van Gelder collected in his recent book Go Forth and Multiply. He says that despite obvious concerns about inbreeding, the idea of one man and one woman repopulating the world isn’t impossible.

(15) SWIMMING THE CHANNELS. SF Concatenation’s Jonathan Cowie says, “Unless you have one of those new-fangled colour television things with auto-record, this Thursday 9 p.m. gives us Brit SF fans a tough choice.” At that hour they have to pick between —

  • Channel 4 the new season of Humans:

  • Or BBC4 and the French SF series Missions:

(16) WHIRLYBIRD. BBC reports “NASA will send helicopter to Mars to test otherworldly flight”.

The Mars Helicopter will be bundled with the US space agency’s Mars rover when it launches in 2020.

Its design team spent more than four years shrinking a working helicopter to “the size of a softball” and cutting its weight to 1.8kg (4lbs).

It is specifically designed to fly in the atmosphere of Mars, which is 100 times thinner than Earth’s.

(17) WHERE DINOS TROD. In case you hadn’t heard, some people are idiots: “Utah tourists urged to stop throwing dinosaur tracks in lake”.

Visitors to a US state park in Utah have been destroying 200 million-year-old dinosaur tracks by throwing them into the water, park officials say.

While this has been an ongoing problem for many years, officials say the damaging behaviour has increased dramatically in the last six months.

The dinosaur tracks are one of the biggest draws to Red Fleet State Park and many have been irrevocably damaged.

Visitors have been throwing the tracks around as if they were merely rocks.

(18) USING SPACE. The Washington Post’s Michael Cavna, in “Here’s why 2018 is a huge moment in the history of political cartoons”, studies the work of such prize-winning political cartoonists as Ruben Bolling, Tom Tomorrow, and Jen Sorensen and finds they are more like multi-panel comics than they used to be.

Many veteran political cartoonists occasionally create longer-form comics, but traditionally that work hasn’t garnered the mainstream awards. Now, formal recognition is catching up to both changing technology and new pools of talent.

“Without the space constraints print always had,” Sutton notes of drawing in an online era, “the number of panels in a cartoon is no longer the pressing issue it once was” — so more cartoonists can diversify their formats.

(19) VIDEO OF THE DAY. “Destino:  Walt Disney & Salvador Dali (1945-2003)” is a short animated film on YouTube begun by Salvador Dali in 1945 and abandoned and ultimately completed by Disney in 2003.

[Thanks to Chip Hitchcock, John King Tarpinian, JJ, Errolwi, Michael J. Walsh. Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, Scott Edelman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editors of the day Andrew and Lee.]