The Science Fiction and Fantasy Writers of America (SFWA) will present the Kevin O’Donnell, Jr. Service to SFWA Award to John C. “Bud” Sparhawk during the annual Nebula Conference, to be held May 17-20 in Pittsburgh.
Bud Sparhawk served as the Eastern Regional Director from 2007 until 2011, when he was elected SFWA Treasurer.
When SFWA reincorporated in 2013, he became SFWA’s first Chief Financial Officer and helped see the organization through a time of transition. In his role as CFO, Sparhawk has formalized many aspects of SFWA’s financial landscape, including hiring a bookkeeper and comptroller, and consolidating a once fragmented system into an organized and tidy infrastructure. In addition to his duties as an officer of the organization, he has advised the Emergency Medical Fund and the Grants Committee and established SFWA’s Financial Advisory Committee.
SFWA President Cat Rambo, reflecting on her time working with Sparhawk, said:
It’s been a privilege to work with Bud throughout my time on the SFWA board. He has been instrumental in leading the organization into new financial stability and transparency as well as implementing the new Givers Fund Grant program.
A prolific writer, Sparhawk has been a three-time Nebula Award finalist, published two novels, and has sold over a hundred shorter works to magazines such as Jim Baen’s Universe, Abyss & Apex, Daily Science Fiction, Asimov’s and Analog. He is also a member of SIGMA, which is a group comprised of SF writers who offer futurism consulting to the government and other NGOs. A U.S. Air Force Veteran, Sparhawk has established a long record of exemplary service both within the SFF community and beyond.
The Kevin O’Donnell, Jr. Service to SFWA Award recognizes a member of SFWA who best exemplifies the ideal of service to his or her fellow members. O’Donnell won the Service Award in 2005.
[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).
Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.
The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?
Please feel free to post comments about any other 2017 novellas which you’ve read, as well.
Weirdly enough, science fiction is not the best lens through which to examine science fiction. In the 80s, critic Tom LeClair came up with an alternative category for all the weird literary novels that veered into speculative territory: the systems novel. These books pick apart how the systems that keep society chugging along work: politics, economics, sex and gender dynamics, science, ideologies – all can be explored through fiction, especially experimental fiction. LeClair applied this tag specifically to Don DeLillo, but it can be expanded more widely: think Thomas Pynchon, Margaret Atwood, David Foster Wallace, Jonathan Franzen, Jennifer Egan and Umberto Eco, among others….
“The future is here,” William Gibson famously said. “It’s just not evenly distributed.” And in these difficult times, the visionary possibilities of the systems novel can be comforting. When we’re in the capable hands of guides like Atwood, DeLillo and Robinson, these novels can be a profound reminder of human progress and potential. In the wake of the EU result, and ahead of the US elections, if you are feeling at all unsettled about the future – go read these books today.
(2) POST-BREXIT FASHION. Jim Mowatt’s FB page displayed a “Don’t Blame Me, I Voted Remain” t-shirt, and I made an idle joke that the marathon runner should really be wearing a different slogan – which Alison Scott immediately made available (or that’s the impression I got).
(3) WHAT’S UP WITH SFWA. Episode 3 of the SFWA Chat Hour features SFWA Board Members Jennifer Brozek and Matthew Johnson, CFO Bud Sparhawk, and President Cat Rambo.
Includes discussion of what the criteria for game writers will be like and when they’ll go out (hint: soon!). Also the usual books we like, writing advice, reports on the Locus Weekend, Stokercon and Origins, and ice cream vs. sherbet, in which we unanimously vote for ice cream.
(4) CAMESTROS FELAPTON. When not busily engaged arm-wrestling with Vox Day about their IQs, Camestros turns his talents to the visual arts.
(5) HORROR PODCAST. The Horror Writers Association recommends the Scary Out There podcast. The latest installment offers a dialog with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen to the episode here.
Hello Horror Fanatics! Today Scary Out There is sitting down with Kaitlin Ward, the author of Bleeding Earth (Adaptive Books, February 2016). Listen as Kaitlin discusses how she came up with the idea for Bleeding Earth, why it’s important for children and teens to read horror, what scary books she recommends, and more.
Kaitlin Ward grew up on a dairy farm in Monroe, New Hampshire, the same town where she lives today with her husband and son. Before settling back in her hometown, Kaitlin studied animal science at Cornell University. She co-founded the well-known blog, YA Highway, and by day she works at a company that sells coins. Bleeding Earth is her debut novel. Kaitlin’s new book, The Farm, will be released by Scholastic in 2017. Keep up with Kaitlin at kaitlin-ward.com and follow her on Twitter @Kaitlin_Ward.
Kaitlin recommends the following horror titles: Women in the Walls by Amy Lukavics (Harlequin Teen, September 2016); Relic by Gretchen McNeil (HarperCollins/EpicReads Impulse, March 2016)
(6) FANS WHO SNORT. In the July/August Fantasy & Science Fiction, David Gerrold has a novelette called “The Thing on the Shelf” that begins as a report on the 2013 World Horror Convention, which hands out the Bram Stoker Award.
“The World Horror Convention was one of the better conventions I attended. Horror fans are clean, well-dressed, intelligent, polite, and enthusiastic. I have no idea why this is so. (Although I have to admit I was a little put off by the beautiful woman who came up to me and said she wanted to lick my Stoker. I wasn’t sure what she meant by that, and I’m not up on this year’s crop of new slang terms.)”
He adds the following:
“At one con, a young fan saw my badge had the ‘Pro’ ribbon attached, so he leaned forward and read my name. ‘I never heard of you,’ he said. ‘What did you write?’
I replied, “I wrote the novelization of Battle of the Planet of the Apes. I said it with deadpan pride.
He snorted and walked off, his way of showing how unimportant I was.”
(7) DININ’ GAIJIN. Liz Braswell tells the readers of Eating Authors about a memorable meal in Japan. The best part follows this excerpt.
My husband, my crazy-blond toddler, my sister Sabrina and I were in Japan for work and fun — the vacation of a lifetime. One night Scott took the baby and a colleague of his took Sabrina and me for a night out on the town. Mutsumi asked us where we wanted to go and of course we answered someplace super obscure no Americans have been to Japanese only please we’ll behave.
She very nicely obliged and led us through the labyrinth of streets, around and around and deeper and deeper into Tokyo. Most of the city doesn’t follow a grid system and buildings are addressed by age rather than specific location; were my sister and I by ourselves we never would have found our way in or out of the tiny neighborhood we eventually wound up in. And forget about stumbling upon the tiny, unmarked, second-floor restaurant where we were, indeed, the only gaijin.
Everything about the place was perfect: from the rustic tables and wooden shutters to the little button one presses to ring for a waiter—otherwise diners are left in perfect privacy. The sake came in hand-thrown cups, Mutsumi ordered for us, we behaved.
We wanted to stop drinking at one point, but apparently that would not have been behaving, so we continued….
2) The Adventures of Superman: “The Baby from Krypton”
The only radio play in the mix (as opposed to two years ago, when we had four radio plays and a TV play than nobody had seen), it’s the origin story of Superman, and does what it says on the tin perfectly competently. Lara, Kal-El’s mother, is played by Agnes Moorehead, later Endora in Bewitched.
(9) TODAY’S BIRTHDAY BOYS
June 27, 1927 — “Captain Kangaroo” Bob Keeshan
June 27, 1966 — J.J. Abrams
(10) SKIFFY AND FANTY. I tend not to cover podcasts — even with hearing aids I’m not able to listen to them effectively. I will say the blurb for this episode of The Skiffy and Fanty Show makes it sound pretty irresistible: 298. Sphere (1998) — A Torture Cinema “Adventure”.
Eggs, squid, and bad dreams, oh my! Our latest listener-directed Torture Cinema episode has finally arrived. This time, we discuss the infamous adaptation of Michael Crichton’s Sphere starring Dustin Hoffman, Sharon Stone, Samuel L. Jackson, and more! At least two of us have a bit of a rant about this movie, so you should expect some pure, unadulterated Skiffy and Fanty rage in this episode!
(11) AND SOMETHING BUT THE TRUTH. Alexandra Erin is right on the money about “Sad Boner Confessionals”.
You can tell you’re reading a Sad Boner Confessional when the language suggests a high wire act where the author is trying to achieve some delicate balance between “I’m a sensitive man” and “BUT I’M A MAN” and wants you to sympathize with the contortions he puts himself through as a result. You can tell you’re reading a Sad Boner Confessional when a man is describing the worst trauma of a woman’s life purely in terms of what it means about him. You can tell you’re reading a Sad Boner Confessional when a man is telling you everything he’s learned from the mistakes he’s made but none of those things are accountability or personal responsibility. You can tell you’re reading a Sad Boner Confessional when all admissions of past sins have a sheen of humblebragging about them.
(12) LABYRINTH. The BBC article “Why Labyrinth is so memorable” talks about the advantages of real-time puppetry over computer animation. Chip Hitchcock comments, “They don’t discuss how/if the gap has been narrowed by motion capture; would be interesting to see discussion of this — or any input by Mary Robinette Kowal, who has done fascinating convention talks about the practice of puppetry and the theory behind it.”
Jim Henson’s beloved 1986 movie musical Labyrinth, one of only two non-Muppets films the legendary puppeteer directed, is famous for several reasons.
Fans of David Bowie will recall visions of the late musician wearing extremely tight trousers that fail to obscure an enormously large codpiece. Bowie wrote and performed all the songs, including the iconic Dance Magic Dance. He plays a nefarious, all-singing, all-dancing king of a fantasy world of goblins, castles and all manner of strange colourful creatures.
One of Labyrinth’s best-known scenes is a sensational finale that takes place on a set modelled on Escher staircases. It is also the production that brought a then-unknown, then-15-year-old Jennifer Connelly to the public’s attention.
… One of the first creatures she encounters in the Goblin King’s fantastical world is a dwarf named Hoggle: a morally dubious, Sméagol-esque character whose motives and allegiances are unclear. With a huge lumpy nose, spurts of shoulder-length white hair and a crinkled, finely detailed face, Hoggle is an amazing puppet, at once both magical and realistic.
His seemingly effortless facial and body movements required the collaboration of six people working in real time. The character’s large face contained 18 motors, which were manipulated off-frame by four crew members using remote controls. Diminutive actor Shari Weiser controlled Hoggle’s body and Brian Henson, Jim’s son, provided his voice.
(13) STOPWATCH. Are you worried about how long Suicide Squad will run? ScreenRant is going to tell you anyway.
Collider has heard from their sources that Suicide Squad runs approximately 130 minutes with credits. Its DCEU predecessors were both in the range of 2.5 hours, meaning Suicide Squad will be about 20 minutes shorter than either Man of Steel or Dawn of Justice. Considering the sheer amount of characters Ayer is working with, some may be concerned that Squad is actually too short, but a shade over two hours gives him plenty of time to flesh everything out. After all, Star Wars: The Force Awakens had a lot on its plate and accomplished it all in 136 minutes.
(14) A DIFFERENT DICTIONARY. John G. Hartness, in Magical Words’ “Making Money Mondays” post, uses a commercial definition of “Fans v. True Fans”.
Now on to our main topic – fans. Now I’m not ever going to bash fans, because I love my fans. Hell, I love everybody’s fans, because I’m a fan myself. But what we want to talk about today is the concept of the True Fan, what they are, how best to interact with them, how to find them, how to keep them. Looking at that, it’s going to take more than one post, so this week we’ll talk about what a True Fan is, then later on ee’ll look at how to cultivate them, how to deal with them, and how to convert a Lesser Fan into a True Fan.
For the record, exactly ZERO of this material is anything I came up with. The concept of 1,000 True Fans was first put forth by Kevin Kelly in 2008 on his blog post here. He later references a couple of other folks who had similar ideas a little earlier, unbeknownst to him, but his site, with a tip of the hat to Seth Godin, who wrote the blog post that first turned me on to Kevin’s work.
Kelly postulates that any independent artist, that is any artist outside the big machine of superstar entertainment, needs to cultivate only 1,000 True Fans to survive. BTW, this whole blog post came out of a late-night conversation with AJ Hartley, where I claimed the number was 100. I’m bad at math. He defines a True Fan as someone who spends $100 per year on your work, and those thousand people then contribute to a $100,000 annual income, which is a pretty comfortable living in most places. At least that’s the rumor. I’m a writer, I don’t make anywhere near that kind of money.
So what’s a True Fan, and how do I get their hundred bucks? I assume that’s what you’re all asking. In this case, it’s usually a lot easier to show you than tell you….
All kidding aside, I am very proud of OLD VENUS, and I know Gardner is as well. There are some terrific stories in there, and one that in any normal year would have been a surefire Hugo finalist. This is the third year in a row that one of the original anthologies that I’ve done with Gardner has won the Locus Award, and I can’t tell you how gratifying that is. Gardner and I both began our careers (a long time ago) with short fiction, and it pleases me no end to be able to provide a showcase for some of the extraordinary short stories, novelettes, and novellas still being written in this age of the series and the meganovel. If you don’t read anthologies, friends, you are missing out on some great stuff.
Oh, and before the crazy internet rumors start flying, I had better say that I was only kidding about OLD URANUS….
[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]
(1) CROTCHETY GOES TO TOWN. Amazing Stories’ Steve Davidson gets his Boskone report off to a fast start with a post about Day 1.
I’m at Boskone this weekend, hanging out with the fans, loquaciously displaying my intimate knowledge of arcana on several panels and availing myself of various perks offered by this long-running (53rd year) convention that was launched as a bid for the 1967 Worldcon.
It’s operated by the New England Science Fiction Association (NESFA), one of the longest running fan clubs in the country.
One of the things NESFA does is clear out their library and make the clearances available on a freebie table. Last year, someone snagged a bunch of large-size Analogs out from under my reaching hand (‘sigh’). This year I was one of the first ‘gleaners’ to hit the table and was rewarded with:
several D series Ace Doubles; a good-sized stack of early Locus fanzines; same for File 770; a handful of Groff Conklin paperback anthologies (filling in a couple of gaps. The paperbacks are shortened versions of the hardback anthologies Conklin produced over the years.); a couple of Lee & Miller hardbacks; a NESFA anthology of Lester Del Rey shorts (edited by our own Steven H. Silver); the remaining issues of Galileo magazine that I didn’t have (complete run now!). (Galileo was a “semi-prozine” from back in the late 70s); a few issues of Infinity digest magazine, and a smattering of this and that interesting looking items.
I’m thinking a loquacious displayer would be a great subject for an Audobon drawing.
(2) HARTWELL REMEMBERED. Boskone ran a David Hartwell memorial panel.
While in San Francisco for a panel on artificial consciousness, I had an opportunity to stop by the headquarters of the Electronic Frontier Foundation — dedicated to preserving your freedom online and off. As part of their 25th year anniversary celebration, EFF released Pwning Tomorrow, an anthology of science fiction stories by Bruce Sterling, Ramaz Naam, Charlie Jane Anders, Cory Doctorow, David Brin, Lauren Beukes, and others. You can download it for a donation to this worthy organization.
(5) TODAY IN HISTORY
February 20, 1962 — A camera onboard the “Friendship 7” Mercury spacecraft photographs astronaut John H. Glenn Jr. during the Mercury-Atlas 6 space flight.
Star Trek: The Ultimate Voyage brings five decades of Star Trek to concert halls for the first time in this galaxy or any other.
This lavish production includes an impressive live symphony orchestra and international solo instruments. People of all ages and backgrounds will experience the franchise’s groundbreaking and wildly popular musical achievements while the most iconic Star Trek film and TV footage is simultaneously beamed in high definition to a 40-foot wide screen.
The concert will feature some of the greatest music written for the franchise including music from Star Trek: The Original Series, Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, Star Trek: Insurrection, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Starfleet Academy and much more. This never-before-seen concert event is perfect for music lovers, filmgoers, science-fiction fans and anyone looking for an exciting and unique concert experience.
(8) PERCEPTIONS ABOUT DISABILITY. At The Bias, Annalee Flower Horne covers a lot of ground in “The Geeks Guide To Disability”.
I want the science fiction community to be inclusive and accessible to disabled people. I want our conventions and corners of the internet to be places where disabled people are treated with dignity and respect. I’m hoping that if I walk through some of the more common misconceptions, I can move the needle a little–or at least save myself some time in the future, because I’ll be able to give people a link instead of explaining all this again.
What is Disability?
This may seem like starting from first principles, but a lot of the misconceptions I’ve encountered within the science fiction community have been rooted in a poorly thought-out model of what the term ‘disability’ means….
(10) LONG FORM EDITOR. George R.R. Martin, in “What They Edited, The Third”, posts an impressive resume from Joe Monti of Saga Press, the new science fiction imprint of Simon & Schuster/ Pocket Books.
(11) PRIVATE LABEL. From the Worldcon in the city where everything’s up to date….
(13) AND SPEAKING OF EATING. Scott Edelman says a second episode of his podcast Eating the Fantastic has gone live, with guest Bud Sparhawk.
Bud Sparhawk
I chatted with Bud—a three-time Nebula finalist and Analog magazine regular—about how Harlan Ellison’s Dangerous Visions anthology inspired him to become a writer, what it was like to write for three different Analog editors over four decades, the plotters vs. pantsers debate, and more.
Edelman ends, “If all goes well, Episode 3 will feature writer, editor, and Rosarium Publishing owner Bill Campbell.”
[Thanks to John King Tarpinian, Rose Embolism, and Gerry Williams for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
