Pixel Scroll 8/3/22 We Don’t Need No Pixelcation, We Don’t Need No Scroll Control

(1) HUGO VOTING DEADLINE APPROACHES. Chicon 8 reminds everyone that the Hugo Award voting deadline is August 11. Aiyee!

Remember, you have only over one week left to vote for for the 2022 Hugo Awards, the Lodestar Award for best Young Adult Book, and the Astounding Award for Best New Writer!

All ballots must be received by 11 August 2022, 11:59 pm PDT (UTC-7). Access our website link [above] for information on how to access the voters packet, how to vote online, or how to vote by mail.

(2) APPEAL FOR CWCF. Yesterday the Chicon 8 committee also asked for donations for the Chicago Worldcon Community Fund.

The Chicago Worldcon Community Fund (CWCF) needs another $5000 to meet the needs of our community! Can you contribute?

The CWCF is a special fund to help defray the expenses of attending Chicon 8 for non-white fans or program participants, LGBTQIA+ fans or program participants, and local Chicago area fans of limited means.

You can give directly to the fund or even donate a membership you may not use. Even $5 goes a long way!

For donation information or how to apply to the fund, visit our site at the link [above].

(3) REALLY FINISHING A BOOK. Carmen Maria Machado’s newsletter, in “On Writing and the Business of Writing”, considers why authors are tempted to overlook their clear priority.

A very long article about the Jumi Bello plagiarism scandal has come out from AirMail. In brief, if you aren’t familiar with the story: a debut author had her book canceled by the publisher because it contained a significant amount of plagiarism.

The article, which is about what happened and its antecedents and aftermath, is… not great. The journalist focuses on odd, salacious details, fails to draw some obvious points, and misses big questions about the commodification of marginalized identities, the responsibility of due diligence from agents, editors, and publications, how authors often take the fall for systemic industry failures, and the lack of education around the ethics of influence and inspiration1.

I’m not going to address any of those points, though I hope someone does because I think they’re important. But I do think there is something hugely instructive to be taken from this incident—something that teachers of writing and emerging writers alike can learn from—about the business of publishing and the fragility of the creative life.

…This is a story about plagiarism, yes, but it’s also a story about something I see so much of—in my capacity as a teacher, a mentor, and just someone who gets asked about publishing literally constantly. That is, how easy it is to let the desire to be published (and by extension obsessed over by name-brand agents, editors, and publishing houses) completely outstrip the act of writing a good book.

… I was lucky. Jesus was I lucky. Because there’s an alternate universe where I was writing a (more obviously) commercially viable book in grad school and agents fought over me and I published something not done, something closer to my thesis, which had the seeds of a good book but was not, in and of itself, a good book. Instead, I was forced to sit with Her Body and Other Parties until it was ready. I am so fucking grateful that I got to write the book I needed to, even if I resisted that process at every turn….

(4) INTERNATIONAL CONFERENCE FOR THE FAN The International Association for the Fantastic in the Arts has announced the ICFA 44 Guest of Honor and Guest Scholar.

  • Guest of Honor — Oghenechovwe Donald Ekpeki

Oghenechovwe Donald Ekpeki is an African speculative fiction writer and editor in Nigeria. He has won the Nommo award for Best Speculative Fiction by an African twice, both for Short Story and Novella, as well as the Otherwise and British Fantasy Awards. He is the first African to have won the Nebula Award for Best Novelette with his climate fiction story “O2 Arena,” for which he is also a BSFA, BFA and Nommo Award finalist, and the first African to be a Hugo Award Best Novelette finalist. He is the first African editor to be a finalist in the Hugo Award Best Editor categories and the first BIPOC editor to be a finalist in both the Hugo Award Editing and Fiction categories in the same year. He is the founder of Jembefola Press and the Emeka Walter Dinjos Memorial Award for Disability in Speculative Fiction. He is the first African-born Black writer and the youngest writer to be Guest of Honor at the International Conference for the Fantastic in the Arts.  

  • Guest Scholar – Dr. Isiah Lavender III 

Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. His books include Race in American Science Fiction (Indiana UP, 2011), Black and Brown Planets: The Politics of Race in Science Fiction and Dis-Orienting Planets: Racial Representations of Asia in Science Fiction (UP of Mississippi, 2014 and 2017 respectively), Afrofuturism Rising: The Literary Prehistory of a Movement (Ohio State UP, 2019), and Literary Afrofuturism in the Twenty-First Century (Ohio State UP, 2020), co-edited with Lisa Yaszek. His interview collection Conversations with Nalo Hopkinson is forthcoming from UP of Mississippi in early 2023. He is currently hard at work on The Routledge Handbook of CoFuturisms, co-edited with Bodhisattva Chattopadhyay, Grace Dillon, and Taryne Jade Taylor as well as his manuscript-in-progress Critical Race Theory and Science Fiction. If you would like to know more about Dr. Lavender, check out https://narrativeencounters.aau.at/how-reading-shapes-us-isiah-lavender/

The title of Dr. Lavender’s ICFA Guest Scholar presentation shall be “Imaginary Amendments and Executive Orders: Race in United States Science Fiction.” 

(5) NOT EXACTLY A BIOPIC. The Hollywood Reporter says “Charlize Theron, Alfonso Cuaron Team for Philip K. Dick Family Movie ‘Jane’”, a project that sounds like it will be based on a reality PKD wished he had inhabited. Which is very PKD, as you doubtless already know.

Oscar winners Charlize Theron and Alfonso Cuarón are partnering for Jane, an Amazon feature project based on the personal life of beloved science fiction author Philip K. Dick from his daughter Isa Hackett.

The genre-bending project is based on the relationship between Dick and his twin sister, Jane, who died six weeks after birth. The death affected Dick personally, and also influenced his creative work.

Jane, according to the project’s description, is “a moving, suspenseful and darkly humorous story about a woman’s unique relationship with her brilliant, but troubled twin, who also happens to be the celebrated novelist Philip K. Dick. While attempting to rescue her brother from predicaments both real and imagined, Jane plunges deeper and deeper into a fascinating world of his creation.”…

“The story of Jane has been with me for as long as I can remember,” said Hackett. “Jane, my father’s twin sister who died a few weeks after birth, was at the center of his universe. Befitting a man of his unique imagination, this film will defy the conventions of a biopic and embrace the alternate reality Philip K. Dick so desperately desired—one in which his beloved sister survived beyond six weeks of age. It is her story we will tell, her lens through which we will see him and his imagination. There is no better way to honor him than to grant him his wish, if only for the screen.”

(6) NEW FROM NEVALA-LEE. Cora Buhlert interviewed Alec Nevala-Lee about his brand-new book Inventor of the Future: The Visionary Life of Buckminster Fuller for her “Non-Fiction Spotlight” feature.

Biographies of prominent SFF and SFF-adjacent people are quite common on the Hugo ballot and today’s featured non-fiction book is just such a biography.

Therefore, I am pleased to welcome Alec Nevala-Lee, author of Inventor of the Future: The Visionary Life of Buckminster Fuller to my blog today….

What prompted you to write/edit this book?

I’ve been interested since high school in Fuller, whom I first encountered in the pages of the Whole Earth Catalog. After Astounding, I was looking to expand the range of subjects that I could cover as a writer, and Fuller was an obvious choice—his life expresses many of the themes that I’ve explored in my earlier work, and until now, there’s never been a reliable biography that covered his entire career using the best available sources. I hoped that writing it would be a real intellectual adventure, and it was.

 
(7) START HERE. Becky Spratford’s post in The Line-Up, “These Six Horror Anthologists Are Masterful Curators of Terror”, kicks off with two books edited by Ellen Datlow, so they’re obviously on the right track!

…Anthologies are books that collect short stories by multiple authors, often under a common theme. Because these volumes contain tales by different voices, the work of the editor is extremely important. Not only does the anthologist have to solicit and select the titles to include, but they also have to edit and arrange said stories into a cohesive tome. The very best anthologists are able to expertly walk that line, offering different voices that when expertly brought together, create a unified whole, a single book that readers will enjoy from cover to cover.

Anthologies are also the best way for readers to survey the landscape of a genre, to see a wide variety of styles and voices writing under one umbrella. They also provide a tasting menu of voices familiar and brand new. And if the editor does their job well, readers will finish the book having learned of a few new writers who will be added to their personal to-read pile….

(8) HOW TO SELL A BOOK BY ITS COVER. Sarah A. Hoyt is starting a series about cover creation for indie authors at Mad Genius Club: “The Great Cover Up”.

… Which means this year alone, I’ve laid out a thousand for covers I just couldn’t seem to get right. There are now reasonably priced artists and at the end of the series I’ll give you names and contacts. Also places to buy ready-made and/or decent graphics just needing the lettering. But here is the thing: you still have to know what the cover is supposed To do and what it can do. And what in a cover matters or doesn’t

I guarantee 90% of what you think matters in a cover doesn’t. And vice-versa. And you must know what matters and what a cover is supposed to be, because when that artist/designer hands you Hamlet, you’ll have to explain why it won’t sell cornflakes and why he must prostitute his art to give you a jingle….

(9) LIGHTS OUT. Hollywood accounting played a role in the highly-publicized cancellation of two productions. But that wasn’t the only reason: “The Dish: What’s Behind The ‘Batgirl’ & ‘Scoob!’ Discard? David Zaslav’s Abject Rejection Of Jason Kilar’s HBO Max Strategy” at Deadline.

Why did Warner Bros scrap Batgirl and Scoob! Holiday Haunt?

The cancellation by Warner Bros of two made-for-HBO Max streaming movies came as a shock to the town. There are several threads here, but the move amounts to an emphatic rejection of past WarnerMedia CEO Jason Kilar’s strategy to make original $70 million live-action and animated films directly for the streaming site.

The makers of the live-action Batgirl and the animated Scoob! learned today that those films were being stopped in their tracks. The timing was particularly awkward for Batgirl co-directors Adil El Arbi and Billal Fallah. Both are in Morocco for El Arbi’s wedding — some wedding present — and they expected to return to the cutting room and continue work on the film that stars Leslie Grace, J.K. Simmons, Brendan Fraser and Michael Keaton.

There were initial cries that the scrapping of Batgirl carried bad optics because the title role is played by a Latina. But there were reasons for the move. In both cases, the filmmakers were told that it came down to a “purchase accounting” maneuver available to Warner Bros Discovery because the company has changed hands, and also changed strategy from the previous regime. This opportunity expires in mid-August, said sources, and it allows WBD to not have to carry the losses on its books at a time when the studio is trying to pare down $3 billion in debt across its divisions.

There has been much speculation on why Batgirl was canceled, having to do with it being a bad movie. …

(10) THE SQUEEZE IS ON. [Item by Martin Morse Wooster.] An Anonymous Source reveals how hard it is to work on Marvel films. At Vulture: “A VFX Artist Explains What It’s Like Working for Marvel”.

It’s pretty well known and even darkly joked about across all the visual-effects houses that working on Marvel shows is really hard. When I worked on one movie, it was almost six months of overtime every day. I was working seven days a week, averaging 64 hours a week on a good week. Marvel genuinely works you really hard. I’ve had co-workers sit next to me, break down, and start crying. I’ve had people having anxiety attacks on the phone.

The studio has a lot of power over the effects houses, just because it has so many blockbuster movies coming out one after the other. If you upset Marvel in any way, there’s a very high chance you’re not going to get those projects in the future. So the effects houses are trying to bend over backward to keep Marvel happy.

To get work, the houses bid on a project; they are all trying to come in right under one another’s bids. With Marvel, the bids will typically come in quite a bit under, and Marvel is happy with that relationship, because it saves it money. But what ends up happening is that all Marvel projects tend to be understaffed. Where I would usually have a team of ten VFX artists on a non-Marvel movie, on one Marvel movie, I got two including myself. So every person is doing more work than they need to.

The other thing with Marvel is it’s famous for asking for lots of changes throughout the process. So you’re already overworked, but then Marvel’s asking for regular changes way in excess of what any other client does. And some of those changes are really major.…

(11) NECROMANCER RECRUITMENT. The publicity for Tamsyn Muir’s forthcoming novel Nona the Ninth includes the “LOCKED TOMB QUIZ! What Necromantic House Are You??” at Riddle.com.

TLT stans, RISE!

The Emperor needs necromancers, and this is your chance to align with one of the Nine Houses! 

SPOILERS THRU THE END OF HARROW THE NINTH YOU HAVE BEEN WARNED

(12) MEMORY LANE.  

1995 [By Cat Eldridge.] Back in in 1995 Charles Vess self-published a biannual series of illustrated ballads entitled The Book of Ballads and Sagas in a series of four chapbooks, through his Green Man Press. In this series Vess illustrated adaptations of traditional Scottish and English ballads written by a variety of contributors, including Emma Bull, Charles de Lint, Neil Gaiman, Sharyn McCrumb, Jeff Smith, and Jane Yolen.  

Debbie Skolnik reviewed it for Green Man and she noted there that “The ballads are English and Scottish; the sagas are, as their name implies, Norse in origin. There are more ballads than sagas. Actually, there’s only one saga: Skade. Being enthralled by the English and Scottish ballads myself, I am quite familiar with all the stories. Norse mythology, however, I know very little about, so I did a little bit of quick research to familiarize myself with the basic story.”

I read when it came out as I got them sent to me by Vess before I sent them unto Debbie for review. Of course the illustrations by Vess were stellar as everything by Vess is. (I’m writing this under the artwork for the art for the cover art for de Lint’s A Circle of Cats.) So how were the stories?

If you liked of the tale of Thomas The Rhymer, Ellen Kushner has done an excellent version of the story in her book of the same name. Here she retells the tale in a much-shortened version.

Charles de Lint took up the matter in “Twa Corbies” (Two Crows) which deals with the death of a Knight and the Corbies telling his tale. Twa Corbies will become part of his Newford characters in the firm of Maida and Zia, the Crow Girls who are immortal.

Vess himself does Tam Lin and it is one of the best pieces here. The depiction of the cursed Tam Lin turning into various creatures is quite amazing. 

I have barely scratched the surface of what is offered here. If you like this sort of ballads and sagas, I’m sure you’ll love this.

Debbie notes in her review that “Careful readers will note that Steeleye Span has recorded a version of almost all the ballads in this series of books.” That’s certainly true and Vess has acknowledged that he was strongly influenced by that band in selecting the tales here. 

The chapbooks were later printed in a hardcover edition in 2004 by Tor books with some additional material.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 3, 1861 Michel Jean Pierre Verne. Son of Jules Verne who we now know rewrote some of his father’s later novels. These novels have since been restored using the original manuscripts which were preserved. He also wrote and published short stories using his father’s name. None of these are the major works Jules is now known for. (Died 1925.)
  • Born August 3, 1904 Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which just won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror?  I really can’t think of anything by him that’s truly horror. (Died 1988.)
  • Born August 3, 1920 P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. I like authors who can do that. ISFDB lists her as having done a short story called “Murder, 1986” which they say is genre but I’ve not read it. (Died 2014.)
  • Born August 3, 1940 Martin Sheen, 82. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie.
  • Born August 3, 1946 John DeChancie, 76, A native of Pittsburgh, he is best known for his Castle fantasy series, and his SF Skyway series. He’s fairly prolific even having done a Witchblade novel. So who here has read him? Opinions please. And no, I didn’t know there were Witchblade novels. 
  • Born August 3, 1950 John Landis, 72. He’d make this Birthday List if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which is the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. Neat fact: he was the puppeteer for Grover in The Muppet Movie, and he later played Leonard Winsop in The Muppets Take Manhattan
  • Born August 3, 1972 Brigid Brannagh, 50. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish red headed colleen in a genre role? Well she apparently would do. She shows up in Kindred: The EmbraceAmerican GothicSliders, Enterprise (as a bartender in one episode), RoarTouched by an AngelCharmedEarly Edition, Angel (as Virginia Bryce in a recurring role), GrimmSupernatural and she had a run in Runaways in the main role of Stacey Yorkes.

(14) COMICS SECTION.

(15) MR. MEME. In the Washington Post, Michael Cavna looks at the “Mr. Men” characters created by British illustrator Roger Hargreaves in the 1970s have now become popular memes. “’Little Miss [Blank]’: How a kid-book meme became viral comedy”.

… Fast-forward to this month, when one Instagram account alone — “LittleMissNotesApp” — has attracted nearly 2 million followers by posting the Hargreaves’ characters beneath such captions as, “Little Miss Lexapro,” “Mr. Vape Cloud” and “Little Miss Aggressive Drunk.” The account gives credit to the user “Juulpuppy,” who last spring began posting such art updates as “Little Miss Weed Psychosis.”…

(16) FLAME OFF. CBR’s Jerry Stanford came up with “10 Jokes From The Golden Age Of Marvel Comics That Wouldn’t Be Printed Today”.

Asbestos Was Overused, Making It An Unintentional Joke Years Later.

In the Golden Age, Marvel’s Human Torch seemed unstoppable, so criminals, Nazis, and other villains resorted to asbestos, a material that became popular for its resistance to fire. In the 1970s, it also became known for causing cancer.

While the use of asbestos was not originally played for humor, the best-known example of this is Asbestos Lady, who clothed herself head-to-toe in the carcinogenic material. However, the funniest example comes from All-Winners Comics #11, where a villain known as the Hawk traps the Human Torch and Toro in an airtight, asbestos-lined dungeon. The Torch’s hyperbole call the sealed room “a death trap.” Time has made this an unintentional joke.

(17) INSIDER INFORMATION. “Neil Gaiman Knows What Happens When You Dream”. And he shares that with the New York Times.

For the last five or six years, we’ve been living through what feels like almost unfathomable turmoil, and I think a lot of people see this period as an unprecedented chapter in the human story. But when it comes to stories, I basically believe in Ecclesiastes’ “There is nothing new under the sun.” So my question to you is whether you think we are living in a new story — or is it just new to us? 

This reminds me of something that happened after the Sept. 11 attacks. When we could fly again, I flew to Trieste, Italy, for a conference. I remember going into a display of Robert Capa photographs taken in that area during World War II. Until that moment, I had regarded World War II as being unimaginably distant in time. It was this thing that had happened in history, that had happened to my family — basically all of them were killed; a couple of outliers made it to England — but that was history. That happened then. But there was something very strange about looking at those Robert Capa photos post-9/11, because they made me go, Those people are us. I feel the same way today. History is now. But I’m also getting more obsessive about human beings over huge swaths of time. Part of that came out of being on the Isle of Skye during the serious U.K. lockdown. On Skye, if there’s a rock somewhere, it’s probably because somebody put it there. I realized that the rock that I was using to keep the lid on my dustbin was a stone that had been dragged around. People have been in this place for thousands and thousands of years, and in this bay I’m living in, they’ve left behind rocks! Realizing that about the rocks makes you take the long view. Which is that the human race is mostly people just trying to live their lives, and that bad [expletive] is going to happen. That then moves you into other territory….

(18) THAT DARNED ELUSIVE EARENDEL. Or so the Baroness Orczy might have phrased the news. “James Webb Space Telescope sees Earendel, most distant star” and Space.com shares the image.

The James Webb Space Telescope has caught a glimpse of the most distant star known in the universe, which had been announced by scientists using Webb’s predecessor the Hubble Space Telescope only a few months ago. 

The star, named Earendel, after a character in J.R.R. Tolkien’s “Lord of the Rings” prequel “The Silmarillion,” was discovered thanks to gravitational lensing in a Hubble Space Telescope deep field image. The star, whose light took 12.9 billion light-years to reach Earth, is so faint that it might be rather challenging to find it in the new James Webb Space Telescope image, which was released on Twitter on Tuesday (Aug. 2) by a group of astronomers using the account Cosmic Spring JWST(opens in new tab). 

The original Hubble image provides some guidance as to where to look through the zoomed-in cut-out. Essentially, Earendel, is the tiny whitish dot below a cluster of distant galaxies. By comparing the Hubble image with that captured by Webb, you can find the elusive Earendel….

(19) KEEP WATCHING THE TREE. “This Mystery Orb From the Sky Has Baffled Us All”, which is saying a lot for something reported on Popular Mechanics.

Social media is awash with theories about the origin and purpose of a strange, smooth, solid object, which landed on a tree in Veracruz, Mexico, the night of July 31.

Isidro Cano Luna, a television meteorologist reporting on the mystery, says locals described the sphere making a sound as it fell, but releasing no fire. He posted several messages to his more than 132,000 followers about the object, along with photos of what appears to be a dull, yellow sphere the size of a large beach ball perched atop a tree.

… Luna describes the sphere in all caps in his posts. It seems to be made of “A VERY HARD PLASTIC OR AN ALLOY OF VARIOUS METALS,” and “APPARENTLY IT HAS AN ANTENNA,” he says. Luna wonders if it could be a former chunk of a Chinese rocket that crashed back to Earth and landed in the Indian Ocean over the weekend. Perhaps it could be radioactive, he writes, warning people who see it not to get too close. There’s no apparent way to get inside the orb, either. It has a a code visible on its exterior, he says in an August 1 post. “NOTICE SMALL HOLES THAT ARE A KIND OF [INDECIPHERABLE] CODES.”

(20) GOING VIRAL. [Item by Martin Morse Wooster.] The BBC explains a computer virus in this report from March 1992.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George reveals that a time traveler from 2022 has a very hard time explaining Elon Musk to the people of 1996.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Brian Z., Michael J. Walsh, Todd Mason, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/21/22 Just A Come-On From The Scrolls On Pixel Avenue

(1) THE MIND’S EYE. [Item by Martin Morse Wooster.] Carmen Maria Machado was interviewed by Mikaella Clements in a Washington Post story about whether fiction writers see their characters as they’re writing about them. “Gillian Flynn, Carmen Maria Machado and other authors discuss their creative process”.

…Carmen Maria Machado describes a similar experience with “Especially Heinous,” a short story from her collection “Her Body and Other Parties.” “I was in the shower shampooing my hair and I suddenly had this image of a woman with bells ringing in her eye sockets.” Machado says that her deeply visual imagination infiltrates every element of her life. “It’s like there’s something playing inside of my head all the time, when I’m listening to music, walking around and writing as well.”…

(2) FINALLY IN THEATERS. Kurt Loder tells what he thinks of the film based on the late Vonda McIntyre’s Nebula-winning novel The Moon & the Sun in “Review: The King’s Daughter” at Reason.com.

… Considering the film’s cast (Brosnan, William Hurt, Kaya Scodelario, Chinese superstar Fan Bingbing) and its probable CGI costs (even though much of the budget was covered by Chinese production companies), it’s odd that The King’s Daughter is debuting in the joyless wastes of January. (The picture was shot in 2014 and quickly strangled in its crib, for various movie-biz reasons and maybe the 2018 decision by the Chinese government to come down hard on Fan for major tax fraud). In any case, here it finally is….

Author McIntyre went to France in 2014 to witness location filming at Versailles.

(3) WRITER DRAWS THE LINE. Star Trek writer David Mack has announced that he will not attend the Farpoint Convention in Maryland next month because the convention will not require attendees to provide proof of vaccination and/or a recent negative COVID test. “David Mack – Why I’ve withdrawn from Farpoint Con 2022”.

…On Tuesday, January 11, I emailed Farpoint via the programming chair, Cindy Woods, to express my concerns and reservations concerning this lax approach to health and safety. My message read, in part:

“Per item 2, I am seriously troubled by the concom’s decision to not require proof of vaccination or a negative COVID test for attendees, guests, and staff.

“The proffered explanation that this decision was made out of concern about the privacy of attendees’ private health information rings hollow. Many other small, fan-run and volunteer-supported conventions are managing to check vaccination and test status for their attendees without it being an undue burden on them or an imposition on their attendees and guests.

“I would strongly urge the Farpoint team to reconsider this section of its COVID policy immediately, and to plan for verification of attendees’ vaccination statuses and/or recent negative test results.”

Cindy replied that the Farpoint committee intended to discuss the matter again during its next meeting, scheduled for the weekend of January 15-16, and that she would share with them my concerns and inform me of their conclusions.

Their response and final decision was, to be blunt, disappointing….

(4) TAKEDOWN RECTIFIED. The Fantasy Book Critic blog has had its service restored after a flood of wrong DMCA takedown notices by the Link-Busters anti-piracy service caused it to be removed by host Blogger. Link-Busters subsequently acknowledged their mistake.

(5) PICARD SEASON 2. The new season of Star Trek: Picard premieres March 3, 2022 on Paramount+.

(6) TENTH DOCTOR COMIC. Titan Comics has revealed Cover A for Doctor Who: Special 2022 by artist Adam Hughes.

Doctor Who: Special 2022 is written by Dan Slott (Spider-Man) and illustrated by Christopher Jones and Matthew Dow Smith.

Writer Dan Slott is set to delight fans with an epic story that sees companion Martha Jones captured by the insatiable Pyromeths, and her only hope for survival is to keep them distracted with sensational untold tales of the Tenth Doctor facing off against his greatest foes – both classic and new!

Doctor Who: Special 2022 Comic Book One-Shot (SC, 64pp, $7.99) hits stores on April 27, 2022. Pre-order from your local comic shop and Forbidden Planet (UK/Europe).

(7) ROBOPOP. [Item by Olav Rokne.] Yesterday was the the 25th anniversary of Daft Punk’s debut album “Homework,” which might be worth noting given both how the band has been reflected in sci-fi movies, and given the fact that they took on stage personas as robots. One of the most science-fictional bands ever to hit the mainstream. “The real story of how Daft Punk became the robots” at DJ Mag.

Daft Punk have taken on a robot form for so long that it’s hard to remember a time that they didn’t don their famous helmets for public appearances. Although the official line has been well told — the one with an exploding discoball — in this excerpt from his new book, Daft Punk’s Discovery: The Future Unfurled, Ben Cardew tells the real story of how the enigmatic French duo transformed into robots, according to those closest to them at the time…

… The helmets, according to Martin, were very heavy and “quite a faff”. But they looked fantastic. Bangalter and De Homem-Christo’s robotic outfits initially comprised a bespoke helmet each, a gauntlet that allowed them to control the helmet’s electronics, a pair of gloves and a “spaceman backpack” to hide the wiring and hardware. All of this was created by special effects expert Tony Gardner from initial designs by Alexandre Courtès and Martin Fougerol, artist friends of the band. …

(8) NOW YOU KNOW THE REST OF THE STORY. Radio Times keeps track of all the Doctor Who loose ends and celebrates whenever one of them gets tied up – no matter how many years it takes! “Doctor Who teaser confirms what happened to Peri”.

Nicola Bryant played companion Peri Brown opposite Colin Baker’s Sixth Doctor in the 1980s, but the character appeared to meet a dark fate in her final appearance as a series regular.

In the 1986 story The Trial of a Time Lord, the alien Kiv appeared to transplant his brain into Peri’s body, effectively killing her. It was later suggested, however, that Peri had survived, that the evidence of her death had been faked, and that she was now living as queen to the warrior king Yrcanos (Brian Blessed).

Fans never actually saw this happen, however, with some remaining convinced that Peri had died, while others were just curious as to what exactly her life with the eccentric King Ycarnos would’ve entailed.

36 years later and we’ve finally got our answer, as part of a trailer for the next classic Doctor Who Blu-ray set – The Collection: Season 22.

(9) MEAT LOAF OBIT. Singer Meat Loaf has died at the age of 74 reports the New York Times. His earliest genre credit cast a long shadow —

…His first major film role came in 1975 in the cult classic “The Rocky Horror Picture Show,” in which he played Eddie, a delivery boy murdered for his brain by the cross-dressing Dr. Frank-N-Furter. …More recently, he had a role in several episodes of the TV series “Ghost Wars” from 2017-18.

(10) MEDIA BIRTHDAY.

1935 [Item by Cat Eldridge.] Eighty-seven years ago, Charlie Chan in Paris, the seventh in that series, premiered. It was directed by Lewis Seiler as written by the trio of Earl Derr Biggers, Philip MacDonald and Stuart Anthony. All the films featured Warner Oland, a Swedish-American actor who had also played Fu Manchu. Oland would play this role sixteen times.

Honolulu Police detective Lieutenant Chan was created  by Biggers who wrote six novels in which he appears. The House Without a Key is the first one. It’s available from the usual suspects for ninety nine cents. 

Biggers loosely based Chan on Hawaiian detective Chang Apana and was intended to be the opposite of Fu Manchu. The real detective actually solved very few murder cases as he worked mostly on opium cases. M 

Over the years eleven different actors would portray him including Peter Ustinov and Ross Martin. 

This film was considered lost for decades until a print was discovered in Czechoslovakia with a collector in the seventies. After a number of showings in various revival cinemas throughout the States, it was released on DVD as part of a collection.  All of the films are in the public domain so you can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 21, 1923 Judith Merril. Author of four novels, Shadow on the HearthThe Tomorrow PeopleGunner Cade, and Outpost Mars, the last two with C. M. Kornbluth. She also wrote many short stories, of which twenty-six are collected in Homecalling and Other Stories: The Complete Solo Short SF of Judith Merril (NESFA Press). She was an editor as well. From 1956-1966 she edited a series of volumes of the year’s best sf. Her collection England Swings (1968) helped draw attention to the New Wave. Oh, and between, 1965 and 1969, she was an exemplary reviewer for The Magazine of Fantasy and Science Fiction. (Died 1997.)
  • Born January 21, 1925 Charles Aidman. He makes the Birthday Honors for having the recurring role of Jeremy Pike on The Wild Wild West, playing him four times. Other SFF appearances include Destination SpaceThe InvadersTwilight ZoneMission: Impossible and Kolchak the Night Stalker to name but a few of them. (Died 1993.)
  • Born January 21, 1938 Wolfman Jack. Here because I spotted him showing up twice in Battlestar Galactica 1980 playing himself according to IMDb. He also had genre character roles in the Swamp Thing and Wonder Women series plus two horror films, Motel Hell and The Midnight Hour. (Died 1995.)
  • Born January 21, 1939 Walter C. DeBill, Jr., 83. An author of horror and SF short stories and a contributor to the Cthulhu Mythos. Author of the Observers of the Unknown series about a Lovecraftian occupy detective which is collected is two volumes, The Horror from Yith and The Changeling. They don’t appear to be in print currently.
  • Born January 21, 1956 Diana Pavlac Glyer, 66. Author whose work centers on C. S. Lewis, J. R. R. Tolkien, and the Inklings. She teaches in the Honors College at Azusa Pacific University in California. She has two excellent works out now, The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community and Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings.

(12) FREE COMIC BOOK DAY IS MAY 7. Marvel Comics is getting a head start on Free Comic Book Day publicity by announcing the first of its three separate Free Comic one-shots. (This one also has a variant cover.)

 Announced last week, Spider-Man is gearing up for a brand-new era just in time for the character’s 60th anniversary! Fans who pick up Free Comic Book Day: Spider-Man/Venom #1 will see the very beginning of the major storylines writer Zeb Wells and legendary artist John Romita Jr. have planned for their run on Amazing Spider-Man, including Tombstone’s first steps towards becoming Spidey’s most terrifying villain.

Free Comic Book Day: Spider-Man/Venom #1 will also give fans a chance to check out the thought-provoking work Al Ewing, Ram V, and Bryan Hitch are doing on Venom! The groundbreaking changes this mastermind trio has in store for the symbiote mythos starts here!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to dig into duck with Usman T. Malik in Episode 163 of his Eating the Fantastic podcast.

Usman T. Malik

Usman T. Malik won the British Fantasy Award for his novella The Pauper Prince and the Eucalyptus Jinn, which was also nominated for both the World Fantasy and Nebula Awards. His story “The Vaporization Enthalpy of a Peculiar Pakistani Family” won the Bram Stoker Award for Short Fiction. His stories have been published in such magazines as Strange HorizonsBlack StaticNightmare, and Tor.com, as well as anthologies such as Black Feathers: Dark Avian TalesThe Mammoth Book of Cthulhu: New Lovecraftian FictionFinal Cuts: New Tales of Hollywood Horror and Other Spectacles, and others. His collection Midnight Doorways: Fables from Pakistan, was published in 2021.

We discussed why the first pandemic year was his most prolific period ever as a writer, how the Clarion Workshop helped him decide what kind of writer he wanted to be, our shared concerns over revising our early stories, the way his medical training gives him an intriguing advantage as a writer, how every love story is a ghost story and every ghost story is a love story, what it was like running Pakistan’s first science fiction writing workshop, why he prefers Stephen King to Dean Koontz (and what that taught hm about his own writing), the cautionary tale told to him by Samuel R. Delany, how writers teach readers the way they should be read, and much more.

(14) FOR THOSE OF YOU JUST TUNING IN. Raquel S. Benedict has posted a transcript of the Rite Gud podcast episode “A Guide to Squeecore”.

JR: I was going to say, we can go back and talk about what is “squee”. If we’re going to call it squeecore, we have to say, what is the definition of “squee”, that horrible, horrible word? And I have a little –

RSB [crosstalk]: Right. Yeah. So what is the definition of squee?

JR [crosstalk]: As I defined it – yeah. “Squee” is a culture term for a sound or expression of excitement or enthusiasm. It’s the opposite of “feh” or “meh”, and very close kin to “amazeballs” and “epic sauce”. It represents a specific feeling, a type of frisson that readers value; the tingle of relatability as a beloved character does something cool, or says something “epic” and snarky.

RSB: [laughs]

JR: The essence of squee is wish fulfillment. Squeecore lives for the “hell yeah” moment; the “you go, girl” moment; the gushy feeling of victory by proxy. It’s aspirational; it’s escapism; it’s a dominant, and I would even say gentrified, form of SFF.

(In case you’re asking “How come Mike doesn’t say who JR is?” the answer is that’s the only identification given at the link.)

(15) INFLATION INDEX. Nate Sanders Auctions has set a minimum bid of $9,500 for this “First Edition, First Printing of Frank Herbert’s ‘Dune’ in Original Dust Jacket” – which is remarkable for a copy that was originally circulated by the Fitchburg Public Library of Massachusetts.

(16) THE ENEMY OF MY ENEMY. MSN.com reports “Doctors Used Bacteria-Killing Viruses to Take Down an Incurable Superbug”.

The enemy of our bacterial enemy can indeed be our friend. In a new case report, doctors say they were able to treat their patient’s long-festering, drug-resistant infection with the help of specially grown bacteriophages—viruses that infect bacteria. Large-scale clinical trials will likely be needed for these treatments to become widely used, though….

But by the 1940s, with the advent of the modern antibiotic era, phages had fallen out of favor for several reasons. The first antibiotics that saw wide use were broad-spectrum, able to quickly treat many different types of infections, and relatively easy to scale up in mass production. Phages, on the other hand, were harder to purify and store, and their benefits were often inconsistent.

Scientists and doctors in some parts of the world where antibiotics were less available, such as Eastern Europe and India, did continue to research and use phage therapy, though. And eventually, it became clear that antibiotics weren’t quite as miraculous as we’d hoped. Bacteria have evolved resistance to these drugs over time, to the point where we’re now seeing infections that can’t be treated at all. So, understandably, scientists have expressed renewed interest in phages as a weapon against bacteria in recent decades.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Dinosaurs invade the UN in this commercial from the UN Development Program. The message: Extinction is a bad thing!

…You’re headed for a climate disaster, and yet every year governments spend hundreds of billions of public funds on fossil fuel subsidies. Imagine if we had spent hundreds of billions per year subsidizing giant meteors….

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Chris Barkley, Rob Thornton, SF Concatenation’s Jonathan Cowie, JJ, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/16/21 The Scroll Of Elfland’s Pixel

(1) BLACK STARS. There are six short tales of speculative fiction in the Black Stars series of Amazon Original Stories which will be released on August 31.

  • “2043…(A Merman I Should Turn to Be)” by Nisi Shawl
  • “The Black Pages” by Nnedi Okorafor
  • “The Visit” by Chimamanda Ngozi Adichie 
  • “These Alien Skies” by C. T. Rwizi 
  • “Clap Back” by Nalo Hopkinson
  • “We Travel the Spaceways” by Victor LaValle 

(2) NICHELLE NICHOLS CONSERVATORSHIP NEWS. The article excerpted here the other day when it was behind an LA Times paywall is now available in full online at AL.com: “Nichelle Nichols, Star Trek’s Lt. Uhura, faces heartbreaking conservatorship fight”.

… Questions around the fate of Nichols’ home — who lives in it and what happens to it — have been central to an ongoing, years-long legal battle over the finances and care of the beloved TV star, who friends and family say is financially drained and struggling with dementia.

A three-way fight over Nichols’ fate involves her only child, Kyle Johnson, who is also her conservator; her former manager Gilbert Bell; and a concerned friend, Angelique Fawcette….

(3) WEST SCHOOL HO! Deadline reports a Seanan McGuire series is being developed by Paramount: ”’Wayward Children’ Movie Franchise In Works After Paramount Lands Rights”.

After aggressively pursuing rights, Paramount Pictures has preemptively acquired the Wayward Children fantasy book series by Seanan McGuire. With six books already published and a seventh installment coming in early 2022, the studio plans to build a franchise around this universe of characters and stories.

Sources say Paramount’s Motion Picture Group president Emma Watts has had her eye on the series for some time and was  hands on in making sure the studio landed the rights. Insiders say the studio views the series as a possible franchise given the huge fanbase that is behind it, and add it has already drawn interest from top talent to be a part of it.

The series adaptations will be produced by Pouya Shahbazian. The series takes place in Eleanor West’s School for Wayward Children, a boarding school for people who have returned home from magical fantasy worlds and have trouble readjusting to their old lives. For as long as time, children have always found doorways into different worlds, whether down rabbit holes and wishing wells or through wardrobes and magic mirrors, but this series explores what happens to the ones who come back — and want nothing more than to return to those other worlds.

This surreal and subversive take on portal fantasy stories is centered around a culturally diverse group of teenagers across the LGBTQIA+ spectrum, as they work to make sense of the fantastical realms they came from and the shared world they find themselves back in….

(4) MAKERS AND SHAKERS. “From Mary Shelley to Carmen Maria Machado, women have profoundly shaped horror” in the Guardian.

You probably know the story of Lord Byron’s house party at Villa Diodati – the one in which he challenged his guests to see who could write the scariest ghost story. Teenage Mary Shelley won his challenge on infamy, if not technicality, when she wrote Frankenstein. Thus the horror genre was invented by a disenfranchised teenage girl.

While it might be more precise to say that Shelley invented science fiction in this moment, her story, a non-religious creationist myth, would upend the rules of literature. Frankenstein has become such an influential examination of the distortion of nature and hubris of man, that it looms larger in the gothic horror genre than any other work of literature.

If you want to acknowledge just how much women have contributed to the horror genre, and how much the genre continues to reflect women and women’s realities back to themselves, Frankenstein is also a useful place to start.

Horror is one of the only genres that allows for a constantly evolving interplay of the factual and fantastical. “When you enter into horror, you’re entering into your own mind, your own anxiety, your own fear, your own darkest spaces,” said American author Carmen Maria Machado, speaking to the Paris Review in 2017. Having won the Shirley Jackson award for her short story collection Her Body and Other Parties, Machado went on to use a horror framework to tell her personal story of queer domestic violence in her 2019 memoir, In the Dream House. With gothic tropes and style, Machado replayed physical and emotional abuse within the walls of her mind and the memories of the old house she shared with her partner – now haunted by the past and their relationship. “Horror is an intimate, eerie, terrifying thing, and when it’s done well it can unmake you, the viewer, the reader,” she said….

(5) ANDERS AND YU. A Room of One’s Own in Madison, WI will host A Virtual Conversation With Charlie Jane Anders, author of Never Say You Can’t Survive, and Charles Yu on August 18 at 6:00 p.m. Central

Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can’t Survive is the perfect manual for creativity in unprecedented times. Things are scary right now. We’re all being swept along by a tidal wave of history, and it’s easy to feel helpless. But we’re not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible. 

(6) BE ON THE LOOKOUT FOR THESE. Lisa Tuttle’s latest Guardian column is up: “The best recent fantasy, horror and science fiction – review roundup”. Includes —

…P Djèlí Clark’s debut novel A Master of Djinn (Orbit, £8.99) is set in an alternative-history version of Egypt. In 1912, half a century after the mystic al-Jahiz made an opening into the realm of spirits, Cairo is a modern, multicultural city running on a combination of magical, alchemical and steam-powered technology. Muslims and Copts co-exist with devotees of Hathor; djinn and humans work together; even women have won the right to vote, and are employed in jobs formerly given only to men. Fatma el-Sha’arawi of the Ministry of Alchemy, Enchantments and Supernatural Entities has already saved the universe from destruction once and is sure she can handle the little problem of an imposter in a gold mask, claiming to be al-Jahiz and stirring unrest in the rougher neighbourhoods. This fantasy is refreshingly different; a well-plotted mystery filled with engaging characters, presented with a lightly humorous touch….

(7) CLI-FI. Future Tense, a partnership of Arizona State University, Slate, and New America presents the first public event connected with their Climate Imagination Fellowship.

“Unlocking Our Climate Imagination” is on August 31 at 12 p.m. Eastern. Speakers include Kim Stanley Robinson, the three Climate Imagination Fellows, Vandana Singh, Hannah Onoguwe, and Libia Brenda, plus Nigel Topping, the UN High-Level Climate Champion for the UK, and Bina Venkataraman, Boston Globe editorial page editor and former White House climate advisor.

 The event is free and open to everyone. Register here.

(8) MEMORY LANE.

  • 1967 – Fifty-four year ago at NyCon 3 where Harlan Ellison was Toastmaster, Robert Heinlein would win the Hugo for Best Novel for The Moon is a Harsh Mistress. It had been serialized in If the previous year and published by Putnam that year. Other nominated works were Samuel R. Delany‘s Babel-17, Randall Garrett‘s Too Many Magicians, Daniel Keyes‘ Flowers for Algernon, James H. Schmitz‘s The Witches of Karres and Thomas Burnett Swann’s Day of the Minotaur.  It would also be nominated for a Nebula and it would be inducted into the Prometheus Hall of Fame. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 16, 1884 Hugo Gernsback. Publisher of the first SF magazine, Amazing Stories in 1926. He also helped create fandom through the Science Fiction League. Pittcon voted him a Hugo titled Father of Magazine Science Fiction, and he was voted the First Fandom Hall of Fame Award. He’s the writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers an “essential text for all studies of science fiction.” There’s at least nine versions of it available at the usual suspects which is sort of odd. (Died 1967.)
  • Born August 16, 1930 Robert Culp. He’d make the Birthday Honors solely for being the lead in Outer Limits’ “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? I’ve not seen it. Do we consider I Spy genre? (Died 2010.)
  • Born August 16, 1933 Julie Newmar, 88. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face.  She was on the original Trek in the “Friday’s Child” episode as Eleen. She also has one-offs on Get Smart!Twilight ZoneFantasy IslandBionic WomanBuck Rogers in the 25th CenturyBewitched and Monster Squad
  • Born August 16, 1934 Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. His only award was a Phoenix Award which is lifetime achievement award for a science fiction professional who had done a great deal for Southern Fandom. (Died 2013.)
  • Born August 16, 1934 Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.)
  • Born August 16, 1954 James Cameron, 67. Let’s see… Terminator… Aliens… Terminator 2… True Lies… Strange Days… And The Abyss as well. Did you know he was interested in doing a Spider-man film? It never happened but the Dark Angel series with Jessica Alba did. And then there’s his Avatar franchise.
  • Born August 16, 1958 Rachael Talalay, 63. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven,” along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls.” She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. Her latest genre undertaking is A Babysitter’s Guide to Monster Hunting.
  • Born August 16, 1960 Timothy Hutton, 61. Best known of late as Nathan Ford  on the Leverage series which is almost genre. His first genre was in Iceman as Dr. Stanley Shephard, and he was in The Dark Half in the dual roles of Beaumont and George Stark. He’s David Wildee in The Last Mizo, based off “Mimsy Were the Borogoves” by Lewis Padgett (husband-and-wife team Henry Kuttner and C. L. Moore). He was Hugh Crain in The Haunting of Hill House series. I’m going to finish off this Birthday note by singling out his role as Archie Goodwin on the Nero Wolfe series. 

(10) COMICS SECTION.

  • Bizarro shows what happens when Uber goes Unter.  

(11) AVENGERS 750. When Marvel Comics presents the 750th issue of Avengers in November, it will include Christopher Ruocchio making his Marvel Comics debut alongside artist Steve McNiven in a bonus story starring Thor.

 “I’m honored to play a small part in this moment of Avengers history and thrilled to get to work with Steve McNiven to bring you all a little classic Thor,” Ruocchio said. “It’s a bit surreal to get to work with a character I grew up with, and I hope I’ve told a tale worthy of the God of Thunder.”

The rest of the supersized issue will include the introduction of The Multiversal Masters Of Evil, the deadly new group of villains fans met in this year’s Free Comic Book Day: Avengers/Hulk #1. Fans will also witness the conclusion of “World War She-Hulk”, finally learn the true purpose of the prehistoric Avengers, uncover the secret of the Iron Inquisitor, watch the Avengers recruit some surprising new members, and follow the Ghost Rider on a quest for vengeance across the Multiverse that will spark an all-new era in Avengers history.

(12) UK REVIEWERS NEEDED. Jonathan Cowie sends a head’s-up to UK based Filers: “SF2 Concatenation is on the hunt for SF/F book reviewers (especially fantasy and especially female reviewers to more even our gender balance). Sadly UK reviewers only as we have to snail-mail post books.” Full details here: “SF & Fantasy book reviewers wanted”

(13) SHINY. James Davis Nicoll knows the addresses of “Five Fictional Space Colonies From the Post-Disco Era”, and they’re definitely not orbiting mirror balls.

As previously discussed, Gerard K. O’Neill’s vision of space colonies was particularly comforting to 1970s anxieties.  Soaring population? The asteroid belt has enough material to build habitats promising many times the surface area of Earth! Energy crisis? Have said habitats pay for themselves by building solar power arrays IN SPAAACE!  Indigenous populations weirdly ungrateful for genocidal displacement by Europeans? Colonization do-over in space where there are no natives to displace or complain!…

A Plague of Angels by Toren Smith and Adam Warren (1990–1991)

When member worlds are overwhelmed by crisis, the United Galactica’s World Welfare Work Association dispatches field agents to resolve the problem. A very unlucky minority of worlds find themselves being assisted by Trouble Consultants Kei and Yuri, who are as inadvertently destructive as they are inexplicably scantily-clad. Code-named “the Lovely Angels,” the apocalyptic pair are infamous as the Dirty Pair.

Habitats are by their nature fragile. Kei and Yuri are harbingers of doom. Logic would dictate sending someone else—anyone else—to Kalevala O’Neill Colony. The 3WA sends the Dirty Pair. Kalevala is struggling to deal with smugglers. Soon, smugglers will be the least of Kalevala’s problems.

(14) PLANETARY EXPLORATION. CBS Sunday Morning did a segment on Planet Word: “Word play: A visit to D.C.’s Planet Word”. (Martin Morse Wooster recently wrote about his own visit here.)

(15) TINY WORLDS. Jeffrey Smith sent the link with a comment: “These are amazing! Not really skiffy, but what an imagination!” — “Japanese Artist Creates Amazing Miniature Dioramas Every Day For 10 Years” at Digital Synopsis. (The entire collection by Japanese artist Tatsuya Tanaka is at Miniature Calendar.) I think this first one actually does reference a well-known genre movie. The second is more typical of Tanaka’s series of inventive scenes.

[Thanks to JJ, Michael Toman, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Joey Eschrich, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 5/13/21 Sympathy For The Pixel

(1) STRANGE DOINGS AT EBAY. The online sales site eBay has reorganized a large number of categories and reclassified products into them. The new U.S. table is here: US_Category_Changes_May2021_NFT-update.

If you do a search for “comics” on that page, you’ll find that eBay has decided to retire the categories for “Superhero,” “Platinum Age”, “Golden Age”, “Silver Age”, etc. All listings are being moved into a general Comics & Graphic Novels category.

(2) LEVAR BURTON BOOK CLUB. “LeVar Burton launches a new book club: See first three picks” reports Entertainment Weekly.

The LeVar Burton Book Club launches Tuesday via the “social reading app” Fable, with selections handpicked by the actor. To start off, he’s chosen three books that “represent how my identity as a reader has been shaped,” he says: James Baldwin‘s semi-autobiographical novel Go Tell It on the MountainOctavia Butler‘s modern sci-fi classic Parable of the Sower, and the essay and poetry collection The Fire This Time, edited by Jesmyn Ward. (Baldwin’s book will serve as the first month’s pick, with three new titles being revealed every three months.)

“For me, if I’m going to start a book club, I’m going to begin with who I am and my story as a reader,” Burton tells EW. “Obviously, there are hundreds of books that have shaped my identity as a reader, and these three are really representative of an important aspect of that journey for me.”

And while all three are by Black authors, Burton takes care to emphasize that to view his book club as an exclusively Black book club “does me and the literature that I promote a great disservice.”

“I know I have demonstrated over time that my attitude towards literature is ecumenical,” he says. “As it happens, the first three books are by people who look like me, and if one wants to pigeonhole that, then that would be, in my estimation, their shortcoming. It’s nothing more than a starting point that reflects who I am.”

(3) KENYAN BOOKTUBERS. SFF history is being made! Thread starts here.

(4) MACHADO Q&A. CBC Radio posted a transcript of their interview with Carmen Maria Machado: “Author fights to keep her queer memoir on a Texas high school reading list — dildo and all”.

A couple weeks ago, author Carmen Maria Machado got a message from a friend that a video was circulating online that involved her memoir and an angry mom wielding a pink strap-on dildo.

The clip was from a Feb. 25 school board meeting in Leander, Texas. The woman was upset that Machado’s memoir, In The Dream House, was on an approved reading list for high school students.

The book, which chronicles Machado’s experience of being in an abusive relationship with another woman, contains a sex scene involving a dildo. The protesting parent read it aloud during the meeting while waving the sex toy around, according to the Austin American Statesman

That’s how Machado learned that her book is one of several that are up for review in Leander because of parents’ complaints. They are part of a book club program that allows students to pick and read one book each semester from a list of 15 chosen by their teachers for their grade level.

The school board told KVUE ABC that it has already removed six books from the program and is devising a policy to exclude “inappropriate literature for the assigned students’ ages.”

Also on the potential chopping block are books by Margaret Atwood, Jodi Picoult and Jacqueline Woodson, who, along with Machado, have penned an open letter with the free expression organization PEN America demanding the books remain available to students.

Machado spoke to As It Happens host Carol Off on Wednesday. Here is part of their conversation….

After this particular meeting, there’s a spokesperson for Leander [Independent] School District who said: “Our goal is to explore what the community feels are age-appropriate materials for classroom reading.” Is there a valid argument? Do you think that In The Dream House is a book that is age-appropriate for that group?

Professional educators chose the book for their students. This all started because a bunch of teachers were like: We want this book on this list. And that is their job. That is what they’re supposed to be doing.

Certainly there are books that are appropriate for certain ages, but I think saying that students at 17 and 18 can’t read anything with sex in it, and that there’s no value in a book like that for those students when your teachers have said otherwise, the people who you pay to educate your kids, that strikes me as very odd and very disingenuous.

The community is also not a monolith. Like, there are gay teens at that school. There are gay people in Leander, Texas. There gay people in Texas…. And it feels a little, I think, strange that this very conservative religious group can sort of make the agenda for all the other students.

Because the parents who want this, their kids did not have to read the book. They could have chosen a different book. They’re trying to remove the book from the list for all the students. So I don’t think it’s really about age-appropriateness. I mean, there’s a reason they they target books with gay content.

(5) SFWA AUCTION. The “Science Fiction & Fantasy Writers Association Online Silent Auction!” is in progress and will continue through May 17. It has raised $5,060 so far.

In addition to autographed books and manuscripts and other collectibles, the featured items include virtual career coaching and manuscript feedback sessions like these:

  • Virtual Career Coaching from N. K. Jemisin

A one-on-one 30-minute virtual career session with 2020 MacArthur Fellow N. K. Jemisin, the first writer to ever to win three consecutive Hugo Awards for Best Novel.

  • Virtual Career Coaching from Catherynne M. Valente

A one-on-one 30-minute virtual career session with Catherynne M. Valente, New York Times and USA Today bestselling author of fantasy and science fiction.

  • Virtual Manuscript Feedback from Mary Robinette Kowal

The winning bidder on this item will enjoy a 30 minute Zoom discussion providing feedback on a story or an excerpt of a longer work, up to 3,000 words. An amazing opportunity to receive personal feedback from Hugo and Nebula Award-winning science fiction and fantasy author Mary Robinette Kowal.

(6) CHAIR-ITABLE CAUSE: [Item by Ben Bird Person.] Colin Howard did much of the cover art for Doctor Who‘s VHS releases. See his covers here for “The Android Invasion” and “The Green Death”. He was diagnosed with multiple sclerosis ten years ago which has affected his mobility. Currently, there’s a fundraiser to help him: “Fundraiser by Michelle Howard : Please help me get Colin back outside in nature”.

… Colin was diagnosed with Multiple sclerosis 10 years ago, this ridiculously talented artist, nature lover and extrovert.

Progressively as MS does it has taken away his mobility, his confidence and he has become more and more isolated. Unable to get outside with ease, making everything he does exhausting and unenjoyable.

We did buy a manual wheel chair, however it is heavy and he is now unable to use his arms to self propel and it’s so cumbersome and there is no pleasure or enthusiasm for him to use it. It’s become easier for him to stay home…. not good.

After doing tons of research I stumbled across this amazing wheel chair. For those of you who know Col, you’ll know what a huge fan of formula one he is. So you’ll know why I’ve chosen this model of wheel chair…. it has formula one technology… carbon fibre and super light….

(7) MEDIA ANNIVERSARY.

May 13, 1994 — On this day in 1994, The Crow premiered. It was directed by Alex Proyas, written by David J. Schow and John Shirley. It was produced by Jeff Most, Edward R. Pressman and Grant Hill.  It starred Brandon Lee in his final film appearance as he was killed in a tragic accident during filming. It’s based on James O’Barr’s The Crow comic book, and tells the story of Eric Draven (Lee), a rock musician who is revived to avenge the rape and murder of his fiancée, as well as his own death. Critics in general loved it, it did well at the box office and audience reviewers at Rotten Tomatoes currently give it a ninety percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 13, 1907 – Daphne du Maurier.  Two novels, a score of shorter stories for us; a dozen other novels, three dozen other shorter stories, three plays, nonfiction e.g. The Winding Stair about Francis Bacon, memoirs.  “There are few strains more intolerable in life than waiting for the arrival of unwelcome guests,” The House on the Strand ch.13 (1969) – quoted as a reader’s favorite line on her Website.  (Died 1989) [JH]
  • Born May 13, 1937 — Roger Zelazny. Where do I start? The first half of The Amber Chronicles are a favorite as is The Isle of The Dead,  Eye Of The CatHome is The HangmanTo Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. There’s to my knowledge only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. (Died 1995.) (CE)
  • Born May 13, 1940 – Rachel Ingalls.  One novel, ten shorter stories for us.  British Authors’ Club Award.  British Book Marketing Council named one of those ten, the novella “Mrs. Caliban”, among the twenty greatest from America since World War II.  (Died 2019) [JH]
  • Born May 13, 1945 – Maria Tatar, Ph.D., age 76.  Loeb Professor of Germanic Languages & Literatures, and Chair of the Committee on Degrees in Folklore & Mythology, at Harvard.  Among her publications, The Hard Facts of the Grimms’ Fairy TalesThe Annotated Hans Christian AndersenThe Annotated African American Folktales (with Henry Gates).  “Alice [notice I don’t have to identify it any further – JH] is the world’s greatest book.  It’s one of the deepest books.”  [JH]
  • Born May 13, 1946 — Marv Wolfman, 75. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he very temporarily untangled DC’s complicated history with George Pérez. And He worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell he even wrote a Reboot episode!) (CE) 
  • Born May 13, 1949 — Zoë Wanamaker, 72. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone ever waswhere she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories, ”The End of the World” and “New Earth”. (CE)
  • Born May 13, 1951 — Gregory Frost, 70. His retelling of The Tain is marvelous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend taking an existing legend and making it fresh it through modern fiction writing is amazing. Fitcher’s Brides, his Bluebeard retelling is an fantastic novel though quite horrific. (CE) 
  • Born May 13, 1951 – A.J. Austin, age 70.  Two novels (with Ben Bova), nine shorter stories.  Interviewed Forry Ackerman and Mike Resnick for Thrust.  Ten years hosting a midday call-in radio program in Connecticut.  [JH]
  • Born May 13, 1957 — Frances Barber, 64. Madame Kovarian, a prime antagonist during the time of The Eleventh Doctor showing up in seven episodes in totality. Fittingly she played Lady Macbeth in Macbeth at the Royal Exchange in Manchester. I’ve got her doing one-offs on Space PrecinctRed Dwarf and The IT Crowd.  (CE) 
  • Born May 13, 1981 – Kieran Yanner, age 40.  A dozen covers, half a dozen interiors; games; Magic: the Gathering cards; concept art.  Here is Before They Were Giants.  Here is Demon in White.  Here is Ghen, Arcanum Weaver.  [JH]
  • Born May 13, 1983 – Nate Ball, age 38.  Mechanical engineer, pole vaulter, beatboxer.  Eight Alien in My Pocket science-adventure chapter books for kids.  Here is Blast Off!  Here is Ohm vs. Amp. [JH]

(9) COMICS SECTION.

(10) BBC VS. FANFIC? iNews says “Doctor Who fans feel ‘demonised’ by BBC crackdown on fan fiction”.

But recently a number of fanfic creators have received worrying demands from the BBC to remove their work from the public domain, arguing that they are infringing on copyright. Under the question “Can I create Doctor Who fan fiction?” on the show’s online FAQ page, the BBC advises that while anyone is “welcome to write Doctor Who fiction for your own enjoyment, but we should remind you that it is not permitted for you to publish this work either in print or online.”

The rules – which were published in 2014 – were unknown to the majority of creators but were widely shared on Twitter this week in response to the BBC’s demands. In response, 21-year-old student Jamie Cowan has started a petition calling for the BBC Studios, the production company behind Doctor Who to offer the fans a seat at the table in these decisions.

Cowan’s petition is at Change.org: “Petition of concern about BBC Studios approach to Doctor Who fan content”. His reference to video clips suggests the BBC’s issue is about more than written Who stories. The petition only has 166 signatures as of this moment.

… The current experience of BBC Studios staff contacting fanfiction and fan audioplays about the own original non-profit ventures – is concerning.

The manual targeting of those who use clips of the show for review purposes or for ‘Top 10’ videos that strongly promote the episodes that they are discussing – is concerning.

We, of the Doctor Who fandom – both creators and the viewers of said creators – call upon you to make a strong reconsideration of the actions you are taking against passionate fans who are doing no damage to the sales or marketability of the brand….

(11) DISNEY RIDES UPDATE HITS A BUMP. “Disney takes ‘woke’ steps toward inclusivity, but sparks a conservative backlash” finds Yahoo! Entertainment.

…The “wench auction” was among the first to go in the exodus of classic-but-problematic Disney scenes. In 2018, the popular Pirates of the Caribbean ride got an overhaul when a redhead who had once been sold as a bride became a pirate instead.

Two years later, the theme park giant announced it was overhauling the Splash Mountain flume ride to lose its story line inspired by “Song of the South” — an outdated Disney film that the company no longer makes available to view because of its rosy view of post-Civil War plantation life. More recently, the company announced updates to the classic Jungle Cruise ride to remove “negative depictions of ‘natives’” and add new elements, just in time for a new movie out this summer….

But these changes aren’t taking place without pushback. Fans created a petition to “save” Splash Mountain from the new theme. Disney-focused sites are full of users who decry what they see as a progressive agenda in the parks, and announcements about updates are typically greeted with threats of a boycott. People who vocally advocate for revisions are often subjected to abusive messages….

The updates in the parks follow a shift in the company’s films over the past several decades. Anne Zimmermann, a lecturer in the Rollins College English department in Winter Park, Florida, said Disney’s princesses started becoming more inclusive, assertive and even feminist over the past couple of decades.

“Today’s generation, they are kind of expecting this of Disney, and they will tell you it’s long overdue,” said Zimmermann, who uses Disney stories in her classes.

At the same time, Disney has recognized that some of its older films include outdated and racist cultural stereotypes and has added warnings on its streaming platform or removed those movies from children’s profiles.

“They’re moving not just toward not being racist, but anti-racist,” Zimmermann said. “Changing the parks continues their own narrative of change.”

Her students visit Disney parks for field research — or, more recently, explore rides online — and flag those that strike them as problematic.

For now, there’s a laundry list of other nominees for eventual updates: the Peter Pan ride for stereotypical depictions of Indigenous people; a ride in Epcot’s Mexico area that includes broad stereotypes; Dumbo, which is based on a movie that includes racist tropes. Fan sites circulate longer lists of what rides might be under the microscope next, occasionally with outraged remarks: It’s a Small World, Hall of Presidents, Country Bear Jamboree.

Disney isn’t saying what is next, but the company has dedicated a team to making sure that updates are done right.

“You create experiences that will make people feel welcome, seen and heard and to let them know that their stories are just as important,” Carmen Smith, creative development and inclusion strategies executive for Walt Disney Imagineering, said in a video. “And so my responsibility is to look at what do we have now and does it resonate with our guest in making them more reflective of the world we live in.”

(12) TOXIC AVOIDER. Alan Yu interviews Amy Ratcliffe about her book A Kid’s Guide to Fandom at NPR: “How Kids Can Avoid Toxic Fandoms”.

…So how do fans navigate these communities, to find the good parts while being aware of the bad? It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.

Amy Ratcliffe, managing editor for the pop culture site Nerdist, addresses this as part of her new book, A Kid’s Guide to FandomShe says it’s the book that she wishes she could have had when she was a young fan looking for others like her. Ratcliffe remembers growing up as a fan of the Wheel of Time series, using her family’s dial-up internet to visit online forums.

She says her objective is for kids to be aware of fandom, “that other people like the same things that you like … even if it’s one other person, like you’re not alone.”

“I still hear stories about young girls being bullied because they like Star Wars; they think they’re the only kid,” she says. “It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.”

No one gets to decide who is a “real” fan

Ratcliffe explains in her book that some fans can become gatekeepers, people who want to decide who is or is not a “real fan.” Fans, she says, should never have to prove themselves.Ratcliffe herself has run into gatekeepers; once, at a Star Wars convention, a man saw her Rebel Alliance tattoo, “looked at the tattoo, looked at my then-boyfriend who was with me, and was like … completely serious by the way, no sarcasm, like, ‘oh that was really nice of you to get that tattoo for your boyfriend.'”

Her advice for younger fans who want to find communities is to start with groups or places that they know: a local library, or a game shop they go to with their family; to trust their instincts when they feel something is off; and to get an older sibling, a parent, or guardian involved….

(13) HE FINALLY GOT TO SPACE. In Heritage Auctions’ May 21 – 22 Space Exploration Signature Auction one of the items up for bid is this Apollo-Soyuz Test Project Flown Silver Robbins Medallion with a lot of history behind it:

Apollo-Soyuz Test Project Flown Silver Robbins Medallion, Serial Number 43F, Personally Presented by Deke Slayton to and Directly from the Estate of NASA Legend Chris Kraft, with Slayton’s Signed COA and Handwritten Letter of Appreciation. This 35mm sterling silver medal is one of only ninety-three flown (of 285 minted) aboard the Apollo-Soyuz Test Project, the first international manned space effort, July 17-19, 1975, with U.S. crewmembers Thomas Stafford, Vance Brand, & Deke Slayton and Soviet crewmembers Alexei Leonov & Valery Kubasov. The obverse features the mission insignia depicting the docking maneuver above the Earth and the names of the mission and crewmembers. The reverse features the title “First Joint U.S.-U.S.S.R. Space Flight” and the engraved dates. The serial number is on the rim along with the sterling and Robbins hallmarks. This mission effectively ended the “Space Race” between the U.S. and the U.S.S.R. We seldom are able to offer flown examples of this mission’s medal and this one is likely the nicest we have ever handled. A great candidate for grading and encapsulation.

If this were just a Robbins medal with astronaut or even crewmember-provenance, it would be desirable and valuable. When the history behind it is revealed, it becomes a very special item indeed. Deke Slayton was one of the original “Mercury Seven” but was the only one who never flew into space due to being grounded in 1962 with an atrial fibrillation. Ten years later, he was cleared to fly on Apollo-Soyuz with Dr. Kraft’s blessings. On December 1, 1975, Slayton met with Kraft and presented this medal to him loose in an envelope hand-addressed ” Dr. Chris Kraft/ Personal“. Additionally, inside was a December 1st-dated typed letter signed on NASA letterhead that reads: “I hereby certify that Apollo-Soyuz medallion, serial number 43F, was flown in space aboard the Apollo Command Module from July 15, 1975, through July 17, 1975, and that this medallion was presented to Dr. Christopher C. Kraft, Jr., on December 1, 1975. [signed] D. K. Slayton“. 

 [Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Ben Bird Person, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Jason Sanford, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 5/11/21 Pixelai Filevanovich Scrollachevsky Is His Name. Hey!

(1) MACHADO ON BOOK BANS. Carmen Maria Machado has an op-ed in today’s New York Times: “Banning My Book Won’t Protect Your Child”.

… Book bans in America are nothing new. As long as there have been writers, there have been reactionaries at their heels. (Boston held its first book burning in 1650.) Today in the United States, books that feature characters who are Black, Latinx, Indigenous, queer or trans — or are written by authors who identify that way — frequently make up a majority of the American Library Association’s annual list of the top 10 books most often censored in libraries and schools. These book bans deprive students of a better understanding of themselves and one another. As a writer, I believe in the power of words to cross boundaries at a time of deep division. Now more than ever, literature matters.

Those who seek to ban my book and others like it are trying to exploit fear — fear about the realities that books like mine expose, fear about desire and sex and love — and distort it into something ugly, in an attempt to wish away queer experiences.

They do not try to hide their contempt, or their homophobia. They accuse teachers who want to assign my book of “grooming” students, language that’s often used to accuse someone of being a pedophile and a common conservative dog whistle when it comes to queer art. They want to shield their children from anything that suggests a world beyond their narrow perception.

As anyone can tell you — as history can tell you — this is ultimately a fool’s errand. Ideas don’t disappear when they’re challenged; banned books have a funny way of enduring. But that doesn’t mean these efforts are without consequences.

The high school seniors affected by this action are on the cusp of adulthood, if not already there. Soon, they will go into the world. They will date and fall in love and begin relationships, good and bad. I understand that for a parent, it’s almost unthinkable to imagine that your child could experience such trauma. But preventing children from reading my book, or any book, won’t protect them. On the contrary, it may rob them of ways to understand the world they’ll encounter, or even the lives they’re already living. You can’t recognize what you’ve never been taught to see. You can’t put language to something for which you’ve been given no language.

Why do we not see these acts of censorship for what they are: shortsighted, violent and unforgivable?

(2) WISCON PLANS. This year’s WisCon substitute, although still online, will be different from last year’s virtual convention: “Visioning WisCon”.  

This spring (unlike last spring) has gone fast, but we’ve found the time to be sad about the lack of a WisCon this year as much as we have been hearing you are missing it. But we looked at our energy levels (sadly low) and our virtual-event-expertise levels (also pretty low), and we had to conclude that we weren’t going to be able to do a second WisCONline.

… We will be asking folks to register, so we can send you the information you need to attend. Our base ticket price is FREE! Tickets priced at $10 help us make the next in-person convention happen; $60 tickets go to our Member Assistance Fund, helping folks attend in 2022; the $200 tickets help assure that WisCon can keep happening past 2022. The program space will be open 4pm to 11pm Central time, Saturday May 29 & Sunday May 30.

(3) WRITERS GETTING PAID – WE HOPE. At BookRiot, Sarah Nicolas takes a crack at answering “How Much Do Authors Make Per Book?”

…When I teach classes and am asked how much do authors make, people tend to be deeply unsatisfied with my “it depends” answer. There is no way to predict how much a book will make, but I spoke with 15 authors of all stripes to demonstrate the variety of options. I spoke with self-published authors and traditionally published authors who have made less than they spent on expenses, authors of both paths who easily make a living off their writing, and everyone in between.

While there are many author earning surveys done by a variety of organizations, they are self-reported and only reach the sphere of influence of the organization. Much like with this article, mega bestsellers -— think Stephen King or James Patterson — don’t participate in those surveys. I would also like to caution against reading any kind of “data” on author earnings from websites that are also trying to sell you author services. I ran across many of these in my research and the numbers they present are incredibly skewed and intentionally misleading.

Many of the quoted writers have not let their real name be used. But here’s one you’ll recognize:

…Popular science-fiction author Jim C. Hines has been publishing his income reports every year since 2007. He’s never hit a bestseller list, but his last five books have been lead titles for his publisher. He made $31,411 in 2020, including $13.5k from a Kickstarter. In 2016, he also published a survey of almost 400 authors’ income, which resulted in an average of $114,124, but a median of $17,000, meaning a handful of high-earning outliers were bringing that average up….

(4) HEAR FROM THE HISTORIC TRIMBLES. Fanac.org’s next Zoom fanhistory session will host An Interview with Bjo and John Trimble on May 22 at 2:00 p.m. Eastern. For reservations, send an RSVP to [email protected].

An Interview with Bjo and John Trimble. Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organizers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for Best Fan Artist Hugo. They were also involved in the SCA and costuming, receiving a lifetime achievement award from the International Costumers Guild in 1992. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and more.  For reservations, send an RSVP to [email protected].

(5) REASONS TO JOIN. “Recruiting the Millennials” on Facebook is a long post about what it takes to get people under the age of 30 interested in the Society for Creative Anachronism. Is any of the experience transferable to your activities?

…Gulf Wars is where I fell in love with the SCA. It got me hooked. I would meet people at Gulf Wars in 2013 who would quite literally change my life, and what got me addicted to the society, what finally set the hook, was being introduced to someone my own age. This seems like such a simple, easy arbitrary thing, but it mattered. You see, before I was introduced to someone my age the SCA felt intimidating, a bit unobtainable in it’s scope and culture. Seeing someone my own age thriving in the society, fighting, with a group of friends also within my age-group was welcoming and showed me that someone so comparatively young can come to fit in here.

Since those days I have made lots of friends my own age in the SCA, most tell a story not to dissimilar to my own. You see the antiquated recruitment methods of the SCA are simply not working. The old pitch “I get to hit my friends with a stick, and have a beer with them later.” is corny, it made me cringe when I first heard it and it makes me cringe now when I hear someone deliver it to someone new like it’s the golden ticket to a life-long member. I am a heavy fighter in the SCA, fighting was a huge draw for me. I grew up on video games and I wanted to be the hero of my own story. That journey is a hard one, and it takes time and dedication. Not everyone is going to have the discipline to stick with it to get to the level of fighting that they want out of themselves, and that’s ok. Some may join wanting to be a fighter, and end up taking up in metalwork or bardic. They may simply fall in love with the culture of the SCA, and do a little bit of everything, and that’s ok too….

(6) IN MEMORY YET GREEN. Coming to theaters July 30: The Green Knight.

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger.

(7) UP FRONT ADULTING. “Netflix Drops a New Red Band Trailer For Love, Death + Robots Volume 2” and SuperHeroHype points the way.

Last month, Netflix finally revealed the first look at the highly-anticipated second season of Love, Death + Robots. The trailer featured footage from brand new animated shorts. However, it didn’t exactly showcase the adult-oriented tone that the series was praised for when it debuted in 2019. Thankfully, Netflix has provided a simple fix to that problem. A new red-band preview for Love, Death + Robots Volume 2 has found its way online, this time offering a better look at what grown-up viewers can expect from the new season.

(8) MEDIA ANNIVERSARY.

  • May 11, 1955 — On this day in 1955, Ed Wood’s Bride Of The Monster had its original theatrical premiere in Hollywood, California.  It was produced by Ed Wood and written as well by him with assistance by Alex Gordon. The film starred Bela Lugosi in his last film and Tor Johnson as well. Most critics panned it, though a few thought it was almost decent by his low standards. Not so with the audience reviewers at Rotten Tomatoes who definitely didn’t like it at all and gave it a twenty-eight percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 11, 1899 E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr. he is the co-author of the English language style guide The Elements of Style. (Died 1985.) (CE) 
  • Born May 11, 1904 – Salvador Dalí.  Two Basket of Bread paintings twenty years apart – The Persistence of Memory between them – show he could be realistic if he felt like it.  Having said “The difference between me and a madman is that I am not mad,” he told a group of Surrealists “The difference between me and the Surrealists is that I am a Surrealist.”  He put an unfolded tesseract in Crucifixion; created in 1950 a Costume for 2045 with Christian Dior; drew, etched, sculpted; illustrated The Divine Comedy and The Arabian Nights.  Memoir, The Secret Life of Salvador Dalí.  (Died 1989) [JH]
  • Born May 11, 1918 – Richard Feynman.  He had a gift for looking from the abstract to the concrete: hence Feynman diagrams; plunging a piece of O-ring material into ice water at a hearing on the Challenger disaster; winning a Nobel Prize and teaching undergraduates. Kept a notebook Things I Don’t Know About.  A curved-space lecture handout had a bug on a sphere: “the bug and any rulers he uses are all made of the same material which expands when it is heated.”  Surely You’re Joking, Mr. Feynman reviewed by Alma Jo Williams in SF Review.  (Died 1988) [JH]
  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.) (CE) 
  • Born May 11, 1935 Doug McClure. He appeared in Seventies SF films The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre-wise, he also appeared in one-offs in The Twilight Zone, Out of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. (Died 1995.) (CE) 
  • Born May 11, 1952 Frances Fisher, 69. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on MediumX-Files, Outer LimitsResurrectionThe Expanse and had a role in the Watchmen series. (CE) 
  • Born May 11, 1952 Shohreh Aghdashloo, 69. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward. (CE) 
  • Born May 11, 1960 – Irwin Hirsh, age 61.  Early co-editor of Thyme.  Compiled The Incompleat Bruce Gillespie for the Bring Bruce Bayside Fund which brought Gillespie to Corflu 22 (fanziners’ con) and Potlatch 14.  GUFF delegate (northbound, Get-Up-and-over Fan Fund; southbound, Going Under Fan Fund).  Maintains an Australian Fan Funds Website.  [JH]
  • Born May 11, 1979 – Alice Lewis, F.N., age 42.  Made the logograph for First Night at Noreascon IV the 62nd Worldcon; you can see it on the First Night program sheet here.  Designed thirty NESFA Press books, like this (Tim Powers) and this (Roger Zelazny).  President of Harvard animé club while a senior there.  Fellow of NESFA (New England SF Ass’n; service).  Now designing for Viz Media.  [JH]
  • Born May 11, 1981 – Erin Hoffman, age 40.  Three novels, a score of shorter stories, half a dozen poems.  Co-edited The Homeless Moon.  Game designer.  She’s read Moby-Dick, two Austen novels, Treasure Island, four Shakespeare plays, Borges’ Ficciones, a Complete Poems of Emily Dickinson, The Hunt for “Red October”.  [JH]

(10) COMICS SECTION.

(11) A VISIT TO MILLARWORLD. In the Washington Post, David Betancourt interviews Scottish comics writer Mark Millar, whose strips Kick-Ass and The Secret Service have become films and whose company, Millarworld, was bought by Netflix and whose new show “Jupiter’s Legacy” is the first part of his production deal.  Millar explains how Netflix’s deal with Marvel to develop second-tier superheroes broke down and how Netflix is counting on Millar to supply superheroes to compete with Disney Plus and HBO Max. “Mark Millar’s ‘Jupiter’s Legacy’ kicks off Netflix’s new superhero universe”.

… “I’ve always avoided having a job. Like most writers, the idea of a job horrifies me. They knew I was never a guy who was going to come in and sit at a desk all day,” he said of the company. But his new arrangement “basically makes me feel as if I’m still running my own show, which is a perfect environment. You don’t feel like you have a boss watching everything you’re doing. It’s a very relaxed and chill environment.”

On a normal work day in his native Scotland, Millar spends most of his morning and afternoon writing, while he waits for Los Angeles to reach a Zoomable hour for calls with producers. Millar was a huge fan of Netflix’s “Daredevil” and was thrilled to have its originalshowrunner, Steven S. DeKnight, on “Jupiter’s Legacy” (even though DeKnight eventually exited)….

(12) WELL SPOKEN. The Rite Gud podcast says it’s also important to “Talk Gud: A Dialog About Dialog”

In this irregular episode, audio gremlin Sid Oozeley talks shop with returning guest Mario Coelho about fantasy and science fiction’s long-standing vendetta against dialogue writing.

Why is it frequently so stilted and stiff? Why are American writers so averse to local flavor? Why do so many grown adults still try to write like Joss Whedon? Just how far off-topic can Sid take a conversation? What the hell is verisimilitude, exactly?

Our boys get to the bottom of all of this and more on this unusual episode of Rite Gud.

(13) COUNT TO 19. The Los Angeles Times discovers that “Dracula’s castle proves an ideal setting for COVID-19 jabs”.

At Dracula’s castle in picturesque Transylvania, Romanian doctors are offering a jab in the arm rather than a stake through the heart.

A COVID-19 vaccination center has been set up on the periphery of Romania’s Bran Castle, which is purported to be the inspiration behind Dracula’s home in Bram Stoker’s 19th century gothic novel “Dracula.”

Every weekend through May, “vaccination marathons” will be held just outside the storied 14th-century hilltop castle, where no appointment is needed, in an attempt to encourage people to protect themselves against COVID-19.

“We wanted to show people a different way to get the [vaccine] needle,” Alexandru Priscu, the marketing manager at Bran Castle, told the Associated Press….

Those brave enough to get a Pfizer vaccine shot receive a “vaccination diploma,” which is aptly illustrated with a fanged medical worker brandishing a syringe….

“Besides the diploma, people benefit with free entry to the [castle’s] torture rooms, which have 52 medieval torture instruments,” Priscu noted.

(14) OVERTIME. James Davis Nicoll names “Five SF Novels That Take the Long View of History” for Tor.com readers.

You might think that it would be hard to make such books interesting. (I don’t think that anyone has ever described The Decline and Fall of the Roman Empire as a cracking thrill ride: “Could not put it down!”) The following five novels show that it is possible to write interesting works that take the long view….

Children of Time by Adrian Tchaikovsky (2015)

Doctor Kern did not personally terraform the nameless world twenty light-years from Earth but she plans to shape its destiny. Kern intends to seed what she dubs Kern’s World with monkeys infected with a nanovirus. The virus has been designed to force the monkeys along a deterministic path towards a new and better species, one far superior to disappointing humanity. Alas, her bold vision has failure points. Points which doom it.

The monkeys die on their way to the surface. The nanovirus, on the other hand, makes planetfall. Lacking its intended host, the nanovirus abandons Chordata in favour of Arthropoda. Kern’s World is ruled by generation after generation of very bright, surprisingly social spiders. Humans will one day make their way to Kern’s World, where they will either find some way to deal with the spiders or perish.

(15) THE RED, GREEN, AND BLUE PLANET. Adam Mann, in The New Yorker article “Is Mars Ours?”, asks “Should we treat other planets like natural resources or national parks?”

Last year, about a month into the pandemic, I reached for something comforting: the 1992 science-fiction novel “Red Mars,” by Kim Stanley Robinson. I’d first read it as a teen-ager, and had reread it a handful of times by my early twenties. Along with its two sequels, “Green Mars” and “Blue Mars,” the novel follows the first settlers to reach the red planet. They establish cities, break away from Earth’s control, and transform the arid surface into a garden oasis, setting up a new society in the course of a couple hundred years. On the cover of my well-worn copy, Arthur C. Clarke declared it “the best novel on the colonization of Mars that has ever been written.” In my youth, I considered it a record of what was to come.

It had been a decade since I’d last cracked open the book. In that time, I’d become a journalist specializing in space, covering its practical, physical, biological, psychological, sociological, political, and legal aspects; still, the novel’s plot had always stayed with me, somewhere in the back of my mind. It turns on a series of questions about what we owe to our planetary neighbor—about what we are allowed to do with its ancient geological features, and in whose interests we should be willing to modify them. In Robinson’s future, a disgruntled minority of settlers argue that humanity has no right to alter a majestic place that has existed without us for billions of years; they undertake ecoterroristic acts to undermine Martian terraforming efforts and, in the end, succeed in keeping parts of Mars a wilderness. I used to think it sensible that their opinion was relegated to the margins. Reading the novel again, I wasn’t so sure.

“It seemed to me obvious,” Robinson told me, over the phone this winter, when I asked him how he’d come to place that particular dilemma at the center of his trilogy…. 

(16) HONEST TRAILER. In “Mortal Kombat (2021),” the Screen Junkies say the new Mortal Kombat film is “a martial arts movie that takes itself way too seriously” and features “four real martial artists but you’d never know it from all the quick cuts.”

[Thanks to Martin Morse Wooster, N., JJ, Michael Toman, Jeffrey Smith, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, James Davis Nicoll, Joe Siclari, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 4/9/21 I Have Heard the Pixels Scrolling, Each to Each

(1) WHEN THE DOORS OPEN, WHO WILL COME IN? The Los Angeles Times interviewed people who rely on convention business to measure the distance between reopening and recovery. “California reopening: When will huge conventions come back?”

The San Diego Convention Center hosted about 135,000 visitors two years ago for Comic-Con, the four-day celebration of comic books and pop culture.

…But even when state restrictions lift, experts acknowledge, it may be a year or more before California convention centers host the kind of mega-crowds that flocked to Comic-Con, NAMM and E3 in past years.

“We anticipate that shows will be smaller starting off and getting back up to speed hopefully next year,” said Ellen Schwartz, general manager of the Los Angeles Convention Center. “As we get into the last quarter of this calendar year and start the new year, we’re hopeful that the business will come back to closer to where it was before the pandemic.”

Among the reasons for the smaller events: State officials say COVID-19 protocols for large-scale indoor events will still require testing or vaccination verifications, which could exclude some would-be attendees. The state has yet to release details of those requirements.

Also, surveys show that many business travelers still don’t feel safe meeting face to face indoors with thousands of strangers. Some elements of future events are likely to be conducted via streaming video, accommodating virus-cautious attendees who want to stay home.

The Centers for Disease Control and Prevention still recommends against attending large indoor gatherings, saying they increase the risk of spreading COVID-19.

Rachel “Kiko” Guntermann, a professional costume maker who previously attended five or six conventions a year, including Comic-Con, said she would not feel safe returning to a large convention even though she has been fully vaccinated against COVID-19.

“Conventions were a center of my life for a while, and now the idea of being in a vendor hall with that many people makes me want to dry heave,” she said….

(2) FRANKENSTAMP AND FRIENDS. A set of Classic Science Fiction stamps will be issued by Great Britain’s Royal Mail on April 15. Preorders are being taken now.

A collection of six Special Stamps celebrating the imagination and artistic legacy of classic science fiction.

The issue coincides with the 75th anniversary of the death of HG Wells and the 70th anniversary of the publication of The Day of the Triffids.

Each stamp features a unique interpretation by a different artist illustrating a seminal work by a classic British science fiction author

Two First Class, two £1.70 and two £2.55 stamps presented as three horizontal se-tenant pairs.

Click for larger images.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to grab a slice of pizza with Nebula Award-winning writer A. T. Greenblatt in episode 142 of his Eating the Fantastic podcast.

A.T. Greenblatt

A. T. Greenblatt’s short fiction has appeared in Strange HorizonsUncannyBeneath Ceaseless SkiesClarkesworldFiresideLightspeed, and other magazines. She won the 2019 Nebula Award for Best Short Story for “Give the Family My Love,” and is also on the current Nebula Awards ballot for her novelette “Burn or The Episodic Life of Sam Wells as a Super.” She was also a Nebula finalist for 2018. She has also been a Theodore Sturgeon Award finalist as well as a Parsec Award finalist. She is a graduate of the Viable Paradise and Clarion West workshops, and has been an editorial assistant at the flash fiction magazines Every Day Fiction and Flash Fiction Online.

We discussed the writing workshop-induced panic which caused her to begin writing her latest Nebula Award-nominated story, how the Viable Paradise workshop helped kick her writing up a notch, why she prefers Batman to Superman, the importance of revisions, critique groups, and community, what’s to be learned from rereading one’s older work, why she’s a total pantser, her love of Roald Dahl, something she wishes she’d known earlier about the endings of stories, how much of writing is being able to keep secrets and not explode, and much more.

(4) 2021 SFPA POETRY CONTEST AND JUDGE ANNOUNCED. The 2021 Science Fiction & Fantasy Poetry Association (SFPA) Speculative Poetry Contest will be open for entries from June 1 through August 31, with Sheree Renée Thomas serving as guest judge of the contest. Full guidelines here.

Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, natural science and Mississippi Delta conjure. Nine Bar Blues: Stories from an Ancient Future (Third Man Books) is her first all prose collection. She is also the author of two multigenre/hybrid collections, Sleeping Under the Tree of LIfe and Shotgun Lullabies (Aqueduct Press) and edited the World Fantasy-winning groundbreaking black speculative fiction Dark Matter anthologies (Hachette/Grand Central). 

Sheree is the associate editor of the historic Black arts literary journal, Obsidian: Literature & the Arts in the African Diaspora and editor of The Magazine of Fantasy & Science Fiction.

The 2021 SFPA Speculative Poetry Contest is open to all poets, including non-SFPA-members. Prizes will be awarded for best unpublished poem in three categories: Dwarf (poems 1–10 lines [prose poems 0–100 words]); Short (11–49 lines [prose poems 101–499 words]); Long (50 lines and more [prose 500 words and up]). Line count does not include title or stanza breaks. All sub-genres of speculative poetry allowed in any form.

Prizes in each category (Dwarf, Short, Long) will be $150 First Prize, $75 Second Prize, $25 Third Prize. Publication on the SFPA website for first through third places. Winners will be announced and posted on the site October 1.

(5) IN EXTREMIS. The new This Is Horror podcast features Wrath James White talking about Extreme Horror, Uncomfortable Writing, and The Resurrectionist.

Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. His books include The ResurrectionistSucculent Prey, and The Teratologist with Edward Lee.

(6) PLUCKED OFF THE SLUSHPILE. [Item by rcade.] Though many novelists would tell the story of how they first became published as a heroic triumph of talent and perseverance over rejection and adversity, the science fiction author Stephen Palmer credits something else entirely in a new interview with SFFWorld: “Interview with Stephen Palmer”.

My route to publication was the one too few people talk about – pure chance. Random luck is a far larger player in getting published than most people realize, partly because writers don’t want to believe they have little or no agency in their own success, and partly because the odds against success are so huge nobody wants to face them. I was plucked off the slush pile because I sent in the right novel at the right time. Tim Holman remembered it when he and Colin Murray were seeking new British writers, and he contacted me. But it could have been so different. In December 1993 me and my then wife were about to move house, and for reasons too unpleasant to detail here we weren’t going to leave a forwarding address. A few days before we departed a letter popped through the letterbox. It was from Tim Holman, writing back to me a full year after I’d sent him an extract of Memory Seed, telling me he wanted to read more. If I’d moved a week earlier I might not be an author now…

 Palmer’s debut novel Memory Seed is being  republished by Infinity Plus. He got the rights back from Orbit for that book and Glass nine years ago but the original files were lost. He bought copies, removed the pages and did the OCR scanning himself.

(7) DO YOU REMEMBER LOVE? Maybe not, it’s been awhile! But now Forbes’ Ollie Barder reports:  “The Decades Long Rights Battle Over ‘Macross’ And ‘Robotech’ Has Finally Been Resolved”.

This has been one of the longest running legal battles in anime and I never thought I would see it resolved in my lifetime….

As to the details of what this agreement entails, this is what the official press statement has to say:

“Tokyo based BIGWEST CO.,LTD. and Los Angeles based Harmony Gold U.S.A. announced an agreement regarding the worldwide rights for the legendary Macross and Robotech franchises. This expansive agreement signed by both companies on March 1, 2021, ends two decades of disagreements and will allow Bigwest and Harmony Gold to chart a new path that will unlock the great potential of both the Macross and Robotech franchises worldwide. The landmark agreement immediately permits worldwide distribution of most of the Macross films and television sequels worldwide, and also confirms that Bigwest will not oppose the Japanese release of an anticipated upcoming live-action Robotech film. The agreement also recognizes Harmony Gold’s longstanding exclusive license with Tatsunoko for the use of the 41 Macross characters and mecha in the Robotech television series and related merchandise throughout the world excluding Japan. Moving forward, both parties will cooperate on distribution regarding future Macross and Robotech projects for the benefit of both franchises.”

(8) PUTTING THE EVIDENCE TOGETHER. “French police on trail of international gang of Lego looters”The Guardian has the story.

French police say they are building a case against an international gang of toy thieves specialising in stealing Lego – and they have warned specialist shops and even parents to be aware of a global trade in the bricks.

The alert comes after officers arrested three people – a woman and two men – in the process of stealing boxes of Lego from a toy shop in Yvelines, outside Paris, last June. Under questioning, the suspects, all from Poland, reportedly admitted they were part of a team specialising in stealing Lego sought by collectors.

“The Lego community isn’t just made up of children,” one investigator told Le Parisien newspaper. “There are numerous adults who play with it; there are swaps and sales on the internet. We’ve also had people complaining their homes have been broken into and Lego stolen.”

Van Ijken cited a Cafe Corner Lego set that cost €150 when it was released to shops in 2007 selling in its original box for €2,500 last year.

Lego looting appears to be a global business, according to reports in the US, Canada and Australia, where numerous thefts have been reported over the last five years. In 2005, San Diego police arrested a group of women found to have €200,000 worth of Lego.

(9) THE UNKINDEST CUT. [Item by rcade.] The acclaimed weird fiction author Jeff VanderMeer is sickened by the actions of one of his new neighbors in Tallahassee, Florida:

Someone bought a house a few streets down and just cut down 30 mature pine trees — in the spring. I wonder if they know there’s little they could do in their lives to make up for the wildlife they just slaughtered. I know we’ll be getting survivors in the yard for weeks to come.

I’m planting two sycamores and some river birch, mayhaw next week and then also seeking out some of the pine saplings to protect them. We have 8 mature pines in the yard and not a damn one is getting cut down. …

Developers are trying to eat this city alive and we have, purportedly 55% canopy, although I imagine it’s a lower percentage after the predation of the past few years.

A Florida law enacted in 2019 made it much harder for cities and counties to stop property owners from removing trees. Tallahassee and the surrounding county have 78 miles of roads shaded by oak, hickory, sweet gum and pine trees and the city’s tree canopy coverage is among the largest in the U.S.

Noted for elements of ecofiction in his works, VanderMeer has filled his Twitter feed with photos of area trees and wildlife.

(10) NEW BOOK: HUMMINGBIRD SALAMANDER. Carmen Maria Machado has done a Q&A with Jeff VanderMeer for Interview: “Can Author Jeff VanderMeer Save Us from Extinction?”

[From the Introduction] A scroll through Jeff VanderMeer’s Twitter account yields all manner of birds, flowers, trees, bird feeders, backyard wildlife, and the occasional portrait of his housecat, Neo. By and large, it seems such joyous, benevolent content that it’s surprising it comes from the same hands as one of the most subversive, experimental, apocalyptic, and politically daring fiction writers at work in America today. 

…Another of his passions involves his ongoing project of “rewilding” his half-acre yard on the edge of Tallahassee. In order to combat natural-habitat destruction, VanderMeer has reintroduced native plants and trees to encourage the return of local wildlife. The fruits of VanderMeer’s tweets spring directly from the myriad animals, insects, organisms, and flowering flora that have returned to his homegrown micro nature-preserve. (“Right now, during migration season,” he reports, “we have about 300 yellow-rumped warblers in the yard and another 400 pine siskins, along with ruby-crowned kinglets, Baltimore orioles, orange-crowned warblers, hermit thrushes, cedar waxwings, etc.”) Will VanderMeer save our planet? Can it even be saved at this point? These are the real mysteries of our era…. 

MACHADO: It’s a bit like watching this pandemic unfold. We’re botching it all up, and you can’t help but feel like it doesn’t have to be this way. Do you think you’re a cynic about wildlife and the climate crisis?

VANDERMEER: I think that fixing the climate crisis should be more ingrained in our discussions and it’s not. Even in fiction, I see a lot of green-tech solutions that are totally divorced from actually dealing with what’s going on in the landscape. The other day I saw that Elon Musk had gone from chastising the oil industry to being like, “We need to mine for our SpaceX platform so that we have energy for our rockets.” Those are the kinds of things that get to me. One reason I push so hard for wildlife and for habitat is that I just don’t think we can make it through without them. We can’t just green-tech our way into some kind of solution. We have to change how we actually interact. And I do think we can all make small changes in how we do things that can really help us. In that way, I’m not cynical. People ask about hope all the time, which in a very absurdist way cracks me up because there’s always this question of, “Is it too late?” And it’s like,

“Well, what are you going to do if it’s too late? You really have no choice but to try to do the best things possible to get out of this.” Next cheery question!

(11) ROSWELL AWARD. The Roswell Award and Women Hold Up Half the Sky – Virtual Celebrity Readings & Awards will happen on Saturday, May 22 at 11 a.m. Pacific.  The Roswell Award finalist judge is Wesley Chu.

We received some truly incredible stories from 60 different countries this season.

Make sure to save the date for May 22 if you want to experience exciting new sci-fi stories, chat with competition participants from around the world, and hear our celebrity guest readers!

(12) HUMMEL OBIT. The Washington Post has an obituary for Joye Hummel by Harrison Smith.  Hummel was hired by William Moulton Marston as a secretary and then went on to write Wonder Woman scripts until 1947.  Historians credit her as being the first woman to write scripts for Wonder Woman. She died April 5. “Joye Hummel, first woman hired to write Wonder Woman comics, dies at 97”.

In March 1944, shortly before Joye Hummel graduated from the Katharine Gibbs secretarial school in Manhattan, she was invited to meet with one of her instructors, a charismatic psychologist who had been impressed by her essays on a take-home test.

Over tea at the Harvard Club, professor William Moulton Marston offered her a job — not in the classroom or psych lab, but in the office of his 43rd Street art studio. He wanted Ms. Hummel to help him write scripts for Wonder Woman, the Amazonian superhero he had created three years earlier and endowed with a magic lasso, indestructible bracelets, an eye-catching red bustier and a feminist sensibility.Ms. Hummel, then 19, had never read Wonder Woman; she had never even read a comic book. But Marston needed an assistant. His character, brought to life on the page by artist H.G. Peter, was appearing in four comic books and was about to star in a syndicated newspaper strip. He was looking for someone young who could write slang and who, perhaps most importantly, shared his philosophy and vision for the character. “You understand that I want women to feel they have the right to go out, to study, to find something they love to do and get out in the world and do it,” Ms. Hummel recalled his saying. She was “astonished and delighted” by the job offer, according to historian Jill Lepore’s book, “The Secret History of Wonder Woman,” and soon began writing for the comic. “I always did have a big imagination,” she said.

Ms. Hummel worked as a Wonder Woman ghostwriter for the next three years, long before any woman was publicly credited as a writer for the series. As invisible to readers as Wonder Woman’s transparent jet plane, she was increasingly recognized after Lepore interviewed her in 2014. Four years later, she received the Bill Finger Award, given to overlooked or underappreciated comic book writers at the Eisner Awards….

(13) MEDIA BIRTHDAY.

  • April 9, 1955 — On this date in 1955, Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv.  It ran for seventy eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 9, 1906 – Victor Vasarely.  Grandfather of op art, like this, and this (Supernovae, 1961).  Here is The Space Merchants using some of VV’s Folklore Planetario for the cover.  (Died 1997) [JH]
  • Born April 9, 1911 George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s ended when Campbell’s wife left him for Smith whom she married. Later stories were on Thrilling Wonder StoriesGalaxySuper Science Stories and Fantastic to name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.) (CE) 
  • Born April 9, 1913 George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet.  You can see “The Birth of The Galaxy” which he scripted for the first show here as it is in the public domain. (Died 1975.) (CE) 
  • Born April 9, 1915 – Charles Burbee.  One of our best fanwriters, of the brilliant but biting type (if you like that, as well as admiring it, you can change but to and).  Fanzine, Burblings; co-edited Shangri L’Affaires awhile.  Fan Guest of Honor at Westercon 27.  You can see The Incompleat Burbee here (part 1) and here (part 2).  Burbeeisms still circulate, like AKICIF (All Knowledge Is Contained In Fanzines) – sometimes without his mocking tone, a neglect he would have mocked.  (Died 1996)  [JH]
  • Born April 9, 1937 – Barrington Bayley.  A dozen novels, fourscore shorter stories, some under other names (“Michael Barrington” for work with Michael Moorcock).  Two collections.  Interviewed in InterzoneVector; on the cover of V223 for a Mark Greener article.  (Died 2008) [JH]
  • Born April 9, 1937 Marty Krofft, 84. Along with Sid, his brother, are a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea MonstersLand of the Lost and Electra Woman and Dyna Girl. (CE) 
  • Born April 9, 1949 Stephen Hickman, 72. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Art Work at ConAndian in 1994. (CE) 
  • Born April 9, 1954 Dennis Quaid, 67. I’m reasonably sure that he first genre role was in  Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it. (CE) 
  • Born April 9, 1972 Neve McIntosh, 49. During time of the Eleventh Doctor, She plays Alaya and Restac, two  Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter.  She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She’s Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, who together form a private investigator team. Big Finish gave them their own line of audio adventures. (CE) 
  • Born April 9, 1980 – Jill Hathaway, age 41.  Two novels.  Teaches high-school English, bless her.  Has read Cat’s Cradle, Tender Is the NightNative Son.  [JH]
  • Born April 9, 1981 – Vincent Chong, age 40.  Two hundred twenty covers, sixty interiors.  Artbook Altered Visions.  Here is Shine.  Here is the Gollancz ed’n of Dangerous Visions.  Here is G’s Left Hand of Darkness.  Here is Ghost Story.  [JH]
  • Born April 9, 1990 – Megan Bannen, age 31.  Two novels, one just last year.  “An avid coffee drinker and mediocre ukulele player…. in her spare time, she collects graduate degrees from Kansas colleges and universities.”  Or so she says.  [JH]

(15) COMICS SECTION.

(16) PRINCE PHILIP RIP. The Cartoon Museum in London noted the passing of its Patron HRH Prince Philip, the Duke of Edinburgh.

Prince Philip, the Duke of Edinburgh has been Patron of The Cartoon Museum in London for over 20 years. In 1949 he and the young Princess Elizabeth attended the Royal Society of Arts and listened to a speech by the great British cartoonist H. M. Bateman, calling for a national museum of cartoons.

He has given the museum continuous support and with his great love of humour he admired the genre of British cartooning. In 1994 he opened the museum’s exhibition on Giles, who drew for the Daily and Sunday Express from 1943 – 1991. The Duke of Edinburgh owned several Giles cartoons in his private collection; Giles was his favourite cartoonist – he admired his social observations, gentle humour, and depictions of the Royal Family.

The monarchy have been a persistent (and easy) target of cartoonists and caricaturists for 300 years, from Gillray and Beerbohm to Scarfe, Bell, Rowson and Peter Brookes – but the Duke of Edinburgh could always see the funny side in any situation, and took humorous depictions of himself in his stride. In 2002 Prince Philip opened an exhibition of cartoons on the Kings and Queens (300 Years of Cartoons about the Monarchy), and in 2006 he opened London’s first museum of cartoons.

The Cartoon Museum, its Trustees, Staff, and the cartooning community are saddened to hear Prince Philip has passed away, and send their deepest condolences to H. M. The Queen and his family.

(17) TO BOLDLY GO…WHO KNOWS WHERE? SYFY Wire reports  “New ‘Star Trek’ film set for summer 2023, as studios shuffle several releases”. Just don’t ask what it will be about.

Star Trek is bolding coming back to the big screen… two years from now. Paramount Pictures confirmed Friday that a brand-new Trek film will hit theaters on June 8, 2023. While the project is currently untitled and plot details are non-existent, we suspect this is the movie currently being written by The Walking Dead alum, Kalinda Vasquez.

(18) SANDMAN CROSSOVER. There’s a Q&A with the authors in “Joe Hill, Gabriel Rodriguez preview their Locke & Key Sandman crossover” at Entertainment Weekly.

…Written and illustrated by the Locke & Key creative team of writer Joe Hill and artist Gabriel Rodriguez, with the blessing of The Sandman co-creator Neil GaimanHell and Gone is set in 1927, during the opening sequence of The Sandman in which Morpheus, the King of Dreams, is held captive by the human sorcerer Roderick Burgess. Mary Locke, an ancestor of the Locke children who populate the main Locke & Key story, reaches out to Burgess to see if his occult society can help her save her brother’s soul from hell…. 

GABRIEL RODRIGUEZ: I started buying Sandman from the newspaper stand near my house once they started selling the Spanish edition here in Chile. They started publishing from the eighth issue, in which they introduce Death, and from then on they did the entire run. I remember reading that very first issue and was immediately hooked by the storytelling. And then when we get into the Doll’s House story line, I immediately realized it was going to be something really big and cool, and I ended up collecting the entire series. At the time I was reading Sandman, I was just daydreaming about eventually making a comic book myself, but living in such a small country where we don’t have a huge publishing industry, especially back then, it felt impossible.

(19) UNSOUND EFFECTS. “2021 Oscar-Nominated Short: “Yes-People'” on YouTube is an Icelandic animated film, directed by Gisli Darri Hallsdottir, that is an nominee for best short animated film, and is presented by The New Yorker.

“Yes-People” follows several Icelanders as they navigate minor daily conflicts—on their way to work, or to school, or while grocery shopping.

(20) PETRIFIED DINO GIZZARDS. Megafauna swallowed bigger stones than their avian descendants: “These Rocks Made a 1,000-Mile Trek. Did Dinosaurs Carry Them?”

The gastroliths were found in Jurassic-aged mudstones in a rock formation called the Morisson. A rainbow of pinks and reds, the Morisson formation brims with dinosaur fossils, including those of sauropods, such as Barosaurus and Diplodocus, as well as meat-eaters such as Allosaurus.

But the rocks, which are similar to gastroliths dug up elsewhere, were found on their own without any dinosaur remnants. To get a clue as to how they had ended up in modern-day Wyoming, the team crushed the rocks to retrieve and date the zircon crystals contained inside, a bit like studying ancient fingerprints.

“What we found was that the zircon ages inside these gastroliths have distinct age spectra that matched what the ages were in the rocks in southern Wisconsin,” said Malone, now a doctoral student studying geology at the University of Texas at Austin. “We used that to hypothesize that these rocks were ingested somewhere in southern Wisconsin and then transported to Wyoming in the belly of a dinosaur.

“There hasn’t really been a study like this before that suggests long-distance dinosaur migration using this technique, so it was a really exciting moment for us.”

(21) FOSSILIZED STINK. Or maybe dinos were shying rocks at this creature to get rid of the smell? “Beast of five teeth: Chilean scientists unearth skunk that walked among dinosaurs” at Yahoo!

A fossil of a skunk-like mammal that lived during the age of dinosaurs has been discovered in Chilean Patagonia, adding further proof to recent evidence that mammals roamed that part of South America a lot earlier than previously thought.

A part of the creature’s fossilized jawbone with five teeth attached were discovered close to the famous Torres del Paine national park.

Christened Orretherium tzen, meaning ‘Beast of Five Teeth’ in an amalgam of Greek and a local indigenous language, the animal is thought to have lived between 72 and 74 million years ago during the Upper Cretaceous period, at the end of the Mesozoic era, and been a herbivore…

(22) JUST IN TIME. The sixth season of DC’s Legends of Tomorrow premieres Sunday, May 2.

The Legends continue their new mission to protect the timeline from temporal aberrations – unusual changes to history that spawn potentially catastrophic consequences. When Nate, the grandson of J.S.A. member Commander Steel, unexpectedly finds himself with powers, he must overcome his own insecurities and find the hero within himself. Ultimately, the Legends will clash with foes both past and present, to save the world from a mysterious new threat.

[Thanks to John King Tarpinian, Michael J. Walsh, Frank Olynyk, Martin Morse Wooster, JJ, rcade, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, James Bacon, Scott Edelman, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender, with an assist from rcade.]

The Rathbones Folio Prize 2021

Carmen Maria Machado’s nonfiction work about domestic abuse, In the Dream House: A Memoir, has won the Rathbones Folio Prize 2021, given “to celebrate the best literature of our time, regardless of form.”  The winner receives a £30,000 prize.

Machado is already well-known to sff readers for the acclaimed collection Her Body and Other Parties, winner of the Shirley Jackson and William L. Crawford Awards, and finalist for the World Fantasy Award.

Machado also has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, and the National Book Critics Circle’s John Leonard Prize.

The Rathbone Folio Prize 2021 press release said this about the award-winner:

Carmen Maria Machado’s In The Dream House is a breathtakingly inventive, unflinchingly honest examination of domestic abuse in a female relationship, in which Machado breaks down the idea of what the memoir form can do and be – and bravely approaches a subject for which literary treatment has been extremely rare.

Roger Robinson said: “Carmen Maria Machado documents, in great detail, the descent of lives into obsessiveness, possession and, eventually, abuse amongst the queer community in which this is not often documented in literature. This already makes this book substantial. But it is its challenging of memoir form that is even more impressive. Machado breaks it down into short, sharp vignettes, written in impeccable prose, and mixes up the timeline. As the reader, In the Dream House gives me a feeling of traumatic fragmentation, so you have that constant tension as to what might be revealed next, like a veritable house of horror ride.”

Sinéad Gleeson said: “Carmen Maria Machado’s In the Dream House is an exceptional, important book. It takes everything a reader expects from a memoir, and upends and deconstructs it, playing with the possibilities of the form. Machado explores queerness, domestic violence and bodies in a multi-genre masterpiece, told in taut, stunning prose.”

Jon McGregor said: “In the Dream House is a compelling memoir, a striking piece of storytelling, and a work of art. This is my story, Carmen Maria Machado tells us, and it needs to be heard. I loved the way she moves through a range of forms in order to view the story from different angles, using language to hold a hidden experience up to the light. In the Dream House has changed me – expanded me – as a reader and a person, and I’m not sure how much more we can ask of the books that we choose to celebrate. I’m honoured to play a part in awarding this book the Rathbones Folio Prize 2021.”

Machado’s acceptance speech is in the following video:

The Rathbones Folio Prize 2021 Shortlist

The shortlist for the Rathbones Folio Prize 2021 announced February 10 includes one sff work and a memoir by a well-known sff writer. The Prize is given “to celebrate the best literature of our time, regardless of form.”  The winner receives a £30,000 prize.

Monique Roffey’s The Mermaid of Black Conch, “a feminist revision of an old Taino myth,” is on the list, as is Carmen Maria Machado’s nonfiction work about domestic abuse, In the Dream House: A Memoir. 

All books considered for the prize are nominated by the Folio Academy, an international group of more than 250 writers and critics. The three judges for the 2021 prize are poet Roger Robinson, the Irish writer, editor and broadcaster Sinéad Gleeson and novelist and short story writer Jon McGregor. The winner will be announced March 24.

Here is the complete shortlist:

  • Indelicacy – Amina Cain (Daunt Books)
  • handiwork – Sara Baume (Tramp Press)
  • Poor – Caleb Femi (Penguin)
  • My Darling from the Lions – Rachel Long (Picador)
  • In the Dream House: A Memoir – Carmen Maria Machado (Serpent’s Tail)
  • A Ghost in the Throat – Doireann Ní Ghríofa (Tramp Press)
  • The Mermaid of Black Conch – Monique Roffey (Peepal Tree Press)
  • As You Were – Elaine Feeney (Harvill Secker)

The Rathbones Folio Prize 2021 Longlist

The longlist for the Rathbones Folio Prize 2021 announced January 20 includes one sff work and a memoir by a well-known sff writer. The Prize is given “to celebrate the best literature of our time, regardless of form.”

Monique Roffey’s The Mermaid of Black Conch, “a feminist revision of an old Taino myth,” is on the list, as is Carmen Maria Machado’s nonfiction work about domestic abuse, In the Dream House: A Memoir. 

All books considered for the prize are nominated by the Folio Academy, an international group of more than 250 writers and critics. The three judges for the 2021 prize are poet Roger Robinson, the Irish writer, editor and broadcaster Sinéad Gleeson and novelist and short story writer Jon McGregor.

Here is the complete longlist:

  • Just Us – Claudia Rankine (Allen Lane)
  • Indelicacy – Amina Cain (Daunt Books)
  • The Appointment – Katharina Volckmer (Fitzcarraldo Editions)
  • As You Were – Elaine Feeney (Harvill Secker)
  • The Geez – Nii Ayikwei Parkes (Peepal Tree Press)
  • The Mermaid of Black Conch – Monique Roffey (Peepal Tree Press)
  • Poor – Caleb Femi (Penguin)
  • OK, Let’s Do Your Stupid Idea – Patrick Freyne (Penguin Ireland)\
  • The Actual – Inua Ellams (Penned In The Margins)
  • Shuggie Bain – Douglas Stuart (Picador)
  • My Darling from the Lions – Rachel Long (Picador)
  • English Pastoral – James Rebanks (Allen Lane)
  • The Pink Line: The World’s Queer Frontiers – Mark Gevisser (Profile Books)
  • In the Dream House: A Memoir – Carmen Maria Machado (Serpent’s Tail)
  • Strangers – Rebecca Tamás (Makina Books)
  • RENDANG – Will Harris (Granta)
  • Entangled Life – Merlin Sheldrake (The Bodley Head)
  • handiwork – Sara Baume (Tramp Press)
  • A Ghost in the Throat – Doireann Ní Ghríofa (Tramp Press)
  • How Much of These Hills is Gold – C Pam Zhang (Virago)

Bisexual Book Awards
2019 Winners

The winners and finalists of the Eighth Annual Bisexual Book Awards (BBA8), for books published in 2019, were announced June 19.

Click the link to see the winners in all categories: Non-Fiction, Memoir/Biography, Fiction, Romance, Erotic Fiction, Speculative Fiction [Sci-fi/ Bi-fi/ Fantasy/ Paranormal/ Horror/ Etc.], Teen/Young Adult, Mystery, Poetry; plus two special categories: Publisher of the Year and Bi Writer of the Year.

Rebecca Kim Wells won the Speculative Fiction category and was a finalist for Bi Writer of the Year. Carmen Maria Machado won the Memoir/Biography category.

The categories with finalists of genre interest are listed below. The winners are in boldface.

Speculative Fiction  [Bi-fi/Sci-fi/Fantasy/Paranormal/Horror/Etc.]

  • Shatter the Sky by Rebecca Kim Wells, Books for Young Readers/Simon & Schuster
  • Monster of the Week by FT Lukens, Duet Books / Interlude Press

Memoir/Biography 

  • In the Dream House by Carmen Maria Machado, Graywolf Press
  • Sorted by Jackson Bird, Tiller Press / Simon & Schuster

Teen/Young Adult Fiction

  • Deposing Nathan by Zack Smedley, Page Street Kids
  • Monster of the Week by FT Lukens, Duet Books / Interlude Press
  • The Mover by JC Garton, Riversong Books / Sulis International 

Bi Writer of the Year
{authors listed alphabetically by last name}

  • Sarah Blake, Naamah, Riverhead Books / Penguin Random House
  • Rosalind Chase, Lot’s Wife: An Erotic Retelling, Under Hill Press
  • Corey E. Flanders editor, Under the Bisexual Umbrella: Diversity of Identity and Experience, Routledge
  • Casey McQuiston, Red, White & Royal Blue, St. Martin’s Griffin / Macmillan 
  • Rebecca Kim Wells, Shatter the Sky, Books for Young Readers / Simon & Schuster