Pixel Scroll 3/12/18 Dammit, Jim, I’m A Filer, Not A Pixel-Scroller!

(1) MOOMIN FAN.  She remembers the Moomin scape her father made for her: “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” in The Guardian.

I don’t remember the precise moment I was introduced to the Moomins. They were always just there; a cosy, comforting and slightly weird presence in my childhood that has stayed with me. My father called Tove Jansson “one of the greatest children’s writers there has ever been”, and credited her writing as one of the reasons he became an author.

My father’s family were the kind of postwar, no-nonsense British people who didn’t really do hugs or talk about their feelings. Instead, they showed their love by building things: toys, puzzles, go-carts, treehouses. It was a tradition that my father, still very much the awkward hugger himself, would continue during my childhood. He built me a market stall, a beehive (complete with toy bees), a stove and, most memorably, Moominvalley.

It was crafted out of wood and papier-mache – a staple of all art projects in the 70s and 80s. It had a forest and a river and even a dark cave. He also made the Moominhouse and crafted all the Moomin characters out of clay; then painted and varnished them. Many years later we would turn over an entire attic full of junk trying to find a box that I thought might contain a solitary hand-made Moomin. He’s still out there somewhere.

(2) GONE BUT NOT FORGOTTEN. Declan Finn says something’s missing from Amazon. It’s the reviews he’s written about people’s books, and some of the reviews others have written about his books. Why? He calls it “Amazon’s War on Users”.

Has Amazon declared war on authors?

It would seem so at first pass. Last week, I had 315 reviews spread out over my various and sundry projects. Honor at Stake, for example, had 63, 68 reviews.

Today, I only have 238 reviews over all of them. Honor at Stake in particular having only 45 now. When I ask Amazon via email, they know nothing. Could I be more specific? It’s literally EVERY BOOK. They need a road map?

The mystery depends when I looked at reviews that I myself have written. They’re all gone. Poof. Vanished.

What the Hell?

And I’m not the only one. In fact, one writer’s group I’m a part of has had a lot of the same problem.

The Conservative Libertarian Fiction Alliance.

Funny that. And the one person outside of CLFA who had also had problems is friends with three of us.

However, I’m not about to declare enemy action just yet. For that, I need your help, that of the average reader. Because there is a problem. We can’t ask people outside the group, that we don’t know, if they have the same problem. Why?  Because if we don’t know them, it’s hard to ask. And if we know them, it can be construed as guilt by association.

Camestros Felapton joined the investigation. The conspiracy-minded won’t find his thoughts nearly as pleasing as Finn’s: “Amazon Purging Reviews Again”.

(3) FEAST FOR THE EYES. A cover reveal for Latchkey by Nicole Kornher-Stace, sequel to Archivist Wasp. Art by Jacquelin de Leon.

(4) THE MONEY KEEPS ROLLING IN. BBC reports — “Black Panther film: ‘Game-changing’ movie takes $1bn”.

Marvel’s superhero film Black Panther has taken more than a billion US dollars (£794m) at cinemas worldwide.

It is the fifth movie based in Disney’s Marvel Universe to hit the milestone.

(5) WAKANDA. A group hopes to run Wakanda Con in Chicago, IL this summer. Right now they’re building a list of interested fans.

WAKANDA CON is a fan-driven, one-day celebration of Afro-Futurism, Tech, and Black superheroes in film, television, and comic books, and of course, Black Panther. Our event will be held in Chicago, IL in Summer 2018. Join fellow citizens of Wakanda for discussion, education, networking, and festivities.

Marvel’s Black Panther has ushered in a new wave of thought about issues surrounding the African Diaspora and a new future for Black people around the world. The image of an African country with advanced technology and equality has inspired some of the world’s greatest thinkers and all of Black Twitter to create, think, and respond. WAKANDA CON is chance to take the conversation about Black Panther offline and into the real world.

(6) BRING KLEENEX. John Scalzi gives people lots of reasons to want to see A Wrinkle in Time.

(And, you may ask, what do I think about the film’s multicultural and feminine viewpoint and aesthetic? I think it works very well, and it’s a reminder that things that are not designed specifically for one in mind may still speak significantly and specifically to one, if one is open to it. I would not have imagined A Wrinkle in Time the way DuVernay has — I seriously doubt I could have imagined it this way — and yet there I was crying my eyes out all the same. I do not need the world to be imagined as I would have imagined it. I want the world and the things in it to exceed my imagination, to show me things I cannot make for myself but can take into myself, hold precious, and make my imagination that much wider from that point forward. As I noted before, this movie was not, I think, made for me, and still here I am, loving it as much as I do.)

(7) HEARTFELT STORY. Charles Payseur is just as persuasive in getting people to read his short fiction reviews: “Quick Sips – GigaNotoSaurus March 2018”

GigaNotoSaurus offers up a beautiful short story for March that might have been a bit more appropriate for February and Valentine’s Day because it is adorable and wonderful and sweet and just good! I’m a sucker for romance, and so the focus of this story for me is refreshing, especially because it refuses to tread the same tired paths of angst and powerlessness that seem to dominate so many romantic story lines. It’s not without darkness or sadness, but it’s a story to me about the triumph of love and humans over despair, loss, and death. To the review!

(8) TODAY IN HISTORY

  • March 12, 1971Andromeda Strain was first released theatrically.

(9) COMICS SECTION.

  • Chip Hitchcock studied the canine cosmology in Pooch Cafe.

(10) COMEDIAN SECTION. Today’s relevant joke, from the just-late Ken Dodd: “Ken Dodd: 17 of his funniest one-liners”.

So it turns out that if you bang two halves of a horse together, it doesn’t make the sound of a coconut.

(Other 16 are NSF just about everything….)

(11) BEYOND THE FAIL FRONTIER. ScreenRant delights in finding these contradictions: “Star Trek: 17 Memes That Prove The Show Makes No Sense”. They begin with an infographic —

(12) INCLUSIVE OR NOT? Dave Huber, in The College Fix story, “MIT Librarian:  Tech Posters Plastered With Star Trek Posters, Other Geeky Stuff Is Non-Inclusive to Women,” says that MIT head librarian Chris Bourg has said that students should “replace Star Trek posters with travel posters…and generally just avoid geek references and inside nerd jokes” if they want to be inclusive for women.

Since the many incarnations of “Star Trek” are considered some of the most diverse shows in the history of television, not to mention that about half those attending Star Trek conventions are female, The College Fix contacted Bourg about this particular reference.

She responded by pointing out her advice “comes directly from the research,” and provided a link to the study: “Ambient Belonging: How Stereotypical Cues Impact Gender Participation in Computer Science.”

The 2009 study examined whether “stereotypical objects” like Star Trek posters “signal a masculinity that precludes women from ever developing an interest in computer science.” Or, as the authors dub it, how the “ambient belonging” of women is affected by tech-geek ware.

While conceding that the tech-geek “masculinity” in question may not refer to a “traditional definition” (think “strength, assertiveness, and sexual prowess”) the authors argue the “stereotypicality” of the group still has a “profound” effect on the ability to recruit people who do not see themselves as fitting that stereotype.

(13) PROPHET OF DOOM? “Tim Berners-Lee says net has ‘heaps of problems'”. [[Voice only]]

The inventor of the World Wide Web says the internet as we know it is “under threat” and faces “heaps” of problems.

Monday 12 March marks 29 years since Sir Tim Berners-Lee created the World Wide Web. This year is expected to be the first time that more than half of the world’s population will have internet access.

Sir Tim spoke to the BBC’s technology correspondent Rory Cellan-Jones about the challenges faced.

(14) ELON MUSK. More blue-skying? “Elon Musk: Mars ship test flights ‘next year'”.

A Mars colony, he said, would reduce the chance of an extended new Dark Ages if a nuclear conflict was to wipe out life on Earth.

But, aware of his reputation, he added: “Sometimes my timelines are a little… y’know.”

But enough about reality.

Elon Musk is unquestionably the most interesting businessman in Silicon Valley – arguably the world – thanks to his almost single-handed reignition of the space race.

(15) MONITORING TV. Rich Lynch says tonight’s “Literary L.A.” Category on Jeopardy! had a Bradbury clue. It even showed a photo of him.

The contestant got it right.

(16) TENT TECH. It’s not your grandfather’s yurt — “To Fight Pollution, He’s Reinventing The Mongolian Tent”.

In Gamsukh’s office those possibilities seem endless. Books, papers and sketches cover a desk and table. Dressed in jeans and a t-shirt, Gamsukh, whose dark hair has a slight orange tint, comes off as artistic. But the sketches he produces are not dreamy musings. They are technical drawings supported by mathematical calculations. They are solid, like the sturdily built Gamsukh. Many are already being implemented, including a partially completed passive solar heated immobile ger that adds windows, insulation and solar collectors to the traditional model. Passive solar heating design uses windows, walls and floors to collect, store and distribute heat in the winter and reject it in the summer. Designs vary depending on the climate in which they are built, but shade can be used to block the sun in summer without taking away from warmth in winter because the sun is higher in summer.

When it is finished, Gamsukh plans to call it home. He is also testing another modified ger that uses solar power and those underground pipes he tried to dig in winter for heat.

(17) SHORT ORDER ROBOT. “Burger-flipping robot begins first shift” at Cali-Burger in Pasadena, CA. See a video of the robot in action, at the link.

Flippy, a burger-flipping robot, has begun work at a restaurant in Pasadena, Los Angeles.

It is the first of dozens of locations for the system, which is destined to replace human fast-food workers.

The BBC’s North America technology reporter Dave Lee saw it in action.

(18) BUSTED. To go with the recent Pixel on Iceland running out of energy due to Bitcoin generation: “Iceland police arrest suspected Bitcoin server thieves”.

Police in Iceland have arrested 11 people suspected of stealing more than 600 computers that were being used to mine crypto-currencies, reports AP.

The computers were stolen during four raids on data centres around Iceland.

The country is a popular location for data centres because almost 100% of the power generated there comes from renewable sources.

(19) THE OTHER JJ. ScreenRant says this JJ Abrams sketch was cut from Saturday Night Live for time.

[Thanks to JJ, Cat Eldridge, Mike Allen, John King Tarpinian, Mark Hepworth, Martin Morse Wooster, Chip Hitchcock, Rich Lynch, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor Niall McAuley.]

Pixel Scroll 3/9/18 Now Scroll It! Into Shape! Pixel Up! File Straight!

(1) SUBTITLE THIS. Not very sff, but the replies to John Hornor’s tweet are absolute gold.

Among other responses –

(2) WRINKLE IN TIME REACTIONS. Two NPR views: the straight by Linda Holmes: “Oprah In The Sky, With Wisdom: The Earnest, Imaginative ‘A Wrinkle In Time'”

There is a part of a filmgoer who is exhausted by an avalanche of stuff — much of it forgettable, much of it created by committee, much of it branded within an inch of its life and all of it subject to commercial expectations that are either indifferent or hostile to art — that says, “I cannot get on board with a film that delivers wisdom through a giant, glowing Oprah.”

Is that cynicism? Perhaps, but it’s cynicism that is earned. What Ava DuVernay’s adaptation of A Wrinkle In Time asks is that this cynicism be temporarily laid down so that you can, in fact, be deeply moved by wisdom delivered by a giant, glowing Oprah.

If you do, it’s a profoundly satisfying, imaginative and beautiful film.

And the slant by Bob Mondello: “‘A Wrinkle In Time’ Will Delight Target Audience That Doesn’t Have Too Many Wrinkles”.

Director Ava DuVernay has a light touch with these early scenes, though she gets seriously bogged down in special effects as the film goes on. In 1962 when “A Wrinkle In Time” was published, critics noted the Christian theology of author Madeleine L’Engle, comparing her to “Narnia” creator C.S. Lewis and wondered if the book’s challenge to conformity could be read as a Cold War allegory about communism. No one’s likely to do that this time.

(3) MORE WRINKLES. The Verge’s Tasha Robinson also isn’t a fan: “A Wrinkle in Time isn’t for cynics — or adults”.

The new Disney film adaptation A Wrinkle in Time, directed by Ava DuVernay (an Oscar nominee for the 2015 historical feature Selma and the 2017 documentary 13th), pays a lot of lip service to that awkwardness but never convincingly captures it. L’Engle’s brand of weirdness can be ugly and unsettling, as her characters suffer physical abuse, fight their own uncontrollable rages, or just spout oddball jargon, oblivious to the ways they’re alienating or offending other people. The film is unmistakably the Disney version of the story, with anything potentially problematic or offensive sanded off and replaced with soft, pastel CGI. It’s a pretty take on the story, but it’s also a frustratingly safe and squishy one. It’s infinitely well-intentioned, full of warm self-affirmation and positivity, and absolutely nothing about it feels emotionally authentic enough to drive those messages home.

(4) BETRAYAL BY DESIGN. The Washington Post’s Michael O’Sullivan, in “Beloved books can turn into terrible movies. Will ‘A Wrinkle in Time’ beat the odds?”, interviews A Wrinkle in Time screenwriter Jennifer Lee, who explains how she updated Madeleine L’Engle’s novel to appeal to contemporary sensibilities.

Ritesh Batra put it best. When I interviewed the director of “The Sense of an Ending,” the 2017 film based on Julian Barnes’s Man Booker Prize-winning novel, the filmmaker told me that the best — and most liberating — advice he ever got was what Barnes told him: “Go ahead and betray me.”

The real question for anyone adapting a book, Batra explained, is not to ask, “What do I want people to see on-screen?” — i.e., plot, action, etc. That’s the easy part. Rather, it’s “What do I want people to feel?”

I proposed the theory — that feeling trumps seeing — to Jennifer Lee, whose “Wrinkle” screenplay (co-written with Jeff Stockwell) forms the basis of director Ava DuVernay’s new film. “It’s funny,” Lee said. “That’s exactly what I say about the approach we took.” Lee’s previous credits include co-directing and writing the Oscar-winning movie “Frozen,” based on a story by Hans Christian Andersen.

The challenge of book adaptation, Lee explained over the phone — particularly when the book’s audience is children, who carry attachments to favorite books for years — is that readers fill in missing details with their imaginations and that a movie “chooses for you.” An additional problem is the fact that film is collaborative: a product not just of words on a page, but also of makeup artists, costumers, casting agents, production designers and, if you’re lucky, a director with the vision to unify it all. There is only so much that a writer can nail down.

(5) STOP STEALING, PLEASE. Looks like it’s time for Disney to write someone a big check: “Artist claims Disney stole his work on a series of album covers and used them for the new Han Solo movie posters”.

An artist has accused Disney of stealing artwork he did on album covers and using it for the posters for Solo: A Star Wars Story.

The retro-styled character posters for the latest Star Wars movie came out in February along with the trailer and feature vintage pop-art style that also include shots of the different characters.

But the posters look almost completely identical to album covers created by Hachim Bahous, who shared the comparisons on his Facebook.

(6) LIBRARIANS WHACKED.  The Hollywood Reporter says “‘The Librarians’ Canceled at TNT” but the series might show up again somewhere else.

TNT is closing the book on The Librarians.

The Turner-owned cable network has canceled the drama from showrunner Dean Devlin. Devlin broke the news Thursday, noting that he would look to find a new home for the series that originally started as a TV movie on the cable network.

“Just got the official call. TNT has canceled #TheLibrarians— I will immediately begin the process of trying to move the show elsewhere. Please keep your fingers crossed for us!” he wrote.

The fantasy-adventure drama was developed by John Rogers and based on The Librarian by David Titcher. Rebecca Romijn starred in the drama with Noah Wyle recurring and executive producing the series alongside Devlin, Mark Roskin and John Rogers.

(7) IT COULD BE YOU. Applications for new HSS/NASA Fellowships are being taken until April 1 – see “Fellowships in Aerospace History”

Pending renewal of funding, the Fellowships in Aerospace History are offered annually by the National Aeronautics Space Administration (NASA) to support significant scholarly research projects in aerospace history. These fellowships grant the opportunity to engage in significant and sustained advanced research in all aspects of the history of aerospace from the earliest human interest in flight to the present, including cultural and intellectual history, economic history, history of law and public policy, and the history of science, engineering, and management. NASA provides funds to the American Historical Association, the History of Science Society, and the Society for the History of Technology to allow each association to award a fellowship. Applications will be entered into consideration for all three fellowships.

(8) GALACTIC PHILADELPHIA. The next Galactic Philadelphia event on April 10 will  feature Sam J. Miller and Samuel Delany.

(9) EATING THE FANTASTIC. Scott Edelman invites listeners to polish off a Persian dinner with David Mack in Episode 61 of his Eating the Fantastic podcast.

David Mack

David’s written more than 30 novels, including the Star Trek Destiny and Cold Equations trilogies. He was also responsible for several episodes of Star Trek: Deep Space Nine. His newest novel is The Midnight Front, a World War II-era epic fantasy which is the first book in the Dark Arts series of secret-history novels.

The venue for our dinner was Orchard Market and Cafe, a wonderful Persian restaurant recommended by recent guest of the show Norman Prentiss. Norman had told me that the Chicken Fesenjune was one of his favorite things in the whole world, and now that I’ve been there, I can can tell you—he had good reason to say that. Believe me, the food there was wonderful, and I’ll be going back whenever I can.

David and I discussed the weird ways his life entwined with the famed comic book artist who shares his name, how worrying about the details of Star Trek canon helped him when it came time to unravel the secret history of WWII, the way a near-death experience led to him working for the Syfy Channel, why it was so important for necromancers to pay a heavy price for the magic they choose to wield in his new novel The Midnight Front, how not making a pitch to a book editor resulted in him selling TV scripts to Star Trek, his unabashed love for the Beat author Richard Brautigan, the reason that after 27 Trek novels and a ton of other tie-in work he’s chosen to publish his non-franchise breakout book now, and much more.

(10) TODAY IN HISTORY

  • March 9, 1979 — Roger Corman’s film Starcrash debuted.
  • March 9, 1984:  Stephen King adaptation Children of the Corn premieres in theaters.
  • March 9, 2007:  Comic adaptation of the 300 opens.

(11) COMICS SECTION.

  • JJ finds a familiar figure visiting the shrink in Bizarro.
  • And in another Bizarro, sees an unexpected way to hack Alexa.
  • Chip Hitchcock passes along a real groaner from Rhymes With Orange.

(12) FORGET THAT LONELY GARRET. Jeff Goins’ podcast The Portfolio Life hosts “123: How Community Will Help You Become a Better Writer with Diana Glyer”.

In this episode, Diana and I discuss:

  • Who the Inklings are, and why this group still matters today.
  • The dynamics and quirks of literary groups.
  • How community can positively influence your work.
  • Why people believed the individuals within the Inklings were immune to influence from each other.
  • The pervasive myth of the solitary genius.
  • How great art and writing is forged in community.
  • Why writing is not a momentary flash of genius, but a slow and steady work of art.
  • What you need to know about the transactional nature of writing.
  • Steps you can take to build your own literary group.

Quotes and takeaways

  • We are mesmerized by the end of the story, but we forget about the beginning.
  • To build community, you have to take a risk and share your work with others.
  • Start small when you build a community of support.
  • Loneliness will leave you feeling empty, but community will help you sustain your work.

(13) HITCHHIKER AT 40. The BBC is celebrating Hitchhiker’s Guide to the Galaxy with a new series based on Eoin Colfer’s Hitchhiker novel Hexagonal Phase. Catch the first episode here.

Ars Technical’s Jonathan M. Gitlin says give it a listen:

The Hitchhiker’s Guide to the Galaxy deserves a special place in the geek pantheon. It’s the story of hapless BBC radio editor Arthur Dent, his best friend Ford Prefect, and the adventures that result when Prefect saves Dent when the Earth is unexpectedly destroyed to make way for a galactic bypass. Written by the late, great Douglas Adams, HHGTTG first appeared as a radio series in the UK back in 1978. On Thursday—exactly 40 years to the day from that first broadcast—it made its return home with the start of Hexagonal Phase, a radio dramatization of the sixth and final book of an increasingly misnamed trilogy.

… So I’m happy to report that this latest installment doesn’t disappoint. And even better, unlike the BBC’s TV content, it’s not geoblocked or behind any kind of paywall. So go on, what are you waiting for—the coming of the Great Prophet Zarquon?

(14) CLASS IS IN SESSION. Cat Rambo has been working on promotional graphics lately —

(15) COMPASS CASTING. From Andrew Liptak at The Verge we learn: “Logan star Dafne Keen will play Lyra in the BBC’s adaptation of The Golden Compass”.

The BBC has lined up its star for its upcoming adaptation of Philip Pullman’s novel, The Golden Compass: Logan star Dafne Keen, reports Deadline (via io9). The King’s Speech director Tom Hooper will also helm the 8-part series.

(16) A TANGLED WEB. Dr. Janelle Shane is at it again: “SkyKnit: How an AI Took Over an Adult Knitting Community” in The Atlantic.

Janelle Shane is a humorist who creates and mines her material from neural networks, the form of machine learning that has come to dominate the field of artificial intelligence over the last half-decade.

Perhaps you’ve seen the candy-heart slogans she generated for Valentine’s Day: DEAR ME, MY MY, LOVE BOT, CUTE KISS, MY BEAR, and LOVE BUN.

Or her new paint-color names: Parp Green, Shy Bather, Farty Red, and Bull Cream.

Or her neural-net-generated Halloween costumes: Punk Tree, Disco Monster, Spartan Gandalf, Starfleet Shark, and A Masked Box.

Her latest project, still ongoing, pushes the joke into a new, physical realm. Prodded by a knitter on the knitting forum Ravelry, Shane trained a type of neural network on a series of over 500 sets of knitting instructions. Then, she generated new instructions, which members of the Ravelry community have actually attempted to knit.

(17) BLOWN UP, SIR! Peter Blumberg, in “‘Zombie Go Boom’ Attack on YouTube Ad Policy Is Ruled a Bust”, on Bloomberg, says that the owners of the YouTube Zombie Go Boom channel, in which as many as ten million people a month delight in watching imaginary undead creatures explode, tried to sue Google when they declared that ad revenue for the site would fall from $500 a day to $20 because some advertisers declared the site offensive.  But Judge Edward Chen said that Google was under no legal obligation to share any ad revenue with the site.

The freedom to produce a YouTube channel dedicated to bashing the undead doesn’t come with a guarantee of steady income.

So said a judge in ruling Wednesday that Google’s video-sharing website isn’t responsible for taking a big bite out of the revenue that was flowing to the owners of the wildly popular “Zombie Go Boom” channel.

(18) GRINCH TRAILER. Benedict Cumberbatch will voice The Grinch, due in theaters at Christmas.

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic. The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit. Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism. Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company. With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

 

(19) FLYING CARS. Here’s your flying car (finally) — if you have the money: “Have you ever dreamed of flying in your car?” This BBC video shows Transition and other cars live.

(20) SPEED OF FRIGHT. MIT researchers find fake news ‘travels faster’:

A study of 126,000 rumours and false news stories spread on Twitter over a period of 11 years found that they travelled faster and reached more people than the truth.

Researchers from the Massachusetts Institute of Technology also found that fake news was more commonly re-tweeted by humans than bots.

They said it could be because fake news tends to be “more novel”.

The most common subject matter was false political news.

Other popular topics included urban legends, business, terrorism, science, entertainment and natural disasters.

(21) UNDER CONSTRUCTION. This video at the Disney Blog takes you on a flyover of the Star Wars: Galaxy’s Edge construction site at Disney World.

While the highly anticipated Star Wars: Galaxy’s Edge lands won’t debut to Disneyland and Walt Disney World Resort guests until 2019, eager fans can take a voyage over the Star Wars: Galaxy’s Edge construction site – right now!

At Star Wars: Galaxy’s Edge, guests will be transported to the planet of Batuu, a remote outpost on the galaxy’s edge that was once a busy crossroads along the old sub-lightspeed trade routes. Here, guests will find themselves in the middle of the action at two attractions that take detail and immersion to the next level: one that lets guests take the controls of Millennium Falcon on a customized secret mission, and an epic Star Wars adventure that puts guests in the middle of a climactic battle between the First Order and the Resistance.

(22) BUCKMINSTER FULLER. The once well-known futurist makes a comeback, sort of, in The House of Tomorrow, in theaters April 27.

16-year-old Sebastian Prendergast has spent most of his life with his Nana in their geodesic dome home tourist attraction where she raises him on the futurist teachings of her former mentor Buckminster Fuller in hopes that one day Sebastian will carry Fuller’s torch and make the world a better place. But when a stroke sidelines Nana, Sebastian begins sneaking around with Jared, a chain-smoking, punk-obsessed 16 year old with a heart transplant who lives in the suburbs with his bible-thumping single father Alan and teenage sister Meredith. Sebastian and Jared form a band and with his Nana’s dreams, his first real friendship, and a church talent show at stake, Sebastian must decide if he wants to become the next Buckminster Fuller, the next Sid Vicious, or something else entirely.

 

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Juliette Wade, Martin Morse Wooster, Chip Hitchcock, Mlex, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 3/8/18 Stay Tuned For Pixels As They Break

(1) ELVES FOREVER. Olga Polomoshnova explores Elves’ immortality in “Who wants to live forever?” at Middle-Earth Reflections.

By their nature the Elves are bound to Arda, with their bodies being made of  “the stuff of Earth”. They live as long as the world endures….

What Men crave for and desire with all their hearts is, in fact, a burden. More accurately, this serial longevity becomes a burden with time. The Elves age very slowly, but during the course of their long lives they know death of wounds or grief, though not, like Men, of old age, and they fear death, too. Elvish ageing shows in their ever-growing weariness of the world. One of the best descriptions of this state was provided by the Hobbit Bilbo Baggins, who experienced such longevity due to his possession of the One Ring. He compared his unnaturally long life with being “all thin, sort of stretched, […] like butter that has been scraped over too much bread” (Fellowship of the Ring, p. 42). So probably that is exactly how the Elves could feel many thousand years into their lives.

(2) HAMILL’S WALK OF FAME STAR DEDICATED. Star Wars icon Mark Hamill is now a star in the Hollywood firmament: “Mark Hamill Gets ‘Overwhelming’ Support From Harrison Ford & George Lucas at Walk of Fame Ceremony”.

On Thursday, some of the actor’s closest friends and colleagues came out to honor him as he was immortalized in Hollywood with the recognition befitting a cultural icon like himself.

Hamill got some sweet support from his former Star Wars co-star Harrison Ford, Star Wars creator George Lucas, recent Last Jedi co-star Kelly Marie Tran, as well as a pair of Storm Troopers and the iconic droid R2-D2. His wife of nearly 40 years, Marilou York, was also to celebrate the honor.

(3) CROWDFUNDING WILL REVIVE AMAZING. Steve Davidson has launched a Kickstarter to hasten “The Return of Amazing Stories Magazine!”

Amazing Stories is an institution. It is an icon of the field. Over the years it has represented both the best and the worst that this genre has to offer. It has inspired the careers of authors, artists, editors, academics, scientists and engineers. Its presence proved that there was a viable market for this kind of literature, a fact not lost on other publishers who quickly followed suit. By 1930 there were four magazines in the field, eventually many more. And the fans? They bought every single one of them.

Amazing Stories deserves to be an ongoing part of our community. It may be a bit worn around the edges, the spine may be cracked a little and it may shed bits of pulp here and there, but those are love scars. Amazing Stories is not just our progenitor, it is the embodiment of the heart and soul of the genre.

We love it. We love what it’s done for us, what it represents, what it created. How can we not, when we love Science Fiction?

We know you share that love. Please show that love. It’s time for Amazing Stories to live again.

On the first day Steve’s appeal brought in $5,079 of its $30,000 goal.

Here’s how the money will be used. (Experimenter Publishing is Steve’s company.)

Experimenter plans to publish its first new issue for a Fall 2018 release and will be distributing the magazine at Worldcon 76 in San Jose CA. Professional, SFWA qualifying rates of 6 cents per word will be paid and Experimenter intends to become a fully SFWA qualifying market within its first year of operation. Several stories by well known authors have already been contracted, as has cover art by a highly respected artist.

Following five years of growth and development as an online multi-author blog serving the interests of science fiction, fantasy and horror fans, the publication of well-regarded articles produced by over 175 contributors, read by over 40,000 registered members, and following the publication of three special editions, a comic book and a growing selection of anthologies, classic novels and facsimile reprints, Experimenter believes the time is right to launch the quarterly magazine.

(4) ABOUT THE BARKLEY PROPOSAL. What were signers of Chris Barkley’s YA Award name proposal told? One of them, Shawna McCarthy, wrote in a comment on Facebook:

I was a signatory and do not feel misrepresented to other than not knowing the name of the award had already been decided. It’s possible the sponsor thought I was more up on the state of WC business committee work than I was.

(5) COMIC-CON’S QUASI-MUSEUM. Kinsee Morlan, in “Don’t Call Comic-Con’s Balboa Park Digs A museum–At Least Not Yet” for Voice of San Diego, says that Comic-Con International is upholding its nonprofit status by building a museum in San Diego’s Balboa Park (which will replace the San Diego Hall of Champions) and is hiring British museum designer Adam Smith to create it.

Smith said specifics are still hazy, but a few things are starting to become clear. For starters, he’s not ready to dub the new space a museum just yet. He’s toying with calling it a center or something else that better communicates its mission of showcasing contemporary exhibits that focus on what’s happening now or in the future — think virtual reality demos or participatory immersive television experiences (yeah, that’s a thing).

Smith also obliterated the traditional curator-led exhibition model. Instead of experts organizing most of the shows, he said, super fans will be likely be generating exhibitions and events. That’s a move taken from Comic-Con’s convention playbook, where fan-generated panels have always been a big part of the offerings.

David Glanzer, Comic-Con’s director of communications who’s been with the nonprofit for decades, fielded some of my questions, too.

Civic leaders are perpetually terrified that Comic-Con will pack up its bag and head to Los Angeles or another city if San Diego doesn’t expand its Convention Center soon. Glanzer said folks should not assume that won’t happen now that Comic-Con’s new center is opening in Balboa Park. He said they’re two separate projects and the convention could still relocate in the future if its space problems start impacting the quality of the convention.

(6) LOVED THE BOOK, HATED THE FILM. LitHub list of “20 Literary Adaptations Disavowed by Their Original Authors” has plenty of sff:

  • Earthsea (2004) – Based on: Ursula K. Le Guin, Earthsea cycle (1968-2001)

Le Guin hated the Sci-Fi Channel’s adaptation of her books, and she had quite a lot to say on the subject, but the biggest problem was that the miniseries completely whitewashed the original text. Early on, she was consulted (somewhat) but when she raised objections, they told her that shooting had already begun. “I had been cut out of the process,” she wrote at Slate.

Also:

  • Mary Poppins (1964) – Based on: P. L. Travers’s Mary Poppins (1934)
  • Hellraiser: Revelations (2011) – Based on: Clive Barker’s The Hellbound Heart (1986)
  • A Wrinkle in Time (2003) – Based on: Madeleine L’Engle’s A Wrinkle in Time (1962)
  • Charlotte’s Web (1973) – Based on: E. B. White’s Charlotte’s Web (1952)
  • Solaris (1972, 2002) – Based on: Stanis?aw Lem’s Solaris (1961)
  • The Last Man on Earth (1964) – Based on: Richard Matheson’s I Am Legend (1954)
  • A Clockwork Orange (1971) – Based on: Anthony Burgess’s A Clockwork Orange (1962)
  • The Shining (1980) – Based on: Stephen King’s The Shining (1977)
  • The NeverEnding Story (1984) – Based on: Michael Ende’s The Neverending Story (1979)
  • Willy Wonka & the Chocolate Factory (1971) – Based on: Roald Dahl’s Charlie and the Chocolate Factory (1964)

(7) LOPATA OBIT. Steve Lopata’s daughter announced that he passed away March 5, peacefully, at the hospital in Little Rock, Arkansas. Sammi Owens said:

…I deeply regret to inform you that his heart was failing and Worldcon 75 Helsinki was his last trip. He had heart surgery and despite valiant efforts he succumbed to his heart disease on March 5, 2018…. My mom Frances and I want the scifi community and all his friends to know how much he dearly loved you all. His all time favorite activities were working Ops for Worldcons and having an audience for his tales- umm, I mean true stories…. Peace be with you all and thank you for your friendship to our beloved man.

Patrick Maher was one of many fans who worked Ops with Steve with good words about him:

I didn’t know Steve very long, only since he walked into Shamrokon in 2014 and offered to help out. We didn’t know who he was but, as he said he had just come from Loncon III, we asked James Bacon who he was. James described him as Steve ‘Awesome Ops Guy’ Lopata. He sat in Ops all weekend and offered sage advice. When I took over Ops for Worldcon 75 in Helsinki, he was the first person I went to for advice.

Lopata also did volunteer work with big cats, as he explained in an article for Mimosa in 2001.

One of the first questions I am asked when I tell people about working with lions and tigers is, “How did you get involved?” There are two answers. First the short, “I like kitties;” and the longer one, “I was at a convention and saw this guy walking a tiger on a leash. I asked if I could pet the tiger and about half an hour later, I was a volunteer at the breeding park.”

(8) COMICS SECTION.

  • Chip Hitchcock calls this too bad not to share: Arlo and Janis.
  • And here’s an International Women’s Day item from Bizarro.

(9) INTERNATIONAL WOMEN’S DAY. Headstuff’s Aoife Martin celebrated the day by analyzing “Author Pseudonyms” used by women. A couple of instances came from sff —

Closer to modern times we have the case of Alice Bradley Sheldon who wrote science fiction under the pen name of James Tiptree Jr. In an interview she said that she chose a male name because it “seemed like good camouflage. I had the feeling that a man would slip by less observed. I’ve had too many experiences in my life of being the first woman in some damn occupation.” It’s interesting that Sheldon should have felt the need to do this but she was a successful science fiction writer – so much so that she won several awards including a Hugo for her 1974 novella, The Girl Who Was Plugged In and several Nebula awards. Her secret wasn’t discovered until 1976 when she was 61. Throughout her career she was referred to as an unusually macho male and as an unusually feminist writer (for a male). Indeed, fellow writer Robert Silverberg once argued that Tiptree could not possibly be a woman while Harlan Ellison, when introducing Tiptree’s story for his anthology Again, Dangerous Visions wrote that “[Kate] Wilhelm is the woman to beat this year, but Tiptree is the man.” Suitably, the James Tiptree Jr. Award is given annually in her honour to works of science fiction and fantasy that expand or explore one’s understanding of gender.

(10) A NEW KIND OF BARBIE. The Huffington Post reports Mattel is honoring a few living legends this International Women’s Day: “Frida Kahlo And Other Historic Women Are Being Made Into Barbies”. Genre-related figures include Katherine Johnson and Patty Jenkins.

Kids around the world will soon be able to own a Barbie doll bearing the likeness of Frida Kahlo, Amelia Earhart or Katherine Johnson.

All three women made herstory in different industries: Earhart was the first female aviator to fly across the Atlantic Ocean; Mexican artist Kahlo was known for her unique painting style and feminist activism; and Johnson, who was highlighted in the 2016 film “Hidden Figures,” broke boundaries for black women in mathematics and calculated dozens of trajectories for NASA, including the 1969 Apollo 11 flight to the moon.

The dolls, which are part of Mattel’s new series called “Inspiring Women,” will be
mass produced and sold in stores….

(11) ANOTHER STAR WARS SERIES. A well-known name in superhero movies will be responsible for a Star Wars series to appear on Disney’s new streaming platform: “Jon Favreau hired for ‘Star Wars’ series: Why fans have mixed feelings”.

The director whose film launched the Marvel Cinematic Universe is coming to a galaxy far, far away. Jon Favreau, the filmmaker behind Iron Man, Elf, and Disney’s live-action Jungle Book and Lion King, will write and executive-produce a live-action Star Wars series for Disney’s new streaming platform. Lucasfilm announced today that Favreau, who is also an actor with roles in the Clone Wars animated series and the upcoming Solo: A Star Wars Story,  will helm the new show. While Favreau has a strong fanbase (going all the way back to his 1996 debut film Swingers), many on social media are wondering why Lucasfilm has hired yet another white man to steer the diverse Star Wars universe — and announced it on International Women’s Day, no less.

(12) STORYBUNDLE. Cat Rambo curated The Feminist Futures Bundle, which will be available for the next three weeks.

In time for Women’s History Month, here’s a celebration of some of the best science fiction being written by women today. This bundle gathers a wide range of outlooks and possibilities, including an anthology that gives you a smorgasbord of other authors you may enjoy.

I used to work in the tech industry, and there I saw how diversity could enhance a team and expand its skillset. Women understand that marketing to women is something other than coming up with a lady-version of a potato chip designed not to crunch or a pink pen sized for our dainty hands. Diversity means more perspectives, and this applies to science fiction as well. I am more pleased with this bundle than any I’ve curated so far.

In her feminist literary theory classic How to Suppress Women’s Writing, science fiction author Joanna Russ talked about the forces working against the works of women (and minority) writers. A counter to that is making a point of reading and celebrating such work, and for me this bundle is part of that personal effort, introducing you to some of my favorites. – Cat Rambo

The initial titles in the Feminist Futures Bundle (minimum $5 to purchase) are:

  • Happy Snak by Nicole Kimberling
  • Alanya to Alanya by L. Timmel Duchamp
  • Code of Conduct by Kristine Smith
  • The Birthday Problem by Caren Gussoff

If you pay at least the bonus price of just $15, you get all four of the regular titles, plus SIX more!

  • Starfarers Quartet Omnibus – Books 1-4 by Vonda N. McIntyre
  • The Steerswoman by Rosemary Kirstein
  • Spots the Space Marine by M.C.A. Hogarth
  • The Terrorists of Irustan by Louise Marley
  • Queen & Commander by Janine A. Southard
  • To Shape the Dark by Athena Andreadis

(13) FAIL HYDRA. Cory Doctorow updated BoingBoing readers about a publisher accused of questionable practices: “Random House responds to SFWA on its Hydra ebook imprint”

Allison R. Dobson, Digital Publishing Director of Random House, has written an open letter to the Science Fiction Writers of America responding to the warning it published about Hydra, a new imprint with a no-advance, author-pays-expenses contract that SFWA (and I) characterize as being totally unacceptable. Dobson’s letter doesn’t do much to change my view on that:

(14) BEARING WITNESS. Lavie Tidhar has tweeted a noir Pooh adventure. Jump on the thread here:

(15) ANDROIDS AT 50. Here’s a clipping from Nature: “Do Androids Dream of Electric Sheep? Ananyo Bhattacharya toasts Philip K. Dick’s prescient science-fiction classic as it turns 50.” [PDF file.]

When science-fiction writer Peter Watts first opened Philip K. Dick’s 1968 Do Androids Dream of Electric Sheep?, a word caught his eye. It was “friendlily”. How had Dick got that past an editor? As Watts told me: “I knew at that point that Dick had to be some kind of sick genius.”

(16) CURRENT EVENTS. This sounds like a job for Doctor Who: “A Political Dispute Puts A Wrinkle In Time, Slowing Millions Of European Clocks”.

For the past few weeks, something strange has been happening in Europe. Instead of time marching relentlessly forward, it has been slowing down imperceptibly, yet with cumulatively noticeable results, so that millions of clocks the Continent-over are now running behind.

The European Network of Transmission System Operators for Electricity released a statement Tuesday saying that since mid-January, Europe’s standard electrical frequency of 50 hertz has fallen ever so slightly to 49.996 hertz.

For electric clocks that rely on the frequency of the power system — typically radio, oven and heating-panel clocks — the cumulative effect was “close to six minutes,” according to the agency.

(17) TAINT FUNNY MCGEE. The BBC says “Amazon promises fix for creepy Alexa laugh”.

Amazon’s Alexa has been letting out an unprompted, creepy cackle – startling users of the best-selling voice assistant.

The laugh, described by some as “witch like” was reported to sometimes happen without the device being “woken” up.

Others reported the laugh occurring when they asked Alexa to perform a different task, such as playing music.

“We’re aware of this and working to fix it,” Amazon said.

(18) CUBE ROUTER. Meanwhile, at MIT, they’re wasting their time saving time: “Rubik’s robot solves puzzle in 0.38 seconds”.

Ben Katz, a student at the Massachusetts Institute of Technology, collaborated with Jared Di Carlo to create the robot.

“We noticed that all of the fast Rubik’s Cube solvers were using stepper motors and thought that we could do better if we used better motors,” said Mr Di Carlo in a blog post.

Mr Katz said in his blog the 0.38 seconds included “image capture and computation time, as well as actually moving the cube”.

Their contraption used two PlayStation Eye cameras from the old PS3 console to identify the configuration of the cube.

However, mistakes often resulted in a cube being destroyed.

(19) DARK MATTER. The Arthur C. Clarke Center for Human Imagination released a video of a recent guest presentation: “Sir Roger Penrose: New Cosmological View of Dark Matter, which Strangely and Slowly Decays”.

Sir Roger Penrose joined the Arthur C. Clarke Center for Human Imagination on January 19, 2018, to give a talk on his latest research and provide an insight into the thinking of a modern day theoretical physicist. Is the Universe destined to collapse, ending in a big crunch or to expand indefinitely until it homogenizes in a heat death? Roger explains a third alternative, the cosmological conformal cyclic cosmology (CCC) scheme—where the Universe evolves through eons, each ending in the decay of mass and beginning again with new Big Bang. The equations governing the crossover from each aeon to the next demand the creation of a dominant new scalar material, postulated to be dark matter. In order that this material does not build up from aeon to aeon, it is taken to decay away completely over the history of each aeon. The dark matter particles (erebons) may be expected to behave almost as classical particles, though with bosonic properties; they would probably be of about a Planck mass, and interacting only gravitationally. Their decay would produce gravitational signals, and be responsible for the approximately scale invariant temperature fluctuations in the CMB of the succeeding aeon. In our own aeon, erebon decay might well show up in signals discernable by gravitational wave detectors.

 

(20) HANDY HINTS. And in case you ever have this problem: “Here’s How You Could Survive Being Sucked Into a Black Hole”. The article is honestly kind of useless, but I love the clickbait title.

OK, so maybe you aren’t going to get sucked into a black hole tomorrow. Or ever. Maybe even trying to imagine being in such a situation feels like writing yourself into a Doctor Who episode. But, for mathematicians, physicists, and other scientists attempting to understand cosmic strangeness in practical terms, these thought experiments are actually very useful. And they may be more practical in and of themselves than we’d realized.

At least, that’s what a team of researchers led by Peter Hintz at the University of California, Berkeley found through their study of black holes, recently published in the journal Physical Review Letters

[Thanks to Standback, Will R., John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, J. Cowie, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]

Pixel Scroll 3/5/18 Don’t Scroll That Shoggoth, Hand Me The Pixel

(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.

For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.

  • Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
  • Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.

Some of the other creatures from classic and contemporary science fiction and fantasy are:

  • Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
  • Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.  
  • Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
  • Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
  • Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
  • War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.

Also new for Cage Match 2018 is a special creature-themed Spotify playlist.

(2) BRADBURY IS BACK. As Bill Oberst Jr. describes his exciting new project, Ray Bradbury Live (forever):

Dinosaurs.

Dark Carnivals.

Rockets To Mars.

Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.

The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.

Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.

Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.

As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:

(3) WITHOUT RESERVATION. Adweek explains “Why the Overlook Hotel From The Shining Got an Ad on the Oscars”.

The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.

The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”

… A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).

 

(4) INTERSECTIONALITY. Damien Walter has an intriguing idea for explaining a theoretical concept: “The trouble with intersectional political alliances as illustrated by Star Wars”.

Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.

…From what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.

The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.

Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.

In real life we have a word for the problems of factionalism faced by Liberal political alliances.

INTERSECTIONALITY

(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.

(6) THE SHAPE OF DOLLARS. Are you up on the charges of plagiarism made against the makers of the movie The Shape of Water? If not, Time.com posted a summary today, immediately after the film won the Academy Award: “Everything to Know About the Shape of Water Plagiarism Controversy”.

Jim Meadows sent the link together with his commentary:

The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.

I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.

The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?

Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.

(7) GUFF REASONS. Going Under Fan Fund (GUFF) candidate Marcin Klak appeals for support by telling readers “What can I pack in my ‘fandom suitcase’?”

…So far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoing….

(8) TODAY IN HISTORY

  • March 5, 1954The Creature from the Black Lagoon premiered.

(9) TODAY’S BIRTHDAY BOY

  • Born March 5, 1942 – Mike Resnick

Steven H Silver paid tribute at Black Gate with “Birthday Reviews: Mike Resnick’s ‘The Evening Line’”:

…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.

The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….

(10) COMICS SECTION.

  • Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.

Mike Kennedy sent in a trio —

  • Bits for sale at Foxtrot.
  • Edward can’t help violating that kindergarten dictum about what you don’t run with: In The Bleachers.
  • And Monty is on the beam.

(11) TAKE WEIRD TO THE NEXT LEVEL. The Dark Magazine has launched a Kickstarter appeal to fund ”Two More Years of Unsettling Fiction”.

The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.

Who we are:

Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Books….

Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year …She was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.

Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. …She is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.

(12) SHORTISH. Charles Payseur’s Quick Sips Reviews covers Glittership February 2018.

Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!

(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.

(14) ANSWER WITH A QUESTION. Rich Lynch tuned into tonight’s Jeopardy! where one category was “Facts About Fiction.” This was the $2000 clue. The defending champ got it right.

(15) BEST OF SFRA. The Science Fiction Research Association announced its annual awards.

  • Thomas D. Clareson Award for distinguished service: Veronica Hollinger
  • Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
  • Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
  • Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
  • Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
  • Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”

Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.

[Via Locus Online and SF Site News.]

(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.

(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 2/20/18 Not All Pixels Scroll Up In Value. Some May Scroll Down

(1) NEW DOCTOR WHO LOGO. Merchandise with the Thirteenth Doctor’s new logo is on sale starting today.

(2) MEDICAL MARVEL. Pat Cadigan reports some good news in her latest update: “I Have Cancer But Cancer Doesn’t Have Me”.

The level of cancer in my body has fallen again. The hormones I’m taking are still killing off cancer cells.

Today I saw a new members of my oncologist’s team. It was all I could do not to start dancing around her office. Although who knows—she might have danced with me. She looked amazed when she checked the results of my blood test.

On our way out, Chris and I ran into a few fellow-travellers who said they liked my lucky short—i.e., the one that says, I’m Making Cancer My Bitch. I love my lucky shirt.

(3) HEDGEHOG DAY. Daniel P. Dern has been keeping an eye on superhero TV and provided this update for the Scroll:

In last night’s Legends of Tomorrow (B-lister superheroes travelling through time and space to fix history hiccups usually using the Dr “House” method of first making things much much worse…) Season 3 Episode 11, ”Here I Go Again” — “Zari [not from our time period] finds her place on the team when she gets caught in a time loop that results in the Waverider blowing up over and over again.”

The fun part is that when she realizes what’s happening, she tries describing it, one of the from-our-time heroes says “OK, on the next cycle, find me and say, ‘Groundhog Day.'” (which, of course, on the first try, she instead says ‘Hedgehog Day.’)

(And another of the from-our-time heroes counters with a Star Trek time loop citation…)

Fun episode, marred only IMHO by (SPOILER ROT13ed) znxvat vg ghea bhg gb or n pbzchgre-vaqhprq plorefcnpr rkcrevrapr engure guna npghny Tebhaqubt Qnl ybbcvat. Cuhv.

(Just like bar bs gur yngre Beivyyr rcvfbqrf univat ~3/4 bs gur rcvfbqr erirnyrq gb or orra n “Jr’ir unq lbh va n ubybqrpx fpranevb sbe cflpubgurencl” znthssva, sru.)

Like one of the recent episodes of The Magicians (scrolled recently), it’s gratifying to see characters from our time period exhibit familiarity with sf pop culture enough to use them as information shortcuts.

(4) A TRUTH UNIVERSALLY ACKNOWLEDGED. Robin Reid says, “I just finished John Kessel’s latest, Pride and Prometheus (Mary Bennett from Pride and Prejudice meets Victor Frankenstein and his Creature)” and recommends Liz Bourke’s review “Literary Fusion: Pride and Prometheus by John Kessel” at Tor.com.

There are three main points of view in Pride and Prometheus. The most interesting, by my lights, is Mary Bennett, younger sister of Elizabeth Bennett. Several years have passed since the end of Pride and Prejudice, and Mary has passed thirty years of age and is entering into spinsterhood. She has an interest in natural philosophy, especially fossils, and feels as though she should find a man to marry, but does not feel as though there is a man who will marry her. When she encounters Victor Frankenstein, a young man haunted by some secret of his past, she finds herself oddly compelled by his presence. Mary’s part of the narrative is told in the third person, unlike the other two narrators, who recount their parts of the story in the first person. This matches the approach of the original narratives.

(5) KEEP ON TRUCKING. Time to celebrate: “NASA’s Opportunity rover sees its 5,000th day on Mars”.

This weekend, NASA’s Opportunity rover spent its 5,000th day on Mars. While that is a feat in and of itself, it’s even more impressive when you consider that it was only planned to last 90 Martian days, or sols. Both Opportunity and its companion rover Spirit were launched towards Mars in 2003, landing on two different parts of the planet in January 2004. Neither were expected to make it through Mars’ harsh winter though, which lasts about twice as long as ours and is severely lacking in light, but NASA’s team discovered that pointing the rovers towards the north and towards the sun was enough to keep them powered through the winter. Further, making sure the rovers were on north-facing slopes each winter helped to keep them going for years longer than they were ever intended to function.

(6) HEROIC EFFORT. The Nielsen Haydens’ Making Light suffered a server problem and at the moment the latest post displayed is dated 2008. I wish them the best of luck and a complete return to the internet of all their text and comments.

(7) MORE GENRE FROM THE TOY FAIRE. See photos of toys hyped at the NYC Toy Fair at the link.

With new installments of Star Wars, Jurassic Worldand the Avengers headed our way this summer, movie fans have plenty to cheer about. The same goes for toy lovers, who can look forward to action figures, play sets, board games, and other playthings based on 2018’s biggest blockbusters and hottest television shows. Yahoo Entertainment spent the past weekend at New York City’s annual festival for toys, Toy Fair, where we got to see both the new and retro movie- and TV-related toys that everyone will be talking about this year. Scroll through the gallery and start getting your holiday wish lists ready now.

They include —

Lego ‘Star Wars’ Kessel Run Millennium Falcon

It took Han Solo only 12 parsecs to make his famous run through the Kessel Mines. See if you can lap that record as you assemble this 1,414-piece Lego Millennium Falcon, which comes complete with laser turrets and a Dejarik board

Ultimate Co-Pilot Chewie

It’s the Star Wars answer to Teddy Ruxpin: an interactive Chewbacca doll who talks, uh, growls on command and can also be rocked to sleep or tickled into a laughing fit. Warning: Kids might have to compete with their parents for cuddle time with this adorable Wookiee.

(8) APES AT 50. Mark Kermode talks about the 50th anniversary of Planet of the Apes release and wonders if Star Wars will look as good at the same age.

“Of course,” says IanP, “Star Wars isn’t growing old as gracefully with all its repeated facelifts …”

(9) ALMOST ERASED. Vulture interviews “The Man Who Made Black Panther Cool”:

Christopher Priest broke the color barrier at Marvel and reinvented a classic character. Why was he nearly written out of comics history?

“I’m an asshole. I’m abrasive. I am so sure that I’m right about virtually everything. I can sing you an aria of reasons to not like me,” says comics writer Christopher Priest, his bass voice rising to the brink of anger but never quite tipping over. “Not liking me because I’m black is so juvenile and immature, because there’s many reasons to not like me.” He’s speaking, as he often does, about the racism — both overt and structural — that he’s faced in the comics industry over his 40-year career. But that set of attributes, seen from another angle, can apply to the reasons to like him, or at least admire him — he’s unwaveringly outspoken, endearingly opinionated, as well as a pioneer in the comics industry. He’s also likely the only comics writer to have taken breaks from his career at various times to toil as a musician, pastor, and bus driver.

(10) NEBULA TOOL. Now that the Nebula finalists are out, Rocket Stack Rank has prepared an annotated version with links to the stories (where possible), synopses, reviews, etc. — “2017 Annotated Nebula Award Finalists”

Greg Hullender explains, “By sorting the list according to how many different sources of recommendation each one got, we make it easier to see where the Nebulas are acknowledging broadly popular stories and where the SFWA members have a unique perspective.”

(11) TODAY IN HISTORY

  • February 20, 1962  — Astronaut John Glenn became the first American to orbit the earth.

(12) TODAY’S BIRTHDAY BOY

  • Born February 20,  1926 Richard Matheson (links to SyFy Wire’s commemorative article.)

(13) COMICS SECTION.

  • Daniel P. Dern got the Amazon reference in Grimmy.
  • Chip Hitchcock noticed something super about Arlo and Janis.

(14) A LITTLE MISTAKE. If either of us had actually gone to a copyediting school, I’d wonder if RedWombat and I graduated from the same one:

(15) INTERNET VISUALIZED. Looking back: “The Father Of The Internet Sees His Invention Reflected Back Through A ‘Black Mirror'” contrasts idealistic inventor Vint Cerf with William Gibson’s what-will-really-happen.

While Cerf and his colleagues were busy inventing, the young aspiring science fiction writer William Gibson was looking for a place to set his first novel. Gibson was living in Seattle, and he had friends who worked in the budding tech industry. They told him about computers and the Internet, “and I was sitting with a yellow legal pad trying to come up with trippy names for a new arena in which science fiction could be staged.”

The name Gibson came up with: cyberspace. And for a guy who had never seen it, he did a great job describing it in that 1984 book, Neuromancer: “A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding.”

(16) GOODLIFE. The scum of the Earth has been around longer than they thought: “Origins of land plants pushed back in time”.

A seminal event in the Earth’s history – when plants appeared on land – may have happened 100 million years earlier than previously thought.

Land plants evolved from “pond scum” about 500 million years ago, according to new research.

These early moss-like plants greened the continents, creating habitats for land animals.

The study, based on analysing the genes of living plants, overturns theories based purely on fossil plant evidence.

“Land plants emerged on land half a billion years ago, tens of millions of years older than the fossil record alone suggests,” said study author, Dr Philip Donoghue of the department of Earth Sciences at the University of Bristol.

(17) AFROFUTURISM. The Washington Post’s Sonia Rao, in the wake of Black Panther, gives an overview of Afrofuturism and discusses forthcoming Afrofuturist projects, including Janelle Monae’s new album Dirty Computer and a forthcoming TV production of Octavia Butler’s Dawn directed by Ava DuVernay.“The resurgence of Afrofuturism goes beyond ‘Black Panther,’ to Janelle Monáe, Jay-Z and more “.

Monáe released a trailer on Friday for “Dirty Computer,” a new album with an accompanying narrative film. The 30-second teaser, set to air ahead of some “Black Panther” showings, presents clips of a dystopian world set to guitar feedback and snapping fingers. Monáe’s co-star Tessa Thompson is abducted by a man dressed in military gear. We cut to the two embracing on a beach. Seconds later, Monáe lies on an examination table while someone strokes a mysterious tattoo on her arm.

“They drained us of our dirt, and all the things that made us special,” she narrates. “And then you were lost. Sleeping. And you didn’t remember anything at all.”

Monáe’s work has exhibited Afrofuturist influences for years — the Quietus, an online British magazine, proclaimed back in 2010 that she “brandishes the acetylene torch for radical Afrofuturism.” In her multi-album “Metropolis” saga, the singer’s alter ego, Cindi Mayweather, is a messianic android who was sent back in time to lead a protest movement against an oppressive regime.

 

(18) CORRECTING AN OMISSION. Yesterday’s Scroll quoted K. Tempest Bradford’s tweet contrasting her own fundraiser to JDA’s, but she didn’t get all the benefit from that she might have because the tweet didn’t link to her YouCaring page — “Send K. T. Bradford To Egypt! (For Research)”. She had reached $3,135 of her $5,000 goal, but earlier today a couple of large donations put her over the top. Congratulations!

(19) THE FRANCHISE. With six you get Sharknado Bloody Disguting has the details:

Not surprisingly, Sharknado 6 is coming this Summer, and the first plot details, along with an early piece of poster art, have come to us out of EFM today.

In the sixth installment…

“All is lost, or is it? Fin unlocks the time-traveling power of the SHARKNADOS in order to save the world and resurrect his family. In his quest, Fin fights Nazis, dinosaurs, knights, and even takes a ride on Noah’s Ark. This time, it’s not how to stop the sharknados, it’s when.”

Tara Reid, Ian Ziering and Cassie Scerbo return.

Sharknado 6 will premiere on July 25, 2018.

(20) BIG BANG’S BILLIONAIRE GUEST. Supposedly Sheldon has already met him: “Bill Gates to Guest Star on ‘The Big Bang Theory’ — But Remember When He Punched Sheldon in the Face?!”

Bill Gates is headed to The Big Bang Theory!

ET has learned that Gates will be guest starring as himself in an upcoming March episode of the hit CBS comedy. The famed Microsoft founder will be stopping by Penny’s work and when this news reaches Sheldon, Leonard and the rest of our geektastic gang, the guys do everything in their power for a chance to meet him.

But here’s a Big Bang fun fact for you: Sheldon has actually already met the infamous tech billionaire on the CBS comedy and let’s just say their first interaction did not go very well. In fact, Gates punched Sheldon in the face!

(21) SUGGESTION BOX. Here’s a fan video proposing the way to begin Jodie Whittaker’s first episode as Doctor Who.

There are many great stories, but none as great as this. This is the story of the girl who fell from the stars. And this is how it begins… Without the Tardis and without hope, the Doctor is sent plummeting towards the planet below. The Doctor must come to terms with her new body quickly and escape her incoming demise. Here is a concept scene I’ve created for the upcoming debut episode for the Thirteenth Doctor! Just a bit of fun really but actually turned relatively believable. I have this theory in my mind that the Tardis would materialise underneath the Doctor as she’s falling and catches her. I’ve tried to imagine this as best as possible in this video!

 

[Thanks to Dave Langford, John King Tarpinian, JJ, Chip Hitchcock, IanP, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Daniel P. Dern, Alan Baumler, Robin A. Reid, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/10/18 There Must Be Fifty Ways To Scroll Your Pixel

(1) STUDYING TOLKIEN. “The Past, Present, and Future of Tolkien Scholarship” conference will be held November 1-4, 2018 at Valparaiso University in Indiana.

This unique conference will examine the totality and comprehensiveness of Tolkien scholarship in three large groups:  the past (from the 1950s to the 2010s), the present (from the 2010s to the present), and the future (from the present to the next 20 years).  There will be four days of paper presentations, plenary speakers, discussions, film screenings, exhibits, book-signings, and music.…

The Call for Papers is out. Full details at the link.

The conference will be divided into three major days of conference papers:

  • Friday, November 2: The past of Tolkien scholarship

Plenary speaker:  Douglas A. Anderson

  • Saturday, November 3: The present of Tolkien scholarship

Plenary speaker:  Verlyn Flieger

  • Sunday, November 4: The future of Tolkien scholarship

A plenary panel discussion with Dr. Robin Reid, Dr. Dimitra Fimi, Dr. Andrew Higgins, and Dr. Brad Eden

Paper proposals on any topic or theme related to Tolkien scholarship are welcome.

(2) CTEIN AND CHTORR. David Gerrold, who has been foreshadowing good news for awhile, finally uncloaked some of the details:

I have contracts on three books. A novella section of one of those books (co-written with Ctein) will be appearing in the May/June issue of Asimov’s. I believe it is one of the better things I’ve been involved with.

The other two books are Chtorran novels and the final draft of one of them will be turned in by summer.

I have sold an option for a TV series based on one of my projects, and the option on another book was just (enthusiastically) renewed. I have also been approached to direct a film based on a favorite fantasy novel, I just finished my first rewrite of the script. (The first writer did a marvelous job of getting all the pieces on the board, my job was to energize them.)

(3) SUMMER OF ’42. Metafilter has a resource post for Retro-Hugo voters: “Some notable SF/F from 1942”.

Most of these texts are shown in the announcement video or have been discussed as possibilities in the F&SF forum or were previously selected as great SF stories of 1942 or have a record of anthologization at ISFDB. Their categorization by length derives from ISFDB also.

(4) SPECULATIVE MASCULINITIES. Galli Books has put out a call for submissions for its anthology Speculative Masculinities. Window closes April 15. Full details at the link.

Masculinity has, almost since the category of speculative fiction emerged in the early 20th century, been a concern of fiction written in the genre. A culturally dominant, Western, toxic form of masculinity has dominated storytelling in speculative fiction. In worlds as varied and diverse as the distant past of magical worlds and the far future of this one, models of maleness and masculinity tend to be the same toxic form of masculinity that dominates modern Western culture. We want to interrogate that model of masculinity, to problematise it, and to question it; we want to see other possible models of masculinity, models not centred on dominance and violence and repression of feelings; other role models for men. We are looking for fiction, essays and poetry which do this.

We are particularly looking for submissions from authors from marginalised identities and backgrounds, especially where those identities complicate the author’s relationship with masculinity, including but by no means limited to disabled writers, trans writers, and writers of colour.

(5) THIS WAY TO THE EGRESS. Bus stop 9-3/4?

(6) COMPOSER OBIT. Jóhann Jóhannsson (1969-2018): Icelandic composer, died 9 February, aged 48. Scores include Arrival (2016).

(7) GONE BUT NOT FORGOTTEN. Prozines of the past. Art by Tim Kirk.

(8) TODAY IN HISTORY

  • February 10, 1927 — Fritz Lang’s Metropolis premiered theatrically in his native Germany.

(9) TODAY’S BIRTHDAY BOY

  • Born February 10, 1906 — Creighton Tull Chaney, known by his stage name Lon Chaney Jr.

(10) COMICS SECTION.

  • John King Tarpinian saw Gort showing his rhythm at Bliss.
  • Chip Hitchcock says “He has a point” about this installment of Rhymes with Orange.

(11) WHAT WERE THEY THINKING? Yesterday’s Scroll included the class photo featuring 79 actors and filmmakers from across the Marvel Cinematic Universe. Now Unrolled thread from @UberKryptonian has done a humorous deconstruction that tells us the participants’ secret thoughts.

Has anyone really looked at the Marvel 10 year anniversary class photo? Because there is so much going on!

For example –

Chris Evans looks like he’s mad that he has to sit next to the man that tried to murder the love of his life!

(12) A SFF MOVIE LEADS THE PACK. The New York Times asks “How Did ‘The Shape of Water’ Become the Film to Beat at the Oscars?”.

This awards season has been all about hitting the zeitgeist, or at least that’s what the media, present company included, has been telling itself and you. Best picture nominees ought to tap into the #MeToo moment or, failing that, anxieties born in the age of Trump.

But is that narrative really true? And does it fully explain how a fairy tale about a janitor who hooks up with a fishman became the movie to beat?

The film, “The Shape of Water,” stars Sally Hawkins as a cleaning lady who falls for a merman held captive in a government lab, and leads the race with 13 Oscar nominations, more than any other movie. It has also scooped up key precursor awards that often culminate in Oscar gold — last weekend, the Directors Guild of America gave the filmmaker Guillermo del Toro its top prize, two weeks after the Producers Guild of America did the same.

(13) ANOTHER RED TESLA MEME. Randy’s Random has more to say about “Setting the Record”.

A 2010 Tesla Roadster achieves the highest speed and longest range of any electric car ever — and still going strong.

Plus, it can charge from solar.

The most amazing thing to me: it’s a real photo. It’s about time someone did something to capture the imagination of kids who are deciding what to be when they grow up. Engineering, science, technology, astrophysics — they have amazing opportunities.

If nothing else, the stereotype is proven true: red cars are the fastest!

(14) DEALING WITH THE BLUES. “Welcome to the Monkey House”? — “Blue Dye Kills Malaria Parasites — But There Is One Catch”.

It’s hard to imagine that a blue dye sold in pet food stores in the U.S. to fight fungal infections in tropical fish could be a potent weapon against malaria.

…Actually, the use of the dye to fight malaria is not quite as odd as it sounds. The blue dye in question, called methylene blue, is the oldest synthetic anti-malarial drug. A paper published in 1891 tells how two scientists successfully used it to treat a malaria patient.

But there was a catch.

“The treatment being followed by an intense blue coloring of the urine, and the faeces becoming blue on exposure to light, it is not very likely that methylene blue will be much used outside of hospitals,” reads an 1892 publication of the Proceedings of the American Pharmaceutical Association.

(15) HE LIKES IT. Black Panther reviewed by Mark Kermode on BBC Radio 5. Spoiler free review (as usual) from Mark, who seems to have really liked it.

Also Kermode on the attempt to game the Rotten Tomatoes audience score for Black Panther.

(16) SEATTLE FILM FEST. The 2018 “Science Fiction + Fantasy Short Film Festival” presented by MoPOP and SIFF will feature twenty short films from all over the world at Seattle’s historic Cinerama Theater on March 24. Tickets are now on sale.

The lineup is presented in two sessions of films with a 30-minute intermission and concludes with an awards ceremony.

SFFSFF brings together industry professionals in filmmaking and the genres of science fiction and fantasy to encourage and support new, creative additions to genre cinema arts. Admitted films are judged by a nationally recognized jury comprised of luminaries in the fields of science fiction and fantasy.

Session 1: Noon-2:00pm

  • FTL (dir. Adam Stern, Canada)
  • The Sea is Blue (dir. Vincent Peone, USA)
  • Everything & Everything &… (dir. Alberto Roldan, USA)
  • Cautionary Tales (dir. Christopher Barrett and Luke Taylor, UK)
  • After We Have Left Our Homes (dir. Marc Adamson, UK)
  • GEAR (dir. Kevin Adams and Joe Ksander, USA)
  • Niggun (dir. Yoni Salmon, Israel) – US Premiere
  • Fulfilament (dir. Rhiannon Evans, UK)
  • Voyage of the Galactic… (dir. Evan Mann, USA)
  • Dead Hearts (Stephen Martin, USA)

Session 2: 2:30pm–5:00pm

  • Time Chicken (dir. Nick Black, USA)
  • The Replacement (dir. Sean Miller, USA)
  • M.A.M.O.N. (dir. Alejandro Damiani, Uruguay/Mexico)
  • Die Lizenz (dir. Nora Fingscheidt, Germany/France) – US Premiere
  • Ghost Squad (dir. Kieran Sugrue, Australia)
  • Fizzy and Frank (dir. Randall McNair, USA)
  • Haskell (dir. James Allen Smith, USA)
  • Strange Beasts (dir. Magali Barbe, UK)
  • Jiminy (dir. Arthur Molard, France)
  • The Privates (dir. Dylan Allen, USA)

For more information including film synopses and director bios, visit MoPOP.org/SFFSFF.

(17) RETURN OF THE KESH. Wire Magazine says the record label Freedom to Spend will be reissuing Ursula K. Le Guin and Todd Barton’s 1985 recording Music And Poetry Of The Kesh in physical and digital formats on March 23 — “Music And Poetry Of The Kesh reissued on LP”.

Todd Barton and Ursula K Le Guin’s recording Music And Poetry Of The Kesh, originally released as a cassette accompanying Le Guin’s 1985 book Always Coming Home, will receive a long awaited reissue next month via Freedom To Spend. Part novel, part lengthy textbook, the publication tells the story of an invented Pacific Coast people called The Kesh and a woman called Stone Telling, weaving an anthropological narrative of folklore and fantasy. For its soundtrack, words and lyrics were put together by the late novelist while the sound was composed by Barton, an Oregon based musician and Buchla synthesist with whom Le Guin had worked on public radio projects….

Both Barton and Le Guin has started work on the reissue before the novelist’s death on 22 January of this year. Moe Bowstern, a writer and friend of Le Guin, wrote the sleevenotes for this new edition in which she explains that Barton had built and then taught himself to play several instruments of Le Guin’s design, among them ‘the seven-foot horn known to the Kesh as the Houmbúta and the Wéosai Medoud Teyahi bone flute.’”

Information on streaming and purchasing the recording is available at: http://smarturl.it/fts009

[Thanks to JJ, John King Tarpinian, Lise Andreasen, Steve Green, Lenore Jean Jones, Chip Hitchcock, Cat Eldridge, IanP, Mark Hepworth, Martin Morse Wooster, Rob Thornton, Carl Slaughter, Wobbu Palooza, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/1/18 Five Little Pixel Scrolls, Argued On The Floor, One Used A Fallacy, And Well, There Were Still Five

(1) HORROR POETRY. At the Horror Writers Association blog: “The Word’s the Thing: An Interview with Michael Arnzen”

Q: How important is language in poetry? I realize the question is a bit open ended and hints of a “duh” question. However, there is something that distinguishes the many genre poets from a Marge Simon, Linda Addison or Bruce Boston. The subject matter may be similar but the language of poets of that caliber is just different. You can read many imitations of Poe or The Graveyard Boys, but the handful of poets that truly stand out seem to have this almost magical way of using language.

A:  There’s no poetry without language, obviously, but you make a really good point about what distinguishes one poet from another – I’d call it their “voice.” Poetry is a kind of music; the sound matters and it should reverberate in the body and fetch the ear when spoken in a way that narrative fiction cannot. Words are as important as the “notes” in music, but every poet might have an instinctive, experienced and individual way of “singing” or giving shape to those words. But genre poetry is not opera and it doesn’t require a reader to be schooled in anything special; it’s more like pop music. Remember, although we can trace the legacy of genre back to Beowulf, through the Graveyard Poets of the Romantic Period and then Edgar Allan Poe, horror poetry as we think of it today really got its start as filler — a way for pulp magazine editors to put content in the blank spaces on the page of early magazines and fanzines.  So some of the best horror genre poets in my opinion are more accessible and reaching readers with more easy to swallow language, perhaps using lyrical forms but not in an overbearing way, while still retaining a unique voice.  I’ve read hyper-literary genre poetry, but no matter how interesting it might be, it often feels like its pretending to be something it’s not, and rings false when it taps the emotional chords. So in my opinion language matters, but it really can’t get in the way of the emotional connection in this field. Music is the instinctive part of poetry that just “feels” right, and the best genre poets are the kind who know how to reach the audience — they sing in a way that reaches new fans and experienced readers/viewers/lovers of horror alike.

(2) UNSTOPPABLE MONSTER. Forbes’ Ian Morris says “Hulu Is Gaining On Netflix, But Star Trek Discovery Is An Unstoppable Monster”.

What’s interested me though is the Star Trek: Discovery “Demand Expressions” or, better known as the number of people talking about a show. According to Parrot Analytics – video below – Star Trek: Discovery has more than 53 million people talking about it in the US. That beats The Walking Dead which has around 46m expressions. Netflix’s Stranger Things also has a staggering 33m of these within the US.

(3) IRONCLAD PROMISE. The Verge’s Andrew Liptak reports “BBC is making a Victorian-era War of the Worlds TV series”.

Earlier today, the BBC announced a number of new shows, including a three-part series based on H.G. Wells’ novel The War of the Worlds. The show is scheduled to go into production next spring, and it appears that, unlike most modern adaptations, it will be set in the Victorian era.

The series will be written by screenwriter Peter Harness, who adapted Susanna Clarke’s Victorian-era fantasy novel Jonathan Strange and Mr Norrell for the network, as well as a handful of Doctor Who episodes.

(4) APEX MAGAZINE THEME ISSUE TAKING SUBMISSIONS. This summer, award-winning author and editor Sheree Renée Thomas (“Aunt Dissy’s Policy Dream Book,” Apex Magazine, Volume 95 April 2017 and Volume 101 October 2017, Sleeping Under the Tree of Life, Shotgun Lullabies, and the Dark Matter anthologies) will guest edit a special Zodiac-themed issue. Sheree seeks short stories that explore the heavenly cosmos and unveil mysteries, tales that reimagine Zodiacal archetypes and/or throw them on their heads.

As the stars align themselves above, write bold, fun, weird, scary, sensual stories that heal, frighten, intrigue, amuse.

Length: 1500-5000 words

Genres: Science fiction, fantasy, horror, interstitial, etc.

Deadline: May 1, 2018

Email submissions to: sheree.apexmag@gmail.com

Payment:  Original fiction $.06/word; Solicited Reprint fiction: $.01/word; Podcast $.01/word

(SFWA-certified professional market)

No simultaneous submissions. No multi-submissions for short fiction.

Publication: August 2018, Apex Magazine

(5) MEREDITH MOMENT. John Joseph Adams’ anthology HELP FUND MY ROBOT ARMY!!! and Other Improbable Crowdfunding Projects is discounted to $1.99 on Kindle from now until Feb. 7 (11:59pm PT).

Includes stories by Seanan McGuire, Daniel H. Wilson, Chuck Wendig, Tobias S. Buckell, Carmen Maria Machado and many others.

(6) TWISTED OPEN. Editors Christopher Golden and James A. Moore are taking submissions for their horror anthology The Twisted Book of Shadows until February 28.

  • Will have zero spaces reserved for marquee names.
  • Will use a blind submissions program (we won’t know who wrote the stories until we’ve selected them).
  • Will pay professional rates — a minimum of six cents per word, with a cap on advances of $300 per story.
  • Will pay royalties — a pro rata share of 50% of all royalties earned.
  • Will make our best efforts to spread the word, so that marginalized communities of horror writers will be aware of the call for stories.
  • Will employ a diverse Editorial Committee. In recognition of the possibility of inherent bias in our reading, the editors have engaged an astonishing team of diverse writers and editors who will read submissions alongside us and will offer their input and aid in the selection process. These authors and editors have a breadth and depth of experience that has transformed this project into THE horror anthology for the coming year.

Golden told Facebook readers:

PLEASE share this far and wide, but I’d ask that you make a special effort to share with authors interested in horror who also happen to be women, people of color, non-binary, LGBTQ, or part of any commonly marginalized community. Anyone who has ever felt discouraged from submitting is actively ENCOURAGED to submit to this. If the work isn’t great, there’s nothing we can do about that, but we can guarantee you a fair process, blind to any identity other than the quality of your story. All we care about is what you write.

(7) RECOGNIZING ROMANCE. Awards news at Amazing Stories — “Science Fiction Romance Awards Announced”.

This is a big week in science fiction romance as the SFR Galaxy Awards for 2017 were announced on January 31st. Judged by respected book bloggers and reviewers in the genre, the Award has the following theme per their website: The theme of the SFR Galaxy Awards is inclusiveness. Instead of giving an award to a single book, this event will recognize the worth of multiple books and/or the standout elements they contain.

(8) AT 45. Megan McArdle says“After 45 Birthdays, Here Are ’12 Rules for Life'” at Bloomberg. There’s a familiar name in the first rule:

  1. Be kind. Mean is easy; kind is hard. Somewhere in eighth grade, many of us acquired the idea that the nasty putdown, the superior smile, the clever one liner, are the signs of intelligence and great personal strength. But this kind of wit is, to borrow from the great John Scalzi, “playing the game on easy mode.” Making yourself feel bigger by making someone else feel small takes so little skill that 12-year-olds can do it. Those with greater ambitions should leave casual cruelty behind them.

(9) HOW THEY STACK UP. Rocket Stack Rank has posted its “Annotated 2017 Locus Recommended Reading List for short fiction”, sorted by score to highlight the stories that made it into the “year’s best” anthologies so far (Gardner Dozois, Jonathan Strahan, Neil Clarke) and the “year’s best” lists from prolific reviewers (Gardner Dozois, Rich Horton, Greg Hullender [RSR], Sam Tomaino [SFRevu], Jason McGregor, and Charles Payseur).

Annotations include time estimates, links to the story on the author’s website (if available), author links with Campbell Award-eligibility marked (superscript for year 1 or 2), blurbs for RSR-reviewed stories, links to reviews, and links to digital back issues (of print magazines) at eBookstores and library websites.

RSR reviewed 96 out of the 123 stories in the Locus list (78%). Of the 27 not reviewed by RSR, 10 were stories from horror magazines and horror anthologies. The rest were from other science fiction & fantasy sources, some of which might be reviewed by RSR as time permits.

(10) TODAY IN HISTORY

  • February 1, 1970 Horror of the Blood Monsters, starring John Carradine, premiered.

(11) TODAY’S BIRTHDAY BOY

  • Born February 1, 1908 – George Pal

(12)COMICS SECTION.

  • Chip Hitchcock asks, “What are they doing in there?” — Nonsequitur.

(13) TODAY’S THING TO WORRY ABOUT. Could be even worse than yesterday’s! Fox News reports “China is building a laser 10 trillion times more intense than the Sun that could tear space apart”.

According to the Science journal, this laser would be so powerful it “could rip apart empty space”.

The idea is to achieve a phenomenon known as “breaking the vacuum”, whereby electrons are torn away from positrons (their antimatter counterparts) in the empty vacuum of space.

Right now, it’s possible to convert matter into huge amounts of heat and light, as proved by nuclear weapons. But reversing the process is more difficult – although Chinese physicist Ruxin Li believes his laser could manage it.

“That would be very exciting. It would mean you could generate something from nothing,” he explained.

The team has already created a less powerful version called the Shanghai Superintense Ultrafast Laser, which is capable of a 5.3-petawatt pulse

(14) NO UNIVERSES WERE HARMED. Meanwhile — “Simulation of universe provides black hole breakthrough”.

The most detailed simulation of the universe ever created has provided a breakthrough revealing how the most powerful and mysterious forces interact on an enormous scale.

Scientists said the detail and scale provided by the simulation enabled them to watch how galaxies formed, evolved and grew while also nursing the creation of new stars.

Dr Shy Genel, at the New York-based Flatiron Institute’s Centre for Computational Astrophysics (CCA), said: “When we observe galaxies using a telescope, we can only measure certain quantities.”

But “with the simulation, we can track all the properties for all these galaxies. And not just how the galaxy looks now, but its entire formation history”, he added.

He said the simulation is the most advanced ever developed.

(15) CRUSADING JOURNALISM. Florida Man has been heard from again: “Man Prefers Comic Books That Don’t Insert Politics Into Stories About Government-Engineered Agents Of War”The Onion has the story.

APOPKA, FL—Local man Jeremy Land reportedly voiced his preference Thursday for comic books that don’t insert politics into stories about people forced to undergo body- and mind-altering experiments that transform them into government agents of war. “I’m tired of simply trying to enjoy escapist stories in which people are tortured and experimented upon at black sites run by authoritarian governments, only to have the creators cram political messages down my throat,” said Land, 31, who added that Marvel’s recent additions of female, LGBTQ, and racially diverse characters to long-running story arcs about tyrannical regimes turning social outsiders into powerful killing machines felt like PC propaganda run amok….

(16) BANGING ROCKS TOGETHER. To go with the recent Pixel about early humans ranging more widely, “Discovery In India Suggests An Early Global Spread Of Stone Age Technology”.

Somewhere around 300,000 years ago, our human ancestors in parts of Africa began to make small, sharp tools, using stone flakes that they created using a technique called Levallois.

The technology, named after a suburb of Paris where tools made this way were first discovered, was a profound upgrade from the bigger, less-refined tools of the previous era, and marks the Middle Stone Age in Africa and the Middle Paleolithic era in Europe and western Asia.

Neanderthals in Europe also used these tools around the same time. And scientists have thought that the technology spread to other parts of the globe much later — after modern humans moved out of Africa.

But scientists in India recently discovered thousands of stone tools made with Levallois technique, dating back to 385,000 years ago. These latest findings, published Wednesday in the journal Nature, suggest the Levallois technique spread across the world long before researchers previously thought.

(17) BIRDS DO IT. Everybody’s doing it: “Luxembourg PM sees his country’s satellite launched”.

Luxembourg’s Prime Minister, Xavier Bettel, has just watched one of his country’s satellites go into orbit.

He was at Cape Canaveral, Florida, to see the launch of GovSat-1, which will be providing telecommunications services to the military and institutional customers.

The Luxembourg government has a 50-50 share in the project.

Its partner is SES, the major commercial satellite operator that bases itself in the Grand Duchy.

GovSat-1 is another example of Luxembourg’s burgeoning role in the space sector.

Its deputy prime minister, Etienne Schneider, who was also at the Cape, has recently positioned the country at the forefront of plans to go mine asteroids.

GovSat-1 rode to orbit on a SpaceX Falcon-9 rocket. It will try to forge a new market in satellite communications.

(18) EARLY WARNING. With this it may be possible to detect dementia before it ravages the brain — “Blood test finds toxic Alzheimer’s proteins”.

Scientists in Japan and Australia have developed a blood test that can detect the build-up of toxic proteins linked to Alzheimer’s disease.

The work, published in the journal Nature, is an important step towards a blood test for dementia.

The test was 90% accurate when trialled on healthy people, those with memory loss and Alzheimer’s patients.

Experts said the approach was at an early stage and needed further testing, but was still very promising.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Dann, Andrew Porter, John Joseph Adams, Greg Hullender, Jason Sizemore, StephenfromOttawa, ULTRAGOTHA, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 1/25/18 Side Effects Of Pixel Can Include Enlarged Mt. TBRs

(1) CELEBRATING A HALF CENTURY OF BRITISH COMICS FANDOM. Rob Hansen also sent a link to Blimey! The Blog of British Comics where you can get a free download of Fanscene, “a monster (300+ page) one-off fanzine done to celebrate 50 years of comics fandom in the UK.”

It’s only available in .pdf form and download links can be found here: “Celebrate the 50th anniversary of UK fandom with FANSCENE!”

Rob Hansen’s piece starts on p.133 in part 2 of the download links.

(2) CAST A GIANT SHADOW. The members of the actual 2018 Arthur C. Clarke Award jury are:

Dave Hutchinson, Gaie Sebold, Paul March-Russell, Kari Maund, Charles Christian; and Andrew M. Butler (chair)

(3) BADLY MISUNDERSTOOD. Cara Michelle Smith explains “Just Because Voldemort Assembled an Army of Warlocks to Destroy All Muggles, It Doesn’t Mean He’s ‘Anti-Muggle’” at McSweeney’s.

Look, I know how things might seem. When it comes to being sensitive to Muggles, Lord Voldemort doesn’t have the best track record, and now he’s gone and mobilized an army of 3,000 warlocks, witches, and wizards and instructed them to destroy any and all Muggles they can find. I also acknowledge that he’s drummed up a fair amount of anti-Muggle sentiment throughout the wizarding world, with the way he’s referred to them as “filthy vermin” and “shitheads from shithole lands.” But did it ever occur to you that despite the Dark Lord having vowed that the streets will soon run red with Muggle blood, Voldemort might as well be, like, the least anti-Muggle guy you’ve ever met?

Let me tell you a little something about the Dark Lord: He loves Muggles. Seriously, the guy’s obsessed with them. They’re all he talks about. He can’t get enough of the funny way Muggles are always babbling about things that are completely foreign to wizards like him — things like student debt, and being able to afford healthcare, and not being systematically murdered by people more powerful than them.

(4) STOP IN THE NAME OF LOVE. And McSweeney’s contribute Drake Duffer offers a list of “Things That Begin a Sentence That Indicate You May Need to Refrain From Finishing That Sentence”.

I won’t steal any of his thunder, but you’re going recognize all his examples.

(5) JUNIOR STAR TREK. This video has been on YouTube since 2008, however, it’s news to me!

Back in 1969 ten-year-old Peter (“Stoney”) Emshwiller created his own version of a Star Trek episode using his dad’s 16mm camera. The, um, fabulous special effects were created by scratching on the film with a knife and coloring each frame with magic markers. The movie won WNET’s “Young People’s Filmmaking Contest,” was shown on national television, and, all these years later, still is a favorite at Star Trek Conventions.

 

(6) GOING DOWN TO STONY END. The “Oldest Modern Human Fossil Ever Discovered Outside Africa Rewrites Timeline of Early Migration” reports Newsweek.

An international research team working in Israel has discovered the oldest-known modern human bones ever found outside the African continent: an upper jawbone, including teeth, dated to between 175,000 and 200,000 years old. It shows humans left Africa at least 50,000 years earlier than we had thought.

The scientists unearthed the fossil at Misliya Cave, one in a series of prehistoric caves on Israel’s Mount Carmel, according to a Binghamton University press release. This region of the Middle East was a major migration route when humans spread out from African during the Pleistocene. A paper describing the findings was published in the journal Science.

“Misliya is an exciting discovery,” co-author Rolf Quam, an anthropology professor at Binghamton University, said in the press release. “It provides the clearest evidence yet that our ancestors first migrated out of Africa much earlier than we previously believed. It also means that modern humans were potentially meeting and interacting during a longer period of time with other archaic human groups, providing more opportunity for cultural and biological exchanges.”

(7) CORRECTION. Rob Hansen sent a correction about the date of Ron Ellik’s death: “I’ve subsequently been informed I got the date of his death wrong and that he died not on the 25th but on the 27th. sigh

Andrew Porter also sent a link to Fanac.org’s scan of his 1968 newzine SF Weekly #215 with complete coverage. Ellik was killed in an auto accident in Wisconsin while moving to St. Paul, MN. He had been planning to be married shortly after the move.

(8) HARRIS OBIT. Mark Evanier paid tribute to the late comics editor in “Bill Harris R.I.P.” at News From ME.

Comic book writer-editor Bill Harris died January 8 at the age of 84.

…One of his innovations when he was in comics was that he was one of the first editors to recognize that there was a promotional value in comic book fanzines. Many of the early zines of the sixties featured letters from Bill, telling fandom what would be forthcoming in the comics he edited. Few others in comics at the time saw any value in that but Harris predicted correctly the growing impact that fanzines and comic conventions would have on the field.

(9) COMICS SECTION.

  • Chip Hitchcock found a medical examiner working in a fairy tale in today’s Bizarro.
  • Chip also spotted a hero who’s made a career change in Bliss.
  • Mike Kennedy saw a kind of Fountain of Youth in Baldo.

(10) WORD. Vox.com has a post “Remembering Ursula Le Guin, Queen of Sass”:

And in 2016, More Letters of Note, Shaun Usher’s most recent collection of important letters written by important people, unearthed another classic Le Guin smackdown. In 1971 she was asked to blurb Synergy: New Science Fiction, Volume 1, the first of a four-volume anthology series that aimed to publish “the most innovative, thought-provoking, speculative fiction ever.” Le Guin was less than amused by the request:

Dear Mr Radziewicz,

I can imagine myself blurbing a book in which Brian Aldiss, predictably, sneers at my work, because then I could preen myself on my magnanimity. But I cannot imagine myself blurbing a book, the first of a new series and hence presumably exemplary of the series, which not only contains no writing by women, but the tone of which is so self-contentedly, exclusively male, like a club, or a locker room. That would not be magnanimity, but foolishness. Gentlemen, I just don’t belong here.

Yours truly,

Ursula K. Le Guin

(11) DENIAL. JDA cannot allow himself to believe that his behavior rather than his politics provokes the criticism directed his way, and so, after Jennifer Brozek spoke out about him (some quoted in yesterday’s Scroll) he blamed others for pressuring her to express those opinions: “How Terrible Gossip Destroys Friendships – My Story With Jennifer Brozek” [link to copy at the Internet Archive.]

(12) APING APES. Scientists in China successfully cloned monkeys, which is the first time primates have been cloned — “Scientists successfully clone monkeys; are humans up next?” Remember Mark Twain’s story about why God created the monkey – “He found out where he went wrong with Man.”

The Associated Press also did a video report:

For the first time, researchers have used the cloning method that produced Dolly the sheep to create two healthy monkeys, bringing science an important step closer to being able to do the same with humans.

From New Scientist — “Scientists have cloned monkeys and it could help treat cancer”.

The female long-tailed macaques represent a technical milestone. It should make it possible to create customisable and genetically uniform populations of monkeys, which could speed up treatments for diseases such as Parkinson’s, Alzheimer’s and cancer. But the breakthrough will inevitably raise fears that human cloning is closer than ever.

The monkeys hold such huge potential because they all inherit exactly the same genetic material, says the Chinese team that cloned them.

This would enable scientists to tweak genes the monkeys have that are linked to human disease, and then monitor how this alters the animals’ biology, comparing it against animals that are genetically identical except for the alterations. It could accelerate the hunt for genes and processes that go wrong in these diseases, and ways to correct them, the team says

Kendall sent these links with a comment: “Reading elsewhere about how some fruits and veggies have been quasi-ruined by doing this, I got a little nervous reading the New Scientist say, ‘It should make it possible to create customisable and genetically uniform populations of monkeys, which could speed up treatments for diseases such as Parkinson’s, Alzheimer’s and cancer.’ Even though they’re not talking about replacing the world’s monkeys with one strain of monkey. Still, this got a little dystopian-animal-cloning idea whirring around in my head.”

(13) HARDER THEY FALL. Here is the I Kill Giants trailer.

From the acclaimed graphic novel comes an epic adventure about a world beyond imagination. Teen Barbara Thorson (Madison Wolfe, The Conjuring 2) is the only thing that stands between terrible giants and the destruction of her small town. But as she boldly confronts her fears in increasingly dangerous ways, her new school counselor (Zoe Saldana, Guardians of the Galaxy) leads her to question everything she’s always believed to be true. I Kill Giants is an intense, touching story about trust, courage and love from the producers that brought you Harry Potter.

 

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Kendall, Rob Hansen, Carl Slaughter, JJ, Will R., and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Reminiscence for File 770’s 40th: Living the News of 1978

By Chip Hitchcock: At some ages any year may seem momentous, but 1978 still stands out in memory. I was a couple of years out of college, but still singing in Harvard’s summer chorus and signing books out to borrowers at the MITSFS (owner of the world’s largest open library of SFF); I was working as a ~chemistry researcher, with no idea that in another couple of years I’d be massively more entangled in fandom and working for two other fans at a computer company.

For a start, Boskone (then and now my local convention) grew from 1000 people to over 1400 after a couple of years of near-stability. Star Wars, which had played downtown for several months the previous year, is the obvious explanation for this, and maybe the growth past 1900 in 1979, but how they found us is anyone’s guess; as far as I remember, Boskones then didn’t do much advertising because there was no obvious place for it. Later this led to strains on the committee, and finally to the Boskone from Hell, but at the time growth seemed like an unalloyed good; in 1979 it meant we could take all of New England’s largest hotel, instead of just working the fringes around the biggest ballrooms.

The immediate effect for me was that the RISFA Players had to do three performances in a row of the latest Anderson-Keller musical, Rivets Redux, in order to seat everyone who wanted to see it. I was playing Charles Dexter Ward (one of several obsolete characters in search of new employment), but also served as producer, something resembling music director, and technical director; this last required coming up with a representation of the appearance of the mother ship from Close Encounters of the Third Kind (the previous year’s other SF blockbuster), with a jury rig that we were lucky survived all the performances. (Since this was the RISFA Players, who had first been seen in “Buckets of Gor, or Abbott and Costello Meet the Priest-Kings”, the ship appeared not to the infamous five-note motif but to “Dueling Tubas”.) In addition to the usual problems of an amateur production split between two cities (the creators and most of the cast were in Providence), we dealt with two record-setting snowstorms in the previous few weeks; the second of these shut down the city for a week, right when the entire convention was busiest getting ready. When we finally moved into the hotel we found that all the other scheduled meetings had canceled, which at least gave us a space for some desperately-needed on-site rehearsal.

Then there was the Boston in 1980 Worldcon bid. I had joined MCFI (the sponsoring organization) just a few months before, and immediately “volunteered” (i.e., I was the only person not to step back quickly enough) to find and liaise with a printer so that we’d have someone ready to do the first progress report if we won. (I just discovered that the scan of File:770 #7 is online, listing me as an “officer” of Noreascon Two due to this job.) This later led to my producing several books for NESFA Press, and editing at least one of them. I’d seen a few Worldcon bids go by but hadn’t voted before 1977; MCFI was for the time a stable group (about as many couples as singles, many in solid jobs in computers and I think averaging a little older than typical) chaired by Leslie Turek (later FGoH at Sasquan). Fandom was getting less gender-imbalanced—after the New Orleans in 1976 Worldcon bid had been torpedoed by its CVB rep (“a great place for you to hold your convention, and a great city for your wives to go shopping in!”) I estimated from published lists that the membership that heard this line at the 1974 Worldcon was about a quarter female—but it had been some time since a woman had been sole chair.

Somewhere in this timeline, Iguanacon (the upcoming Worldcon) asked MCFI and its Baltimore opposition to each take on an area of the convention; we were given the costume contest and promptly dubbed ourselves the Boston Massaquerade. I was not going to be involved with the organizing, but it was assumed (based on the aforementioned musicals, which were an outgrowth of backstage work at high-school and college theaters) that I would be tech director—Masquerades being rather less rigorous 40 years ago. (These days the TDs usually have considerable current experience.) This was the first time that a Masquerade had been held in a real theater rather than a hotel hall, and the Phoenix “Symphony Hall” came with more lights already hung than we knew what to do with—and people to focus and run them, apparently already in the budget. So the Masquerade was displayed well despite my inexperience.

Iguanacon II Program Book cover by William R. Warren.

Iguanacon itself had made news for changing its chair a few months out, for reasons discussed extensively at the time, and for GoH Harlan Ellison’s steps to prevent any money being spent on his behalf in a state that had refused to ratify the ERA; despite the noise, and weather that was hot even for Phoenix over Labor Day, it had significantly more attendees than any previous Worldcon, after a few years’ pause in the steady increase that attendance had seen since the 1960’s. The abovementioned scan has discussions of some of the other uproars, but doesn’t mention the report I heard that the Art Show had to be torn down and reconstructed to allow passage from fire doors on an inner exhibit hall through the show to the doors on its outside wall. However, Iguanacon also had some innovations that are still well-remembered:

  • They persuaded the Hyatt coffee shop to stay open 24/7. An impeachable source told me this made the Hyatt so much money that other Worldcon Hyatts a few years later reportedly refused to believe the figures—which was a pity given the shortage of food around them. These days fandom might or might not average old enough that all-night food wouldn’t be useful.
  • They picked a hotel with a serious mingling space. The Google view tells me the atrium couldn’t have been much over a hundred feet each way, but crossing it always took at least 10 minutes because you kept running into people you could stop and talk to; in a typical lobby or corridor that would get you snarled at, or pushed. Many Worldcons since have aimed for such a feature.

I answered a few questions from a local TV station that was interviewing people in the atrium. I didn’t see the result, but I was told later that the news item had led off with my comment about blaming my parents because they gave me Tom Swift instead of the Hardy Boys at age 8. That’ll teach me to be smart to mundanes….

MCFI threw parties (on a much smaller budget than nowadays, although large enough that we used the rooms’ swivel chairs as impromptu dollies for ice) and hung hundreds of feet of computer-printed banners (one of the few reasons to miss old-fashioned line-printers and their fan-fold output) on the stacks of railing around the abovementioned atrium. At one of the parties I met the only other ancestral Hitchcock I’ve run into in fandom. (It’s an old name, but not common.) We were pronounced the winner after a notoriously humorless business-meeting chair first announced that a hoax bid (of which there were several) had won. The next day, somebody at our advance-sales table started a conversation with Spider and Jeanne Robinson, who had just won a Hugo for “Stardance”; the result was a performance, called “Higher Ground”, which showed some gravity-bound idea of what stardance might be like.

This was in the early days of airline deregulation, when the cheapest fares required staying for a week, so a lot of us hung around in the hotel lobby until it was late enough Tuesday night to go to the airport for a flight one minute into Wednesday. It turned out groups of us were taking two different airlines’ flights through O’Hare, so we blearily wandered into each other around dawn on Thursday while waiting for our connections.

And a ridiculously long chain of inattentions and coincidences had led to my singing in a chorus behind the the Boston Symphony Orchestra at Tanglewood (their summer home) just days before leaving for Phoenix; I ended up chorusing a handful of concerts with the BSO over the next several years. So when I got home from Iguanacon I was full of beans but had no idea how busy my life was about to get.

Pixel Scroll 1/21/18 Right Here In File City, Trouble With A Capital T, That Rhymes With P, And Stands For Pixel

(1) COMPOSING SPACE OPERA. In this Twitter thread Cat Rambo captured the highlights of the Ann Leckie Space Opera class.

(2) WORLDCON 76 ACADEMIC TRACK ADDS PRIZE. The Heinlein Society’s Board of Directors has authorized a $250 cash prize to be awarded to the “Best Paper Presented at the 2018 World Science Fiction Convention’s Academic Track.”  President Keith Kato says “The final evaluation process is under discussion, but will likely involve a judging panel.”

The concom has extended the deadline for Academic Track papers to March 1 as a result.  This prize is not the William H. Patterson, Jr., Prize which is evaluated annually by the Society for the best Heinlein-related academic paper in a particular calendar year.

In addition, The Heinlein Society will be teaming with the Center for Ray Bradbury Studies and The Arthur C. Clarke Foundation for Academic Track papers, and possibly other con activities.

(3) HOW CAN THEY EVER RESPECT US AGAIN? She blabs a trade secret to The Guardian: “Margaret Atwood: ‘I am not a prophet. Science fiction is really about now’”.

“I’m not a prophet,” she says. “Let’s get rid of that idea right now. Prophecies are really about now. In science fiction it’s always about now. What else could it be about? There is no future. There are many possibilities, but we do not know which one we are going to have.” She is, however, “sorry to have been so right”. But, with her high forehead and electric halo of curls, there is something otherworldly about Atwood. Dressed in one of her trademark jewel-coloured scarfs and a necklace of tiny skulls, she cuts a striking figure outside the cafe in Piccadilly where we are huddled.

(4) OUTSIDE SFWA. Vox Day’s post “SFWA rejects Jon Del Arroz” [at the Internet Archive], in which the expelled member condemns and reviles the organization’s decision to refuse admittance to JDA, publishes what is represented to be the text of SFWA’s notification to JDA.

(5) DILLMAN OBIT. Actor Bradford Dillman died January 16 at the age of 87. Some of his better-known roles included Robert Redford’s best friend in 1973’s The Way We Were, and two appearances in Clint Eastwood Dirty Harry movies.

His genre work included TV shows like The Wild, Wild West; Mission: Impossible; Thriller; Wonder Woman; The Incredible Hulk; and The Man From U.N.C.L.E. In the movie Escape From The Planet Of The Apes he was the kind Dr. Dixon who helps Cornelius and Zira evade capture. He also starred in Bug, and appeared in Swarm, and Pirhana.

(6) COMICS SECTION.

  • John King Tarpinian didn’t look to see if this was really in the Old Testament, he just laughed: Bizarro.
  • Chip Hitchcock has his eye on the same cartoon series. He noted that this Bizarro shows new job opportunities, and another Bizarro tells us that even ~gods apprentice:

(7) DREAM HOME. In a hole in the ground there stayed a tourist — “Calling all ‘Lord of the Rings’ fans! You can spend the night in a real-life hobbit hole”.

Wolfe relied on the construction know-how she’d picked up from her parents — her mother remodeled houses when Wolfe was a child — and brought in a backhoe to clear the land. Wolfe needed to ensure the hobbit hole could hold the foot of dirt she planned to place on the roof, so she used marine-grade, pressure-treated wood.

“Any time you put dirt on top of a house, when that dirt gets wet, it’s basically having a swimming pool on top of your house,” she added. “It’s a lot of weight.”

Up next: an entrance fit for a hobbit. Wolfe wanted a signature round entryway, which she created using an industrial-sized cable spool. She enlisted a local designer to craft the hinges and the opening to the 288-square-foot space. He repurposed a trailer hitch to build the door handle.

When guests enter through the circular portal, they immediately stand in the bedroom. To the right is a fireplace, which helps heat the home in the winter, along with a woodworker’s bench. To the left is the bathroom, complete with a large wooden tub…

 

(8) WHO OWNS WHAT? THIRD BASE! At Plagiarism Today, they take on “The Strange Copyright of Doctor Who”.

Exterminate… Exterminate the copyright!

….It’s a bizarre show, even for science fiction. However, a recent news story highlighted an even stranger part of the series.

Shortly after the airing of the 2017 Christmas Special, which marked the end of Peter Capaldi’s run as The Doctor and introduced Jodie Whittaker, the series first female Doctor, a copyright controversy arose.

According to The Mirror, the estate of Marvyn Haisman, the creator of Brigadier Lethbridge-Stewart, took issue with the episode introducing a new character that turned out to be Lethbridge-Stewart’s grandfather. Lethbridge-Stewart is popular character from the series that they hold the rights to.

Though later reports have downplayed the dispute, the story raised an interesting question: Why was one of the series’ most popular characters not controlled by the BBC, which produces the show?

It turns out though that Brigadier Lethbridge-Stewart is far from alone in his bizarre copyright status. Many of the show’s iconic characters are controlled, at least in part, by outside entities. The list includes both the robotic dog K9 and even The Daleks themselves.

How did this happen? The answer is both complicated and simple at the same time but it all centers around how the series was written during its early years.

(9) WE INTERRUPT THIS MAELSTROM. Here is the kind of thing people discuss on days when the news cycle isn’t spinning like mad. Or if they need a break on a day when it is.

(10) MOONDUST AND SAND. Andy Weir was the subject of a podcast with Tyler Cowen (“Conversations With Tyler.”) Martin Morse Wooster says, “I’m sure it’s good because Cowen is a good interviewer.”

Martin adds: I learned about this by listening to Cowen’s podcast with New York Times columnist Ross Douthat, which has quite a lot of sf content.  Douthat explained that he wanted to be a fantasy novelist, but settled for being an opinion journalist.  He talks about how Watership Down is his favorite fantasy novel, and about ten minutes of the hour and a half podcast is devoted to a discussion of Dune with an emphasis on the Butlerian Jihad.  The interview revealed that, along with Paul Krugman, there are two New York Times columnists who know a great deal about sf.” — Ross Douthat on Narrative and Religion (Ep. 32).

[Thanks to JJ, Keith Kato, Cat Rambo, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]