Pixel Scroll 11/12/16 Like A Scroll On A Wire; Like A Pixel In A Midnight Choir

(1) ROBOTIC PREDICTION OR CAMPAIGN PROMISE? “Meet Sofia, the Humanoid Robot That Looks, Thinks and Talks Like a Human”.

Right now, artificially intelligent robots are part of the workforce, from hotel butlers to factory workers. But this is just the beginning.

According to Ben Goertzel, AI researcher and entrepreneur who spoke at the Web Summit in Lisbon this week, intelligent robots in human-like forms will surpass human intelligence and help free the human race of work. They will also, he says, start fixing problems like hunger, poverty and even help humans beat death by curing us of all disease. Artificially intelligent robots will help usher in a new utopian era never before seen in the history of the human race, he claims.

“The human condition is deeply problematic,” says Goertzel. “But as super-human intelligent AIs become one billion-times smarter than humans, they will help us solve the world’s biggest problems. Resources will be plentiful for all humans, work will be unnecessary and we will be forced to accept a universal basic income. All the status hierarchies will disappear and humans will be free from work and be able move on up to a more meaningful existence.”

(2) FAN FICTION. In an article called Full-body reading” on the website Aeon (aeon.co), University of Toronto English lecturer Anna Wilson talks about how her dissertation on medieval mystic Margery Kempe inspired her to deepen her appreciation of fan fiction and make her a more committed lesbian.

Fanfiction makes its source texts richer for its loving readers. It amplifies allusions and hidden currents, pulls out notes of characterisation and subtleties of plot, and spends time with them. After reading fanfiction, I return to texts I love with a new eye – sometimes a more critical one. For example, I read hundreds of stories embroidering the relationship between the Harry Potter characters Remus Lupin and Sirius Black, which – fanfiction writers suggested – was the real reason Sirius’s family had thrown him out. Thanks to fanfiction, I was wondering ‘Where are all the gay people at Hogwarts?’ long before J K Rowling announced that Dumbledore was gay (but his first crush was an evil wizard, and he apparently never loved again – thanks, JK).

Fanfiction can fill gaps in the world of the story, or tease out elements forbidden or unspeakable in the original text and bring them to the surface. These might be erotic; Fifty Shades of Grey (2011) began life as a hugely popular erotic fanfiction of the Twilight series that reimagined its characters Bella and Edward in an office BDSM setting. E L James brought out an element of Twilight that many readers found appealing – the erotic power dynamics between Edward and Bella – and rewrote those dynamics for a commercial audience. Another example is slash fiction – fanfiction that imagines a gay romance into a straight narrative, like those Remus/Sirius stories I binged on (the name ‘slash’ comes from the /).

Slash is particularly powerful for me as a queer woman because it subverts some fundamental assumptions in media narratives about who is watching, and what they want. When I read slash, I feel recognised and loved as a reader in a way I almost never do when I watch TV. In fact, fanfiction gave me something I’d been craving; it was literature for me. Though I’ve always loved science fiction, I felt obscurely unwanted by books in which the female characters were unsatisfying and marginalised: women are barely imagined as part of the science fiction audience, let alone catered to. By the same token, romance novels (one of the few genres that almost exclusively caters to women) were overwhelmingly heterosexual, with male and female characters I found boring and unrelatable, moving through prescribed motions that always ended with marriage and babies. Reading romance novels felt like forcing myself into a too-tight corset: reading fanfiction was like taking a deep breath.

(3) INDIVIDUAL PROTESTS. Two comics creators will quit attending shows in states that voted for Trump reports Bleeding Cool — “George Perez To Fulfill Current Commitments, Then Stop Attending Shows In Trump States”

Yesterday, Humberto Ramos, the Mexican comic book creator, currently topping the charts with Champions #1 for Marvel declared that he had chosen not to attend comic book shows in the US, in states that had voted to elect President-Elect Trump.

He was, today, joined in that by American creator George Pérez, co-creator of the New Teen Titans, also joined that number.

(4) SEFTON OBIT CORRECTION. While other details in the November 10 Pixel Scroll about the late Amelia (Amy) Sefton were correct, I was mistaken in identifying her as working for Tor. That is a different Amy Sefton. Thanks to Andrew Porter for the correction.

(5) TODAY IN HISTORY

  • November 12, 1982Creepshow opens in theaters nationwide.

(6) NEXT AT KGB. The Fantastic Fiction at KGB reading series will present John Langan and Matthew Kressel, on Wednesday, November 16, beginning at 7p.m. in New York’s KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs.)

John Langan

John Langan is author of two novels, The Fisherman and House of Windows.  He’s also published two collections, The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters.  With Paul Tremblay, he co-edited Creatures:  Thirty Years of Monsters.  He is one of the founders of the Shirley Jackson Awards and he currently reviews horror and dark fantasy for Locus magazine.

New and forthcoming are stories in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki.  In February of 2017, his third collection of stories, Sefira and Other Betrayals, will be published by Hippocampus Press.

John Langan lives in New York’s Hudson Valley and teaches classes in creative writing and Gothic literature at SUNY New Paltz.  With his younger son, he’s studying for his black belt in Tang Soo Do.

Matthew Kressel

Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has been twice nominated for a Nebula Award and has or will soon appear in such markets as Lightspeed, Nightmare, Tor.com, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and the anthologies Cyber World, After, Naked City, The People of the Book.

From 2003-2010 he published and edited Sybil’s Garage, an acclaimed SF magazine. He also published the World Fantasy Award-winning anthology Paper Cities and for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional. He co-hosts the Fantastic Fiction at KGB reading series alongside Ellen Datlow. When not writing fiction he codes software for companies large and small, studies Yiddish (Nu?), and recites Blade Runner in its entirety from memory.

(7) CROSSOVER SEASON. The CW has released a promo for upcoming DC crossover between Supergirl, The Flash, Arrow and DC’s Legends of Tomorrow, a sequence of episodes that begins November 28.

During a press event earlier this week, executive producer Marc Guggenheim offered up a few details on the crossover, which will actually begin at the end of an episode of Supergirl as Kara is enlisted by Barry (Grant Gustin) and Cisco (Carlos Valdes) to help battle the threat of the extraterrestrial Dominators.

“Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” states Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends.

 

(8) BRING OUT YOUR UNDEAD. Fox has ordered a pilot for a drama series based on bestselling vampire novel The Passage.

Sink your teeth into this news, vampire fans: Fox is adapting the popular book trilogy The Passage into a drama series.

The network has ordered a pilot for a TV adaptation of Justin Cronin’s book series, per our sister site Deadline. Friday Night Lights writer Liz Heldens will pen the pilot, with Cloverfield‘s Matt Reeves attached to direct.

The 2010 novel The Passage, a New York Times bestseller, envisions a post-apocalyptic future where virus-infected vampires roam the earth, with human colonies banding together to survive. (That book was followed by 2012’s The Twelve and this year’s The City of Mirrors.) Fox bought the film rights to The Passage before it was even published, and a Twilight-like film series was planned for years, but now they’re opting to bring it to the small screen.

(9) MUSEUM GETS TAKEI COLLECTION. George Takei is giving 70 years of his belongings to a museum. The LA Times gives you a viewing.

The donation itself was announced in September.

Actor and activist George Takei is donating a trove of art and artifacts from his life and career to the Japanese American National Museum in Los Angeles.

The museum announced the gift Wednesday and said the collection will be featured in an exhibition next year. “New Frontiers: The Many Worlds of George Takei” is set to open March 12, 2017.

Takei’s collection includes photos, sculptures, scripts and other memorabilia from his “Star Trek” days, as well as his run for Los Angeles City Council in 1973 and the Olympic torch he carried ahead of the 1984 games in Los Angeles.

(10) MR. SCI-FI IS BACK. Sci-Fi Writer-Director-Producer Marc Zicree talks about politics in science fiction, as relates to Trump, alternate worlds with different Presidents, how science fiction reaches across all political beliefs, and more.

[Thanks to John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/29/16 Best Pixel Scroll Title Ever

(1) ORIGIN STORY. Paris Review kicked off a series of posts about the author of Dracula with “Something in the Blood, Part 1”.

To celebrate the spookiest of holidays, we’re publishing a selection of excerpts from David J. Skal’s Something in the Blood, a biography of Bram Stoker, published this month by Liveright. First up: the origins of Dracula.

There are many stories about how Bram Stoker came to write Dracula, but only some of them are true. According to his son, Stoker always claimed the inspiration for the book came from a nightmare induced by “a too-generous helping of dressed crab at supper”—a dab of blarney the writer enjoyed dishing out when asked, but no one took seriously (it may sound too much like Ebenezer Scrooge, famously dismissing Marley’s ghost as “an undigested bit of beef, a blot of mustard, a crumb of cheese”). But that hasn’t stopped the midnight snack of dressed crab from being served up as a matter of fact by countless people on countless occasions. While the nightmare aspect may well have some validity—Stoker’s notes at least suggest that the story might have had its genesis in a disturbing vision or reverie—it exemplifies the way truth, falsehood, and speculation have always conspired to distort Dracula scholarship. An unusually evocative piece of storytelling, Dracula has always excited more storytelling—both in endlessly embellished dramatizations and in the similarly ornamented accounts of its own birth process.

(2) SOFT OPENING. Quill & Quire previews the new Toronto Bar “Famous Last Words”.

For readers looking for a casual haunt to sit down with a good book and a drink (or writers looking for a few strong ounces of liquid creativity)‚ Toronto’s Junction neighbourhood [is] home to a literary-themed bar‚ slated to open Oct. 14. Famous Last Words – echoing CanLit legend Timothy Findley’s 1981 novel of the same name – will feature craft cocktails “with a literary twist‚” with book-inspired names like The English Patient‚ Cryptonomicon‚ The Perks of Being a Wallflower‚ and Fahrenheit 451.

The bar’s bookish decor includes a Scrabble-tile-topped bar‚ bookshelf wallpaper‚ washrooms for Jane Austens or Oscar Wildes‚ typewriters‚ and‚ of course‚ plenty of paperbacks to browse on a bar-spanning book wall.

(3) TAKING UP TIME. David Brin’s book recommendation post includes these playful words about Time Travel: A History, by science historian James Gleick.

This chapter does not mention the array of sneaky means by which we sci fi authors try to weasel our way around causality and temporal protection. One is the universe branching point. When Spock accidentally lures a vengeful Romulan to go back in time and destroy Planet Vulcan (in J.J. Abrams’s Star Trek flick) many fans consoled themselves that this is just a branching-off of a newborn parallel reality… that the older timeline still stands, where Shatner-Kirk and all the rest remain, along the original timeline, like a trellis for the new one to grow alongside.

Well, well, that’s an artistic representation of one of many ways that physicists (at least a few) think that paradoxes might be resolved. Speaking as both a physicist and a science fiction author, I must say that this very loose partnership is one of the most fun that our unique and marvelous civilization offers, during a unique and marvelous… time.

(4) FELINE FEST. For National Cat Day, Jeff Somers of the B&N Sci-Fi & Fantasy Blog has compiled “The 25 Best Cats in Sci-Fi & Fantasy”. (Not all of them are cats strictly speaking – for example, Aslan is on this list.)

Lying Cat in Saga, by Brian K. Vaughan and Fiona Staples If you Google “lying cat” you’ll be rewarded with a slew of images of a fierce-looking cat saying the word “lying” in various tones—from vicious to interrogative. Lying cat can always tell if someone is deliberately lying, and thus is an invaluable companion to bounty hunter The Will in this remarkable comic series. More than just a very large cat that acts as a lie detector, Lying Cat is also a fierce warrior, and fiercely loyal. The fact that a cat that comes up to The Will’s shoulder was the runt of its litter should disturb you.

(5) DON’T YOU THINK SHE LOOKS TIRED? Fansided’s “Doctor Who Watch” uncovered scandalous facts in a candidate’s leaked emails — “Hilary Clinton Reportedly Calls Doctor Who ‘Boring Garbage’”

However, there is one email* that has come out that may truly signal the end of her hopes for the Presidency. Instead of being political in nature, or housing secret government information, this email discusses Doctor Who — or, rather, how she just does not appreciate the show, calling it “boring garbage” and feeling as though she is being left out on a joke that everyone else understands

…But to say that Doctor Who is boring garbage? Well, that crosses a line that few would dare to verbalize. In saying that, she has, in effect, removed the Whovian demographic from her voting population. Yes, she has a somewhat higher opinion of Sherlock, which has a great deal of overlap in terms of fandom, but to attack the Doctor?

(6) SAVE OUR STOTTIES. Fanhumorist and distinguished geezer Graham Charnock is in jeopardy of being denied access to an essential food group. He has launched a petition at Change.org

Greggs have ceased to sell ham and pease pudding stotties, a staple food of the Tyneside community. Let’s persuade them they are wrong that there is no demand.

Our goal is to reach 100 signatures and we need more support.

You can read more and sign the petition here.

And to reassure yourself this is not (entirely) a hoax, you can study up on Tyneside cuisine in this Chronicle article.

(7) ZACHERLE OBIT. Horror movie TV host John Zacherle died October 27 at the age of 98 reports the New York Times.

[He] played a crypt-dwelling undertaker with a booming graveyard laugh on stations in Philadelphia and New York in the late 1950s and early ’60s…

In 1953 he began appearing as characters on “Action in the Afternoon,” a live western series shot in a vacant lot behind the studios of WCAU. “The idea was to get somebody in trouble on Monday, and either get him out of trouble, shoot him or hang him by Friday,” he told The Daily News in 1959.

One of his recurring characters was an undertaker named Grimy James, whose frock coat came in handy when the station bought a collection of 52 old horror films from Universal. The station manager, reviewing his new acquisition, decided that most of the films were so bad, he would have to build a show around them to add entertainment value.

Mr. Zacherle put on the frock coat and, in October 1957, went to work as the host of “The Shock Theater” (later simply “Shock Theater”), bringing with him an endless supply of sight gags and ad-lib patter.

A rabid fan base developed. When the station held an open house, expecting about 1,500 viewers to turn up, 13,000 stormed the studio to meet the Cool Ghoul, as Mr. Zacherle was known.

(8) CONVENTION IN A SYNAGOGUE. The first Jewish Comic Con takes place in Brooklyn on November 13.

All it took was a Shabbat dinner between the President of Congregation Kol Israel, Fred Polaniecki, and comic book creator Fabrice Sapolsky. Together, they outlined the Jewish Comic Con – a place to explore how Jewish identity has influenced comics both on the page and behind the scenes. Featuring panel discussions, artist tables, and lots of shmoozing,…

Now, Congregation Kol Israel is proud to organize the first ever Comic Con in a synagogue, our synagogue!

(9) PLAID AND PROUD. A kilt reference in yesterday’s Scroll prompted John King Tarpinian to remind me about the local Pasadena specialty store Off Kilter Kilts.

Southern California’s only multi-brand modern kilt store is celebrating its first anniversary on August 27, 2016.

Kilters from across the region will be converging on the store to mark the occasion with owner J.T. Centonze and the rest of the OKK crew. With more than 800 kilts sold in the first year, Off Kilter Kilts has a lot to celebrate.

Off Kilter Kilts has become a regular sight at local Renaissance Faires, Highland Games, and Celtic Festivals. They can also be seen around Pasadena hosting Kilts and Drinks nights at local restaurants.

kilt-wearing-dog

(10) THE WINNER. Jonathan Maberry explains that the Canyon Crest Academy Writers Conference is the nation’s only absolutely free writers conference for teens. This year the conference inaugurated an award and named it after an author – him — the Jonathan Maberry Inspiring Teens Award. Then they turned around and made Maberry the first winner. Says  Maberry, “I’m insanely honored to be the recipient of an award that is named after me. Yeah…I know. That’s surreal.”

(11) HAM ON VINYL. Someone sent along a link to William Shatner Live, a 1977 spoken word album. With the assurance, “No, I’ve not listened to it.” I must confess I have honored that choice myself, beyond about the first 15 seconds of the YouTube recording listed below.

The Wikipedia article on the album includes the text of William Shatner’s explanation for doing this one-man show on stage.

If I were good, it would be the actor’s dream– but if it failed I would be alone. Alone up there with thousands of eyes peering at me — opera glasses raised for a closer look, and the unasked but heavily felt question “what’s he going to do?”

All this was going through my head as I learned the lines — all this was in front of my eyes as I lay down at night — and when the day came that I was to open at Texas A&M University I was filled with fear.

A very primitive fear — the fear of the actor. The nightmare that all actors have from time to time is appearing naked in front of an audience — not knowing the lines, not knowing the play — I was living the dream.

Thirty-five hundred people awaited me expectantly; the buzz of their voices reached me backstage, the lights dimmed, the M.C. announced my name and I walked out. The spotlight hit me like a physical force and I was on — oh muse, be with me know — I took a breath & started to speak…

 

[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, Steven H Silver, David K.M. Klaus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jonathan Edelstein.]

Pixel Scroll 10/25/16 Bears Discover File 770

clarke-center-arrivalcarouseli

(1) ARRIVAL PREMIERE BENEFIT FOR CLARION. The Arthur C. Clarke Center for Human Imagination will host the San Diego premiere of the film Arrival, starring Amy Adams, Jeremy Renner, and Forest Whitaker. After the film, there will be a conversation and Q&A with Ted Chiang, whose novella “Story of Your Life” provided the basis of the screenplay.

All proceeds from the screening benefit the Clarion Foundation, which supports the Clarion Science Fiction and Fantasy Writers’ Workshop at UC San Diego. Click on the link to buy tickets.

Arrival is the the story of what happens when mysterious spacecraft touch down across the globe. An elite team, led by expert linguist Louise Banks (Amy Adams), is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers-and to find them, she will take a chance that could threaten her life, and, quite possibly, humanity.

Ted Chiang is a graduate and, later, instructor in the renowned Clarion Science Fiction and Fantasy Writers’ Workshop, organized at UCSD by the Arthur C. Clarke Center for Human Imagination. Known for his exacting craftsmanship in writing profound and psychologically rich science fiction, Chiang this year alone has the honor of having a story (“The Great Silence”) in both the Best American Short Stories 2016 and Best Science Fiction and Fantasy 2016, after it was originally written for a collaboration with the visual artists Allora & Calzadilla.

(2) NEW CLARKE CENTER PODCAST. Into the Impossible: A Clarke Center Podcast launches November 1.

clarke-podcast-logoInto the Impossible is a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination. Early episodes will take listeners through exciting, ranging conversations with and between scientists, artists, writers, and thinkers of different stripes, on the nature of imagination and how, through speculative culture, we create our future. The first episode includes Freeman Dyson (physicist and writer), David Kaiser (physicist, MIT), Rae Armantrout (Pulitzer Prize-winning poet, UCSD professor emeritus), and Brian Keating (astrophysicist, UCSD).

Later episodes will feature actors like Herbert Siguenza (Culture Clash), futurists like Bruce Sterling (writer, design theorist, WIRED columnist), and science fiction authors like Vernor Vinge (novelist, mathematician, computer scientist), as well as looks into Clarke Center activities like Dr. Allyson Muotri’s lab growing Neanderthal brain neurons and the new Speculative Design major. We will also premiere an audio performance created in collaboration between artist Marina Abramovic and science fiction author Kim Stanley Robinson, created in workshop here at the Clarke Center with Adam Tinkle and local and student volunteers.

(3) LEARNING AND RELEARNING. Cat Rambo’s speech is now online — “Into the Abyss: Surrey International Writers Conference, Morning Keynote for October 23, 2016”.

I try to write, every day, 2000 words, because that’s what Stephen King does and I think he’s a pretty good role model. Note that I say try, because I don’t always hit it. But you must write. Every day you write is a victory.

Figure out your personal writing process and what works for you. And then do it, lots. I realized that my most productive time is the mornings. So if my mother calls in the mornings, she knows I will answer “Is this an emergency?” and if she says no, I will hang up. (I did warn her before implementing this policy.) Find the times and places you are productive and defend them from the world. You will have gotten a lot of writing advice here and the thing about writing advice is this. All of it is both right and wrong, because people’s process differs and moreover, it can and will differ over the course of time. Find what works for you and do it.

Be kind to yourself. We are delicate, complex machines both physically and mentally. Writers are so good at beating themselves up, at feeling guilty, at imagining terrible futures. You are the person with the most to gain from being kind to yourself; do it. Don’t punish yourself for not hitting a writing goal; reward yourself when you do.

(4) ZOMBIE PROM REVIEW. Martin Morse Wooster personally eyeballed the production and returned with a verdict:

I saw Zombie Prom on Friday, and I think Nelson Pressley’s review was unfair.  Unexpected Stage Company, which did the production, is a minor-league company.  I doubt any member of the cast was over 25 and no one was a member of Equity.  That being said, everyone hit their marks and remembered their lines and most of the cast had pretty good voices.  I thought the production was pleasant.

The title of the musical is misleading, because there’s only one zombie in the cast. (I guess they couldn’t call it One Zombie at a Prom.) It’s the 1950s, and we’re at Enrico Fermi High.  Jonny Warner gets jilted by his girlfriend and leaps into a vat of nuclear waste, which turns him into a zombie.  Will anyone accept him–including his former girlfriend?

I have never heard of Dean P. Rowe, who did the music, and John Dempsey, author of the book and lyrics, but they have talent and my guess is in five years we will hear a lot from them.  There are some mildly deep references to ’50s pop culture, including what I thought was a reference to The Milton Berle Show.  The two best performers were Dallas Milholland, who for some reason decided to play semi-villainous Principal Delilah Strict in a pseudo-British accent, and Will Hawkins, who played Jonny Warner with a great deal of gusto.

Their website is Unexpected Stage Company.

(5) LONG LISTENER ANTHOLOGY. David Steffen says there will be an audiobook of the Long List Anthology Volume 2 after all, using a modified table of contents.

I have been talking with Skyboat Media and we have decided to go ahead with the audiobook, with some alterations to the table of contents from the original stretch goal to get it to just the right length for the resources available.  So there will be an audiobook again this year, this time with 6 stories.

The table of contents is:

  • Our Lady of the Open Road by Sarah Pinsker
  • Today I Am Paul by Martin L. Shoemaker
  • Madeleine by Amal El-Mohtar
  • Pocosin by Ursula Vernon
  • Damage by David D. Levine
  • Grandmother-nai-Leylit’s Cloth of Winds by Rose Lemberg

The title will also be different to reflect the different table of contents from the book/ebook:

OUR LADY OF THE OPEN ROAD & OTHER STORIES FROM THE LONG LIST ANTHOLOGY, volume 2

(6) TEPPER OBIT. The SFWA Blog posted an obituary for Sheri S. Tepper.

Cat Rambo says, “If I had to name one series by her I adore more than any other of the many excellent choices, it’s the Marianne series, and I highly recommend them to the File 770 readers.”

(7) TODAY’S BIRTHDAY BOYS

  • Born October 25, 1892 — Leo G. Carroll in 1892  (played Topper, and Alexander Waverly in The Man from U.N.C.L.E.)
  • Born October 25, 1924 — Billy Barty. His sf/f resume includes the animated The Lord of the Rings (1978, rotoscope footage) Snow White (1987), Masters of the Universe (1987) and Lobster Man from Mars (1989).

(8) CHAT WITH THREE-BODY AUTHOR. An excellent interview at SF Crowsnest: “Cixin Liu: interviewed by Gareth D Jones”.

GDJ: My favourite character in the books is Da Shi, especially in the second volume, ‘The Dark Forest’. Do you have a favourite character out of the ones you wrote about?

CL: In terms of Da Shi, he’s one of the most liked characters amongst Europeans and American readers. I think it’s because he’s like a caricature of a Chinese person of Beijing police, real well-connected, good with people. But this kind of people are actually really common in China, so we all know someone like that. But for non-Chinese readers, he immediately captures the attention. In terms of favourite character, I don’t think I have a favourite character really because they’re just there to propel the story forward. So it’s where the story is taking them that affects them, so I don’t have a favourite.

(9) ET, PHONE US. “Either the stars are strange, or there are 234 aliens trying to contact us” says Phys.org news. Obviously, these guys haven’t read the Three-Body Trilogy.

What we’re talking about here is a new study from E.F. Borra and E. Trottier, two astronomers at Laval University in Canada. Their study, titled “Discovery of peculiar periodic spectral modulations in a small fraction of solar type stars” was just published at arXiv.org. ArXiv.org is a pre-print website, so the paper itself hasn’t been peer reviewed yet. But it is generating interest.

The two astronomers used data from the Sloan Digital Sky Survey, and analyzed the spectra of 2.5 million stars. Of all those stars, they found 234 stars that are producing a puzzling signal. That’s only a tiny percentage. And, they say, these signals “have exactly the shape of an ETI signal” that was predicted in a previous study by Borra.

Prediction is a key part of the scientific method. If you develop a theory, your theory looks better and better the more you can use it to correctly predict some future events based on it. Look how many times Einstein’s predictions based on Relativity have been proven correct.

The 234 stars in Borra and Trottier’s study aren’t random. They’re “overwhelmingly in the F2 to K1 spectral range” according to the abstract. That’s significant because this is a small range centred around the spectrum of our own Sun. And our own Sun is the only one we know of that has an intelligent species living near it. If ours does, maybe others do too?

(10) THE HULK V. THE THING. CinemaBlend reports Stan Lee’s definitive answer to America’s most asked question. (And no, it’s not “Does your chewing gum lose its flavor in the bedpost overnight?”)

It’s a question that has dogged comic book fans for decades: who would win in a fight between The Hulk and The Thing? Of course, there’s only one man who has the definitive answer to this quandary: Marvel icon Stan Lee himself. So when it was finally posed to the comic book legend, the world waited with bated breath to hear the answer, which, as it turns out, is The Hulk.

Stan Lee made this admission during his chat with The Tomorrow Show. But there were a few caveats to Stan Lee’s answer, who predicted that The Thing/Ben Grimm would definitely give The Hulk/Bruce Banner a run for his money, as he’s a little smarter than his counterpart. But that didn’t stop Stan Lee from picking The Hulk as the winner, as he explained:

“Oh, The Hulk would win. The Thing is faster and smarter, so he would probably find a way to turn it into a draw or save himself. He’d trap or trick the Hulk. But, in a fair fight, there’s no way the Hulk [would lose]. He’d win.”

(11) FIFTH OF INDIANA. ScreenRant says a fifth Indiana Jones movie will be out in 2019, starring Harrison Ford and directed by Steven Spielberg. But what about George Lucas? “Indiana Jones 5: George Lucas Is Not Involved With Story”.

In an interview with Collider, the screenwriter mentioned that Lucas does not have a hand in crafting the Indiana Jones 5 story, saying, “I haven’t had any contact with him.” Spielberg’s earlier claims that Lucas would be an executive producer could still be true, but it’s difficult to envision a scenario in which Lucas is attached to an Indiana Jones film and isn’t helping design the narrative. It would appear that Lucas would rather enjoy his retirement than jump into the Hollywood machine again, which isn’t all that surprising considering his comments about Disney in the lead-up to Star Wars: The Force Awakens. For many fans, this is a bittersweet revelation; like Star Wars, Lucas is an integral part of the Indiana Jones property, but he was responsible for some of the more unfavorable elements in Crystal Skull, such as his insistence aliens be in the film. Some viewers would prefer Lucas stay away.

(12) SFWA MARKET REPORT. SFWA President Cat Rambo says, “The latest market report went out a little late this month and I wanted to make sure people were aware of it. Dave Steffen is doing a terrific job assembling it.” Find it here: http://www.sfwa.org/2016/10/sfwa-market-report-october/.

(13) OPENINGS IN RAMBO/SWIRSKY CLASS. There are still slots open in “Re-Telling and Re-Taleing: Old Stories Into New”, the Cat Rambo/Rachel Swirsky live online class happening Saturday, October 29.

Authors constantly draw on the stories that have preceded them, particularly folklore, mythology, and fables. What are the best methods for approaching such material and what are the possible pitfall? How does one achieve originality when working with such familiar stories? Lecture, in-class exercise, and discussion will build your proficiency when working with such stories. Co-taught with Nebula-award winning writer Rachel Swirsky.

(14) ARCHEOTELEVISION. Echo Ishii has a new post about another antique sff TV show – “SF Obscure: Children of the Stones”.

Children of the Stones is a 1977 television drama for children produced by ITV network. I know of this show mainly because of the late Gareth Thomas. So, I decided to watch it because I had heard good things about it.

Astrophysicist Adam Brake and his son Matthew go to a village called Millbury which has a megalithic circle of stones in the middle of it. (It’s filmed on the prehistoric monument of Avebury) Things get strange as soon as they arrive. First of all, the housekeeper and neighbors all seem abnormally happy. Matthew has strange feelings of evil and is immediately hostile towards the new neighbor. His father chides him, but Matthew can’t help but feel something is wrong. We later learn that Matthew has some psychic abilities and this is why he reacts the way he does….

(15) DISSECTING THE FALL TV PREMIERES. Asking the Wrong Questions’ Abigail Nussbaum continues “Thoughts on the New TV Season, 2016 Edition, Part 2”.

Westworld – Easily the most-anticipated new series of the fall, the consensus that has already formed around HBO’s latest foray into genre is that it represents the channel’s attempts to grapple with its own reputation for prurient violence, particularly violence against women (see Emily Nussbaum in The New Yorker, and Aaron Bady in The Los Angeles Review of Books).  You can see how that consensus has formed–Westworld builds on the 1973 movie to imagine a lush and impeccably-detailed theme park in which customers pay lavishly to indulge their every fantasy, which almost inevitably seem to involve murder, mayhem, and of course rape.  The metaphor for how HBO’s pretensions to highbrow entertainment ultimately rest on the sumptuously-filmed and -costumed violence of Game of Thrones, True Detective, and The Night Of pretty much writes itself.  For myself, I’d like to believe that there’s more to Westworld than this glib reading, first because I simply do not believe that anyone at HBO possesses this level of self-awareness–this is, after all, the channel whose executives were genuinely taken aback, in the year 2016, by the idea that their shows had become synonymous with violence against women–and second because it’s by far the least interesting avenue of story the show could take.

(16) WOMEN INVISIBLE AGAIN. Juliet McKenna takes to task “Andrew Marr’s Paperback Heroes – a masculine view of epic fantasy entrenching bias”.

Two things happened on Monday 24th October. News of Sheri S Tepper’s death spread – and a lot of people on social media wondered why isn’t her brilliant, innovative and challenging science fiction and fantasy writing better known?

Then the BBC broadcast the second episode of Andrew Marr’s series on popular fiction, looking at epic fantasy.

The programme featured discussion of the work of seven, perhaps eight, major writers – six men and one, perhaps two women if you include the very passing reference to J K Rowling .

Four male writers were interviewed and one woman. Please note that the woman was interviewed solely in the context of fantasy written for children.

If you total up all the writers included, adding in cover shots or single-sentence name checks, eleven men get a look-in, compared to six women. Of those women, three got no more than a name check and one got no more than a screenshot of a single book.

It was an interesting programme, if simplistic in its view, to my mind. There’s a lot of fantasy written nowadays that goes beyond the old Hero’s Journey template. There’s a great deal to the genre today that isn’t the male-dominated grimdarkery which this programme implied is currently the be-all and end-all of the genre….

(17) MASQUERADE VIDEOS. The International Costumers Guild has posted the final version of the “MidAmeriCon 1 masquerade Look Back”.

This episode features highlights from the MidAmeriCon 1 masquerade held in Kansas City, MO. Having discovered another version of this masquerade after the initial upload, we’ve replaced it with this one because the color is more vivid. There is also one additional costume entry that has been added to the video. Note: This video, while not the sharpest in detail, could still be considered slightly NSFW.

 

They have also just released a quick memorial to author and costumer Adrienne Martine-Barnes.

[Thanks to John King Tarpinian, Cat Rambo, Nora and Bruce Mai, JJ, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/7/16 You Keep Using That Pixel. I Do Not Thing It Scrolls How You Think It Does

.(1) NEW YORK COMIC CON. Tor.com’s Leah Schnelbach says fans packed the room to hear “You Can be Mythic!” Ta-Nehisi Coates, Steven Orlando, and Tee ‘Vixen’ Franklin Discuss Race, Sexuality, and Representation in Comics.

Gray kicked off by asking Coates about the reception of the Midnight Angels—Aneka and Ayo, two Dora Milaje warriors who have left their traditional roles and become fugitives together. While the crowd cheered at their mention, Coates self-deprecatingly joked, “If you see people on the internet who love it, you can’t tell if it’s the same 20 people.”

On why he was drawn to these characters, Coates said: “Many of the male figures in T’challa’s life had been killed. So the only people who were left in his life were women, like the Dora Milaje, and their story was told through his eyes. I was interested in what the perspective might be of a person who’d given up their entire life to protect one man—I mean, they address that man as “Beloved.” What about their love for themselves? What about their love for each other? Now that the social contract in Wakanda is fraying, what will happen to those feelings?” Coates further talked about Ayo and Aneka becoming lovers, and said “I think if you check yourself, you can open yourself to everybody’s worldview. You don’t have insert Black people, you don’t have to insert queer people, insert women—they’re already all around you.”

(2) TURNOVER AT WORLDCON 75. Dave Weingart is no longer running Music programming for Worldcon 75 for reasons he discusses at length at his LiveJournal.

(3) NORSTRILIAN VOICE. Walter Jon Williams expresses appreciation for “The What-He-Did: The Poetic Science Fiction of Cordwainer Smith” at Tor.com.

She got the which of the what-she-did,
Hid the bell with a blot, she did,
But she fell in love with a hominid.
Where is the which of the what-she-did?

This cryptic verse opens “The Ballad of Lost C’mell,” by Cordwainer Smith, and may serve as emblematic both of some of the author’s persistent themes and his own rich and distinct strangeness. Smith was one of the Great Peculiars of science fiction, producing strong, intricate, highly-wrought, highly weird stories that will never be mistaken for the works of anyone else. No one else had a mind like Smith.

(4) BBC4 ART CONTEST. Get your crayons ready — “Competition – Draw Neil Gaiman’s Stardust for Radio 4”.

BBC4 will be coming out with a radio adaptation of Neil Gaiman’s Stardust in December. In conjunction with that, there’s a drawing contest open to 1) 16-and-unders, and 2) 17-and-olders. Winning images will be used as episode images. Deadline October 26th. More details here: Stardust – Competition – Draw Neil Gaiman’s Stardust for Radio 4 – BBC Radio 4

(5) NBA SHORTLIST. The finalists for the National Book Awards have been announced. One of them is one genre interest – Colson Whitehead’s The Underground Railway. The winners will be announced November 16.

(6) IT GETS VERSE. Yesterday was National Poetry Day, prompting ULTRAGOTHA to revisit January’s epic post “Filers Destroy Poetry”.

(7) LAST HURRAH FOR PROF. X? CinemaBlend thinks this is the end, my friend – “New Wolverine 3 Image Reveals A Shocking Look At Professor X”.

Ever since it was announced that Patrick Stewart would be part of the last Wolverine film we’ve wondered exactly what his role would be. While the image doesn’t give us any hints toward answering that question, it does make us wonder if Hugh Jackman won’t be the only one saying goodbye to his famous role when the movie is over. With the Professor X role apparently in the capable hands of James McAvoy within the current X-Men timeline, there’s no specific need for Patrick Stewart going forward, and if Professor X were to pass away by the end of this movie, we wouldn’t be shocked.

(8) AUTHOR DISAVOWS GHOSTS IN POPULAR CULTURE. Richard Bleiler says to take his name off —

Some time ago I contributed essays to a work entitled “Ghosts in Popular Culture and Legend,” ed. by June Pulliam and Anthony J. Fonseca (ABC-Clio, 2016).

When I received my copy I discovered that my encyclopedic contributions were rewritten, egregiously so. Paragraphs and sentences were rearranged and dropped, continuity was disrupted and destroyed, and — worst of all — sentences that I did not write were added without attribution. At no time was I asked if these changes were acceptable. Likewise, at no time was I given any indication that there were any issues with my contributions or asked if I could revise them.

I do not believe that I am being overly sensitive. I am used to being edited, but what was done to my contributions to Ghosts in Popular Culture and Legend is beyond the pale. It is completely unacceptable.

I am therefore taking the (for me) unique step of disavowing the contributions in Ghosts in Popular Culture and Legend that were published under my name. They do not represent my scholarship; they should not have my name attached to them. I have thus asked ABC-Clio:

1. Not to use my name in any advertisements for Ghosts in Popular Culture and Legend;

2. To remove my name from any additional printings of Ghosts in Popular Culture and Legend;

3. To remove my name from all electronic editions of Ghosts in Popular Culture and Legend.

(9) THE MIGHTY KIRK. Matt Melia answers the question “Just How Heroic Is Star Trek’s ‘I Don’t Like to Lose’ James T. Kirk?” for PopMatters.

For this writer, Captain James T. Kirk, of the USS Enterprise, has always been the most iconic and quintessential of television heroes and furthermore, possibly the most recognisable and identifiable as such. From a casual perspective, Jim Kirk embodies the most normative of heroic values: bravery, romance, adventure, leadership, nobility, instinctiveness as well as a penchant for recklessness (in the Season 1 episode “The Corbomite Maneuvre” he is also shown to be something of a gambler, bluffing of the alien, Balok, that the Enterprise is loaded with the non-existent substance Corbomite). But how may we further understand and define “heroism” and unpack it in televisual terms? How does Star Trek, as a cultural text, frame and interrogate the problematic and often contradictory concept of heroism, filtering its inquisitions through the character of Captain Kirk?

(10) FANTASTIC FICTION AT KGB. At the next installment of the New York-based reading series, hosts Ellen Datlow and Matthew Kressel present: Jack Ketchum & Caitlín R. Kiernan, October 19th. Starts 7 p.m. at the KGB Bar.

(11) WEEPING DEVILS. Joch McArthur delivers a rant about SF and “being political”.

… Or to clarify, to all the straight white cis dudes bitching and moaning about the blackness of Luke Cage or the PTSD discussion in Jessica Jones or Evan Rachel Wood talking about feminist aspects of Westworld or Wonder Woman’s queerness or any of the other white tears hot topics of the year that are constantly blowing up my social media feed (“why do they have to make everything political!!! It’s just a tv show!!!!!!!” *straight white cis male tears here*)

(12) HISTORIC COMICS APA SIGNING OFF. Capa-alpha, the oldest comics-fandom APA, started in October 1964, will close with its December mailing, #626. Fred Patten has the details.

CAPA-alpha, known as K-a for short, was one of the influences behind the startup of comics fandom in the early 1960s.  It’s been going for 52 years.  Some of the leading names in the comics industry began as comics fans in K-a.

Paper APAs are considered dinosaurs today, but the immediate cause of the APA’s cancellation is its long-running Central Mailer, Douglas Jones, having a foot amputated due to advancing diabetes.  Jones cannot continue as Central Mailer, and none of the current members (23, with a waiting list of 7) feel that they can replace him.

(13) STICK YOUR FOOT IN IT. Dangerous Minds knows where you can find Cthulhu Approved High-Heeled Tentacle Shoes.

chtulhu-high-heel

Totally insane-looking—and probably not practicable footwear—tentacle high-heeled shoes made by fashion designer, costume designer and shoe designer Kermit Tesoro. I can’t imagine walking in these. Hell, I can’t even walk in heels to begin with!

I just checked out Kermit Tesoro’s Facebook page to see if he had any other equally freaky high-heeled designs and it looks like he’s also got a Venus flytrap shoe.

[Thanks to Elusis, Fred Patten, Andrew Porter, Bruce D. Arthurs, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jameson Quinn.]

Pixel Scroll 9/29/16 “–We Also Stalk Gods”

(1) THERE’S A SKILL I’D LIKE TO HAVE. It sounds like something you’d see in a movie about dope dealers, says The Hollywood Reporter, but it’s behind the scenes at for-profit fan conventions — “Stars Getting Rich Off Fan Conventions: How to Take Home ‘Garbage Bags Full of $20s’”.

Fan conventions, where stars can take home hundreds of thousands of dollars in exchange for a few hours of time, once were the domain of has-beens and sci-fi novelties. But the business has become so lucrative — think $500,000 for Captain America‘s Chris Evans or The Walking Dead favorite Norman Reedus to appear — that current TV and film stars are popping up at events like Salt Lake City Comic-Con and Heroes and Villains Fan Fest. The demand has become so overwhelming that agencies including WME, CAA, UTA, ICM, APA, Paradigm and Gersh have in the past three years added “personal appearance” agents to sift through the hundreds of annual events, book talent and (of course) score their 10 percent commission….

Here’s how it works: Actors typically ask for a price guarantee — often paid up front — to show up, sign autographs, pose for photos and sometimes take part in a panel discussion or two. Most conventions charge an entry fee, collect $5 for every autograph and $10 per photo (with a photographer taking another $10). The stars — who receive luxury travel and accommodations — pocket the rest. Anything over the guarantee is icing on the cake….

According to multiple sources familiar with convention deals, the basic guarantee rate for genre stars is in the $5,000 to $10,000 range per appearance — with leads on such current TV series as The Walking Dead, Once Upon a Time, Supernatural, The Vampire Diaries, Netflix’s Marvel shows and The CW’s DC Comics fare commanding anywhere from $35,000 to $250,000 and up, depending on their popularity and the frequency with which they appear. At top conventions, it’s not uncommon for a star to earn anywhere from $50,000 to $100,000 on top of their guarantee (more if they spend extra time signing)…..

As if the conventions weren’t already lucrative enough, many stars also are contacted independently by autograph dealers looking to arrange meet-ups outside of events and can score anywhere from $6,000 to $250,000 to sign a few hundred items that will wind up on eBay. That’s one reason why Hamill and other stars are especially sensitive about fakes and are backing a new California bill that would require autographed collectibles sold in the state to come with a certificate of authenticity (yet another extra charge at conventions)….

Three big companies dominate the paid-convention space: Wizard World, Informa and ReedPop (each with about 20-plus events set for 2017), all of which are publicly traded. But while conventions are rewarding for attendees and talent, the financial picture for those running them often is less rosy.

(2) ALWAYS TO CALL IT RESEARCH. From A.V. Club we learn that Timeless creators are being sued for allegedly stealing premise for their show”.

Now it’s NBC’s turn to deal with the litigious, as Deadline reports that the creators of Timeless are being sued for allegedly absconding with the idea for their show, not unlike how Goran Visnjic does with a time machine in said show. NBCUniversal and Sony have also been named as defendants.

The suit was filed by Onza Entertainment for breach of contract and copyright infringement. The Spanish company that claims its idea for a government-backed team of time-machine-thief hunters was pinched, if you will, by Timeless creators Shawn Ryan (The Shield) and Eric Kripke (Supernatural and Revolution). The suit lays out Onza’s premise for the show, and how it “relates to the adventures of a three-person government team (consisting of one woman and two men) traveling through time to thwart undesired changes to past events.” Timeless does feature its own group of timeline monitors, similarly comprising one woman and two men, though they have more academic backgrounds. Abigail Spencer plays a history professor, Matt Lanter her muscle, with Malcolm Barrett rounding out the ensemble as an engineer.

(3) THE PRICE FOR MARS. In “Musk’s Mars moment: Audacity, madness, brilliance – or maybe all three” on Ars Technica, Eric Berger says that Elon Musk’s plan to put a million people on Mars is actually technically plausible provided Musk raises $30 billion, which he isn’t going to be able to do without substantial government help.

Elon Musk finally did it. Fourteen years after founding SpaceX, and nine months after promising to reveal details about his plans to colonize Mars, the tech mogul made good on that promise Tuesday afternoon in Guadalajara, Mexico. Over the course of a 90-minute speech Musk, always a dreamer, shared his biggest and most ambitious dream with the world—how to colonize Mars and make humanity a multiplanetary species.

And what mighty ambitions they are. The Interplanetary Transport System he unveiled could carry 100 people at a time to Mars. Contrast that to the Apollo program, which carried just two astronauts at a time to the surface of the nearby Moon, and only for brief sojourns. Moreover, Musk’s rocket that would lift all of those people and propellant into orbit would be nearly four times as powerful as the mighty Saturn V booster. Musk envisions a self-sustaining Mars colony with at least a million residents by the end of the century.

Beyond this, what really stood out about Musk’s speech on Tuesday was the naked baring of his soul. Considering his mannerisms, passion, and the utter seriousness of his convictions, it felt at times like the man’s entire life had led him to that particular stage. It took courage to make the speech, to propose the greatest space adventure of all time. His ideas, his architecture for getting it done—they’re all out there now for anyone to criticize, second guess, and doubt.

It is not everyday that one of the world’s notables, a true difference-maker, so completely eschews caution and reveals his deepest ambitions like Musk did with the Interplanetary Transport System. So let us look at those ambitions—the man laid bare, the space hardware he dreams of building—and then consider the feasibility of all this. Because what really matters is whether any of this fantastical stuff can actually happen.

 

(4) FREE EVERYTHING. In an article at Democracy, a liberal public policy journal, Joshua Holland reviews Manu Saadia’s Trekonomics, which explains what Star Trek has to say about economic principles, particularly automation and the idea that while we won’t have replicators we may be at an era where a lot of goods are costless — “Can We Live Long and Prosper?”

Saadia doesn’t believe we’re likely to achieve a future that looks like Star Trek. For one thing, hyperspace travel, he says, is incredibly costly, and will offer humanity little reward for the effort. So he doesn’t see us exploring strange new worlds, or seeking out new life and new civilizations in the next few hundred years.

Thus tethered to Earth, Trekonomics is ultimately an argument that economic growth and good governance can lead us to enjoy a standard of living that’s almost unimaginable today. At its heart is the concept of “post-scarcity economics”—a world where technology is an unalloyed good that meets all of our material needs. Competition for finite resources has been a constant since early humans started scratching out a living. It’s shaped not only our economic systems, but our cultures and societies in really fundamental ways. The core argument of Trekonomics is that technology will eventually allow us to produce goods and services in excess of what we need, and that freedom from want will, in turn, lead to a radically different social contract—and new norms of governance—that are difficult to imagine today. In a Trekonomics economy, those at the top would have no incentive to grab an ever-larger slice of the pie because the pie would be infinitely large.

(5) SUPPORT LEGISLATION TO PROTECT COPYRIGHT. Francis Hamit has made a video to generate support for proposed legislation to create a copyright small claims court, HR 5757 or The CASE Act of 2016.  He adds, “There are many ways to support passage of this important legislation.  One way is to buy and wear this t-shirt that you can get from Tfund by following this link.” — http://www.tfund.com/CASEAct

As Hamit explained in a post here:

Now a bill is before the House called the CASE Act (or Copyright Alternative in Small Claims Enforcement Act of 2016.)

It is not law yet, and it needs your support. Write and/or call your Congressional Representative and urge a favorable vote. It is not a perfect solution to the problem, but it’s pretty good.

The CASE Act establishes a Copyright Claims Board with three claims officers and a minimum of two full-time attorneys to examine small cases. Cases must be brought within three years of the infringement, and the plaintiff(s) must have a copyright registration certificate in hand. If the registration was within or before 90 days of publication, the maximum damages are $15,000. If not, then $7,500. No single case will generate statutory damages of more than $30,000. Or, you can roll the dice and go for the actual damages, which may be very hard to prove. You pay your own attorney’s fees. Hardly a bonanza in other words. You can still move the case to a Federal District Court, but my own experience tells me that copyright cases are considered a complicated horror show there.

This court will be centralized as an office at the Library of Congress. While you might make a personal appearance, the emphasis is in resolving claims by mail and/or telephone. You may be able to do this without an attorney, or certified law student, but it’s probably not a good idea.

 

(6) TWILIGHT ZONE TRIVIA. I learned all kinds of new things while reading “11 Timeless Facts About The Twilight Zone . The first is funny —

There were almost six dimensions.

While recording the opening to the pilot episode in 1959, Serling exclaimed there was a sixth dimension to explore. When a network executive overheard the introduction, he asked Serling what happened to the fifth dimension. Serling assumed there were already five dimensions, not four. Luckily, the mistake was corrected before the episode aired.

(7) X-15. Here’s a BBC article about the X-15 program and efforts to restore the B-52 that ferried the experimental craft to launch altitude – “The bomber that paves the way for the Moon missions”. (One of the cool things I got to do as a kid was attend a science-themed event on the aircraft carrier Kearsarge where X-15 pilot Scott Crossfield was on the program).

Joe Walker could be one of the greatest astronauts you have never heard of.

On 22 August 1963, Walker strapped into the cockpit of an X-15 experimental rocket plane for his final flight. He took off into the clear skies above Edwards Air Force base in sou thern California, his needle-shaped aircraft strapped beneath the starboard wing of a B-52 bomber.

At around 50,000ft, the X-15 dropped from the wing, Walker lit his engine and rocketed into the sky. When the plane ran out of fuel two minutes later, he was travelling at 5,600ft-per-second and the sky had turned from blue to black.

In another two minutes, Walker had reached 354,200 feet – 67 miles – above the Earth and beyond the air we breathe. He was no longer flying a plane but a spacecraft. 11 minutes and eight seconds after release, he was back on the ground – having glided at hypersonic speeds to a perfect landing on a dried-up lake bed

(8) IT IS GETTING TO LOOK LIKE HALLOWEEN AT DISNEYLAND. The Halloween Tree, inspired by a Ray Bradbury story, is back in season at Disneyland.

The four masks on the plaque are artwork done by Joseph Mugnaini. The oak tree is in front of the saloon in Frontierland.

dedication-min

disneylandhalloweentree-min

(9) COMIC BOOK TRICK OR TREAT. Comic publishers invite fans to the Halloween ComicFest on October 29.

Celebrating its fifth year, Halloween ComicFest is an annual event where participating comic book specialty shops across North America and beyond celebrate the Halloween season by giving away comic books absolutely free to anyone who comes into their shops. The event takes place on Saturday, October 29th and is the perfect opportunity to introduce friends and family to the many reasons why comic shops are a great destination for Halloween themed comic books, products and merchandise. From zombies, vampires, monsters and aliens to costumes and more, comic shops have it all when it comes to Halloween fun!

Click here to see the offerings – and to download free sample pages.

(10) THE MIND BEHIND THE MASK. Popular Mechanics tries to argue “Why Westworld Matters” in an entertaining little article, however, my memory is rather different – I don’t think it had much influence because sf writers were already feverishly turning out warning stories of this type – anything from Ellison’s “I Have No Mouth and I Must Scream” to Bradbury’s “Downwind From Gettysburg.”

The Line Between Human and Android Keeps Shrinking

Crichton told American Cinematographer at the time of the film’s 1973 release that he was inspired by going to Disneyland and watching an animatronic Abraham Lincoln recite the Gettysburg Address. “It was the idea of playing with a situation in which the usual distinctions between person and machine—between a car and the driver of the car—become blurred, and then trying to see if there was something in the situation that would lead to other ways of looking at what’s human and what’s mechanical,” he said.

In Westworld, even the park’s administrators aren’t quite sure what their robots are capable of. Ominously, one overseer announces, “These are highly complicated pieces of equipment, almost as complicated as living organisms. … We don’t know exactly how they work.” It becomes clear that Brynner’s gunslinger has gone rogue at least in part because he’s tired of letting park patrons shoot him full of holes just to satisfy their he-man cravings. He’s not a piece of furniture. He’s become sentient, and he wants a say in what happens to him.

Everything from Blade Runner (based on the late-’60s Dick novel) to A.I. (based on the late-’60s short story from Brian Aldiss) has grappled with the ethical questions inherent in making computers that duplicate human characteristics. How will we be able to tell if it’s man or machine?

(11) ISLAMIC SF COLLECTION. Islamicates Volume I: Anthology of Science Fiction short stories inspired from Muslim Cultures is available as a free download in many electronic formats.

Better late than never I always say, the wait is over, I give you the Science Fiction short story anthology based on the first Islamicate Short Story contest. There are a total of 12 stories in the anthology and the first three stories are also the ones which won the best story awards. The anthology is titled Islamicates: Volume I Science Fiction Anthology of Short Stories inspired by Muslim Cultures. It is titled Volume I because we hope to continue this series in the future. It was eight years ago that the first anthology based on Science Fiction inspired by Islamic cultures was released. Not only has the Geek Muslim community increased in numbers considerably but interest in Islam and Muslim cultures has increased to a great extent in pop media in general. We hope that our readers will greatly enjoy the anthology. As always comments, suggestions, questions and feedback in general will be greatly appreciated.

(12) PYTHON-RELATED PROJECT. Matthew Davis recommended a video: “Reading about the recent death of the actor Terence Baylor (who appeared in assorted Monty Python-related projects) reminded me that he was in a Terry Gilliam-directed advert for Orangina which was only ever broadcast in France.”

(13) RIDLEY SCOTT ADS. Davis also pointed out some other advertising history.“While Ridley Scott’s 1984/Apple commercial is famous with film and sf fans I don’t think his very Blade-Runner-esque series of adverts for Barclays bank in 1986 are remembered at all.”

[Thanks to Matthew Davis, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/17/16 Mjölnir She Wrote

(1) FANAC FANHISTORY YOUTUBE CHANNEL. The FANAC Fan History Project has a website at Fanac.org with over 20,000 pages of photos, fanzines, references and other material. Their Youtube Channel will be used to provide a variety of audio and video recordings from conventions, clubs, interviews and other fannish endeavors. Most Recent video posts:

  • Albacon (2004) – David Hartwell interviews David Drake (1 hour, 16 minutes):

  • MidAmeriCon (1976) Worldcon – Alfred Bester interview (1 hour, 2 minutes):

(2) SORRY FROM PARIS. Norman Spinrad felt the need to apologize to the world via Facebook for the cover of his next novel, due out from Tor on February 7, 2017:

the-peoples-police-by-spinrad

My apologies to the people and the City of New Orleans for the misleading and insulting cover that Tor has insisted on putting on THE PEOPLE’S POLICE which will be published in February 2017. I’ve done all I can to no avail to get cover to reflect my true feelings about the city as does the novel. As does the novel’s dedication:

To THE INDOMITABLE SPIRIT OF THE BIG EASY…
Past, Present, and Future
Never let your song sing surrender

One picture is not always worth a thousand words. Trust me that with THE PEOPLE’S POLICE 65,000 heartfelt words are worth more than one darkly misguided picture.

Spinrad added in a comment:

But part of it was the tragic death of my editor David Hartwell. Leaving the novel as an orphan novel without a mommy, daddy, or hero, which just got thrown in the machinery. This is just the kind of shit than can happen with nobody to blame. But handling it the way they have by completely stonewalling me is not proper professional treatment.

(3) SJW CREDENTIALS TAKE OVER. Both Anthony and “As You Know” Bob linked to this wonderful story of crowd-sourced SJW credentialing at London’s Clapham Common tube station: “Every advert in a London Underground station has been replaced ith cat photos”.

The Citizens Advertising Takeover Service (CATS, if you didn’t get that) started a crowdfunding campaign to raise enough money to replace the standard adverts for new protein shakes and mortgage apps with pictures of, well, cats.

We reported on it back in the wishing and hoping stage, and now the plan has blossomed into the beautiful thing it is today, with more than 60 adverts displaying cute kittens and cats from every angle at Clapham Common tube station.

Or should we say CAT-ham Common.

At first, the plan was just to put up pretty pictures of cats.

But after thinking things through CATS decided to display photos of animals in need of loving homes – so many of the pictures you can see are cats from Battersea Dogs and Cats Home or Cats Protection, the UK’s largest feline welfare charity.

cats

(4) TELL YOUR FRIENDS – IT’S BATMAN DAY. Remind Hollywood to make money! Movie makers took to twitter to celebrate Batman Day and hype the Justice League movie.

Holy sands of time! It’s Batman Day, DC Entertainment’s official celebration of the Dark Knight’s birthday, and as the internet blows up with tributes to the co-holder of the title for world’s most well-known superhero, Batman v. Superman director Zack Snyder has given the world its first glimpse at his version of two of Batdom’s most iconic elements. We’ll cut to the chase: Snyder tweeted out set photos from his upcoming Justice League showing off the new version of the Bat-signal, and in the process snuck in a glimpse of J.K. Simmons as Commissioner Gordon. Check it out below.

(5) PRINT THRIVES AGAIN. Actual comic books are doing okay, too, according to Vulture “Comics circulation just hit a 20-year high”.

But due to momentum that’s hard to pin down but is likely owed to the increasing dominance of comics adaptations at the box office, companies have found their footing — and a wider readership — again. In fact, circulation just hit its highest level in 20 years.

According to the industry’s leading sales analyst, John Jackson Miller of Comichron, the monopolistic comics distributor Diamond shipped 10.26 million copies of comic books and graphic novels to comic-book shops in August. That’s the biggest distribution month since December of 1996. What’s more, DC Comics had a 44.59 percent share in that circulation, which is remarkable because the company lagged behind eternal rival Marvel for nearly five years before clobbering the latter in July. DC’s ascendance continues, and they had the most-ordered comic of August with the first issue of their Harley Quinn reboot.

(6) TIME BANDITS HEADLINES ART HOUSE CELEBRATION. Yes, there’s a day for everything – which means fans can look forward to seeing an old favorite from Terry Gilliam on the big screen once again, as Entertainment Weekly reports in Time Bandits and Phantasm: Remastered to play in cinemas on Art House Theater Day”.

EW can exclusively reveal that a 2K restoration of Terry Gilliam’s family-friendly fantasy-adventure Time Bandits and filmmaker Don Coscarelli’s horror film Phantasm: Remastered will both play in cinemas as part of the inaugural Art House Theater Day, which takes place Sept. 24. The event will also feature a collection of stop-motion short films from animation distributors GKIDS called A Town Called Panic: The Specials. Over 185 venues are participating in what is being described as a nationwide celebration of the cultural and community growth that art house theaters provide.

“Art House Theater Day is a chance to show film-lovers that their local theaters are part of a larger cultural movement,” event co-founder Gabriel Chicoine said in a statement. “These cinemas are not passive, insular venues — they are passion-driven institutions that collaborate with distributors, filmmakers, and each other to deepen film appreciation and to increase the diversity and artistic integrity of what you see on the big screen.”

(7) TODAY’S BIRTHDAY GIRL

  • Born September 17, 1951 – Cassandra (Elvira) Peterson.

(8) ANCILLARY SOUVENIRS. Twitter user Ellie squees about her Radch swag from Worldcon.

(9) CAN’T RAISE AWARENESS HIGHER THAN THIS. An astronaut wore a flight suit painted by pediatric cancer patients.

An astronaut on board the International Space Station debuted a colorful flight suit on Friday (Sept. 16) as part of an effort to raise awareness about childhood cancer and the benefits of pairing art with medicine. NASA flight engineer Kate Rubins revealed “COURAGE,” a hand-painted flight suit created by the pediatric patients recovering at the University of Texas MD Anderson Cancer Center in Houston. The unique garment was produced by “The Space Suit Art Project,” a collaboration between MD Anderson, NASA Johnson Space Center and ILC Dover, a company that develops NASA spacesuits.

news-091616a

(10) FINALLY, A REASON TO VISIT WINE COUNTRY. “’Martian Chronicles’ artist at the library” promises the Napa Valley Register.

Local writer and painter Lance Burris will exhibit 16 paintings illustrating visually evocative passages from Ray Bradbury’s “The Martian Chronicles,” on Saturday, Sept. 24 at the Napa Main Library.

The event is free of charge and scheduled to take place at 2 p.m. in the magazine section of the library at 580 Coombs Street in downtown Napa.

The exhibition will be accompanied by an hour-long commentary by the artist on the art of illustration and Ray Bradbury’s writings.

The works and commentary are part of the artist’s 48 painting “Bradbury Collection,” which illustrates Bradbury classics that also include “Fahrenheit 451” and “The Illustrated Man.”

(11) FAN NOW CLASSIC PORTRAIT PAINTER. Nick Stathopoulos, a leading fine artist with roots in Australian fandom, was interviewed for Maria Stoljar’s podcast Talking With Painters.

Nick Stathopoulos at home with his painting ‘Don’t touch that dial!’

Nick Stathopoulos at home with his painting ‘Don’t touch that dial!’

Nick Stathopoulos has been a finalist many times in Australia’s Archibald and Doug Moran Portrait prizes (including this year’s Archibald portrait of Deng Adut). Last year his painting of Robert Hoge was shortlisted in the renowned BP Portrait Award in London which attracted over 400,000 visitors.  The portrait was also reproduced on the cover of the Times.

His art career spans many fields including illustration, book cover design, computer game design, animation, screenwriting, film making and sculpture and this is all on top of an arts/law degree. He has won several awards for his illustration work but has found a real passion in hyper realist painting of portraits and still lifes.

In this interview Nick talks about how children’s television of the 60s provided him with the inspiration to draw toys, cars and machines as a child, he explains why he can never eat another Freddo frog and reveals how he came to name his 2009 show ‘Toy Porn’. He generously discusses his art techniques in detail from the first sketches and meeting with the sitter to the final portrait. He also gives moving accounts of how he came to paint Deng Adut and Robert Hoge and the emotional impact those experiences had on him.

(12) THE NEXT GENERATION. Taking Flight is a charming video about a grandfather’s adventures in outer space and the jungle with his grandson.

Taking Flight is a short film inspired by the life and heritage of Antonio Pasin, inventor of the Radio Flyer wagon. In this fictional tribute to Pasin’s legacy, what begins as a small boy’s over-scheduled, over supervised, boring day with Grandpa turns into a larger-than-life journey, narrowly escaping wild monkeys and battling aliens to save the universe. Through the power of imagination and epic adventure, a boy learns to be a kid, a father learns to be a dad, and a grandfather reminds us all what childhood is about.

 

(13) THE BLACK COOKIES. If Dread Central asked a contributor to design thematic Oreo cookie packages for his favorite horror movies.

I recently discovered that my friend Billy Polard, who is primarily a musician but also happens to have some serious self-taught Photoshop skills, was creating his own wacky Oreo flavors over on Facebook, and though his Taco Bell and Pizza Hut-flavored creations didn’t necessarily excite my taste buds, they damn sure caught my interest. And they also, as you’ve probably gathered by now, inspired this very post.

I recently reached out to Billy to see if he’d be interested in whipping up some faux horror movie-inspired Oreo packages, and to my delight, he took the project by the horns and totally ran with it. You’ll find the results of his handiwork below, which we hope you’ll enjoy and share across social media.

Here’s one of the tamer examples.

gremlins

GRATITUDE.  My continued thanks to everyone who contributed to upgrade my technology. Today John King Tarpinian was over to copy my PC files onto the new external hard drive and then to the new laptop. Now I have easy access to all my archival material. Here’s a photo John took of me laboring over today’s Scroll.

mike-laptop-crop

[Thanks to Andrew Porter, JJ, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/8/16 Scrolled Pixels Are All Alike; Every Unscrolled Pixel Is Unscrolled In Its Own Way

(1) BRIANNA WU’S BOSTON GLOBE OP-ED. “We can all do something to stop this cycle of violence”.

It feels obscene to stare at these videos of black Americans being killed by police. It feels obscene to ignore them. It’s also vital to honor the police who were gunned down in Dallas, and yet I worry that retaliation will cost even more black lives. I feel overwhelmed by conflicting emotions — a sense of powerlessness and an urge to somehow stop this wave of violence.

But the stakes are too high to indulge in white guilt. This isn’t about our feelings, it’s about our responsibility. As noted feminist Ijeoma Oulo said, white people have to act today, and we have to act tomorrow. We have to act like our lives depend on it, because black lives actually do.

Given the carnage in Dallas, it’s important to note that the vast majority of police are willing to give their lives to protect the communities they serve. Rather than disparage law enforcement as a profession, our anger should be levied at the political systems that continually erase the wrongdoing of the small minority of police who dishonor their badge. Police operate in the framework we the citizens have built. They act in our name, according to the laws we ask them to enforce.

(2) COMMENT ON DALLAS. If not for the title, “4GW in Dallas”, would you have guessed the author of this analysis is Vox Day?

As of November, 1024 people were killed by police in 2015, 204 of them unarmed. For all that the police almost uniformly claimed to have been fearing for their lives, only 34 police were shot and killed during the same period. The public may be collectively stupid, but they’re not incapable of recognizing that statistical imbalance or that the police are trained to lie, obfuscate, and pretend that they are in danger when they are not.

Unless and until the police give up their military-style affectations, “us vs them” mentality, and most of all, their legal unaccountability, they’re going to find themselves fighting a war against the American people. And it is a war they simply cannot win.

What happened in Dallas may be shocking, but it isn’t even remotely surprising. Many people have seen it coming; what will likely prove the most surprising aspect of this incident is how many people will remain utterly unsympathetic to the Dallas police and their bereaved families. The police may consider themselves above the law, but they are not beyond the reach of an increasingly outraged public.

(3) I’M SORRY, I’LL READ THAT AGAIN. However, the post evidently didn’t set well with a lot of his followers, so Vox wrote a follow-up characterizing his position as merely a prediction fulfilled.

In the aftermath of the Dallas police shooting, it is understandable that many Americans are shocked, scared, and upset. The post-Civil Rights Act America has not turned out to be the society they thought it was, indeed, it is becoming increasingly obvious that those terrible racist Southern segregationists were correct all along. Targeted assassinations of authority figures are not a sign of a stable, well-ordered society.

But I have neither patience nor sympathy for those who have been emailing, commenting, and Tweeting to say that they are shocked by my comments with regards to Dallas and the overly militarized US police. I have said nothing I have not said many times before. My position has not changed one iota on the subject for over a decade. I have repeatedly predicted such events would take place, nor am I alone in that, as William S. Lind repeatedly warned about it as a consequence of 4GW coming to America in his book of collected columns, On War.

(4) THE SULU REVEAL. Adam-Troy Castro makes a case for “Why George Takei, Of All People, Is Now Wrong about Hikaru Sulu”.

George is absolutely right to have his preferences, ironic as they are. And I absolutely understand why he takes it so seriously. For an actor to do his job well, the role must hijack some of his gray matter, becoming a virtual person inside the real one; a person who may be evicted when the role goes away and another one must be prepared for. Part of George Takei has been Hikaru Sulu for decades; it is likely impossible, and to a large degree undesirable, for the scrutable helmsman he imagined to be evicted, in any real way, now. This is why he famously took a genuine, personal pride in the revelations over the years that Sulu’s first name (never mentioned on the original series) was officially Hikaru, or that he had advanced in his career to become Captain in the Excelsior, or that he had a daughter who also joined Starfleet. This is why Jimmy Doohan felt violated when the screenplay of a late STAR TREK film required Scotty to do a slapstick head-bonk in the corridor. The actors know the difference between reality and fantasy, but characters that near and dear to their hearts blur that line mightily, and this is for the most part a good thing.

However, he’s wrong on this, and this is why….

(5) CANON VOLLEYED AND THUNDERED. Peter David affirms the idea of making Sulu gay, while offering a lighthearted explanation why that fits the canon.

Some fans are crying foul, including George himself, declaring that it flies in the face of Trek continuity. Well, as the guy who wrote “Demora” in which Sulu is most definitely not gay, I’m here to say:

The fans are wrong. Even, with all respect, George is wrong.

In 79 episodes and all the movies, there is simply nothing to establish that Sulu is hetero. Yes, he has a daughter. Neil Patrick Harris has kids, too, so so much for that argument. He only displayed hetero leanings in exactly one episode: “Mirror Mirror” in which he is coming on to Uhura. But that wasn’t our Sulu. That was the Sulu of the mirror universe, and if the mirror Sulu is aggressively straight, then I suppose it makes sense that our Sulu would be gay, right? He’s the opposite, after all.

(6) A FORCE FOR GOOD? Peter Grant argues against “Publishing’s scary self-delusion” at Mad Genius Club.

I wasn’t surprised (but I was disappointed) to read this statement from Penguin Random House CEO Markus Dohle:

“Publishing is undeniably a force for good. But working in an industry that is inherently a service to society, we risk subscribing to the notion that this is enough. It’s not. We ought to do more—and we can—by taking advantage of our capacity as Penguin Random House to drive positive social, environmental, and cultural change, locally and globally.”

The statement was accompanied by a video message to PRH employees.

The scary thing is, Mr. Dohle undoubtedly believes his statement – yet, equally undoubtedly, it’s catastrophically wrong…..

There’s also the question of why PRH (and, by extension, other publishers) should do more.  Surely their emphasis, their focus, should be on increasing their profitability, and thereby the returns to their shareholders and investors?  The latter could then use some or all of the profits on their investments to support causes, activities and individuals  with whom they agree or are in sympathy.  For a corporation to play fast and loose with its owners’ money, in order to undertake or promote activities that have little or nothing to do with its core commercial activities, is, to put it mildly, disingenuous…..

(7) THE MAP OF LOST DISNEY ATTRACTIONS. Yahoo! Movies has a gallery of “22 Lost Disney Rides, From the Maelstrom to Mission To Mars”.

When the new Disney World attraction Frozen Ever After opened at Epcot Center recently in Orlando, eager families waited in line for up to five hours for their turn to see Anna and Elsa in the animatronic flesh. But sprinkled in amongst the jubilant throngs were some unhappy faces mourning the loss of the ride that the Frozen gang replaced: the Maelstrom, a log flume that had entertained visitors since 1988. It’s a reminder that almost every time a new ride debuts at the Happiest Place on Earth, another one twinkles out of existence. From Phantom Boats and Flying Saucers to a World of Motion and an ExtraTERRORestrial Encounter, we’ve assembled this gallery of some rides that are no longer in operation at Disney World and/or Disneyland in Anaheim.

(8) PORTRAIT COMPETITION. Nick Stathopolous points out that critic Christopher Allan of The Australian predictably hated his entry in the annual Archibald Prize competition. (Can’t figure out why Nick’s link from FB to The Australian works, and the direct link hits a paywall, so I’ll link to him.) Nick has been a finalist several times, and anyway has a thick hide.

At least the massively oversized heads remain, like last year, in retreat. There are a few horrors, such as massive works by Abdul Abdullah, Nick Stathopoulos and Kirsty Neilson, which also reveal the nexus between size and the other bane of the Archibald, the reliance on photography. Stathopoulos’s work is suffocating in its obsessive rendering of the inert photographic image, and Neilson in her portrait of actor Garry McDonald has painstakingly rendered each hair in her sitter’s beard while failing to deal adequately with the far more important eyes.

(9) MY GOSH SUKOSHI. Another conrunner-for-profit has bit the dust, reports Nerd & Tie.

Sukoshi Con’s “Louisville Anime Weekend” was originally scheduled for July 29th-31st at the Ramada Plaza Louisville Hotel and Conference Center in Louisville, KY. With less than a month to go before the convention though, on Tuesday Sukoshi Con deleted their Facebook pages, pulled down their websites, and announced via Twitter that the event (and all future Sukoshi Con events) were cancelled.

https://twitter.com/sukoshicon/status/750419804234756096

It’s been a strange year and a half for James Carroll’s Sukoshi Con. Some of you may remember the weird saga of their Anime Southwest convention (in Denver oddly enough), where the con had to relocate hotels, multiple guests cancelled, and drama abounded — but that’s just the tip of the iceberg. In the last year and a half, the organization has cancelled four of their eleven planned events — including last years Louisville Anime Weekend.

We’ve heard rumblings of financial issues within the convention, though they have yet to be confirmed. It’s safe to say though that none of Sukoshi Con’s events are likely to come back.

(10) TWO HERMIONES. Emma Watson posted photos of her with Noma Dumezweni on Facebook of the two Hermiones meeting at a preview of the Harry Potter and the Cursed Child stageplay.

Yesterday I went to see the Cursed Child. I came in with no idea what to expect and it was AMAZING. Some things about the play were, I think, possibly even more beautiful than the films. Having seen it I felt more connected to Hermione and the stories than I have since Deathly Hallows came out, which was such a gift. Meeting Noma and seeing her on stage was like meeting my older self and have her tell me everything was going to be alright, which as you can imagine was immensely comforting (and emotional)! The cast and crew welcomed me like I was family and Noma was everything I could ever hope she would be. She’s wonderful. The music is beautiful

(11) TODAY IN HISTORY

  • July 8, 1947 – The first press reports were released on what has become known as the  Roswell UFO incident.

The sequence of events was triggered by the crash of a Project Mogul balloon near Roswell. On July 8, 1947, the Roswell Army Air Field (RAAF) public information officer Walter Haut, issued a press release stating that personnel from the field’s 509th Operations Group had recovered a “flying disc”, which had crashed on a ranch near Roswell.

The military decided to conceal the true purpose of the crashed device – nuclear test monitoring – and instead inform the public that the crash was of a weather balloon.

(12) STUNT DOUBLE BUILDINGS. “Ivan Reitman Looks Back at the Original Ghostbusters ‘ L.A. Locations”in LA Weekly.

There’s no doubt that the attitude of the original Ghostbusters is inherently New York (though you could certainly imagine the scenario at Tavern on the Green playing out that way at certain Los Angeles restaurants). The truth, however, is that only about 35 minutes of what appears on screen in Ghostbusters was filmed in Manhattan. The remaining 1 hour and 10 minutes of screen time of the beloved movie that asked “Who Ya Gonna Call?” was shot on a Burbank studio lot and at practical downtown L.A. locales, including one of the most famous movie locations of all time: the Ghostbusters firehouse.

Now, before you start thinking, Wait a minute, I’ve visited that firehouse in New York. Yes, you may have stood outside Hook & Ladder 8, that mecca of movie locations on N. Moore Street in Lower Manhattan. The interior of the Ghostbusters firehouse, however, is old Fire Station No. 23, a decommissioned firehouse located at 225 E. Fifth St. in downtown Los Angeles.

(13) THE FUNNIES. The Wizard hits the celebrity autograph line at Wizardcon in yesterday’s Wizard of Id comic strip.

And today, the Wizard got taken in the dealer’s room.

(14) NONE IS THE LONELIEST NUMBER. Critic Jon Jon Johnson’s review implies a play aimed at the general public mentioned the Puppies. “The Greatest Science Fiction Show (No One’s Ever Seen)” was produced for the 2016 Capitol Fringe.

The Greatest Science Fiction Show (No One’s Ever Seen) provides no shortage of giggles, paired with some heartwarming moments. Part love letter to a old-school science fiction, part middle finger to the Sad Puppies of the Hugo awards, and part affection for geek culture, Grain of Sand’s show serves as a pleasant Fringe offering to delight fans of the genre and fans of the theatre.

(15) VANDYKE REPLIES. Peter J. Enyeart ranks the Hugo-nominated novelettes on the Stormsewer LiveJournal. Number Five wrote back.

  1. “What Price Humanity” by David VanDyke Space pilots fighting a war against invading aliens wake up in a strange simulation. Well, these military SF stories start to blur together after a while, don’t they? This was very Ender’s Gamey, with stylistic hallmarks reminiscent of Brad Torgersen (I’m thinking specifically of “The Exchange Officers,” which has a female character named “Chesty;” this one has a black character named “Token” (just because it was funny in South Park doesn’t mean it will work for you, bud)). It does have a bit of twist- a twist that you can see coming an astronomical unit away. And having an infodumpy prologue to a story this length is just narrative sloth. Boo.

David VanDyke, author of “What Price Humanity,” responded in a comment.

Kudos for you noticing “Token,” which is meant as a piece of deliberately painful, somewhat underhanded satire. My son-in-law of African ancestry, who flies fighters for the U.S. military, was given that nickname in training, as the only person of color in his class.

It’s both an indication of how far our society has come (the class members were well aware of the irony and were supportive, in the usual needling manner of combat operators) and an indictment of how far we have to go (if we could find 992 Tuskeegee Airmen, why can’t we recruit more minorities into the elite strata of today’s military?).

Placing such a subtle and unexplained item in a shorter story has its risks, particularly if a reader is predisposed to believe ill of an author, especially one that happens to have been published through Castalia House, but I try to start from a position of faith in the intelligence, imagination and good will of the reader, and hope for the best.

(16) COMPUTER-ASSISTED COMICS. M. D. Jackson’s wonderful series on comic book publishing technology continues at Amazing Stories — “Why Was Early Comic Book Art so Crude? Part 5: The Digital Revolution”.

Apple’s Macintosh was immediately adopted by graphic artists. With such programs as MacPaint and MacDraw, computer assisted art and design was born. The next year saw the introduction of the very first major comic book to be produced on a computer.

First Comic’s Shatter was created by writer Peter B. Gillis and artist Mike Saenz. Shatter was the story of a cop named Sadr al-Din Morales. The storyline of the comic was much in-line with works like Ridley Scott’s Bladerunner and Gibson’s Neuromancer. Threads of the story, such as distrust of corporations, the Film Noir feel of the project, and especially the artwork, would place it firmly in the genre of ‘cyberpunk.’

More importantly, the comic title, however much of a gimmick it may have started out as, showed that the potential for computer assisted comic book art was real. Using MacPaint and a mouse (this was before the invention of the tablet and stylus interface) artist Mike Saenz created each image as well as the lettering. The resulting pages were printed on a dot-matrix printer and then colored in a traditional way, but only because at the time the Macintosh was strictly a black and white machine.

(17) THE ARABELLA TRAILER. David D. Levine’s new novel, unveiled in a one-minute video.

Since Newton witnessed a bubble rising from his bathtub, mankind has sought the stars. When William III of England commissioned Capt. William Kidd to command the first expedition to Mars in the late 1600s, he proved that space travel was both possible and profitable. Now, one century later, a plantation in a flourishing British colony on Mars is home to Arabella Ashby, a young woman who is perfectly content growing up in the untamed frontier. But days spent working on complex automata with her father or stalking her brother Michael with her Martian nanny is not the proper behavior of an English lady. That is something her mother plans to remedy with a move to an exotic world Arabella has never seen: London, England. However, when events transpire that threaten her home on Mars, Arabella decides that sometimes doing the right thing is far more important than behaving as expected. She disguises herself as a boy and joins the crew of the Diana, a ship serving the Mars Trading Company, where she meets a mysterious captain who is intrigued by her knack with clockwork creations. Now Arabella just has to weather the naval war currently raging between Britain and France, learn how to sail, and deal with a mutinous crew…if she hopes to save her family remaining on Mars. Arabella of Mars, the debut novel by Hugo-winning author David D. Levine offers adventure, romance, political intrigue, and Napoleon in space!

 

[Thanks to Steven H Silver, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Stoic Cynic.]

Pixel Scroll 7/2/16 The Ancillary Swords of Lankhmar

(1) THIS IS THE END MY FRIEND. Melinda Snodgrass advises writers about “Sticking the Landing” at SFFWorld.

All of these various skills work in concert, but I think if a writer fails to deliver a satisfying ending — the ending that has been promised by the story then the entire project is likely to fail.  It doesn’t matter how good the ride or delightful the journey.  If the final scene is disappointing and leaves the reader/viewer/player feeling cheated they probably aren’t going to be recommending that book or film or game to their friends and family.

There are various ways to state this — “keeping your promise”, “sticking the landing”, “providing a sense of closure”.  Often people who dismiss this requirement do so by sniffing “that the readers/viewers/players just want a happy ending.”  That may be true, and it’s probably a topic for a different essay, but let me say that I think there is case to be made for the happy ending.  Too often critics seem to equate darkness with importance.

So how do you make an ending satisfying?  First, you have to lay in the ultimate solution and the tools to bring about that solution in the beginning of the book or film or game.  You can’t suddenly ring in a new player, or a new fact, a new magic power or super power for the protagonist to use at the end and expect to keep your fans.  They will rightly feel cheated, that you hid the football from them and didn’t play fair.  Worse is the conclusion that you didn’t really know what you were doing and just grabbed for some kind of resolution.  Often those kind of ending don’t seem organic and true to the world that was created, the rules of that world, and the problem as presented…

(2) BUY-IN. Sherwood Smith responds to the question “Reading: What makes YOU believe?” at Book View Café.

A lot of these readers are lured by what I call the seduction of competence: characters who have agency, especially with panache. Anyone who has dreamed of stepping forward and having the right idea, which everyone responds to, and leading the way to righting an egregious wrong instead of cowering back waiting for someone else to act (or, worse, stepping forward just to be shouted down scornfully, or totally ignored) probably looks for characters who either start out as heroes, or attain heroism through hard work.

So those are the easy ones: readers willingly invest in characters they can fall in love with, or identify with, or admire. And then there are the characters who fascinate for whatever reason, like the many who couldn’t get enough of Hannibal Lector. Some are drawn to characters who are monstrous, or ridiculous.

(3) VERSATILITY. Coach Paul Cornell visited Convergence today.

(4) THE INK NO LONGER STINKS. Technology has turned the corner, in the latest installment of M.D. Jackson’s series: “Why Was Early Comic Book Art so Crude (Part 4)”.

But there were two other factors that changed the nature of comic books. One was technological and the other was economical.

The technology of printing was changing with the adoption of flexography. Flexography is a high speed print process that uses fast-drying inks and can print on many types of absorbent and non-absorbent materials. The flexopress is cheaper because the inks are water based, which meant they dried quicker and were easier to clean up. The flexographic presses also are lighter and take up less room.

For years comics were printed on low-grade, absorbent papers that were not meant to last. Early comics were rare because the paper degraded so quickly. The distribution system also was designed to put comic books in as many places as they could find kids to buy them. Remember the spinner racks of comics in your local drug store? Comic books, then retailing for about 25 – 30 cents per title, were available everywhere, but they were not made to last.

In the 1980’s the comic book companies began printing certain titles on a better quality of paper, Baxter paper. It was smoother and whiter and the inks and colors looked much better than your regular comic book fare….

(5) CONVERGENT EVOLUTION. Jennifer Frazer, in “The Artful Amoeba” blog on Scientific American, rounds up the photographic evidence for “Butterflies in the Time of Dinosaurs, With Nary a Flower in Sight”.

Jurassic butterflies disappeared a full 45 million years before the first caterpillar decided to grow up and become a beautiful butterfly. Again

…Apparently, way back when Dinosaurs Ruled the Earth, a group of insects called lacewings produced butterflies. Not the butterflies we see flitting around today from the Order Lepidoptera, but floating, flapping, nectar-sucking flibbertigibbits nonetheless, with wings adorned with eyespots, veins, and scales….

(6) THOSE DAYS OF YESTERYEAR. At Getty Images you can view footage of the Sinclair oil dinosaur exhibit from the 1933 World’s Fair.

PAN along Brontosaurus dinosaur over to a Triceratops confronting a Tyrannosaurus Rex and down to a duck-billed Hadrosaurid; all dinosaurs were part of the Sinclair Oil exhibit.

(7) FOR SOME VALUES OF HISTORY. Vox Day interrupted his Castalia House status report to endorse the assault on Judith Merril’s memory

Meanwhile, Barry Malzburg makes it clear that some women have always been bent on destroying science fiction.

— because, after all, the measure of a man’s intelligence is how closely he agrees with you, regardless of whether you’ve ever heard of Barry Malzberg before.

(8) QUITE RIGHT.

(9) GAME DEMO. Based on the work of Jeff VanderMeer.

(10) DEEP DIVE INTO BUSIEK/ROSS.

Osvaldo Oyala’s “Marvels and the Limited Imagination of Nostalgia”.

I had not read Kurt Busiek and Alex Ross’s Marvels in quite some time, probably 15 years or more, and despite having a memory of quite liking it when I first read it in the 90s sometime, my suspicion was that it would not hold up to that memory. And, while I was right, it also was not so hagiographic that I could just dismiss it. On the surface it certainly seems that way—unapologetically nostalgic about Marvel’s Golden and Silver Age—but it is actually constructed with competing visions that grant it a bit—a little bit—more complexity, even if ultimately it fails as anything except a sharp reaction to the moment in mainstream comics from which it emerged.

After Phil Sheldon lets a young mutant girl his daughters were sheltering run off into the anti-mutant riotous streets (a reference to a story in 1953’s Weird Science #20) it is difficult to take any of his moral claims seriously (from Marvels #2).

Marvels is a look back at the emergence of Marvel Comics’ heroes through the eyes of “Everyman” photojournalist, Phil Sheldon, from the first appearance of characters like the Original Human Torch and Prince Namor the Sub-Mariner in 1940, through the death of Gwen Stacey in the early 70s. Sheldon, as a kind of stand-in for the Marvel reader, displays complex and shifting attitudes towards the superheroes he calls “Marvels.” In each of the four issues we see his different perspectives on Marvel’s super-characters. From a deep fear of their raw power and capricious behavior that shifts to an appreciative awe of their demi-god stature as forces of nature in the first issue to a threatening cynicism that leads him to retire from his livelihood snapping pictures of their conflicts, adventures and social appearances in the last issue, when Gwen Stacey’s death becomes just another minor detail buried in a seeming endless cycle of superhero fisticuffs and collateral damage. In between, he participates in paranoid anti-mutant riots before abandoning his bigotry upon realizing mutants can be “our own children” (which made me roll my eyes so hard they still hurt), and later grows angry at the flaring bouts of negative public sentiment against heroes like the Fantastic Four, the Avengers and Spider-Man, fuming at the lack of gratitude displayed for their having saved the city or the world over and over again. And in case we might forget Sheldon’s special insight into the world of superheroes, in the first issue he loses an eye, calling to the One-Eyed Man or Blind Seer trope. At every stage when everyone else seems to return to hating or being suspicious of the superhero figure, Sheldon sees through public fear and pettiness (despite sometimes feeling it himself) to an understanding of the world he occupies that evokes something akin to the awe of Moses before the burning bush. As he says in the first issue after the rubble from the epic confrontation between the original Human Torch and the Sub-mariner takes his eye (a re-telling of the events of Marvel Mystery Comics #8 and 9), “It isn’t going to be them that adapts to us. The world is different now.” In other words, he can see with his Odin-eye what the general public cannot or will not, everyday people exist in the superhuman world, not the other way around. As Geoff Klock posits in his seminal book of comic book literary criticism, How to Read Superhero Comic Books and Why, unlike the transformative comic book texts like Watchmen or The Dark Knight Returns that ask, “What would it be like if superheroes lived in our world? Marvels…ask[s], what would it feel like if we could live in theirs?” (77). And the answer is, kinda fucking scary.

This narrative vision constructed by Busiek, however, manifests in the near-photorealistic painting of Alex Ross which provides a Rockwellian patina of troubling idealism that passes for “realism.” ….

(11) LEWIS DRAMATIZED. The Most Reluctant Convert, a stage show about C.S. Lewis, will be in town July 10-23 at the Irvine Barclay Theatre in Irvine, CA.

Max McLean brings to life one of the most engaging personalities of our age and takes audiences on Lewis’ fascinating theatrical journey from atheism to Christianity. Adapted exclusively from Lewis’ writings, McLean inhabits Lewis from the death of his mother, his estranged relationship with his father and the experiences that led him from vigorous debunker to the most vibrant and influential Christian intellectual of the 20th Century. Experience a joyous evening of Lewis’ entertaining wit and fascinating insight. Cherish every minute of the extraordinary journey of C.S. Lewis as The Most Reluctant Convert.

Lewis’ experience is synopsized in a Director’s Note.

In 1950, C.S. Lewis received a letter from a young American writer expressing his struggle to believe Christianity because he thought it “too good to be true.” Lewis responded, “My own position at the threshold of Christianity was exactly the opposite of yours. You wish it were true; I strongly hoped it was not…Do you think people like Stalin, Hitler, Haldane, Stapledon (a corking good writer, by the way) would be pleased on waking up one morning to find that they were not their own masters…that there was nothing even in the deepest recesses of their thoughts about which they could say to Him, ‘Keep out! Private. This is my business’? Do you? Rats!… Their first reaction would be (as mine was) rage and terror.”

(12) TODAY IN HISTORY

(13) GENTLEFEN, BE SORTED. Want to be enrolled in the North American wizards’ school? Potterverse will run you through the process.

“Ilvermony House: Thunderbird”

Named by Chadwick Boot after his favourite magical beast, the Thunderbird, a beast that can create storms as it flies. Thunderbird house is sometimes considered to represent the soul of a witch or wizard. It is also said that Thunderbird favours adventurers.

(14) LINEAGE UNLOCKED. A recent episode of Game of Thrones inspired Adam Whitehead to draw conclusions about Jon Snow — “When Theories Are Confirmed: Twenty Years of Speculation”.

BEWARE SPOILERS. OR AT LEAST SPECULATIVE ATTEMPTS AT SPOILERS.

However, its status as the biggest mystery in fantasy had already long been supplanted. In 1996 George R.R. Martin published the first novel in A Song of Ice and Fire, A Game of Thrones. A minor subplot revolves around the status of Eddard Stark’s bastard son, Jon Snow, born out of wedlock to Eddard and…well, someone. His wife, Catelyn, believes it was a Dornish noblewoman, Ashara Dayne of Starfall. Eddard himself has told King Robert Baratheon – incredibly reluctantly – that it was a serving girl named Wylla. In A Storm of Swords the young lord of Starfall, Edric Dayne, also confirms (to Arya Stark) that it was Wylla, who was his wetnurse.

(15) NONE DARE CALL IT SLASH. NPR found there is plenty of fan fiction online about the 2016 candidates, Bernie, Donald, and others now out of the running.

In another story, written in the style of a Western, Jeb Bush fights to protect a Florida school from a Sharknado.

“You think ‘it can happen anywhere,’ never realizing that it can happen anywhere.

A SHOT —

The shard of glass in Jeb’s hand shatters by the scrape of a bullet. Jeb drops the ground, rolls through the booze-soaked ground. He jumps up to a squat and whips out the old pistol and holds it to the bullet hole in the doorway. The engraved barrel shimmers: Gov. Jeb Bush.

Florida hasn’t been safe since the Sharknados started coming. When I was in my 40s, the kids used to tease about the swamp sharks. Gave me the heebie-jeebies over a plague of mutant sea creatures that roamed the Everglades.”

In the 2016 presidential cycle, where everything seems unpredictable, fiction allows voters to determine exactly what happens next – whether it’s set in the present day or some kind of alternate universe where sharks rain down in a natural disaster.

(16) WHEN TWO FANTASISTS MET. Walt Disney and Roald Dahl hung out together in 1942 – who knew?

More than a decade before Walt Disney welcomed guests into his land of fantasy and two decades before author Roald Dahl penned his excursion into The BFG’s cave and Willy Wonka’s chocolate factory, these two creative legends crossed paths in 1942 when The Walt Disney Studios optioned Dahl’s first book, The Gremlins, for an animated feature. With Disney’s The BFG coming to theaters on July 1, D23 takes a look at the connection between these two creative visionaries.

The Gremlins was fashioned from stories told by English airmen who attributed equipment failures and other mishaps to mischievous little saboteurs. From these tales, Dahl—then a Flight Lieutenant for the Royal Air Force—created a story and specific characters for his book.

(17) LACKING CHARACTERS. In an “Uninvent This” feature for The New Yorker, Ted Chiang contemplated “If Chinese Were Phonetic”.

So let’s imagine a world in which Chinese characters were never invented in the first place. Given such a void, the alphabet might have spread east from India in a way that it couldn’t in our history, but, to keep this from being an Indo-Eurocentric thought experiment, let’s suppose that the ancient Chinese invented their own phonetic system of writing, something like the modern Bopomofo, some thirty-two hundred years ago. What might the consequences be? Increased literacy is the most obvious one, and easier adoption of modern technologies is another. But allow me to speculate about one other possible effect.

One of the virtues claimed for Chinese characters is that they make it easy to read works written thousands of years ago. The ease of reading classical Chinese has been significantly overstated, but, to the extent that ancient texts remain understandable, I suspect it’s due to the fact that Chinese characters aren’t phonetic. Pronunciation changes over the centuries, and when you write with an alphabet spellings eventually adapt to follow suit. (Consider the differences between “Beowulf,” “The Canterbury Tales,” and “Hamlet.”) Classical Chinese remains readable precisely because the characters are immune to the vagaries of sound. So if ancient Chinese manuscripts had been written with phonetic symbols, they’d become harder to decipher over time.

Chinese culture is notorious for the value it places on tradition. It would be reductive to claim that this is entirely a result of the readability of classical Chinese, but I think it’s reasonable to propose that there is some influence. Imagine a world in which written English had changed so little that works of “Beowulf” ’s era remained continuously readable for the past twelve hundred years. I could easily believe that, in such a world, contemporary English culture would retain more Anglo-Saxon values than it does now. So it seems plausible that in this counterfactual history I’m positing, a world in which the intelligibility of Chinese texts erodes under the currents of phonological change, Chinese culture might not be so rooted in the past. Perhaps China would have evolved more throughout the millennia and exhibited less resistance to new ideas. Perhaps it would have been better equipped to deal with modernity in ways completely unrelated to an improved ability to use telegraphy or computers.

(18) STRONG LURE. At BookRiot, Derek Attig feels there’s no need to bait the hook when what you’re offering is as irresistible as “100 Must-Read Books about Libraries & Bookstores”.

I’m not even sure why I’m writing an introduction to this list. It’s a hundred books about libraries and bookstores! That should sell itself.

But sure. Fine. I’ll make the pitch.

Books are a crucial part of our lives (especially yours, since here you are being a great big nerd on Book Riot), but I think we don’t always pay enough attention to the institutions that get those books into our grubby, greedy little hands. Sure, we’ll bicker about Amazon sometimes or squee over a bookmobile, but how much time do we take to really explore and think about what libraries and bookstores really mean?

Not enough!

(19) SORRY ABOUT THAT. Godzilla and fellow monsters apologized at a Japanese press conference for acts of destruction. Why, yes, it’s another scheme to sell toys – how did you guess?

The world of gachapon vending machine capsule toys just got even weirder with a new lineup of figurines from top Japanese toy producer Bandai. Called the “Godzilla Toho Monsters Press Conference”, the series depicts Godzilla, along with three other kaiju monsters from the acclaimed movie production and distribution company Toho, all appearing at fictional press conferences, complete with microphone stand and name plaque. These types of formal apologies are commonly seen on television news reports around Japan, in cases where high-profile politicians and celebrities formally atone for scandals and wrongdoings, expressing remorse to the public with deep, heartfelt bows. Only this time, it’s a group of well-known movie monsters making amends for their actions.

Godzilla apologizes

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Paul Weimer, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

Pixel Scroll 6/25/16 All My Kzins Remembered

(1) PHOTOS FROM THE LOCUS AWARDS.

File 770 was a Locus Award finalist in the magazine category and I did arm someone with an acceptance statement in case I unexpectedly won. It never occurred to me to dramatize my feelings about losing, however, I see First Novel nominee Sylvia Moreno-Garcia refused to admit defeat. (Or was that just her reaction to Nick Mamatas?)

My designated accepter, Suzle Tompkins, stands at the right of this photo.

(2) THUMB UP. Gary Westfahl delivers his verdict at Locus Online: “The Fogeys of July: A Review of Independence Day: Resurgence”. BEWARE SPOILERS.

Since I was recently complimented at a conference for writing “honest” film reviews, I feel obliged to begin this one by conveying my honest reaction to Independence Day: Resurgence: although I was bored and appalled by the original Independence Day (1996), and utterly baffled by its tremendous popularity, I somehow found its belated sequel to be surprisingly engaging, even moving, despite some obvious issues in its logic and plausibility. Perhaps this indicates that I am finally becoming senile, unable to distinguish between worthwhile entertainment and reprehensible trash; perhaps this is a sign of the times, so that a film modeled on a film that stood out in 1996 for its risible inanity and clumsy manipulativeness now seems, amidst scores of similar films, merely typical, or even a bit superior to its lamentable competitors. Perhaps, though, it is simply a better film than its precursor, the theory that merits some extended exploration.

(3) ONLINE COMICS. David Brin is back with “A look at Science Fiction webcomics: Part 3”.

Crowded Void, by Mike West offers one of the more unusual concepts. Finding Earth too crowded and people rather distasteful, Vincent Foxwell thought he could find peace when he took a job on a cargo vessel, hauling junk in space, with only an AI for company. Space turns out to be more crowded than he imagined…. when his spacecraft is swallowed by a massive space worm, where there is already an intestinal civilization of over a million humans and aliens, jockeying for position in the worm’s digestive cycle. He must find a way to escape… before digestion is complete. But first he must deal with the The Joint Intestinal Monarchy, which controls the worm, harvesting parts from spaceships. No end of good material for humor… a new theory of wormholes? Start at the beginning here.

(4) BANDERSNATCH. Charles de Lint reviewed Diana Pavlac Glyer’s Bandersnatch in the July/August Fantasy & Science Fiction.

Yes, there is a wonderful font of information about the Inklings, but it also provides one of the better guides to the collaborative process, including a chapter with the end about how to get the most out of a group set up in a style similar to that of the Inklings.  I think one of the best  pieces of advice she gives is the difference between “I don’t personally like this’ and ‘This isn’t any good’ in critiquing a manuscript.

To writers setting up a writing group, I recommend Bandersnatch wholeheartedly,  That said, those who simply love to read–especially those who particularly appreciate the work of Tolkien, Lewis, and Williams–will find much to enjoy as well.

(6) EAU DE MIDCHLORIAN. When you wear Star Wars Perfumes, the Force is with you….

The trilogy of futuristic “must have” perfumes transfers the essence of the Star Wars universe skillfully into a fascinating world of fragrances, which represent the best-known elements and characters from the saga.

The products are presented in a luxurious and lavish flacon which draws upon the symbolism of probably the most emblematic element of the movie – the lightsaber.

There’s Amidala, for women, and Jedi, and Empire for men.

AMIDALA inspired this fragrance through her royal elegance as well as by her strong, indomitable will. The elegant and sensual notes of vanilla, musk and patchouli are complemented by a fruity top note of apple and tangerine and merges into a sovereign seductive aura for any situation by day and by night; a floral perfume with oriental and powdery notes, which makes its wearer irresistible.

Should you want to smell like Darth Vader, spritz yourself liberally with this stuff —

EMPIRE covers you with an aura of masculinity and power. A scent that captures the dark side of the Force; mystical, formidable and superior. It starts with a sparkle of fruity notes from lime and apple. Powerful chords of amber, patchouli and tonka-bean characterize the powerful heart and base note that refine the composition. The result is a distinctive, oriental, seductive fragrance – perfect for the night, made for men which one better does not get in the way.

I just love that The Mary Sue kicks off its post about these perfumes with a GIF from the first Star Wars movie showing our heroes in the garbage bin and Han Solo demanding, “What an incredible smell you’ve discovered.”

(7) TODAY IN HISTORY

  • June 25, 1951 — On this day in 1951, CBS aired the first commercial color television network broadcast. At the time, no color TV sets were owned by the public. The broadcast was seen on color TV sets in public buildings. (Emphasis on commercial – there were other network broadcasts in color the previous year, 1950.)
  • June 25, 1982 — John Carpenter’s The Thing, seen for the first time on this day.

(8) TODAY’S BIRTHDAY GIRL

  • June 25, 1925 — June Lockhart, whom some remember from Lassie, while fans remember her from Lost in Space.

(9) TODAY’S BIRTHDAY BOY

  • June 25, 1903 – George Orwell

(10) MARK THIS DATE: Neil Gaiman will be on Late Night with Seth Meyers next Friday night, July 1.

(11) HARD TO WIN. Chuck Tingle had a good excuse for not getting a Locus Award.

(12) BREXIT DEBRIEFING. Camestros Felapton registered his disapproval of Brexit by refusing to art containing a notorious Leave supporter.

Not doing cat pictures because Timothy is still running around the house wearing a mop and pretending to be Boris Johnson whilst shouting “effinEurolosers” at squirrels.

(13) FREE SPEECH. The July Harper’s Magazine excerpted the brief the Language Creation Society filed in the Axanar lawsuit claiming that CBS and Paramount did not have copyright over the Klingon language.

Plaintiffs claim copyright over the entire Klingon language.  The notion is meqHutlh (‘lacking reason.’)  If this court commits this qab qech (“bad idea”), an entire body of thought will be extinguished.  Hoch jaghpu’Daj HoHbogh Suvwl’ ylvup-‘ (‘Pity the warrior who kills all his enemies.’)  By Plaintiffs’ account, everyone who translates something into Klingon, writes a poem in Klingon, gives a speech or presentation at a Klingon Language Institute meeting or Star Trek convention, or gives lessons on how to speak Klingon is a copyright infringer. Qam ghu’vam, loD!  (“This will not stand, man!”)  Plaintiffs’ argument that ‘a language is only useful if it can be used to communicate with people, and there are no Klingons with whom to communicate’ is an insulting assertion.  Many humans speak Klingon.  People get married in Klingon.  Linguist d’Armond Speers spent three years teaching his infant son how to speak Klingon. Speaking and writing in Klingon is not simply a matter of transposing words from a different language, either.  The Sesame Street theme-song lyric ‘Sunny day, chasing the clouds away’ translates into Klingon as jaj pen puQmo’, chaw’nIS je Jaj ‘ej Haw’raDchen, or ‘Day of the daytime star, the clouds are filled with dread and forced to flee.’  Klingon is not just a language, but a state of mind.

(14) TEMPLE GRANDIN. A Blank on Blank animation of an interview with Temple Grandin contains lots of food for thought for geeks and nerds. (Don’t be thrown off by the Squarespace ad about 4:30, because Grandin resume talking for another 90 seconds when it’s done.)

(15) RAINING ON A PARADE. Jesse Hudson, in a review of Alastair Reynolds’ Chasm City for Speculiction, compares its execution unfavorably with an Iain Banks standby.

This is important to note given the bifurcated storyline, and its intended effect. Seemingly an emulation of the narrative structure of Iain Banks Use of Weapons, Reynolds’ adherence to plot above character does not allow the big reveals to be very big. I will not spoil the story for those unable to put one and one (not even two and two) together, but suffice to say the underlying reality of the situation is telegraphed in the least subtle ways the length of the novel, emphasized by the lack of complete coherence at the character level. Where Banks’ story resolves itself in surprising fashion upon the final chapter, a surprise that feeds logically back through the entire book, I have doubts Chasm City does the same for the majority of readers—this coming from a person who is terrible at predicting endings

I’m not implying any defect in Hudson’s opinion of Reynolds’ book, but I have to say I saw the ending of Use of Weapons coming from a long way off. To me, Banks’ success was in delivering the expected “surprise” in an elegant way.

(16) TOM REAMY. Joachim Boaz reminds readers about a strong award contender, now forgot, Tom Reamy’s Blind Voices (1978), at Science Fiction and Other Suspect Ruminations.

Tom Reamy’s Blind Voices (1978) was nominated for the Nebula, Hugo, and BFSA awards and came in second in Locus voting for best novel in 1979.  Posthumously released, Reamy died of a heart attack while writing in the fall of 1977 at 42.  His take on small town America transformed by the arrival of a traveling circus and its array of wonders will stay with you for years to come.  The science fiction elements (revealed more than halfway through the novel) interlace and add to the elegiac and constrained fantasy feel.  The specter of sexuality and violence spells cataclysm.

(17) OLD SCHOOL FAN. In a piece cleverly titled “Trexit”, Steve Davidson says “Get off Star Trek’s lawn!”

Alec Peters, you asked for it and you got it.  A set of fan work guidelines for the Star Trek universe that pretty much kills everything except maybe Lego animations. (Which are fine for what they are, but…)

I don’t personally do fanfic, fan films, fan art, etc., I’m sufficiently happy to stick with the originals, lament the lack of “more of the same”, and to spend some time dithering over whether or not I want to invest in the latest whatever released by the franchise holders.

But maybe that’s because I’m an old school fan with old school ideas about how one goes about engaging with someone else’s property….

(18) A LIZARD WITHOUT THUNDER. At Galactic Journey, The Traveler is falling out of love with one of the major prozines: “[June 25, 1961] The Twilight Years (July 1961 Fantasy and Science Fiction.

Like Victorian ladies’ hats, the dinosaurs became increasingly baroque until they were too ungainly to survive.

I worry that The Magazine of Fantasy and Science Fiction is heading in that direction.  I’m all for literary quality in my sf mags, but F&SF has been tilting so far in the purple direction that it is often all but unreadable.  I present Exhibit A: the July 1961 “All-Star” issue.

[Thanks to Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/24/16 Porcupine Tree’s Yellow Pixel Dreamscroll

(1) BREXIT. J. K. Rowling’s response to the Brexit voting reports was –

“Death Eaters are everywhere,” said Micheline Hess.

(2) BRIXIT. Caption: “Live scenes from the Channel tunnel.”

View post on imgur.com

(3) BEAT THE RUSH. Buzzfeed found “19 People Who Are Moving To Australia Now That Britain Is Leaving Europe”. One of them is ours.

  1. This person who was so prepared to move to Australia that they already did it.

(4) AUF WIEDERSEHEN. So who’s cheering the outcome? Vox Day, naturally: “England and Wales choose freedom”.

The Fourth Reich is rejected by a narrow margin, 52 percent to 48 percent, thanks to the actual British people, who outvoted the invaders, the traitors, the sell-outs, and the Scots….

(5) IMPORT DUTY. And Marko Kloos has his joke ready.

(6) THE FORCE IS STRONG WITH THIS ONE. Darth Vader will be back in Rogue One: A Star Wars Story, and James Earl Jones will be back as Darth’s voice.

The original Sith Lord is back. A new cover story from Entertainment Weekly confirms plenty of details for this winter’s Rogue One: A Star Wars Story, but there’s one long-rumored detail that’s sure to have fans breathing heavily: Darth Vader will return in the new film.

It only makes sense that Anakin Skywalker would once again plague the Rebellion in Rogue One. The plot of the film sees a band of ragtag Rebel fighters tracking down plans for the Death Star from the original Star Wars trilogy. The planet-sized weapon was Vader’s pet project, so seeing him again isn’t a total surprise. Still, it’s nice to finally have the information 100% locked in after months of speculation.

Update: It gets better. EW has also confirmed that James Earl Jones will be returning to voice Vader in Rogue One. Jones reprised the role for the animated Star Wars Rebels recently, but this will mark a big return to the silver screen. However, Lucasfilm president Kathleen Kennedy cautioned fans not to expect Vader to be a prominent presence in Rogue One. “He will be in the movie sparingly. But at a key, strategic moment, he’s going to loom large.” Well, he only had 12 minutes of screen time in the original Star Wars, and look how that turned out.

(7) PAT CADIGAN UPDATE. Yesterday Pat Cadigan told about a great doctor’s report in “Yeah, Cancer––Keep Running, You Little B!tch”.

My oncologist was smiling broadly  even before she called my name.

The level of cancer in my body has fallen again, this time very slightly. The rest of my tests are perfect. Unquote; she said perfect. She also likes my I’m Making Cancer My B!tch t-shirt. I am killing this cancer thing.

Maybe people’s reaction was too effusive. Pat thought they got the wrong idea, so today she wrote, “I Think I Have To Clarify Something”.

Which is to say, I still have cancer, and unless something miraculous happens, I will always have cancer. Recurrent endometrial cancer (aka recurrent uterine cancer) is inoperable, incurable, and terminal. There are something like four different forms (I think it’s four) and I have the one with the worst prognosis.

However, it is treatable. My cancer cells have progesterone receptors, which means that doses of progesterone can keep it stabilised at a low level. For how long? Impossible to say. Could be months. Could be a few years. Could be more than a few years. Nobody knows…just like someone without cancer. Technically, I’m still terminal but now the more accurate term would be incurable. My own preference is incorrigible.

(8) HE SAYS GIVE THANKS. Peter David has this take on the Star Trek fan film guidelines.

So thanks mostly to the efforts of the “Axanar” people, the guys who raised a million bucks to produce a “Star Trek” based film which resulted in a lawsuit, Paramount has now issued specific guidelines for anyone who wants to make a Trek fan film. And naturally fans are unhappy about it.

My response?

You guys are damned lucky.

When I was producing a “Star Trek” fanzine back in the 1970s, Paramount issued a decree: No one could write “Star Trek” fanfic. It was copyright infringement, plain and simple, and not to be allowed. At one convention I attended, Paramount lawyers actually came into the dealer’s room and confiscated peoples’ fanzines from right off their tables.

The fact that they loosened up to the degree that they have should be something fan filmmakers should feel damned grateful for….

(9) MEANWHILE CAPTAIN KIRK IS OUT OF WORK. At the Saturn Awards, William Shatner told a reporter he’s up for it.

Shatner, 85, spoke to reporters at the Saturn Awards in Los Angeles, and confirmed that he will not appear in “Star Trek Beyond,” according to the Belfast Telegraph.

But when asked about future movies, the actor was willing.

“We’d all be open to it, but it’s not going to happen,” he said. “”The fans would love to see it. Have them write to [‘Star Trek Beyond’ producer] J.J. Abrams at Paramount Studios.”

(10) COMIC BOOK ART. M.D. Jackson continues answering “Why Was Early Comic Book Art so Crude? (Part 3)” at Amazing Stories. By now, things are looking up –

[At Marvel] The artists excelled at creating dynamic panels. More than just men in tights who beat up bad guys, the Marvel heroes had depth and the art reflected that. Unusual angles and lighting effects were explored and the character’s expressions had to relay the complex emotions they were feeling (even when they were wearing a mask).

(11) WHERE THE BOYS ARE. Vox Day saw the Yahoo! Movies post about the Moana trailer disguising that it’s a princess movie (guess where?) and made a trenchant comment in “The Disney bait-and-switch” at Vox Popoli.

Boys don’t want to see movies about princesses. Boys don’t want to read books about romances either. But rather than simply making movies that boys want to see and publishing books that boys want to read, the SJWs in Hollywood and in publishing think that the secret to success is making princess movies and publishing romances, then deceiving everyone as to the content.

(12) TODAY IN HISTORY

  • June 24, 1997 — The U.S. Air Force officials release a 231-page report dismissing long-standing claims of an alien spacecraft crash in Roswell, New Mexico, almost exactly 50 years earlier.

(13) TODAY’S BIRTHDAY BOY

  • June 24, 1947 – Peter Weller, of Buckaroo Banzai fame.

(14) TODAY’S TRIVIA

  • Bela Lugosi’s appearance in Abbott and Costello Meet Frankenstein (1948) would be only the second time he appeared as Dracula on screen. It would also be his last time to do so.

(15) BY JOVE, I THINK THEY’VE GOT IT.

(16) RULES OF THE ROAD. Alexandra Erin, in “The Internet Is Not Your Global Village”, experiments with a solution to a chronic shortcoming of social media.

Now, I don’t have a detailed set of guidelines or proposed social mores for interacting with people online to go with this observation. I can tell you this: the ones we use for offline interactions don’t work, and any proposed rule needs to take into account the vast differences between online interactions and offline ones.

So let’s take a quick stab at formulating some….

You Having Something To Say Is Not The Same As Me Having Something To Hear

If you and I are having a conversation and what I say sparks some kind of personal connection with you, then by all means, you take that tangent and you run with it. I mean, there are nuances and shades… if I’m talking about the time my true love got caught in a bear trap along with a bear who mauled them to death while a swarm of bees enraged by the bear stealing honey stung them both, further aggravating the bear, and you say, “Yeah, speaking of pain, that reminds me of the time I got a paper cut. Hurt like anything, it did!”… well, I think most people would say that’s a bit boorish.

But if we’re just talking, and I mention a frustration and you’re like, “I know what that’s like, [similar experience]”… that’s a conversation.

(17) TESTING FOR TWANG. When an author decides to have nasal surgery, it’s always nice to have it reviewed in full multimedia fashion as Mary Robinette Kowal does in “What do I sound like after surgery? Like this…”

I’ve been very pleased that I still look like myself. The swelling will keep going down, albeit more slowly. The big question though is… what do I sound like? As an audiobook narrator, this was one of the things I was worried about since mucking about with the nose and sinuses can change resonance.

So, here, for your amusement, are four recordings of me reading the same piece of text….

(18) ANIME NEXT. Petréa Mitchell brings the harvest home early with her “Summer 2016 Anime Preview” at Amazing Stories.

Just when you’re all settled into the routine of one anime season, it’s time for another! Here’s what the sf world will get to see from the anime world in July.

(19) FRANK OR VITRIOLIC? the Little Red Reviewer asks a question to begin “On writing negative reviews”

Hey blogger buddies – do you write negative reviews? And what I mean by a negative review isn’t “this book sucks”, it’s “this book didn’t work for me and let me tell you why”. A well written negative review tells you just as much information about the book about a positive review. When I write critical / negative reviews, it’s mostly to talk about why I bounced off a book, or why I though the book was problematic. Oftentimes, it’s a book that the majority of readers really enjoyed, perhaps the book even won a ton of awards, but really, really didn’t work for me. Any of my friends will tell you I’m not the kind of person to sugar coat. If I think something didn’t work on some level, I’m going to say so. If I was offended by something, or thought it was boring, or thought the POV switches weren’t clear, I’m going to say so. If a book made me, personally, feel like the world of that book is not a world I would be welcome in, I’m going to say that too.

I do not write negative reviews to dig at an author, or to convince others not to read that author’s books…

(20) SHOULD WE? Krysta at Pages Unbound Reviews asks “Why Aren’t We Talking about Religious Diversity?”

However, religious diversity is regularly glossed over in discussions of representations or is regularly dismissed by those who find a character of faith to be “too preachy” or don’t want religion “shoved down their throats.”  This attitude does a disservice to the many people of faith throughout the world who would also like to see themselves reflected in characters in books.  It assumes that the presence of an individual of faith is, by nature, overbearing, unwelcome, and oppressive–that is, apparently an individual is allowed to have a faith as long as no one else has the misfortune of knowing about it.

However, despite the lack of characters of faith in modern and mainstream literature, a majority of the world identifies with some form of religion.  The Pew Research Group in 2010 determined that 16.3% of respondents were not affiliated with any sort of religion.  The other ~83% identified with a religious group.  That is, in any group of ten people, you could theoretically assume eight were religious.  And yet religion remains absent in most YA and MG books.

But, for many individuals, religion is more than an abstract belief in a higher deity.  Religion is something that affects one’s philosophy, one’s actions, one’s daily life.

(21) MAYBE A LITTLE AFRAID. Yahoo! Movies describes the Ghostbusters theme remake.

Paul Feig’s reboot of Ghostbusters gives everything a full redo — including, it turns out, the classic, catchy, campy theme song by Ray Parker Jr. The theme song as revamped by Fall Out Boy with Missy Elliott, released this morning (hear it above), abandons the bright pop past in favor of a darker guitar-heavy dose of alternative/mid-2000s emo angst. Be prepared to hear this song in various Hot Topics for the next couple of weeks/months/years.

 

(22) THE MYSTERIOUS EAST. A surprising objective of Russian technological research? The BBC explains in “Beam me up, Prime Minister”.

A popular Russian paper said that a governmental working group was meeting up to discuss the national technological development programme. The programme envisages, among other things, that by 2035 Russia will develop its own programming language, secure communications systems and… teleportation.

For the initial stage of the programme development, 2016-18, the agency responsible is seeking about 10bn roubles (£100m) in financing.

There was an online reaction to this bold statement. Russian internet users reacted in all kinds of different ways, from disbelief, to amazement to sarcasm.

…In another typical comment, popular user “Dyadyushka Shu” joked about money being “teleported” away from Russia: “Experiments in teleportation have been going on in Russia for a long time – billions of dollars have already been successfully teleported to Panama offshores.”

Spoiler Warning: Chip Hitchcock explains, “Really only at the quantum level, but handled so clumsily that the satirists had a field day.”

(23) QUEASINE. Is this what Death Eaters snack on?

[Thanks to JJ, John King Tarpinian, Chip Hitchcock, and Dave Doering for some of these stories. Title credit belongs to File 770 contributing editor of the day Simon Bisson.]