Tag Archives: Con or Bust

Pixel Scroll 2/29/24 Scrollaris

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(1) STOKER AWARD UPDATE SPARKS KERFUFFLE. [Item by Anne Marble.] The Horror Writers Association has realized that Camp Damascus by Chuck Tingle was in the wrong category in the list of finalists — it is not a YA novel. So they moved it to the Adult category – increasing the finalists there from five to six (i.e, nobody was dropped). And because of this change, they added a YA novel by author Kalynn Bayron to the YA category.

But as a result, some people are yelling at Kalynn Bayron on social media — apparently because they think she “stole” the nomination from Chuck Tingle. And Brian Keene has stepped in and asked people to yell at Mr. Keene instead. Let’s see if the people who were so eager to yell at Kalynn Bayron (a young Black YA author) are just as eager to yell at Brian Keene. (Somehow, I doubt it.)

(2) STOKERCON GOH NEWS. Paula Guran will be unable to attend StokerCon 2024 the convention announced today in a newsletter. A reason was not given; the committee hopes she will be able to join them at a future event.

The remaining GoHs are Justina Ireland, Nisi Shawl, Jonathan Maberry and Paul Tremblay.

(3) ANNUAL YARDSTICK. Publishers Weekly reports “New Lee & Low Diversity Baseline Survey Finds Minor Changes” in the publishing industry.

The third edition of Lee & Low Books’ quadrennial “Diversity Baseline Survey” found that the publishing industry has made incremental gains in broadening its workforce since the survey was introduced in 2015.

The survey’s top-line findings show that white people made up 72.5% of this year’s 8,644 respondents, down from 76% in 2019 and 79% in 2015. Those identifying as biracial/multiracial were the second largest group, at 8.3%—a significant increase over the 3% in 2019 who identified as biracial/multiracial. The percentage of respondents who were Asian/Native Hawaiian/Pacific Islander/South Asian/Southeast Indian rose slightly, to almost 8%, from 7% in 2019. Black respondents held even at about 5% of the publishing workforce, while those identifying as Hispanic/Latino/Mexican fell to 4.6%, from 6% in both 2019 and 2015….

(4) REACH OUT. Dream Foundry calls for donations to “Con or Bust”, which seeks to assist creators or fans of color with opportunities they can’t afford:

Con or Bust has received a slew of applications for extremely exciting opportunities that we are not currently able to fund or support. You can help us change that! Since late October, we’ve had to defer or decline 14 applications requesting over $25,000 in fiscal support. In most cases even a small portion of the request made as a grant would be a huge help to the applicant. Most fiscal grants we’ve made are $500, and that’s also the largest amount we’ve granted out of our unrestricted funds. …

…If you’ve ever been to an industry event that inspired, motivated, or nurtured you, then you know what these opportunities can mean. Help us bring that to more people!

(5) WRITERS AND ARTISTS, GET READY. Dream Foundry is also looking ahead to their annual Writing and Arts Contest which opens to submissions from April 1 through May 27, 2024.

(6) MACHINES IN TRAINING. Rivka Galchen is “Thinking About A.I. with Stanisław Lem” in The New Yorker.

…“Solaris” is mostly serious in tone, which makes it a misleading example of Lem’s work. More often and more distinctively, he is funny and madcap and especially playful on the level of language. A dictionary of his neologisms, published in Poland in 2006, has almost fifteen hundred entries; translated into English, his invented words include “imitology,” “fripple,” “scrooch,” “geekling,” “deceptorite,” and “marshmucker.” (I assume that translating Lem is the literary equivalent of differential algebra, or category theory.) A representative story, from 1965, is “The First Sally (A) or, Trurl’s Electronic Bard.” Appearing in a collection titled “The Cyberiad,” the story features Trurl, an engineer of sorts who constructs a machine that can write poetry. Does the Electronic Bard read as an uncanny premonition of ChatGPT? Sure. It can write in the style of any poet, but the resulting poems are “two hundred and twenty to three hundred and forty-seven times better.” (The machine can also write worse, if asked.)

It’s not Trurl’s first machine. In other stories, he builds one that can generate anything beginning with the letter “N” (including nothingness) and one that offers supremely good advice to a ruler; the ruler is not nice, though, so it’s good that Trurl put in a subcode that the machine will not destroy its maker. The Electronic Bard is not easy for Trurl to make. In thinking about how to program it, Trurl reads “twelve thousand tons of the finest poetry” but deems the research insufficient. As he sees it, the program found in the head of even an average poet “was written by the poet’s civilization, and that civilization was in turn programmed by the civilization that preceded it, and so on to the very Dawn of Time.” The complexity of the average poet-machine is daunting….

(7) THE ROOM WHERE IT HAPPENS. It was the club’s first in-person meeting outside of a Loscon since the pandemic. See photos at “We’re Back Baby! LASFS 1st Meeting in Years” on the Los Angeles Science Fantasy Website.

(8) OCTOTHORPE. Episode 104 of the Octothorpe podcast is “Groundbreaking and Great”. And humble!

Octothorpe 104 is here! We know you’ve eagerly been awaiting our takes on the Hugo Awards, so here they all are, as we discuss our favourite SF of 2023!

Hang on, what do you mean? Something else happened with the Hugo Awards and you thought we were talking about that? Well, er…maybe next time!

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(9) FREE READ. Worlds of If #177 is available as a free download for a limited time at the Worlds of If Magazine website. And the print version and t-shirts are also available for order there.

(10) JAIME LEE MOYER HAS DIED. Author and poet Jaime Lee Moyer was found dead today after friends requested a wellness check. C.C. Finlay announced on Facebook:

Dear friends of Jaime Lee Moyer, we have some very sad news. No one had heard from Jaime in more than ten days, which was concerning because her latest book was scheduled for release this week.

This morning we contacted her rental company and the East Lansing Police Department and asked them to perform a wellness check. They found Jaime deceased in her bedroom, apparently from natural causes. They’ve contacted her family to make formal arrangements. We only just received the news, and we don’t know any other information at this time.

Jaime has friends in the writing community all over the world. We thought this would be the best way to reach you. If you are a friend of hers, a client, or are waiting to hear an answer from her on anything else, we wanted you to know as soon as possible.

With love and grief,

Charlie and Rae

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 29, 1952 — Tim Powers, 72. Now Tim Powers is a writer that I really admire. He’s decently prolific as he has twenty novels published. Now remember this essay is about what I like, so I may or may not mention what something that you, so please do t be too miffed by that. 

Where to start?  That’s easy as it has to be The Anubis Gates. Victorian London and Egypt. Ancient Egypt. Time travel. Anubis. Oh ymmm. It’s on my list of To Be Listened To list as I’ve already read it several times and the sample at Audible indicates Bronson Pinchot does a great job of narrating this. 

Tim Powers

Just as good in a very different manner is On Stranger Tides takes place during the so-called Golden Age of Piracy which was nothing of the kind, when an individual on his way from Britain to Haiti has a series of increasingly wild adventures. I know the novel was purchased to be part on the Pirates of Caribbean franchise. I’ve not seen the film, so I don’t know how much, if anything of his novel made it into the film, but I’m betting nothing except the name did.

Declare, a secret history of the Cold War, is extraordinary. I mean it really. When I was still actually reading novels as opposed to listening to them, as I’m doing now, I didn’t spend six to eight hours a day on one but I remember I did on Declare just to see where the story went. Stellar.

The Vickery and Castine series is just fun, and I mean that as a compliment. Set in contemporary LA, rogue federal agents Sebastian Vickery and Ingrid Castine can see ghosts and other things that are the secret reality of that city. It’s an ongoing series with four novels so far. Highly recommended. 

Then there’s Three Days to Never which I’m not convinced actually makes sense but is really fun to read with its wild mix of supernatural history of what actually happened, time travel and foreign agents. 

Ok, those are my picks as the Powers novels that I really like. So what’s your choices? 

(12) COMICS SECTION.

(13) TWO COMPANIONS CUT A RUG. Radio Times makes sure we don’t miss out when “Karen Gillan and Jenna Coleman share cute Doctor Who reunion”.

Amy Pond and Clara Oswald may have never met on-screen, but the former Doctor Who companions certainly look like they get along behind the camera.

Karen Gillan (Amy) and Jenna Coleman (Clara) were spotted together at an event in London last night, with former Doctor Who showrunner Steven Moffat also in attendance.

Gillan took to the opportunity to share a video of the trio on the dance floor on TikTok alongside the caption: “We might have had a few red wines… but look WHO it is!”…

@karengillan

We might have had a few red wines…but look WHO it is! #doctorwho

? original sound – Karen Gillan

(14) AGBABI Q&A. HAL interviews 2021 Clarke Award nominee Patience Agbabi, author of The Past Master, at Carbon-Based Bipeds.

HAL: Hello Patience, and congratulations to you on finishing your tetralogy. I’m curious, did you always know this would be a four-book cycle or did the project grow more organically?

PATIENCE: …In reality, a series made sense for lots of other reasons since I had too many ideas to fit into a single book: I wanted to explore the past as well as the future; to take different angles on ecological issues, becoming more covert as the series progressed; and also, I wanted to develop my hero, Elle, from a 3-leap girl to a 4-leap young woman. Elle is black, of Nigerian origin and autistic. It was a positive challenge to show the reader how she overcomes numerous obstacles to reach maturity. I originally submitted the manuscript as young YA but Canongate wanted to market it as middle-grade since my hero was 12 and children like to read up. But since my hero gets one year older with each instalment, I knew I’d be segueing into YA territory anyway, which demands a greater level of introspection.

(15) STRINGS ATTACHED. SOMETIMES. “Muppets, marionettes and magic: My life with puppets” – hear an interview with Basil Twist, who created puppets for the My Neighbour Totoro production by the Royal Shakespeare Company  at BBC Sounds.

Basil Twist’s fascination for puppets started as a child watching productions his mum put on as an amateur puppeteer. Basil built his own puppet characters of Star Wars as a kid and loved it, but became a ‘closeted puppeteer’ in his teens. It wasn’t cool anymore, and playing with dolls was seen as feminine. Basil pursued an education at college, but became unhappy and dropped out. Later moving to New York, Basil could finally embrace his puppetry passions. He scoured phone books and bashed phones to track down people involved in puppetry. His diligence took him around the world, winning awards and captivating crowds along the way. During the pandemic Basil found his biggest challenge to date – bringing the much-loved animated Japanese character Totoro to life for a live action stage show…. 

(16) OUTSIDE THE BOX. The Onion reports “Litter-Robot Recalls Thousands Of Self-Cleaning Litter Boxes That Accidentally Transported Cats To Year 1300”. (Could they be using the same version of the software as my comments section, which unaccountably tells people they’re in random years?)

(17) TODAY’S THING TO WORRY ABOUT. Jessica Grose wonders “Could Swifties or Trekkies Decide the Election?” in a New York Times opinion piece. (Well, maybe I exaggerate. I don’t think it really worries her.)

…Social media is where many young voters live — about a third of adults under 30 regularly get news from TikTok, according to Pew Research. And turning out young voters who are otherwise not particularly politically engaged will be key to winning elections up and down the ballot in November. The left-leaning Working Families Party isn’t exactly a threat to take the White House in 2024, but it is on to a new way of reaching Gen Z voters at a time when the old ways are increasingly useless.

As Marcela Valdes explained this week for The New York Times Magazine, young voters tend to have low turnout rates. “No one is more ambivalent about participating in elections than young people,” she wrote. (It’s worth noting, though, that turnout among Americans ages 18 to 29 was historically high in 2018, 2020 and 2022, according to C.I.R.C.L.E., the Center for Information and Research on Civic Learning and Engagement at Tufts University.)…

(18) TOMORROW’S THING TO WORRY ABOUT! Kathryn Schulz doubts we’re prepared for “What a Major Solar Storm Could Do to Our Planet” as she tells readers of The New Yorker.

…But “space-weather forecaster” is an optimistic misnomer; for the most part, he and his colleagues can’t predict what will happen in outer space. All they can do is try to figure out what’s happening there right now, preferably fast enough to limit the impact on our planet. Even that is difficult, because space weather is both an extremely challenging field—it is essentially applied astrophysics—and a relatively new one. As such, it is full of many lingering scientific questions and one looming practical question: What will happen here on Earth when the next huge space storm hits?

The first such storm to cause us trouble took place in 1859. In late August, the aurora borealis, which is normally visible only in polar latitudes, made a series of unusual appearances: in Havana, Panama, Rome, New York City. Then, in early September, the aurora returned with such brilliance that gold miners in the Rocky Mountains woke up at night and began making breakfast, and disoriented birds greeted the nonexistent morning.

This lovely if perplexing phenomenon had an unwelcome corollary: around the globe, telegraph systems went haywire. Many stopped working entirely, while others sent and received “fantastical and unreadable messages,” as the Philadelphia Evening Bulletin put it. At some telegraph stations, operators found that they could disconnect their batteries and send messages via the ambient current, as if the Earth itself had become an instant-messaging system.

Owing to a lucky coincidence, all these anomalies were soon linked to their likely cause. At around noon on September 1st, the British astronomer Richard Carrington was outside sketching a group of sunspots when he saw a burst of light on the surface of the sun: the first known observation of a solar flare. When accounts of the low-latitude auroras started rolling in, along with reports that magnetometers—devices that measure fluctuations in the Earth’s magnetic field—had surged so high they maxed out their recording capabilities, scientists began to suspect that the strange things happening on Earth were related to the strange thing Carrington had seen on the sun….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Kathy Sullivan, Lise Andreasen, JeffWarner, Anne Marble, Jean-Paul Garnier, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 11/30/23 Too Much Pixel And No Scroll

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(1) THE TIMES THEY ARE A’CHANGIN’. Gabino Iglesias is the new horror columnist for the New York Times. He told told readers on X.com, “It’s a dream come true. Can’t wait to bring you all the horror goodness starting in January. Long live horror.”

(2) LUKYANENKO EVENT AT WORLDCON VENUE. [Item by Ersatz Culture.] Sergey Lukyanenko will appear December 1 in an event at the Worldcon venue.

In the Friday 24th Scroll, it was mentioned that Sergey Lukyanenko would be making four appearances in Chengdu between December 1st and 4th.  Today (November 30th) I saw a Weibo announcement indicating there will be an additional event on December 1st; notably, this one takes place at the SF Museum that was the venue for the Worldcon.  I think this may be the first time that the museum has been used or open to the public since the con?

There was also a new Weixin/WeChat blog post from his publisher yesterday (Wednesday 29th); curiously this does not mention the event at the SF Museum.

(3) GOLDMAN FUND UPDATE. Dream Foundry reports that they were able to fully fund everyone who applied within the preferred window for the Con or Bust initiative to assist Palestinian creators and fans of speculative fiction in attending the 2024 World Science Fiction Convention.

They still have funds remaining for 2024 and will continue taking applications on a rolling basis. They say –

Don’t self reject! Anyone who is a citizen of Palestine or a member of the Palestinian diaspora qualifies and is encouraged to apply.

Applications for the 2025 Worldcon will open in summer of 2024.

(4) FURIOSA TRAILER. The first official trailer has dropped for Furiosa : A Mad Max Saga.

Anya Taylor-Joy and Chris Hemsworth star in Academy Award-winning mastermind George Miller’s “Furiosa: A Mad Max Saga,” the much-anticipated return to the iconic dystopian world he created more than 30 years ago with the seminal “Mad Max” films. Miller now turns the page again with an all-new original, standalone action adventure that will reveal the origins of the powerhouse character from the multiple Oscar-winning global smash “Mad Max: Fury Road.” The new feature from Warner Bros. Pictures and Village Roadshow Pictures is produced by Miller and his longtime partner, Oscar-nominated producer Doug Mitchell (“Mad Max: Fury Road,” “Babe”), under their Australian-based Kennedy Miller Mitchell banner. As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

(5) A GOOD TONGUELASHING. “Adam Sandler’s ‘Leo’: A Crotchety Old Lizard Helping Kids Be Kids” at Animation World Network.

Hitting Netflix [on November 21] is Leo, a clever and charming coming-of-age animated musical comedy starring noted actor and comedian Adam Sandler as a curmudgeonly 74-year-old iguana, stuck living for decades in an elementary school class terrarium, who plots his escape – complete with an odd bucket list – after learning he only has one year to live. At the same time, he can’t help but offer friendly advice to a bunch of kids who each must take him home for a weekend, only to discover – and swear to keep secret – that he can talk…

… The idea for the film gestated with Sandler for eight years. “Basically, I had the idea of looking at an elementary school graduation, almost like in Grease, the kids’ last year of elementary school, and how you’re moving on to the big leagues after that,” he shares. “And me and my friend, Paul Sado, were working on that idea. And then I told Robert Smigel about it, and he said, ‘What about if you do it that year, but through the eyes of a class pet that’s been involved in that grade forever?’ And we got excited, and that’s when everything got flowing.”…

(6) PAGE-TURNER. Jay of Tar Vol On posted an extra-large magazine review this month, with thoughts on 35 different works of short SFF and a little bit of related non-fiction. “Tar Vol Reads a Magazine: November 2023”.

… the piece that inspired me to pick up this issue [of Asimov’s] in the first place: “Berb by Berb” by Ray Nayler. This story is connected to some of his other work that I haven’t yet read, but it makes an acceptable standalone, delivering a heartfelt tale of one person trying to do the best they can in a world that has gone to pieces around them. It’s a theme Nayler returns to often, and it makes for a good read every time. ..

(7) HOME IS THE SPACEMAN. Neil Clarke tells about his adventures at the Chengdu Worldcon in his Clarkesworld editorial, “This Would Have Been Longer”. He was impressed by how many children were at the con, and participated in the Hugo ceremony.

…Oh! That’s me up there with “little astronaut” after unexpectedly winning the Hugo Award for Best Editor Short Form. Those are two of the hosts of the event on the left and the gentleman on the right is convention Co-Chair Chen Shi, who presented the category. I actually had a speech written this time, but in the moment, I opted to abandon it and try to speak from what I was feeling instead. Probably not the brightest thing to do, but I wanted to say something to the kids watching now or later. I let them know that I was once like them and never believed that I would someday be up on this stage accepting an award I considered the domain of my childhood heroes. I told them that I hoped to be in the audience and watch them win one someday. I encouraged them to try, told them it wasn’t easy and that people might tell them it wasn’t possible . . . but it is.

After the ceremony, I was whisked off to do interviews. They had maybe two dozen reporters from a variety of outlets present and asking questions. It kept me from enjoying part of the after party with friends, but how often does a Hugo winner get that kind of attention? I understood and appreciated the novelty of it, and besides, they weren’t asking me about AI, so that’s progress, right?…

(8) YOU’VE HEARD HER WORK. [Item by Steven French.] “Jane Horrocks: ‘I’d love to be a baddie in a Tarantino movie’”, so she told the Guardian. Horrocks voices Babs, one of the chickens in Chicken Run and also starred with Anjelica Huston in Jim Henson’s film of Roald Dahl’s The Witches.

When did you discover you had an amazing voice? chargehand
From starting impersonations, really. My first impersonation was Julie Andrews when I got The Sound of Music album when I was nine. I fell in love with sounding like Julie. My mum and dad were massively into Shirley Bassey and I found I could impersonate her and Barbra Streisand. That’s when I started to realise that utilising my voice was going to be a good thing for me. It’s brought me a lot of pleasure, and I’ve made people laugh, which is great.

(9) NEW TO U.N.I.T. A disabled character is featured in the latest episode of Doctor Who. The actress discusses her role with Radio Times. Beware spoilers, maybe; I’m not sure.

“She is just so fun and feisty and ballsy – she’s just so much fun to play,” Doctor Who star Ruth Madeley says of her character Shirley Anne Bingham. “I’d love to be more like Shirley in my real life, I have got nowhere near that much cool in me!”

Madeley made her spectacular on-screen Doctor Who debut in The Star Beast as UNIT’s 56th scientific advisor. In the space of the 57-minute special, she got David Tennant’s Doctor out of some very sticky situations – and took absolutely none of his nonsense.

“Overall she is not overly impressed by anyone or anything, which I love about her because I am the complete opposite. That’s really fun to play,” Madeley tells RadioTimes.com….

(10) WHO PREVIEW. “Doctor Who debuts new scene from next episode Wild Blue Yonder” at Radio Times.

The veil of secrecy surrounding the next episode of Doctor Who, Wild Blue Yonder, is slowing beginning to lift, with the BBC dropping a first-look clip….

… In the new clip, Donna is left panicked when the TARDIS disappears, with the Doctor promising to return her home to her daughter Rose. But it appears someone – or something – is watching them……

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born November 30, 1906 — John Dickson Carr. (Died 1977.) As you know, we don’t do just sff genre Birthdays here and so it is that we have here one of my favorite mystery writers, John Dickson Carr.  Indeed I’m listening to The Hollow Man, one of his Gideon Fell mysteries. 

He who wrote some of the best British mysteries ever done was himself not British being American. Oh the horror. He did live there for much of the Thirties and Forties, marrying a British woman. 

Dr. Fell, an Englishman, lived in the London suburbs. Carr wrote twenty-seven novels with him as the detective. I’m listening to The Hollow Man because it’s considered one of the best locked room mysteries ever done. Indeed, Dr. Fell’s discourse on locked room mysteries in chapter reprinted as a stand-alone essay in its own right.

All of the Fell novels are wonderful mysteries. The detective himself? Think a beer drinking Nero Wolfe who’s a lot more outgoing. Almost all of the novels concern his unraveling of locked room mysteries or what he calls impossible crimes.  Of these novels, I’ve read quite a number and they’re all excellent.

Now let’s talk about Sir Henry Merrivale who created by Carter Dickson, a pen name of John Dickson Carr. (Not sure why he bothered with such a thinly-veiled pen name though.) Merrivale was like Fell an amateur detective who started who being serious but, and I’m not fond of the later novels for this, become terribly comic in the later novels. Let me note that Carr was really prolific as there were twenty-two novels with him starting in the Thirties over a thirty-year period. One of the finest is The White Priory Murders which was a Wodehousian country weekend with yet another locked room mystery in it. 

He also, as did other writers of British mysteries, created a French detective, one by the name of Henri Bencolin, a magistrate in the Paris judicial system. (Though I’ve not mentioned it, all of his mysteries are set in the Twenties onward.) Carr interestingly has an American writer Jeff Marle narrating the stories here and he describes Bencolin as looking and feeling Satanic. His methods are certainly not those of the other two detectives as he’s quite rough when need be to get a case solved. 

There are but four short stories and five novels of which I think The Last Gallows is the best. 

With Adrian Conan Doyle, the youngest son of Arthur Conan Doyle, Carr wrote some Sherlock Holmes stories that were published in The Exploits of Sherlock Holmes collection. Not in-print but used copies available reasonably from the usual suspects. 

He was also chosen by the estate of Sir Arthur Conan Doyle in 1949 to write the biography of the writer. That work, The Life of Sir Arthur Conan Doyle, is in-print in a trade paper edition.

(12) COMICS SECTION.

(13) ARTILLERY AND JOSEPHINE. Haley Zapal is the first reviewer I’ve seen who is genuinely enthusiastic about Ridley Scott’s Napoleon. Find out why in “Review: Napoleon” at Nerds of a Feather.

…The scenes where men and horses fall into the water are brilliant and artistic. There are things in Napoleon that I definitely have never seen before, and that’s wild considering director Scott is nearing 90. There is also absolutely brutal gore that makes Saving Private Ryan seem like Hogan’s Heroes….

(14) IT’S WASHED. Applause to Arturo Serrano for being one of the rare folk reviewing The Marvels who talks about the movie instead of its box office. But he’s no fan of the movie either: he rates “On the woes of ‘The Marvels’” only 5on a scale of 10 at Nerds of a Feather.

Someone at Marvel Studios should have pointed out that being simultaneously a sequel to WandaVision, Captain Marvel, Ms. Marvel and Secret Invasion and providing two sequel teases was too much weight to load onto the shoulders of one movie. But we’ve played this tune before: Marvel movies are doomed to be mere links in a neverending chain, each forgettable villain is just there to get the pieces in position for the next entry, what you see isn’t most of what the director intended, and so on. To keep going to theaters for a Marvel movie is by now a thoughtless habit, like grabbing one more potato chip when you know you’re full….

(15) IT’S COLD OUTSIDE. The New York Times covers “A Video Game That Doubles as a World War I History Lesson”. “Last Train Home tells an overlooked story of the Czechoslovak Legion’s evacuation across Russia in the embers of the Great War.”

 … Foregrounding historical accuracy was a priority for Ashborne’s first original game, Last Train Home, which retells the Legion’s rolling evacuation eastward across Russia in the embers of the war. Its journey for homebound ships at the port of Vladivostok was tangled in Russia’s internal conflict between Bolshevik and anti-Bolshevik armies….

…Jos Hoebe, the founder of BlackMill Games and a longtime producer of World War I shooters, said video game developers had a responsibility to get details correct, especially when a particular battle or event has few depictions in popular culture. For his games, Hoebe digests historical documents in an attempt to understand the average soldier and shed light on overlooked aspects of combat.

“It feels like we’re responsible for creating the image that people have of this theater of war,” Hoebe said.

Last Train Home is a real-time strategy game in which the player orders specialized squads around rural battlefields. Scouts clear the fog of war, riflemen charge at enemies — usually the Bolshevik Red Army — and medics heal wounds. Another significant portion of the game is managing the armored train and exhausted infantry while fighting disease, starvation and the cruel Siberian cold…..

(16) THE DOOR INTO WINTER. Here’s an interesting artifact at Fullerton Arms Ballintoy: Giant’s Causeway North Coast Guesthouse and Restaurant in Ireland.

In 2016, Storm Gertrude ripped up some centuries-old beeches from the avenue known as Dark Hedges, (familiar to Game of Thrones fans as the Kingsroad). Ten doors, fashioned from the fallen trees, were carved with scenes from the cult TV show and placed in 10 pubs with Thrones connections in Northern Ireland. A fierce dragon embellishes the deep-brown polished door in Ballintoy’s Fullerton Arms. From the pub, it’s 20 minutes’ walk down a dramatic winding road to the cliff-ringed harbour, used to film scenes involving Theon Greyjoy in the Iron Islands. The steep climb back up will help build an appetite for the pub’s rope-grown mussels or seafood chowder, and Northern Irish specialities such as champ (mash with spring onions).
Doubles from £60 B&B

(17) NONE DARE CALL IT “LIP-SYNCHING”. A ventriloquist and his dummy sing “’Time Warp’ from The Rocky Horror Picture Show”.

“Time Warp” from The Rocky Horror Picture Show, a song by Nell Campbell, Patricia Quinn, and Richard O’Brien as sung by Terry Fator and Walter In this video Terry is singing live without moving his lips, 100% guaranteed!

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 10/31/23 It’s Almost The Midnight Hour And All Good Pixels Are Wrapped Up Warmly In Their Scrolls

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(1) SCAMMERS LIVE IN VAIN. …Or will if Amazon’s suit is successful. Publishers Weekly reports “Amazon Sues Scammers Targeting Authors”.

Amazon this week announced that it has filed a lawsuit in the Northern District of California against some 20 individuals scamming authors by falsely claiming an affiliation with Amazon Publishing and Kindle Direct Publishing. According to the suit, the scammers run fake Amazon knockoff websites designed to lure would-be authors into paying a fee to publish, and then deliver either substandard or no service at all….

The suit includes details of unnamed authors who were taken in by the scams, including one who visited one of the defendant sites thinking she was accessing Amazon’s legitimate self-publishing services. The authors “corresponded with Defendants or their agents, who not only claimed to be Amazon representatives, but sent documents making further uses of the Amazon Marks,” the complaint states. “Believing she was working with Amazon, [the author] paid Defendants $4,000.00 for purported editorial and publication services.” The woman learned she was scammed after the service failed to materialize….

(2) ROBERT BLOCH WEBSITE HALLOWEEN OFFERING. The Robert Bloch Official Website is celebrating the holiday by posting Bloch’s Halloween-themed tale, “Pumpkin”. Original Twilight Zone Magazine story art by George Chastain.

(3) PAYING HIS RESPECTS ON HALLOWEEN. John King Tarpinian visited Ray Bradbury’s grave today, and says “I left Frank to keep him company.”

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Arthur Liu’s con report – part 3

This was supposed to be a series of four posts, but he told me it’s looking like it’s going to be five, as this third part only gets as far as the morning of Thursday 19th, leaving another three days still to be written up.  Disclosure yet again: I’m mentioned in this report.  I have asked Arthur if he knows of any other reports that other fans might have published, which could be featured here on File 770, to give a more varied impression of what the con was like.

As before, these extracts are via Google Translate with minor cleanup edits.

On the morning of October 18, at 8:40, [con liaison] L said that the required documentation was now available, and at 9:36, the surrounding map and traffic control map were updated, as well as the updated transportation shuttle plan. Just before 11am, we collected all the materials – excluding the participant manual, which was still not finished at this time – and set off to the con site. After getting off the bus, I took out my guest pass. It said “”天爵” in Chinese and “TIAN Jue” in English. I only have two pen names, one is Yang Feng [for fiction] and the other is HeavenDuke [for online and non-fiction].  Some of my friends think the latter is a bit difficult to pronounce, so I let them call me by the Chinese translation “Tianjue”, but my English name is always Arthur Liu. I asked L what was going on, and L said, “This was provided by the organizers,” and “[The badges for] All Chinese guests have names printed using Chinese characters and their Pinyin transliteration (into Latin letters), while foreign guests have English names. The registration process has now closed. ” In other words, it could not be changed.  I thought back to the controversy caused by George R.R. Martin’s mispronunciation of names at the Hugo Awards ceremony in CoNZealand in 2020, and couldn’t help but sigh…

After a while, Jiafeng arrived as promised (he had previously promised to help look after the table on the 18th). Surprisingly, [co-Hugo finalist for Zero Gravity SF fanzine] Ling Shizhen also came.  When I started the [Chinese website] “Science Fiction Encyclopedia” in 2017, he had helped with reviews, and provided a lot of reference information, but I’d never met him in person… Thankfully, when Ling heard that the

CSFDB table was short of manpower, because of the problems of the preceding two days, he immediately said that he would try his best to help over the next few days.  He even cancelled many of his scheduled activities for this reason, which was really touching. The exhibition on the 18th was held in such an atmosphere.

After a while, RiverFlow also came over – it was also our first time meeting offline – together with Zi Xuan. When everyone was greeting each other, two foreigners came over, one of whom was Helen Montgomery. She was working the site selection table at this convention, and before that she was, like me, an editor of the Hugo Award-winning fanzine Journey Planet. I introduced her to the work of the [CSFDB] database, showed her the physical version of the bilingual special issue “Chinese Science Fiction and Space” of “Journey Planet”, and introduced her to the several Hugo Award finalists present. She showed us her Hugo Award trophy, and while taking photos with us, she pulled us into a circle and said to us, “When the award ceremony comes, please use all your senses and thoughts to remember that moment. Because regardless of whether you win or not, it will become an unforgettable moment in your lives” …

Despite this, when holding a conference in China, there are always some unexpected developments: not long after the booth was set up, a copy of the “Zero Gravity Newspaper” disappeared… Some people will stare at you like a ninja, casually flip through the materials on the booth, then put them in their pockets and take them away. Other people will rudely interrupt your introduction and directly ask for ribbons and stickers. Can other materials be obtained for free? Considering that all the items at our table are basically distributed free of charge, and the main focus is to exchange materials for social interaction, it doesn’t feel good to encounter such people.

Even more embarrassing are the people who come up and ask, “What is your business model?  How does your product make a profit?”  Sometimes they would ask this of “Zero Gravity News”; sometimes asking CSFDB.  In China, science fiction enthusiasts and the science fiction industry have almost no possibility of dialogue on this issue, which highlights its inability to keep up with the airwaves [I think this is an idiom, but I couldn’t get information about it; I guess it reinforces the idea of an inability to communicate]. Whenever we try to explain that this is a voluntary charity project, they end up shaking their heads and walking away. There was also an old gentleman who, as soon as he arrived at the stall, said, “Let me test you.” He opened the database and searched for “Tong Enzheng”, in an attempt to find out the shortcomings of the database. I don’t know what it’s like at overseas science fiction conventions, but judging from my past experience of exhibiting at APSFcon and the 2019 Chinese Science Fiction Convention at the Beijing Garden Expo Park, this situation and the cultural generation gap behind it will continue to exist for a long time.

In this atmosphere, at 5:30pm on Wednesday 18th, the CSFDB table ended its first day of exhibition. Before closing the table, [con liaison] L, who was in charge of the tables, came over and said that before the opening ceremony at 7:30pm, local leaders would come to inspect the exhibition area. There would be many people visiting and we were asked if we could continue running the table. The answer was of course no. At this time, everyone’s physical strength was basically exhausted – RiverFlow had even come to the booth to take a photo at around 2pm, and then returned to the hotel to rest, due to breathing difficulties. Fortunately, the shuttle bus that day finally stopped at the right place and on time…

[On the morning of Thursday 19th] RiverFlow and I hadn’t yet had breakfast, so I went down to eat with him again. He ate very quietly and slowly, lowering his head and choking whilst eating. But even so, he still tried his best to make friends with every guest present, and gave his “Zero Gravity News” to them, which was admirable.

I don’t know how many moments there were in this conference that were worthy of being “remembered with all the senses and thoughts”, but if there were, that moment was definitely one of them. On the 18th, a reporter had asked me how I felt about being shortlisted [for Best Fan Writer] and whether I thought that had a high chance of winning. I said at the time that I wanted River to win.

(Note: As mentioned in an earlier Scroll, the unedited machine translation always renders 河流 (Heliu) – i.e. RiverFlow, editor of the winning Best Fanzine – as “Hehe”.)

From left: RiverFlow, Arthur Liu, Ling Shizhen, Zi Xuan, Helen Montgomery
Arthur Liu and gnighton of Nankai University SF Association at the CSFDB table
CSFDB contributor Liyuan JunE and Arthur Liu

(5) KING’S COMMENT ON THE MAINE SHOOTINGS. “Stephen King on Mass Shootings: We’re Out of Things to Say” – an opinion piece by the author in the New York Times. (King resides in Maine.)

There is no solution to the gun problem and little more to write, because Americans are addicted to firearms.

Representative Jared Golden, from Maine’s Second Congressional District, has reversed course and says he will now support outlawing military-style semiautomatic rifles like the one used in the killing of 18 people in Lewiston this week. But neither the House nor the Senate is likely to pass such a law, and if Congress actually did, the Supreme Court, as it now exists, would almost certainly rule it unconstitutional.

Every mass shooting is a gut punch; with every one, unimaginative people say, “I never thought it could happen here,” but such things can and will happen anywhere and everywhere in this locked-and-loaded country. The guns are available, and the targets are soft.

When rapid-fire guns are difficult to get, things improve, but I see no such improvement in the future. Americans love guns and appear willing to pay the price in blood….

(6) FUTURE TENSE. From Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives comes the October 2023 entry in  the Future Tense Fiction series: “Void” by Julián Herbert, translated from Spanish into English by Will Vanderhyden. The story is about artificial intelligence, codependence, and various kinds of addiction, from gambling to exercise to information.

It was published along with a response essay, “If We’re Addicted to Technology, What’s the Cure?” by journalist Katherine Mangu-Ward.

…We are desperately afraid of becoming addicted to our machines—the theme of “Void,” Mexican novelist Julián Herbert’s moody and compelling Future Tense Fiction story—and are deeply convinced we already are. We are also painfully aware of the inadequacy of our tools for dealing with addiction.

Research on the proposition that our current tech poses the threat of a new addictive disorder is weak and incomplete. The American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders (DSM-5) considers “internet addiction” only a “condition for further study,” not an official mental disorder. The incompleteness of the research has not stopped governments—in China, South Korea, and the U.K.—from embedding assumptions about its prevalence and mechanisms into their laws. If the suits against Meta are successful, the U.S. may join the ranks of nations willing to use very expensive carrots and spindly sticks to combat the poorly understood problem of tech addiction with the slightly less poorly understood tool of the 12-step program….

(7) CON OR BUST ASSISTANCE FOR PALESTINIANS. Dream Foundry told readers today “We understand that the current situation makes applying for a grant, or planning for next year, extremely challenging,” but that the “Goldman Fund Applications for Palestinians Attending Glasgow WorldCon Are Open”.

Applications for the Con or Bust initiative to assist Palestinian creators and fans of speculative fiction in attending the World Science Fiction Convention are now open. We’ll be assisting self-identified citizens of Palestine and members of the Palestinian diaspora to pay for travel and membership expenses to five Worldcons beginning in 2024. If you qualify for the Goldman Fund and would like assistance attending 2024’s Worldcon, apply today! The preferred application window closes on November 5, 2023. Applications received after the window closes will be considered for any remaining funds.

We understand that the current situation makes applying for a grant, or planning for next year, extremely challenging. If at all possible, let us know you intend to apply for 2024 before November 5, even if you don’t have a budget prepared. We’ll work with you from there.

(8) WINTER IS (STILL) HERE. Katrina Templeton, whose cat Winter was featured in “Cats Sleep on SFF: The End of All Things”, and had medical problems that were the subject of a fundraiser in May, has an encouraging announcement:

I apologize for taking so long with this, but we’ve wanted to monitor Winter’s health a bit before we reported that he seems to be out of the woods. I was so certain we were about to lose him, but he pulled through. I’m not sure he would have without the help of everybody who took the time to help us out. His kidney values soared one day, but they dropped to normal the next and I spent a weekend giving him fluids four times a day. We were able to afford that thanks to everybody’s generosity. We’ve also started him on special urinary food. But, other than the time he tried to choke to death on a hairball, he’s been doing much better. I feel safe enough to say that we’re back on our usual course.

He is, of course, trying to learn how to live safely in this science fictional universe, and I figured everybody deserved a picture of him looking much more lively.

Thanks again, everybody. I hope that he can live a long healthy life from this point on without any more scares.

(9) JUDY NUGENT (1940-2023). Actress Judy Nugent, who gained fame as a child performer in the Fifties, died October 26 at the age of 83. The Hollywood Reporter’s obituary says:

…Nugent, however, is probably best known for her turn as Ann Carson, a blind girl who enters and wins a Daily Planet contest, on the episode “Around the World With Superman,” which aired on March 13, 1954, as the second-season finale (and last black-and-white installment) of the syndicated series. 

After an operation restores her sight — Superman (George Reeves) had spotted a piece of glass lodged near her optic nerve! — Ann gets an amazing bird’s eye view of the planet while being whisked around by a superhero.

“That was top secret. I was told never to tell anyone about how George Reeves flew,” she recalled in an undated interview for the website Western Clippings.

“Anyway, they put George on this cement thing and dressed him over it, form-fitting up to his chest. They had a huge fan that made his cape fly out. The special effects people did the ups and downs. There was a ladder underneath — I’d sit on the ladder and he’d hold me up. Even though I was still little, I got awfully heavy.”…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 31, 1923 — Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books including editing the Annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
  • Born October 31, 1958 — Ian Briggs, 65. He wrote two Seventh Doctor stories, “Dragonfire” and “The Curse of Fenric”, the former of which of which introduced Ace as the Doctor’s Companion. (The latter is one on my frequent rewatch list.) He novelized both for Target Books. He would write a Seventh Doctor story, “The Celestial Harmony Engine” for the Short Trips: Defining Patterns anthology. 
  • Born October 31, 1959 — Neal Stephenson, 64. Some years back, one of the local bookstores had an sf book reading group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made me re-read that work (which was very good) and Snow Crash (which was equally good). My favorite novel by him is The Rise and Fall of D.O.D.O. There’s a sequel to the latter work but it’s not written by him. 
  • Born October 31, 1972 — Matt Smith, 51.  No, not that Matt Smith. He’s the current and longest-serving editor of long-running 2000 AD, and also the longest-running editor of its sister title Judge Dredd Magazine. He written three Judge Dredd novels plus a number of other genre novels based off the properties he edits. Along with Alan Ewing and Michael Carroll, he’s written the Judge Dredd audiobook, a take on the newly deputized Dredd.
  • Born October 31, 1979 — Erica Cerra, 44. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She was artificial intelligence A.L.I.E. and her creator Becca on The 100. She had a brief recurring role as Maya in Battlestar Galactica,  plus one-offs in pretty much anything you’d care to mention. Seriously I mean that. 
  • Born October 31, 1993 — Letitia Wright, 30. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda. She returned as Shuri for Black Panther: Wakanda Forever, which depicts Shuri becoming the new Black Panther following the death of T’Challa.  Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. 

(11) COMICS SECTION.

  • The Argyle Sweater focuses on the bittersweet for Halloween.
  • But Nathan W. Pyle is in it for the sweets.

(12) SLINGING A LINE. “Something fishy: what’s the real story with Amber Heard and Aquaman 2?” asks the Guardian.

What’s the truth about Amber Heard and Aquaman and the Lost Kingdom? Was her widely-mooted leading role in the movie reduced because she had no chemistry with Jason Momoa’s sometime king of Atlantis? Or was it due to the media furore surrounding her legal battles with Johnny Depp, as the actor herself testified at trial in May last year?

Either way, we know that the second (and most likely final) solo Aquaman does not focus on Heard’s Mera, but instead a messy, shoehorned bromance between Aquaman and his half-brother, Patrick Wilson’s Orm. It is a weird storyline, given this pair spent most of the previous movie hating on each other, but that doesn’t mean it was only cooked up so Warner Bros could push Heard out of the picture. Aquaman has reportedly had numerous reshoots, but surely they didn’t involve changing the whole plot of the movie?

Interviewed in Empire magazine ahead of the sequel’s December release, director James Wan once again rolled out what has clearly become the studio line on Heard’s relegation to a minor role. Commenting on the actor’s suggestions that she had originally been due to play a bigger part in the follow-up to 2018’s $1bn-grossing Aquaman, the Saw director argued he always intended the sequel to go a different way.

“It’s fair that she [Heard] said that, because she wasn’t in my head as I was working on this movie,” said Wan, diplomatically. “Actors don’t necessarily know what we behind the scenes are thinking about. But this was always my plan. From the start, I pitched that the first film would be a Romancing the Stone-type thing – an action-adventure romantic comedy – while the second would be an outright buddy comedy. I wanted to do Tango & Cash!

(13) ONE OF HOLLYWOOD’S FAVORITE LOCATIONS. Driving there is barely an inconvenience.“From ‘Halloween’ To ‘Back To The Future’: Why Filmmakers Love Pasadena and South Pas” in LAist.

…The city of South Pasadena, Schuler says, is often a go-to destination when a film crew wants a location that has the feel of a small, Midwestern town.

And interestingly, the city does have a historical connection with the Midwest — the Anglo founders of South Pasadena and Pasadena, back in the 1870s, were from Indiana.

Probably the most well-known filming location in South Pasadena is the “Michael Myers” house at 1000 Mission St., which was featured in the 1978 horror classic Halloween. In the film, and subsequent sequels, it’s the home of the killer, Michael Myers…

…Another big challenge to filming in residential neighborhoods, Schuler says, is getting the support of a homeowner to use a specific house.

The first step is knocking on the door, then explaining why you’re there, but also not giving them too much information too quickly.

“What we would have to do is talk to the people [about] whether they want to do it,” Schuler says, “and then eventually [explain that] yes, we need to move you out into a hotel, we want to take all your stuff out and put it in storage, we want to bring our stuff in…”

And depending on what city you’re in and what time of day or night you want to film, productions also need to get sign off from a certain number of neighbors….

(14) TIPS FOR THE AFTERLIFE. “An exhibition at the Getty Museum [in LA] reveals the Egyptian Book of the Dead, long relegated to a dark vault, in the light of day.” “Now Showing, an Ancient Spell Book for the Dead” in the New York Times. The exhibit opens November 1 and runs to January 29.

 …A standard component in Egyptian elite burials, the Book of the Dead was not a book in the modern sense of the term but a compendium of some 200 ritual spells and prayers, with instructions on how the deceased’s spirit should recite them in the hereafter. Sara Cole, the curator of the Getty exhibition, called the incantations a kind of supernatural “travel insurance” designed to empower and safeguard the departed on the long, tortuous journey through the afterlife. Unlike today’s insurance policies, no two copies were the same….

…Compiled and refined over millenniums since about 1550 B.C., the Book of the Dead provided a sort of visual map that allowed the newly disembodied soul to navigate the duat, a maze-like netherworld of caverns, hills and burning lakes. Each spell was intended for a specific situation that the dead might encounter along the way. For instance, Spell 33 was used to ward off snakes, which had an unsettling taste for chewing “the bones of a putrid cat.”…

(15) VIDEO OF THE DAY. How It Should Have Ended brings us “Villain Pub – Five Nights at Freddy’s”.

Five Nights At Freddy’s in The Villain Pub?!? A Storm Trooper must survive the night from Freddy Fazbear, Bonnie, Chica, and Foxy during their late night shift as villain pub security in this Halloween Special Episode.

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Rich Lynch, Steven French, Katrina Templeton, Joey Eschrich, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/19/23 In Pixelated Ink Which Glows Under Starlight

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(1) OPEN LETTER AGAINST BOOK BANS. “Ariana Grande, Garbage, Natasha Lyonne Sign Open Letter Against Book Bans” – The Hollywood Reporter has the story.

Ariana Grande, Guillermo del Toro, Padma Lakshmi, Roxane Gay, Gabrielle Union, Sandra Cisneros, Amanda Gorman, Margaret Cho and Ron Perlman are among the signatories of an open letter calling on creative communities in Hollywood and beyond to leverage their voices to stop book bans.

Upwards of 175 actors, musicians, authors, comedians, reality stars, models, media personalities, academics, activists and more have signed the open letter spearheaded by Reading Rainbow host LeVar Burton and published Tuesday via public advocacy organization and political action committee MoveOn Political Action….

The letter’s release coincides with National Banned Books Month and comes amid a corresponding public petition from MoveOn, which will connect signatories with future advocacy opportunities around book bans. Such opportunities include methods of support or events related to MoveOn’s Banned Bookmobile, which launched a multicity tour this summer after measures touted and supported by Gov. Ron DeSantis resulted in an increase in banned and restricted books in Florida schools, according to The Associated Press.

In October, the bookmobile will once again distribute free banned books, in addition to hosting events held in conjunction with Crooked Media’s live Pod Save America and Lovett or Leave It podcasts, and author readings in Georgia, Virginia and South Carolina as part of a broader “Read Banned Books” initiative….

Here is the full text of the letter from Moveon.org.

As artists, creators, entertainers, and activists, we recognize and are horrified by the threat of censorship in the form of book bans.

This restrictive behavior is not just antithetical to free speech and expression but has a chilling effect on the broader creative field. The government cannot and should not create any interference or dictate what people can produce, write, generate, read, listen to, or consume.

We cannot stress enough how these censorious efforts will not end with book bans. It’s only a matter of time before regressive, suppressive ideologues will shift their focus toward other forms of art and entertainment, to further their attacks and efforts to scapegoat marginalized communities, particularly BIPOC and LGBTQ+ folks. 

We refuse to remain silent as one creative field is subjected to oppressive bans. As artists, we must band together, because a threat to one form of art is a threat to us all.

We are calling on everyone to join us in pushing back against these book bans, support free and open creative industries—regardless of personal or ideological disagreements—and use their voice at the local level to stop these bans in their school districts. There is power in artistic freedom, and we refuse to allow draconian politicians to take that from us.

(2) CHENGDU VENUE PROGRESS PHOTOS. [Item by Ersatz Culture.] Here from a Weibo post are a couple more photos of the interior of the Chengdu Worldcon venue.  It looks quite different to my eyes from the earlier images, not sure if it’s the lighting, angle, or if they’ve applied some coating – the Google Translated hashtags include “#金molstone# #石 CrystalWallboard#”, whatever those might be.

(3) CORA FINDS A CRACK IN THE FOUNDATION. Cora Buhlert is doing episode reviews of Apple+ series Foundation. (Access all of them here.) The latest is “Foundation travels ‘Long Ago, Not Far Away’ and blows up its own premise” – beware spoilers.

…Warning! There will be spoilers under the cut!

“Long Ago, Not Far Away” was a really good episode of Foundation. Well, at least ninety-five percent of it were really good. Unfortunately, the last five minutes or so not only ruined the episode, but the entire series….

(4) TEXAS BOOK RATING LAW BLOCKED. Publishers Weekly tells how “In a Blistering Opinion, Judge Officially Blocks Texas Book Rating Law”.

After nearly three weeks of waiting, federal judge Alan D. Albright delivered a major victory for freedom to read advocates, issuing a substantive 59-page written opinion and order officially blocking Texas’s controversial book rating law, HB 900, from taking effect. The decision comes after Albright orally enjoined the law at an August 31 hearing and signaled his intent to block the law in its entirety.

Signed by Texas governor Greg Abbott on June 12, HB 900 would have required book vendors to review and rate books for sexual content under a vaguely articulated standard as a condition of doing business with Texas public schools. Under the law, books rated “sexually explicit” (if the book includes material deemed “patently offensive” by unspecified community standards) would be banned from Texas schools. Books rated “sexually relevant” (books with any representation of sexual conduct) would have required written parental permission for students to access them. Furthermore, the law would have given the state the ultimate power to change the rating on any book, and would have forced vendors to accept the state’s designated rating as their own, or be barred from selling to Texas public schools….

…“The Court does not dispute that the state has a strong interest in what children are able to learn and access in schools. And the Court surely agrees that children should be protected from obscene content in the school setting,” Albright concluded. “That said, [the law] misses the mark on obscenity with a web of unconstitutionally vague requirements. And the state, in abdicating its responsibility to protect children, forces private individuals and corporations into compliance with an unconstitutional law that violates the First Amendment.”

In defending the law, Texas attorneys had moved to dismiss the suit, arguing that the plaintiffs lacked standing to challenge the law, and that the state has the right to regulate vendors who wish to do business with Texas public schools—essentially asserting that rating books would simply be part of the cost of doing business in Texas. Albright demolished those arguments in his opinion, and harshly criticized the ill-conceived law in denying the motion to dismiss.

At one point, Albright observed that the burden placed on vendors by the law are “so numerous and onerous as to call into question whether the legislature believed any third party could possibly comply.” And he called out state attorneys for their inability to answer basic questions over the course of two hearings. “Generally, the government was confused and unaware of how the law would actually function in practice,” Albright observed, citing “approximately 40 instances during the August 18th hearing (‘Hearing 1’) where the government either did not know how the law would function or did not have an answer as to what the effects of certain provisions were.”…

(5) PREVIEW GREG JEIN COLLECTION. Heritage Auctions takes you “Inside the Sensational Sci-Fi Collection of Model-Making Legend Greg Jein” in this post for The Intelligent Collector.

Greg Jein was a giant among the Hollywood illusionists who created small things to fill big screens. The model- and miniature-maker never left his hometown of Los Angeles. Yet he was never earthbound: Jein spent decades introducing us to aliens who brought their motherships to Earth, and he sent us soaring time and again into space, the final frontier.

Jein, who died at 76 last year, was nominated for Academy Awards and Emmys, hailed as a magician and beloved as a mentor. Among Hollywood’s special effects wizards, Jein was heartbeat and historian, craftsman and custodian. His life’s story might have made the perfect film.

A fan first, foremost and forever, he made models when he was little. By the time Jein reached his mid-30s, he was a twice-Oscar-nominated maker of motherships, airplanes, city blocks and other models for Close Encounters of the Third Kind and 1941, both directed by Steven Spielberg.

“Greg loved what he did, creating things with his hands,” says Jerry Chang, Jein’s first cousin. “He could see in his mind things other people couldn’t.”

On October 14-15, Heritage Auctions is honored to offer the entirety of Greg Jein’s vast and unparalleled assemblage, which includes his prized trove of models and memorabilia and the cherished miniatures he made. The landmark Greg Jein Collection Hollywood Platinum Signature® Auction…

There’s also a gallery of “The Most Revealing Behind-the-Scenes Photos From the Greg Jein Collection” at the link.

(6) NEW SOPHIE BURNHAM TRILOGY. DAW Books has acquired Sargassa, the first book in a trilogy from debut author Sophie Burnham. Set in an alternate North America called Roma Sargassa, where the Roman Empire never fell, readers will plunge into a landscape of political intrigue, queer romance, and impending revolution. The acquisition encompassed three books with World English rights and was agented by Maria Napolitano at the Jane Rotrosen Agency.

Sophie Burnham

…Executive Editor Navah Wolfe expressed immense enthusiasm about the acquisition, stating, “Sophie’s impressive worldbuilding, compelling characters, and insightful social commentary make Sargassa an exceptional addition to DAW’s repertoire. We are immensely excited to introduce their work to the world.”

In the book, North America has always been under Roman rule, and the death of the Imperial Historian thrusts his children, Selah and Arran, into the heart of a conspiracy. An underground rebel faction seeks to obtain the Iveroa Stone and use its secrets to reveal the empire’s obscured past and dethrone its dominion. As Selah works to unlock the Stone’s enigmas, she faces a monumental decision: to uphold or challenge the historical narratives of the Roman rule in Sargassa…

Sophie Burnham is a queer nonbinary novelist and screenwriter, backed by an Acting BFA and a concentration in Playwriting from Syracuse University. Honored with a We Need Diverse Books writing grant and a placement in ScreenCraft’s 2020 Sci-Fi & Fantasy Screenplay competition, Burnham’s debut novel promises to enthrall and enlighten readers. Follow them on Twitter at @sophielburnham.

(7) CON OR BUST FUNDRAISER. The Con or Bust Prize Sweepstakes is selling entries.

Dream Foundry’s Con or Bust program issues cash grants to fans and creatives of color to help connect them with SFFH genre events and resources. Con or Bust sends folks to conventions, workshops, classes, and other networking or professional opportunities. Grants can be used toward travel, registration, food, equipment, and other expenses associated with attending the event.

Con or Bust’s fall fundraiser is in full swing! We have lots of bookish prizes, including a 1 year subscription to Apex Magazine, two $50 Weightless Books gift certificates, libro.fm credits, and more. Oh yeah, and there’s a PS5, too.

Fine print:

The Sweepstakes is open only to the following individuals (each, an “Eligible Participant”):

Individual legal residents of, and physically located within, the United States or Canada, and who are 18 (except 19 in Alabama and Nebraska and 21 in Mississippi) years of age as of the date of entry or of legal age of majority or older in their country of residence…

(8) DOING TIE-IN RESEARCH. David Mack gives a detailed example of the kind of research he needed to do for a Star Trek media tie-in novel. Thread begins here.

(9) FREE READ. The 2023 Baen Fantasy Adventure Award-winning story, “The Hitchhiker on Souls’ Road” by A. A. Nour, is currently available to read at the Baen website.

A. A. Nour with award

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 19, 1922 — Damon Knight. Author, editor, critic. Kate Wilhelm who was his wife is also regrettably no longer with us. His 1950 short story, “To Serve Man” was adapted for The Twilight Zone. His first story, “The Itching Hour,” appeared in the Summer 1940 number of Futuria Fantasia which was edited and published by Ray Bradbury.  It’s hard to briefly sum up his amazing genre career but let me note he was a member of the Futurians and a reviewer as well as a writer. Novels of his I’ll single out are Hell’s Pavement, The Observers and Special Delivery but don’t think I’m overlooking his brilliant short stories. The Encyclopedia of SF notes that “In 1995, he was granted the SFWA Grand Master Award – which from 2002 became formally known, in his honour, as the Damon Knight Grand Master Award. He was posthumously inducted into the Science Fiction Hall of Fame in 2003.” (Died 2002.)
  • Born September 19, 1928 — Adam West. Best known as Batman on that classic Sixties series, he also had a short role in 1964’s Robinson Crusoe on Mars as Colonel Dan McReady. He last played the role of Batman by voicing him in two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. He also most excellently voiced The Gray Ghost in an episode of the Kevin Conroy voiced B:TAS, “Beware the Gray Ghost”. (Died 2017.)
  • Born September 19, 1928 — Robin Scott Wilson. Founder, with Damon Knight and others, of the Clarion Science Fiction Writers’ Workshop. He edited Clarion: An Anthology of Speculative Fiction and Criticism from the Clarion Writers’ Workshop, Clarion II and Clarion III. He wrote one genre novel, To the Sound of Freedom (with Richard W. Shryock) and a lot of short fiction. He’s not in stock at all at the usual suspects. (Died 2013.)
  • Born September 19, 1933 — David McCallum, 90. His longest running, though not genre, role is pathologist Dr. Donald “Ducky” Mallard on NCIS where he appeared in every episode of the first fifteen seasons.  (With series lead Mark Harmon’s departure from the show in the fall of 2021 (Season 19), McCallum became the last remaining member of the original NCIS cast.) Genre wise, he was Illya Nickovitch Kuryakin on The Man from U.N.C.L.E., and the British series Sapphire & Steel where he was Steel and Joanna Lumley was Sapphire. He played the lead in a short-lived U.S. version of The Invisible Man. He was Dr. Vance Hendricks on Babylon 5’s “Infection” episode.
  • Born September 19, 1947 — Tanith Lee. I hadn’t realized that she wrote more than ninety novels and three hundred short stories in her career. Ninety novels! She even wrote two of the Blake’s 7 episodes as well. I am more fond of her work for children such as The Dragon Hoard and The Unicorn Series than I am of her adult work. She has garnered well-deserved Stoker and World Fantasy Awards for Lifetime Achievement. (Died 2015.)
  • Born September 19, 1952 — Laurie R. King, 71. She’s on the Birthday Honors list for the Mary Russell series of historical mysteries, featuring Sherlock Holmes as her mentor and later partner. Hey it’s at least genre adjacent.  She’s also written at least one genre novel, Califia’s Daughters.
  • Born September 19, 1972 — N. K. Jemisin, 51. Her most excellent Broken Earth series has made her the only author to have won the Hugo for Best Novel in three consecutive years. Her “Non-Zero Probabilities” was nominated for the Best Short Story losing out to Will McIntosh‘s “Bridesicle” at Aussiecon 4. “Emergency Skin” I’m pleased to note won the Best Novelette Hugo at CoNZealand. Yeah I voted for it. And at Chicon 8 she won a Best Graphic Story or Comic Hugo for Far Sector, written by her, with art by Jamal Campbell.

(11) FANHISTORY ZOOM. The next FANAC Fan History Zoom session will be about “Boston Fandom in the 60s” with Tony Lewis, Leslie Turek and Mike Ward, moderated by Mark Olson. It will happen September 23,2023 at Time: 4PM EDT, 1PM PDT, 9PM BST (UK), Sept 24 at 6AM Melbourne, AU. If you want access, please send a note to [email protected]

(12) COVER REVEAL. [Item by Ben Bird Person.] Theory podcast Acid Horizon announced on Twitter/X the new cover for the upcoming Zer0 Books release Against the Vortex: Degrowth Utopias in the Seventies and Today by Anthony Galluzzo.

(13) LIVE ACTION, NOT ANIMATED. “Disney World forced to close rides after finding wild bear in park” reports Entertainment Weekly.

Disney World guests were just treated to a new kind of Country Bear Jamboree.

EW can confirm that a wild bear was found inside the park Monday morning, prompting the closure of at least 10 attractions inside the Frontierland, Adventureland, and Liberty Square areas. The Florida Fish and Wildlife Conservation Commission tells EW that biologists with FWC’s Bear Management Program, as well as FWC Law Enforcement officers, are “working on capturing and relocating the bear,” who they say was likely moving through the park in search of food….

(14) CHANGE THE TITLE, CHANGE THE GENRE. Lincoln Michel had fun with this idea – you can too.

(15) ON THEIR OWN TWO FEET. [Item by Nina Shepardson.] Slate has a list of “The 40 best stand-alone TV episodes that can be watched on their own.” Several are from genre TV shows, including Star Trek, The X-Files, and The Twilight Zone. I’d be interested to hear whether other Filers think Slate picked the right episodes…

Whether we’re living in the age of Peak TV or Trough TV, one thing is clear: There’s too much TV. Thankfully, not every show has to be watched in its entirety. One of the best things about television is its serialized nature, the continuous thread that strings viewers along from one episode to the next. It’s a cliché that prestige television is the new novel precisely because of the way that many dramas develop their characters and plots over many hours of storytelling. But an older virtue of TV is its brevity—the way a scenario can be introduced and resolved within the space of an hour, or half that—and some of the best episodes are less like chapters in a long-running novel than like short stories or short films. These are stand-alone episodes….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Ben Bird Person, Nina Shepardson, Joe Siclari, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/9/23 Raiders Of The Lost Pixel Scroll Archive

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(1) VIDEO GAME INSPIRED BY FOGLIO UNIVERSE. The Girl Genius™: Adventures In Castle Heterodyne game will release on Steam on September 5 (PC, Mac, Linux). You can now play the game demo there.

We’re told a full press release may be coming. Meanwhile, here’s a preview trailer from March 2023.

(2) GOLDMAN FUND APPLICATIONS FOR PALESTINIANS ATTENDING WORLDCON ARE OPEN. Dream Foundry has opened applications for grants from the Goldman Fund Applications for Palestinian creatives and fans seeking to attend the 2024 World Science Fiction Convention in Glasgow. The application window runs from July 31 – November 5, 2023 although applications outside this window may be considered for any remaining funds. 

This is the Goldman Fund’s inaugural year. Offered through Dream Foundry’s Con or Bust program, the fund has a total of ￡8,000 per year for five years, and will assist citizens of Palestine and self-identified members of the Palestinian diaspora with expenses incurred from travel to and attendance at the annual WorldCon. The fund was created by Farah Mendlesohn in memory of her mother, Carole Goldman. 

Con or Bust is a grant-making program that provides greater access for creators and fans of color to science fiction conventions, events, and professional development opportunities. Since its relaunch as a Dream Foundry program in 2023 it has provided direct support to fifteen individuals, and hosted multiple networking and support events. Dream Foundry is actively accepting donations and endowments to expand this program.

To find more information or apply for support from the Goldman Fund visit Con-or-Bust.

(3) JUNK BOOKS GONE AFTER FRIEDMAN RAISES ISSUE. “Amazon removes books ‘generated by AI’ for sale under author’s name” reports the Guardian.

Five books for sale on Amazon were removed after author Jane Friedman complained that the titles were falsely listed as being written by her. The books, which Friedman believes were written by AI, were also listed on the Amazon-owned reviews site Goodreads….

…The books were “if not wholly generated by AI, then at least mostly generated by AI”, Friedman said. She began looking for ways to get the titles taken down immediately and submitted a claim form to Amazon. Yet according to Friedman, as she had not trademarked her name, Amazon told her it would not remove the books.

However, the books had been taken down from both Amazon and Goodreads by Tuesday, which Friedman suspects is due to her speaking out about the issue on social media. “Unless Amazon puts some sort of policy in place to prevent anyone from just uploading whatever book they want and applying whatever name they want, this will continue, it’s not going to end with me,” said Friedman. “They have no procedure for reporting this sort of activity where someone’s trying to profit off someone’s name.” On her blog, she called on the sites to “create a way to verify authorship”….

…When asked about Friedman’s case, an Amazon spokesperson told the Guardian: “We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised. We welcome author feedback and work directly with authors to address any issues raised. We invest heavily to provide a trustworthy shopping experience and to protect customers and authors from misuse of our services.”

(4) PAY THE WRITER. Alan Dean Foster discusses revenue issues that writers are striking over in “Alan Dean Foster: The BFG Interview” at Book and Film Globe.

The writers’ and actors’ strike going on now in Hollywood raises urgent issues. The evolution of film distribution has got writers and actors concerned about their rights to “residuals,” i.e., present and future earnings from adaptations and streaming of their creative work. Do you see this as pretty much the crux of your dispute with Disney over Star Wars revenues? 

Alan Dean Foster: The great majority of performers who make any kind of reasonable living do so because of their residuals. Yes, my dispute with Disney involved royalties (author’s residuals, if you will). 

But the current issues are much greater. A good example is the use of CGI to allow the producers of the remake of Willy Wonka to cast Hugh Grant as an Oompa-Loompa, thus shutting out all true Little People from casting. If such continues, every one of them will be out of work.  

It’s one thing to use CGI to resurrect a deceased actor to reprise a role, quite another to replace an actor with CGI. This will only get worse as the technology gets better. Actors know this, and it is something they are fighting against.

(5) PUBLISHERS BALKING. Publishers Weekly finds book publishers are resisting a request they believe would “make them ‘complicit’ in an act of censorship” — “As New Law Looms, Follett Asks Publishers to Help ‘Rate’ Their Own Books for Sale in Texas”.

…But with the law’s September 1 effective date bearing down, Follett School Solutions, the nation’s largest distributor of books to schools, does see a path forward in Texas—and that path apparently includes asking publishers to help rate their own books.

“Without having a 3rd party yet for the required ratings (Sexually Relevant and Sexually Explicit), our goal is to get as robust of a collection of purchasable content ready on September 1st and continue building as titles are rated,” reads the text of a memo from Follett officials addressed to Publishing Partners, which was shared anonymously with PW. “However, this is quite a workload. Follett is asking you to provide us with a simple spreadsheet helping us to identify titles which fall into two categories: either NO Questionable Content or Possible SR or SE Content (which we would send to a 3rd party for rating). Again, our goal is to get as many of your titles [available] on September 1st as possible.”

In the memo, Follett officials acknowledge that Texas has yet to provide detailed “guidelines” for how to rate books for sexual content. “But every title we can deem ‘OK’ to provide to them on September 1 for sale will be of benefit,” the memo states.

However, with their pending federal lawsuit seeking to block the new Texas law from taking effect, publishers and other industry stakeholders are balking at Follett’s request to help the vendor rate their titles. Though all of the Big Five publishers declined to comment directly on the Follett memo for this story, multiple publishers confirmed its details. One publishing executive told PW on background that they understand the bind Follett faces in Texas with the new law but that complying with the request to rate their books would make them “complicit” in an act of censorship. And in a statement, one publisher, Hachette, went on record to broadly reject the idea of rating its books.

(7) ARTHUR SCHMIDT (1937-2023). Film editor Arthur Schmidt died August 9 at the age of 86. Deadline led with his many genre credits: 

Arthur Schmidt, the film editor whose decades-long collaboration with director Robert Zemeckis on classics such as Forrest Gump, Who Framed Roger Rabbit, Cast Away, Contact and all three Back to the Future films won him two Oscars, has died, Deadline has confirmed. He was 86.

Schmidt’s two Best Film Editing Oscars came for Roger Rabbit (1988) and Forrest Gump (1994). His other collaborations with Zemeckis included Death Becomes Her (1992) and What Lies Beneath (2000)….

(8) MEMORY LANE

2007 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Ian McDonald is the author of our Beginning this Scroll. He’s one of my favorite writers with Desolation Road and its sequel, Ares Express, being the works of his I’ve read the most times. 

Up next is River of Gods. It’s wonderful.  Our Green Man reviewer said of it, “You can hold whole universes in your hand, between the covers.”

Then there’s The Dervish House, the best Istanbul set SF novel ever. Really it is.  It may not be our Istanbul, but it is a great SF Istanbul. 

Now we come to our Beginning from Brasyl, which was published by Pyr sixteen years ago with a cover illustration by Stephan Martiniere. It won a BSFA, and was nominated for a Hugo at Denvention 3 as well as a Campbell Memorial, Nebula, Quill Awards and the Warwick Prize for Writing.

And now for our Beginning…

MAY 17–19, 2006 

Marcelina watched them take the car on Rua Sacopã. It was a C-Class Mercedes, a drug dealer’s car, done up to the tits by the Pimp My Ride: Brasileiro design crew with wheel trim and tail and blue lighting that ran up and down the subframe. Subwoofers the size of suitcases. The design boys had done a good job; it looked a fistful more than the four thousand reis Marcelina had paid at the city car pound. 

One time they passed it: three guys in basketball shorts and vests and caps. The first time is the looking time. A second time, this time the checking time, pretending to be interested in the trim and the rosary and Flamengo key-fob hanging from the mirror (sweet touch) and was it CD multichanger or a hardpoint for MP3? 

Go, my sons, you know you want it, thought Marcelina in the back of the chase car in a driveway two hundred meters up hill. It’s all there for you, I made it that way, how can you resist? 

The third time, that is the taking time. They gave it ten minutes’ safety, ten minutes in which Marcelina sat over the monitor fearing would they come back would someone else get there first? No, here they were swinging down the hill, big pretty boys long-limbed and loose, and they were good, very good. She hardly saw them try the door, but there was no mistaking the look of surprise on their faces when it swung open. Yes, it is unlocked. And yes, the keys are in it. And they were in: door closed, engine started, lights on. ‘We’re on!’ 

Marcelina Hoffman shouted to her driver and was immediately flung against the monitor as the SUV took off. God and Mary they were hard on it, screaming the engine as they ripped out onto the Avenida Epitácio Pessoa. ‘All cars all cars!’

Marcelina shouted into her talkback as the Cherokee swayed into the traffic. ‘We have a lift we have a lift! Heading north for the Rebouças Tunnel.’ She poked the driver, an AP who had confessed a love for car rallying, hard in the shoulder. ‘Keep him in sight, but don’t scare him.’ The monitor was blank. She banged it. ‘What is wrong with this thing?’ The screen filled with pictures, feed from the Mercedes’ lipstick-cams. ‘I need real-time time-code up on this.’ Don’t let them find the cameras, Marcelina prayed to Nossa Senhora da Valiosa Producão, her divine patroness. Three guys, the one in the black and gold driving, the one in the Nike vest, and the one with no shirt at all and a patchy little knot of wiry hair right between his nipples. Sirens dopplered past; Marcelina looked up from her monitor to see a police car turn across four lanes of traffic on the lagoon avenue and accelerate past her. ‘Get me audio.’

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 9, 1899 — P.L. Travers. Yes, she’s genre. A flying nanny is certainly fantasy. Did you know there are total of eight books? I’m sure I’ve seen the film but it’s been so long that I remember ‘nought about it another than her flying and the animated penguins. Tell me that I’m actually remembering that were animated penguins in it and it’s not my brain trauma adding them to it… (Died 1996.)
  • Born August 9, 1914 — Tove Jansson. Swedish speaking Finnish artist who wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would be a total of nineteen books. Moominvalley, the animated series, played on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credited her for him becoming a fiction writer. (Died 2001.)
  • Born August 9, 1927 — Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of my teachers, a married couple if memory serves me right this long on, decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned and that I remember) and rewriting this I remembered that I did see Charly. He has three other genre novels, none that I’ve heard of. (Died 2014.)
  • Born August 9, 1947 — John Varley, 76. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now? He was nominated for quite a few Hugos with wins coming at Heicon ‘70 for “The Persistence of Vision” novella, Chicon IV for “The Pusher” short story and at Aussiecon Two for “Press Enter []” short story.
  • Born August 9, 1949 — Jonathan Kellerman, 74. Author of two novels in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
  • Born August 9, 1954 — Victor Koman, 69. Three-time winner of the Prometheus Award, his short stories have appeared in such publications as The Magazine of Fantasy & Science Fiction, Galaxy and Fred Olen Ray’s Weird Menace. Kings of The High Frontier which won of those Prometheus Awards also was on the long list for a Nebula. 

(10) CRITICS RECOGNIZE MS. MARVEL.  Comicbook.com celebrates as “Ms. Marvel Wins Television Critics Association Award”.

Ms. Marvel has won a Television Critics Association award. On Monday, it was announced that the Disney+ series had won the TCA Award for Outstanding Achievement in Family Programming. This was a new category for 2023 and saw the series up against fellow Disney+ programs American Born Chinese, High School Musical: The Musical: The Series and The Mysterious Benedict Society, Disney Channel’s Marvel’s Moon Girl and Devil Dinosaur, Apple TV+’s Jane, Hulu’s Love, Victor, Netflix’s Never Have I Ever, and Paramount+’s Star Trek: Prodigy….

(11) DIMINISHED RETURNS. CBR analyses why the viewers stayed away from “Doctor Who’s Lowest Rated Episodes, According To IMDb”. For example:

#12 “Sleep No More” – Series 9, Episode 9

IMDb Rating: 5.8

In “Sleep No More,” the accomplished Twelfth Doctor and Clara Oswald find themselves in the mysteriously silent Le Verrier space station. With the help of a military rescue team led by Nagata, the Doctor and his companion try to discover what happened with the station’s personnel.

The episode utilizes a found footage style to tell the story, with one of the characters interrupting certain sections to explain what the audience is about to see or has just experienced. This gimmick, though interesting on paper, seems to do nothing but over-complicate the plot as it goes along. Furthermore, many fans found the main enemy of “Sleep No More” to be ridiculous and childish, which immediately hurt the episode as a whole.

(12) TRAILBLAZER. Sharon Lee gave a speech at Colby College in February 2010, including a career retrospective. Listen to an audio recording here.

(13) CATMAN. “Mark Twain Liked Cats Better Than People” says the Smithsonian. Don’t you?

…Twain owned up to 19 cats at one time, writes Livius Drusus for Mental Floss, “all of whom he loved and respected far beyond whatever he may have felt about people. His cats all bore fantastical titles, among them: Apollinaris, Beelzebub, Blatherskite, Buffalo Bill, Satan, Sin, Sour Mash, Tammany, Zoroaster, Soapy Sal and Pestilence, writes Drusus.

Twain also wrote cats into his fiction. “Cats make cameos in some of his most famous works,” writes the National Portrait Gallery.  In The Adventures of Tom Sawyer, a cat named Peter features, but he was one of many, writes the gallery….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Jessica Eanes, Danny Sichel, Hampus Eckerman, Sharon Lee, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 8/2/23 One Scroll To Rule Them All

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(1) VICFA TAKING PROPOSALS. The Virtual International Conference on the Fantastic in the Arts (November 5-11) is now accepting proposal submissions. 

Organized by new Virtual Conference Coordinator and Afropantheologist Oghenechovwe Ekpeki and featuring genre-defining Guests of Honor Martha Wells, Steven Barnes, and Annalee Newitz, the week-long Virtual Conference for the Fantastic in the Arts includes the investigative insights of Guest Scholars Alec Nevala-Lee, Wole Talabi, and Jennifer Rhee. 

Whether you are interested in the academic track or the creative track, they welcome your contribution.

The deadline for proposal submissions is September 15th, and acceptance notifications will be sent out on September 30th. For more detailed information, please see the attached CFP or visit the International Association for the Fantastic in the Arts website. 

The Virtual International Conference on the Fantastic in the Arts (November 5th-11th) is currently accepting proposal submissions! This year, we are excited to convene about the theme: AAAA! – AI, Algorithms, Automata and Art. The International Association for Fantastic in the Arts will be hosting several phenomenal Guests of Honor, including Steven Barnes, Annalee Newitz, and Martha Wells. Additionally, our Guest Scholars are Alec Nevala-Lee, Jennifer Rhee, and Wole Talabi!

To submit your proposals, please see the links below. Please note that there are two links, one for academic track and one for creative track. 

(2) SEND A CARD. Bjo Trimble is turning 90 on August 15! Her daughter Lora reminds anyone who wants to send a card that her address is:

Bjo Trimble
California Veterans Home
700 East Naples Court
Chula Vista CA 91911

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present C.S.E. Cooney and Steve Berman on Wednesday, August 9. Starts 7:00 p.m. EDT at the KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

C.S.E. COONEY

C. S. E. Cooney is the World Fantasy Award-winning author of Bone Swans: Stories. Other books include The Twice-Drowned Saint, Saint Death’s Daughter, Dark Breakers, and Desdemona and the Deep. Forthcoming from Outland Entertainment is Negocios Infernales, a TTRPG she co-designed with her husband Carlos Hernandez.

STEVE BERMAN

Steve Berman is the Lambda Literary Award-winning editor of over forty anthologies including His Seed and Burly Tales. He is also author of the Andre Norton Award finalist, Vintage, and four short story collections, the most recent being Fit for Consumption. Most of his work is queer speculative fiction and horror. He resides in Western Massachusetts.

(4) WARNER BROS. NOPOLOGY FOR BARBENHEIMER. Entertainment Weekly headlines its story “Warner Bros. apologizes for Barbenheimer posts amid backlash in Japan” but Google Translate says the release is worded, “We apologize to those who were offended by this series of inconsiderate reactions.” 

Warner Bros. is apologizing after its Japanese branch criticized the company’s decision to publicly support the Barbenheimer craze on social media. 

“Warner Brothers regrets its recent insensitive social media engagement,” the company said in a statement to EW. “The studio offers a sincere apology.”

Its remarks come one day after the Barbie Japan Twitter account posted a statement denouncing the online movement that links Greta Gerwig‘s fun and fashionable Barbie with Christopher Nolan‘s Oppenheimer — which chronicles the creation of the atomic bomb that killed at least 225,000 people in Hiroshima and Nagasaki — amid growing backlash in Japan that the trend trivializes the mass destruction caused by atomic bombs. The hashtag #NoBarbenheimer has recently been trending in Japan as a result….

[Previously] the Barbie U.S. Twitter account positively interacted with several Barbenheimer-inspired posts, including a fan-created poster that featured Barbie star Margot Robbie sitting on Oppenheimer actor Cillian Murphy‘s shoulder in front of a plume of orange smoke. The Barbie account commented on the fan-made image, writing, “It’s going to be a summer to remember.” 

(5) THOUGHTS ABOUT PEMMI-CON. Ralston Stahler’s Pemmi-Con report is a public Facebook post here. Following discussion of many areas of the con, noting the problems and the successes, Stahler concludes:

…All in all it wasn’t the best con, and it wasn’t the worst. I think out of all the NASFiC’s it is the second lowest attended. Maybe covid or being a pretty distant location had something to do with it.

 (6) MAKE THOSE RINGS SING. If File 770 readers happen to be in Berkshire, the Guardian has a recommendation: “The Lord of the Rings: A Musical Tale review – the greatest show on Middle-earth”.

…First seen in the UK in 2007 at London’s Theatre Royal Drury Lane – a 1996-seat theatre – the show is revived at the 220-capacity Watermill. This means that Simon Kenny’s design and Anjali Mehra’s choreography are a theatrical equivalent of stunts designed to find how many people can fit in a Mini.

The creative team ought to be listed in a Guinness book of theatrical records. During the long sections inside the tiny theatre, they cram in battles, orc attacks, treks across land, over mountains or through caves and lavish production numbers involving 20 actors or musicians (several performers also play instruments)….

(7) CRISTINA JURADO DEAL. Apex Book Company has acquired first North America English rights to the novella Chlorophilia by Spanish author Cristina Jurado. The deal was brokered by agent Hannah Bowman of Liza Dawson Associates.

Kirmen is different from everyone else in the Cloister. Due to the doctor’s endless experiments on Kirmen, his skin, his eyes, even his organs are changing. Kirmen wonders if he even belongs with the other inhabitants of the dome that protects the last remnants of humanity from the forever storm raging against the glass. Kirmen’s dreams of love, of acceptance, slip away with every treatment. What will happen when the doctor’s transformations are complete? What will Kirmen be then?

Cristina Jurado is a bilingual author, editor and translator of speculative fiction. In 2019 she became the first female writer to win the Best Novel Ignotus Award (Spain’s top sff Award) for Bionautas. Since 2015 she runs the Spanish multi-awarded magazine SuperSonic. In 2020 she was recognized with the ESFS’s Best SF Promoter Award and started to work as a contributor of the bilingual quarterly Constelación magazine.

(8) CON OR BUST. Applications are being taken for Con or Bust’s Goldman Fund initiative to assist Palestinian creators and fans of speculative fiction in attending the 2024 World Science Fiction Convention.

We’ll be assisting self-identified citizens of Palestine and members of the Palestinian diaspora to pay for travel and membership expenses to five Worldcons beginning in 2024. If you qualify for the Goldman Fund and would like assistance attending 2024’s Worldcon, apply here. The preferred application window runs from 31 July through 5 November, 2023. Applications received after the window closes will be considered for any remaining funds. 

(9) WHERE THE THREE RIVERS MEET. Pulpfest’s Mike Chomko appeared on local CBS affiliate’s TALK Pittsburgh show to provide “An introduction to the 50th anniversary of PulpFest”. The con starts tomorrow. Video at the link.

Mike Chomko, the marketing and programming director of PulpFest, joined the show to talk about the festival’s dedication to a special form of fiction magazines.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

1995 — Our Beginning is taken from Jane Yolen’s The Wild Hunt. It was released as a hardcover edition twenty-eight years ago by Harcourt Brace with copious illustrations and cover art by Francisco Mora, a pupil of Diego Rivera, who was deep into the Mexican political scene making posters for trade unions and government literacy campaigns.

It’s not — if one takes into account the illustrations — a novel really. I’ve got my personally signed copy on hand (yes, she is on the chocolate gifting list. She prefers no more than seventy percent chocolate.) and I’d say it’d be a novella if judged by length alone.

It is that rare wonderful work where the text and the illustrations (see the cover illustration below of The Wild Hunt as a turning clock) are truly intrinsic to each other. I cannot imagine it as just text, though I can imagine it as a spoken work as Yolen’s language here is brilliant.

So let’s have just the introduction to it as our Beginning…

A wild winter storm rages around a large house that is isolated from the rest of the world. Traditionally, the Wild Hunt appeared around the time of Epiphany— January 6 in the Church Calendar—when winter was at its most severe in Northern Europe. No country is specified, but this is, after all, a fantasy world. The house is both a comfortable dwelling with a large library in keeping with Jerold’s quiet personality, and a parallel setting that matches Gerund’s much more active one. A hundred yards from the house is a granite outcrop where the Hunt gathers: “This rock might have been a thousand miles away. Or a thousand years.” 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 2, 1917 — Wah Chang. Co-founder in the late 1950s, with Gene Warren and Tim Baar, of the special effects company Project Unlimited Inc. They provided the effects for numerous George Pal productions, including *The Wonderful World of the Brothers Grimm*, *Jack the Giant Killer*, and *The Time Machine* (for which they won an Academy Award, although Chang’s name was erroneously omitted). Wang and his fellow Projects coworkers did essentially all of the effects for the original *Outer Limits* television series. Perhaps most famously, Chang created some of the best-known effects for the original *Star Trek*, including the communicator, the tricorder, the Romulan Bird of Prey, the Tribbles, and numerous aliens, although he did not receive screen credit for any of this work. A talented artist, later in life he gained renown as a wildlife sculptor. (Died 2003.) [PhilRM]
  • Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second season Trek episode written by Robert Bloch that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.)
  • Born August 2, 1932 — Peter O’Toole. I’m tempted to say his first genre role was playing King Henry in A Lion in Winter as it is alternate history. It really is despite some of you saying it isn’t. Actually before that he’s got an uncredited role in Casino Royale as a Scottish piper. Really he does. His first genre role without dispute is as Zaltar in Supergirl followed by being Dr. Harry Wolverine in Creator. He’s Peter Plunkett in the superb High Spirits, he’s in FairyTale: A True Story as a very credible Arthur Conan Doyle, and Stardust as King of Stormhold. Not surprisingly, he played in a version of Midsummer Night’s Dream as Lysander. (Died 2013.)
  • Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.)
  • Born August 2, 1954 — Ken MacLeod, 69. Sometimes I don’t realize until I do a Birthday note just how much I’ve read of a certain author. And so it was of this author. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, just the first two of the Corporation Wars but I’ve got it in my to-be-finished queue, and every one of his one-off novels save Descent. His Restoration Game is quite chilling.  I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available from the usual suspects! Hugo Award wise, he didn’t win any but had some nominations. The Sky Road was nominated at the Millennium Philcon, Cosmonaut Keep at ConJosé and Learning the World at L.A. Con IV. 
  • Born August 2, 1955 — Caleb Carr, 68. Ok, I’ll admit that this is another author that ISFDB lists as genre that I don’t think of as being as genre. ISFDB list all four of his novels as being genre including The Alienist and The Angel of Darkness which are not even genre adjacent by my reading. So is there something in those novels that I missed? 
  • Born August 2, 1970 — Kevin Smith, 53. Well-loved comics writer who’s worked for DC, Marvel and other venues. He was involved with both Daredevil and Green Arrow. He directed the pilot for the CW supernatural comedy series Reaper, produced and appeared in a reality television series, Comic Book Men, and appeared as a character in the animated Superman: Doomsday. He’s also the showrunner for Masters of the Universe: Revelation animated series and the sequel Masters of the Universe: Revolution which will stream early next year. 
  • Born August 2, 1976 — Emma Newman, 47. Author of quite a few SF novels and a collection of short fiction. Her Planetfall series was nominated for the Best Series Hugo Award 2020. Also of interest to us is that she co-created along with her husband Peter, of the Hugo Award winning podcast Tea and Jeopardy which centers around her hosting another creator for a nice cup of tea and cake, while her scheming butler Latimer (played by Peter) attempts to send them to their deaths at the end of the episode. 

(12) COMICS SECTION.

(13) WILL HER LOVE OF ANIME AND MANGA PROVE CONTAGIOUS? Ada Palmer launches a new column in Strange Horizons with “A Mitfreude of Anime and Manga’s Relationship with Anglophone Science Fiction (Or, This Essay WILL NOT Try to Get You into Anime and Manga!)”

… Once upon a time an atomic-powered robot boy dodged censorship to talk about racism, and fifty years later Japan issued the first legal birth certificate granting citizenship to an AI. Once upon a time in a small Japanese town flourished Earth’s glitteriest, rose-petal-y-est, most gender-bending form of theater, and ninety years later a comics shop owner in Cambridge, Massachusetts, exclaimed to me, “Girls are coming into the store now! There were none before!” And once upon a time kids gathered in the streets of Tokyo to hear a storyteller with hand-drawn illustration cards narrate a battle between a crime boss in a robot suit and a thousand-year-old superhero from Atlantis, and fifty-five years later a Japanese-built surgical robot took life-saving samples of my intestines.

Enjoying anime and manga has a high learning curve: you need to invest time learning their visual vocabulary, and many of the best works depend on knowing earlier tropes and patterns. But anyone can enjoy the history of anime and manga, how these media have shaped science, medicine, genre fiction, gender, and how—as twentieth century English was rising to dominance through music and TV around the globe—anime and manga managed to become the biggest body of modern media that gets translated into English instead of the other way around….

(14) THIS WOULD MAKE ME START WRITING LETTERS AGAIN. “Mr. Spock On A Stamp: Adam Schiff Urges U.S. Postal Service To Honor Leonard Nimoy” reports Deadline.

…In a statement, Schiff called Nimoy, who died in 2015, “an extraordinary activist, actor and friend.”

“Nimoy’s legacy includes his lengthy acting career — including his beloved and iconic role as ‘Spock’ in the Star Trek universe — and his many generous contributions to the arts and sciences, and his beautiful family.”

On Monday, Schiff sent a letter to the Citizens Stamp Advisory Committee, asking them to recommend Nimoy to the Postmaster General. The committee selects individuals who have made “extraordinary and enduring contributions to American society, history, culture or environment.” Living people are not currently eligible, and those who are deceased are considered at least three years after his or hear death. Stamps also are planned two- to three- years in advance….

(15) OVERVIEW OF JOHN WILLIAMS’ COMPOSITIONS FOR CINEMA. Forbes talks to Mike Matessino, one of the foremost experts in the music of John Williams, who has produced numerous Williams soundtrack albums over the years, in “Re-Listening To John Williams, The Maestro Of The Movies”.

What are your thoughts on “How to Steal a Million” — often cited as a highlight of Williams’ ‘60s work?

Mike: If one looks at the earliest feature films John Williams scored, you see some fairly prominent director names that today are mostly known only among cinephiles — Frank Tashlin, Andrew McLaglen — and then Frank Sinatra, for whom John scored the only movie the actor/singer directed, “None But the Brave.”

But then comes “How to Steal a Million” and three-time Oscar winner William Wyler. So this is the first project for a truly A-list director, and it remains, I think, the most sophisticated of the comedies that John Williams scored during that important period where he was based at 20th Century-Fox Studios.

I once asked Ian Fraser, who worked with Williams on “Goodbye, Mr. Chips” a couple years later, if had any sense on that project of just how great a composer Williams would become, and he said, “I knew it when I went to the sessions for ‘How to Steal a Million,’” as Fraser was at 20th at that time working on ‘Doctor Dolittle.’ The “Million” score is a mixture of comedic elements and some terrific half-tongue-in-cheek suspense writing that showed just how versatile John Williams could be. It’s also significant in that it is the first time he was given the opportunity to completely re-record music from the film for his own soundtrack album, so it really was a significant career milestone.

(16) HYVILMA. Gideon Marcus’ new release Hyvilma is celebrated at Queer Sci Fi. Includes an excerpt from the book.

QSFer Gideon Marcus has a new queer YA sci-fi book out (bisexual): Hyvilma.

A damaged ship, a dying shipmate–can she save both?

Under attack! The flight back to Hyvilma should have been the easy part for the crew of the Majera–until a deadly ambush by pirates sends them reeling through hyperspace. Now getting to the planet in time is the only way Captain Kitra Yilmaz can save her dying friend.

But landing at Hyvilma may be impossible: war has broken out on the Frontier.
With illustrations by Hugo Finalist Lorelei Esther.

(17) AI EFFECTIVE IN BREAST CANCER SCREENING. [Item by Steven French.] Good to have some positive news about AI! The Guardian reports “AI use in breast cancer screening as good as two radiologists, study finds”.

…But the latest study, which followed women from Sweden with an average age of 54, compared AI-supported screening directly with standard care.

Half of the scans were assessed by two radiologists, while the other half were assessed by AI-supported screening followed by interpretation by one or two radiologists.

In total, 244 women (28%) recalled from AI-supported screening were found to have cancer compared with 203 women (25%) recalled from standard screening. This resulted in 41 more cancers being detected with the support of AI, of which 19 were invasive and 22 were in situ cancers.

The use of AI did not generate more false positives, where a scan is incorrectly diagnosed as abnormal. The false-positive rate was 1.5% in both groups.

(18) WHAT WERE PEOPLE STREAMING IN JULY? JustWatch offers their monthly Top 10 streaming lists for July 2023.

(19) STORY FEEDBACK IN REALTIME. Apex Magazine presents Snap Judgment Episode 7, their “rapid-fire, live-streaming critique series.” 

Every quarter, industry professionals Jason Sizemore, Lesley Conner, and a special guest offer live feedback on the first page (up to 250 words) of genre short stories or novels. These first pages are read aloud by our talented host and narrator, Aly Grauer.

We are pleased to announce that our special guest editor for this event is author and editor Nick Mamatas! 

HOW IT WORKS. Our host reads the title, genre, and text of the submission aloud without identifying the author. If at any point our panelists feel they would stop reading and reject the piece from their slush pile, they raise their hand. If all three hands are raised, our narrator stops reading.

Each panelist then gives their feedback on the opening: what works for them, what doesn’t, and what could be done to improve it. Don’t expect our panelists to be a mean group, but do expect them to be honest when it comes to assessing the work.

NICK MAMATAS. Special guest editor for this event is author and editor Nick Mamatas! Nick Mamatas is the author of several novels, including I Am Providence and The Second Shooter. His short fiction has appeared or will soon appear in Best American Mystery Stories, Asimov’s Science Fiction, Tor.com, McSweeney’s, and many other venues. Much of it was recently collected in The People’s Republic of Everything. Nick is also an anthologist; his latest book is Wonder and Glory Forever: Awe-Inspiring Lovecraftian Fiction.

(20) VIDEO OF THE DAY (OR POSSIBLY TWO MONTHS AGO). Did we run this before? Well, it’s always news to someone. Karen Gillan shares “A week in the life of playing Nebula in Guardians Of The Galaxy Vol 3”.

Come spend a week with me filming Guardians of the Galaxy Vol 3

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Kathy Sullivan, Steven French, PhilRM, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 6/30/23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

Posted on by
23

(1) A FINE IDEA. “Fake reviews are illegal and subject to big fines under new FTC rules” says the Washington Post’s article about a Federal Trade Commission notice of proposed rulemaking.

Fake reviews are ruining the web. But there’s some new hope to fight them.

The Federal Trade Commission on Friday proposed new rules to take aim at businesses that buy, sell and manipulate online reviews. If the rules are approved, they’ll carry a big stick: a fine of up to $50,000 for each fake review, for each time a consumer sees it.

That could add up fast.

It’s the biggest step to date by the federal government to deter the insidious market for buying and selling fake reviews, though the FTC’s rules don’t do as much to hold big review sites like Yelp, Google, Tripadvisor and Amazon directly accountable. (Amazon founder Jeff Bezos owns The Washington Post. Interim chief executive Patty Stonesifer sits on Amazon’s board.)…

Here’s the FTC press release: “Federal Trade Commission Announces Proposed Rule Banning Fake Reviews and Testimonials”.

…In its notice of proposed rulemaking, the Commission cited examples of clearly deceptive practices involving consumer reviews and testimonials from its past cases, and noted the widespread emergence of generative AI, which is likely to make it easier for bad actors to write fake reviews.

The Commission is seeking comments on proposed measures that would fight these clearly deceptive practices. For example, the proposed rule would prohibit:

  • Selling or Obtaining Fake Consumer Reviews and Testimonials: The proposed rule would prohibit businesses from writing or selling consumer reviews or testimonials by someone who does not exist, who did not have experience with the product or service, or who misrepresented their experiences. It also would prohibit businesses from procuring such reviews or disseminating such testimonials if the businesses knew or should have known that they were fake or false.
  • Review Hijacking: Businesses would be prohibited from using or repurposing a consumer review written for one product so that it appears to have been written for a substantially different product. The FTC recently brought its first review hijacking enforcement action.
  • Buying Positive or Negative Reviews: Businesses would be prohibited from providing compensation or other incentives conditioned on the writing of consumer reviews expressing a particular sentiment, either positive or negative.
  • Insider Reviews and Consumer Testimonials: The proposed rule would prohibit a company’s officers and managers from writing reviews or testimonials of its products or services, without clearly disclosing their relationships. It also would prohibit businesses from disseminating testimonials by insiders without clear disclosures of their relationships, and it would prohibit certain solicitations by officers or managers of reviews from company employees or their relatives, depending on whether the businesses knew or should have known of these relationships.
  • Company Controlled Review Websites: Businesses would be prohibited from creating or controlling a website that claims to provide independent opinions about a category of products or services that includes its own products or services.
  • Illegal Review Suppression: Businesses would be prohibited from using unjustified legal threats, other intimidation, or false accusations to prevent or remove a negative consumer review. The proposed rule also would bar a business from misrepresenting that the reviews on its website represent all reviews submitted when negative reviews have been suppressed.
  • Selling Fake Social Media Indicators: Businesses would be prohibited from selling false indicators of social media influence, like fake followers or views. The proposed rule also would bar anyone from buying such indicators to misrepresent their importance for a commercial purpose.

(2) NICOLA GRIFFITH WINS FIRST ADCI LITERARY PRIZE. The inaugural ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize went to Nicola Griffith for Spear (Tordotcom Publishing), “a lyrical, queer reimagining of Arthurian legend, in which ‘those usually airbrushed from history take centre stage’” (Via Ansible.)

The prize, launched in 2022 to encourage greater positive representation of disability in literature, was announced alongside ten other prizes which make up the annual Society of Authors’ Awards. The SoA Awards is the UK’s biggest literary prize fund, worth over £100,000, this year shared between 30 writers, poets and illustrators.

The ADCI Literary Prize. Sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy, the ADCI Literary Prize is awarded to a disabled or chronically ill writer, for an outstanding novel containing a disabled or chronically ill character or characters. Judged by Penny Batchelor, Rowan Hisayo Buchanan, Nydia Hebden, Karl Knights, Julia Lund, Nii Ayikwei Parkes, Vikki Patis and Chloe Timms.

(3) CON OR BUST GRANT OPPORTUNITIES. Dream Foundry’s Con or Bust program for creators and fans of color makes direct cash grants to assist with travel, food, registration, and other expenses associated with attending industry events.

If you’re a person of color planning to go to a convention this year and need support, our Con or Bust program is here for you. Right now we have memberships to the following conventions for any Con or Bust qualifying application.

  • Readercon (July 13-16, 2023)
  • Pemmi-con, aka Nasfic (July 20-23, 2023)
  • Capricon (February 1-4, 2024)

If you want one of these memberships, or need other support from this program, you can apply on the Con or Bust page.

(4) DIAL OF DESTINY. Los Angeles Times’ Mary McNamara joins Harrison Ford on a lap of his marathon promotional tour: “’Indiana Jones’: There will never be another Harrison Ford”.

…That said, his desire for “Dial of Destiny” to succeed feels quite personal.

“I wanted to be ambitious, for those things we have not necessarily done in such measure,” he said. When asked what he means by “those things,” he explains in that instantly recognizable, back-straightening “take this seriously” tone. “I mean take a chance on telling the story of an older character, take a chance on introducing your character in present day in a totally anti-iconic way, reducing him to his underwear and a La-Z-Boy with a glass in his hand.

“That moment in film,” he says, relaxing into a laugh, “may be one of my favorite things I’ve ever done in a movie. That and grabbing a baseball bat and going out to the neighbors’.”

… Mostly, he said, he wanted to see Indy “inveigled into one last adventure. I wanted to see him at the nadir, where we could pick him up and kick him in the ass. I know what age is about. I wanted to bring that into the story. If I was going to be the actor playing this guy, I wanted the reality of my age.”

But first, in the film’s opening scene, he had to play a younger Indy, which made the contrast of past and present more striking. Ford’s face was de-aged through the miracle of artificial intelligence and Lucasfilm’s trove of images from the earlier films, but “the mouth is my mouth, the eyes are my eyes,” he said. “The voice is me talking in a higher register because age lowers the voice, and the body language I had to act. But he moves like I move and I remembered.”…

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a baconless BLT with Jordan Kurella in Episode 201 of the Eating the Fantastic podcast.

Jordan Kurella

This episode’s guest is Jordan Kurella, who was a Nebula Award nominee this year in the category of Best Novella for I Never Liked You Anyway, which was also longlisted for the BSFA award.  His stories have appeared in Beneath Ceaseless Skies, Apex, Mermaid Monthly, Glitter + Ashes, Strange Horizons, and many other magazines and anthologies. Some of these were gathered in his short story collection, When I Was Lost, published by Trepidatio in December. In his past lives, he was a photographer, radio DJ, and social worker, and he has also taught at Iowa State University and Rambo Academy.

We discussed which ice cream flavor he chose to celebrate his Nebula Award nomination, the way readers can tell which stories writers had the most fun writing, how  all he needs to pants a story is the first line, what caused him to say “it’s not write what you know, it’s write what you’re embarrassed about,” why he doesn’t like to reread his own published work unless he has to, how to avoid getting stuck in rabbit holes of research, the ways writing a book can be like spending time with your best friends, his rule about story titles, why we’re both so attracted to writing love stories, how playing the violin in public prepared him for surviving rejection, why he published only a single piece of literary fiction before realizing the fantastic was where he belonged, and so much more.

(6) SWATTING. NBC News’ report “The FBI has formed a national database to track and prevent ‘swatting’” includes a long Q&A with Patrick Tomlinson.

Author Patrick Tomlinson and his wife, business owner Niki Robinson, have been “swatted” at their home in Milwaukee more than 40 times, often resulting in police pointing guns at their heads. Their tormentors have also called in false bomb threats to venues using their names in three states. Yet law enforcement hasn’t been able to stop the calls.

The couple’s terror comes as these incidents appear to be on the rise in the U.S., at least on college campuses. In less than a single week in April, universities including Clemson, Florida, Boston, Harvard, Cornell, Pittsburgh, Rutgers and Oklahoma, as well as Middlebury College, were targeted by swatters.

To combat the growing problem, the FBI has begun taking formal measures to get a comprehensive picture of the problem on a national level.

Chief Scott Schubert with the bureau’s Criminal Justice Information Services headquarters in Clarksburg, West Virginia, told NBC News that the agency formed a national online database in May to facilitate information sharing between hundreds of police departments and law enforcement agencies across the country pertaining to swatting incidents.

… Security expert Lauren R. Shapiro, who is an associate professor at John Jay College of Criminal Justice, said: “Swatting involves people making fraudulent 911 calls reporting serious-level criminal threats or violent situations like bomb threats, hostages, killing, etc. to fool the police into raiding the house or business of somebody who is not actually committing a crime.”…

… Tomlinson’s troubles began after he posted a casual remark on Twitter in 2018 saying he’d never personally found the comedian Norm Macdonald very funny. As The Daily Beast reported, the tweet caught the attention of online trolls who soon began to harass, stalk, impersonate and defame Tomlinson and his wife, using a website of their own along with social media accounts on Reddit, Twitter and YouTube to target the couple and invite others to pile on. 

Their harassers mostly converge on a website that’s cloned elsewhere so participants can migrate rapidly if their forum is ever banned by a service provider. 

 Since The Daily Beast report, the harassment escalated both online and offline.

The couple was mostly recently swatted at their home on Tuesday, bringing the total of swatting incidents to 43. Tomlinson’s parents, who are senior citizens, also suffered swatting at their home about 2 hours outside of Milwaukee this year…

Whether the FBI’s database will lead to any results is open to question based on past performance.

… At a federal level, Tomlinson filed a complaint with the Internet Crime Complaint Center in November 2020. He never saw a reply to that, so in early May 2022, he went to the Milwaukee branch of the FBI in person to file a new one.

An FBI special agent was assigned to evaluate his case. He says the agency already had a file on Tomlinson because of a false bomb threat that swatters had called into a hotel outside of Detroit in April 2022, a few weeks prior to a presentation he was scheduled to give. The presentation, part of PenguiCon, was titled,”Elon Musk is Full of S—.” 

Since then, “There has been nearly zero communication by the FBI,” Tomlinson said. 

One agent has requested more evidence from his family by email on rare occasions. But the agency has not brought him or his wife in for an interview, and have not arrested people who the couple identified as participants in their harassment and swatting…

(7) CALIFORNIA AVENGERS. Critic Todd Martens tells how “Broadway-style ‘Rogers: The Musical’ charms at Disney’s California Adventure” in the Los Angeles Times.

“Rogers: The Musical” started as a joke in the Disney+ series “Hawkeye,” which presented a challenge for the Disneyland Resort’s live-entertainment team. How, in a 30-minute, heavily condensed Broadway-style show, do you bring a little heft to a production in which fans will be clamoring for cheese? Sure, there’s Captain America, Iron Man, Black Widow and the Hulk, among others, but these are superheroes who spend more time flexing jazz hands than muscle.

In the show opening today, directed by Disney’s Jordan Peterson with a book from Hunter Bell, known best for Broadway’s “[title of show],” the answer was simple: heartbreak.

The story of Steve Rogers’ transformation into Captain America is framed by longing — for better days, for acceptance and for love. It allows the production, which veers close to overt patriotism in its opening moments, to find a sense of personal grounding. When an actor playing a young Rogers is framed by an Uncle Sam military recruitment poster, he gets all wistful and rejected: “What’s a guy to do when ‘I want you’ doesn’t mean you?”

Don’t worry, the production doesn’t stay down for long. “Hawkeye” introduced fans to the over-the-top corniness of the song “Save the City,” a work written by Broadway vets Marc Shaiman and Scott Wittman, and it pops up multiple times, each one leaning into the showtune parody that it is. When it wants to, “Rogers: The Musical” embraces its silliness….

…The musical features five original songs, not counting the previously heard “Save the City” and “Star Spangled Man,” which dates to the film “Captain America: The First Avenger.” The new works are credited to composer Christopher Lennertz, with lyrics by Peterson, Lennertz and Alex Karukas. None quite reach the heights of “Save the City,” which went all out in its showtune glitz. “Rogers: The Musical” comes off as a series of puzzle pieces constructed around that signature number.

Lennertz, a composer with a lengthy résumé of film and television credits, including Marvel’s “Agent Carter,” plays it more low-key. The new works largely attempt to take “Rogers” out of parody mode, a decision that accounts for a series of tonal shifts and results in a theatrical mood that’s not quite serious yet not fully goofy.

(8) CSI SKILL TREE. The latest episode in the ASU Center for Science and Imagination’s Skill Tree series on video games, possible futures, and worldbuilding is out, featuring the award-winning science fiction roleplaying game Citizen Sleeper (2022). This episode’s guests are Gareth Damian Martin, the game’s developer, and Phoebe Wagner, a speculative fiction author, researcher, and editor of three solarpunk anthologies, including Sunvault. Here’s a link to the entire Skill Tree playlist, with 12 episodes so far.

(9) ALAN ARKIN (1934-2023). Four-time Oscar nominee Alan Arkin, who won Best Supporting Actor for Little Miss Sunshine (2007), died June 30 at the age of 89. He was perhaps best known for playing Yossarian in Catch-22 but his other three Oscar nominations honored his portrayals of deaf-mute Singer in The Heart Is a Lonely Hunter, Russian Lt. Rozanov in one of my favorite movies, The Russians Are Coming, the Russians Are Coming, and the has-been producer Lester Siegel in the genre-adjacent Argo.  

In Argo (2012), Arkin played the fictional producer of a fake sff movie that provided cover for a CIA operation to rescue Americans caught up in the Iranian Revolution of 1979. He acted in collaboration with a character based on real-life Planet of the Apes makeup man John Chambers, played by John Goodman.

Within the sff genre Arkin did a lot of voice work late in his career – including Dumbo (2019) and Minions: Rise of Gru (2022), but early on voiced Schmendrick in The Last Unicorn (1982).

He’s been in a Muppets movie, in The Monitors (1969), in the film adaptation of Kurt Vonnegut’s Mother Night (1996), played Detective Hugo in Gattaca (1997), The Chief in the movie Get Smart (2008). He had parts in The Seven Percent Solution (Dr. Sigmund Freud — 1976) Edward Scissorhands (1990), and The Rocketeer (1991).

Arkin also won a Tony for his Broadway debut in 1963’s Enter Laughing.

(10) MEMORY LANE.

1989 – [Written by Cat Eldridge from a choice by Mike Glyer.]

This time Mike picked one of my favorite writers, Sheri S. Tepper. Her series have too many exemplary books to list them all and her standalone novels such as Singer from the Sea and The Companions are excellent as well.

She’s been nominated for a lot of Awards but garnered only two, one of which is the World Fantasy Award for Life Achievement. Grass, the source of our Beginning this time, was published by the Doubleday Foundation in 1989 (one of their first books was Asimov’s Prelude to Foundation), and was a Hugo finalist at ConFiction. 

And it has an absolutely stunning Beginning as you can read here…

Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses—some high, some low, some feathered, some straight—making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Grass. Ruby ridges, blood-colored highlands, wine-shaded glades. Sapphire seas of grass with dark islands of grass bearing great plumy green trees which are grass again. Interminable meadows of silver hay where the great grazing beasts move in slanted lines like mowing machines, leaving the stubble behind them to spring up again in trackless wildernesses of rippling argent. 

Orange highlands burning against the sunsets. Apricot ranges glowing in the dawns. Seed plumes sparkling like sequin stars. Blossom heads like the fragile lace old women take out of trunks to show their granddaughters.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. He was the first Canadian to have a major publishing role in Britain. (Died 1982.)
  • Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
  • Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
  • Born June 30, 1959 — Vincent D’Onofrio, 64. His long running-role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in Wilson Fisk / Kingpin in four television series of the Marvel Cinematic Universe, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
  • Born June 30, 1963 — Rupert S. Graves, 60. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. 
  • Born June 30, 1966 — Peter Outerbridge, 57. Dr. David Sandström in what I think is the terribly underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black and a recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. 
  • Born June 30, 1972 — Molly Parker, 51. Maureen Robinson on the Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man as Sister Rose / Sister Thorn. She also was Alma Garret on Deadwood. No, not genre but Emma and Will love the series. 

(12) COMICS SECTION.

(13) WIDOWMAKER. Sarah Gailey will be writing Marvel’s White Widow comic reports The Mary Sue: “Yelena Belova Fans, Our Time Is Now With This New ‘White Widow’ Comic!”

Being a fan of Yelena Belova keeps getting better and better. The younger sister of Natasha Romanoff, Yelena is also a widow and is everything that a sassy younger sister could be. And now she’s getting her very own time in the spotlight with a new comic series! First appearing in 1998, Belova quickly became a popular character for fans of Nat but she gained a new level of fame when Florence Pugh took on the role in the Marvel Cinematic Universe.

Getting her own comic storyline is just exciting evidence of how popular Yelena Belova has grown throughout the last twenty-five years. As someone who relates to Yelena Belova a lot (and she’s one of my all-time favorite Marvel characters), this comic makes me incredibly excited for the future of her character!

Called White Widow, the series is created by writer Sarah Gailey and they worked along side artist Alessandro Miracolo to bring her to life. David Marquez gave us a perfectly Yelena cover and the entire reveal is a dream come true for fans. Sometimes, you wait a long time to see a character you love get their time in the spotlight and that’s exactly what is happening with White Widow. She’s not the little sister in Nat’s shadow anymore with this series!

(14) AI IN CINEMA. [Item by Steven French.] The Guardian seems to be having a bit of a bout of listmania these days but this one contains some interesting recommendations: “The best films about AI – ranked!”

16. Avengers: Age of Ultron (2015)

The first Avengers sequel isn’t particularly good, but at least it introduced cinema to the AI lifeform Ultron. Tasked with sparing the Avengers from having to suit up whenever a new baddie rolls into town, Ultron quickly realises that the greatest threat to world peace is humanity and – in time-honoured AI fashion – attempts to eradicate it himself. The moral of Age of Ultron is clear: trust AI less than the irresponsible billionaires who invented it.

(15) FUTURE TENSE. The June story in the Future Tense Fiction monthly series is “The Big Four v. ORWELL,” by Jeff Hewitt, about a copyright lawsuit against a prolific AI author.

The response essay is by sff novelist Ken Liu, “The Imitation Game”.

… But what about ChatGPT-5, ChatGPT-15, or ChatGPT-55? Assuming this goes on, in classic science fiction fashion, the LLMs will surely continue to blur the lines between artificial and “real” authors. That blurriness is the setup for Jeff Hewitt’s “The Big Four v. ORWELL,” a courtroom drama in which a group of publishers sue ORWELL, an A.I. that has become a prolific author, for copyright infringement.

I have my doubts that the current approach to building LLMs, essentially an exercise in statistically predicting the most likely next “token” given a string of tokens, can lead to the holy grail of artificial general intelligence, an imagined state of crafted cognition capable of accomplishing any intellectual task a human can. (ORWELL definitely appears to be an AGI.) Symbol manipulation alone, without more, must plateau at some point short of “true” intelligence—or so I tell myself (using strings of symbols, of course, smug with irony). To be sure, there is reason to be humble here. Decades ago, when I was studying A.I. in college, the idea that anything resembling the current brute-force approach could construct a virtual entity that could tutor you on any subject you liked, compose college essays, and even answer personal ads would have seemed like handwavium sci-fi. And yet, here we are. So, maybe I’m wrong about the future this time too….

(16) SERVING KAIJU CHOW. “Taiwan restaurant launches ‘Godzilla’ crocodile ramen” reports Taiwan News. These days there’s always a suspicion that such a photo is produced with AI, but the ingredient seems plausible.

A restaurant in Douliu City, Yunlin County debuted its “Godzilla” ramen featuring crocodile meat as its main ingredient.

Nu Wu Mao Kuei (女巫貓葵) announced on Facebook the launch of its “Godzilla” ramen, which is prepared by steaming or braising the front leg of a crocodile. In a clip, a young female customer samples both flavors and describes the dish as surprisingly delicious.

She says the steamed version of the dish resembles chicken, while the braised meat has a taste similar to pork feet. The soup contains over 40 spices, and the owner reportedly learned how to make the spicy “witch soup” during a trip to Thailand, SETN reported

The crocodiles used for this dish are sourced from a farm in Taitung. The owner was inspired by the giant isopods ramen, which went viral at another restaurant.

(17) TYPECASTING. [Item by Tom Becker.] Womprat is a bold font, inspired by the classic “STAR WARS” text on the movie poster. But that is just the beginning. There are alternate character sets, ligatures, symbols, and special glyphs galore. It is clearly the work of obsessive font geeks who are also massive Star Wars fans. It is a delight just to browse the glyphs or the free desktop background at http://womprat.xyz

(18) VIDEO OF THE DAY. From Good Omens’ second season: “What’s The Point Of It All? – Season 2 Sneak Peek”.

A brand new Good Omens Season 2 clip from the upcoming return of Amazon Studios’ fantasy comedy series has been released, featuring David Tennant as Crowley. The next installment will be available for streaming on July 28 on Prime Video.

The video confirms Crowley’s current status in Hell as persona non grata, as the fan-favorite demon continues to question the point of Heaven and Hell. It also features Miranda Richardson’s newest character, who has now assumed the role of Hell’s representative in London after previously playing the role of Madame Tracy in Season 1.

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Juli Marr, Tom Becker, Lise Andreasen, Joey Eschrich, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/27/23 Only The True Pixel Denies His Divinity

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(1) BOASE AWARD. The UK’s Branford Boase Award honors debut efforts in children’s books and the editors as well as authors behind them. There are three works on The Branford Boase Award 2023 Shortlist of genre interest:

The other shortlisted works are:

  • The Bones of Me by Kel Duckhouse, edited by Harriet Birkinshaw, Flying Eye Books YA
  • Seed by Caryl Lewis, edited by Sarah Hughes, illustrated by George Ermos, Macmillan Children’s Books 7+
  • The Cats We Meet Along the Way, Nadia Mikail, edited by Bella Pearson, Guppy Books YA
  • Ellie Pillai is Brown, Christine Pillainayagam, edited by Leah Thaxton, Faber 13+
  • The Map of Leaves, Yarrow Townsend, edited by Rachel Leyshon, Chicken House 10+

(2) SMALL PRESS WINS AWARD WITH GENRE BOOK. “Dead Ink wins Republic of Consciousness prize with Missouri Williams’s ‘astonishing’ debut” in the Guardian.

…First awarded in 2017, the Republic of Consciousness prize is given to the best literary novel published by a small press in the UK and Ireland with fewer than five employees. Over the past seven years the prize has awarded almost £100,000 to more than 25 small presses and writers….

Dead Ink Books has won the Republic of Consciousness prize for small presses for Missouri Williams’s “astonishing” debut novel The Doloriad. Yet while Dead Ink and Williams will get the prestige of winning, the entire shortlist will receive the same reward. Each of the five books wins £1,000, split 70:30 between publisher and author, on top of the £300 awarded to the 10 longlisted titles, which was paid to the presses only.

Prague-based Williams’s novel is set in the imagined wake of a mysterious disaster that has wiped out most of humanity. One family, descended from incest, remains, ruled by a merciless woman known only as the Matriarch. When the Matriarch believes there might be more survivors she sends one of her daughters, the legless Dolores, as a marriage offering….

(3) HOW LONG? Author Hana Lee built a tool designed to calculate how many copies an author must sell to earn out an advance. [Via Publishers Weekly.]

“Earning out” means that the amount you’ve “earned” in royalties from copies sold (across all formats) equals or exceeds your advance payment.

(4) CON OR BUST AUCTION RETURNS. Dream Foundry’s Con or Bust program makes direct cash grants to creators or fans of color to assist with travel, food, registration, and other expenses associated with attending industry events. They are bringing back The Con or Bust Auction to raise money for their grants and are looking for donors for items of interest to potential auction buyers. “Think special experiences (like author Q&As), art, limited and/or special edition copies of books, ARCs for anticipated releases, etc.”

They want to have donations in by the end of June for inclusion this year. See full information on the program and how to contact them about donations here. Dream Foundry is a recognized non-profit and any donations given to us are tax deductible.

(5) ELLIOTT Q&A. Paul Weimer asks the questions in “Interview: Kate Elliott, author of Furious Heaven“ at Nerds of a Feather.

Furious Heaven, being a sequel to Unconquerable Sun, is a middle book in a series. How has the writing of this been the same, and different than other series that you have done? 

My goal with each of the three books of this trilogy has been, and continues to be, to shape each individual volume as if it is a standalone. Unconquerable Sun completes several of its major plot threads and, I believe, ends at a satisfying point. If I’ve done my job right, the reader will feel they’ve read a complete story and ALSO wish to read more.

Middle volumes are peculiarly hard. It’s important, in my opinion, to avoid “adding more beads onto the string” — that is, just to add more incident without complicating or expanding on the original elements of the story. A middle volume can add layers, unexpected twists and outcomes; it can deepen the characters and guide the reader into new landscapes and unknown dangers only hinted at in book one. That’s how I worked with (for example) Shadow Gate (Crossroads), Cold Fire (Spiritwalker), and Poisoned Blade (Court of Fives), which are all second volumes in trilogies that make the story bigger and show the reader new places and new conflicts.

With Furious Heaven I specifically wanted to do my best to make the story readable by someone who hadn’t read book one, while also having it build on what had come before…. 

(6) DUNE 2 PREVIEW. “’Dune: Part Two’—An Exclusive First Look at the Saga’s Epic Conclusion” – Vanity Fair offers descriptions and photos, but no video.

If you want to know where Dune: Part Two will begin, just look to the ending of the 2021 original. Director Denis Villeneuve wants to make it clear that his new movie, set for release November 3, is not so much another film as a continuation of the first. “It’s important—it’s not a sequel, it’s a second part. There’s a difference,” Villeneuve tells Vanity Fair for this exclusive first look. “I wanted the movie to really open just where we left the characters. There’s no time jump. I wanted dramatic continuity with part one.”…

….Although the first part of Dune became one of the first post-pandemic blockbusters and was nominated for 10 Oscars, winning six, the filmmaker himself still fixates on what he feels he could have done better. “You have to accept your failures as an artist,” he says. “It’s a task that was almost impossible, for me to be absolutely faithful to what those childhood dreams were. But what brings a lot of peace in my heart is that I brought a lot of them to the screen, a lot of them are close to what I had imagined.”

For now, Villeneuve is keeping his head down, staying focused on his work. “I’m deep into sound design and the visual effects, and it’s a race against time,” he says. Even discussing the film for this story was taxing for him. “I’ll be very blunt, okay?” he says with a smile, deploying the most Canadian analogy imaginable. “It’s very difficult for me to start to talk about a movie when I’m doing it. It’s like asking a hockey player to describe how he will score as he is skating toward the net.” 

Meanwhile, The Onion is skeptical: “’Dune: Part Two’ To Pick Up Right Where Viewers Fell Asleep During First One”.

(7) URSA MAJOR AWARDS. The group that runs the Ursa Major Awards for anthropomorphic works is asking for financial support. Contact them at the Ursa Major Awards website.

(8) MEMORY LANE.

2003 – [Compiled by Cat Eldridge.]

One of my very favorite authors is Emma Bull (she and Will are on the chocolate gifting list) and Finder: A Novel of The Borderland is a novel that I’ve read at least a half dozen times to date.

Without stating any spoilers, I think it’s safe to say that Emma created truly believable characters, from the primary ones to the ones that just exist to enhance out the story, the setting of the city itself, and a story that makes the most of the setting that Bull has fleshed out from what Terri Windling created originally in this series.

The novel is available readily for quite reasonable prices in various editions, print and digital. 

And here’s the Beginning straight from the Border…

“My father he rides with your sheriffs

And I know he would never mean harm…

— Richard Thompson, “Genesis Hall”

 Chapter 1. Falling Out of Paradise

I remember where I was and what I was doing when Bonnie Prince Charlie was killed. Not that I knew it at the time, of course. But while Charlie was traveling the distance from the Pigeon Cloisters belfry to High Street with all the dispatch that gravity can muster, I was sunbathing.

If the weather had held, I’d have been on the roof of my building the next day, too, spread out like a drying sweater. But it promised rain. (If the forecast had been different, would the past be, too? Would a lot of people still be here? This town is strange and has weather to match, but I never imagined it was a matter of life and death.)

So when Tick-Tick pounded on the frame of my open front door, I was in and washing dishes. She poked her head in and shouted, “I am the queen’s daughter, I come from Twelfth and Flynn, in search of Young Orient, pray God I find him!”

I lifted my hands dripping from the suds, took the herbal cigarette out of the corner of my mouth, and said, “Excuse me?”

“Well, in a manner of speaking,” said the Ticker placidly. She stalked in, the picture of elven self-possession, and picked a saucer out of the dishpan with thumb and forefinger. “Mab’s grace. So low as you’ve fallen, my precious boy.”

“I’m out of cups. Nothing else would have driven me to it.” The water had killed my cigarette. I sighed and flicked it out the window.

She dropped into my upholstered chair and swung her long legs over the arm. Her concession to summer’s heat, I noticed, was to tear the sleeves off her favorite pair of gray mechanic’s coveralls and roll the legs up to mid-calf. And still she did look rather like a queen’s daughter; but the elves usually look like royalty. When they’re trying not to, they only look like royalty in a cheap plastic disguise. Tick-Tick had a face like the bust of Nefertiti, only more daunting, and her eyes were huge and long and the gray of January ice.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 27, 1899 — Walter Lantz. Cartoonist, animator, producer and director who founded Walter Lantz Productions. He created the Woody Woodpecker and Chilly Willy characters among others. He received an Academy Award “for bringing joy and laughter to every part of the world through his unique animated motion pictures”. (Died 1994.)
  • Born April 27, 1901 — Frank Belknap Long. John Hertz says that Long should be singled out for the “To Follow Knowledge” novelette which he lovingly discuses here.  I only add that Long received the World Fantasy Award for Life Achievement. (Died 1994.)
  • Born April 27, 1920 — Doris Baumgardt.Well-known and loved fan, illustrator and writer. She was a member of the Futurians, and a founding member of FAPA. She was also a member of the CPASF and the Science Fictioneers. She was one of five members of the Futurians allowed into the first World Science Fiction Convention by Sam Moskowitz — the other four were Isaac Asimov, David Kyle, Jack Robinson and Richard Wilson. She wrote three pieces of short fiction that were published in the Forties and Fifties; she contributed artwork to fanzines. (JJ) (Died 1970.)
  • Born April 27, 1958 — Caroline Spector, 65. She was an Associate Editor at Amazing Stories for several years, but her main genre connection is her fiction in George R. R. Martin’s Wild Cards series where she has seven stories. She also a Shadowrun novel, Worlds Without End. (Now that was an interesting RPG!) she also has an essay, “Power and Feminism in Westeros” in James Lowder’s Beyond the Wall: Exploring George R. R. Martin’s A Song of Ice and Fire, From A “Game of Thrones” to “A Dance with Dragons
  • Born April 27, 1962 — Rachel Caine. She had two ongoing endeavors, the Weather Warden series which is most excellent and the superb Great Library series. I can’t speak to the Morganville Vampires series as I don’t do vampires really. And yes, I know she’s got a number of other series, far more than can detailed be here. (Died 2020.)
  • Born April 27, 1963 — Russell T. Davies, 60. Responsible for the 2005 revival on BBC One of Doctor Who. (A Whovian since the very beginning, he thinks “The Talons of Weng-Chiang” has the best dialogue in the entire series, an opinion I concur with.) Of course he’s also responsible for Torchwood and The Sarah Jane Adventures as well. (Need I note that the The Five(ish) Doctors Reboot was his idea?) Davies returned as the showrunner in October 2022 after the departure of Chris Chibnall; the first episodes of his second tenure will be the show’s sixtieth anniversary specials in 2023.
  • Born April 27, 1986 — Catherine Webb, 37. She’s writes under a number of names but I only know her under her Kate Griffin name where she wrote the extraordinary London set Matthew Swift series which one of the best urban fantasy series I ever read. I’ve not read any of her fiction written as Claire North which is major other name, so if you have, do tell me how it is. As North, her book The First Fifteen Lives of Harry August won the Clarke Award and Campbell Memorial Award, and The Sudden Appearance of Hope won a World Fantasy Award. Now go read the Matthew Swift series! 

(10) JOBS MAGNET. “As New York Boosts Tax Breaks for Movies, Some Critics Pan the Program” reports the New York Times.

 Four years ago, Amazon pulled the plug on its plans to build a headquarters in New York City, amid left-wing outrage over a $3 billion public subsidy package. But New York has hardly cut the company off: Amazon’s film and TV arm has received more than $108 million in state tax credits since then, and the left has raised nary a peep.

The handout is part of a state program that provides hundreds of millions of dollars each year in tax incentives to producers across the film and television industry, including Amazon — helping fuel a rapid expansion of studios in Brooklyn, Queens, the Bronx and Westchester County.

Now, Gov. Kathy Hochul is pushing to expand the program by nearly 70 percent, using the proposed state budget to shower as much as $7.7 billion in tax credits on the industry over the next 11 years. As it now stands, the subsidy is the most generous of any offered by the state, according to an analysis by Reinvent Albany, a watchdog group.

The proposed expansion to $700 million a year from $420 million has drawn stern rebukes from a range of critics who argue the decades-old program has consistently been a bad deal for taxpayers. But its likely success shows what is possible when powerful political and economic forces align in Albany, and states are increasingly pitted against each other for prestige jobs.

Ms. Hochul’s team is most concerned about neighboring New Jersey, which, along with Georgia and Canada, offers its own buffet of sweeteners that threatens to siphon film projects from New York.

(11) WWII RESISTANCE WORK. “Colorful Stories for Children, With the Darkest History as Backdrop” in the New York Times.  Includes many pictures from the books.  

During World War II, a clutch of whimsical children’s books were published in the Netherlands under a pen name, El Pintor. One book shows children flying on the backs of sparrows. In another, they float, attached to balloons. There is a pop-up book with people and animals nestled in trees and an activity book with paper cutouts.

The books sold thousands of copies, and were popular not only in the Netherlands, which was invaded and occupied by Nazi Germany in 1940, but in Germany as well.

The books did more than entertain children during the grim days of war. Behind the pseudonym El Pintor was a Jewish couple, Galinka Ehrenfest and Jacob Kloot. They used the name El Pintor to obscure their heritage, and funneled the proceeds from their picture books to fund Dutch resistance efforts and to help Jews who were hiding from the Nazi regime.

They did so at great risk, said Linda Horn, who wrote a book published in the Netherlands about Ehrenfest’s life.

“Secrecy was very important, people couldn’t write down what they were doing,” said Horn of those who worked in the Dutch resistance. “There are barely any sources.”…

(12) TODAY’S DAY. It’s World Hyena Day today. Which is important if you’re into furry fiction.

https://twitter.com/WildDogUtunu/status/1650854052245250049

(13) HISTORY-MAKING AMATEUR FILM CLUB. [Item by Ahrvid Enghom.] UK fan Jim Walker suddenly appears in the new documentary “A Bunch of Amateurs” (eg 37h30m in, but also later and in the credits), a film about the world’s perhaps oldest amateur film club, the Bradford Movie Makers founded in 1932.

Available here for UK viewers  (Geo-blocking may be overcome by VPN or something, if you know how.) I’ve seen the film, which has been on our local SVT.

(See also e.g. “Bradford-Based Feature Documentary A Bunch Of Amateurs”) — Bradford Movie Makers. They seem to have done some skiffy flicks among their 300 productions over 90 years, e.g. a Superman parody which is shown in this documentary.

Jim Walker

(14) OCTOTHORPE. In episode 82 of Octothorpe, “Metatextual Dinosaurs” —

John Coxon, Alison Scott and Liz Batty talk about their Hugo Award nominations. You have about four days to vote, so get your skates on! Read and watch everything we recommend! Do it now!

(15) APEX ACQUIRES KEENE BOOK. Apex Book Company has acquired first North America English trade paperback rights to the novel Island Of The Dead by Brian Keene in a deal brokered by the author.

Island Of The Dead is a horror/sword and sorcery novel in which an enslaved barbarian plots his escape from a war galley transporting soldiers and a mysterious biological weapon. But when a storm at sea leaves them shipwrecked on a mysterious island, friend and foe alike must band together against a ravenous, steadily growing horde of the undead.

Through Apex Books, Keene has written the Lost Level series of dark fantasy novels and co-authored the Rogan Chronicles series with Steven Shrewsbury.

Brian Keene is the author of over fifty books, mostly in the horror, crime, fantasy, and non-fiction genres. His 2003 novel, The Rising, is credited (along with Robert Kirkman’s The Walking Dead comic and Danny Boyle’s 28 Days Later film) with inspiring pop culture’s recurrent interest in zombies.

(16) STALKER. “A Russian ‘inspector’ satellite appears to be chasing a secret US military satellite in a game of cat and mouse” – see photos at MSN.com.

A mysterious Russian satellite and a confidential US military satellite appear to be engaged in a cat-and-mouse chase through space.

The Russian spacecraft, called Kosmos-2558, was launched into the same orbital plane as the US satellite, called USA-326, in August 2022 and has regularly passed close to the American spacecraft ever since.

The behavior of Kosmos-2558, and the lack of a formal explanation from Russia, has led space observers to believe that the probe is stalking USA-326. It’s at least the third satellite Russia has launched that appears to be an “inspector” — a spacecraft aiming to gather up-close data on another satellite….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Ahrvid Engholm, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Dream Foundry Announces Fund to Bring Palestinian Fans to WorldCon

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Dream Foundry has announced a new initiative under its Con or Bust program to assist Palestinian creators and fans of speculative fiction in attending the World Science Fiction Convention through 2028.

Con or Bust was conceived as a program to provide greater access for creators and fans of color to science fiction conventions, events, and professional development opportunities. Thanks to the generosity of Farah Mendlesohn from the estate of, and in memory of her mother, Carole Goldman, Dream Foundry has been granted ￡40,000 to assist self-identified citizens of Palestine and members of the Palestinian diaspora to pay travel and membership expenses to five Worldcons beginning in 2024. Awards from the Goldman Fund will be in the form of direct cash grants.

Applications to the Goldman Fund for the 2024 WorldCon will open from July through September of 2023. For more information about Con or Bust, visit www.dreamfoundry.org/dreamfoundry.org/con-or-bust/

[Based on a press release.]

Pixel Scroll 12/29/22 What Are Pixels? Ask The Scrollman As He Knows

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(1) IS ENOUGH MONEY POURING IN? [Item by SF Concatenation’s Jonathan Cowie.] “Avatar: The Way Of Water passes $1bn at the global box office” the BBC reports. Arguably something the studio needed as Avatar: The Way of Water is apparently most expensive film made; Budget $350,000,000 (estimated). 

Remember, this is gross box office, director Cameron needs not just net box office but studio receipt, which means he needs US$2 billion to break even.

Avatar: The Way Of Water has made $1bn (£831m) at the global box office in just 14 days, becoming the fastest film to pass the milestone this year.

The long-delayed sequel has proved a hit with audiences despite wildly varying reviews.

It is one of only three films to surpass $1bn this year, after Top Gun: Maverick and Jurassic World Dominion….

Not seen it myself. Saw the first one. OK story with lots of meaningless but photogenic eye-candy. With a run time of over three hours, I’m not tempted, though I suspect this really needs to be seen on the big screen.

What do others think?

(2) CLARION WEST CALLING. The Clarion West Six-Week Summer Workshop is going virtual. Applications open January 4. 

Clarion West is returning to a fully virtual workshop in 2023. We will accept a class of 15 students to keep the workload and screen time manageable for all. Tuition is $3,200, and a scholarship section is included in our workshop application, which opens January 4.

The Workshop’s faculty members will be:

  • Week 1: Mary Anne Mohanraj & Benjamin Rosenbaum
  • Week 2: Cat Rambo
  • Week 3: Samit Basu
  • Week 4: Karen Lord
  • Weel 5: Arley Sorg
  • Week 6: N. K. Jemisin

Find full information in “Frequently Asked Questions about the Clarion West Summer Workshop”.

(3) CLAUSES, BUT NO SANTAS. David Steffen’s presentation “How to Read a Short Story Contract” is now available on Dream Foundry’s YouTube channel.

What is the purpose of short story contracts? What clauses do you want to see? What clauses do you want to avoid? What do you do if you see something in a contract that you don’t like?

(4) IT’S SHOW TIME. [Item by Soon Lee.] Adam Roberts does The Silmarillion to the tune of the Muppets Show theme, and others add verses. Thread starts here.

(5) CON OR BUST. Dream Foundry hit the target of raising $10,000 for Con or Bust before year end.

This year our fundraising efforts are focused on our Con or Bust program. If you are still unfamiliar, Con or Bust provides grants to fans and creators of colour who would otherwise be unable to attend industry events due to costs. Thanks to a very generous donation, we’ve met our goal of raising $10k before the end of the year, but we know we can do more! If we raise another $3,000 before the end of the year, that will ensure we can connect even more fans and creatives of color with community. Donate now to be a part of something truly special. If you’d like to learn more about Con or Bust, we have that information also here. 

(6) PLAY NICE. Let Jo Walton be your guide “In Search of Books in Which Nothing Bad Happens” at Tor.com. After a long search she eventually thinks of one. (This excerpt isn’t it – we wouldn’t want to steal the payoff.)

…Romance. Pretty much all genre romance is “everything is OK at the end” but bad things happen in the meantime. But some Georgette Heyer has plots that work because bad things seem about to happen and are averted—this is different from everything being all right in the end, the bad things never occur, they are no more than threats that pass over safely. Cotillion does this. Two people are separately rescued by the heroine from iffy situations that could potentially become terrible, but they don’t. I think this counts. (It’s funny too.) That makes me think of Jane Austen’s Northanger Abbey in which the worst thing that happens is somebody exaggerates and somebody else has to go home alone on a stagecoach…that’s really not very bad. Right up there with the bear who can’t go to sleep….

(7) DC FINALLY GETS SOME CREDIT. Drumroll, please! “The 2022 ComicBook.com Golden Issue Award for Best Comic Book Movie” goes to….

The Batman

Clocking in at nearly three hours with a pulse-pounding score, intense violence, and a plot inspired by some of DC’s best detective comics, The Batman is a true tour de force for the character. And while it includes echoes of the original Tim Burton franchise, takes influence from Christopher Nolan and Christian Bale’s trilogy, and even has a bit of the same flavor from Todd Philips’ Joker, The Batman stands out as a wholly unique cinematic entry featuring pop culture’s most unique crime fighter….

(7.5) BEAR REMEMBERED. The Guardian’s “Greg Bear obituary” appeared today and includes a long profile of his career. Plus a credited photo by Andrew Porter (an uncropped version of which appeared here).

The American science fiction writer Greg Bear, who has died aged 71 following heart surgery, was, as he put it “all over the map” as far as interests and subjects were concerned: genetics, starships, politics, artificial constructs and combat in space were among the themes explored in his 35 novels. The work he did to research them with thinkers and institutions made them remarkably prescient, not only scientifically – he is attributed with the first descriptions of nanotechnology – but also politically….

(8) MEMORY LANE.

2000 — [By Cat Eldridge.] Kermit the Frog Landmark Statue at Henson Studio

Kermit the Frog as Charlie Chaplin in his role as The Little Tramp? Why not?

Let’s start with beginning of the press release the Muppet Studio folk put as they call this they Kermit the Frog Landmark Statue Unveiled at Front Gates of Henson Studio: “In a touching homage to both Jim Henson and Charlie Chaplin, today, The Jim Henson Company unveiled a stately 12 foot tall statue of Kermit the Frog dressed as Charlie Chaplin’s The Little Tramp, which was permanently mounted on the tower of the studio’s front gates. All who enter or pass by will be reminded that the two visionaries contributions to mankind are celebrated on these grounds.”

This twelve-foot-high statue was unveiled on the roof of the main building in July of 2000.

The reason why Kermit is dressed like Chaplin is that this is the original location of Charlie Chaplin Studios. The studio was built in 1917 by silent and sound film star Charlie Chaplin. Chaplin sold the studio in 1957 to Kling Studios and they produced the old Superman television series with George Reeves. And then it was owned by Red Skelton, and CBS who filmed the Perry Mason series. In February 1969 it was designated a Los Angeles Historic-Cultural Monument.

So did you know that in 2000, the Henson family sold the company to the German media company EM.TV & Merchandising AG, for a rather stunning six hundred and eighty million dollars which included the Sesame Street Workshop? I didn’t. 

Just three years after that German media company lost its behind on other concerns, the Henson family paid just over eighty million to get everything back. Nice, really nice.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 29, 1901 — William H. Ritt. US cartoonist and author, whose best known strip, Brick Bradford, was SF. Two of the early Thirties strips, Brick Bradford and the City Beneath the Sea and Brick Bradford with Brocco the Mountain Buccaneer, became Big Little books. In 1947, Brick Bradford, a 15-chapter serial film starring Kane Richmond, was produced by Columbia Pictures. (Died 1972.)
  • Born December 29, 1912 — Ward Hawkins.  Alternative universes! Lizard men as sidekicks! He wrote the Borg and Guss series (Red Flaming Burning, Sword of Fire, Blaze of Wrath and Torch of Fear) which as it features these I really would like to hear as audiobooks. Not that it’s likely as I see he’s not made it even to the usual suspects yet. (Died 1990.)
  • Born December 29, 1928 — Bernard Cribbins. He has the odd distinction of first showing up on Doctor Who in the non-canon Daleks’ Invasion Earth 2150 A.D. film (with Peter Cushing as The Doctor.) He would make it into canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special. (Died 2022.)
  • Born December 29, 1963 — Dave McKean, 59. If you read nothing else involving him, do read the work done by him and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well, and Signal to Noise by them is worth chasing down as well. 
  • Born December 29, 1966 — Alexandra Kamp, 56. Did you know one of Sax Rohmer’s novels was made into a film? I didn’t. Well, she was the lead in Sax Rohmer’s Sumuru which Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Nielsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be mistaken for, each warranting a fifteen percent rating among audience reviewers at Rotten Tomatoes.
  • Born December 29, 1969 — Ingrid Torrance, 53. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, and Supernatural.
  • Born December 29, 1972 — Jude Law, 50. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fave role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket in Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy in Repo Men and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians.

(10) HELL RAISERS. It’s time to find out who Cora Buhlert has given “The 2022 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents”. (Not to mention the “Retro Darth”!) There are so many possibilities…

It’s almost the end of the year, so it’s time to announce the winner of the coveted (not) 2022 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents.

Let’s have a bit of background: I have been informally awarding the Darth Vader Parenthood Award since sometime in the 1980s with the earliest awards being retroactive. Over the years, the list of winners migrated from a handwritten page to various computer file formats, updated every year. Eventually, I decided to make the winners public on the Internet, because what’s an award without some publicity and a ceremony? The list of previous winners (in PDF format) up to 2017 may be found here, BTW, and the 2018 winner, the 2019 winner, the 2020 winner and the 2021 winner were announced right here on this blog.

Warning: Spoilers for several things behind the cut!

Before we get to the main event, let’s start with the 2022 Retro Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents. I originally created the Retro Darth Vader Parenthood Award as an anaologue to the Retro Hugos in 2020 to honour terrible parents who either did their villainous parenting before the award was a thing or who were overlooked in the past for unfathomable reasons….

(11) A CHRISTMAS CARACOLE. About that story John Scalzi promised if Locus hit its $75K fundraising target? Well, he wrote it: “A Holiday Gift For You: ‘End of the Year PR Missives From Scrooge & Marley’” at Whatever.

… DECEMBER 24 1843

SCROOGE & MARLEY DECRY THE USE OF COAL FOR HEATING, PLEDGE TO “GO GREEN” IN ‘44

When you think of “Ecologically Friendly Companies,” you might not immediately think of Scrooge & Marley (established 1803), but perhaps you should. Co-founder Ebenezer Scrooge has gone on record decrying the use of coal, a carbon-intensive “legacy fuel” for the purposes of heating office buildings in London and elsewhere in Great Britain. “It’s expensive and not what we need for the future of our company,” he proclaimed. 

Scrooge has encouraged employees to seek other options, including personal insulation units composed of natural, sustainable fibers….

(12) CENTENARY SALUTE. “Stan Lee Documentary Coming to Disney+ in 2023” reports Variety.

Marvel Entertainment tweeted a 25-second video on Wednesday confirming the 2023 release of a Disney+ documentary on Stan Lee. The announcement aligns with what would have been the 100th birthday of the late comic creator….

(13) FOR YOUR HOARD. The Royal Mint will be “Celebrating the Life and Work of JRR Tolkien” with the issue of a £2 coin in 2023. The King is on the front, Tolkien is commemorated on the back.

…Tolkien passed away in 1973 although, 50 years later, the father of modern fantasy fiction still has a palpable influence on the genre. His trademark monogram, encircled by a runic pattern skilfully created by the artist David Lawrence (pictured below), will forever grace this commemorative UK £2 coin. ‘NOT ALL THOSE WHO WANDER ARE LOST’, a quote from the poem ‘The Riddle of Strider’, which features in Tolkien’s The Fellowship of the Ring, serves as the coin’s edge inscription….

(14) VIDEO OF THE DAY. [Item by Jennifer Hawthorne.] This library in Jamestown Township, Michigan, has been having serious trouble with politically-based attacks. (“Town votes to defund library after claims it was ‘grooming’ kids” — LGBTQ Nation.)

One of their librarians finally had enough. (“Angry librarian tells off conservative Christians protesting library in righteous speech” — LGBTQ Nation.)

Here’s a captioned video of her speech.

https://twitter.com/HeadlinerClip/status/1605960458741370881

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, PhilRM, Soon Lee, Jennifer Hawthorne, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]