Pixel Scroll 11/2/16 Soylent Green Is Pixels

(1) NAZIS, I HATE THOSE GUYS. The BBC, while reporting on somebody who wants to fly on Mars, made sure we didn’t miss out on any Nazi clickbait. Honestly….

The flying wing isn’t a new idea. The first practical design was developed by engineers in Nazi Germany in the final months of World War Two. The reason we are still whizzing around the globe in aluminum tubes with tails bolted to the back is that flying-wing aircraft have had a tendency to fall out of the sky.

Not anymore. Bowers’ team has spent the last few years developing and successfully testing models of flying wing aircraft. But, as befits the world’s foremost air and space organisation, Bowers is not only looking at terrestrial applications. He aims to become the first person to fly an aircraft across the surface of Mars.

(2) ANOTHER TEA LOVER. Elizabeth Fitzgerald of Earl Grey Editing Services reports on the most interesting parts of Australia’ Conflux 12, held at the beginning of October.

Conflux 12, Part 1

There were some great panels throughout the convention. Fanning the Sacred Flame discussed religion in SFF. Panel members came from atheist, Anglican, Buddhist and Jewish backgrounds. Despite being an atheist, K.J. Taylor said she finds it weird when religion or superstition is never mentioned in fantastical societies because it is something that exists in every real culture. She also spoke about her experiences with writing religious characters and stressed the importance of not being patronising or making the characters look like idiots by following their beliefs. Rivqa Rafael discussed ignorance as a writer’s worst enemy. Often writers don’t know what they are evoking when they borrow elements from religions they’re not a part of, with the results being beyond offensive and into hurtful. She gave the example of the Jewish golem. C.S. Lewis’ Narnia was mentioned many times, with the consensus being that the story worked best when its parable elements were subtle. Rivqa also cited Ann Leckie’s Imperial Radch trilogy as an example of religion done well, pointing out that conflicts between religions rarely happen on a level playing field, historically speaking. There are often major cultural and colonial elements at play.

Conflux 12, Part 2

Unfortunately, all good things must come to an end. At the closing ceremony, Sean Williams demonstrated the last of his Sci Chi. There’s an excellent video of Sean and Alan Baxter, if you’re interested in learning the moves (or just being mightily entertained).

Conflux 12 took place at the beginning of the month and I reported on it in two parts. The Canberra Speculative Fiction Guild have a round-up of convention reports from other members. However, they missed a few, including one from Guest of Honour Alan Baxter. Master of Ceremonies Sean Williams was in Canberra for a month leading up to the convention and has shared some of his experiences of that time. Rivqa Rafael has also storyfied her comprehensive tweets of the convention.

However, even Conflux can be a problematic favourite. No Award offers some criticism on aspects of this year’s convention.

Regular readers will know I’m a huge fan of Juliet Marillier and loved her latest book, Den of Wolves. If you’re also a fan and live in the US, you may be interested to know she’ll be appearing at a few conventions over the next few weeks.

(3) STONY END. Yes, he may be the finest idolator idolizing today. “Why I am a Milodator” by John C. Wright.

Many of my Christian friends wonder why I have erected a nine-story tall idol made out of of radioactive protactinium atop Mount Erebus in Antarctica to my hero Milo Yiannopoulos, to which each dark of the moon I sacrifice thirteen lesbians and journalists and randy Ethiopian bisexuals, thereby violating four of the Ten Commandments and two amendments of the Bill of Rights….

(4) INVISIBLE PLANETS WORTH A LOOK. Reviewer Ardi Alspach of B&N Sci-Fi & Fantasy Blog says “Invisible Planets Is a Singular Anthology of Chinese Science Fiction”.

Ken Liu has made his name as both a translator and novelist. His translated edition of Cixin Liu’s The Three-Body Problem (two of Cixin Liu’s stories appear here) is the first work of translated fiction to win a Hugo Award, and he’s been nominated for—and won—many awards for his own fiction. The stories he’s chosen for this anthology are representative of the expansive breadth of styles and ideas Chinese science fiction has to offer. I’ve highlighted some of my favorites below, but the bottom line is, this is a well-balanced, thoughtfully assembled collection, essential for any reader who wants to expand their understanding of the genre on a global scale.

(5) IRAQI SF. Sean McLachlan puts the anthology Iraq +100  on everyone’s radar in his Black Gate post “The Future of Iraq, According to the Country’s Science Fiction Authors”.

With all the grim news coming out of Iraq, it’s easy to think the country has no future. That’s wrong, of course, because being one of the oldest countries in the world, it’s not going anywhere anytime soon.

But what will that future look like? To answer that question, UK publisher Comma Press has released Iraq +100, an anthology of Iraqi writers imagining the future of their nation.

(6) TODAY IN HISTORY

  • November 2, 2000 — Cookie Monster (character on Sesame Street) was born.

(7) BEHIND COSPLAY. Mindy Weisberg fathoms “The psychology behind cosplay” for Huffington Post.

Certain costumes offer some people a way of working through personal difficulties, Rosenberg said. Batman, for example, can be an especially meaningful cosplay choice for someone coping with trauma. The dark superhero faced devastating trauma when he was a child — witnessing the brutal murder of his parents — which he overcame to become a hero.

“When people are dressed as Batman, many talk about having [experienced] their own traumatic experiences,” Rosenberg said. “He survived and found meaning and purpose from his experience, and that is inspiring to them.”

(8) COSPLAY IN L.A. Here is a photo gallery of the best Marvel cosplay from Stan Lee’s L.A. Comic Con 2016.

(9) PLAY FOR PAY IN L.A. Yahoo! celebrates one of the “MVPs of Horror: The Woman Behind Elvira, Mistress of the Dark, on Her 35th Year as the Bodacious Horror Hostess”.

Elvira was born, so to speak, during an era when independent TV stations like KHJ-TV kind of operated like the Wild West. Did it help being able to workshop the character in that kind of environment?

When I first appeared on local television as Elvira, I was allowed a lot more leeway than I expected. After I got the job, my friend made a sketch of what my dress should look like. I said, “There’s no way I can wear this on TV,” and they were like, “Just make the slit on the leg higher and it’ll be great.” Local TV stations didn’t really worry about standards and practices, so I made it pretty edgy. The station manager would come in just about every other week and say, “We’ve got a complaint again about your dress being so low-cut. You have to fix that.” I’d go, “OK, I’ll have them make the neckline higher.” And then I wouldn’t do anything at all, and he’d come back a couple weeks later and go, “We got a complaint.” It just kept going on like that. I never changed it!

(10) MOVIE CULTISTS. The October 28 Washington City Paper has a profile by Matt Cohen of the Washington Psychotronic Film Society, which has been screening weirdo films, many fantasy and sf, since 1989.  Cohen discusses how the group manages to keep going, even though they get bounced from bar to bar, in part for showing such fare as the “infamous 1974 Belgian art film VASE DE NOCES,” which has many scenes of happy pigs makin’ bacon. — “For Nearly 30 Years, the Washington Psychotronic Film Society Has Been Home for D.C.’s Underground Flick Fanatics”

For horror aficionados, Halloween is a 31-day celebration. It’s an excuse to spend the month of October cramming in as many spine-chilling movies as time allows. But for Carl Cephas, October is just another month. It doesn’t matter what time of year it is, every single Monday evening, Cephas dons a white lab coat, carries a stately meerschaum pipe, and becomes his alter ego: The Incorrigible Dr. Schlock.

It’s a role he’s been playing for 27 years as the president of the Washington Psychotronic Film Society—a club that has been meeting almost weekly to screen weird movies since 1989. “We’ve always shown underground, B-, student, experimental, underrated, non-Academy, anime, avant-garde, guerilla filmmaking, but people kept saying, ‘Oh, you guys just sit around watching bad movies,’” Cephas says. “And I would go, ‘No, they are not bad movies! They are films of a peculiar interest!’”

(11) BEYOND PRICE. Gabriel Ricard at Culture Vultures shows his appreciation for a horror movie legend in “Make the Case: Five Essential Vincent Price Movies”.

To be honest, I don’t think Vincent Price has ever actually scared me. Yet there is something about the multifaceted, unforgettable approach he brought to villainy that will probably stay with me for the rest of my life. The great actors and actresses of the horror genre do not have to actually be scary, in order to make a connection to the audience. They simply have to bring something to the material that makes it almost impossible to imagine that material without them.

A good example of the above thought with Price would be the numerous Edgar Allan Poe movies he worked on. Yeah, there have been a ton of Poe film adaptations through the years, but I really don’t care about the vast majority of the movies that didn’t feature Price. He was the perfect actor to play characters like Roderick Usher or Nicholas Medina. While he was not overtly scary in those roles, he did set the bar for the kind of bad guy who could still capture your attention. He frequently transcended the notion of merely being scary. In the best Vincent Price films and worst Vincent Price films, he was rarely boring. The horror films of Vincent Price could establish tension and atmosphere on their own terms. Price would then bring his singular presence to the proceedings. He enhanced the tension and atmosphere through performances that were so unique, they didn’t have to be outright scary. They were an approach to evil, sympathetic or not, that were essential to the appeal of the movie.

(12) GHASTLY ACTING. Gizmodo declares its candidates for “The 30 Weirdest Horror Movies of the 1970s”. How about this one with two servings of ham, Shatner and Travolta?

9) The Devil’s Rain (1975)

Robert Fuest, director of The Abominable Dr. Phibes, returns to this list with this Satanic delight about a family cursed by a devoted servant of the Dark Lord. William Shatner plays the hero and Ernest Borgnine plays the red-robed villain, while John Travolta makes his film debut in a very small role. Other than Borgnine, the most memorable part of this cheese-fest is when the title event manifests onscreen, and everybody’s face melts. It’s spectacularly nuts.

[Thanks to John King Tarpinian, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 10/9/16 I’ve Come To Chew Pixels And Kick Scrolls. And I’m All Out of Pixels.

Ursula Le Guin. Photo by Eileen Gunn.

Ursula Le Guin. Photo by Eileen Gunn.

(1) AT THE BORDER. Zoë Carpenter argues “Ursula Le Guin Has Stopped Writing Fiction – But We Need Her More Than Ever” in a profile of the author for The Nation.

…Always a writer from “the margins,” Le Guin is now writing from life’s edge. “It’s very hard to write about being old. We don’t have the vocabulary. It’s the way a lot of women felt when they realized they had to write about being women and didn’t have the vocabulary,” she told me. We were in her living room, with its comfortable chairs and the window looking north past an old redwood tree to Mount St. Helens. Pard, her green-eyed cat, stretched on a scarlet carpet nearby. Le Guin feels a duty “to try to report from the frontier,” but it’s very difficult, and mysterious. “You are definitely approaching the borderland. Borderlands are weird places.”

Poetry fits this particular edge best, and so, at the end of her career, Le Guin is returning to the form that began it: “bones words / pot-shards / all go back,” she writes in “Earthenware,” from her collection Late in the Day, released in December 2015. She lingers on spoons, a pestle, and other homely objects; returns to the landscapes that have “soaked into me,” as she described it; and examines her own precarious position. If there are stories she hasn’t had time to tell, she keeps them to herself. From “The Games”: “I’m not sorry, now all’s said and done / to lie here by myself with nowhere to run, / in quiet, in this immense dark place.” While we were talking, a clock began to strike. The timepiece, a gift from Charles, is beautiful and old. Le Guin listened, counting the chimes. It rang out precisely. “Bless her old heart,” she said, and blew the clock a kiss.

(2) GENRE MAP. 60 Black Women in Horror Fiction by Sumiko Paulson. It consists of an alphabetical listing of the women with biographies, photos, and web addresses, as well as interviews with nine of these women. The material in this book was originally published on www.SumikoSaulson.com.

(3) FAN HISTORY. Carl Slaughter says — look for it in 2017.

“An Informal History of the Hugos, 1953-2000”

by Jo Walton

Tor

The Hugo Awards, named after pioneer science-fiction publisher Hugo Gernsback, and voted on by members of the World Science Fiction Society, have been given out since 1953. They are widely considered the most prestigious award in science fiction.

Between 2010 and 2013, Jo Walton wrote a series of posts for Tor.com, surveying the Hugo finalists and winners from the award’s inception up to the year 2000. Her contention was that each year’s full set of finalists generally tells a meaningful story about the state of science fiction at that time.

Walton’s cheerfully opinionated and vastly well-informed posts provoked valuable conversation among the field’s historians. Now these posts, lightly revised, have been gathered into this book, along with a small selection of the comments posted by SF luminaries such as Rich Horton, Gardner Dozois, and the late David G. Hartwell.

Engaged, passionate, and consistently entertaining, this is a book for the many who enjoyed Walton’s previous collection of writing from Tor.com, the Locus Award-winning What Makes This Book So Great.

(4) NYCC COSTUME PHOTOS. The Gothamist has more than a hundred photos of people in costume at the New York Comic Con on Saturday.

(5) IMAGINATION PLEASE. Dr. Mauser decided it’s his turn to voice these worn canards, in ”Papers Please”.

The Publishing elite and the other SJW’s in the writing and fandom industries are insisting that the ethnicity of a writer is important. That white writers are writing too many white characters, and should include more diversity in the characters in their stories, while at the same time accusing them of cultural appropriation if they do, as well as somehow stealing opportunities for non-white authors in the process. They are unable to see the contradiction between these two demands, as they only have the attention span to focus on one at a time – the memory of one is forgotten by the time they switch to the other – whichever one they need to employ against the target-du-jour.

They seem to think that minority readers can’t possibly enjoy a story unless it has a main character who “looks like them,” and they blame this for declining readership in a demographic that has never had a particularly high reading rate historically (instead of blaming, say, inferior schools and cultural influences against reading).

Clearly this MUST be true, because lord knows, not being a female, tawny-furred, Hani completely prevented me from enjoying all of the Chanur books I could get my hands on….

(6) FROM THE SCREEN TO THE STAGE. Steve Vertlieb considers Crown City Theater’s production of a venerable horror classic in “Nosferatu: A New Chord For ‘A Symphony of Horror’”.

Every generation has its incarnation of the vampire mythos – DARK SHADOWS, TWILIGHT, TRUE BLOOD and more. But it all cinematically began with F.W. Murnau’s 1922 silent movie masterpiece NOSFERATU. Now, ninety-four years after its inception, North Hollywood’s Crown City Theater Company has unleashed an astonishing live stage presentation entitled NOSFERATU: A SYMPHONY IN TERROR. Film historian Steve Vertlieb takes us aboard a dark yet wonderful cinematic time machine, delving into the creation of Murnau’s seminal horror film, examining it’s influence on generations (from Lugosi and Lee, to SALEM’S LOT, HARRY POTTER and more), then reviews the startling new stage presentation. Happy Halloween!

(7) TODAY’S BIRTHDAY BOY

  • Born October 9, 1964 – Guillermo Del Toro.

(8) HELL NO. ScreenRant received the bad news in person: “Ron Perlman Says Hellboy 3 Is Shelves Indefinitely”

Screen Rant sat down with Perlman at a roundtable interview for his latest collaboration with Del Toro, Trollhunters, which will hit Netflix in December. We took the opportunity to ask the genre icon if his recent reunion with the esteemed auteur meant the adored duo were any closer to making Hellboy 3 a reality. But unfortunately, instead of an update, Perlman admitted, “We don’t talk about that anymore.”

Pressed for why, Perlman said, “Because he’s busy, and I’m busy. Maybe one day he’s going to call and say, ‘Hey, let’s do it.’ But for right now? We’re happy discovering new worlds to conquer.”

(9) DC REVISITS 60s VERSIONS OF CHARACTERS. From CinemaBlend. Fifty years was not too long to wait, was it?

DC Comics has officially announced that Adam West‘s Batman and Lynda Carter’s Wonder Woman will meet one another in an upcoming issue of Batman ’66. Although the above tweet does not provide any real insight into the narrative ramifications of the interaction between the two characters, the artworks shows Wonder Woman deflecting gunshots with her Bracelets of Submission while Batman takes cover behind a shield. It’s camp at its finest, but these two characters are clearly going to get into some serious trouble. Readers will just have to find out for themselves when the issue hits shelves in January.

(10) IS THIS LEAP YEAR OR JUMP YEAR? Don’t tell him I agreed with him…

(11) TAKE A DEEP BREATH. GeoScienceWorld has a line on “Sulfur-oxidizing bacteria prior to the Great Oxidation Event from the 2.52 Ga Gamohaan Formation of South Africa”.

Morphologically these fossils are similar to Proterozoic and Phanerozoic acritarchs and to certain Archean fossils interpreted as possible cyanobacteria. However, their exceptionally large size, simple cell wall microstructure, and paleoecological setting, as well as multiple sulfur isotope systematics of pyrite within the unit, suggest that the Gamohaan Formation fossils were sulfur-oxidizing bacteria similar to those of the modern genus Thiomargarita, organisms that live in anoxic and sulfidic deepwater settings. These are the oldest reported fossil sulfur bacteria and reveal a diversity of life and ecosystems, previously only interpreted from geochemical proxies, just prior to the Great Oxidation Event, a time of major atmospheric evolution.

(12) PONY UP. There are 8 days left in the Strange Horizons 2016 Fund Drive. Help keep them going for another year. Maybe 2017 will be the year they include James Davis Nicoll in their report on diversity in reviewing!

Our annual fund drive is underway! We’re aiming to raise $15,000 to fund Strange Horizons in 2017, and a bit more than that for some special projects. You can make a one-time donation via PayPal or NetworkForGood, or support on an ongoing basis via Patreon—all donors are entered into our prize draw, and various other rewards are also available (and in the US your donations are tax-deductible). As an additional thank-you to donors, as we raise money we’re publishing extra material from our fund drive special issue. We’ve just published new poems by Margaret Wack and Karin Lowachee, and when we reach $9,000, we’ll publish a round-table on Manjula Padmanabhan’s SF novels!

Special Patreon goal! In addition to the main fund drive special, if our Patreon reaches 300 supporters, as a preview of Samovar, we will publish Lawrence Schimel’s translation of “Terpsichore”, a story by Argentinian writer Teresa P. Mira de Echeverría. Read a bit more about it here.

(13) SHE HAS A LITTLE LIST. Ann Leckie does for Twitter what Standback did for the FIle 770 comment section earlier today.

(14) A DIFFERENT TURING TEST. The BBC has the first verified music played by a computer.

The earliest known recording of music produced by a computer – a machine operated by Alan Turing, no less – has finally been made to sound exactly as it did 65 years ago.

It’s hardly chart-topping material. The performance is halting and the tone reedy.

It starts with a few bars of the national anthem, then a burst of Baa Baa Black Sheep, followed by a truncated rendition of Glenn Miller’s swing hit In The Mood. (“The machine’s obviously not in the mood,” an engineer can be heard remarking when it stops mid-way.)

Chip Hitchcock comments, “As a musician, the first question I had on hearing this was whether the clear attack (sounding a bit like a glottal stop) at the start of each note was deliberate or an artifact of the equipment; I’m used to unprocessed electronic music not having even that bit of flavor.”

(15) THE DRAMATURGES OF MARS. Did you know Orson Welles met H.G. Wells? This is a recording of their appearance together.

[Thanks to Chip Hitchcock, Andrew Porter, Cat Eldridge, David K.M. Klaus, Carl Slaughter, and John King Tarpininian for some of these stories Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 10/4/16 But With Strange Pixels Even Scrolls May File

(1) IT CAN WEAR ON YOU. Wendy Ross Kaufman has written a concise history of fan costuming culture that explains why she prefers her activity not be lumped in with cosplay, in “They’re Young. We’re Dead. So it’s Cosplay”.

And so, momentum of the new “cosplay” word grows. The newer, younger crowd makes original work, but since they came to costuming by way of Anime, they still call themselves cosplayers. Cosplayers brand themselves as such, finally showing up on reality shows, and the media is just frantic for them. Most have no idea that this cosplay thing is not Japanese at all. It’s American, misnamed by a Japanese man searching for a name that was not “too noble” for the art he saw at Worldcon in 1984. As one who has never cosplayed, “even once”, it’s understandable how Mr. Takahashi just got it so completely wrong, and completely missed all the subtlety and cultural nuances of what he saw. No outsider could, let alone one from a totally different culture.

Now, as ‘cosplayers’ enjoy their turn at being the darling of the internet, there have been skirmishes about what to call these people who make costumes for conventions. Is it “cosplayer” or “costumer”? Sometimes you hear that one should simply respect a person’s wishes, and call each what they ask to be called. Then you also get the positively rabid insistence from some that it’s all cosplay, and only cosplay, and anything else is somehow insulting to cosplayers. They are absolutely, positively emphatic about it. Even costuming that happened 40 years ago is cosplay and should be renamed as such. No amount of trying to explain how this is not correct, because the whole era was different, will work, and those costumers do not want to rename what they did, nor should they. The audience was different. What was fashionable in costume was different. These costumes can be dated the same way any costumes—even period costumes—date a movie to when it was made, not when it was set. There was a whole community with its own codified rules and expectations at that time that are very different than the cosplayer’s and in no way was the word “cosplay” associated with it, nor would any of them have considered associating what most consider to be “play” with what they did. Simply put, the word “cosplay” did not exist then, nor would it, here in the US, for a decade or more. It would take even longer before it gained any real momentum.

So you can see that it is a bit odd to insist, while virtually stomping oneself into the floor, Rumplestiltskin-like, that 50 years of costume convention history be renamed because the new kids insist there is no difference, and they want their new word—because somehow, it’s better but also the same. It’s a peculiar bit of cultural appropriation that costumers react negatively to. If there is no difference, then that only means that “costumer” is the “correct” term. Why do we need a new word?

You can be cosplayers if you wish, but costumers will continue to be costumers.

(2) RETRO CONVENTION T-SHIRTS. Alison Scott’s Fannish Clothing Emporium (a Facebook link) specializes in wearable fanhistory.  (There’s also a Teespring store).

She launched this summer with a reprise of Margaret Welbank’s shirt for the 1987 Worldcon bid — available in UK and US varieties.

britain-is-heaven-tee

Pat Cadigan put her up to this one –

cadigan-chemo-tee

(3) GET SCALZI AUDIO STORY FREE. This novella is premiering as an audiobook – and you can download it at no charge over the next few weeks – “The Dispatcher: Now Out for Free on Audible + NYCC Signings and Appearances”.

Today’s the day: The Dispatcher, my audiobook novella, is out and exclusively available on Audible.com, for free through November 2. It’s read by Zachary Quinto, who you know from the new Star Trek films as Spock and from Heroes as Sylar, and he is simply a terrific narrator for the story.

And what’s the story? Imagine our world with a simple but profound twist: when someone intentionally kills someone else, 999 out of a thousand, they come back. Murder becomes almost impossible, war is radically altered — and there arises a new class of legal, professional killers called “Dispatchers,” tasked with killing those doomed to die, so they can come back and live again.

(4) LONGER LIST ANTHOLOGY. David Steffen’s Long List Anthology Volume 2 Kickstarter passed its first stretch goal of $3,900, enabling it to add the novelettes, and it’s now raised $4,147, on its way to the $5000 for adding two novellas.

That adds the following stories, including one that is just being announced as part of this update (marked with a * in case you’re just tuning in)

  • “The Heart’s Filthy Lesson” by Elizabeth Bear
  • “So Much Cooking” by Naomi Kritzer
  • “Another Word For World” by Ann Leckie
  • “Grandmother-nai-Leylit’s Cloth of Winds” by Rose Lemberg
  • “The Deepwater Bride” by Tamsyn Muir
  • “Our Lady of the Open Road” by Sarah Pinsker*
  • “The Long Goodnight of Violet Wild” by Catherynne M. Valente

On to the novella stretch goal! (And if that one’s reached, to consider what else to consider after that.)

Thanks to all 212  backers, BoingBoing and File770 for signal-boosting, and to everyone else who has helped spread the word!

(5) JUST. ONCE. MORE. Can’t find that I’ve linked this story in the Scroll before – it’s Yes! Magazine’s full-length article about the “Just. One. Book.” effort,  “A Mom’s Plea for Library Books Brought in 15,000 – And Transformed Her Small Town”.

Books change lives. Everyone reading this knows that. But what about 15,000 books donated from around the world to a struggling rural school, where the library has been closed for a decade? That many books can change a community.

At the cusp of the Sierra Nevada and Cascade ranges sits Greenville, California, a town of 1,130 residents. The town and the surrounding Indian Valley community are right now exploring all the benefits of this gift—enough volumes to fill several libraries in a place with scant library services.

Like every good book, there’s a story here.

Margaret Elysia Garcia wasn’t thinking about the shuttered sawmills and empty storefronts of Indian Valley when she posted a blog entry titled “Just. One. Book.” She was thinking about kids…

(6) MASTER OF STONELORE. Fantasy Literature scored a big interview — Hugo Winner N.K. Jemisin talks THE FIFTH SEASON and THE OBELISK GATE

WARNING: THIS INTERVIEW CONTAINS MAJOR SPOILERS FOR BOOK 1 AND 2 OF THE BROKEN EARTH SERIES

Kevin Wei: First, let me just say congrats on your recent Hugo win! We’re great fans of your work here at Fantasy Literature, so I just wanted to start us off by talking about how you write. I know you’ve said in the past that your writing process differs depending on what you write. Has the way you’ve written BROKEN EARTH differed significantly from the way you’ve written other works? Was there a large difference between the writing processes for The Fifth Season and The Obelisk Gate?

N. K. Jemisin: My process is still pretty much the same, at the planning stage. I outline, and I will put together different sets of information storage, like at one point I used to use a wiki. Now I just write notes, endless notes. I’ve got a file that’s nothing more than stonelore that I’ve made up and another file that keeps track of all the seasons, and then a file that keeps track of the way that plate tectonics would have moved over the years, and all kinds of stuff like that. But I think the difference now that I’m writing book three of the trilogy is that I am now completely off the outline; I have been pantsing it almost exclusively, which is not normal for me, and I’m not sure what that’s going to mean. I think it’s mostly just that I’m working at speed right now, and I’m working at such speed that I don’t have time to even slow down enough to check my outline and make sure I’m on track. It’s a fairly simple story at this point, all of the place settings have been moved and the chess board is all set up now it’s just a matter of “now fight.”

(7) REPEALING THE INFORMATION AGE? Poynter.org reports “Newspapers hit with a wave of requests to take down embarrassing archived stories”.

In May 2014, the European Union’s highest court ruled that there is a privacy “right to be forgotten” — and that Google needed to respond to any reasonable request that information “inaccurate, inadequate, irrelevant or excessive” be removed. (The case was brought by a Spanish businessman who wanted to unpublish an account of an earlier insolvency).

The right to be forgotten concept has not yet made it across the Atlantic, but it is easy to imagine privacy advocates taking up the cause in state legislatures or Congress.

I became aware of the recent surge in such requests six weeks ago when Zach Ryall, digital managing editor of the Austin American-Statesman called Poynter asking if we knew of an ethics code providing guidance.

“This is getting scary,” Ryall told me. “We are responding to more and more of these…And when I checked with my colleagues at other Cox papers, I found they are too.”…

Checking with chains, Randy Siegel of Advance Local told me the inquiries are not yet a big problem. Brent Jones, standards and ethics editor of the USA Today Network, commented by email:

Newsrooms are guided to keep the bar high when considering removal of content from digital platforms. Our journalists strive daily to preserve the integrity of the published record, including publishing corrections or clarifications. We do so in the interest of the public’s right to know now – and in the future. Take-down requests are weighed on a case-by-case basis with senior editors, and some situations may require legal guidance….

For now, case-by-case seems to be the norm. I was surprised to read that since the EU ruling, Google has received literally hundreds of thousands appeals to disable links, granting about 40 percent but turning down the majority.

Makes me wonder if the Internet Archive is responding to requests to take down old news items?

(8) TODAY IN HISTORY

  • October 4, 1931 — The comic strip Dick Tracy, created by Chester Gould, made its debut.

(9) TODAY’S BIRTHDAY GIRLS

  • Born October 4, 1941 — Anne Rice
  • Born October 4, 1988 — Melissa Benoist

(10) TODAY’S BIRTHDAY BOY

  • Born October 4, 1923 — Charlton Heston.

(11) JACK VANCE PHOTO ALBUMS. Andrew Porter remarks, “If people only knew Jack Vance as an old, sedentary and very rotund author, these images will open your eyes of what he looked like as a newlywed, with his wife Norma, just after World War Two and in the years following: http://menno.pharesm.org/jackvance/albums/.

(12) ANOTHER TIME AT BAT. Collider says Adam West, Burt Ward and Julie Newmar are still busy in the genre — “’Batman: Return of the Caped Crusaders’ Adds to the Voice Cast as New Images Emerge”.

Batman: Return of the Caped Crusaders, the latest animated effort from Warner Bros. Animation and DC Entertainment, has added a few quality names to the film’s voice cast, along with a few new images showing off the classic designs of the 1960s Batman characters.

Adam West (Batman), Burt Ward (Robin) and Julie Newmar (Catwoman) own top billing, but Steven Weber and Thomas Lennon–-join as trustworthy butler Alfred Pennyworth and Chief O’Hara, respectively–headline an impressive array of actors who were excited to give voice to a role in a Batman film. In addition to Weber and Lennon, the cast includes:

Jeff Bergman as the Joker and the revered Announcer, William Salyers as The Penguin, Wally Wingert as The Riddler, Lynne Marie Stewart as Aunt Harriett, Jim Ward as Commissioner Gordon, and Sirena Irwin as TV show host Miranda Moore.

(13) CHANGING OF THE GUARDIANS. Petréa Mitchell noted MiceAge has a new Disneyland update that includes details about the new Guardians of the Galaxy makeover for the Tower of Terror, and some epic-sounding stuff about Star Wars Land that we may or may not eventually see.

The construction scaffolding has been growing on the sides and back of Tower of Terror, and by Halloween it should be nearly fully shrouded in scaffolding and tarps. That’s about the time that the construction footprint will have to expand enough to shut down the DCA parade route through the remainder of the construction timeline until next May. Without the ability to perform a parade during construction DCA will still go full steam ahead on one of Christie’s pet projects, the food and merch “festivals” in DCA that will begin November 11th and continue through the spring in one form or another. And when the scaffolds come down, this is what will be seen from throughout DCA – as the video says, inspired by oil refineries:…

 

(14) THE WICKED WITCH OF THE WEST. According to the League of Supercritics:

The Wicked Witch of the West is the ultimate archetype for the modern witch, so everyone wants to their own version of her. Too bad MGM holds the copyright to the one everyone knows.

 

(15) OH, THE DINOMANITY! Mark Evanier relives the anguish of being a first-run Flintstones fan, before the invention of the VCR.

Still, that awful night, I actually missed an episode of The Flintstones! A whole, actual episode of The Flintstones! On Monday, I pumped my schoolmates who’d seen it for details…and expressed shock that some of them could have watched but hadn’t. What the hell was wrong with those children?

I consoled myself that all was not lost; that some (not all) of the episodes were rerun near the end of the season…so I had a chance. As it turned out, this was not one of the ones that was repeated and I figured sadly I would never see it. Who knew at the time those would all be rerun and rerun forever and someday, I’d even be able to buy a copy of it and watch it whenever I wanted to? I finally caught it a year or three later in syndication by which time my interest in The Flintstones was somewhat diminished.

So let us pause to remember that because of technology, no child ever has to endure that pain today. Whatever ten-year-olds are watching today — Son of Zorn or Bob’s Burgers or Elena of Avalor or Naked and Afraid — they never have to miss an episode.

It’s a great time to be alive.

(16) NEW SPACE TRAILER. The Space Between Us Official Trailer #2.

[Thanks to Andrew Porter, JJ, David K.M. Klaus, Nigel, Petréa Mitchell, John King Tarpinian, Andrew Porter, and Alison Scott for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 7/27/16 It’s Only Pixels I Recall; I Really Don’t Know Scrolls At All

(1) THE CORRELATION OF MARKET FORCES. John Z. Upjohn delivers another stinging social criticism on Alexandra Erin’s blog — “Sad Puppies Review Books: Caps For Sale”.

caps-for-sale-240x300

A head-based cap delivery service is so woefully inefficient that it is no surprise he does not sell a single cap all day. “Not even a red cap,” he laments, which suggests that he knows that red caps are best, even if he insists on wearing his ridiculous checked one. Yet they are the ones at the top of the stack, where no one can reach them. SJWs don’t believe in simple market forces like supply and demand. If he knows that red caps are the caps preferred by the majority, there’s no financial reason for him to stock anything else. It’s okay for people to like other caps, but they can’t just expect to be pandered to!

(2) THAT ROTTEN VELOUR. Esquire studies “Why Star Trek’s Uniforms Haven’t Changed Much in 50 Years”.

Remember, this was the Age of Aquarius, when bold hues reigned supreme and NBC was billing itself as the “full-color network.” You can also see nods to the costumes’ 1960s heritage in the boots’ go-go contour, especially their Cuban heels. The flared trousers even suggested the evolution of bell-bottoms.

Beyond the prevailing cultural mood, Roddenberry’s working kit entailed some heavy ergonomic thinking. “No matter how many times NASA described the outfit of the future,” he once quipped, “it always sounded like long underwear.”

“Gene’s idea was that a replicator would redo the clothes every day,” said Andrea Weaver, a Star Trek women’s costumer. “In his mind, the crew would go in and the clothes would materialize, molded to the body form.”

That form was all-important. “Roddenberry’s theory,” said Joseph D’Agosta, the casting director, “was that by the 23rd Century, diet would be down to a science and everyone would be thin.”

Unfortunately, 20th Century reality didn’t always match 23rd Century fitness. “We found ourselves having to stay away from longer shots wherever possible,” Roddenberry observed, “as the simple plain lines of our basic costume render most unflattering any extra poundage around the waist.”

(3) UNIQUE WORKSHOP. Whoever heard of a writer’s workshop that pays for you to attend? The deadline to apply for Taliesin Nexus’ Calliope Workshop for Fiction and Nonfiction Authors is August 8.

Calling the next great American author!  If that’s you, then this September 9-11 get ready to have us fly you out to New York City, put you up in a hotel, and spend an entire weekend developing your work at the Calliope Authors Workshop.  You will have the opportunity to get thorough notes on your in-progress work as well as career advice from successful novelists, nonfiction authors, publishers, and literary agents.

(4) A STEP IN TIME. After seeing all those movies and cartoons in which someone stands inside the giant dinosaur footprint, well, here’s one in which you really can — “Meter-wide dinosaur print, one of largest ever, found in Bolivia”.

A footprint measuring over a meter wide that was made by a meat-eating predator some 80 million years ago has been discovered in Bolivia, one of the largest of its kind ever found.

The print, which measures 1.2 meters (1.3 yards) across, probably belonged to the abelisaurus, a biped dinosaur that once roamed South America, said Argentine paleontologist Sebastian Apesteguia, who is studying the find.

(5) BRONYCON REPORT. Wesley Yiin of the Washington Post says “The grown men who love ‘My Little Pony’ aren’t who you think they are”. His article about Bronycon takes a sympathetic look at the fans.

More than half a decade into the Brony phenomenon, the grown men who love “My Little Pony” understand that the world remains curious about them. So they kicked off their recent BronyCon gathering in Baltimore with a crash course on dealing with the media, from which a couple of helpful pointers emerged:

  • Don’t use jargon like “OC” or even “original character.” Simply explain that the Pony-inspired name you go by in Brony circles is, for example, “Champ Romanhoof,” the persona claimed by Chaim Freedman, a 17-year-old Brony from New Jersey.
  • Do ask for their credentials. Certain publications of a conservative bent have been quick to smear Bronies. You’ll never be able to convince these kind of journalists that Bronyism is not a weird sex fetish, nor a sad childhood hang-up, but just another earnest, all-American fan community.
  • Do talk up the narratives you’d like reporters to work into their stories, such as the money Bronies raise for charity. “The media,” emphasizes Jake Hughes, the leader of this seminar, “is not the enemy.”

Hughes, who goes by “Jake the Army Guy” at conventions, is a communications specialist for the Army with a stuffed Pinkie Pie toy perched on his shoulder, which perfectly complements his denim biker vest. Like many people in this room, Hughes has gotten his fair share of flak for loving a kids’ cartoon inspired by a cheesy plastic toy marketed to little girls during the Reagan administration. (Once, he says, he was quoted in a story that complained of Bronies’ body odor.)

But no one’s in a defensive crouch here. BronyCon, which attracted more than 7,600 attendees this year, is the ultimate safe space: When you’re in a rainbow wonderland of fellow travelers wearing unicorn horns and technicolor manes, randomly hollering catchphrases like “Fun! Fun! Fun!” and singing fan-written songs with titles like “Mane Squeeze,” you can stop worrying about what’s normal and what’s weird or where you fit in.

(6) ANTICIPATING THE 1961 HUGOS. Galactic Journey’s Gideon Marcus is bracing himself for disappointment, in “[July 27, 1961] Breaking A Winning Streak (August 1961 Fantasy and Science Fiction)”.

Take a look at the back cover of this month’s Fantasy and Science Fiction.  There’s the usual array of highbrows with smug faces letting you know that they wouldn’t settle for a lesser sci-fi mag.  And next to them is the Hugo award that the magazine won last year at Pittsburgh’s WorldCon.  That’s the third Hugo in a row.

It may well be their last.

I used to love this little yellow magazine.  Sure, it’s the shortest of the Big Three (including Analog and Galaxy), but in the past, it boasted the highest quality stories.  I voted it best magazine for 1959 and 1960.

F&SF has seen a steady decline over the past year, however, and the last three issues have been particularly bad.  Take a look at what the August 1961 issue offers us….

(7) DEBUT REVIEWED. Paul Di Filippo reviews David D. Levine’s Arabella of Mars at Locus Online.

This seems to be a “steam engine time” kind of period in publishing, when writers who have focused exclusively on short fiction for many years now step forth with their long-anticipated debut novels….

(8) LITIGATION. Slender Man is an online fiction creation. Two Wisconsin girls, age 12 at the time, allegedly attempted to kill their classmate to please this character. They have lost their appeal to be tried as juveniles rather than adults.

Anyone 10 or older charged with first-degree attempted homicide is automatically considered an adult under Wisconsin law. But defense attorneys have argued that the case belongs in juvenile court, saying the adolescents suffer from mental illness and won’t get the treatment they need in the adult prison system.

Experts testified that one of the girls has schizophrenia and an oppositional defiant disorder that requires long-term mental health treatment. The other girl has been diagnosed with a delusional disorder and a condition known as schizotypy, which a psychologist testified made her vulnerable to believing in Slender Man.

In a pair of rulings Wednesday, the 2nd District Appeals court affirmed a lower court’s determination that it was reasonable to try both girls as adults. Citing the ruling last year, the appeals court said if the girls were found guilty in the juvenile system they would be released at age 18 with no supervision or mental health treatment.

It also noted that the evidence showed the crime was not accidental or impulsive, but planned out and violent. Given the serious nature of the offense, it would not be appropriate for the trial to take place in juvenile court, the appeals court ruled…..

According to a criminal complaint, the girls plotted for months before they lured Payton Leutner into a park in Waukesha, about 20 miles west of Milwaukee, and attacked her with a knife.

Leutner suffered 19 stab wounds, including one that doctors say narrowly missed a major artery near her heart. After the attack in a wooded park, she crawled to a road and was found lying on a sidewalk by a passing bicyclist. Despite the attack, she staged what her family called a “miraculous” recovery and was back in school in September three months later.

The girls told investigators they hoped that killing her would please Slender Man, a demon-like character they had read about in online horror stories. The tales describe Slender Man as an unnaturally thin, faceless creature who preys on children.

(9) LIEBMANN OBIT. SF Site News reports filker Michael Liebmann died on July 26. Liebmann founded GAFilk in 1999. More information at the link.

(10) JACK DAVIS OBIT. Artist Jack Davis (1924-2016) died July 27 at the age of 91. I knew him from MAD Magazine, though he was even better known for his movie posters, advertising art, and work in mainstream magazines.

Mark Evanier wrote an excellent appreciation of Davis at News From Me.

One of America’s all-time great cartoonists has left us at the age of 91. Jack Davis made his initial fame in EC Comics like Tales from the Crypt and MAD but went on to become one of the most visible (and imitated) creators of advertising, movie posters and record album covers ever. His ability to make anything funnier when he drew it and his keen eye for caricatures could be seen darn near everywhere in this country for well more than half a century.

(11) ANOTHER BALLOT SHARED. H.P. at Every Day Should Be Tuesday revealed his “2016 Hugo Awards Ballot”.

I didn’t wind up reading a lot of the nominees and blogged about even fewer, but I at least wanted to get my votes up.  To be honest, I’ve lost a certain amount of interest in the Hugos.  And despite the big, big nomination numbers, the Hugos don’t seem to be getting nearly as much attention this year in general. It will be interesting to see if that is reflected in the voting….

How could someone who voted Jeffro Johnson first in three Hugo categories ever weary of the fun?

(12) GRAPHIC DETAILS. Eric Franklin at Game Thyme not only shared part of his ballot, but his fascinating process for ranking the nominees in “Hugo Awards: Done Voting”.

I read as much as I could of the others. I looked at the art nominees.

And then I grabbed an excel spreadsheet and rated everything based on a +10 to -10 scale of “Good” and “Fun.” I plotted that on a graph, and figured out where my “No Award” point was – it’s equivalent to 0 Good, 0 Fun. Anything with a score worse than that scored below No Award.

I also weighted the spreadsheet in favor of Good.  So a Good 5, Fun 0 work will have a better score than a Good 0, Fun 5 work.

Remember that this is zero average. Mediocre scores for good and fun are the +2 / -2 range. 3-5 is good, 6+ is great.  -3 to -5 is bad. -6 and less is awful.

Then I fed it to a formula to determine the distance from 10,10, as if it were a triangle and I was calculating the hypotenuse. So low numbers were good, high numbers bad.

0, 0 in my spreadsheet, BTW, comes to a final score of  11.53, so anything above that level was out.

I’m going to discuss two categories, tell you how I voted, and discuss each nominee in that category. I’m going to discuss Best Novel and Best Dramatic Presentation: Long Form.

And yes, I know. I crazy-overthought this.

(13) JOURNEY’S END. Kate Paulk reaches the John W. Campbell Award and the Retro-Hugos in the culmination of her series for Mad Genius Club, “Hugo Finalist Highlights – The Retros and the Campbell Award Finalists”.

Brian Niemeier – DAMN YOU BRIAN NIEMEIER! Okay. Now I’ve got that out of my system. I couldn’t stop reading Nethereal. The combination of fantasy styling over science fiction with an intricate layered plot and remarkably human characters sucked me in and refused to let go. Of note: Niemeier is the only finalist in his first year of Campbell eligibility.

(14) UK GAMING CON FOLDS. Conception is a role playing game convention on the south coast of England. Held every year since 2000 it has raised over £150,000 for charity. There won’t be another.

It is with great sadness and regret that we must announce that the CONCEPTION Committee have unanimously decided to call it day.

There will no longer be a CONCEPTION 2017.

We have decided that after 17 years of hosting events at Hoburne Naish that we would rather end it on the virtual miracle that was this years event and retain the wonderful memories of CONCEPTIONs Past.

This choice was not an easy one for us to make. We have invested a considerable amount of time and effort on something that proved extraordinarily hard for us to let go. We emerged from CONCEPTION 2016 with some doubts and concerns about the future but also a renewed vigour for the challenges set by the new management. We were still optimistic that we could weather this re-structuring and re-development at Hoburne Holidays and still reliably host a convention in 2017.

However, recently even more changes have been forced upon us by Hoburne Holidays which severely limit the quantity of accommodation to a point where we cannot with any great certainly be assured that we can host the event in the same manner as we have in the past without badly tarnishing the experience for all our attendees.

So, rather than be forced to accept the uncertainty of dealing with Hoburne Holidays in the future or struggling to hurriedly find and negotiate terms with an alternative economically/ergonomically viable venue we decided to permanently discontinue the event.

[Via Ansible Links.]

(15) WORLDCON PREVIEW. One artist shares how his work is getting to the con.

(16) THE BAD NEWS. Unfortunately, Sharon Lee and Steve Miller won’t be making it to MACII.

Steve and I are very sorry, indeed, to announce that we will NOT be attending the 74th World Science Fiction Convention, MidAmeriCon II, to be held in Kansas City, August 17-21.

A direct casualty of this is the signing we were to do at the Bradley Fair Barnes and Noble, in Wichita, Kansas, on August 14.

We apologize to everyone who thought they’d have a chance to meet us, or to renew our acquaintance.  And we especially apologize for the lateness of the hour.  Up until this past Saturday, we were certain that we’d be attending.

So, here’s what we’d like you to do — go to the con, and have a terrific time.  Raise a glass of whatever it is you’re having, and share the toast with friends:  “To Plan B!” which is our own most-used salute.  Drop us a note, if you can, and tell us about the con. We’d like that.

(17) TODAY’S BIRTHDAY RABBIT

  • July 27, 1940 — Bugs Bunny made his cartoon debut.

(18) GREEN HARVEST. This is the kind of hard-hitting journalism you’ve been looking for. Fox News headlined this story “Sexy cosplayers can make $200,000 a year at comic book conventions”.

Scores of attractive women made their way to Comic Con in San Diego, Calif. last week to don skimpy cosplay outfits to entertain the convention’s superhero fans. Many do it just for fun, but for some it’s a job that pays well into the six figures.

“In addition to a per diem and travel costs, popular professional cosplayers can make at least $5,000 to $10,000 a show,” comic book expert Christian Beranek told FOX411. “If you add in mail order sales, crowd funding contributions and YouTube ad revenue, the top talents are pulling in close to $200,000 a year.”

(19) SAME BAT-TIME. Amazon would be delighted to sell you The Ultimate Batman 75th Year Limited Edition Watch Set.

  • DC Comics super hero are depicted from four eras of comic book history in the square-shaped watches.
  • In addition, there are four incarnations of the Bat-Signal depicted in the round-shaped Swatch-like minimalist watches. The watches from left to right as presented in the box; watches 1 and 2 of the set features Batman with his fists clenched. This muscular, determined Caped Crusader has spent the Modern Age of Comics defending Gotham City from its most notorious villains.
  • Watches 3 and 4 displays Batman dramatically staring up at the Bat-Signal. By the Bronze Age of Comics, artists had encased the super hero’s spare black bat emblem with a yellow oval. The insignia became the crime fighter’s trademark. Watches 5 and 6 then shows Batman swooping into the frame with his cape flying behind him. The image, from the Silver Age of Comics, accentuates the super hero’s signature glowing white eyes and utility belt.
  • Lastly, watches 7 and 8, highlights Batman as first envisioned by creator Bob Kane during the Golden Age of Comics. The super hero’s black cape and cowl and gray suit formed his iconic visual identity.

the-ultimate-batman-75th-year-limited-edition-watch-set-bat3104-2

(20) KILLING JOKE IS DOA. At Forbes, Scott Mendelson passes judgment: “’Batman: The Killing Joke’ Review: The Controversial Comic Is Now A Terrible Movie”.

Final paragraph:

We may not have gotten the Killing Joke adaptation that we wanted, but we may well have gotten the one we deserved.

(21) BIG PLANS. George R.R. Martin tells how he will celebrate the third anniversary of his theater.

Hard to believe, but we are coming up on the third anniversary of the re-opening of the Jean Cocteau Cinema. Santa Fe’s hometown movie theatre, and first art house, had been dark for seven years when we turned on the lights again and opened the doors in August 2013. Needless to say, that calls for a celebration… a week-long celebration, in fact!!!

(22) DIRECTOR’S TOUR. Tim Burton takes us inside the peculiar world of Miss Peregrine’s Home for Peculiar Children.

[Thanks to JJ, David K.M. Klaus, Dawn Incognito, Martin Morse Wooster, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]

Pixel Scroll 7/25/16 The Ants Are My Friends, Scrolling In The Wind

(1) FIRST RULE OF GAME WRITING. Creators are interviewed in NPR’s feature “Amid Board Game Boom, Designers Roll The Dice On Odd Ideas – Even Exploding Cows”.

When you play a game, you have to learn some rules, right? Well, same goes for designing a game. And here’s one rule: No idea is too wacky.

Take a game called Unexploded Cow, for instance.

“That’s a game where you’ve discovered two problems with a common solution,” says the game’s co-creator, James Ernest. “There’s mad cows in England and unexploded bombs in the French countryside, and you’re going to bring them together and solve everybody’s problems by blowing up a bunch of cows. ”

Using cows with a debilitating brain disease to get rid of leftover bombs — for most people, that’s just an absurd joke. But Ernest designs board games for a living. He and a colleague took that weird idea and came up with a card game. Each player manages a herd of sick cows and tries to make money blowing them up.

That game, Unexploded Cow, is now one of the most popular he’s created….

Are these guys SFWAns in the making?

(2) GET IN THE GAME. Cat Rambo lists “What SFWA Offers Game Writers” at her blog.

In light of recent discussions, I wanted to jot down a few things that come to mind when what I think about SFWA has to offer game writers, because there’s actually quite a bit.

  • Access to SFWA promotional resources includes a number of venues quite suitable for publicizing games. Our curated Kickstarter page, the New Release Newsletter (which can easily be expanded to include games), the SFWA blog, SFWA’s presences on Facebook and Twitter. It’d be easy to make the Featured Book section a Featured Work section to go with Authors section on the SFWA website.
  • Even the book-specific promotional features, such as the NetGalley program, may be of use to game writers who are doing books or stories as well, as is often the case.
  • SFWA has been working at relationships with a number of companies that will be of interest to game writers. Our Outreach Committee has monthly checkins with representatives at Amazon, Audible, Draft to Digital, Kickstarter, Kobo, Patreon, and more….

(3) MORE SFWA ADVICE. Russell Galen offers his accumulated experience in “Ten Thoughts About The Business Side of Writing”.

  1. Get a written agreement for every transaction, even with people you love and trust. I am still trying to solve feuds stemming from oral agreements for tiny properties that wound up becoming movie/TV franchises.
  2. Don’t ever think, “I don’t want to bother my agent with this trivial matter.” It’s not just that it might be a bigger matter than you realize, but even if it stays small, it may still have to be cleaned up some day. Your agent would rather do the work now than have to deal with a bigger problem later.

(4) NOW ONLINE. Suvudu delivers “SDCC 2016: Chuck Wendig Talks ‘Life Debt’, Snap Wexley, and Writing in the Present”.

SUV: You favorite a third-person present tense which is quite different from the other books in the Star Wars fiction line. Why did you go with that? What are some of the advantages of using this?

CW: On a simple level, what’s great is that Young Adult books tend to take a present tense viewpoint to telling stories. Sometimes first-person, sometimes third-person, but a lot of young adult fiction is written in present tense. For me, a person who likes to write in that already, the great thing is that we’re speaking to young readers and to older readers who are willing to be drawn into the cinematic component. Star Wars begins as film and moves on to TV. To have the books feel exciting in that kind of action-adventure thing, present tense keeps you in the moment. I always say that past tense is like looking at a painting on a wall in a museum, but present tense is like watching the painter paint it. It’s like watching Bob Ross: You see him painting on his half-hour show. You really don’t know what’s going to happen. I love that feeling: What’s he going to paint here? Is that an ocean? Is that a rock? There’s also a component where you think he’s going to mess the painting up completely but by the end he pools it all out. To me, present tense is like watching the painter paint. When you look at the Star Wars crawls, they’re written in third-person, present tense. I want to capture that: I do think that it’s very cinematic, and that’s why we went with it.

(5) SUPERHEROES TO WHO? “Optimism vs Cynicism in Superhero Narratives by Paige Orwin” at SFFWorld.

Now, there are deconstructions of the genre that take a more cynical view, of course, and it’s possible to tell dark superhero tales where those with power lose their way and take advantage of those around them. Marvel’s superheroes are perhaps more prone to making mistakes, while DC’s might be more prone to growing remote from the concerns of the people they protect, but the end result tends to be similar: things get worse, innocents get hurt, much anguish is had, humanity seeks desperately for someone else to take on the new menace and it’s all terribly bleak…

…but, eventually, things pretty much always get better. It helps that evil is fundamentally punchable, once you figure out who/what needs punching and where the head is. It helps that violence is so often the best answer.

(6) COMIC RELIEF. This photo appears in the middle of a huge gallery of cosplayers from San Diego Comic-Con.

gender at comic con

(7) OUTFITS FOR YOUR SJW CREDENTIAL. However, Chip Hitchcock is skeptical about the cosplaying cats featured in an NPR story — “For These Cosplayers, Geek Costumes Are The Cat’s Pajamas”

Nak, 13, and Fawkes, 6, have been cosplaying for a little more than a year. They’ve been ambitious. Their social media pages show off more than 50 geeky costumes: Alien, Star Trek, Fallout and Game of Thrones each make an appearance. During the year they’ve been active, they’ve gained a sizable following with nearly 10,000 followers on Twitter and 18,500 on Instagram.

Oh, and just one little thing: Nak and Fawkes are, well, cats.

Chip says, “Nobody discusses what this does to the cats’ psyches. I’m just amazed the cats put up with it; if I tried that with my part-Coon foundling (14+ pounds) I’d draw back a bloody stump.”

(8) EATING THE FANTASTIC. In Episode 14 of Scott Edelman’s podcast he is joined by Fran Wilde, the Nebula Award-winning and Compton Crook Award-winning author of Updraft, plus the host of the Cooking the Books podcast, which has a writers + food focus just like his.

Fran Wilde

Fran Wilde

(9) FROM THE EARTH TO…? Ken Murphy at The Space Review lists dozens of “Stories of cislunar suspense: Literary adventures on the near frontier (part 2)”.

Part 1, last week, examined literature from the 1950s through the 1980s.

1990s

The movement of the Baby Boomer generation into positions of power that began in the 1980s took full flower in the 1990s. This marked a significant shift (but not a real change) in the status quo, and there began the generation of much more ‘product for the marketplace’. Lots of Shuttle stories as we worked through the trauma of Challenger, but also solar power satellite and space station stories. Gen X coded the World Wide Web, while their bosses day-traded their way to enormous prosperity (oh…wait…), and the Millennials were digging Bill Nye the Science Guy. The Soviet Union didn’t so much collapse as dissolve into a new form of corruption and warlord-led tribalism, and this left writers looking for new enemies, from corporate baddies to Asians with cryptic agendas. The Space Shuttle was ramping up its tempo of flights, boldly going where it had gone so many times before, along with operations of Mir and the genesis of ISS.

Fallen Angels, Larry Niven, Jerry Pournelle & Michael Flynn (1991): in a future where technology is blamed for the world’s ecological ills, those trapped in orbit in the post-space age must struggle to survive. When a scoop ship is shot down, the race is on by the Fen to rescue the crew and return them to orbit. Don’t know Fen? Then this book is probably not for you. But if you’re a devotee of the science fiction writers cons then this book is entirely for you. [GoodReads: 3.49/1,937] …

(10) FIFTH ITERATION. David C. Handley tells why “Pokémon GO Signals New Social Media Paradigm” at SciFi4Me.

There’s just one issue with the current model for social media: it’s purely virtual. The social component has been lost. That means that apart from location data and images and people becoming connected (“friended” or “followed”) or disconnected (“unfriended” or “kicked to the curb”), there’s no way of determining interactions in the real world. The difficulty has always been to integrate physical reality and virtual reality.

Enter augmented reality. Although not a new concept (it’s been used for heads-up displays (HUD) for fighter jets since the 1970s), the smartphone has given it new applications. In Korea a few years back, for example, people could hold a phone camera up and landmarks would be marked on the screen.

Then camePokémon GO.

Unless you’ve been living under a rock, you probably know by know that Pokémon GO has become … um … big. Really big. No, I mean huge! And it knows no limits. Players of all ages are collecting ’em all. And they’re changing the face of social media by combining the social with the media.

There are two ways that the game has, well, changed the game. The first is the reintroduction of social interaction. Not only do the catching and training of Pokémon cause interaction between players, but the competition and even the very act of searching for the virtual creatures has created peaceful gatherings that have had the feel of makeshift parties. People are meeting new people and making friends, something that was generally absent from the old flash mobs.

(11) NOMINATED NOVEL. Lisa Goldstein began her review of Jim Butcher’s The Aeronaut’s Windlass  with seven things she disliked.

1. Butcher seems to go his own carefree way with many words, heedless of any actual dictionary definitions.  So, for example, the characters in this world live in huge circular towers far above the ground, which he calls “spires” — but spires are tapered or pointed, not cylindrical.  One of the types of airships that sail between the towers is called a “windlass,” which is actually a “device for raising or hauling objects.”  (Yeah, I had to look that one up.)  There are neighborhoods in the spires called spirals, which — as you’ve probably guessed by now — consist of streets in perfectly straight lines.

2. Both female leads are forthright, plucky, and kick-ass, to the point where I started confusing one with the other.  One is rich and small and the other one isn’t and isn’t, and that’s about the only difference I could find between them….

But all is not lost….

(12) GETTING READY TO VOTE. Lis Carey continues her progression through the Hugo-nominated short fiction at Lis Carey’s Library.

(13) MORE THAN YOU CAN SHAKE A STICK AT. JJ posted a bumper crop of short reviews in comments today.

2016 Novel Reading

  • Penric and the Shaman by Lois McMaster Bujold (2016) (Novella)
  • What Could Possibly Go Wrong? by Taylor, Jodi (2016)
  • Sleeping Giants by Sylvain Neuvel (2016)
  • Too Like the Lightning by Ada Palmer (2016)
  • Arkwright by Allen Steele (2016)

Leftover Novel Reading

  • Coming Home by Jack McDevitt (2014)
  • Dark Intelligence by Neal Asher (2015)
  • Luna: New Moon by Ian McDonald (2015)

(14) BUT WHO GETS TO SIT IN THE CHAIR? Five captains all in one place.

(15) BLACK PANTHER. The Guardian reports “’Bad feminist’ Roxane Gay to write new Marvel Black Panther series”.

“It’s the most bizarre thing I’ve ever done, and I mean that in the best possible way,” Gay told the New York Times. But “the opportunity to write black women and queer black women into the Marvel universe – there’s no saying no to that.”

Her story, she promised, would be “pretty intimate. There’s going to be all kinds of action, but I’m also really excited to show Ayo and Aneka’s relationship, build on that love story, and also introduce some other members of the Dora Milaje … I love being able to focus on women who are fierce enough to fight but still tender enough to love.”

The recruitment of Gay is part of Marvel’s drive to diversify its offering, both in terms of creators and characters. “So. I am writing a comic book series for Marvel,” Gay tweeted, announcing the news. “Black women are also doing the covers and art … And no. It doesn’t make sense that I am the first, in 2016. But I won’t be the last.” She also tweeted that it was likely to come out in November.

(16) MAN WITH A PLAN. At writing.ie,  “Outline Planning Permission: Part 1” by our own Nigel Quinlan.

This summer will be the summer of me learning to PLAN.

No plan survives first contact with your neurons.

Planing is defined in the dictionary as… I dunno, I haven’t a dictionary handy.

Already we’re off to a disastrous start, highlighting my failings as a planner. Had I planned ahead properly then the dictionary would be in reach. I would have overcome my laziness and inertia and fetched a dictionary from a nearby shelf. I would not have forgotten that I am typing this on a computer connected to the internet which has dictionaries in it. I’m a complete mess.

The ultimate aim of this exercise will be to have two proposals to slide onto the desk of my publisher and turn their eyes to pound signs. One will be for a big scary fantasy MG novel, the other will be for a series of MG books utilising ideas I cut from Cloak. Neither of these may be viable or publishable, but I am going to learn how to plan them and present them.

Nigel adds, “Part 2 should be up next week. I wrote it a few weeks ago and I look back now at few-weeks-ago-me and think, you poor sweet summer child.”

(17) WORKING ON THE FIVE W’S. Now fans know where, but not when — “Mystery Science 3000 Revival to Premiere on Netflix”.

Revealed during a panel at SDCC 2016, as reported by THR, the new season of Mystery Science Theater 3000 (or MST3K) will be broadcast by streaming giant Netflix, with a tentative start date set for (in a reference to the series’ original theme song) “the not-too-distant future.”

(18) HAMIT WINS. “’Christopher Marlowe’ Script By Francis Hamit Wins Screenplay Category” at Annual Hollywood Book Festival.

Francis Hamit has won the Screenplay category at the 11th Annual Hollywood Book Festival for his soon-to-be-produced script “Christopher Marlowe”. The Elizabethan-era thriller about the poet, playwright and spy has been in development for over six years and is based upon Hamit’s stage play “MARLOWE: An Elizabethan Tragedy”, which was originally presented in Los Angeles in 1988.

It will be directed by Michael John Donahue, DGA, and produced by Gary Kurtz. Negotiations for cast and financing are ongoing.

(19) SOLD TO THE HIGHEST BIDDERS. The Nate Sanders firm completed another auction on July 21.

”Peanuts” comic strip hand-drawn by its creator Charles Schulz, from 9 April 1958. The strip comments on a subject that we think is a modern phenomena, the fact that children can’t concentrate for a long period of time. Here, Schroeder reads that from a book, and Charlie Brown proves its point by watching TV, drawing, playing baseball and paddle ball in the course of four frames. Strip measures 28.75” x 7”. United Feature Syndicate label appears on third frame. Inscribed by Schulz to ”Elizabeth Vaughn and her sixth grade pupils – Charles M Schulz”. Some toning and a light paper backing affixed to verso, overall very good condition.

[Thanks to Nigel Quinlan, Martin Morse Wooster, Dawn Incognito, Cat Eldridge, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 7/24/16 The Pixel Who Walks Through Walls

(1) CLOTHING SHRINKS. NPR takes a psychological look at cosplay in “Cosplayers Use Costume To Unleash Their Superpowers”.

These cosplayers are invoking clothing’s subtle sway over us. People have used clothing to subdue, seduce and entertain for millennia. In some outfits, people not only look different, but they feel different. Psychologists are trying to figure out how clothes can change our cognition and by how much. Adam Galinsky, a psychologist at Columbia Business School, spoke with NPR’s Hanna Rosin for the podcast and show Invisibilia. Galinksy did a study where he asked participants to put on a white coat. He told some of the participants they were wearing a painter’s smock, and others that they were in a doctor’s coat.

Then he tested their attention and focus. The people who thought they were in the doctor’s coat were much more attentive and focused than the ones wearing the painter’s smock. On a detail-oriented test, the doctor’s coat-wearing participants made 50 percent fewer errors. Galinksy thinks this is happening because when people put on the doctor’s coat, they begin feeling more doctor-like. “They see doctors as being very careful, very detailed,” Galinksy says. “The mechanism is about symbolic association. By putting on the clothing, it becomes who you are.”

Almost any attire carrying some kind of significance seems to have this effect, tailored to the article as a symbol. In one study, people wearing counterfeit sunglasses were more likely lie and cheat than those wearing authentic brands, as if the fakes gave the wearers a plus to cunning. “If the object has been imbued with some meaning, we pick it up, we activate it. We wear it, and we get it on us,” says Abraham Rutchick, a psychologist at California State University Northridge.

(2) WOMAN OF MYSTERY. The LA Weekly claims to know “Why This Might be Elvira’s Last Comic-Con (as Elvira)”.

Cassandra Peterson has been playing Elvira, the self-proclaimed Mistress of the Dark and horror movie hostess, for 35 years, and she’s been attending Comic-Con as the character for longer than she can remember.

“I was going through my records trying to find the first Comic-Con I came to, and it was in the basement of some motel or hotel or something,” she says. She used to come almost every year, but this year will likely be her last, at least as Elvira. She’s here now to promote her upcoming coffee table book, which features commentary and photos spanning Elvira’s 35-year history (including a few behind-the-scenes shots, like one of her in full costume, seven months pregnant).

Reflecting on her years at the convention, she’s enjoyed meeting her idols, like Forrest Ackerman, a prominent figure in the sci-fi and fantasy scene, and running into colleagues. “I saw Gene Simmons last time I was here, a couple years ago, and that was awesome, because I don’t often run into him, and he was in his KISS drag, I was in my Elvira drag, kind of scary. We were both going, ‘How long are we going to be doing this?’”

But what sticks out the most is a memory of her first Comic-Con, where she was one of the only women in attendance. “When I was there, I was really the ‘odd man out,’ being a woman,” she says. “And now, I am positive that it’s at least 50 percent women [here] that are interested in the whole genre, whether it’s horror, fantasy, sci fi. And I’ve seen that, in my 35 years, just completely change.” She adds, “I was one of those geek girls who was into that stuff when I was a kid, so to see it catch on, for me, is pretty thrilling.”

(3) ARCHIVAL FOOTAGE. Trek Core relays word from SDCC: “The Roddenberry Vault Reveals Lost Star Trek Clips, New Blu-Ray Release Arriving in Late 2016”.

In a surprise reveal today at its own San Diego Comic Con panel, STAR TREK: THE RODDENBERRY VAULT, a years-long endeavor to recover lost and cut footage from the making of the original Star Trek series, debuted with never-before-seen clips from production of the series.

The source of the recovered material (to be released as part of an extended documentary) comes from hundreds of film reels of archived, unused Original Series footage – called the “Holy Grail” by Denise Okuda – which remained in Gene Roddenberry’s possession after the conclusion of filming on the classic series.

Mike and Denise Okuda spoke to the motivations behind the nine-year (!) project, starting from hints of cut scenes in the James Blish novelizations of the classic Trek episodes to occasional publicity photos that the pair had never seen before.

Producer Roger Lay, Jr., who worked on the Next Generation and Enterprise Blu-ray releases, also confirmed that a Blu-ray release of this recovered footage will be arriving before the end of 2016 – but the team has not yet finalized the documentary, and could not specify how many minutes of recovered footage will be included.

…We have no information yet on the timetable for release of this fantastic-sounding new Blu-ray, but as Lay reiterates at the end of the panel, this is a Fiftieth Anniversary production that WILL be out before the end of 2016.

 

Roger Lay Jr. and Ray Bradbury back in the day.

Roger Lay Jr. and Ray Bradbury back in the day.

(4) YOU’RE THE CADET. Guelda Voien was at the Intrepid Sea, Air and Space Museum to see an exhibit celebrating 50 years of Star Trek, and pronounced it “Every Dork’s Wet Dream”.

…It is Career Day at the Academy, and you’re given a chance to try out all the different stations—tactical, medical, navigation, command and communications. You perform tasks, like a phaser exercise or choosing which planet to evacuate your crew to, and take a sort of quiz at the end. Your RFID bracelet tracks your progress. It’s like the part of the Museum of Tolerance where you track a Jewish child through the Holocaust, but less horrible.

I did all of them except for communications. No offense, Uhura, but I did not go to Starfleet Academy to talk (though your role got way better in the reboots, thanks, J.J.). No, I went to shoot stuff, try to heal a Klingon and try the fucking Kobayashi Maru.

And I got to do all that stuff. The assessments straddled the obvious and full-on dorkbait in a way that kept me pretty much giddily entertained for an hour (the ticketed show is intended to take about that long and costs $25 for an adult nonmember). At some point, I turned to Danny and asked, “Is Kronos in the Alpha Quadrant?” He thought about it for a second. “I don’t think it is.” I thought about it. “Well, Bajor, Earth and Cardassia definitely are, so it must be Kronos that isn’t.” But I was also thinking, “Hmm, wasn’t Kronos destroyed by the time TNG began?” And that’s why they just call the Klingon homeworld “the Klingon homeworld” later in the timeline, right? And I was happy. This is why I came.

(5) MARVEL AT DISNEY CALIFORNIA ADVENTURE. The Los Angeles Times says Marvel Studios has made official what fans have been speculating about for awhile — “Tower of Terror to get superhero makeover at Disney California Adventure Park”.

….Walt Disney Co. bought Marvel Entertainment Inc. in 2009 for $4 billion but had yet to inject many of the Marvel characters into the Anaheim theme parks. The ride will reopen next summer.

The move to re-create the Tower of Terror into a Guardians of the Galaxy attraction has been rumored on Disney fan blog sites for months but the Burbank-based entertainment giant has refused to comment on the speculation.

The announcement was made by Marvel Studios President Kevin Feige at San Diego Comic-Con, the annual celebration of comics and pop culture.

“We are eager to present the attraction to the millions who visit Disney California Adventure and place them in the center of the action as they join in a mission alongside our audacious Guardians of the Galaxy team,” he said in a statement.

In the past, Disney has added new features to existing rides to renew interest among park visitors. Space Mountain, for example, became Hyperspace Mountain when the park added elements borrowed from the popular Star Wars franchise, now owned by Disney.

But Disney representatives say that the new Guardians of the Galaxy ride will keep the fast-dropping elevator from the Tower of Terror, but the rest of the attraction will be completely overhauled.

They declined to say how much Disney will spend on the project.

Disney fans have speculated that the overhauled attraction will stand at the entrance to a new Marvel land at the park.

 

(6) GONE. Variety reports “Popular Movie, TV Set Location Sable Ranch Destroyed in California Wildfire”. IMDB shows a number of sf TV episodes were shot there.

Sable Ranch, a location boasting Old West-style buildings that have been used for countless movies and TV shows, is one of the latest casualties of a Southern California wildfire that has nearly blocked out the sun in Los Angeles all weekend.

The ranch in Santa Clarita, Calif., was destroyed by the fire on Saturday despite the efforts of dozens of firefighters, according to the Los Angeles Times. Some offices were reportedly able to be salvaged, but the set is gone.

Sable Ranch served as host to such movies as horror film “Motel Hell” and Chevy Chase’s “The Invisible Man,” as well as classic Westerns like “The Bells of Coronado.” Television shows including “The A-Team,” “Maverick” and “24” also shot at the location.

(7) HOW DO YOU KNOW WHEN YOU’RE FINISHED? Caroline Yoachim says this was her way —

(8) SDCC AS SEEN FROM WILLIAM WU BOOKS. Sundays are less crowded than Saturdays in front of William Wu Books.

wu books at sdcc

(9) I THINK HE LIKED IT. Ian Sales was surprised to be pleased by Station Eleven. By the end of his review I was convinced to add the book to my TBR list – something the thoroughly favorable reviews I read had never accomplished.

Station Eleven, Emily St John Mandel (2014). This won the Clarke Award last year, and while I’d heard many good things about it, it’s a lit-fic post-apocalypse novel and I find post-apocalypse fiction banal at the best of times, and lit fic attempts at the genre all too often seem to think they’re doing something brand new and innovative, that no one has ever thought of before, and so the prose tends to reek of smugness. So my expectations were not especially high. Happily, Mandel proved a better writer than I’d expected, and I found myself enjoying reading Station Eleven. It’s still banal, of course; more so, in fact, because it trots out the Backwoods Messiah With The Persecution Complex plot, which should have been retired sometime around 37 CE. Anyway, a global flu epidemic wipes out most of humanity. Station Eleven opens in Toronto, when a famous actor has a heart attack on stage and dies. Then everyone else starts to die from the flu. The book jumps ahead twenty years to a post-apocalypse US, and a travelling orchestra/acting troupe, who travel the southern shores of the Great Lakes. And then there is a half-hearted attempt at a plot, which ties in with some of the flashback sections, which are about either the actor or the main character of the post-apocalypse story, a young actress in the travelling troupe. The writing was a great deal better than I’d expected, and so despite being post-apocalypse I came away from Station Eleven a little impressed. A worthy winner of the Clarke Award.

(10) AUTHOR EARNINGS. At Mad Genius Club, Fynbospress pointed out a new round of statistics has been posted:

Author Earnings just did an in-depth analysis of the romance genre, and presented it at the RWA (Romance Writers of America). …

2.) Down in the comments at the bottom, both of the report itself and in the comments at Passive Voice, Data Guy provides breakouts for SF&F, and for Mystery/Thriller/Suspense, too!

(11) TODAY IN HISTORY

  • July 24, 1948 – Marvin the Martian (not yet given that name) appeared onscreen for the first time in the Bugs Bunny cartoon “Haredevil Hare”.

275px-Looney_Tunes_'Haredevil_Hare'_-_screenshot

  • July 24, 1969 — Apollo 11 returned to Earth, ending its historic moon-landing mission. After the spacecraft’s splashdown in the Pacific Ocean, astronauts Neil Armstrong, Buzz Aldrin and Michael Collins were flown by helicopter to the recovery ship USS Hornet.

(12) TODAY’S BIRTHDAY GIRLS

  • Born July 24, 1951 – Lynda Carter, called by some the Only and True Wonder Woman.
  • Born July 24, 1982 — Anna Paquin

(13) THOUGHT FOR THE DAY. Neil Armstrong said the Apollo missions demonstrated that “humanity is not forever chained to this planet, and our visions go rather further than that, and our opportunities are unlimited.”

(14) SELDEN’S XANATOS PLAN. Vox Day teases “No one foresaw it” at Vox Popoli.

It’s no wonder the SF-SJWs are always a few steps behind.

It had been believed that the slaters would lose interest if they couldn’t sweep entire categories, since it that would mean that they could neither get awards for their own favorites (since fans would No Award them) nor “burn down” the awards, since fans would have at least a couple of organic works to give awards to. No one foresaw the “griefing” strategy of nominating works whose mere presence on the finalist list would cast the awards into disrepute. – Greg Hullender at File 770

They still don’t quite get it, do they? Rabid Puppies didn’t nominate “If You Were a Dinosaur My Love” or “Shadow War of the Night Dragons: Book One: The Dead City: Prologue” for the Hugo Award. We didn’t give a Best Novel Nebula to The Quantum Rose (Book 6 in the Saga of the Skolian Empire) or a Best Novel Hugo to Redshirts. We’re not casting the awards into disrepute, we are highlighting the fact that the SJWs in science fiction have already made them disreputable. I wonder what they will fail to foresee next? That’s a rhetorical question, of course. I already know….

(15) A VOX ON BOTH THEIR HOUSES. RameyLady doesn’t understand the impact of the Rabid Puppies slate on the finalists –

The nominees continue to suffer, in these shorter works, from poor selection but perhaps that’s as much a result of fan voting as it is the Puppies’ attempt at chaos and domination.

— but still writes a good overview of the Hugo-nominated novelettes.

In order of my appraisal:

  1. “Obits” by Stephen King is going to be my top pick in Novelette, though my #2 selection is within a hair’s breadth of taking my top vote.  But it’s hard to deny the feel of sentences coming off the pen of a man as experienced and talented as King.

(16) BALLOT SNAPSHOT. Mark Ciocco says Lois McMaster Bujold gets his vote for Best Novella in his survey of all five nominees.

After last year’s train wreck of a Novella ballot, I wasn’t exactly looking forward to this year’s finalists. But it seems my fears were misplaced, as this might be the most solid fiction category of the year. Novellas can be awkward and to be sure, a couple of these don’t entirely pull it off, but even those manage better than the other categories.

  1. Penric’s Demon by Lois McMaster Bujold – No surprise here, as I was one of the many who nominated this in the first place. I’m a huge fan of Bujold’s Vorkosigan Saga and it’s very much to her credit that I’ve followed her from my preferred SF genre to her fantasy worlds. This story takes place in her Chalion universe and tells the story of a young man who accidentally contracts a demon. This is both better and worse than you’d expect. Better, because in Chalion, demon possession can grant great powers. Worse, because with great power comes intrigue and scheming by those interested in your new powers. That’s all background though, and the story itself is well plotted and the character relationships, particularly between Penric and his demon, and extremely well done. Easily and clearly tops this list. (Also of note: the sequel to this story is out!)

(17) RESPIRE OR EXPIRE. Spacefaring Kitten tackles The Martian in “Aspiration Porn — Campbell Nominee Andy Weir”.

While watching The Martian, I remember enjoying the cosmic visuals, but the reader of the book doesn’t have that and she has to be kept in awe of the science. It was quite impressive, considering that the natural sciences interest me very little. Still, Weir was able to force me into the aspiration porn mindset — ISN’T IT GREAT THAT THE HUMAN RACE HAS DONE SUCH A WONDERFUL THING AS GOING TO SPACE (AND MOSTLY ALSO MAKING IT BACK ALIVE??!!). Yeah, it is. Little less bable about making water and oxygen wouldn’t have hurt, but I guess that really paying attention to these technical details was what Weir’s project was about.

(18) IT’S ALIVE! Bradley W. Schenck tells how he achieved “My successful human hybrid experiment” – which is a piece of digital artwork.

It’s with no small amount of pride that I can now reveal my second, and most successful, human hybrid experiment. I wish I knew exactly what it was; but, as you can see, it’s keeping an eye on us until I figure that out.

Over the past year or so I’ve learned some new tricks with my morph-targeted character heads, and the most interesting tricks are the ones I can play on characters that are already done. Some of this is due to Collapse to Morpher, a very useful 3DS Max script.

Morphs are terrific, but they rely on the source object and its morph targets sharing the exact same topology. That means they need to have the same number of vertices, and (importantly!) those vertices have to be numbered in the same order. If you’re not careful you can end up with two objects that used to share those properties but which now are subtly and fatally different. You just can’t morph them any more.

(19) ANOTHER MARVEL SUPERHERO HEARD FROM. Doctor Strange movie trailer #2 dropped at Comic-Con.

[Thanks to Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John King Tarpinian.]

Pixel Scroll 5/9/16 A Transatlantic Tunnel In The Sky, Hurrah!

(1) CONVERSATION. At Tor.com, Natalie Zutter tells about the appearance of N.K. Jemisin, Nnedi Okorafor, and Ibi Zoboi at the Brooklyn Museum’s Target First Saturday, in “Masquerade, Initiation, and Sci-Fi/Fantasy: N.K. Jemisin and Nnedi Okorafor in Conversation”.

…Okorafor’s initiation was her experience with paralysis as a teenage athlete, a difficult period during which she had to relearn how to walk but during which she also turned to writing as a way to cope. Her first story was about a flying woman, “because when you can fly, you don’t have to walk.” She explained, “I know that that experience was my initiation into becoming a writer. When I look back, when it was happening, I didn’t know. I just knew that I was learning how to cope and going deep like that, being so distraught that the only way I [could] stay sane was to go into myself, was how I discovered that thing, that storytelling. From that point on, there is this mystical aspect to storytelling; I’ve had several times where I’m writing stories and I just go somewhere, and something is there. An hour will go by and I’ll look at what I’ve written and it will be new to me and I’m like, ‘Who wrote that?’ […] That actually is very scary to me, but over the years I’ve come to deal with that fear and be comfortable with it and expect it, and know to just sit back and let it happen.”

While Okorafor turned into herself, Jemisin’s initiation was the inverse—she went outward through countless adventures as a child and extensive traveling as an adult. Growing up in Mobile, Alabama, the kind of child who would make little books out of construction paper tied together with yarn, she would visit her father up in New York City (specifically, pre-hipster Williamsburg). “This was my wonderland,” she said, remembering how her father would give her a handful of money and mark a spot on the map, then send her out to traverse the subway system and find her way to her destination. “This was the place I came to become my true self,” she said, “where I shed the masks that I had to wear in Alabama in order to be safe, in order to fit in, to be accepted. I came here, and I could be my little nerdy self and be where I needed to be.” Those childhood adventures prepared her for adulthood as an author navigating the publishing industry: “I’ve always been the little black face, the little ink spot on the page. It did not feel to me like having to go into that space and ask for acceptance or fight to be understood. It felt like ‘You need to reshape yourselves. I am here, this is the industry that you claim to be, you need to be what you claim to be.’ And the industry has been changing in that way, in the last few years. I don’t think it’s me; it’s a lot of people. But the fact that I felt that has been built from that early-adapter stuff I had to do.” …

(2) DISCUSSING DISABILITIES. Today saw the launch of Our Words: Discussing Disabilities in Science Fiction.

The purpose of Our Words is to focus on disabilities in speculative fiction, and give the disabled a place to talk freely and openly about our experiences in the genre. Furthermore, I hope to educate genre fans, authors, publishers, and whoever else about disabilities in the genre, in a comprehensive, well-rounded sort of way. This website will eventually expand to do interviews, discuss and review books, have personal essays, highlight issues in the genre, at conventions, and so more.

Our Words is a website run by a disabled genre fan, for disabled genre fans. This is a place for us to all have a voice. A place for us to use our words, and be heard.

(3) HARRY DRESDEN CARD GAME. Jim Butcher’s Dresden-verse has spawned a cooperative card game that is in the midst of being lavishly funded by fans on Kickstarter. Asked for $48,000, supporters have pledged over $379,000 so far, with nine days to go.

Backers will be rewarded with many extras, including the first chapter of Peace Talks (mid May 2016). More details at: The Dresden Files Cooperative Card Game. (Here’s a video that explains how the game is played.)

(4) OWN A BRICK FROM BRADBURY’S HOME. Con or Bust is gathering items for its 2016 fundraising auction. John King Tarpinian has donated a brick from Ray Bradbury’s home, which was demolished in January 2015.

Bidding opens on Wednesday, May 25, 2016 at 12:01 a.m. Eastern. It will close on Sunday, June 5, 2016 at 4:00 p.m.

(5) CAREER LAUNCH. Tina Jens at Black Gate mentions the magic number in “Things Your Writing Teacher Never Told You: Going to the Nebulas”.

I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think….

As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.

Five, four, three, two, one, SEND! When the button is pushed, we ring a bell and give them a cookie. An actual bell, and an actual cookie. We’ve found both help.….

(6) CARL BRANDON AWARD. Nominations are open for the 2014 and 2015 Carl Brandon Awards.

Two awards are given each year:

The Carl Brandon Parallax Award is given to works of speculative fiction created by a self-identified person of color. This Award includes a $1000 cash prize.

The Carl Brandon Kindred Award is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group. This Award includes a $1000 cash prize.

Nominations open through July 16, 2016

(7) KEN MACLEOD. The Herald of Scotland profiled “Science fiction writer Ken MacLeod on his Free Presbyterian childhood, his time as a Communist Party member and the future of humanity”.

“I got disillusioned with my early Trotskyism and joined the Communist Party at exactly the wrong time in the mid-1980s.” You join us as Ken MacLeod, a man once described as “the greatest living Trotskyist libertarian cyberpunk science-fiction humourist,” is recalling his political history. “I think I left in 90 or 91,” he continues, “a few months before it dissolved itself.

“The CP at that time was certainly a very interesting place to be because they were having their terminal crisis as it were. So it was certainly intellectually stimulating.”

He stops and sips his coffee, looks out through the window of the South Queensferry café where we are sitting at the looming Forth rail bridge. For a moment Scotland’s industrial past and service sector present are invisibly united in the eyesight of one of the country’s most entertaining, politically engaged futurists.

(8) TODAY IN HISTORY.

…My wife, Emily, has joined me to help out with the freelancing. So the business has grown. We haven’t killed each other yet being home all the time.

I almost died just a few years into freelancing. Found out I had a heart defect. Spent years recovering and learning how to manage a whole new life.

Had twins. Still trying to figure out this dad thing. Very much a learn as you go.

I have published 9 novels in that 10 years, 2 under a pseudonym. There are two more written as of yet unsold as well. I’ve also done 4 collections, 5 novellas, and sold 36 short stories….

(9) COSPLAY ORIGINS. Jennifer Culp invites everyone to “Meet the Woman Who Invented Cosplay” in her article for Racked.

Myrtle Rebecca “Morojo” Douglas Smith Gray Nolan was a Gemini, born in June 1904. She was an atheist, an active member of the Los Angeles Science Fiction Society, and a proponent of the 19th-century constructed auxiliary language Esperanto, meant to foster communication and understanding between people of all cultures. (Obviously, she was a big nerd.)

Between the years of 1938 and 1958, she edited three separate long-running sci-fi fanzines (“editing” including all of the typing, mimeo, and physical work required to manufacture the zines, naturally) and wrote editorials for several major early sci-fi “pro”-mags in the early ‘40s. Basically she was the mid-20th century equivalent of a prolific, influential blogger. She married three times, had one son, and shared a decade-long romantic and creative relationship with fellow fan Forrest J Ackerman, with whose help she sparked off a phenomenon that would develop into costume-loving fan culture we know today. In the decades following her death, her memory has largely been resigned to footnotes designating her a mere “girlfriend,” and that’s a damn shame, because both with and without Ackerman Morojo was a badass….

Following her death in 1964 at the age of 60, Morojo found herself in an unenviable posthumous predicament: the most detailed and accessible record of her life and work exists in the form of eulogies written by two of her ex-boyfriends. (Hold up, just take a second here: can you freakin’ IMAGINE what a hell that could be???) Amazingly, her old flames Elmer Perdue and, of course, Forrie, seem to have done pretty damn right by her memory, publishing (of course!) a fanzine in her honor.

Ackerman comes across as — frankly — a self-absorbed ass in his brief essay “I Remember Morojo,” openly acknowledging his surprise at being asked to contribute. He had barely spoken to the woman since he “got mad at her about half my life ago,” as he puts it. But in spite of the teeth-grindingly irritating paragraph he spends speculating about her position in his own imaginary hierarchy of female sci-fi fandom and the insulting description of 17 years of dedicated work on Guteto as “her own little” zine, Forrie gives Morojo what he surely perceived as the ultimate in (awkward nerd) respect, meticulously listing all of the fannish achievements he could recall to ascribe to her. It is through Ackerman’s remembrance that we know that Morojo was responsible for the world’s first fan costumes, which he specifically notes that she “designed and executed.”

You can download a scanned copy of Ackerman’s I Remember Morojo at eFanzines. Here’s FJA’s quote about her leading role in early costuming —

“She designed & executed my famous ‘futuristicostume’ – and her own – worn at the First World Science-Fiction Convention, the Nycon of 1939. In 1940 at the first Chicon she and I put on a skit based on some dialog from THINGS TO COME, and won some kind of prize. In 1941 at the Denvention she wore a Merrittesque AKKA-mask (frog face) devised by the then young & as yet unknown master filmonster model maker & animator, Ray Harryhausen. In 1949 at the Pacficon in LA, I understand she created a sensation as A. Merritt’s Snake Mother…”

Although Ackerman surpassed all others at drawing fannish attention to himself, as you can see he gave the credit in this case to Morojo. Nor was he the one who gave himself the title the inventor of cosplay. That was masquerade fans of an earlier era who named Ackerman the father of costuming, a move that may have been designed to catch some of his reflected glory for costumers, who at times have felt pushed to the margins by conrunners and fanzine fans. Just the same, Morojo – the actual creator of the costumes – was never treated as the primary historical figure before now.

(10) BRITISH MILIARY SF. SFFWorld has an “Interview with Tim C. Taylor author of The Human Legion series”.

The first book in the series, Marine Cadet has been released as part of the Empire at War collection. How has it been to join forces with fellow British authors and promote British military SF like this?

It’s been wonderful to meet a few fellow military SF authors in the flesh at the recent British convention called Eastercon, because writing can at times be a lonely profession. To begin with, I had a lot of doubts. Can really do this? I had the idea of putting together a box set of military SF books, and hit upon British military SF as a theme, but I was treading new ground. American readers might find this strange, but to the best of my knowledge there has never been such a thing as a ‘British military SF scene’. I mean, the Warhammer 40K novels have been enormously successful, and one of the most successful of all British science fiction authors of recent years is Karen Traviss with her four Halo military SF novels that were all New York Times bestsellers. So it’s not a new thing for British authors to write military SF, but Warhammer 40K and its Black Library publishing arm seems to sit in a splendid and psychotic isolation, and Karen Traviss seems to be largely ignored by much of British fandom, as if writing the tie-in novels where she has seen greatest success so far means that she is not a ‘proper’ writer.

To be honest, I haven’t previously placed a lot of interest in where an author was based, but when I looked at the bios of the new wave of military SF authors I had read in recent years, I was astonished to find how many were British.

So when I started inviting authors (and an artist for the cover and interior illustrations) and saying, “Let’s do something together and call it British military SF”, I don’t think anyone had ever used that term before. Now that I’m more attuned to where people are based, I realize there are many more British authors I could have invited.

By the way, I want to point out that although I kicked off ‘The Empire at War’ project, it was far from just myself doing the work, and it is a good feeling to create something as a group that we can all be proud of.

(11) DAMN RIGHT. Here’s the wisdom Sigrid Ellis serves between two slices of Hamilton and Burr:

…I so often feel this way about Wiscon. It feel like the big things, the stuff everyone talks about later, are always taking place somewhere I am not. In some other panel, some other party, some other room. Never the room I am in.

But I gave this some serious thought and realized that I’ve actually been IN “the room” while “it” is happening at some points in the past. At Wiscon, or other events. I’ve been there. I’ve been, from time to time, the insider. It just never felt that way at the time.

And that made me think how utterly stupid I am being. I mean, way to proactively ruin a great convention, being upset about whether or not the “important” things are happening where I can see them. It’s my convention experience, dammit! I can and will enjoy it for my friends, the conversations I have, the sleep I’ll get, the people I’ll meet, the dinners I’ll have! …

(12) THE AUTOBIOGRAPHICAL CAT. Ursula K. Le Guin continues “Annals of Pard: My Life So Far, by Pard, Part II” at Book View Café.

I cried very loudly in the roaring moving room-thing on the way here, because I thought the awfulness and strangeness was all happening over again forever. I still always think that when they put me in box that smells of fear and the roaring moving room-thing. But except for that I have hardly cried at all since coming here.

The aunty human went away and left me with the old queen and an old tom. I was distrustful of him at first, but my fears were groundless. When he sits down he has an excellent thing, a lap. Other humans have them, but his is mine. It is full of quietness and fondness. The old queen sometimes pats hers and says prrt? and I know perfectly well what she means; but I only use one lap, his. What I like to use about her is the place behind her knees on the bed, and the top of her head, which having a kind of fur reminds me a little of my Mother, so sometimes I get on the pillow with it and knead it. This works best when she is asleep.

(13) FREE COMICS. James Bacon tells about spending Free Comic Book Day with the creators signing at Forbidden Planet, in  “Fiends of the Eastern Front: Fodder by Hannah Berry and Dani at FCBD in Orbital”.

It is rare that so many cool things could align so nicely.

A free copy of 2000 AD is pretty much a boon, but finding that it contains a ‘Fiends of the Eastern Front’ story was really rather exciting. Entitled ‘Fodder’ the artwork is by Dani and is really quite lovely, but apart from it being on the paper pages, the originals are concurrently on display as part of Orbital comics Danistrips ‘Stay Cool’ exhibition on now until the 31st of May.

This allows fans to get a closer look at the original work, which is always a pleasure to behold.

Added to this, Dani the artist, and the writer, Hannah Berry were doing a signing with Peter Milligan, Matt Smith, Clint Langley and Alec Worley in the same location, to celebrate Free Comic Book Day.

(14) CENSUS OF SF REVIEWERS. Strange Horizons has posted “The 2015 SF Count”.

Welcome to the sixth Strange Horizons “SF count” of representation in SF reviewing. The goal of the count is straightforward: for the last calendar year, for a range of SF review venues, to calculate the gender and race balance of books reviewed, and of reviewers….

A number of limitations should be taken into account when interpreting these data. For gender, the limitations include limited accounting for pseudonyms and, more generally, a reliance on public presentation of gender. The count divides individuals into “men” or “women and non-binary.” However, reliable information about gender identity for the vast majority of people counted is not accessible through our methodology, which means it is probable that some individuals have been misrepresented. We will continue to review our methodology each year, and welcome suggestions. (For instance, we are considering changing our terminology to “women and genderqueer,” based on feedback from genderqueer individuals and the inclusion of that term in the Merriam-Webster dictionary this year.)

For race, our categories were “white” and “person of color.” These are crude, and such a binary division is arguably only valid here (as opposed to more specific categorisation) because the total number of POC is so low. Since race is difficult to determine reliably using only names and Google, it is probable that here, too, some authors, editors, or reviewers have been incorrectly allocated. We nevertheless believe that the count is worth publishing because the number of incorrect allocations is likely to be small compared to the overall number of individuals counted….

(15) GRRM IN GE. This month’s Galaxy’s Edge features short fiction by, and an interview with, George R.R. Martin.

(16) JOE ABERCROMBIE. A week before he placed two novels as finalists in the Locus Awards, Joe Abercrombie participated in a Reddit Ask Me Anything session.

Hi Joe, can you tell us about your day to day writing process? How much do you outline scenes and how many words do you tend to write a day? Are there any tricks that help you get into it? – Actevious

It depends a lot what stage of the process you’re at, so the workflow is very different depending on whether you’re planning something, drafting something, or revising and editing. There’s always a fair bit of work to do that’s not actually writing – emails, interviews, dealing with the business side. When I’m drafting new stuff I try to make sure I actually write, uninterrupted, for 3 hours each day. That doesn’t sound like much but you can cover a lot of ground if you’re focused. 1,200 words in a day I consider acceptable. 2,000 would be good. 3 or 4,000 would be a great day. But then when you’re revising you might measure progress by how many words you cut. If there’s a trick I’m aware of, it’s just to make sure you put in the time even when you’re not feeling inspired. Sometimes you feel like you’re writing real junk, but just get it down, when you come back maybe you cut a lot of it, but there’ll still be stuff that’s worthwhile in there.

A theme I notice you write quite a lot about is war, vengence and the endless circle of misery and horror they create. How did you come to write about this? – TheOtherWhitman

Well war is certainly a fundamental of epic fantasy – Lord of the Rings is all about a war, likewise the Belgariad, Dragonlance, Wheel of Time, etc., etc. I guess I felt the fantasy I read as a kid had come to show the shiny and heroic side of warfare a bit too much, and the dark actions and dark characters were somewhat overlooked. Not a lot of trauma or PTSD. I wanted to look at the other side of it.

(17) GLADIATOR JOINS MUMMY. CinemaBlend reports Russell Crowe has joined the cast of The Mummy.

It seems like everyday a new reboot or long awaited sequel gets announced. We’ve seen streaming services like Netflix bring back previously cancelled series, and even movies like Independence Day get their sequel after 20 years. One of the most recent of these sequels is the upcoming Mummy reboot, starring Tom Cruise. Now it appears that the film has booked another huge star for its already impressive cast. Collider recently sat down with actor Russell Crowe, where they asked him to confirm or deny the rumors of his involvement in the sequel. He had to say the following:

Yeah, I’m gonna do it. I’m gonna play Dr. Henry Jekyll, Fellow of the Royal Society. It’s very interesting, what they’re gonna do with that stuff. I’ve had a couple of chats about it with the director (Alex Kurtzman).

There you go, ladies and gents. Russell Crowe will officially be freaking us all out in The Mummy.

(18) KIP THORNE IN SOCAL. The OC Breeze announced “Astrophysicist Kip Thorne to give free talk on intersection of arts and science” at Chapman College on May 12.

Noted astrophysicist Kip Thorne, Ph.D. knows a lot about the weird phenomena of time and space: black holes, wormholes, time travel and more. As one of the world’s leading experts on Einstein’s Theory of Relativity, Dr. Thorne has collaborated with many of the top names in science, including Stephen Hawking, and served as science advisor and executive producer on the recent blockbuster movie “Interstellar.” His multi-faceted interests in art, science and the universe know no bounds – and it is precisely this intersection of big ideas that Dr. Thorne will discuss in a free talk at Chapman University on Thursday, May 12, 7:30 p.m. in Musco Center for the Arts.

Admission is free and open to the public, but a ticket is required for entry and can be obtained online at www.muscocenter.org or by calling 844-OC-MUSCO (844-626-8726).

(19) CHEAP SEATS. They aren’t that cheap. Neil Gaiman and Audrey Niffenegger will join forces at a London event on May 31. Break your piggy bank.

Author Neil Gaiman will do a rare public event in London to celebrate his new non-fiction collection, “The View from the Cheap Seats” (Headline), together with Audrey Niffenegger, author of The Time Traveler’s Wife (Vintage).

The event, run in association with Headline Publishing Group, Penguin Random House, Waterstones and video streaming agency Streaming Tank, will take place at The Union Chapel, Islington, on Tuesday, 31st May. The two US-based writers will discuss Gaiman’s latest work, with “a couple of surprises” also in store, according to publishers.

Tickets are £20 each, and include a free signed copy of The View from the Cheap Seats for every ticket-holder. The books will be distributed on the night by Waterstones, which will have a pop-up bookshop in place on the evening.

The event will be live-streamed across the globe by Streaming Tank, via YouTube, Facebook and Twitter, so anyone unable to attend can also enjoy the “one-off” event.

Gaiman and Niffenegger will be answering audience questions, both from within the chapel and viewers at home or in bookshops tuning in. Questions can be submitted via Twitter ahead of the event too using the hashtag #CheapSeats.

[Thanks to robinareid, Xtifr, Andrew Porter, Will R., James David Nicoll, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/2/16 Ancillary Mary Sue

(1) COSTUMES ON TRIAL. The Hollywood Reporter says “Supreme Court to Hear Fight Over Cheerleader Uniforms”, an issue that some argue can affect fans doing cosplay.

On Monday, the U.S. Supreme Court agreed to hear a case that is nominally about cheerleader uniforms, but could have some impact on Hollywood merchandising as well.

The eight black-robed justices will be reviewing an opinion handed down last August from the 6th Circuit Court of Appeals that allowed Varsity Brand to pursue copyright claims over similar cheerleader uniforms made by Star Athletica. The ruling held that the stripes, chevrons and color blocks incorporated into these uniforms were purely aesthetic.

…An amicus brief from Public Knowledge in this cheerleader costume case also spoke of the many people who cosplay at comic conventions.

“The multitude of contradictory separability tests that currently stand means that a costume replica may be non-infringing at a San Diego convention but infringing in New York,” stated that brief. “The situation is absurd, abstruse, and – owing to the historical lack of copyright protection for any article of clothing – functionally obfuscated from the people whom it stands to impact most.”

(2) TODAY IN FICTIONAL HISTORY

  • MAY 2 — ANNIVERSARY OF THE BATTLE OF HOGWARTS. With the help of the Harry Potter Wikia we salute the Unidentified fallen fifty:

They moved Voldemort’s body and laid it in a chamber off the Hall, away from the bodies of Fred, Tonks, Lupin, Colin Creevey, and fifty others who died fighting him.

—Description of the post-Battle

The unidentified fallen fifty of the Battle of Hogwarts (d. 2 May, 1998) were the unknown people who were killed fighting Lord Voldemort and his Death Eaters in the final conflict of the Second Wizarding War. They did not die in vain as their cause had been won after their deaths. At the end of the battle, all of the bodies were placed together in the Great Hall.

(3) FROM PKD TO PHD. Be the Professor of Future Crimes! University College of London is hiring. I am not making this up.

The nature of the crime and security problems we face has transformed in recent years and continues to change rapidly. Most obviously, the digital revolution has created new challenges in the form of cybercrime and other cybersecurity threats, while developments such as the Dark Web and the Internet of Things are exposing new problems. But the issue is wider than digital technologies: developments, for example, in nanotechnology, robotics and cybernetics are creating new opportunities that can be exploited for criminal and terrorist purposes. And nor do the new threats solely involve technological developments: social changes associated with population growth, changing migration patterns, and climate change all have the potential to drive crime and insecurity in as yet largely unforeseen ways.

(4) AWESOME. Jim C. Hines launches a new series of posts with SF/F Being Awesome: Books for Kids.

For close to 20 years, Balticon and the Baltimore Science Fiction Society have been raising money to provide books to kids — particularly kids who might not otherwise be able to afford them — and to school libraries as well.

I spoke with Kelly Pierce, who’s been coordinating the Bobby Gear Memorial Charity Auction at Balticon since about 2002. The auction raises the bulk of the money for Books for Kids each year….

Since it all began, Balticon and BSFS has probably raised around $50,000 to provide books to libraries and kids in need, with the bulk of that money comes from the annual auction….

For more information:

(5) DROPPING THE PILOT. io9’s new editor Rob Bricken previews the future in “io9’s Mission Isn’t Over”.

Hello, I’m Rob Bricken. Some of you may know me as the guy who writes the FAQs, or the guy who hates everything, or a deluded SJW, or perhaps the person who will shortly be turning io9 into a garbage fire. I would like to present myself as something else—the new editor of io9.

Yes, I have been given the monumental, terrifying task of taking over here, a job that I can promise you I did not have designs on. Like all of you, I would have been content with Charlie Jane Anders running io9 until the heat death of the universe. As I told her as she said goodbye, she is io9. Always was. Always will be.

But as Charlie Jane herself wrote, io9 has a mission

(6) FLASH FICTION. Cat Rambo answers the question “Why Write Flash Fiction?” on Medium. She defines flash fiction, then gives writers reasons to try it.

At any rate, writing flash fiction is both a useful and productive exercise for writers. Anything that makes us practice writing is surely a good thing, and sitting down to write a flash piece fulfills that. Beyond that, it’s very satisfying to rise from the desk knowing you’ve written something in its entirety, as opposed to the tiresome nature of a novel, which swallows hours and hours of writing while swelling as slowly as ice accreting on a glacier.

You can use flash to try out new techniques. One of the exercises I often use in class draws on a piece I heard Gra Linnaea read at World Fantasy Con, written all in future tense, which I read to the class before challenging them to write their own pieces in future tense. Another draws on Randy Henderson’s most excellent THE MOST EPICLY AWESOMEST STORY! EVER!!, which I use to challenge the class to think about bad writing vs. good.

Many new writers are hungry for publications, and writing flash is a good strategy for garnering some. Flash markets, by their nature, consume a lot of pieces, and where a market that publishes one story each month is buying only that one story, a flash market is buying a much larger number. One of my favorites is Daily Science Fiction, which mails me a story every weekday. Every Day Fiction, as another example, runs a flash piece each day. The shorter a piece is, the easier it is on an editor’s budget.

(Cat Rambo’s full-length short story “Left Behind” was published in the May issue of Clarkesworld, which you can read online, or you hear read to you by Kate Baker.)

(7) RHINO RUNNER. Jim Mowatt has written about his transcendent experience running the London Marathon run for Save The Rhino.

“That last mile is absolutely amazing” she said, “and when you turn to go down the Mall it’s the most incredible experience that you could imagine.” I did try to imagine it and reckoned it would be akin to some of the feelings that I have previously experienced when I have finished a particularly gruelling run. The actuality was was nothing like that. It was a massive emotional assault on a astounding scale.

I shuffled along the Embankment in a world of pain and then turned right at the Palace of Westminster. Then I ran along Birdcage Walk curving around toward the Mall and Buckingham Palace. All the while the noise grew louder and louder until it became completely unbearable. There was a kind of mass hysteria going on all around me. I’d got a shop to print Jim on the Save The Rhino tee shirt so people could shout out my name and, in a way, join in with my run. What felt like thousands of people were shouting my name. Faces were looming out of the crowd telling me that I was awesome or amazing or incredible. It was absolutely terrifying but quite exciting too. My mind couldn’t cope with this assault and tried to shut down to get me through. I went with it for a while but realised that this was a very special moment and I had to savour it. I forced myself to engage again. I could hear everyone shouting and screaming, all caught up in this amazing event. I zoned in and out as we progressed further down the Mall trying not to break down and cry with the massive waves of emotion rolling over and around me. At the final turn I saw the finish line and focussed in on that, lurching forward until I crossed the mat with arms held aloft….

(8) IT’S ALWAYS NEWS TO SOMEONE. I have not previously reported the announcement made last November by BSFS and WSFA that the 2018 World Fantasy  Convention will be held in Baltimore. Nor does Google show that it has been picked up anywhere else. Let this be a placeholder ‘til more information comes out.

The Baltimore Science Fiction Society (bsfs.org) and Washington Science Fiction Association (wsfa.org) shall be hosting the 2018 World Fantasy Convention on November 1 – 4, 2018 at the Renaissance Baltimore Harborplace Hotel (the location for next year’s 50th anniversary Balticon (balticon.org)). Many of us who were involved with the management of WFC 2014 are working on this exciting new project.

(9) AUTOBIOGRAPHY OF A CAT. Ursula K. Le Guin serves as amanuensis for “My Life So Far, by Pard” at Book View Café.

In the first place there were Mother and Sister and me with a mother and an aunty human who had a lot of kittens. Some tom humans came around now and then and either paid no attention to anybody but the queens, or were dangerous to kittens, pretty much like real toms. Mother and Sister and I kept out of their way and had no worries except sometimes the younger kitten humans, who will pull your tail as soon as their eyes are open. And some of the bigger ones played too rough, or tried to hug. Hugging, even when well meant, is horrible.

Life was often quite exciting in the first place, and we were happy together. I am hardly ever sad, but sometimes when I am going to sleep I hear purring around me that is not mine, and it seems that Mother and Sister and I are all curled up like one warm cat. And then I am happier than usual.

The kibbles there were all of one species, but there were plenty of them, except when there weren’t any of them. When the bowl had been empty for a while and then the kibbles were turned loose in it, Sister and I did a lot of growling and shoving to see who could get more first, but it wasn’t serious, it just made hunting and killing the kibbles more exciting….

(10) GRRM’S ANSWER. George R.R. Martin cleans off some of the mud that’s been hurled his way in “A Response To John C. Wright”.

…All that being said, I do not know why Wright seems to believe that by purchasing and publishing one of his stories seven years ago, I am therefore somehow required to like everything that he writes subsequently, to the extent that I would feel it Hugo worthy.

It should be pointed out that “Guyal the Curator” was not itself nominated for a Hugo (there being no Puppies around in 2009 to push it). None of the stories from SONGS OF THE DYING EARTH were Hugo finalists, truth be told. Do I think some were worthy of that honor? Sure I do. I cannot pretend to be objective, I’m proud of the anthologies I edit and the stories I publish. Do I think that all the stories in SONGS OF THE DYING EARTH (or ROGUES, or OLD MARS, or OLD VENUS, or LOWBALL, or any of my anthologies) are Hugo-worthy? Of course not. In a normal year, the Hugo finalists are supposed to represent the five best stories of the year in that word length. Was “Guyal the Curator” one of the five best short stories (actually, it might have been a novelette, after so long I do not recall the word length) of 2009? No. It was a good story, not a great story. The Hugo Awards demand greatness. It was an entertaining Vance tribute, but it was not a patch on real Vance, on “The Last Castle” or “The Dragon Masters” or “Guyal of Sfere.” And truth be told, it was not even one of the five best stories in SONGS OF THE DYING EARTH. A good story, yes, I’ll say that again. But there were better in the book. (And how not? We had an amazing lineup of contributors).

Which brings us back to Puppygate, and last year’s Hugo ballot.

I read every word in every story in the anthologies I edit, as I’ve said. I did not read every word in every story on last year’s Hugo ballot, no (or on any Hugo ballot, for that matter). I start every story and give them a few pages. If they grab me, I keep reading. If they bore me or offend me, or fail to interest me for whatever reason, I put them aside. Mr. Wright seems convinced that I did not read his stories on last year’s ballot. He’s half-right: I did not read all of them. But I started all of them (there were five), finished some, set others aside. The same as I do with any story I read; no special treatment.

I did not find any of them Hugo-worthy. Not one of them was as good as “Guyal the Curator,” in my opinion. No doubt others liked them better.

(11) THE POWER OF FIVE. Does the title of John Scalzi’s post show that he’s tuned to our wavelength? That’s my story, and I’m sticking to it — “Two New Books in 2016 That Have Me In Them. Well, Three. Actually, Five”.

So, to recap:

  • The Books That Changed My Life — already out.
  • Mash Up — out June 7.
  • Black Tide Rising — also out June 7.
  • The Dispatcher — scheduled for this year in audio.
  • Secret SubPress Project — also scheduled for this year (I think!).

And the mass market paperback of The End of All Things, out May 31st.

(12) MORE THOUGHTS. Mark Ciocco at Kaedrin comments: “The 2016 Hugo Awards: Initial Thoughts”.

Fortunately, at least part of the Puppy success this year was driven by the inclusion of works from mainstream authors on the lists. The Rabids had folks like Neal Stephenson , Neil Gaiman, Alastair Reynolds , and Lois McMaster Bujold on their slate, which, well, these are all people who don’t need any help getting nominated. In addition to those names, the Sads even included the likes of Ann Leckie, John Scalzi, Nnedi Okorafor, Naomi Novik, and Cat Valente, most of whom don’t seem to exactly fit the puppy mold if they aren’t actively hostile towards each other. I am, of course, not the first to mention this, but it does seem to have the effect of softening the impact such that the scortched-earth No Award response feels less likely this year. There are some who are calling these mainstream choices “shields” and coming up with elaborate conspiracy theories about their inclusion, but who knows? I mean, yeah, I could dig through the muck and try to figure out what the Rabid intentions really are, but jeeze, who wants to get into their head? I like a lot of these authors and hell, I even nominated some of them (completely independent of recommendation lists or slates, imagine that!). Of course, this has been my approach all along, but others, even strident opposition, seem to be getting on board that train.

(13) FLASH ROMANCE. The BBC reports there has been a preemptive protest about casting the movie version of The Flash — “Superhero fans rally to keep The Flash’s love interest black”.

The announcement that DC Comics and Warner Bros are to put comic book character The Flash on the big screen in two forthcoming movies was good news for many. There is already a successful TV series based on the character, and fans were expecting more of the same.

But some were alarmed by the suggestion that one of the supporting characters might undergo a transformation for the cinema version. Although full details of the film’s cast are yet to be announced, one blog reported “industry rumours” that the race of one of the characters may be changed.

The report suggests that a white actress, Imogen Poots, could be cast as Iris West Allen – a part played in the successful TV version by black actress Candice Patton.

Although the rumour remains unconfirmed, some fans began accusing Warner Bros of “whitewashing”, using the hashtag “Keep Iris Black”. The phrase has now appeared more than 7,000 times.

(14) HALLOWEEN AUCTION. Mark V. Ledenbach’s auction of vintage Halloween stuff runs through May 8. He is also blogging about some of the items, such as a tin noisemaker that went for $117.

This tin litho noisemaker, made by an unknown manufacturer during the 1930s, is very cleverly designed. I have my suspicions that it was made by Bugle Toy of Providence, Rhode Island, but they were disciplined about marking their tin litho items and this tin item has no mark. It has their characteristic clever design. Take a close look at it to see the almost Art Deco integration of four orange cat faces bordered by two bats and two owls.

Tin as a genre has been ice cold for years now. This was an aggressive ending price. Does this presage an upward movement for tin litho items?

(15) IN THEIR OWN WORDS. From the May issue of Smithsonian magazine, “An Oral History of ‘Star Trek’”.

The trail-blazing sci-fi series debuted 50 years ago and has taken countless fans where none had gone before…

In the teleplay for the first pilot, “The Cage,” starring Jeffrey Hunter as Capt. Christopher Pike, Roddenberry described the establishing shot in detail: “Obviously not a primitive ‘rocket ship’ but rather a true space vessel, suggesting unique arrangements and exciting capabilities. As CAMERA ZOOMS IN we first see tiny lettering ‘NCC 1701- U.S.S. ENTERPRISE.’”

Walter M. “Matt” Jefferies (production designer, “Star Trek”) I had collected a huge amount of design material from NASA and the defense industry which was used as an example of designs to avoid. We pinned all that material up on the wall and said, “That we will not do.” And also everything we could find on “Buck Rogers” and “Flash Gordon” and said, “That we will not do.” Through a process of elimination, we came to the final design of the Enterprise.

Gene Roddenberry I’d been an Army bomber pilot and fascinated by the Navy and particularly the story of the Enterprise, which at Midway really turned the tide in the whole war in our favor. I’d always been proud of that ship and wanted to use the name.

Roddenberry’s attention to detail even extended to the ship’s computer at a time when computers were punch card–operated behemoths that filled entire rooms. In a memo on July 24, 1964, to production designer Pato Guzman, Roddenberry suggested, “More and more I see the need for some sort of interesting electronic computing machine designed into the USS Enterprise, perhaps on the bridge itself. It will be an information device out of which the crew can quickly extract information on the registry of other space vessels, spaceflight plans for other ships, information on individuals and planets and civilizations.”

Gene Roddenberry The ship’s transporters—which let the crew “beam” from place to place—really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet. And secondly, it would take a long time to get into our stories, so the transporter idea was conceived so we could get our people down to the planet fast and easy, and get our story going by Page 2.

Howard A. Anderson (visual effects artist, “Star Trek”) For the transporter effect, we added another element: a glitter effect in the dematerialization and rematerialization. We used aluminum dust falling through a beam of high-intensity light.

[Thanks to John King Tarpinian, Will R., and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/15/16 Barkleby

AKA Dogless In The Arena

(1) WHERE NEXT TREK FITS IN. IGN reports

Birth.Movies.Death.’s sources are saying that the CBS All Access show will be set in the classic continuity, which is to say not in the J.J. Abrams reboot-verse. Additionally, Season 1 of the series will be set before the era of The Next Generation, but after the events of Star Trek VI: The Undiscovered Country. That covers a lot of years, and BMD’s report is not specific beyond that, but essentially what this means is that the era that could be covered spanned the time of the Enterprise-B (the one captained initially by Cameron from Ferris Bueller!) and the Enterprise-C (the one that was destroyed defending a Klingon outpost, as we learned in the classic TNG episode ‘Yesterday’s Enterprise’). Not that an Enterprise will figure into the show necessarily…

(2) THE CHECK STOPS HERE. Scott Edelman’s Eating the Fantastic with Andy Duncan, Episode 6 of the series, unfolds at the Princess Cafe in the same booth where Harry and Bess Truman had lunch one Father’s Day more than 60 years ago.

Andy Duncan and Scott Edelman.

Andy Duncan and Scott Edelman.

Andy’s an award-winning writer many times over, having won a Theodore Sturgeon Memorial Award, a Nebula Award, and three World Fantasy Awards. Plus he’s also been nominated for the Bram Stoker and Shirley Jackson Awards. His collections include Beluthahatchie and Other Stories (which came out in 2000) and The Pottawatomie Giant and Other Stories (published in 2011).

(3) BEHIND THE THRONES. Maureen Dowd interviewed Peter Dinklage for the New York Times “Dinklage and Dragons: Will Tyrion Win the ‘Game of Thrones’?” And blabbed a secret.

So now that the global hit — Season 6 starts in two weeks — has brought his character, the wily and louche “halfman” and “perverse little imp” Tyrion Lannister, into the sun-baked realm of Daenerys Targaryen, was it fun to act with the dragons? Or were they temperamental divas who chewed — or incinerated — the scenery?

“They’re not real,” he says, looking at me solemnly with his big, droopy blue eyes.

Whaaaaa? I am shocked, given the C.I.A.-level secrecy around the HBO show — which has sometimes confiscated extras’ cellphones and this year declined to provide the press with episodes in advance — that Dinklage would let such a huge spoiler slip out. (On a less top-secret note, HBO plans to make a comedy pilot inspired by my book “Are Men Necessary?”)

“The dragons are just a projection,” Dinklage says in his melodious baritone. “Ah, working with something that is not there. Sometimes I work with some actors who aren’t fully there. The guys in the visual effects department show you pre-visualizations, pre-vis. It used to be just storyboards, but now they’re really well done on computers, and you see the whole scene with you and the animated dragons before you do it, so you get that in your head. It’s neat. It’s cool. I like it.”

(4) A CENTURY OF FORRY. Monsterpalooza, April 22-24 at the Pasadena Convention Center, will feature a Forry Ackerman centennial panel on Sunday afternoon.

Forry 100th at MonsterPalooza

(5) TELEREAD COVERS HWA CONTROVERSY. Paul St. John Mackintosh, in “Horror Writers Association endures horrific meltdown over Bram Stoker Awards juror”, catches up on the David A. Riley story at TeleRead.

Riley, meanwhile, protested on his blog that: “It has been alleged by some people that I would be prejudiced against anything written or published or edited by non-white writers/publishers/editors. Utter twaddle. Yes, I am so prejudiced that I have paid for covers on two of the books I have published by Vincent Chong – one of my favourite artists. I am also in an advanced stage of negotiating with a black British writer to publish a collection of his stories.” Following that comment, the same Facebook respondent also posted: “That’s like saying I’m not racist I HAVE A BLACK FRIEND.”

Since I’ve found that my own past writings on the previous Riley controversy are being quoted in this context – as somehow “less negative than most” – I want to be quite clear where I stand on this go-round. Editorship of a revived horror anthology franchise is a totally different ball game to serving on a jury for a major award. Lisa Morton may say that “in specific regard to HWA’s Bram Stoker Award juries, the HWA will certainly act if/when a juror’s personal views have a provable impact/bias against a writer or his/her works,” but I can’t see how a juror’s potential bias can not be an issue when appointing them to an awards jury. Would some worthy candidates boycott the Awards simply because Riley is on the jury? It’s already happened. Would the Stokers be tarnished by association? Ditto.

(6) ON THE BOTTOM. The BBC has pictures: “Film’s lost Nessie monster prop found in Loch Ness”.

A 30ft (9m) model of the Loch Ness Monster built in 1969 for a Sherlock Holmes movie has been found almost 50 years after it sank in the loch.

The beast was created for the Billy Wilder-directed The Private Life of Sherlock Holmes, starring Sir Robert Stephens and Sir Christopher Lee.

It has been seen for the first time in images captured by an underwater robot.

Loch Ness expert Adrian Shine said the shape, measurements and location pointed to the object being the prop.

The robot, operated by Norwegian company Kongsberg Maritime, is being used to investigate what lies in the depths of Loch Ness.

(7) INVENTED LANGUAGES. John Garth reviews A Secret Vice: Tolkien on Invented Languages , edited by Dimitra Fimi and Andrew Higgins, is published by HarperCollins, in “Teach yourself Dwarvish: behind Tolkien’s invented languages” at New Statesman.

It is only thanks to a talk that he gave in 1931 at his Oxford college, Pembroke, that we have his considered thoughts on language invention. From its title, “A Secret Vice”, onwards, he strikes a note of embarrassment: “I may be like an opium-smoker seeking a moral or medical or artistic defence for his habit.”

It was indeed a long-standing obsession. Although the editors of this new critical edition place his earliest inventions in his mid-teens, Tolkien told one interviewer that he began when he was eight or nine. His talk is a vigorous defence of the “hobby” and, with the support of the background commentaries provided by Dimitra Fimi and Andrew Higgins, it becomes clear that the invention of languages has been a surprisingly widespread activity. A Secret Vice is a thoroughly engaging introduction for the outsider.

Tolkien describes hearing a fellow officer in a dull First World War army lecture exclaim dreamily, “Yes, I think I shall express the accusative case by a prefix!” Whether or not this is Tolkien in fictional guise, the scene is nicely conjured. “How far he ever proceeded in his composition, I never heard. Probably he was blown to bits in the very moment of deciding upon some ravishing method of indicating the subjunctive. Wars are not favourable to delicate pleasures.”

(8) GUNN REVIEWED BY LETSON. Russell Letson reviews Transgalactic by James Gunn for Locus Online.

…On one hand, SF traditionally sees itself as celebrating New Things so new that they haven’t even happened yet. On the other hand, there are the alternate history and steampunk subgenres (the latter of which quite deliberately adapts SF motifs and grafts them onto historical settings), so there is clearly an audience for retro-flavored entertainments.

And in any case, SF has worked and reworked its core materials since before the genre even had a name. With space opera, work by, say, Neal Asher, Iain M. Banks, Nancy Kress, Linda Nagata, or Walter Jon Williams is part of a tradition that goes back to E.E. ‘‘Doc’’ Smith and extends through Edmond Hamilton, Jack Williamson, Poul Anderson, and Jack Vance. Its story-space is a galaxy populated by exotic alien species, containing one or more star-spanning polities, possibly with a dizzyingly deep history. It is a setting made for explorations, intrigues, alien encounters, and wars – arguably a futureward projection of the condition of an Earth that still had blank spaces on the map, unknown peoples and societies, and tramp steamers to visit them.

This brings me to Transgalactic, the sequel to James Gunn’s Transcendental (reviewed in December 2013), which maintains its predecessor’s backward looks at earlier genre motifs and atmospherics. Transcendental echoes Olaf Stapledon in its embedded pilgrim-tales of alien evolutionary paths and ends with scenery and action right out of the SF-pulp version of lost-city adventures. Transgalactic continues that latter line, interleaving images and gestures from earlier cycles of science-fictional storytelling with more contemporary devices and shaping the whole concoction into an old-fashioned interstellar odyssey. …

(9) TODAY IN HISTORY

  • April 15, 1983 — New-wave sci-fi classic Liquid Sky debuts in theaters.

(10) POPCORN WILL BE SOLD. Film exhibitors were courted at CinemaCon. Variety has the details — “Warner Bros. Offers ‘Wonder Woman’ Footage, Touts ‘Expansive’ DC Comics Universe”.

Warner Bros. talked up the “expansive” nature of the DC Comics cinematic universe during a presentation to exhibitors at CinemaCon on Tuesday, while debuting footage from “Wonder Woman” that highlighted the Amazonian warrior princess beating up a platoon of World War I soldiers. There was also a brief glimpse of love interest Chris Pine atop a motorcycle, as well as Wonder Woman using her shield to deflect gunfire, and riding a horse, sword drawn and ready for action…

The DC presentation ended on a high note with an ebullient Will Smith and the cast of “Suicide Squad,” a film about a team of super villains, taking the stage.

“What if Superman decided to fly down, rip off the roof of the White House and grab the president right out of the Oval Office,” a character asks in the extended trailer shown to the audience, setting up the film’s stakes. “Who would stop him?” The answer was a rag-tag group of amoral avengers, brought together by shadowy government operatives looking for an edge in a world of metahumans.

Smith promised that “Suicide Squad” will “fill those theaters up real thick,” while director and writer David Ayer pledged that “thirsty, hungry people are going to show up.”

(11) BYE KITTY. Rachel Swirsky bids “Farewell to Carrie Vaughn’s urban fantasy series about a werewolf named Kitty”.

Poor Kitty Norville. Everyone always laughs at the werewolf named Kitty, even though, as she points out, she had the name first.

I’ve read every single one of Carrie Vaughn’s urban fantasy series staring a werewolf named Kitty. So, of course, just like Mary Robinette’s Glamourist Histories and John Scalzi’s Old Man’s War, Carrie’s books ended last year.

The best one is book four. It packs a hell of a punch…

(12) STAR PROJECT. SFWA’s latest Star Project is By the Silver Wind by Jess E. Owen.

Fair winds to you!

If you’re already a member of the Gryfon Pride, please, make yourself comfortable, find a mossy rock to lounge, or go explore the amazing rewards for this, the campaign to fund the final volume of the Summer King Chronicles.

To those who are new, welcome! You’ve entered the world of the Silver Isles, where gryfons rule, dragons roam, ravens riddle, and wolves sing. I hope you’ll stay and become a member of the Pride!

The SFWA Blog explains:

This is a model Kickstarter for all self-published professionals. Congratulations!

SFWA makes small, targeted pledges to worthy Kickstarter projects by non-members, designating them  “SFWA Star Projects.” Projects are selected by the Self Publishing Committee, with coordination by volunteer Rob Balder. Selections are based on the project’s resonance with SFWA’s exempt purposes, and special preference is given to book-publishing projects in appropriate genres.

Funds for these pledges come from the SFWA Givers Fund. When pledges result in receiving donor rewards (such as signed books), these items will be auctioned off at fundraising events, to help replenish the Givers Fund.

The project has 10 days left in its campaign. All support is appreciated.

(13) 55 YEARS AGO IN THE UK. Galactic Journey’s overseas corresponded Ashley Pollard delivers “[April 15, 1961] London Calling (A Peek At UK Fandom)”.

Now a Red star has risen in the East — Vostok — aboard the ship is the first human in space: Major Yuri Gagarin, who is now a Hero of the Union of Soviet Socialist Republics and by extension a hero for all mankind.  The local prestige of our former wartime allies had plunged due to the recent discovery and capture of the Portland Spy Ring, causing ripples of concern over secrets lost, so having Major Gagarin take over the headlines has been welcome change — if only from one kind of paranoia to another: Reds with atomic secrets versus Reds in Space!  And because it turns my liking for all things to do with rocketry into a respectable talking point at parties.

Certainly, Thursday nights conversation at The London Circle, a meeting of like minded science fiction fans, was of nothing else.  (The London Circle was the basis for Arthur C. Clarke’s Tales from the White Hart.  I will not be drawn into the recent fan feud that has split the group because I attend for the absence of the pub and the chance to have a G&T with ice and a slice. How very non-fannish of me.)

Of course, this being Britain, we had to draw comparisons to Nigel Kneale’s Quatermass Experiment and the British Experimental Rocket Group and what happened to the hapless astronaut to leaven the concerns of those who see Soviet dominance in space as threat to World Peace.

As you can well imagine our conversations were more along the lines of aliens returning to Earth with Major Gagarin, and what would the Russian counter-part of Bernard Quatermass do?

(14) CHARITABLE COSPLAY. Will R. writes, “There seems to be a real thing over here–maybe it’s true in the States too–of people cosplaying for good (not to say cosplaying isn’t good for its own sake, I just mean explicitly to help others). We watched a doc one night on Star Wars cosplayers, who invest thousands in being Boba Fett or whatever, and do a lot of charity events in costume. It’s cool. Real heroes, you ask me.”

BelfastLive reports on one example — “Batman swoops into Northern Ireland Hospice to make patient’s dream come true”.

Batman swooped in from Gotham City to make a super fan’s dream come true – and share some crime-fighting secrets.

Northern Ireland Hospice patient Gary Owen – a self-confessed Dark Knight fanatic – received a very special visit from his hero today.

Gary, who is 28 and comes from Newcastle Co Down, chatted for more than an hour with the man in black, discussing movies, comics, Batman gadgets, and how to deal with villains.

The caped crusader brought special gifts from Forbidden Planet Belfast and exclusive Batman vs Superman merchandise – before Gary and his family watched The Dark Knight Rises movie.

A spokesman for Northern Ireland Hospice told Belfast Live: “Gary’s passion for Batman and super-heroes was obvious to Northern Ireland Hospice nursing staff and inspired them to create a special memory for him and his loving family.

“We created a cinema in the Day Hospice for Gary and family to watch the Dark Knight Rises, and Batman came in with gifts and comics.

“He and Gary chatted as if they had known each other for a long time. It is occasions like this that make lasting memories for families….”

 [Thanks to John King Tarpinian, Andrew Porter, and Hampus Eckerman for some of these stories. Title credit belongs to File 770 contributing editors of the day Will R. and Nicole J. LeBoeuf-Little.]

Pixel Scroll 3/27/16 (I’ll Never Be Your) Star Beast of Burden

(1) DANGER WILL ROBINSON! “’Lost in Space’ robot saved from Valley Village fire” reports Daily News.

TV and movie props that included a robot reportedly from TV’s “Lost in Space” were saved from destruction late Wednesday in Valley Village due to the efforts of Los Angeles firefighters.

The LAFD responded about 11:30 p.m. to a garage fire in the 5100 block of Whitsett Avenue. Firefighters attacked the blaze, which was electrical in nature, a fire department spokesman told a photographer at the scene.

The home belongs to a prop designer and special effects artist who was out of town at the time, according to a caretaker who woke to the smell of smoke.

(2) JOCULARITY. Two Easter hams are heard from.

(3) HEARSAY. Mark Evanier’s friend has convinced him this weekend’s blockbuster is “Not the World’s Finest” – as he explains at News From ME.

I don’t have a whole lot of interest in seeing the new Batman Vs. Superman movie, a film which has achieved something I didn’t think was possible. It actually caused my dear friend Leonard Maltin to use the word “sucks” in his review. Even Rob Schneider never managed that and lord, how he tried.

(4) PARAGRAPH FROM A FUTURE TRIP REPORT. GUFF delegate Jukka Halme outlined how he spent the day.

Sunday at Contact 2016 has been a small whirlwind. Moderated my first panel (Through New Eyes), which went really well. Chatted way too long at the Fan Fund table with the Usual Suspects. Bought books. Just a few. Waited ages for my Pad Thai at the hotel restaurant, that was brimming with people and not too many employees, Presented a Ditmar, with a little bit of Bob Silverberg routine (VERY little) to Galactic Suburbia. Held an auction for fan funds, which went smashingly well. And missed the bar, since this is a dry state and while it is apparently OK to sell alcohol during Easter Sunday, places either close up really early, or everybody had left the bar.

(5) AN AUTHOR’S USE OF NAVAJO CULTURE. “Utah author features Navajo characters, history in new science fiction thriller” in Deseret News.

After serving a mission for The Church of Jesus Christ of Latter-day Saints on a Navajo reservation in New Mexico, Robison Wells, who lives in Holladay, fell in love with both the area and the people he served. When he wrote his newest book, “Dark Energy” (HarperTeen, $17.99, ages 13 and up), which features several Native American characters and is scheduled to be released March 29, he worried about portraying them in the correct way.

“I wanted to show respect for the culture,” he said. “I didn’t want to appropriate their culture or their traditions.”

He sent his manuscript out to a lot of Navajo readers to get their reactions and tried to adjust his book accordingly. He knew writing a story centering on Native American characters and history would be a difficult and controversial thing to do, but he felt that it was such a compelling story that he had to tell it.

(6) ADDRESS FOR HAMNER CONDOLENCES. Anyone wishing to send a letter or card to the family may do so at the address below.

Jane Hamner
P.O. Box 220038
Newhall, CA 91322

(7) TODAY’S BIRTHDAY BOY

  • Born March 27, 1963 — Quentin Tarantino

(8) TODAY’S BLOOD-PRESSURE BOOSTER. Jason Sanford says “The Retro Hugo Awards must be fixed”.

If any particular Worldcon wants to give out Retro Hugos, then e-book and/or online anthologies of eligible authors and stories must be made available to those nominating for the awards. And that must include works which are not in the public domain. Yes, it would take time to do this but I imagine most publishers and/or author estates would be willing to make the stories available for members at no cost.

But even if voters have access to stories from decades ago, it’s still unlikely that as many people will take part in the Retro Hugo nominating process as takes part in nominating for the regular Hugos. This, unfortunately, leaves the Retro Hugos open to missing important works and to being gamed.

To fix this here’s my next suggestion: Use a combination of juries and regular Worldcon members to nominate works for the Retro Hugos. 

I know juries seem like the ultimate insider power play, but when you’re dealing with stories published 75 or 100 years ago it can be useful to have experts in that genre time period also nominating stories. Perhaps the jury could nominate two of the five works in each category, and Worldcon members could nominate three of five. This also seems like a sensible way to make sure the nominated stories are truly the best that year has to offer.

(9) CAN MUSK AFFORD A MARTIAN ODYSSEY? “Neil deGrasse Tyson to Elon Musk: SpaceX Is ‘Delusional’ About Mars”. A writer at The Motley Fool explains Tyson’s reasons.

In less than 10 years from now, SpaceX may or may not beat NASA in the race to Mars. Astrophysicist, Hayden Planetarium director, and host of the National Geographic Channel’s StarTalk Dr. Neil deGrasse Tyson is placing his bet on “not.”

“The delusion is thinking that SpaceX is going to lead the space frontier. That’s just not going to happen…” Tyson said in an interview with The Verge. Tyson laid out his arguments for why fans of a solo SpaceX trip to Mars suffer from a “delusion.” According to Tyson, there are three main reasons SpaceX cannot go to Mars on its own.

Reason 1: Cost

“So if you’re going to bring in investors or venture capitalists and say, ‘Hey, I have an idea, I want to put the first humans on Mars.’ They’ll ask, ‘How much will it cost?’ You say, ‘A lot,'” Tyson said in the interview.

Tyson says it’s “very expensive” to go to Mars. How expensive? Some estimate $30 billion, but a bill of $160 billion isn’t out of the question, and critics in Congress charge that the total cost could reach $500 billion….

(10) CAT GOT YOUR TONGUE? Camestros Felapton is away traveling for a month. During their absence, Timothy the Talking Cat has taken over the blog, and has been busy posting such literary gems as “Timothy retells Dune”.

…Now there was this posh elitist liberal progressive family called the Artyfarties. They like super sucked at making money. The dad was a real wimp and the mum was in some sort of feminist cult. The son looked like the crazy guy in Agents of Shield but younger and more wimpy. The kid Artyfarties thought he was so much smarter than everybody but was a big wimp.

Now Boss Harkonen took pity on the Artyfarties. Big mistake! But he had a kind heart and he hated to see the Artyfarties suck so badly at businessing. So Boss Harkonen says to Dad Artyfarties: “You can run this planet for me. It is the only place you get Old Spice Magic which makes people young and makes spaceships run. It’s a classic monopoly, you can’t go wrong. Just don’t screw it up!” ….

(11) MEASURING SUCTION. Which is worse? Timothy the Cat’s retelling, or David Lynch’s? It’s close. Here’s Jonathan K. Dick’s evaluation of the movie at A.V Club, Dune can’t capture the novel’s incalculable brilliance”.

So what the hell is wrong with Lynch’s Dune? Before the collective “everything” echoes through the internet, it’s important to understand that the phrase itself “Lynch’s Dune” should already throw up the kind of red flags usually reserved for impending, air-raid level danger. Four years removed from his time behind the chair as director for the spirit-lifting biopic The Elephant Man and its eight Academy Award nominations, Lynch received the go-ahead from producer Raffaella De Laurentiis to direct the film adaption of Dune. This after 20 years, no less than 10 directors, producers, screenwriters, scripts, and general filmmaking anxiety that included the likes of Ridley Scott, Rudy Wurlitzer, Robert Greenhut, and of course the brilliantly documented attempt by Alejandro Jodorowsky.

(12) FIRST SEASON FLINTSONES COSPLAY? The Traveler from Galactic Journey amusingly interprets cosplay at this weekend’s WonderCon in terms of what fans knew in 1961 — “[March 27, 1961] What A Wonder! (WonderCon)”.

These are generally smallish affairs compared to their business-oriented cousins, with attendance running into the hundreds.  But for the fan who normally has a local community of just a half-dozen fellows (and perhaps many more as pen pals), going to a convention is like a pilgrimage to Mecca.  One meets people with completely different experiences, different perspectives.  There is the opportunity to get news from far and wide on exciting new projects, both fan and professional.  And the carousing is second to none, both in the heights of enthusiasm and creativity.

Take a look at my newly developed roll of shots from “WonderCon”, a sizeable affair held last weekend in Los Angeles.  These are some dedicated fans, some fabulous costumes, and some terrific times!

First off, a few attendees who came in street clothes: …

(13) MILESTONES ABOVE THE SKY. Motherboard advises that “‘In Space We Trust’ is a Beautiful History of Exploration”

In the timeline (which for all its beauty will entirely monopolize your CPU usage) you navigate the history of space as a young cosmonaut. The timeline begins with the October 4, 1957 launch of Sputnik and takes the user through all the major space milestones: first spacecraft, journeys to other planets, landings on celestial bodies.

Each milestone is accompanied by a series of stunning animations, a brief description of the event and a link to a Wikipedia page on the topic in case you want to read more. Your journey is orchestrated with an ethereal soundtrack that is overlaid with sounds from space like cosmonauts on a radio or rocket engines igniting.

 

 [Thanks to John King Tarpinian, JJ, Martin Morse Wooster, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]