Swarovski Crystal Star Wars Figures

John King Tarpinian snapped this photo of Swarovski’s window display at his local mall.

Just won the lottery and need the right holiday gift for the Star Wars fan in your life? That’s the price level we’re talking about, for the big guy, anyway…


Star Wars – Darth Vader, Limited Edition 2017

$ 10,250.00

Limited to 300 pieces worldwide, this unique masterpiece is only crafted on demand and comes with a certificate of authenticity. An exclusive design showing Darth Vader, one of the most popular and iconic characters from the Star Wars movie series, with over 29’000 hand-set crystals. Authentic and detailed, this stunning Limited Edition showcases Swarovski’s expertise in the Pointiage® technique, and each piece takes over 120 hours to complete. Each one is engraved with its own edition number on the granite base, and delivered in a premium blue suitcase. The shipping procedure includes insurance and a delivery notice. Find out more about this procedure under Online Shop Assistant – Order Process. Decoration object. Not a toy. Not suitable for children under 15.

  • Size: 10 3/4 x 5 1/2 x 3 7/8 inches

Star Wars – R2-D2

$ 239.00

Fans of Star Wars: The Force Awakens can find a home for iconic droid R2-D2. The lovable character has been expertly crafted in crystal and features 446 luminous facets and detailed prints. Sure to amuse and impress, it’s a must-have for any aficionado. Decoration object. Not a toy. Not suitable for children under 15.

  • Size: 2 5/8 x 1 3/4 x 1 5/8 inches

Star Wars – C-3PO

$ 325.00

From a galaxy far, far away to your own home, with this stunning depiction of C-3PO. Exquisitely crafted in golden and red crystal, it boasts black detailing and a white crystal base. In all, the ever-helpful droid, which featured in Star Wars: The Force Awakens, features 537 sparkling facets. The perfect present for those who follow the Star Wars franchise. Decoration object. Not a toy. Not suitable for children under 15.

  • Size: 4 3/8 x 2 1/8 x 1 7/8 inches

Star Wars – BB-8

$ 129.00

Bring the excitement of Star Wars into your home with this exquisite depiction of BB-8. Instantly recognizable from his turn in 2015’s Star Wars: The Force Awakens, everyone’s new favorite droid has been expertly crafted in crystal with 226 sparkling facets and detailed prints. A must for any Star Wars fan. Decoration object. Not a toy. Not suitable for children under 15.

  • Size: 1 7/8 x 1 1/4 x 1 1/4 inches

[Thanks to John King Tarpinian for the story.]

Pixel Scroll 11/14/17 The Rise And Fall Of Ziggy Scrollbar And The Pixels From Mars

(1) PRO TIP FROM SFWA. SFWA Director Kate Baker issued this word to the wise —

(2) WINDYCON APOLOGY. At Windycon.org, the Windycon 44 statement regarding the Tutti Frutti Literature panel title and description from convention chair Daniel Gunderson.

Now that the convention is over, we have had the opportunity to read through the many posts and comments on the subject. We have taken to heart the hurt and anger caused by the poor choice of wording used in the title and description of this panel.

We are very sorry we offended. While this was not our intention, it was the result, and for this we sincerely apologize.

We will be working to ensure this does not happen in the future. These are some specific steps we will take moving forward.

We will push back the programming timeline significantly. This will allow for more careful choice in wording for panel titles and descriptions. This will also allow more time for oversight and review of titles and descriptions.

We will work to keep titles and descriptions clear and unambiguous. Panel titles should be sufficiently clear that the entire intent of the programming item can be understood from the title alone. Descriptions will be used to provide additional information about the panel, but will not be relied on to supplement an insufficient title.

We will make sure to run titles and descriptions past a larger group of individuals who were not involved in the generation process. This will provide the opportunity to have outside individuals point out potentially problematic phrasing that programing may not have been aware of, or may have been blinded to by already understanding the original intent.

As of this posting, we have removed the programming item from our online programing list, so we do not continue to offend.

Again, we deeply apologize for any pain this may have caused.

(3) HELP NEEDED. Long-time LASFSian Mike Donahue has started a GoFundMe appeal — Help Mike Donahue keep his home. He gives the full explanation at the link. It begins:

I’m in imminent danger of a bank sale on my house, which is in foreclosure. No date has yet been set. I’ve been given a pay up date of Dec 5 2017. They can move before that, I don’t know. And they don’t tell you the info you need.   Or how long after that they force the sale on the house. I was in an auto accident in January, which greatly strained my cash resources….

(4) SUPERPEDESTRIAN. In the early Seventies, Margaret Atwood wrote Kanadian Kulchur Komics under a pseudonym. She tells what it was like in — “Margaret Atwood reflects on the significance of her This Magazine comic strip”.

Yes, it’s a blast from the past! Or if not a blast, maybe a small firecracker?

Whose past? My past, obviously: I was Bart Gerrard, one of my noms de plume—the name of a then-forgotten and probably now more-forgotten Canadian newspaper caricaturist of the turn of the century.

…The central joke of the Survivalwoman comics was this: in 1972 I’d published a book called Survival: A Thematic Guide to Canadian Literature, which had made waves of a sort, not all of them friendly. This book was an attempt to distinguish what people wrote in Canada from what they wrote in the United States and the United Kingdom, in riposte to what we were so often told: that there wasn’t any Canadian literature, or if there was, it was a pale echo of things written in large, cosmopolitan, important places. Survival against the odds—both natural and human—I took to be one of the leitmotifs of such Canadian writing as I could get my hands on then, in the dark ages before the Internet, print-on-demand, and Abe Books.

Pair that leitmotif with the fact that, in the world of comix, Canada did not have a superhero of its own—Nelvana of the Northern Lights and Johnny Canuck and their bros and sisses having vanished with the demise of the wartime “Canadian Whites” in approximately 1946. (King of the Royal Mounted did not count, being American. Anyway, King had no superhuman features, unlike the present-day Wolverine.)

So what more appropriate than Survivalwoman: a superheroine with no discernable powers, who had a cape but could not fly—hey, it was Kanada, always lesser—and came equipped with snowshoes? The visual design was based on me—curly hair, short—as was part of the personality—earnest and somewhat clueless.

(5) BE ON THE LOOKOUT. If any of you have good celebrity connections, David Brin could use a hand getting invitations out to people he’d like to have involved in his 20th anniversary screening of The Postman.

I’m putting out a call! If any of you know genius cinematographer Stephen F. Windon, or genius cinematic composer James Newton Howard, I’m hoping to invite them to a special, 20th anniversary screening of The Postman at UCSD’s Arthur C. Clarke Center for Human Imagination. Whatever its faults, the film is musically and visually one of the dozen or so most gorgeous films ever made. (With a small but growing cult following.)

I’d invite Kevin Costner – who certainly gets some credit for that beauty – and screenwriter Brian Helgeland too – (or any of the younger Costners in the film) because I think the flick had more heart that any other from that era. Alas, no method I’ve researched seems to penetrate the Hollywood protective barriers, not even for Mr. Windon. And Tom Petty is now beyond reach, alack.

(6) SPFBO FINALS. Mark Lawrence has set up a post to track the “Self-Published Fantasy Blog-Off Finals”. At this stage, the 10 finalists will be chosen based on the scores of participating blogger-reviewers. They are: Bookworm Blues, Fantasy-Faction, Fantasy Book Critic, Lynn’s Books, The Qwillery, Pornokitsch, Ventureadlaxre, Fantasy Book Review, Booknest, and Kitty G video reviews.

There’s not much to see there yet, but it will become more interesting as the results are filled in.

Filers will be interested to know there are links to a large number of book reviews at the post for the first phase of the Blog-Off, in which 200 of the 300 works under consideration were eliminated.

(7) FRESH HORROR. Brett J. Talley, whose name has appeared in this blog before as a Bram Stoker nominee, is up for a federal court appointment. The Daily Beast has the story: “Before He Was Tapped By Donald Trump, Controversial Judicial Nominee Brett J. Talley Investigated Paranormal Activity”. There’s more at the link about his interest in Lovecraft.

Brett J. Talley, nominated by President Donald Trump to the Federal District Court in Montgomery, Alabama, has never tried a case, is married to a White House lawyer, and has been dubbed as unqualified by the American Bar Association.

… But ghost chasing wasn’t a quirky side-hobby. Indeed, before he became the embodiment of the Trump administration’s efforts to pack the courts with young, conservative, sometimes dubiously-credentialed judges, Halley wrote books about paranormal activities that earned him numerous plaudits. And not just within the horror fiction scene. Stuart Stevens, Mitt Romney’s campaign manager in 2012, was a fan too.

“I find it hilarious that no one is writing about his horror writing. He has a cult following.” Stevens told The Daily Beast. “I have to say I wasn’t really aware he was a lawyer as my dealings with him were as a writer on campaign. He’s an interesting, smart guy. But so is Stephen King.”

(8) FIN DE CYCLE. James Davis Nicoll, in “Seasons Crying No Despair”, says it wasn’t easy, but David Axel Kurtz’ Northern Tier won him over.

Those reservations aside, I got drawn into Slip’s story, which is saying a lot when you consider how very much I dislike bicyclists as a group. Having been run over on numerous occasions by scofflaw bicyclists, I live for a future in which the use of bicycles is limited to the Marianas Trench, the Lunar farside, and the surface of the Sun, places I do not plan to visit any time soon. I am not the target market for thrilling tales of bicyclists and the increasingly vast armies who stalk them. Nevertheless, Slip won me over; she persisted.

(9) TODAY IN HISTORY

  • November 14, 1851 Moby Dick is published.
  • November 14, 1969 – Apollo 12 took off.

(10) TODAY’S BIRTHDAYS

  • Born November 14 – Cat Rambo
  • Born November 14 – Wolf Von Witting
  • Born November 14 — Moshe Feder
  • Born November 14 – Edd Vick
  • Born November 14 – Charles Mohapel

(11) FINAL FRONTIER. Fan-made Star Trek Continues released Part II of its last episode “To Boldly Go.” (Find Part I here.) Executive Producer Vic Mignogna (also the series’ “James T. Kirk”) told Facebook followers:

No vocabulary can express how much this production has meant to me. From the very beginning, all I knew was that I wanted to make one episode of Star Trek the way I remembered it. Would anyone like it? I didn’t know. Would I make another? I didn’t know. All I knew was that I wanted to pay tribute to Bill, Leonard, Gene and everyone who made the show that meant so much to me when I was a boy. I would use all the skills that TOS inspired me to try for the first time to make the best episode I could. I never imagined so many amazing people would do so much, and I’m deeply humbled by their involvement. I will be forever grateful to the cast, crew & volunteers who selflessly gave so much to make Star Trek Continues a reality. And to you, the viewers and fans, for your support and enthusiasm. With bittersweet joy, we present our final episode. Hopefully, it will be a long lasting tribute and historic ending to the most iconic television series in history.

 

(12) COMING SOON ON AMAZON. People are having a lot of fun with the idea of a new Lord of the Rings series on Amazon. This idea beats Dynasty and Dallas to pieces.

(13) PRE-RINGS CIRCUS. Nathaniel Ingraham tries to figure out what the Amazon series will be like in “Amazon’s ‘Lord of the Rings’ prequel will need to forge its own identity”. One of his ideas comes from a video game:

Of course, Amazon new series won’t be the first new narrative set in Middle-earth. The most recent example is the 2014 video game Middle-earth: Shadow of Mordor (and its newly-released sequel). The game drew players in by using the familiar setting of Mordor, a familiar timeframe (between the events of The Hobbit and The Lord of the Rings), iconic characters like Gollum and crucial elements like the Rings of Power. But it also starred entirely new characters, expanded Tolkien’s mythology and told an entirely new story.

It wasn’t perfect (that ending!), but Shadow of Mordor overall did an admirable job at taking a familiar setting and writing a new story around it. It’s the kind of product that could serve as a blueprint for how Amazon can create a new property that will hook loads of viewers while still paying service to longtime fans. Simply being able to reference The Lord of the Rings will be enough to bring in many viewers — millions have seen Jackson’s films and won’t care if the series is telling stories Tolkien himself didn’t dream up. Add in the fact that Game of Thrones will wrap up in 2018 or 2019 and it’s easy to imagine those viewers getting their fantasy methadone from Amazon’s new series.

Ultimately, the enduring popularity of Tolkien’s work is what Amazon is banking on here. Yes, there will absolutely be a cadre of fans who hate what Amazon produces, but that group will almost certainly be outnumbered by people enjoyed The Lord of the Rings at some point in their life and decide to give Amazon’s series a shot — if the show is good.

(14) MORDANT OF THE RINGS. Adam Whitehead engages in less serious – well, frankly hilarious – speculation about “Ideas for the new LORD OF THE RINGS TV series” at The Wertzone.

This Ent-focused conservation programme, voiced over by David Attenborough, will fuse almost-thrilling episodes where the Ents discuss a problem for hours on end with notes on the shameful deforestation of Fangorn Forest and destruction of the surrounding ecosystem.

(15) DARK VADER. Mark Hepworth sent this photo with his brew review: “I thought a beer item might enliven the scroll. I came across this in a local-ish pub and obviously had to try it. It was much more drinkable than I’d expected from a Sith Lord!”

(16) MARTIANS AND SIGOURNEY WEAVER. Mark Swed reviews “‘War of the Worlds’: Delirious opera rises from the death and destruction of L.A.” in the Los Angeles Times.

So here’s what you need to know about the heavily hyped “War of the Worlds” that [Yuval] Sharon mounted at the Walt Disney Concert Hall on Sunday afternoon for the L.A. Phil, in collaboration with his own massively disruptive opera company, the Industry, and the nonprofit Now Art L.A. A new opera and new kind of opera by Annie Gosfield, it does everything an opera’s supposed to. It does a lot opera’s not supposed to do. That includes immersive opera, one of Sharon’s specialties as the mastermind of “Hopscotch,” the celebrated opera in autos two years ago.

…On the most basic level, this is a fairly straightforward operatic adaption and update of Orson Welles’ famous 1938 radio broadcast, based on H.G. Wells’ science-fiction novel “The War of the Worlds.” At a time when radio broadcasts were beginning to be interrupted by news flashes, Welles treated the play as an ordinary dance-band radio program with increasingly frightening bulletins of an alien invasion.

The brilliantly theatrical night-before-Halloween prank caused panic among some gullible listeners, giving credence to Russian futurist Velimir Khlebnikov’s prediction that radio had the power to become the Great Sorcerer. Sharon sees the panic as an early-warning sign of the imposing threat of fake news.

Riffing on the radio show, this “War of the Worlds” begins as a symphony concert, albeit one with a celebrity host, Sigourney Weaver. The opera will eventually take over the concert, which is meant to include Gosfield’s new celestial orchestral cycle to commemorate the 100th anniversary of Holst’s “The Planets.”

…Weaver breaks in again and again on the first two movements with reports from outdoors, which are beamed into the hall (audio only, this is radio). Astronomy professor Pierson (actor Hugo Armstrong), standing on a parking lot, attempts to allay fear with his soothing British accent. Mrs. Martinez (mezzo-soprano Suzanna Guzmán) offers a more feverish firsthand account of the scary machines and creatures somewhere on Main Street. Gen. Lansing (baritone Hadleigh Adams) haplessly leads the troops in attacking the aliens.

Before long the music creeps into the action. The Martians have an alien voice in soprano Hila Plitmann’s stratospherically supernatural coloratura (and she does look like she might have stepped out of an outtake of “Alien”), accompanied by theremin and otherworldly percussion. Sharon’s libretto follows Peter Koch’s original radio play fairly closely. L.A. doesn’t fare any better than New York City. Civic officials are of little help, although the mayor valiantly tries. There is political humor for all.

…Finally, there are those decommissioned sirens left over from the Second World War that still peek out from behind billboards and buildings around town, noticed primarily by history buffs. They’re the symbol of the production and were one of the motivating ideas for both Sharon and Gosfield, who was obsessed with them when she studied at CalArts in the 1980s.

In the end, they are about the least interesting thing visually, theatrically or sonically about the production. It is not that they aren’t marvelous in their mysteriously antiquated way; it is just that every other aspect of this opera and its sensational production and performance happens to be more marvelous.

(17) SECURE THE NOMINATION. Timothy the Talking Cat has picked up a new vice: “McEdifice Returns: Chapter Awards”.

“Ahem, here is what I was just writing:

Dear Mr or Mrs Pulitzer, Hello. As you may know I am one of the best writers in the world. You may have already read some parts of my latest book “McEdifice Returns” a psychological drama about one man’s struggles to come to terms with his past.

I guess you are probably thinking ‘We’d love to give Timothy one of our Pulitzer Prizes but people might think it is just a way of making our prize look more popular and relevant with the cool kids’. Fear not! That is exactly the right kind of move that will help the sadly faded and increasingly irrelevant Pulitzer Prize strike a chord with modern audiences who frankly a sick of all that liberal clap-trap and just want some good old fashioned entertainment.

So I hereby give you permission to award me a Pulitzer.

Yours,

Timothy the Talking Cat

PS This is like totally a nomination so you’ll understand that from now on I’ll be saying ‘The Pulitzer Prize nominated author Timothy the Talking Cat’. That’s great free publicity for your prize. No need to thank me – just trying to help you out.

“Hmmm, I see you have also written similar letters to ‘Mr Oscar and your friend Tony’ as well as ‘Ms or Mr Grammy'”

(18) MARVEL’S MULTIPLE AVENGERS. This cover art just jumps off the screen.

Avengers: Disassemble! The epic weekly takeover continues this February when Kim Jacinto takes the reigns to draw the second month of Marvel’s biggest team adventure, and Marvel is excited to reveal the covers for issues #679 – #682 of AVENGERS: NO SURRENDER by Mark Brooks.

“In month two of NO SURRENDER, the rubber hits the road as we learn what’s really going on and who is behind it,” says SVP and Executive Editor Tom Brevoort. “A couple different Avengers make the supreme sacrifice, the action grows ever more intense—and the stage is set for the return of a major player in the Marvel line-up of stars! Oh, and the origin of Voyager!”

Co-written by Mark Waid, Al Ewing and Jim Zub with art by Pepe Larraz, Kim Jacinto and Paco Medina, AVENGERS: NO SURRENDER unites the casts and creative teams of three titles into one weekly book of exciting action. It all starts with AVENGERS #675 this January, when the teams of THE AVENGERS, UNCANNY AVENGERS, and U.S. AVENGERS come together in a story as exciting and powerful as the Marvel Universe itself.

(19) FASHION JUSTICE. Ashley Boucher, in “‘Justice League’ Amazonian Bikinis Have Twitter in Uproar: ‘Men Ruin Everything’” in The Wrap, says that there are many tweets complaining that the Amazons in Justice League wear bikinis while those in Wonder Woman didn’t.

The costumes worn by the Amazon women are noticeably different than they were in “Wonder Woman,” and viewers are afire online with discussions about how the change represents differences in the male and female gaze.

In “Wonder Woman,” directed by Patty Jenkins, the costumes were designed by Lindy Hemming, and covered the Amazons’ torsos with armor. In “Justice League,” directed by Zach Snyder, the costumes were designed by Michael Wilkinson. And while Wilkinson’s outfits keep a similar Gladiator vibe, they feature small bra tops and bottoms that some say more closely resemble bikinis than what you’d want to wear into battle.

 

(20) HISTORIC HOOCH. Back when the Little Old Winemaker was young: “‘World’s oldest wine’ found in 8,000-year-old jars in Georgia”.

Scientists say 8,000-year-old pottery fragments have revealed the earliest evidence of grape wine-making.

The earthenware jars containing residual wine compounds were found in two sites south of the Georgian capital, Tbilisi, researchers said.

Some of the jars bore images of grape clusters and a man dancing.

Previously, the earliest evidence of wine-making was from pottery dating from about 7,000 years ago found in north-western Iran.

(21) COST CUTTING. Darth Vader has been discounted: “Star Wars game in U-turn after player anger”.

Games publisher EA has changed a rule in its Star Wars Battlefront II video game after a huge backlash.

During the game, players have to obtain credits – either by buying them or through long hours of game play – to unlock popular characters including Luke Skywalker and Darth Vader.

Many players said it was unfair as the gaming required worked out at around 40 hours per character, unless they paid.

EA says the number of credits required will now be reduced by 75%.

“Unlocking a hero is a great accomplishment in the game, something we want players to have fun earning,” said executive producer John Wasilczyk from the developer Dice, in a statement.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Dave Doering, David K.M.Klaus, Chip Hitchcock, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 9/6/17 The Itsy Bitsy Pixel Scrolled Up To Kilgore Trout

(1) OUR LOCAL WATERING HOLE. It couldn’t be more perfectly named. I really need some Filers to scout out this place in Hollywood. the Scum & Villainy Cantina. They welcome not only Star Wars cosplayers, but also Trekkies, Marvel fans, and fans of Alf. Sci-fi trivia nights, intense lightsaber battles, and other antics provide entertainment.

The Scum and Villainy Cantina is nestled in the black hole of Hollywood, CA. We’re open to the public! Come in and get your geek on. All fandoms welcome. We feature themed drinks, food and games from all your favorite geek staples. Costumes always highly encouraged

 

Breakfast at Tatooine. 🌟 . 📸: @simplyjensmith #scumandvillainycantina #scifisafehouse #cosplay

A post shared by Scum & Villainy Cantina (@scumandvillainycantina) on

(2) DEL TORO. Here’s what Guillermo del Toro told The Frame’s John Horn in his latest interview: “Guillermo del Toro’s ‘The Shape of Water’ brings the filmmaker to tears”.

On seeing ‘Creature from the Black Lagoon’ as a child:

In a strange way, “Creature” is an off-shoot of “King Kong.” And “King Kong” is an off-shoot of “Beauty and the Beast” and the fascination with gorillas in the 19th century … But what I loved about it — I was six years old, watching [“Creature”] on TV and three things awakened in me: one that I shall not disclose; the second one was, I thought it was the most beautiful image I’d ever seen. I had the Stendahl Syndrome moment, in which I was overwhelmed with beauty; and the third one I felt, I hope they end up together. And they didn’t … It took me 40-something years and 25 years as a filmmaker to correct that cinematic mistake.

On his adaptation of “Creature”:

That was the point of [“The Shape of Water”] for me: the celebration of otherness, which I think is very timely. Also, the idea that we are controlled by fear right now. We are divided by fear. I wanted to make a movie about love, which sounds disingenuous because right now cynicism sounds smarter.

(3) FILM REVIEW. The BBC’s Nicholas Barber gives the new del Toro five stars: “The Shape of Water is a new beauty-and-the-beast tale”.

If you want to know what to expect from The Shape of Water, just think of it as Amélie meets The Creature from the Black Lagoon – except that they also meet The Little Mermaid, some Hidden Figures and the inhabitants of La La Land. Oh, and they bump into James Bond, too. And then there are various characters from the Coen brothers’ back catalogue. That probably sounds like three or four meetings too many, but don’t worry – The Shape of Water is unmistakably a Guillermo del Toro film. Indeed, I’d be inclined to call it the Guillermo del Toro film: the fantasy masterpiece that blends all of his fondest obsessions into one sumptuous whole.

(4) SJW CREDENTIAL ALERT. We interrupt this newscast….

(5) JUST PLAIN BILL. The LA Doctor Who convention Gallifrey One has pulled off a coup: “Pearl Mackie, Matt Lucas and David Bradley at Gallifrey One 2018”. The event takes place February 16-18 next year.

Gallifrey One is delighted to announce the confirmation today of three major headline guests for our 2018 convention, The 29 Voyages of Gallifrey One, taking place next February: Doctor Who Series 10 stars Pearl Mackie and Matt Lucas, and the new incarnation of the First Doctor himself, David Bradley.

(6) STAR WARS. Hear Craig Miller tell about his work “Marketing Star Wars in 1977” on the Blabba the Hutt podcast.

Today Jamie gets to combine his love for Star Wars, and his love for Marketing as he speaks with -Lucasfilm consultant on Marketing, Publicity and Licensing for Lucasfilm from 1977 – 1980, including the marketing for Star Wars: A New Hope in 1977 and The Empire Strikes Back in 1980.

How did Craig help build the profile of a film that should have been a complete failure? How did the Lucasfilm marketing team capture the imagination of film lovers in 1977?

Join us for a trip back in time with one of Lucasfilm’s hero’s Craig Miller.

(7) HELSINKI REMEMBERED. Tiffani Angus and Chris Butler have more to say about Worldcon 75 at the Milford SF Writers Blog. The excerpt is from Angus’ report.

I also spent time on the more mentally taxing side of volunteering by being on two panels and giving a paper. On the Friday, I was on Building Resistance, which was more about real-life than fictional situations. Later in the afternoon I participated in Two’s Company: Collaborative Genre Writing, which was an odd place for me as someone whose only collaborative genre project was my first novel—which took 10 years to write and hasn’t seen the light of day! Between those two panels I gave a paper/presentation with a rather attention-grabbing title: Where are the tampons? The Estrangement of Women’s Bodies in Apocalyptic and Post-Apocalyptic Fiction. Luckily, the audience forgave my zombie and menstrual-blood images and I received some very positive feedback and a lot of questions. Once things settle down a bit, I hope to be able to find a home for the piece. In between all of that, my colleague Dr Helen Marshall and I conducted audio interviews with several editors and authors to use as part of the distance-learning component of the MA in SFF that will start next spring at Anglia Ruskin University.

(8) CHARLES DICKENS. The Man Who Invented Christmas comes to theaters on November 22.

(9) TRIVIAL TRIVIA

The E. in Wile E. Coyote stands for Ethelbert.

(10) TODAY’S DAY

Read A Book Day

On Read a Book Day, it’s not compulsory to read a whole book but the day serves as inspiration to people to read a section of a book they particularly enjoyed, to read with children, to donate a book to a children’s school library, or to host a book reading party.

(11) TODAY IN HISTORY

  • September 6, 1956 Fire Maidens from Outer Space premiered.
  • September 6, 1957 20 Millions Miles to Earth made its West German debut.

(12) SIGNS OF THE APOCALYPSE. What comes after blonde stout(*)? Pink chocolate! Callebaut introduces naturally rosy form; will fans bite?  The Bloomberg reporter hopelessly demands: “Don’t Call It Pink Chocolate”.

Barry Callebaut AG, the world’s largest cocoa processor, has come up with the first new natural color for chocolate since Nestle SA started making bars of white chocolate more than 80 years ago. While it has a pinkish hue and a fruity flavor, the Zurich-based company prefers to refer to it as “ruby chocolate.”

The new product may help boost sales in a struggling global chocolate market that producers hope has touched bottom. As Hershey cuts 15 percent of its staff and Nestle tries to sell its U.S. chocolate business, ruby chocolate raises the possibility that next Valentine’s Day may arrive with store shelves full of natural pink chocolate hearts.

(*) Chip Hitchcock remarks that blonde stout is “available at Yard House chain, at least in this area. Yes, it sounds strange — and it’s not perfectly blonde, actually a little murky — but it tastes like stout.” Now you know.

(13) WELL EXCUUUUUUSE ME! More whinging about US cultural imperialism. Do the Brits need something like that French academy that tells people to stop saying “hot dog”? “How Americanisms are killing the English language”.

Throughout the 19th Century, Engel contends, “the Americanisms that permeated the British language did so largely on merit, because they were more expressive, more euphonious, sharper and cleverer than their British counterparts”. What word-lover could resist the likes of ‘ornery’, ‘boondoggle’ or ‘scuttlebutt’? That long ago ceased to be the case, leaving us with words and phrases that reek of euphemism – ‘passing’ instead of dying – or that mock their user with meaninglessness, like the non-existent Rose Garden that political reporters decided No 10 had to have, just because the White House has one (it doesn’t exactly have one either, not in the strictest sense, but that’s a whole other story).

Call me a snob, but there’s also the fact that some American neologisms are just plain ungainly. I recently picked up a promising new American thriller to find ‘elevator’ used as a verb in the opening chapter. As in, Ahmed was ‘elevatoring’ towards the top of his profession in Manhattan.

Nowadays, no sphere of expression remains untouched. Students talk of campus and semesters. Magistrates, brainwashed by endless CSI reruns, ask barristers “Will counsel please approach the bench?” We uncheck boxes in a vain effort to avoid being inundated with junk mail that, when it arrives regardless, we move to trash…

(14) FOR RESIDENT ALIENS. The Guardian is touting this place: “Need more space? UFO-shaped home goes up for sale in New Zealand”.

A rare spaceship-shaped home has been put for sale in New Zealand, attracting international interest as sci-fi and architecture nerds scramble to secure a UFO abode by the sea.

Futuro houses were created in 1968 by Finnish architect Matti Suuronen as pre-fab, portable ski chalets. Shaped like an egg and constructed from fibreglass-reinforced polyester plastic the unusual houses became cult designs, with less than 100 ever produced.

“There is something magical about the shape of an egg, it’s smoothness and strength and the spaceship is like that; it is an iconic shape that attracts you to it,” says Juanita Clearwater, an architectural designer, who is selling her beloved Futuro.

(15) HISTORIC CAMERA. On the auction block is the “High Speed ‘Empireflex’ Camera Designed and Built by ILM” for The Empire Strikes Back (1980). Minimum bid: £100,000.

The high-speed ‘Empireflex’ VistaVision camera was designed and built by Industrial Light and Magic for Irvin Kershner’s Star Wars: The Empire Strikes Back, and was used extensively on ILM productions for more than 20 years. The camera’s name references both the film for which it was built, and the reflex viewing system incorporated into the unit. It was the first reflex VistaVision camera ever built and was dubbed ‘one of ILM’s pride and joys’ by Cinefex magazine in 1980. After Star Wars: A New Hope, ILM sought to upgrade its equipment and manufactured some of the first new VistaVision cameras since the film format’s hey day during the 1950s. VistaVision, which is traditional 35mm turned on its side to create a larger image area, was originally conceived by Paramount as a response to television. ILM utilised it as the format of choice due to the need for a larger image area in photochemical effects work, where pieces of film were frequently copied several times.

(16) I FIND YOUR LACK OF FAITH DISTURBING. TV chef Gordon Ramsay’s best rants/insults have been synched up with Darth Vader’s scenes from the Star Wars movies. The maker found enough material for two videos —

[Thanks to John King Tarpinian, Martin Morse Wooster, Camestros Felapton, Carl Slaughter, Chip Hitchcock, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 7/25/17 J.J. Abrams Apologizes For Pixelwashing In File Trek: Into Scrollness

(1) NEW DAY JOB. Congratulations to Uncanny Magazine’s Lynne M. Thomas who has been appointed to head the Rare Book & Manuscript Library of the University of Illinois at Urbana- Champaign, one of the largest repositories for rare books and manuscripts in the United States: “University of Illinois alumnus to head Rare Book and Manuscript Library”

Exactly 20 years after starting work as a graduate assistant in the Rare Book and Manuscript Library, Lynne M. Thomas is returning as the new head of the library.

Thomas, who earned her master’s degree in library and information sciences at the University of Illinois in 1999, has been the curator of rare books and special collections at Northern Illinois University since 2004 and the head of distinctive collections there since 2014. She’ll begin her appointment at the library and assume the Juanita J. and Robert E. Simpson Rare Book and Manuscript Library Professorship on Sept. 1.

While working at Northern Illinois University, Thomas helped grow its holdings of the papers of contemporary sf authors.

(2) PUBLICATION OF BLACK SFF WRITERS. Fireside Magazine has issued “The 2016 #BlackSpecFic Report” (follow-up to its 2015 report):

We are considering the field both with and without the “People of Colo(u)r Destroy!” special issues of Lightspeed, Nightmare, and Fantasy Magazine, since they constitute a project that is limited to one year. Without these issues, a sample of 24 professional SF/F/H magazines yielded 31 stories by Black authors out of 1,089 total stories — that’s 2.8% — while 2.9% of 2016’s published unique authors are Black. In 2015 we found figures of 1.9% and 2.4%, respectively. While there’s no way to determine yet if these small increases are evidence of gradual long-term improvement or just normal variation — two years is too short a trajectory for that — perhaps we can find a cautious degree of optimism…..

Effects of the “People of Colo(u)r Destroy!” Issues

In spite of comprising a tiny portion of the field’s story volume, the “PoC Destroy” issues collectively contained over 20% of 2016’s stories by Black authors. They alone raise the 2016 field-wide ratio by nearly a full percentage point, from 2.8% to 3.6%. Put another way: any improvements that took place from 2015 to 2016? The “PoC Destroy” issues are responsible for about half….

Where Do We Go From Here?

Again, we think there’s reason to have a degree of optimism. Some magazines made substantive changes to their editorial staffs and marketing strategies subsequent to the 2015 report, which was released late enough last year that any resulting improvements would impact only 2017 and beyond. It’s for this reason that this 2016 follow-up is not a comparative analysis but rather should serve as a baseline for comparison in future years.

Progress isn’t always linear; not all magazines have equal resources or lead times, which is why we want to hear from editors and publishers. What are your strategies for combating low publication rates of Black authors? Please answer our survey to let us know.

Black SF/F writers: we’d like to hear your comments and suggestions for how we can improve future reports. This also goes for data collection; we’re working purely from what’s publicly available on the Internet, and we don’t want to force people to publicly self-identify in order to be counted. If you suspect your stories are not included in this count and would like them to be, just want to double check, or have any other concerns — please let us know. Our email address is BlackSpecFicReport@gmail.com; correspondence will be kept confidential.

(3) CHIPPING IN. A Scroll last month talked about one man getting chipped; now it’s an entire company workforce: “Wisconsin company Three Square Market to microchip employees”.

Three Square Market is offering to implant the tiny radio-frequency identification (RFID) chip into workers’ hands for free – and says everyone will soon be doing it.

The rice grain-sized $300 (£230) chip will allow them to open doors, log in to computers and even purchase food.

And so far, 50 employees have signed up for the chance to become half-human, half-walking credit card.

(4) GAME OF SIMPSONS. The Verge has learned “Matt Groening is making an animated medieval adult fantasy with Netflix” called Disenchantment.

Netflix announced today that Matt Groening, creator of The Simpsons and Futurama, will be developing a medieval animated adult fantasy called Disenchantment. It’s scheduled to begin streaming on Netflix in 2018.

The series’s protagonist is a young, “hard-drinking” princess named Bean (Broad City’s Abbi Jacobson), and her two male companions are a “feisty elf” named Elfo (Nat Faxon) and a demon named Luci (Eric Andre). While both The Simpsons and Futurama have dynamic, fleshed-out female characters, this is Groening’s first series with a clear female lead.

Rough Draft Studios, the studio that does the art for Futurama, will animate Disenchantment. From the few details Netflix is offering, it’s easy to imagine a sort of epic-fantasy version of Futurama, with the same acerbic, absurdist humor as Groening’s other shows. In the US, Netflix doesn’t have a series that fits this exact bill, though Archer may come closest. (Netflix also carries Futurama, so Disenchantment should fit in.)

(5) ROLL THE BONES. Tom Galloway sent this link with the comment, “Curiously, ‘Santa Fe, NM’ isn’t given as a location from which large bets would raise suspicions…” — “Growing Strong: Inside the Burgeoning ‘Game of Thrones’ Gambling Business”.

Increasingly, Thrones also lends itself to speculation in the financial sense of the word. As Thrones has ascended to its singular place in the splintered TV firmament, it’s not only come to be covered like the Oscars and the Super Bowl, but it’s started to support a similar secondary market of rumors and wagers. Thanks to the series’ big built-in audience, large (if shrinking) cast of characters, and uncertain endgame, Game of Thrones and gambling go together like lovestruck Lannister (or Targaryen) twins.

Some Thrones-related betting contests, like The Ringer’s Thrones Mortality Pool, are just for fun. But in recent years, a number of ostensible sportsbooks have gotten in on the action, with prominent sites such as Sportsbet, MyBookie.ag, and Pinnacle (which debuted its Thrones odds this year) trying to capture a piece of the (hot) pie. The best-known of these books is Bovada, an online gambling and casino-games site owned by a group based in Québec.

Bovada began publishing prop bets for Game of Thrones in 2015. Since the start, those bets have been the personal province of Pat Morrow, who’s been with Bovada for a decade and has served as the site’s head oddsmaker for the past four years. Technically, Morrow oversees all of the site’s wagers, but he’s much more likely to delegate work on the data-based bets that make up most of the site’s offerings. The Thrones odds come from his head alone, both because they require a personal touch and because no one else at Bovada is as qualified to apply it

(6) TODAY IN HISTORY

  • July 25, 1969 – In theaters: The Valley of Gwangi, a schlockfest of cowboys vs. dinosaurs in Forbidden Valley

(7) SPACE STYLES. The Fashion Spot is telling everyone “Gucci’s Fall 2017 Campaign Is Out of This World!”

Alessandro Michele continues to raise the bar at Gucci while refusing to follow the rest of the fashion pack. His advertising campaigns for the iconic Italian fashion house are often extremely well-received by our hard-to-thrill forum members (despite a few controversies). The newly unveiled Fall 2017 campaign, captured by Glen Luchford, is on another planet — literally. Yes, Michele revisits his sci-fi concept, going all-out for the new mainline campaign — complete with dinosaurs, hovering spaceships, models channeling their inner alien and so much more.

(8) T AND SEE. Lisa Allison at Adventures In Poor Taste lists her faves: “SDCC 2017: Top 5 nerdy t-shirts”. John King Tarpinian says he’d have bought this shirt –

#2: Vampires Don’t Do Dishes

I was drawn to this one for a few reasons. It pairs a quote from What We Do in the Shadows starring Jemaine Clement with a sort of buck toothed, vampire. It’s fun, creepy and artistic. The Benday dots on the sides are a nice touch.

(9) BITER BIT. A Discovery magazine columnist showed several fee-for-publication medical journals seem to have nonexistent professional standards, in “Predatory Journals Hit By ‘Star Wars’ Sting”.

A number of so-called scientific journals have accepted a Star Wars-themed spoof paper. The manuscript is an absurd mess of factual errors, plagiarism and movie quotes. I know because I wrote it….

Four journals fell for the sting. The American Journal of Medical and Biological Research (SciEP) accepted the paper, but asked for a $360 fee, which I didn’t pay. Amazingly, three other journals not only accepted but actually published the spoof. Here’s the paper from the International Journal of Molecular Biology: Open Access (MedCrave), Austin Journal of Pharmacology and Therapeutics (Austin) and American Research Journal of Biosciences (ARJ) I hadn’t expected this, as all those journals charge publication fees, but I never paid them a penny.

So what did they publish? A travesty, which they should have rejected within about 5 minutes – or 2 minutes if the reviewer was familiar with Star Wars. Some highlights:

“Beyond supplying cellular energy, midichloria perform functions such as Force sensitivity…”

“Involved in ATP production is the citric acid cycle, also referred to as the Kyloren cycle after its discoverer”

“Midi-chlorians are microscopic life-forms that reside in all living cells – without the midi-chlorians, life couldn’t exist, and we’d have no knowledge of the force. Midichlorial disorders often erupt as brain diseases, such as autism.”

“midichloria DNA (mtDNRey)” and “ReyTP”

And so on. I even put the legendary Tragedy of Darth Plagueis the Wise monologue in the paper…

…This matters because scientific publishers are companies selling a product, and the product is peer review. True, they also publish papers (electronically in the case of these journals), but if you just wanted to publish something electronically, you could do that yourself for free. Preprint archives, blogs, your own website – it’s easy to get something on the internet. Peer review is what supposedly justifies the price of publishing.

[Via Ansible Links.]

(10) PASSING THE HELMET. And in other bogus Star Wars news, Darth Vader has started a GoFundMe: “Help Me Build a Death Star!”.

The Empire is under attack. We are in urgent need of funds to construct a Death Star to crush this rebel alliance!

It had raised zero of its $900 million goal when I last checked in.

(11) SUCKING UP DATA. Speaking of world domination – Eric Persing shared this link with the comment, “This is pretty much the beginning of how the robots take over humanity…right? The vacuum maps your home, sells your home layout to the highest bidder and before you know it, the toaster is trying to kill you.” — “Roombas have been mapping your homes for years, and that data’s about to be sold to the highest bidder”.

As Reuters reports, Roomba maker iRobot is bullish on the prospect of selling what it learns about your home to whoever might want it. “There’s an entire ecosystem of things and services that the smart home can deliver once you have a rich map of the home that the user has allowed to be shared,” iRobot boss Colin Angle told Reuters.

If that sounds more than a little creepy that’s because, well, it is, but companies pushing into the smart home market would most certainly be willing to pony up the dough for the data. Products like smart speakers, security monitors, high-tech thermostats, and many other gadgets could potentially benefit from knowledge of your home’s layout, but in order for iRobot to actually sell archives of the data, it would likely need to be anonymize — that is, scrubbed of any personally identifiable information and lumped in with countless others.

(12) NOT MY FAULT. Munchkin is concerned:

(13) PUPPY RADAR. Camestros Felapton has compiled a list of authors and works being promoted for the Dragon Awards in “Time for those Dragon Projections!”

  1. The titles listed are based on what I have found trawling the web looking for people who were, to some degree or other, promoting works to be nominated for a Dragon Award. I found a lot but who knows what I missed. I did find some stuff on Facebook but it and other places are hard to search inside of. Also, maybe some authors are promoting the Dragons like crazy in forums I cna’t access or on their email lists. Who knows? So large pinches of salt please.
  2. There is though a ‘status’ column and that is even a greater testament to hubris in data collection. The higher the status the more wallop I think the promotion of the work had – either in multiple places or by venues with known impact (e.g. the Rabid slate). “Low” though also includes stuff whose promotional impact I don’t know. Some are authors I don’t know but who may have some legion of highly devoted followers ever ready to throw their bodies and email addresses at an awards website. It is NOT any kind of assessment of the quality or even the popularity of the work – so if you an author and you see ‘very low’ next to your book, don’t be disheartened.
  3. So it is all a bit pointless then? No, no. Basically the more stuff on the list that appears as Dragon Awards finalists, the more the finalists were determined by overt public campaigning on blogs – and predominately from the Rabid and Scrappy corners. The less stuff on the list making it as finalists, then the less impact that kind of campaigning had on the Dragon Awards.

(14) THE SHARKES BITE. The Clarke Award will be announced this week. The Shadow Clarke jury dashes off one more review, then begins analyzing the Sharke experience and the future of the Clarke award.

An inspector investigates the case of a disappeared man but despite his occasional dreams of solving the case, he never uncovers the truth and only succeeds in stripping away layer after layer of appearance until nothing is left. Infinite Ground is a kind of metatext in which the ostensible missing person investigation in the plot simultaneously functions to interrogate fundamental aspects of being such as identity and even existence, as though the world itself is also text. By the end of MacInnes’s novel we are no longer sure if the man, the inspector and the society they come from are still in existence or, indeed, if they ever existed at all. Among the many facets of the text is a strain of the kind of hermeneutic deconstruction that marks out my natural enemies in any literature faculty. ‘At the heart of meaning there is no meaning’ is the refrain of this theme but it often seems to coexist very comfortably with institutional power structures and academic management hierarchies. MacInnes takes this to extreme levels of quantum indeterminacy and fractal microbiology that defy any kind of systematisation, however there is still a level of destruction wrecked on everyday life in texts like this which I find uncomfortable. I am reminded of reading Paul Auster’s different, but not entirely dissimilar New York Trilogy and turning afterwards to Dashiell Hammett for an equally relentless but more grounded interrogation of social existence. MacInnes, however, had me turning to Hammett within 30 pages…

So, what did we achieve here?

If nothing else – apart from a few good jokes floating around the web about who has read which Iain Banks novels – we have demonstrated why the actual Clarke Award juries don’t make their deliberations public. Nevertheless, I do think the level of discussion and analysis we have provided has been a positive feature even when this has provoked a certain amount of pushback. There hasn’t been a hidden agenda and the motivations and various criteria used by members of the shadow jury have become reasonably clear across the process. Anyone looking at the project from the outside is in a position to weigh up the assumptions and judgements made and to criticise these for deficiencies; and, of course, a number of people have done this. I have found it interesting to read the discussion on File770 and twitter as well as on the comment boxes on the Sharke posts themselves. Some of this seems fair and some seems unfair; but that is often the way of things.

As this year’s Clarke festivities wind inexorably towards their close, I thought it would be interesting to cast an eye over the landscape ahead of us. It does the heart good to have something to look forward to, after all, and what could be more fun than making a few early advance predictions about next year’s Clarke Award?

I’m not here to discuss the more obvious entries. We all know that Kim Stanley Robinson, Cory Doctorow, Kameron Hurley and Ann Leckie have new novels out this year and everybody will be talking about them as possible contenders soon enough. As the books I’m most interested in tend to be those that hover around the edges of genre, I thought I’d do better to focus upon novels published by mainstream imprints that might otherwise be overlooked by SFF commentators. With a little over half the year gone, there will inevitably be titles I’ve overlooked, authors I’ve not come across yet. This is just a tiny sample of what next year’s Clarke jury might have to look forward to.

And as a bonus, a review of the actual Clarke shortlist from Strange Horizons. Interestingly, the reviewer has a good go at linking the 6 nominees together thematically, even though the Sharkes were of the opinion that the shortlist lacked a coherent theme…

In theme, style, and content, the 2017 Clarke Award shortlist—Emma Newman’s After Atlas, Yoon Ha Lee’s Ninefox Gambit, Tricia Sullivan’s Occupy Me, Becky Chambers’s A Closed and Common Orbit, Colson Whitehead’s The Underground Railroad, and Lavie Tidhar’s Central Station—is a diverse set. However, in different ways, each of these books speaks to [Jill] Lepore’s concern about “a fiction of helplessness and hopelessness.” Perhaps, as a function of the times we are in, these books do not heed Le Guin’s call to envision alternatives to how we live. The futures—and in one case, the past—that these books offer is either dystopic or close to dystopic, in utterly recognizable ways. Many of the pregnant battles of today—for democracy, for equality, for privacy, and against universal surveillance—have in these pages been lost for good, and there is no pretence that any individual, or group of individuals, has the power to transform the world. There is little in the way of grand narrative or vaulting ambition in terms of the stories that these novels set out to tell. Far greater—and in some cases, exclusive—focus is placed on human relationships, on more mundane struggles; it is as if Marx’s utopianism of overthrowing centralized power has been replaced by Foucault’s bleaker understanding of power’s ubiquity, and the dispiriting realization that the struggle is limited to daily, quotidian acts. Above all, there is—almost—a palpable mistrust of any radical re-imagination of the ways in which society might be organised.

(15) CARRIE VAUGHN. Lightspeed poses questions to the author in “Interview: Carrie Vaughn”.

You explored Enid’s world in your Hugo-nominated short story “Amaryllis,” which, contrary to most post-apocalyptic stories, has a positive ending. What made you want to explore the dark side of this world at novel length in Bannerless?

It’s a multifaceted culture with both good and bad to it, and Enid is in a unique position to see both. I went into the story assuming that a culture built up like this one is, with a huge amount of scrutiny to go along with the community building, is going to have some unintended consequences, such as the bullying of outsiders.

(16) CONNECTIONS. Matt Mitrovich reviews Nick Woods’ Azanian Bridges for Amazing Stories.

Azanian Bridges is a well-written novels that tackles a difficult period of South African history that, in the grand scheme of things, only recently ended. I read it shortly after I finished Underground Airlines and found myself comparing the two novels. Both deal with de jure racial inequality in two different countries continuing long after it ended in our timeline. To be honest, I felt Underground Airlines had a bigger impact on me since I am an American and have a better understanding of my own country’s past, but if you have any knowledge of South African history, there is enough about this world that Nick created for you to enjoy.

And yet the actual history plays a secondary role to the primary purpose of Azanian Bridges: that we can have peace if we can bridge the divide between peoples.

(17) COSPLAY AT COMIC-CON. ScienceFiction.com shares stunning photos in “SDCC 2017: Cosplay Gallery Part 1”.

(18) ONE DOES NOT SIMPLY EVICT THE SUPERNATURAL. Todd Allen continues The Mister Lewis Incidents  — a monthly short form satirical horror detective / urban fantasy series featuring the adventures of a “physics consultant” who consults on matters that defy the laws of physics. The fourth one is out commercially and the fifth one is in the hands of the crowdfunding folks.

The Gentrified Bodega Investigates the Secrets of a Shady Landlord

Wherever rents are rapidly rising, and especially where there’s rent control, there’s always a problem with landlords stepping outside the law to evict renters.  But what happens when there’s something in the building that isn’t human and isn’t ready to leave?

About The Gentrified Bodega

“The neighborhood was improving and people were dying to move in. Then their bodies were turning up in the back aisle of the bodega. The building wove a web of shady evictions, fake leases and unexplainable deaths. Can Mister Lewis discover the secret of the gentrified bodega or will the housing crisis be solved by mass attrition?”

The Gentrified Bodega is available on Amazon Kindle, B&N Nook and Kobo or direct from the publisher.

(19) ALL WET. Aquaman Movie 2018 Teaser Trailer.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge,JJ, Todd Allen, Carl Slaughter, DMS, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Pixel Scroll 7/11/17 Be Kind To Your Scroll-Footed Friends, For A Duck May Be Somebody’s Pixel!

(1) NEW WFA TROPHIES ON THE WAY. Kim Williams, chair of the 2016 World Fantasy Con, told readers of WFC’s Facebook page that last year’s WFA winners, given certificates at the 2016 award ceremony in Columbus, OH will soon be receiving copies of the new statuette created by Vincent Villafranca.

Vincent Villafranca’s design was chosen to replace the Lovecraft bust trophy by the World Fantasy Awards Administration and the Board of the World Fantasy Convention following a year-long public competition.

(2) OMNI REBOOTS AMID RIGHTS LITIGATION. Penthouse Global Media, on July 10, announced the acquisition of OMNI magazine and that its upcoming issue is slated for print publication in late October.

“As Penthouse Global Media enters its second year under new ownership, our driving principle is to put all of the pieces of the brand back together again.  As a result of decades of neglect, much of this company’s brilliant legacy was lost…until now,” stated Penthouse CEO Kelly Holland. “I am proud to announce that one of those casualties, OMNI—the magazine of science and science fiction, heralded as one of Guccione’s most iconic brands—is once again a part of the Penthouse family where it belongs.  Thanks in large part to Pamela Weintraub, one of OMNI‘s original editors, who had the foresight to bring the brand back to life by re-registering the trademarks and launching a digital site, she, along with many of the original OMNI staff, will deliver the award-winning magazine to newsstands once again.”

Only days ago, to protect its intellectual property, Penthouse Global Media sued Jerrick Media, and various other defendants including Jerrick Media Holdings Inc., Jeremy Frommer, and actor Jared Leto, for copyright infringement, trademark infringement, unfair competition and false advertising, among other claims.

The lawsuit states:

Despite the fact that an application for registration of the OMNI Marks in connection with magazines had already been filed with the USPTO by Penthouse’s predecessor in interest, signaling to the world that the OMNI Marks were not available for use by Defendants, in 2013, Defendants Frommer and Schwartz again willfully and blatantly disregarded the intellectual property rights of others and began planning to publish an online science and science fiction magazine using the OMNI Marks and to republish and sell archival material from the original OMNI magazine. 29.

On or about June 27, 2013, Defendant Jerrick Ventures, LLC filed an application for registration of the purported trademark OMNI REBOOT (Serial No. 85,972,230), which registration was refused by the United States Patent and Trademark Office because of a likelihood of confusion with a registered OMNI Mark. On or about May 31, 2016, Jerrick Ventures, LLC filed a cancellation  proceeding before the Trademark Trial and Appeal Board (“TTAB”) seeking to cancel the OMNI Mark (Cancellation No. 92063829). Because Penthouse General Media seeks a declaration in the present action that its registered OMNI Marks are valid and should not be cancelled, it will seek to have the cancellation proceeding  before the TTAB stayed pending the judgment in this action. 30.

Despite knowing of the existence of the registered OMNI Marks, and despite being denied registration of Omni Reboot, Defendants nonetheless  proceeded to willfully and blatantly infringe on the OMNI Marks by operating an online magazine at https://omni.media, which it refers to as OMNI Reboot, that not only uses the OMNI Marks in connection with the publication of an online magazine featuring science and science fiction topics, but also contains archival material from the original OMNI magazine, including magazine articles and reproductions of OMNI magazine covers, all without the permission or consent of Penthouse.

Jeremy Frommer’s claims to the rights are allegedly based on an auction purchase:

Frommer bought at an auction erotic photography, films and historical documents, among other things associated with Guccione and Penthouse. He then began reselling those and other related items online, according to the complaint, and allowing the public to view Caligula for a fee. That triggered the first round of this fight in bankruptcy court in 2013, but the parties mutually dismissed their claims without prejudice.

Penthouse’s Holland minimizes that claim:

“We at Penthouse don’t believe a person can acquire the rights to a brand simply by stumbling upon some of its products,” Holland said. “If you buy a DC comic book at a garage sale it doesn’t give you the rights to make a ‘Wonder Woman’ movie, nor does one have a right to our legacy because they found an old Omni magazine.”

(3) PUBLICLY CHOSEN GARGOYLE. The Washington Post’s Marylou Tousignant found some items of fannish interest at the Washington National Cathedral.

Washington National Cathedral, the sixth-largest cathedral in the world, has 215 stained-glass windows. The most popular holds a piece of moon rock brought back by the Apollo 11 astronauts in 1969.

Another must-see is Darth Vader, carved into the cathedral’s north side. The “Star Wars” villain was one of four winning designs by middle-schoolers in a 1985 contest. Vader is one of 1,242 weird creatures staring down from the cathedral’s neck­stretching exterior.

(4) EYECATCHING. Marvel Comics will release lenticular covers for Marvel Legacy.

The biggest stories and most epic team-ups come to MARVEL LEGACY this fall, and now you can hold the past and the future in your hands! Today, Marvel is proud to announce that all of the Marvel Legacy homage variants will be available as lenticular covers – a true celebration of Marvel’s history and expansive universe!

As seen on Newsarama, all of Marvel Legacy’s homage variants were previously unveiled, showcasing the new Marvel Legacy line-up and classic covers of the past. Don’t miss your chance to own a part of Marvel history – enhance your collection with all of Marvel Legacy’s lenticular covers, coming to comic shops this fall.

(5) DID YOU WONDER? What will the next Wonder Woman movie be about? ” Rumor of the day: Diana will face off against the USSR in Wonder Woman 2″.

With Russia in the news so much these days, The Wrap has said in an unsourced report that Wonder Woman 2 will take place during the 1980s and feature Diana of Themyscira going head-to-head with agents of the Soviet Union.

That means that like its predecessor, Wonder Woman 2 will be a period piece — only not as far in the past as the World War I setting of Diana’s first standalone adventure.

Although Patty Jenkins is not officially confirmed to return as director, she is said to be developing the script for Wonder Woman 2 with DC Entertainment co-president Geoff Johns. And while the story will allegedly feature the USSR in an antagonistic capacity, there’s no word on whether other villains from Wonder Woman’s published history will appear as well.

(6) THE PAYOFF. Marvel says Secret Empire #9 will reveal Steve Rogers’ secret. On sale August 23.

When Steve Rogers was revealed to be an agent of Hydra due to the manipulations of Red Skull, the Marvel Universe was rocked to its core. Now, it’s the moment fans have been waiting for – and you’re not going to want to miss this reveal!

What is the secret of Steve Rogers? And how will it affect the Marvel Universe as we know it?

(7) WHY IT’S HARDER TO FIND GOOD REVIEWS. Speculiction’s Jesse Hudson, in “And the drop is due to”,  charts the site’s declining number of book reviews against his rising familiarity with PlayStation 3 games. He is in awe of the current gaming technology.

It’s no secret that modern video games are exponentially more realistic and immersive than their pixel and dot forebears.  For the unaware, the degree of realism and immersion in today’s video games is essentially one degree removed from cinematics—a gap that will be covered in the next few years, for sure.  What this means is that game creators are able to put players, as much as is possible, into the shoes of the characters running around the imagined worlds on screen.  Being a detective, mighty warrior (or warrioress), or space marine is this close.  Game developers have done all the work to give you agency in what are essentially silver screen experiences.  Instead of watching a movie, you become part of the movie, directing the character, depending on the game, through the story.  I still fully appreciate novels for retaining the distance between sensual and imagined reality—for forcing the reader to use their imagination.  But I also appreciate what modern gaming is doing to virtually eliminate this distance; if the game’s world and gameplay are well-developed and unique, then so too can be the experience.

(8) THOUGHTS THUNK WHILE THINKING. Nancy Kress tells about her Big Idea for Tomorrow’s Kin at Whatever.

Your mind does not work the way you think it does.

You probably assume that you consider data and come to rational conclusions. But all too often, people don’t take into account such pesky tendencies as confirmation bias (“This fact confirms what I already believe so it gets more weight”) Or polarization (“This situation is all good/bad”). Or emotionalism (“I feel this so it must be true”), a need for control (“I’m looking at what I can change and nothing else”), presentism (“The future will be like the present only maybe a little more so”), or scapegoating (“If this isn’t as I wish it to be, someone must be to blame!”)

When I set out to extend my novella “Yesterday’s Kin” into the novel Tomorrow’s Kin, which takes the story ten years farther along, I wanted to write about these distortions in your thinking. Oh, not you in particular (how do I know what you’re thinking as you read this—maybe it’s “She doesn’t mean me. I’m different.”) What interested me—especially in the current political climate—is the public mind as it relates to science and the perception of science….

(9) CROWLEY’S TIME HAS COME. Tor.com’s Matthew Keeley has published a brief profile of John Crowley, “Predicting the Future and Remembering the Past with John Crowley”, an author he notes is best known for his book Little, Big, but regrets is still not very well-known outside writing circles. The article aims to change this situation:

At Readercon a few years ago, I attended a panel on favorite science fiction and fantasy books. One author, one of the best working today, talked about the near-impossibility of writing a book so perfect as John Crowley’s Little, Big. There were wistful sighs from writers in the audience and nodded agreements from other panelists. Everyone in the room at that most bookish convention recognized that competing with Crowley was impossible.

Yet in many fan circles Crowley remains unknown. This literary master of the hermetic, hidden, and esoteric has for too long been as hidden as the obscure histories, gnostic theorists, and addled visionaries that populate his work. Despite the many awards; despite the praise of luminaries both inside the genre community, like Ursula K. Le Guin and Thomas Disch, and outside it, like Harold Bloom; despite his inclusion in both Bloom’s Western Canon and Gollancz’s Fantasy Masterworks, most fantasy readers don’t read him. Perhaps this is the year that changes.

(10) MARTINELLI OBIT. Italian-born actress Elsa Martinelli died of cancer in Rome on July 8. She was 82. Her genre work included The 10th Victim (1965), based on the Robert Sheckley novel.

(11) TODAY IN HISTORY

  • July 11, 1997 — On this day in 1997, Carl Sagan’s Contact entered theatres.
  • July 11, 2014 Dawn of the Planet of the Apes premiered theatrically.

(12) TODAY’S BIRTHDAY BOYS

  • Born July 11, 1899 – E.B. White
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known by his pseudonym, Cordwainer Smith

(13) JEOPARDY! CONTESTANT. On the July 11 episode of Jeopardy!, Kelly Lasiter, from the St. Louis area, admitted she’s an SF fan who attends conventions in the area, and went to the 2016 Worldcon in Kansas City.

She won the game, with $22,800, and will play again on Wednesday.

(14) WHERE THE GEEKNERDS ARE. Examined Worlds’ Ethan Mills praises a convention’s community building in “CONvergence 2017 Report”.

The deeper thing that CONvergence taught me back in the early-mid 2000’s was the value of cons as a space for community, something I’ve discussed before with regard to other cons.  While being a geek/nerd is not as uncool as it used to be, it’s still great to have a place where you can let your geek flag fly proudly.  No matter how intense your nerdery is, someone at con is nerdier.  You may be wearing Vulcan ears, but someone else may have a full Starfleet uniform and android-colored contacts to dress up as Data from Star Trek: The Next Generation (an actual costume I saw at CONvergence).

The openness of a place where people can love what they love without derision or judgment is a beautiful thing.  This aspect of fandom seems to be unappreciated by small but annoying parts of fandom like the Rabid Puppies and Gamergaters, but it’s safe to say that for the vast majority of fans, this is precisely what fandom is all about….

(15) WHERE TO SELL. Now available: the “SFWA Market Report for July” compiled by David Steffen.

(16) A DAY AT THE PLANT. At Amazing Stories, Adam Roberts is interviewed about his contribution to an anthology,

Gary Dalkin for Amazing Stories: ‘Black Phil’, your story in Improbable Botany, packs a huge amount into 20 pages. It combines the scientific, the political and the personal in a way which is ultimately very moving, and does so while gradually revealing to the reader a startlingly imagined near future earth. There is a lot of specific detail in the story and I’m wondering what your approach to writing a piece like this is, how much do you have planned out before you begin writing, and how much comes to you through the writing process? I’m asking this in part because I’m wondering how quickly you write, given you are a prolific author of highly imaginative, intricately constructed novels and have a day job as a professor of literature as well.

Adam Roberts: My approach to writing has changed, I suppose. When I was starting out as a writer I would generally plan things out fairly carefully; now I have more technical fluency, and can trust my hands to produce more of what’s needed if I let them loose on the keyboard. Not entirely though. It’s a balance, as with so much of life. If a writer maps every beat of every chapter in a detailed plan before she ever writes a word, the danger is that the actual writing turns into a chore, merely filling in the blocks in the grid, and if the writer gets bored writing then that tends to communicate itself to the reader. On the other hand, simply diving in with no sense of where you’re going or how the story is going to unfold, in my experience, will result in something too baggy and freeform, understructured and messy. So the praxis for me is threading a path between those extremes: having a sense of the overall shape of the thing, and which spots I definitely want to hit as I go, but working out some of the specifics as I write the first draft, to keep at least elements of it fresh. With short stories the process is a little different to novels: plot is constrained by the shorter space, so there’s a greater need for other things to hold the whole together – a governing metaphor, for instance, that can be unpacked and explored, provided it’s eloquent enough. In ‘Black Phil’ I was working with blackness as a colour and blackness as a mood, which meant that the story needed to make a certain kind of emotional sense, and the other elements were rather subordinated to that.

(17) IF YOU WANT TO GIVE HER A MISS. Canberra sff author Gillian Polack puts a different spin on the typical convention schedule announcement in “How to avoid me at Worldcon 75”.

This is the post you’ve been waiting for. Now you can plan your Helsinki visit knowing you can avoid me. You’ll also know that I can’t redeem myself with chocolate, for I have tiny scraps of Australia to give everyone instead. Ask me nicely and you could take home some opal or Australian turquoise or fool’s gold. (When I say ‘scraps of Australia’ I mean it quite literally.) Asking me politely would, of course, mean not avoiding me.

I can only be at a small bit of the auction, but I’m bringing Tim tams, a blow-up kangaroo and other exciting things to add to the bidding frenzy. This emans I’ll be there … sort of…for some of the time and my luggage will represent me the rest of the time….

(18) GOOD REVIEWS. The other day I said someone’s Hugo nominee reviews were lacking who hadn’t completely read most of the stories. Now, at the opposite end of the spectrum, I’ve encountered the hyperfeasance of Garik16 who claims, “I managed to read every nominee this year before the nominations were announced except for A Closed and Common Orbit (Yes I know I’m hipster bragging here lol).”

More importantly, his post, “Reviewing the Hugo Nominees: Best Novel”, is rich in analysis and substantive comments.

  1. Ninefox Gambit by Yoon Ha Lee

Review on twitter here:

Disclaimer: I’ve just finished this books sequel (Raven Strategem, review forthcoming next week), and will try to separate the two books since its fresh in my mind. Ninefox Gambit is a book that is Challenging to read.  Whereas other books might try to infodump explanations of how extremely complicated made up SF or Fantasy worlds work, Ninefox Gambit just drops you right in the world, made up terminology and all, and trusts you to figure it out on your own.  It’s probably a bit too far in this direction honestly – a short story in the same universe for example explains a little bit more and there’s no reason this book couldn’t have done the same – but if you can get past it, the result is just phenomenal.

This is a universe where calendars followed are of maximum importance, where mathematical calculations allow for armies to create devastating attacks on a battlefield, and where immortality may be very possible.  This book deals largely with the efforts of a mathematical genius but otherwise standard infantry soldier getting stuck with an undead general in her head – an undead general who is both brilliant and known for massacreing his own forces.  The interplay between them, as well as how the world works around them, results in a truly fantastic book.

This is one of those books that will have you going back after your first reread to find out things you might have missed, and to see how things read after the reveal later in the book. The book isn’t light in tone – the dominant government relies on ritual torture to keep its technology working for example – but it is absolutely gripping if you can get past the terminology at the start and contains some pretty strong themes of the values of freedom, justice and sacrifice.

I suspect it’ll come in 2nd in voting, but this has my vote.

And for bonus reading, here’s what Garik16 thinks about the Hugo nominated novellas, novelettes, and short stories.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Rob Thornton, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 7/9/17 Silver Threads And Golden Pixels Cannot Mend This Scroll of Mine

(1) WHAT I READ. Mary Robinette Kowal sent several tweets prodding reviewers to do better assessments:

When seeking reviews to link here, I’ve been surprised at how very many people start off with brilliantly written story summaries — then the review promptly ends, with very little having been said about what the writer accomplished or what the story adds to the genre.

(2) TOO MANY WORDS. But those reviews we’re complaining about above look like gems beside the work of The Literate Programmer at A Literate Programmer’s Blog who posted his “Hugo Awards – Best Novella” rankings with a confession –

…With the voting deadline for the Hugos coming up on the 15th, I decided that I wouldn’t have the time to read all the books in their entirety, and would instead just read far enough to get a feel for the style….

So I began once again working my way up to the novels, this time reading the novellas….

This Census-Taker by China Miéville was the first of the novellas I dug into. …However, the story definitely has a strange and slow start, so it was easy to move on….

A Taste of Honey by Kai Ashante Wilson sets up a nice inversion right from the beginning…. I didn’t finish it yet, but I expect it to take a rather darker turn eventually, tough not entirely too dark….

Then I picked up Every Heart a Doorway by Seanan McGuire and didn’t put it back down until I was done. …

Victor LaValle wrote the other novella I finished in its entirety, The Ballad of Black Tom

The Dream-Quest of Vellit Boe is another take on Lovecraft… Definitely something I will finish, as I want to know what happens to Vellit….

Last but not least comes Penric and the Shaman by Lois McMaster Bujold. I like what I’ve read so far and it’s entertaining …

Someone else might have spent the time it took to write this post on, oh, I don’t know, reading the rest of these novellas before voting?

(3) BOOK JENGA. Walter Jon Williams describes the “Tower of Dreams”.

So the other night I dreamed I was in the Tower of Definitive Editions, a giant structure literally built from the definitive editions of every book ever written.  There was some kind of mechanism that would pluck the book that you wanted from the structure without either damaging the book or destabilizing the tower.  (Maybe it stuffed the hole with John Grisham novels or something.)

(4) DON’T LET THE DOOR BANG YOUR BUTT. Tony B. Kim at Crazy4ComiCon does not sympathize with what he calls “Mile High Comics breakup letter to San Diego Comic-Con” by owner Chuck Rozanski. Kim devotes several paragraphs mocking him as a “dinosaur” in “Comic-Con has changed and it sucks…”.

I cringe whenever I hear someone say that ‘the show has changed’ in a negative context. The show hasn’t just changed, the world has changed and certainly no one has felt it more than the publishing industry. We all know change is hard but writing letters and blaming everyone else for your business woes sounds like an entitled kid that wants to take his ball and go home. Chuck had 4 1/2 decades of pursuing what he loved and built one of the most noteable shops in history- hashtag #FirstNerdWorldProblems. I want good men and companies like Chuck and Mile High to win and get the respect they deserve. No doubt he has paid his dues and has committed his life to providing comics to a legion of adoring fans. My hope is that he and his business continues to grow each year without relying on Comic-Con business. However, after his letter, I won’t shed a tear for him and I hope Comic-Con International doesn’t either. Chuck, just go to the island, Chris Pratt will be along shortly to welcome you.

(5) JUST A LITTLE SMACK. Will this work? “Nasa to send asteroid away from Earth by firing a bullet at it in attempt to save the Earth from future strikes”.

The agency has laid out the plans for its DART mission – where it will send a space capsule the size of a fridge towards an asteroid to shoot it off course. For now, the mission is just a test, but in the future it could be used to save Earth from what scientists say is an underappreciated threat from asteroids.

The mission has now been approved by Nasa and will move into the preliminary design phase, getting ready for testing in a few years.

“DART would be NASA’s first mission to demonstrate what’s known as the kinetic impactor technique – striking the asteroid to shift its orbit – to defend against a potential future asteroid impact,” said Lindley Johnson, planetary defense officer at NASA Headquarters in Washington. “This approval step advances the project toward an historic test with a non-threatening small asteroid.”

DART’s target is an asteroid that will pass by Earth in 2022, and come back two years later. More specifically, it’s actually two asteroids: a binary system called Didymos B made up of a larger and a smaller rock.

It’s the smaller one that Nasa will try and knock off course. But by using a binary system, scientists will be able to check with more accuracy how well their test has worked.

(6) KEEPING THE STEAM IN SELF-ESTEEM. Jon Del Arroz says 80% of the people responding to his survey recommended he not join SFWA. So our genre’s leading concern troll has worked up a list of what needs to be fixed. With SFWA, that is.

(7) TRIVIAL TRIVIA

The Twilight Zone episode, “A Penny for your Thoughts,” written by George Clayton Johnson was shopped around as a series where each episode would have a different cast experiencing the ability to read minds.

(8) TODAY IN HISTORY

  • July 9, 1982 TRON premiered on this day.

(9) CLASSIC ROCHE. Next year’s Worldcon chair Kevin Roche makes a fashion statement in this (public) photo on Facebook.

(10) SOLO ACT. ScreenRant evaluates Ron Howard’s latest news-free tweet.

While Howard’s tweet is amusing, it’s realistic to think that at some point Star Wars fans will grow tired of non-news “news” from the Han Solo set. Since Howard is relatively new to the project, perhaps he doesn’t feel comfortable sharing anything from a film that he hasn’t really taken ownership of yet, his presumably strict NDA aside. Hopefully, that time will come once he not only completes principal photography but the five weeks of reshoots which were previously budgeted into production. Only then will Howard be able to help shape the tone and vision that Han Solo co-writer Lawrence Kasdan originally intended.

(11) DRAGON QUEEN. TIME Magazine’s Daniel D’Addario, in “Emilia Clarke on Why Dragons Are Daenerys’ True Love on Game of Thrones”, has a lengthy interview with Emilia Clarke where she says “I’m five-foot nothing, I’m a little girl” and adds that she thought she would be sacked from Game of Thrones because it was her first job out of drama school and she felt insecure.

(12) FIGHTING WORDS. Jonathan Cook, in “Wonder Woman is a hero only the military-industrial complex could create” on Mondoweiss, says the heroine is “carefully purposed propaganda designed to force-feed aggressive Western military intervention, dressed up as humanitarianism, to unsuspecting audiences.”

My reticence to review the film has lifted after reading the latest investigations of Tom Secker and Matthew Alford into the manifold ways the U.S. military and security services interfere in Hollywood, based on a release of 4,000 pages of documents under Freedom of Information requests.

In their new book “National Security Cinema,” the pair argue that the Pentagon, CIA and National Security Agency have meddled in the production of at least 800 major Hollywood movies and 1,000 TV titles. That is likely to be only the tip of the iceberg, as they concede:

“It is impossible to know exactly how widespread this military censorship of entertainment is because many files are still being withheld.”

(13) BIG PACIFIER THEORY. Baby’s first quantum-mechanics book: “Something New For Baby To Chew On: Rocket Science And Quantum Physics”.

The books introduce subjects like rocket science, quantum physics and general relativity — with bright colors, simple shapes and thick board pages perfect for teething toddlers. The books make up the Baby University series — and each one begins with the same sentence and picture — This is a ball — and then expands on the titular concept.

In the case of general relativity: This ball has mass.

But some of the topics Ferrie covers are tough for even grown-ups to comprehend. (I mean, quantum physics? Come on.)

(14) SLOW DEATH. A Ghost Story may be too slow for some: “Grief Hangs Around At Home In ‘A Ghost Story'”.

I should mention that the film is virtually without plot, so it requires some patience. Major stars and that title notwithstanding, A Ghost Story is not a Saturday-night date movie. More a provocative art film in the European sense. Though barely 87 minutes, it unfolds in long, static shots, most of them without faces to hang onto. It’s almost a film without genre, and by the end it’s become a story untethered from time itself.

(15) A SERIOUS HARRY HABIT. The 100,000 UKP Potter habit: “Harry Potter fan from Cardiff spends £100K on memorabilia”.

Her collection features posters, scarves in the house colours, broomsticks and the official Harry Potter magazines – with the memorabilia costing more than £40,000.

The rest has been spent travelling to Orlando in Florida to the film studios and more recently to Harry Potter World in both London and America.

(16) AVAST ME HEARTIES. Davidoff of Geneva is sold out of the pen and letter opener set shown here, but they have plenty of other golden loot they would love to sell you.

(17) ANOTHER AMAZON PRODUCT. Brazil gets into horror: “The Blair Witches of Brazil”.

Their titles practically shriek at you: Night of the Chupacabras, When I Was Alive, The Necropolis Symphony. Right away you can guess that these are films you might need to watch through your fingers, tales of horror to quicken the heart. But you might not know where they’re from. Step aside Carmen Miranda and The Girl from Ipanema, these frightfests are from Brazil.

(18) NOT GOING APE OVER THIS ONE. The BBC is disappointed by War for the Planet of the Apes.

The first point to make about War for the Planet of the Apes is that it isn’t actually about a war. There are a couple of Skirmishes for the Planet of the Apes and one brief Battle for the Planet of the Apes, but the all-out humans-v-hairies conflict that the title promises is nowhere to be seen. And that’s one reason why the film, for all of its technical wizardry and daring solemnity, is a let-down.

(19) GOOD NIGHT. Next year’s CONvergence GoH Elizabeth Bear signs off from this year’s con:

(20) LAST WORD. John Hertz is never impressed when I use idioms as I please.

(21) DARTH HOMER. Here’s a selection of YouTube videos in which Darth Vader is voiced variously by Clint Eastwood, Nicholas Cage and Arnold Schwarzenegger. John King Tarpinian declares the Homer Simpson version to be the funniest.

[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Exploring the Videosphere

By Carl Slaughter: (1) Solve for the missing X. Deleted scenes explain the background on Logan X-Men characters who are referenced but did not appear or had smaller roles. To avoid X-Men 3 syndrome, the director chose to focus on the 3 main characters.

(2) Let he who is without sin. If anyone can find 113 things wrong with “Logan,” universally considered by far the best X-Men movie ever, it would be the guys at Cinema Sins. A lot of complaints about minor plot holes, but no attacks on the characterization or themes.

(3) Hear hear. Fifteen minutes of Picard’s most inspirational speeches.

(4) And more. 50 great Captain Picard quotes.

(5) Wry-fi. 25 great Commander Riker quotes.

(6) Klingon epigrams. 25 great Worf quotes.

(7) Wrath of Khan: original interviews. 1982 Interviews with William Shatner, Leonard Nimoy, DeForest Kelley, and Ricardo Montalban. See Nimoy in pink shirt, pink tie, and striped jacket.

(8) Overpowered. 10 worthless and underused characters in Game of Thrones.

(9) Land shark. 10 deadliest characters on Game of Thrones.

(10) Cut short. Speculative movie franchises that were cancelled before the series was completed.

(11) WW. This Youtube Nerdist “Save the World” music video Wonder Woman mashup tribute defies description.

(12) Sith sense. Darth Vader waxes punny and punny and punny.

(13) Captain Z-RO. The Great Pyramids Episode. 1950’s Time Travel

Every week Captain Z-Ro and his assistant Jet would observe world events and travel through time to help historical figures.

Pixel Scroll 5/29/17 The Time Has Come, The Pixel Said, To Talk Of Many Scrolls

(1) TO THE MAX. George R.R. Martin’s never-produced Christmas script for Max Headroom finally came to life — at the Jean Cocteau Theatre: “Merry Xmas to All, and to All a Good Max”.

Our week-long M-M-Maxathon concluded on Satuday night at the Jean Cocteau with a staged table reading of “Xmas,” my thirty-year-old unproduced (until now) MAX HEADROOM script. And I have to say, we went out on a high note. We had a sold-out theatre, and the audience seemed to enjoy every moment of the performance, laughing and applauding at all the right places. After thirty years, I was not at all sure how well my old script would hold up… especially with an audience of Max Headroom fanatics, many of whom had just sat through an entire week of Max, watching every one of the produced episodes. MAX HEADROOM was a really smart show, with some fine writing… tough acts to follow. But most of the viewers seemed to think “Xmas” was just as good as what had gone before, which gratified me no end…

 

(2) SUPER SNIT. There was some huffing and puffing at the London Comic Con between a pair of famous actors although no blows were actually struck, no matter the New York Post’s headline — “Flash Gordon and The Hulk fight at Comic Con”.

It was a real-life battle of the superheroes at a comic fest over the weekend — when Hulk actor Lou Ferrigno got into a brawl with “Flash Gordon” star Sam Jones, and fans had to jump in and break them up.

“I don’t know if I was the real superhero, because if there was a clash of the Titans, I would have got squashed,” said Darryn Clements, who stepped in to help separate the musclebound actors at London’s ComicCon on Saturday, according to the Sun.

In fact, the duo were back at their adjoining tables the next day peaceably signing for fans.

The Hulk talking to Flash Gordon! #IncredibeHulk #flashgordon #MCMComicCon #LouFerrino #superheroes #legends #ExcelLondon #londoncomiccon

A post shared by Social Work Helper, PBC (@socialworkhelper) on

(3) TROLL PATROL. A Twitter troll prompted a question during an MSNBC interview: “George Takei shuts down racist criticism of new “Star Trek’ series”.

“People are finding the time to hate on “Star Trek’ for having diversity,” host Joy Reid prompted. “What?”

“Well you know — today, in this society, we have alien life-forms that we call trolls,” Takei replied.

He explained: “And these trolls carry on without knowing what they’re talking about and knowing even less about the history of what they’re talking about. And some of these trolls go on to be presidents of nations.”

(4) URSINE DESIGN. I don’t know why this surprises me. Build-A-Bear offers a whole flock of Star Wars-themed products, including Darth Vader Bear.

Never underestimate the power of the dark side. Our exclusive Darth Vader Bear comes with his signature helmet, cape and control chest panel, permanently attached. Complete your destiny and add Darth Vader’s iconic Breathing Sound, Imperial March Song and his red Lightsaber.

(5) THE (DONUT) HOLE TRUTH. Scott Edelman writes: “Yes, I know, the William F. Nolan episode of Eating the Fantastic was only released Friday — but I couldn’t resist bringing live this donut celebration of Balticon as it was ending, to assuage the sadness of the guests who’d have to wait another year to return — Eating the Fantastic — 13 guests devour 12 donuts and reminisce about 51 years of Balticon.”

Since last July’s Readercon Donut Spectacular episode of Eating the Fantastic has proven to be so popular, I thought I’d try harvesting memories about another long-running con, and so plopped myself down in a high-traffic area of the Balticon hotel with a dozen Diablo Donuts. But first, I shared this photo on social media so the hungry hordes would know to be on the lookout for me.

(6) UNRAVELING THE SLEEVE OF CARE. Camestros Felapton, recognizing the world’s hunger for quality writing advice, nevertheless has decided to let them starve a little longer — “If You Want to Write a Book, Write Every Third 5 Minute Interval in a Period of 15 Minutes, Also Never Sleep”.

Here at Felapton Towers and via our leading Science Fiction/Fantasy/Military History publishing arm Cattimothy House, we meet and train many aspiring authors — people who we’ve turned from mere robotic vacuum cleaners into leading voices in modern fiction. We’ve compiled all our experience and writing advice into this one article that WILL help you turn your dreams into a book!

So you are about to write a book? Remember, on the day you start, millions of others will be starting a book also. Worse, BILLIONS of people live on Earth and many of them are also capable of thinking about starting a novel. Bear in mind that approximately only SIX books are published each year and of those FOUR are guide books to Disneyland. In order for your book to be published, it has to be better than the books those several billion people on Earth might write. Most of those people have more interesting lives than you and also probably nicer personalities.

Lesson 1: You have to defeat your rivals. Your book has to be better than your rivals. Looking at that the odds, that implies you’d be best trying to sabotage them from finishing their book. But how? Well, articles like this can help! Find a blog, a writers group or maybe a popular online media organisation and instead of writing a book, write an article full of bad writing advice! BINGO! All those billions of rivals will read it, follow your advice and either write a terrible book or give up in exhaustion…

(7) TODAY’S BIRTHDAY BOY

  • Born May 29, 1889 — James Whale, who said: “A director must be pretty bad if he can’t get a thrill out of war, murder and robbery.”

(8) COMIC SECTON. Cat Eldridge recommends xkcd’s “Opening crawl”.

(9) HOW THE DRAGON ROLLS. Click to read Declan Finn’s recommendations for the Dragon Awards. Hey, you got to respect the guy’s frankness —

DISCLAIMER: I have not read all of the following. In some cases, I’ve had less and less time to read the more I write. And I’ve submitted to … a lot this year, so I’m a little all over the place. Also, there are some genres I just don’t read, usually. I tend to avoid Horror and Alternate History, even though there are some books that are going to change my mind (Brian Niemeier and Lou Antonelli, for example, for horror and Alt History, respectively). If you have thoughts or suggestions, then by all means, COMMENT. And now, UNLEASH THE DRAGONS

(10) WORDS & PICTURES. Joe Sherry resumes “Reading the Hugos: Graphic Story” at Nerds of a Feather.

We continue our Reading the Hugos series with a look at Graphic Story. I can’t help but compare a bit to the five finalists from last year’s ballot and only Invisible Republic would make the cut here. I was already impressed with Monstress, Saga, and Paper Girls as each collection was on my nominating ballot. Heck, I was impressed enough by Paper Girls to include both of the published collected editions on my ballot – so I was definitely glad to see the first book make the cut. Beyond that, this list is dominated by two publishers with an even split between Marvel and Image. Granting that these are generally some excellent books and were on my ballot, I still would have liked to have seen a wider variety of publisher’s on the list. I just can’t say specifically what because I’m not well read enough in what’s going on in comics today – which I would also guess might be the case of a lot of voters. Or maybe I’m just projecting. Either way, let’s get to this year’s finalists.

(11) FILMMAKER TEASES NEXT PROJECT. Popular Mechanics says “It’s Humans Versus Aliens in Neill Blomkamp’s New Sci-Fi Project” .

Teasing a new sci-fi studio called Oats Studios since April, Neill Blomkamp’s ready to show us what he has in store for his future sci-fi ambitions. A new trailer, released today, for a short film currently named “Volume 1” will stream on Steam “soon.” But while the particulars of the movie are lacking in detail, the trailer is nothing short of a top-notch sci-fi film.

 

(12) ONLY A MEMORY. Carl Slaughter recalls:

At age 27, Josh Trank became the youngest director to open a film at #1 with Chronicle. He was hired to direct a standalone Star Wars film and assigned to direct the Fantastic 4 reboot. The Fantastic 4 set was plagued with production problems and received a 9% Rotten Tomatoes rating. Lucasfilm fired him when Fantastic 4 controversies spilled onto the Internet. He has not been seen on the speculative front since.

 

[Thanks to JJ, John King Tarpinian, Scott Edelman, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Rambo.]

Pixel Scroll 5/4/17 Her Pixels Scrolled Up Forever

(1) SUN GOES POSTAL. Daniel Dern, who has an eye for science fictional and related kinds of cool postage stamps, points to plans for this year’s “Total Eclipse of the Sun to be commemorated on a Forever Stamp”.  On June 20, the US Postal Service will issue a pair of stamps capable of a unique special effect:

In the first U.S. stamp application of thermochromic ink, the Total Solar Eclipse stamps will reveal a second image. Using the body heat of your thumb or fingers and rubbing the eclipse image will reveal an underlying image of the Moon (Espenak also took the photograph of the Full Moon). The image reverts back to the eclipse once it cools.

Thermochromic inks are vulnerable to UV light and should be kept out of direct sunlight as much as possible to preserve this special effect. To help ensure longevity, the Postal Service will be offering a special envelope to hold and protect the stamp pane for a nominal fee.

The back of the stamp pane [ a sheet, looks like of 8 stamps] provides a map of the August 21 eclipse path and times it may appear in some locations.

Tens of millions of people in the United States hope to view this rare event, which has not been seen on the U.S. mainland since 1979. The eclipse will travel a narrow path across the entire country for the first time since 1918. The path will run west to east from Oregon to South Carolina and will include portions of 14 states.

The June 20, 1:30 p.m. MT First-Day-of-Issue ceremony will take place at the Art Museum of the University of Wyoming (UW) in Laramie. The University is celebrating the summer solstice on June 20. Prior to the event, visitors are encouraged to arrive at 11:30 a.m. to witness a unique architectural feature where a single beam of sunlight shines on a silver dollar embedded in the floor, which occurs at noon on the summer solstice in the UW Art Museum’s Rotunda Gallery.

(2) BEAM UP MY MAIL. Dern says the eclipse stamp promises to be as cool as Canada’s “Star Trek – Transporter” stamp series, which he was able to get while there last summer.

A tribute to the high-tech world of Star Trek, this stamp uses lenticular printing, a method that makes images appear in motion when viewed from different angles. A homage to the show’s most famous technology – the transporter – and one of its most popular episodes, “The City on the Edge of Forever,” they bring the beloved series to the “miniature screen.”

Stamp designer Kosta Tsetsekas, of Vancouver-based Signals Design Group, saw lenticular as an opportunity to recognize the show’s futuristic vision and the special effects that brought it to life.

“I felt that lenticular, developed in the 1940s, had a bit of a low-tech feel that really mirrored the TV special effects used in the original Star Trek series. Thanks to newer technology, it is now possible to show a lot more motion.”

The set also includes one of Spock and Kirk passing through the Guardian of Forever in the “City on the Edge of Forever” episode.

(3) TAKE NOTE. SCORE: A Film Music Documentary features interviews with nearly 60 composers, directors, orchestrators, studio musicians, producers, recording artists, studio executives, In theaters June 26.

This documentary brings Hollywood’s premier composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world’s most widely known music genre: the film score.

CAST: Hans Zimmer, Danny Elfman, John Williams, Trent Reznor, James Cameron, Randy Newman, Quincy Jones, Junkie XL, Howard Shore, Alexandre Desplat, Steve Jablonsky, Brian Tyler

 

(4) HOW RUDE. At McSweeney’s, Kaya York gives examples of what it would look like “If People Talked About Other Things the Way They Talked About Gender Identity”. Here are two:

Subatomic particles: “Now they’re saying they discovered ‘tetraquarks’ and ‘pentaquarks’. How many combinations of quarks are there? I can’t even keep up these days. What ever happened to just talking about good old atoms?”

Cats: “A Manx is not a cat. Cats are defined as having tails. Maybe it’s a koala.”

(5) SFFH JOURNAL. Download Fantastika Journal issue 1 free. Dozens of articles and reviews, including an editorial by John Clute.

From their website:

“Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of fantasy, science fiction, and horror, but can also include alternative histories, gothic, steampunk, young adult dystopian fiction, or any other radically imaginative narrative space. The goal of Fantastika Journal and its annual conference is to bring together academics and independent researchers who share an interest in this diverse range of fields with the aim of opening up new dialogues, productive controversies and collaborations. We invite articles examining all mediums and disciplines which concern the Fantastika genres.

(6) GAME OF VAULTS. When you’ve got a license to print money, you buy more printing presses. Entertainment Weekly reports: “Game of Thrones forever: HBO developing 4 different spinoffs”.

HBO is doubling down — no, quadrupling down — on its epic quest to replace Game of Thrones.

The pay TV network is determined to find a way to continue the most popular series in the company’s history and has taken the highly unusual step of developing four different ideas from different writers. The move represents a potentially massive expansion of the popular fantasy universe created by author George R.R. Martin. If greenlit, the eventual show or shows would also mark the first time HBO has ever made a follow-up series to one of its hits….

The prequel or spinoff development battle royale is a bit like how Disney handles their Marvel and Star Wars brands rather than how a TV network tends to deal with a retiring series (Thrones is expected to conclude with its eighth-and-final season next year.) But GoT is no ordinary show — it’s an international blockbuster that delivers major revenue for HBO via subscriptions (last season averaged 23.3 million viewers in the U.S. alone), home video and merchandise licensing. Plus, there’s all those Emmys to consider (GoT set records for the most Emmys ever won in the prime-time ceremony).

(7) ANOTHER NIMOY HEARD FROM. Julie Nimoy has made a movie about her dad, too, Remembering Leonard Nimoy.

Leonard Nimoy grew up in Boston’s old West End, before urban renewal razed much of the once-ethnic neighborhood. As a kid, the future actor was mesmerized by “The Hunchback of Notre Dame,” the 1939 film based on Victor Hugo’s novel.

“I remember being touched by the humanity trapped inside the Hunchback,” Nimoy says in a voice-over in “Remembering Leonard Nimoy,” a new hourlong documentary that premieres at 9?p.m. Thursday on WGBH 2. For Nimoy, Charles Laughton’s portrayal of Quasimodo was entirely relatable: “That alienation was something I learned in Boston.”

Nimoy was many things — a fine art photographer, a philanthropist, a great-grandfather, the director of “Three Men and a Baby.” But he was known universally — and we do mean universally — as Spock from “Star Trek,” the half-human, all-logic officer in the long-running science fiction franchise. After Nimoy died in early 2015, an asteroid between Jupiter and Mars was named after him.

“Remembering Leonard Nimoy” shares the same orbit as “For the Love of Spock,” the recent feature-length documentary directed by Nimoy’s son, Adam. The newer film is produced and directed by Adam’s sister Julie and her husband, David Knight. Adam Nimoy appears on-camera (as he does in his own film) and gets an adviser’s credit, so there was evidently no familial dispute about telling the famous father’s story.

(8) GORDON OBIT. Actor Don Gordon (1926-2017) died April 24. He worked a lot – seems there was hardly a series in the Fifties or Sixties he wasn’t cast in at some point. His genre roles include appearances on Space Patrol, The Twilight Zone (two episodes – “The Self-Improvement of Salvadore Ross”: (1964) and “The Four of US Are Dying” (1960)), The Outer Limits, Voyage to the Bottom of the Sea, The Wild, Wild West, The Invaders, The Bionic Woman, The Powers of Matthew Star, Knight Rider and movies including The Final Conflict, The Beast Within, and The Exorcist III.

(9) DALBY OBIT. Editor, scholar and bookseller Richard Dalby (1949-2017) passed away May 4 at the age of 68.

He edited a succession of well-chosen and pioneering anthologies, including the Virago volumes of women’s ghost stories, the Mammoth Books of ghost stories, the Jamesian collection Ghosts & Scholars (with Rosemary Pardoe) and several popular books of Christmas ghost stories and thrillers. Other noted volumes include The Sorceress in Stained-Glass (1971), Dracula’s Brood (1989) and Tales of Witchcraft (1991), all highly respected and now much sought-after.

(10) TODAY’S DAY

Star Wars Day

“May the Fourth be with you” was first used by Margaret Thatcher’s political party to congratulate her on her election on May 4th, 1979, and the saying quickly caught on. However, the first celebration of May 4th took place much later, at the Toronto Underground Cinema in 2001. This first official Star Wars Day’s festivities included a costume contest and a movie marathon. Fans’ favorite parodies of the franchise were also enjoyed, as were some of the most popular mash-ups and remixes. Since then, Star Wars Day has gained popularity and is celebrated by Star Wars Fans worldwide.

(11) EXCEPT IN WISCONSIN. The school district has announced a “no costume” policy going forward: “Wisconsin High School Evacuated After Student Arrives in Stormtrooper Costume for Star Wars Day”

A student celebrating Star Wars Day prompted the brief evacuation of a Wisconsin high school on Thursday morning because they were wearing a Stormtrooper costume, officials said, describing it as a mix-up.

Capt. Jody Crocker, of Wisconsin’s Ashwaubenon Department of Public Safety, tells PEOPLE it happened this way:

Someone driving adjacent to Ashwaubenon High School saw a masked person entering with a large duffel bag and what appeared to to be a bullet-proof vest — but what was actually a costume of a Stormtrooper, a fictional soldier in the Star Wars franchise….

The school was evacuated for about an hour and the students were safely returned, Crocker says.

(12) DARTH WELCOME HERE. Ironically, a Tennessee hospital is perfectly fine having Darth Vader on the premises. But then, he’s not in costume. That’s just his name.

Meanwhile, ABC News chose May the Fourth to reveal Darth Vader is a 39-year-old man living in Tennessee, United States. Darthvader Williamson, that is….

Ms Knowles explained that she compromised with Darthvader’s dad, who wanted to use the full title Lord Darth Vader. She agreed to the shorter version because she “hadn’t seen the movie” and “didn’t know the character”.

Chip Hitchcock sent the link with a comment, “I’d say someone who names their boy after a major villain is more than a ‘serious geek’, even if it’s not naming him Sue.”

(13) PIXEL POWER. Satellites go where no man has gone before: counting albatrosses on inaccessible island steeps. The BBC tells how in “Albatrosses counted from space”.

The US government has only recently permitted such keen resolution to be distributed outside of the military and intelligence sectors.

WorldView-3 can see the nesting birds as they sit on eggs to incubate them or as they guard newly hatched chicks.

With a body length of over a metre, the adult albatrosses only show up as two or three pixels, but their white plumage makes them stand out against the surrounding vegetation. The BAS team literally counts the dots.

(14) INTERNET ABOVE THE SKY. Deployment will begin in two years — “Elon Musk’s SpaceX plans to send the first of its 4,425 super-fast internet satellites into space in 2019”.

“SpaceX intends to launch the system onboard our Falcon 9 rocket, leveraging significant launch cost savings afforded by the first stage reusability now demonstrated with the vehicle,” the executive said.

The 4,425 satellites will operate in 83 orbital planes at altitudes ranging from 1,110 KM to 1,325 KM.

SpaceX argues that the U.S. lags behind other developed nations in broadband speed and price competitiveness, while many rural areas are not serviced by traditional internet providers. The company’s satellites will provide a “mesh network” in space that will be able to deliver high broadband speeds without the need for cables.

(15) FIFTIES SF NOVEL TO STAGE. London’s Br\dge Theatre lists among its future projects a production of The Black Cloud, a new play by Sam Holcroft, from the 1957 novel by Fred Hoyle. “One of the greatest works of science fiction ever written,” according to Richard Dawkins.

The New York Times reports

The London Theater Company is a new commercial venture by Nicholas Hytner and Nick Starr, who previously ran the National Theater in London together; Mr. Hytner was director, overseeing artistic programming, while Mr. Starr served as executive director.

The company’s first season will take place in the new Bridge Theater, the name of which was also announced on Wednesday. The 900-seat venue, on the south side of the Thames, near Tower Bridge, is the first commercial theater of its scale to be built in London in 80 years, according to the company.

(16) SUPERNATURAL AFTERLIFE. Teresa Wickersham covered an on-stage interview with Jim Beaver for SciFi4Me.com “Planet Comicon 2017: Idjits, Death and No Bobby in Season 12 of SUPERNATURAL”.

Jim said that he just looks at the script and guesses how to play it. Usually someone will tell him if he gets it wrong. Writers create and the actor visually and orally interprets what they have created. Ninety-nine percent of what you love is the writer. “I’m happy to be here and take his (Kripke’s) money.”

Jim Beaver’s favorite episode is “Weekend at Bobby’s”, which was Jensen Ackles’ first directing experience. He said Jensen did a fine job. It was exhausting, being on screen ninety percent of the time. He said that you wouldn’t be an actor if you didn’t want to have people pay attention to you. “Look at me.” It’s not about the art at first. Probably only “Daniel Day Lewis is playing Rousseau in his kindergarten.”

One of the audience members said his sister cried when he died. “You should have seen my accountant.”

(17) HELP WANTED. Now’s your chance to get paid for something you’re already doing for free – reading horrible content on Facebook. The Guardian has the story — “Facebook is hiring moderators. But is the job too gruesome to handle?”

Ever wanted to work for Facebook? Mark Zuckerberg has just announced 3,000 new jobs. The catch? You’ll have to review objectionable content on the platform, which has recently hosted live-streamed footage of murder, suicide and rape.

In his announcement, Zuckerberg revealed that the company already has 4,500 people around the world working in its “community operations team” and that the new hires help improve the review process, which has come under fire for both inappropriately censoring content and failing to remove extreme content quickly enough. Just last week the company left footage of a Thai man killing his 11-month-old daughter on Facebook Live on the platform for a whole day.

Instead of scrutinizing content before it’s uploaded, Facebook relies on users of the social network to report inappropriate content. Moderators then review reported posts – hundreds every shift – and remove them if they fall foul of Facebook’s community standards. Facebook does not allow nudity (including female, but not male, nipples), hate speech or glorified violence.

I looked around and didn’t find these jobs being offered yet.

(18) EXTRA SENSE. Blindsight in the real world:

It ranks among the most curious phenomena in cognitive neuroscience. A handful of people in the world have “blindsight”: they are blind, but their non-conscious brain can still sense their surroundings.

Milina Cunning, from Wishaw in Scotland, lost her sight in her 20s, and later realised she had this blindsight ability. She has been studied extensively by researchers.

“If I was to throw a ping pong ball at Milina’s head, she would probably raise her arm and duck out of the way, even before she had any awareness of it,” says Jody Culham, a scientist who has scanned Cunning’s brain.

(19) SAY MR. SANDMAN. Neil Gaiman converses in his sleep: “Neil Gaiman On Returning To ‘Sandman,’ Talking In His Sleep And The Power Of Comics”

On creating a dysfunctional family for Sandman and his siblings (also known as “The Endless”)

A lot of it went back to when I started writing Sandman. Back in 1987 I began to write it. I was thinking that there really just weren’t any comics out there with families in [them] — and I love family dynamics. I love the way that families work or don’t work, I love the ways families behave, I love the way that families interact, and it seemed like that would be a really fun kind of thing to put in.

When I came over to America to do signings, people would say to me, “We love the Endless; we love Sandman and his family, they’re a wonderful dysfunctional family.” It wasn’t a phrase I had ever heard before, and I said, “Hang, on. Explain to me, what is a dysfunctional family?” And people would explain, and after a while, I realized that what Americans called a “dysfunctional family” is what we in England call “a family,” having never encountered any of these functional ones.

(20) FIRST PAST THE POLE. Racing molecules: “Microscopic Cars Square Off In Big Race”

This car race involved years of training, feats of engineering, high-profile sponsorships, competitors from around the world and a racetrack made of gold.

But the high-octane competition, described as a cross between physics and motor-sports, is invisible to the naked eye. In fact, the track itself is only a fraction of the width of a human hair, and the cars themselves are each comprised of a single molecule.

The Nanocar Race, which happened over the weekend at Le centre national de la recherché scientific in Toulouse, France, was billed as the “first-ever race of molecule-cars.”

(21) ALL FROCKED UP. The next Marvel TV series is off to a rough start: “‘Marvel’s Inhumans’ Costumes Draw Jeers: ‘Discount Halloween Store,’ ‘Walmart’”.

Entertainment Weekly released a first look at “Marvel’s Inhumans,” the studio’s latest foray into television, and it’s not going over so well.

The interview with showrunner Scott Buck doesn’t reveal much more than what we already knew about the show, but it does provide the first official picture of the group known as the Inhuman Royal Family, which will star in ABC’s eight-episode show.

The show follows the family, which features — from left to right — Gorgon (Eme Ikwuakor), Karnak (Ken Leung), Black Bolt (Anson Mount), Medusa (Serinda Swan), Crystal (Isabelle Cornish), and Maximus (Iwan Rheon). Each are Inhumans, or superpowered humans descended from aliens and possess sometimes catastrophic abilities.

The main criticism of the photo on the internet, which you can check out above, seems to focus on the costumes, which look cheap. Some people compared them to things you’d find in a Halloween store or a Hot Topic.

(22) JUST PUCKER UP. Atlas Obscura celebrates a working relic of history — the “Pneumatic System of the New York Public Library”

Put into operation in New York in 1897 by the American Pneumatic Service Company, the 27-mile system connected 22 post offices in Manhattan and the General Post office in Brooklyn. The pipes ran between 4 to 12 feet underground, and in some places the tubes ran along the subway tunnels of the 4, 5 and 6 lines. At the height of its operation it carried around 95,000 letters a day, or 1/3 of all the mail being routed throughout New York city….

But there is one wonderful New York location where the pneumatic tubes have proven quicker and more nimble then their modern-day electronic substitutes; the stacks of the NY Humanities and Social Sciences library. When one hands their paper slip to the librarian, they slip it into a small pneumatic tube and send it flying down past seven floors of books deep underground. The request is received, the book located, and it is sent up on an ever-turning oval ferris wheel of books.

[Thanks to Carl Slaughter, rcade, JJ, Cat Eldridge, David K.M.Klaus, Martin Morse Wooster, Andrew Porter, Daniel Dern, stuckinhistory, John King Tarpinian, and Chris Rose for some of these stories. Title credit goes to File 770 contributing editor of the day Rob.]

Pixel Scroll 4/29/17 Let Us Now Pixel Famous Scrolls

(1) YA AWARD NAME. Annalee Flower Horne makes a preemptive strike.

Is this just gratuitous Heinlein hatred? Dude hatred? Have I missed a news item? Or maybe I haven’t. Kevin Standlee recently wrote that if the YA Award passes the Helsinki Business meeting, then the Business Meeting can take up the issue of what its name should be.

There was a nonbinding survey  asking fans’ preferences among six names (Anansi, Lodestar, Ouroboros, Spellcaster, Tesseract, and Worldcon), but that places no limits on the Business Meeting.

(2) A REAL VIKING. Hampus Eckerman recommends, “For those Filers that will combine their visit to WorldCon with a visit to Sweden, a new Viking Museum, called Viking Life, opened this weekend. Some comments about being the only real place to see Vikings in Stockholm has already sparked a fight with the Historical Museum. The Historical Museum retorted that they had largest Viking exhibition in the world and that all authentic artifacts displayed at the Viking Museum had, in fact, been borrowed from the Historical Museum.

“But the thing that put Swedish twitter on fire was not this spat. It was the pictures of the Swedish king at the inauguration. Please enjoy a real Viking King.”

(3) HE’S THIRSTY. OK, Steve Drew is sold on going to the Worldcon.

(4) VON BRAUN’S HUGO. Bill Mullins visited a space shrine:

I was at the U.S. Space and Rocket Center today for my son’s graduation from Space Camp. After the ceremonies, we toured the museum and saw Wernher von Braun’s retro-Hugo (1954, from Boston’s Noreascon 4 in 2004) in the Best Related Work category, for his book Conquest of the Moon, co-written with Fred Whipple and Willy Ley. His office at Marshall Space Flight Center has been recreated there as a permanent exhibit, and his award is sitting on his desk.

Patrick Molloy also wrote about it here in 2012.

(5) CONTROVERSIAL EDITS. Natalie Luhrs articulates how “Failures of Empathy” are an sff community issue.

Recently, Seanan McGuire (1, 2, 3) and J.Y. Yang (thread) have talked on Twitter about copyeditors making changes which fundamentally alter the story, and not for the better. The change in question: redacting the use of the singular they—used by nonbinary characters—to whichever binary gender the copyeditor felt like substituting. This is an act of erasure and, as Yang points out in the linked thread, an act of violence.

Many nonbinary people use the singular they as their pronoun—while this is a relatively new usage, it is not incorrect (copyeditors of the world, take note). I have seen it become more widely used over the last few years and at this point anyone griping about it is basically using it as an opportunity to be a prescriptivist jerk.

…We have an empathy problem in the SFF community. These failures are more obvious when a convention dismisses the safety concerns of their female Guest of Honor in favor of their friend the serial harasser, but you can also see it at a smaller scale: World Fantasy’s initial decision to retain the H.P. Lovecraft pin and Brian McClellan suddenly deciding to tweet about how unprofessional it is to talk about your bad copyedit is when a person of color is the one talking. It’s an entire spectrum of failure, this lack of empathy.

(6) COMPANIONABLE ALIEN. ScreenCrush catches up with “Karen Gillan on ‘Guardians of the Galaxy Vol. 2,’ ‘Avengers: Infinity War,’ and Nebula’s Near-Death Experience in ‘Guardians 1’”.

I think it’s fair to say that when the first Guardians came out, these were the most obscure characters to get their own Marvel movie. Now, of course, the first movie is beloved and everyone knows the characters. Did that change anything about how you guys went about making the sequel? Was there new pressure that wasn’t there before?

That was quite an interesting thing for me as well, because I was wondering if anyone was going to be feeling the pressure; like second album syndrome or something. Maybe they did and they didn’t really show it, but I didn’t because I didn’t feel I had the responsibility of the film on my shoulders. I just got to come in and play this fun character.

(7) ANCESTRY. I can’t believe a spellchecker did this – but how else would you get that typo?

(8) COMICS EVERYONE BOUGHT. You can infer these are not all that rare, right? Yahoo! News lists “The top 10 best selling comic books of all time”.

#10. The Amazing Spider-Man (Vol. 1) #583 – 530,000 copies sold

This comic, featuring Spidey’s encounter with then President Barack Obama, became a must-have collectible after being highlighted on news programs around the country.

#9. The Amazing Spider-Man (Vol. 3) #1 – 533, 000 copies sold

After a yearlong storyline that involved Doctor Octopus posing as Spider-Man, fans were more than happy to celebrate this back-to-basics approach to the friendly neighborhood wall crawler.

(9) FOUNDATION AND EMPIRE. Here’s the moos – The Boozy Cow, a restaurant chain with a charitable foundation and donates all its profits to charity, has opened a fourth location in Scotland: “Charity restaurant chain opens fourth Scottish eatery”.

The Boozy Cow chain – launched by philanthropist Garreth Wood two years ago – already has premises in Aberdeen, Stirling and Edinburgh, has now opened a venue in Dundee.

Mr Wood also revealed that a further five charities will receive a share of the profits from The Boozy Cow chain – Hot Chocolate Trust, Mid-Lin Day Care, Dundee Woman’s Aid, Art Angel and Help for Kids.

This brings the number of good causes currently supported by the company to 18.

Last month, the organisation announced it was giving away £210,000 to charities including CHAS, The Archie Foundation and the Youth and Philanthropy Initiative in Edinburgh, with almost half a million pounds given away since the company opened its first venue in Aberdeen in 2014.

(10) DAVIS OBIT. SF Site News reports the death of Grania Davis (1943-2017) on April 28.

Author Grania Davis (b.1943) died on April 28. Davis was married to Avram Davidson for 3 years and served as his primary editor after his death. She co-authored several works with Davidson as well as writing works on her own.

(11) DEPARTMENT OF ANTIQUE COMPAINTS. Nevertheless, back in 1962, The Traveler tells Galactic Journey readers he is giving a vote of no confidence in new F&SF editor Davidson’s handiwork: “[Apr. 28, 1962] Changing of the Guard (May 1962 Fantasy and Science Fiction)”

I never thought the time would come that reading The Magazine of Fantasy and Science Fiction would be the most dreaded portion of my duties…and yet, here we are.  Two issues into new Editor Avram Davidson’s tenure, it appears that the mag’s transformation from a great bastion of literary (if slightly stuffy) scientifiction is nearly complete.  The title of the digest might well be The Magazine of Droll Trifles (with wry parenthetical asides).

One or two of these in an issue, if well done, can be fine.  But when 70% of the content is story after story with no science and, at best, stream-of-consciousness whimsy, it’s a slog.  And while one could argue that last issue’s line-up comprised works picked by the prior editor, it’s clear that this month’s selections were mostly Davidson’s.

Moreover, Robert Mills (the outgone “Kindly Editor”) used to write excellent prefaces to his works, the only ones I would regularly read amongst all the digests.  Davidson’s are rambling and purple, though I do appreciate the biographical details on Burger and Aandahl this ish.

(11a) TODAY’S BIRTHDAY BOY

  • Born April 29, 1923 — Irvin Kirschner, filmmaker, director of The Empire Strikes Back.

(11b) TODAY’S DAY

International Astronomy Day

Astronomy allows us to see the history of the universe with our own eyes. The stars that twinkle as you look out on a dark, clear night may not exist right now. They existed at whatever point in history they emitted that light, which has taken millions of years to reach Earth.

(12) LATE EASTER EGG STANDING. Hey, I’d already forgotten there was one — “Explaining the mid-credits scene in Suicide Squad”. BEWARE SPOILERS.

Suicide Squad’s mid-credits scene features a meeting between Amanda Waller and billionaire playboy Bruce Wayne. The conversation starts off simply enough: Waller needs help when it comes to keeping everything that happened in Midway City (and her involvement) on the down low. In order to protect herself from Enchantress’ wrath and keep her reputation in the green, Waller makes a deal with Wayne to maintain damage control surrounding the movie’s events. Of course, she has to bring something to the table to make the deal happen…

(13) EXPANSIVE. Aaron Pound reviews Leviathan Wakes by James S.A. Corey at Dreaming About Other Worlds.

Full review: The first book in the Expanse series, Leviathan Wakes is a kind of hard-ish medium future science fiction almost Space Opera story that feels a little bit like Firefly and a little bit like a Dashiell Hammett novel. The book is full of adventure, intrigue, and excitement, but it is the kind of industrial, oil-covered adventure, intrigue, and excitement that results in broken bones, bullet holes, and dead characters. Alongside the truckers and detectives in space in the book is just enough alien weirdness to shake things up and add a bit of inhuman horror to the impersonal dangers of living in a hostile environment that will probably kill you if you make a mistake.

(14) NEWS TO SOMEBODY. Vox (the website, not the Rabid Puppy) said in its February review,, “Forget ‘white saviors’: The Great Wall is really about fighting giant lizard monsters”.

A few things you should know about The Great Wall: It’s simultaneously 400 percent more movie than most and 10 percent as much movie as most — huge, bombastic, colorful, explosive, and containing almost no story at all. It’s roughly equivalent to watching the assault-on-Mordor bits of The Lord of the Rings: The Return of the King for 103 minutes. It was filmed in 3D, and I ducked a few times while watching. It also made me seasick, but that’s my own damn fault for sitting too close to the screen.

(15) THE LONG VIEW. AI viewed with alarm: “Viewpoint: Is inequality about to get unimaginably worse?”. Chip Hitchcock snarks, “He probably wouldn’t have been paid if he’d just posted a link to ‘With Folded Hands’…”

Inequality goes back at least 30,000 years.

Hunter-gatherers were more equal than subsequent societies.

They had very little property, and property is a pre-requisite for long-term inequality.

But even they had hierarchies.

In the 19th and 20th Centuries, however, something changed.

Equality became a dominant value in human culture, almost all over the world. Why?

It was partly down to the rise of new ideologies such as humanism, liberalism and socialism.

(16) AND THE THIRD LITTLE MARTIAN PIG… There may be no straw or timber, but — “Scientists just discovered something awesome about the soil on Mars”.

The research, which was published in Scientific Reports, reveals that the soil on Mars is particularly well-suited to brick making. In fact, the dirt is so easily formed into bricks that building a rigid structure out of it wouldn’t require any special substance or even heat to bake them, and it’s all thanks to the same material that gives the Mars surface its reddish hue.

At first, engineers at the university were trying to figure out exactly how much additional polymer would be needed for the Mars soil to be shaped into bricks. As they gradually reduced the amount of additive used with their soil simulant they eventually realized that they didn’t need any at all. The team was able to successfully compact iron-oxide-rich Mars dirt with a flexible container which was then pressurized. The result was small, firm blobs of soil which were stable enough to be cut into brick-like shapes.

(17) SHINY. The New York Times tells where to buy “A Solid Gold Darth Vader for the Sith Who Has Everything”.

For less than the cost of a trip to Tatooine, one lucky Star Wars fan will soon be able to own a solid gold Darth Vader mask — perfect for bartering, though perhaps not so good for heavy breathing.

On Tuesday, the Japanese jeweler Ginza Tanaka unveiled the imposing headgear and announced that it would go on sale at the company’s flagship store in Tokyo on May the fourth (do we need to spell this out for you?) to celebrate Star Wars’ 40th Anniversary.

The price? A mere 154 million Japanese yen, or about $1.4 million. Tax included!

(18) ON ICE. This is the lede of an article by Helen Brown in the April 22 Financial Times (behind a paywall.)

A survey recently found that the most popular song among prison inmates in the UK was ‘Let it Go,’ the big number from Disney’s 2013 blockbuster Frozen.

Despite the incongruity of old lags carrolling along to a song more easily associated with preschoolers dressed as animated princesses, anyone alive to the emotional truths of the film would not be surprised to find it resonating with prisoners struggling to own the guilt of the past and move on…..

(19) AI SCRIPTWRITER RETURNS. “It’s No Game–A Sci-Fi Short Film Starring David Hasselhoff” is a commentary on the forthcoming writer’s strike, featuring David hasselhoff as an android, that explains what happens when writers are replaced by the Golden-Age-Ophile and the Sorkinator.

 [Thanks to Dawn Incognito, Martin Morse Wooster, Bill Mullins, JJ, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to Fie 770 contributing editor of the day Matthew Johnson.]

Update: Corrected item one to the name Annalee Flower Horne. (Not Newitz, as I mistakenly wrote to begin with.) Apologies to all concerned.