Pixel Scroll 4/14/18 The Adventures Of Scrolli And Pixelwinkle

(1) ISSUES IN SFF REVIEWING. Several interesting threads about reviews and reviewing in sff. Each tweet is the jumping off point for the thread.

  • Bogi Takács

  • Charles Payseur

  • Cecily Kane

  • Also, Jason Sanford did an overview which includes numerous links to reviewers.

(2) WORLD FANTASY AWARDS. John Joseph Adams advises that the 2018 World Fantasy Awards nominations have opened and voting continues until May 31.

The World Fantasy Awards will be presented in Baltimore, MD during the World Fantasy Convention (Nov. 1-4). Deadline for nominating is and ballots must be received by May 31, 2018.

All registered members of the 2016 World Fantasy Convention, the 2017 World Fantasy Convention, and the 2018 event in Baltimore will be eligible to vote before the deadline. If you didn’t attend one of the previously mentioned World Fantasy conventions, and you don’t plan to attend this year, you can still nominate by purchasing a supporting membership.

Already registered? Go and nominate your favorite works! Voting information is available on the World Fantasy Convention 2018 website.

(3) CODE OF OMELAS. Ursula Vernon tells about the ones who stagger away…

(4) SUPER TRAFFIC MONITOR. The Caped Crusader says, “Don’t get run over!” Or something like that. From the BBC: “Lost footage of Batman star Adam West to be screened”. [Video]

Previously lost footage of Batman star Adam West teaching road safety will be screened for the first time in more than 50 years.

The clip from May 1967 of Batman teaching children the Kerb Drill will be shown to an audience of TV professionals and enthusiasts in Birmingham to kick-off a hunt for 100 missing television clips.

Kaleidoscope, which specialises in finding missing television footage, recently discovered the segment, which was never screened outside of the UK.

It will be shown at Birmingham City University on Saturday, as the company launches its list of the UK’s top 100 missing TV shows that industry professionals most want to see recovered.

This includes early episodes of Doctor Who featuring Mark Eden as Marco Polo, Top Of The Pops and The Avengers.

(5) UTAH WESTERCON NEWS. Westercon 72 (July 4-7th, 2019 in Layton, Utah) has added Special Guest Eric Flint. Westercon also will host the 2019 1632 Minicon.

Eric Flint’s writing career began with the science fiction novel Mother of Demons. His alternate history novel 1632 has led to a long-running series with over thirty novels and anthologies in print. He’s also written many other science fiction and fantasy novels. He resides in northwest Indiana with his wife Lucille.

Along with Mr. Flint, we are also pleased to announce the 2019 1632 Minicon will be held in conjunction with Westercon 72. The minicon is the annual event that allows the 1632 fans and authors to get together. (Of course, in the case of 1632, fans and authors overlap substantially.) Each year the minicon is held “inside” a science fiction convention in a different part of the country. Many cons have agreed to host the minicon over the years. (Wording courtesy of https://1632.org )

(6) DISNEY PIXAR. A fresh trailer for Incredibles 2.

(7) TIN FOIL HATS FOR CATS. Did you know these were a thing? From the Archie McPhee catalog:

It’s a tin foil hat for conspiracy cats! They want to know what your cat is thinking. They want to control your cat’s thoughts. Not on our watch! We’ve made a Tin Foil Hat for Cats to make sure that kitty’s thoughts stay private. This mylar hat fits most cats, has a comfy felt lining and is held in place with an elastic strap. It even has holes for cat ears! Take that, Illuminati! Restores the dignity of your kitty. Very effective against MKUltra satellites, cat food company dream-insertion marketing, Guy Fieri, Soviet cat control protocols, psychic dogs, skull tapping, focused magnetic pulse and the neighbor’s labradoodle. Great for pictures! Fits most cats.

(8) BELL OBIT. Art Bell (1945-2018), the original host of the paranormal-themed radio program Coast to Coast AM, died April 13. At its peak in popularity, Bells show was syndicated on more than 500 radio stations and claimed 15 million listeners nightly

(9) TOWFIK OBIT. Sindbad Sci-Fi eulogizes an influential Egyptian sf writer: “Remembering Ahmed Khaled Towfik (1962 – 2018)”.

Ahmed Khaled Towfik is no longer with us. After a period of prolonged illness, he died of a heart attack on 2 April 2018 in El-Demerdash hospital, Cairo, at the age of 55.

By day, Dr Ahmed Khaled Towfik practised as a medical professor at Egypt’s Tanta University. Over time, he was an obsessively prolific writer who became the Arab world’s most prominent bestselling contemporary author of Sci-Fi, fantasy and horror genres. He is claimed to have written over 500 titles of which one third is science fiction, including his Arabic translations of English Sci-Fi.

(10) TODAY’S SFF BIRTHDAYS

  • April 14, 1936 – Arlene Martel. She played Spock’s betrothed, co-starred with Robert Culp in the Outer Limits Demon with a Glass Hand written by Harlan Ellison plus a couple of Twilight Zone episodes.
  • Born April 14, 1958 – Peter Capaldi
  • Born April 14, 1977 — Sarah Michelle Gellar
  • Born April 14, 1982 – Rachel Swirsky

(11) SWIRSKY CELEBRATED. Steven H Silver shares his appreciation in “Birthday Reviews: Rachel Swirsky’s ‘The Monster’s Million Faces’” at Black Gate.

Rachel Swirsky was born on April 14, 1982. To this point, her writing career has been focused on short stories, although in 2010 she co-edited the anthology People of the Book: A Decade of Jewish Science Fiction and Fantasy with Sean Wallace. Her stories have been collected in two volumes, Through the Drowsy Dark and How the World Became Quiet: Myths of the Past, Present, and Future.

(12) COMICS SECTION.

Courtesy of mlex:

(13) GOOD TO THE LAST DROP. Charles Payseur tests a new batch of short fiction: “Quick Sips – Strange Horizons 04/02/2018 & 04/09/2018”.

The short SFF from the first two weeks of April’s Strange Horizons looks at faith and education, memory and time, fiction and hope. The stories feature characters either revisiting their pasts or desperate to do so. They also feature relationships between parents and children, though in opposite directions (one with a mother as main character, the other with a son). And they explore memory and trying to rewrite the past with something better than the crushing weight of the present. The poetry looks at religion and education, at expectation and death. It’s a rather complex collection of pieces, but it makes for some compelling reading. So let’s get to the reviews!

(14) ARE YOU KIDDING? The Deseret News reports “Former FBI director James Comey is a fan of Utah author Brandon Sanderson”.

In an interview with The New York Times Book Review “By the Book” section, Comey said he’s an avid reader of fiction, “almost always (reading) something my kids are reading, so I can … pretend to be cool.”

When asked what books readers would be surprised to find on his shelf, Comey answered with “The Fault in Our Stars,” by John Green; the Mistborn series, by Brandon Sanderson, and the Red Rising series, by Pierce Brown.

(15) SFF HISTORY. Tom De Haven remembers what it was like to write for Byron Preiss in a memoir at Café Pinfold.

…I met Byron Preiss in the 1970s, near the start of both our careers—as I recall, it was at an art show that he’d curated in a small Manhattan gallery (somewhere up near Bloomingdale’s, I believe) that consisted of super-realistic, high-key paintings of Brian Wilson and the Beach Boys (yes, the Beach Boys; don’t ask me why, although probably it was the first or second or third step in a scheme to produce a “Byron Preiss Book” sometime in the future). He was the most confident man I’d ever met. Soft spoken, slow moving, but confident as hell. Always well dressed.  Good clothes but they could get rumpled looking. For as long as I knew and saw him, and it was quite a while, Byron always had a hundred ideas for new projects and the sublime confidence they’d all make millions.

So far as I understood it, he worked like this: he’d pitch a slew of different ideas to a variety of book editors in New York City, ideas that (again, so far as I understood it) he’d dreamed up himself, ideas inspired by current trends in publishing or pop culture (U.S.S.A., for example, followed in the wake of the original Red Dawn movie). Whenever Byron got the go-aheads for specific packaging projects, he’d call up writers to do the actual writing. (He was also likely to call up cartoonists and illustrators since most of his books came illustrated. Later, when he was one of the first people to pionneer digital publishing, he probably called up programmers.)

For me, and no doubt for many other “midlist” authors like me, it was often a lifesaver to get a telephone call from Byron Preiss; he took a big cut of any advance, naturally, and the advances were never better than just okay, but when you were in-between books and fresh out of ideas, or in-between advances for novels of your own, or had a major house repair that you couldn’t afford, or there was a new baby on the way, you were glad—at least I was glad—for an offer from Byron….

(16) WILL ROBINSON REBOOTY. NPR’s Glen Weldon goes back and forth in “Will Robinson, Meet Danger; Danger, Will Robinson: The ‘Lost In Space’ Reboot”, props for competent women, points off for repetition.

The original Lost in Space, which ran on network television from 1965 to 1968, began as a straightforward, if high-concept, adventure show: A colony spaceship carrying a nuclear family, a dashing pilot and a sniveling doctor got stranded on a remote planet. They had adventures while wearing v-neck sweaters over their turtlenecks, presumably because Irwin Allen, who produced the show, imagined that the future would be a chilly place. Or maybe he got a deal on velour, who knows.

Over the course of its run, the focus of the show shifted from the family to that weaselly doctor. Looking back, it’s easy to see why: The family was a bunch of white-bread squares in matchy-matchy outfits, but the doctor – played with a sublimely mincing menace by Jonathan Harris, was a revelation. The character of Doctor Smith was vain, overdramatic (“Oh, the pain, the pain!”), selfish, self-pitying, self-aggrandizing – a campy, eminently hissable villain out of a Christmas panto, down to the clipped British accent (which was something the Bronx-born Harris sniffily affected).

(17) LOST ATTENTION. In contrast, the Boston Globe reviewer describes the robot and the series as “sleek, shiny, and boring”: “‘Lost in Space,’ we have a problem” (may be passworded soon).

The casting is a problem, except in one case — Parker Posey as Dr. Smith. Molly Parker, a favorite of mine from “Deadwood” and “Swingtown,” is OK as the logic-and-science-loving Maureen — but she can be so much better than OK. The writers try to give her a personal storyline, since she and husband John, played sternly by Toby Stephens, are dealing with a troubled marriage. But it’s hard to care about the fate of their relationship because they’re so bland and heroic. The rest of the Robinsons are bland too, with Will (Maxwell Jenkins) a sweet but dramatically inert presence. I didn’t worry about their safety during all of their dangerous missions because I just didn’t care enough about them. TV’s original Robinson family wasn’t particularly exciting, either, but at least whimpering Jonathan Harris’s Dr. Smith brought enough camp and cowardice to keep things entertaining.

(18) SHARKE BITES. Shadow Clarke juror Maureen Kincaid Speller shares her picks: “A Shadow Clarke 2018 selection box – six exciting centres”. First, what you won’t find in her box:

This year, inevitably, my decision-making process is going to be more focused and more self-conscious, so I’ve laid out a few ground rules for myself. First, I have tried to avoid seeing what the other jurors are choosing, so this selection process has been conducted in isolation. Second, my Shadow Clarke to-read list isn’t going to feature anything I’ve already read, although there are some titles there I’d dearly like to discuss with the other jurors: Nick Harkaway’s Gnomon, for example, which is very much my kind of novel – formally inventive, a challenging read, a great story. But Gnomon is among a handful of titles already touted as shoo-ins for the official Clarke shortlist, and I have also decided to avoid putting any of those on my to-read list. I’m going to read them anyway and at this stage I’d rather experiment in my reading and see what’s going on in sf. This may seem very perverse but I would remind you that this exercise is categorically not about attempting to second-guess the official shortlist. As such I have leeway to explore.

With those decisions made, things become both easier and more complicated. Critics and reviewers are mortals like the rest of the world, and we all have our prejudices. For example, as I’ve noted before, I dislike zombie novels and while I could test that prejudice by reading a zombie novel – there seems to be a prime candidate on the list – I’ve come to the conclusion that I am secure enough in my understanding of my active dislikes to avoid wasting everyone’s time by confronting them, because the chances of anything positive emerging from the encounter are unlikely.

(19) CALL FOR PAPERS. Sublime Cognition is a very catchy name for a conference:

(20) SOLO CARDS. I don’t think I covered this with the rest of the Denny’s Star Wars-themed advertising: “Solo: A Star Wars Story exclusive trading cards, available only at Denny’s!”

[Thanks to John King Tarpinian, Camestros Felapton, JJ, Mark Hepworth, Chip Hitchcock, Michael O’Donnell, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 3/17/18 Several Species Of Small Furry Filers Gathered Together In A Scroll And Grooving With A Pixel

(1) DISNEY EXTRACTS HAND FROM COOKIE JAR. Design Taxi reports “Disney Redesigns ‘Star Wars’ Posters After Getting Called Out For Plagiarism”.

Disney has unveiled a new set of posters for the upcoming Solo: A Star Wars Story after its previous artworks were called out by a French artist for plagiarism.

In this redesigned collection, Disney has amended the graphics whilst sticking to a similar color scheme.

Each character remains paired with a unique color. For instance, ‘Han’ is matched with an orange-red aesthetic, ‘Lando’ gets a blue hue, while ‘Q’ira’ receives a pink-purple scheme.

 

(2) SCRYING THE CRYSTAL CLARKE. Ian Mond takes his shot at predicting the Clarke Award shortlist in “Brief Thoughts on the Arthur C. Clarke Award 2018 Submissions List” at The Hysterical Hamster.

Mark Hepworth did the same in a comment here on File 770.

(3) MANO-A-MANO. Steven Barnes, while speculating about which characters will get killed off in the next Avengers movie, added an interesting cultural critique of the martial arts in Black Panther.

this is petty, and a trivial objection, but another missed opportunity was the battle between T’Challa and Killmonger during the ceremony. It relates to a complaint I had about Civil War (which I loved). This is from a life-long martial artist’s perspective, so I’m only partially serious. The problem is this: BP fought like everyone else in Civil War, and his technique looked very Asian. Korean in the kicks. Not what the Prince of Wakanda would use, because African arts are as lethal. But in BP, both T’Challa and Killmonger fought pretty much the same. I find it difficult to believe that Killmonger, never having been in Wakanda, would fight with techniques that look as if he had been trained by the same people who trained T’Challa. They could have had a fascinating clash of styles. But that is really nit-picking.

(4) PANTHER POLITICAL ANALYSIS. At Blog of the APA: In “Black Issues in Philosophy: A Conversation on The Black Panther”, Greg Doukas and Lewis Gordon discuss the politics and ethics of leading characters in the movie.

GREG DOUKAS: I am thoroughly perplexed by the reaction exhibited in some of my friends and colleagues, whose ideas I otherwise ordinarily agree with. The proposition they raise, and which I’ve been troubled by, is this: Over the duration of the film, our hero T’Challa [the Black Panther] makes a transformation from a nativist into a character representing a liberal politics of amelioration and liberalism more generally, while his nemesis Killmonger emerges as a distinctly Fanonian character in his own politics by presenting a radical critique of colonialism and racism. 

LEWIS GORDON: This is far from the case. First, Killmonger is not Fanonian. He is a tyrant. Fanon believed in radical democracy.  Wakanda is clearly a republic and possibly a constitutional monarchy in which each member of the society contributes as counsel and skilled citizen. It’s clearly a city-state or what in ancient Greek is called a polis, in which politeia (the thriving of citizens through activities cultivated by such a social space) is expected to occur. Killmonger is more like the case studies of colonial disorders in the later part of Fanon’s The Damned of the Earth. He is a tyrant because his relationship to everyone was asymmetrical, driven by resentment and hate, and his regard for life was nil. Think of how he killed his loyal girlfriend Linda and how he ultimately aimed to destroy or destabilize Wakanda—a functioning African state—with the now faddish Afropessimistic declaration of “burning it all down.”  His ego was such that he wanted to bar, through destruction of the special vibranium affected plant, the possibility of future Black Panthers emerging. Bear in mind also that T’Challa was not against fighting/violence. His point is that it should be used only when necessary, and he was doing so always on behalf of justice and a people in whose respect rested his legitimacy.  Killmonger didn’t care about respect from the people.  He also didn’t have respect for them. His “legitimacy” was like, say, Donald Trump’s: achieved purely from the strict adherence to the imperfect rules, though unlike Trump he actually defeated his opponent in fair combat. The people revolted against him not because he won the ritualistic battle but because his tyrannical rule defied the virtues the battle was to manifest. They fought against him in fidelity to the spirit of the rules.

(5) IMPRESSIVE. Rich Lynch actually came up with video of the Octavia Butler clue from Friday’s episode of game show Jeopardy! Click here: Jeopardy! Butler clue

(6) WHO AGAINST GUNS. Comics Beat updates readers: “Who Against Guns raises $16,000”.

We’ve been reporting on the fan-led effort known as Who Against Guns for several weeks now. Today, just over two weeks after the start of the campaign which launched February 26, organizers have announced that they’ve raised $16,000 for these gun violence prevention charities:  Community Justice Reform CoalitionMarch For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action.

(7) TOLKIEN’S DOG STORY. Middle-Earth Reflections takes up J.R.R. Tolkien’s Roverandom.

Originally Roverandom was conceived in 1925 when the Tolkiens — Ronald and Edith with their sons John, Michael and Christopher — went on a family holiday to Filey, Yorkshire. They rented a cottage with the view of the sea and the beach to spend a big part of September there. At that time the Tolkiens’ second boy Michael, who was about five years old, had a small, black-and-white toy dog. The boy  was extremely fond of it to the extent that he never parted with it. It was an unfortunate loss of that beloved toy during a walk on the beach one day and unavailing search for it that led Tolkien to make up a story about the dog’s adventures to explain its disappearance to the saddened boy.

In 1936, when The Hobbit was accepted for publication by Allen & Unwin, Tolkien was asked for more children’s stories, so he sent in Roverandom together with  Mr Bliss and Farmer Giles of Ham. However, Roverandom was not published then: in 1937 The Hobbit came out, proved a tremendous success and the publishers demanded more Hobbit stories from the author. It was only in 1998 that Rover’s tale finally saw the light of day.

Just like some other stories written by Tolkien, Roverandom began as something told to the amusement (or, in this case, consolation was the initial motive) of his own family. But as the story began to grow, it inevitably drew in more aspects of Tolkien’s background and interests. From a simple children’s story it established connections with Tolkien’s own Legendarium, Norse mythology, Arthurian legends, folklore, history and real events which took place at the time when the story was being created and written down.

(8) SPOILER WARNING. In Zhaoyun’s “Microreview [TV series]: The Frankenstein Chronicles” for Nerds of a Feather, the spoiler isn’t what you think.

It’s one of the longest-running gags in show business: cast Sean Bean in your TV series and there is an extremely high chance his character will perish by the end of season one. If in a movie, he’ll probably die heroically, indeed motivationally, spurring the surviving heroes on to greater successes; in TV series, his specter looms over the remainder of the show, meaning everything that happens from then on occurs in the shadow of his sacrifice (since he is usually innocent of any wrongdoing but is executed/killed anyway). So when I finally watched The Frankenstein Chronicles, I knew to expect a gruesome end for Bean’s “John Marlott” at the end of season one. I don’t even feel the need to issue a spoiler alert so far, because Sean Bean’s near-inevitable death early in projects is a truth universally acknowledged.

(9) TENTH ANNIVERSARY. Kasma editor Alex Korovessis offers 10 Years of SF as a free download:

10 Years of SF! is an anthology featuring some of the best stories I have had the privilege to publish over the past 10 years, since Kasma’s inception in 2009. It is available freely by clicking the appropriate button below.

(10) THE MORE THINGS CHANGE. A fan lamented:

In the few months I have been an active member of fandom, I have found knit into its fabric a conglomeration of ego, hate, progressiveness, overbearing acts, belligerence, perversities, totalitarianism, crack-pot ideas and every good and bad thing that goes to make up the outside world.

Today on Facebook? No, these are the words of Clarence “Sully” Roberds, an Illinois fan writing in November of 1939. Think about that the next time you read a complaint that fandom isn’t what it used to be.

(11) COMICS SECTION.

  • John King Tarpinian passes along Drabble’s stfnal St. Paddy’s joke.
  • And Bizarro’s tribute to the Sasquatch.

(12) 2019 HUGO RECOMMENDATIONS. Coffee break’s over – back to work!

Click to see Renay’s 2019 Hugo Sheet (at Google Docs).

(13) OFTEN IMITATED. Inverse celebrated the release of Forbidden Planet on March 15 in “62 Years Ago Today, the Template for All Sci-Fi Movies Was Born”.

Nearly every science fiction story you know and love today owes it all to one movie that came out in 1956, a film that set the standard for how sci-fi stories work for the modern audience. Franchises like Star Wars and Star Trek might have defined sci-fi for generations, but Fred McLeod Wilcox’s Forbidden Planet basically created sci-fi as we know it.

There’s even an opening scrawl with yellow text more than 20 years before the first Star Wars movie.

(14) BALLS. “Ikea Is Developing The Meatball Of The Future” – no, it’s not made from ground-up Billy bookcases.

Ikea is the largest furniture retailer in the world. But did you know that it’s also likely the largest meatball retailer in the world? Across its 340 stores worldwide, Ikea feeds people 2 million meatballs each day. Which is why Ikea’s high-concept Space10 lab is experimenting with a meatball of the future–one that uses zero actual meat. They call it the Neatball.

…The Space10 team is careful to clarify that none of these items are coming to market, but it’s interesting to see Ikea’s thought process on the future of food all the same. After all, Ikea has already given us a veggie version of its famous meatballs that people seem to like. And Space10 released meatball concepts not long ago that have since gone from art project to fully cooked concept here–because that’s what Space10 does: It prototypes the future for Ikea.

(15) AMAZON VS. CONSERVATIVES. Vox Day finds that Amazon’s alleged massacre of conservative authors’ book reviews is highly exaggerated [Internet Archive].

Of course, the mere fact that there is a closed alliance of authors with personal relationships who pay very close attention to reviews may explain at least a reasonable percentage of these deletions, given the terms of service. I checked out my reviews and it looks like ten or fewer reviews were deleted across all my various book listings. Not only that, but several of the reviews were one-star fake reviews, so two of my average ratings actually increased. This made me suspect that the deleted reviews were likely in open violation of Amazon’s terms of service, which Amanda Green’s investigation appears to have generally confirmed.

He also says in a comment:

Don’t get Clintonian. It’s not tricky at all. Are they family? Are they close friends? Did they work on your book?

If so, then don’t review their books.

That being said, I think Amazon would be well advised to limit reviews to Verified Purchases in addition to whatever conflict-of-interest limitations they see fitting.

Let’s face it, the world doesn’t need any more reviews on the lines of “I am so-and-so’s mother and I can’t believe he wrote a whole book! It’s really good!”

(16) COMICS RANT. The comics artist Colleen Doran went on an epic Twitter rant about “diversity hires.”

It implies things about race, it implies things about sex, it implies things about sexuality. And because I can’t read your mind, I don’t really know what “diversity hire” means to you. But I know what it means to me. So tread that ground with care.

Start the thread here —

(17) THE FORCE IS WITH THEM. Pacific Standard profiles “The Jedi Faithful”.

Disambiguating real-world practices from the traditions that the Star Wars franchise established is not so much a passing curiosity as one of the central reasons the group of Jedi has assembled here for the weekend. Belief in the Force here on Earth is ultimately simple enough, a matter of faith that requires no greater suspension of disbelief than praying to any other life-force or deity. However, the practical extension of that belief, as demonstrated in the Star Wars canon—namely, that one can use the Force to exert mental influence on the external world—poses a larger problem: The cosmos, absent green screens, doesn’t so easily succumb to the will.

And so, for those following the Gospel of Lucas, life can often seem a battle of approximations. Lightsabers here on Earth aren’t in fact shafts of light, but an alloy of plastic and LEDs. Jedi on Earth have downgraded telekinesis for noetic sciences and a belief that collective thought can influence external change. And, as their possession of DVD box sets, plastic lightsabers, and Star Wars kitsch indicates, they, unlike their fictional counterparts, haven’t quite subscribed to an ascetic’s denial of worldly attachments

(18) MAGIC SCHOOLS. L. Jagi Lamplighter says Superversive SF’s Fantastic Schools and Where to Find Them blog is “just a fun thing a couple of us are doing–covering magic schools and schooling in general. We are open to posts from anyone who writes about Magic Schools. It’s just a labor of love kind of thing. Nothing big. (Or anyone who has an opinion on either magic schools or schools in general.)”

She penned their most recent post: “Which Magic School Is For You: Roke”.

How many of you ever wished you could attend Roke? I bet many readers don’t even know what Roke is.

Once upon a time, in the long-ago dream time of the 1970s and 80s, there were three fantasy series everyone read: Tolkien’s Lord of the Rings, C. S. Lewis’s Narnia Chronicles, and Ursula LeGuin’s Earthsea Trilogy. Everyone who read fantasy had read all three, and they were considered equally great.

I remember the day, some years ago now, when I realized that while Narnia and Lord of the Rings had made the grade, Earthsea had been basically forgotten. Many modern fantasy fans had never heard of the books. They didn’t even know that LeGuin had invented one of their favorite concepts: the magic school.

But Ursula Leguin’s magic school in Wizard of Earth Sea was the first time a fantasy writer thought “Gee, we see so many wizards in stories. Who trains them? Where do they go to school?”

And what she gave us was Roke.

(19) MUPPETS. Gwynne Watkins, in the Yahoo Entertainment story “Miss Piggy’s ‘a mess inside’: Frank Oz and puppeteer pals reveal Muppet secrets”, interviews several associates of Jim Henson who are promoting Frank Oz’s HBO documentary Muppet Guys Talking.

If I were thinking about, from a viewer’s perspective, which Muppet changed the most over time, I would say Miss Piggy

Oz: Yeah, probably so. But Piggy is a different situation. I’ve said this before: Her beginnings were in the women’s liberation movement, just by accident. And I don’t consciously change things, but the characters don’t interact with the world — I interact with my world. And I don’t interact in such a way where I say, “Oh, I’ve got to put that in my character.” I think because of the zeitgeist, it just kind of happens without me knowing it. But Piggy’s a little different. Piggy is such a mess inside, that I think as the years go on, she gets more and more emotional baggage. And that’s mainly why she changes. She keeps being rejected by the frog. She keeps trying and cannot do the things that she wants to, like tell jokes or dance. So I think she has this emotional baggage that hurts her more and more and more, and as a result she covers more and more and more. That’s what I think. 

[Thanks to JJ, Mark Hepworth, Andrew Porter, John King Tarpinian, rcade, Cat Eldridge, David Doering, Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 3/9/18 Now Scroll It! Into Shape! Pixel Up! File Straight!

(1) SUBTITLE THIS. Not very sff, but the replies to John Hornor’s tweet are absolute gold.

Among other responses –

(2) WRINKLE IN TIME REACTIONS. Two NPR views: the straight by Linda Holmes: “Oprah In The Sky, With Wisdom: The Earnest, Imaginative ‘A Wrinkle In Time'”

There is a part of a filmgoer who is exhausted by an avalanche of stuff — much of it forgettable, much of it created by committee, much of it branded within an inch of its life and all of it subject to commercial expectations that are either indifferent or hostile to art — that says, “I cannot get on board with a film that delivers wisdom through a giant, glowing Oprah.”

Is that cynicism? Perhaps, but it’s cynicism that is earned. What Ava DuVernay’s adaptation of A Wrinkle In Time asks is that this cynicism be temporarily laid down so that you can, in fact, be deeply moved by wisdom delivered by a giant, glowing Oprah.

If you do, it’s a profoundly satisfying, imaginative and beautiful film.

And the slant by Bob Mondello: “‘A Wrinkle In Time’ Will Delight Target Audience That Doesn’t Have Too Many Wrinkles”.

Director Ava DuVernay has a light touch with these early scenes, though she gets seriously bogged down in special effects as the film goes on. In 1962 when “A Wrinkle In Time” was published, critics noted the Christian theology of author Madeleine L’Engle, comparing her to “Narnia” creator C.S. Lewis and wondered if the book’s challenge to conformity could be read as a Cold War allegory about communism. No one’s likely to do that this time.

(3) MORE WRINKLES. The Verge’s Tasha Robinson also isn’t a fan: “A Wrinkle in Time isn’t for cynics — or adults”.

The new Disney film adaptation A Wrinkle in Time, directed by Ava DuVernay (an Oscar nominee for the 2015 historical feature Selma and the 2017 documentary 13th), pays a lot of lip service to that awkwardness but never convincingly captures it. L’Engle’s brand of weirdness can be ugly and unsettling, as her characters suffer physical abuse, fight their own uncontrollable rages, or just spout oddball jargon, oblivious to the ways they’re alienating or offending other people. The film is unmistakably the Disney version of the story, with anything potentially problematic or offensive sanded off and replaced with soft, pastel CGI. It’s a pretty take on the story, but it’s also a frustratingly safe and squishy one. It’s infinitely well-intentioned, full of warm self-affirmation and positivity, and absolutely nothing about it feels emotionally authentic enough to drive those messages home.

(4) BETRAYAL BY DESIGN. The Washington Post’s Michael O’Sullivan, in “Beloved books can turn into terrible movies. Will ‘A Wrinkle in Time’ beat the odds?”, interviews A Wrinkle in Time screenwriter Jennifer Lee, who explains how she updated Madeleine L’Engle’s novel to appeal to contemporary sensibilities.

Ritesh Batra put it best. When I interviewed the director of “The Sense of an Ending,” the 2017 film based on Julian Barnes’s Man Booker Prize-winning novel, the filmmaker told me that the best — and most liberating — advice he ever got was what Barnes told him: “Go ahead and betray me.”

The real question for anyone adapting a book, Batra explained, is not to ask, “What do I want people to see on-screen?” — i.e., plot, action, etc. That’s the easy part. Rather, it’s “What do I want people to feel?”

I proposed the theory — that feeling trumps seeing — to Jennifer Lee, whose “Wrinkle” screenplay (co-written with Jeff Stockwell) forms the basis of director Ava DuVernay’s new film. “It’s funny,” Lee said. “That’s exactly what I say about the approach we took.” Lee’s previous credits include co-directing and writing the Oscar-winning movie “Frozen,” based on a story by Hans Christian Andersen.

The challenge of book adaptation, Lee explained over the phone — particularly when the book’s audience is children, who carry attachments to favorite books for years — is that readers fill in missing details with their imaginations and that a movie “chooses for you.” An additional problem is the fact that film is collaborative: a product not just of words on a page, but also of makeup artists, costumers, casting agents, production designers and, if you’re lucky, a director with the vision to unify it all. There is only so much that a writer can nail down.

(5) STOP STEALING, PLEASE. Looks like it’s time for Disney to write someone a big check: “Artist claims Disney stole his work on a series of album covers and used them for the new Han Solo movie posters”.

An artist has accused Disney of stealing artwork he did on album covers and using it for the posters for Solo: A Star Wars Story.

The retro-styled character posters for the latest Star Wars movie came out in February along with the trailer and feature vintage pop-art style that also include shots of the different characters.

But the posters look almost completely identical to album covers created by Hachim Bahous, who shared the comparisons on his Facebook.

(6) LIBRARIANS WHACKED.  The Hollywood Reporter says “‘The Librarians’ Canceled at TNT” but the series might show up again somewhere else.

TNT is closing the book on The Librarians.

The Turner-owned cable network has canceled the drama from showrunner Dean Devlin. Devlin broke the news Thursday, noting that he would look to find a new home for the series that originally started as a TV movie on the cable network.

“Just got the official call. TNT has canceled #TheLibrarians— I will immediately begin the process of trying to move the show elsewhere. Please keep your fingers crossed for us!” he wrote.

The fantasy-adventure drama was developed by John Rogers and based on The Librarian by David Titcher. Rebecca Romijn starred in the drama with Noah Wyle recurring and executive producing the series alongside Devlin, Mark Roskin and John Rogers.

(7) IT COULD BE YOU. Applications for new HSS/NASA Fellowships are being taken until April 1 – see “Fellowships in Aerospace History”

Pending renewal of funding, the Fellowships in Aerospace History are offered annually by the National Aeronautics Space Administration (NASA) to support significant scholarly research projects in aerospace history. These fellowships grant the opportunity to engage in significant and sustained advanced research in all aspects of the history of aerospace from the earliest human interest in flight to the present, including cultural and intellectual history, economic history, history of law and public policy, and the history of science, engineering, and management. NASA provides funds to the American Historical Association, the History of Science Society, and the Society for the History of Technology to allow each association to award a fellowship. Applications will be entered into consideration for all three fellowships.

(8) GALACTIC PHILADELPHIA. The next Galactic Philadelphia event on April 10 will  feature Sam J. Miller and Samuel Delany.

(9) EATING THE FANTASTIC. Scott Edelman invites listeners to polish off a Persian dinner with David Mack in Episode 61 of his Eating the Fantastic podcast.

David Mack

David’s written more than 30 novels, including the Star Trek Destiny and Cold Equations trilogies. He was also responsible for several episodes of Star Trek: Deep Space Nine. His newest novel is The Midnight Front, a World War II-era epic fantasy which is the first book in the Dark Arts series of secret-history novels.

The venue for our dinner was Orchard Market and Cafe, a wonderful Persian restaurant recommended by recent guest of the show Norman Prentiss. Norman had told me that the Chicken Fesenjune was one of his favorite things in the whole world, and now that I’ve been there, I can can tell you—he had good reason to say that. Believe me, the food there was wonderful, and I’ll be going back whenever I can.

David and I discussed the weird ways his life entwined with the famed comic book artist who shares his name, how worrying about the details of Star Trek canon helped him when it came time to unravel the secret history of WWII, the way a near-death experience led to him working for the Syfy Channel, why it was so important for necromancers to pay a heavy price for the magic they choose to wield in his new novel The Midnight Front, how not making a pitch to a book editor resulted in him selling TV scripts to Star Trek, his unabashed love for the Beat author Richard Brautigan, the reason that after 27 Trek novels and a ton of other tie-in work he’s chosen to publish his non-franchise breakout book now, and much more.

(10) TODAY IN HISTORY

  • March 9, 1979 — Roger Corman’s film Starcrash debuted.
  • March 9, 1984:  Stephen King adaptation Children of the Corn premieres in theaters.
  • March 9, 2007:  Comic adaptation of the 300 opens.

(11) COMICS SECTION.

  • JJ finds a familiar figure visiting the shrink in Bizarro.
  • And in another Bizarro, sees an unexpected way to hack Alexa.
  • Chip Hitchcock passes along a real groaner from Rhymes With Orange.

(12) FORGET THAT LONELY GARRET. Jeff Goins’ podcast The Portfolio Life hosts “123: How Community Will Help You Become a Better Writer with Diana Glyer”.

In this episode, Diana and I discuss:

  • Who the Inklings are, and why this group still matters today.
  • The dynamics and quirks of literary groups.
  • How community can positively influence your work.
  • Why people believed the individuals within the Inklings were immune to influence from each other.
  • The pervasive myth of the solitary genius.
  • How great art and writing is forged in community.
  • Why writing is not a momentary flash of genius, but a slow and steady work of art.
  • What you need to know about the transactional nature of writing.
  • Steps you can take to build your own literary group.

Quotes and takeaways

  • We are mesmerized by the end of the story, but we forget about the beginning.
  • To build community, you have to take a risk and share your work with others.
  • Start small when you build a community of support.
  • Loneliness will leave you feeling empty, but community will help you sustain your work.

(13) HITCHHIKER AT 40. The BBC is celebrating Hitchhiker’s Guide to the Galaxy with a new series based on Eoin Colfer’s Hitchhiker novel Hexagonal Phase. Catch the first episode here.

Ars Technical’s Jonathan M. Gitlin says give it a listen:

The Hitchhiker’s Guide to the Galaxy deserves a special place in the geek pantheon. It’s the story of hapless BBC radio editor Arthur Dent, his best friend Ford Prefect, and the adventures that result when Prefect saves Dent when the Earth is unexpectedly destroyed to make way for a galactic bypass. Written by the late, great Douglas Adams, HHGTTG first appeared as a radio series in the UK back in 1978. On Thursday—exactly 40 years to the day from that first broadcast—it made its return home with the start of Hexagonal Phase, a radio dramatization of the sixth and final book of an increasingly misnamed trilogy.

… So I’m happy to report that this latest installment doesn’t disappoint. And even better, unlike the BBC’s TV content, it’s not geoblocked or behind any kind of paywall. So go on, what are you waiting for—the coming of the Great Prophet Zarquon?

(14) CLASS IS IN SESSION. Cat Rambo has been working on promotional graphics lately —

(15) COMPASS CASTING. From Andrew Liptak at The Verge we learn: “Logan star Dafne Keen will play Lyra in the BBC’s adaptation of The Golden Compass”.

The BBC has lined up its star for its upcoming adaptation of Philip Pullman’s novel, The Golden Compass: Logan star Dafne Keen, reports Deadline (via io9). The King’s Speech director Tom Hooper will also helm the 8-part series.

(16) A TANGLED WEB. Dr. Janelle Shane is at it again: “SkyKnit: How an AI Took Over an Adult Knitting Community” in The Atlantic.

Janelle Shane is a humorist who creates and mines her material from neural networks, the form of machine learning that has come to dominate the field of artificial intelligence over the last half-decade.

Perhaps you’ve seen the candy-heart slogans she generated for Valentine’s Day: DEAR ME, MY MY, LOVE BOT, CUTE KISS, MY BEAR, and LOVE BUN.

Or her new paint-color names: Parp Green, Shy Bather, Farty Red, and Bull Cream.

Or her neural-net-generated Halloween costumes: Punk Tree, Disco Monster, Spartan Gandalf, Starfleet Shark, and A Masked Box.

Her latest project, still ongoing, pushes the joke into a new, physical realm. Prodded by a knitter on the knitting forum Ravelry, Shane trained a type of neural network on a series of over 500 sets of knitting instructions. Then, she generated new instructions, which members of the Ravelry community have actually attempted to knit.

(17) BLOWN UP, SIR! Peter Blumberg, in “‘Zombie Go Boom’ Attack on YouTube Ad Policy Is Ruled a Bust”, on Bloomberg, says that the owners of the YouTube Zombie Go Boom channel, in which as many as ten million people a month delight in watching imaginary undead creatures explode, tried to sue Google when they declared that ad revenue for the site would fall from $500 a day to $20 because some advertisers declared the site offensive.  But Judge Edward Chen said that Google was under no legal obligation to share any ad revenue with the site.

The freedom to produce a YouTube channel dedicated to bashing the undead doesn’t come with a guarantee of steady income.

So said a judge in ruling Wednesday that Google’s video-sharing website isn’t responsible for taking a big bite out of the revenue that was flowing to the owners of the wildly popular “Zombie Go Boom” channel.

(18) GRINCH TRAILER. Benedict Cumberbatch will voice The Grinch, due in theaters at Christmas.

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic. The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit. Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism. Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company. With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

 

(19) FLYING CARS. Here’s your flying car (finally) — if you have the money: “Have you ever dreamed of flying in your car?” This BBC video shows Transition and other cars live.

(20) SPEED OF FRIGHT. MIT researchers find fake news ‘travels faster’:

A study of 126,000 rumours and false news stories spread on Twitter over a period of 11 years found that they travelled faster and reached more people than the truth.

Researchers from the Massachusetts Institute of Technology also found that fake news was more commonly re-tweeted by humans than bots.

They said it could be because fake news tends to be “more novel”.

The most common subject matter was false political news.

Other popular topics included urban legends, business, terrorism, science, entertainment and natural disasters.

(21) UNDER CONSTRUCTION. This video at the Disney Blog takes you on a flyover of the Star Wars: Galaxy’s Edge construction site at Disney World.

While the highly anticipated Star Wars: Galaxy’s Edge lands won’t debut to Disneyland and Walt Disney World Resort guests until 2019, eager fans can take a voyage over the Star Wars: Galaxy’s Edge construction site – right now!

At Star Wars: Galaxy’s Edge, guests will be transported to the planet of Batuu, a remote outpost on the galaxy’s edge that was once a busy crossroads along the old sub-lightspeed trade routes. Here, guests will find themselves in the middle of the action at two attractions that take detail and immersion to the next level: one that lets guests take the controls of Millennium Falcon on a customized secret mission, and an epic Star Wars adventure that puts guests in the middle of a climactic battle between the First Order and the Resistance.

(22) BUCKMINSTER FULLER. The once well-known futurist makes a comeback, sort of, in The House of Tomorrow, in theaters April 27.

16-year-old Sebastian Prendergast has spent most of his life with his Nana in their geodesic dome home tourist attraction where she raises him on the futurist teachings of her former mentor Buckminster Fuller in hopes that one day Sebastian will carry Fuller’s torch and make the world a better place. But when a stroke sidelines Nana, Sebastian begins sneaking around with Jared, a chain-smoking, punk-obsessed 16 year old with a heart transplant who lives in the suburbs with his bible-thumping single father Alan and teenage sister Meredith. Sebastian and Jared form a band and with his Nana’s dreams, his first real friendship, and a church talent show at stake, Sebastian must decide if he wants to become the next Buckminster Fuller, the next Sid Vicious, or something else entirely.

 

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Juliette Wade, Martin Morse Wooster, Chip Hitchcock, Mlex, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 3/6/18 Ready Pixel One

(1) DISNEY’S CHRISTOPHER ROBIN. Disney has dropped the Christopher Robin official teaser trailer.

The Hundred Acre Wood is opening up to our world. Watch the brand-new teaser trailer for Disney’s Christopher Robin. Coming soon to theatres Disney’s “Christopher Robin” is directed by Marc Forster from a screenplay by Alex Ross Perry and Allison Schroeder and a story by Perry based on characters created by A.A. Milne. The producers are Brigham Taylor and Kristin Burr with Renée Wolfe and Jeremy Johns serving as executive producers. The film stars Ewan McGregor as Christopher Robin; Hayley Atwell as his wife Evelyn; Bronte Carmichael as his daughter Madeline; and Mark Gatiss as Keith Winslow, Robin’s boss. The film also features the voices of: Jim Cummings as Winnie the Pooh; Chris O’Dowd as Tigger; Brad Garrett as Eeyore; Toby Jones as Owl; Nick Mohammed as Piglet; Peter Capaldi as Rabbit; and Sophie Okonedo as Kanga.

 

(2) CTHULHU. But if Pooh is too sweet for your taste, Reddit’s “Ask Historians” takes a deep dive into question: “Where did HP Lovecraft come up with the idea of Cthulhu?”

…So the idea of Cthulhu was percolating in Lovecraft for some time; he borrowed portions of concepts from other writers – artificial mythology, sleeping gods and mountainous size from Dunsany; the alien origin and creepy cults from Theosophy (this is actually made more explicit in the text); the telepathic dream-sendings from Dunsany and de Mausauppant – the octopus/dragon mixture is a little hard to pin down, since Lovecraft never went into specifics about his influences on that in his letters, although he did provide a sketch of the idol. But tentacles were not unfamiliar in weird fiction in the period….

(3) PRO TIPS. Much to be learned from “8 Writing Tips from Jeff VanderMeer” at the Chicago Review of Books.

1—The amount of time you spend writing isn’t necessarily as important as the time spent thinking about what you are going to write.

I often feel it is easier to spoil a novel by beginning to write too soon than by beginning to write too late. Perhaps this is because I need to know certain things before I can even contemplate writing a novel.

For example, I need to know the main characters very well, the initial situation, and the ending (even if the ending changes by the time I write it). I also have to have some kind of ecstatic vision about a scene or character, some moment that transcends, and I have to have what I call charged images associated with the characters. These aren’t images that are symbolic in the Freudian sense (humbly, I submit that Freud just gets you to the same banal place, as a novelist, every time), but they are definitely more than just images. They have a kind of life to them, and exploring their meaning creates theme and subtext. For example, the biologist encountering the starfish in Annihilation or Rachel in Borne reaching out to pluck Borne from the fur of the giant bear. (Both of which also have their origin in transformed autobiographical moments, and thus an added layer of resonance.)

Once I know these things, it may still be six months to a year before I begin to write a novel. The process at that point is to just record every inspiration I have and relax into inhabiting the world of the novel. To not have a day go by when I’m not thinking about the characters, the world they inhabit, and the situations. If I lose the thread of a novel, it’s not because I take a week off from writing, but because I take a week off from living with the characters, in my head. But, hopefully, the novel takes on such a life that everything in the world around me becomes fodder for it, even transformed….

(4) FINDING THE GOOD STUFF. At Rocket Stack Rank: “New Features: Flag, Rate, Group, Highlight Stories”. Greg Hullender explains:

Our main goal is to be as useful as possible to readers looking for good stories and for fans trying to make nominations for awards, and a key part of that has always been the big tables of recommended stories. Almost from the beginning, people have asked us to give them more ways to navigate those tables, and we’ve finally put something together.

Fans wanting to use RSR to manage his/her Hugo longlist and short list can do that now by giving 5-stars to the shortlist and 4-stars to the longlist-only stories. These ratings are saved on your local device and can be backed up, copied, shared, etc.

Readers who only read stories that are free online can highlight all such stories—including the ones that appeared in print magazines but are also available online.

Readers who care about the recommendations of particular reviewers can highlight those.

Etc.

The feature is new, and doubtless has some bugs in it. We’d welcome any and all feedback.

(5) DEVELOPING STORY. Jason Sanford, in a free post on his Patreon, published a “Response from Left Hand Publishers” to some issues he raised about their business practices.

This morning I received a response from Left Hand Publishers to my analysis of concerns related to their publishing house. The response is presented below in its entirety, along with additional information provided by the publisher in regards to issues I raised about their contract…

(6) PUSHBACK ACKNOWLEDGED. In “Washington National Cathedral’s hawk is named Millennium Falcon. How stupid are we?”, the Washington Post’s John Kelly investigates the red-tailed hawk Miillennium Falcon currently living at Washington National Cathedral.  He consults an expert at the Audubon Naturalist Society who says that both hawks and falcons are both part of the order Falconiformes and then comes up with other exciting names for the bird, including Hawk Solo and Jabba the Hawk.

That’s the name a majority of the voters picked: Millennium Falcon, even though the bird is not a falcon but a hawk. Hawks have feathered “fingers” at the ends of their wings, instead of the tapered points that falcon wings come to. Falcons such as the peregrine are rarer in our area.

This is what happens when you let the public vote. Sometimes, we can’t be trusted. Look at that research vessel in Britain, which, if the public had had its way, would have been christened Boaty McBoatface. (It became RRS Sir David Attenborough, with an underwater vehicle it carries bearing the BMcB moniker.)

I figured that ornithologists and other bird-lovers would surely share my sense of outrage. I mean, a hawk isn’t a falcon. With our skyscrapers, chemicals and habitat destruction, humans are killing millions of birds a year. Shouldn’t we at least be able to properly differentiate among the victims?

But Alison Pierce at the Audubon Naturalist Society in Chevy Chase, Md., was more forgiving. “Hawk Solo would have been a more taxonomically-correct choice,” she wrote in an email. “But since hawks and falcons are both part of the order Falconiformes, we’re willing to give them a pass on Millennium Falcon. As the D.C. region’s consummate birdwatchers and lovers, we think it’s cool that so many area residents appreciate the beauty of the red-tailed hawk, which is one of our most common raptors.”

(7) NICHOLLS OBIT. Encyclopedia of SF creator Peter Nicholls died March 6, of cancer reports SF Site News. He won a Hugo Award in 1980 for its first edition, and shared Hugos won by its subsequent editions in 1994 and 2012. Nicholls also won SFRA’s Pilgrim Award (1980), and the Peter McNamara Award (2006), among other honors.

His SFE colleague John Clute said in “Peter Nicholls (1939-2018)”:

We announce with great regret the death on 6 March of Peter Nicholls (1939-2018), who conceived and edited the first edition of The Encyclopedia of Science Fiction (1979), who co-edited the second edition in 1993, and who served as Editor Emeritus of this third edition (2011-current) until today. His withdrawal from active editing was due solely to a diagnosis of Parkinson’s Disease in 2000, after which he rarely left his native Australia; but he continued to speak to the rest of us, sometimes firmly, always with the deepest loyalty to the encyclopedia he had given birth to and nurtured.

 

Peter Nicholls. Photo (c) Andrew Porter.

(8) BAYLIS OBIT. Trevor Baylis, the inventor of the wind-up radio, has died.

Trevor Baylis believed that the key to success was to think unconventional thoughts.

It was this mindset that saw him develop his clockwork radio after hearing about the problems of educating African people about HIV and Aids.

It enabled those in remote areas without electricity, or access to batteries, to get the information that could save their lives.

But despite the success of this, and other inventions, Baylis never made a great deal of money from his many ideas.

(9) COMICS SECTION.

  • Mike Kennedy saw Brewster Rockit get a good laugh out of a well-known sf trope.

(10) AN OLD FAMILIAR FACE. The Hollywood Reporter says some major movies are the focus of litigation over technology infringement: “New Copyright Theory Tested in Lawsuit Over Disney’s ‘Avengers,’ ‘Guardians of the Galaxy'”.

A VFX firm asserts its software program is an original literary work and that Hollywood studios are liable for vicarious and contributory infringement.

Rearden LLC, the VFX firm that claims ownership to a popular facial motion-capture technology used in Hollywood, is not giving up on hopes of winning a copyright lawsuit against Disney, Paramount and Fox. On Tuesday, the plaintiff brought an amended lawsuit that tests a new copyright theory over blockbuster films including Guardians of the Galaxy, Avengers: Age of Ultron and Beauty and the Beast. Ultimately, the plaintiff remains insistent that these films deserve to be literally impounded and destroyed.

The background of the case is complicated, but what’s essential to know is that in a previous lawsuit, Rearden was able to convince a judge that its technology was stolen by Digital Domain 3.0 and a Chinese company. After the victory, Rearden went after the customers of the technology — the Hollywood studios using facial motion-capture software to do things like de-age Arnold Schwarzenegger in Terminator Genisys or transform actor Dan Stevens into Beast for Beauty and the Beast.

(11) LIPTAK. Andrew Liptak has been writing up a storm at The Verge (as always) and Filers will find plenty of interest in his recent posts.

There are a ton of podcasts out there, but finding the right one can be difficult. In our new column Pod Hunters, we cover what we’ve been listening to that we can’t stop thinking about.

A couple of years ago, Verge listener David Carlson wanted to help his wife. She had a new job with a long commute, and he wanted her to read some of his favorite articles at The Verge, like All Queens Must Die and Welcome to Uberville, so he recorded audio versions for her to listen to en route. He’s since moved on to a project of his own: The Hyacinth Disaster, a science fiction story told through the black box transmissions of a doomed asteroid mining ship in our solar system.

In his debut novel, author Tom Sweterlitsch constructed a fascinating mystery with Tomorrow and Tomorrow, set in a virtual version of Pittsburgh after a terrorist attack leveled the city. In The Gone World, he introduces an even more ambitious investigation: one that jumps back and forth in time, and which could decide the fate of humanity. It’s a complicated, dazzling novel that keeps the reader hooked until the last pages.

The Gone World opens with a 20th-century NCIS agent named Shannon Moss on a training mission in the distant future of 2199. She’s part of the Naval Space Command, which runs a covert space and time-traveling program that sends Navy personnel across the galaxy and across time. On her first mission, she discovers a horrifying scene: a version of herself crucified mid-air in a broken wasteland. She’s witnessed what her agency calls The Terminus, a mysterious phenomenon which signals an apocalypse that appears to be moving closer and closer to the present. After her training, she’s called to investigate a brutal murder in her present — 1997. The apparent culprit appears to be a Navy SEAL named Patrick Mursult, once part of the same time-travel program as Moss — until his starship, the Libra, was lost on a mission.

Star Trek: Discovery is the biggest change to the Star Trek franchise in years, adopting the same attitudes that the showrunners for Stargate and Battlestar used: putting an emphasis on agonizing decisions that challenge the characters in complicated ways. At New York Comic Con, Discovery executive producer Akiva Goldsman explained that the new version was putting an emphasis on its characters. “If Jim Kirk had to deal with Edith Keeler’s death in ‘City on the Edge of Forever’ as if it were real life, it would take a whole series or a season,” Goldsman said.

In the months since, I’ve found that the Kindle opens up more dedicated reading time. While before I’d only use the Kindle app on my phone to read snippets while I was bored (and usually without cellular service), I’m now using it to actually take time and sit and read. I can’t flip over to check e-mail or lose myself in Twitter. I can capture that 15 to 30 minutes at night or in the morning to read without turning on a light.

The results are promising. I strive to read about a book a week, and I’ve been setting aside time in the morning to sit down and read, before I plug into the world for the rest of the day. I haven’t abandoned my paper books — I’ve got more of them in my house than ever — but what the Kindle does is give me options.

(12) NEW WRINKLE. In the Washington Post, Sandie Angulo Chen interviews Storm Reid, who is happy to star in A Wrinkle in Time and proud to be “a kid of color” — “Storm Reid felt an instant bond with ‘Wrinkle in Time’ character”.

The ninth-grader first read Madeleine L’Engle’s 1962 science-fiction classic when she was in the sixth grade. Storm says she felt an immediate connection with Meg, a brilliant but misunderstood middle-schooler who goes on an adventure across time and space.

“She’s such a peculiar character, and I wanted to know more about her. And I thought it was so amazing that she couldn’t realize how beautiful and smart and gracious she was, but everyone around her saw it,” the 14-year-old actress told KidsPost. “It took her a trip around the universe to notice that.”

Like Meg, Storm loves and excels in science and math. But she doesn’t think readers or viewers have to like those subjects to understand the character.

“I relate to Meg so much, and other teenagers and kids relate to her, because we are all trying to figure things out,” Storm explained. “We all might have things in our lives that are stopping us, but Meg shows all of us that we can overcome our challenges and we can live out our dreams.”

(13) MUSICAL TRADITION COMING TO AN END. The 86-year-old composer is finishing his run: “’Star Wars’ Composer John Williams May Stop After ‘Episode IX’: ‘That Will Be Quite Enough for Me’”.

There’s at least one member of the “Star Wars” galaxy who might not be saddling up for any further adventures after J.J. Abrams’ “Episode IX” wraps the Skywalker saga in 2019. NME reports (from a chat on California radio station KUSC) that longtime composer John Williams might be leaving the franchise after Abrams’ film arrives in 2019.

(14) NON-CENSUS. An opponent to the census claims to be elsetime to avoid being recorded: “New Zealand census campaigner takes to his TARDIS”.

An anti-census campaigner in New Zealand is hoping to avoid today’s compulsory national count by hiding in a TARDIS, it’s reported.

The self-styled Laird McGillicuddy, otherwise known as Graeme Cairns, says he is using the Doctor Who time-travelling space craft to boycott the five-yearly census by “travelling in time”, the New Zealand Herald reports.

Mr Cairns, who was once the leader of the satirical McGillicuddy Serious Party, has a history of unusual stunts to protest the census, which is compulsory for all New Zealanders.

He’s once claimed not to be in New Zealand by hovering above the city of Hamilton in a hot-air balloon, and on another occasion declared himself “temporarily dead”.

(15) WORDS TO LIVE BY. Jane Yolen features in The Big Idea at Whatever.

My two mottos are BIC and YIC:

Butt in chair. (Or for the finer minds—backside, behind, bottom).

Yes I Can. The answer I give if someone asks if I have time or inclination to write something for their blog, journal, magazine, anthology, publishing house. I can always say no after careful consideration. But an immediate no shuts the door for good.

Both BIC and YIC are variants of my late husband’s motto: Carpe Diem. Seize the day.

However, the word I hate most when a reviewer or introducer are talking about me is prolific. It carries on its old farmer’s back a whiff of a sniff. As if someone is looking own his or her rarified patrician nose and saying, “Well, of course she writes a lot. . .” That’s their dog whistle for inconsequential, not literary kind of stuff, things like kiddy books and verse, scifi and fantasy. Or as my father said when I was years past my fiftieth plus book, “When are you going to grow up and write something real?”

(16) BREAK THE INTERNET. Last week there was also a trailer for the new Wreck-It Ralph movie due in November.

“Ralph Breaks the Internet: Wreck-It Ralph 2” leaves Litwak’s video arcade behind, venturing into the uncharted, expansive and thrilling world of the internet—which may or may not survive Ralph’s wrecking. Video game bad guy Ralph (voice of John C. Reilly) and fellow misfit Vanellope von Schweetz (voice of Sarah Silverman) must risk it all by traveling to the world wide web in search of a replacement part to save Vanellope’s video game, Sugar Rush. In way over their heads, Ralph and Vanellope rely on the citizens of the internet—the netizens—to help navigate their way, including a webite entrepreneur named Yesss (voice of Taraji P. Henson), who is the head algorithm and the heart and soul of trend-making site “BuzzzTube.” “Ralph Breaks the Internet: Wreck-Ralph 2” hits theaters on Nov. 21, 2018.

 

[Thanks to David Langford, Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Microtherion, Andrew Porter, Carl Slaughter, Greg Hullender, and Mike Kennedy for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/5/18 Don’t Scroll That Shoggoth, Hand Me The Pixel

(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.

For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.

  • Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
  • Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.

Some of the other creatures from classic and contemporary science fiction and fantasy are:

  • Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
  • Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.  
  • Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
  • Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
  • Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
  • War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.

Also new for Cage Match 2018 is a special creature-themed Spotify playlist.

(2) BRADBURY IS BACK. As Bill Oberst Jr. describes his exciting new project, Ray Bradbury Live (forever):

Dinosaurs.

Dark Carnivals.

Rockets To Mars.

Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.

The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.

Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.

Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.

As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:

(3) WITHOUT RESERVATION. Adweek explains “Why the Overlook Hotel From The Shining Got an Ad on the Oscars”.

The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.

The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”

… A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).

 

(4) INTERSECTIONALITY. Damien Walter has an intriguing idea for explaining a theoretical concept: “The trouble with intersectional political alliances as illustrated by Star Wars”.

Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.

…From what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.

The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.

Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.

In real life we have a word for the problems of factionalism faced by Liberal political alliances.

INTERSECTIONALITY

(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.

(6) THE SHAPE OF DOLLARS. Are you up on the charges of plagiarism made against the makers of the movie The Shape of Water? If not, Time.com posted a summary today, immediately after the film won the Academy Award: “Everything to Know About the Shape of Water Plagiarism Controversy”.

Jim Meadows sent the link together with his commentary:

The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.

I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.

The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?

Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.

(7) GUFF REASONS. Going Under Fan Fund (GUFF) candidate Marcin Klak appeals for support by telling readers “What can I pack in my ‘fandom suitcase’?”

…So far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoing….

(8) TODAY IN HISTORY

  • March 5, 1954The Creature from the Black Lagoon premiered.

(9) TODAY’S BIRTHDAY BOY

  • Born March 5, 1942 – Mike Resnick

Steven H Silver paid tribute at Black Gate with “Birthday Reviews: Mike Resnick’s ‘The Evening Line’”:

…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.

The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….

(10) COMICS SECTION.

  • Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.

Mike Kennedy sent in a trio —

  • Bits for sale at Foxtrot.
  • Edward can’t help violating that kindergarten dictum about what you don’t run with: In The Bleachers.
  • And Monty is on the beam.

(11) TAKE WEIRD TO THE NEXT LEVEL. The Dark Magazine has launched a Kickstarter appeal to fund ”Two More Years of Unsettling Fiction”.

The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.

Who we are:

Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Books….

Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year …She was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.

Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. …She is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.

(12) SHORTISH. Charles Payseur’s Quick Sips Reviews covers Glittership February 2018.

Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!

(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.

(14) ANSWER WITH A QUESTION. Rich Lynch tuned into tonight’s Jeopardy! where one category was “Facts About Fiction.” This was the $2000 clue. The defending champ got it right.

(15) BEST OF SFRA. The Science Fiction Research Association announced its annual awards.

  • Thomas D. Clareson Award for distinguished service: Veronica Hollinger
  • Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
  • Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
  • Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
  • Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
  • Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”

Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.

[Via Locus Online and SF Site News.]

(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.

(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Incredibles 2 – Olympics Sneak Peek

Disney/Pixar’s Incredibles 2 opens in theatres June 15.

In “Incredibles 2,” Helen (voice of Holly Hunter) is called on to lead a campaign to bring Supers back, while Bob (voice of Craig T. Nelson) navigates the day-to-day heroics of “normal” life at home with Violet (voice of Sarah Vowell), Dash (voice of Huck Milner) and baby Jack-Jack—whose superpowers are about to be discovered. Their mission is derailed, however, when a new villain emerges with a brilliant and dangerous plot that threatens everything. But the Parrs don’t shy away from a challenge, especially with Frozone (voice of Samuel L. Jackson) by their side. That’s what makes this family so Incredible.

 

Pixel Scroll 2/8/18 I’ve Got A Plan So Cunning You Could Put A Scroll On It And Call It A Pixel

(1) 4SJ. At the Classic Horror Film Board, the webmaster’s reminiscence about Forrest J Ackerman prompted a #MeToo response from Lucy Chase Williams, and since then “Forrest J Ackerman’s #MeToo Moment …” has generated 561 comments.

Speaking of “failures” (!), I guess this is the time to remind the boys here of #MeToo. I and other young women like me were subjected to a different kind of “Forry worship.” How differently would any of you have felt, when all you wanted was to talk about monsters with the “over eager editor” of your favorite monster magazine, if your Uncle Forry had forced wet kisses on you? If he had put his hands all over you, pinching your “naughty bottom” and squeezing your “boobies”? If he had enthusiastically related with a big grin how he wanted to strip off your clothes with everybody watching? And if, in the face of your total refusal of any of his attentions every single time you saw him in person, he never didn’t try again, and again, and again? And if for years, in between those times, he mailed you letters with pornographic photos, and original stories about how naughty you were, and how he wanted to hurt and abuse you, yet all the while make you weep and beg for more? And if he continued that behavior, despite written and verbal demands to cease, entirely unabashed for more than two decades? No, I can’t forget him either — or how he turned my childhood love of monsters into something adult and truly monstrous.

(2) STAUNCH PRIZE. Earl Grey Editing reports on an interesting new non-sff award:

Not strictly SFF or romance, but still within genre, The Staunch Prize has been created to honour crime thrillers where no woman is beaten, stalked, sexually exploited, raped or murdered. The shortlist will be announced in September and the winner will be announced on 25 November.

(3) STAR GORGE. Michael Cavna has a roundup of all the current Star Wars projects, with the news being that Disney is also planning a streaming Star Wars TV series for fans who just want more after Solo, Episode IX, the Rian Johnson trilogy, and the Benioff and Weiss trilogy: “A guide to every Star Wars movie and TV show that’s planned right now”.

  1. Potential spinoffs of other characters

Talk continues to swirl around Obi-Wan Kenobi, Yoda and Boba Fett getting their own films, according to such outlets as the Hollywood Reporter. At this point of galloping Disney expansion, who’s to say that each won’t one day get his own TV trilogy?

  1. The streaming TV series

Iger’s new announcement comes just several months after he first said a live-action Star Wars series would happen. Expect that TV menu to grow at a significant rate, as Disney gets set to launch its own entertainment streaming services by next year.

(4) MILSF KICKSTARTER. M. C. A. Hogarth says, “I stealth launched my newest Kickstarter yesterday to see if I could keep it from blowing past the goal, but it overfunded anyway. So I guess I’ll advertise it? laugh It’s fluffy first contact sf” — “Either Side of the Strand Print Edition”:

MilSF with an all female crew, in an “Old Star Trek” vein! Because we all love first contact stories, with octopuses.

Having already hit $1,241, when the original goal was $500, Hogarth is far into stretch goal territory —

So, some stretch goals! Just in case, even though this is only a week!

  • $750 – I do a bookmark, and everyone who gets a physical reward will receive it!
  • $1000 – the audiobook! This should open an audiobook reward level (details for that when/if it happens)
  • Over $1000 – I will wiggle a lot! And then tuck that money away to pay for the final Stardancer novel (currently in revision).

But Jaguar! You say. Why are your stretch goals so modest! Why don’t you do Alysha plushes! We would totally be on board with Alysha plushes! And Stardancer t-shirts!

Because, dear backers, I don’t want to fall down on this job for you, and that means humble goals. *bows*

I admit Alysha plushes would be adorbs though.

(5) NEW SFF PODCAST. MilSF Authors JR Handley and Chris Winder have unveiled they latest joint project; the Sci-Fi Shenanigans Podcast. JR and Chris are US veterans (US Army and USMC respectively) that focus on producing MilSF stories. They have released five episodes in the last 2 weeks:

(6) LEAVE THE WHISTLE UNBLOWN. Joe Sherry continues picking contenders in the “2018 Nerds of a Feather Hugo Awards Longlist, Part 4: Institutional Categories”. Although the criteria he gives below disregard the actual rules for the Best Fanzine category, most of his picks are eligible anyway – no harm, no foul.

This time we are looking at what are, for lack of a better term, the “nonfiction and institutional categories”: Best Related Work, Best Semiprozine, Best Fanzine and Best Fancast. Now, those who follow this blog know how cranky The G can get on the subject of certain categories and their bizarre eligibility guidelines–and we’ve got two of them today (Best Semiprozine and Best Fancast). Nevertheless, I will do my best to stay calm and stick to the rules, frustrating as they can be. I reserve the right, will, however, get a little snarky and passive-aggressive in the process.
There are, however, some sticky issues that made putting this list together a bit difficult. Knowing what does or does not constitute a “fanzine” in the era of blogs, for example–and given that we may already be on the downward slide of that era, it only promises to get more difficult as time passes. Nevertheless, we have tried to create clear and consistent guidelines for inclusion in this category. Thus, to qualify, a fanzine: (1) must be a fan venture (i.e. must not generate a significant amount of money, or pay professional rates for work); (2) must publish a lot of content in a given year; and (3) must publish “award worthy” content. We did not discount single-author blogs from consideration, but criterion #2 makes it difficult for most single-author blogs to  merit consideration. Consequently, while a couple made it, most did not–including some very good ones.

(7) SHADOW NOMINATIONS. The Australasian Horror Writers Association reminds that nominations are open for the Australian Shadow Awards until February 28. See eligibility and submission guidelines at the link.

The Australian Shadows Awards celebrate the finest in horror and dark fiction published by an Australasian within the calendar year. Works are judged on the overall effect of a work—the skill, delivery, and lasting resonance.

[Via Earl Grey Editing.]

(8) BARLOW OBIT. John Perry Barlow, co-founder of the Electronic Frontier Foundation (EFF), died February 7. NPR paid tribute:“Cyber-Libertarian And Pioneer John Perry Barlow Dies At Age 70”.

A founding member of the Electronic Frontier Foundation and former lyricist for the Grateful Dead, John Perry Barlow, has died at the age of 70, according to a statement issued by the Foundation.

Barlow was a poet, essayist, Internet pioneer and prominent cyber-libertarian. He co-founded the Electronic Frontier Foundation in 1990 after realizing that the government was ill-equipped to understand what he called the “legal, technical, and metaphorical nature of datacrime.” He said believed that “everyone’s liberties would become at risk.”

Barlow described the founding of the EFF after receiving a visit from an FBI agent in April 1990 seeking to find out whether he was a member of “a dread band of info-terrorists.” Shortly thereafter, Barlow and Mitch Kapor, the creator of Lotus 1-2-3, organized a series of dinners with leaders of the computer industry for discussions that would lead to the creation of the EFF.

And the BBC remembers

In 1996, he wrote the widely quoted Declaration of the Independence of Cyberspace, which asked governments of the world to stop meddling in the affairs of net-centred communities.

“You are not welcome among us. You have no sovereignty where we gather,” he wrote.

(9) POLCHINSKI OBIT. Multiverse theorist Joseph Polchinski died February 2 reports the New York Times.

Joseph Polchinski, one of the most creative physicists of his generation, whose work helped lay the mathematical foundation for the controversial proposition that our universe is only one in an almost endless assemblage that cosmologists call the “multiverse,” died on Friday at his home in Santa Barbara, Calif. He was 63. He had been treated for brain cancer since late 2015.

Dr. Polchinski was a giant force in the development of string theory, the ambitious attempt to achieve a “theory of everything,” which envisions the fundamental particles of nature as tiny wriggling strings. The theory has brought forth ideas and calculations that have opened new fields of study and new visions of a universe that is weirder and richer than astronomers had dreamed.

…After months of treatment [for cancer], Dr. Polchinski put his energy into writing his memoir, which he posted on the internet.

“I have not achieved my early science-fiction goals, nor explained why there is something rather than nothing,” he wrote in an epilogue, “but I have had an impact on the most fundamental questions of science.”

(10) TODAY IN HISTORY

  • February 8, 1958Teenage Monster premiered at your local drive-in.

(11) TODAY’S BIRTHDAYS

  • Born February 8, 1828 – Jules Verne
  • Born February 8, 1908 — William Hartnell, the first Doctor Who.
  • Born February 8, 1942 – Stephen Hawking
  • Born February 8, 1969 – Mary Robinette Kowal

(12) KOWAL CELEBRATES. As part of her celebration Kowal pointed to a free read short story, “The Worshipful Society of Glovers” that came out last year in Uncanny Magazine. And on her blog she told about how she developed that story:

To begin… When I was writing Without a Summer I was looking at historical guilds as models for the Coldmongers. In the process, I ran across the Worshipful Company of Glovers, which is a real livery company that has been in existence since 1349. Kinda awesome, right?

(13) COMICS SECTION.

  • John King Tarpinian finds Yoda remains in character even in this mundane situation, in Off the Mark.

(14) RETRO COMICS. Edmonton’s Hugo Book Club took a deep dive into the comic books that were published in 1942 and are eligible for the Retro-Hugos this summer. They suggest that in terms of Best Graphic Story “Some of the most exemplary works are little-remembered by the modern reader,” and encourage Hugo voters to consider a wide range of lesser-known works.

In 1942, the modern American comic book was still in its infancy. Sequential art published on pulp paper with gaudy CMYK illustrations was hitting the shelves at a furious pace, led by the success of best-selling books like Captain Marvel, The Spirit, and Archie. But for every Mort Meskin, Basil Wolverton or Jack Cole working in 1942, there were dozens more, often filling pages with inflexible five- and six-panel layouts, stilted dialogue, and rigidly posed figures….

Prior to 2018, the only time there was a Retro Hugo for Best Graphic Story was in 2016, when the Retro Hugos for 1941 were awarded. That ceremony saw Batman #1 take the trophy ahead of Captain Marvel and The Spirt, both of which are superior comic books. Joe Simon’s superb first 12 issues of Blue Bolt didn’t even make the final ballot.

Batman as a character may have had more popular appeal in the long-term, but those early stories are not as dynamic or innovative as The Spirit. Batman may have some science fiction elements today, but in 1940 Blue Bolt told better science fiction stories. Batman may be more popular today, but in 1940 Captain Marvel was the leading comic book character….

(15) STACKS OF FUN. The G takes “Altered Carbon, Episodes 1-3” for a test drive at Nerds of a Feather.

Netflix’s new science fiction show, Altered Carbon, is based on a novel of the same name by Richard K. Morgan. It’s basically a mashup of neo-cyberpunk, detective noir, milSF and techno thriller. Since I have particular interests in the first two parts of that equation, Altered Carbon looked to be right up my alley. So I decided to commit to 3 episodes, after which point I’d take stock. Three episodes in and I like it enough to continue. It’s not quite as good as I’d hoped, however.

Takeshi Kovacs is, or rather was, a kind of super soldier known as an envoy. Envoys were part of an insurrection against the hegemonic polity, the Protectorate. The insurrection failed and the envoys were “put in ice.” However, in the future your mind, memories and soul are stored on a “stack”–a kind of hard drive that is surgically inserted into your body. As long as the stack isn’t damaged, it can be taken out of a dead body and inserted into a new “sleeve” (i.e. a body). Religious types refuse to be re-sleeved, believing that it prevents the soul from ascending to heaven. Pretty much everyone else who can afford to do it, does.

(16) BUNDLE TIME. The latest Storybundle is The Black Narratives Bundle, curated by Terah Edun:

This month is groundbreaking for many reasons, it represents a clarion call to support and uphold cultural heritage, but more than that Black History Month is a time to celebrate accomplishments of the past and the future. From the moment I was asked to curate the Black Narratives bundle, I knew this one was going to be special. I didn’t want to just reach out to authors who were the pillars of the diverse speculative fiction community, but also the ingénues who were becoming stars in their own right.

(17) CANON TO THE LEFT OF THEM, CANON TO THE RIGHT OF THEM. Entertainment Weekly says “Firefly canon to expand with series of original books”.

It may sound like something out of science-fiction, but it’s true: More Firefly stories are on the way.

EW can exclusively report that Titan Books and Twentieth Century Fox Consumer Products have teamed up to publish an original range of new fiction tying in to Joss Whedon’s beloved but short-lived TV series Firefly. The books will be official titles within the Firefly canon, with Whedon serving as consulting editor. The first book is due in the fall.

(18) DON’T YOU JUST TELESCOPE IT? At NPR, “How To Pack A Space Telescope” (text and time-lapse video).

As complicated as it as to launch and operate a telescope in space, it’s almost as complex to move a space telescope around here on Earth.

For the past 9 months or so, NASA has been testing the James Webb Space Telescope in a giant cryogenic chamber at Johnson Space Center in Houston, Texas. The $8.8 billion Webb telescope is the most powerful telescope NASA has ever built.

(19) SLICE OF LIFE. BBC tells about “Bodyhackers: Bold, inspiring and terrifying”.

Jesika Foxx has permanently purple eyeballs, and an elf-like ear. Her husband, Russ, has a pair of horns under his skin.

Stelarc, a 72-year-old Australian, has an ear on his arm. Soon he hopes to attach a small microphone to it so people can, via the internet, listen to whatever it hears.

Meow-Ludo Disco Gamma Meow-Meow – yes, that’s his legal name – has the chip from his Sydney travel card implanted into his hand.

I met all these people during BodyHacking Con, in Austin, Texas.

Over the past three years, the event has become something of a pilgrimage for those involved in the biohacking scene – a broad spectrum of technologists, trans-humanists and performance artists. This year it also attracted the presence of the US military.

(20) FAUX COMPETITION. There should be a contest to caption this photo. My entry: “John Scalzi about to make one of his famous frozen garbage burritos.”

(21) SHARKE’S SECOND BITE. Shadow Clarke juror Maureen Kincaid Speller continues her self-introduction.

I find it difficult to talk about how I write critically because it is a thing I’ve learned mostly by doing. There was never a moment when I actively decided that I would become a literary critic. Rather, my critical practice came into being over a long period of time. Even now it is a work in progress. I always feel I could do better, and I’m forever trying to work out how.

What do I do? I read. And then I write about what I’ve read. It is as simple and as complicated as that. In ‘Plato’s Pharmacy’, an exploration of meaning in Plato’s ‘Phaedrus’, Derrida focuses on the word ‘pharmakon’, paradoxical because it means both ‘remedy’ and ‘poison’. Plato sought to argue that speech was superior to writing because it required an act of memory, an act which was weakened by the use of writing. Derrida prompts us to ask whether writing is a remedy, in that it helps you remember things; or a poison in that it enables you to forget things? And I am going to argue that critical writing is both poison and remedy, depending on how you use it.

(22) VENOM. Marvel’s Venom teaser trailer:

[Thanks to Chip Hitchcock, JJ, John King Tarpinian, M.C.A. Hogarth, Dann, Andrew Porter, Martin Morse Wooster, Cat  Eldridge, Olav Rokne, and Carl Slaughter for some of these stories, Title credit goes to File 770 contributing editor of the day RedWombat.]

For Your Consideration: Disney Story Origin Podcast – The Black Cauldron

By Dann Todd: After a year-long sabbatical motivated by personal health concerns, mystery/thriller author Paul J. Hale is back with episode 10a of The Disney Story Origins Podcast.

In this most recent episode, Paul focuses on Disney’s The Black Cauldron movie. As has been the case with his past podcast episodes, Paul presents a thoroughly researched comparison between the source material and Disney’s movie. His purpose is not to criticize the choices of Disney filmmakers. Instead, his focus is on illustrating the differences between the source material and the movie. His analysis ends up having the movie illuminate the source material and the source material illuminate the movie. As is his habit, Paul includes a complete bibliography at the page for this podcast that formed the basis of his research.

One interesting sidelight on the movie is that Jeffrey Katzenberg, then a new studio chairman with Disney, feared that the original version of the movie was headed for a PG-13 rating from the MPAA. That concern was after the movie’s director and editor had already removed material to avoid a suspected R rating. Mr. Katzenberg then attempted to personally undertake the process of editing the movie to remove the offending material.

The source material for The Black Cauldron was Lloyd Alexander’s series The Chronicles of Prydain. The movie uses material from books 1 and 2 of the series; The Book of Three and The Black Cauldron.

Lloyd Alexander won the Newbery Medal for the fifth and final installment of the Prydain series, The High King, in 1969. He received the World Fantasy Award – Lifetime Achievement in 2003.

Disney’s The Nutcracker and the Four Realms Teaser Trailer

“The legend you know has a dark side.” Disney’s The Nutcracker and the Four Realms comes to theaters on Nov. 2, 2018.

All Clara (Mackenzie Foy) wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world. Starring Keira Knightley as the Sugar Plum Fairy and featuring a special performance by Misty Copeland, Disney’s new holiday feature film “The Nutcracker and the Four Realms” is directed by Lasse Hallström and inspired by E.T.A. Hoffmann’s classic tale.

 

[Thanks to Martin Morse Wooster for the story.]

Pixel Scroll 12/15/17 You’ve Got The Wrong Android, I Scroll My Name Danger

(1) HE DOOD IT. How could he not? “Wil Wheaton Wears ‘Star Trek’ Uniform To ‘Star Wars’ FOR REAL”.

Life gloriously imitated art Thursday when actor Wil Wheaton wore a “Star Trek” costume to a screening of “Star Wars: The Last Jedi.”

Wheaton portrayed Wesley Crusher on TV’s “Star Trek: The Next Generation” (1987-1994), and has been playing himself on “The Big Bang Theory.” In a 2015 episode of the hit sitcom, he watched a “Star Wars” movie in “Star Trek” garb, attracting boos from the audience and an insult from one moviegoer. “Live long and suck it!” he yelled back in a memorable line.

(2) A DISTURBANCE IN THE THEATER. Fans weren’t prepared to accept the first silent Star Wars movie: “Uprising at Burbank AMC after ‘Star Wars: The Last Jedi’ starts without sound”.

According to Twitter user, Isaias Rodriguez, theater management attempted to appease the angry fans by either moving them to another screening at the same theater — albeit not in the IMAX format — or to attend a screening of the much-anticipated film at another AMC theatre Friday.

Police reportedly were called to the Southern California venue.

(3) ICE CREAM AND COOKIES. Scott Edelman invites you to lunch at the Society of Illustrators with Irene Gallo in Episode 55 of his Eating the Fantastic podcast.

Irene Gallo

Gallo has worked as an art director at Tor Books for more than two decades, where she currently holds the title of Creative Director. She’s also the Associate Publisher of Tor.com, and is ultimately the one responsible for the look of the publishing company’s book covers, as well as its online output. She’s been nominated for a Chesley Award for her art direction an astounding 19 times, the first back in 1999, and has won 13, as early as 2001, and as recently as 2017.

We discussed what it was like the first time she realized she wasn’t the only one in the world who cared so strongly about art, how she felt the day she discovered Harlan Ellison as well as the title of his that made her go “whoa,” why seeing book covers as thumbnails started long before the trend of Internet bookselling, how a manuscript moves from cover concept through to final cover, whether the cliche that an author is the worst possible designer of their own book cover is true, how self-published authors who create their own books can get the best possible covers, and much more.

(4) WHO PREVIEW. If you want to read some “minor spoilers” for the Doctor Who Christmas Special, “Twice Upon A Time,” ScienceFiction.com is ready to oblige: “15 Things To Watch For In ‘Doctor Who: Twice Upon a Time’”. If not – DON’T CLICK!

With just 11 days to go until to Peter Capaldi’s Doctor and the Steven Moffat say their final farewells, some fans are finding it hard to wait! Some sites have been granted early access to ‘Twice Upon a Time,’ so to hold us over until December 25, we have a list of hints and teasers from the episode!

(5) SJW CREDENTIALS ARE GO. Corey J. White has identified “5 of the Coolest Cats in Space” for readers of Tor.com.

The cat is on the floor, looking up at me and yelling as I type this. My original plan was for a piece on ‘Pets In Space’, but she’s threatened to vomit on my bed, under the covers, if I don’t focus solely on cats. Why? Because cats are better than dogs. I am typing this of my own free will. Please send salmon.

In all seriousness though, even dog lovers have to admit that cats would make better pets aboard a space craft: they don’t require as much food as any but the smallest dogs, unlike many dog breeds they don’t need a lot of space to run around, and they’re great at catching the rodents chewing on the cables of the life-support system.

(6) SECOND FIFTH. John Scalzi shares his “Spoiler-Free Observations on The Last Jedi”.

  1. The Last Jedi is the longest Star Wars film, and director Rian Johnson packs it full of story, so you’re unlikely to be bored, and even the laggy parts move along. With that said, there’s so much going on in the story and we’re keeping track of so many characters (Luke and Leia and Rey and Kylo and Poe and Finn and Chewie and BB-8 and R2D2 and C-3PO and Hux and Snoke and Phasma and oh look there are new characters too and what the hell are these porg things anyway?) that it can feel thin, and some bits are clearly contrived simply to give beloved characters things to do and/or give us new merchandising yes Porgs I am looking at you (I bought a porg stuffed animal at the show last night so, uh, I fell for it). I think I would have been happier with a sharper focus on fewer characters, and also I’m worried that Episode IX will be three and a half hours long and have five different endings, a la The Return of the King.

(7) PLAY BALL. Cut4.com, a Major League Baseball site, tried to attract a few clicks by assembling a baseball team out of Star Wars characters in celebration of The Last Jedi — “This is the team you’re looking for”. This one you need to follow baseball to fully appreciate:

Starting Pitchers: Obi-Wan Kenobi and Jamie Moyer

The wise old wizard, utilizing a psychological advantage to best his enemies and thrive, despite all odds. And, as a solid No. 2, Obi-Wan Kenobi.

(8) BATTLESTAR GALACTICA VET BACK ON TV. Deadline reports — “Apple Orders Ronald D. Moore Space Drama Series”.

Ronald D. Moore is heading back to space. Apple has given a straight-to-series order to a space drama from the Battlestar Galactica developer. The untitled project hails from Sony Pictures Television and Moore’s studio-based Tall Ship Productions.

(9) TODAY IN HISTORY

  • December 15, 1958 Frankenstein’s Daughter came out.
  • December 15, 1961 The Twilight Zone aired “Once Upon A Time,” starring Buster Keaton.
  • December 15, 1974 Mel Brooks’ Young Frankenstein premieres.
  • December 15, 1978 Superman – The Movie premiered in U.S. theaters.

(10) TODAY’S BIRTHDAY BOY

  • Born December 15, 1949 — Don Johnson, who starred with his canine companion in A Boy and His Dog.

(11) MATH PROJECT. Do we know anyone attending Emmanuel College in Boston?

(12) DUBIOUS FAN. Camestros Felapton is restraining his enthusiasm about new mix-and-match possibilities after the Disney/Fox merger for several reasons. Here’s one of them: “Disney, Fox and MCU”.

A comic book universe relies on somehow making superheroes whose basic premise is quite different work together. Marvel has juggled this by having elements that work together and elements that work as given character’s own domain. Thor can be a god-like alien being on Earth and exist side-by-side with Iron Man a human with fancy gadgets but their separate adventures put the characters in quite different characters. Some suspension of disbelief is required to accept that these characters can have their own stories without every film requiring all the Avengers to turn up to help but the settings help and each character can have separate stories.

Now add the X-men. The X-Men aren’t the X-Men without the key premise that they live in a world in which:

  • Some people get random mutant superpowers.
  • That the wider population knows this.
  • That the mutant population is feared and persecuted and suppressed.

Captain America has to be cool with this. I mean, obviously, he isn’t but for the X-Men to have their stories, basically The Avengers have to not do anything when the US government starts hunting people with giant killer robots. Also, the wider public has to be relatively OK with one bunch of super powered people and raging bigots about a different bunch. It has to be OK to get superpowers from a spider bite but not from a genetic mutation AND people have to believe that story (i.e. people don’t think Spiderman is a dangerous mutant).

(13) CHRISTMAS GOAT. Hampus Eckerman says, “Sometimes you have to go to the foreign press to understand why the Gävle goat is burned down every year. The Guardian has its own theory, totally new for me.” — “Killing Gävle – a Swedish city divided by a giant straw Christmas goat”.

Welcome to the small northern Swedish city of Gävle where there’s an annual battle over a 12-metre-high straw effigy of a goat. Local custodians try to protect a giant straw goat from mischievous pagans in a fight for the spirit of Christmas.

Every year since 1966, in the dark days of winter, the business owners pay for a goat to be built in the central square on the first day of advent. For 37 of those 51 years, the goat has been burnt down or damaged by shadowy outsiders, sometimes within a few hours of going up.

In the latest Guardian documentary, Killing Gävle, residents and those who might want to burn the goat explain their hopes and motivations as Christmas approaches and the battle over the goat is fired up once more.

The goat, which pulls Santa’s sleigh, has come to symbolise Christmas in Sweden, drawing people in from the surrounding country. Families bring their children to look in wonder and, the businesses hope, do a bit of shopping while they are there.

But there are other people in the dark forests that surround the city who hold an entirely different view of the goat. They believe in a time before Christianity appeared in Sweden, when people worshipped Norse gods including the goat goddess Heidrun (goddess of enlightenment) and the god of thunder, Thor, who rode around on two goats. Each night he would burn and then eat them, only to wake up the following morning to them having been reborn and able to pull his chariot again….

 

(14) DOPPELGANGER. When they get it right and find one that has nine planets, then we can talk: “NASA’s Kepler finds solar system like ours with eight planets” in USA Today.

Researchers used data from NASA’s planet-hunting Kepler space telescope to discover an eighth planet orbiting a star known as Kepler-90.

The planet, dubbed Kepler-90i, is a hot, rocky planet that orbits its star every 14.4 days, and was found with the help of artificial intelligence, NASA said Thursday. The discovery marks the first solar system to tie with our solar system in the number of planets orbiting one star.

(15) STAY FROSTY. Timothy Cama, in a December 12 article in The Hill called “Emails: Disney annoyed by Obama push to use ‘Frozen’ brand” said that recently unearthed emails showed a 2015 negotiation between the Obama administration and Disney about using Frozen characters to promote warnings about climate change broke down because, according to one Disney executive, “it’s in our culture to tell stories that project optimism and have happy endings.”

Papp’s outreach generated extensive media coverage at the time and attracted mockery and criticism from conservatives who already thought then-President Obama’s climate agenda had gone too far.

The effort to use “Frozen” for climate messaging was part of an extensive plan by the Obama administration to convince Americans and the world that climate change is a major issue with enormous consequences.

(16) OCEANS, NOT CANALS. The BBC considers “Pacific ‘baby island’ is natural lab to study Mars”.

It is one of Earth’s newest landforms and it could just tell us where to look for evidence of life on Mars.

The tongue-twisting volcanic island of Hunga Tonga Hunga Ha’apai exploded out of the Pacific Ocean in 2015, and its shape has been evolving ever since as it has been lashed and bashed by waves.

Scientists are watching this slow erosion very closely.

They think they see the remnants of many such water-birthed islands on the Red Planet.

(17) FORERUNNER. The 60th anniversary of this project recently passed — “Skylark: The unsung hero of British space”.

It wasn’t a big vehicle, and it didn’t go to orbit. But the anniversary of that first flight from Woomera, Australia, should be celebrated because much of what we do in space today has its roots in this particular piece of technology.

“Skylark is an unsung British hero really,” says Doug Millard, space curator at London’s Science Museum.

“The first one was launched during the International Geophysical Year of 1957, and almost 450 were launched over the better part of half a century. It was the Skylark space rocket that really laid the foundations for everything the UK does in space.”

(18) VIDEO OF THE DAY. “Slaughterbots” on YouTube is a near-future film warning about the problems of miniature drones trained to kill.

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]