Pixel Scroll 9/11/17 Can He Bake A Pixel Pie, Charming Mikey?

(1) AFTER THE STORM. Yahoo! Lifestyle has collected tweets with photos of hurricane damage at DisneyWorld – and while there is some, it’s not too heavy.

(2) BABYSITTING ORION. Let NPR tell you what it’s like “Riding Out Irma On Florida’s Space Coast — And Keeping An Eye On The Spacecraft”.

Every time a major storm hits the Space Coast, the ride-out crew members pack their toothbrushes and nonperishable food and settle in to spend the duration of the storm inside the Launch Control Center. Helms is riding out his second hurricane at the center, along with firefighters, security officers, building experts and contractors responsible for the hardware itself.

The most sensitive equipment is secured in climate-controlled spaces. The challenge is to make sure that no matter what happens outside, nothing changes inside.

“Humidity and temperature — those are the big two that affect the spacecraft,” Helms says. For most people, if you rode out a hurricane and just lost air conditioning for a few days, it’d be a victory. For the Space Center, that’s the worst-case scenario, Helms says.

(3) TOP COMICS ARTISTS SINCE 1992. SfFy presents, in no order, “The 25 greatest comic book artists from the last 25 years”.

To celebrate the last 25 years in comics, we’re looking back at the greatest comic book artists from the last quarter-century. Before anyone cries outrage on why George Perez or Walt Simonson are not on this list, please remember that we’re just talking about the last 25 years, and the legendary works we are highlighting only go back to 1992. Our criteria is based on a balance of unique creativity, distinct and influential style, longevity, and impact, as opposed to quantity or how big the profile was of said project(s). Their interior artwork had to be their biggest contribution (even though their cover art may be depicted below) during this era, and it must inspire, evoke emotion and/or transport the reader to a far off vivid world and keep the reader dreaming when they close the book. Now, without further ado…

1. Mike Allred

Notable works: Madman, Red Rocket, The Atomics, Sandman, X-Force/X-Statix, Silver Surfer, Wednesday Comics, iZOMBIE, Fantastic Four, Batman ’66

(4) CROWDSOURCED SCHEDULE. James Davis Nicoll calls on you to help decide “What 12 Dianne Wynne Jones books should I review in 2018?”

This is a work in progress. Open to suggestions. In 2015 and 2016, I devoted Fridays to Norton and Lee, respectively. That led to a certain level of fatigue towards the end of the projects. In 2017, I focused on authors from Waterloo Region, which side-stepped the fatigue issue at the cost of causing problems with the gender ratio of authors reviewed1. In 2018, my idea is to

Focus on four primary authors, three women and one man: Dianna Wynne Jones, Adrian Tchaikovsky, Lois McMaster Bujold, and Carrie Vaughn. A rotating roster avoids fatigue and with women outnumbering men three to one, I shouldn’t have the same problem maintaining my desired women to men ratio.

(5) EIGHTIES REBOOT. According to Deadline, “‘The Greatest American Hero’ Reboot With Female Lead Gets Big ABC Commitment”.

A re-imagining of Steven J. Cannell’s 1981 cult classic The Greatest American Hero is flying back to development with a new creative team, a big new commitment and a big twist.

ABC has given a put pilot commitment to the half-hour single-camera project. In it, the unlikely (super)hero at the center — Ralph Hinkley (played by William Katt) in the original series — is Meera, an Indian-American woman. The Greatest American Hero comes from Fresh Off  the Boat writer-producer Rachna Fruchbom and Nahnatchka Khan’s Fierce Baby. 20th Century Fox TV, where Fierce Baby is based and Fruchbom recently signed an overall deal, will co-produce with ABC Studios.

(6) MANIC MONDAY. And another manic Chuck Wendig / John Scalzi thread.

(7) DISCOVERY CREW. In a Cnet video, cast members of the upcoming series discuss their characters and how they each fit into the Trek universe

(8) MONSTERS FROM THE ID. How much can you say about Forbidden Planet before you’ve said it all? A lot! In “Creating Our Own Final Frontier: Forbidden Planet”, Centauri Dreams’ guest blogger, Larry Klaes, discusses the film in great detail (19,383 words). Greg Hullender sent the link with a comment explaining, “Centauri Dreams is usually about science, not SF, so this is a little unusual for them, but Klaes does a pretty good job of tying the movie to our modern understanding of reality.”

While the makers of FP no doubt knew better than to outright criticize their government and country’s agenda against its Cold War adversaries, they did find in Dr. Morbius (just say his name out loud for the proper effect) a symbol for representing their fears of a field and its practitioners who were increasingly being seen as amoral if not directly malevolent as well as appointing themselves as the single-point arbiters of what was best for the rest of humanity. This is exactly what Morbius did with the incredibly powerful and deadly Krell technology he encountered and subsequently obsessed upon as he cut himself off from the rest of his species over the next twenty years, the very same technology that had wiped out an entire civilization in one swift blow many centuries before. The captain of the C-57D was not just following protocol when he attempted to radio home for further orders once he began to realize the full extent of what he was dealing with on Altair 4: Adams was hoping to get a wider consensus on the alien power he had come upon beyond the words and actions of a single self-appointed authority figure in the guise of the scientist Morbius.

(9) TODAY IN HISTORY

  • September 11, 1976 Ark II made its television premiere.

(10) COMICS SECTION.

If you know Wonder Woman, you’ll laugh at today’s Off the Mark.

(11) SATISFIED CUSTOMER. Code Blue. Code Blue…..

(12) THEATER IN THE GROUND. Unbound Productions presents Wicked Lit 2017 between September 29-November 11:

Wicked Lit has been staged at Mountain View Mausoleum and Cemetery in Altadena where audiences walk through the hallways of the mausoleum and among the headstones in the cemetery as our plays are staged all around.

Mountain View Mausoleum and Cemetery, 2300 N. Marengo Ave. Altadena.

(13) TRANSLATION: WHY HE THINKS YOU SHOULD BUY HIS BOOK. At Slate, Lawrence Krauss answers the rhetorical question: “Why Science-Fiction Writers Couldn’t Imagine the Internet”.

What I find most remarkable of all is that the imagination of nature far exceeds that of human imagination. If you had locked a group of theoretical physicists in a room 50 years ago and asked them to predict what we now know about the universe, they would have missed almost all the key discoveries we have made since, from the discovery of dark energy and dark matter to the ability to detect gravitational waves. That is because we need the guidance of experiment to move forward in science. How we hope nature will behave or how we think it should behave is irrelevant. Experiment determines what we must build our theories on, not a priori prejudice about elegance or beauty, or even what seems like common sense. Quantum mechanics defies common sense—so much so that Einstein never really accepted it. But as experiments today, from entanglement to quantum teleportation, demonstrate, quantum mechanics does describe the universe at fundamental scales.

That’s why science fiction—though it can inspire human imagination, as Stephen Hawking said in the preface of my book The Physics of Star Trek—is fundamentally limited. It is based on human imagination and past experience. That is a great thing. But it doesn’t mean the science-fiction future will resemble our own.

(14) JUST PUCKER UP AND BLOW. “Dr. Rufus Henry Gilbert’s Plan for an NYC Transit System Powered By Air”The Daily Beast remembers.

In fact, he was beat over a century and a half ago by a former Civil War surgeon named Dr. Rufus Henry Gilbert who came up with the idea for a public transportation system for New York City that would have established an elevated pneumatic tube system in place of the underground subway that New Yorkers love to hate today.

Gilbert may have seemed like an unlikely candidate to invent such an innovative solution for New York City’s transportation woes, but his idea was rooted in his original profession.

It all started before the Civil War when the doctor went on a tour of Europe following the death of his wife. There, a grieving Gilbert was gripped by the terrible conditions in the slums, and he became convinced that the overcrowded and dirty environment was to blame for the high rates of disease and death among the poor. If only they could escape the cramped conditions of the inner city and live out in the fresh air, he thought, all their health problems would be solved….

His technological ideas were impressive and cutting-edge for his day—and even for our day—but he also conceived of a look for the system that was downright beautiful. Elaborate, Gothic metal arches would top the streets of New York, extending out of sleek columns secured to the sidewalk at regular intervals. Plenty of scrolls, flourishes, and metal detailing decorated each arch, and they were all capped by two large tubes that would serve as the conduit for passengers to get around the city.

(15) KEEPING THE CAN’T IN REPLICANT. How the actor prepared — “Blade Runner 2049: Jared Leto made himself ‘partially blind’ for role”

Preparing for Blade Runner 2049, Leto went full method actor again, apparently partially blinding himself by wearing sight-limiting contact lenses.

“He entered the room, and he could not see at all,” director Denis Villeneuve told the SWJ magazine in a profile piece about Leto.

“He was walking with an assistant, very slowly. It was like seeing Jesus walking into a temple. Everybody became super silent, and there was a kind of sacred moment. Everyone was in awe. It was so beautiful and powerful — I was moved to tears. And that was just a camera test!”

(16) THIS SPACE INTENTIONALLY LEFT BLANK. Thanks to people who have sent me links to Jon Del Arroz, or to posts reacting to Jon Del Arroz.

(17) THIS SPACE UNINTENTIONALLY LEFT BLANK. Camestros Felapton, in “Just One Last Note on ex-Kerfuffles”, says the dog park of the internet has allowed its domain to expire.

As I already have one whateverhappenedtoo post up about those unhappy hounds of Hugo hostility, I’ll leave one more snippet: the domain name ownership of “sadpuppies4.org” has expired. The website that hosted the fourth iteration of distempered doggedness…

(18) TIPPING POINT? The BBC’s report “Offshore wind power cheaper than new nuclear” may be specific to the UK, but might also be a signpost to changes elsewhere.

Energy from offshore wind in the UK will be cheaper than electricity from new nuclear power for the first time.

The cost of subsidies for new offshore wind farms has halved since the last 2015 auction for clean energy projects

Two firms said they were willing to build offshore wind farms for a guaranteed price of £57.50 per megawatt hour for 2022-23.

This compares with the new Hinkley Point C nuclear plant securing subsidies of £92.50 per megawatt hour.

(19) MISSION ENDS FRIDAY. Cassini: Saturn probe to set up death plunge: “Cassini: Saturn probe turns towards its death plunge”.

The international Cassini spacecraft at Saturn has executed the course correction that will send it to destruction at the end of the week.

The probe flew within 120,000km of the giant moon Titan on Monday – an encounter that bent its trajectory just enough to put it on a collision path with the ringed planet.

Nothing can now stop the death plunge in Saturn’s atmosphere on Friday.

[Thanks to Cat Eldridge, Carl Slaughter, Martin Morse Wooster, JJ, Alan Baumler, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 9/7/17 As I Was Scrolling Down The Stair, I Met A Pixel Who Wasn’t There

(1) REDRUM. James Davis Nicoll continues to chart the core: “Twenty Core Cyberpunk Works Every True SF Fan Should Have on Their Shelves”. He says the image at the post is of Uwaterloo’s famous Red Room. Here are three of his cyberpunk picks:

  • Synners by Pat Cadigan
  • The Fortunate Fall by Raphael Carter
  • When Gravity Fails by George Alec Effinger

(2) BATTENING DOWN TATOOINE. Is this anything like a silver lining? “Due to the hurricane, Disney World has removed some construction walls — which means we can see Star Wars Land”. Photos at the link.

First and foremost, there is a Category 5 hurricane, Hurricane Irma, hurtling towards Florida at a rapid pace and we hope everyone in the Sunshine State is staying as safe as possible, evacuating if that’s been ordered, and has plenty of water.

While Irma’s path across Florida is still unclear (it’s not expected to make landfall till the weekend), Disney World has already started making preparing for torrential rain and high winds. Things that can be bolted down have been bolted down, and things that are apt to blow away in the gusts of wind — like say, a fence and a tarp — have been removed. This means that many of the construction walls around Star Wars Land have come down. And this means, we can see the outskirts of Star Wars Land, and yes please.

(3) STAY FROSTY. The Society of Illustrators in New York is displaying a selection of work from Greg Manchess’ Above the Timberline from September 5 through October 28 in the Third Floor Hall of Fame Gallery.

The Society is pleased to present a selection of work from Greg Manchess’ latest stunning masterpiece Above the Timberline. This lavishly painted novel tells the story of the son of a famed explorer searching for his stranded father, and a lost city buried under the snows of a future frozen Earth.

When it started to snow, it didn’t stop for 1,500 years. The Pole Shift that ancient climatologists talked about finally came, the topography was ripped apart and the weather of the world was changed—forever. Now the Earth is covered in snow, and to unknown depths in some places. In this world, Wes Singleton leaves the academy in search of his father, the famed explorer Galen Singleton, who was searching for a lost city until Galen’s expedition was cut short after being sabotaged. But Wes believes his father is still alive somewhere above the timberline. Fully illustrated with over 120 pieces of full-page artwork throughout, Above the Timberline is a stunning and cinematic combination of art and novel.

Opening Reception on Thursday, September 28th, 6:30 pm. Open to the public. Cash bar. $10 suggested donation will benefit arts programming and exhibitions.

(4) ASKING FOR DONATIONS. Australian writer Lezli Robyn needs help paying for a procedure that will keep her eyesight from deteriorating further. Her employer has set up a GoFundMe. George R.R. Martin is one of many encouraging people to give.

Many of you know Lesley Robyn Glover (and I would like to introduce you to her if you don’t). She writes sf/fantasy as Lezli Robyn and works as my Assistant Publisher for Arc Manor…. What many of you who already know her may not realize is that due to a rare eye disorder, which is progressively getting worse, she is now considered legally blind without correction. When Lezli was 23 she was diagnosed with an unusual condition, Keratoconus, which is characterised by a progressive conical protusion of the cornea that results in her eyesight being distorted, to the point where she sees multiple images on top of each other and are no longer clear….

Since I pay Lezli Robyn I know what she earns–and it is not enough to be able to easily afford to pay for the treatment without which her eyeseight will continue to get worse.  I am also aware of financial and medical difficulties her parents are undergoing and it is almost impossible for them to fund the treatment. Currently a minimum of $2500 for each eye is required just for the basic procedure (not including specialist tests. medications, etc.) in Australia and it’s not covered by Lezli’s Australian medicare (see Optometry Australia’s article about it here ). The cost in the US, of course, can be significantly greater (up to $4000 per eye!) so it may actually be cheaper for her to fly to Australia to get the procudure rather than have it done in the US.

So I am asking our friends to join me in raising money for Lezli to be able to get this procedure done as soon as possible–before her eyesight gets worse. Keratoconus does eventually slow down in its progression but there is no specific timeframe, and in Lezli’s case the progession has consistantly continued unabated.

(5) NEXT YEAR’S HUGOS. The Hugo Award Book Club has updated their list of award-worthy 2017 works: “What’s worth considering for the ballot in 2018?”  For example:

Short Story

A Passing Sickness — Paolo Bacigalupi

Sanctuary — Allen Steele

Paradox — Naomi Kritzer

The Secret Life Of Bots — Suzanne Palmer

(6) RUN AWAY. Dominic Patten at Deadline joins the growing number of critics who’ve turned thumbs down: “‘The Orville’ Review: Seth MacFarlane’s Fox Sci-Fi Drama Is Lost In Space”.

Honestly, if your need for sci-fi is gnawing at you, hold your powder a couple more weeks and wait for Star Trek: Discovery, which premieres September 24. Even with the highly skilled likes of Norm Macdonald, Transparent’s Jeffery Tambor, Holland Taylor, 24 vet Penny Johnson Jerald and Victor Garber making appearances alongside the Family Guy guy and the Friday Night Lights alum, The Orville’s aspirations to find a new path to the final frontier in this age of Peak TV goes nowhere frat-boy fast.

In fact, with its urination gags and heavy-handedness on such topics as gender identity and racism, the only purpose of the lost-in-space The Orville seems to be to as a way for Fox to continue its lucrative relationship with MacFarlane and keep him happy.

(7) NOT ALL WIGHT MEN. Actor Nicolaj Coster-Waldau, who plays Jamie Lannister in Game of Thrones, in this interview discusses the possibility of main characters becoming Wights.

(8) MARS: ONE SCOOP OR TWO? The Planetary Society has notified members:

On August 28th, NASA’s Associate Administrator of Science announced that the space agency intends to accelerate planning for a sample return mission to Mars to launch no earlier than 2026. A new Mars telecommunications orbiter would take a backseat to an increased focus on building a fetch rover and a “Mars ascent vehicle” to launch samples into orbit.

Never before has NASA had approval from the budget masters at the White House to pursue such a mission. So, take it from me: this is a very positive step. There are a lot of details yet to be announced, and we will now look forward to the 2019 budget proposal currently being drafted by NASA and the White House to see how serious these plans are.

We have been working hard to help the Mars program, and thousands of Planetary Society members helped by sending messages to Congress and the White House. Congress has already signaled its support by proposing over $60 million in new funding for Mars next year in support of a future mission. Now, NASA has said it intends to bring Mars home to Earth. Thank you to all who took action. There are exciting times ahead.

(9) TODAY’S DAY

Buy A Book Day

The History of Buy a Book Day: Buy a Book Day was created in 2012 to educate people to the importance of books to our culture and civilisation as a whole. It is inarguable that books have been one of the greatest contributors to the advancement of the human race, by moving the hearts of many over the ages, stimulating their imaginations and helping them see the world in an entirely different light. Books have also served the simple but vital purpose of passing knowledge down from generation to generation. The creators of Buy a Book Day want nothing more than for people take a moment to truly appreciate books and their numerous roles in the human experience.

(10) TODAY IN HISTORY

  • September 7, 1958Queen of Outer Space premiered.
  • September 7, 1974 – The (animated) Partridge Family 2200 A.D. first aired on TV
  • September 7, 1984 — The Brother from Another Planet first screened in theatres.

(11) QUICK CALL. Almost makes the tricorder look like steampunk technology: “‘Pen’ identifies cancer in 10 seconds”.

How it works

The pen is touched on to a suspected cancer and releases a tiny droplet of water.

Chemicals inside the living cells move into the droplet, which is then sucked back up the pen for analysis.

The pen is plugged into a mass spectrometer – a piece of kit that can measure the mass of thousands of chemicals every second.

It produces a chemical fingerprint that tells doctors whether they are looking at healthy tissue or cancer.

(12) TALE OF THE SHARKE. Jonathan McCalmont’s “Lessons of Sharke” comments on his purposes in serving on the Shadow Clarke jury.

I was happy to get involved in the Shadow Clarke project because I wanted to a) help challenge the presumed supremacy of genre publishing by broadening the discourse to include science fiction novels from outside that cultural sphere and b) show that it was possible for regular readers to engage with the literature of science fiction in public using not only the full range of their emotions but also their own ideas about what constitutes good writing and good science fiction.

Regardless of whether you want to provoke change in existing social structures or create new social spaces embodying different principles, you need to be able to show what you’re about… if only to prove that alternatives to the status quo can exist. The Shadow Clarke project was by no means a flawless undertaking but I think it was successful not only in broadening the scope of genre discourse but also in demonstrating that ordinary readers can contribute more than simply hitting retweet and dutifully nominating their faves.

I expected both hostility and opposition because the Shadow Clarke project embodies a very different set of ideas about how we ought to engage with science fiction on the internet. Some might argue that those ideas and methods have always been present in genre culture but times change and cases must always be made anew. Looking back over the months I spent as a Sharke, I am proud of the writing we produced as a group; I think we championed books that would otherwise have been completely overlooked in genre circles and I think we provided dozens of articles that interrogate science fiction from a variety of nuanced and personal positions.

(13) BALLAD OF THE MTA. And our fate is still unlearned….

(14) THEY BITE. Camestros Felapton tells why “The Alt-Right View of ‘Free Speech’ isn’t Even Simplistic”, and illustrates his point with an example of how the Alt-Right turned on Vox Day.

The slow coalescence of various species of online misogyny and trolling into the modern crypto-fascist ‘Alt-Right’ has been entangled with a more general appeal for ‘free speech’ in odd circumstances. These kinds of appeals were often directed at internet comments sections and forums as arguments against community guidelines or in defence of those arguing for active discrimination or even violence against various groups. As appeals went, their purpose was primarily aimed at trying to fool liberals and conservatives into not taking action against people who were actively trying to disrupt online communities, harass vulnerable people or shout down opposing views – indeed actions that themselves were inimical to free speech.

(15) A SPARKLING BEVERAGE? From the Brooklyn Eagle comes this item: “No Bad Blood Over Unicorn Coffee”.

A multicolored beverage named after a mythical horse doesn’t sound like something that could cause controversy, but after a couple cafes went head to head in the legal realm, a settlement cleared the air. The End, a cafe in Williamsburg argued that Starbucks’ Unicorn Frappuccino was a rip off of its Unicorn Latte. After the two companies went up against each other in court, Brooklyn Federal Judge Arthur Spatt authorized a “mutually agreeable settlement,” according to The End’s lawyer. A Starbucks representative also said the terms, which are confidential, were mutual and the global chain no longer serves the colorful drink at its stores. (via the Daily News)

(16) BOOK RESEARCH. Sarah Gailey went right to the source and asked the (river) horse:

(17) SAY CHEESE. StarShip Sofa’s Jeremy Szal posted a suite of “Worldcon 75 Photos”. Lots of good ones. Here’s the last one in the set:

View post on imgur.com

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day C.A. Collins.]

Pixel Scroll 8/1/17 The Magic Fileaway Tree

(1) BESIDES CONFEDERATE. Deadline tells about another post-Civil War alternate history in development: “‘Black America’: Amazon Alt-History Drama From Will Packer & Aaron McGruder Envisions Post-Reparations America”.

Another alternate history drama series, which has been in the works at Amazon for over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man franchises, Straight Outta Compton) and Peabody-winning The Boondocks creator and Black Jesus co-creator Aaron McGruder. It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States. The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.

(2) SPARE CHANGE. Everybody’s getting on the bandwagon: Smithsonian curators present historic coins representative of the noble houses of Westeros: “It’s not heads or tails in the ‘Game of Thrones'”.

House Targaryen: Fire and Blood

Daenerys Targaryen has spent the Game of Thrones saga making a name for herself—several, actually: the Mother of Dragons, Khaleesi of the Great Grass Sea, Breaker of Chains, and more. She harnesses the power of fire and blood, renowned for her skills as dragonlord and evidenced in the sigil of her house, which depicts a red three-headed dragon on a black field. The silver-haired Targaryens are not alone in their veneration of dragons as ancestral symbols of power and prestige. This gold liang coin depicts a mighty and ferocious dragon flying through clouds toward the viewer, flames protruding from its mouth. The coin was minted under the Guangxu Emperor of the Qing dynasty, where the dragon would have been understood as a symbol for wisdom, power, nobility, and ambition. Such symbolism is literally used by Targaryens and their dragons to claim rule of the Seven Kingdoms.

(3) BOW WOW. The Washington Post’s Karen Bruillard, in “Dire wolves were real. Now someone is trying to resurrect them”, reports on Medford, Oregon dog breeder Lois Schwarz, whose Dire Wolf Project has been going on for thirty years but has gotten national attention with Game of Thrones.  Schwarz has been working on wolf-dog hybrids for decades (the term she likes is “American Alsatians”).

“‘Game of Thones’ has given demand a bump, but not in the way Schwarz likes,” Says Bruillard.  “The fiction-motivated customers are looking for dogs that resemble the characters Ghost or Nymeria,” while Schwartz wants to breed dogs that are smart and friendly.

Bruillard also interviewed palentologist Caitlin Brown, who did her dissertation on Canis dirus.  One quibble Brown has with Game of Thrones:  “The wolves of HBO usually lunge at their enemies’ heads, whereas wolves typically drag down their prey from their haunches.”

(4) NEW MCCCAFFREY. A little birdie told me WordFire released “The Jupiter Game (The Game of Stars Book 1)” by Todd McCaffrey (Kindle edition) on July 30. Not about dragons – but aliens.

Jupiter!

The Russians and the Europeans got there first in their fusion ship Harmonie. At least, that’s what they thought.

Aliens!

“They’ve matched orbit with us!”

What do they want? What will they do?

Ooops…

“Ooops?” Jenkins echoed. “Aliens go ‘Ooops’?”

The Jupiter Game: A close encounter with aliens who watch Howdy Doody.

(5) HEVELIN COLLECTION Andrew Porter reports that it looks like the digitization of Rusty Hevelin’s fanzines has slowed dramatically.

The person in charge has left, leaving someone else in charge. Post on the blog 2 months ago, showing a flyer from the 1981 Worldcon about the Hugo Losers Party, shows how little the people in charge know about SF. “The year of the con?” Really?

“Hi Folks, I want to let you know that Laura Hampton, the librarian doing the actual digitization of Hevelin fanzines and who has masterfully displayed some of the Hevelin treasures here over the last two years, has moved on to a great job in Florida. We all wish her the very best and I am so grateful for all she’s accomplished. We’ll miss her.

“So, it’s just us chickens. And to begin my return to doing Hevelin Tumblr, I introduce this piece of fan art, done on a piece of hotel stationery from the Denver Hilton. Can anybody identify the artist? The year of the con? I’m going to post more mysteries like this so stay tuned.”

It says something that the person does not recognize references to the 1981 Worldcon – where Rusty Hevelin was the Fan Guest of Honor!

(6) BLACKOUT. The Washington Post’s Christopher Ingraham has discovered “The path of the solar eclipse is already altering real-world behavior”.

The upcoming solar eclipse is poised to become the “most photographed, most shared, most tweeted event in human history,” in the words of one astronomer. Millions of people will watch it, potentially overwhelming the cities and towns along the eclipse’s path of totality.

According to Google, interest in the eclipse has exploded nationwide in the past few months, mirroring national media attention. The county-level search data above, provided by Google, paints a striking picture: Interest in the eclipse is concentrated in the path of totality that cuts through the middle of the country, receding sharply the farther you go from that path.

 

(7) SKLAR OBIT. Marty Sklar worked for Disney for 54 years and led the designing and creating most of the Disney rides during this period. He died July 27.

Los Angeles Times writers Daniel Miller and Richard Vernier marked his passing in “Marty Sklar, Pioneering Imagineer Who Channeled Walt Disney, Dies at 83”.

Long after his mentor’s death, Sklar recognized the treasure-trove of wisdom he had started compiling at Walt Disney’s elbow in the late 1950s. He distilled it all into “Mickey’s Ten Commandments,” a widely circulated creed that remains a touchstone in the theme park industry.

The commandments were a cornerstone of Sklar’s own half-century career at Walt Disney Co., where he led the creative development of the Burbank company’s parks, attractions and resorts around the world, including its ventures in the cruise business, housing development and the redesign of Times Square in New York.

Sklar died Thursday in his Hollywood Hills home. No cause of death was given. He was 83.

His retirement in 2006 marked the end of an era: He was one of the last remaining executives to have worked alongside Walt Disney in shaping the company into a global powerhouse. Sklar, who last served as principal creative executive of Walt Disney Imagineering, the storied theme park design and development outfit, was so closely associated with the company’s namesake that he became known as the Sorcerer’s Apprentice.

(8) TODAY IN HISTORY

  • August 1, 2014 Guardians of the Galaxy, Vol 1 opened.

(9) COMIC SECTION. John King Tarpinian says to check out today’s Moderately Confused.

(10) AUDIENCE BUILDING. Cat Rambo wrote a column about writers and self-promotion for Clarkesworld.

Whether opting for indie, traditional, or hybrid, publicity work on behalf of one’s output is less and less optional on the writer’s side of things for everyone except the top tier writers whose fan bases are so established that the publishers know their books are almost guaranteed to sell. Time and time again I have had writers come to me worried that they must create a social media presence because they’ve been told that they must by their agent or publisher. And it’s true that when acquiring books, some publishers look at a writer’s social media, believing that large followings will lead to greater sales.

You can see this pressure to publicize manifest in one form on Twitter, where writers work at projecting their brand as well as writing. It’s a weird balancing act, where they’re working at writing books people will want to read, but also working at attracting readers who might give them a try based on a quip or observation they’ve posted. Sometimes it feels sincere; other times less so. It is undeniable that a strong social media presence will affect sales, but its effect is generally overestimated, in my opinion. Creating consistently good work that brings readers back to look for more will always be the best strategy—although admittedly not one available immediately out of the authorial starting gate.

(11) A WORD FROM HER SPONSOR. Cat Rambo’s Patreon supporters got plenty of goodies from her in July. Here, let her draw you a picture –

(12) CLASS. And one of the items in her latest newsletter is her teaching schedule for August. See something you need? Sign up.

Plenty of Plunkett scholarships available. Please make use of them or pass the info to someone you know would benefit from the class but can’t afford it.

(13) YAKKITY-YAK. A corollary to the well-known joke about it being okay to talk to yourself as long as you don’t answer — “Chatbots develop own language: Facebook shuts down AI system…”.

Initially the AI agents used English to converse with each other but they later created a new language…

(14) AN UNCANNY EDITOR. Elsa Sjunneson-Henry tells Tor.com readers “I Built My Own Godd*mn Castle”.

I am seventeen when I meet Miles Vorkosigan. I’m not ready to meet him then. He startles me, I see myself in him and I don’t want to, because the common narrative told me being disabled was a weakness, not a strength. When I re-read him several years later, I find myself reveling in his glee, his reckless abandon. His energy.

I wish I’d been ready for him sooner. He is what tells me I deserve romance, that I deserve my own narrative. He is also still a boy. I have no women in fiction to guide me.

I am in my mid-twenties the first time the word “disabled” escapes my lips as a word to define myself. I’ve had a white cane for six years, yet I still don’t see myself as disabled, because no one else does.

When I discover it applies to me, it feels freeing.

I have mere days left in my twenties when I start writing a book about a disabled woman, a woman who shares my blindness, though not my conditions. It is rewarding, working through a story that feels right, the weight of the story, the sensory details all mine.

I’ve made a promise to myself, one that I haven’t shared yet. A promise to tell stories about disabled people as often as I can, as many varied stories as I can, because for me, I didn’t get enough of them when they were needed.

I am thirty-one when I take a job as an editor, creating a special issue for a Hugo award-winning magazine where I will, with other disabled people, destroy ableism like the kind that took me years to undo, and will take me more years to untangle and burn away.

That magazine is Uncanny. That issue is Disabled People Destroy Science Fiction. That job is Guest Editor-in-Chief of Non-Fiction. Those disabled people are my co-workers, my co-editors, and the writers I will work with.

(15) BEST COMMERCIALS. Adweek says “5 Years Later, the Guardian’s ‘Three Little Pigs’ Still Blows the House Down”. Click on the link to see the video.

It’s been a good year for ads from newspapers and magazines, from The New York Times to the Atlantic. But you have to go back five years for a truly transcendent piece of advertising from a journalistic publication—the Guardian’s “Three Little Pigs” spot by BBH London.

Adweek chose “Three Little Pigs” as the single best ad of 2012. And now, Hill Holliday creative director Kevin Daley has included it among his favorite work of all time in Adweek’s latest “Best Ads Ever” video (see above).

(16) PLONK YOUR MAGIC TWANGERS. Hampus Eckerman says, “I demand that these people get to make the soundtrack of a fantasy movie. All of them.” — Khusugtun Takes Listeners To Mongolia | Asia’s Got Talent 2015 Ep 2.

[Thanks to John King Tarpinian, Cat Rambo, Hampus Eckerman, Jonathan Edelstein, Paul Weimer, Andrew Porter, Martin Morse Wooster, Jon Del Arroz, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 7/16/17 Doctor Whoa!

(1) SHE’S THE DOCTOR. The casting of Jodie Whittaker as the Thirteenth Doctor Who hit all the mainstream news outlets.

However, the reaction of some Daily Mail readers left a lot to be desired. But as they say, when you have lemons make lemonade. That’s what comedian Aaron C. M. Gillies did:

And just before the Whittaker announcement, this meme was getting a lot of play on Twitter.

(2) OH NOES! Matthew Foster has also been taking soundings and shared what he found with his Facebook readers.

Fun with sexism. So I just had to go looking to see what the dim set had to say about Doctor Who, and it is amusing. Most that I peaked in on want to keep their sexism on the down low, so while they always object to the Doctor being female, it is never due to her being female. No, no. That’s not the problem… exactly… So there’s lot’s of:

  • I don’t like the Doctor being a woman, but because that’s pandering. Yeah.
  • I don’t like the Doctor being a woman, but because it isn’t for a good story reason… You know, the way choosing a male for have been for a good story reason.

Plus 9 more…

(3) RIVER SONG. Radio Times reports actress Alex Kingston was given the news while onstage at a con in North Carolina: “Alex Kingston’s reaction to a female Doctor Who was SO River Song”.

“Jodie Whittaker? Oh my goodness!” the actress told the crowd, after making joke kissing noises. “God, I’m always the damn cradlesnatcher!

“Oh, that’s lovely. She’s a really great actress. She’s fantastic. Oh my God that’s so exciting! Ohhhh! How fabulous.

“Well, we’ve all discovered that together,” she concluded. “That’s marvellous.”

(4) THE FIRST WOMAN DOCTOR. Some argue there’s already been a woman Doctor Who. (Besides Doctor Donna, that is.) It happened in 1997.

Lily Savage (Paul O’Grady) is The Doctor in a comedy sketch from The Lily Savage Show back in 1997. Features Gayle Tuesday (Brenda Gilhooly) as her companion and a classic impression of Liz McDonald from Coronation Street.

 

(5) SCAMMERS LIVE IN VAIN. My latest strategy for finding news is to hang around Camestros Felapton’s blog. He had a bunch of good links in this post: “Is the Kindle store broken?”

And far from living in vain, the scammers are running away with the store, according to David Gaughran: “Scammers Break The Kindle Store”.

On Friday, a book jumped to the #1 spot on Amazon, out of nowhere; it quickly became obvious that the author had used a clickfarm to gatecrash the charts.

The Kindle Store is officially broken.

This is not the first time this has happened and Amazon’s continued inaction is increasingly baffling. Last Sunday, a clickfarmed title also hit #1 in the Kindle Store. And Amazon took no action.

Over the last six weeks, one particularly brazen author has put four separate titles in the Top 10, and Amazon did nothing whatsoever. There are many such examples….

How Clickfarms Work

As I explained in my post last month, unscrupulous authors and publishers are now adopting scammer tactics, and it’s pretty obvious this guy used a clickfarm to artificially borrow his book. Those fake borrows are equivalent to a sale for ranking purposes. A few thousand of them at the same time can be enough to put you at the top of the charts.

For those who don’t know what a clickfarm is, read this or this, but the basics are as follows. Clickfarms can do a number of things for those with flexible morals. Depending on what the author is trying to achieve, they can download free books, or borrow KU books, and/or page through borrowed books to generate reads – which will then be paid out of the communal KU pot. These services are easy to find, they are all over Google and Fiverr. They are especially popular in shady internet marketing circles and places like Warrior Forum.

We aren’t taking about the darknet here. These services are open to the public and incredibly easy to find. I’m not going to link to them directly, but here’s an example of the kind of services they offer:

  • 100 guaranteed KU borrows for $59
  • 200 KU borrows with a guaranteed Top 100 ranking for $109
  • 1000 KU borrows with a guaranteed Top 5 ranking in any category for $209

They also provide paid reviews, ghostwriting services, the works. Fake authors, fake books, fake borrows, all parlayed into real chart position stolen from genuine authors and significant funds paid out of the communal KU pot.

(6) STAR WARS LAND. You can learn preliminary details about Disney’s forthcoming attraction, Star Wars: Galaxy’s Edge from The Verge.

There will be two main attractions: one that lets guests captain the Millennium Falcon on a secret mission, while the other places thrill-seekers in the middle of a “climatic battle” between the First Order and the Resistance. The images released show rugged terrain, lush forests reminiscent of scenes on Endor in Return of the Jedi, and metal cantina structures. According to Bloomberg, the new Star Wars lands will cost about $1 billion each….

Bob Chapek, Chairman of Walt Disney Parks & Resorts, revealed the official name of the Star Wars-inspired lands that are currently under construction at the Disneyland and Walt Disney World Resorts, and shared details on the immersive experiences guests will be able to enjoy when the lands open in 2019!

 

(7) MARTIN LANDAU OBIT. He won an Oscar playing Bela Lugosi in Ed Wood, but Martin Landau, who passed away today at the age of 89, was first seen by fans in Outer Limits and The Twilight Zone (both the Sixties original and again in the Eighties relaunch). Having turned down an offer to play Spock in the original Star Trek series, the pinnacle of Landau’s science fictional success came while playing Commander John Koenig in Space:1999.

He worked constantly over the decades, and appeared in many genre productions — The Man from U.N.C.L.E. (one episode, 1966), Mission: Impossible (76 episodes as “Rollin Hand”, 1966-69), Get Smart (one episode, 1969), The Fall of the House of Usher, Meteor (both 1979), The Return (1980), The Being (1983), The Return of the Six-Million-Dollar Man and the Bionic Woman (1987), Spider-Man (voice, 1995-96), The X-Files (1998), Sleepy Hollow (1999), Frankenweenie (voice, 2012).

(8) TODAY IN HISTORY

  • July 16, 1952 Zombies of the Stratosphere flickered briefly through theatres.
  • July 16, 1955 — The TV serial Commando Cody: Sky Marshal of the Universe blasted into the popular consciousness.
  • July 16, 1958 — Audiences gasp for the first time at The Fly.
  • July 16, 1959The Alligator People was released.
  • July 16, 1969 Apollo 11 launched from Cape Kennedy, Florida, to become the first manned space mission to land on the moon.

(9) TODAY’S BIRTHDAY BOY

  • Born July 16, 1928 – Robert Sheckley

(10) AND THEY’RE OFF. With Game of Thrones Season 7 starting, the B&N Sci-Fi & Fantasy Blog gets its kicks by imagining how each character will die. First up —

Daenerys Targaryen

After finally saying goodbye to noted hellhole Meereen, Dany will be cut down in a tragic boating accident, lest her plot line advance. The tragedy will be of Titanic proportions, with Dany and Missandei struggling to share space on a door before both drowning. Varys will float by moments later and note there was plenty of room on the flotsam for both women. 

(11) TOP TEN. And The Daily Beast it getting its clicks by publishing the list of “‘Game of Thrones’ Author George R.R. Martin’s Top 10 Fantasy Films”.

  1. Monty Python and the Holy Grail (1975)

The frightening thing about Holy Grail is that it may very well be the best version of the Matter of Britain ever put on film. King Arthur has not been well served by the movies, I fear. Yes, yes, there’s John Boorman’s Excalibur, a flawed film with with some great parts. Beyond that and Holy Grail, what do we have? Knights of the Round Table (some gorgeous spectacle, but a ham-handed script–the Timpo toy knights issued as tie-ins to the film were better than the movie), Prince Valiant (I liked the Singing Sword, and those pigskins full of boiling oil, but it’s hard to get past Robert Wagner’s wig), First Knight (gag), King Arthur (yes, let’s just let all the Saxons through Hadrian’s Wall and fight them on the other side, what a clever tactic)…. I do have a certain fondness for the film version of Camelot, but only because I never got to see the stage play. But back to Holy Grail. Back to Brave Sir Robin. The Black Knight. The Knights Who Say Ni. The Frenchman on the ramparts. The Holy Hand Grenade of Antioch. Castle Anthrax. Coconuts. (They still sell coconuts at Castle Doune in Scotland, where much of Holy Grail was filmed). What more do I need to say? Let’s go to Camelot! Yes, it is a silly place, but that’s what I love about it.

(12) WAIT UP. io9’s Germain Lussier’s post “This Mysterious New Droid Is Rolling Around the Star Wars Section at D23 Expo” has photos, though apparently they weren’t easy to get.

Disney loves a good surprise, and fans at the D23 Expo in Anaheim got plenty of those over the weekend. One of the more subtle ones featured a brand new droid, rolling around the display for the new theme park additions called Star Wars Galaxy’s Edge.

The droid definitely resembles other Star Wars droids you know, kind of a R5 droid’s body with 2-1B arms. But, according to Walt Disney Imagineers in the area, it does not yet have an official Star Wars distinction. In fact, the may not even be part of Galaxy’s Edge when it opens in 2019. It’s just kind of an experiment at how droids and humans who are just mulling around can interact. And let me tell you, it’s not necessarily a smooth relationship.

The Imagineers call this guy “Jake” and he would not stand still for a photo. You’d set up to snap one, and he’d just start going the other way. Here’s what it’s like.

(13) CONTAINS SOME NUDITY. In fact, that’s what it mostly contains. Chip Hitchcock is convinced fans could break the record at Worldcon 75 if they put it on the program — “Finland naked swimmers bid for biggest skinny dip record”.

Hundreds of naked swimmers have taken to the water in Finland in a bid to break the world record for the biggest naked swim.

Some 789 people at a music festival in eastern Finland went skinny dipping on Saturday, organisers said, beating the previous record set in Australia by just three, reports said.

Organisers were waiting for Guinness World Records to confirm the record.

It is the third Finnish attempt at the record, Yle news website said.

(14) KING’S SECRET IDENTITY. Mental Floss remembers: “Known Alias: How Stephen King Was Outed as Richard Bachman”.

King’s cover endured for a surprisingly long period. But the 1985 release of Thinner would usher in fresh suspicion about Bachman. Unlike the other four novels, Thinner was contemporary King, a hardcover written with the knowledge it was a “Bachman book” and perhaps more self-conscious about its attempt at misdirection. And unlike early-period Bachman, which often featured nihilistic but grounded scenarios—a walking marathon that ends in death, or a game show where prisoners can earn their freedom—Thinner took on more of a horror trope, with a robust lawyer cursed to lose weight by a vengeful gypsy until he’s practically nothing but skin and bone.

When Stephen Brown obtained an advance copy at Olsson’s, he had an innate belief he was reading a King novel. To confirm his suspicions, he visited the Library of Congress to examine the copyrights for each Bachman title. All but one were registered to Kirby McCauley, King’s agent. The remaining title, Rage, was registered to King himself. It was the smoking gun.

(15) IN THE ARCHIVES. The Verge tells you where to find Galaxy —“One of the greatest science fiction magazines is now available for free online”.

If you like classic science fiction, one of the genre’s best magazines can now be found online for free. Archive.org is now home to a collection of Galaxy Science Fiction, which published some of the genre’s best works, such as an early version of Ray Bradbury’s Fahrenheit 451 and Alfred Bester’s The Demolished Man.

The collection contains 355 separate issues, ranging from 1950 through 1976. Open Culture notes that it’s not quite the entire run of the magazine, but it’s got plenty of material to keep fans occupied for years. It includes stories from science fiction legends such as Isaac Asimov, Robert A. Heinlein, Clifford Simak, and Theodore Sturgeon. There are also some underappreciated authors who deserve re-discovery, such as Kris Neville, Alan E. Nourse, or John Christopher. (Sadly, like most publications of this era, female SF authors were underrepresented.)

(16) LAST-MINUTE VOTING. Spacefaring Kitten got in under the wire with a second set of Hugo recommendations.

(17) NAME ABOVE THE TITLE. Stan Lee is rebranding his Los Angeles convention. The Hollywood Reporter has the story: “Stan Lee Reintroduces His L.A. Convention: New Name, Even Greater Ambitions”.

Stan Lee is putting Los Angeles on the map in a new way.

The legendary comic book creator is not only getting a citywide day named in his honor (Oct. 28), he is also rebranding his popular pop culture convention Stan Lee’s Comikaze Expo and giving it a new name: Stan Lee’s Los Angeles Comic Con.

Comic book fans area rejoiced when Lee launched his convention in 2011, and for Lee, the name change makes sense when major cities from New York to San Diego have flagship conventions bearing their cities’ names.

“I felt that a lot of people didn’t know what Comikaze really meant or what it was. And I didn’t think we should hide under a bushel,” Lee tells Heat Vision of the con, which runs Oct. 28-30. “Los Angeles is, to me, the center of the world’s entertainment. It has to have a Comic Con.”

(18) FUNNY AND DIE. Reason TV is getting in on the new season, too, with Game of Thrones: Libertarian Edition.

As HBO’s blockbuster series Game of Thrones returns for its seventh season, Reason offers its own freedom-filled parody. A libertarian paradise north of the wall? What’s happened to Westeros’ social security trust fund? Should it take low-income Dothraki four years to get a hair-braiding license? Watch!

 

[Thanks to John King Tarpinian, Carl Slaughter, Colin Kuskie, JJ, Cat Eldridge, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 7/15/17 Superscrollipixelisticexpififthadocious

(1) TEXAS STYLE. The Austin Chronicle pays tribute to the local sf community then and now — “Writing Science Fiction, Fantasy, and Horror in Austin”.  (Very nice group picture there, too.)

“When I moved to Austin in 1998,” says Christopher Brown, who presents his dystopian debut novel, Tropic of Kansas, at BookPeople this Friday, “it was partly because I could tell that there was a rich fantastic-literature community here, a community of both readers and writers.”

Indeed there was, and had been for years. Brown’s arrival coincided with the 20th anniversary of ArmadilloCon, the homegrown annual sci-fi convention that was not just a celebration of the more fantastic genres of literature and one hell of a fannish good time, but somewhere aspiring writers of science fiction, fantasy, and horror could meet and polish their craft via workshops led by their fellow writers from the local scene. In the days of ArmadilloCon’s founding, such writers included Bruce Sterling, Howard Waldrop, Steven Utley, Lisa Tuttle, Tom Reamy, and their beloved mentor, University of Texas anthropology professor Chad Oliver – all members of the Turkey City Writer’s Workshop, a Lone Star coterie that became one of the epicenters of speculative fiction. Of what eventually led, after East Coaster William Gibson had galvanized the field, after enough tons of dream-stained paper had transmediated filmward, to the gritty/glossy mise en scène of the Wachowskis’ Matrix. You know, citizen: cyberpunk. What so much of the future looked like, fictionally, in the Eighties and Nineties.

Brown also landed here while Austin’s fantastic-lit readers and writers still had their own bookstore, one run by ArmadilloCon’s founder. “I remember Willie Siros’ place on West Sixth,” says Brown, “in the building currently occupied by Sandra Bullock’s flower-arrangement-and-money-laundering operation. It was called Adventures in Crime and Space, a specialty science-fiction and mystery bookstore that the community had sustained for a long time.”

Alas, citizen, in the 17th year of the 21st century, Adventures in Crime and Space has gone the way of the space shuttle program, but the rich community it served continues.

(2) POINT OF NO RETURN. Ruth Graham tells why public libraries are finally eliminating the late-return fine at Slate.

In some districts, up to 35 percent of patrons have had their borrowing privileges revoked because of unpaid fines. Only these days, it’s librarians themselves who often lament what the Detroit reporter called “a tragedy enacted in this little court of equity.” Now some libraries are deciding that the money isn’t worth the hassle—not only that, but that fining patrons works against everything that public libraries ought to stand for.

Library fines in most places remain quaintly low, sometimes just 10 cents per day. But one user’s nominal is another’s exorbitant. If a child checks out 10 picture books, the kind of haul librarians love to encourage, and then his mother’s work schedule prevents her from returning them for a week past the due date, that’s $7. For middle-class patrons, that may feel like a slap on the wrist, or even a feel-good donation. For low-income users, however, it can be a prohibitively expensive penalty. With unpredictable costs hovering over each checkout, too many families decide it’s safer not to use the library at all. As one California mother told the New York Times last spring, “I try to explain to [my daughter], ‘Don’t take books out. It’s so expensive.’ ”

(3) THEOLOGICAL PROBLEMS OF THE 21ST CENTURY.

(4) TRUNK MUSIC. Gamera Boy posted these scans of an old Starlog article: “Details from the proposed 1977 “Star Trek II” television series from Starlog #136 (1988)”.

Wil Wheaton reblogged the scans and commented:

Some of the unused Phase II scripts were rewritten and used on TNG. They were … not good, if my memory is correct.

(5) SPACE SCHOOL. Fast Company says “Forget Starfleet Academy—Future Astronauts Will Be Trained By These Companies”:

Private space travel could be just a year away.

Jeff Bezos’s Blue Origin recently released images of the spaceships it says could be ferrying paying guests to suborbital space in 2018. At the same time, Richard Branson’s Virgin Galactic has hundreds of $250,000 deposits from people who want seats on his spacecraft, and SpaceX’s Elon Musk aims to take a pair of tourists around the moon.

As commercial spaceflights for tourists, scientists, and workers in the burgeoning space economy become more common, experts say those would-be astronauts will need training that goes well beyond earthbound airline safety briefings. Anyone venturing into space will need to know how to deal with space sickness, the effects of acceleration and weightlessness, and even the potential for hallucinations. And those going to do scientific or other work will have to be ready to use their limited time optimally—time outside the earth’s gravitational pull will cost something like $688 per second, according to Gregory Kennedy, education director at the NASTAR Center.

“The research organizations that are sponsoring their flights are going to want to make sure they’re getting their $688,” he says.

The NASTAR Center, located outside Philadelphia, is one of several commercial institutions offering spaceflight training for would-be private astronauts. Founded in 2007 by the Environmental Tectonics Corporation, which makes air and space training equipment, the center has trained more than 500 people for the rigors of spaceflight, Kennedy says. For aspiring space tourists, that includes learning how to tolerate the acceleration forces they’ll experience: “We take somebody with no prior experience and build them up to be able to withstand up to 6 Gs.”

(6) WONDER TRIBUTE. John King Tarpinian says, “I can already hear the audience applaud when she appears on screen.” ScreenRant reports: “Wonder Woman: Lynda Carter Confirms Sequel Cameo Discussions”.

Lynda Carter has confirmed she’s in talks to appear in the Wonder Woman sequel. Director Patty Jenkins has been pressing for a cameo from the actor, who suited up for the film’s starring role via her own TV series in the ’70s, since she started work on the first movie, but the timing didn’t work out. When asked by a fan on Twitter whether she’d keep trying to land Carter for the franchise’s second go-round, Jenkins replied emphatically that she would.

Both women have been vocal about their appreciation for each other’s stake in Wonder Woman: Jenkins, for Carter’s legacy, and Carter for Jenkins’ treatment of it. When Carter congratulated Jenkins et all for the movie’s staggering box office success, Jenkins responded: “Bravo you Lynda. Come on. Let’s admit what was major in starting all of this.”

Now, as focus turns to the sequel, it seems the stars may align for Wonder Woman‘s second outing. In an interview with People, Carter revealed she’d already been approached to appear in the all-but-confirmed movie

(7) SPINNING. Shirley Li, in Entertainment Weekly’s article “Marvel’s The Defenders: Sigourney Weaver says her character is an ‘adversary,’ not a ‘villain'”, tells readers that in describing her work the actress says, “I try to avoid using terms like ‘ice queen’ that are often thrown at women who aren’t completely sympathetic.”

An adversary who, as the head of an ancient organization, has faced worthy opponents before, though none quite like this super-team, says showrunner Marco Ramirez. “In her career, she’s come up against a lot of different people — armies, mercenaries, devoted religious fanatics and all kinds of different groups — who have tried to take her down, but she’s never met four people who are seemingly just interested in taking care of this one little part of New York,” Ramirez says. “I think she’s actually really charmed by it, and weirdly, because they’re unlike anybody she’s ever faced off against before, it’s intimidating to her.”

(8) ALIAS CORDWAINER SMITH & JONES? I didn’t know they knew each other.

(9) CALENDRICAL JOT. Aaron Pound covers another Hugo nominee at Dreaming About Other Worlds. A long review follows the executive summary – “Review – Ninefox Gambit by Yoon Ha Lee”.

Short review: Tasked with putting down a heretical rebellion within the Hexarchate that has caused calendrical rot, Kel Cheris convinces her superiors to revive the insane dead General Jedao. If that sounds kind of incomprehensible to you, be warned that reading the book only makes it a little bit clearer.

(10) BY A WHISKER. Spacefaring Kitten’s tweets about this year’s nominees are collected in “Hugos 2017, part 1” at Spacefaring, Extradimensional Happy Kittens

(11) WE, ROBOT. Advanced technology in real life: “When your body becomes eligible for an upgrade”.

Prof Herr is a double amputee. In 2012, I saw him move a room in London to tears when he revealed his incredibly sophisticated bionic legs that allowed him to move with natural poise and grace.

In 2014, Prof Herr’s technology meant Adrianne Haslet-Davis returned to the dancefloor, less than a year since losing a limb in the Boston marathon bombings. Her first performance after the incident brought a TED talk audience instantly to its feet.

I visited Prof Herr’s lab last week to learn more about the work is team is doing, and where it may lead. Right now, much of the research is focused on doing things the human body can do instinctively, but are extremely complex to engineer.

(12) THEY CAME RUNNING. A siren based on science: “The brain-hacking sound that’s impossible to ignore”.

In a remote and rural part of Malawi in Africa, a siren has been alerting people – and it sounds like nothing you’d recognise from a street elsewhere in the world. Strangely unlike a conventional emergency services siren, instead it is a discordant mashup of musical fragments and intermittent white noise.

“It’s like hearing music on an old transistor radio that seems to be a little bit broken,” explains American artist Jake Harper, who designed it. You can hear it at the beginning and end of the clip below, coupled with a spoken announcement.

The signal was inspired by neuroscience research on sounds that affect the emotion-processing centres of the brain.

The aim? To alert Malawi locals to HIV tests and health checks from a mobile clinic funded by the Elizabeth Taylor Aids Foundation’s (ETAF) and operated by the Global Aids Interfaith Alliance. As the medical van travels through an area, speakers on the roof broadcast these eerie tones.

(13) BEAM MY DATA UP, SCOTTY. “Sounds more like Stross’s version of an ansible,” opines Chip Hitchcock: “Teleportation: Photon particles today, humans tomorrow?”. (Or Clifford D. Simak’s system in Way Station?)

Chinese scientists say they have “teleported” a photon particle from the ground to a satellite orbiting 1,400km (870 miles) away.

For many, however, teleportation evokes something much more exotic. Is a world previously confined to science fiction now becoming reality?

Well, sort of. But we are not likely to be beaming ourselves to the office or a beach in the Bahamas anytime soon. Sorry.

How does it work?

Simply put, teleportation is transmitting the state of a thing rather than sending the thing itself.

Some physicists give the example of a fax machine – it sends information about the marks on a piece of paper rather than the paper itself. The receiving fax machine gets the information and applies it to raw material in the form of paper that is already there.

(14) FIRST NOVEL PRIZE. The longlist for 2017 Center for Fiction First Novel Prize includes several books of genre interest. (Just don’t ask me which ones.) This annual award was created in 2006 to honor the best first novel of the year. The titles below were chosen by a panel of five distinguished writers: Sonya Chung, Anne Landsman, Fiona Maazel, Rick Moody, and Kia Corthron.

  • All That’s Left to Tell by Daniel Lowe (Flatiron Books)
  • As Lie Is to Grin by Simeon Marsalis (Catapult)
  •   Empire of Glass by Kaitlin Solimine (Ig Publishing)
  •   Everything Belongs to Us by Yoojin Grace Wuertz (Random House)
  •   Feast of Sorrow: A Novel of Ancient Rome by Crystal King (Touchstone)
  •   Lincoln in the Bardo by George Saunders (Random House)
  •   The Lucky Ones by Julianne Pachico (Spiegel & Grau)
  •   Marlena by Julie Buntin (Henry Holt & Co.)
  •   Mikhail and Margarita by Julie Lekstrom Himes (Europa Editions)
  •   Motherest by Kristen Iskandrian (Twelve)
  •   Murder on the Red River by Marcie R. Rendon (Cinco Puntos Press)
  •   My Absolute Darling by Gabriel Tallent (Riverhead Books)
  •   Rabbit Cake by Annie Hartnett (Tin House Books)
  •   The Second Mrs. Hockaday by Susan Rivers (Algonquin Books)
  •   Spaceman of Bohemia by Jaroslav Kalfar (Little, Brown)
  •   Spoils by Brian Van Reet (Lee Boudreaux Books)
  •   Temporary People by Deepak Unnikrishnan (Restless Books)
  •   Tiger Pelt by Annabelle Kim (Leaf~Land LLC)
  •   Time’s a Thief by B. G. Firmani (Doubleday)
  •   What to Do About the Solomons by Bethany Ball (Atlantic Monthly Press)
  •   Who Is Rich? by Matthew Klam (Random House)
  •   The World of Tomorrow by Brendan Mathews (Little, Brown)

(15) WRINKLE IN TIME. Here’s the teaser trailer for Disney’s A Wrinkle In Time, which opens in US theatres March 9, 2018.

(16) LAST JEDI FEATURETTE. The end of Star Wars: The Last Jedi Behind The Scenes may bring on a tear or two.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 7/3/17 Hokey Tickboxes And Ancient Pixels Are No Match For A Good Filer At Your Side, Kid

(1) STAR WARS CARTOONS. In a Yahoo! Movies piece called “New ‘Star Wars’ Cartoon Shorts Debut Online, Bringing Female Heroes in Full Force”, Marcus Errico says that Disney is releasing sixteen three-minute cartoons online featuring female Star Wars heroes,  The first, “Sands of Jakku” is online and has Daisy Ridley in it.

Lucasfilm Animation has produced an initial run of 16 shorts. New shorts will arrive daily at YouTube.com/Disney ahead of their broadcast premiere on the Disney Channel on July 9. Future episodes will center on Princess Leia, Padmé Amidala, Rogue One‘s Jyn Erso, The Clone Wars fan favorite Ahsoka Tano, and Sabine Wren from Star Wars Rebels, with each installment narrated by Maz Kanata and featuring John Williams’s seminal soundtrack.

In addition to Ridley, film stars John Boyega (Finn), Felicity Jones (Jyn) and Lupita Nyong’o (Maz) will reprise their roles, as will key talent from the TV series Clone Wars and Rebels, including Ashley Eckstein (Ahsoka), Tiya Sicar (Sabine), and Vanessa Marshall (Hera Syndulla).

“The movies tell these epic heroes’ journeys, big pieces of mythology,” Carrie Beck, VP of Lucasfilm Story and Animation and a producer of Forces of Destiny, told Yahoo Movies earlier this year. “For this, we thought these stories could tell those moments of everyday heroism… the kind of stories that would be appropriate over two to three minutes.”

(2) UNHOLY ROAD TRIP. The LA Times questions “Neil Gaiman on the ‘American Gods’ season finale and what’s on tap for Season 2”.

The first season of Starz’s ambitious “American Gods” ended on the brink of a godly brawl. But Neil Gaiman, an executive producer of the series and author of the book from which it is adapted, teases that his divine road trip across the secret supernatural back roads of the United States is just beginning…

Did you have an emotional reaction to the end of the first season of “American Gods?”

I have all sorts of emotions.…I’m fascinated by how involved people are. How grumpy they are about the fact that, now they got their eight episodes, they have to wait for another season. I love watching the joy of having faces that plug into these characters who were names and descriptions in the book. I’m loving seeing how people argue online. There are people out there who think Laura [Moon, played by Emily Browning] is the best female character that they’ve ever seen on television.And there are people who would pay good money to make sure that she never appears on their screen ever again, but they love the whole series apart from her.

(3) GUESS WHO JOINED GAB. GAB is the new message platform popular with Vox Day, Jon Del Arroz, and others who find Twitter hasn’t always appreciated the way they exercise their freedom of speech.

And, unexpectedly, it now is someplace you can find Brianna Wu:

Why did I join Gab? Well, joining App.net early (another Twitter competitior) was amazing for my career. It was a networking goldmine. The other part is, I’m running for congress in a part of Massachusetts with many conservatives. Listening to the other side helps me be a better candidate.

(4) SOCIETY OF ILLUSTRATORS. Top fantastic illustrators Wayne Barlowe, Donato Giancola, Greg Manchess will demonstrate their skills and techniques in an open forum at the Society of Illustrators in New York on July 8 from Noon to 4 p.m.

Plus! Have your portfolios reviewed by renowned art directors Irene Gallo (Associate Publisher, Tor.com/ Creative Director, Tor Books) and Lauren Panepinto (Creative Director, Orbit Books/ Yen Press). 15 minutes reviews. Reservations required

Admission: $50 Non-members | $40 Members | $20 Students/ seniors (Undergrad with valid ID) Price includes the catalog from The Korshak Collection: Illustrations of Imaginative Literature.

(5) SPACE SALVATION. Sylvia Engdahl revives a philosophical debate in “Space colonization, faith, and Pascal’s Wager” at The Space Review.

In his essay “Escaping Earth: Human Spaceflight as Religion” published in the journal Astropolitics, historian Roger Launius argues that enthusiasm for space can be viewed as a religion. He focuses mainly on comparisons with the outer trappings of religion, many of which are apt, but in one place he reaches the heart of the issue. “Like those espousing the immortality of the human soul among the world’s great religions… statements of humanity’s salvation through spaceflight are fundamentally statements of faith predicated on no knowledge whatsoever.”

I think Launius may be somewhat too pessimistic in his assertion that we have no knowledge whatsoever about our ability to develop technology that will enable humans live in the hostile environment of space, but that is beside the point. It’s true that we have no assurance that the colonization of space will ensure the long-term survival of humankind. “Absent the discovery of an Earthlike habitable exoplanet to which humanity might migrate,” Launius continues, “this salvation ideology seems problematic, a statement of faith rather than knowledge or reason.” And the accessibility of such an exoplanet is questionable, since by current knowledge it will not be possible to cross interstellar space rapidly enough to achieve much migration.

It is indeed faith that underlies the conviction that traveling beyond our home world will prevent the extinction of the human race. But Launius’ presentation of this fact seems to imply that it lessens the significance of such a conviction, as if beliefs supported by mere faith were not to be taken seriously. That is far from the case, as the history of human civilization clearly shows. Most major advances have been made by people who had faith in what they envisioned before they were able to produce evidence; that was what made them keep working toward it. Having faith in the future, whether a personal future or that of one’s successors, has always been what inspires human action.

On what grounds can faith without evidence be justified? This issue was addressed by the 17th century philosopher Blaise Pascal in what is known as Pascal’s Wager, now considered the first formal use of decision theory. Pascal was considering whether is rational to believe in God, but the principle he formulated has been applied to many other questions. In his words, “Granted that faith cannot be proved, what harm will come to you if you gamble on its truth and it proves false? If you gain, you gain all; if you lose, you lose nothing.” If on the other hand, you bet on it being false and it turns out to be true, you lose everything; thus to do so would be stupid if the stakes are high.

(6) NEXT AT KGB. “Fantastic Fiction at KGB reading series” hosts Ellen Datlow and Matthew Kressel present Karen Neuler and Genevieve Valentine on July 19 at the KGB Bar. The event starts at 7 p.m.

Karen Heuler

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and a bunch of other near-misses. She has published four novels and three story collections, and this month Aqueduct Press released her novella, In Search of Lost Time, about a woman who can steal time.

Genevieve Valentine

Genevieve Valentine is an author and critic. Her most recent book is the near-future spy novel ICON; her short fiction has appeared in over a dozen Best of the Year anthologies. Her comics work includes Catwoman for DC Comics and the Attack on Titan anthology from Kodansha. Her criticism and reviews have appeared in several venues including the AV Club, the Atlantic, and The New York Times. Please ask her about the new King Arthur movie.

(7) AMBIENT TRIBUTE TO DUNE SERIES. April Larson, a Louisiana ambient/drone/noise musician, has released a tribute album to the original Dune trilogy and the other Dune-related novels on Bandcamp.

It is titled “You Stand in a Valley Between Dunes” and the album features tracks with names such as “The Fall of Ix (Core Instability Mix),” “Lady Jessica,” and “Guild Navigator (Junction).”

April Larson is the representative of a tribe of naga located along the coast of Louisiana. She translates music into sense- data… through a collection of three interlaced brains. She continues her research in oneironautic listening and regularly delivers lectures on relevant tone-clusters to beehives and ghosts.

(8) RYAN OBIT. YouTuber Stevie Ryan (1984-2017): American comedian, actress and writer; found dead by apparent suicide on 3 July, aged 33. She appeared as a version of herself in the experimental thriller John Doe: Diary of a Serial Killer (2015, but apparently never released).

(9) TODAY IN HISTORY

  • July 3, 1985 Back to the Future released, features 1981 DeLorean DMC-12.
  • July 3, 1985 — George Romero’s Day of the Dead is seen for the first time.
  • July 3, 1996 Independence Day was released.

(10) FACE IN A DUFF CROWD. Paul Weimer took this picture on his trip Down Under. I’ve interacted with Ian Mond online but I’ve never seen him before.

(11) SKIFFY AND FANTY POLL. Man, this is a hard one!

(12) BEWARE DOCTOR WHO SPOILER NEWS. You’ve been warned. Tariq Kyle, in “’Doctor Who’ season 10 finale explained: Yes, that is who you think it is” on Hypable, says that the mysterious guy in the end of the Season 10 finale of Doctor Who is in fact William Hartnell (played by David Bradley) and that Hartnell and Peter Capaldi will survive until this year’s Doctor Who Christmas special, at which time Capaldi will regenerate.

Doctor Who season 10 just ended with a cliffhanger that none of us saw coming, and if you’re wondering who the mysterious new character is and where they are in the Doctor’s timeline, then check out our explanation!

Obviously, if you haven’t seen the season 10 finale of Doctor Who yet, beware of huge spoilers. If you continue on and you don’t want to be spoiled, then ¯\_(?)_/¯.

(13) CHILL FACTOR. Reason TV has put out a video called “Mark Hamill v. Autographed Memorabilia:  The Revenge of the Dark Side,” which is mostly about Bill Petrocelli of the San Francisco-based chain Book Passage and how his company will be affected by the California autograph law. The impetus for the law was Mark Hamill’s complaining about fake Hamill autographs, which caught the ear of the legislator who had the law introduced.

(14) WHAT AUNT MAY HAS TO SAY. This is not your uncle’s Aunt May: “WATCH: Marisa Tomei on making Aunt May cooler than Peter in Spider-Man: Homecoming”.

What is different is Aunt May herself. Let’s face it, Tiger: May has never been cooler than she is now, as portrayed by Oscar-winning actress Marisa Tomei. She’s much younger than she’s ever been portrayed in the comics or any of the previous Spider-Man feature films. The fact that the age difference between Peter and May is much less adds a new dynamic to their relationship … but, thankfully, not even a hint of sexual tension. (Hey, the actress brought it up, not me!)

SYFY WIRE talked with Tomei about how her Aunt May still worries about Peter, primarily about the fact that he doesn’t seem to have a social life. We also talked about whether May trusts Tony Stark as Peter’s mentor and what she wants to see in an Aunt May action figure.

 

(15) WHAT’S MY LINE? Meanwhile, back in the Sunday funnies: “Spider-Man and His Inker: Wrists Still Going Strong a Half-Century Later”. Joe Sinnott in his studio; several photos.

Joe Sinnott says spider webs drive him crazy, even though he has been drawing them for over 50 years for one of the world’s most famous superheroes.

“They’ve got to be so accurate, and they’ve got to be the same all the time,’’ he said. “It takes me about three days to do two pages.”

At 90, Mr. Sinnott still brings to life the action tales spun by Stan Lee, the co-creator of Spider-Man, continuing a collaboration begun in 1950 when Mr. Sinnott first went to work for Mr. Lee at what later became Marvel Comics. “Imagine having the same boss for 67 years,” Mr. Sinnott said. He added that they should be in the Guinness World Records book.

With pen and brush, he keeps Spider-Man flying over New York City, soaring from skyscraper to skyscraper, in a never-ending battle against supervillains. “It just takes time putting all those lines, and the tiny spider on Spider-Man’s chest, in such a small space,” Mr. Sinnott said.

(16) WEB REVIEW. The BBC says the new Spider-Man is “fun”.

The makers of Spider-Man: Homecoming have remembered something that the makers of almost every other recent superhero film have forgotten. They’ve remembered that if you’re going to tell a story about someone in a skin-tight costume who can throw cars around like frisbees, then it should probably be fun for all the family. That’s not to say that superhero movies can’t be used to lecture us on the international arms trade, or to examine why allies fall out and turn against each other. But sometimes they should return to their comic-book roots, and offer snazzy, buoyant entertainment for children as well as for their parents – and that’s what the latest Spider-Man film does.

Chip Hitchcock sent the link with a comment: “The story complains that the ‘gauche, geekily enthusiastic youngster with a pubescent squeak of a voice’ isn’t true to the comics; does anyone remember what Parker was like in the very early comics, when he was still in high school (as in the movie)?”

(17) SUNK COST. A first-class ticket to see the Titanic: “The ‘merman’ facing a Titanic mission”

Next year he will be taking dozens of paying passengers down about 12,500ft (nearly 2.4 miles or 3.8km) to the wreck of the Titanic, 370 miles south-southeast of Newfoundland.

OceanGate, the US firm behind the dives, says more people have been into space or climbed Mount Everest than have visited the Titanic’s final resting place.

The firm stresses that it is a survey expedition and not a tourist trip.

Over six weeks from next May, David will make repeated dives in a new carbon fibre submersible called Cyclops 2, designed to withstand depths of up to 4,000m.

On each trip to the bottom of the ocean, he will take three “mission specialists” – passengers who are underwriting the expedition – and a “content expert” with a good working knowledge of the wreck

The expedition doesn’t come cheap. Each one of the 54 people who have signed up for the deep dive is paying $105,129 for the privilege.

(18) LINEUP, SIGN UP, AND RE-ENLIST TODAY. The Washington Post’s Steve Hendrix asks “There are already four-hour lines at Walt Disney World’s new ‘Avatar’-themed attraction. Does Pandora live up to the hype?” And he answers that the Avatar-based “Pandora” section of Disney’s Animal Kingdom is a “trippy, tropical” and “an authentically immersive land that soothes even as it dazzles,” but prepared to wait four hours to get on the two rides in the section.

The Disney iteration, though, takes place generations after the miners have been driven out (hopefully with ample job-retraining for these victims of the War on Unobtanium) and the peacefully gigantic blue Na’vi of Pandora are busy restoring it to space-age splendor. That ingenious conceit allowed planners to combine dystopian ruins (the colossal exo-armor battle suit from the movie’s climax sits rusting outside the gift shop) with lush streambeds and flowering vines.

(19) SUBTRACTION BY DIVISION. Lela E. Buis, in “Does the Hugo really represent fandom?”, totes up the racial and sexual minorities among this year’s Hugo-nominated fiction authors only to find a problem with this diversity. And what is that problem?

So, what are the chances that SFF fandom as a whole would elect this ballot? Remember that taste is never random, but with equal participation I’d expect the SFF readership demographics should roughly match the ballot for a popular award. Assuming that everyone participates, of course.

What does that mean? If the right people were voting for the Hugos the list of winners would look like the Dragon Awards? Is that what this is code for?

(20) APPROPRIATION V. EXCHANGE. K. Tempest Bradford wrote a commentary NPR that declares “Cultural Appropriation Is, In Fact, Indefensible”.

…Cultural appropriation can feel hard to get a handle on, because boiling it down to a two-sentence dictionary definition does no one any favors. Writer Maisha Z. Johnson offers an excellent starting point by describing it not only as the act of an individual, but an individual working within a “power dynamic in which members of a dominant culture take elements from a culture of people who have been systematically oppressed by that dominant group.”

That’s why appropriation and exchange are two different things, Johnson says — there’s no power imbalance involved in an exchange. And when artists appropriate, they can profit from what they take, while the oppressed group gets nothing.

I teach classes and seminars alongside author and editor Nisi Shawl on Writing the Other, and the foundation of our work is that authors should create characters from many different races, cultures, class backgrounds, physical abilities, and genders, even if — especially if — these don’t match their own. We are not alone in this. You won’t find many people advising authors to only create characters similar to themselves. You will find many who say: Don’t write characters from minority or marginalized identities if you are not going to put in the hard work to do it well and avoid cultural appropriation and other harmful outcomes. These are different messages. But writers often see or hear the latter and imagine that it means the former….

[Thanks to John King Tarpinian for some of these stories and the fried chicken. Other story thanks goes to Rob Thornton, Dann, Steve Green, Martin Morse Wooster, Andrew Porter, and Cat Eldridge. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Review of “Disney’s The Little Mermaid” Musical

By Martin Morse Wooster: The studios are busily trying to turn their films into musicals these days.  Every studio is trying to do this; I once paid good coin to see Elf:  The Musical (which had its moments).  But Disney has probably put the most effort into turning its films into theatrical productions.

Go to Disney Theatrical Productions’ website and you’ll find they’ll happily sell you tickets to the Broadway productions of The Lion King, Aladdin, and Newsies. But the idea that Disney is an unstoppable theatrical juggernaut, in my view, rests solely on The Lion King, which was bold and innovative.  My impressions of The Lion King are second-hand because the production has visited Washington twice, but both times the production went to the Kennedy Center, which never discounts. When I saw that the sell-through for The Lion King was north of 95 percent and the few available tickets were available on StubHub for three figures, I realized this show was too expensive for me.

There are lots of attempts by Disney to turn their films into musicals that have gone nowhere.  The Hunchback of Notre Dame is one of the greatest Disney musicals, but Wikipedia tells me the theatrical version has only played in San Diego.  Many other Disney musicals haven’t toured.  But Disney’s The Little Mermaid was on tour, for five performances at Wolf Trap, which is our outdoor theatre that people go to in the summer.  (Neil Gaiman will perform there on July 9.)  The tickets were on Groupon, which is understandable because the performance I went to on a Thursday was half-full.  So I wallowed in my discounted ticket.

The production I saw was, I think, the second national tour for The Little Mermaid, which was developed by Pittsburgh CLO and Kansas City Starlight, theatres in those cities that specialize in musicals.  It played in Pittsburgh and Kansas City before coming in Washington.

You know the story.  Ariel is the youngest daughter of King Triton, and she finds human boys attractive.  So she steals the keys to the car…, oh, sorry.  She floats around on the surface, where she attracts the eye of Prince Erik.  She also collects a lot of human stuff, including a giant statue of a Roman emperor.

King Triton is outraged!  So he throws out Ariel’s comic books…, oops.  Sorry.  He smashes her collection of human stuff and the giant statue falls and turns into rubble.  “You worship rubbish!” the king thunders, and I made a note, “I must not let King Triton see my CD collection.”

So naturally Ariel wants to become a human. She goes to the king’s evil sister Ursula.  Ursula has Ariel sign a contract where she gets to be a human for three days but she has no voice.  She has to get Prince Erik to kiss her or her soul is Ursula’s.  We learn Ursula is a squid, because she says one clause of her contract is a “squid pro quo.”  “I’m a squid,” she explains, in case we didn’t get the joke.

So will Ariel convince Prince Erik to kiss her?  Well, this is a happy musical.  That’s all I say.

The Little Mermaid was the second feature of Alan Menken and Howard Ashman, who wrote The Little Shop of Horrors and were turned into megastars.  They could have been one of the great teams in musical history, except that Ashman died in 1991 at age 41, having written the lyrics for Beauty and the Beast, The Little Mermaid, and three songs for Aladdin.  Menken is still with us, and was happy to write more music.[1]     But there are 20 songs in Disney’s The Little Mermaid, and only seven of them have lyrics by Ashman.  The remaining 11 songs are by Glenn Slater, who is competent but second-tier.  (Two songs are credited to both Slater and Ashman.)

The problem with Disney’s The Little Mermaid is that it’s like lots of other Disney films, but like Ariel, never really develops its own voice.  Do you like sailors roistering in the sea like the ones in Peter Pan?  Well, they’re here.  How about evil stepsisters picking on Cinderella?  Well, Ariel has seven sisters, all of whose names begin with A, and there’s a scene like the one with Cinderella’s glass slipper.  How about an evil woman like Cruella DeVil? That is Ursula the squid.

The cast was, of course, competent.  Diana Huey played Ariel.  She is Asian American, and told the Kansas City Star that she thought she could be a role model for actors of color.  Other standouts included Melvin Abston as Sebastian the crab (you know, the guy who sings “Under the Sea”) and Jennifer Allen as Ursula, who got to wear a purple gown with seven tentacles.

I thought Disney’s The Little Mermaid was a line extension of the Disney brand that wasn’t that original, but it was pleasant.  Still, I saw a lot of 10-year-old girls having a happy evening with their mothers, and at least two Millennial women wearing mouse-ear dealy boppers. So I won’t grumble too much.

But if any other Disney musicals show up in Washington, well, I’m there!


[1] Menken’s work for Disney includes the remake to The Shaggy Dog, which lets me ask this trivia question.  What’s the connection between The Shaggy Dog and Bambi?  They’re both based on novels by Hungarian fantasy writer Felix Salten.

Pixel Scroll 6/27/17 Buy Pixels At Half Price At Filedepository SF

(1) STICK IT TO ‘EM. There will be “Ten of Disney’s finest villains on new U.S. set”Linn’s Stamp News has the story.

The Disney Villains stamps will be issued in a pane of 20 July 15 at the Anaheim Convention Center, Anaheim, Calif. A 1:30 p.m. first-day ceremony is scheduled during the Disney fan event D23 Expo 2017.

…Each stamp in the set depicts a classic Disney villain set against a deep blue background. Each stamp includes text that identifies the film in which the villain appeared, and the villain’s name.

The 10 characters on the stamps are the Queen from Snow White and the Seven Dwarfs, Honest John (Pinocchio), Lady Tremaine (Cinderella), the Queen of Hearts (Alice in Wonderland), Captain Hook (Peter Pan), Maleficent (Sleeping Beauty), Cruella De Vil (One Hundred and One Dalmatians), Ursula (The Little Mermaid), Gaston (Beauty and the Beast), and Scar (The Lion King).

(2) SINGERS WHO ARE BAD. But not bad singers. This is the perfect place to drop in Peter Hollens’ new “Epic Disney Villains Medley” featuring Whitney Avalon.

(3) CLARION FUNDRAISER. The Clarion Write-A-Thon hopes to raise $15,000 for the workshop between June 25 and August 5. They’ve taken in $1,802 in the first two days.

Welcome to Clarion UCSD’s Eighth Annual Write-a-Thon! What is a write-a-thon, anyway? Think charity walk-a-thon. In a walk-a-thon, volunteers walk as far as they can in return for pledges from sponsors who make donations, usually based on the number of miles the volunteer walks. Our Write-a-Thon works like that too, but instead of walking, our volunteers write with a goal in mind. Their sponsors make donations to Clarion sometimes based on number of words written, sometimes based on other goals, or just to show support for the writer and Clarion.

People can sign up to write or support writers, and win prizes.

As always, we have prizes for our top Write-a-Thon earners. In addition, this year we have surprises as well as prizes!

  • The top fundraiser will receive a commemorative Clarion Write-a-Thon trophy celebrating their success.
  • Our top five fundraisers will each receive a critique from a well-known Clarion instructor or alumnus. We’ve lined up Terry Bisson, David Anthony Durham, Kenneth Schneyer, Judith Tarr, and Mary Turzillo to have a look at your golden prose. A roll of the dice decides who is paired with whom. (The authors have three months to complete their critiques, and the short story or chapters submitted must be 7,500 words or less.)
  • Our top ten fundraisers will each receive a $25 gift certificate of their choice from a selection of bookstores and stationers.
  • A few small but special surprises will be distributed randomly among everyone who raises $50 or more. Lucky winners will be decided by Write-a-Thon minions drawing names from Clara the Write-a-Thon Cat’s hat. These are such a surprise that even we don’t know what they are yet. We do know that certain of our minions will be visiting places like Paris and Mongolia this summer. Anything at all might turn up in their luggage. In addition, who knows what mystery items unnamed Clarionites might donate to the loot!

(4) ASSISTED VISION. Invisible 3, a collection of 18 essays and poems about representation in SF/F, edited by Jim C. Hines and Mary Anne Mohanraj, was released today. As with the first two volumes in this series, all profits go to benefit Con or Bust.

Here’s what you’ll find inside (with links to two free reads):

  • Introduction by K. Tempest Bradford
  • Heroes and Monsters, by T. S. Bazelli
  • Notes from the Meat Cage, by Fran Wilde
  • What Color Are My Heroes? by Mari Kurisato
  • The Zeroth Law Of Sex in Science Fiction, by Jennifer Cross
  • Our Hyperdimensional Mesh of Identities, by Alliah
  • Erasing Athena, Effacing Hestia, by Alex Conall
  • Not So Divergent After All, by Alyssa Hillary
  • Skins, by Chelsea Alejandro
  • The Doctor and I, by Benjamin Rosenbaum
  • My Family Isn’t Built By Blood, by Jaime O. Mayer
  • Lost in Space: A Messy Voyage Through Fictional Universes, by Carrie Sessarego
  • Decolonise The Future, by Brandon O’Brien
  • Natives in Space, by Rebecca Roanhorse
  • I Would Fly With Dragons, by Sean Robinson
  • Adventures in Online Dating, by Jeremy Sim
  • Of Asian-Americans and Bellydancing Wookiees, by Dawn Xiana Moon
  • Shard of a Mirage, by MT O’Shaughnessy
  • Unseen, Unheard, by Jo Gerrard

(5) GODSTALKER. Jamie Beeching finds many things to compliment in “Hamish Steel’s Pantheon – ‘Because gods are people too…'” , a graphic novel reviewed at Pornokitsch.

In Pantheon, Hamish Steele tackles the Egyptian deities in a way described by Steele as “a faithful retelling of […] the battle between the gods Horus and Set for the throne of Egypt.”  Perhaps the most interesting word in that quote is ‘faithful’.  I’m no expert on Egyptian mythology, so I’ll have to take the author’s word on the majority of the facts but I somehow doubt that any of the gods referred to Set as “a notorious cock”.  It’s exactly this mixture of genuine mythological weirdness (and we’re talking totally batshit) and modern irreverence that creates Pantheon’s unique and very successful blend of humour.

(6) NINEFOX, TENFOX. Lightspeed Magazine interviews Yoon Ha Lee.

When did you notice or feel you had honed your voice? Was it before or after you made short story and poetry sales?

I think it developed during the process of learning to write. Early on, I aimed for a very clear, very transparent style in imitation of writers like Piers Anthony. Then I discovered Patricia McKillip and Harlan Ellison and Roger Zelazny, and they blew my head open in terms of how language can be used. Part of it was also subject matter. After reading Orson Scott Card’s Ender’s Game for the first time, I realized that what I wanted to write about, most of all, was military ethics. That was sometime in high school, and my writing shaped itself accordingly after that.

How has the overall reaction to Ninefox Gambit been from readers?

Very bimodal! From what I can tell, most people either love it or hate it. There were some narrative decisions I made that I knew would not be popular with some readers. For example, because the two main characters, Cheris and Jedao, are making command decisions from the very top, I chose to use throwaway viewpoint characters to depict the “boots on the ground” perspective and show the consequences of decisions that are abstract from a general’s perspective. Some readers really like to tunnel into a smaller number of characters and get close to them, and I knew that I would be losing people who like to read that way. For another, I used minimal exposition. I remember really enjoying C.J. Cherryh’s Faded Sun books because they’re told in a similar way, leading to this great sense of immersion, but some readers prefer to have the world spelled out for them. On the other hand, other readers liked those very things. There are always trade-offs.

(7) EU DROPS THE HAMMER ON GOOGLE. The Guardian reports “Google fined record €2.4bn by EU over search engine results”. However, huge civil penalties like that are really in the nature of an opening bid – Google will never pay that amount. But it makes for a stunning headline.

The European Union has handed Google a record-breaking €2.42bn (£2.14bn) fine for abusing its dominance of the search engine market in building its online shopping service, in a dramatic decision that has far-reaching implications for the company.

By artificially and illegally promoting its own price comparison service in searches, Google denied both its consumers real choice and rival firms the ability to compete on a level playing field, European regulators said.

The Silicon Valley giant has 90 days to stop its illegal activities and explain how it will reform its ways or face fines of up to €10.6m a day, which equates to 5% of the average daily worldwide turnover of its parent company Alphabet.

On the back of the finding that Google is the dominant player in the European search engine market, the EU regulator is further investigating how else the company may have abused its position, specifically in its provision of maps, images and information on local services.

…Google immediately rejected the commission’s findings, and signalled its intention to appeal, in an indication of the gruelling legal battle to come between the two sides.

(8) TREASURE MAP. The investor-pitch map of the first Magic Kingdom sold for a chest of gold.

An original map of the first Disneyland park has fetched £555,838 ($708,000) at an auction in California.

The 1953 drawing was used by Walt Disney to secure funding, after his own studio refused to fund the site.

The artist’s impression was given to an employee, and remained out of public view for more than 60 years.

The map was personally annotated by the creator of Mickey Mouse, and reveals a picture of Walt Disney’s vision for the theme park, built in 1955.

(9) AUDIOPUNK. Carl Slaughter says, “Via YouTube, listen to the complete BBC radio broadcast of Neuromancer, William Gibson’s cyberpunk classic brought to life in the form of a very well done radio drama.”

(10) TODAY’S BIRTHDAY BOY

  • Born June 27, 1966 – J.J. Abrams

(11) COMIC SECTION. Martin Morse Wooster commends this Dilbert strip full of timey-wimey-ness.

(12) SINCE SLICED BREAD. Marc Scott Zicree, Mr. Sci-Fi, explains why science fiction conventions are the greatest thing ever.

(13) PECULIAR SCI-FI BAR. The Washington Post’s Maura Judkis discovered “The real reason everyone’s standing in line for D.C.’s ‘Game of Thrones’ pop-up bar”.

And this is what we want from our bars in 2017: an exhilarating escape from reality. Except instead of rides, we want photo ops.

“It’s purely for the Instagram,” said Lara Paek, 28, waiting with her sister in line outside the bar before it opened.

People who order “the tequila-and-grapefruit tonic ‘Shame,’ have the bartenders shout, ‘Shame! Shame!’ at them while everyone snaps photos for Snapchat.”

(14) KEEP WATCHING THE SKIES. Geoffrey Thomas’ debut novel, The Wayward Astronomer, is set in the same fictional universe as the online anthropomorphic graphic novel series Dreamkeepers, by Dave and Liz Lillie. The book was released May 17.

THE WAYWARD ASTRONOMER

Hal Adhil and Miri Rodgers are best friends. They spend their days working at a small observatory in the Starfall Mountains beyond the metropolis of Anduruna.

Miri is the only person Hal trusts to understand a dangerous secret: Hal can see all wavelengths of light. Hal uses his superpower only when they are free from prying eyes that could report them to the authorities.

The lives of Hal and Miri quickly change one night, however, when a meteor crashes into the nearby mountains. When they set out to retrieve the fallen star, it quickly becomes apparent that things are not what they seem. What appeared to be an ordinary meteor is in fact a strange power source that Hal and Miri are not the only ones looking for.

In order to rescue his closest companion, Hal must not only unravel a mystery that has eluded his people for ages, but also face unsavory characters from his own past. Can Hal, the Wayward Astronomer, harness his supernatural powers to rescue his friend before time runs out?

(15) HARD-TO-MISS MACROPODESTRIANS. A problem Down Under? Volvo’s driverless car can avoid most animals but is confused by kangaroos.

The Swedish car-maker’s 2017 S90 and XC90 models use its Large Animal Detection system to monitor the road for deer, elk and caribou.

But the way kangaroos move confuses it.

“We’ve noticed with the kangaroo being in mid-flight when it’s in the air, it actually looks like it’s further away, then it lands and it looks closer,” its Australia technical manager told ABC.

(16) ANT POWER. There’s a pilot project for buses that run on formic acid. (Easier to handle than hydrogen as it just sits there.)

Team Fast has found a way the acid can efficiently carry the ingredients needed for hydrogen fuel cells, used to power electric vehicles.

The fuel, which the team has dubbed hydrozine (not to be confused with hydrazine), is a liquid, which means you can transport it easily and refill vehicles quickly, as with conventional fuels.

The difference is that it is much cleaner.

“The tailpipe emissions are only CO2 and water,” explains Mr van Cappellen. “No other harmful gases like nitric oxides, soot or sulphuric oxides are emitted.”

(17) STAND AND DELIVER. It’s the 50th anniversary of the introduction of the ATM in the UK – how many questions can you answer in this 10-part trivia quiz? “Cash machine quiz: Test your knowledge”.

I only got three right – you have to do better than that!

(18) GLOOP AVOIDANCE. Jason Heller reviews Karen Tidbeck’s novel for NPR — “In ‘Amatka,’ A Warped And Chilling Portrait Of Post-Truth Reality”.

Her 2012 short story collection, Jagganath, showcased her knack for sharp yet dreamlike tale-spinning. Tidbeck’s debut novel Amatka came out the same year, in Swedish only — and it’s seeing its first English translation now. Not a moment too soon, either: Despite being originally published five years ago, its surreal vision of deadly conspiracies, political oppression, and curtailed freedom couldn’t be more eerily timely.

Amatka takes place in one of the most audacious science-fiction settings since Bes?el/Ul Qoma from China Miéville’s The City and The City….

Tidbeck’s premise is almost comical, but her execution is anything but. Amatka teems with mysteries, and almost every innocuous detail — like the fact that the colony’s residents are vegan — winds up having head-spinning ramifications later on. As exquisitely constructed as her enigmas are, however, they’re atmospheric and deeply moving. Vanja is not an easy character to latch onto, but that sense of distance makes her ultimate choices and sacrifices — and what they say about loneliness and freedom — so much more poignant.

(19) UP IN THE AIR. Debut Tor novelist Robyn Bennis does sky military steampunk with a rookie female officer who has to overcome odds on all fronts.

THE GUNS ABOVE by Robyn Bennis (Tor)

Released May 2, 2017

In the tradition of Honor Harrington and the high-flying Temeraire series, Bennis’s THE GUNS ABOVE is an adventurous military fantasy debut about a nation’s first female airship captain.

They say it’s not the fall that kills you.

For Josette Dupre, the Corps’ first female airship captain, it might just be a bullet in the back.

On top of patrolling the front lines, she must also contend with a crew who doubts her expertise, a new airship that is an untested deathtrap, and the foppish aristocrat Lord Bernat, a gambler and shameless flirt with the military know-how of a thimble. Bernat’s own secret assignment is to catalog her every moment of weakness and indecision.

So when the enemy makes an unprecedented move that could turn the tide of the war, can Josette deal with Bernat, rally her crew, and survive long enough to prove herself?

Praise for The Guns Above:

  • “Steampunky navy-in-the-air military tale full of sass and terrific characters. Great storytelling. Loved it.” ?Patricia Briggs
  • “Marvelous, witty, gory AF, action-packed steampunk with exquisite attention to detail. Bennis’s writing is incredible, her vocabulary impressive, and she honest to God made me believe you could build an airship from spare parts.”?New York Times and USA Today Bestselling author Ann Aguirre
  • “The Guns Above is a sharp, witty Ruritanian adventure full of flintlock rifles, plumed shakos, brass buttons… and airships! Taking place in an alternate mid-nineteenth-century Europe where dirigibles ply the smoky air over battlefields and women have been grudgingly admitted to the air corps,The Guns Above takes a clear-eyed, even cynical view of the ‘glories’ of war, complete with blood, shit, shattered limbs, and petty squabbles among the nobility. The aerial combat is gut-clenchingly realistic, the two viewpoint characters are well-drawn and as different as can be, and the action never stops. Hard women learn compassion, soft men learn bravery, and the fate of a nation depends on one rickety airship and its stalwart crew. A winner!” ?David D. Levine, author of Arabella of Mars
  • “An engaging gunpowder adventure with a helping of witty Noel Coward dialogue and a touch of Joseph Heller.” ?Tina Connolly, Nebula Award-nominated author of Ironskin
  • “Wonderfully adventurous and laudably detailed. Bennis paints airship battles so clearly you’d swear they were from memory.” ?Becky Chambers, author of The Long Way to a Small, Angry Planet

(20) TONIGHT’S FINAL JEOPARDY! The Jeopardy! game show often makes references to sff. For example, in the Final Jeopardy answer for June 27 —

An homage to a 1953 novel, this number appears as an error code when a user tries to access a web page with censored content

Click here and scroll down past the ads to read the correct question.

(21) FAVES. At Open Culture, “Hayao Miyazaki Picks His 50 Favorite Children’s Books”. Here are the first five on his list:

  1. The Borrowers — Mary Norton
  2. The Little Prince — Antoine de Saint-Exupéry
  3. Children of Noisy Village — Astrid Lindgren
  4. When Marnie Was There — Joan G. Robinson
  5. Swallows and Amazons — Arthur Ransome

(22) OVERDRAWN AT THE IDENTITY ACCOUNT. What Happened To Monday? stars Noomi Rapace, Willem Dafoe, and Glen Close.

Set in a not so distant future burdened by overpopulation, with a global one child per family policy, seven identical sisters (portrayed by Noomi Rapace) live a cat-and-mouse existence pretending to be a single person to elude the Child Allocation Bureau.

 

[Thanks to Rich Lynch, Hampus Eckerman, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor the day Peer Sylvester.]

Pixel Scroll 6/16/17 There’s A Scroll In The Bottom Of The Sea

(1) JACK KIRBY NAMED DISNEY LEGEND. The late Jack Kirby will be honored with the Disney Legend Award at this year’s D23 Expo in Anaheim.

JACK KIRBY first grabbed our attention in the spring of 1941 with Captain America, a character he created with Joe Simon. Kirby then followed this debut with a prolific output of comic books in the Western, Romance, and Monster genres–all a prelude to his defining work helping to create the foundations of the Marvel Universe. For the next decade, Kirby and co-creator Stan Lee would introduce a mind-boggling array of new characters and teams — including the Avengers, Hulk, Thor, Iron Man, Silver Surfer, Ant-Man, Wasp, Black Panther, S.H.I.E.L.D., and the Inhumans. Kirby was inducted into the Eisner Hall of Fame’s 1987 inaugural class and continued creating comics throughout the ‘90s before passing away in 1994.

Other honorees of this year’s Legends Award are Carrie Fisher, Clyde “Gerry” Geronimi, Manuel Gonzales, Mark Hamill, Stan Lee, Garry Marshall, Julie Taymor, and Oprah Winfrey.

(2) BILL FINGER AWARD WINNERS. Jack Kirby, along with Bill Messner-Loebs, is also a winner of the 2017 Bill Finger Award presented by Comic-Con International.

Bill Messner-Loebs and Jack Kirby have been selected to receive the 2017 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer-historian Mark Evanier, was unanimous.

“As always, I asked on my blog for suggestions of worthy recipients,” Evanier explains. “Many were nominated and the committee chose Bill as the worthiest of those still alive and working, and Jack because although his artwork has always been justly hailed, his contribution as a writer has been too often minimized or overlooked. In fact, in the years we’ve been doing this award, Jack Kirby has received many more nominations than anyone else, but we held off honoring him until this year because it seemed appropriate to finally do it in the centennial of his birth, and because members of his family will be at Comic-Con to accept on his behalf.”

The Bill Finger Award was created in 2005 at the instigation of comic book legend Jerry Robinson. “The premise of this award is to recognize writers for a body of work that has not received its rightful reward and/or recognition,” Evanier explains. “Even though the late Bill Finger now finally receives credit for his role in the creation of Batman, he’s still the industry poster boy for writers not receiving proper reward or recognition.”

Kirby’s history was covered in the first item. Here’s the citation for the second winner.

Bill Messner-Loebs has been a cartoonist and writer since the 1970s. He has worked for DC, Marvel, Comico, Power Comics, Texas Comics, Vertigo, Boom!, Image, IDW, and the U.S. State Department (for which he produced a comic about the perils of land mines). He has written Superman, Flash, Aquaman, Mr. Monster, Hawkman, Green Arrow, Wonder Woman, Dr. Fate, Jonny Quest, Spider-Man, Thor, and the Batman newspaper strip. He wrote and drew Journey: The Adventures of Wolverine MacAlistaire and Bliss Alley, and he co-created The Maxx and Epicurus the Sage. He has also delivered pizzas, done custom framing, been a library clerk, sold art supplies, and taught cartooning.

(3) TROLLS. Recent Facebook experiences led David Gerrold to post a thorough discussion of trolling.

There is no freedom of speech on Facebook — Facebook is a corporation, like a newspaper or a television station. They are not obligated to protect your rights. You waived specific rights when you agreed to the terms of service —

But those terms of service have to be a two-way street. They represent a contract between service provider and consumer. And there must be a responsibility on the part of the service provider to protect the consumers from the abusive behavior of those who violate the social contract of our nation.

The social contract, you say? I’ve heard people argue, “I never agreed to a social contract.”

Actually, you agreed to it when you accepted the responsibility of being a citizen — you agreed to abide not only by the laws of the nation, but by the underlying promise of this land, the promise of liberty and justice for all.

So, I do not regard trolls as simply an internet annoyance — I regard them as human failures — as individuals who have forgotten the promise on which this nation was founded. They are not much better than caged chimpanzees who are good at screeching at the bars and throwing feces at anyone who gets to close.

Because in the great grand scheme of things, every moment of our lives is a moment of choice. We can choose to dream of the stars, or we can choose to wallow in the mud. We can choose to create something of value for ourselves and our families and our friends — or we can choose to destroy the well-being of others.

(4) TOLKIEN BIOGRAPHER AIDS CROWDFUNDING EFFORT. John Garth, author of Tolkien and the Great War, has donated signed copies of his book to the fundraising campaign for Oxford University’s project to document the First World War.

I’ve donated five signed copies of Tolkien and the Great War to help raise money for this appeal. It’s only thanks to the personal letters and photographs preserved by various Great War veterans, by families and by museums that I was able to bring to life the experiences of Tolkien and his friends in the training camps and trenches of the war. If you can donate, please do. Whether you can or can’t, please share this announcement:–

Win over £1,000/$1,000 worth of Tolkien Books… and Help Oxford University Save Items from World War One

Oxford University is currently crowd-funding a project to run a mass-digitization initiative of publicly-held material from the First World War and as is well known the experiences J. R. R. Tolkien underwent in 1916 in the Battle of the Somme had a profound effect on him and his writing. To assist with our major crowd-funding appeal we have been generously supported by Tolkien scholars and publishers, allowing us to present a prize draw opportunity to win three major publications amounting to over £1,000. Our sincerest thanks go to John Garth, Wiley/Blackwells, and Routledge for their help.

To enter the prize draw go to: https://oxreach.hubbub.net/p/lestweforget/

If you sponsor us by pledging £1 or more (or equivalent) you will be entered into a draw to win one of five copies signed by John Garth of his ‘Tolkien and the Great War’ (pbk, HarperCollins, 2011 – RRP: £9.99; $12.00; ‚¬11.99).

If you sponsor us by pledging £5 or more (or equivalent) you will also be entered into a draw to win one of three copies of ‘A Companion to J. R. R. Tolkien’ (hbk, Wiley/Blackwells, 2014) signed by the editor (RRP: £125; $140; ‚¬150).

Finally, if you sponsor us by pledging £10 or more (or equivalent) you will also be entered into a draw to a full set set of ‘J. R. R. Tolkien: Critical Assessments of Major Writers’ (4 volumes, hbk, Routledge, 2017) signed by the editor (RRP: £900; $1,180; ‚¬930)

In addition to these chances of winning, you will also be helping to save and preserve important objects from the First World War which are in danger of being lost on a daily basis.

Here’s the home site of the preservation project: ‘Lest we forget’ – a national initiative to save the memories of 1914-1918

We are raising £80,000 to train local communities across the UK to run digital collection days to record and save objects and stories of the generation who lived through World War One. Every item collected will then be published on November 11th 2018 through a free-to-use online database for schools, scholars, and the wider public.

But we cannot achieve this alone so please help by donating to support the training days, outreach activities, and the equipment we need.

saving the past for the future – world war one
2018 will mark the centennial anniversary of the end of World War One. Few families in Britain were unaffected by the conflict, and in thousands of attics across the country there are photographs, diaries, letters, and mementos that tell the story of a generation at war, of the loved ones who fought in the conflict, served on the home front, or lost fathers and mothers. Help us launch this national effort to digitally capture, safeguard, and share these important personal items and reminiscences from the men and women of 1914-1918. Help us support local digitisation events across village halls, community centres, schools, and libraries.

(5) THE FOUNDATION OF MIDDLE-EARTH. Josephine Livingstone reviews The Tale of Beren and Lúthien for New Republic in “J.R.R. Tolkien’s Love Story”.

And The Tale of Beren and Lúthien is more like a scholarly volume than a storybook. There are versions of the tale in verse, and versions in prose. There are versions where the villain is an enormous, evil cat, and versions where the villain is a wolf. Names change frequently. But instead of taking the “best text” route, where the editor chooses a single manuscript to bear witness to the lost story, Christopher Tolkien has offered up what remains and allowed the reader to choose. It’s a generous editorial act, and a fitting tribute in memoriam to his parents’ romance.

(6) MEDICAL UPDATE. Fanartist Steve Stiles sent this news about his diagnosis and treatment plans.

I just found out, via the lung specialist I saw the week before last, that I’m *NOT* having lung surgery at Sinai on the 20th, but rather a consultation re my “options” (would that be chemo vs. surgery? ), followed by *another* appointment to have a tube inserted down into my lung, which sounds like a whole bunch of fun. *THEN* I go in for surgery or whatever.

Looks like July is pretty well shot as far as having the two weekend cookouts with friends who we traditionally have over. It’s a drag, but considering the alternative….

(7) DALMAS OBIT. Author John Dalmas (1926-2017) has died reports Steve Fahnestalk:

With great sadness I learn that John Dalmas has died, either last night or early this morning; I understand he was in the hospital with pneumonia. Author of “The Yngling” and many other books, he was a good friend to MosCon and PESFA. You will be missed, Onkel !

Dalmas’ The Yngling, his first published sf, was serialized in Analog in 1969 and made especially memorable by Kelly Freas’ cover art.

(8) TRIVIAL TRIVIA

Ray Bradbury and Ralph Waldo Emerson are descendents of Mary Perkins Bradbury, who was sentenced to be hanged in 1692 in the Salem Witch trials, but managed to escape before her execution could take place.

(9) TODAY IN HISTORY

  • June 16, 1954 Them! premiere in New York City.
  • June 16, 1978Jaws 2 swims into theaters.

(10) THAT THING YOU DIDN’T KNOW YOU NEEDED. The Golden Snitch Harry Potter Fidget Spinners are selling like hotcakes. Who knows if there will be any left by the time you read this? (I’m kidding — they’re all over the internet.)

(11) AWESOMECON. The Washington Post’s Michael Cavna, in “Over Awesome Con weekend, D.C. will prove its geek-to-wonk ratio”, previews Awesomecon, the Washington, D.C. comicon taking place this weekend. He talks about the celebrities who are coming, including Chris Hadfield, Edgar Wright, David Tennant, and Stan Lee, still hustling at 94. A sidebar has short items of some of the panels, including “CosLove Presents: #I Can Be A Hero, where cosplayers talk about the good deeds they do, like volunteering at hospitals. Finally, Manor Hill Brewing (which is at manorhillbrewing.com) has the official Awesomecon beer, Atomic Smash, which has a robot and an A-bomb!

So could King, who worked overseas with the agency’s counterterrorism unit after 9/11, ever see the Caped Crusader making it as a CIA agent?

“I can see Batman doing the job,” King says, but it is “harder to see him filling out the paperwork. And without good paperwork skills, you’ll never even make ­GS-12 in this town.”

This town, where sometimes the political wonk and comics geek are the same person.

(12) GIFT CULTURE VS. WAGE CULTURE. At Anime Feminist, Amelia Cook triggers a collision between fandom’s gift culture and those running megacons who expect on skilled people to work for free — “The Big Problem Behind Unpaid Interpreters: Why anime fans should value their skills”. [Hat tip to Petréa Mitchell.]

This week Anime Expo, the biggest anime convention in the English speaking world, put a call out for volunteer interpreters. Anime Expo is far from a new event, and had over 100,000 attendees last year. How did they fail to account for the cost of professional interpreters when budgeting? If they can’t afford to pay interpreters, what hope do any of the smaller cons have?

Let’s be real: they didn’t fail to account for it, and they can afford it. AX is a big enough event in the fandom calendar that they could have bumped ticket prices up by under a dollar each to bring in the necessary funds. If for some reason that wasn’t an option, they’re a big enough name that they could even have crowdfunded it. There’s no good reason not to pay every single interpreter for their work. There are, however, a couple of bad ones.

The most generous reading of their actions is that not a single person on the entire AX staff understands what interpreting involves. More likely is that they considered it an unnecessary cost, knowing they could get enthusiastic amateurs to work for free without putting a value on their time. Ours is a culture of scanlators and fansubbers working for the love of it, right? Why not give these lucky worker bees a chance to meet some cool people and see behind the scenes of a big event?

….When I first saw the tweet from AX, it made me viscerally angry. I couldn’t stop thinking about it, to the point that I’ve written this post. What possible justification is there for this decision? What on earth made them think it would be acceptable? Were interpreters even discussed at the budgeting stage (and if not, why not)? Will they get their stable of unpaid amateur interpreters anyway, or will the outcry their tweet sparked make capable people steer clear? If they don’t get enough sufficiently capable volunteers, will they fork out for professionals or settle for people with a lower level of Japanese? What are their priorities in this situation? What were their priorities when they drew up this year’s budget?

(13) BATLIGHT. Here’s what it looked like when they flashed the Bat Signal on LA City Hall.

(14) SHARKES ON DUTY. The Shadow Clarke Jury’s latest reviews include coverage of two Hugo novel finalists (if you count that the Fifth Season one also covers the Obelisk Gate a bit.)

I wanted to begin this piece by noting that I put The Fifth Season at the top of my ballot for the Hugo last year — although this is somewhat undermined by the fact that I can no longer remember for sure if I actually voted. One time when I did actually vote was at the 2005 Glasgow Worldcon, where all that was required was posting a paper form into a ballot box in the dealers’ room. That year there was an all British shortlist suggesting perhaps that the domestic audience dominated the nomination process but also the then high international standing of British SFF. I voted for Iain M Banks’s The Algebraist, which was only on the ballot paper because Terry Pratchett had withdrawn Going Postal. The Hugo was won by Susanna Clarke’s Jonathan Strange & Mr Norrell, which I had read, loved, and placed last on my ballot because it was fantasy. In retrospect, I shouldn’t have been surprised at the result because J. K. Rowling and Neil Gaiman had won recently and, in any case, Jonathan Strange & Mr Norrell was probably the most substantial novel on that ballot. The only virtue I can now see in the decision I made at the time is that it served to reduce the difficulty of making a choice.

While an increasing number of writers have made strenuous and laudable efforts to confront the “boys’ own adventure’ stereotypes of core genre archetypes“ the most famous recent example being Ann Leckie’s Imperial Radch trilogy — progressive experimentation and stylistic complexity in terms of the text itself is much, much rarer and receives scant notice. When Yoon Ha Lee’s Ninefox Gambit turned up on this year’s Clarke Award shortlist, of the three books I’d not read already it was definitely the one I was most excited about. My encounters with Lee’s short fiction had left me with an impression of complex ideas nestled within a prose that was dense and highly coloured and often abstruse — pluses for me on all three counts. Would Ninefox Gambit prove to be my space opera holy grail: a thrilling adventure in terms of prose as well as high-concept, widescreen FX? I was eager to find out.

It’s space opera, you know?

One of last year’s most famous, most advertised, most-clearly-recognized-as-science-fiction novels, on a shortlist almost entirely of famous, advertised novels–especially in relation to the rest of the 86-title submissions list–the inclusion of Ninefox Gambit on the Clarke shortlist was inevitable. Its reputation as a challenging narrative, its loyalty to standard genre form, and the requisite spaceship on the cover have established its place in the science fiction book award Goldilocks zone. If things go as they did last year and in 2014, it’s also a likely winner.

Although I’ve already made it clear this is not the kind of book I would normally value or enjoy, the placement of Ninefox Gambit on the Clarke shortlist is something I asked for last year, though not in such direct terms:

(15) NUMBER OF THE FOX. Elsewhere, Terence Blake responded to Jonathan McCalmont’s earlier review of Ninefox with some interesting points: “NINEFOX GAMBIT (2): power-fantasy or philo-fiction?”

I agree with everything that McCalmont says about the novel’s structural flaws, and in particular the problematic subordination of Yoon Ha Lee’s speculative inventivity and complexity to the fascistic, bellicose form of military science fiction. However, I don’t fully recognize the novel from McCalmont’s description.

1) The novel reads like both science fiction and fantasy, but there are many ways to blur or to undercut the distinction. In the case of NINEFOX GAMBIT I think that the “fantasy” aspect is only superficial. It is derived from the fact that the “hard” science underlying the story is not physics but mathematics. It has this structural feature in common with Neal Stephenson’s ANATHEM, which nonetheless is a very different sort of novel….

(16) FROM TOP TO, ER, BOTTOM. For your fund of general knowledge — “Every British swear word has been officially ranked in order of offensiveness”.

The UK’s communications regulator, Ofcom, interviewed more than 200 people across the UK on how offensive they find a vast array of rude and offensive words and insults.

People were asked their opinion on 150 words in total. These included general swear words, words linked to race and ethnicity, gender and sexuality, body parts and health conditions, religious insults and sexual references, as well as certain hand gestures.

(17) MARVEL LEGACY 1. Sounds like Marvel is about to push the “reset” button.

An Asgardian titan. A Wakandan warrior bred to be a king. The very first Sorcerer Supreme.

Since its inception, Marvel has been delivering groundbreaking heroes and explosive stories. Now, prepare to return to the dawn of time, as Marvel introduces you to the first Avengers from 1,000,000 BC — when iconic torch-bearers such as Odin, Iron Fist, Star Brand, Ghost Rider, Phoenix, Agamotto, and Black Panther come together for the startling origin of the Marvel Universe, in MARVEL LEGACY #1!

The acclaimed team of writer Jason Aaron (Mighty Thor) and artist Esad Ribic (Secret Wars) reunite for an all-new 50-page blockbuster one-shot that will take you through time to the current Marvel Universe, showing you how it’s truly “all connected.” A true homage to Marvel’s groundbreaking stories, MARVEL LEGACY brings your favorite characters together for exciting and epic new stories that will culminate in returning to original series numbering for long-running titles.

MARVEL LEGACY #1 isn’t simply a history lesson,” says SVP and Executive Editor Tom Brevoort. “Rather, it’s the starting gun to a bevy of mysteries and secrets and revelations that will reverberate across the Marvel Universe in the weeks and months to come! No character, no franchise will be untouched by the game-changing events that play out across its pages. Jason and Esad pulled out all the stops to fat-pack this colossal issue with as much intrigue, action, surprise, mystery, shock and adventure as possible!€

MARVEL LEGACY #1 will present all fans — new readers and current readers — the very best jumping on point in the history of comics,” says Marvel Editor in Chief Axel Alonso. “What Jason and Esad have crafted is more grand and more gargantuan than anything we have ever seen before and introduces concepts and characters the Marvel Universe has never encountered. Fans are going to witness an all-new look at the Marvel Universe starting at one of the earliest moments in time carried all the way into present day. Not only will this be the catalyst for Marvel evolving and moving forward, but expect it to be the spark that will ignite the industry as a whole.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Steve Stiles, and Mark-kitteh for some of these stories, and a hat tip to Petréa Mitchell. Title credit belongs to File 770 contributing editor of the day Jayne.]

Pixel Scroll 5/18/17 For I Am A Bear Of Very Little Files, And Long Scrolls Bother Me

(1) NO NEED TO SAY MORE. Michael Swanwick recounts what he labels the shortest and most succinct discussion about the horror genre in the history of the speculative fiction community:

MICHAEL SWANWICK: “I don’t like horror because it scares me.”

ELLEN DATLOW: “That’s why I love it.”

(2) A FINE ROMANCE. Welcome to 21st-century dating. “This Man Is Suing His Date For Texting During ‘Guardians Of The Galaxy'”.

Texting during a movie is rude.

Brandon Vezmar from Texas is taking a stance on the issue by suing his Bumble date after she used her phone during a movie. The Austin American-Statesman reported that Vezmar filed a small court claim for $17.31, the price of a 3D showing of “Guardians of the Galaxy 2.”

“It was kind of a first date from hell,” he told the local newspaper.

The 36-year-old said that his date was on her phone “at least 10-20 times in 15 minutes to read and send text messages.” According to Vezmar, he told her she should text outside, so she left and took the car in which they both arrived.

Ouch.

Vezmar claimed he tried to text and call his date before taking the matter to court. He tweeted a screenshot once his date sent a statement to KVUE anonymously to say that, while she felt bad that his feelings were hurt, she chose to leave because he made her feel unsafe.

“His behavior made me extremely uncomfortable, and I felt I needed to remove myself from the situation for my own safety,” the statement read. “He has escalated the situation far past what any mentally healthy person would.”

Director James Gunn, who might have stayed safely out of this, unfortunately decided to show his ass, as if texting in the theater was the entire issue.

(3) TRAILER PARK. Aziz H. Poonawalla goes into deep analysis about the Star Trek: Discovery trailer.

But really, hairless Klingons? With a H.R. Geiger armor aesthetic?

It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly — they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all — just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection — purely a Han shot first decision.

(4) MESSAGE TO THE PAST. If the term “calendrical rot” hadn’t been invented for a different purpose, and we had a way to send it into the past, it would find the perfect Petri dish in this incredibly technical discussion of alternate timelines in Star Trek held on Reddit in 2015.

(5) SASQUATCH APPROPRIATED. In the Walrus, Robert Jago introduces his op-ed about Canada’s latest cultural appropriation controversy with an sff illustration: “On Cultural Appropriation, Canadians Are Hypocrites”.

Harry and the Hendersons is a 1987 fantasy movie about a Seattle family’s encounter with a friendly bigfoot (Harry) and their efforts to protect him from harm before releasing him in the mountains of the Pacific northwest. It’s a forgettable film, but it has undoubtedly been seen and heard in more Indigenous homes than has the story of Sasq’ets–the original sasquatch.

Sasq’ets, whose name was one of the few Halkomelem words to make their way into English, was one of a host of other legendary “wild people” living in the forests on the Pacific coast. For hundreds of generations, Salish and Kwakwaka’wakw children were raised on the stories of the wild people and taught to listen for their characteristic hu-hu-hu calls. Sasq’ets, along with Dzunuka, were said to capture wayward children, take them away from their families, and eat them. With their supernatural healing powers, the wild ones were thought to be invincible; only once was a wild person taken by angry villagers and burned alive. But to the mortals’ horror, the ashes began buzzing in a tiny chorus of little hu-hu-hu’s, and each particle sought out human flesh. This was the origin myth of mosquitos.

Sasq’ets taught our children to stay out of the forests at night. It connected us to our part of the world, in the same way that Hansel and Gretel or Little Red Riding Hood connected Europeans to their ancient forests–and possibly for the same purposes. Our stories are works of genius and beauty, and vital to our relationship with the land. By no means do I want to restrict our legends to Indigenous people. I want you to know about Sasq’ets, and the psychedelically odd stories of the spirit of the South Winds, and all of the legends of our country.

But when the story is taken from us and told by outsiders without our involvement, its identity can be lost, and Sasq’ets becomes Bigfoot. The cultural dominance of non-Natives means that a B-movie like Harry and the Hendersons can have more influence over Salish children than the legend that inspired it.

(6) WESTLAKE’S BOND. Daniel Dern says be on the lookout for copies of Donald Westlake’s James Bond novel(ization) released last fall. “I’ve already just put a reserve-request in to my library.”

Forever And A Death

In the mid-1990s, prolific mystery and crime thriller author Donald E. Westlake submitted two treatments for the 18th Bond film (which would ultimately become ‘Tomorrow Never Dies’)….Never one to waste a good story, Westlake turned his treatments into a novel.

Dern adds:

Fewer Filers than normally expected might be familiar with Westlake, since he wrote near-zero scifi, by choice. OTOH, he wrote lots of great mystery/thriller/crime and other novels and stories, ranging from humorous, e.g. his John Dortmunder stories, and his tabloid-reporter ones, to serious, notably the ones written as Richard Stark.

See the Donald Westlake site.

My favorite Westlake book: Up Your Banners

(7) MACE WINDU GETS HIS OWN BOOK. The Jedi have always been the galaxy’s peacekeepers — but with the Clone Wars on the horizon, all that is about to change.

This August, writer Matt Owens (Elektra) will team with artist Denys Cowan (Nighthawk, Captain America/Black Panther: Flags of Our Fathers) to unveil the exciting story of one of the Jedi’s greatest warriors in STAR WARS: JEDI OF THE REPUBLIC — MACE WINDU #1!

One of the most accomplished and storied members of the Jedi High Council, his wisdom and combat prowess are legendary. Now, in this new story, readers will get to see Mace Windu lead his Jedi into battle, and face the ultimate test of leadership!

(8) PETER OLSON OBIT. SF Site News reports that Boston area fan Peter Olson (1949-2017) died April 28. He was active in NESFA and participated in the Ig Nobel Awards.

(9) TODAY’S BIRTHDAY GIRLS

  • Born May 18 — R. Laurraine Tutihasi
  • Born May 18 — Diane Duane

(10) TODAY’S BIRTHDAY BOY

  • Born May 18, 1897 — Frank Capra

(11) COMIC SECTION. John King Tarpinian says Ziggy has a point.

(12) WHIP OUT YOUR ROLL OF HUNDREDS. Nicole Pelletier on Good Morning America has a piece called “Classic Disney animation art featuring Snow White, Pinocchio headed to auction” about how a tranche of Disney cels from the 1940s is headed for auction in an event sponsored by Bonhams and Turner Classic Movies.

Bonhams Fine Art Auctioneers and Turner Classic Movies (TCM) will present the movie memorabilia auction, “An Important Animation Art Collection, The Property of a Gentleman” in New York City on June 5.

The sale will feature more than 290 original Disney animation drawings, storyboards, posters, concept art and celluloids, according to Bonhams’ press release.

(13) WARNING LABEL. While I was browsing Bertie MacAvoy’s Amazon page, I especially enjoyed this self-introduction:

Robert A.MacAvoy

If you are young to the S.F. field and don’t know who I am, I will prep you by warning that I often kill off my heroes, sometimes at the most unexpected times. But never in a depressing manner. I’ve never wanted to depress my readers. My outlook is essentially comic.

(14) DRYING OFF. This may be the first good news I’ve ever heard about a convention associated with the Ozarks. Nerd & Tie’s Trae Dorn reports how some fans are overcoming a natural disaster: “West Plains, MO Based Oz-Con Plans Game Day Event to Make Up For Canceled Day of Con”.

I think any reasonable person would forgive the con, considering this was an extreme, unpredictable situation where homes and lives were literally lost. What’s the Sunday of a con compared to that? To the extreme credit of the Oz-Con organizers though, they still want to try to make it right.

Yesterday Oz-Con organizers announced an event they’re calling “Flood Con.” It’s a free game day the con is hosting from 9:00am until 10:00pm on June 17th at the Missouri State University-West Plains Student Rec Center. Admission is free, but they’ll also be accepting cash donations and canned food items to help with ongoing flood relief in the area. There will be video games, tabletop games, and fellow geeks to have a grand old time with.

Admittedly, I haven’t heard much about sff in the Ozarks — just that famous story about the time Larry Niven arrived expecting to be GoH of Ozarkon only to find out the con had been cancelled. (Fans involve swear they tried to get a message to him, but in those pre-internet days it failed to reach him on the road.)

(15) FAME IN PIXELS. Who needs a monument when you can be an answer on Jeopardy!

(16) LOVECRAFT COUNTRY TO TV. Get Out writer-director Jordan Peele and J.J. Abrams’ Bad Robot and Warner Bros Television are teaming on Lovecraft Country, a one-hour drama that has been given a straight-to-series order by HBO.

There is connective tissue to Peele’s breakout genre feature Get Out, which brought a Black Lives Matter theme to the horror genre. Lovecraft Country, the 2016 novel from Matt Ruff, focuses on 25-year-old Atticus Black. After his father goes missing, Black joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America to find him. This begins a struggle to survive and overcome both the racist terrors of white America and the malevolent spirits that could be ripped from a Lovecraft paperback. The goal is an anthological horror series that reclaims genre storytelling from the African-American perspective.

[Thanks to Carl Slaughter, Andrew Porter, JJ, Dawn Incognito, Daniel Dern, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]