Tag Archives: Dr. Seuss

Pixel Scroll 11/27/21 And In The Barkness Dine Them

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(1) SEVERANCE PAY. On The Last Leg, Jodie Whittaker tells the host about her emotional final day on Doctor Who, and the souvenir she stole from the set.

(2) NANOWRIMO DEADLINE APPROACHES. November is National Novel Writing Month (NaNoWriMo) – and guess which month is almost over? Mad Genius Club’s Amanda S. Green hit the goal, but knows from experience what can happen when “NaNoWriMo meets real life”.

… But the real problem for me and for a number of other writers is NaNo is a complete deviation from our normal way of writing. To push through and finish “the book”, most of us have to turn off the internal editor. We have to give ourselves permission not to write in all the details we usually put in during the first draft. We have to remember that what comes out is not the final product but is, at best, an expanded outline which will need another month or two to get ready for publication….

(3) GATOR GENESIS. It’s interesting that a Gothamist writer claims to have authenticated this story, because during my early days in fandom I’d heard it was perpetrated by Galaxy editor H.L. Gold. “The Alligator In The Sewer: Evidence Behind NYC’s Urban Legend”. The Wikipedia also devotes an article to “Sewer alligator” legends.

On a chilly day in 2010 I stood on the steps of City Hall to hold a press conference. Equipped with a proclamation from the Manhattan Borough President and an enlarged clipping from the NY Times, I was there to announce the First Annual Alligator in the Sewer Day, a pseudo-holiday I have been celebrating every year since.

Exactly 75 years earlier, on February 9th 1935, New York City’s greatest urban legend was born, and the NYT story, which ran the following day, proved that legend was true.

“Alligator Found in Uptown Sewer,” read the headline. The piece recounted how some East Harlem teens were shoveling snow down a storm sewer when one of them noticed movement below. He peered into the darkness and was stunned by what he saw. “Honest, it’s an alligator!” he proclaimed to his buddies….

(4) NO AHHHS ARC. Camestros Felapton provides the “Interim, spoiler-free, review of Doctor Who: Flux” you may not have known you needed.

… Overall, I think so far it has been pretty good. Like previous Chibnall seasons, there’s no stand-out 100% future-classic episode but he is leaning into his strengths. Those strengths include a good sense of the aesthetics of “good” Doctor Who episodes (but not the substance of it) and longer story arcs. Rehashing classic villains isn’t a great way of moving the series forward but Chibnall’s attempts at new ideas previously have largely fallen flat, so…I think I prefer him playing it safe….

(5) A WAY OUT. New Scientist’s Sally Adee reviews Charlie Jane Anders’ new collection in “Even Greater Mistakes review: Short sci-fi stories without the sexism”. The post ends:

… But as Anders shows us, we have choices in how to deal with these rigged systems. We can always throw the whole lot in the bin.

(6) VINDICATION. Vincent Czyz, reviewing a new edition, says “The jury’s in. The critics who agreed with an early assessment that 1975’s Dhalgren is a ‘literary landmark’ get to touch champagne flutes and congratulate one another,” in “Book Review: Samuel R. Delany’s ‘Dhalgren’ – A Critical War of Words” at The Arts Fuse.

“Very few suspect the existence of this city. It is as if not only the media but the laws of perspective themselves have redesigned knowledge and perception to pass it by. Rumor says there is practically no power here. Neither television cameras nor on-the-spot broadcasts function: that such a catastrophe as this should be opaque, and therefore dull, to the electric nation! It is a city of inner discordances and retinal distortions.” – Samuel R. Delany, Dhalgren

“Dhalgren is a tragic failure,” howled science fiction heavyweight Harlan Ellison in his February 1975 review for the Los Angeles Times. “An unrelenting bore of a literary exercise afflicted with elephantiasis, anemia of ideas, and malnutrition of plot.”

“I have just read the very best ever to come out of the science fiction field,” countered Theodore Sturgeon, another SF heavyweight who, in my opinion, was a tad heavier. “Having experienced it, you will stand taller, understand more, and press your horizons back a little further away than you ever knew they could go.” Galaxy Magazine published his take on Dhalgren after Ellison weighed in.

Critic Darrell Schweitzer, writing for the fanzine Outworld (October 1975), threw in with Ellison, calling Dhalgren “shockingly bad.” “It is a dreary, dead book,” he went on to say, “about as devoid of content as any piece of writing can be and still have the words arranged in any coherent order.”

That seems a pretty definitive judgment, and yet forty-five years later Schweitzer repented: “I have to admit that Dhalgren seems well on its way to fulfilling the definition of ‘great literature’ I give here, i.e., that it means something different to readers and different points in their lives, and they keep coming back to it.”…

(7) MARCHING ON TURKEY DAY. Gothamist has a large gallery of photos from the “2021 Macy’s Thanksgiving Day Parade In NYC”. Here are two of them:

(8) LOVES A CHALLENGE. [Item by Martin Morse Wooster.]  In the Washington Post, Michael Cavna interviews Lin-Manuel Miranda, who wrote seven songs for the new Disney animated film Encanto and who will write new songs with Alan Menken for the live-action The Little Mermaid remake scheduled to be released in 2023. “’Encanto’’s Lin-Manuel Miranda has become a go-to songwriter for Disney”.

…But it was while working together on Disney’s 2016 animated hit “Moana” — which yielded Miranda’s Oscar-nominated “How Far I’ll Go” — that the composer vocalized an “I Want” wish to screenwriter Bush, who recalls: “He told me he wanted to write the definitive Latin American Disney musical.”

Soon the two were talking with Bush’s “Zootopia” collaborator and fellow brass musician Byron Howard,who would also become a writer-director on “Encanto” (as would Charise Castro Smith). They shared the experience of coming from large extended families. Out of that grew an “Encanto” story that spotlights a dozen main characters — “unheard of in Disney animation,” says Bush….

(9) PEDESTRIAN FACTS. MeTV wants you to know: “Here’s what’s on the ground in ‘The Jetsons’”.

…One of the most common misconceptions about The Jetsons is that the cartoon never shows the ground beneath Orbit City. The Jetson family lives in the Skypad Apartments. George works at Spacely Space Sprockets. Both cylindrical buildings project into the sky like birdhouses on long poles. It is a world of flying cars.

This optimistic vision of the 21st century often left viewers wondering — what is on the ground? Well, the answer is… hobos, walking birds, concrete and parks.

One of the best views of the surface level comes in the seventh episode, “The Flying Suit.” Remember, The Jetsons originally aired for a single season in 1962–63, as reruns kept it on Saturday mornings for years. Anyway, this particular episode revolves around W.C. Cogswell and Mr. Spacely both developing a red jumpsuit that allows people to fly. Meanwhile, Elroy had concocted pills that allow people to fly. A mix-up at the dry cleaners swaps the suits, and in the end, both companies think their flying suit is a dud. Besides, who wants to slip on a special unitard when you can just pop a pill? The episode closes with Cogswell tossing his X-1500 flying suit out the window, believing it to be worthless….

(10) SONDHEIM OBIT. Stephen Sondheim, whose works includes Company, A Funny Thing Happened on the Way to the Forum, Sunday in the Park with George, Sweeney Todd, Follies, Into the Woods, Assassins and lyrics for West Side Story and Gypsy, died November 26 at the age of 91. The New York Times obituary is here cites one of his lesser-known genre creations:

…Mr. Sondheim’s first professional show business job was not in the theater at all; through the agency representing Hammerstein, he was hired to write for a 1950s television comedy, “Topper,” about a fussbudget banker haunted by a pair of urbane ghosts. (Much later, Mr. Sondheim wrote a whodunit film script, “The Last of Sheila,” with the actor Anthony Perkins; it was produced in 1973 and directed by Herbert Ross.)

Sondheim coauthored this episode of the fantasy sitcom Topper in 1954 when he was 24.

(11) MEMORY LANE.

[By Cat Eldridge.]

1995 — Twenty-six years ago this evening, the writers of Deep Space Nine decided to riff off of James Bond with the “Our Man Bashir” episode. It was directed by Winrich Kolbe from a story that originated with a pitch from Assistant Script Coordinator Robert Gillan which was turned into a script by Producer Ronald D. Moore. 

Although the episode takes its title from Our Man Flint, a major inspiration for the story was the James Bond films. This obvious influence resulted in Metro-Goldwyn-Mayer complaining to Paramount about it as they had GoldenEye coming out. Though why they thought it would affect the success of the film is a mystery as it was the best Pierce Brosnan Bond film and the most successful of his films. 

It was well-received at the time and has not been visited by the Suck Fairy which I hold is true of the entire series. Charlie Jane Anders at io9 considers it one of goofiest Deep Space Nine episodes, and Keith DeCandido at Tor.com says “holy crap is it fun”.  The trailer is here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 27, 1907 — L. Sprague de Camp. The Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. His only Hugo was awarded at LoneStarCon2 for Time & Chance: An Autobiography. He got voted into the First Fandom Hall of Fame Award, and he got World Fantasy Award for Lifetime Achievement. His very first Award was an IFA for Lands Beyond that he wrote with Willie Ley. (Died 2000.)
  • Born November 27, 1935 — Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series.  Wiki has her producing an episode of Doctor Who called “A Happy Ending” in 2006 which it tuns out is one of this fannish productions notable for the presence of Susan, played by Carole Ann Ford, the daughter of the First Doctor.  (Died 2007.)
  • Born November 27, 1940 — Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise only lasted for twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. Despite the various weird rumors, including Triad induced curses about his death, it was quite mundane. Donald Teare, an experienced forensic scientist who had been recommended by Scotland Yard was assigned to the Lee case. His conclusion was “death by misadventure” caused by cerebral edema due to a reaction to compounds present in the combination Equagesic medication. (Died 1973.)
  • Born November 27, 1951 — Melinda Snodgrass, 70. She wrote several episodes of Next Gen while being the series’ story editor during its second and third seasons. She has also contributed produced scripts for the series Odyssey 5, Outer Limits, Beyond Reality, and SeaQuest DSV. She’s contributed a lot of stories of the Wild Cards series of which she is co-editor, and I’m very fond of her Imperials Saga which is what that promo blurb referring to Bridgerton was about. 
  • Born November 27, 1957 — Michael A. Stackpole, 64. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels.
  • Born November 27, 1961 — Samantha Bond, 60. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. She was also Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones. 
  • Born November 27, 1963 — Fisher Stevens, 58. He’s best remembered as Ben Jabituya in Short Circuit (and renamed Ben Jahveri in the sequel), Chuck Fishman on Early Edition, and Eugene “The Plague” Belford in Hackers. He’s also had roles on The Hunger, Lost, The Mentalist, Medium and Elementary.
  • Born November 27, 1974 — Jennifer O’Dell, 47. Her only meaningful role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World but what a pulp heroine she made there . She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield and Dr. Laurie Williams on Vampire flick Slayer but nothing major to date.

(13) COMICS SECTION.

  • Bizarro  tells the story of Dorian Moneybags.

(14) MIYAZAKI RETURNING. “Studio Ghibli’s Hayao Miyazaki Comes Out Of Retirement For New Film” – Deadline has the story.

Famed anime director Hayao Miyazaki revealed he is coming out of retirement once again to make a feature length animated film.

In an interview with the New York Times, Miyazaki didn’t give much detail about the film, but mentioned its based on Genzaburo Yoshino’s 1937 book How Do You Live? The story follows a teenage boy in Tokyo who moves in with his uncle after his father dies. The novel is reportedly one of the director’s favorites.

Miyazaki didn’t confirm if the film would have the same name as the book, but when asked why he was returning to direct the film, he simply answered “Because I wanted to.” Studio Ghibli co-founder and producer Toshio Suzuki described the new film as “fantasy on a grand scale.”…

(15) PURPLE PEOPLE. In the Washington Post, David Betancourt interviews Hailee Steinfeld, who plays Hawkeye’s sidekick Kate Bishop in Hawkeye but could play an increasingly important role in the MCU in the future. “Hailee Steinfeld of ‘Hawkeye’ could become the next big star of the Marvel universe”.

Hailee Steinfeld had no idea how much one color was about to take over her new superhero life.

Purple has become her second skin during the production and promotion of her highly anticipated series “Hawkeye.” Steinfeld kept seeing the color splashed across the “thousands” of pages she read of the Hawkeye comics, which she enjoyed so much she keeps them on display at her home. Both her character, Kate Bishop, and Clint Barton, played by Jeremy Renner, have purple suits — and it was obvious her chats with the wardrobe department on “Hawkeye” would have a singular focus.

“It’s so funny because, I of course obviously knew about the purple walking into this … but I guess maybe I didn’t. Because it has become my world,” Steinfeld told The Washington Post. “But I’m not mad about it. I do love the color purple.”…

(16) TO PROMOTE PRINT SALES. “Solana Beach Art Gallery to Host Dr. Seuss Art Collection” says Times of San Diego.

Exclusive Collections in Solana Beach announced this week it will host a private collection of artwork by beloved author Theodor Seuss Geisel, also known as Dr. Seuss.

Virtually unknown to the general public, the art collection features paintings and sculptures created by the famous children’s author.

Organizers described the work as “a mind-expanding collection based on decades of artwork, which Dr. Seuss created at night for his own personal pleasure.”

(17) CAVE LIBRUM. In the Washington Post, Alexandra Petri says we probably ought to ban all books, because books are dangerous! “School boards should ban all books. They’re just too dangerous.”

… Books follow you home and pry open your head and rearrange the things inside. They make you feel things, sometimes, hope and grief and shame and confusion; they tell you that you’re not alone, or that you are, that you shouldn’t feel ashamed, or that you should; replace your answers with questions or questions with answers. This feels dangerous to do, a strange operation to perform on yourself, especially late at night when everyone else in the house is sleeping….

(18) ANTIQ-TOCK-QUITY. “Surveillance, Companionship, and Entertainment: The Ancient History of Intelligent Machines” at The MIT Press Reader.

Robots have histories that extend far back into the past. Artificial servants, autonomous killing machines, surveillance systems, and sex robots all find expression from the human imagination in works and contexts beyond Ovid (43 BCE to 17 CE) and the story of Pygmalion in cultures across Eurasia and North Africa. This long history of our human-machine relationships also reminds us that our aspirations, fears, and fantasies about emergent technologies are not new, even as the circumstances in which they appear differ widely. Situating these objects, and the desires that create them, within deeper and broader contexts of time and space reveals continuities and divergences that, in turn, provide opportunities to critique and question contemporary ideas and desires about robots and artificial intelligence (AI)….

(19) STAR WARS NEWS. Disney dropped the trailer for their Boba Fett series today: “The Book of Boba Fett”.

“The Book of Boba Fett,” a thrilling Star Wars adventure teased in a surprise end-credit sequence following the Season 2 finale of “The Mandalorian,” finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Alan Baumler, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Oh, The Place We Boldly Stop.

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[ComicMix VP Glenn Hauman today provided closure for those who have followed the Dr. Seuss Enterprises vs. ComicMix et al. case since it began in 2016.  His article is reblogged here from ComicMix with his permission.]

By Glenn Hauman: The Dr. Seuss Enterprises lawsuit against us is finally over.

In August 2016, we put up a Kickstarter for Oh, The Places You’ll Boldly Go!, a mash-up of Star Trek and Dr. Seuss to be written by David Gerrold, drawn by Ty Templeton, edited by Glenn Hauman, and published by ComicMix LLC later that year. DSE sent us a cease and desist letter on September 27, 2016. (Yes, the legal wrangling lasted longer than the Enterprise’s original five-year mission.) DSE filed a DMCA motion to take down the Kickstarter campaign on October 7, and filed suit against us on November 10, 2016, alleging copyright infringement, trademark infringement, and unfair competition.

We put up a good fight. We defeated the trademark infringement and unfair competition claims, and that win was affirmed on appeal. We also won summary judgment on the claim of copyright infringement, though that was reversed on appeal. The court set a pretrial schedule in September 2021 and we were well positioned to have a jury resolve whether or not you could see this book.

And yet, today we’re announcing that we and DSE submitted a proposed consent judgment for the suit, and that the Honorable Judge Janis L. Sammartino granted it on Friday, October 8, 2021 and closed the case.

Why? The simple truth is— we ran out of time.

This past year, Ty was diagnosed with Stage 3 colorectal cancer. This has required him to undergo months of chemotherapy and radiation treatment, just to prepare him for the needed surgery—which will then require weeks of recuperation until he recovers enough to go through six MORE months of chemo and radiation, and then MORE surgery after that. This has affected his ability to work, to draw, and to do any of the things an immunocompromised person shouldn’t do, especially in the middle of a global pandemic.

And the trial schedule would have been smack in the middle of all of that. After five years of sometimes ridiculous litigation and with the pre-trial deadlines looming, as Ty’s collaborators and friends, we refused to put him through any additional stress that could in any way impinge on his health and recovery. To the credit of the people at DSE, they didn’t want to put Ty through that either. So we joined in a motion to end the suit the day before Ty’s surgery, in order to alleviate the less serious pain in his ass so he can deal with the far more lethal and literal pain in his ass.

In the consent judgment, DSE concedes some of our defenses and we concede some of their claims. Unfortunately, the terms stipulate that even though the book is complete, we won’t be able to present Oh, The Places You’ll Boldly Go! to you for another forty years, when the Dr. Seuss copyrights are set to expire and his books enter the public domain. (We can start taking preorders in January 2062, so set your calendar reminders now.)

We still passionately believe in and stand for creators’ rights, including fair use, and we still maintain that Boldly is a fair use that could not have harmed DSE in any way, now, five years ago, or in forty years. Unfortunately, the Ninth Circuit Court of Appeals’s view of fair use makes it very difficult to overcome a well-heeled copyright holding corporation if it wants to stand in the way (anyone who thinks “corporations are people” has never seen a corporation in a cancer ward) and they decided that the book was over the line. We’re looking forward to the day when you can finally see the full book for yourself and make your own determination about it—until then, it’s like writing a book report by just looking at the cover, never seeing what’s inside.

It has been a long five-year mission filled with many absurdities. At one point, Universal Pictures asked us to help promote “The Grinch” DVD release, so DSE could make more money to bash over our heads. At another point, DSE paid an “expert witness” who got an artist to redraw our book in the most dreadful way imaginable, and then did a trademark survey asking shopping mall customers to compare Ty’s artful mix of Seuss and Trek with that hack job. We’re still wondering how our book referencing a single illustration from How The Grinch Stole Christmas could have taken “the heart of the work,” as the Ninth Circuit Court of Appeals thought, when the illustration in question shows neither the Grinch, Christmas, or anything being stolen. And less than thirty-six hours after the Ninth Circuit reversed the fair use ruling, we got to watch Saturday Night Live air a sketch about the Grinch in a Whoville three-way, with nary a peep from DSE.

We’re also grimly amused about how we had to fight a fair use case while DSE’s own publisher, Penguin Random House, put out their own unauthorized parody, Oh, The Meetings You’ll Go To! (Although there is some question as to whether or not Meetings is officially sanctioned by Dr. Seuss Enterprises, as the copyright page of Meetings makes no mention of a DSE license, yet this since deleted tweet from Eric Nelson on August 4th, 2020 says otherwise…)

But when we were sued two days after Election Day 2016, we knew that letting anyone with lots of money, name recognition, and power have the ability to shut down even the gentlest of parodies and mildest of commentaries about them unchallenged was an extremely bad precedent to set for the future—if for no other reason that we make up for one another’s biases by being able to criticize each other, whether we are children’s book authors or circuit court judges.

We can take satisfaction in many of the victories and precedents this case has set, including:

  • The Ninth Circuit made it explicit that mash-ups can be fair use. (Just not, apparently, ours.)
  • The District Court’s summary judgment ruling held that there are no exclusive trademark rights in an artistic style, or a distinctive font or typeface.
  • In fact, the trademark infringement and unfair competition claims wound up a total rout. They were dismissed based on nominative fair use in 2017. DSE renewed them, and we won judgment on the pleadings over its claims about the book’s title based on the Rogers/First Amendment test in 2018. We won the “that’s not even a thing” issue over the Seussian art style and typeface in 2019. And in 2020 the Ninth Circuit affirmed everything under Rogers and the First Amendment.

While we’re not entirely pleased with the case’s outcome, we remember the words of historian Richard Hofstadter, who observed that sometimes people must “endure error in the interest of social peace.” If we were ultimately unable to persuade the Ninth Circuit to reduce the amount of error involved in determining fair use for creators, we’ve done what we can to forge a path for future fair use activists.

There are many people we’d like to thank for helping us go boldly, as we believe that, as our book says, no one goes forward alone. First and foremost: our lead attorney Dan Booth of Dan Booth Law, who fought the good fight with the strength of a hundred lawyers against a firm with four thousand lawyers. We also give thanks to Michael Licari, now in-house counsel at Veteran Benefits Guide, Dan Halimi, now at Halimi Law Firm, T.C. Johnston at Internet Law, Joanna Ardalan of OneLLP, who appealed our case to the Supreme Court, and Ken White of Brown White & Osborn LLP, who sent up the Popehat signal that brought us much needed assistance in the first place. And we thank Dr. Joshua Gans, our expert witness, who generously donated his time and testimony and worked under ridiculous constraints.

We’d also like to thank the people who filed amici briefs taking our side:

Francesca Coppa, Stacey L. Dogan, Deborah R. Gerhardt, Leah Chan Grinvald, Michael Grynberg, Mark A. Lemley, Jessica Litman, Lydia Loren, David Mack, William McGeveran, Mark P. McKenna, Lisa P. Ramsey, Pamela Samuelson, Jessica Silbey, Rebecca Tushnet, Magdalene Visaggio, the Electronic Frontier Foundation, the Organization For Transformative Works, Public Knowledge, and their counsel Chris Bavitz, Mason Kortz, Phillip R. Malone, Meredith Rose, Eric Stallman, and Kit Walsh.

And we’d like to also thank Mike Gold, Martha Thomases, Brandy Hauman, Keiren Smith, Pam Hauman, Shann Dornhecker, Mark Treitel, Joshua Masur, Katherine Trendacosta, Heidi Tandy, Meredith Rose, Brian Jay Jones, Mike Godwin, Margot Atwell, Camilla Zhang, Oriana Leckert, Allison Adler, Michael C. Donaldson, Film Independent, the International Documentary Association, and Steve Saffel.

We’d very much like to thank United States District Judge Janis L. Sammartino, who presided over our case with patience, fairness, wisdom, and thoughtfulness, and all of the staff that supported her.

And finally, we’d like to thank all of the Kickstarter backers who wanted to make this book a reality, all the supporters who helped cover (the start of) our legal expenses, and all of the journalists and scholars who followed and reported on our case. We are grateful for your generosity and faith, and are very disappointed that we can’t show you what you’ve been waiting years to see. At least not yet.

For those interested, the case is Dr. Seuss Enterprises LP v. ComicMix LLC et al.,; case number 3:16-cv-02779 in the United States District Court for the Southern District of California, and case number 19-55348, in the United States Court of Appeals for the Ninth Circuit.

P.S.: There’s two more last minute “thank yous.” The proposed consent judgment was submitted this past Tuesday, October 5. On Wednesday, October 6, Ty had his surgery, which went well. And on Thursday, October 7, two guys joined David and Glenn in sending get-well notes to Ty—a Mr. Shatner and a Mr. Takei.

Thanks, captains.

Seuss vs. ComicMix Trek Mashup Litigation Settled

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In a joint motion filed by the parties on October 5, ComicMix has agreed to a permanent injunction on further distribution of Oh, the Places You’ll Boldly Go! while Dr. Seuss Enterprises will abandon its efforts to collect damages.

As The Hollywood Reporter’s Eriq Gardner explains in his article “’Star Trek’/Dr. Seuss Mashup Legal Dispute Ends After Five-Year Journey”, the parties settled because after the appeals court gave Dr. Seuss Enterprises a win and remanded the case, the district court judge denied summary judgment on the issue of whether Seuss had shown copyright infringement. That meant the judge would not make a determination on the existing record and a trial would be required to develop the remaining issue – therefore ComicMix still had a small chance. Dr. Seuss Enterprises decided not to find out how small.

Federal District Court Judge Janis L. Sammartino’s decision denying summary judgement filed August 9 can be read here.

The litigation began in November 2016 when, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go! featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go! 

[Thanks to Chris Barkley for the story.]

Pixel Scroll 8/12/21 Make The Scene On The Mezzanine, But Don’t Scroll In The Pixels

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(1) FREE COMIC BOOK DAY. August 14 is Free Comic Book Day. Here are Marvel’s contributions to the event.

Readers can stop by their local comic shop for Free Comic Book Day 2021: Avengers/Hulk and Free Comic Book Day 2021: Spider-Man/Venom, featuring new stories that kick off the upcoming eras of fan-favorite heroes and lay the groundwork for major new storylines.

The new creative team behind Amazing Spider-Man is about to take the Spider-Man mythos beyond your wildest expectations! Get a first look at Ben Reilly as the new Spider-Man in a story by writer Zeb Wells and artist Patrick Gleason. Then, see what’s in store for Venom when Ram V., Al Ewing, and Bryan Hitch take over in a glimpse that will show you just how twisted their upcoming run will be! 

(2) BLOGGER’S VERDICT ON VOX DAY. Blogger has elevated the threat level to Defcon 2. Yesterday this was the message users were getting when they tried to reach Vox Popoli: “This blog is under review due to possible Blogger Terms of Service violations and is open to authors only.” Today Blogger says flat out —

(3) LEM 100. In “A Century in Stanislaw Lem’s Cosmos”, the New York Times salutes those who are celebrating the author’s centenary.

In “The Eighth Voyage,” a short story by Stanislaw Lem, aliens from across the universe convene at the General Assembly of the United Planets. Lem’s hero, the space traveler Ijon Tichy, watches as an uninformed but overconfident creature steps forward and makes the case to admit Earth to the organization’s ranks. The planet — which he mispronounces as “Arrth” — is home to “elegant, amiable mammals” with “a deep faith in jergundery, though not devoid of ambifribbis,” the alien tells the delegates.

His sentimental appeal is well-received, until a second extraterrestrial stands up and begins to list humanity’s wrongdoings, which include meat-eating, war and genocide. Tichy listens as the aliens belittle us and label us misguided and corrupt, our planet a blip on their intergalactic radar.

This cosmic perspective — mischievous yet melancholy, and far beyond a human point of view — is a signature with Lem, an icon of science fiction best known to English-speaking readers as the author of the 1961 novel “Solaris.” Throughout a career spanning six decades that produced more translated works than any other Polish writer, he adopted the viewpoints of aliens, robots, a conscious supercomputer and a sentient planet, using these voices to reckon with philosophical quandaries….

(4) BRIEF REMINDER. Readercon 31, online only, takes place this weekend, August 13–15, 2021, with Guests of Honor: Jeffrey Ford & Ursula Vernon. Also “Memorial Guest of Honor” Vonda N. McIntyre. As they say:

Although Readercon is modeled on “science fiction conventions,” we have no art show, no costumes, no gaming, and almost no media. Instead, Readercon features a near-total focus on the written word.

Registration is $25, and “grants you access to the Discord server and recordings of all program items for six full months following the convention. After that time is up, most recordings will be made public, but some may be taken down.”

(5) ALTERNATE WHO. Radio Times says the Doctor Who “archeologists” have found more material: “Doctor Who’s Tom Baker to return for audio adaptation of lost scripts”.

Tom Baker is set to reprise his role as the Fourth Doctor in Big Finish’s upcoming adaptations of lost Doctor Who episodes.

The two episodes – Doctor Who and the Ark and Daleks! Genesis of Terror – were written by screenwriter John Lucarotti and Terry Nation, creator of the Daleks, respectively and are set for release in March 2023.

Big Finish recently rediscovered the episodes’ original scripts and initial story outlines and will be adapting them into audio adventures as part of their series, Doctor Who – The Lost Stories.

… producer Simon Guerrier said in a statement.

“The Ark in Space and Genesis of the Daleks are among the best-loved TV stories ever. We’ve uncovered first draft scripts by John Lucarotti and Terry Nation that are exciting, surprising and very different.”

(6) AUREALIS AWARDS JUDGES WANTED. The Aurealis Awards have put out a call for judges. The positions are open to Australian residents only. See complete guidelines at the link.

Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts.

The only qualification necessary is a demonstrated knowledge of and interest in their chosen category (good time management skills and an ability to work in a team in an online environment are also essential).

(7) TRAILER TIME. This clip explains why vampires shouldn’t learn about chain letters – from What We Do in the Shadows.

(8) LORNA TOOLIS (1952-2021). Lorna Toolis, retired collection head of the Toronto Public Library’s Merril Collection of Science Fiction, Speculation and Fantasy, died of cancer on August 11. Toolis, notes Robert J. Sawyer in his tribute was also a 2017 inductee into the Canadian Science Fiction and Fantasy Hall of Fame.

Earlier in life she was a member of ESFCAS, the Edmonton Science Fiction and Comic Arts Society. Toolis is survived by her husband, the Aurora Award-winning writer Michael Skeet, with whom she co-edited Tesseracts 4: Canadian Science Fiction published in 1992.

Toolis was interviewed last year by the Toronto Public Library blog for “Merril Collection at 50: Stories from the Spaced Out Library” (the latter was the collection’s original name). Among her memories —

The Merril Collection has hosted so many prominent authors/editors/scholars in the world of Speculative Fiction. Have you ever been starstruck?  

Lorna: I counted myself amazingly fortunate. Over the years, I had lunch with Margaret Atwood and dinner with Gene Wolfe. Neil Gaiman was our guest three times, as was Cory Doctorow. John Scalzi was a huge hit with the audience and returned to speak several times by request. When Lois Bujold was our guest, her kids were having trouble with their grammar, and I gave her my personal copy of The Transitive Vampire. Robert Jordan was a guest and he was an absolute sweetheart.

(9) NEAL CONAN OBIT. Retired radio host Neal Conan died August 10 at the age of 71. Jim Freund recalled Conan’s science fiction connections from early in his career at WBAI in New York.

…My favorite regular program Bai’ did was “Of Unicorns and Universes,” which he co-produced and was often hosted by Neal Conan. Neal, while primarily a producer of some of our best Public Affairs programming, (at the same time Paul Fischer was our News Director,) was quite the sf fan. He worked with Samuel Delany on the 2-hour adaptation of “The Star Pit,” and some years later, when I was co-host on Thursday and Fridays of Hour of the Wolf with Margot Adler, he was an occasional co-host on Mondays. (I usually engineered.) I was quite surprised at how much of a Heinlein fan he was….

Conan would be hired by NPR and spend 36 years at the network. Robert Siegel paid tribute to his work there in “Neal Conan, Former Host Of NPR’s ‘Talk Of The Nation,’ Has Died”.

…Later at NPR, he held an astonishing variety of jobs. He was at various times the line producer and the executive producer of ALL THINGS CONSIDERED. Back in 1987, he ran NPR News for a year. He was a reporter.

…  In 1991, while reporting from southern Iraq on the war to liberate Kuwait, Neal was taken captive by the Iraqi Republican Guard, along with New York Times reporter Chris Hedges. It took diplomatic efforts to get them released….

[SIEGEL]: Neal Conan’s most prominent role at NPR was hosting Talk Of The Nation. …He tried out for that job the week that began on Monday, September 10, 2001. Sept. 11 was Neal’s Day 2….

The New York Times has also published an obituary.

(10) MEMORY LANE.

  • 1991 – Thirty years ago at Chicon V at which Marta Randall was the Toastmaster, Edward Scissorhands wins the  Hugo for Best Dramatic Presentation. Other nominated works for the Con for this Award were Total Recall, Ghost, Back to the Future III and The Witches. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 12, 1894 — Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in eight volumes on Hermes Press collects these strips.  They’re one hundred fifty dollars a volume. (Died 1962.)
  • Born August 12, 1929 — John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. (Why pay the Union salaries?) He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) And he did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.)
  • Born August 12, 1931 — William Goldman. Writer of The Princess Bride which he adapted for the film. Wrote the original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired  to adapt “Flowers for Algernon“ as a screenplay but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.)
  • Born August 12, 1947 — John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished as the longest-serving Doctor Who producer. He cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.)
  • Born August 12, 1954 — Sam J. Jones, 67. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about as the audience reviewers at Rotten Tomatoes don’t have good things to say about it. He also had the lead in The Highwayman (name of his character there) which is described as a mix of Mad Max and Knight Rider. It lasted nine episodes in the late Eighties. Anyone seen it?
  • Born August 12, 1960 — Brenda Cooper, 61. Best known for her YA Silver Ship series of which The Silver Ship and the Sea won an Endeavour Award, and her Edge of Dark novel won another such Award. Due co-authored Building Harlequin’s Moon with Larry Niven, and a fair amount of short fiction with him. She has a lot of short fiction, much collected in Beyond the WaterFall Door: Stories of the High Hills and Cracking the Sky. She’s well-stocked at the usual suspects.
  • Born August 12, 1966 — Brian Evenson, 55. I consider him a horror writer (go ahead, disagree) and his Song for the Unraveling of the World collection did win a Shirley Jackson Award though it also won a World Fantasy Award. He’s also won an International Horror Guild Award for his Wavering Knife collection. He even co-authored a novel with Rob Zombie, The Lords of Salem. 
  • Born August 12, 1992 — Cara Jocelyn Delevingne, 29. Her first genre role was as a mermaid in Pan. She then shows up in James Gunn’s Suicide Squad as June Moone / Enchantress, in Valerian and the City of a Thousand Planets as Laureline. She was in Carnival Row as Vignette Stonemoss. It was a fantasy noir series on Amazon Prime.

(12) COMICS SECTION.

(13) I TALK FOR THE TREES. NPR’s Elizabeth Blair says “Dr. Seuss Warned Us 50 Years Ago, But We Didn’t Listen To ‘The Lorax’”.

Call it fate or an unfortunate coincidence that Dr. Seuss’ The Lorax celebrates its 50th anniversary the same week the United Nations releases an urgent report on the dire consequences of human-induced climate change. The conflict between the industrious, polluting Once-ler and the feisty Lorax, who “speaks for the trees,” feels more prescient than ever.

“Once-ler!” he cried with a cruffulous croak.
“Once-ler! You’re making such smogulous smoke!
My poor Swomee-Swans…why, they can’t sing a note!
No one can sing who has smog in his throat.

(14) DON’T SCRY FOR ME ARGENTINA. Romina Garber, in conversation with Dhonielle Clayton, will discuss her new book Cazadora on Thursday, August 19 at 6:00 p.m. Pacific. Register here.

Werewolves. Witches. Romance. Resistance. Enter a world straight out of Argentine folklore…

Following the events of Lobizona, Manu and her friends cross the mystical border into Kerana–a cursed realm in Argentina–searching for allies and a hiding place. As they chase down leads about the Coven–a mythical resistance manada that might not even exist–the Cazadores chase down leads about Manu, setting up traps to capture and arrest her.

Just as it seems the Cazadores have Manu and her friends cornered, the Coven answers their call for help. As Manu catches her breath among these non-conforming Septimus, she discovers they need a revolution as much as she does.

(15) THE LOTTERY. Did you plan to live forever? Don’t. “NASA Says an Asteroid Will Have a Close Brush With Earth. But Not Until the 2100s”  says the New York Times.

An asteroid the size of the Empire State Building has a slight chance of hitting Earth.

Don’t worry. You’ll long be dead before that has any chance of happening. So will your children. Probably all of your grandchildren, too.

At a news conference on Wednesday, NASA scientists said there was a 1-in-1,750 chance that an asteroid named Bennu, which is a bit wider than the Empire State Building is tall, could collide with Earth between now and 2300.

That is actually slightly higher than an earlier estimate of 1 in 2,700 over a shorter period, between now and 2200….

(16) MARK YOUR CALENDAR.  On the other hand, if you are going to be around for at least another century, Gizmodo has a suggestion for your bucket list: “John Malkovich and Robert Rodriguez Have Made A Movie No One Will See For 100 Years”.

Think the secrecy around the biggest Hollywood blockbusters is crazy? They don’t come close to what John Malkovich and Robert Rodriguez are doing. The pair has collaborated for a film that no one will see for 100 years. Literally.

This isn’t some joke. They’ve made a film, called 100 Years, which is being placed in a special time-locked safe that won’t open again until November 18, 2115. Why? Well, because it’s promotion for Louis XIII Cognac, an ultra-luxury liquor that is aged 100 years. Bottles currently on shelves were made in 1915 so they decided a piece of art that speaks to their commitment to quality was something worth doing….

Gizmodo links to three teasers: 100 Years: The Movie You’ll Never See Nature Teaser”, “100 Years: The Movie You’ll Never See Retro Teaser”, and “100 Years: The Movie You’ll Never See Future Teaser”.

(17) FILL IN THE BLANC. Gabriel Iglesias was on Colbert last night to talk about Space Jam 2.

Comedian Gabriel Iglesias is the voice of Speedy Gonzales in “Space Jam 2” and he was very excited to get the role without even auditioning.

(18) MAGNIFICENT SEVEN. Nerdist says you will finally have a chance to see it: “Cult Sci-Fi Favorite BLAKE’S 7 Is Coming to BritBox”. Get your money ready.

For fans of classic British science fiction, there are a few names that always pop up. Doctor Who, naturally, stands head and shoulders above everything else. Other favorites like Sapphire & Steel, The Prisoner, and the shows of Gerry Anderson pop up as well. But for a certain age of fan, the cream of the crop is Blake’s 7. The show was the BBC’s direct attempt to capitalize on the success of Star Wars. Blake’s 7 ran for four seasons from 1978 to 1981 and has been pretty hard to find in North America lately. That is, until now. The entire series will debut on BritBox beginning August 13….

(19) TOSSED IN SPACE. The latest issue of Nature warns: “World must work to avoid a catastrophic space collision”.

Governments and companies urgently need to share data on the mounting volume of satellites and debris orbiting Earth.

There’s an awful lot of stuff orbiting Earth, with more arriving all the time. More than 29,000 satellites, pieces of rockets and other bits of debris large enough to track from the ground are circling the planet. Smaller items number in the millions. The Californian company SpaceX alone has launched some 1,700 satellites over the past 2 years as part of its Starlink network, which provides broadband Internet, with thousands more planned. Other companies are also planning such megaconstellations, and more and
more nations are launching or plan to launch satellites. This growing congestion is drastically increasing the risk of collisions in space….

(20) SHORT SUIT. In the Washington Post, Christian Davenport says NASA’s Artemis mission to the Moon could be delayed because the program to design a new spacesuit has spent $1 billion but delays have meant they will only have two flight-ready spacesuits prepared by fiscal year 2025. “NASA IG says 2024 moon landing won’t happen, blames space suit delays”.

Ever since the White House directed NASA to return astronauts to the moon by 2024 as part of its Artemis program, there have been all sorts of daunting challenges: The rocket the space agency would use has suffered setbacks and delays; the spacecraft that would land astronauts on the surface is not yet completed and was held up by the losing bidders; and Congress hasn’t come through with the funding NASA says is necessary.But another reason the 2024 goal may not be met is that the spacesuits needed by the astronauts to walk on the lunar surface won’t be ready in time and the total development program, which ultimately will produce just two flight-ready suits, could cost more than $1 billion…

(21) VIDEO OF THE DAY. [By Martin Morse Wooster.] In “Honest Trailers:  Loki” on YouTube, the Screen Junkies say that Loki “has a Comic-Con’s worth of alternate Lokis” including Richard E Grant, who “can make you love anything he does, even if he’s dressed like Kermit The Frog and talks nonsense for 30 minutes straight.”  Bonus: they send up Tom Hiddleston’s Chinese vitamin commercial!

 [Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Richard Horton, Lloyd Penney, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

Pixel Scroll 3/8/21 Tick Two Pixels And Scroll Me In The Morning

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(1) UNAUTHORIZED. Marina Lostetter illustrates her points about authorship with ancient and contemporary examples in “Le Morte d’Author: on Aggregate Storytelling and Authorial Hope” at Stone Soup.

…When aggregate storytelling is done unofficially, we call it “transformative work,” of which fan fiction is a major part.

An especially intriguing example of modern-day aggregate storytelling — from both an official and unofficial standpoint — is the TV show Supernatural, about two monster-hunting brothers and the found-family they make along the way. The show has enjoyed a voracious fanbase, which kept the series alive for fifteen seasons and spawned thousands and thousands of fan works (as of this writing, there are 243,690 entries related to Supernatural on Archive of Our Own alone. This is to say nothing of Tumblr, Twitter, etc.). 

Starting with the season four episode “The Monster at the End of this Book,” the show began engaging with fan reactions through self-referential stories. Sam and Dean literally read fan fiction about themselves on screen, and the characters used vernacular created by the Supernatural fanbase throughout. 

The fans didn’t simply consume the story. They changed the way the story was told. It would be difficult to argue that the author(s) should be considered as good as dead in terms of critical consideration when the author(s) were still actively creating in tandem with the audience’s reception… 

(2) ESCAPE POD’S BLACK FUTURE MONTH. The Escape Pod original science fiction podcast is taking submissions for Black Future Month.

Escape Pod is pleased to announce a new special project for 2021: Black Future Month, a month-long celebration of Black voices in science fiction, guest edited by Brent Lambert of FIYAH Magazine. Episodes will air in the month of October and feature two original works of short fiction as well as two reprints.

NOTE: For this special event, we are only accepting submission from authors of the African diaspora and the African continent. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.

Pay rate, format, and content will follow Escape Pod’s regular guidelines, with two exceptions:

  • Manuscripts do not need to be anonymized for this submissions portal. 
  • Stories must be between 1,500 – 5,000 words.

(3) SFF POSTAGE STAMPS COMING. The UK’s Royal Mail has announced that on March 16 the Legend of King Arthur stamps will be released. This set will be followed by an April 15 issue celebrating classic science fiction. As of today, no images from either set have been posted. Norvic Philatelics speculates what might be commemorated in the Classic Science Fiction set:  

This issue consists of pairs of 1st class, £1.70 and £2.55 stamps – with the usual additions of a presentation pack first day cover, and postcards.  

Some research reveals that this is the 75th anniversary of the death of the author H G Wells, and the 70th anniversary of the publication of John Wyndham’s The Day of the Triffids”, so it seems likely that one of Wells’ books will feature on one stamp and Wyndham’s will appear on another. 

(4) GOODBYE, MR. CHIP. The trailer dropped for HBO Max’s Made for Love. It’s sf, right? At least for another few minutes.

The classic story of boy meets girl, boy implants high-tech surveillance chip in girl’s brain… Featuring Cristin Milioti, Ray Romano, Noma Dumezweni, and Billy Magnussen, Made for Love is coming to HBO Max this April.

(5) IT’S GOING TO BE A BUMPY RIDE. Kristin Cashore shares my high opinion of this novel: “Bells and Echoes: The Craft of DOOMSDAY BOOK by Connie Willis”. The last time I praised the book here it caused an uproar. (And a few other consequences, one of which got nominated for a Hugo.)

…. Before I dive deep into Willis’s construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there’s so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling. 

Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance…. 

(6) YOU ARE THERE. Follow Kevin Standlee and Lisa Hayes on their “Atomic Tour in the Nevada Outback”.

Lisa and I have been getting increasingly antsy and wanting to get out of the house and go see things, but with no sign of a vaccine being available for us mere under-65s, we wanted something that would be away from other people and was close enough to be able to get back home the same day. So we decided to go see the site of the atomic test in our backyard….

I know it’s unlikely that anyone else will come visit this spot, but if somehow your travels take you across “The Loneliest Road,” you might consider a relatively short side trip to one of the few atomic bomb test sites you can visit on your own.

Project Shoal Monument

(7) FREE HWA ONLINE PANEL. The Horror Writers Association will present a free Zoom webinar, “Skeleton Hour 7: Writing Horror in a Post-Covid World” on Thursday, April 8, 2021 at 6 p.m. Pacific.  Panelists will include: Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder. Register here.

(8) TIME TO TURN ON THE VACUUM OF SPACE. James Davis Nicoll sweeps together “Trashy Tales: Five Stories About Space Garbage” at Tor.com. In his collection is —

Terminal Alliance by Jim C. Hines (2017)

The Krakau found an Earth that has been overrun by the bestial survivors of a planetary plague. Still, better half a glass than an empty glass. The benevolent aliens retrieved suitable candidates from the raving hordes and applied suitable cognitive corrective measures. Lo and behold, humans were transformed from wandering monsters to trustworthy subordinates. Although perhaps not all that trustworthy. Humans are relegated to menial tasks.

Marion “Mops” Adamopoulos is in charge of Earth Mercenary Corps Ship Pufferfish’s Shipboard Hygiene and Sanitation team. Chief janitor, in other words. Not command crew. Except that an unexpected attack eliminates her Krakau commanders while most of Pufferfish’s humans revert into beasts. Mops has no choice but to take command of a ship neither she nor the remaining non-bestial humans know how to operate.

(9) DARE YA. The upcoming online classes at the Rambo Academy include one with this irresistible description: “Breaking the Rules with Rachel Swirsky”.

Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense.
Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor.
“Break the Rules” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.

Join award-winning speculative fiction writer Rachel Swirsky for a workshop in which she teaches you how and why to break the rules. Next class date: Sunday, April 4, 2021, 1:00-3:00 PM Pacific Time.

(10) MEDIA BIRTHDAY.

  • March 8, 1978 — The Hitch-Hiker’s Guide to the Galaxy was first broadcast forty-three years ago today on BBC Radio 4. It was written by Douglas Adams with some material in the first series provided by John Lloyd. It starred Simon Jones, Geoffrey McGivern, Mark Wing-Davey. Susan Sheridan and Stephen Moore. It was the only radio show ever to be nominated for a Hugo in the ‘Best Dramatic Presentation’ category finishing second that year to Superman at Seacon ‘79. It would spawn theater shows, novels, comic books, a TV series, a video game, and a feature film.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 8, 1859 — Kenneth Grahame. Author of The Wind in the Willows which it turns out has had seven film adaptations, not all under the name The Wind in the Willows. (Did you know A.A. Milne dramatized it for the stage as Toad of Toad Hall?) Oh, and he did write one other fantasy, The Reluctant Dragon which I’ve never heard of. Have any of y’all read it? (Died 1932.) (CE) 
  • Born March 8, 1899 – Eric Linklater.  The Wind on the Moon reached the Retro-Hugo ballot; it won the Carnegie Medal.  Three more novels, nine shorter stories for us; two dozen novels all told, ten plays, three volumes of stories, two of poetry, three of memoirs, two dozen of essays & history.  Served in both World Wars.  Commander of the Most Excellent Order of the British Empire, Fellow of the Royal Society of Edinburgh.  (Died 1974) [JH]
  • Born March 8, 1922 – John Burke.  Co-edited The Satellite and Moonshine (not Len Moffatt’s fanzine, another one).  A score of books including novelizations of Chitty Chitty Bang Bang and Those Magnificent Men in Their Flying Machines (okay, call it adjacent), fourscore shorter stories, for us; a hundred fifty novels all told.  Correspondent of The Fantast, Zenith, and at the end Relapse, which I wish Sir Peter Weston hadn’t retitled from Prolapse, but what do I know?  (Died 2011) [JH]
  • Born March 8, 1928 — Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018,) (CE)
  • Born March 8, 1932 – Jim Webbert, age 89.  Among our better auctioneers – we raise money that way, few would pay what con memberships really cost.  Collector of books, other art, model rockets.  HO model railroader.  Chemist.  Three decades in the Army Reserve, often teaching.  Often seen at LepreCon.  Fan Guest of Honor at TusCon 1, CopperCon 9, Con/Fusion, Kubla Khan 20 (all with wife Doreen). [JH]
  • Born March 8, 1934 — Kurt Mahr. One of the first writers of the Perry Rhodan series, considered the largest SF series of the world. He also edited a Perry Rhodan magazine, wrote Perry Rhodan chapbooks and yes, wrote many, many short stories about Perry Rhodan.  He did write several other SF series. Ok, what’s the appeal of Perry Rhodan? He runs through SF as a genre but I’ve not read anything concerning him. (Died 1993.) (CE)
  • Born March 8, 1939 — Peter Nicholls. Writer and editor. Creator and co-editor of The Encyclopedia of Science Fiction with John Clute which won a Hugo twice. He won another Hugo for the Science Fiction Encyclopedia. His other publications were Science Fiction at Large, The Science in Science Fiction edited by Nicholls and written by him and David Langford, and Fantastic Cinema.  He became the first Administrator of the United Kingdom based Science Fiction Foundation. He was editor of its journal, Foundation: The Review of Science Fiction, from 1974 to 1978. (Died 2018.) (CE) 
  • Born March 8, 1948 – Jackie French Koller, age 73.  Four novels, six shorter stories, for us; three dozen books all told.  Watercolorist.  Makes gingerbread houses.  Her Website.  [JH]
  • Born March 8, 1973 – Daniel Griffo, age 48.  Lives in La Plata (a Silver Age artist?), Argentina, with wife, son, and two pets named Indiana and Jones.  I am not making this up.  Comics, lettering, 3-dimensional activity books, My Visit to the Acupuncturist (I’m not; why shouldn’t there be a children’s book about that?), two about Dragon Masters – here’s one of them, Future of the Time Dragon.  Website.  [JH]
  • Born March 8, 1976 — Freddie Prinze Jr., 45. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. (CE) 
  • Born March 8, 1978 – Samanta Schweblin, age 43.  Another Argentine, this one living in Berlin, writing in Spanish.  Two novels, two shorter stories for us; three collections.  Casa de las Americas Award.  Juan Rulfo Prize.  Tigre Juan Award, Shirley Jackson Award for Distancia de rescate, in English Fever Dream.  [JH]

(12) COMICS SECTION.

  • The Far Side reveals the tragic conclusion of a nursery rhyme.  

(13) FOUR-POSTER. Marvel Studios’ The Falcon and The Winter Soldier today released four new character posters for Sam Wilson (Falcon), Bucky Barnes (Winter Soldier), Sharon Carter and Helmut Zemo as they near their March 19 premiere on Disney+.

(14) ON BOARD. [Item by Martin Morse Wooster.] In the March 3 Financial Times, gaming columnist Tom Faber looks at the appeal of board games during the pandemic.

For those who fancy themselves not Victorian engineers or colonial settlers but fantasy warriors and space explorers, games such as Twilight Imperium and Terraforming Mars hold more appeal.  You can learn the rules of most within an hour or two, but there are some more elaborate offerings such as dungeon crawler Gloomhaven, which weighs 10kg and currently sits at the top of the ratings on the authoritative site BoardGameGeek.  Games have grown in beauty as well as sophistication–see Wingspan, with its 180 gorgeous bird illustrations and pleasing tokens in the shape of pastel-shaded eggs.

As the games themselves have become more desirable, board game cafes such as Draughts in London and Snakes and Lattes in Toronto have sprung up and help legitimise board gaming,  At the same time, the internet has facilitated the discovery of new games and willing opponents, as well as enabling the rising trend of board game crowdfunding–Frosthaven, the followup to Gloomhaven, raised almost $13m on Kickstarter.”

(15) PSA FROM WJW. Walter Jon Williams has shared “My Mask Policy” on his blog:

After having endured the horrors of Oklahoma and Kentucky, I’ve decided that I should announce my mask policy.  I’m not a head of state or a governor, I’m just a guy, so there is no way to enforce my preferences on the world— except, of course, by way of sarcasm and mockery.

Just remember that I’m the guy that came up with several rules for living, including Williams’ First Law: Assholes Always Advertise.

So here goes:

While there is very little scientific data about how effective mask use is in preventing COVID, the wearing of masks in public is (at the very least) a courtesy to others, particularly those most vulnerable to the disease.

So if you’re in public and not wearing a mask, I’m not going to assume that you’re a brave  iconoclastic thinker challenging accepted dogma, I’m going to assume that you are a complete asshole.  And not only are you an asshole, you’re advertising yourself as such.

(16) EXPLORING THE DEBRIS. At Amazing Stories, “Veronica Scott Reviews NBC’s ‘Debris’ Episode One”. BEWARE SPOILERS.

…On the positive side, I love the concept of the alien spaceship disintegrating as it enters the solar system. I’m frankly fascinated by the backstory of that, which sadly,  in episode one at least, the series shows no signs of exploring, versus the “what does each piece of debris do this week” storytelling. I liked the way the program began, with the tiny shard of debris transporting an unfortunate maid from high up in a hotel to her death in the dining room, without marring any of the ceilings or floors she falls through. Grabbed my attention!

But there was very little about the alien technology or curiosity on anyone’s part about the aliens themselves or what destroyed the ship. No discussion about whether the debris is actually some kind of invasion or what might happen next. No one here seems to care if there was an FTL drive to be had.  I frankly wished this was a series about going to explore what’s left of the hulk in space, rather than these cut and dried, solved in an hour individual cases….

(17) A LITTLE LIST. At the Hugo Book Club Blog, Olav Rokne has compiled a list of “Screen adaptations of Hugo-shortlisted works”. There are 47 so far.  (The list excludes Retro Hugo awards as well as all Graphic Novels and comic book adaptations.)

(18) SEUSSWATCH. Adina Bresge, in the Canadian Press story “Canadian libraries reassess Dr. Seuss books pulled from publication for racist images” says that a lot of Canadian libraries are checking to see if they have the six books Dr. Seuss Enterprises has withdrawn from circulation and some of them have pulled the books from the shelves.

The scrutiny also prompted some public libraries to review their Dr. Seuss collections.

A group of librarians across Toronto Public Library’s system will evaluate the titles in question and issue recommendations, according to a spokeswoman.

“Occasionally, children’s books written some time ago are brought to our attention for review,” Ana-Maria Critchley said in an email.

“If the review determines there are racial and cultural representation concerns the committee will recommend to either withdraw the book from our library collections or move the book from children’s collections to another location, such as a reference collection for use by researchers.”

The Vancouver Public Library is also launching reviews of each of the six Dr. Seuss titles.

Scott Fraser, manager of marketing and communications, said this process is usually initiated by a request from a patron, but the library made an exception given the “extremely unusual” decision by a rights holder to suspend publication.

Copies of the books will remain on the shelves while the review is underway, Fraser said, and officials will then decide whether to keep a title in the collection, change its classification or remove it from the stacks.

Vancouver Public Library previously reviewed “If I Ran the Zoo” in 2014 in response to a complaint about stereotypical depictions of Asians. A caption in the book describes three characters as “helpers who all wear their eyes at a slant.”

The library decided to keep the book on the shelves, but stop reading it at storytime, and only promote it as an example of how cultural depictions have changed….

(19) GALE WARNING. “Scientists Discover Massive ‘Space Hurricane’ Above Earth” – Vice has the story.

…Prior to this discovery, Zhang and his research group had been pondering the possible existence of space hurricanes for years. The team’s research focus lies in the interactions between the ionosphere, an atmospheric layer that extends some 50 to 600 miles above Earth’s surface, and the magnetosphere, the region shaped by our planet’s protective magnetic field. At the poles, these interactions generate the magical and dazzling auroras that are popularly known as the Northern and Southern Lights. 

Tropical hurricanes are driven in part by the movements of heavy air masses that generate strong winds; Zhang and his colleagues suspected a similar mechanism might be at work in the outer space environment close to Earth. In the case of space hurricanes, the solar wind, a stream of charged particles that flows from the Sun, slams into Earth’s upper atmosphere and transfers its energy into the ionosphere, driving the cyclone formation.

(20) VIDEO OF THE DAY. In “WandaVision Pitch Meeting” on ScreenRant, Ryan George explains that Marvel fans will be frustrated by the slow drip of revelations about how WandaVision connects to the MCU that they’ll become really frustrated by the phrase “Please Stand By.”

 [Thanks to Andrew Porter, John Hertz, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 3/7/21 You’ve Got Tribbles! Right Here In Riverworld City!

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(1) WHEN WILL YOU MAKE AN END? Unlike other recent kerfuffles, John Scalzi has a good deal to say about the copyright controversy in “Two Tweet Threads About Copyright” at Whatever.

Background: Writer Matthew Yglesias, who should have known better but I guess needed the clicks, offered up the opinion that the term of copyright should be shortened to 30 years (currently in the US it’s Life+70 years). This naturally outraged other writers, because copyrights let them make money. This caused a writer by the name of Tim Lee to wonder why people were annoyed by Yglesias’ thought exercise, since he thought 30 years was more than enough time for people to benefit from their books (NB: Lee has not written a book himself), and anyway, as he said in a follow up tweet: “Nobody writes a book so that the royalties will support them in retirement decades later. They’re mostly thinking about the money they’ll make in the next few years.”

This is where I come in….

6. The moral/ethical case is ironically the easiest to make: think of the public good! And indeed the public domain is a vital good, which should be celebrated and protected — no copyright should run forever. It should be tied to the benefit of the creator, then to the public.

7. Where you run into trouble is arguing to a creator that *their* copyright should be *less* than the term of their life (plus a little bit for family). It’s difficult enough to make money as a creator; arguing that tap should be stoppered in old age, is, well. *Unconvincing.*

8. Likewise, limiting that term limits a creator’s ability to earn from their work in less effable ways. If there’s a 30-year term of copyright and my work is at year 25, selling a movie/tv option is likely harder, not only because production takes a long time (trust me)…

9. …but also because after a certain point, it would make sense to just wait out the copyright and exclude the originator entirely. A too-short copyright term has an even *shorter* economic shelf-life than the term, basically. Why on earth would creators agree to that?

The comments at Whatever include this one by Kurt Busiek distinguishing patent and copyright protections:

“I’m not sure I understand why copyright and patent terms are such different lengths. My father is an electronic engineer who designed an extremely successful glassbreak sensor (e.g. for home security systems). Guess how long a patent term is at max? Twenty years from date of filing. It’s a far cry from 120 years or life+70 for copyright.”

Because patents and copyrights cover different kinds of things.

On the one hand, patents are often more crucial — if we had to wait 120 years for penicillin to go into the public domain, that hampers researchers and harms the public much more than if we had to wait that long for James Bond. The public domain needs that stuff sooner.
If you patent a process that allows solar radiation to be collected and stored by a chip, then anyone who wants to do that has to license the process from you, even if they came up with it independently. You’ve got a monopoly on the whole thing.

But if you write a book about hobbits on a quest to dunk some dangerous mystic bling in lava, well, people can’t reprint your book or make a movie out of it without securing permission. But they can still write a book about halflings out to feed some dangerous mystic bling to the ice gnoles — what’s protected by copyright is that particular story, not the underlying plot structure. Tolkien gets a monopoly on his particular specific expression of those ideas, not on piece of science that can be used a zillion different ways.

I’m sure there are other reasons, but those two illustrate the basic idea, I hope.

(2) RIGHTS MAKE MIGHT. Elizabeth Bear’s contribution to the dialog about copyrights is pointing her Throwanotherbearinthecanoe newsletter audience at three installments of NPR’s Planet Money podcast that follows the process of gaining rights to a superhero. At the link you can hear the audio or read a transcript.

Here’s an excerpt from the third podcast:

…SMITH: The daughter of the original artist who created Micro-Face, Al Ulmer. Maybe we should have our lawyers here just in case it gets a little litigious. After the break.

(SOUNDBITE OF MUSIC)

MALONE: You want to start by just telling us your name and who you are?

LOUCKS: Hi. Yes. I’m Peggy Loucks (ph), and I’m 83 years old. And I’m a retired librarian. And I’m the daughter of Allen Ulmer – U-L-M-E-R.

SMITH: When we found out that Al Ulmer’s daughter, Peggy, was still alive, I was thinking, yes. I have so many questions for her.

MALONE: I, on the other hand, was nervous because, look; we don’t need Peggy’s permission to do anything with her father’s character, Micro-Face, since he is in the public domain. But like, look; if she hates this project, I mean…

SMITH: Yeah, it would be a jerk move to be like, tough luck, lady; we’re taking your father’s idea and completely changing it and making a fortune off of it. So we started off with some easy questions for Peggy.

MALONE: Do you know what he thought about drawing superheroes? Did he enjoy doing superheroes in particular, creating them?

LOUCKS: Oh, yes. You know, the – especially some of these characters, they were always in tights with capes and, you know, some kind of headgear or masks.

SMITH: So what was your father like as a person?

LOUCKS: You know, he would’ve been really someone you would like to have known and been in their company. You know, he was a gourmet cook. His beef Wellington was to die for. We always waited for that….

(3) STAY TUNED TO THIS STATION. Amazon dropped a trailer for The Underground Railroad, based on Colson Whitehead’s alternate history novel. All episodes begin streaming on Amazon Prime Video on May 14.

From Academy Award® winner Barry Jenkins and based on the Pulitzer Prize winning novel by Colson Whitehead, “The Underground Railroad” chronicles Cora Randall’s desperate bid for freedom in the antebellum South. After escaping a Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad beneath the Southern soil.

(4) AURORA AWARDS. The Canadian Science Fiction and Fantasy Association has announced an updated Aurora Awards calendar.

Nominations will now open on March 27th, 2021. Nominations will now close on April 24th, 2021. The ballot will now be announced on May 8th, 2021.

The Voter’s Package will now be available on May 29th, 2021.

After that date, the calendar will be back on track.

Voting will open July 31st, 2021. Voting will close September 4th, 2021.

The Aurora Awards will be announced at Can*Con in Ottawa, held October 16-18. 

(5) PAYING IT FORWARD. In this video Cat Rambo reads aloud her contribution to the collection Pocket Workshop: Essays on Living as a Writer.

One of the great traditions in fantasy and science fiction writing is that of the mentor/mentee relationship. We’re told of many of the earlier writers mentoring newer ones offering advice passing along opportunities and sometimes collaborating…

(6) IT GETS VERSE. [Item by Martin Morse Wooster.] In Isaac Asimov’s autobiography In Joy Still Felt, he reprints part of a poem called “Rejection Slips” where he discusses being rejected by Galaxy editor H.L. Gold.

Dear Ike, I was prepared
(And boy, I really cared)
To swallow almost everything you wrote.
But Ike, you’re just plain shot,
Your writing’s gone to pot,
There’s nothing left but hack and mental bloat.
Take past this piece of junk,
It smelled; it reeked, it stunk;
Just glancing through it once was deadly rough.
But Ike, boy, by and by,
Just try another try
I need some yarns and kid, I love your stuff.

(7) BURIED IN CASH. “How Dr. Seuss became the second highest-paid dead celebrity” at the Boston Globe – where you may run into a paywall, which somehow seems appropriate.

…In fact, according to Forbes.com’s annual inventory of the highest-paid dead celebrities, the guy who grew up Theodor Geisel in Springfield ranks No. 2 — behind only Michael Jackson — with earnings last year of $33 million. In other words, the Vipper of Vipp, Flummox, and Fox in Sox generated more dough in 2020 than the songs of Elvis Presley or Prince, or the panels of “Peanuts” creator Charles Schulz.

And Dr. Seuss stands to make even more money now. That’s because the announcement that six of his 60 or so books will no longer be published has sent people scurrying to buy his back catalog. On Thursday, nine of the top 10 spots on Amazon’s best-sellers list were occupied by Dr. Seuss, including classics “The Cat in the Hat,” “One Fish, Two Fish, Red Fish, Blue Fish” and “Oh, the Places You’ll Go!”

A fortune’s a fortune, no matter how small, but $33 million is a mountain that’s tall. So how does Dr. Seuss continue to accumulate such wealth? It turns out Geisel, who died in 1991 at the age of 87, doesn’t deserve the credit. His wife does. Two years after the author died, Seuss’s spouse, Audrey Geisel, founded Dr. Seuss Enterprises to handle licensing and film deals for her husband’s work….

(8) MEDIA BIRTHDAY.

  • March 7, 1980 — On this day in 1980, the Brave New World film premiered on NBC. (It would show on BBC as well.) It was adapted from the novel by Aldous Huxley by Robert E. Thompson and Doran William Cannon, and was directed by Burt Brinckerhoff. It starred Kristoffer Tabori, Julie Cobb and Budd Cort. It has a forty-six percent rating among audience reviewers at Rotten Tomatoes. You can watch it here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 7, 1944 — Stanley Schmidt, 77. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013.  He’s also an accomplished author. (CE) 
  • Born March 7, 1945 — Elizabeth Moon, 76. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them.   But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly,’ but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.” (CE)
  • Born March 7, 1959 — Nick Searcy, 62. He was Nathan Ramsey in Seven Days which I personally think is the best damn time travel series ever done. And he was in 11.22.63 as Deke Simmons, based off the Stephen King novel. He was in Intelligence, a show I never knew existed, for one episode as General Greg Carter, and in The Shape of Water film, he played yet another General, this one named Frank Hoyt. And finally, I’d be remiss to overlook his run in horror as he was in American Gothic as Deputy Ben Healy. (CE)
  • Born March 7, 1966 — Jonathan Del Arco, 55. He played Hugh the Borg in Star Trek: The Next Generation and in Star Trek: Picard. That is way cool. He also showed up as on Star Trek: Voyager as Fantôme in “The Void” episode. (CE)
  • Born March 7, 1970 — Rachel Weisz, 51. Though better known for The Mummy films which I really, really love (well the first two with her), her first genre film was Death Machine, a British-Japanese cyberpunk horror film which score a rather well fifty one percent among audience reviewers at Rotten Tomatoes. I’ve also got her in Chain Reaction and The Lobster. (CE) 
  • Born March 7, 1974 — Tobias Menzies, 47. First off is he’s got Doctor Who creds by being Lieutenant Stepashin in the Eleventh Doctor story, “Cold War”. He was also on the Game of Thrones where he played Edmure Tully. He is probably best known for his dual role as Frank Randall and Jonathan “Black Jack” Randall in Outlander. He was in Finding Neverland as a Theatre Patron, in Casino Royale as Villierse who was M’s assistant, showed  up in The Genius of Christopher Marlowe as the demon Mephistophilis, voiced Captain English in the all puppet Jackboots on Whitehall film and played Marius in Underworld: Blood Wars. (CE)
  • Born March 7, 1903 – Bernarda Bryson.  Painter, lithographer; outside our field, illustrations for the Resettlement Administration, like this.  Here is Gilgamesh.  Here is The Twenty Miracles of St. Nicholas.  Here is Bright Hunter of the Skies.  Here is The Death of Lady Mondegreen (hello, Seanan McGuire).  (Died 2004) [JH] 
  • Born March 7, 1934 – Gray Morrow.  Two hundred fifty covers, fifty of them for Perry Rhodan; four hundred interiors.  Also Classics Illustrated; Bobbs-Merrill Childhoods of Famous Americans e.g. Crispus Attucks, Teddy Roosevelt, Abner Doubleday; DC Comics, Marvel; Rip Kirby, Tarzan; Aardwolf, Dark Horse.  Oklahoma Cartoonists Associates Hall of Fame.  Here is Buck Rogers in the 25th Century.  Here is the NyCon 3 (25th Worldcon) Program & Memory Book.  Here is The Languages of Pao.  Here is The Best of Judith Merrill.  Here is Norstrilia.  Here is a page from “The Doors of His Face, the Lamps of His Mouth” in GM’s Illustrated Roger Zelazny.  (Died 2001) [JH] 
  • Born March 7, 1952 – John Lorentz, age 69.  Active, reliable in the excruciating, exhilarating, alas too often thankless work of putting on our SF conventions, e.g. chaired Westercon 43 & 48, SMOFcon 8 (Secret Masters Of Fandom, as Bruce Pelz said a joke-nonjoke-joke; a con annually hoping to learn from experience); administered Hugo Awards, sometimes with others, 1998, 2002, 2006, 2015; finance head, Renovation (69th Worldcon).  Fan Guest of Honor at Westercon 53, Norwescon XXI (with wife Ruth Sachter).  [JH]
  • Born March 7, 1954 – Elayne Pelz, age 67.  Another indispensable fan.  Currently Treasurer and Corresponding Secretary of the Southern Cal. Inst. for Fan Interests (yes, that’s what the initials spell; pronounced skiffy), which has produced Westercons, Worldcons, and a NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas).  Widow of B. Pelz; I danced at their wedding; E chaired Westercon 55 upon B’s death.  Twice given LASFS’ Evans-Freehafer Award (service; L.A. Science Fantasy Soc., unrelated to SCIFI but with some directors in common).  Fan Guest of Honor at Leprecon 9, Loscon 13 (with B), Westercon 48, Baycon 2004.  Several terms as LASFS Treasurer, proverbially reporting Yes, we have money; no, you can’t spend it.  [JH]
  • Born March 7, 1967 – Donato Giancola, age 54.  Gifted with, or achieving, accessibility, productivity, early; Jack Gaughan Award, three Hugos, twenty Chesleys, two Spectrum Gold Awards and Grandmaster.  Two hundred seventy covers, four hundred forty interiors.  Here is Otherness.  Here is The Ringworld Engineers.  Here is his artbook Visit My Alien Worlds (with Marc Gave).  Here is the Sep 06 Asimov’s.  Here is the May 15 Analog.  Two Middle-Earth books, Visions of a Modern Myth and Journeys in Myth and Legend.  [JH]
  • Born March 7, 1977 – Brent Weeks, age 44.  Nine novels, a couple of shorter stories.  The Way of Shadows and sequels each NY Times Best-Sellers; four million copies of his books in print.  Cites Homer, Dante, Shakespeare, Yeats, Tolkien.  “I do laugh at my own jokes…. scowl, change the word order to see if it makes it funnier, scowl again … try three more times…. occasionally cackle….  This is why I can’t write in coffee shops.”  [JH]

(10) LIADEN. Sharon Lee and Steve Miller have issued Liaden Universe® InfoDump Number 127 with info about the availability of a new Adventures in the Liaden Universe® chapbook. Also:

LEE AND MILLER PANELISTS AT MARSCON
Sharon and Steve will attending the virtual MarsCon, to be held March 12-14 (that’s this weekend!) Here’s the convention link.

DISCON III
Steve and Sharon hope to attend DisCon III virtually. We have no plans to attend in-person, as much as we’d been looking forward to doing so.

ALBACON 2021
Sharon and Steve will be Writer Guests of Honor at the virtual AlbaCon, September 17-18, 2021.  Here’s the link to the convention site

UPCOMING PUBLICATIONS
The Trader’s Leap audiobook, narrated by Eileen Stevens, is tentatively scheduled for April 11, 2021

(11) PROPS TO THE CHEF. Ben Bird Person shared “My last commission with food illustrator Itadaki Yasu. It’s an illustration of the prop food featured in the original star trek episode ‘The Conscience of the King’ (1966).”

(12) THE BURNING DECK. Your good cat news of the day, from the Washington Post. “Thai navy saves four cats stranded on capsized boat in Andaman sea”. (The article does not say whether the boat’s color was a “beautiful pea green.”)

The four small cats trapped on a sinking boat needed a miracle. The abandoned ship, near the Thai island of Koh Adang, was on fire — sending plumes of thick black smoke into the air as the waters of the Andaman sea rose around them. The ship was not just burning: It was sinking. And it would not be long until it disappeared beneath the surface.Wide-eyed and panicked, the felines huddled together. When the help they so desperately needed arrived, it came in the form of a 23-year-old sailor and his team of Thai navy officials….

(13) GOOD DOG. In the Washington Post, Steven Wright says video game developers are making an effort to have animals in the games that you can pet and interact with but that it takes up a lot of additional pixels since the designers are trying to make the games realistic and are using tons of pixels having characters run and blast foes. “The ‘Can You Pet The Dog’ Twitter account is having a big impact”.

… Tristan Cooper, who owns the Twitter account “Can You Pet the Dog?,” never set out to create a social media juggernaut. Rather, he was just trying to point out what he felt was a common quirk of many high-profile games: While many featured dogs, wolves and other furry creatures as hostile foes of the protagonist, those that did feature cuddly animal friends rarely let you pet them. Cooper says the account was particularly inspired by his early experience with online shooter “The Division 2.”

… However, as the account quickly began to grow in popularity, Cooper and others began to notice a subtle increase in the number of games that featured animals with which players can interact. To be clear, Cooper doesn’t wish to take any credit for the proliferation of the concept, despite the obvious popularity of the account. (“Video games had pettable dogs long before I logged onto Twitter, after all,” he wrote. “That’s the whole reason I created the account.”)

However, he and the account’s fans do sometimes note the timing of these additions, particularly when it comes to certain massive games. For example, he notes that battle royale phenomenon “Fortnite” patched in pettable dogs only a few weeks after the account tweeted about the game. And “The Division 2” finally let you nuzzle the city’s wandering canines in its “Warlords of New York” expansion, which came out in March 2020 — around the same time Cooper was celebrating the year anniversary of the Can You Pet The Dog? account….

(14) WHAT’S THE VISION FOR NASA? [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport says that the increasing rise of private spacecraft with a wide range of astronauts  as well as cost overruns in its rocket development programs is leading the agency to do a lot of thinking about what its role in manned spaceflight should be.  Davenport reports a future SpaceX mission will include billionaire Jared Isaacman and will be in part a gigantic fundraiser for St. Jude’s Children Research Hospital (a St. Jude’s physician assistant will be an astronaut as will the winner of a raffle for another seat). “NASA doesn’t pick the astronauts in a commercialized space future”.

… And it comes as NASA confronts some of the largest changes it has faced since it was founded in 1958 when the United States’ world standing was challenged by the Soviet Union’s surprise launch of the first Sputnik into orbit. Now it is NASA’s unrivaled primacy in human spaceflight that is under challenge.

… In an interview, Steve Jurczyk, NASA’s acting administrator, said the agency is well aware of how its identity and role are changing, and he likened the agency’s role to how the U.S. government fostered the commercial aviation industry in the early 20th century.

NASA’s predecessor, NACA, or the National Advisory Committee for Aeronautics, “did research, technology development to initially support defense … but also later on supporting a burgeoning commercial aircraft industry and aviation industry,” he said. “So that may be how we evolve, moving forward on the space side. We’re going to do the research and the technology development and be the enablers for continuing to support the commercial space sector.”

… But NASA officials are concerned that much of the future workforce is going to be attracted to a growing number of commercial companies doing amazing things. There is Planet, for example, which is putting up constellations of small satellites that take an image of Earth every day. Or Relativity Space, which is 3-D printing entire rockets. Or Axiom Space, which is building a commercial space station. Or Astrobotic, which intends to land a spacecraft on the moon later this year.

The question NASA faces, then, is an urgent one: “How do you maintain that NASA technical expertise?” Jurczyk said.

The agency does not know….

(15) YOU COULD BE SWINGING ON A STAR. OR — Ursula Vernon could no longer maintain what critics call “a willing suspension of disbelief.”

Commenters on her thread had doubts, too. One asked: “Were any special herbs or fungi involved before this message was received?”

As for the possibility of putting this phenomenon to a local test —

https://twitter.com/NeolithicSheep/status/1368723445392015364

 [Thanks to Andrew Porter, John Hertz, Ben Bird Person, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/4/21 And All The Scrolls Are Full Of Pix

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(1) SPACE OPERATORS ARE STANDING BY. The virtual Tucson Festival of Books will include a panel “Galactic Empires, Murderbots and More!” with Tochi Onyebuchi, John Scalzi, and Martha Wells on Saturday March 6 at 11:00 a.m. Mountain time. Registration info here.

(2) GUEST WHO? “Star Trek: The Next Generation Almost Featured Robin Williams” at CBR.com.

…One actor the show never snagged, however, was Robin Williams, despite the fact that an episode was written specifically for him and the actor’s passion for the series.

The episode written for Robin Williams was Season 5, Episode 9, “A Matter of Time.” The episode focuses on the time-traveler Berlinghoff Rasmussen, a 26th century historian who traveled back in time to observe Picard and the crew of the Enterprise during a crucial moment. Except Rasmussen didn’t come from the future — he came from the past. He had stolen his time machine and was visiting The Next Generation‘s 24th century in order to steal as much technology as he could and become rich back in his own time….

(3) THE WONDER OF THUNDER. Netflix dropped a trailer for Thunder Force, a superhero comedy with Melissa McCarthy and Octavia Spencer.

(4) HARD SF LAUGHS. “Weir(d) Science: PW Talks with Andy Weir” is a Q&A at Publishers Weekly about the author’s neaw book Project Hail Mary.

How did you decide on the level of humor?

I’m a smartass myself, so smartass comments come naturally to me. For me, humor is like the secret weapon of exposition. If you make exposition funny, the reader will forgive any amount of it. And in science fiction—especially with my self-imposed restriction that I want to be as scientifically accurate as possible—you end up spending a lot of time doing exposition.

(5) FIRST STEP INTO SPACE. In the “ESA – Parastronaut feasibility project”, the European Space Agency will try to develop people with physical disabilities as astronauts. (Click for larger image.)

For the first time in over a decade, ESA is looking for new astronauts. These recruits will work alongside ESA’s existing astronauts as Europe enters a new era of space exploration.

In a first for ESA and human spaceflight worldwide, ESA is looking for individual(s) who are psychologically, cognitively, technically and professionally qualified to be an astronaut, but have a physical disability that would normally prevent them from being selected due to the requirements imposed by the use of current space hardware.

ESA is ready to invest in defining the necessary adaptations of space hardware in an effort to enable these otherwise excellently qualified professionals to serve as professional crew members on a safe and useful space mission.

… Because we believe that exploration is the matter of a collective effort, we need to extend the pool of talents we can rely on in order to continue progressing in our endeavour. One effective way of doing this is to include more gifted people of different genders, ages and backgrounds, but also people with special needs, people living with physical disabilities.

Right now we are at step zero. The door is closed to persons with disabilities. With this pilot project we have the ambition to open this door and make a leap, to go from zero to one.

…There are many unknowns ahead of us, the only promise we can make today is one of a serious, dedicated and honest attempt to clear the path to space for a professional astronaut with disability.

(6) AN INCREDIBLE CAREER. Sunday Profile: LeVar Burton on YouTube is an interview of Burton (he’s now a grandfather!) by Mo Rocca that aired on CBS Sunday Morning on February 28.

(7) #ILOOKLIKEANENGINEER . S.B. Divya, in “Hard Science Fiction Is Still Overwhelmingly White—But It’s Getting Better” at CrimeReads, says hard sf is becoming more welcoming to women and people of color as engineering and technology become more diverse professions.

…I didn’t start my adult life as a writer. First, I wanted to be a scientist. I went to Caltech to major in astrophysics, got sideswiped by computational neuroscience, and ended up working in electrical and computer engineering. From the moment I set foot on the Caltech campus, to the most recent tech job I held, I found myself and my fellow female engineers vastly outnumbered by our male cohort. Over almost 25 years in the industry, I have not seen these ratios improve. If anything, they’re getting worse.

The same phenomenon appears in so-called “hard science fiction,” which is another label that people attach to Michael Crichton’s novels. This subgenre encompasses stories whose speculative science and technology elements do not put a strain on credibility. (In contrast, see any fiction involving faster-than-light spacecraft, anti-gravity, or time travel.) Here, too, is a domain whose bestsellers are dominated by white men.

We live in the year 2021, and yet we persist in associating certain jobs—and certain types of stories—with specific groups of people. Engineers are Asian; startup CEOs are white. School teachers are women, and academics are men. Unfortunately, many times the statistics bear these out in reality, too. Why do we struggle to break free of these narratives and associations? Because we have so few counterexamples that are publicized. It’s not that they don’t exist, but they do not permeate our popular consciousness. It takes effort to overcome these associations, whether you fit in the stereotyped demographic or not. Without that struggle, the associations become self-fulling prophecies.

(8) ECHO WIFE NEWS. Sarah Gailey’s new book has been optioned – Deadline has the story: “Annapurna To Adapt Sarah Gailey’s Novel ‘The Echo Wife’ For Film”.

After a competitive situation, Annapurna has successfully optioned the rights to bestselling author Sarah Gailey’s most recent novel The Echo Wife and is adapting the book as a feature film.

Gailey will executive produce the project alongside Annapurna….

Hugo Award-winning and bestselling author Gailey is an internationally published writer of fiction and nonfiction. Gailey’s nonfiction has been published by Mashable and The Boston Globe, and won a Hugo Award for Best Fan Writer. Gailey’s fiction credits also include Vice and The Atlantic. The author’s debut novella, River of Teeth, was a 2018 finalist for both the Hugo and Nebula Awards. Their bestselling adult novel debut, Magic For Liars, published in 2019.

The Echo Wife was published on Feb. 16 by Tor Books, the science fiction and fantasy division of Macmillan Publishers….

(9) MEDIA BIRTHDAY.

  • March 4, 1977 — On this day in 1977,  Man From Atlantis premiered. Created by Mayo Simon and Herbert Solow, the pilot was written by Leo Katzin. It starred Patrick Duffy, Belinda Montgomery, Alan Fudge and Victor Bruno. It ran for thirteen episodes that followed four TV movies. It was not renewed for a full season. We cannot offer you a look at it as it’s behind a paywall at YouTube. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 4, 1923 — Sir Patrick Alfred Caldwell-Moore CBE HonFRS FRAS. Astronomer who liked Trek and Who early on but said later that he stopped watching when “they went PC – making women commanders.” Despite that, he’s here because he shows up in the debut Eleventh Doctor story, “The Eleventh Hour“. And he was also in the radio version of the Hitchhiker’s Guide to the Galaxy as well. (Died 2012.) (CE)
  • Born March 4, 1933 – Bernie Zuber.  Original vice-president of the Mythopoeic Society.  Early editor of Mythlore.  Founded the Tolkien Fellowships, edited The Westmarch Chronicle.  Guest of Mythcon XIII.  Active in local (Los Angeles) fandom.  (Died 2005) [JH]
  • Born March 4, 1938 — Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels, none of which is currently in print. (Died 2008.) (CE)
  • Born March 4, 1952 – Richard Stevenson, age 69.  College English teacher of Canada, has also taught in Nigeria, musician with Sasquatch and Naked Ear.  A score of poetry books, memoir Riding on a Magpie Riff.  Six dozen poems for us.  Stephansson Award (Writers Guild of Alberta).  Has published haiku, senryu (two Japanese short-poetry forms, unrhymed 5-7-5-syllable lines), tanka (Japanese short-poetry form, unrhymed 5-7-5-7-7-syllable lines).  [JH]
  • Born March 4, 1954 — Catherine Anne O’Hara, 67. First genre role role was in the most excellent Beetlejuice filmas artist Delia Deetz followed by being Texie Garcia in Dick Tracy, a film I’ll be damn if I know what I think about. She voices most excellently Sally / Shock bringing her fully to, errr, life in The Nightmare Before Christmas. I see she’s in Lemony Snicket’s A Series of Unfortunate Events as Justice Strauss. Lastly, and no this is by no means a complete listing of what she has done, she was on Netflix’s A Series of Unfortunate Events as Dr. Georgina Orwell. (CE) 
  • Born March 4, 1965 — Paul W. S. Anderson, 55. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even Monster Hunter which no, isn’t based off the work of a certain Sad Puppy. (CE) 
  • Born March 4, 1966 — Paul Malmont, 55. Author of the comic strips, The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC Comics’ Doc Savage series with artist Howard Porter. (CE) 
  • Born March 4, 1969 – Sarah Bernard, age 52.  Half a dozen books for us.  Did her own cover for this one.  Has read a Complete Sherlock Holmes, three by Julian May, a dozen by Anne McCaffrey.  [JH]
  • Born March 4, 1973 – Marco Zaffino, age 48.  Author, filmmaker, musician; some for us e.g. Pure Bred Chihuahua.  Things can be unclear at borders (perhaps why those bookshops closed); see this Website.  These Sentries might be ours.  [JH]
  • Born March 4, 1973 — Len Wiseman, 48. Producer or Director on the Underworld franchise. Also involved in Stargate, Independence Day, Men in Black and Godzilla in the Property Department. Sleepy Hollow series creator and producer for much of it, wrote pilot as well. Producer for much of the Lucifer seriesas well and is the producer for the entire series of Swamp Thing. Also produced The Gifted. (CE)
  • Born March 4, 1982 – Maggie Lehrman, age 39.  One novel for us; another outside our field, reviewed by Kirkus as “An earnest high school romp” which I guess leaves ML feeling as I did when someone – who as I’ve said is still my friend – described me as an earnest man in a propeller beanie, I mean what do you want?  Anyway, Website here. [JH]
  • Born March 4, 1982 – Lauren Miller, age 39.  Two novels for us, one other; now working on another as L. McBrayer.  She says “writing and seeing and being.  I have come to believe that there is magic to be found if we can learn to do all three at the same time.”  [JH]

(11) COMICS SECTION.

(12) SEUSS ON THE LOOSE. The New York Times’ coverage — “Dr. Seuss Books Are Pulled, and a ‘Cancel Culture’ Controversy Erupts” – includes these interesting sales figures.

…Classic children’s books are perennial best sellers and an important revenue stream for publishers. Last year, more than 338,000 copies of “Green Eggs and Ham” were sold across the United States, according to NPD BookScan, which tracks the sale of physical books at most retailers. “One Fish Two Fish Red Fish Blue Fish” sold more than 311,000 copies, and “Oh, the Places You’ll Go!” — always popular as a high school graduation gift — sold more than 513,000 copies.

“And to Think That I Saw It on Mulberry Street,” one of the six books pulled by the estate, sold about 5,000 copies last year, according to BookScan. “McElligot’s Pool” and “The Cat’s Quizzer” haven’t sold in years through the retailers BookScan tracks. Putting the merits of the books aside, removing “Green Eggs and Ham” would be a completely different business proposition from doing away with new printings of “McElligot’s Pool.” (Though the news that the books would be pulled caused a burst of demand, and copies of “Mulberry Street” were listed on eBay and Amazon for hundreds or thousands of dollars on Wednesday.)

(13) MISSION UNPOSSIBLE. Science Fiction 101 is a new podcast by Phil Nichols and Colin Kuskie: “It’s Alive: Science Fiction 101 first episode!” Their first mission, should they choose to accept it, is to define the term!

In this debut episode, your friendly hosts Phil Nichols and Colin Kuskie first attempt to define “science fiction”. If you want to know more about this thorny subject, check out Wikipedia’s attempt to do the very same thing. Or, for a more in-depth discussion, check out what the Encyclopedia of Science Fiction has to say on the subject.

(14) PIECES OF EIGHT. The latest episode of Octothorpe is now available – “26: I’m Not Even a Single-Tasker”

John [Coxon] is an annoying prick, Alison [Scott] is not sure she’s staying sane, and Liz [Batty] is going to a beach. We discuss all the news from Eastercon, going to Picocon, and then look back on Punctuation before staying sane in the apocalypse.

(15) NOT ULTRAVIOLENCE BUT HYPERVIOLENCE. In the Washington Post, Michael Cavna interviews Keanu Reeves, who co-created with Matt Kindt and artist Ron Garney BRZRKR, a 12-issue comic published by Boom! Studios. “Keanu Reeves on the joy of writing his first comic book: ‘Why not? That sounds amazing!’”

… To dramatize this “Highlander”-meets-“Logan” fighter during the Boom! introductions, Reeves stood and acted out potential scenes, even flashing some fighting moves — pitch meeting as full-body immersion. The approach was similar to when Reeves first met with Pixar for “Toy Story 4,” striking action poses to play Duke Caboom. “I’ll get in touch with a feeling or thought — or a feeling-thought,” says the bearded Reeves, wearing a black Levi’s jacket and starkly backdropped by a near-white wall — Zoom room as Zen room. “I’ll express it and it tends to come out through the filter of the character.”

“BRZRKR” opens with maximum carnage and minimal verbiage. The creative team promises more textured themes are on the horizon. Discussing the comic’s scope, Reeves riffs until he’s in full mellifluous monologue: “We do want to take on morality, ethics, peacetime, war, violence, whose side, what’s right, what’s wrong, truth, fiction, memory, what do we believe in, who are we, with not only violence but also love — and then our own identities and who we are as humans.” Whoa.

(16) STARSHIP EXPLODES AFTER LANDING. “SpaceX Starship appears to ace touchdown, then explodes in Texas test flight” – KTLA has the story.

SpaceX’s futuristic Starship looked like it aced a touchdown Wednesday, but then exploded on the landing pad with so much force that it was hurled into the air.

The failure occurred just minutes after SpaceX declared success. Two previous test flights crash-landed in fireballs.

The full-scale prototype of Elon Musk’s envisioned Mars ship soared more than 6 miles after lifting off from the southern tip of Texas on Wednesday. It descended horizontally over the Gulf of Mexico and then flipped upright just in time to land.

The shiny bullet-shaped rocketship remained intact this time at touchdown, prompting SpaceX commentator John Insprucker to declare, “third time’s a charm as the saying goes” before SpaceX ended its webcast of the test.

But then the Starship exploded and was tossed in the air, before slamming down into the ground in flames.

(17) BY THE SEA. You can read the introductory paragraphs to an article about mermaids here — “Splash by Marina Warner – the rest of the article is behind a paywall at the New York Review of Books.

In l819 the French inventor Cagniard de La Tour gave the name sirène to the alarm he had devised to help evacuate factories and mines in case of accident—in those days all too frequent. The siren, or mermaid, came to his mind as a portent, a signal of danger, although it might seem a contradiction, since the sirens’ song was fatal to mortals: in the famous scene in the Odyssey, Odysseus ties himself to the ship’s mast to hear it, and orders his men to plug their ears with wax and ignore him when he pleads to be set free to join the singers on the shore. Homer does not describe these irresistible singers’ appearance—only their flowery meadow, which is strewn with the rotting corpses of their victims—but he tells us that their song promises omniscience: “We know whatever happens anywhere on earth.” This prescience inspired Cagniard: he inverted the sirens’ connection to fatality to name a device that gives forewarning.

In Greek iconography, the sirens are bird-bodied, and aren’t instantly seductive in appearance but rather, according to the historian Vaughn Scribner in Merpeople, “hideous beasts.” A famous fifth-century-BCE pot in the British Museum shows Odysseus standing stiffly lashed to the mast, head tilted skyward, his crew plying the oars while these bird-women perch around them, as if stalking their prey: one of them is dive-bombing the ship like a sea eagle. An imposing pair of nearly life-size standing terracotta figures from the fourth century BCE, in the collection of the Getty Museum, have birds’ bodies and tails, legs and claws, and women’s faces; they too have been identified as sirens… 

(18) VIDEO OF THE DAY. It’s “FallonVision” with Elizabeth Olsen on The Tonight Show. “Jimmy Fallon’s ‘WandaVision’ spoof with Elizabeth Olsen alters our pandemic reality”.

Jimmy Fallon took viewers on a journey through the decades of talk-show history while spoofing “WandaVision” this week. Because after all, what is “The Tonight Show” if not the tradition of late-night TV persevering?

[Thanks to Mike Kennedy, Kathryn Sullivan, Michael Toman, Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 3/3/21 The Pixels Are Due On Scroll Street

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(1) TERRY AND THE WIZARD. [Item by rcade.] Twitter user Edgar Allen Doe shares the tale of the day he went to Copperfield’s Books in Petaluma, California, and met the fantasy author Terry Prachett, who met a wizard. Thread starts here.

Doe writes, “I really cannot overstate the ‘full wizard regalia’ element of this person.”

Prepare to take a journey spanning six tweets that does not go the way you think it will, you jaded cynic.

One of the people who saw the tweets also witnessed the meeting, which based on a Petaluma Argus-Courier news search I did likely occurred on Oct. 15, 2006.

https://twitter.com/joqatana/status/1367148086716366852

(2) THE HORROR. James Davis Nicoll chronicles “Five Fascinating Twists on Cosmic Horror” at Tor.com.

…Now in its seventh edition, Call of Cthulhu is the second most popular roleplaying game on Roll20. It reportedly dominates the roleplaying market in Japan. That’s interesting, because unlike most RPGs, Call of Cthulhu (or CoC for short) is set in a universe where humans are not top dog, where there are vast, incomprehensible entities who refrain from snuffing us out mainly because they’ve never noticed us, where First Contact is often Last Contact. Characters in CoC generally spend the adventure or campaign coming to grips with how out of their depth they are—before going mad. If they are very lucky, they’re eaten first….

What more do you need to cheer yourself up?

(3) THE UNKNOWN PAST. “Doctor Who’s The Timeless Children – Morbius Doctors confirmed” – Radio Times knows this is a big deal and makes sure you don’t miss it.

Doctor Who’s series 12 finale The Timeless Children dropped a number of huge reveals – but one of these twists was actually first telegraphed by the show back in 1976.

The episode revealed that the Doctor is not a native Gallifreyan, but the latest incarnation of a mysterious being called the Timeless Child, from parts unknown.

The Child or ‘Foundling’ – the first being to ever regenerate – had many different incarnations, many of which were wiped from their mind by the Time Lords (specifically by a sect of Gallifreyans called The Division).

This means that there were in fact an unknown number of incarnations of the being we now know as the Doctor before the ‘first’ (as played by William Hartnell from 1963-66).

Huge reveal, right? But this twist is not without precedent – as RadioTimes.com previously predicted, The Timeless Children has links to the 1976 Doctor Who story The Brain of Morbius, starring Tom Baker as the Doctor.

And the article goes on to glean details of the 1976 episode.

(4) WHO, RAY? “Who Is R. A. Lafferty? And Is He the Best Sci-Fi Writer Ever?” WIRED reviewer Jason Kehe does all he can to provoke us into reading The Best of R. A. Lafferty, “which Tor published earlier this year to nonexistent fanfare.”

…OK, SO A select few actually have read Lafferty, a secret society of loonies whose names you probably do recognize. Neil Gaiman. Ursula Le Guin. Samuel Delany. Other sci-fi writers, in other words. R. A. Lafferty has always been, then, a sci-fi writer’s sci-fi writer—a blurry, far-out position to find oneself in. When comedians hang out, they famously have to commit acts of borderline criminality, usually involving nudity and great heights, to get each other to bust up. So just think what absurdities a sci-fi writer has to conjure forth to gobsmack his fellow sci-fi writers—sci-fi writers who actually are, by much wider consensus, some of the best in the world.

The descriptor they tend to resort to, as if by no other choice, is sui generis, dusty old Latin for “one of a kind.” It’s probably the most common phrase associated with Lafferty (incidentally a self-taught student of Latin), and it appears not once but twice in The Best of R. A. Lafferty, which Tor published earlier this year to nonexistent fanfare and which, in keeping with the man’s self-aggrandizing sense of humor, should’ve been called The Best (of the Best) of R. A. Lafferty. Each of the 22 short stories is introduced by a writer often far more famous than Lafferty, including Gaiman and Delany, and also John Scalzi, Jeff VanderMeer, Connie Willis, and Harlan Ellison (who’s dead; his piece was originally published in 1967). Ellison—whose fellow Ellison, Ralph, wrote Invisible Man—says this of Lafferty: “He is the invisible man.” Nice….

(5) CAVEAT EMPTOR. Mad Genius Club’s Sarah A. Hoyt, in “Time has come to talk of many things”, says a fashion style in sff book covers will rebound on publishers when readers find the books don’t deliver what’s on their jackets.

I want to talk about a new trend I’ve observed in covers, and how it applies to much of the greater world out there. I.e. how the new trend in covers is just a new way that traditional publishing has come up with to screw itself and the entire field of writing over.

… If you have been alive a long time, or even if you “just” read books for a long time, you’re probably aware that there are trends in covers, as there are in everything else. In covers, though, particularly in the era of mega-chain bookstores, that “look” not only tended/tends to be more uniform, but it changes completely….

And then…. I kept running into more of these covers from other houses. Covers that explicitly try to look like they’re at the latest in the 50s.

Look, as a marketing strategy it’s brilliant. And stupid as heck.

Why?

Well, because now people are getting used to looking at Amazon for books that they remember reading/used to read/etc. they will be drawn to covers that are what they remember when they fell in love with a genre.

The problem is this: for most of the mainstream publishing, the contents won’t match the cover.

And yes, I can see them totally preening and going “if we get the rubes to look at our much superior product, they’ll love it.”

Because, you know, in the industry, it’s never about publishing what people want to read. It’s about “educating” the public. Which has taken them from 100K plus printruns for midlist to 10k printruns for high list….

(6) DR. SEUSS’ WWII POLITICAL CARTOONS. At “Dr. Seuss Went to War”, UC San Diego hosts a searchable gallery of his editorial cartoons from before and during WWII. Having discussed just yesterday the criticisms levied against his imagery of nonwhites, it’s interesting to see that some of these 1940s cartoons go after America’s leading racists of the time such as Gerald L.K. Smith.

Because of the fame of his children’s books (and because we often misunderstand these books) and because his political cartoons have remained largely unknown, we do not think of Dr. Seuss as a political cartoonist. But for two years, 1941-1943, he was the chief editorial cartoonist for the New York newspaper PM (1940-1948), and for that journal he drew over 400 editorial cartoons.

The Dr. Seuss Collection in the Mandeville Special Collections Library at the University of California, San Diego, contains the original drawings and/or newspaper clippings of all of these cartoons. This website makes these cartoons available to all internet users. The cartoons have been scanned from the original newspaper clippings in the UCSD collection.

Dr. Seuss Goes to War by historian Richard H. Minear (The New Press, 1999) reproduced some two hundred of the PM cartoons. That means that two hundred of the cartoons available here have received no airing or study since their original appearance in PM. The cartoons Dr. Seuss published in other journals are even less known; there is no mention of them in Dr. Seuss Goes to War. Dr. Seuss also drew a set of war bonds “cartoons” which appeared in many newspapers as well as in PM. 

(7) MEDIA BIRTHDAYS.

[Double feature!]

  • March 3, 1965 — On this day in 1965, The Human Duplicators premiered. It was produced and directed by Hugo Grimaldi and Arthur C. Pierce (without a credit for the latter as director). The film stars George Nader, Barbara Nichols, George Macready and Dolores Faith. It was the color feature on a double bill with the black-and-white Mutiny in Outer Space. It wasn’t well received by critics, and Mystery Science Theater 3000 gave it their usual treatment. It currently holds a zero percent audience rating at Rotten Tomatoes. You can see it here. (CE)
  • March 3, 1965 — On this day in 1965, Mutiny in Space premiered. It was, produced, directed and written by Hugo Grimaldi and Arthur C. Pierce (although the latter was not credited as directing). It starred William Leslie, Dolores Faith, Pamela Curran and Richard Garland. The word “meh” would best sum up the reaction critics at the time had to this film. It has no rating at Rotten Tomatoes so you’ll need to watch it here and see what you think of it. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.) (CE) 
  • Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which he played Phillip Bainbridge.  Doohan did nothing that I can find of a genre nature post-Trek. ISFDB notes that he did three Scotty novels co-written with S.M. Stirling. (Died 2005.) (CE) 
  • Born March 3, 1923 – Erik Blegvad.  Illustrated more than a hundred children’s books; as ever, opinions will differ on which we can count.  Apprenticed in a machine shop, left it when the Nazis took Denmark, imprisoned for distributing Danish Resistance literature, eventually translated for the British.  Self-Portrait 1979.  Three of Sharp’s Miss Bianca books (Miss B is a mouse); Bed-Knob and Broomstick – his cover, one of his interiors; his own translation of Hans Andersen. Washington Post appreciation here. (Died 2014) [JH]
  • Born March 3, 1924 — Catherine Downs. She’s in four Fifties grade B SF films: The Phantom from 10,000 Leagues, The She Creature, The Amazing Colossal Man and Missile to the Moon. All but the first film werewas the subject of a MST3K show. (Died 1976.) (CE) 
  • Born March 3, 1928 – Paul Callé.  (“KAL-lee”.)  Known for NASA work, see this book; here is an Apollo XI drawing; see more of his Space art here.  It is of course open to the rejoinder Not fiction.  Here is The Legion of Space.  Here is The Star Seekers.  Here is an interior from the Jul 50 Super Science Stories.  He did much with the American West (i.e. U.S. and Canada); see how each person is portrayed here.  His pencil book here.  (Died 2010) [JH]
  • Born March 3, 1936 — Donald E. Morse, 85. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Kurt Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating. (CE) 
  • Born March 3, 1938 – Patricia MacLachlan, age 83.  A novel and four shorter stories for us; thirty other books, one winning a Newbery Medal, one about Matisse; still writing, most recently published last June.  [JH]
  • Born March 3, 1945 — George Miller, 76. Best known for his Mad Max franchise, The Road Warrior,  Mad Max 2, Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming. (CE) 
  • Born March 3, 1955 – Greg Feeley, age 66.  Two novels, thirty shorter stories for us.  I keep heaing he’s turned in Hamlet the Magician, but not when we may expect it.  Here is a note on Robinson, Le Guin, Clute, Egan.  Here is a note on Thurber’s “Catbird Seat”.  Here is “Why I Love Laurence Sterne Scholarship”.  Four dozen reviews in Foundation, SF Age, and like that.  Interviewed Waldrop for Interzone.  Himself interviewed in Lightspeed.  [JH]
  • Born March 3, 1970 – John Carter Cash, age 51.  Indeed the son of that Cash and that Carter.  While mostly in music outside our field, he’s given us one book.  Website.  [JH]
  • Born March 3, 1982 — Jessica Biel, 49. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and theanimatedSpark: A Space Tail. (CE) 
  • Born March 3, 1981 – Kiersten Fay, age 40.  Ten novels, one shorter story, of paranormal romance with demons and vampires.  She’s a USA Today best-selling author.  [JH]

(9) SINCE YOU ASKED. On Drew Barrymore’s show “Stephen King Confesses He Didn’t Like The Shining Movie”. He gives his opinion at about the 1-minute mark.

(10) A CLOSE SHAVE. Amazon’s new icon got an immediate re-iteration because the old “new” made people think of Hitler’s toothbrush mustache. CNN has the story — “Amazon quietly changed its app icon after some unfavorable comparisons”.

… “We designed the new icon to spark anticipation, excitement, and joy when customers start their shopping journey on their phone, just as they do when they see our boxes on their door step,” an Amazon spokesperson said. The app icon was tweaked based on user feedback.

Only iOS users in the United Kingdom, Spain, Italy and Netherlands saw the Hitler-esque logo over the past few weeks. The updated logo rolled out worldwide for iOS users last week. Android users will see the new logo beginning this week.

(11) NAVIGATING LONELINESS. [Item by Michael Toman.] Best Wishes From a Guy Lashed to the Mast of Loneliness, Listening for So Far Silent Sirens — “Kristen Radtke Writes, and Draws, Our Loneliness” at Publishers Weekly.

When Kristen Radtke started writing about loneliness in 2016, she had no idea of what was to come. Writers are famously prescient, but who could have imagined the global pandemic of Covid-19 and the isolation it would generate? Seek You: A Journey Through American Loneliness (Pantheon, July), Radtke’s latest graphic nonfiction book, is a marvelous deep dive into that universal emotion, blending science, memoir, journalism, research, philosophy, and pop culture to explore isolation and our desire to be close to one another….

(12) HOPING TO PREDICT SOLAR WEATHER. “Origin of the Sun’s solar storms discovered in scientific breakthrough” reports Yahoo!

…In 1859, a large solar storm called the Carrington Event caused widespread issues with telegraph systems across Europe and the United States.

A repeat storm of such magnitude today could be far more devastating.

But now researchers at University College London (UCL) and George Mason University in the US believe they have located where on the Sun these particles come from, in a bid to better predict when they might strike again.

Their findings, published in Science Advances journal, indicate that the particles have the same “fingerprint” as plasma located low in the Sun’s corona, close to the middle region of the it’s atmosphere.

“In our study we have observed for the first time exactly where solar energetic particles come from on the Sun,” said co-author Dr Stephanie Yardley, from UCL….

(13) VIDEO OF THE DAY. In “Kill Your Idioms” on Vimeo, Grant Kolton takes aim at well-worn cliches.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Michael J. Walsh, John King Tarpinian, JJ, Dave Doering, John Hertz, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 3/2/21 What Is Pixel, But Scroll Persevering

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(1) A PEEK AT APEX. Apex Magazine Issue 122 has been released. The link below takes you to the new issue page where you’ll find fiction by Sam J. Miller, Sheree Renée Thomas, A.C. Wise, Annie Neugebauer, Barton Aikman, Sabrina Vourvoulias, Jason Sanford, and Khaalida Muhammad-Ali, plus essays by ZZ Claybourne and Wendy N. Wagner. The cover art is by Thomas Tan.

(2) ON “READ ACROSS AMERICA DAY” OBJECTIONS TO SEUSS IMAGERY PROMPT WITHDRAWAL OF SIX BOOKS. The National Education Association founded “Read Across America Day” in 1998 and deliberately aligned it with Dr. Seuss/Ted Geisel’s birthday, March 2. However, the NEA has been deemphasizing Seuss, and today President Biden’s proclamation for “Read Across America Day” — in contrast to his predecessors Obama and Trump — omitted all mention of Dr. Seuss reports the New York Post.

President Biden removed mentions of Dr. Seuss from Read Across America Day amid accusations of “racial undertones” in the classic, whimsical tales for children.

Read Across America Day, started by the National Educational Association in 1998 as a way to promote children’s reading, is even celebrated on the author’s March 2 birthday.

In his presidential proclamation, Biden noted that “for many Americans, the path to literacy begins with story time in their school classroom,” USA Today reported.

Dr. Seuss Enterprises, rightsholder to his books, also picked today to announce they’ll stop licensing six of his books: “Statement from Dr. Seuss Enterprises”.

Today, on Dr. Seuss’s Birthday, Dr. Seuss Enterprises celebrates reading and also our mission of supporting all children and families with messages of hope, inspiration, inclusion, and friendship.

We are committed to action.  To that end, Dr. Seuss Enterprises, working with a panel of experts, including educators, reviewed our catalog of titles and made the decision last year to cease publication and licensing of the following titles:  And to Think That I Saw It on Mulberry Street, If I Ran the Zoo, McElligot’s Pool, On Beyond Zebra!, Scrambled Eggs Super!, and The Cat’s Quizzer.  These books portray people in ways that are hurtful and wrong.

The New York Times article “6 Dr. Seuss Books Will No Longer Be Published Over Offensive Images” describes two examples of images that have inspired the objections:

…In “And to Think That I Saw It on Mulberry Street,” a character described as “a Chinaman” has lines for eyes, wears a pointed hat, and carries chopsticks and a bowl of rice. (Editions published in the 1970s changed the reference from “a Chinaman” to “a Chinese man.”) In “If I Ran the Zoo,” two characters from “the African island of Yerka” are depicted as shirtless, shoeless and resembling monkeys. A school district in Virginia said over the weekend that it had advised schools to de-emphasize Dr. Seuss books on “Read Across America Day,” a national literacy program that takes place each year on March 2, the anniversary of Mr. Geisel’s birth….

Loudoun County, Virginia, schools just outside Washington, D.C. have joined the move away from Seuss — and as a result needed to douse rumors last month that they were banning the books entirely. CNN reports: “Dr. Seuss books: This Virginia school district says it isn’t banning his books. On the annual Read Across America Day, it’s just no longer emphasizing them”.

A school district in Virginia recently made headlines for allegedly banning books by Dr. Seuss.

But Loudoun County Public Schools(LCPS), located in Ashburn, said it is not banning books by the famous children’s author. It’s just discouraging a connection between “Read Across America Day,” which was created to get kids excited about reading, and Dr. Seuss’ birthday. Both fall on March 2, and have often been “historically connected” to each other, the district said in a statement.

“Research in recent years has revealed strong racial undertones in many books written/illustrated by Dr. Seuss,” LCPS said in its statement, which links to School Library Journal article from 2018 about the National Education Association focusing its Read Across America efforts “on Diversity Not Dr. Seuss.”

…Dr. Seuss had a long history of publishing racist and anti-Semitic work, spanning back to the 1920s when he was a student at Dartmouth College. There, Dr. Seuss once drew Black boxers as gorillas, as well as perpetuating Jewish stereotypes as financially stingy, according to a study published in the journal “Research on Diversity in Youth Literature.”

That study, published in 2019, examined 50 books by Dr. Seuss and found 43 out of the 45 characters of color have “characteristics aligning with the definition of Orientalism.” The two “African” characters, the study says, both have anti-Black characteristics.

(3) YOUNG PEOPLE. James Davis Nicoll’s Young People Read Old SFF is actually Young People Read Old Hugo Finalists this go-round. And he’s asked the panelists what they thing about “The Star” by Arthur C. Clarke

Kit leads off the discussion:

…[It’s] still kind of on that spectrum of ?“Why does a benevolent God do these things?” and so it’s interesting to think about ?“What, exactly, is the point where you’re pushed over the edge in terms of thinking the world is too cruel to have a controlling power?”… 

(4) FASHIONISTA. Suzanne Palmer makes a convincing argument.

(5) THE FUTURE OF THE WARDMAN PARK. In the Washington Post, Paul Schwartzman profiles activists who want to increase affordable housing in the largely white areas west of Rock Creek Park.  He interviews Rebecca Barson, who wants to turn the bankrupt Wardman Park Hotel into “a mix of retail and affordable housing.  She has embraced the cause even as she contemplates the risk to her property value.” The Wardman Park is still listed on the DisCon III website as the venue of this year’s Worldcon.   “D.C. affordable housing push linked to racial justice after George Floyd’s death”.

… As she drives around the city, Rebecca Barson, a health-care advocate, finds herself noticing encampments of people sleeping in tents in Dupont Circle and under highway overpasses.

“It just feels unconscionable that this is happening in a city like ours,” she said.

Barson, 43, joined a grass-roots campaign seeking city support for converting a recently bankrupt hotel near her Woodley Park condominium — the Marriott Wardman Park — into a mix of retail and affordable housing. She has embraced the cause even as she contemplates the potential risk to her property value.

“I’m not saying I’m not grappling with it. There could be a financial cost — personally, my apartment may not be worth as much,” she said. “I also think I have benefited as a White person from systems I didn’t create, and this is an important moment to do what’s right for the greater good.”

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel will livestream readings by Jeffrey Ford and Kaaron Warren on March 17 at 7 p.m. Eastern. The link will be posted later.

Jeffrey Ford

Jeffrey Ford is the author of several novels and novellas including The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, The Twilight Pariah, Ahab’s Return, and Out of Body. His short fiction has been published in numerous magazines and anthologies and in six collections. His work has won the World Fantasy, Edgar Allan Poe, Shirley Jackson, Nebula, and other awards. His most recent collection Big Dark Hole will be out from Small Beer Press this July

Kaaron Warren

Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She has published five multi-award winning novels including The Grief Hole, currently under development, and seven short story collections. Her most recent books are the novella Into Bones Like Oil and the chapbook Tool Tales (with Ellen Datlow!) She was recently given the Peter McNamara Lifetime Achievement Award.

(7) THE GOLDEN AGE, WHEN YODA WAS YOUNG(ER). In the Washington Post, David Betancourt interviews authors Charles Soule, Claudia Gray, Cavan Scott, Daniel José Older, and Justina Ireland about their forthcoming Star Wars tie-in novels set in the High Republic (formerly the Old Republic). “The future of Star Wars has arrived, and it takes place hundreds of years in the past”.

In the Star Wars universe, the High Republic is the stuff of legend. But someone had to write the story.

It all started with a vague reference from Obi-Wan Kenobi. “For over a thousand generations, the Jedi Knights were the guardians of peace and justice in the Old Republic,” Obi-Wan explained in 1977’s “Star Wars: A New Hope.” “Before the dark times. Before the Empire.”

In the decades since those words were uttered, movies, books and television have explored nearly every imaginable facet of the Star Wars universe. But this particular period in the galaxy’s past remained in the realm of conjecture. Now, that abstract golden age — a time of tranquility but also expansion, hundreds of years before the Skywalker saga — is finally coming into focus. Five writers, all with previous Star Wars books on their résumés, have been tapped to usher in a new era for the franchise by exploring one of the most storied.

In the coming years, Charles Soule, Claudia Gray, Cavan Scott, Daniel José Older and Justina Ireland will release books in the High Republic series, including comics and novels targeting various age groups. They will introduce new heroes — including the inspirational Jedi Avar Kriss — and villains, such as the Nihil, “space marauders,” who threaten the peace of the galaxy.

… Readers with Star Wars knowledge will find at least one familiar face, though: Yoda’s. (Forget you must not that Yoda lived to be 900 years old.) In the new series, he’s younger (kind of) and does a lot more than dispense wisdom, especially in the IDW comic books written by Older, “Star Wars: The High Republic Adventures,” illustrated by Harvey Tolibao.

“We see Yoda really out in the galaxy,” Older said. “He’s not stuck on Coruscant. He’s not in a library somewhere studying. .?.?. We get to see him in action, in the thick of battle doing all these Jedi master Yoda things.”

(8) WOLTMAN OBIT. Pilot and Mercury 13 trainee Rhea Woltman (1928-2021) died on February 15. The family obituary, here, has this to say about her efforts to become an astronaut:

…In 1960, Rhea was invited to participate in the secret Mercury project, where she underwent grueling physical examinations and a battery of tests with 12 other female pilots to become the First Lady Astronaut Trainees (FLATS), now known as the Mercury 13. Rhea passed all of the tests and advanced as one of five to meet the requirements. The U.S. government shut down the women’s program before they were ever allowed to fly a space mission….

The Mercury 13 were thirteen American women who, as part of a privately funded program, successfully underwent the same physiological screening tests as had the astronauts selected by NASA on April 9, 1959, for Project Mercury. (They were not part of NASA‘s astronaut program.)

(9) MEDIA BIRTHDAY.

  • March 2, 1984 — On this date in 1984, Repo Man premiered. It was written and directed by Alex Cox. It was produced by Jonathan Wacks and Peter McCarthy with the executive producer being Michael Nesmith. It starred Harry Dean Stanton and Emilio Estevez. It is widely considered to be one of the best films of 1984, genre or otherwise. Ebert in his review said that “Repo Man comes out of left field, has no big stars, didn’t cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.” It currently holds a 98% rating among the Rotten Tomatoes audience. You can watch it here. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 2, 1904 — Theodor “Dr. Seuss” Geisel. My favorite books by him are Horton Hears a Who!, Green Eggs and Ham, and The Cat and The Hat. I adored the original How the Grinch Stole Christmas, can’t stand the Jim Carrey one and haven’t seen the most recent version. Oh, and let’s not forget the splendid The 5,000 Fingers of Dr. T. For which he wrote the story, screenplay and lyrics. (Died 1991.) (CE) 
  • Bon March 2, 1933 – Leo Dillon.   A hundred sixty covers, two hundred twenty interiors, with his wife Diane Dillon, working so fluently and intimately they sometimes called their joint work the product of a third artist; much else outside our field.  Artbook The Art of Leo & Diane Dillon.  Here is Some Will Not Die.  Here is Dangerous Visions.  Here is Fourth Mansions.  Here is The Phoenix and the Mirror.  Here is The Left Hand of Darkness.  Here is Ashanti to Zulu.  Here is the Winter 2002 On Spec.  Here is Why Mosquitoes Buzz in People’s Ears.  Here is my note of an exhibit at Chicon 7 the 70th Worldcon.  Here is an on-line archive.  (Died 2012) [JH]
  • Born March 2, 1939 – jan howard finder.  Known as the Wombat.  Co-founder of Albacon; Fan Guest of Honor at Albacon 2000, also BYOB-Con 8, Maplecon 3, LepreCon 8, Ad Astra 12, Arisia ’01, Archon 30, ConFrancisco the 51st Worldcon.  One story, one anthology that I know of.  Often a judge of our on-stage costume competition the Masquerade.  Led tours e.g. of New Zealand sites where Tolkien films were shot.  Fanzines The Spang Blah and Il Vombato.  Susan Batho’s reminiscence here.  (Died 2013) [JH]
  • Born March 2, 1943 — Peter Straub, 78. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. OK, you know not that I’m that impressed by Awards, but this is reallyimpressive! (CE)
  • Born March 2, 1952 – Mark Evanier, age 69.  Writer for comics, television, both: Blackhawk, Groo the Wanderer, Garfield and Friends and The Garfield Show (animated); outside our field e.g. Welcome Back, Kotter.  Has attended every San Diego Comic-Con since the first (1970).  Won an Eisner and a Harvey for Kirby: King of Comics.  Three more Eisners; Inkpot; Clampett; Lifetime Achievement Award from Animation Writers’ Caucus, Writers Guild of America West.  Started Fantagraphics’ reprints of Pogo.  Administers the Bill Finger Award.  Weblog NEWS FROM me. [JH]
  • Born March 2, 1960 – Jeff Beeler, age 61.  Hardworking Michigan fan, e.g. on ConFusion, Detcon the 11th NASFiC (N. Amer. SF Con, since 1975 held when the Worldcon is overseas), Anticipation the 67th Worldcon.  Member of the Stilyagi Air Corps.  Having been a librarian, is now a bookseller.  [JH]
  • Born March 2, 1960 — Peter F. Hamilton, 61. I read and quite enjoyed his Night’s Dawn trilogy when it first came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound really familiar. (Too much genre fiction read over the years to remember everything…) What else have y’all read by him? (CE) 
  • Born March 2, 1966 — Ann Leckie, 55. Ancillary Justice won the Hugo Award for Best Novel and the Nebula Award, the Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. The Ancillary Sword and Ancillary Mercy also won awards and were no less impressive experiences. I’ve not yet read The Raven Tower, so opinions in it are welcome. (CE)
  • Born March 2, 1968 — Daniel Craig, 53. Obviously Bond in the present-day series of films which I like a lot, but also  in Lara Croft: Tomb Raider as Alex West, Lord Asriel In the film adaptation of Philip Pullman’s The Golden Compass, in SF horror film The Invasion as Ben Driscoll, in the very weird Cowboys & Aliens as Jake Lonergan,voicing Ivan Ivanovitch Sakharine / Red Rackham  in The Adventures of Tintin and an uncredited appearence as Stormtrooper FN-1824 In Star Wars: The Force Awakens. (CE)
  • Born March 2, 1974 – Marianne Mancusi, age 47.  Two dozen novels, two shorter stories.  I’ve not yet read A Connecticut Fashionista in King Arthur’s Court.  Won two Emmys producing television.  Loves pineapple pizza and marshmallow Peeps – she says so herself.  [JH]
  • Born March 2, 1982 – Chelsea Campbell, age 39.  Eight novels, three shorter stories.  Fiber artist e.g. knitting & crocheting.  Collects glass grapes.  As a kid & teen, used to read adults’ books; now reads kids’ & teens’.  Degree in Latin & Ancient Greek; “humanity … honestly hasn’t changed that much in the last couple thousand years, and that isn’t useless.  (Plus even when people look at you funny for being ‘useless,’ you know Latin and they don’t.)”  [JH]
  • Born March 2, 1992 — Maisie Richardson-Sellers, 29. A most believable Vixen on Legends of Tomorrow for the first three seasons, in my opinion, as I’ve always liked that DC character. (Season four onward, she’s been Clotho.) Prior to that role, she was recurring role as Rebekah Mikaelson / Eva Sinclair on The Originals, andshe had a cameo asKorr Sella in Star Wars: The Force Awakens. (CE) 

(11) COMICS SECTION.

  • Yesterday, xkcd explained Leap Year 2021.

(12) THERE WAS SCIENCE BEHIND KING KONG? March 2, 1933 is the date of the world premiere of King Kong. And Mental Floss assures us “’King Kong’ Was Inspired By a Komodo Dragon-Hunting Expedition”.

…According to Slate, a 1926 expedition to the East Indies funded by the American Museum of Natural History planted the seeds for King Kong. The party, led by museum trustee William Douglas Burden, set off with the goal of recording footage of Komodo dragons and bringing specimens back to the U.S. for the first time.

In addition to the many lizards that were hunted and shot, the expedition brought back two live Komodo dragons that ended up at the Bronx Zoo. Tens of thousands of spectators went to see the living dinosaurs in person. In a pre-King Kong world, the exhibit was the closest people could get to seeing a monster with their own eyes….

(13) DEADLIER THAN. CrimeReads knows you think you know who’s number one on this list — “The Most Murderous Mammals: Adventures From the Dark Side of Science”.

Picture the most murderous mammal in the world. Not the best predator, taking down prey with a single swipe of a great talon or claw, but the one that excels in slaying its own kind.

Are you picturing a human being? Well, you would be wrong. But you might be surprised to know Homo sapiens actually falls at number 30 out of more than a thousand species on the list of animals that most often kill members of their own kind. Humans, it turns out, are just average members of a particularly violent lot, the primates. And the most prolific murderers* in the animal world are a different species altogether.

Which, you might ask? Believe it or not, it’s the meerkat, a cute little African mammal belonging to the mongoose family and immortalized in the wisecracking character Timon in The Lion King. 

(14) GRRM STORY IN DEVELOPMENT. Director Paul W.S. Anderson is teaming with Resident Evil star Milla Jovovich and Dave Bautista (Guardians of the Galaxy) for the movie In the Lost Lands, based on the short story by George R.R. Martin, Deadline reported. Anderson has written the script. “’Resident Evil’ Duo Set For George R.R. Martin Adaptation ‘Lost Lands’” at Deadline.

…The movie will follow a queen, desperate to obtain the gift of shape shifting, who makes a daring play: She hires the sorceress Gray Alys (Jovovich), a woman as feared as she is powerful. Sent to the ghostly wilderness of the “Lost Lands,” Alys and her guide, the drifter Boyce (Bautista), must outwit and outfight man and demon in a fable that explores the nature of good and evil, debt and fulfillment, love and loss.

(15) THE HECK YOU SAY. Gizmodo’s eye-catching headline declares: “A 1990s iMac Processor Powers NASA’s Perseverance Rover”.

…However, there’s a major difference between the iMac’s CPU and the one inside the Perseverance rover. BAE Systems manufactures the radiation-hardened version of the PowerPC 750, dubbed RAD750, which can withstand 200,000 to 1,000,000 Rads and temperatures between ?55 and 125 degrees Celsius (-67 and 257 degrees Fahrenheit). Mars doesn’t have the same type of atmosphere as Earth, which protects us from the the sun’s rays, so one flash of sunlight and it’s all over for the Mars rover before its adventure can begin. Each one costs more than $200,000, so some extra protection is necessary.

(16) JEOPARDY! Andrew Porter continues to monitor Jeopardy! contestants’ struggles with genre topics. From tonight’s episode —

Category: Alternate History Novels

Answer: In “Ruled Britannia”, the Spanish Armada was victorious & this Spaniard rules England alongside Bloody Mary Tudor.

Wrong question: Who is Francis Drake?

No one got, Who is Phillip II?

All the other questions, including Philip K. Dick, and Charles Lindbergh, were correct.

(17) VIDEO OF THE DAY. In “Honest Game Trailers: Little Nightmares II” on YouTube, Fandom Games says Little Nightmares II portrays “a disgusting, but adorable world” where “twee Tim Burton knockoffs try to kill you.”

[Thanks to Mike Kennedy, John Hertz, Michael Toman, Steven H Silver, Andrew Porter, JJ, Cat Eldridge, John King Tarpinian, Dann, James Davis Nicoll, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Pixel Scroll 2/28/21 Chasing A Blanched Scroll Across The File With A Pixel Fork

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(1) THE VOICE OF THE FUTURE. Wil Wheaton has been picked to narrate How to Avoid a Climate Disaster by Bill Gates.

Even Wheaton is impressed.

Did I mention that Bill Gates allegedly chose me, personally? Because holy h*ck he did. He chose me. Personally. Out of everyone in the world who does my job, he picked me. That kinda blows my mind.

(2) WORLDCON HOTEL. DisCon III, the 2021 Worldcon, posted their biweekly hotel update: “2/28 Hotel Update”.

We have retained legal counsel in Delaware, which is the location of the Wardman Park bankruptcy proceedings. We are working with our legal counsel to move closer to a resolution, and we hope to provide you more concrete information as the process progresses.

(3) IGN PREVIEWS DC. IGN Fan Fest 2021 took place today where DC shared clips from Justice Society: World War II and  a premiere clip of The Flash‘s seventh season. 

  • Justice Society: World War II – Official Exclusive Wonder Woman vs Nazis Clip

In this exclusive sneak peek at Warner Bros. Animation’s latest DC animated movie, Justice Society: World War 2, Wonder Woman faces off with a group of Nazi soldiers. The new film finds modern-day Barry Allen – prior to the formation of the Justice League – discovering he can run even faster than he imagined, and that milestone results in his first encounter with the Speed Force. The Flash is promptly launched into the midst of a raging battle – primarily between Nazis and a team of Golden Age DC Super Heroes known as The Justice Society of America. Led by Wonder Woman, the group includes Hourman, Black Canary, Hawkman, Steve Trevor and the Golden Age Flash, Jay Garrick. The Flash quickly volunteers to assist his fellow heroes in tipping the scales of war in their favor, while the team tries to figure out how to send him home. But it won’t be easy as complications and emotions run deep in this time-skipping World War II thriller. Justice Society: World War II will be available to purchase on Digital starting April 27, 2021, and on 4K Ultra HD Blu-ray Combo Pack and Blu-ray on May 11, 2021.

  • The Flash: Season 7 Premiere – Official Exclusive Clip

In this exclusive clip from the long-awaited Season 7 premiere of The Flash, Barry races against the clock to stop Mirror Master and rescue Iris before his speed permanently runs out. “All’s Well That Ends Wells” will premiere on The CW on Tuesday, March 2.

(4) I, WITNESS. [Item by Martin Morse Wooster.] Isaac Asimov’s autobiography In Joy Still Felt, published in 1980, offers his explanation of fanzines and fandom in 1955.  (I’ve omitted the details of the fan feud he was involved in.)

Fan magazines are produced by fans and exist, literally, in the hundreds.  All but a very few are evanescent and exist for only a few issues before the time and the costs become insupportable.

I have no theoretical objection to write an occasional piece for love, but I have always steered clear of the fan magazines. There are so many that to write for one will mark you down as a target for the others and you will be nibbled to death…

…Though I had been an almost lifelong reader of science fiction, though I had written letters to magazines, though I had even involved myself with the Futurians, I had never immersed myself in what was called ‘fandom.’

I had no experience whatsoever with the ferocious single-mindedness with which this handful of people lived their science fiction.  They interpreted literally among us the catchphrase that ‘Fandom is a way of life.’

What ever these enthusiasts could earn in their work they invested in their collections, or in their fan magazines. Their time was entirely devoted to their correspondence and to their meetings. Often, in fact, their fan activities crowded out the basis on which it was all founded–for they were so busy being fans of science fiction, they lacked the time to read science fiction.

Fans knew each other, loved each other, hated each other, formed cliques and threatened lawsuits, and, in short, formed a small subculture to which everything else in the world seemed alien and of no account.

News spread through fandom at the speed of light, even though it might never so much touch the world outside  Any controversy involving fandom or the fan world elicited a joyful response at once as a vast number of fans (well, dozens anyway) plunged into the fray–on either side, it didn’t matter which.

(5) OLD BIRDBATH. And speaking of Fifties fandom…I Remember Me and Other Narratives – Walt Willis in Mimosa compiled by Rich Lynch is now available at Fanac.org. Includes this passage about a 1954 exchange between Willis and then-fanzine-editor Harlan Ellison.

….I did, however, get a letter from Harlan Ellison, about a phone call he made to me, an enterprise which was slightly handicapped by the fact that I didn’t have a phone at the time. He got my father’s house, which was a block away, and my sister didn’t come and get me because it was raining.

[From Ellison’s letter] “To say I’m merely angry or hurt would be a gross understatement. I’m completely devastated. You sent me ‘Mike Hammer at the Philcon,’ and I sent it out to be illustrated. Sure, it took me a year to get to it, but I was suspended with college work. Now when I have it on stencil and run off and announced as in the next issue with illos by Nasman Peterson, I pick up Mari Wolf’s column and see Space Times has already pubbed it. I’m really in a mess with the thing, and personally I think it was both poor taste on your part and a gross injustice not to at least write and tell me what had happened, before you sent a carbon to anyone else…”

I replied as follows. “Dear Harlan, Come now, old Birdbath. In the first place, how do you expect me to know you wanted the MS if you didn’t even acknowledge it? You wrote several times asking me to do something for you, but when I did send it there wasn’t another peep out of you. In fact, you folded your fanzine, retired from fandom, and changed your address. Not that I thought all this was on account of the MS, but in the absence of any acknowledgement or mention of it in any of your blurbs except the last one, how was I to know you were going to publish it?… Chuck Harris was staying with me at the time. The mail had just arrived, he had got five letters and there were none for me, and he was pulling my leg about my fan status having declined. Then my sister came round with the news that there had been a phone call from a Mr. Ellison of Ohio. Thanks, pal. All the best. Walter.”

This was at a time when transatlantic phone calls were almost unheard of in fandom. My recollection is that Chuck asked me, did I often get phone calls from American fans, and I said, “Only when it’s something important.”

(6) STRONACH INTERVIEWS LUCAS. In “An interview with Casey Lucas, moments before the avalanche hits” at The Spinoff, Alexander Stronach interviews the person he’s been friends with the longest, a Wellington science fiction and fantasy writer on the brink of world domination. (Alexander Stronach is Sasha Stronach, 2020 Sir Julius Vogel Winner for Best Novel, and Casey Lucas is the winner of the 2020 Sir Julius Vogel Award for Best Short Story.)

…Casey Lucas is a Swiss army knife. Casey Lucas is six feet tall and extremely bisexual. Casey Lucas is back from the dead (again). Casey Lucas is – finally, after years of dedication and hard work – on the cusp of very big things.

In the last year she’s won one of New Zealand’s highest honours for science fiction and fantasy writing, she’s worked on the wildly popular games Mini Metro and Mini Motorways, she’s run a workshop at Clarion West (possibly the most prestigious SF/F workshop in the world), she’s edited 30 graphic novels, she’s been hired to work on the next block of collectible card game Magic: the Gathering, and now her post-apocalyptic fungal fantasy web serial Into the Mire has picked up a prestigious international agent and is poised to go out to publishers.

Casey Lucas is, for lack of a better word, utterly singular, and today I’m getting deep in the weeds with her about success, trauma, M*A*S*H, and the impossible vastness of stone.

Alex Stronach: So you’re an “overnight success” now. What’s the spell look like? Who do I gotta kill? 

Casey Lucas: Success in publishing is like an avalanche. You only see the snow rushing at you, but it took millions of exhausting years and lots of earthquakes for that mountain to yank itself up out of the sea, and you don’t get the avalanche without a mountain for it to roll down….

(7) MEDIA BIRTHDAY.

February 28, 1993 — On this date in 1993, Journey to the Center of the Earth first aired on NBC. It was intended as the pilot for a series but that never happened. It’s based on the novel of the same by Jules Verne. It is one of at least seven adaptations of the Verne novel to date so far. It was by William Dear from the screenplay by David Evans and William Gunter. It starred David Dundara, Farrah Forke, Tim Russ, Jeffrey Nordling and John Neville. No, it was not well received by the audience reviewers at Rotten Tomatoes where it has a rating of just eighteen percent. And Screen Rant dubbed it the worst adaptation of the novel ever done.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 28, 1820 – Sir John Tenniel.  Had he only illustrated Alice in Wonderland and Through the Looking-Glass, it would have been enough for us.  He also illustrated an edition of the Ingoldsby Legends – so well known in the U.K. that Dorothy L. Sayers has Lord Peter Wimsey quoting them as late as Five Red Herrings (1931) and The Nine Tailors (1934).  JT drew 2,300 cartoons for Punch.  His knighthood (1893) was the first ever given to an illustrator.  (Died 1914) [JH]
  • Born February 28, 1875 – Maurice Renard.  Pioneering SF writer (d’accord, honors to Rosny aîné).  MR’s Dr. Lerne (1908) was a great Mad Scientist.  The Blue Peril is a decade earlier than The Book of the Damned and, I dare say it, kinder.  The Man Who Wanted to Be Invisible doesn’t “ruin” The Invisible Man – MR dedicated Le docteur Lerne to Wells – but faces, you should pardon the expression, the optics.  Half a dozen novels, ninety shorter stories.  (Died 1939) [JH]
  • Born February 28, 1913 — John Coleman Burroughs. An illustrator known for his illustrations of the works of his father, Edgar Rice Burroughs. At age 23, he was given the chance to illustrate his father’s book, The Oakdale Affair and the Rider which was published in 1937. He went on to illustrate all of  his father’s books published during the author’s lifetime — a total of over 125 illustrations.  He also illustrated the John Carter Sunday newspaper strip, a David Innes of Pellucidar comic book feature and myriad Big Little Book covers. I remember the latter books — they were always to be found about the house during my childhood. (Died 1979.) (CE)
  • Born February 28, 1928 — Walter Tevis. Author of The Man Who Fell to Earth which became the basis of the film of the same name starring David Bowie. There’s apparently a series planned off it. He also two other SF novels, The Steps of The Sun and Mockingbird. All of his work is available from the usual digital sources. (Died 1984.) (CE) 
  • Born February 28, 1942 — Terry Jones. Member of Monty Python who was considered the originator of the program’s structure in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. (Died 2020.) (CE) 
  • Born February 28, 1946 – Leanne Frahm, age 75.  Two Ditmars as Best Fanwriter; two others, and an Aurealis, for fiction.  Seen in SF Commentary (and The Metaphysical Review); Souvenir Book for Aussiecon Three the 57th Worldcon – the year Greg Benford said “Certainly, thank you.  Are you inviting me to be Fan Guest of Honor or Pro Guest of Honor?”  Two dozen short stories (one with Terry Carr! anthologized in Stellar 7; another in TC’s Universe 13).  [JH]
  • Born February 28, 1948 – Donna Jo Napoli, Ph.D., age 73.  Fourscore novels – opinions may differ on what under “children’s” we should count.  Writes for us when not too busy as a linguist, she’s a professor at Swarthmore.  Arabian Nights, Egyptian, Greek, Norse tales for National Geographic.  Golden Kite Award, Sydney Taylor Award, Parents’ Choice Gold and Silver Awards.  Bimodal videobooks which hearing parents can read – I don’t know what else to call it – to deaf children.  [JH]
  • Born February 28, 1957 — John Barnes, 64. I read and really liked the four novels in his Thousand Cultures series which are a sort of updated Heinleinian take on the spread of humanity across the Galaxy. What else by him do y’all like? He’s decently stocked by the usual digital suspects. (CE)
  • Born February 28, 1977 — Chris Wooding, 44. If you read nothing else by him, do read the four novel series that is the steampunkish Tales of the Ketty Jay. Simply wonderful. The Haunting of Alaizabel Cray plays off the Cthulhu Mythos that certain folk don’t think exist and does a damn fine job of doing so. (CE)
  • Born February 28, 1977 – J.T. Petty, age 44.  Four novels, as many shorter stories, for us; others too.  Motion pictures, videogames.  Interviewed in Lightspeed.  [JH]
  • Born February 28, 1980 – Gareth Worthington, Ph.D., age 41.  Endocrinologist who’s given us six novels.  Studied Jeet Kune Do, which as I understand is the best ever if you happen to be Bruce Lee – no blame, great sages keep telling us It’s simple, see?  Has read Moby-Dick and A Brief History of Time.  [JH]

(9) TRIVIAL TRIVIA.

Dr. Seuss is credited with inventing the word “nerd,” which first appeared in ‘If I Ran the Zoo’ in 1950. Source: Parade Magazine

(10) VOICE FROM THE PAST. NPR reprised a 2000 interview with the author — “Stephen King: The ‘Craft’ Of Writing Horror Stories”.

In an interview on Fresh Air, King described his life-changing accident to Terry Gross but said it didn’t change the way he approached his writing….

On the nurses who took care of him

“You know, they’d all read Misery, and they worked for an outfit called the Bangor Area Visiting Nurses. These are nurses who go into the home and give home care. And I think one of them told me toward the end of the period, where I needed full-time nursing, that they had all read it, and they had all been called into the office by their superior and told in no uncertain terms, ‘You don’t make any Misery jokes.'”

Includes an excerpt from King’s book On Writing with this quote:

…Asteroid Miners (which wasn’t the title, but that’s close enough) was an important book in my life as a reader. Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she put down thinking: I can do better than this. Hell, I am doing better than this!

What could be more encouraging to the struggling writer than to realize his/her work is unquestionably better than that of someone who actually got paid for his/her stuff?

(11) NAVIGATING TREK NOVELS. The Trek Collective has “Star Trek novel updates: First Coda blurbs, details of next DS9 novel, and audiobook covers”. A forthcoming trilogy is supposed to tie everything together.

More Star Trek novel news! Following the recent reveal of the 2021 line-up of Star Trek novels, Simon and Schuster have now updated their Online Catalog with blurbs for the books coming towards the end of the year, including the first details of the Coda trilogy. Continue below for all the details.

The Coda trilogy is set to tie-up the reality of the Star Trek litverse which has been told over the last couple of decades, but was alas shunted into an alternate timeline by the new canon events of Picard. All three of the new blurbs start with the following intro, which confirms we are getting one last enormous TNG/DS9/Titan/Aventine crossover:

… Temporal Apocalypse!! Blimey. Who is the mysterious old friend, what is the nature of the disaster, how will this all mesh the litverse with the canon reality? I cannot wait to find out!

If you have no idea what the litverse is, check out the Almighty Star Trek Lit-Verse Reading Order Flowchart, compiled by Thrawn and I. You’ve got a few months to get caught up on the dozens of books leading up to this epic closing trilogy (though of course if you’re not caught up I’m sure the authors will make sure it’s entirely accessible to new readers too). 

(12) THE CHART. Indeed, the “Almighty Star Trek Lit-Verse Reading Order Flowchart” deserves an item to itself – you should see it! This is the proposed reading order for Star Trek books created by Thrawn and 8of5 for the period between the end of DS9 (1999) and Star Trek: Picard. (There are, of course, a zillion other Trek books outside this timeframe.)

If you’re a bit lost navigating the sometimes complex web of interconnectivity between the various Star Trek novels in the post-finale continuity, this is the resource you need. TrekBBS user Thrawn found a most elegant solution, with his brilliant Star Trek Lit-Verse Reading Order Flowchart. Now (as of 2020) on the version six, Thrawn and I guide you through the world of Star Trek fiction.

Whether you’re a fan of TNG, DS9, Voyager, or Enterprise the chart below will show how they spin off into New Frontier, Titan, IKS Gorkon, Vanguard, or Seekers, and crossover into Destiny, Typhon Pact, The Fall, Mirror Universe, and more; letting you chart your own path through the Trek-litverse. Once you’ve got to grips with the flow chart you might also find some of my lists a useful reference too.

(13) BLACK SWAN? StarTrek.com analyzes “How The Search For Spock Changed the Way Star Trek Got Made”.

There are several pivotal turning points in the production history of Star Trek. Pinning down the most important ones is tricky — is filming of “The Cage” more impactful than casting the second pilot, “Where No Man Has Gone Before?” What about the writing approach in Season 3 of The Next Generation? Which events truly define how Star Trek was made and why? Among the likely candidates, the moment when Leonard Nimoy took over directorial duties for Star Trek III: The Search For Spock tends to be overlooked. One June 1, 1984, The Search For Spock was released, becoming the very first Trek production crafted by one of the actors. And the way Star Trek was created behind-the-scenes would never be the same.

(14) URBAN LEGENDS. “Mars City design: 6 sci-fi cities that will blow your mind” from Inverse.

6. BRADBURY CITY – MARS TRILOGY

There are several fictional cities in Kim Stanely Robinson’s seminal SF books about the settlement of Mars — Red Mars, Green Mars, and Blue Mars — so it’s hard to pick just one. But, if you have to choose only one Martian metropolis from his books, Bradbury City is the way to go.

Named for Ray Bradbury, who wrote The Martian Chronicles, Robinson’s Bradbury City is designed to recreate a city in Illinois. Bradbury was born in Waukegan, Illinois. The Martian Chronicles features several unlikely Martian cities, some made by humans, some made by Martians. But, in almost all cases, like in “Night Meeting,” these towns and cities often have gas stations and pickup trucks.

(15) YOUTUBER. Dom Noble reviews “Raybearer ~ An African Inspired Fantasy Novel”.

(16) IT HAPPENED TO HIM, TOO? “Kevin Feige Panicking After Mom Throws Out $3.6 Billion Worth Of Superhero Crap” in The Onion. (Too short to excerpt – but I don’t need to talk anyone into reading The Onion, do I?

(17) VIDEO OF THE DAY. “The Underground Comix Movement” on YouTube is an introduction to the great independent comix creators of the late 1960s, including S. Clay Wilson, Peter Bagge, and Gilbert Shelton.

[Thanks to Martin Morse Wooster, Ben Bird Person, John Hertz, JJ, Cat Eldridge, Rich Lynch, Michael J. Walsh, Andrew Porter, Michael Toman, Jennifer Hawthorne, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]