Pixel Scroll 3/3/2017 File Thee More Stately Pixels, O My Scroll…

(1) OKORAFOR. “A Conversation with Nnedi Okorafor” at Weird Fiction Review.

WFR: Binti’s hair, or her tentacle-like okuoko almost becomes a character in its own right. It’s striking that this kind of physical transformation is both by choice but also not by choice; it reflects the physical difference with which Binti already marks herself through her otjize. There are so many layers of cultural and biological meaning wrapped up in Binti’s hair alone. Can you talk a little about this part of the story?

NO: The theme of choice and the power of culture pops up in my stories often. Before Binti, the biggest example of this is in Who Fears Death when Onyesonwu must face the decision of whether or not to go through a ceremony that required cutting off her clitoris. To many readers, the fact that she even has to think about whether or not to do this is shocking. It’s not shocking to me at all, coming from the culture that I come from where the individual is often secondary to the community. I may have been born and raised in the United States, but there are significant parts of me that are VERY Igbo (Nigerian) and I am often in conflict with these parts. This is the plight of many Nigerian Americans. And this is the root of my deep understanding about and experience of African cultures.

The same goes for Binti. Binti is a Himba girl of the future and though many things about her ethnic group change, some things stay the same. Some of those things include a strict adherence to community and culture, and the practice of applying otjize. Culture is very deep, it can’t just be shed just as you can’t shed what is part of your DNA. But culture is also alive and can incorporate things, it blend, shifts…and there are always consequences to change.

(2) EVERY TRUE FAN. At More Words, Deeper Hole, James Davis Nicoll lists “Twenty Core SF Books Every True SF Fan Should Have On Their Shelves”. Their Billy shelves, presumably.

(3) SOMETIMES THEY DO GET WOOLLY. The BBC shares “DNA clues to why woolly mammoth died out”.

Dr Rebekah Rogers of the University of California, Berkeley, who led the research, said the mammoths’ genomes “were falling apart right before they went extinct”.

This, she said, was the first case of “genomic meltdown” in a single species.

“You had this last refuge of mammoths after everything has gone extinct on the mainland,” she added.

“The mathematical theories that have been developed said that they should accumulate bad mutations because natural selection should become very inefficient.”

The researchers analysed genetic mutations found in the ancient DNA of a mammoth from 4,000 years ago. They used the DNA of a mammoth that lived about 45,000 years ago, when populations were much larger, as a comparison.

(4) KNIGHT CHECKS KING. Brooke Seipel on TheHill.com in “Actor Patrick Stewart Applying for U.S. Citizenship to Help Fight Trump” says that SirPatStew tweeted that he is applying to become an American so he can fight the Trump Administration. She also quotes from his appearance on The View.

(5) SEPARATING PAST FROM PRESENT. “The Past, Present And Future Of Sci Fi With N. K. Jemisin”, an interview with the author on WBEZ.

Johnsen: Recently, friends have asked me for recommendations of things to read or watch. They’re like, “I’ll check out anything, except sci fi.” And that drives me crazy. Because to me, that’s like saying, “Oh, I like anything except imagination.” Can you help me make the sell to the haters? Because that’s ridiculous.

Jemisin: It is ridiculous. It’s because science fiction is terrible at marketing, I think. Science fiction has, for years, allowed a fairly vocal subset of its readership to declare that the only true science fiction is stuff that was written 50 or 60 years ago, that the pulps of the ’40s is what the genre is all about. The plain fact of the matter is that it’s an art form like any other. It has evolved. It has grown. It has expanded in ways that I think it hasn’t done the best job of revealing to the mainstream.

So I would test anybody who says they don’t read science fiction or fantasy. I’d say, “OK, what was the last science fiction or fantasy that you read? Where is this coming from? Did you just watch an episode of old school Star Trek and call it a day, or are you doing this with some real information here?”

And then, there’s multiple places that I would direct them. I would take them to the Nebula list and have them look at a few years’ worth of Nebula nominees and novels. I would show them some current science fiction on television, quite a bit of which is getting critical acclaim. I’m very excited that Stranger Things season two is coming. I just watched the first season of Westworld. I had some questions and thoughts, but it’s an example of something that you can shoot to people to say, “Hey, we’ve moved on a little from Star Trek.”

(6) THIRTY BUT NOT #30#. Scott Edelman is amazed – “Hard to believe I’ve made it this far!” – to have reached Episode 30 in his series of podcasts Eating the Fantastic. This time Scott joins Richard Bowes to eat Italian in Greenwich Village.

The venue was suggested by this episode’s guest, who happens to be a long-time resident of Greenwich Village—science fiction and fantasy writer Richard Bowes, who’s a two-time winner of the World Fantasy Award, and who has also won the International Horror Guild Award as well as the Lambda Award. That photo of him below is not from Café Reggio, however, but rather from the nearby New York Frost Factory, where we went in search of something sweet after the recording.

We discussed his early career as a designer of board games for clients like National Lampoon, why “going to conventions sober is beyond me,” the political transformation of Li’l Abner creator Al Capp, why everyone during the old folk scene days loathed Bob Dylan, what attracts him about writing mosaic novels, and more.

(7) HUGHES OBIT. Hugh Zachary (1928-2016), who wrote as Zach Hughes, died September 5, 2016.The news is just now circulating in fandom, having been learned by William G. Contento.

He wrote over two dozen sf novels as Zach Hughes, and the America 2040 series as Evan Innes. He also wrote westerns, romance, and erotica. As he put it, “I’ve written in every field except bestseller.” If he never made the New York Times list, the books he wrote under a house name for “The White Indian” series of westerns did in fact sell millions of copies over the years.

Zachary gave a very entertaining interview to a UNCW oral historian in 1998 which is still online:

Hayes: So even during the radio/TV days, writing still was kind of a driving force?

Hugh Zachary: That’s what I wanted to be, yes. And I have 375 rejections before I ever sold one single thing; I was persistent if nothing else.

Hayes: Well, talk about some of those rejections. What was the, what were you writing early on then that you were trying to get in?

Hayes: That is hard.

Hugh Zachary: Some of those were poems and at that time there was a much bigger market for poetry if you could call it that. The first thing I ever sold was a poem to a magazine called, “Drift Word” and they sent me a check for $10 and they went out of business before it was published (laughs).

(8) TODAY IN HISTORY

  • March 3, 1915 — The National Advisory Committee for Aeronautics (NACA), the predecessor of NASA, was founded.

(9) TODAY’S BIRTHDAY BOY

  • March 3, 1920 – James Doohan

(10) TODAY’S DAY

I have it on good authority from Jack Lint that this is “I cannae change the laws of physics!” Day celebrated on March 3 in honor of James Doohan’s birthday

(11) THE FANBOY DEFENSE. “3D guns accused manufacturer was a ‘science fiction fanboy’, court hears”. The ABC in Australia has the story.

A man accused of manufacturing 3D printed guns is a fan of science fiction who let his hobby get “out of hand”, a Sydney court has heard.

Sicen Sun, 27, an account manager for an advertising agency, was arrested yesterday when detectives searched his Waverley unit in Sydney’s east, following a tip-off.

Officers found four imitation pistols, including 3D-manufactured semi-automatic Glock pistols and a 3D-manufactured Sig pistol, two air pistols, computer equipment and two 3D printers.

Sun was arrested and charged with various offences relating to the manufacture of firearms using a 3D printer.

At a bail hearing at Waverley Local Court this morning Sun’s solicitor, Jason Keane, said his client was a science fiction fan who got carried away with his hobby and wanted to imitate the weapons from police shows such as NCIS and video games like Call of Duty.

(12) RUMBLINGS. While hawking t-shirts, Vox Day indicated that this year’s Rabid Puppies action is about to begin.

And here’s a hint: if you like the awesome Rabid Puppies 2016 shirt, you should probably pick one up soon, as the Rabid Puppies 2017 logo is almost ready to make its debut.

(13) BRADBURY’S PIVOTAL YEAR. Now available for pre-order, The Collected Stories of Ray Bradbury: A Critical Edition, Volume 3, 1944-1945 edited by Jonathan Eller.

The original versions of an American master’s best-known tales

Though it highlights just one year of writing, this third volume of The Collected Stories of Ray Bradbury represents a crucial moment at the midpoint of his first full decade as a professional writer. The original versions of the 1940s stories recovered for The Collected Stories of Ray Bradbury, presented in the order in which they were written and first sent off to find life in the magazine market, suggest that Bradbury’s masks didn’t always appeal to his editors. The Volume 3 stories were all written between March 1944 and March 1945, and the surviving letters of this period reveal the private conflict raging between Bradbury’s efforts to define a distinct style and creative vision at home in Los Angeles and the tyranny of genre requirements imposed by the distant pulp publishing world in New York.

Most of the twenty-two stories composed during this pivotal year in his development reflect the impact of these creative pressures. This period also produced important markers in his maturing creativity with “The Miracles of Jamie,” “Invisible Boy,” and “Ylla,” which were among the first wave of Bradbury tales to reach the mainstream markets.

The early versions of Bradbury’s stories recovered for Volume 3, some emerging from his surviving typescripts and several that restore lost text preserved only in the rare Canadian serial versions, provide an unprecedented snapshot of his writing and his inspirations. Underlying this year of creativity was the expanding world of readings in modern and contemporary literature that would prove to be a crucial factor in his development as a master storyteller.

(14) PILOT PROGRAM. A genius idea, but one that will only succeed once they have an AI to fly the drones — “Rise Of The Robot Bees: Tiny Drones Turned Into Artificial Pollinators”.

With the live-model tests deemed a success, Miyako turned his attention to drones. He settled on a bee-sized, four-propeller drone, commercially available for around $100 each. He and his colleagues found that the gel alone was not enough to hold the pollen, so they added horse hair to mimic the fuzzy exterior of bees and provide an electric charge to keep the grains attached. Using fluorescent microscopy, the team observed pollen glowing in test tubes – offering strong proof that fertilization was successful.

Although artificial pollination is already possible, it’s a tedious, time-consuming process. When done by hand, using a brush to apply the pollen, a person can pollinate five to 10 trees a day, depending on the size of the trees. Tackling thousands of trees takes major manpower and a hefty budget.

But even if cost were no object, an army of pollinating robot bees would face myriad obstacles.

“There are 1 million acres of almond trees in California,” says Marla Spivak, a MacArthur Fellow and entomologist at the University of Minnesota. “Every flower needs to be pollinated to set the nut. Two million colonies of bees are trucked in to pollinate the almonds, and each colony has between ten and twenty thousand foragers. How many robots would be needed?”

(15) SANITY CLAWS. Chris Klimek reviews Logan for NPR: “’Logan’ Is The Best At What it Does – And What It Does Is Gritty”.

Long live Logan, James Mangold’s sad, stirring requiem for the X-Men franchise’s most beloved character. The only problem with calling it the boldest and most affecting superhero flick in many years is that it’s barely a superhero movie at all.

It doesn’t talk like a superhero: too many F-bombs, including its very first word. And it doesn’t walk like a superhero: No computer-generated cities are razed in its finale, no unseen thousands sacrificed. Though with its gnarly R-rated medley of stabbings, slicings, skewerings, and impalings in what has been, Deadpool excepted, a PG-13 franchise, Logan sure feels bloodier than most of its ilk. And feels is the right verb: The deaths have weight. For once. To misquote the 40-year-old tagline of the very first big-budget comic book movie, you will believe a man can cry …

… at a movie about a 200-year-old rage monster with a silly haircut and retractable knives implanted in his knuckles.

Because Logan is unlike any capes-and-tights movie we’ve seen. It does for the creaky X series what Creed did for the Rocky cycle, restoring the integrity and emotion of the earliest installments while introducing talented new blood.

(16) PRESENTING THE BILLS. The new Duck Tales trailer.

[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Scott Edelman, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 12/16/16 Pixel Bell Rock

(1) DUCKTALES. As a kid I loved my father’s Donald Duck imitation. He was so funny. That memory immediately came to mind when I read David Tennant will voice Scrooge McDuck in the reboot of Disney DuckTales. I can’t stop imagining Tennant doing my father’s duck accent. Admittedly, Tennant’s character doesn’t sound like Donald, even so, will the voice of the deadly serious Tenth Doctor really be transformed into the dialect of a Scottish billionaire duck?  ScienceFiction.com has the story.

To announce the cast for the highly-anticipated reboot, Disney XD released a video of the all-new stars singing the original series’ theme song. Headlining the quack pack for the upcoming globe-trotting adventures is ‘Doctor Who’ and ‘Jessica Jones’ star David Tennant, who will no doubt bring his particular Scottish burr to Uncle Scrooge. He’ll be joined by ‘Powerless’ and ‘Community’ star Danny Pudi, ‘Parks and Recreation’ favorite Ben Schwartz, and ‘Saturday Night Live’ staple Bobby Moynihan as the voices of mischief-making Huey, Dewey and Louie, respectively. The cast will be rounded out by Beck Bennett as Launchpad McQuack, Toks Olagundoye as Mrs. Beakley, and Kate Micucci as Webby Vanderquack. But to get in on the fun that is that unforgettable theme song, check out the video below of the cast participating in a ‘DuckTales’ sing-along:

 

(2)LICENSED TROUT. My good friend, who chooses to be identified as “Kilgore Trout” for purposes of this news item, is organizing a convention, and like good conrunners should he is licensing the music they’ll be using. But Kilgore was bemused by the aggressive terms of the ASCAP agreement —

I note their list of potentially infringing uses:

Please note that your organization is responsible for any music used at the event, including music used by exhibitors, speakers or music provided overhead by the facility in your meeting/event rooms.  

Examples of reportable music uses:

Live music (bands, soloist,pianist, harpist, etc), Disc Jockeys, karaoke, Guitar Hero or mechanical music (Internet streaming or downloaded music, CD’s, Records, Radio, iPod music,DVD’s, Videos, background music provided by the hotel or facility)

Music during the receptions & closing ceremonies

Lead in & exit music

Music used during meetings, PowerPoint presentations

Pro-speakers using music at part of their speeches, whether live or

mechanical

CD players,iPod, Music via computers in booths or exhibits

Music utilized during awards banquets, event dinners and parties

Comedians and magicians using music or parodies of songs

Multiple or large screen TV’s used at events

Flash Mobs

Zumba, Yoga and group relaxation sessions using music

Event video/DVD streamed or archived on your event website

In particular, I want to highlight “flash mobs”, “large screen TVs”, and event video as reportable. I have asked for clarification, as surely they can’t mean the presence of TVs requires a license.

Also, note the requirement for a license if the hotel provides background music in the facility. (Isn’t that an issue between ASCAP and the hotel?)

(3) DON’T RAIN ON MY PARADE. WIRED rounded up all the grumpy, sneezy and dopey designers in town to “shove a lightsaber through the Death Star’s design”. Go ahead, click on it and reward their bad behavior….

Despite its reputation as a symbol of fear and oppression and its confounding vulnerability to proton torpedoes, the Death Star continues to be a subject of endless fascination—especially in the design world. In advance of Rogue One: A Star Wars Story, a new book—Death Star Owner’s Technical Manual—lays bare the plans for the station that, presumably, get stolen by rebels, transmitted to Princess Leia, secreted in an R2 unit on board the Rand Ecliptic, and eventually made possible the Death Star’s destruction. Oh, sorry: spoilers.

Point is, the drawings of the planet-killing not-a-moon may look like gobbledygook to you, but to a trained designer, they’re fare game for criticism. And when WIRED asked a bunch of designers, architects, and other professionals for their assessments, most were not kind. That’s not just because of the Death Star’s evil connotations, but due to obvious design flaws. These include, among many other things, limited amenities for stormtroopers and other employees, defense vulnerabilities, severe aesthetic disappointments, and a real lack of creativity when it comes to disposal of waste heat.

Architect Cameron Sinclair, founder of Small Works, a firm that specializes in building solutions in post disaster zones and underserved communities, calls it “yet another techno-driven ego play by the Empire,” primarily blaming a lack of community engagement during the building’s conceptual phase. “If you look at the accommodation wings, there is little room for troopers and their families. No educational spaces, no decent public places and extremely limited access to fresh produce. (Seriously, vertical food farms have been around for generations.) All the communal spaces have been downsized due to an over emphasis on unproven technology.”

(4) LONG LIST EBOOK. David Steffen wants you to know that the Long List Volume 2 ebook was released this week. Hie thee hence!

(5) HINES BENEFIT AUCTION #18. The eighteenth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for a TGM Fundraiser: Manuscript Critique from Jessica Reisman.

Attention authors: today’s auction is for the critique of a manuscript, up to novella length (39,999 words), from author Jessica Reisman. Reisman is the author of more than 25 published stories, several of which have been honorable mentions in various Year’s Best anthologies. She won the Southeastern Science Fiction Achievement Award (SESFA) for her story “Threads.”

(6) A BUNDLE OF BRONZE. Captainco is offering a Forrest J Ackerman statue & Tales From The Acker-Mansion Bundle.

Celebrate Uncle Forry’s Centennial with a very limited faux bronze statue of Forrest J Ackerman by Dark Horse, accompanied by the Tales From The Acker-Mansion anthology. A perfect gift for any Monster Kid you know or the Monster Kid in yourself. A $300+ value for only $200!

statue-ackermansion-bundle_large

(7) MORE FAVES. Smash Dragons has picked its “Best of 2016”.

Well it’s that time of the year again. The festive season is in full swing here at the lair (no, I’m not drunk… yet), and I figured it was time I reflected on what has been an amazing year for genre fiction.

Looking back over the books I read in 2016 made me realise just how lucky I am to be a reader. I’ve witnessed the emergence of some stunning new talent this year, and I’ve rediscovered some old favourites along the way. To paraphrase George R R Martin, I’ve lived a thousand different lives over the past twelve months, and I’ve loved every single one of them! Choosing a top ten proved extremely difficult. I struggled to make my selections for a long time. However, after much deliberation and thought I managed to nut it out, and I’m pretty happy with the list I came up with. Most of the top ten have full reviews (those that don’t never fear, I will get to them soon), which I have provided links to if you’d like to check them out. I’ve also linked purchase information. It is the season of giving after all, and as a friend of mine pointed out when you buy a book you are buying two gifts essentially (one for the reader, and another for the author of the book you purchased). So be generous to those around you!

So without further ado, I give you my top ten best reads of 2016!

1 – The Fisherman by John Langan/Crow Shine by Alan Baxter

I cheated a little here, but I really couldn’t seperate the two. The Fisherman is a magnificent character- driven cosmic horror that crawled under my skin and refused to budge. Langan is a masterful storyteller, and The Fisherman is hands down one of the best books I’ve ever read, period. You can buy The Fisherman here.

Crow Shine is also an incredible book that is filled to the brim with rich and powerful dark fiction. It is one of the best collections I’ve ever read, and Baxter is one of the best short fiction writers working in the world today. I loved this book so much I even forked out a lot of money to buy a signed limited edition copy of it! Highly recommended. Check out my full review here, and buy yourself a copy here.

(8) TODAY IN HISTORY

  • December 16, 1901: Beatrix Potter’s The Tale of Peter Rabbit was first published.
  • December 16, 1983 – Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison in The Keep, seen of the first time on this day.

(9) TODAY’S BIRTHDAY BOYS

  • Born December 16, 1917 – Arthur C. Clarke
  • Born December 16, 1928 — Philip K. Dick

(10) THESE AREN’T THE CRITICS I’M LOOKING FOR. This NPR review makes Rogue One sound “meh”.

You won’t get more plot than that from me, because plot is the chief attraction in Rogue One. With Stormtroopers lurking ’round every intergalactic corner, director Gareth Edwards hasn’t much time for such other Star Warsian charms as character, grace, whimsy and, most of all, fun. He does like to linger over battles, although I can’t say their outcomes are ever much in doubt, the fears of a pessimistic droid (voiced indispensably by Alan Tudyk) notwithstanding.

We’ve been here before, and will doubtless go here again, probably with more imagination, and hopefully with more seeming to ride on the outcome. Rogue One is allegedly a standalone story, but it’s also a prequel, tied so tightly to the stories we’ve already heard that most 9-year-olds will be able to tell those nervous Nellies in the rebel alliance how it’s all going to come out, even before Jyn delivers the script’s flatfooted version of a St. Crispin’s Day speech.

(11) CURTAIN OF HISTORY DRAWN BACK. Another NPR review — “’Hidden Figures’ No More: Meet The Black Women Who Helped Send America To Space”.

Shetterly grew up in the 1960s in Hampton, Va., not far from NASA’s Langley Research Center. She’s African-American, and her father, extended family and neighbors were all scientists, physicists and engineers at NASA. But it wasn’t until about six years ago that she understood the magnitude of the work black women were doing there. She recently told NPR’s Michel Martin, “I knew that many of them worked at NASA. I didn’t know exactly what they did.”

Shetterly spent the next six years searching for more information. She researched archives and interviewed former and current NASA employees and family members. In her book, she details the journeys and personal lives of Langley’s star mathematicians, and recounts how women computers — both black and white — broke barriers in both science and society.

(12) PREDICTING THE PRESENT. The BBC tells “Why Children of Men has never been as shocking as it is now”.

Alfonso Cuarón’s dystopian thriller is one of the 21st Century’s most acclaimed films – and its version of the future is now disturbingly familiar. Nicholas Barber looks back….

If the plot harks back to two classic fictions of the 1940s, Casablanca and Nineteen Eighty-Four, the setting is breathtakingly contemporary. Cuarón doesn’t use captions or speeches to explain what has happened to civilisation, but, judging by the old newspapers we glimpse, society has been rocked by climate change, pollution, nuclear accidents, social division, and terrorist bombings. Nevertheless, all of Britain’s troubles have been blamed on asylum seekers, who are locked in cages, and then bussed to hellish shanty towns. “Poor fugees,” says Theo’s hippy friend Jasper (Michael Caine). “After escaping the worst atrocities, and making it all the way to England, our government hunts them down like cockroaches.”

The blame game

Ring any bells? Mass migration was a major issue in 2006, so it’s not surprising that it should be so central to Children of Men. But, a decade ago, no one had predicted the Syrian refugee crisis, or that the US’s President-elect would propose registering Muslims, or that the UK would vote to leave the European Union after a campaign that focused on immigrant numbers. Today, it’s hard to watch the television news headlines in Children of Men without gasping at their prescience: “The Muslim community demands an end to the army’s occupation of mosques.” “The homeland security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue.” In 2006, all of this seemed plausible enough, but perhaps a little strident, a little over-the-top.

(13) CHECK YOUR PHONE. Here are “20 Extremely Real Texts From Superheroes” selected by Cracked.

Sometimes we like to take a break from writing words about superheroes to look at images of words written by superheroes. To show you what we mean here’s another installment from our friends over at Texts From Superheroes. Check out their website here.

(14) COVER LAUNCH. Orbit has unveiled the cover and title for N. K. Jemisin’s final Broken Earth book.

The highly lauded and award winning Broken Earth series by N. K. Jemisin comes to its remarkable conclusion in THE STONE SKY. The first book in the series won the Hugo award and was shortlisted for the Nebula, Audie, and Locus award, was the inaugural Wired.com book club pick, and was a New York Times Notable Book of 2015. The sequel, The Obelisk Gate, was chosen as one of NPR’s Best of the Year and one of Amazon’s Best Books of 2016.

THE STONE SKY, publishing in August 2017, closes out a trilogy that is haunting, beautiful, and surprisingly prescient. Our earth-shattering cover for the third book was designed by Wendy Chan.

jemisin_stonesky-tp

(15) FREE FANZINES. Bruce Gillespie has made three of his fanzines available for download as PDF files from eFanzines:

SF Commentary 92, July 2016. 70,000 words. Ray Sinclair-Wood’s ‘Poems of the Space Race’, Michael Bishop’s ‘Scalehunter: Lucius Shepard and the Dragon Griaule Sequence’ and ‘I Must Be Talking to My Friends’: a cat story, plus 80 correspondents. Cover art by Carol Kewley and Ditmar.

SF Commentary 93, December 2016. 60,000 words. First part of John Litchen’s ‘Fascinating Mars: 120 Years of Fiction About Mars’; Colin Steele’s ‘The Field’: the year’s SF and fantasy books; and two accounts of ‘My Life, Science Fiction, and Fanzines’ — Bruce Gillespie and James ‘Jocko’ Allen. Cover art by Ditmar and Elaine Cochrane.

Treasure 4, October 2016. 50,000 words. Mervyn Barrett’s tales of the Melbourne SF Club during the 1960s; Robert Lichtman’s pocket history of FAPA; four tributes to John Collins (from Robyn Whiteley, Bruce Gillespie, Don Collins, and Gail Reynolds); Jennifer Bryce’s ‘Travels in the UK, 2014 and 2015’; and Robert Day’s tales of another fandom — trainspotting around Britain and Europe. Plus many correspondents.

(16) RAGE. The New Inquiry has a transcript of a panel with Deji Bryce Olukotun, Maria Dahvana Headley, and Haris Durrani — “The Changing Faces of Sci-Fi and Fantasy”.

The trio discussed the limits of heroism, the politics of reality-building, and the whitewashing of publishing. The following is a transcript, edited for length, of their conversation.

DEJI BRYCE OLUKOTUN  When PEN approached me to help organize the event, I was in the middle of reading Ta-Nehisi Coates’s Black Panther comic books, which are super popular: they sell out every week. I felt real enthusiasm that a writer of color who was a National Book Award winner and MacArthur Fellow was tackling comic books, but at the same time, I wasn’t thrilled with some of his depictions of African themes and cultures.

Let me explain a little more what I mean. I was excited that Ta-Nehisi Coates, who has been a comic book fan his whole life, is tackling the genre, but I had critiques about his technique–some of the dialogue, some of the writing. I felt the dilemma that a lot of people feel if you are from a marginalized group. A lot of voices, especially black voices aren’t making it on the page with major publishers. Was I going to actually destroy opportunities if I spoke out against his work and said, “Well, I love this part of the story but I don’t like this part”?

(17) READING THE NIGHT AWAY. Not a new article, but seasonally appropriate! From NPR, “Literary Iceland Revels In Its Annual ‘Christmas Book Flood’”.

In the United States, popular holiday gifts come and go from year to year. But in Iceland, the best Christmas gift is a book — and it has been that way for decades.

Iceland publishes more books per capita than any other country in the world, with five titles published for every 1,000 Icelanders. But what’s really unusual is the timing: Historically, a majority of books in Iceland are sold from late September to early November. It’s a national tradition, and it has a name: Jolabokaflod, or the “Christmas Book Flood.”…

What kind of books, exactly?

“Generally fiction and biographies would be the mainstays, although it varies a lot,” Bjarnason says. “Two years ago one of the surprise best-sellers was a pictorial overview of the history of tractors in Iceland.”

That book, And Then Came Ferguson, wasn’t the only unusual breakout success. Another, Summerland: The Deceased Describe Their Death And Reunions In The Afterlife, came out last year. The book, by Gudmundur Kristinsson, an author in his 80s who believes he can talk to the dead, sold out completely before Christmas 2010 — and sold out yet again after being reprinted in February 2011.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Andrew Porter, and David Steffen for some of these stories. Title credit belongs to File 770 contributing editor of the day Redheadedfemme.]