Pixel Scroll 6/19/17 Have Scroll, Will Pixel Reads The File Of A Man

(1) DISCOVERY PREMIERE SET. SciFiNow.uk has the headline story: “Star Trek: Discovery air date confirmed, beaming down in September”.

The show will launch on Monday 25 September. Which is actually not that far away when you think about it, we can be patient.

Another important detail is that the 15 episode series is going to be split into two chunks. So we’ll get weekly episodes from 25 September through to 6 November. Then there will be a break until it returns in January 2018. So, there will be more patience required, but not too much.

“Star Trek, one of the most iconic and influential global television franchises, returns 50 years after it first premiered with STAR TREK: DISCOVERY. STAR TREK: DISCOVERY will follow the voyages of Starfleet on their missions to discover new worlds and new lifeforms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself. The series will feature a new ship, new characters and new missions, while embracing the same ideology and hope for the future that inspired a generation of dreamers and doers.”

(2) ON AN EVEN KEEL.  Adam-Troy Castro makes an important point about keeping things in perspective: “I Am Not Owed Awe”.

There’s a scene during the Thomas Harris novel Red Dragon, the same work that introduced Hannibal Lecter, filmed twice for the movies and once for the TV series, where the serial killer known as the Tooth Fairy tells a captive, “You owe me awe.” This is megalomania, and one way you know the speaker is fucking crazy.

Nobody except a madman or a total asshole thinks he’s owed awe. Oh, you can make a certain exception to someone who occupies a position where awe is expected: a President, a Pope, a King, a legendary musician. In many cases, though, even they know that they receive awe because of what they are, not so much because of who they are. Get elected President, and even if you’re a total piece of shit you will expect to be greeted by orchestras playing “Hail to the Chief.” It’s part of the job description. Write Game of Thrones and you will receive awe because people are rapt. But that is not awe for you, the being who took a shit and didn’t quite manage to fully clean his ass this morning. You are still a flawed being.

Artists can earn awe. Artists can come to expect awe. The sane don’t think they’re owed awe. And the sane don’t get upset, to the point of rallying legions of single-minded asshole fans, to run amuck harassing people for the sin of not treating them with awe. That’s crazy. That’s tunnel-vision of the most insipid sort.

I am not owed awe. You are not owed awe. Nobody is owed awe.

(3) SF COSTUMING FANHISTORY. The International Costumers Guild has released a video about 16 People Who Defined Masquerade Costuming.

These artists helped to shape the art of Masquerade Costuming, which has been recognized as a legitimate art form by 4 English speaking countries and Japan as of 2014. The images are being collected for preservation by the Library of Congress.

 

(4) BOLLYHORRORWOOD. The BBC begins with some contrarian career advice in “The benign menace of Bollywood’s cult ‘monster'”.

“Don’t do a horror film unless you’re the monster. Horror audiences come to see the villains, and they come back again when those villains are in the sequels,” wrote The Economist magazine, listing things an actor should never do.

In India, many of the best-known Indian “villains” got into cinema hoping to be the hero. Things didn’t go to plan and they spent their screen-time plotting fantastic heists and murders, eyeing the heroine and getting beaten up. With some notable exceptions, like Vinod Khanna and Shatrughan Sinha – villains turned heroes – this was the norm.

What about monsters then?

In India, the movie monster became a staple of horror films made by a group of brothers called, simply, the Ramsay Brothers. Five of the seven brothers are still around, and one of them, Shyam, is still quite active.

Between 1972, when they made their first proper movie Do Gaz Zameen Ke Neeche, literally “six-feet under”, and 1994, when they made their last big movie, Mahakaal, the Ramsay brothers churned out movie after B-grade horror movie.

(5) LEIGHTON OBIT. Fanzine fan Rodney Leighton (1948-2017) died June 18. The SF Site News story says the Nova Scotia fan stayed with paperzines to the end. His titles included Life of Rodney, The Mail Carrier Brought It, and Rodney’s Fanac. His friends Steve George, and later Chuck Connor, put scans of these zines on eFanzines so he’d have some feedback from readers on the internet.

(6) BILL DANA OBIT. Comedian Bill Dana, famed for his Jose Jimenez character, died June 15 reports SF Site News. Dana was also a comedy writer – he created Don Adams’ “Would you believe…?” gags.

While Dana’s ethnic humor would not be accepted today, it was still in vogue sixty years ago. According to The Hollywood Reporter

The nation was introduced to Jimenez in a comedy sketch on [Steve] Allen’s variety show in November 1959. Struggling to speak English, Jimenez appeared in a Santa Claus outfit as an instructor at a school for wannabe Kris Kringles and interviewed by “Man on the Street” Pat Harrington Jr.

“I said, ‘My name … Jose Jimenez,’ and the [live] audience laughed,” Dana, a Massachusetts native of Hungarian-Jewish descent, recalled in a 2007 interview with the Archive of American Television. “I remember thinking, ‘This guy just said his name and everybody [went crazy] …’

…On Garry Moore’s variety program, Dana appeared as Jose the Astronaut, then recorded a comedy album with that material from a live show at the famed hungry i nightclub in San Francisco.

He sent a test pressing of the disc to the original seven Mercury astronauts — and they loved it. Alan Shepard took the code name “Jose,” and Jimenez became the astronauts’ “mascot,” Dana said. When they weren’t working, the pilots hung out at Dana’s house, and years later, he was inducted into the Astronaut Hall of Fame. (Footage of him as Jimenez on The Ed Sullivan Show can be seen in the 1983 film The Right Stuff.)

…Though it seems hard to believe in this age of political correctness, Dana and his character were embraced by the Latino community. He was honored by the National Hispanic Media Coalition and worked, largely behind the scenes, as an activist. He gave up playing the character but later regretted that.

The José Jimenez character was also one of the figures who popped his head out the window watching Batman and Robin climb a building on Batman.

(7) TODAY’S DAY

Garfield the Cat Day

Garfield The Cat Day is celebrated annually on 19th June. The day is set aside to honor all things related to the ginger feline. Garfield was famously created by cartoonist Jim Davis and appeared in a cartoon strip on 19th June 1978. Garfield’s owner: Jon Arbuckle and his dog friend; Odie, also appear in the cartoon strip.

(8) TODAY IN HISTORY

  • June 19, 1958 — Wham-O filed to register Hula Hoop trademark
  • June 19, 1992 Batman Returns hit theaters.

Batman Returns, released June 19, 1992, featured less kid- friendly characters than its predecessor. Gone was Jack Nicholson’s The Joker, and in his place were the grotesque Penguin (Danny DeVito) and a sexy Catwoman (Michelle Pfeiffer), whose costume bore a striking resemblance to something that could be purchased at a BDSM shop.

These bold characters helped make the movie a classic, but also alienated corporations such as McDonald’s that had a newfound interest in the movie franchise business via promotional tie-ins – and complained loudly about the film’s darker tone.

(9) SINCE GAMERGATE. Keri Allan’s article “Fair play: How welcome are women in games design teams?”, in for Engineering & Technology, the on-line newsletter of the UK professional body, the Institute of Engineering and Technology, includes a quote from Brianna Wu and a mention of Rhianna Pratchett.

Sampat says it’s a mistake to believe that the furore of GamerGate ended sexism in the sector. “In a lot of ways it sucked being a female developer before GamerGate, and things are slowly getting worse because people treat ‘women in games’ as a solved problem – like GamerGate was a weird year-long blip and now sexism in our industry is gone. (But) the boots on the ground are still there being assholes to women.”

Having written about anonymous harassment of women in the industry during the height of GamerGate, Brianna Wu began to receive threats of her own. She believes there’s now a better sense of the issues out there, but policies aren’t necessarily changing in response. Feeling so strongly about equal treatment in the workplace, she’s now running for Congress.

“What makes me want to scream is that no one knows me for my engineering work, only my views on women’s equality. I’ve worked so hard to become an engineer, but the truth is you’re put in this impossible situation where you can smile, go along with the system and get fewer opportunities, or speak out and be put in this box. There’s a heightened awareness, but these congenital problems aren’t really solved. I believe women need to step up and run for office, and I hope to use my position to hold hearings on sexism in the tech industry.”

Other responses to GamerGate have included promoting the hashtag #OneReasonToBe. This was started by games narrative writer Rhianna Pratchett so women could share positive experiences about working in the industry and reasons why they love games. This has gone on to spawn a popular annual panel at the Games Developer Conference (GDC), highlighting great things the sector has to offer women.

(10) ANOTHER POINT OF VIEW. Catherynne M. Valente’s Refrigerator Monologues gets an 8/10 rating from Dina at SFF Book Reviews:

From the New York Times bestselling author Catherynne Valente comes a series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress….

Each gets to tell her story in turn and here’s where my love for this book begins. Because it may be fun figuring out which superhero you’re reading about, but it is even more fun how every woman tells her story in her own voice. Pretty Polly (the Harley Quinn of this universe) talks just like you’d imagine she would. Kind of sweet-ish and girly, with a fair bit of madness added to the mix. Blue Bayou sounds angry, Paige Embry is just totally endearing, and Julia Ash (whose villain’s is aptly named Retcon) felt kind of resigned. The voices always fit and the stories these women have to tell are engaging and intriguing for more than one reason. First of all, they’re just interesting stories. Secondly, they would have fit so beautifully into their respective universes – why isn’t there space in a Spider Man movie to show Gwen Stacy as more than just the hero’s girlfriend. She had a life before him and she had a life with him, just like all the others. Their demise was incredibly heartbreaking, although obviously we know from the start that they die and if you remember the original comic books how they die. To me, that’s just another sign of how amazing a writer Valente is. If you know what happens and how it happens, and all she does is give you a little background info, give the character who is about to die a little agency and personality, and it hits you deep in the guts anyway, then yeah… that’s a great writer!

(11) CYBERPUNK DAYS. Jesse at Speculiction looks back at Lewis Shiner’s 1984 novel Frontera.

As the title hints, Frontera is about a liminal zone.  Proverbially this would be between civilization and the wilds, but in the novel’s context, there are more specific terms.  One would certainly be between existent and breaking technology.  Another is locations possible to be inhabited by humanity; Mars can be altered for human life to survive, but it’s an unnatural existence.  And the last major frontier addressed is the personal.  Dislocated from home, the major characters on Mars all are dealing with existentialist angst.  Few, if any, live in a mental comfort zone.  Curtis, the colony leader, channels his uncertainty through rigid control in an attempt to mitigate his underlying fears.  Kane dreams wild dreams of Greek dramas by night and by day questions Pulsystems intents for him. (Given how strongly our solar system reflects contemporary civilization’s dependence on the Greeks, this is a nice parallel.)  Reese, the aging astronaut, can’t face up to certain realities, and takes comfort in drink.  And disaffected by the political scene, Marysia attempts to come to terms with her new life on Mars in balance with what she knew on Earth.

(12) STYLE MAVEN. Scott Edelman is preparing to make a fashion statement at the Worldcon.

(13) FROZEN DEITIES. Fantasy-Faction’s Laura M. Hughes praises The Blood-Tainted Winter by T.L. Greylock.

Speaking of gods: no doubt you’ll recognise a few of the names mentioned throughout this story. Odin, of course; Loki, too, as well as others such as Heimdall and the Valkyries. The Blood-Tainted Winter isn’t self-conscious of itself as a Norse fantasy, yet Raef’s tale evokes a vivid sense of place and time that thoroughly immerses the reader in a land of gods, battle and betrayal. Greylock doesn’t force the Norseness so much as nurture it, weaving familiar aspects of the mythology into the book in a way that doesn’t dominate or overshadow the story being told.

You could argue that the book’s beginning is a little too leisurely; however, I enjoyed having the opportunity to get to know the protagonist a little better – and to feel pleasantly surprised and intrigued when the following chapters have him reacting in a most unexpected manner. I will say that Greylock does a wonderful job of patiently unfolding the story through the eyes of its protagonist. Raef is distant and, at times, unfathomable (though not unlikeable), functioning more as a window onto events than as someone the reader can sympathise with or live vicariously through.

(14) EARL GREY TIME. Elizabeth Fitzgerald has her Australian National Convention report up – Continuum 13.

In keeping with the natures of the protagonists, Seanan had two different kinds of cake from Cake and Madness. One was a traditional cupcake with glittery frosting. And the other… well, the other was a bit disturbing.

Watching it be eaten was a little like finding myself in the middle of the zombie apocalypse.

She also has Storyfied the panels she livetweeted.

And to wrap up the night, Amie Kaufman and Jay Kristoff discussed 1001 ways to die in space. They left the room crying with laughter, thanks to their morbid senses of humour.+

(15) BOTS. The BBC gets a JPL spokesman to tell about “Five robots that are changing everything”.

From robot simians that can clean up nuclear accidents, to powered exoskeletons that enable you to lift huge objects, robotic technologies are developing incredibly quickly. Ashitey Trebi-Ollennu, chief engineer at Nasa’s Jet Propulsion Laboratory, talks us through five robots that are changing the world.

(16) FUNNY COMMERCIAL. Sometimes people see an item and ask “Why’s that on File 770?” I have carefully searched this video without detecting any science fictional references. So when somebody asks that question, I am going to need to quickly change the subject.

Maybe I can change it with the help of an anecdote Cat Eldridge sent along with the link, about his own Coca-Cola experience.

True story. Well mostly. Once upon a time in a country where we had no intelligence assets I had a medical officer who insisted it was safer to drink coke than it was to drink the water, even the water hotels insisted had been boiled. This was the high octane stuff, full of real sugar. Drank at least three bottles a day while I was in country.

Now that the two female staffers who decided to mix and eat a salad and not soak it in iodine had a very unpleasant outcome when they discovered most explosively that it was grown in night soil… Need I tell you what night soil is? There’s a good reason the Viet Cong dipped their pungee sticks in it…

(17) NEW MEDIA CON. At VikingsCon, “Meet the cast of the History show Vikings”. They promise Amy Bailey (“Kwenthrith”) and Alexander Ludwig (“Bjorn”) will be on hand October 21-22 at the site in Maryland.

[Thanks to JJ, Chip Hitchcock, Bill Burns, Cat Eldridge, David K.M. Klaus, Lex Berman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 1/16/17 I’m A Boxticker, Jim, Not A Pixel!

(1) DEDICATED TO MEREDITH. It’s ”Appreciate a Dragon Day”.  According to the Donita K. Paul website:

Appreciate a Dragon Day was started in 2004 by Mrs. Paul to celebrate the release of DragonSpell. We encourage you to join us as we celebrate literacy and have some fun!

appreciate-a-dragon-day-e1421395592126-808x380

(2) NEANDERTHALS. Jon Mooallem delivers a thoroughly fascinating account of paleoanthropological research in “Neanderthals Were People, Too” at the New York Times.

For millenniums, some scientists believe, before modern humans poured in from Africa, the climate in Europe was exceptionally unstable. The landscape kept flipping between temperate forest and cold, treeless steppe. The fauna that Neanderthals subsisted on kept migrating away, faster than they could. Though Neanderthals survived this turbulence, they were never able to build up their numbers. (Across all of Eurasia, at any point in history, says John Hawks, an anthropologist at the University of Wisconsin-Madison, “there probably weren’t enough of them to fill an N.F.L. stadium.”) With the demographics so skewed, Stringer went on, even the slightest modern human advantage would be amplified tremendously: a single innovation, something like sewing needles, might protect just enough babies from the elements to lower the infant mortality rate and allow modern humans to conclusively overtake the Neanderthals. And yet Stringer is careful not to conflate innovation with superior intelligence. Innovation, too, can be a function of population size. “We live in an age where information, where good ideas, spread like wildfire, and we build on them,” Stringer told me. “But it wasn’t like that 50,000 years ago.” The more members your species has, the more likely one member will stumble on a useful new technology — and that, once stumbled upon, the innovation will spread; you need sufficient human tinder for those sparks of culture to catch.

I picked that paragraph because it reminds me of Robert Zubrin’s argument about the need for population growth as a prerequisite in developing a starship.

To achieve a 200-times increase over today’s GDP, we will need a population of 54 billion. We will need energy of 2500 terawatts by the year 2200.

Pounding away at the opposite conclusions reached in Paul Ehrlich’s famous book The Population Bomb, Zubrin said, “If humans destroyed more than they made, the earth would be barren already. The real resource is human creativity.” Every mouth comes with a pair of hands and a brain. If we accept Malthusian advice, and act to reduce the world’s population, we will impoverish the future by denying it the contributions the missing people could have made.

(3) THE AI TROPE. Ann Leckie’s “Vericon 2016 GoH Speech” overflows with interesting ideas, just like her fiction.

The very first robot story–the first ever use of the word “robot” in fact–is a robot uprising story. But when Karel ?apek wrote RUR he wasn’t worried about artificial intelligence. The robots of his story aren’t mechanical, they’re made of some sort of synthetic biological material. And the word “robot” which ?apek famously coined, comes from a Czech word for “slave.” It’s a story about the revolt of people made on an assembly line (the first actual assembly line had debuted just ten years earlier). It’s a story about the rebellion of people who were built to be the cheapest, most efficient workers possible, workers you didn’t have to pay, or feed anything in particular, or take any notice or care of. In other words, slaves. And ?apek ‘s story hit a nerve. It didn’t just give us the word for robot, it is the ultimate model for nearly all the robot uprising stories since. So that model–robots as slaves, with all the assumed dangers attendant on enslaving people who outnumber you–is the model we’re using when we think about super smart machines. This has not been lost on any number of science fiction writers, who have used robot and AI stories to comment explicitly on oppression and racism. But just personally–well, I won’t go into my problems with the whole “slaves in my allegory are machines and the masters are human beings” bit, though that’s kind of icky when you think about it, but on top of that I think it’s a dangerous model to use as a basis for actual, serious real world predictions about artificial intelligence.

(4) AUSSIE FANHISTORY. Now available at eFanzines.com, issues of iOTA, a fanzine with news of Leigh Edmonds’ Australian fandom history project.

Here are a pair of excerpts from iOTA #2:

  • The purpose of this little efanzine is to serve as a progress report on my current history project which is to research and write a history of Australian fandom, focusing on the period between 1956 and 1975. It is also a place where I can publish little bits and pieces of the writing and art of Australia’s fan past to help introduce you to the rich vein of material that previous generations of fans have left us.
  • Fanzine Review what you missed in 1939. Our friend Robin Johnson turns up with the most interesting things at times.  Usually it is old airline timetables – and we share an interest it air transport so we can find hours of harmless interest and amusement in airline timetables – but not on this occasion. This time it was a little fanzines with a pink cover produced in the old fashioned way using carbon paper.  (If you are not aware of this form of reproduction, I’m thinking about writing a little series called something like ‘Reproductive Pleasures’ in some future issues.  Some people have never heard of carbon paper, which means that they are young and happy folk.) This little pink and carbon paper produced fanzine is Ultra 1, produced by Eric Russell in Sydney, bearing the date October 1939.  It is probably the fourth fanzine title to be published in Australia after John Devern’s single issue of Science Fiction Review published in February 1939, Australian Fan News, a single issue of which was published by William Veney, Bert Castellari and Eric Russell in May 1939 and three issues of the JSC Bulletin (Junior Science Club) published by Vol Molesworth and Ken Jeffreys in June 1939.  (Thanks to Chris Nelson for his extensive research in this area.)  Of these early titles Ultra was among the early successful Sydney fanzines, seeing fourteen issues published between October 1939 and December 1941 when the commencement of the Pacific War brought an end to most of this kind of frivolity in Australia.

(5) GERONIMO! Neil Clarke has quit his day job and gone into editing full-time.

I’m quite excited—and a little terrified—by the prospect of taking the leap. There are a bunch of uncertainties, like healthcare costs and filling the income gap between Lisa’s new job and my old one, but we’re close enough to give this career switch a try. As some of you know, this has been a major goal of mine since my heart attack four years ago. At age fifty, and after ten years working part-time, I’m finally going to be a full-time editor!

Naturally, my first priority has to be those uncertainties I mentioned: income gap and insurance. As I see it, I have a few things to target:

  1. I’ve altered the Clarkesworld Patreon goals to include direct salary and healthcare expenses. Would be nice if it was that simple, but I figure it’s worth putting out there….

(6) HOW TO MAKE IT TO THE FINISH LINE.  The New York Times tells “Obama’s Secret to Surviving the White House Years: Books”. Some of these titles are of genre interest.

Even books initially picked up as escape reading like the Hugo Award-winning apocalyptic sci-fi epic “The Three-Body Problem” by the Chinese writer Liu Cixin, he said, could unexpectedly put things in perspective: “The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade!”

…To this day, reading has remained an essential part of his daily life. He recently gave his daughter Malia a Kindle filled with books he wanted to share with her (including “One Hundred Years of Solitude,” “The Golden Notebook” and “The Woman Warrior”). And most every night in the White House, he would read for an hour or so late at night — reading that was deep and ecumenical, ranging from contemporary literary fiction (the last novel he read was Colson Whitehead’s “The Underground Railroad”) to classic novels to groundbreaking works of nonfiction like Daniel Kahneman’s “Thinking, Fast and Slow” and Elizabeth Kolbert’s “The Sixth Extinction.”…

(7) CERNAN OBIT. “Gene Cernan, last man to walk on Moon, dies aged 82” reports the BBC.

Captain Cernan was one of only three people to go to the Moon twice and the last man to leave a footprint on the lunar surface in 1972.

The final words he spoke there were: “We leave as we came and, God willing, as we shall return with peace and hope for all mankind.”

He was the commander of the Apollo 17 mission at the time.

Twelve people have walked on the Moon, and only six of them are still alive today

(8) THOUGHT FOR THE DAY

Neil Armstrong, recalling how it felt to look back at Earth from the surface of the moon: “I didn’t feel like a giant. I felt very, very small.”

(9) TODAY’S BIRTHDAY BOY

  • Born January 16, 1948 – John Carpenter.

(10) QUOTABLE QUOTE: “In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum.” – John Carpenter.

(11) BRANDON EASTON INTERVIEW. From Motherboard, “How Diversity Writing Programs Can Help Sci-Fi Live Up to Its Ideals”.

Motherboard: What do you think is really the problem that people aren’t talking about?

Brandon Easton: A lot of the reason why white writers who are entry level aren’t getting work has nothing to do with diversity programs. It’s because showrunners are hiring their buddies who are also EP’s [executive producers] and co-producer level who have these immense salaries that eat up the budget, so that they can’t hire anybody underneath a story editor level. This is what’s going on. Everyone knows this, yet still you have all these disgruntled writers scapegoating diversity programs instead of talking about the real issue at hand, which is nepotism. If you look at how many people graduate from these programs every year that number is so fucking low, it doesn’t even register as a percentage.

Motherboard: Science fiction has a long history of being open-minded about multiculturalism. Some argue that it’s the most open-minded of the genres. Do you think that’s true?

Brandon Easton: Science fiction as a literary genre, in theory, has open-minded concepts. And the fact is that historically, black writers have not been allowed in because for a while the editors, the people who controlled it, the publishing industry itself, even if someone had a great story – once racial politics were revealed, those people didn’t get to work. Now, if you’re talking about TV and film, there has been some really cool stuff that has progressive undercurrents thematically, but, when it comes to hiring practices we still revert back to straight white men as writers and creators of science fiction. Again, I do believe science fiction in its content itself can be extremely progressive and extremely life affirming, but we’re talking about the content versus the content creators. And I think that’s the issue.

Motherboard: I still think science fiction is special versus the other genres. Not only historically in terms of casting, but because when I read the genre, I don’t care what the race of the writer is. I just want to be blown away. Show me a new way of thinking.

Brandon Easton: I don’t think anyone would disagree with that. What I’m saying is that it helps when people get the opportunity. That’s where the problem is. If you want to be really serious about it, the only genre that’s really helped black people more than anything else has been comedy. Historically, I’m going back to the early 1900s, comedy was the only place where black writers could get a chance to write. Several generations of mainstream black stars came out of comedy: Will Smith, Chris Rock, Dave Chappelle, Jamie Fox, Bill Cosby, Chris Tucker, Eddie Murphy, Steve Harvey, Tyler Perry, Wanda Sykes, Whoopi Goldberg and so many others. Comedy is where African Americans have had a shot, as opposed to science fiction, particularly television, has almost been completely closed to black writers.

(12) PRIZEWORTHY. Jonathan Edelstein’s picks in short fiction – “Another year of awards” at Haibane.

I’ll start with novelettes rather than short stories, because that way I can start with my favorite story of 2016: Polyglossia by Tamara Vardomskaya (GigaNotoSaurus, March 2016). GigaNotoSaurus doesn’t usually get much attention from reviewers and critics, but this is a rich, multi-layered story that is well deserving of an award.

Polyglossia is a story of linguistics, cultural survival, family and resistance to oppression – not necessarily in that order – set in a low-magic fantasy world that suggests the early twentieth century. I’ve mentioned before that I’m a fan of good world-building, and the world of this story is intricately detailed and plausible; more than that, the world-building is integrated into the plot and informs the characters’ actions such that no detail is wasted. The linguistics are also tightly integrated into the plot – the author is a Ph.D. candidate in linguistics with an interest in the philosophy of language, and it shows – and the politics of language and cultural preservation come to play a key part in its resolution. At the same time, the story calls into question what we call family, what duties we owe to our ancestors, and how to balance those duties against the exigencies of politics. Polyglossia is rewarding on several levels – thus far, I’ve never failed to get something new out of it with each rereading – and if I had to pick one story that defined speculative fiction for me in 2016, it would be this one.

(13) STEALING A MARCH. Dan Wolfgang very carefully avoids stepping on Sarah A. Hoyt’s Sad Puppies turf while offering slates for the Dragon Awards and Hugo Awards in “A Very Special Message About Pooka Related Sadness”.

Sad_Pookas--678x381

The post is labeled “satire,” but here are typical examples of the names and works populating the slates:

Best Editor, Long Form

Best Semiprozine

Best Fanzine

(14) ROCKET RESOURCE. Greg Hullender sends word that Rocket Stack Rank has posted its page to help people pick artists for the 2017 Best Professional Artist Hugo.

We’ve added some features to make this easier to use, based on our own use (we’ve both already used it ourselves to make our own nominations) but we’ve realized that Eric and I use it very differently, so we’d welcome feedback from others. As with much else involving awards, there’s no one “right” way, so it’s good to support a number of different ways.

Eric is the artistic one (he can actually draw), so he wants to see several pieces by the same artist and makes judgments on that artist’s style overall. When he sees things he likes, he wants to visit that artist’s site, look at their gallery—even read interviews with the artist.

I don’t know art, but I know what I like. I want to quickly flip through all the pictures, extract the ones that I like, and then winnow down the list. (“Extract” means “Press ctrl-click on the author’s name at the top of the lightbox.” That opens a new tab, with that author’s work at the top of it.)

So this year the list contains eligible pictures as well as some that aren’t eligible (either they’re from last year or else they’re from semiprozines). The award is for an artist, not a particular work, after all, and this provides a bit more context on many of the artists. No one is listed who doesn’t have at least one eligible work, though, and those are highlighted.

Since the usual way to use the list is by opening the lightbox and then flipping through the pictures, we inserted an image of the Hugo rocket to separate artists. Eric found that useful, but I discovered that I paid almost no attention to which artist was which until after I’d selected about fifteen pictures I liked.

Winnowing the list wasn’t that hard (for me—Eric’s process was more sophisticated). I looked at all fifteen just at the thumbnail scale, and dropped three or four that I decided weren’t really as good. I dropped a few more because they really only had one picture I’d liked and the rest looked different. (In one case, I went to the artist’s home page to confirm that other pics in his/her gallery really did look like the single picture I was using to judge.) When I had six, I eliminated one because I didn’t like any of that artist’s pictures that were actually qualified for 2016. (So much for the idea that it’s about the artist, not the art.)

To fill out the Hugo Ballot, I copy/paste the author’s name from the web site and for the example of that author’s work, I use a link to that artist’s place on the main Professional Artists’ page. For example, http://www.rocketstackrank.com/2017/01/2017-professional-artists.html#JulieDillon points to Julie Dillon’s work on our page. (It’s what you get when you click on her name in the lightbox.)

We’d love to know how well this works for other filers and what we might do to make it better.

(15) HIDDEN HISTORY. Lauren Sarner, in “Tim Powers Loves Conspiracies” at Inverse, interviews the author of The Anubis Gates, Last Call and Declare about hanging out with Philip K. Dick and the allure of conspiracy.

What was Philip K. Dick like?

Since his death, there has arisen a kind of caricature of him. If you just read casually, you’d get the impression that he was this drug addled, crazy visionary who imagined God spoke to him. Actually he was a very sociable, funny, realistic, generous, gregarious friend. Not at all the William Blake crazy mystique the general impression has become. If you read his last few books, like VALIS and The Transmigration of Timothy Archer, you can see that this was a rational, skeptical, humorous person. But it always does annoy me when people say, ‘Didn’t he like live in a cave and wander up and down the street talking to himself?’

(16) YOU CAN TELL A BOOK (COVER) BY ITS COVER. JJ sent this link — “The Cover of Each Max Gladstone Book Has Predicted the Cover of the Next One” from Tor.com — with a recommendation:

Okay, this is not new, but it is too fucking funny (you have to read all the way to the end for the final cover).

I say it lives up to the hype…

(17) RESURRECTED TALENT. IMDB shows some pretty hefty credits for Citizen Vader (2014):

A lonely widower stalks his deserted mansion, gloomily contemplating ending his own life. His last word may hold the key to what has sent him down this dark path.

 

Writing Credits (in alphabetical order)

Aidan Duffy
George Lucas (characters)
Orson Welles (characters)

Music Department

Bernard Herrmann original score music
John Williams original score music

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Aziz H.Poonawalla, Cat Rambo, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

2016 FAAn Awards

The winners of the 2016 Fan Activity Achievement (FAAn) awards were announced today at Corflu 33 (Chiflu) in Chicago.

The FAAn awards are presented annually to honour the best in fan writing, drawing, publishing and posting, and are voted on by fanzine fans around the world.

The voting statistics have been posted here [PDF file].

More information about this and previous years’ awards, including a full breakdown of the 2016 results, will be available on the Corflu website here.

FAAn AWARD WINNERS

Best Genzine of 2015 (tie)

Best Personal Zine of 2015

Best Special Publication of 2015

  • The MOTA Reader, edited by Dan Steffan

Best Fan Website of 2015

Best Fan Writer of 2015

  • Roy Kettle

Best Fan Artist of 2015

Best Letterhack of 2015 (The Harry Warner, Jr. Memorial Award for Best Fan Correspondent)

  • Paul Skelton

Best Fanzine Cover of 2015

Number One Fan Face of 2015
(not voted, but totalled from the other eight categories)

  • Dan Steffan

Lifetime Achievement Award

The Lifetime Achievement Award has been presented at Corflu since 2010, to honor a living fan for their fan activity over a long career in fandom. It is not a FAAn award; in most years winners have been selected from nominations by a small committee, usually (as this year) including recent Corflu chairs and the FAAn Awards administrator. Previous winners are listed alongside the FAAn awards on the awards history page [link: http://corflu.org/history/faan.html ]

[Thanks to Claire Brialey for the story.]

FAAn Awards Voting Deadline April 23

The Fan Activity Achievement (FAAn) awards voting will remain open until April 23. The award honors the best in fan writing, drawing, publishing and posting. The awards will be presented at Corflu 33 on May 15.

Claire Brialey, the award administrator, encourages fans to get involved:

Anyone interested in science fiction fanzines is eligible to vote on the FAAn awards; please do take part if you’d like to recognize and celebrate what you’ve enjoyed about fanzines in the past year. The awards are voted on by fanzine fans around the world and the results are now usually announced at Corflu – but you don’t need to be a member of this year’s, or any other, Corflu in order to vote.

The FAAn Award categories are Genzine, Personalzine, Special Publication, Fan Website, Fan Writer, Fan Artist, Letterhack, and Fanzine Cover.

More information about this and previous year’s awards, together with a downloadable ballot form with voting instructions, can be found on the Corflu 33 website.

Bill Burns is hosting a display of covers from 2015 fan publications at eFanzines.

There will be further reminders, but don’t let that stop you voting relatively early. If you vote often, only the last ballot received before the deadline will count.

MacDermott Fanhistorical Essay Posted

Who started the first science fiction club? Aubrey MacDermott said he did in his 1987 article Recollections on the Origins of Science Fiction Fandom 1917 to 1948 now posted at Bill Burns’ eFanzines. A PDF of the manuscript (in Andrew Porter’s keeping) is also available for download.

Here’s an excerpt of MacDermott’s narrative:

Raymond A. Palmer, later editor of AMAZING, told me some years later that after I had organized the Eastbay Club in April 1928 Aubrey Clements in Georgia and Walter Dennis, Paul McDermott and Sid Gerson in Chicago had also formed fan clubs, and Richard Leary formed one in Boston. Ray was the eighth member of Clements’ club.

The Christmas of 1928 I received a Christmas card from Peter Schuyler Miller and a letter about the trouble he was having with a story about Mars, “The Titan”. I also received a Christmas card and autographed photo from Edgar Rice Burroughs which I proudly showed to the club members, an enlargement of which is now on my library wall.

In the spring of 1929 Ray Palmer organized the Science Correspondence Club, based on Clements’ and Dennis’ clubs. Later Richard Leary’s Bay State Science Club of Boston joined. But our own club voted not to merge. Clifton, Lester and myself joined immediately. Eventually most of the other club members joined.

At last some signs of life from New York. Allen Glasser formed the “Scienceers Club” on December 11, 1929. He proclaimed that it was “the first real club”, ”real” meaning that it took place in New York City. It soon fell apart. However, Sam Moskowitz in his “Immortal Storm” accepts Allen’s statement at face value Others in their histories of fandom copied Sam’s mistake without checking.

Early club history has been the topic of a couple File 770 posts, with some great discussion in the comments — see “Early Science Fiction Clubs: Your Mileage May Vary” and “The Planet: One Last Landing”.

MacDermott’s essay also has been uploaded to Fancyclopedia 3, which includes many links to names, places and events mentioned in the text.

[Thanks to Bill Burns, Mark Olson and Andrew Porter for the story.]

Pixel Scroll 2/1/16 By the Pixels of Babylon, I Scrolled, For I Remembered Filing

(1) PRELIMINARY PUPPIES. Vox Day issued his first “preliminary recommendations” today: “Rabid Puppies 2016: Best New Writer” (Preliminary, since he may change them based on feedback about eligibility, or for other reasons.)

To kick things off, we’ll begin with the Campbell Award: Best New Writer category:

  • Pierce Brown
  • Cheah Kai Wai
  • Sebastien de Castell
  • Marc Miller
  • Andy Weir

There was a noteworthy exchange in the comments.

[Phil Sandifer] Just for the record, Vox, the only reason Andy Weir wasn’t on the ballot last year was the Puppies. Without you, the Campbell nominees last year would have been Chu, Weir, Alyssa Wong, Carmen Maria Marchado, and Django Wexler.

[VD] Oh, Phil, you’re always so careless. That is not the only reason. It is a reason. Had you SJWs favored Weir over Chu, he would have also been on the ballot.

In any event, since you all are such champions of Weir, I’m glad we will all be able to join forces and get him nominated.

(2) GRRM REQUESTS. After announcing that the Locus Recommended Reading List is online, George R.R. Martin explicitly said

Just for the record, before the issue is raised, let me state loudly and definitively that I do not want any of my work to be part of anyone’s slate, this year or any year. But I do feel, as I have said before, that a recommended reading list and a slate are two entirely different animals.

— an announcement whose timing may be more relevant today than it would have been yesterday.

(3) LOCUS SURVEY. You can now take the Locus Poll and Survey at Locus Online. Anyone can vote; Locus subscriber votes count double. Voting closes April 15.

Here is the online version of the 46th annual Locus Awards ballot, covering works that appeared in 2015.

In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth).

As always, we have seeded the ballot with options based on our 2015 Recommended Reading List [this link will open a new window], mainly because this greatly facilitates tallying of results. However, again as always, you are welcome to use the write-in boxes to vote for other titles and nominees in any category. If you do, please try to supply author, title, and place of publication, in a format like the options listed, where appropriate.

Do not vote for more than one item in a category at the same rank (e.g. two selections ranked 1st); if you do, we will disregard your votes in that category.

File 770 is seeded in the Best Magazine or Fanzine category and would cherish your fifth place votes. Or twenty-fifth, for that matter – the competition is formidable.

(4) IT IS THE END MY FRIEND. And perhaps this is the right place to admire John Scalzi’s Whatever post title: “The End of All Things on the 2015 Locus Recommended Reading List”.

(5) STATISTICS. Brandon Kempner at Chaos Horizon began the month of February by “Checking Back in with the SFWA Recommended Reading List”. He prepared a change table and interpreted the rising fortunes of various novels, beginning with the greatest uptick —

What does this tell us? That Lawrence M. Schoen’s Barsk has emerged as a major Nebula contender, despite being lightly read (as of January 30th, this only has 93 ratings on Goodreads, 31 on Amazon, much much lower than other Nebula/Hugo contenders). That’s due in part to Schoen’s late publication date: the novel came out on December 29, 2015. That’s a tough time to come out, as you get lost in the post-Christmas malaise. A Nebula nomination would drive a lot of attention to this book. Schoen now seems like a very good bet for the Nebula, particularly when we factor in that he received Nebula nominations in the Best Novella category in 2013, 2014, and 2015. There’s clearly a subset of Nebula voters that really like Schoen’s work; a Best Novel nomination might be a spark that gets him more read by the rest of us.

(6) CONGRATULATIONS SCOTT EDELMAN. He did it! Scott Edelman celebrates a special sale in “Never give up, never surrender: My 44-year question to sell a short story to Analog”.

I’ve lost track of how many submissions I made to Analog during the intervening years, first to Ben Bova, then Stan Schmidt (for more than three decades!), and now Trevor Quachri. Were there 25 short stories? Fifty? It’s probably been more than that, but I don’t know for sure. And it doesn’t really matter.

What matters is—in the face of rejection, I kept writing.

What matters is—in the face of rejection, I kept submitting.

What matters is—I never took it personally. I knew that I wasn’t the one being rejected—it was only the words on the page that weren’t the right match.

(7) WILL EISNER AUCTION. The Comic Book Legal Defense Fund is auctioning books from Will Eisner’s personal collection.

Will Eisner wasn’t just the godfather of comics, a creative force who changed the face of modern comics — he was also a staunch advocate for the freedom of expression. In celebration of Eisner’s indomitable talent and advocacy, CBLDF is delighted to offer up for auction books from Eisner’s own personal collection!

All books in this collection come from the late, great Will Eisner’s personal library. The books from this collection are bookplated with Eisner’s own personalized bookplate, featuring his most famous creation, The Spirit. Most of the books in this collection are signed and personalized to the master himself by creators whom Eisner inspired over his illustrious 70-year career

The items are on eBay. The CBLDF’s post has all the links to the various lots.

(8) FAN ART AT RSR. I see that with help from eFanzines’ Bill Burns, Rocket Stack Rank terrifically upgraded its “2016 Fan Artists” content. Gregory N. Hullender explains.

With the help of Bill Burns, we’ve updated the Best Fan Artist page at RSR to include cover art from eFanzines (plus a few that Bill scanned by hand). This doubled the number of artists and tripled the number of images, making it comparable to the Pro Artist page.

(9) INCONCEIVABLE. Japan’s huge convention Comic Market, aka Comiket, which draws half a million fans (in aggregate over three days) expects to be bumped from its facilities in 2020. What could bump an event that big? The Olympics. Anime News Network reports —

Tokyo Big Sight, the convention center where Comiket is usually held, announced earlier that it would not be able to hold the convention between April 2019 and October 2020. Event spaces have been closing throughout the Tokyo area for the past decade. Tokyo Big Sight has also announced that industry booths at this summer’s Comiket would close after two days (instead of the usual three) to accommodate construction work to expand the building for the upcoming Olympics.

(10) TAKE YOUR HANDS OFF THE CANON. We might call this a contrarian view.

(11) TODAY IN HISTORY

  • February 1, 2003 – Space shuttle Columbia broke apart during re-entry, killing all seven astronauts aboard.

(12) TODAY’S BIRTHDAY BOY

  • February 1, 1954 – Bill Mumy, soon to be seen in Space Command.

(13) WOODEN STARSHIP. A Washington Post article about the renovation of the original Starship Enterprise model reveals it was mostly made from big pieces of wood. When ready, the Enterprise will be displayed in a slightly more prestigious spot .

Collum said the model had long hung in the gift shop of the Air and Space Museum on the Mall. Now it is headed for the renovated Milestones of Flight Hall there.

“The historical relevance of the TV show, and this model, has grown,” he said. “So it’s now being brought up into the limelight, and it’s going to be in the same gallery as the ‘Spirit of St. Louis’ [and] the Apollo 11 command module.”

(14) HOW GAMES INSPIRE ENGAGING FICTION. N. K. Jemisin in “Gaming as connection: Thank you, stranger” talks about the aspect of game play that challenges her as a writer. (Beware spoilers about the game Journey.)

I see a lot of discussion about whether games are art. For me, there’s no point in discussing the matter, because this isn’t the first time I’ve had such a powerful emotional experience while gaming. That’s why I’m still a gamer, and will probably keep playing ’til I die. This is what art does: it moves you. Maybe it makes you angry, okay. Maybe it makes you laugh. Not all of it is good, but so what? There’s a lot of incredibly shitty art everywhere in the world. But the good art? That’s the stuff that has power, because you give it power. The stuff that lingers with you, days or years later, and changes you in small unexpected ways. The stuff that keeps you thinking. Right now I’m trying to figure out how to recreate that game experience with my fiction.

(15) SF IN CHINA. Shaoyan Hu discusses“The Changing Horizon: A Brief Summary of Chinese SF in Year 2015”  at Amazing Stories. Quite an impressive roundup.

Fandoms

There were more than 70 college SF clubs in China in year 2015. Compared to 120 clubs in 2012, the number was reduced. However, two independent fandoms, Future Affairs Administration in Beijing and SF AppleCore in Shanghai, were still very active.

SF AppleCore is the most important fandom in Eastern China. Last year, in addition to orchestrating the annual Shanghai Science Fiction and Fantasy Festival, SF AppleCore continued to operate on a regular base to bring about the public SF events such as AppleCore Party (speeches and gatherings of fans) and AppleCore Reading Group.

Future Affairs Administration was the backbone behind the 2016 Worldcon bid for Beijing. Although the bid was not successful, they organized the Chinese Nebula Award ceremony in 2014. Last year, this fandom was consolidated into a media platform for SF and technology related information, although the function for fan events still remained.

(16) WORLDS OF LE GUIN. The Kickstarter fundraising appeal for Arwen Curry’s documentary Worlds of Ursula K. Le Guin has begun. So far, 514 backers have pledged $39,699 of the $80,000 goal. The SFWA Blog endorsed it today:

Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples she heard as the daughter of prominent 19th century anthropologist Alfred Kroeber.

Le Guin’s story allows audiences to reflect on science fiction’s unique role in American culture, as a conduit for our utopian dreams, apocalyptic fears, and tempestuous romance with technology. Le Guin, by elevating science fiction from mind candy to serious speculation, has given permission to younger mainstream writers like Michael Chabon, Zadie Smith, and Jonathan Lethem to explore fantastic elements in their work.

(17) CGI OVERDOSE? At Yahoo! News, “These ‘Star Wars’ Blooper Reels Show Exactly Why the Prequels Failed”.

The blooper reels for the Star Wars prequel films have been available for a while, but there’s a noticeable trend with all of them. Nearly every blooper — genuinely funny or otherwise — is filmed within a green screen backdrop.

 

[Thanks to Janice Gelb, JJ, Petrea Mitchell, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]

Pixel Scroll 1/19/16 That Wretched Hive of Scrolls and Pixelry

(1) LE GUIN’S PROTEST. Ursula K. Le Guin’s letter to the editor in The Oregonian concisely explains the injustice of allowing Ammon Bundy and company to continue occupying a federal wildlife refuge.

Federal land: The Oregonian’s A1 headline on Sunday, Jan. 17, “Effort to free federal lands,” is inaccurate and irresponsible. The article that follows it is a mere mouthpiece for the scofflaws illegally occupying public buildings and land, repeating their lies and distortions of history and law.

Ammon Bundy and his bullyboys aren’t trying to free federal lands, but to hold them hostage. I can’t go to the Malheur refuge now, though as a citizen of the United States, I own it and have the freedom of it. That’s what public land is: land that belongs to the public — me, you, every law-abiding American. The people it doesn’t belong to and who don’t belong there are those who grabbed it by force of arms, flaunting their contempt for the local citizens.

Those citizens of Harney County have carefully hammered out agreements to manage the refuge in the best interest of landowners, scientists, visitors, tourists, livestock and wildlife. They’re suffering more every day, economically and otherwise, from this invasion by outsiders.

Instead of parroting the meaningless rants of a flock of Right-Winged Loonybirds infesting the refuge, why doesn’t The Oregonian talk to the people who live there?

Ursula K. Le Guin

Northwest Portland

Think Progress has a story about the letter with more comments by Le Guin.

Le Guin told ThinkProgress that the letter was printed unchanged, and she “got a pleasant note informing me it was to be published,” but nothing more from the paper or the author. A request for comment to the Oregonian’s public editor went unanswered as of publication.

The science fiction author is not alone in wanting the ranchers to return Malhuer to the public. Most Western voters, according to a recent poll, disagree with Bundy and do not want the states to take over public lands.

“We have been going out to the Steens Mountain area, on and near the Wildlife Refuge, for 45 years — first to teach summer classes at the field station, later just to be there in the grand high desert country,” she said. “We spend a week every summer on a cattle ranch very close to Refuge lands. I am proud to consider the family who own the ranch and the local hotel as friends, and I have learned a great deal from them. The Refuge Headquarters is a quiet, fragile, beautiful little oasis that is particularly dear to us.”

(2) WHAT IF BOOK FESTIVALS PAY WRITERS? Claire Armitstead’s opinion piece in the Guardian argues the burden of paying writers to attend book festivals would have unintended side-effects: “Book festivals are worth far more than fees”.

Philip Pullman became cheerleader for a growing band of refuseniks last week when he resigned as president of the Oxford literary festival because it didn’t pay speakers. Thirty more writers immediately picked up the chant, with a letter to the trade journal the Bookseller calling for all authors and publishers to boycott festivals that expected writers to appear for free.

…Edinburgh is one of the biggest festivals and an honourable exception to the no-pay rule, offering the same flat rate to all its contributors. But it’s not unusual to hear writers grumbling that this is tokenism, and no recompense for the hours (and expense) of travelling. So what is a reasonable return? Should it be calibrated to audience size, or offset against book sales? Or should it be a flat rate – only bigger than it currently is?

There are now more than 350 literary festivals in the UK, which adds up to a whole heap of calls on writers’ time and energy – and one argument is that if they can’t afford to pay contributors they should simply shut down. But small festivals do more than simply put writers on stage; they support local bookshops and create a buzz around books. They circulate flyers publicising authors and their work. They are part of the great reading group boom that has bolstered book sales by turning reading into a social activity.

…So while I have every sympathy for hard-pressed authors, I feel they need to be careful what they wish for. The logic of the marketplace – in book festivals as in every other arena – is that, were fees to become obligatory, the haves will end up having more, while the have-nots will find themselves banished to outer darkness. It would mean the end of a golden era of access to books and the people who write them. And that would be impoverishing for all of us.

(3) OXFORD MAY PAY WRITERS. Philip Pullman and other protesting writers have made the Oxford Literary Festival consider paying authors.

In a statement issued on Tuesday morning, the Oxford literary festival said that it “recognises and understands the strength of feeling in the literary community regarding the payment of speaker fees to authors and writers and we are sympathetic to this cause”.

But, adding that it is a registered charity that receives no public funding, with no full-time staff, supported by a team of 40 unpaid volunteers, the festival said that “for every £12 ticket sold, a further £20 in support has to be raised from our generous sponsors, partners and donors in subsidy”. The festival’s current supporters include FT Weekend and HSBC.

“We have of course been aware of the debate regarding author payments for some time, but given the limitations of the tight budgets we run to (the festival’s last audited accounts show a loss of £18,000 in 2014) paying each speaker would require an additional 15% in costs or £75,000 for the 500 speakers across our 250 events planned for 2016,” said the festival.

Once this year’s event in April is over, organisers have nonetheless said that they “will meet with all interested parties to discuss how to achieve payment of fees for all speakers – while safeguarding the presence of our record levels of unknown writers for 2017 and beyond”.

(4) ONE LORD A’LEAPING. Middle-Earth political science student Austin Gilkeson lectures on “The Illegitimacy of Aragorn’s Claim to the Throne” at The Toast. (Traffic to the post is hyped by the GIF of a flaming Denethor hurling himself from the promontory of Minas Tirith.)

After the War of the Ring and Denethor’s death, Gondor did embrace Aragorn as its new king, partially because he’d arrived at the head of an army of the Dead. But while “commands a terrifying ghost army” is a fantastic qualification for fronting a Norwegian black metal band or a community Halloween parade, it’s less than ideal for ruling a vast and diverse country of the living.

Even worse, Aragorn’s supposed suitability to rule is directly tied to his pure Númenorean blood….

Given that the Númenoreans ruined their civilization to the point that it was personally destroyed by God Himself, the Gondorrim probably shouldn’t have been so quick to crown a long-lived, pure-blooded Númenorean like Aragorn. They’d probably have been better off elevating Pippin Took to the throne. Hobbits at least dally with the good things in life: hearty food, heady ales, fireworks, and weed.

(5) EVERYMAN HIS OWN NUMENOREAN. Stephen Hawking issued another warning that humanity may wipe itself out in years to come.

Cheery physicist Professor Stephen Hawking says that mankind could be wiped out by our own creations within the next 100 years.

Answering audience questions at this year’s BBC Reith Lectures, he said that our rush to understand and improve life through science and technology could be humanity’s undoing.

He has previously suggested that colonising other planets will be the only way that the human race can survive, but he warns that we may lose Earth to some kind of major disaster before we have a chance to properly do so.

“Although the chance of a disaster to planet Earth in a given year may be quite low,” he explained, “it adds up over time, and becomes a near certainty in the next thousand or ten thousand years.

(6) SFWA KICKS IN. Science Fiction Writers of America has begun donating to some non-members’ crowdfunded self-publishing efforts.

Beginning in January, SFWA will be making small, targeted pledges to worthy Kickstarter projects projects by non-members, designating them a “SFWA Star Project.” Projects will be selected by the Self Publishing Committee, coordinated by volunteer Rob Balder. Selections will be based on the project’s resonance with SFWA’s exempt purposes, and special preference will be given to book-publishing projects in the appropriate genres.

Funds for these pledges will come from the SFWA Givers Fund, from a $1000 pool approved by the Grants Committee in December. When a pledge results in receiving a donor reward such as a signed book, these items will be auctioned off at fundraising events, to help replenish the Givers Fund.

The first two Star Projects are:

SFWA President Cat Rambo also blogged about the initiative.

Over the past few years, I’ve been helping with the effort to open SFWA doors to professional writers publishing outside the traditional structure, to the point where we are the only writers organization (I believe) to accept crowdfunded publications as membership qualifying material. The Star Project effort ties in nicely with that and it’s gratifying to see SFWA continue to expand to match the changing needs of professional F&SF writers.

(7) BETTER THAN THE FILM. Rachael Acks has a completely entertaining and THOROUGHLY SPOILERY review of SyFy’s theatrical release 400 Days. You’ve been warned. And it’s safe to read the first paragraph, where nothing is given away  –

400 Days is the first theatrical release film from a company (SyFy) that’s been cranking mediocre to howlingly (we hope intentionally) funny terribad movies out onto its cable station for years. Getting in to movie theaters is a big deal, a major investment, but doesn’t necessarily guarantee a movie’s actually good, right? Let me tell you, I’d rather watch a SyFy offering any day than Transformers 4. But is this Syfy going legit, so to speak?

(8) RSR INDEXES ARTISTS. Rocket Stack Rank has now added exhibit and viewing tools for a wide number of creators eligible in the Best Professional Artist and Best Fan Artist categories. Gregory N. Hullender says, “The value we’ve added here is that we’ve gathered together hundreds of online images and set up a lightbox so people can riffle through them quickly.”

The drawback to the Best Fan Artist exhibit is that it features only semiprozine cover contributors at the site, and a link to eFanzines’ cover index where one can see some artwork in fanzines produced as PDFs. I will be the first to agree there are technical barriers and questions about permissions in the way of indexing art from PDFs (in contrast to semiprozine covers which are already available online) – however, RSR needs to figure out how to present fan art on a level playing field.

(9) TODAY IN HISTORY

  • January 19, 1990 — Natives of a small isolated town defend themselves against strange underground creatures in Tremors, seen for the first time on this day in 1990.

(10) TODAY’S BIRTHDAY BOY

  • Born January 19, 1809 – Edgar Allan Poe

(11) CONRUNNERS COULD USE MORE FANS LIKE THIS. Icelandic strongman Hafthor Bjornsson, known for his role as “The Mountain” on HBO’s Game of Thrones set a Guiness World Record for being the fastest person to carry two refrigerators 65 feet.

(12) CLEVELAND THANKS THE FANS. In response to a club’s charitable work, “Cleveland celebrates Star Trek’s roots with thank you to The Federation”.

Cleveland City Councilman Martin Keane will present a resolution of appreciation at 7 p.m. PJ McIntyre’s, on Lorain Avenue in Kamm’s Corners, is hosting a celebration from 11 a.m. to 8 p.m.

According to the resolution, the 60-member Cleveland chapter, named the USS Challenger — named to honor the crew of the ill-fated space shuttle Challenger — has raised $15,000 for local charities, and has conducted annual drives for food for local food banks; supplies for local animal shelters; Toys for Tots campaigns and supported March for Babies, Heartwalk and Laura’s Home.

Given that the reporter pointed to another Cleveland/Star Trek connection — did you know Majel Barrett was a native of suburban Shaker Heights? — it’s a pity no one told her that Roddenberry previewed the show for fans at the 1966 Worldcon in Cleveland.

(13) LOVECRAFT LETTERS. Heritage Auctions will take bids on a parcel of 10 handwritten letters by H. P. Lovecraft at its Rare Books Auction #6155 on April 6. The letters to aspiring author Frederic Jay Pabody are full of writing and publishing advice.

Lovecraft recounts recent visits with his “literary friends” R.H. Barlow and Adolphe de Castro, the suicide of Robert E. Howard, other “weird” fiction authors, the nature of good marriages and bad marriages, religion (or the lack thereof), Atlantis, some splendid passages about the nature of “seriously artistic” weird fiction, and his repeated inveterate hatred of typewriters.

One highlight from the letters includes a hand drawn map or, as Lovecraft calls it, a “rough Mercator’s Projection chart” of Kusha, a land associated with the myth of Atlantis.

Another letter, displaying Lovecraft’s somewhat morbid sense of humor, describes his short story “The Haunter in the Dark”, in which he kills off a character based on his friend and fellow writer Robert Bloch, as “a kind of revenge.”

In both ‘The Dark Demon’ and ‘The Shambler from the Stars’ Bloch has a figure modelled more or less after me come to a hideous end. Well- I’ve survived other fictional deaths – Long having left me as a charred cinder on the floor of my apartment over a decade ago in “The Space-Eaters.” In a recent unpublished mss. Kuttner kills off Bloch, himself, + myself under thin disguises… slaughter de-luxe! I am decapitated – but my head is later found with its teeth buried in his carotid artery. Nice, wholesome ideas the boys have!” (December 20, 1936).

(14) BUGS. Kudos to Black Gate’s John ONeill for turning today’s entomological headline into a beautiful genre blog post – “I Don’t Mean to Alarm Anyone, But We’ve Discovered Giant Insects on Monster Island”.

(15) PEOPLE OF EARTH. TBS has given a series order to People of Earth, a comedy starring Daily Show alum Wyatt Cenac as a skeptical journalist investigating a support group for alleged alien abductees.

In the series, from Conan O’Brien and Greg Daniels (The Office) and formerly known as The Group, Cenac’s Ozzie Graham slowly becomes sympathetic to the survivors’ stories and eventually comes to suspect that maybe he is an abductee, as well.

The cast includes Ana Gasteyer (Suburgatory), Oscar Nuñez (The Office), Michael Cassidy (Men at Work), Da’Vine Joy Randolph (Selfie), Brian Huskey (Veep) and Tracee Chimo (Orange Is the New Black).

 

[Thanks to Will R., Brian Z, Cat Rambo, Jim Reynolds, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Sasquan’s Donations

Sasquan, the 2015 Worldcon, announced today that it has distributed some surplus funds from the convention.

KEY

Pass-On Funds

Worldcon-Related Donations

  • The Hugo Awards (MPC) Grant: MPC is the Mark Protection Committee, an adjunct of the World Science Fiction Society that registers and monitors usage of the Worldcon’s service marks.
  • Worldcon History Organization: The Worldcon Heritage Organization, incorporated in 2012 as a Colorado nonprofit, acquires, maintains, stores, and displays the Worldcon History Exhibits.

Other Donations

  • ASFA: The Association of Science Fiction & Fantasy Artists.
  • Con-or-Bust helps people of color/non-white people attend SFF conventions.
  • DUFF: The Down Under Fan Fund, created to increase the face-to-face communication between science fiction fans in Australia and New Zealand, and North America.
  • Efanzines hosts fanzines online.
  • FANAC.org is “is devoted to the preservation and distribution of information about science fiction and science fiction fandom.” It hosts an extensive online archive of fanhistorical material.
  • International Costumers Guild: anaffiliation of amateur, hobbyist, and professional costumers dedicated to the promotion and education of costuming as an art form in all its aspects.”
  • Westercon 69: The 2016 Westercon in Portland, OR.
  • Westercon 70: The 2017 Westercon in Tempe, AZ.

Donation amounts were not stated in today’s announcement, although it is known that DUFF received $2,000as did TAFF.

Harry Bell Classic Fan Art Collection Free Online

BellissimoCoverBellissimo! The Harry Bell Art Anthology, a 122-page retrospective portfolio of Harry Bell’s fan art edited by Rob Jackson and originally published on paper in 2006 is now available for the first time as a free download at eFanzines.

Harry Bell is Rotsler Award recipient (2004) for lifetime work by a fanartist. He has won two Fan Activity Achievement Awards, in 2014 for the cover of Inca #9 and in 1977 as best humorous fan artist. He also was nominated for a fan artist Hugo in 1979.

The collection’s editor, Rob Jackson, offers this introduction to Harry Bell:

Harry has been known for years for his cartooning skills, his fannish wit and sense of humour, and his eye for line and detail, among many other qualities.   He started with his own fanzine, Grimwab, in the Sixties, but really came to notice in the Seventies as part of the Newcastle/Sunderland group, Gannet-fandom, who were one of the most productive groups of fanzine fans around then.   (I know, I walked round our dining room table many times collating quite a lot of those fanzines.)  With the growing links with US fandom at that time as well as better fanzine reproduction, he helped set new standards for layout and visual humour in British fanzines.  And we had fun, dammit.

Quite a lot of these pieces count as rarities – they are from some obscure fanzines, some fairly exclusive ones and there are also some previously unpublished pieces.

[Thanks to Bill Burns for the story.]

The Cover Story

The Fan Activity Achievement (FAAn) Awards feature a new Best Fanzine Cover category this year.

Bill Burns has added a page to eFanzines of cover images from electronic and paper fanzines published in 2012 so voters can familiarize themselves with the contenders for the award.

Strictly speaking, this is an assembly of the front pages from 2012 fanzines. Some have full-page art (my idea of a cover), while others combine text and a decorative illo or background image.

Voting is open to all fans, not only Corflu members. A copy of the FAAn ballot with voting instructions is available here [PDF file]. The deadline to submit your vote is April 6, 2013.

[Thanks to Andrew Porter for the story.]