HWA Celebrates Women in Horror Month

In February the Horror Writers Association blog is posting interviews with award-winning women authors. Here are the highlights of the first week.

Elizabeth Massie – February 7

Elizabeth Massie

What advice would you give to new female authors looking to break into horror?

Read extensively across the genre. AND read extensively outside the genre. Write what you want to write how you want to write it. Don’t write as if your mother is looking over your shoulder; let the stories flow freely. If you need a story to be graphic, go there. And if you want a story to be more subtle and quiet, go there. Don’t feel that you have to write splatter/gore to prove yourself. And don’t feel you can’t write splatter/gore if the story demands it. Meet other writers – both female and male. Attend conventions or conferences if you can. Don’t be arrogant but be bold.

Ellen Datlow – February 6

Ellen Datlow

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

ED: I’ve won twice for original anthologies: Haunted Legends (with Nick Mamatas) and Fearful Symmetries and twice for The Year’s Best Fantasy and Horror (one of those with Terri Windling and one with Gavin J. Grant and Kelly Link).

As an editor I’ve been inspired by three people:

Maxwell Perkins, the mainstream editor of F. Scott Fitzgerald, Ernest Hemingway, and other American greats. He inspired me by his relationships with his authors-his nurturing and pushing them to create their best work.

Judith Merril, the great sf/f editor (and writer) inspired me by being generous in her definition of science fiction and her perspicacity in embracing mainstream writers works of the fantastic in her Year’s Best Science Fiction reprint series.

Harlan Ellison (also, a brilliant writer) for his two seminal anthologies Dangerous Visions and Again, Dangerous Visions. They broke boundaries, they smashed taboos and many of the stories in those books have become classics.

Paula Guran – February 5

Paula Guran

Do you think women in horror face more difficulties than their male peers?

PG: If you are talking about a woman who writes or edits, I think the challenges are about the same now in publishing as they are for a man. There are areas probably easier for a woman to break into; areas men will have an easier time. For women who write for the screen or direct, I think it is still hard to get a foot in the door.

I feel any woman creative who considers herself only “in horror,” though, may have a lot of difficulties of many kinds. I suppose it depends on what you want, but don’t confuse a very small, insular community for the world. If you want only to write for a limited audience and enjoy feeling you are part of a group of like-minded individuals—if that makes you happy, then that is great. But if you want to become a professional writer, then you need to avoid isolating yourself.

Kathe Koja – February 4

Kathe Koja

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

KK: Mr. Stoker has many friends in many places, so it’s always an honor to be able to say I won a Stoker Award: Dracula is an enduring symbol of the shocks and pleasures of darkness. And of course winning was a lot of fun, and the Dell Abyss list was a marvelous, groundbreaking group of writers.

Linda Addison – February 3

Linda Addison

Do you think women in horror face more difficulties than their male peers?

LA: It’s pretty clear in the wider world that women face more problems in fields where men dominate. I don’t have any personal experiences to point to because no one has treated me badly, but I have heard other women authors tell of having issues as horror writers. I’m glad there is an increase in conversation and attention about the need for inclusiveness on many levels of our field. Part of the challenge is convincing people to read/publish outside the names they are familiar with; this is happening slowly.

The gatekeepers (editors, publishers, agents, etc.) have a lot to do with evolving the horror landscape. Not only is there a need to be more aware of the need for diversity, but they also need to become more diverse.

I’m part of the HWA Diverse Works Inclusion Committee and we’re tasked with introducing the membership to creators in The Seers Table column of the monthly newsletter that they may not know about. It’s a way to put names and work out to members that they wouldn’t necessarily choose. I hope it’s making some impact.

Another project I’m involved in that I hope will introduce interesting new voices to the field is Sycorax’s Daughters, an anthology of 28 horror stories and 14 poems written by African American women writers, and edited by myself, Kinitra Brooks and Susan Morris from Cedar Grove Publishing. It is currently available for pre-order.

Nancy Etchemendy – February 2

Nancy Etchemendy

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

NE: Two of my Stoker-award-winning works, “Bigger than Death” (1998) and “The Power of Un” (2000), won in the “Work for Young Readers” category, which was very broadly defined. “Bigger than Death” is a short story, and “The Power of Un” is a novel. The rules surrounding works for young readers have changed since then. The category no longer exists. I also won the award in the short fiction category in 2004 for “Nimitseahpah.”

People seem particularly curious about where horror writers get their ideas. I’ve lost count of the number of times I’ve been asked about my sources of inspiration. I do have nightmares, and have had them all my life. They are certainly one source. But my stories more often revolve around the mysterious or inexplicable in everyday life. In “Bigger than Death,” a ghostly mother dog leads two children to her nest of puppies, still very much alive. “The Power of Un” examines questions about how a boy would change his past if he had that power. I wrote “Nimitseahpah” for an anthology about gargoyles. It didn’t make the cut, I think because I strayed pretty far from the usual definition of gargoyle. On the surface, it’s about a supernatural stone figure who guards an abandoned mine where a large number of miners lost their lives. Deeper down, it’s about a human boy who has an uncanny connection with the four traditional elements — air, earth, fire, and water. That story and several others which share the same setting were inspired by the weird desert landscape of Nevada, where I grew up….

Mercedes M. Yardley – February 1

Mercedes M. Yardley

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

MMY: Oh my goodness! I was the dorkiest award winner ever! I was so certain I wasn’t going to win that I wasn’t even paying attention and missed my name being called. I was wearing six inch heels and nearly tripped on my way to the pulpit. I didn’t have a speech prepared. I just grinned like a fool and garbled out a very sincere, heartfelt thank you before staggering back to my seat.

Winning put me on the map in a way that hadn’t happened before. People were interested in doing interviews and that was enjoyable. I had a few agents approach me instead of it happening the other way around. But what was most profound is that the award validated me in a very meaningful way. I had a friend say to me, “You’re a Bram Stoker award winner now. Your time is worthwhile. Work on what is important to you.” They were wise words. It’s almost as if that award gave weight to what I wanted to say. It was a nearly magical totem that gave me the power and courage to say no to some projects and stop stretching myself so thin.

Pixel Scroll 1/20/17 Try A Little Pixelness

(1) ANOTHER ONE BITES THE DUST. GoodEReader reports “Audio Realms is out of business”.

Audio Realms has gone out of business and they have taken their main website and Facebook Page offline. They have provided no indication on what prompted their company to suspend operations. Some of their audiobook content remains available on Audible and Overdrive.

Some customers are irate who purchased Audio Realms content on Audiobooks.com. It seems that when the company want out of business all of the purchased content has disappeared from customers libraries and they have no way to access them.

The Horror Show podcast from November has info on how affected creators can stop further sales of their work (apparently AR was not paying creators what they were owed), around the 36:58 mark.

(2) GORN BUT NOT FORGOTTEN. Fifty years ago this week Captain Kirk dueled the Gorn.

The lumbering green guy appeared in the original series’ 18th episode, “Arena.” The episode was based on a short story written by Frederic Brown and published in Astounding magazine back in 1944.

In the memorable Star Trek version, Captain Kirk is transported to a rocky planet (aka California’s alien-appearing Vasquez Rocks) to duke it out to the death with the Gorn captain. We won’t give away the ending in case you’re saving all the original episodes for a rainy day or something, but let’s just say that there is not one thing about the Gorn that is not awesome…

(3) SFRA CALLS. The Science Fiction Research Association has put out a call for panel and presentation proposals for its SFRA Annual Conference, June 28 to July 1, 2017 at University of California, Riverside.

The conference theme will be Unknown Pasts / Unseen Futures and our keynote speaker is Nnedi Okorafor. This theme grows out of the 2016 conference, whose conversations reminded us that there is so much about the history of science fiction that has yet to be sufficiently addressed in scholarship, including marginalized or otherwise neglected bodies of work. The future of scholarship in the field can be opened up to new possibilities through this return to under examined elements in our genre’s past, opening it up to futures that are as-yet unanticipated in existing fictional and scholarly visions. This conference theme also reflects UCR’s commitment to science fiction scholarship that is focused on imagining and creating sustainable and inclusive futures. Thus our focus is equally on new voices in the field and the new kinds of futures that emerge from this broader sense of the field’s membership.

(4) BLINTZ BLITZ. Scott Edelman’s 27th episode of his Eating the Fantastic podcast features Ellen Datlow and Ukranian cuisine.

This first to be recorded this visit took place at the Ukranian restaurant Veselka, which turns out more than 3,000 pierogi each day, and has been around since 1954. My guest that afternoon was editor Ellen Datlow, who for more than 35 years has brought readers amazing stories in magazines such as Omni, on sites such as SCI FI Fiction, and in anthologies such as Fearful Symmetries, The Doll Collection, and more than 90 others.

We discussed why reading slush is relaxing, which editors she wanted to emulate when she began editing, how she winnows down her favorite stories for her Year’s Best anthologies, the complexities of navigating friendships when making editorial decisions, how Ed Bryant challenged her to become a better editor, and much more.

EllenDatlowVeselka-768x768

(5) FERRER OBIT. Actor Miguel Ferrer (1955-2017) died January 19. Geek Chocolate explains why you would know that famous sci-fi face:

In another shocking loss, we say goodbye to the actor who went from the helm of the USS Excelsior to the labs of OCP where RoboCop was built, from aiding Agent Dale Cooper in the town of Twin Peaks to Vice President of the Marvel Cinematic Universe.

His first major role having been in Paul Verhoeven’s RoboCop, he also had roles in William Friedkin’s The Guardian, Jim Abrahams’ Hot Shots! Part Deux, and as a voice actor in Disney’s Mulan and Justice League: The New Frontier as Martian Manhunter, but it was on television that he created the roles for which he is most famous.

Other television roles included Magnum, P.I., T J Hooker, Miami Vice, Tales from the Crypt, David Lynch’s On the Air, Will & Grace, 3rd Rock from the Sun, Robot Chicken, Law & Order: Criminal Intent, Lie to Me, Psych, Desperate Housewives and most recently a long-running role as Assistant Director Owen Granger on NCIS: Los Angeles, and it has been confirmed that he will be seen again later this year as Albert Rosenfield when Twin Peaks returns this summer.

The son of singer Rosemary Clooney and actor José Ferrer, the Padishah Emperor Shaddam IV in David Lynch’s Dune, his cousin George is also in the acting business.

(6) SMITH OBIT. Renowned convention bookseller Larry Smith (1946-2017) died January 20 from a dissected aortic aneurysm.

SF Site News recapped his fannish resume:

Columbus book dealer Larry Smith (b.1946) died on January 20. Smith co-chaired the Columbus in 1976 Worldcon bid as well as chairing Marcons III-XII. He served as a vice-chair for Chicon IV in 1982. He also co-charied OVFF in 1998 and World Fantasy Con in 2010. In the early 1990s, he purchased Dick Spelman’s book business and, along with his wife, Sally Kobee, has sold books and most conventions in the Midwest and East Coast. He has managed the dealer’s room at numerous Worldcons and other conventions.

Smith and his friend Robert Hillis suffered repeated frustrations trying to get a WSFS convention for Columbus, OH – a city which was not very many fans’ idea of a tourist mecca. Later they did get to apply their talents to winning a 1982 Worldcon bid (led by Larry Propp and Ross Pavlac) for Chicago, a city fans would vote for.

In the past couple of decades Smith became an iconic convention bookseller, together with his wife Sally Kobee. If the business didn’t make them rich, just the same it did get them noticed by Forbes Magazine.

Larry Smith and Sally Kobee at Readercon 25.

Larry Smith and Sally Kobee at Readercon 25.

(7) TODAY IN HISTORY

  • January 20, 1936:  Boris Karloff and Bela Lugosi face off in The Invisible Ray.

(8) TODAY’S BIRTHDAY GIRL

  • Born January 20  — Nancy Kress

(9) TODAY’S BIRTHDAY BOYS

  • Born January 20, 1896  — George Burns, who once played God, is best known to fans as the actor who stood next to young Ray Bradbury in this photo.
George Burns and Ray Bradbury.

George Burns and Ray Bradbury.

  • Born January 20, 1926 – Harry Glyer
  • Born January 20, 1930 – Buzz Aldrin
  • Born January 20 – Jared Dashoff

(10) OH POOH. Five days left for you to bid on a drawing of Pooh and Piglet by the canonical illustrator. The minimum bid is $45,000.

Beautifully rendered watercolor and ink drawing of Winnie-the-Pooh and Piglet by E.H. Shepard, the illustrator chosen by A.A. Milne to bring his literary characters to life. Here, Shepard draws Pooh and Piglet upon a letter to his agent, allowing the characters to express his feelings of gratitude and joy.

Pooh drawing

(11) RED PLANET, BLUE PLANET. NPR reviews Carrie Vaughn’s novel — “’Martians Abroad’ Is An Optimistic Glance Into Humanity’s Future”.

It’s perfect timing, then, for the publication of Martians Abroad. The novel is the latest from New York Times bestselling author Carrie Vaughn, best known for her Kitty Norville urban fantasy series. But rather than involving werewolves in modern-day America, Martians Abroad sets its sights on the human-colonized solar system of tomorrow.

That said, most of Martians Abroad — as the title states — doesn’t take place on Mars at all. The majority of the action takes place on Earth. Polly Newton is a typical teenager — that is, a typical teenager living on Mars’ Colony One, where her mother is the director of operations. She sends Polly and her twin brother Charles to Earth to attend Galileo Academy, a prestigious school full of the scions of the most powerful families in the solar system. Polly and Charles are the first Martians to enroll at Galileo, partly because Mars is less wealthy and seen as a bit of a hick planet. (Not that Polly wants to go to Earth in the first place — she’s forced to abandon an upcoming internship as a starship pilot, something she desires more than anything.)

Chip Hitchcock sent the link with the gratuitous plea, “I hope they’re wrong about it being an homage to Podkayne of Mars, one of Heinlein’s more repellent books.”

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Christa Cook Sinclair, David K.M. Klaus, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP, who never gets woolly.]

Pixel Scroll 1/11/17 Ask Not What Your Pixel Can Scroll For You; Ask What You Can Scroll For Your Pixel

(1) 21ST CENTURY AIRPORT SECURITY. The Atlantic gives you an overview of the preparations, including a pair of anti-terrorism officials on-staff, at an airport with twice the police force of Pasadena — “Inside LAX’s New Anti-Terrorism Intelligence Unit”.

Today’s threats, whether terrorist or merely criminal, are increasingly networked and dispersed; it only makes sense that an institution’s response to them must take a similar form. It might sound like science fiction, but, in 20 years’ time, it could very well be that LAX has a stronger international-intelligence game than many U.S. allies. LAX field agents could be embedded overseas, cultivating informants, sussing out impending threats. It will be an era of infrastructural intelligence, when airfields, bridges, ports, and tunnels have, in effect, their own internal versions of the CIA—and LAX will be there first.

…[Stacey] Peel currently works in central London, where she is head of the “strategic aviation security” team at engineering super-firm Arup. She explained that every airport can be thought of as a miniature version of the city that hosts it. An airport thus concentrates, in one vulnerable place, many of the very things a terrorist is most likely to target. “The economic impact, the media imagery, the public anxiety, the mass casualties, the cultural symbolism,” Peel pointed out. “The aviation industry ticks all of those boxes.” Attack LAX and you symbolically attack the entirety of L.A., not to mention the nerve center of Western entertainment. It’s an infrastructural voodoo doll…

(2) OVER THE AIR. Bill Campbell of Rosarium Publishing was a guest today of Georgia Public Radio program On Second Thought, speaking about “The Women Who Pioneered Sci-Fi”. You can listen to the segment at the link.

A problem with some fantasy fiction narratives is the misogynistic treatment of female characters. The sci-fi world may still be very much dominated by men behind the scenes, but that doesn’t mean there haven’t been female trailblazers. A new book explores some of those unsung heroines. It’s called “Sisters of Tomorrow: The First Women of Science Fiction.” We talked with the author, Georgia Tech professor Lisa Yaszek. We also spoke with Bill Campbell of Rosarium Publishing, which focuses on bringing more diversity to science fiction.

(3) TINY DANCER. Two-time Nebula winner Catherine Asaro is profiled in the Washingtonian: “She’s a Harvard PhD and Author of 26 Novels. She’ll Also Get Your Kids to Like Math”.

Washington’s suburbs are rich with overachieving kids and anxious parents, ambitious college goals and lengthy extracurricular commitments—and of course, supplementary-education programs and afterschool tutors. You can sign your kid up for soccer instruction by a women’s Premier League coach or for Lego robotics taught by engineering grad students. But even in this hothouse environment, Catherine Asaro stands out.

If math were a sport, she’d be its Morgan Wootten. For more than a decade, the brightest STEM (science, technology, engineering, and math) prodigies in the area have taken classes from her in cinder-block-lined community rooms or cluttered spaces in her home. Her students have qualified for the USA Mathematical Olympiad and, in 2014, placed first and second at the University of Maryland High School Math Contest. In 2015, her team was named top program in the country by the Perennial Math Tournament. An entire wall in her living room is filled with trophies from MathCounts competitions. Asaro’s students have earned scholarships to the University of Maryland and attend places such as Stanford and MIT….

Asaro looks more like my image of a science-fiction writer than a math tutor—lots of rhinestones on her jeans and long-sleeved T-shirt; flowy dark hair; and a purring, confident voice that recalls another of her gigs: singing with a jazz band. On a living-room wall hangs a photo of her father, Frank Asaro, a Berkeley nuclear chemist who discovered the iridium anomaly that led to the asteroid theory of dinosaur extinction. Naturally, he also played classical piano. Asaro says that, like her dad, she started out more interested in music than in science, deciding to become a ballet dancer after seeing Swan Lake.

(4) PANELISTS FOR HELSINKI. The Worldcon 75 online signup for people wanting to be on the program is working again. The form will close on March 30th and Worldcon 75 will get back to everybody during March/April.

(5) WESTON SCHOLARSHIP. Steve Cooper announced there is a new Pete Weston Memorial Scholarship available to help fund someone attending Conrunner in the UK.

We were all saddened to hear of the death of Pete Weston last week. In his memory an anonymous donor is offering a scholarship to Conrunner to celebrate Pete’s contribution to convention running.

The scholarship will cover two nights accommodation and membership of Conrunner. It is open to anyone to apply – but if this is your first Conrunner – you will be given priority in the selection.

Please message me if you are interested or email me at con-runner@virginmedia.com

(6) ERIC FLINT UPDATE. The doctor had an encouraging word for Eric Flint.

I have some further news. My cancer has been further diagnosed as large diffuse B-Cell lymphona. That’s the most common type of cancer among adults, mostly hits older folks around 70 (my age) — my doctor calls it “the old fart’s disease” — and is about as white bread as lymphonas come. It responds very well to chemo, too.

So, it looks as if my luck is still holding out (allowing for “I’ve got cancer” values of luck.)

(7) BEWARE! Camestros Felapton understandably set his blog on autopilot and left town just before the unveiling of his new serial:

In the interim, starting Thursday morning Australian time will be the TWENTY-TWO PART serialisation of the annotated version of the early example of British genre fiction BEWARE THE CAT!

Each post has an introductory chatty bit which contains my mangled understanding of Tudor history, reformation theology and cat psychology, followed by a hefty chunk of my edited-for-readability-and-spelling version of Beware the Cat.

To cram it all in there will actually be several posts per day – so the blog will actually be busier than when I’m actually running it.

beware the annotated cat

Indeed and verily, the first installment is now online.

I have written for your mastership’s pleasure one of the stories which Mr. Streamer told last Christmas – which you so would have heard reported by Mr Ferrers himself. Although I am unable to tell it as pleasantly as he could, I have nearly used both the order and words of him that spoke them. I doubt not that he and Mr. Willet shall in the reading think they hear Mr Streamer speak, and he himself shall doubt whether he speaks.

(8) REMEMBERING METROPOLIS. Den of Geek! writer Jim Knipfel discusses “Metropolis at 90: The Enduring Legacy of a Pop Modernist Dystopia”.

In an interview with Peter Bogdanovich shortly before his death in 1976, Fritz Lang said of Metropolis, “You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that’s a fairy tale – definitely. But I was very interested in machines. Anyway, I didn’t like the picture – thought it was silly and stupid – then, when I saw the astronauts: what else are they but part of a machine? It’s very hard to talk about pictures—should I say now that I like Metropolis because something I have seen in my imagination comes true, when I detested it after it was finished?”

(9) MAKING A POINT. Sarah A. Hoyt, in “Sad Puppies, Gate Keeping, And We DID Build this”,  says what happened yesterday was not gate keeping, it was brand protecting. Which it was. But there’s a lot of haystack to go through before you get to the needle.

Even before I got to that post, and later in the other post that made me almost berserk again (I don’t think I’ve done this twice in one day since my teens) a friend had commented on how he gave the wrong impression and he should stop it already.  Later on there were also posts on a bizarre theme, one of which (the comments) is what caused the second berserk attack.

The theme was like this: Sad Puppies said they were against gate keepers, but now they’re trying to be gatekeepers.

There are so many missteps in that statement it’s hard to unpack.  First of all, no, Sad Puppies wasn’t against gatekeepers.  Sad Puppies was against the secret maneuvering that went on behind the awards.  (BTW it was never really a secret. When I was coming in, my mentors told me it was all log rolling and I had to roll the logs.)  And which people denied until they stopped denying it, in favor of shrieking at us to get off their lawns, and making up horrible lies about us.  (Unless, of course, you believe I’m a Mormon male.)

Second, in what way were we trying to be gatekeepers when we told an unauthorized person to stop pretending he was leading SP 5?

We were as much gatekeepers as, say, Baen would be when it told you you couldn’t call your indie publisher Baen Books For Real.  It might or might not violate a trademark (fairly sure it would) but more than that it’s false advertising and it violates the right of people to what they have built.

(10) TIL WE HAVE FACEBOOK. Author S.M. Stirling is not a Twitter user.

With every passing day, I become more convinced I did the right thing by not opening a Twitter account. It’s the Promised Land of aggressive stupidity, and makes otherwise smart and civilized people aggressively stupid. The world would be a better place if it didn’t exist.

(11) THIS JUST IN. Ansible Links reports —

Ansible Editions offers a free Then sample download in a naked attempt to influence BSFA shortlist voting and Hugo nominations

Looks like an obvious attempt to influence the Best Related Works category. Or blatant. Possibly both.

(12) DID ANYONE READ THE DRAGON AWARD WINNER? Doris V. Sutherland, in “Brian Niemeier: The Man Who Would Be (Stephen) King”, disputed that Niemeier’s Souldancer was among the most popular horror novels of 2016, but agreed he’s been successful at branding his work.

The rise of Kindle direct publishing has opened doors for an array of new writers, but it has also confronted them with a big question: how, in lieu of backing from a professional publisher, does you promote a novel?

…Search the space opera category in Amazon’s Kindle department, and I suspect that you will find numerous other indie books that are of equal or superior quality to Niemeier’s novels. Many of those have vanished into obscurity; and this would likely have been the fate of Souldancer, had its author kept his opinions to himself. Instead, by latching onto the Puppy/Superversive movement, he has picked up a loyal following; not a large following, as we have established, but one that has still managed to build him a sturdy echo chamber.

I would rather not write any further posts about Niemeier, as I do not want this to turn into the Doris vs. Brian blog, but I do find all of this an interesting case study in regards to indie publishing. The Puppies have evolved from a campaign centred around bagging an award for a specific author (that is, Larry Correia) into a brand that has granted new authors a platform – Niemeier and Finn being amongst them.

(13) CHUCK. Try and think of any other person people might try to vote a Hugo simply because they promised to show up at the award ceremony.

(14) EVERY DAY IS HALLOWEEN. That’s the name of Lisa Morton’s newsletter – you can subscribe through her blog. Morton, HWA President, recently told her newsletter readers —

Ellen Datlow and I have now finished up the editing on Hallows’ Eve, the next official HWA anthology. I’m ridiculously happy with the range and quality of the stories we’ve assembled. Here’s hoping we’ll have a cover reveal soon!

The HWA blog has released a list of the contributors:

The sixteen authors included are: Kelley Armstrong, Pat Cadigan, Elise Forier Edie, Brian Evenson, Jeffrey Ford, Eric J. Guignard, Stephen Graham Jones, Kate Jonez, Paul Kane, John Langan, John R. Little, Jonathan Maberry, Seanan McGuire, S. P. Miskowski, Garth Nix, and Joanna Parypinski.

(15) TIME TO REFUEL. Here is Fan-O-Rama: A Futurama Fan Film.

[Thanks to David K.M. Klaus, Steven H Silver, edd, JJ, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]

Pixel Scroll 1/7/17 And Someday, If I Can, I’m Gonna Be A Pixel Scroller Just Like My Old Man

(1) STABBY TIME. Reddit’s r/Fantasy group is voting on the winners of The 2016 Best of r/Fantasy Stabby Awards through January 11. You’re invited.

For 2016, we need you to vote!

The eligible candidates below were set by the 2016 r/Fantasy Nomination Thread and populated by r/Fantasy members. The list was locked in place this past Wednesday at 10PM Pacific.

To vote, please click the upvote arrow next to your choice or choices for ‘best of’ in each category. Yes, you can upvote more than one.

(2) STICKS THE LANDING. The New York Times’ Neil Genzlinger reviews Emerald City in “Toto, You’re Not a Basket-Size Terrier Anymore”

Dorothy, the Wizard and the rest of the Oz gang get the “Grimm” treatment as well as the grim treatment in “Emerald City,” a series beginning Friday on NBC, one that’s addictive if you allow it to be. That may, however, require some effort on your part.

emerald-city-nbc

You may not be conscious of just how deeply imprinted the film version of “The Wizard of Oz” is on your psyche until you watch a bit of this show, which initially seems so very wrong in every possible way. Where is the singing? Where are the psychedelic colors? So here’s what you do: At the first commercial break, pause and marvel all over again at what a spectacular achievement in artistry and cross-generational endurance the 1939 Judy Garland film is, and then let it go.

“Emerald City” has its Dorothy, engagingly played by Adria Arjona, but it draws on the full canon of L. Frank Baum’s “Oz” books (a series that continued after his death in 1919). It is partial to the dark and unsettling aspects of those tales, which it teases out and enhances with flourishes of its own. When this Dorothy lands in Oz, she’s armed, and that dog alongside her is no basket-size terrier.

The result is decidedly not a fairy tale for young children. This version of Oz has bloodshed, charred bodies, a very disturbing multiple suicide and much more. Friday’s premiere consists of two episodes, which is good, because two hours is about how long it takes you to acclimate to the tone and intent. In the third episode, a doozy, the show’s grip on you really tightens.

(3) NOT SINBAD AND NOT SHAZAAM. Kenneth R. Johnson emailed his theory about the misremembered genie movie debated in comments on yesterday’s Scroll:

I think I may have the answer to what the mysterious genie movie is that various people are mis-remembering as “Shazaam.”  I distinctly remember watching a movie on TV back in the 1990s in which the genie was played by a tall black guy with dreadlocks;  he also had some kind of British accent.  After extensive googling I’ve identified it as “Bernard and the Genie,” a TV movie from 1991.  The genie was played by British actor/comedian Lenny Henry.  He may have been doing a Jamaican accent to make the genie appear pseudo-Rastafarian.  The movie also has Alan Cumming and Rowan Atkinson in it.  It’s very strange.

(4) BUG JACQUES BARRON. French citizens are now automatic organ donors under the law.

All French citizens are now automatic organ donors, unless they officially opt out of the program.

A new law that went into effect on Jan. 1 makes everyone an organ and tissue donor. People can opt out of the program, but they must enroll in something called the National Rejection Register in order to do so.

A low number of organ donations prompted the new rule, according to news reports.

France’s biomedicine agency said in a statement on its website that “in the name of national solidarity, the principle of presumed consent was chosen,” The World Post reported.

(5) REMEMBER THE ALICORN. Rick Riordan putting his foot down —

(6) FATE OF THE FRANCHISE. What would you do? HuffPo says “’Star Wars’ Team Grappling With How Leia Will Live On After Carrie Fisher’s Death”.

In the wake of Carrie Fisher’s death, the team responsible for future “Star Wars” projects is reportedly reconsidering the place of her character, Leia Organa, in the franchise’s ever-expanding universe, according to The Hollywood Reporter. …

Fisher, who first played the iconic princess in 1977, brought Leia back to the big screen as a general in “Star Wars: The Force Awakens” in 2015. The actress has apparently already filmed her scenes for the second installment in the latest trilogy, but was rumored to have an even larger role in the following film….

The team is reportedly concerned with two key scenes featuring Fisher that would bring her character and the film’s plot full circle: a much belated reunion between Leia and Luke Skywalker (Mark Hamill) and a faceoff with her son Kylo Ren (Adam Driver), who killed his father and her lover, Han Solo, in “The Force Awakens.”

Shooting for “Star Wars: Episode IX” isn’t scheduled to begin until early 2018, so until then, those at the helm are pursuing a variety of options on how to proceed. Resurrecting Fisher with CGI effects is apparently one alternative in play, according to The Hollywood Reporter. Technological advances have allowed for actors like the late Peter Cushing to return to the screen in the latest “Star Wars” offering, “Rogue One,” so Fisher could continue to have a similar presence, however limited, in future films.

The braintrust is also reportedly discussing writing the character out all together and reshooting certain scenes to lay the groundwork for her eventual exit from the franchise.

(7) BRINGING ATWOOD TO TV. The Daily Mail brings the showbiz news: “Not quite Stars Hollow! Gilmore Girls’ Alexis Bledel set to star in dystopian Handmaid’s Tale as subversive lesbian”. She’s best known for her role as Rory Gilmore in the idyllic Gilmore Girls.

But it seems Alexis Bledel’s next role will be significantly darker, as it was announced she’ll be joining Hulu’s dystopian Handmaid’s Tale, according to TV Line.

The 35-year-old actress will play the role of Ofglen in the 10 episode series, which is based on Margaret Atwood’s best-selling novel.

(8) TODAY IN HISTORY

  • January 7, 1977:  Michael Winner’s The Sentinel premieres in New York City.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 7, 1903 — Alan Napier (Alfred Pennyworth) is born in Birmingham, England.
  • Born January 7, 1928 – William Peter Blatty (The Exorcist).

(10) FANTASTIC FICTION AT KGB. On January 18 the hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Holly Black and Fran Wilde. The event begins at 7 p.m. in the KGB Bar (85 East 4th Street, NY — just off 2nd Ave, upstairs.)

Holly Black is a writer of bestselling contemporary dark fantasy. Some of her titles include The Spiderwick Chronicles (with Tony DiTerlizzi), The Modern Faerie Tale series, the Curse Workers series, Doll Bones, The Coldest Girl in Coldtown, the Magisterium series (with Cassandra Clare) and The Darkest Part of the Forest. She has been a a finalist for an Eisner Award, and the recipient of the Andre Norton Award, the Mythopoeic Award and a Newbery Honor.

Fran Wilde writes science fiction and fantasy. Her debut novel, Updraft, won the Andre Norton Award and the Compton Crook award, and was a Nebula nominee. Cloudbound, the second book in the Bone Universe series, came out in September 2016, and Horizon will appear in fall 2017. Her novella, “The Jewel and Her Lapidary,” was published by Tor.com publishing in May 2016. Fran’s short fiction has appeared in Asimov’s, Uncanny Magazine, Tor.com, and Beneath Ceaseless Skies.

(11) BE YOUR OWN TIME LORD. Cat Rambo tells Risingshadow readers the importance to writers of “Daily rituals”.

The thing I have learned more than anything else is that a writer must defend their time. That everyone assumes that you’re ready to take a break, come down to the coffee shop and kill a couple of hours. A friend complained to my husband that he felt as though I was timing our encounters, and I was. At the hour mark, I needed to get back to work, because otherwise I’d sit there nattering for far too long. Because you must defend that time not just from others, but from yourself and your own human tendencies toward procrastination and farting around on the Internet, while still being mindful that you do deserve a break every once in a while. You become your own manager, and that is a more difficult task than it might seem.

(12) SURVIVAL TACTICS. John Scalzi’s “10-point plan for getting creative work done in the age of Trump” is easier to understand than Christopher Priest’s.

Scalzi’s plan, published in the Los Angeles Times, was introduced to Whatever readers in these terms:

First, and in case you missed me talking about it on Twitter yesterday, I have a piece up at the LA Times site (a version of it is also in the Sunday newspaper) about getting creative work done in the Trump years — some advice about how to keep focus when it’s likely to be a challenging time for the creative class. Note that this advice generally probably also works for people working in professions generally considered “non-creative” as well, but I’m working with what I know here. Also, of course, if you’re neutral or positive on the idea of the incoming Trump administration, then this particular piece is probably unnecessary for you. Carry on, then.

One of Scalzi’s ten points is —

  1. Reconnect (judiciously). When you go back to the news of the world, and to social media, it’s perfectly all right to ask yourself: Is this making me happy? Is it giving me useful information? Is it inspiring me to engage in the world or does it make me want to run from it?

If it’s not helping you, let it go. Unfollow that Facebook friend passing along fake news, and block those fake news sites outright. Mute that person on Twitter who is apparently always angry. Evaluate the news sources you read and keep the ones that offer news accurately and truthfully (spin is spin, even if it’s spin you like). Design your media intake to be useful, truthful and less stressful.

As for Christopher Priest, he posted on New Year’s Eve that he’ll be moving 500 miles from Devon, England (he didn’t identify where). He spends nearly the entire post pouring out his fear and loathing of Donald Trump, yet never managing to establish any connection between the move and Trump’s election. Did he just want to insure an audience for his farewell address?

(13) LIVING IN STAR TREK TIMES. The Washington Post’s Hayley Tsukayama, in “The Big Takeaway From This Year’s CES”, concludes:

There has been no killer gadget at this year’s International CES technology show. Instead, something more subtle has emerged as the keystone of the tech world.

I’m talking about the smart, central voice assistant. Yes, even that may sound a bit old hat for those who’ve been paying attention….

Virtual assistants can now understand what you say and even interpret the many ways you may say it. Shawn DuBravac, an economist for the Consumer Technology Association, said that machines now have the same word error rate — that is, the batting average of understanding what we’ve actually said — as humans. That’s up from a 23 percent error rate in 2013, meaning that the tech is getting better, and quickly.

That fact has made the dreams of a STAR TREK-like computer come even closer to reality.  The hope is that these assistants will move even beyond our sci-fi dreams and learn our habits and needs well enough to anticipate them.

David K.M. Klaus comments, “I think it’s clear that nobody connected with the program at the time thought it likely that voice-controlled devices would come into mass use in just a half-century — yet the program itself has accelerated technology design in its own direction. I started writing letters to local newspapers pointing out the inspiration when they published articles about new technology thirty years ago.  (Asimov, Bradbury, Heinlein, et al. predated that, of course, but Star Trek in particular has been responsible for how it looks.)  Glad to see that mundane reporters have finally caught up with me.”

(14) WATCH YOUR INTAKE. Cat Rambo shares a second bit of writerly advice at GeekMom in “Artificial inspiration”.

This phenomenon underscores the fact that authors need to pay attention to what they’re putting into their mental buckets, particularly whenever they’re working on a project. The old computer adage, “Garbage in, garbage out,” comes into play. Or turn it around and aim it in another direction: put marvelous things in, get marvelous things out.

In some ways, I think of it like learning a language. We all speak storytelling, we’ve heard it spoken around and to us in fairytales, myths, fables, and a kerjilliion other texts, down to the format of many ads. And just as, when you’re around a number of people all speaking with the same accent, that accent begins to creep into your own speech. So if you’re only hearing one kind of storytelling, all that you speak in that language of storytelling will have that accent–or flavor, or texture, or however you choose to conceptualize it.

Want to create something wonderful? Then you must read wonderful things and not just read them but study them. Take the sentences apart as carefully as a pathologist dissecting an organ and figure out how they work–and then apply that knowledge so you know you’ve got the tool down and have added it to your writerly toolkit.

(15) I’LL BE BACK. At the BBC, Frank Swain tells “Why we may be living in the future of The Running Man”.

The vision of 2017 depicted in Arnold Schwarzenegger’s 30-year-old dystopian action movie captures how our world is changing today.

In a world beset by a collapsing economy, the US media conspires with the government to keep the population in check with a combination of heavy-handed policing and a steady stream of vapid reality TV shows. Meanwhile, one of the most powerful men in the world is the host of a reality TV show.

Sound familiar? That was 2017 conjured by campy action thriller The Running Man when it was released 30 years ago.

Sci-fi commonly reveals hidden truths about society. So, it makes you wonder: what else could this dystopian vision say about the world we live in today? If we look at where we are in 2017, what can The Running Man tell us about our changing politics, media and technology?

Chip Hitchcock urges, “Note the photo of Erland van Lidth de Jeude partway through; when he was in the MIT Musical Theatre Guild we used to say that he might be the first Olympic victor to sing his own national anthem. The movies typecast him as a hulk, losing the singing voice that he used in roles ranging from Roderick Murgatroyd to Richard Henry Lee.”

[Thanks to Mark-kitteh, Andrew Porter, Cat Rambo, Chip Hitchcock, David K.M.Klaus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Wonder and Horror at the KGB Bar With Langan and Kressel

By Mark L. Blackman: On the evening of Wednesday, November 16, 2016, the Fantastic Fiction Readings Series hosted readings by authors John Langan and Matthew Kressel, both very familiar faces, at its longtime venue, the distinctively décored 2nd-floor Red Room of the KGB Bar in Manhattan’s East Village.

The Series is co-hosted by Kressel (for the past 8 years), however, as he was reading, David Mercurio Rivera ably filled in for him and welcomed the crowd. For over two decades, he noted, the Series, whose other co-host is Ellen Datlow, has presented readings (always free, and thank the Bar by buying drinks) both by luminaries and up-and-comers on the third Wednesday of the month. He announced that next month’s readers would be –

  • December 21 – Livia Llewellyn and Sarah Pinsker.
  • January 18, 2017 – Holly Black and Fran Wilde.
  • February 15 – Michael Cisco and Nicholas Kaufmann
  • March 15 – Nova Ren Suma and Kiini Ibura Salaam.

(Details are available at here.)  Concluding, he introduced the first reader.

Matthew Kressel

Matthew Kressel

Aside from co-hosting, Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has twice been nominated for a Nebula Award.  Additionally, he published the World Fantasy Award-winning anthology Paper Cities, and, for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional.

At the mike, he expressed his humility at reading here, which is a very different experience from hosting. He did not recite Blade Runner in its entirety from memory, but instead read “In Memory of a Summer’s Day,” a story that will be appearing in an as-yet-entitled Alice in Wonderland-themed anthology edited by Datlow. Wonderland has here become a tourist destination and its celebrated locales attractions – the Mad Tea Party, the Croquet Ground (where hedgehogs scream), the Queen’s Court (there are no actual beheadings), etc., and eateries offer Beautiful Soup and Lobster Quadrille. (There are warnings about the Drink Me bottles, and the Caterpillar has an illegal trade in psychedelic mushrooms. Before going down the Rabbit Hole, visitors must sign a waiver. There is also, by the way, a Through the Looking Glass Tour.) Narrated by a veteran tour guide, whose British accent Kressel happily did not attempt, the humor had a strong element of inherent horror (think about it – Wonderland is far from a fun place), and ultimately the question surfaces …where is Alice?

John Langan. Photo by Mark Blackman.

John Langan. Photo by Mark Blackman.

After a break, Datlow introduced John Langan. He is the author of the novels The Fisherman and House of Windows, and the collections The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters., as well as the co-editor of Creatures:  Thirty Years of Monsters. A forthcoming third collection of his stories, Sefira and Other Betrayals, will be published by Hippocampus Press in February, and new stories will shortly appear in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki. This venue is one of the first places where he read, he said, and felt privileged to be back. The novella from whose beginning he read, “Hunger,” will be appearing in one of the Lovecraftian anthologies. The story, he revealed, is about two poets, though in the selection that he shared a boy and his father (who are into antique weaponry – they carry, respectively, a spear and a sword) confront an unearthly giant orange bear in their Upstate New York driveway who may be tied to a recent houseguest.

Copies of Langan’s and Kressel’s books were for sale at the back of the room by the Word Bookstores of Greenpoint, Brooklyn and Jersey City.

Datlow’s photos of the event may be seen at the Series’ website, http://www.kgbfantasticfiction.org/ .

World Fantasy Award Trophy Update

The World Fantasy Award administrators, who decided a year ago to stop using the Lovecraft bust created by Gahan Wilson, are just weeks away from making a decision in the competition to design the new World Fantasy Award trophy.

Editor Ellen Datlow, of World Fantasy Con’s awards administration, explained how winners were acknowledged at last weekend’s ceremony, and how near the competition is to being decided. “Each winner received a certificate indicating they’ve won. Once the Awards Administration picks the new award sculpture (hopefully within the next several weeks — we’re working with two finalists, tweaking their designs) the new awards will be sent out to the current crop of winners.”

Pixel Scroll 10/20/16 Pixeled In The Scroll By My Own Pixel

(1) PLAYING WITH REAL NUMBERS. Aaron tests the idea that EPH will not distort the results when there is no slate in a new post at Dreaming of Other Worlds. Find out what changed on the 2014 final Hugo ballot.

E Pluribus Hugo was passed largely in response to the results of the 2015 Hugo nomination process. I outlined the background leading up to this in my previous post about the 2016 E Pluribus Hugo Revised Hugo Finalists, and I’m not going to repeat myself here. Anyone who wants a summary of the Sad and Rabid Puppy campaigns, the responses from non-Puppy Hugo voters, and an outline of the mechanics of E Pluribus Hugo can go read about that there.

The E Pluribus Hugo system had several goals. One goal was to dampen the influence of bloc voting. A second goal was to create a system that presented a nominating voter with a means of voting that was substantially similar to the one that voter had under the old system. The third was to create a system that would return results that were as close to those that the old system did in a year in which there was no bloc voting. To test this third goal, the system was used on the 2014 Hugo ballots, which was a year in which there was a Sad Puppy campaign, but no slate in any meaningful sense, and therefore no real bloc voting….

(2) SUMMERTIME. Chapter 10 of T. Kingfisher’s Summer in Orcus has now been released.

When the witch Baba Yaga walks her house into the backyard, eleven-year-old Summer enters into a bargain for her heart’s desire. Her search will take her to the strange, surreal world of Orcus, where birds talk, women change their shape, and frogs sometimes grow on trees. But underneath the whimsy of Orcus lies a persistent darkness, and Summer finds herself hunted by the monstrous Houndbreaker, who serves the distant, mysterious Queen-in-Chains…

(3) RIDERS OF THE PURPLE PAGE. Max Florschutz enters the perpetual debate about “literary” vs. “genre” in “You Just Keep Pushing Me Away…” .

Granted, I could write a whole thing on how genre fiction can (and does) approach the tough questions, demands intelligent thought and reason, and present ideas (and when it comes down to it, most who disagree are either cherry picking their examples or of the mindset of “that doesn’t support the message and ideas I want,” which doesn’t help). I could talk about that, pull examples, etc. But I won’t. Not at this point.

No, instead, I’m going to tackle a different point. The idea that “literary” fiction is automatically intelligent and thought-provoking. Because this isn’t accurate. No, more accurate would be that it’s fiction that thinks it’s intelligent or thought provoking, written by someone who thinks they’re presenting something much more “intellectual” than it actually is. When it really isn’t … but they’re too “smart” to do the research to know otherwise.

… What’s sad about this is I could see myself enjoying more “literary” works.  The writing is more tell, sure, and more purple, but sometimes that’s pretty good purple. Sometimes there’s some neat ideas buried in there.

But my issue is that they are buried in there. It’s like “literary” writers can’t be bothered to do the most basic of research. And that pushes me away. Back towards genre fiction, where, despite not being the “intelligent” fiction choice, the science is real, the facts are usually real (or pretty close), and even when I’m reading about fantasy kingdom of some kind, said kingdom is actually laid out like a real government and civilization would be. As opposed to the “literary” version, which comes off feeling like Disney-mythology in comparison.

It just keeps pushing me away. Especially with all the battles over how “literary” fiction is the “superior” fiction, or the more intelligent, or the more meaningful, etc. I just can’t take a story seriously that can’t grasp basic parts of life, like how a car works. Or a TV. Or science.

(4) ANOTHER MIDDLE-EARTH TALE ON WAY TO PRESS. “JRR Tolkien’s Middle-earth love story to be published next year” reports The Guardian.

JRR Tolkien’s legend of the mortal man Beren and the immortal elf Lúthien – a story that meant so much to the Lord of the Rings author that the characters’ names are engraved on the headstone shared by him and his wife – is to be published next year.

The Middle-earth tale tells of the love between the mortal man and the immortal elf. Lúthien’s father, an Elvish lord, is against their relationship, and so gives Beren an impossible task to fulfil before the two can be married, said HarperCollins, which will publish Beren and Lúthien next May. The pair then go on to rob “the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril”, or jewel.

(5) PULITZER EXPANDS ELIGIBILITY. Crain’s New York Business reports print and online magazines are now eligible for Pulitzer Prizes in all journalism categories.

The Pulitzer Prize Board announced Wednesday that entries of work done in 2016 will be accepted beginning in December for the 2017 prizes.

The board says it made its decision after two years of experimentation.

New entry guidelines are posted at Pulitzer.org.

(6) TODAY’S BIRTHDAY VAMPIRE

  • Born October 20, 1882 — Bela Lugosi.

lugosi-birthday-card

(7) HORROR READING.Ellen Datlow’s photos of the “Children of Lovecraft Reading October 16, 2016” are on Flickr.

Laird Barron, John Langan, A. C. Wise, Siobhan Carroll, Richard Kadrey, and David Nickle all read wonderfully at the Lovecraft Bar on Avenue B in NYC’s east village.

chidren-of-lovecraft-reading

(8) PLAYTIME. I got a kick from John Scalzi’s first line in one of his mallet-is-out warnings:

  1. Hey, two political posts in the same day! Can you tell I finished my book?

(9) TIME TO LEVEL UP YOUR ALIENS. Motherboard’s post “The Way We’ve Been Imagining Aliens Is All Wrong” sets us straight.

Why do we always picture aliens as distorted humans?

Science fiction has failed to creatively, or even accurately, imagine alien life, said British science writer Philip Ball in an article, “The Aeon Idea: Why our imagination for alien life is so impoverished.” Now Aeon, a digital ideas and culture magazine, just released a video called Stranger Aliens, adapted from Ball’s theory and narrated by Ball himself.

 

(10) DIVERSITY ON DISCOVERY. Otaku-kun at Haibane comments on the proposal: “A Muslim crew member on Star Trek: Discovery?”

I think including an explicit Muslim would be jarring since tehre is no other “real world” religion represented in Star Trek, at least for the Human society. It was Roddenberry’s world and he chose to eliminate religion from it. Adding a character who is explicitly Muslim complicates canon and introduces tension that undermines Star Trek’s appeal to all of humanity. Then you also need canon explanations for the status of Jews, Christians, Hindus, etc. This mess is exactly why religion was introduced to DS9 using the alien Bajoran society rather than picking one from our own.

The solution is to recognize that Islamophobia is not an intellectual reaction to a religion’s precepts, but rooted in racial and ethnic fears. Having a stand-in on the crew for a “Muslim-y” ethnic type would be great because that way when someone sees a Muslim on the street, they should be able to counter their knee-jerk stereotype by relating that person to this crewmember. Therefore, the ethnic choice of the actor is relevant to maximize that stereotype-defeating analogy. Which ethnicity works best for this purpose?

(11) WHO’S THE GEEZER? selenay articulates the cross-generational stresses affecting fanfic writers in “Regarding all the AO3 bashing” (AO3 = Archive of Our Own).

Us olds remember the old days. The days when you had to label all slash–even when it was just hand-holding–as NC17 and plaster it with warnings. The days when only certain archives accepted slash at all, and you could get your FFN account or LJ suspended if someone objected to your boy kissing fics, so everything was locked down under f-lock or posted to the adult slash-friendly archives with a thousand warning pop-ups. The days when RPF was never to be spoken of because almost no archive accepted it. The days when we all danced around carefully because at any moment, our favourite fics could be deleted and never seen again if a site advertiser threatened to withdraw funding….

Current fandom has splintered and seems to have broken into generational buckets. The youngest part of fandom is on Tumblr and Snapchat. The older part of fandom is on Tumblr a bit, but not much, and many of us have stepped a long way back from it because we’re made so unwelcome. We’re still here on LJ, DW, Twitter, and Imzy, where the youngs aren’t so much. Due to those divides, there isn’t that interaction and mutual learning, so the younger fanfolk don’t know the history. They don’t know why AO3 exists and why we’re so passionate about not censoring it. They’ve never had to creep around on the edges of fandom because they were slashers, or RPF-ers, or wrote explicit fics after FFN banned them.

The divide is also contributing to the feeling that anyone over thirty shouldn’t be fannish anymore, and I suspect that’s part of the AO3 wankery. There aren’t many people from that very young end of the fandom involved with the OTW or AO3, so it feels like the olds run it. We created it, we fundraised for it, we continue to work on it and we’re old, by their standards. We should have shuffled off to our graveyards or our adult lives or something.

Except we haven’t, because when we were the fandom babies, there were all these fans older than us who were still active and we learned we’ll never be too old for fandom. With the divide getting so sharp between the youngest and everyone else, they’re not getting that part of the fannish experience, either. They can’t imagine being thirty (or forty, or fifty), never mind being that age and still being in fandom.

You’ve also got the problem that Tumblr-style activism is very different from what we were doing five or ten years ago. It’s all about protecting young eyes not just from the content, but from knowing the content is even there. About removing it so it doesn’t need to be thought of. For them, “don’t like, don’t read” isn’t enough. They don’t want anyone to read it or see it or write it.

(12) A VISIT TO ANTIQUITY. James Davis Nicoll has posted his latest Young People Read Old SF, assigning them “Snowball Effect” by Katherine MacLean.

Although she won a Nebula Award for The Missing Man, Katherine MacLean is hardly a household name these days. Her most productive period ran from the 1950s to the 1970s. That Nebula was won in 1971; other honours (such as being a professional guest of honor at the very first WisCon in 1977) are almost all of a similar vintage. She was admired for her ability to combine character with plot, character being an element of fiction many of her contemporaries seemed willing to do without.

In her heyday, MacLean was one of the few high-profile women working in the field. In the specific context of these reviews, she is remarkable in a different way: the first author selected who is still with us: born in 1925, she is but 91. Her birthday is January 22: join me in raising a glass to this grand figure of science fiction.

(13) LARPING FOR PEACE. In a piece on Vimeo called “Bjarke Pedersen:  Becoming the Story,”  Danish LARPer Bjarke Pedersen explains what “Nordic LARP” is and how in Scandinavia, LARPers work together to come up with stories they wouldn’t be able to create on their own.  Pedersen’s video was presented at the Future of Storytelling conference held in New York City two weeks ago.

As the Creative Director of Odyssé and one of the world’s experts on LARPing, Bjarke Pedersen has spent many years exploring the power of this collaborative form of storytelling. He’s observed that by getting a chance to engage with different characters, LARPers are also able to learn more about themselves. LARPing is also particularly powerful for the ways in which it relies on building trust among people. Many individuals are able to tell their own stories within a given framework, but it is the larger output of so many different stories being told at the same time that makes LARPing so unique and powerful.

 

[Thanks to Martin Morse Wooster, Andrew Porter, John King Tarpinian, Aziz Poonawalla, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Josh Jasper.]

 

A Dozen “Year’s Best”

By Carl Slaughter: A dozen editors, some of them household names in the speculative community, take their stab at the year’s best stories.

The Year’s Best Science Fiction: Thirty-Third Annual Collection, edited by Gardner Dozois

dozois-years-best

The Best Science Fiction of the Year: Volume One edited by Neil Clarke

best-sf-of-the-year-clarke

The Best American Science Fiction and Fantasy 2015 edited by Joe Hill and John Joseph Adams

BASFF-2015-220x330

The Year’s Best Science Fiction & Fantasy 2016 Edition edited by Rich Horton

horton-best-2016

The Best Science Fiction and Fantasy of the Year: Volume Ten edited by Jonathan Strahan

strahan-best-v-10

The Best American Science Fiction and Fantasy 2016 edited by Karen Joy Fowler and John Joseph Adams

BASFF-2016-2_01

The Year’s Best Science Fiction & Fantasy Novellas 2016 edited by Paula Guran

guran-years-best-novellas-2016

The Year’s Best Dark Fantasy & Horror 2016 Edition edited by Paula Guran

guran-horror-2016

Nebula Awards Showcase 2016 edited by Mercedes Lackey

lackey-nebula-awards-2016

The Year’s Best Military & Adventure SF 2015: Volume 2 edited by David Afsharirad

Years Best milSF 2015

The Best Horror of the Year Volume Eight edited by Ellen Datlow

datlow-horror-v-8

The Year’s Top Ten Tales of Science Fiction 8  edited by Allan Kaster

kaster-years-top-ten-v-8

 

Pixel Scroll 9/15/16 Scroll On the Water, Pixels In The Sky

(1) A BEST EDITOR WINNER. SFFWorld interviewed editor Ellen Datlow:

A working life spent reading SF,  Fantasy, and horror short stories sounds like a dream come true.  Are there down sides to being an editor? Do you have any advice for aspiring editors?

ED:  I’ve always loved short stories, so working in the short fiction field is indeed the perfect job for me. It’s hard to find time to read outside the genres in which I’m currently working. I mostly read short fiction for work, so picking novels that I hope I’ll enjoy is the challenge. They usually have to be dark/horror so I can cover them in my annual Best Horror of the Year. The administration is a pain: sending out contracts, paying royalties to a hundred writers is onerous (even with Paypal).  But everything else is great. I love the whole editing process, from soliciting new stories that would not exist except for me asking; working with my authors on story revision (if necessary); and even the line edit.

Advice: Read. Read slush. If you don’t love reading, you have no reason to be an editor

(2) SCIENCE ADVISOR. Financial Times profiled Cal Tech physicist Spyridon Michalakis in “’I help Hollywood film-makers get their science right’”. (Warning: I had to answer a 10-question survey ad to see the full article.)

In the article Michalakis discusses his work through The Science and Entertainment Exchange, “which connects film and TV producers with scientists.”  He’s consulted on Ant-Man, Marvel’s Agents of S.H.I.E.L.D. and other shows.

Here’s what he had to say about Gravity:

“It’s a shame when I see films that inadvertently forgo scientific accuracy for added drama.  For instance, in the movie Gravity when Sandra Bullock’s character grabs hold of George Clooney’s character while they’re both floating out in space, he tells her she has to let go of him, otherwise both of them are going to fly off and die because he’s pulling her farther and farther away from the space station.  The trouble is, they’re so far away from Earth that, in reality, nothing would actually be pulling them.

“I find myself watching that scene and thinking they could have achieved the same drama just as easily with something called ‘conservation of momentum.” With this, the only way for her to get back to the station would be for Clooney’s character to actively sacrifice himself by pushing Bullock away from him.  It would have been real science and it would have made the movie better.  You watch these things and you say to yourself, ‘I’m just a phone call away.'”

(3) OHH-KAYYY…. The Washington D.C. public library has an idea for drawing attention to oft-challenged books. Is it innovative, or over-the-top?

Every year, libraries around the country observe Banned Books Week, to remind the public that even well known and much loved books can be the targets of censorship. This year, Washington D.C.’s public library came up with a clever idea to focus attention on the issue: a banned books scavenger hunt.

Now, readers are stalking local shops, cafes and bookstores looking for copies of books that are hidden behind distinctive black and white covers. There is no title on the cover, just a phrase — such as FILTHY, TRASHY or PROFANE — which describes the reason why some people wanted the book banned.

(4) SUPPORT YOUR LOCAL CONSERVATIVE. John Shirley, who identifies as a progressive, argues “Why Conservatives are a Necessary Component of a Vital Society” in a post for Tangent Online. I have to say it brings to mind the ending of Harlan Ellison’s “Beast Who Shouted Love at the Heart of the World.”

….Every democracy genuinely needs conservatives. And not so we can have someone to argue with. We need them for their perspective; we need them for their call for individual hard work, which is always a good thing in itself, when people can find it; we need them for the reluctance at least some of them show to get engaged in wars that squander blood and treasure. And we need them to be skeptical of our schemes.

We need them to push back.….

This website, Tangent Online, relates to the science-fiction field, and so do I. From time to time the sf field has been storm-lashed by political controversies, essentially conservative vs. liberal and vice versa. Going back, it cuts both ways: back in the day, Donald Wollheim and Fred Pohl and Judith Merril and others were slagged by conservative sf writers and editors for leaning left. Now the pendulum has swung way, way the other direction and certain reasonable conservatives amongst science fiction writers and critics are sometimes being over scrutinized, even punished, for outspokenness and some fairly normal speech tropes—most recently, Dave Truesdale was actually ejected from the Worldcon for having declared on a short story panel, in the space of a few minutes, that science fiction was being unfairly truncated by politics, and free speech gagged by political correctness emanating from the left. I listened to a tape of the remarks and could find nothing that broke any convention rules. Some defending the convention fall back on claims that his use of the term “pearl clutchers” is sexist, is hateful to women. But in my experience the term does not apply to women, particularly—it’s about people who are making a drama of nothing, probably just to get attention. Underlying the con committee’s action was, I suspect, emotional fallout from the “Sad Puppies” Hugo Award controversy. But people shouldn’t let emotions dictate their interpretation of the rules.

(5) TODAY’S BIRTHDAY GIRL

  • September 15, 1907 – Fay  Wray

(6) RICK RIORDAN PRESENTS. Disney has announced a new Rick Riordan Presents imprint reports Publishers Weekly. Riordan will curate a line of books that introduces selected writers of mythology-based novels.

Rick Riordan has gotten a variation on the same question from his fans about a zillion times: When are you going to write about (fill in the blank): the Hindu gods and goddesses? Ancient Chinese mythology? Native American legends?

Now, he has an answer – of sorts: Disney-Hyperion is launching Rick Riordan Presents, an imprint devoted to mythology-based books for middle grade readers. The imprint, which will be led by Riordan’s editor, Stephanie Owens Lurie, hopes to launch with two books in summer 2018. The books will not be written by Riordan, whose role will be closer to curator than author.

…The plan is to launch the imprint in July 2018 with two books, though those books have not yet been acquired yet. “We’ve approached a couple of people but some of them are adult writers so they would be trying to do something completely different,” Lurie said. “The point of making this announcement now is to get the word out about what we’re looking for.”

“Rick just can’t write fast enough to satisfy his fans,” said Lurie, whose official title will be editorial director of the imprint. “I think he’s doing an incredible job writing two books a year already.”

There’s also this: ”I know he feels that, in some instances, the books his readers are asking for him to write are really someone else’s story to tell,” Lurie said.

(7) MAJOR SF ART EXHIBIT. The IX Preview Weekend Popup Exhibition will take place at the Delaware Art Museum in Wilmington, DE from September 23-25. Tickets required.

Imaginative Realism combines classical painting techniques with narrative subjects, focusing on the unreal, the unseen, and the impossible. In partnership with IX Arts organizers, the Delaware Art Museum will host the first IX Preview Weekend, celebrating Imaginative Realism and to kick off IX9–the annual groundbreaking art show, symposium, and celebration dedicated solely to the genre.

Imaginative Realism is the cutting edge of contemporary painting and illustration and often includes themes related to science fiction and fantasy movies, games, and books. A pop-up exhibition and the weekend of events will feature over 16 contemporary artists internationally recognized for their contributions to Star Wars, The Lord of the Rings, Avatar, Marvel, DC Comics, Blizzard Entertainment, and Wizards of the Coast, among others.

There will be workshops by two leading sf artists as well.

Sept 24 @ 7:00 pm

Workshop with Bob Eggleton: Seascapes Sept 24 @ 10:15 am – 12:15 pm and 2:00 pm – 4:00 pm During this hands on demonstration and group painting salon, Bob Eggleton will walk participants through creating a seascape in acrylic paint with a nod to the ocean as ‘character’. Incorporated into the illustration storytelling aspect of this demonstration will be construction of the ocean as narrative using elements, from the subtle to the extreme, like sea monsters, antique ships, rocks, waves, clouds, lighting, and odd bits of flotsam and jetsam debris. Bob will share his own experience as well as that of his heroes, classic 19th and 20th century illustrators and fine art Masters.  Pre-registration required. Supplies: Attendees should bring preferred acrylic painting setup, including brushes, paints, and paper/panels/boards.

Drawing Workshop and Lecture with Donato Giancola: Compositional Drawing Sept 25 @ 10:15 am – 12:15 pm and 2:00 pm – 4:00 pm Donato will share his knowledge and approach to producing skillfully drafted drawings. From sketch to finish, the aesthetic and technical decisions the artist makes will be laid bare for observation and comments offering wonderful insight into the foundations of creativity of a modern artist. The four-hour workshop is for the artist who aspires to pursue further development and refinement of their skills in composition and as storytellers. Attendees of all skill levels are welcome as the focus of the workshop is upon creative problem solving, not technical execution. Pre-registration required. Supplies: Attendees should bring along their own preferred drawing utensils (pencils, paper,sketchbooks, etc) as well as a few favorite images/photos of themes they wish to create work upon. Alternative drawing supplies will also be available for use.

delaware-sf-art

(8) WHAT’S A HUGO WIN WORTH? Kay Taylor Rea of Uncanny Magazine says Hugo wins are helping sales there. (Uncanny won the 2016 Best Semiprozine Hugo.)

(9) NOT LETTING THE CAT OUT OF THE BAG. Mary Robinette Kowal posted a photo of what’s in the suitcase she’s taking to the Writing Excuses Workshop.

A suitcase of things I need for the Writing Excuses Workshop.

A post shared by Mary Robinette Kowal (@maryrobinettekowal) on

(10) NO ONE BEHIND THE WHEEL. Matthew Johnson is the latest Filer to leave a poetic masterwork in comments:

Inspired by item 7:

My self-driving car must think it queer
To stop without a charger near.
I wonder, did I hurt its pride
When I pressed DRIVER OVERRIDE?

Whose woods these are I think I spy:
in June the Google Car went by
And so the trees, though deep in snow, are green
When viewed upon my tablet screen.

Most days I doze away the route
That my car drives on our commute
And trade the sight of forests dark and deep
For just another hour’s sleep.

This night, the darkest of the year
Some demon woke me, passing here,
And so I stopped, though home is far
Got out and left my loyal car.

A single line of deer track goes
Into the forest, deep with snow
My road, I know, was once just such a trail
Blazed by cloven hooves and white-tipped tails

Crowdsourced by deer to find the gentlest route
Through tree and mountain, lake and chute
Then followed feet, at first in leather clad
To travel where the hooves of deer had.

My car’s soft beep awakens me:
To stay longer would unreasonably
Expose the maker to liability
And besides, it voids the warranty.

Well, a contract is a contract, after all,
And speaks louder than the forest’s call
So I return, my feet no longer free,
Because I clicked on I AGREE.

The woods are lovely, dark and deep,
But I have Terms of Use to keep,
And miles to go while fast asleep,
And miles to go while fast asleep.

[Thanks to Lee, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Dawn Incognito.]

Mummies and Mars at the KGB Bar

By Mark L. Blackman: On the evening of Wednesday, July 20 — the 47th anniversary of the first Moon Landing – the monthly Fantastic Fiction Readings Series hosted authors David D. Levine and Helen Marshall at the 2nd floor KGB Bar in Manhattan’s East Village. The Bar is known for its red walls and Soviet era-themed décor, and the Series for the excellence of its readers; readings are always free.

Series co-host Matthew Kressel welcomed the capacity crowd, exhorted us to buy drinks (generously, there is no cover charge), and reported on upcoming events in the Series. Next month’s readers, on August 17, are Leanna Renee Hieber and Theodora Goss. Reading on September 21 will be Laird Barron and Alyssa Wong; on October 19 Jack Ketchum and Caitlìn R. Kiernan; and on November 16 John Langan and Kressel himself. (Details are available at http://www.kgbfantasticfiction.org/.) Concluding, he introduced the evening’s first reader.

David D. Levine is the author of the novel Arabella of Mars and over fifty sf and fantasy stories, one of which “Tk’tk’tk,” won the Hugo Award.  Some of his stories have been anthologized in the Endeavour Award-winning collection Space Magic.  (Full disclosure:  years ago, we were in an apa, or fannish amateur press association, together.  He is, of course, not the New York gamer of that name – though, to their mutual consternation, that distinction was lost by one Worldcon’s “Voodoo Message Board” – nor the caricaturist at the New York Review of Books.)

Levine began with a well-received rap (“Ey girl, what’s your name?,” complete with background music) summarizing the plot of Arabella of Mars, then read from the Prologue, “The Last Straw.” The novel is set in an alternate cosmology (or alternate astrophysics) previously described as “Mars the way it used to be before science ruined it,” with canals, Martians and breathable atmosphere (Venus, of course, has swamps), a reality – a term here used loosely – in which further there is interplanetary atmosphere and airships voyage between worlds.  The heroine, Arabella Ashby, an 18th-century English colonist on Mars (the use of “Marsman,” to distinguish from Martians, was employed as well in a similarly titled novel about a girl named Podkayne), we learn, has been hauled off to Earth and urgently must return to Mars to save her family fortune.  In the final part of his presentation, Arabella is attempting to do just that, disguised as a boy among an airship’s crew as it lifts from London.  Venerable literary devices blend imaginatively and charmingly.

Helen Marshall

Helen Marshall

After a break, Series co-host much-honored editor Ellen Datlow introduced the second reader of the night. Helen Marshall’s first collection of fiction, Hair Side, Flesh Side, won the Sydney J. Bounds Award in 2013, and her second, Gifts for the One Who Comes After, the World Fantasy Award and the Shirley Jackson Award.  The story that she read, “The Embalmer,” appears in The Mammoth Book of the Mummy, though, as she described it, it’s “the least mummy-like” story that she could write.  It was nonetheless quirky and amusing.  The boy Henry has a penchant and talent for digging up and mummifying neighbors’ dead and buried pets, including the girl next door’s (Dalia), late Labradane, which he’s anonymously gifted to her and which she smuggles to school.  (We must count it as fortunate that her little brother was not buried in the backyard.)

Copies of Arabella of Mars and Gifts for the One Who Comes After were for sale at the back of the room from the Word Bookstores of Brooklyn and Jersey City.

Afterward, the crowd headed out to dinner.