Pixel Scroll 5/31/16 Every Bark a Doorway

(1) ATTACKING CREATORS. Devin Faraci at Birth. Movies. Death. lit up the internet with the claim “Fandom Is Broken”.

… Last week the AV Club ran an excellent piece about the nature of modern fan entitlement, and I think it’s fairly even-handed. The piece covers both the reaction to an all-female Ghostbusters reboot but also the hashtag that trended trying to get Elsa a girlfriend in Frozen 2. The author of that piece, Jesse Hasenger, draws a line between the two fan campaigns, rightly saying that whether driven by hate (Ghostbusters) or a desire for inclusion (Frozen 2) both campaigns show the entitlement of modern fan culture. It’s all about demanding what you want out of the story, believing that the story should be tailored to your individual needs, not the expression of the creators….

The old fan entitlement has been soldered onto the ‘customer is always right’ mindset that seems to motivate the people who make Yelp so shitty. I’m spending a dollar here, which makes me the lord and master of all, is the reasoning (I don’t even want to speculate about whether or not modern fans spend their dollars on licensed, legal products – that’s an essay for another weary day). It’s what makes people act like assholes to servers, and somehow it’s become the way ever-growing segments of fans are behaving towards creators. It’s been interesting watching so many people bring up Joe Simon and Jack Kirby in the Captain America fracas; one of part of it is that their Jewishness allows angry, petulant fans to throw down a social justice bomb but it also speaks to how modern fans see many modern creators. They’re nobody compared to the ones who invented this stuff. The modern creator is the server, and they should be going back into the kitchen and bringing back a Captain America cooked to their exact specifications, and without any sort of complications or surprises. This is what fans have always wanted, but the idea of being consumers – people who are offering money for services rendered – only reinforces the entitlement.

And so we have these three elements – one old as fandom itself, one rooted in technological advances and one impacted by the corporatization of storytelling – coming together in such a way to truly break fandom. I wish this was the part of the essay where I come to you with a hopeful pep talk about how we can all be better, but I just don’t see a positive solution. If anything, I see things getting worse – creators walling themselves off from fans while corporate masters happily throw vision and storytelling under the bus to appease the people who can get hashtags trending. “You can’t always get what you want” is a sentiment that belongs to another era when it comes to mass storytelling. I recently read Glen Weldon’s excellent The Caped Crusade: Batman and the Rise of Nerd Culture and the arc of fandom it sketches out is a profoundly disheartening one, with Batfans morphing from monkish annotators of the character’s fictional history into crusaders harrassing anyone on the internet who sees Batman differently than they do….

(2) THE RISING OF THE DOUGH. More details about the Sons of Anarchy cast payment problems at a Houston convention this past weekend from Official Ava Jade Cosplay: “Space City Comic (Con) – Thousands Swindled, Contracts Broken and Many Still Looking for Answers”:

The previously included statement about the rooms not being paid for has been retracted-  A representative from the staff contacted me and informed me that I was misinformed about the exact situation. There was a mishap regarding the hotel check in. The credit card for the room was for the reservations and not for incidentals. Upon checking in, some cast members had to pay cash for the incidentals, instead of putting their own credit card up, and risking being charged upon checking out.  The cast was NOT charged for their room.  I was informed during the interview, that there was a problem checking in the hotel due to the credit card not being accepted, it later was realized that we should clarify to what extent.   When Mr. Hunnam took his check to the bank to cash it, he found out that the check that was given to him was written from an account that had been CLOSED. This happened to the entire cast. Many of the actors went to the promoters office to demand payment, where the promoter ended up calling the cops because he was “being held hostage”. The cast was in no way held him hostage, but wanted answers and payment.  The panel schedule was completely jacked up, the cast was not given the correct times for photo ops and for panels. The Friday panel was canceled due to the AVI team refusing to allow anyone onstage until they were paid. They were promised payment upfront, instead they weren’t paid and pulled the plug on the event. The cast was all there, waiting to go on. It seems that the event promoter broke the contract not once, but TWICE.

Bleeding Cool wrote a story of its own based on the Official Ava Jade post with the dramatic headline, “Police Called On Cast Of Sons Of Anarchy After They Demanded Space City Comic Con Pay Up”. Houston police were helpful in protecting the convention staff from an irate customer —

Comments from volunteers included this, from Shelley Montrose,

This will be the last Saturday/Sunday that I volunteer at any Comic Convention. I was shouted at more in the 6 hours that I volunteered on Saturday than I was in the entire year last year. Friday was amazing and Saturday in my LAST 2 MINUTES there HPD had to intervene as a grown man came into my face and threatened to “choke me to death, rape me, and burn me like on YouTube.” I decided not to come to my scheduled 8 hour volunteer shift on Sunday. I thought my life was in danger. One of Charlie’s bodyguards ran over to help me before the guy got to me. Honestly, I thought the guy was gonna to hit me. After reading this article I think I understand what happened a little bit better. I can’t even explain how horrible it was the tell people who traveled all the way from England, China, Australia,etc., that the $800-$3000 that they spent on a prepaid ticket will not be honored at the desk at the majority of the sons of anarchy autograph sessions , and that they would have to go to the ATMs on the inside of the convention ( because all the ATMs on the outside of the entrances were broken ) in order to get money to pay cash for any autographs or photo ops they wanted with the celebrities.I personally ended up going to the ATM to help people pay for the prepaid tickets that they purchased for autographs with the celebrities. I won’t even go into how much that puts me back on my budget, including but not limited to my rent, utilities, and food.I was with Charlie Hunnam for almost four hours, and He pulled it together for all of his fans. Anyone that was there saw me standing beside Charlie Hunnam, I was taking pictures of them with him, knows that he was very giving to fans as well as professional. I feel like I did a good job of keeping the fans calm, entertained, and happy until they got to Charlie Hunnam .Ron Perlman was also professional as well. When I left he was still excepting those bogus tickets that people had pre-purchased.

(3) BE ON THE LOOKOUT. Speaking of grand theft – Swedish astronomers theorize Planet 9 is a stolen exoplanet.

New research suggests the mysterious and controversial “Planet 9” isn’t an original member of our solar system. According to a new computer simulation developed by astronomers at Lund University in Sweden, the ninth planet is an exoplanet — stolen by the sun from its original host star.

“It is almost ironic that while astronomers often find exoplanets hundreds of light years away in other solar systems, there’s probably one hiding in our own backyard,” researcher Alexander Mustill said in a news release….

 

(4) EXCELLENCE IN FILKING. SF Site News reported that nominations have opened for the 2016 Pegasus Awards, given by the Ohio Valley Filk Festival.

pegasus logo

Any member of the worldwide filk community is eligible to win. Past Nominees have hailed from the United Kingdom, Canada, Germany, Australia, and Singapore as well as the United States.

The nomination and ballot procedure is similar to that of the Hugo, except that one does not need to be a paid member of the convention to nominate or vote. Anyone with an interest in Filking or Filk music can place a nomination and/or vote.

The results are tabulated, the winners determined, and the award is presented at the Pegasus Awards Banquet...

There are currently six Pegasus award categories, including two floating categories that are different each year.

Fans suggested nominees and songs through the Brainstorming Poll, and the results can be seen on these pages:

Ballots must be received by 12:01AM PDT, August 1, 2016, whether cast online or by mail.

(5) BEWARE GAME OF THRONES SPOILER. Here’s something George R.R. Martin revealed at Balticon 50:

According to Vanity Fair, Martin appeared at a convention in Baltimore called Balticon to read aloud to those in attendance a new chapter from his forthcoming book The Winds of Winter. During his time in front of the crowd, the author announced that Brienne of Tarth is the descendant of Ser Duncan the Tall.

For those who don’t know, Ser Duncan the Tall is one of Westeros’ most famous knights, making this connection with Brienne particularly noteworthy, especially when considering he’s one of Martin’s favorite characters.

(6) MORE SHOOTING. ScienceFiction.com says “’Rogue One: A Star Wars Story’ Gets Planned Reshoots After Disney’s Rumored Unhappiness”.

Many films that are destined for the big screen get re-shoots or planned production times after an initial cut of the film has been done where the crews can go back and shoot additional or replacement footage for certain scenes.  It’s a fairly common practice, although the re-shot and re-edited scenes are usually minimal in nature, comparative to the overall plot of the film.  Rumor has it, however, that the upcoming Star Wars spinoff, ‘Rogue One,’ has heavy reshoots planned by parent company Disney, who is unhappy with how the film has fared so far with test audiences.

There has only been one trailer released so far for the film, which was actually met with great enthusiasm from the fans.  However, a cool-looking trailer does not directly equate to a successful and well-received film — look no further than this very franchise’s ‘Star Wars, Episode I: The Phantom Menace’ for evidence of such.

(7) WHO BLABBED? Cora Buhlert shares Cap’s secret with us:

(8) SFWA YA JURORS. “Andre Norton Award Jury Announced” at the SFWA Blog.  

The Science Fiction and Fantasy Writers of America announce the members of the jury for the 2016 Andre Norton Award. Throughout the coming year, the jury will be compiling its list of picks for the Norton Award. This year for the first time, SFWA will release a Norton Honor list of the top 15-20 books compiled from member votes and jury picks.

Chair Ellen Klages says, “Speculative fiction is a literature about exploration, possibilities, and dreams. The Andre Norton Award honors the best SF/F works written for the people who will create the future — children and young adults. What they read today will influence them — and the world — for decades to come.”

The jury members are: Ellen Klages (jury chair), E.C. Myers, Fran Wilde, Leah Bobet, and Jei D. Marcade. Read their bios at the linked post.

(9) SFWA SFWA. Cat Rambo notes anyone can watch the SFWA Chat Hour, 1st edition, on YouTube, “complete with annoying echo that we will fix next time.”

Come hear Science Fiction and Fantasy Writers of America (SFWA) officials and staff Cat Rambo, M.C.A. Hogarth, and Kate Baker talk about the recent Nebula conference weekend, current SFWA efforts, and what’s coming in 2016 in the first episode of the biweekly SFWA Chat Hour.

 

(10) TODAY’S BIRTHDAY GIRL

  • Born May 31, 1961 — Lea Thompson, known to the world for other things but to fans for Howard the Duck and Back to the Future.

(11) BUTLER CONFERENCE. UC San Diego will be the site of “Shaping Change: Remembering Octavia E. Butler Through Archives, Art, and Worldmaking”, a conference from June 3-5 that is open to the public.

Shaping change

50 years from now, how have we shaped change (through art, activism, and archives) in the world? What have we left behind that that we can draw from our presents and pasts? What lessons in Butler’s life and writing will help forestall what seems like the inevitable collapse of human civilization?

Organized by Shelley Streeby (UC San Diego) and Ayana Jamieson (founder, Octavia E. Butler Legacy Network), the event will feature talks from: Adrienne Maree Brown, Aimee Bahng, Alexis Lothian, M. Asli Dukan, Ayana Jamieson, Krista Franklin, Lisa Bolekaja, Melanie West, Moya Bailey, Nisi Shawl, Ola Ronke, Rasheedah Phillips, Shelley Streeby, Sophia Echavarria, Ted Chiang, and Walidah Imarisha.

(12) MEETING ABOUT MEDUSA. Steven Baxter and Alastair Reynolds will speak at Foyles Bookshop in Charing Cross Road (tickets required) on June 4.

Foyles talk

Join us for a conversation with two leading figures in science fiction, Alastair Reynolds and Stephen Baxter, as they discuss their new collaboration The Medusa Chronicles. Inspired by the classic Sir Arthur C. Clarke’s short story ‘A Meeting with Medusa’, The Medusa Chronicles continues the story of Commander Howard Falcon over centuries of space-exploration. One of the most compelling novels of either author’s career, it combines moments of incredible action with an intricately-realised depiction of an expansive universe.

Stephen Baxter is the author of more than forty novels, including the Sunday Times bestselling Long Earth series, co-authored with Sir Terry Pratchett, and the acclaimed Time’s Eye trilogy, co-authored with Sir Arthur C. Clarke. He has won major awards in the UK, US, Germany, and Japan. Born in 1957 he has degrees from Cambridge and Southampton.

Alastair Reynolds was born in Barry, South Wales, in 1966. He studied at Newcastle and St Andrews universities, has a Ph.D. in astronomy and worked as an astrophysicist for the European Space Agency before becoming a full-time writer. An award-winning as well as bestselling writer, with more than thirteen published novels to his name, Locus described him as ‘the most exciting space opera writer working today’.

Together, Reynolds and Baxter will talk about Clarke’s influence on their own writing, the themes that underpin his work, and how they were inspired to continue his story, as well as their bodies of work as a whole. This will be followed by an opportunity for the audience to ask their own questions and a book signing.

This event is in association with The Arthur C. Clarke Award and SFX.

(13) BYO LIFE ON MARS. SpaceReview.com sifts its favorite ideas from the many conferences about human expeditions to the red planet, in “A Year on Mars”.

How many humans on Mars conferences do we need in a year? That thought came to mind during the recent Humans to Mars (H2M) Summit in Washington, DC. There are a lot of them, especially in Washington. There were at least six humans-to-Mars related public events in Washington in 2015, not counting the NASA-sponsored human Mars landing site selection workshop in Houston. Now 2016 is shaping up the same way. Last Tuesday following the H2M conference, the Center for American Progress, a left-leaning DC-based think-tank, held a talk “Beyond the Moon: What will it take to get astronauts on Mars?” The Mars Society was in Washington last August and will be back in September, and there will probably be at least one or two other Mars-related meetings or lectures that will happen later this year. And not everything is happening in Washington: the same week as the H2M conference there were a series of talks on Mars at the International Space Development Conference in Puerto Rico.

Some, but not all, of this attention to the humans to Mars subject is due to the success of the movie The Martian and the book that inspired it. But the subject is also culturally bigger than that: witness the attention that Mars One got last year, both positive and negative, and NASA pushing the theme hard as well (every time somebody uses the hashtag #JourneyToMars an angel gets its wings.) Human missions to Mars, or at least talking about humans on Mars, is all the rage these days, and H2M has made a pretty impressive effort at taking the lead.

H2M seems to have upped its game recently. Their website is slick, featuring computer animations and links to video recordings of most of the presentations at their conference, much of which was live-streamed….

(14) ATTENTION ANN LECKIE. “Tea in space” might be a highly scientific idea. Scientists say it could be used to create useful materials for astronauts visiting Mars.

Former Prime Minister William Gladstone said: ‘If you are cold, tea will warm you; if you are too heated, it will cool you; If you are depressed, it will cheer you; If you are excited, it will calm you.’

It may also one day help astronauts on Mars.

The humble cup of tea holds the key to new ‘wonder materials’, new research suggests.

The bacteria found in tea could lead to breakthroughs in water filtration and technology.

(15) THIS IS STRANGE. An sf novel hidden in Reddit posts? The BBC interviewed the anonymous author.

The plot ranges across the CIA, hallucinogenic drugs, humpback whales, Nazis and the death of Michael Jackson. But just as mysterious and intriguing is the way in which what is being dubbed ‘The Interface Series’ is emerging into the world.

If you watched the TV-series Lost, you’ll probably be familiar with that feeling of confused anticipation as you hope for several threads of narrative to tie together. Over the course of this month, a new kind of mystery, for a new kind of audience, has been unfolding on Reddit – the online bulletin board where people post articles and comments on threads about a bewildering range of subjects….

The posts appeared in threads about a bizarre range of seemingly unconnected topics including: a debate about whether pirates really did have parrots, the responses to somebody seeking advice about how to help a relative with a drugs problem and the comments under a video of a cat sliding down stairs.

But these weren’t just random nonsensical rants. There is a theme that ties them all together; ‘The Flesh Interfaces’ which seem to be “portals of some kind, made of thousands of dead bodies, which transport biological matter to some unknown place and returns it inside a fleshy sack, heavily dosed with LSD.”

(16) DAILY TRIVIA. George R.R. Martin, wrote 14 episodes of the Beauty and the Beast TV series, which ran from 1987-90.

(17) JOHNSON TRIBUTE VIDEO. See part one of the George Clayton Johnson Memorial held at the Egyptian on February 26.

[Thanks to Wendy Gale, Chip Hitchcock, Martin Morse Wooster, Will R., Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Arifel.]

SFWA Hosts An Out-of-this-World Auction At Worldcon

Become a fantastic character, take away something beautiful and unique, or get killed (fictively) by your favorite author at the Charity Auction hosted by the Science Fiction and Fantasy Writers of America (SFWA) at this year’s Worldcon on Sunday, August 23, at 1 p.m. in Convention Center Hall C – Guinan’s Place.

Auction items include:

  • Tuckerizations and critiques from SFWA authors like Greg Bear, David Brin, Cory Doctorow, Alaya Dawn Johnson (the first she’s ever done), Nancy Kress, Larry Niven, Mike Resnick, and John Scalzi;
  • A voicemail recording by Mary Robinette Kowal;
  • Handcrafted items from Mercedes Lackey, Elizabeth Lynn Scarborough, and Carrie Vaughn;
  • Artwork from M.C.A. Hogarth and Ursula Vernon;
  • An appearance on Paul Cornell’s GeekPlanetOnline podcast;
  • A lifetime subscription to Lightspeed Magazine; and
  • Personalized invective from Neil Gaiman and Chuck Wendig.

Some offerings have special connections to this year’s Worldcon:

  • A beaded creature created by Guest of Honor Vonda N. McIntyre,
  • A script from Guest of Honor David Gerrold, and
  • Tuckerizations and critiques from Hugo nominees Annie Bellet and Jenn Brozek

Signed books and ARCs from Kevin J. Anderson, Ray Bradbury, Robert A. Heinlein, George R.R. Martin, Terry Pratchett, and Gene Wolfe will also appear.

Ellen Klages

Ellen Klages

Nebula Award winning writer Ellen Klages serves as auctioneer for the hour-long event. Klages says, “An auction is like a shopping cabaret, bread-and-circuses with prizes. You are entertained, you laugh, you come away with one-of-a-kind treasures. And…your donations support SFWA’s efforts to help writers in need. A win-win-win.”

Proceeds go to the SFWA Givers Fund, which funds the SFWA Emergency Medical Fund, Legal Fund, and other grants.

Steven H Silver, Events Coordinator, says, “SFWA has been holding charity auctions (and accepting the proceeds from other charity auctions) for as long as SFWA has had its Emergency Medical Fund and its Legal Defense Fund. These auctions give SFWA the opportunity to ensure these funds remain solvent and at the same time give readers and fans an opportunity to interact with their favorite authors in a variety of ways and come away with oftentimes unique items.”

Founded in 1965 by author Damon Knight, SFWA is a professional organization for authors of science fiction, fantasy, and related genres. SFWA informs, supports, promotes, defends and advocates for its members as well as for professional genre authors at large.

Ellen Klages Ends a Tiptree Era

SpaceBabeBIGAfter 20 years as WisCon’s Tiptree auctioneer, Ellen Klages is passing the torch. She recalls how it all began in a nostalgic post on the convention’s blog:

In 1994, on the weekend of my 40th birthday, I was in Worcester, Massachusetts, for Readercon, the guest of my friend, Pat Murphy. Ursula LeGuin was the Guest of Honor, and Nicola Griffith was the winner of the Tiptree Award. I knew nothing much about all that, just that the prize was given by an organization that Pat had founded.

One of the committee members in charge of the evening’s banquet and awards ceremony told Pat that some generous people had donated a few items — t-shirts, a handful of books — to benefit the Award, and asked if Pat was willing to auction them off.

Pat was already emceeing the awards and interviewing Ursula, so she said, “No, but I bet my friend Ellen will do it.”

“Sure,” I said. What the heck? It sounded like fun.

And so it was that, at the end of a very long evening, I got up on stage in a hotel ballroom for an impromptu performance, convincing an audience to buy random objects for startling sums of money. Forty-five minutes later, the Tiptree coffers had a thousand dollars, and I was suddenly, accidentally, notorious.

A man asked Spike, “Who is she?”

A total stranger came up to me. “Where else in Worcester are you performing?”

It was a heady experience.

She also pays tribute to some of the people whose handling of the logistical chores has made it all possible.

Jeanne Gomoll — a national treasure — was, for a long time, the person accepting donations, setting up the display of items, and making sure the trains ran on time. Scott Custis hauled boxes down from their attic every year. Jim Hudson, a mensch if there ever was one, handled the accounting, a most important part of any fundraiser. In recent years, Nevenah Smith streamlined the process and added her own flair to the event.

Klages actually concedes she may participate in future Tiptree Auctions — but not as a solo act.

How I’m Voting in the Best Novella Category

All five of the 2014 Best Novella Nominees rank above No Award on my Hugo ballot, which is saying something this year. Nearly all of them succeed on their own terms and it’s easy to see why each story has its fans.

(5) “Equoid” by Charles Stross (Tor.com, 09-2013)

This is the first of the Bob Howard “Laundry” adventures I’ve ever read. Stross has written many stories in this series, including several novels, and it’s quite popular. So why would a yarn with that pedigree land fifth on my ballot? Because I don’t vote Hugos to stories that make me want to throw up.

In the middle of this Lovecraftian parody/espionage tale there’s a confrontation with a monster that details a hideously graphic sexual violation.

Ordinarily I would have clocked out of the story at that point. I abandoned Paolo Bacigalupi’s Windup Girl when a scene struck me as outside the bounds of entertainment, and it was far less offensive. Yet I couldn’t shake off the fanzine fan ethic that says – don’t review stuff you haven’t read. So I finished “Equoid.”

Even apart from that dealbreaker, Stross’ sustained cleverness is almost overwhelming. It’s like being on a panel with David Brin, a constant flow of truly inventive ideas that nevertheless focus attention on the author more than the subject. However, there was one thing I truly enjoyed — the parallels drawn between bureaucratic infighting and action in the field. That definitely qualified as a “truth said in jest.”

(4) “The Chaplain’s Legacy” by Brad Torgersen (Analog, Jul-Aug 2013)

The science fiction field tends to be hostile to religious faith, so it’s rare to find a good exploration of that topic in the genre. Torgersen’s characters begin at several different points on the topography of belief. He draws each one to a resolution that feels genuine, which is not easy to do. Otherwise, this is a linear, action-driven space opera that would have fit comfortably in Astounding (and evidently still fits in Analog today). Only fourth place for this effort because the writing style is rather basic.

(3) The Butcher of Khardov by Dan Wells (Privateer Press)

Dan Wells’ story has an even higher body count than “Equoid” but confines itself to regular barroom and battlefield morbidity. The protagonist has a technology-related superpower that leads to a great military career though with many a pitfall. His life story is told out of chronological order, something Wells carries off very well – and the choice for the last segment is completely satisfying. A professionally impressive work, though one that isn’t much fun because the protagonist is psychotic.

(2) Six-Gun Snow White by Catherynne M. Valente (Subterranean Press)

The other day I read an editor promising her readers “gorgeous prose,” and Valente is an author who supplies that in abundance. In this novella she reweaves the traditional Snow White fairy tale as the life story of a child of a wealthy miner and a Crow woman, told in frontier diction — perhaps not the same as Charles Portis’ True Grit, though it came to mind, and absolutely without a trace of humor. The protagonist is an abused child inevitably trapped by a desire to please her parents. Throughout her life she copes with all the racism and sexism the 19th century has to offer. The historical realism (indeed, some of these details come from the Hearst family) makes the story feel like a duty to read.

The story is essentially a series of episodes that hold together because the reader knows the fairy tale. Otherwise the experience would be comparable to reading Harlan Ellison’s “The Man Who Rowed Christopher Columbus Ashore.” But that’s a short story. When I reached the point in Six-Gun Snow White of asking “Will this be over soon?” there were 80 more pages to go.

(1) “Wakulla Springs” by Andy Duncan and Ellen Klages (Tor.com, 10-2013)

“Wakulla Springs” by Andy Duncan and Ellen Klages is by far the most entertaining and slickest written story nominated in this category. The cleverness, use of dialect and diction, and the awareness of social issues noted in the competition are all present here but remain in balance with storytelling and characterization.

There is one drawback. It’s not science fiction, and it’s only fantasy in a very general sense. Now when I was a lad I might have felt obligated to defend the purity of the Hugo Award against incursions of popular mainstream fiction. But this year, when so many games were played to get things on the final ballot, I refuse to be stopped from voting for what I regard as the best story in the category.