Pixel Scroll 2/18/16 Pixel Bell Rock

(1) INTERNET HIGHWAY ROBBERY. Chuck Wendig tees off on a Huffington Post UK editor who preens about not paying their 13,000 contributors.

Because it isn’t “authentic.” To pay writers.

You toxic tickledicks.

You venomous content-garglers.

You thieves, you brigands, you media lampreys.

Let us expose this hot nonsense for what it is: a lie meant to exploit writers and to puff up that old persistent myth about the value of exposure or the joy of the starving artist or the mounting power of unpaid citizen journalism.

The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.

But it is an opportunity for them, not for you.

But it seemed to me after a strong start Wendig’s rant winds down and loses headway:

Writing is work. Most things begin with writing. Though I find writing a pleasure, it is also a thing that requires great mental effort. It is not mere content — that word said almost dismissively, as if it is a synonym for styrofoam peanuts. (And by the way: you actually have to buy styrofoam peanuts. They aren’t free unless you rob them from boxes shipped to you.) Content is not slurry. It’s not protein goo. It’s not mud or air or some readily available resource…

Intrinsic value and market value are different things. While I don’t think Chuck Wendig believes all writing has the same market value, or necessarily any market value, it seems to me he has conflated spiritual and economic value in this paragraph.

Wendig is right that Huffington Post capitalizes on uncompensated labor, of course. If HuffPo is making money, that establishes that the content collectively has some market value. Since none of that value flows through to the contributor, you can argue an injustice.

But are all these contributors trying to launch writing careers? I do agree that if somebody is trying to be a pro writer, which not all HuffPo contributors necessarily are, they should be working on material that has a paying market.

(2) THAT GETTING PAID THING. In a series of tweets, John Scalzi thanked Wendig for doing the heavy lifting today, and tossed in a few more points:

(3) WRITING VS. WIDGETS. Elizabeth Bear tells about detoxing as a writer, metaphorically speaking, in “if you live for something, you’re not alone”.

One of the things I’ve realized that I need to work on in order to develop a healthier relationship with my job involves certain toxic aspects of the professional writing/publishing culture that I’ve done an overly good job of internalizing. And I’m trying to scrape it out of my soul, because in the long term it winds up being the opposite of productive when dealing with a creative career.

Some of that is a competition thing: “Writer X turns in three books a year and I’m a slacker if I don’t, too!” And that’s not great, honestly, and the sheer pressure to produce isn’t great, either, and doesn’t necessarily lead to good work. One has to think up new things to say between books, after all, or one ends up writing the same book over and over again. No use in that.

I think there’s a certain bravado of culture among may writers that is actively toxic in a lot of ways. And it’s tied to the NaNoWriMo kind of mode of “produce a bunch of stuff really fast, lather rinse repeat” pressure, and also the “THIS JOB SUCKS AND WE’RE WARRIORS FOR DOING IT” thing. It’s this weird Puritan machismo in suffering.

I mean, you don’t learn to write well by turning out 50K in a month once a year. It’s the two pages a day or whatever that get you there. Constant practice, as with any art. And mammals don’t respond well to punishment for performance. If we do a thing and the result is horrible, we generally avoid doing that thing again

(4) STARSHIPPING. From the Initiative for Interstellar Studies, Principium, Issue 12, February 2016 [PDF file]. The overview begins —

In this edition our guest introduction is by Gill Norman. Gill is a former director of i4is. She has helped us become the reasonably well organised body that we now are. Her thoughts here are on the necessity of human engagement in Interstellar Studies and space in general, Space: It’s all about people. She tells us how we need to engage resources and talents from all who feel our outward urge. Scientists and engineers are essential but so are entrepreneurs, PR experts and, of course, the best administrators we can find!

(5) FRAUD AT ICE CREAM COUNTER. “Astronaut ice cream is a lie”!

Astronaut ice cream — did it really fly? Vox’s Phil Edwards investigates, with the help of the Smithsonian and an astronaut.

 

(6) MOVING DAY. “China displaces nearly 10,000 humans for huge telescope in search for aliens” reports Asia One.

China will move nearly 10,000 people to make way for the world’s largest radio telescope which promises to help humanity search for alien life, state media reported on Tuesday.

It’s compensating them less than $2,000 each to relocate.

(7) CONGRATULATIONS: Becky Thomson and Tom Veal, friends for over 45 years, have announced they are engaged to be married. The wedding will be on June 25, in Ft. Collins, Colorado.

(8) SIGNALLING THE BEST. At SF Signal, “Top 15 Sci-Fi Comics of 2015 (Becky Cloonan, Kelly Sue DeConnick, Greg Rucka, More” .

We don’t write many articles about comics here at SF Signal. That’s not to say that we dismiss comics as literature, though. Many of the contributors to this blog are huge fans of the medium, but sites devoted the field abound, and whether superheroes are actually science fiction or a form of fantasy that simply employs sci-fi conventions as convenient MacGuffins is debatable. The one notable exception to our comic freeze out is our annual list of the top science fiction comics of the year… which number exactly one, because last year’s list was our first.

To my surprise, though, last year’s list of the Top 14 Sci-Fi Comics of 2014 turned out to be one of our top ten most popular articles of 2015. So, back by popular demand, here’s a rundown of the best on-going science fiction comics to hit stands in 2015. It’s not exhaustive, because there were a LOT of great sci-fi series this year, but it’s what we consider these to be the cream of the crop. Feel free to debate or contribute your own suggestions in the comments below….

(9) KENYON/CLARE ARTICLE. Laura Miller at Slate writes with a fannish slant about “The Shadowhunters vs. the Dark-Hunters”.

A lawsuit between two best-selling authors involves fantasy, romance, charges of plagiarism, and fan fiction gone mainstream….

I have friends with deep roots in fandom—albeit without much connection to this particular sector of it—who believe that this is the true source of the undying animosity toward Clare: She left fandom “badly,” or, worse yet, she seemed to be repudiating her own origins in that community by changing the spelling of her name. Fan-fiction writers are routinely and viciously ridiculed and shamed for their hobby, which makes their communities especially insular and self-policing. “Back in the day,” Cleolinda Jones, a onetime regular at Fandom Wank, wrote to me, “we used to say, ‘The first rule of fanfic is, do not take money for your fanfic.’ Because the overriding fear was intellectual property holders would sue everybody and shut fandom down.” Rights-holders that once issued cease-and-desists against fan sites for using promotional photos now encourage fan art and other tributes, Jones says, but in the early 2000s, “I just really cannot overstate the sense of living on borrowed time by the grace of the IP holders.” This would explain why word-for-word plagiarism, as opposed to the transformative appropriation of another creator’s characters and setting, would seem a catastrophically reckless sin against the entire community.

Of course, Clare was reviled—and adored—in Harry Potter fandom even before the plagiarism charges against her came to light. And fan fiction itself has come a long way, spawning numerous real-world stars, fan writers such as E.L. James who move on to publish best-sellers. Clare was among the very first to do this. But the prospect of going pro and striking it rich seems to many fan-fiction writers like a serpent in the garden, corrupting what once felt like an idyllic, egalitarian gift-economy of like-minded dabblers. Once, fandom was a destination in itself; now it’s just another stepping stone for ambitious writers with their eyes on a richer prize. Like so much of the idealism of the early Internet, this, too, has become an offshoot of the marketplace. “I think what you don’t understand,” one friend told me when I expressed bafflement that Clare’s fellow fan-fiction writers didn’t view the popularity of her books as a feather in their collective cap, “is that a lot of them just feel used.” When I admitted that didn’t make sense to me, she added, “It’s hard to explain, but that doesn’t mean it isn’t real.”

(10) CON OR BUST. MidAmeriCon II has also pitched in:

MidAmeriCon II, August 17-21, 2016, Kansas City, MO, USA. MidAmeriCon is the 2016 WorldCon; its Guests of Honor are Kinuko Y. Craft, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Tamora Pierce, and Michael Swanwick, and its Toastmaster is Pat Cadigan.

MidAmeriCon has donated four memberships to Con or Bust, either in full or as upgrades to supporting memberships (if the recipient already has one).

(10) TAKING ART IN NEW DIRECTIONS. “Best Fan Artist?” asks Steven H Silver. GPS Doodles’ Stephen Lund creates figures by riding his bike in meatspace on routes tracked by Strava. Some are Star Wars-themed.

GPS Yoda

“Doodle a Jedi I must”

Wasn’t it Yoda, Grand Master of the Jedi Order, who said “Doodle. Or doodle not. There is no try”?

Well, doodle I must. And on May the 4th, there’s little choice but to doodle the Jedi Order’s most disciplined master of the Force. Good ol’ Yoda.

“Take a ride on the dark side”

Subject: ride along I’d like to request one. Can you come up with a suitable topic? Vader and his young apprentice perhaps?

It sounded like fun – not just the Star Wars theme but the idea of having someone along for the ride.

Kudos to Geoff, who stuck with me for the entire 4.5+ hours with no inkling whatsoever about what we were doodling. He was completely in the dark (“on the Dark Side,” I suppose you could say) until he got home afterward and downloaded the ride to Strava.

(11) TODAY IN HISTORY

  • February 18, 1930 – Clyde Tombaugh discovered planet Pluto, before it became a dwarf.
  • February 18, 1977 – First unmanned test flight of space shuttle Enterprise mounted on another aircraft.

(12) ARE YOU SHOCKED? Kate Paulk’s award overview series continues with “Hugo Categories Highlight – The Short Fiction Categories”.

The problems of the Hugo voting/nominating population being relatively small and to a large extent long-term fans who could be termed the science fiction “establishment” (in the sense that many of these people have been to the same conventions for twenty and more years and helped each other run quite a few of them) have probably had years where they actually could read everything eligible with the result that they’ve seen practically everything.

This leads to a kind of weird inversion of killer mailbox syndrome (what happens to your marvelous tale about a killer mailbox when the slush reader has just read the third killer mailbox piece in the slush dive and the other three were horrible. The horrible gets imputed to your story because of the human mind’s extreme pattern-making and association ability) where something that isn’t all that great seems the freshest, most wonderful piece of the year because it’s sufficiently unlike the rest of the entries it stands out. This gets good-but-not-extraordinary works nominated and winning awards because they aren’t like everything else.

There’s no need for a conspiracy to explain some of the “winning the future” selections in recent years – this effect will do just as nicely, particularly since many of said voting group have very similar opinions about what constitutes a desirable message and from what I’ve seen are honestly shocked that their views of what is right and proper are not shared by the rest of fandom (two rules that we fans have to remember: sufficiently advanced stupidity is indistinguishable from malice; and highly intelligent people are capable of extremely advanced stupidity).

(13) THE REBUTTAL. Vox Day at Vox Popoli makes additional arguments supporting his contention that he is a better editor than David Hartwell.

The SF-SJWs at File 770 are appalled at the fact that Tor Books and Castalia House author John C. Wright is willing to go on the record and state that, in his opinion, I am a better editor than the late, Hugo Award-winning editor David Hartwell:…

You see, I have perspective that they do not. Unlike them, I have seen Mr. Wright’s unedited prose. I know exactly what it looks like. And as it happens, it looks very much like the prose that appears in Mr. Wright’s novels that are published by Tor Books. John is an excellent writer; he is one of the greatest SF/F writers alive. But he writes very, very quickly and he is prone to what one might describe as an exuberant approach to writing. Last year, Castalia House offered him a contract for a 60k-word book. I am now reading the manuscript, which clocks in at nearly 200k words. Even those authors who don’t like Mr. Wright or his style might well contemplate suicide if they truly understood how speedily and effortlessly the man writes… and writes well. When I say he is a great writer, I do not do so lightly, nor do I do so because I am fortunate enough to publish some of his works. I say it out of pure envy and awe.

…. UPDATE: It appears my surmise about the extent to which Mr. Wright’s books were edited at Tor Books was correct, as per L. Jagi Lamplighter Wright

Just in case anyone wondered: John has tremendous respect for Mr. Hartwell, whom he admired, appreciated working with, and liked as a person. But Mr. Hartwell almost never made any changes to John’s manuscripts.

(14) ADMIRATION. John C. Wright’s contributions to the foregoing discussion included this compliment to another author:

I would have trouble editing George RR Martin’s books. Most of the comments here mock him, but he is an exquisitely skilled writer, a consummate writer. His writing is a little dark for me, but reread the opening prologue of GAME OF THRONES: the text establishes a fullfledged three dimensional character, a man who is realistic yet sympathetic, and who is snuffed out as a redshirt a few paragraphs later to show you how the monster works — and it comes as a surprise because usually the redshirts are not given a backstory. What in other hands would have been a boring B-movie horror scene in Martin’s is a masterful, and even moving, establishing scene. Now, to be frank, I have not read his last two volumes, and I may never, because he has killed off too many likable characters and is taking too long to get anywhere: but once the series is done, and I know it reaches a satisfying conclusion, I may revisit that decision. So Mr. Martin may be suffering from the victory disease, where some of his discipline lapses due to his popularity. Or he may be, as I am, an exuberant writer who likes his digressions.

(15) TROPE TRAP. At The Book Smugglers, Carlie St. George “examines the Sexy Douchecanoe trope” in “Trope Anatomy 101: Reader, I Didn’t Marry Him – I Kicked His Jerk Ass to the Curb”.

The Sexy Douchecanoe isn’t an official trope, as such; at least, it’s not one that I often find people analyzing, subverting, and/or railing against. It is one, however, that I run into constantly because, while they’re often unfairly associated with strapping, half-dressed men on paperback covers, Sexy Douchecanoes actually pop up in every medium and every genre. The first time I remember coming across one, I was maybe 20 and reading Naked in Death by JD Robb. At the time, I’d been interested in giving romance a go, but as I hadn’t read much of the genre, I wasn’t entirely sure where to start. I figured the best plan was to pick a romance that was also a murder mystery set in the future.

And maybe that plan would have been successful, if I hadn’t hated the love interest with the power of a thousand suns.

(16) MONSTER HIGH NOTE. Lady Gaga and Mattel are teaming to create a Monster High doll.

You know you’ve made it big when you’re commissioned by a major toy manufacturer to design a doll. That’s exactly what’s happened to Lady Gaga. The singer/actress is adding “toy designer” to her resume now with a forthcoming Monster High doll. Is there anything she can’t do? She’s designing the doll with her sister, costume designer Natali Germanotta. Which is totally fitting, given Gaga’s Mother Monster moniker.

 

https://twitter.com/LGMonsterFacts/status/698251609860485120

(17) THIRD MILLENNIUM. Part three of “Who Are Millennial Fans: An Interview with Louisa Stein” by Henry Jenkins at Confessions of an Aca-Fan.

[Louisa Stein] I mentioned above the TV series Supernatural’s ambivalent depictions of female fans over the years. Supernatural is a series that has a dynamic and rich transformative fandom, and the majority of those participating in the fandom are women. Supernatural fans, while expressing love for the series and its characters and potential, have long been critics of its gender and racial politics, and have spoken out at times about how they have felt misrepresented and even attacked by the series and its metatexts, for example, in response to a preview that declared the teenage girl the “ultimate monster.”

(18) STUBBY ON SPUDS. At Tor.com Stubby the Rocket says, “Matt Damon Has Replaced Sean Astin as the Face of Pop Cultural Potato Enthusiasm”. Yes, I guess he has…. (It’s a reference to this antique video from the dawn of YouTube.)

[Thanks to David K.M. Klaus, Brian Z., Dave Doering, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]

Pixel Scroll 2/1/16 By the Pixels of Babylon, I Scrolled, For I Remembered Filing

(1) PRELIMINARY PUPPIES. Vox Day issued his first “preliminary recommendations” today: “Rabid Puppies 2016: Best New Writer” (Preliminary, since he may change them based on feedback about eligibility, or for other reasons.)

To kick things off, we’ll begin with the Campbell Award: Best New Writer category:

  • Pierce Brown
  • Cheah Kai Wai
  • Sebastien de Castell
  • Marc Miller
  • Andy Weir

There was a noteworthy exchange in the comments.

[Phil Sandifer] Just for the record, Vox, the only reason Andy Weir wasn’t on the ballot last year was the Puppies. Without you, the Campbell nominees last year would have been Chu, Weir, Alyssa Wong, Carmen Maria Marchado, and Django Wexler.

[VD] Oh, Phil, you’re always so careless. That is not the only reason. It is a reason. Had you SJWs favored Weir over Chu, he would have also been on the ballot.

In any event, since you all are such champions of Weir, I’m glad we will all be able to join forces and get him nominated.

(2) GRRM REQUESTS. After announcing that the Locus Recommended Reading List is online, George R.R. Martin explicitly said

Just for the record, before the issue is raised, let me state loudly and definitively that I do not want any of my work to be part of anyone’s slate, this year or any year. But I do feel, as I have said before, that a recommended reading list and a slate are two entirely different animals.

— an announcement whose timing may be more relevant today than it would have been yesterday.

(3) LOCUS SURVEY. You can now take the Locus Poll and Survey at Locus Online. Anyone can vote; Locus subscriber votes count double. Voting closes April 15.

Here is the online version of the 46th annual Locus Awards ballot, covering works that appeared in 2015.

In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth).

As always, we have seeded the ballot with options based on our 2015 Recommended Reading List [this link will open a new window], mainly because this greatly facilitates tallying of results. However, again as always, you are welcome to use the write-in boxes to vote for other titles and nominees in any category. If you do, please try to supply author, title, and place of publication, in a format like the options listed, where appropriate.

Do not vote for more than one item in a category at the same rank (e.g. two selections ranked 1st); if you do, we will disregard your votes in that category.

File 770 is seeded in the Best Magazine or Fanzine category and would cherish your fifth place votes. Or twenty-fifth, for that matter – the competition is formidable.

(4) IT IS THE END MY FRIEND. And perhaps this is the right place to admire John Scalzi’s Whatever post title: “The End of All Things on the 2015 Locus Recommended Reading List”.

(5) STATISTICS. Brandon Kempner at Chaos Horizon began the month of February by “Checking Back in with the SFWA Recommended Reading List”. He prepared a change table and interpreted the rising fortunes of various novels, beginning with the greatest uptick —

What does this tell us? That Lawrence M. Schoen’s Barsk has emerged as a major Nebula contender, despite being lightly read (as of January 30th, this only has 93 ratings on Goodreads, 31 on Amazon, much much lower than other Nebula/Hugo contenders). That’s due in part to Schoen’s late publication date: the novel came out on December 29, 2015. That’s a tough time to come out, as you get lost in the post-Christmas malaise. A Nebula nomination would drive a lot of attention to this book. Schoen now seems like a very good bet for the Nebula, particularly when we factor in that he received Nebula nominations in the Best Novella category in 2013, 2014, and 2015. There’s clearly a subset of Nebula voters that really like Schoen’s work; a Best Novel nomination might be a spark that gets him more read by the rest of us.

(6) CONGRATULATIONS SCOTT EDELMAN. He did it! Scott Edelman celebrates a special sale in “Never give up, never surrender: My 44-year question to sell a short story to Analog”.

I’ve lost track of how many submissions I made to Analog during the intervening years, first to Ben Bova, then Stan Schmidt (for more than three decades!), and now Trevor Quachri. Were there 25 short stories? Fifty? It’s probably been more than that, but I don’t know for sure. And it doesn’t really matter.

What matters is—in the face of rejection, I kept writing.

What matters is—in the face of rejection, I kept submitting.

What matters is—I never took it personally. I knew that I wasn’t the one being rejected—it was only the words on the page that weren’t the right match.

(7) WILL EISNER AUCTION. The Comic Book Legal Defense Fund is auctioning books from Will Eisner’s personal collection.

Will Eisner wasn’t just the godfather of comics, a creative force who changed the face of modern comics — he was also a staunch advocate for the freedom of expression. In celebration of Eisner’s indomitable talent and advocacy, CBLDF is delighted to offer up for auction books from Eisner’s own personal collection!

All books in this collection come from the late, great Will Eisner’s personal library. The books from this collection are bookplated with Eisner’s own personalized bookplate, featuring his most famous creation, The Spirit. Most of the books in this collection are signed and personalized to the master himself by creators whom Eisner inspired over his illustrious 70-year career

The items are on eBay. The CBLDF’s post has all the links to the various lots.

(8) FAN ART AT RSR. I see that with help from eFanzines’ Bill Burns, Rocket Stack Rank terrifically upgraded its “2016 Fan Artists” content. Gregory N. Hullender explains.

With the help of Bill Burns, we’ve updated the Best Fan Artist page at RSR to include cover art from eFanzines (plus a few that Bill scanned by hand). This doubled the number of artists and tripled the number of images, making it comparable to the Pro Artist page.

(9) INCONCEIVABLE. Japan’s huge convention Comic Market, aka Comiket, which draws half a million fans (in aggregate over three days) expects to be bumped from its facilities in 2020. What could bump an event that big? The Olympics. Anime News Network reports —

Tokyo Big Sight, the convention center where Comiket is usually held, announced earlier that it would not be able to hold the convention between April 2019 and October 2020. Event spaces have been closing throughout the Tokyo area for the past decade. Tokyo Big Sight has also announced that industry booths at this summer’s Comiket would close after two days (instead of the usual three) to accommodate construction work to expand the building for the upcoming Olympics.

(10) TAKE YOUR HANDS OFF THE CANON. We might call this a contrarian view.

(11) TODAY IN HISTORY

  • February 1, 2003 – Space shuttle Columbia broke apart during re-entry, killing all seven astronauts aboard.

(12) TODAY’S BIRTHDAY BOY

  • February 1, 1954 – Bill Mumy, soon to be seen in Space Command.

(13) WOODEN STARSHIP. A Washington Post article about the renovation of the original Starship Enterprise model reveals it was mostly made from big pieces of wood. When ready, the Enterprise will be displayed in a slightly more prestigious spot .

Collum said the model had long hung in the gift shop of the Air and Space Museum on the Mall. Now it is headed for the renovated Milestones of Flight Hall there.

“The historical relevance of the TV show, and this model, has grown,” he said. “So it’s now being brought up into the limelight, and it’s going to be in the same gallery as the ‘Spirit of St. Louis’ [and] the Apollo 11 command module.”

(14) HOW GAMES INSPIRE ENGAGING FICTION. N. K. Jemisin in “Gaming as connection: Thank you, stranger” talks about the aspect of game play that challenges her as a writer. (Beware spoilers about the game Journey.)

I see a lot of discussion about whether games are art. For me, there’s no point in discussing the matter, because this isn’t the first time I’ve had such a powerful emotional experience while gaming. That’s why I’m still a gamer, and will probably keep playing ’til I die. This is what art does: it moves you. Maybe it makes you angry, okay. Maybe it makes you laugh. Not all of it is good, but so what? There’s a lot of incredibly shitty art everywhere in the world. But the good art? That’s the stuff that has power, because you give it power. The stuff that lingers with you, days or years later, and changes you in small unexpected ways. The stuff that keeps you thinking. Right now I’m trying to figure out how to recreate that game experience with my fiction.

(15) SF IN CHINA. Shaoyan Hu discusses“The Changing Horizon: A Brief Summary of Chinese SF in Year 2015”  at Amazing Stories. Quite an impressive roundup.

Fandoms

There were more than 70 college SF clubs in China in year 2015. Compared to 120 clubs in 2012, the number was reduced. However, two independent fandoms, Future Affairs Administration in Beijing and SF AppleCore in Shanghai, were still very active.

SF AppleCore is the most important fandom in Eastern China. Last year, in addition to orchestrating the annual Shanghai Science Fiction and Fantasy Festival, SF AppleCore continued to operate on a regular base to bring about the public SF events such as AppleCore Party (speeches and gatherings of fans) and AppleCore Reading Group.

Future Affairs Administration was the backbone behind the 2016 Worldcon bid for Beijing. Although the bid was not successful, they organized the Chinese Nebula Award ceremony in 2014. Last year, this fandom was consolidated into a media platform for SF and technology related information, although the function for fan events still remained.

(16) WORLDS OF LE GUIN. The Kickstarter fundraising appeal for Arwen Curry’s documentary Worlds of Ursula K. Le Guin has begun. So far, 514 backers have pledged $39,699 of the $80,000 goal. The SFWA Blog endorsed it today:

Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples she heard as the daughter of prominent 19th century anthropologist Alfred Kroeber.

Le Guin’s story allows audiences to reflect on science fiction’s unique role in American culture, as a conduit for our utopian dreams, apocalyptic fears, and tempestuous romance with technology. Le Guin, by elevating science fiction from mind candy to serious speculation, has given permission to younger mainstream writers like Michael Chabon, Zadie Smith, and Jonathan Lethem to explore fantastic elements in their work.

(17) CGI OVERDOSE? At Yahoo! News, “These ‘Star Wars’ Blooper Reels Show Exactly Why the Prequels Failed”.

The blooper reels for the Star Wars prequel films have been available for a while, but there’s a noticeable trend with all of them. Nearly every blooper — genuinely funny or otherwise — is filmed within a green screen backdrop.

 

[Thanks to Janice Gelb, JJ, Petrea Mitchell, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]

Today In History 2/18

Star Trek actors attending 1976 unveiling of space shuttle Enterprise.

Star Trek actors attending 1976 unveiling of space shuttle Enterprise.

1977: First unmanned test flight of space shuttle Enterprise mounted on another aircraft

Although the space shuttle Enterprise never left the atmosphere, it was used for all kinds of tests over the years.

It was hauled over the road to Edwards Air Force Base to begin operational testing in January 1977.

The initial nine-month “Approach and Landing Test” period included Enterprise’s maiden “flight” on February 18, 1977, atop a Boeing 747 Shuttle Carrier Aircraft to measure ground handling and braking characteristics of the mated system.

No crew flew aboard the Enterprise for any of the first five Captive-Inactive Flights conducted between February 18 and March 2, 1977.

Enterprise Survives Sandy

Though it’s not the most significant news story in the aftermath of Hurricane Sandy, fans will be gratified to learn that the storm did only minor damage to the space shuttle Enterprise at its new home on the deck of the Intrepid Sea, Air & Space Museum.

The storm elevated the level of Hudson River and at Pier 86, where the Intrepid is berthed, water flooded the main electrical transformers and both backup generators. Lack of power caused the Space Shuttle pavilion to deflate. The shuttle sustained only minor damage. The museum is closed for the time being.

The Enterprise’s pavilion deflated because of a power failure during the storm.

“Before” picture of the Enterprise’s pavilion.