Tag Archives: fanfic

Pixel Scroll 3/6/24 So We Scroll On, Filers Against The Current, Borne Back Ceaselessly Into The Pixels

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(1) WANT TO HEAR SOME GOOD NEWS? In “Regarding Audible”, Brandon Sanderson reports progress has been made in moving audiobook distributors toward a fairer royalty structure. Work remains to be done, however.

…I’m happy to say that this stand has borne some fruit. I’ve spent this last year in contact with Audible and other audio distributors, and have pushed carefully–but forcefully–for them to step up. A few weeks ago, three key officers high in Audible’s structure flew to Dragonsteel offices and presented for us a new royalty structure they intend to offer to independent writers and smaller publishers.

This new structure doesn’t give everything I’ve wanted, and there is still work to do, but it is encouraging. They showed me new minimum royalty rates for authors–and they are, as per my suggestions, improved over the previous ones. Moreover, this structure will move to a system like I have requested: a system that pays more predictably on each credit spent, and that is more transparent for authors. Audible will be paying royalties monthly, instead of quarterly, and will provide a spreadsheet that better shows how they split up the money received with their authors….

Now, before we go too far, I do anticipate a few continuing issues with the final product. I want to manage expectations by talking about those below.

  • What I’ve seen doesn’t yet bring us to the 70% royalty I think is fair, and which other, similar industries get.
  • Audible continues to reserve the best royalties for those authors who are exclusive to their platform, which I consider bad for consumers, as it stifles competition. In the new structure, both exclusive and non-exclusive authors will see an increase, but the gap is staying about the same.
  • Authors continue to have very little (basically no) control over pricing. Whatever the “cover price” of books is largely doesn’t matter–books actually sell for the price of a credit in an Audible subscription. Authors can never raise prices alongside inflation. An Audible credit costs the same as it did almost two decades ago–with no incentive for Audible to raise it, lest it lose customers to other services willing to loss-lead to draw customers over.

These are things I’d love to see change. However, this deal IS a step forward, and IS an attempt to meet me partway….

…Because of this, I will be bringing the Secret Projects to Audible very soon. I consider Audible to again be a positive force for the industry, and I have decided to shake hands with them. Audible has promised to release their new royalty system for all authors sometime in 2024, though I should be testing it in the next month or so….

(2) WOMEN’S PRIZE FOR FICTION. There is one work of genre interest on the Women’s Prize for Fiction longlist.

Click here for the complete longlist.

(3) ATTENTION AURORA AWARDS VOTERS. Members of the Canadian Science Fiction and Fantasy Association (CSFFA) can nominate for the 2024 Aurora Awards through April 6. Full guidelines at the link.

(4) GENRE ALL THE WAY DOWN. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s A Good Read this week devotes its first half to the book On Writing by Stephen King.  Not only does it do what it says on the tin, there is even a plot twist at the book’s end with the reveal that the writing of this book was what enabled King to recommence fiction writing following a bleak period when his life came apart after an accident. (His wife comes out of this very well.)

Another book reviewed in the programme is firmly SFnal, it being the post-apocalyptic On The Beach. It’s just the book to read with Putin’s finger hovering over a big red button in the Kremlin.

The singer-songwriter Kathryn Williams loves books about the craft of writing and her choice of a good read is ‘On Writing: A Memoir of the Craft’, by the master of horror, Stephen King. The book gave her practical tools and advice which helped her to write her debut novel, The Ormering Tide. She also loves what we learn about King’s life – from his flatulent childhood nanny to the devastating 1999 accident which almost ended his life.

And the poet and novelist Andrew McMillan chooses On the Beach by Nevil Shute. In Australia, a group of people try to come to terms with the end of the world. A nuclear war has wiped out all life in the northern hemisphere and the radiation is drifting steadily south. What would you do if you knew that you, and everyone you know, had only months to live?

You can access the full programme at “A Good Read”.

(5) HELP FIND IT. The Lost Universe is NASA’s table top role-playing adventure. Download it at the link.

A dark mystery has settled over the city of Aldastron on the rogue planet of Exlaris. Researchers dedicated to studying the cosmos have disappeared, and the Hubble Space Telescope has vanished from Earth’s timeline. Only an ambitious crew of adventurers can uncover what was lost. Are you up to the challenge?

This adventure is designed for a party of 4-7 level 7-10 characters and is easily adaptable for your preferred tabletop role-playing game (TTRPG) system.

NASA’s first TTRPG adventure invites you to take on a classic villain (while also using and learning science skills!) as you overcome challenges and embark on an exciting quest to unlock more knowledge about our universe. Download your game documents below and get ready to explore Exlaris!

From the game runner’s manual:

…The first part of the game is an introduction to the world, and the city the players find themselves in. During this portion of the game the players find themselves thrown into the bodies of the characters they created; they know what they would normally know on Earth but have no knowledge of the place they’re in. They won’t recognize each other and will have to tell the other players what they see when they look at them. However, they will intuitively know they have magical ability if they are a spellcaster and can learn how to channel that in early encounters in the game….

… The second part of the adventure is a journey outside the city to nearby ruins, where they will complete a skill challenge and encounter the dragon that was behind the disappearances. They must complete these challenges before they can recover the researchers and get home…

(6) AUNTIE ‘EM! “Scandal in Oz: Was ‘Over the Rainbow’ Plagiarized?” Did cousin Judy sing a stolen song? The Hollywood Reporter takes the case.

Norwegian pianist Rune Alver carefully unfolded the brittle sheet music and began caressing the keys of the baby grand. He had found the classical piece buried in an archive and believed it hadn’t been heard in maybe a century. But as he delved into the second section, Cantando, he felt a shiver run down his spine. The melody wasn’t just reminiscent of something he’d heard before — it was iconic. He instantly recognized the unforgettable, yearning opening notes of “Over the Rainbow,” the Academy Award-winning anthem Judy Garland performed in The Wizard of Oz, perhaps the most famous song to come out of Hollywood. How could this be? The sheet music was dated 1910, and The Wizard of Oz premiered nearly 30 years later. But the melody hung there (“Somewhere over the rainbow, way up high …”). It was hauntingly similar. Too similar, he thought. 

About 10 years ago, Alver, now 67, was researching the works of a Scandinavian composer named Signe Lund when he made this disturbing discovery. In the late 19th century, Lund had been the toast of Oslo and went on to a successful career in the United States, before her Nazi sympathies late in life turned her into a pariah. She was now long forgotten. It was at an archive in Bergen, Norway, that Alver unearthed the pages of her composition titled “Concert Étude, Opus 38,” which she had written in the United States and copyrighted in Chicago in 1910 during one of her visits to America. Lund had performed the piece in many American cities. It was “the most popular of her pieces” in her lifetime, Alver says.

The similarities between Lund’s “Opus 38” and composer Harold Arlen and lyricist E.Y. “Yip” Harburg’s “Over the Rainbow” cannot be dismissed. Though there are notable variations (the former is in a minor key, for example, and follows a different time signature), the melodies of the main themes are nearly identical. Decades after the deaths of Arlen and Harburg, it is impossible to unequivocally determine whether the similarities are unintended or deliberate — a notoriously difficult thing to prove even when all participants are living. But to Alver, who included “Opus 38” on his 2020 CD Étude Poétiques: Works by Signe Lund, there is no debate about it. “Of course it is plagiarism,” he says today. Given the sacred aura that surrounds “Over the Rainbow,” the accusation borders on the blasphemous, akin to smudging the Mona Lisa. Yet Alver has no doubt that Lund’s DNA can be found in Harold Arlen’s melody…

…As an unabashed fan of Arlen and Oz, [composer Stephen] Schwartz concedes there are undeniable commonalities between Lund’s and Arlen’s compositions, but adds, “If this was a different composer or in different circumstances, I might be a little more suspicious of something untoward having occurred here, but I think it’s extremely unlikely.” 

Schwartz is not the only one whose ears pricked up when they first heard the Cantando to Lund’s “Opus 38.” Michael Feinstein, the polished pianist and recording artist who founded music-preservation nonprofit The Great American Songbook Foundation, recognizes the likeness as well. “Well, it’s very similar, of course, to ‘Over the Rainbow.’ But there are only 12 notes on the piano,” he explains. “My take on it is that Harold never would have knowingly stolen anything. It’s not hard to prove any theory when it comes to music. There is a famous saying that ‘plagiarism is copying without inspiration, and inspiration is plagiarism without getting caught.’ ”… 

(7) LEGACY. “John Williams Reflects on Oscar Noms, ‘Star Wars,’ Spielberg Collabs” in Variety.

Harrison Ford can’t escape the two-and-a-half-minute fanfare that John Williams composed for his most famous cinematic hero, Indiana Jones. “As I often remind John, his music follows me everywhere I go — literally,” Ford says. “When I had my last colonoscopy, they were playing it on the operating room speakers.”  

Creating those big, bold, brassy musical moments has become Williams’ trademark over his seven-decade career. Without his symphonic genius, some of the most indelible images in movie history — from E.T.’s flight across the moon to the ravenous shark zeroing in on an unsuspecting swimmer — would have lacked their singular power.   

This year, Williams is resetting the record books again with his Academy Award nomination for best original score for “Indiana Jones and the Dial of Destiny.” It’s his 54th nomination, which is the most ever for someone not named Walt Disney, and thus the biggest tally for any living person — and any nonproducer, period.  

“People ask about a legacy,” Williams says as he sits in the Amblin screening room on the Universal lot, adjacent to his bungalow office. “If I could be remembered as someone who did his job well and remembered as a good solid musician, I would rest very happily.” 

(8) SIGNAL FADE. AP News says, “They are TV’s ghosts — networks that somehow survive with little reason to watch them anymore”. Has it been that long since I watched the USA Network just to see Tadao play “Shake Hands Man”?

…Few cable and satellite networks are a force anymore, the byproduct of sudden changes in how people entertain themselves. Several have lost more than half their audiences in a decade. They’ve essentially become ghost networks, filling their schedules with reruns and barely trying to push toward anything new.

Says Doug Herzog, once an executive at Viacom who oversaw MTV, Comedy Central and other channels: “These networks, which really meant so much to the viewing public and generations that grew up with them, have kind of been left for dead.”…

…Cable TV primarily took flight in the 1980s, breaking the iron grip of ABC, CBS and NBC. Essentially the first fragmentation of media, cable brought people with common interests together, says Eric Deggans, NPR television critic.

“People who were previously marginalized by the focus on mass culture suddenly got a voice and a connection with other people like them,” Deggans says. “So young music fans worldwide bonded over MTV, Black people and folks who love Black culture bonded over BET, middle-aged women bonded over Lifetime and fans of home remodeling convened around HGTV and old-school TLC.”…

…Now MTV is a ghost. Its average prime-time audience of 256,000 people in 2023 was down from 807,000 in 2014, the Nielsen company said. One recent evening MTV aired reruns of “Ridiculousness” from 5 p.m. to 1:30 a.m.

The general interest USA Network’s nightly audience tumbled 69% in the same time span, and that was before January’s announcement that viewer-magnet “WWE Raw” was switching to Netflix.

Without favorites like “The Walking Dead” or “Better Call Saul,” AMC’s prime-time viewership sunk 73%. The Disney Channel, birthplace to young stars like Miley Cyrus, Hilary Duff and Selena Gomez, lost an astonishing 93% of its audience, from 1.96 million in 2014 to 132,000 last year….

(9) MICHAEL LANGFORD (1955-2024). Longtime Georgia fan Michael Nathan Langford died March 5 at the age of 69. The family obituary is posted on Legacy.com. (No relation to the editor of Ansible that we’re aware of.)

…He was an entertainer and cabaret host for WHOlanta, and also worked as a writer and actor for the Atlanta Radio Theater Company and Sketchworks Comedy. He was an avid chess player and enjoyed attending and performing at DragonCon. He was preceded in death by his parents, Nathan Davis Langford and Patricia Ann Crocker Langford; and his partner of 21 years, Kim Holec….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 6, 1957 — Ann VanderMeer, 67. Ann VanderMeer was the fiction editor for Weird Tales magazine until Marvin Kaye purchased it. While she and Stephen H. Segal were editing it, they won a Hugo Award for Best Semiprozine. It was also nominated for a World Fantasy Award. 

Ann VanderMeer accepting Hugo in 2009. Photo by Stu Segal.

She edited as Ann Kennedy The Sterling Web which would become The Silver Web zine from the late Eighties to the beginning of this century.  

Her latest major ongoing editing endeavor is what is now Reactor, ‘til recently Tor.com. She’s been there for a decade now. She and the other Senior Editors have put together The Best of Tor.com anthology series.

Steampunk and Steampunk II: Steampunk Reloaded, edited with her husband of over 20 years, Jeff VanderMeer, and published by Tachyon, are simply excellent. There are writers that I know with a sprinkling of not so recognizable writers. The thirdl, Steampunk III: Steampunk Revolution, I’ve not yet read.

I am going to single out just one more work she edited, again with her husband, as it’s just awesome — The Thackery T. Lambshead Cabinet of Curiosities. 

Lambshead was a man who enjoyed lending out his acquisitions but it is suspected by many that he held the strangest pieces of his collection in an underground lair only he could enter. And these pieces are now written about by such writers as Holly Black, Neil Gaimain, Mike Mignola (there are many illustrated pieces here) and China Mieville to name but a very few.

And here’s a sample from one of those entries.

1929: The Singular Taffy Puller

As Told to N. K. Jemisin

I had traveled far—along the bustling coast by rail, then across the Atlantic by steamship, at great expense, I might add—on a matter of pride. Or, more specifically, dessert. You see, the cobbled and sweaty streets of my city would reek but for the exquisite aromas that offer relief from horse manure and overindulgence. Wrinkle your nose and you might miss the scent of the most delicate amaretto fondant, or creamy divinities solidifying to tooth-tenderness. And when the pecan harvest is brought—ah, me! You never tasted pralines like mine.

But those selfsame streets are crowded with eateries these days, and an old octoroon spinster looking to make a name for herself must employ more than the braggadocio that paler, maler chefs may indulge. Especially given that, of late, my business had suffered by its proximity to a flashy new restaurant next door. It was for this reason that I traveled to the house of the esteemed doctor, and was ushered into the renowned cabinet, so that I could at last behold the item that might—I hoped— save my business.

On entry to the doctor’s home, I was momentarily stunned by the profusion of wonders within. These included the cabinet itself: a room of what had been handsome walnut wainscott and elaborately worked moulding (French rosettes and Egyptian cartouches, of all the mad combinations), though the lingering evidence of half-finished reorganization obscured the best of it. What remained of the chamber’s treasures had been tossed, with no apparent regard for further cataloguing or even convenience, onto bookshelves, plinths, and racks, which quite crowded the space…. 

(11) COMICS SECTION.

  • Brewster Rockit lets you eavesdrop on an argument from the future.
  • Free Range – you know the phrase, you just didn’t know it was a prank.
  • Speed Bump demonstrates a continuing “problem”. (Well, not all of us think it’s one.)

(12) MUTANT MILESTONE. This June, creators from the X-Men’s past, present, and future come together to bid a final farewell to the Krakoan Age in X-Men #35, the milestone 700th issue of Uncanny X-Men. The issue will feature an epic-length story by writers and artists who shaped the Krakoan Age including Gerry Duggan, Kieron Gillen, Al Ewing, Lucas Werneck, Joshua Cassara, and more. The giant-sized issue will also feature a story of family by X-Men master Chris Claremont and offer a glimpse of things to come in the new X-Men titles launching this summer.

Check out artist Pepe Larraz’s wraparound cover below.

(13) GIFT ECONOMY FANFIC BINDERS. In Atlas Obscura’s report on “The Emerging Art of ‘Fanbinding’” they interview people who are binding fanfic – but not for profit, in contrast with some others who made the news a few weeks ago.

THE IDEA FIRST CAME TO Tiffo while they were volunteering at a local nonprofit writers’ league. In addition to that, they’d been active in online fanfiction communities for years, cheering on fellow writers who published their work digitally, sometimes at novel-length (or longer!), entirely for free. Members of both groups of writers were always excited to share their work with the world—but there was one key difference. “People I knew from the writers’ league got to walk up and go, ‘Look at my book,’” Tiffo says. “I got to hand it to them and say, ‘Sign your book for me.’ It’s beautiful to have that moment, to get to see the things that people worked so hard on become a physical thing.” And then they thought: Fanfiction authors work just as hard on their stories as any other kind of writer. Why couldn’t they have that same experience?

Tiffo looked up bookbinding tutorials to create their first physical fanfic artifact: a pair of anthologies of their best friend’s Doctor Who stories. (Since their friend often wrote about the character Rose, Tiffo even cross-stitched a galaxy-patterned rose for one of the covers, probably the last time they’ll cross-stitch for a book, they joke. But you never know.) They fell in love with the act of physically making books, but felt certain they couldn’t be the only one excited by the idea of binding fanfiction specifically. The internet was there to help: They found the term “fanbinding”—and, more importantly, the Renegade Bindery….

…“I recently bound a Witcher fic, set in Kaer Morhen during the winter, that featured a cerulean blue jacket, so it’s bound in a blue to match, with blue drop caps in a middle ages–style font alongside woodcut prints of wolf cubs playing,” says Des. For a Mo Dao Zu Shi fic (based on the popular Chinese novel and telelvision series), she made hexagrams from the text of the I Ching; for a Star Wars fic, she played with the aesthetics of Jedi temples….

…This DIY spirit aligns with Renegade’s commitment to the fannish gift economy, the ethos that underpins the largely non-monetized fanfic world. Renegade’s members don’t charge money for their labor, though they might ask a recipient to help with material costs. Des helped write these values into the Code of Conduct, which members agree to when they join the Renegade Bookbinding Guild. Binders generally get permission from the authors whose fic they’re binding, and that mutual respect extends to keeping binding free….

(14) ANTHROPOCENE CANCELED! “Proposal to mark a new chapter in Earth’s history will ‘go no further,’ scientists say” – CNN explains.

Scientists have voted against a proposal to declare a new geological epoch called the Anthropocene to reflect how profoundly human activity has altered the planet.

The proposal was rejected by members of the Subcommission on Quaternary Stratigraphy, which is part of the International Union of Geological Sciences, according to three voting members of the subcommission contacted by CNN Tuesday.

The vote followed a 15-year process to select a geological site that best captures humanity’s impact on the planet. The international union’s Anthropocene Working Group, which spearheaded the effort, made a July 2023 announcement that identified the location as Crawford Lake in Ontario because of the way sediment from the lake bed reveals the geochemical traces of nuclear bomb tests, specifically plutonium, from 1950.

The vote was not unanimous, said Kim Cohen, an assistant professor of geosciences at Utrecht University in the Netherlands and a voting member of the subcommission.
“There were some abstainees. There was a minority of yeses to a majority of nos,” said Cohen, who voted in favor of the proposal.

Phil Gibbard, a professor emeritus of quaternary paleoenvironments at the Scott Polar Research Institute at the University of Cambridge in the United Kingdom, and a voting member of the subcommission, said that the “proposal for a formal Anthropocene was rejected by a 66% vote.”

(15) ONE IS COOL, THE OTHER IS GHASTLY. Ghostbusters News claims “AMC Theatres unveils exclusive Ghostbusters: Frozen Empire collectibles”. Learning from the promoters of Dune, AMC theaters will be offering a Ghost Trap popcorn container to those who buy tickets to the forthcoming Ghostbusters sequel. However, they say AMC has pulled its plans for the Slimer popcorn container.

(16) RAILROADING TIME. Brick Technology gives a lesson in “Building a Cat-Sized Lego Train”. Technology purr-fected!

Building an RC Lego train that cats can ride in with 3D printed rails and wheels. My 2 cats Cookie and Muffin are tired of walking, they’d rather travel by Lego train. Lego isn’t designed for building a large train that can carry cats because it lacks large wheels and rails for smooth movement. To solve this, 3D printing was used to create these parts. The rail switches use magnets or rubber for automatic changing. The bogies have a suspension system to handle uneven tracks and curve tilts, with each wheel powered by a strong, compact Lego L motor. The axles are made of aluminium to avoid bending under the weight. The bogies feature an automatic coupling system like those in American trains, which can be opened using air pressure. The train’s frame is flexible and only sturdy when combined with the outer shell, it keeps the train low for easy boarding. This frame also contains pipes for door operation and coupling, along with wiring for non-Lego LED lights. The train is powered by 3 Lego Powered Up hubs, allowing for extra sensors to automate the train further. The carriages are designed like trams, the only type suitable for transporting cats, as the cat’s weight helps with wheel-rail friction. A standard locomotive would need to be very heavy to pull cat-filled carriages. The train has an open roof for quick cat exits.

(17) VIDEO OF THE DAY. “Frank Herbert Explains the Origins of Dune (1969)” – let Open Culture introduce the interview.

Dune: Part Two has been playing in theaters for less than a week, but that’s more than enough time for its viewers to joke about the aptness of its title. For while it comes, of course, as the second half of Denis Villeneuve’s adaptation of Frank Herbert’s influential sci-fi novel, it also contains a great many heaps of sand. Such visuals honor not just the story’s setting, but also the form of Herbert’s inspiration to write Dune and its sequels in the first place. The idea for the whole saga came about, he says in the 1969 interview above, because he’d wanted to write an article “about the control of sand dunes.”…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Steven H Silver, Rich Lynch, Moshe Feder, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day David W.]

Writers Protest Illegal Selling of Fanfiction

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By Anne Marble: Fanfiction is known for tropes like enemies-to-lovers. But some vendors have become the enemies of the fanfic community — by making a profit from fanfiction.

These vendors are breaking one of rules of the fanfiction world: Don’t make a profit from fanfic. Even worse, they’re making a profit from someone else’s fanfiction. And putting the whole fanfic community in jeopardy.

Along with many others, Diane Duane shared this post about people who are binding and selling fanfic:

The original post starts here. This thread shows lots of examples. You can find bound fanfic on Etsy and other vendors. You’ll find examples if you explore the fanfic category. There is even a Fanfiction Book Binding category.

Some vendors try to protect themselves by saying they are not selling the fanfic (as that’s illegal) — they are selling binding services. I am not a lawyer but that sounds like a grey area.

The important thing to note is that the fanfic writers are not behind this. They are not giving their permission — and they not getting compensated. Creators of fanart are also seeing their work sold on Etsy and other sites.

As a result of this, many established fanfic writers (and artists) have started pulling all their work from fanfic sites. So beloved stories and artwork that have been available to fans for free are now lost because somebody wanted to make money out of them.

It has also been pointed out that this endangers all fanfiction. The companies that own the rights to these characters and stories have been ignoring the fanfiction — because it does not make money. If that changes, they could very well go back to suing fanfic writers (and artists). (Point made by @ramsay_b_OFMD here.)

Fans used to print out their favorite fanfic, add their own artwork, and even share it with friends for free. This is not what is going on now.

Pixel Scroll 12/18/23 Happiness Is A Scrolled Pixel

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(1) CAN YOU DIG IT? “And the winner for San Jose BART’s boring machine name competition is…” The Mercury News tears open the envelope.

After more than 400 submissions and 1,175 votes on a name for San Jose BART’s tunnel boring machine, we have a winner — and it’s sure to make sci-fi fans giddy.

“Shai-Hulud” came in first place, with 229 votes, a nod to the sand worm creatures in the popular “Dune” novels and movies that many readers say resemble the boring machine that will carve a nearly five-mile tunnel underneath San Jose for the future BART extension. The Valley Transportation Authority purchased the $76 million dollar device in November from Germany and it will be shipped to the South Bay in pieces before being reassembled. Construction is set to begin in 2025.

…In second place is “Boris,” with 220 votes. In third: “Chewy” with 200 votes.

Here are the names that didn’t make it into the top three for BART’s project:

– Diggy McDigface – 127 votes

– Dionne Warwick (Grammy Award-winning singer of “Do You Know the Way to San Jose”) – 114 votes

– Boring McBoringface – 87 votes

– Janet Gray (San Jose’s first female mayor) – 86 votes

– Sarah Winchester (Designer and resident of San Jose’s Winchester Mystery House) – 64 votes

– Susan Hammer (San Jose’s second female mayor) – 26 votes

– Dianne Feinstein (Former California senator) – 22 votes

(2) COURT SQUELCHES FANFIC PUBLISHER’S SUIT AGAINST AMAZON, TOLKIEN ESTATE. The BBC tells what the court decided after “Lord of the Rings fan fiction writer sued for publishing own sequel”.

A fan fiction writer has been sued by the estate of JRR Tolkien for copyright after publishing his own sequel to The Lord of the Rings.

US-based author Demetrious Polychron published a book called The Fellowship of the King in 2022.

He dubbed it “the pitch-perfect sequel to The Lord of the Rings.”

The court ruled that Polychron must stop distributing copies of the book and destroy all physical and electronic copies.

In April 2023 Polychron attempted to sue the Tolkein estate and Amazon, claiming the TV series, Rings of Power, infringed the copyright in his book.

The case was dismissed after the judge ruled that Polychron’s own book was infringing on Amazon’s prequel that was released in September 2022.

Judge Steven V Wilson called the lawsuit “frivolous and unreasonably filed” and granted the permanent injunction, preventing him from selling his book and any other planned sequels, of which there were six….

Deadline’s story has additional details: “The Tolkien Estate & Amazon Win ‘Lord Of The Rings’ Lawsuits”.

The Tolkien Estate and Amazon have been victorious in their court battle with an author who first published a book titled The Fellowship of the King and then demanded $250M after claiming Prime Video had stolen the idea for its TV series.

In court documents issued by the District Court of California on December 14, both cases brought by Demetrious Polychron were thrown out by Judge Stephen V. Wilson, who ordered Polychron to pay the Tolkien Estate and Amazon’s legal fees totalling around $134,000 (read the Tolkien order here).

In 2017, the same year Warner Bros and the Tolkien Estate settled their five-year $80 million rights legal battle, Polychron registered a fan fiction sequel book titled The Fellowship of the King, which he claimed to be the  “the pitch-perfect sequel to The Lord of the Rings,” according to the Tolkien Estate lawyers. Rather incredibly, he then commenced a $250M lawsuit against the Tolkien Estate and Amazon in April of this year, claiming that Amazon’s TV series The Rings of Power infringed the copyright in his book.

Wilson’s judgment threw out the claims around the Amazon TV series and granted a permanent injunction, which prevents Polychron from ever distributing any further copies of The Fellowship of the King, his planned sequels to that book, or any other derivative work based on the books of JRR Tolkien. He is also required to destroy all physical and electronic copies of his book and to file a declaration, under penalty of perjury, that he has complied. The judge also turned down Polychron’s requests to have his legal fees paid by Amazon and the estate….

(3) SLF WANTS ART. The Speculative Literature Foundation has put out a call for its “Illustration of the Year 2024” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2024.  Full guidelines at the link.

The Speculative Literature Foundation (SLF) announces an open call for original artwork combining fantasy and science fiction themes to be featured as its 2024 Illustration of the Year.

The winning artist will receive $750.00 (USD) and will be announced, along with the selected artwork, on SLF’s website and social media and in a press release. The winning artwork will be displayed on the SLF’s website and social media accounts and used as a visual element of SLF’s marketing material and swag.

Submission Dates: The deadline for submissions has been extended to December 31, 2023. The winner will be announced in January 2024.

Submission Instructions: Email submissions to [email protected] with subject line: “YOUR NAME – Illustration of the Year 2024.” In the body of the email, please include your name, email address, phone number, name of your artwork (if any), and short bio.

For more information and complete criteria and terms, visit speculativeliterature.org/ioty .

(4) JAPAN SCIENCE FICTION AWARDS FINALISTS. The Science Fiction Writers of Japan have announced the finalists for the 44th Japan Science Fiction Awards. Names and titles from computer translation.

  • Mitsunori Yuki, “Absolute Cold” (Hayakawa Shobo)
  • Yuki Shinsendo, “Kaiju” (Hayakawa Shobo)
  • Fumio Takano, “Graf Zeppelin: That Summer Airship” (Hayakawa Shobo)
  • Toshiji Hase, “Protocol of Humanity” (Hayakawa Shobo)
  • Mikihiko Kunaga, “Our Monster” (Tokyo Sogensha)

(5) OUTCOME OF ACTIVISION SEXUAL HARASSMENT ALLEGATIONS. The New York Times analyzes “The Questions Raised by California’s Dropped Sexual Harassment Suit Against Activision”.

On Friday, the California state agency that accused the video game maker Activision Blizzard of fostering a culture of sexual harassment against women withdrew those allegations in a $54 million settlement with the company.

The California Civil Rights Department found that “no court or any independent investigation has substantiated any allegations” about “systemic or widespread sexual harassment at Activision Blizzard.”

As part of the settlement, however, Activision agreed to pay as much as $47 million to address accusations of pay disparity and discrimination. All female employees who worked at the company between 2015 to 2020 will be offered a kind of monetary relief; they will get paid based on a formula. The company maintains it has offered equitable pay.

It is a stunning reversal. In 2021, the state agency estimated that Activision’s liability was about $1 billion, according to The Wall Street Journal. How the state agency went from accusing Activision of fostering a culture in which female employees were “subjected to constant sexual harassment” to withdrawing those claims a couple of years later isn’t clear.

Was it enforcement zeal? This all started with an anonymous complaint in 2018. That letter was followed by a lawsuit from the Federal Equal Employment Opportunity Commission in 2021 and shortly later another from the California Civil Rights Department, which was then called the Department of Fair Employment Housing. The state agency objected to the settlement reached in the E.E.O.C. case. And then finally came a scathing Wall Street Journal story about accusations that the company didn’t handle sexual misconduct allegations properly.

The journalist Matt Taibbi wrote about this investigation: “Corporate regulation often begins with an investigation and ends with a devastating headline, but California flipped the script.”

The settlement leaves big questions unanswered. In a news release, the California Civil Rights Department declared victory, heralding the $54 million payout and stating that “California remains deeply committed to promoting and enforcing the civil rights of women in the workplace.” That the agency found no legal wrongdoing doesn’t mean it found no wrongdoing at all.

But the case utilized vast resources. The chief counsel at the agency was fired last year. And it all comes about a year after Microsoft, which presumably conducted its own due diligence, paid $69 billion to acquire the gaming company, whose shares took a hit after the allegations came to light.

(6) SPECTRAL DOGS. The first episode of Rhianna Pratchett’s BBC Radio 4 program Mythical Creatures is “Black Dogs”. Hear it at the link.

Fantasy writer Rhianna Pratchett takes us across an enchanted British Isles to discover mythical creatures that lurk in all corners of the land. She uncovers what they can tell us about our history, our world and our lives today.

In the first episode of the series, Rhianna is on the trail of Black Dogs. She visits Suffolk, to hear a tale of a hellhound that left its mark on the small town of Bungay. It’s one of many spectral black dogs that are said to stalk coastal paths and lonely crossroads. Rhianna explores why Black Dogs appear so often in folklore, and their psychological link to fear and negative emotions.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

1966 — How the Grinch Stole Christmas! (the fuller name being Dr. Seuss’ How the Grinch Stole Christmas!) first aired fifty-seven years ago this night on CBS. It was directed and co-produced by Chuck Jones. Who of course did the stellar animation. 

Jones and Theodore Geisel (Dr. Seuss) had worked together on the Private Snafu training cartoons at Warner Bros. Cartoons during World War II. Jones’s considered Grinch the equal of Scrooge for Christmas villains. 

The show is based on the 1957 children’s book of the same name by Dr. Seuss, and tells the story of the pre-reform Grinch, who tries to ruin Christmas for the townsfolk of Whoville below his mountain hideaway. (Whoville which lives on the trunk of Horton.) Will Christmas be saved? Will the Grinch be getting a bigger heart? I’m assuming I don’t need any spoilers here.

Boris Karloff is the Grinch and the narrator, and Thurl Ravenscroft sings that song which you know all so well: “You’re a vile one, Mr. Grinch. You have termites in your smile! You have all the tender sweetness. Of a seasick crocodile, Mr. Grinch.” 

Additional casting here is June Foray as Cindy Lou Who, Dallas McKennon as Max and the MGM Studio Chorus as the ever so talented Citizens of Whoville. Damn I loved those voices.

And now I must go watch it again…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 18, 1946 – Steven Spielberg, 77. One of my favorite directors ever. Not as risk-taking as say Terry Gilliam but definitely one who’s done a lot of work that I find pleasing and that in my book counts for a lot.

I’m going to do a rewatch of Columbo this winter, so I was delighted to discover that he directed the first non-pilot episode of the series, “Murder by the Book”. He is credited with giving us the mannerisms of the detective and the look of the series.

He got that gig for having worked with Rod Serling on The Night Gallery where in one episode he directed Joan Crawford, that being “Eyes”. What other episodes that he directed are unclear because as a new director credit may gone to more senior directors, so it is thought that “A Matter of Semantics” that featured Cesar Romero and was credited to Jack Laird might have been his work. 

His first major hit was Jaws which is not my fish and chips so I’ll pass by it here as we’re discussing what I like by him. 

He made up for Jaws with Close Encounters of the Third Kind which is simply brilliant, E.T. the Extra-Terrestrial which still makes me sniff, and two out of three of the Indiana Jones trilogy. 

No, I vehemently did not like the Indiana Jones and the Temple of Doom. I saw it once and that was more than enough, thank you. 

Now Jurassic Park is one of the best monster films ever. Why it was so excellent that it even won a Hugo at ConAdian! Who came and accepted that Hugo? 

There is a lot of lot films next in his career that I didn’t care for until we come to the extraordinary undertaking that is The Adventures of Tintin from the French strip by Hergé. A true treat in animation this was. 

(Digression for a moment. He was an Executive Producer or Producer on way too many undertakings to list here that I liked. Who Framed Roger Rabbit, Gremlins, Animaniacs (both series), Pinky and the Brain, Freakazoid! — that’s just a few I like.) 

Then there’s Hook with Robin Williams as an adult Peter Pan, Julia Roberts as Tinker Bell and the Dustin Hoffman as Captain Hook. Need I say more. Well there is the crocodile…

I think I’ll finish with The BFG, his adaptation of Roald Dahl’s children’s book. Fantastic film that’s true to the book, no mean feat.

(9) COMICS SECTION.

(10) MAIL FROM RAY. Critic Dwight Garner throttles the new Ray Bradbury letter collection and its editor, Jonathan R. Eller, in a New York Times review: “What Wonders Do Ray Bradbury’s Letters Reveal?”

…There is no sugarcoating it: Bradbury’s letters are amazing in their dullness and sterility. If I had to sum up their tone and content in a sentence, it would be: “Thank you for your eight tons of sycophantic bloviating, here are 16 tons in return.” While reading “Remembrance” I began to dream about cutting off my fingers, like Brendan Gleeson in “The Banshees of Inisherin,” one by one, so I wouldn’t have to turn another page.

You can’t blame writers for the quality of their letters — unless they sought to have them published. Apparently, late in life, Bradbury did so. This collection was edited by Bradbury’s biographer, Jonathan R. Eller, who is also a co-founder of the Center for Ray Bradbury Studies at Indiana University.

His trilogy of Bradbury biographies is comprehensive and sympathetic, but here he’s done his subject no favors. I am going to resort to making a short list of this book’s drawbacks, to provide scaffolding for my inchoate feelings of distress.

A) The introduction doesn’t introduce Bradbury. The reader requires a certain amount of core information — a gloss of Bradbury’s childhood, education, career, prizes, family, homes, travel, the themes of his work — so as not to enter blind. The introduction is instead a summary of what is to come in the book. This is the least felicitous type of introduction, for the same reason that “as I will demonstrate later” are the worst five words in the English language, after “brace for a water landing.”

B) This book is oddly sorted. Bradbury’s letters are presented not in chronological order but grouped by theme and then, in sub-groupings, by correspondent, so that we are always pinging around in time, like Bill and Ted on their excellent adventure. A letter from 1965 will be followed by one from 2004, and then we are suddenly back in the 1950s. This prevents us from charting the development of Bradbury’s voice and of his inner resources. The hero of our narrative is lost in a maze.

C) Many letters not from Bradbury but to him are included. These are filler and might have been summarized. More to the point, they’re confusing. It’s easy to forget, in a book of Bradbury’s letters, that you are not currently reading Bradbury….

(11) TUNED UP. Neil Gaiman will be singing in the Sydney Opera House reports the Guardian: “’Like a gothy yoghurt starter’: how Neil Gaiman and an Australian string quartet fell in love”.

Neil Gaiman is well known for his melodic, dreamy voice, which has been put to use on everything from audiobooks to voicing the Simpsons’s cat Snowball. But Neil Gaiman the singer? When he’d occasionally perform live with his ex-wife, the musician Amanda Palmer, his voice was described by the New York Times, perhaps a little unkindly, as “a novelist’s version of singing”.

Next month Gaiman is bringing that voice to the Sydney Opera House, where he’ll be performing with the Australian string quartet FourPlay. How is he feeling about singing on one of the most prestigious stages in the world?

“Terrified. Absolutely terrified,” Gaiman sighs. “I’ve had to learn to trust FourPlay. I’m always reassured by the fact that Lara can actually sing.”

“I’ve been a singer for 30 years and I’m equally terrified, Neil!” interjects Lara Goodridge, one part of FourPlay along with Shenzo Gregorio and brothers Tim and Peter Hollo. “We are all vulnerable on stage together. But I think that’s a really lovely part of it – we’re there to catch each other. It’s exciting to be that alive.”…

(12) SHORE THING. [Item by Steven French.] From Viking longboats to satellites: “Shetland island to house UK’s first vertical rocket launch spaceport”.

For centuries, Unst has been famous for its richly varied wildlife, pristine beaches and unspoilt sea views. Now the remote Shetland island is leading Britain into space.

A former RAF base on a remote peninsula of the island has become the UK’s first licensed spaceport for vertical rocket launches. It will allow up to 30 satellites and other payloads to be launched into commercially valuable polar, sun-synchronous orbits, which are in high demand from satellite operators for communications and Earth observation.

The site, SaxaVord spaceport, was identified in a 2017 report as a place where rockets carrying the greatest payloads could be launched into space with the lowest risk to people on the ground, if the spacecraft failed and crashed back to Earth.

The island, which has about 650 inhabitants, is at the northernmost tip of the British Isles and was one of the first Viking outposts in the North Atlantic. Its location means that rockets lifting off from the site do not need to pass over populated areas, unlike those launched from other sites, which have to perform dog-leg manoeuvres, limiting the weight of the payload they can carry…

…Developing the spaceport, which includes three launch pads and a hangar for assembling rockets, has cost just under £30m so far. There are also plans to build a hotel and visitor centre at SaxaVord….

(13) FIRST ONE SHOE DROPS, THEN THE OTHER. The actor who played Kang lost in court, then lost his MCU role. Variety reports: “Jonathan Majors Guilty of Harassment and Assault”.

Jonathan Majors was convicted of assaulting his ex-girlfriend, Grace Jabbari. A Manhattan jury found the Marvel actor guilty on Monday of two misdemeanor counts of harassment and assault but acquitted him on two other counts. 

The six-person jury found Majors not guilty on one count of intentional assault in the third degree and one count of aggravated harassment in the second degree. Majors, wearing a dark gray suit and seated in the courtroom with his attorneys and current girlfriend Meagan Good, did not react when the verdict was read….

…Majors was arrested in March in New York City after he assaulted Jabbari in the backseat of a private vehicle. Jabbari, a 30-year-old choreographer who met Majors on the set of Marvel’s “Ant-Man and the Wasp: Quantumania,” testified she grabbed Majors’ phone after seeing a text message from another woman. Jabbari described that as Majors attempted to forcefully retrieve his phone from her, she felt “a hard blow” across her head that resulted in bruising, swelling and substantial pain….

Variety followed with news that “Jonathan Majors Dropped by Marvel Studios After Guilty Verdict”.

Marvel Studios has parted ways with Jonathan Majors — the actor cast to play Kang, the central antagonist in the Multiverse Saga of the Marvel Cinematic Universe — after he was convicted on Dec. 18 of two misdemeanor counts of harassment and assault of Grace Jabbari, his ex-girlfriend. A source close to the studio confirmed the decision to Variety.

In the verdict, Majors was also found not guilty of one count of intentional assault in the third degree and one count of aggravated harassment in the second degree….

(14) FAST EXPOSURE. “MIT camera can capture the speed of light” at Upworthy.

A new camera developed at MIT can photograph a trillion frames per second.

Compare that with a traditional movie camera which takes a mere 24. This new advancement in photographic technology has given scientists the ability to photograph the movement of the fastest thing in the Universe, light.

The actual event occurred in a nano second, but the camera has the ability to slow it down to twenty seconds.

For some perspective, according to New York Times writer, John Markoff, “If a bullet were tracked in the same fashion moving through the same fluid, the resulting movie would last three years.”…

(15) THE FINAL GIFT. What the kids want to find under the tree. Humor or horror? “Pongo” on Saturday Night Live.

(16) VIDEO OF THE DAY. Ryan George takes us inside “The Hunger Games: The Ballad of Songbirds and Snakes Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kathy Sullivan, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/21/23 Like A Pixel, Scrolled For The Very First Time

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(1) BOTS LOVE FILE 770. The Washington Post invited readers to “See the websites that make AI bots like ChatGPT sound so smart”. They analyzed one of the large data sets that may be used in training AI, and also have made it publicly searchable. Their stats show File 770 is a leading contributor to the cause of educating AI, ranked 3,445th. Uh, yay?

…Tech companies have grown secretive about what they feed the AI. So The Washington Post set out to analyze one of these data sets to fully reveal the types of proprietary, personal, and often offensive websites that go into an AI’s training data.

To look inside this black box, we analyzed Google’s C4 data set, a massive snapshot of the contents of 15 million websites that have been used to instruct some high-profile English-language AIs, called large language models, including Google’s T5 and Facebook’s LLaMA. (OpenAI does not disclose what datasets it uses to train the models backing its popular chatbot, ChatGPT)…

Is your website training AI?

A web crawl may sound like a copy of the entire internet, but it’s just a snapshot, capturing content from a sampling of webpages at a particular moment in time. C4 began as a scrape performed in April 2019by the nonprofit CommonCrawl, a popular resource for AI models. CommonCrawl told The Post that it tries to prioritize the most important and reputable sites, but does not try to avoid licensed or copyrighted content….

We then ranked the remaining 10 million websites based on how many “tokens” appeared from each in the data set. Tokens are small bits of text used to process disorganized information — typically a word or phrase.

As shown in the rather scrofulous screencap below, file770.com is ranked 3,445th with 2.5 million tokens, which is 0.002% of the tokens in the set examined by the Washington Post.

(2) HUGO VOTING DEADLINE APPROACHES. 2023 Hugo nominations are closing on April 30, at 23:59 Hawaiian Time. Eligible voters can access the ballot here.

(3) AUTHOR ASKS SCHOLASTIC TO “BE BRAVER”. “Kelly Yang Speaks Up Against Scholastic Censorship” at The Mary Sue.

… One of the 663 authors and counting who signed an open letter to Scholastic’s Education Solutions Division is author Kelly Yang. She is one of many best-selling Scholastic authors horrified by this response to accelerating fascism. In a vulnerable video, Yang shared her thoughts about these actions. She also broke down what it feels like to be targeted by this censorship and bigotry. Sometimes, in person….

However, Yang correctly insists that they have to push past this. She says in the video:

“As one of your top authors, I’m asking you to have more courage. You cannot be quietly self-censoring. Whatever pressure you may be facing, know that your authors are facing even more pressure. And we’re still out here writing these books. Risking our lives. Bleeding to make you millions. Trying to write the books for the next generation that will hopefully improve the world.”

She continued discussing the importance of representation and capturing the moment children live in.

“Let me tell you, it’s not easy. I am not a giant corporation. I am an individual. Every day people attack me personally. They write me emails, they come into my comments and my DMs. I had a guy show up at an event and whisper in my ear how much he loves seeing my books get banned. And yet, everyday I keep going. You know why? Because I am brave.

“Despite getting paid pennies on the dollar, we authors are brave. The librarians—they are brave. The educators—they are brave. I need you to be braver.

“You cannot choose which books to include in your Fairs and Clubs for kids nationwide and edit lines out because you’re scared of DeSantis. If you want to carry Maggie’s book, you gotta carry all of her book. If you want to carry Kelly Yang, you’ve gotta carry all of Kelly Yang—not some stripped-down version.

“I need you to not cave to political pressure and be on the right side of history. Because it’s the right thing to do. Because you can afford it with your 90% market share of the school distribution channel. If you’re going to be deciding children’s book for the entire nation, your taste have to reflect the entire nation. And because I know it’s what Dick Robinson would have wanted.

“I love you Scholastic. You’ve done a lot of good for a lot of kids, but how you play you next move will determine how you’re remembered. The world is watching. I am watching. I hope you do the right thing.”

(4) NOT JUST ANY USED BOOKS. Plenty of sff among AbeBooks “Most expensive sales from January to March 2023”. Two Harry Potter books lead the list, with the biggest sale being a copy of Harry Potter and the Philosopher’s Stone for $85,620. Further down is a PKD first edition.

8. Do Androids Dream of Electric Sheep by Philip K. Dick – $17,195

A true first edition with an unrestored original dust jacket

One of the most famous novels by Philip K. Dick, this book was the basis for the movie Blade Runner. This copy of a true first edition is special because of the condition of the book and the dust jacket and its vibrant, unfaded colors.

The novel is about a bounty hunter who tracks tracks down escaped androids in a post-apocalyptic future. This book belongs to our list of 50 must-read science fiction books.

Recently, another copy of Do Androids Dream of Electric Sheep was sold. That book came with an original letter, typed and signed by the author, along with a humorous self-review of another of his own novels, The Divine Invasion.

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to share crispy spinach with Sheree Renée Thomas in Episode 196 of the Eating the Fantastic podcast.

Sheree Renée Thomas

Over on Facebook, someone in the group devoted to Capclave — a con where I’ve harvested many conversations for you — mentioned Thomas was scheduled to speak at Maryland’s Rockville Memorial Library. When I checked the details and saw the venue was only a 90-minute drive away, I reached out to see whether she’d have time in her schedule to grab lunch — and luckily she did. So early the same day as her presentation titled “Afrofuturism & Diversity in Sci-Fi,” I scooped her up from her hotel and took her over to Commonwealth Indian Restaurant, where I’ve had many wonderful meals. Here’s how the event organizers described Thomas and her career —

New York Times bestselling, two-time World Fantasy Award-winning author and editor Sheree Renée Thomas has been a 2022 Hugo Award Finalist, and her collection, Nine Bar Blues, is a Locus, Igynte, and World Fantasy Finalist. She edited the groundbreaking Dark Matter anthologies that introduced a century of Black speculative fiction, including W.E.B. Du Bois’s science fiction stories. Thomas wrote Marvel’s Black Panther: Panther’s Rage novel (October 2022), adapted from the legendary comics, collaborated with Janelle Monáe on The Memory Librarian, and is the editor of The Magazine of Fantasy & Science Fiction, founded in 1949 and Obsidian, founded in 1975. In 2022 she co-curated Carnegie Hall’s historic, citywide Afrofuturism Festival.

We discussed how to prevent being an editor interfere with being a writer (and vice versa), the way a serendipitous encounter with Octavia Butler’s Kindred caused her to take her own writing more seriously and a copy of Black Enterprise magazine spurred her to move to New York, how her family’s relationship with Isaac Hayes nourished her creative dreams, the advice she gives young writers about the difference between the fantasy and reality of a writer’s life, how realizing the books she thought were out there weren’t launched her editing career, the rewards and challenges of taking over as editor for a 75-year old magazine, why she reads cover letters last, and much more.

(6) FANFIC AUTHOR SUES TOLKIEN AND AMAZON. Is he delusional or does he have a case? “Lord of the Rings Fanfic Writer Sues Amazon, Tolkien Estate For $250M” – Kotaku has the story.

Some guy is currently suing Tolkien and Amazon to the tune of $250 million. That alone takes serious bravery. But what’s notable about this lawsuit is the reason he’s suing: Copyright infringement over his Lord of the Rings fanfic. Specifically, he’s arguing that Amazon lifted elements of his fan-fiction for its own Tolkien adaptation TV series, The Rings of Power.

Demetrious Polychron wrote a book, a work of fan-fiction set in J.R.R. Tolkien’s Middle-earth, called The Fellowship of the King, which he copyrighted in 2017 and which later were published and made available for sale, including on Amazon. According to PC Gamer, Polychron sent a letter to the Tolkien Estate asking for a manuscript review. That’s right: This man asked J.R.R. Tolkien’s grandson Simon to sign off on his fanfic. Unsurprisingly, he did not get a response.

In September of 2022, the month that Polychron published The Fellowship of the King, Amazon also began airing its extremely expensive Lord of the Rings spin-off series, The Rings of Power.  …Now, Polychron is arguing that the Amazon TV show lifts elements from his novel.

According to RadarOnline, which has seen documents pertaining to the suit, Polychron alleges that characters and storylines he created for his book “compose as much as one-half of the 8-episode series,” and that in some cases the show “copied exact language” from his book. [Also, “In other instances, Defendants copied images that match the book cover and descriptions as created in the book as authored by Polychron,” the suit read.]

However, the claims seem spurious. For instance, the lawsuit purportedly points to the fact that both his book and the show feature a hobbit named Elanor, with the Elanor in his book being the daughter of Samwise Gamgee, while the Elanor featured in The Rings of Power is a Harfoot. Images purporting to be the lawsuit circulating online include a host of other circumstantial connections or similarities to back up Polychron’s argument that the writers of Rings of Power lifted ideas from his fanfic for their own story.

… While no one believes that Polychron will win against the Tolkien Estate, there are concerns that the lawsuit might negatively impact the legality of fanworks in general. Hopefully, fanfic writers will be fine as long as they’re not trying to extort Tolkien’s grandson.

(6) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

So let’s have a conversation about Elizabeth Hand’s Wylding Hall which was published by PS Publishing eight years ago. 

There’s some spoilers here so skip to the Beginning if you’d rather not hear them. 

A British folk band are told by their manager to record their new album, so they hole up at Wylding Hall, an ancient country house with let us say an interesting past. There they hope to create the album that will make their reputation. 

The novel, a short one at that, is told entirely in a series of interviews decades later by the surviving musicians, along with their friends, lovers and the band’s manager by a documentary filmmaker who gets them to talk about something that happened when they were there. (No, I’m not going to say what happened.) Should they be believed? Maybe, maybe not. What is the truth after all those years have passed anyways? 

I think it’s a brilliant way to approach this story. 

I’ll say no more and direct you now to the Beginning…

“I was the one who found the house. A friend of my sister-in-law knew the owners; they were living in Barcelona that summer and the place was to let. Not cheaply, either. But I knew how badly everyone needed to get away after the whole horrible situation with Arianna, and this seemed as good a bolt-hole as any. These days the new owners have had to put up a fence to keep away the curious. Everyone knows what the place looks like because of the album cover, and now you can just Google the name and get directions down to the last millimeter.

But back then, Wylding Hall was a mere dot on the ordnance survey map. You couldn’t have found it with a compass. Most people go there now because of what happened while the band was living there and recording that first album. We have some ideas about what actually went on, of course, but the fans, they can only speculate. Which is always good for business.

Mostly, it’s the music, of course. Twenty years ago, there was that millennium survey where Wylding Hall topped out at Number Seven, ahead of Definitely Maybe, which shocked everybody except for me. Then “Oaken Ashes” got used in that advert for, what was it? Some mobile company. So now there’s the great Windhollow Faire backlash.

And inexplicable—even better, inexplicable and terrible—things are always good for the music business, right? Cynical but true.

“Apart from when I drove out in the mobile unit and we laid down those rough tracks, I was only there a few times. You know, check in and see how the rehearsal process was going, make sure everyone’s instruments were in one piece, and they were getting their vitamins. And there’s no point now in keeping anything off the record, right? We all knew what was going on down there, which in those days was mostly hash and acid.

And of course, everyone was so young. Julian was eighteen. So was Will. Ashton and Jon were, what? Nineteen, maybe twenty. Lesley had just turned seventeen. I was the elder statesman at all of twenty-three.

“Ah, those were golden days. You’re going to say I’m tearing up here in front of the camera, aren’t you? I don’t give a fuck. They were golden boys and girls, that was a golden summer, and we had the Summer King.

And we all know what happens to the Summer King. That girl from the album cover, she’d be the only one knows what really went on. But we can’t ask her, can we?

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 21, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
  • Born April 21, 1939 — John Bangsund. Australian fan most active from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia’s winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review is credited with reviving Australian Fandom in the Sixties. And he’s the instigator of the term Muphry’s law which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.)
  • Born April 21, 1947 — Iggy Pop, 76. Here solely as on Deep Space Nine in an episode loosely upon The Magnificent Seven film that was entitled “The Magnificent Ferengi”, he played a vorta called Yelgrun. 
  • Born April 21, 1947 — Allan Asherman, 76. Official historian for D.C., he’s also written scripts for Tarzan during the Gooden Age. A Trekker of note, he wrote The Star Trek Compendium, The Star Trek Interview Bookand The Making of Star Trek II: The Wrath of Khan.
  • Born April 21, 1954 — James Morrison, 69. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much loved Space: Above and Beyond series. Starship Troopers without the politics. He’s got a lot of one-off genre appearances including recently showing up as an Air Force General in Captain Marvel, guesting on the Orville series and being Warden Dwight Murphy on Twin Peaks.
  • Born April 21, 1965 — Fiona Kelleghan, 58. Author of the critical anthology The Savage Humanists in which she identifies a secular, satiric literary movement within the genre. She also did Mike Resnick: An Annotated Bibliography and Guide to His Work. A work in still progress, according to the Wikipedia, is Alfred Bester, Grand Master: An Annotated Bibliography.
  • Born April 21, 1971 — Michael Turner. Comics artist known for his work on a Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer and A Tribute to Michael Turner with writings from people who knew him would feature a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
  • Born April 21, 1980 — Hadley Fraser, 43. His first video acting role was as Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Murder on the Orient Express. 

(8) COMICS SECTION.

  • Lio takes no chances where robots are concerned.

(9) MISSY RETURNS IN TITAN COMICS’ DOCTOR WHO: DOOM’S DAY. Titan comics will launch a two-issue Doctor Who comic series on July 5 as part of the multi-platform story Doom’s Day. The comic will feature fan-favorite character Missy on the trail of new character Doom, who makes her comic book debut.

Doom’s Day is a standalone transmedia series across multiple platforms and will allow Doctor Who fans to follow Doom, the Universe’s greatest assassin, as she travels through all of time and space in pursuit of the Doctor to save her from her ever-approaching Death. She only has 24 hours and a vortex manipulator to save herself before her fate is sealed forever.

Available in comic stores and on digital devices at release, Titan’s Doctor Who: Doom’s Day #1 comic is an adventure starring Doom in her comic book debut – using her vortex manipulator, she’ll do anything to find the tempestuous time traveller, the Doctor, including cavorting with the maleficent MISSY. Every hour a new adventure, every hour closer to death…

Doctor Who: Doom’s Day #1 is written by Eisner-nominated Jody Houser (Stranger Things, Star Wars, Spider-Man) with art by Roberta Ingranata (Witchblade). The comic debuts with two covers for fans to collect: from celebrated artist Pasquale Qualano, and a photo cover variant.

Doctor Who: Doom’s Day #1 ($3.99) is now available to pre-order globally from May’s Diamond Previews catalogue, ForbiddenPlanet.com and on digital device via Comixology.

(10) FIRST LEAF ON THE TREE. Heritage Auctions has an extensive “Star Trek Trading Card Collector’s Guide” which begins by discussing the 1967 Leaf Card set.

…. The first Star Trek trading cards were produced 1967, released one year after the series debuted. These were manufactured and distributed by Leaf Brands Division, WR Grace & Co of Chicago. This was a limited-scale run with sources saying it had a small geographical distribution within the Ohio and Illinois areas. The trading cards didn’t get too far before there were controversies on whether Leaf had licenses to distribute Star Trek cards in the first place. As soon as the licensing problems came to light, all cards that hadn’t been distributed were destroyed and all others were recalled if they had not been sold yet. In the set, there were 72 base cards. They had black and white pictures on the front. The pictures were randomly chosen from episodes and, in some cases, taken from behind the scenes or from publicity shots. The text on the back typically didn’t match up to the picture on the front and were written haphazardly. These cards were printed on layered card stock and measured at 2 ?” x 3 7/16”. The popularity grew, and with this new craze came many unauthorized reprints.

Dan Kremer Imports in Europe reprinted the 1967 Leaf cards without any rights to do so. They were considered counterfeit and were of terrible quality. Most of these are easily recognizable due to the blurry picture quality, and the pictures were cropped from the original, so the outer edges of the images are missing. Also, the cut on the card was not precise and was slightly smaller than the original. The cards were printed on non-gloss-coated single-layer card stock.

1981 Reprint is easily recognized by the mark on the back stating “1981 Reprint” where the “Leaf Brands” was originally. These were also printed on a very bright white stock of paper. The images are very crisp, and the cut is precise, with the cards being the exact size of the originals. There are 2 versions of these reprints. One of the versions has a red toned print of Kirk & Spock on the backs, while the other version has a black and white print of Kirk & Spock on the backs.

Though they were unauthorized reprints, these cards are still sought after by some as being part of history….

(11) JEOPARDY! David Goldfarb has the play-by-play from the Neal Stephenson item on Jeopardy!

Category: Modern Words

Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name

Returning champion Devin Loman: “What is powder?”

Emma Hill Kepron tried: “What is uber?”

Sam Claussen’s response: “What is avalanche?”

(12) SMOKE GETS IN YOUR EYES. “SpaceX’s Starship Kicked Up a Dust Cloud, Leaving Texans With a Mess” according to the New York Times.

As the most powerful rocket ever built blasted from its launchpad in Boca Chica, Texas, on Thursday, the liftoff rocked the earth and kicked up a billowing cloud of dust and debris, shaking homes and raining down brown grime for miles.

In Port Isabel, a city about six miles northwest where at least one window shattered, residents were alarmed.

“It was truly terrifying,” said Sharon Almaguer, who, at the time of the launch, was at home with her 80-year-old mother. During previous launches, Ms. Almaguer said she had experienced some shaking inside the brick house, but “this was on a completely different level.”

Meanwhile, SpaceX’s Starship exploded minutes after liftoff and before reaching orbit. Near the launch site, the residents of Port Isabel, known for its towering lighthouse and less than 10 miles from the border with Mexico, were left to deal with the mess.

Virtually everywhere in the city “ended up with a covering of a rather thick, granular, sand grain that just landed on everything,” Valerie Bates, a Port Isabel spokeswoman, said in an interview. Images posted to social media showed residents’ cars covered in brown debris.

A window shattered at a fitness gym, its owner, Luis Alanis, said. Mr. Alanis, who was at home at the time of the launch, said he felt “rumbling, kind of like a mini earthquake.” He estimated that the window would cost about $300 to fix.

Closer to the launch site, large pieces of debris were recorded flying through the air and smashing into an unoccupied car. Louis Balderas, the founder of LabPadre, which films SpaceX’s launches, said that while it was common to see some debris, smoke and dust, the impact of Thursday’s liftoff was unlike anything he had ever seen….

(13) VIDEO OF THE DAY. Isaac Arthur analyzes the possibility of “Life on Giant Moons”.

We often contemplate life on alien planets, but might giant moons orbiting distant immense worlds be a better candidate for where extraterrestrial life might be found?

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Kathy Sullivan, David Goldfarb, SF Concatenation’s Jonathan Cowie, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

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(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.

This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.

And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.

I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.

And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…

When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.

Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain. 

ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:

“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY

Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.“

Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 – [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed  companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into  Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1936 — Gordon  Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
  • Born May 11, 1952 — Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward. 
  • Born May 11, 1976 — Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange Horizons, F&SF, and elsewhere. 

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.

You would be wrong.

For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.

…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.

The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”

The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”

The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 1981; 1983; 1985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter Tyers, Arthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet.  It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….

6. DOCTOR WHO’S TARDIS

WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).

Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.

“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”

Its properties are bizarre, but its time-travel abilities are appealing to real scientists.

“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”

Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.

“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies

Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.

No one could ask, What is T-2?

Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.

No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….

It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.”  Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 5/31/21 I’m At The Godstalk, The Death Star, The Second Fifth Hotel, The Pixels Keep On Scrolling And Rolling Files As Well

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(1) HANSEN BOOK FREE FROM TAFF. Another ebook is available from the Trans-Atlantic Fan Fund’s website, #60 in the free library, Rob Hansen’s Faan Fiction 1930-2020: an exploration. Cover artwork adapted from Rob Hansen’s cover for his fanzine Epsilon #7, July 1981. Approximately 61,000 words. (TAFF hopes you’ll make a little donation to the fund if you please.)

In this combined critique and anthology, Rob Hansen discusses the phenomenon of fan fiction (in the fannish fanzine sense) with a particular focus on the UK. His commentary is interspersed with many examples from such diverse fan writers as John Berry, C.S. Youd (John Christopher), Leroy Kettle, David Langford, Mark Plummer, Bob Shaw, Ian Sorensen, James White, Walt Willis – and Rob Hansen himself, including previously unpublished work. There are several surprises.

From Rob Hansen’s Foreword:

One aspect of fandom only lightly touched on by me in Then was fan fiction. By which, of course, I mean fiction about fans and/or fandom. This is a thread that has been woven through SF fandom since it began, enduring almost to the present day, and so is worthy of consideration in that light. I’ll be looking at the people who wrote it and all its various forms and the purposes to which they were put. Inevitably, the quality of the writing varies wildly, with that of those who later went on to write professionally usually being a cut above the rest.

…Where possible the pieces of fan fiction reprinted herein to illustrate various types and forms – all by UK fans – were specifically chosen from those not already available. As a result, most will be things the majority of readers won’t have encountered before.

(2) SF ART COLLECTORS WILL SPEAK. Tomorrow on Comic Art Spotlight Doug Ellis joins a panel with three friends — Glynn Crain, John Davis & Victor Dricks — discussing SF/fantasy art.  All four have large collections of vintage SF art. They’ll be highlighting and discussing various artists and pieces in those collections, including creators like Virgil Finlay, Frank Kelly Freas, Ed Emshwiller, Wally Wood, Ed Valigursky, George Barr and many more.  The panel kicks off June 1 at 8:00 p.m. Eastern:

(3) PLONK YOUR MAGIC TWANGER. The Haffner Press’ two-volume edition of The Complete John the Balladeer by Manly Wade Wellman is available for pre-order.

John, whose last name is never revealed, is a wandering singer who carries a guitar strung with strings of pure silver. He is a veteran of the Korean War and served in the U.S. Army as a sharpshooter (in the novel After Dark, he mentions that his highest rank was PFC). In his travels, he frequently encounters creatures and superstitions from the folk tales and superstitions of the mountain people. Though John has no formal education, he is self-taught, highly intelligent and widely read; it is implied that his knowledge of occult and folk legendarium is of Ph.D level. This knowledge has granted him competent use of white magic, which he has used on occasion to overcome enemies or obstacles, but it is primarily his courage, wit and essential goodness that always enables him to triumph over supernatural evils (although the silver strings of his guitar and his possession of a copy of The Long Lost Friend are also powerful tools in fighting evil magic), while basic Army training allows him to physically deal with human foes.

Haffner recently posted this photo of artist Tim Kirk’s dropcaps for the book.

(4) FEELIN’ GROOVY. John Coulthart has a gallery of “groovy” sf covers in “The art of Mike Hinge, 1931–2003” at { feuilleton }.

Back in March I ended my post on the psychedelia-derived art style that I think of as “the groovy look” with the words “there’s a lot more to be found.” There is indeed, and I’d neglected to include anything in the post by Mike Hinge, a New Zealand-born illustrator whose covers for American SF magazines in the 1970s brought a splash of vivid colour to the groove-deprived world of science fiction. This was a rather belated development for staid titles like Amazing and Analog whose covers in the previous decade wouldn’t have looked out of place in the Gernsback era. Opening the door to someone like Mike Hinge, a graphic designer as well as a general illustrator, was probably a result of both magazines having undergone recent changes of editorship.

(5) HEVELIN COLLECTION UPDATE. [Item by Bruce D. Arthurs.]Just found out the University of Iowa’s “Hevelin Collection” Tumblr account, which posted pics of items from Rusty Hevelin’s collection of fanzine and other SFnal material (but has been inactive for the last several years), announced about ten days ago they’re officially suspending the Tumblr. (But past posts will remain online for the foreseeable future.)

But you can still see over 700 fanzines, etc., from the Hevelin Collection in the Iowa Digital Library: Hevelin Fanzines — The University of Iowa Libraries.

And rather than single pictures like the Tumbler account did, the IDL archive leads to scans of the full contents, so far as I’ve tested it. Probably a fair amount of overlap with Fanac.org and eFanzines.com, but always good to have fannish history backed up in multiple places.

(The IDL archive may, it occurs to me, be old news to those who keep up with fanzines past and and present more than I do. “Slight” is a polite way to describe my level of involvement these days. Still, news to me.)

(6) MEDIA BIRTHDAY.

  • May 31, 1990 — On this day in 1990, Paul Verhoeven’s Total Recall premiered. It starred Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside. It’s rather loosely based on Philip K. Dick‘s “We Can Remember It for You Wholesale” story. Ronald Shusett, Dan O’Bannon and Gary Goldman wrote the screenplay. It finished second at Chicon V for Best Dramatic Presentation to Edward Scissorhands.  Most critics liked it well-enough though a number of feminist critics thought it excessively violent towards women. It currently holds a seventy-eight percent rating among audience reviewers at Rotten Tomatoes. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 31, 1893 – Elizabeth Coatsworth.  Newbery Medal for The Cat Who Went to Heaven (1930).  Four “incredible tales” for adults; four books of poetry; ninety in all; memoir Personal Geography.  (Died 1986) [JH]
  • Born May 31, 1895 — George R. Stewart. As recently noted in the Scroll, his 1949 novel Earth Abides won the first International Fantasy Award in 1951. They were a British award and the first one, this very one, was given at Festivention. Other genre works would include Man, An Autobiography and Storm which is at least genre adjacent. (Died 1980.) (CE)
  • Born May 31, 1910 – Aubrey MacDermott.  Possibly the first fan.  He always said he was. Unfortunately, the supporting evidence is thin.  He may well have founded the Eastbay Club in the San Francisco Bay area around 1928.  Anyway, he was Fan Guest of Honor at Westercon XXXX (Oakland, 1987).  Here is his Origin Story as of 1990.  (Died 1996) [JH]
  • Born May 31, 1921 – Arthur Sellings.  Six novels, fifty shorter stories, in Fantastic, Galaxy, Imagination, The Magazine of Fantasy & Science Fiction, Nebula, New Worlds, New Writing, Worlds of Tomorrow. Antiquarian, book & art dealer.  (Died 1968) [JH]
  • Born May 31, 1930 — Gary Brandner. Best remembered for his werewolf trilogy of novels, The Howling, of which the first was very loosely made into a film. He wrote the script for Howling II: Your Sister Is a Werewolf. The fourth film of the series, Howling IV: The Original Nightmare, is actually almost an accurate adaptation of the first novel. He wrote a lot of other horror and penned the novelization of Cat People. (Died 2013.) (CE) 
  • Born May 31, 1942 – Brian Burley.  Active fan in Ohio and New York.  Co-founded Marcon.  In 1979 he was in FISTFA (Fannish Insurgent Scientifictional Ass’n); here he is (with S.H. Craig and Pat O’Neill) on “Fandom in New York” for the Lunacon XXII Program Book.  Co-founded the Beaker People Libation Front, which Fancyclopedia III mildly calls “not entirely serious”; see here.  (Died 2006) [JH]
  • Born May 31, 1948 — Lynda Bellingham. She was The Inquisitor in the Sixth Doctor Story, “The Trial of The Time Lord”.  Other genre appearances include the Landlady in Hans Christian Andersen: My Life as a Fairy Tale, and one-offs in Blake’s 7, Robin Hood and Julia Jekyll and Harriet Hyde. (Died 2014.) (CE) 
  • Born May 31, 1950 — Gregory Harrison, 71. I’m always surprised to discover a series didn’t last as long as I thought it has. He was Logan 5 in the Logan’s Run TV series which only lasted fourteen episodes. He was also in Dark Skies, twenty episodes before cancellation, as the voice of Old John Loengard, and had one-offs in Dead Man’s Gun (cursed object and that series actually lasted awhile), Touched by an Angel, Outer Limits and Miracles. (CE)
  • Born May 31, 1961 — Lea Thompson, 60. She’s obviously best known for her role as Lorraine Baines in the Back to the Future trilogy though I remember her first as Beverly Switzler in Howard the Duck as I saw Back to the Future after I saw Howard the Duck. Not sure why that was. Her first genre role was actually as Kelly Ann Bukowski in Jaws 3-D, a film I most decidedly did not see. If you accept the Scorpion series as genre, she’s got a recurring role as Veronica Dineen on it. (CE)
  • Born May 31, 1977 – Cat Hellisen, age 44.  Fantasy for adults and children; free-lance editing; also archery, aikidô, figure skating.  Six novels, a score of shorter stories.  “The Worme Bridge” won the Short Story Day Africa award.  More recently in Fife she likes the forests and the fields and the Forth.  Has read Giovanni’s Room, Flatland, Herland, five plays by Aeschylus, Peter Pan, both Alice books, Les liasons dangereuses, The Wonderful Wizard of Oz.  [JH]
  • Born May 31, 1979 — Sophia McDougall, 42. She has a very well crafted alternative history series,  the Romanitas series, In which Rome did not fall and rules the world today. She has two SF novels —Mars Evacuees is sort of YA alien invasion novel; Space Hostages reminds of a Heinlein YA novel. (CE)
  • Born May 31, 1995 – Jeremy Szal, age 26.  One novel, thirty shorter stories.  Fiction editor at StarShipSofa 2014-2020 (Episodes 360-600).  Collects boutique gins.  See his review of Predestination at Strange Horizons here.  [JH]

(8) COMICS SECTION.

  • Half Full could be making a combined Alice in Wonderland and Simon & Garfunkel joke. Or not.

(9) WRITING PROMPT. From Agatha Chocolats:

Popehat suggests: “Cthulhu fhtagn exact change only.”

(10) SHAVER MYSTERY MAGAZINE ADDED BY FANAC. “If you’ve been hearing the words ‘Shaver Mysteries’ bruited about, now’s your chance to see what all the fuss is over,” says Fanac.org’s Joe Siclari. Check here: Shaver Mystery Magazine, by Richard S. Shaver. There are 7 issues of this semi-pro, related zine. 

Siclari further says, “Some might not consider this a fanzine because rumor has it that it was paid for by Ray Palmer and Ziff-Davis. However the Shaver Mystery stories were a subject of great controversy in fanzines. So it is of related interest. It definitely was not a money-maker. It seems to fit into the category we later called a semi-prozine. And the art! McCauley, Finlay…”

(11) JUMPING IN. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna interviews Pepe The Frog creator Matt Furie who is trying to recapture his character from the alt-right by creating non-fungible tokens featuring Pepe and other of Furie’s characters that have sold for up to $1 million. “Matt Furie is trying to reclaim his famous cartoon Pepe the Frog — through NFTs”.

To Furie, the NFT realm is about more than coin. During the era of Donald Trump, extremist social media users adapted Pepe so often that the Anti-Defamation League deemed it a hate symbol. But the exploding world of crypto-art is allowing the cartoonist to reclaim a character who was never meant to stand for much beyond love, peace, hedonism and altered-state chillaxin’.

“The NFT world is new, and there are a lot of optimistic people creating cool things,” Furie says of his interest in exploring non-fungible tokens — unique digital files whose origins and ownership can be verified.“Pepe does not have the baggage here that he does in the ‘real world,’ and I like working with utopians and optimistic freethinkers. There are so many possibilities.”

(12) A SCHULZ CURIOSITY. Cavna has also written: “Three ‘lost’ Charles Schulz strips have been rediscovered. Do they show the adult Lucy Van Pelt?”To some, they resemble “Peanuts” characters — if Charlie Brown and the gang had ever grown up.

These rare curiosities intrigue and baffle even the experts. “They’re a puzzle to me,” says Jean Schulz, wife of the late cartoonist Charles M. Schulz, who drew them.

They are the seven black-and-white works of comic art from the mid-’50s collectively called the “Hagemeyer” strips. Four of them have appeared in books. The three other “lost” strips were found and purchased at auction in May 2020— but have never been widely published, according to the Charles M. Schulz Museum and Research Center.

(13) IT’S IMPOSSIBLE. [Item by SF Concatenation’s Jonathan Cowie.] From this week’s Nature: “First Nuclear Test Created Impossible ‘Quasicrystals’”.

SF is full of exotic substances from Cavorite to Corbomite. Now it has been discovered that the world’s first nuclear bomb test created ‘impossible’ quasicrystals.

The previously unknown structure, made of iron, silicon, copper and calcium, probably formed from the fusion of vaporised desert sand and copper cables. Quasicrystals contain building blocks made up of arrangements of atoms that — unlike those in ordinary crystals — do not repeat in a regular, brickwork-like pattern. They have symmetries that were once considered impossible.

Materials scientist Daniel Shechtman first discovered such an impossible symmetry in a synthetic alloy in 1982. He won the 2011 Nobel Prize in Chemistry for the discovery. In subsequent years, materials scientists synthesised many types of quasicrystal,
expanding the range of possible symmetries. In the aftermath of the Trinity test — the first detonation of a nuclear bomb in 1945 researchers found a field of greenish glassy material that had formed from the liquefaction of desert sand. They dubbed this trinitite. The bomb had been detonated on top of a 30-metre-high tower laden with sensors and their cables. As a result, some of the trinitite had reddish inclusions: it was a fusion of natural material with copper from the transmission lines. The quasicrystal recently found from this trinitite has the same kind of icosahedral symmetry as the one in Shechtman’s original discovery.

(14) NOW IN 3-D. Nature also reports on “The most detailed 3D map of the Universe ever made”.

A survey of the southern sky has reconstructed how mass is spread across space and time, in the biggest study of its kind. The data provide striking evidence that dark energy, the force that appears to be pushing the Universe to accelerate its expansion, has been constant throughout cosmic history.

The Dark Energy Survey (DES) collaboration revealed its results in an online briefing on 27 May and in several papers posted online1.

…The researchers grouped the galaxies by colour, to get a rough indication of each galaxy’s distance from our own: as the Universe expands, galaxies that are further away appear redder because their light waves have stretched out to longer wavelengths. That way, the team was able to add a third dimension to its map.

Looking further away also corresponds to looking to the past, so a 3D cosmic map provides a record of the Universe’s history. By tracking how galaxies spread out over time, cosmologists can then indirectly measure the forces at play. These include the gravitational pull of dark matter, the invisible stuff that constitutes some 80% of the Universe’s mass and dominates the formation of galaxies and clusters of galaxies.

(15) DRONE WARFARE. [Item by Mike Kennedy.] It’s not exactly a Terminator-style HK-VTOL, but the first autonomous wartime kill by a robot might have happened last year in Libya. Gizmodo reports on the story: “The Age of Autonomous Killer Robots May Already Be Here”.

…“The lethal autonomous weapons systems were programmed to attack targets without requiring data connectivity between the operator and the munition: in effect, a true ‘fire, forget and find’ capability,” the UN Security Council’s Panel of Experts on Libya wrote in the report.

It remains unconfirmed whether any soldiers were killed in the attack, although the UN experts imply as much. The drone, which can be directed to self-destruct on impact, was “highly effective” during the conflict in question when used in combination with unmanned combat aerial vehicles, according to the panel. The battle resulted in “significant casualties,” it continued, noting that Haftar’s forces had virtually no defense against remote aerial attacks.

The Kargu-2 is a so-called loitering drone that uses machine learning algorithms and real-time image processing to autonomously track and engage targets. According to Turkish weapons manufacturer STM, it’s specifically designed for asymmetric warfare and anti-terrorist operations and has two operating modes, autonomous and manual. Several can also be linked together to create a swarm of kamikaze drones.

(16) CLOCKING IN. CBS Sunday Morning did a segment about “Exploring the boundaries of time travel”.

Breaking the bonds of time has been a timeless pursuit in science fiction stories and movies. Will it ever become science fact? Correspondent Faith Salie explores the possibilities of taking a journey to the future, or the past, even without a souped-up DeLorean.

(17) VIDEO OF THE DAY. In “Cruella Pitch Meeting” on Screen Rant, Ryan George, in a spolier-filled episode, says that the only way to get viewers interested in Cruelle DeVil’s backstory–“How does she become the person who wants to skin puppies?”–is to have her work for a boss even more evil than her.  Also the screenwriter warns the producer that if he wants all those groovy hits of the 1970s in the movie, he’d better have plenty of money for the rights.

[Thanks to Cat Eldridge, John Hertz, David Langford, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Nicole J. LeBoeuf-Little.]

Pixel Scroll 5/13/21 Sympathy For The Pixel

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(1) STRANGE DOINGS AT EBAY. The online sales site eBay has reorganized a large number of categories and reclassified products into them. The new U.S. table is here: US_Category_Changes_May2021_NFT-update.

If you do a search for “comics” on that page, you’ll find that eBay has decided to retire the categories for “Superhero,” “Platinum Age”, “Golden Age”, “Silver Age”, etc. All listings are being moved into a general Comics & Graphic Novels category.

(2) LEVAR BURTON BOOK CLUB. “LeVar Burton launches a new book club: See first three picks” reports Entertainment Weekly.

The LeVar Burton Book Club launches Tuesday via the “social reading app” Fable, with selections handpicked by the actor. To start off, he’s chosen three books that “represent how my identity as a reader has been shaped,” he says: James Baldwin‘s semi-autobiographical novel Go Tell It on the Mountain, Octavia Butler‘s modern sci-fi classic Parable of the Sower, and the essay and poetry collection The Fire This Time, edited by Jesmyn Ward. (Baldwin’s book will serve as the first month’s pick, with three new titles being revealed every three months.)

“For me, if I’m going to start a book club, I’m going to begin with who I am and my story as a reader,” Burton tells EW. “Obviously, there are hundreds of books that have shaped my identity as a reader, and these three are really representative of an important aspect of that journey for me.”

And while all three are by Black authors, Burton takes care to emphasize that to view his book club as an exclusively Black book club “does me and the literature that I promote a great disservice.”

“I know I have demonstrated over time that my attitude towards literature is ecumenical,” he says. “As it happens, the first three books are by people who look like me, and if one wants to pigeonhole that, then that would be, in my estimation, their shortcoming. It’s nothing more than a starting point that reflects who I am.”

(3) KENYAN BOOKTUBERS. SFF history is being made! Thread starts here.

(4) MACHADO Q&A. CBC Radio posted a transcript of their interview with Carmen Maria Machado: “Author fights to keep her queer memoir on a Texas high school reading list — dildo and all”.

A couple weeks ago, author Carmen Maria Machado got a message from a friend that a video was circulating online that involved her memoir and an angry mom wielding a pink strap-on dildo.

The clip was from a Feb. 25 school board meeting in Leander, Texas. The woman was upset that Machado’s memoir, In The Dream House, was on an approved reading list for high school students.

The book, which chronicles Machado’s experience of being in an abusive relationship with another woman, contains a sex scene involving a dildo. The protesting parent read it aloud during the meeting while waving the sex toy around, according to the Austin American Statesman. 

That’s how Machado learned that her book is one of several that are up for review in Leander because of parents’ complaints. They are part of a book club program that allows students to pick and read one book each semester from a list of 15 chosen by their teachers for their grade level.

The school board told KVUE ABC that it has already removed six books from the program and is devising a policy to exclude “inappropriate literature for the assigned students’ ages.”

Also on the potential chopping block are books by Margaret Atwood, Jodi Picoult and Jacqueline Woodson, who, along with Machado, have penned an open letter with the free expression organization PEN America demanding the books remain available to students.

Machado spoke to As It Happens host Carol Off on Wednesday. Here is part of their conversation….

After this particular meeting, there’s a spokesperson for Leander [Independent] School District who said: “Our goal is to explore what the community feels are age-appropriate materials for classroom reading.” Is there a valid argument? Do you think that In The Dream House is a book that is age-appropriate for that group?

Professional educators chose the book for their students. This all started because a bunch of teachers were like: We want this book on this list. And that is their job. That is what they’re supposed to be doing.

Certainly there are books that are appropriate for certain ages, but I think saying that students at 17 and 18 can’t read anything with sex in it, and that there’s no value in a book like that for those students when your teachers have said otherwise, the people who you pay to educate your kids, that strikes me as very odd and very disingenuous.

The community is also not a monolith. Like, there are gay teens at that school. There are gay people in Leander, Texas. There gay people in Texas…. And it feels a little, I think, strange that this very conservative religious group can sort of make the agenda for all the other students.

Because the parents who want this, their kids did not have to read the book. They could have chosen a different book. They’re trying to remove the book from the list for all the students. So I don’t think it’s really about age-appropriateness. I mean, there’s a reason they they target books with gay content.

(5) SFWA AUCTION. The “Science Fiction & Fantasy Writers Association Online Silent Auction!” is in progress and will continue through May 17. It has raised $5,060 so far.

In addition to autographed books and manuscripts and other collectibles, the featured items include virtual career coaching and manuscript feedback sessions like these:

  • Virtual Career Coaching from N. K. Jemisin

A one-on-one 30-minute virtual career session with 2020 MacArthur Fellow N. K. Jemisin, the first writer to ever to win three consecutive Hugo Awards for Best Novel.

  • Virtual Career Coaching from Catherynne M. Valente

A one-on-one 30-minute virtual career session with Catherynne M. Valente, New York Times and USA Today bestselling author of fantasy and science fiction.

  • Virtual Manuscript Feedback from Mary Robinette Kowal

The winning bidder on this item will enjoy a 30 minute Zoom discussion providing feedback on a story or an excerpt of a longer work, up to 3,000 words. An amazing opportunity to receive personal feedback from Hugo and Nebula Award-winning science fiction and fantasy author Mary Robinette Kowal.

(6) CHAIR-ITABLE CAUSE: [Item by Ben Bird Person.] Colin Howard did much of the cover art for Doctor Who‘s VHS releases. See his covers here for “The Android Invasion” and “The Green Death”. He was diagnosed with multiple sclerosis ten years ago which has affected his mobility. Currently, there’s a fundraiser to help him: “Fundraiser by Michelle Howard : Please help me get Colin back outside in nature”.

… Colin was diagnosed with Multiple sclerosis 10 years ago, this ridiculously talented artist, nature lover and extrovert.

Progressively as MS does it has taken away his mobility, his confidence and he has become more and more isolated. Unable to get outside with ease, making everything he does exhausting and unenjoyable.

We did buy a manual wheel chair, however it is heavy and he is now unable to use his arms to self propel and it’s so cumbersome and there is no pleasure or enthusiasm for him to use it. It’s become easier for him to stay home…. not good.

After doing tons of research I stumbled across this amazing wheel chair. For those of you who know Col, you’ll know what a huge fan of formula one he is. So you’ll know why I’ve chosen this model of wheel chair…. it has formula one technology… carbon fibre and super light….

(7) MEDIA ANNIVERSARY.

May 13, 1994 — On this day in 1994, The Crow premiered. It was directed by Alex Proyas, written by David J. Schow and John Shirley. It was produced by Jeff Most, Edward R. Pressman and Grant Hill.  It starred Brandon Lee in his final film appearance as he was killed in a tragic accident during filming. It’s based on James O’Barr’s The Crow comic book, and tells the story of Eric Draven (Lee), a rock musician who is revived to avenge the rape and murder of his fiancée, as well as his own death. Critics in general loved it, it did well at the box office and audience reviewers at Rotten Tomatoes currently give it a ninety percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 13, 1907 – Daphne du Maurier.  Two novels, a score of shorter stories for us; a dozen other novels, three dozen other shorter stories, three plays, nonfiction e.g. The Winding Stair about Francis Bacon, memoirs.  “There are few strains more intolerable in life than waiting for the arrival of unwelcome guests,” The House on the Strand ch.13 (1969) – quoted as a reader’s favorite line on her Website.  (Died 1989) [JH]
  • Born May 13, 1937 — Roger Zelazny. Where do I start? The first half of The Amber Chronicles are a favorite as is The Isle of The Dead,  Eye Of The Cat, Home is The Hangman, To Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. There’s to my knowledge only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. (Died 1995.) (CE)
  • Born May 13, 1940 – Rachel Ingalls.  One novel, ten shorter stories for us.  British Authors’ Club Award.  British Book Marketing Council named one of those ten, the novella “Mrs. Caliban”, among the twenty greatest from America since World War II.  (Died 2019) [JH]
  • Born May 13, 1945 – Maria Tatar, Ph.D., age 76.  Loeb Professor of Germanic Languages & Literatures, and Chair of the Committee on Degrees in Folklore & Mythology, at Harvard.  Among her publications, The Hard Facts of the Grimms’ Fairy Tales, The Annotated Hans Christian Andersen, The Annotated African American Folktales (with Henry Gates).  “Alice [notice I don’t have to identify it any further – JH] is the world’s greatest book.  It’s one of the deepest books.”  [JH]
  • Born May 13, 1946 — Marv Wolfman, 75. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he very temporarily untangled DC’s complicated history with George Pérez. And He worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell he even wrote a Reboot episode!) (CE) 
  • Born May 13, 1949 — Zoë Wanamaker, 72. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone ever waswhere she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories, ”The End of the World” and “New Earth”. (CE)
  • Born May 13, 1951 — Gregory Frost, 70. His retelling of The Tain is marvelous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend taking an existing legend and making it fresh it through modern fiction writing is amazing. Fitcher’s Brides, his Bluebeard retelling is an fantastic novel though quite horrific. (CE) 
  • Born May 13, 1951 – A.J. Austin, age 70.  Two novels (with Ben Bova), nine shorter stories.  Interviewed Forry Ackerman and Mike Resnick for Thrust.  Ten years hosting a midday call-in radio program in Connecticut.  [JH]
  • Born May 13, 1957 — Frances Barber, 64. Madame Kovarian, a prime antagonist during the time of The Eleventh Doctor showing up in seven episodes in totality. Fittingly she played Lady Macbeth in Macbeth at the Royal Exchange in Manchester. I’ve got her doing one-offs on Space Precinct, Red Dwarf and The IT Crowd.  (CE) 
  • Born May 13, 1981 – Kieran Yanner, age 40.  A dozen covers, half a dozen interiors; games; Magic: the Gathering cards; concept art.  Here is Before They Were Giants.  Here is Demon in White.  Here is Ghen, Arcanum Weaver.  [JH]
  • Born May 13, 1983 – Nate Ball, age 38.  Mechanical engineer, pole vaulter, beatboxer.  Eight Alien in My Pocket science-adventure chapter books for kids.  Here is Blast Off!  Here is Ohm vs. Amp. [JH]

(9) COMICS SECTION.

(10) BBC VS. FANFIC? iNews says “Doctor Who fans feel ‘demonised’ by BBC crackdown on fan fiction”.

But recently a number of fanfic creators have received worrying demands from the BBC to remove their work from the public domain, arguing that they are infringing on copyright. Under the question “Can I create Doctor Who fan fiction?” on the show’s online FAQ page, the BBC advises that while anyone is “welcome to write Doctor Who fiction for your own enjoyment, but we should remind you that it is not permitted for you to publish this work either in print or online.”

The rules – which were published in 2014 – were unknown to the majority of creators but were widely shared on Twitter this week in response to the BBC’s demands. In response, 21-year-old student Jamie Cowan has started a petition calling for the BBC Studios, the production company behind Doctor Who to offer the fans a seat at the table in these decisions.

Cowan’s petition is at Change.org: “Petition of concern about BBC Studios approach to Doctor Who fan content”. His reference to video clips suggests the BBC’s issue is about more than written Who stories. The petition only has 166 signatures as of this moment.

… The current experience of BBC Studios staff contacting fanfiction and fan audioplays about the own original non-profit ventures – is concerning.

The manual targeting of those who use clips of the show for review purposes or for ‘Top 10’ videos that strongly promote the episodes that they are discussing – is concerning.

We, of the Doctor Who fandom – both creators and the viewers of said creators – call upon you to make a strong reconsideration of the actions you are taking against passionate fans who are doing no damage to the sales or marketability of the brand….

(11) DISNEY RIDES UPDATE HITS A BUMP. “Disney takes ‘woke’ steps toward inclusivity, but sparks a conservative backlash” finds Yahoo! Entertainment.

…The “wench auction” was among the first to go in the exodus of classic-but-problematic Disney scenes. In 2018, the popular Pirates of the Caribbean ride got an overhaul when a redhead who had once been sold as a bride became a pirate instead.

Two years later, the theme park giant announced it was overhauling the Splash Mountain flume ride to lose its story line inspired by “Song of the South” — an outdated Disney film that the company no longer makes available to view because of its rosy view of post-Civil War plantation life. More recently, the company announced updates to the classic Jungle Cruise ride to remove “negative depictions of ‘natives’” and add new elements, just in time for a new movie out this summer….

But these changes aren’t taking place without pushback. Fans created a petition to “save” Splash Mountain from the new theme. Disney-focused sites are full of users who decry what they see as a progressive agenda in the parks, and announcements about updates are typically greeted with threats of a boycott. People who vocally advocate for revisions are often subjected to abusive messages….

The updates in the parks follow a shift in the company’s films over the past several decades. Anne Zimmermann, a lecturer in the Rollins College English department in Winter Park, Florida, said Disney’s princesses started becoming more inclusive, assertive and even feminist over the past couple of decades.

“Today’s generation, they are kind of expecting this of Disney, and they will tell you it’s long overdue,” said Zimmermann, who uses Disney stories in her classes.

At the same time, Disney has recognized that some of its older films include outdated and racist cultural stereotypes and has added warnings on its streaming platform or removed those movies from children’s profiles.

“They’re moving not just toward not being racist, but anti-racist,” Zimmermann said. “Changing the parks continues their own narrative of change.”

Her students visit Disney parks for field research — or, more recently, explore rides online — and flag those that strike them as problematic.

For now, there’s a laundry list of other nominees for eventual updates: the Peter Pan ride for stereotypical depictions of Indigenous people; a ride in Epcot’s Mexico area that includes broad stereotypes; Dumbo, which is based on a movie that includes racist tropes. Fan sites circulate longer lists of what rides might be under the microscope next, occasionally with outraged remarks: It’s a Small World, Hall of Presidents, Country Bear Jamboree.

Disney isn’t saying what is next, but the company has dedicated a team to making sure that updates are done right.

“You create experiences that will make people feel welcome, seen and heard and to let them know that their stories are just as important,” Carmen Smith, creative development and inclusion strategies executive for Walt Disney Imagineering, said in a video. “And so my responsibility is to look at what do we have now and does it resonate with our guest in making them more reflective of the world we live in.”

(12) TOXIC AVOIDER. Alan Yu interviews Amy Ratcliffe about her book A Kid’s Guide to Fandom at NPR: “How Kids Can Avoid Toxic Fandoms”.

…So how do fans navigate these communities, to find the good parts while being aware of the bad? It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.

Amy Ratcliffe, managing editor for the pop culture site Nerdist, addresses this as part of her new book, A Kid’s Guide to Fandom. She says it’s the book that she wishes she could have had when she was a young fan looking for others like her. Ratcliffe remembers growing up as a fan of the Wheel of Time series, using her family’s dial-up internet to visit online forums.

She says her objective is for kids to be aware of fandom, “that other people like the same things that you like … even if it’s one other person, like you’re not alone.”

“I still hear stories about young girls being bullied because they like Star Wars; they think they’re the only kid,” she says. “It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.”

No one gets to decide who is a “real” fan

Ratcliffe explains in her book that some fans can become gatekeepers, people who want to decide who is or is not a “real fan.” Fans, she says, should never have to prove themselves.Ratcliffe herself has run into gatekeepers; once, at a Star Wars convention, a man saw her Rebel Alliance tattoo, “looked at the tattoo, looked at my then-boyfriend who was with me, and was like … completely serious by the way, no sarcasm, like, ‘oh that was really nice of you to get that tattoo for your boyfriend.'”

Her advice for younger fans who want to find communities is to start with groups or places that they know: a local library, or a game shop they go to with their family; to trust their instincts when they feel something is off; and to get an older sibling, a parent, or guardian involved….

(13) HE FINALLY GOT TO SPACE. In Heritage Auctions’ May 21 – 22 Space Exploration Signature Auction one of the items up for bid is this Apollo-Soyuz Test Project Flown Silver Robbins Medallion with a lot of history behind it:

Apollo-Soyuz Test Project Flown Silver Robbins Medallion, Serial Number 43F, Personally Presented by Deke Slayton to and Directly from the Estate of NASA Legend Chris Kraft, with Slayton’s Signed COA and Handwritten Letter of Appreciation. This 35mm sterling silver medal is one of only ninety-three flown (of 285 minted) aboard the Apollo-Soyuz Test Project, the first international manned space effort, July 17-19, 1975, with U.S. crewmembers Thomas Stafford, Vance Brand, & Deke Slayton and Soviet crewmembers Alexei Leonov & Valery Kubasov. The obverse features the mission insignia depicting the docking maneuver above the Earth and the names of the mission and crewmembers. The reverse features the title “First Joint U.S.-U.S.S.R. Space Flight” and the engraved dates. The serial number is on the rim along with the sterling and Robbins hallmarks. This mission effectively ended the “Space Race” between the U.S. and the U.S.S.R. We seldom are able to offer flown examples of this mission’s medal and this one is likely the nicest we have ever handled. A great candidate for grading and encapsulation.

If this were just a Robbins medal with astronaut or even crewmember-provenance, it would be desirable and valuable. When the history behind it is revealed, it becomes a very special item indeed. Deke Slayton was one of the original “Mercury Seven” but was the only one who never flew into space due to being grounded in 1962 with an atrial fibrillation. Ten years later, he was cleared to fly on Apollo-Soyuz with Dr. Kraft’s blessings. On December 1, 1975, Slayton met with Kraft and presented this medal to him loose in an envelope hand-addressed ” Dr. Chris Kraft/ Personal“. Additionally, inside was a December 1st-dated typed letter signed on NASA letterhead that reads: “I hereby certify that Apollo-Soyuz medallion, serial number 43F, was flown in space aboard the Apollo Command Module from July 15, 1975, through July 17, 1975, and that this medallion was presented to Dr. Christopher C. Kraft, Jr., on December 1, 1975. [signed] D. K. Slayton“. 

 [Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Ben Bird Person, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Jason Sanford, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 3/12/21 All Unshielded Surfaces

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(1) 2021 FAAN VOTING DEADLINE. FAAn Awards Administrator Nic Farey reminds everyone that today is the last day of voting – it closes tonight — March 12 — at midnight Pacific time. Guidelines and the ballot are available in The Incompleat Register 2020 [PDF file]

(2) SOLVING FOR PIE. Scott Edelman invites listeners to “Grab a slice of pie with Gil Roth” on Episode 140 of his Eating the Fantastic podcast.

Gil Roth

I’ve been wanting to bring Gil to you for awhile, and had been hoping we’d be able to sneak away for a meal during either Readercon or the Small Press Expo, but neither occurred last year, at least not outside of a virtual space, and both will be virtual again this year. So as you listen, I’d like you to think of yourself as being with us at one of those cons, and tagging along as we head off to chat and chew.

We discussed his surprising (and my unsurprising ) guest with the greatest number of downloads, the advice John Crowley gave him about his potential writing career, how a guy who used to memorize X-Men comics got turned on to Love & Rockets, the way we process the deaths of former guests, the song he wants played at his memorial service, how to get often-interviewed guests not to regurgitate their favorite soundbites, why no comic book movie beats the first Superman, how he became the publisher of every letter Samuel R. Delany wrote in 1984, why during his days reviewing for The Comics Journal readers thought he was the secret identity of another writer, the Italo Calvino quote which has kept him going through the pandemic, and much more.

(3) YOUR IMAGINARY FRIENDS WHO WANT A PERCENTAGE. Victoria Strauss posted another Scam Alert at Writer Beware: “Paper Bytes Marketing Solutions and its Stable of Imaginary Agents”.

…To go with its brand-new name, Paper Bytes has initiated a brand new scam: a stable of imaginary literary agents. It’s an unusually detailed endeavor, with actual websites for each agent (albeit not very good ones) that include photos–some stock, some stolen–as well as made-up bios and false claims about who/what they represent. All share the email address @bookliteraryagent.com, which no doubt is convenient for the interchangeable roster of Paper Bytes marketers who inhabit these agent personas, but also makes them easier to track and expose.

I’ll list them all below. But first, How It All Works!…

…How to protect yourself?

1. Know how things work in the publishing world. Real literary agents don’t sell services to potential clients, or refer them to companies that do. Real agents don’t commonly contact writers out of the blue. The warnings at the Writer Beware website can help you recognize non-standard or predatory practices.

(4) ZIGGY STARDUST’S BROTHER BIGGY? Mental Floss recalls when “David Bowie Tried to Turn George Orwell’s ‘1984’ Into a Musical”.

The track list for David Bowie’s 1974 album Diamond Dogs offers a couple obvious clues about one source of inspiration: song titles include both “1984” and “Big Brother.” But Bowie didn’t just want to use themes from George Orwell’s 1984 on the record. As Open Culture reports, he initially hoped to turn the 1949 dystopian classic into a full-fledged musical of its own.

https://www.youtube.com/embed/x2xfpMMQIJ8 What form that musical was ultimately meant to take isn’t totally clear. According to Christopher Sandford’s biography Bowie: Loving the Alien, the adaptation would’ve been “a West End musical, with an accompanying album and film.” But in a Rolling Stone interview with William S. Burroughs from February 1974—just months before the release of Diamond Dogs—Bowie himself mentioned he was “doing Orwell’s 1984 on television.” It’s possible the project went through several iterations when the “Space Oddity” singer was still brainstorming it. But thanks to Orwell’s widow, Sonia (believed to be the basis for 1984‘s Julia), the musical never progressed past the incubation stage.

“My office approached Mrs. Orwell, because I said, ‘Office, I want to do 1984 as a musical, go get me the rights,’” Bowie explained in 1993, according to David Buckley’s Strange Fascination: David Bowie, the Definitive Story. “And they duly trooped off to see Mrs. Orwell, who in so many words said, ‘You’ve got to be out of your gourd, do you think I’m turning this over to that as a musical?’ So, they came back and said, ‘Sorry, David, you can’t write it.’” Since Bowie had already started “putting bits of it down” in the studio, the surprise rejection forced him to pivot quickly. His ill-fated musical became a concept album with Orwellian overtones.

(5) IT’S NEWS TO SOMEBODY. The publication of Matthew Yglesias’ article “Oh, the intellectual property rights you’ll extend” at Slow Boring has caught up with the already-played-out week-old Twitterstorm. Nevertheless, at the link you can read him make a case about copyright law, triggered by the Dr. Seuss controversy. 

…Regardless, under U.S. law, the copyrights last for the duration of their creator’s life plus 70 years — i.e., until 2061.

That’s a big change from how we did things in the Founders’ era, when copyrights lasted 14 years with an option to renew the copyright for an additional 14 years.

Since then, not only has Congress repeatedly extended the duration of copyright terms, they’ve even extended them retroactively, basically preventing Mickey Mouse (created in 1928) or Superman (created in 1938) from ever entering the public domain the way that 19th century characters like Frankenstein1 or Sherlock Holmes have.

I bring this all up because I think it’s relevant policy context for the recent controversy over Seuss Enterprises withdrawing six books from publication that were deemed problematic. Right-wing agitators have responded to this as if it’s the government censoring Dr. Seuss, and so out of solidarity with Dr. Seuss, they are buying non-canceled classics like “Green Eggs and Ham” in droves. But this is just not factual. Dr. Seuss has been dead for nearly 30 years. His heirs — likely these two stepdaughters, though that’s not entirely clear — canceled the books, and now are the ones reaping the financial rewards from the backlash to their own actions….

(6) BEHIND WANDAVISION. Marvel Entertainment dropped a trailer for “Marvel Studios’ Assembled: The Making of WandaVision”, a behind the scenes look at the series.

(7) MORE BINDING. The Verge reports on a trend toward “Making fanfiction beautiful enough for a bookshelf”.

… Lesure spends hours making sure each book looks unique and regal, but she has to be careful not to use any specific imagery that could land her in trouble.

That’s because the books Lesure crafts contain works of fanfiction, and she’s found an entire community of avid readers looking to turn their unauthorized digital favorites into physical treats.

Nothing about the process is simple. There are “literally hundreds of moments where I could do something wrong and everything falls to shambles,” Lesure, a student who started bookbinding during a gap year in 2019, told The Verge. Her process includes typesetting, redoing the typesetting, doing that again and again until it’s right, printing, folding, sewing, making the cover, and finally putting it all together.

Fanfiction has traditionally been confined to online sites like Archive of Our Own (AO3) and FanFiction.Net, but some of the most prolific artists within the space have found a way to help people enjoy their favorite titles in new ways: binding the stories into physical novels designed to read better and stand out on bookshelves. The crafts have helped bring some of the most popular unofficial stories set in Harry Potter, Star Wars, and other universes onto shelves where they can sit right alongside their authorized counterparts.

(8) OUR BRIGHT FUTURE. The New York Times takes stock of the city’s inescapable barrage of LED sign advertising: “Am I in Manhattan? Or Another Sequel to ‘Blade Runner’?”

…Adrian Benepe, the former New York City Parks Commissioner and current head of the Brooklyn Botanic Garden, sees “creeping Blade Runner syndrome” everywhere, from the clogged skies over Manhattan to the subways, which he rides to work every day from his home on the Upper West Side.

“They’re empty,” Mr. Benepe said. “I’ve been alone many times at rush hour. It’s eerie as hell.” He also finds the movie prescient in its depiction of a world saturated by intrusive, omnipresent advertising.

“Places in New York that used to not have advertising now have ads,” he said. “You can’t get away from it. It’s in the subways, it’s on the streets, it’s on barges. You never stop being assailed.”

Giant screens are nothing new, of course. But New York’s streetscape had been permeated as never before with twitchy, adhesively catchy LEDs, a trend that has only accelerated during the pandemic, with the Metropolitan Transportation Authority announcing last summer the addition of 9,000 screens broadcasting “Covid-relevant safety information.”

(9) MEDIA BIRTHDAY.

  • March 12, 1927 –On this day in 1927, Metropolis premiered in Germany. It was directed by Fritz Lang. It was written by Thea von Harbou in collaboration with Lang. It  stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge and Brigitte Helm. The film’s message is encapsulated in the final inter-title of “The Mediator Between the Head and the Hands Must Be the Heart.” In 2001 the film was placed upon UNESCO’s Memory of the World Register, the first film so distinguished. It is considered one of the greatest films ever made, and has a 92% rating among audience members at Rotten Tomatoes.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • March 12, 1879 — Alfred Abel. His best-known performance was as Joh Fredersen in Fritz Lang’s Metropolis.  It wasn’t his only genre as Phantom, a 1922 German film, was fantasy, and my German is just good enough for years I studied it to see how much of work could be considered genre or genre adjacent. (Died 1937.) (CE) 
  • March 12, 1886 — Kay Nielsen. Though he’s best known for his work with Disney for whom he did many story sketches and illustrations, not least for Fantasia and The Little Mermaid be it thirty years after his death, I’d be remiss not to note his early work illustrating such works as East of the Sun and West of the Moon, Hansel and Gretel and Andersen’s Fairy Tales. (Died 1957.) (CE) 
  • Born March 12, 1911 – Edmund North.  Major in the U.S. Army Signal Corps during World War II.  Served a term as President of the screen branch of the Writers Guild of America.  A score of movies; co-winner of the Best Screenplay Oscar for Patton; for us, screenplay for The Day the Earth Stood Still – which, despite its staggering difference from Bates’ “Farewell to the Master”, I think a classic.  Coined Klaatu barada nikto.  (Died 1990) [JH]
  • March 12, 1914 — John Symonds. Critic of Alistair Crowley who published four, yes four, books on him over a fifty year period starting in the Fifties: The Great Beast, The Magic of Aleister Crowley, The King of the Shadow Realm and The Beast 666. Needless to say the advocates of Crowley aren’t at all happy with him. Lest I leave you with the impression that his only connection to our community, he was a writer of fantasy literature for children including the feline magical fantasy, Isle of Cats  with illustrations by Gerard Hoffnung. (Died 2006.) (CE) 
  • Born March 12, 1916 – Richard Dorson, Ph.D.  Pioneering and possibly great folklorist – thus our neighbor; pioneering because, in his day, commercial and even arguably artistic success of retellings like Davy Crockett and inventions like Paul Bunyan were clouding the mind.  Coined urban legend and fakelore.  General editor, Folktales of the World.  Two dozen books, including a 1939 one on Crockett; Folk Legends of Japan; African Folklore.  “Suspicious of attempts by other disciplines –anthropology, sociology, and psychology, among others – to co-opt folk culture for their own … purposes…. emphasized the necessity for the accurate collection and documentation of folk materials” (quoted from this).  (Died 1981) [JH]
  • March 12, 1925 — Harry Harrison. Best known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room! which was the genesis of Soylent Green. I just realized I’ve never read the Deathworld series. So how are these? See OGH’s post on the Alex Cox animated version of Bill, the Galactic Hero here. (Died 2012.) (CE)  
  • March 12, 1933 — Barbara Feldon, 88. Agent 99 on the Get Smart series. Other genre credits include The Man from U.N.C.L.E. and reprising her character on the short-lived follow-up to this series, Get Smart, done twenty years later. She didn’t have that much of an acting career though she did show up in the pilot of Rowan & Martin’s Laugh-In. (CE) 
  • Born March 12, 1936 – Virginia Hamilton.  National Book Award, Newbery Medal (first black to win it), Hans Andersen Award, Wilder Award.  Amer. Lib’y Ass’n King-Hamilton Award named for her (and Coretta Scott King).  Eight novels (including Willie Bea and the Time the Martians Landed), thirty shorter stories, four collections for us; twoscore books all told.  (Died 2002) [JH]
  • March 12, 1952 — Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. – oh, but what a role it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. He did have one-offs in The Misfits of Science, Earth 2, Tales from the Crypt and voiced a character on Henson’s Dinosaurs. (Died 2008.) (CE) 
  • Born March 12, 1955 – Jim Mann, F.N., age 66.  Living in Pittsburgh, hard-working member of NESFA (New England SF Ass’n) for whose NESFA Press he has edited a dozen books including The Compleat Boucher and The Rediscovery of Man (Cordwainer Smith).  Chaired Boskone 25 (with wife Laurie Mann) and 47.  Fan Guest of Honor (with LM), ArmadilloCon 27.  Fellow of NESFA (service award).  [JH]
  • Born March 12, 1963 – David B. Coe, Ph.D., age 58.  A score of novels, as many shorter stories (some under another name). Crawford Award for LobTyn Chronicle (trilogy).  Reviews and Robots called Time’s Children Best Fantasy Novel of 2018.  Interviewed in Strange Horizons, Teleport.  “We … construct our worlds twice…. for ourselves [and] again … digestible and entertaining and unobtrusive, not to mention elegant, poetic, even exciting….  all the necessary material – and not an ounce more….  [after we] have unraveled their mysteries … decided which elements … are most important to our stories.”  [JH]
  • Born March 12, 1971 – Rob St. Martin, age 50.  Six novels, one novelette, anthology Ages of Wonder (with Julie Cznerneda).   Has read Pride and Prejudice, The Phantom Tollbooth, A Tale of Two Cities, Moby-Dick, Romeo and Juliet, Curious George.  [JH]

(11) COMICS SECTION.

(12) GUARDIAN ANGLE. Lisa Tuttle has a new installment of “The best recent science fiction and fantasy – reviews roundup” at The Guardian in which she reviews Skyward Inn by Aliya Whiteley; Birds of Paradise by Oliver K Langmead; The Echo Wife by Sarah Gailey; A History of What Comes Next by Sylvain Neuvel; and A Desolation Called Peace by Arkady Martine.

(13) GEARING UP. I’m always ready to read more about the Antikythera mechanism: “Scientists may have solved ancient mystery of ‘first computer’” in The Guardian.

…The battered fragments of corroded brass were barely noticed at first, but decades of scholarly work have revealed the object to be a masterpiece of mechanical engineering. Originally encased in a wooden box one foot tall, the mechanism was covered in inscriptions – a built-in user’s manual – and contained more than 30 bronze gearwheels connected to dials and pointers. Turn the handle and the heavens, as known to the Greeks, swung into motion.

Michael Wright, a former curator of mechanical engineering at the Science Museum in London, pieced together much of how the mechanism operated and built a working replica, but researchers have never had a complete understanding of how the device functioned. Their efforts have not been helped by the remnants surviving in 82 separate fragments, making the task of rebuilding it equivalent to solving a battered 3D puzzle that has most of its pieces missing.

Writing in the journal Scientific Reports, the UCL team describe how they drew on the work of Wright and others, and used inscriptions on the mechanism and a mathematical method described by the ancient Greek philosopher Parmenides, to work out new gear arrangements that would move the planets and other bodies in the correct way. The solution allows nearly all of the mechanism’s gearwheels to fit within a space only 25mm deep….

(14) ROCKET’S RED GLARE. “Green Run Update: NASA Targets March 18 for SLS Hot Fire Test – Artemis”.

NASA is targeting Thursday, March 18 for the second hot fire of the Space Launch System (SLS) rocket’s core stage at NASA’s Stennis Space Center near Bay St. Louis, Mississippi.

After performing tests to demonstrate that a recently repaired liquid oxygen pre-valve was working, the team has continued to prepare the core stage, its four RS-25 engines, and the B-2 test stand for the second hot fire at Stennis. Later this week, the team will power up the core stage again and do a final check of all its systems. Then, on March 16, two days before the test, they will power up the stage, starting the clock for the second hot fire….

(15) YOU ARE NUMBER SIX. Paul Weimer meets the challenge of reviewing the sixth book in a series: “Microreview [book]: Out Past the Stars by KB Wagers” at Nerds of a Feather.

… This is in many ways a very different book than the previous book, Down Among the Dead. Reading it in quick succession after the second book might give some emotional whiplash, it certainly is a gear shift. It’s much more like the first book of the Farian War trilogy, There Before the Chaos, in the sense that it builds up to a big set piece finale of a conflict. Unlike that first book, though, this book is much more about the action beats. 

This shows the range and power of the author across the three books, and sets them apart from the first trilogy as well, which is more adrenaline filled….

(16) TIGER TIGER. Elsewhere at Nerds of a Feather, Sean D assesses a novella by Aliette de Bodard: “Microreview [Book]: Fireheart Tiger by Aliette de Bodard”.

…This novella constantly shifts from plot point to plot point, that kept me on my toes without unmooring me into confusion. The craft involved with implementing poetic language that benefits the atmosphere, pacey scenes that never lose focus, and characters that I felt like I knew inside out by the story’s conclusion, deserves kudos. Mostly because the novella juggles a small, insulated cast of characters with subterfuges and violence that impact other kingdoms. Fireheart Tiger is like an expansive web that leaves the reader in the center of it, while also skillfully and pithily letting them know of all its disparate parts.

(17) ELDRITCH SCIENCE. The Late Show with Stephen Colbert couples an alarming report with a Cthulhu reference. “Quarantinewhile… Please Stop Reviving Ancient Pathogens From The Sea Floor”.

Quarantinewhile… In “Hey, maybe don’t do that” news, Japanese scientists are experimenting on 100-million-year-old bacteria that wake up from their slumber when brought to the surface and provided with food.

(18) PIPING AT THE GATES OF DAWN. And speaking of Lovecraft –

[Thanks To John King Tarpinian, Mike Kennedy, rcade, Nic Farey, Andrew Porter, Martin Morse Wooster, Michel Toman, JJ, Cat Eldridge, Rob Thornton, and John Hertz for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 5/24/20 He Was A Bug-Eyed, Lizard-Gorn, Filing Purple Pixel Scroller

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(1) VIRTUAL BALTICON IN-PROGRESS REPORT. The Sunday Edition of the Virtual Balticon 54 Newsletter Rocketmail, which can be downloaded here, says the total unique attendance on Zoom for all of Friday was 1,343 and on Saturday 2,787 people. This does not count the fans participating on other platforms. The newsletter also contains Masquerade participant info, and fundraising totals.

Balticon runs through tomorrow, and you can access it in a variety of ways. Dale S. Arnold explains:

You can of course continue/start enjoying the Virtual Balticon 54 by going to WWW.balticon.org and choosing links off the schedule and or links on the platform page. You can ghost by just watching the YouTube and Twitch feeds which stream the items each hour that the most people signed up for participating on that item in zoom if you prefer not to register on zoom as well…. Programs continue all the way through Monday…

However, they are running a GoFundMe to pay the virtual freight.

For the record as of 5:20 AM on 5/24/20 the total GoFundMe donations are at $11,065.00 gifted by the generous fans that are making Virtual Balticon 54 possible. An additional $495.00 has come into the BSFS paypal account during the GoFundMe campaign by folks who did not want to use GoFundMe using the http://www.bsfs.org/donate.htm link. The BSFS treasurer reports that “almost” $2,000.00 has also been received as checks and or people donating their B45 memberships instead of taking a refund.

(2) FANFIC DISPUTE GOES TO COURT. There’s a lawsuit in progress over reuse of fanfic tropes in commercial genre fic. It could have repercussions well beyond hyper-niche erotica. The New York Times devotes a long article to the litigation: “A Feud in Wolf-Kink Erotica Raises a Deep Legal Question”.

…Then, in 2018, Ms. Cain heard about an up-and-coming fantasy writer with the pen name Zoey Ellis, who had published an erotic fantasy series with a premise that sounded awfully familiar. It featured an Alpha and Omega couple, and lots of lupine sex.

…Ms. Cain urged Blushing Books to do something. The publisher sent copyright violation notices to more than half a dozen online retailers, alleging that Ms. Ellis’s story was “a copy” with scenes that were “almost identical to Addison Cain’s book.” 

… “You have to make sure you use the tropes of Omegaverse in order to be recognized by fans of the genre,” Ms. Ellis said. “Crave to Conquer” and its sequel, “Crave to Capture,” were published in early 2018 by Quill Ink Books, a London company she founded. Readers gave the series glowing reviews on Goodreads and Amazon, calling it “sensational new Omegaverse!” and the “best Omega yet.”

In late April 2018, Ms. Ellis got an email from a reader who had ordered one of her books from Barnes & Noble, then learned that it wasn’t available anymore. She soon discovered that all of her Omegaverse books had disappeared from major stores, all because of a claim of copyright infringement from Ms. Cain and her publisher. Ms. Ellis found it bewildering.

“I couldn’t see how a story I had written using recognized tropes from a shared universe, to tell a story that was quite different than anything else out there commercially, could be targeted in that way,” Ms. Ellis said. “There are moments and scenarios that seem almost identical, but it’s a trope that can be found in hundreds of stories.”

A lawyer for Ms. Ellis and Quill filed counter-notices to websites that had removed her books. Some took weeks to restore the titles; others took months. There was no way to recover the lost sales. “As a new author, I was building momentum, and that momentum was lost,” Ms. Ellis said. And she worried that the “plagiarist” label would permanently mar her reputation.

Ms. Ellis decided to sue. “Everything would have been in question, my integrity would have been questioned, my ability to write and tell stories — all of that would have been under threat if I didn’t challenge these claims,” she said.

In the fall of 2018, Quill Ink filed against Blushing Books and Ms. Cain in federal court in Oklahoma, where Ms. Ellis’s digital distributor is based, seeking $1.25 million in damages for defamation, interfering with Ms. Ellis’s career, and for filing false copyright infringement notices. In the suit, Quill’s lawyers argued that “no one owns the ‘omegaverse’ or the various tropes that define ‘omegaverse.’”

Ms. Ellis’s lawyers thought they had a strong position. But they struggled to find a prior case that addressed whether fan fiction tropes could be protected by copyright….

The biggest development in the case so far is that Blushing Books has left Ms. Cain to contest the matter alone. Last year, the publisher conceded that no plagiarism or copyright infringement had occurred, and a judgment was entered against the company, which paid undisclosed monetary damages to Quill and Ms. Ellis. (Ms. Cain is now self-publishing.)

Ms. Ellis and her publishing company filed a new civil suit against Ms. Cain in her home state of Virginia, arguing that she maliciously directed her publisher to send false copyright infringement notices to retailers. Ms. Cain’s lawyers have denied the claims, and have lined up authors, bloggers and readers as witnesses.

If the judge, or a jury, finds Ms. Cain in the wrong, the case would send a message to overzealous genre writers that the Digital Millennium Copyright Act is not to be abused. By the same token, authors of genuinely original stories might find they have one fewer legal lever to protect their work. And a victory by Ms. Cain could encourage a free-for-all, emboldening authors to knock back competitors and formally assert their ownership of swaths of the fan fiction universe and common tropes in genre fiction.

Discovery is ongoing, and a pretrial conference before a judge is scheduled for June. In the meantime, the Omegaverse continues to thrive. This year, more than 200 new books from the genre have been published on Amazon.

The latest batch draws on virtually every genre and trope imaginable: paranormal shifter romances, paranormal Mpreg romances, reverse harem romances, sci-fi alien warrior romances. There are fantastical Alpha-Omega stories featuring witches, unicorns, dragons, vampires, wolf-shifters, bear-shifters, and wolf-shifters versus bear-shifters. There are comparatively pedestrian Omegaverse romances about celebrity chefs, dentists, frat boys, bakers, bodyguards and billionaires. In a teeming multiverse of stories, the tropes are still evolving, inexhaustible.

(3) MEXICANX INITIATIVE REMEMBERED. This San Antonio Current story shows John Picacio, winner of SFWA’s 2020 Kate Wilhelm Solstice Award, is also a hometown hero: “San Antonio Science Fiction Artist John Picacio Wins Award for Opening Door to Mexicanx Talent”.

… “Many of the folks I selected were rising stars such as David Bowles, Julia Rios and Marcela Davison Aviles,” Picacio said. “The Initiative enhanced their networks, but the vast majority of my picks were much newer talents to the field. The industry badly needs their cultural perspective and their voice right now.”

(4) AFRICAN SFF AT STORYBUNDLE. The “African Speculative Fiction Bundle curated by Ivor W. Hartmann” is available from StoryBundle. Same deal as always – “Support awesome authors by paying however much you think their work is worth!”

This is the most comprehensive collection of African speculative fiction authors ever assembled. With the complete bundle containing nearly 100 authors and over 145 works it stands both as an excellent introduction to the rapidly evolving canon of African SF and a unique one-time collection of their works. From established stars you might know such as Nnedi Okorafor, Tade Thompson, and Sarah Lotz, to upcomers like Wole Talabi, Chinelo Onwualu, Nerine Dorman, Dilman Dila, and so many more.

The road to this bundle has been paved by the work of countless African writers, editors, publishers, and most importantly readers. For too long was the African experience, imagination, and insight, held captive and until relatively recently only glimpsed through the thick lens of other cultures and their inherent biases. In a big way this is what the new wave of African Speculative Fiction is about: telling our own stories, revealing our vibrant cultures from within, sharing our unique perspectives, and writing ourselves into futures that for so long seemed to spell our doom by virtue of our absence.

(5) CLASSIC RETURNING. “Battlestar Galactica Reboot Producer Sam Esmail Teases the New Series” at Comicbook.com.

[Sam] Esmail says he never planned to helm the series himself. “I’m a huge fan of Ronald Moore’s Battlestar, but I don’t know if I’m great at hard sci-fi like that,” he says. “I love it. I’m a fan of it. But I knew early on that we were going to have to bring somebody in to run the room and to write the scripts.”

He went to explain why the job went to Lesslie, who is best known for the miniseries The Little Drummer Girl. “He’s just a fantastic writer,” Esmail says. “I loved his series, Little Drummer Girl, and the one thing that really struck me about him and his take for Battlestar, one of the reasons I even wanted to do Battlestar, was that the way Ron Moore, what he did with his remake in the early 2000s where it was this sort of hard sci-fi series with lots of action set pieces and really this exciting sci-fi adventure but purely grounded in an allegory of what was going on at the time, which was post-9/11. And it wasn’t that subtle, the links, I would say. But because he was also attuned to the sci-fi nature of the show, you didn’t feel it.

“When I was approached to do Battlestar now, it has to have that same sort of dynamic. It can’t be just a retread of what he already did so masterfully back then. What are we saying about today’s world? And Mike just had this great take, and I’m not going to go into it because obviously, I don’t want to spoil it for fans, but you kind of see it a little bit in Little Drummer Girl where politics plays a big part in it but without compromising the entertainment value, because in my opinion, you’ve got to have that….” 

(6) SUPER RESOURCE. There’s always a ton of news at the Superman Supersite about the iconic Kryptonian and those who keep the legend going. It’s where I found out about this new series: “’Superman & Lois’ Detailed Synopsis and Premiere Announced”.

The CW Network has announced that “Superman & Lois” will officially premiere in January, 2021 when the network launches its new season.

…In “Superman & Lois”, after years of facing megalomaniacal supervillains, monsters wreaking havoc on Metropolis, and alien invaders intent on wiping out the human race, the world’s most famous superhero, The Man of Steel aka Clark Kent (Tyler Hoechlin, “Teen Wolf”) and comic books’ most famous journalist, Lois Lane (Elizabeth Tulloch, “Grimm”), come face to face with one of their greatest challenges ever – dealing with all the stress, pressures and complexities that come with being working parents in today’s society. Complicating the already daunting job of raising two boys, Clark and Lois must also concern themselves with whether or not their sons Jonathan (Jordan Elsass, “Little Fires Everywhere”) and Jordan (Alexander Garfin, “The Peanuts Movie”) could inherit their father’s Kryptonian superpowers as they grow older.

Returning to Smallville to handle some Kent family business, Clark and Lois are reacquainted with Lana Lang (Emmanuelle Chriqui, “Entourage”), a local loan officer who also happens to be Clark’s first love, and her Fire Chief husband Kyle Cushing (Erik Valdez, “Graceland”). The adults aren’t the only ones rediscovering old friendships in Smallville as the Kent sons are reacquainted with Lana and Kyle’s rebellious daughter, Sarah (Inde Navarrette, “Wander Darkly”). Of course, there’s never a dull moment in the life of a superhero, especially with Lois’ father, General Samuel Lane (Dylan Walsh, “Nip/Tuck”) looking for Superman to vanquish a villain or save the day at a moment’s notice. Meanwhile, Superman and Lois’ return to idyllic Smallville is set to be upended when a mysterious stranger (Wolé Parks, “All American”) enters their lives.

(7) TODAY IN HISTORY.

  • May 24, 1957 — Quatermass 2 premiered In the U.K. It was produced by Anthony Hinds, and directed by Val Guest. It’s a sequel to The Quatermass Xperiment. Screenplay was by Nigel Kneale and Val Guest.  It stars Brian Donlevy, John Longden, Sid James, Bryan Forbes, Vera Day, and William Franklyn. Like the first film, some critics thought it was a lot of fun, some were less than impressed. Audience reviewers at Rotten Tomatoes currently give it a respectable sixty percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz!]

  • Born 24 May 1794 – Rev. Dr. William Whewell.  Pronounced “hew-ell”.  Master of Trinity College, Cambridge, 1841-1866. Crater on the Moon named after him.  Mathematician, Anglican priest, historian of science.  Coined the words scientist, physicist, linguistics, osmosis, ion, astigmatism.  Royal Medal for organizing thousands of volunteers internationally to study ocean tides.  Clifton Fadiman put him here by anthologizing in Fantasia Mathematica this poem.  (Died 1866) [JH]
  • Born May 24, 1917 – Irving Cox.  Five dozen stories in Amazing, Astounding, Cosmos, Fantastic, Future, If, Imagination, Orbit, Rocket Stories, Saturn, SF Adventures, SF Quarterly, SF Stories, Universe – and that’s just some of the prozines we’ve had – translated into French, German, Italian.  You can read ten of his stories from 1953-1960 here.  (Died 2001) [JH]
  • Born May 24, 1925 — Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s known as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher), Deadman with writer Arnold Drake and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino (Vanguard Productions and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.) (CE)
  • Born May 24, 1928 – William Trevor.  Whitbread Prize for The Children of Dynmouth, reviewed by Elaine Cochrane in SF Commentary 60/61, p. 26 [PDF]; two more Whitbreads; Hawthornden Prize; Saoi; four O. Henry Awards (not limited to U.S. authors since 2002).  (Died 2016) [JH]
  • Born 24 May 1930 – Terri Pinckard.  Stories in Fantasy Book, Vertex; wrote the Introduction to Womanthology (F. Ackerman & P. Keesey eds. 2003).  Told the L.A. Times (3 Jun 99) that when we landed on the Moon “I cried.  Science fiction writers were the ones who dreamed it.”  With husband Tom hosted the Pinckard Salon; Big Heart Award to both, 1984; the Salon drew Ackerman, Bloch, Bradbury, Daugherty, George Clayton Johnson, C.L. Moore, Niven, Pournelle, Roddenberry, Spinrad, and like that.  Dian Girard dedicated Tetragravitron (as by J.D. Crayne) to “Members of the Pinckard Salon”.  (Died 2005) [JH]
  • Born May 24, 1935 — W. P. Kinsella. Best I’d say known for his novel Shoeless Joe which was adapted into the movie Field of Dreams, one of the few films that Kevin Costner is a decent actor in, ironic as the other is Bull Durham. Kinsella’s other genre novel is The Iowa Baseball Confederacy and it’s rather less well-known than Shoeless Joe is but it’s excellent. He also edited Baseball Fantastic, an anthology of just what the title says they are. Given that he’s got eighteen collections of short stories listed on his wiki page, I’m reasonably sure his ISFDB page doesn’t come close to listing all his short stories. (Died 2016.) (CE)
  • Born May 24, 1945 — Graham Williams. He produced three seasons of Doctor Who during Tom Baker’s era as the Fourth Doctor. He’d write a novelization of his story, The Nightmare Fair, developed as a Sixth Doctor story but never filmed when Colin Baker’s contract was terminated. He would die at home of an accident gunshot wound. (Died 1990) (CE)
  • Born May 24, 1949 — Barry Windsor-Smith, 71. Illustrator and painter, mostly for Marvel Comics. Oh, his work on Conan the Barbarian in the early Seventies was amazing, truly amazing! And then there was the original Weapon X story arc involving Wolverine which still ranks among the best stories told largely because of his artwork. And let’s not forget that he and writer Roy Thomas created Red Sonja as partially based on Howard’s characters Red Sonya of Rogatino and Dark Agnes de Chastillon. (CE)
  • Born May 24, 1960 — Michael Chabon, 60. Author of the single best fantasy novel about baseball, Summerland which won a Mythopoeic Fantasy Award for Children’s Literature. His other two genre novels, Gentlemen of the Road and The Yiddish Policemen’s Union, winner of Best Novel at Denvention 3, are stellar works in themselves. He was Showrunner for the first season of Picard but will be Executive Producer for the upcoming season. (CE)
  • Born May 24, 1960 — Doug Jones, 60. I first saw him as Abe Sapien on Hellboy, an amazing role indeed. To pick a few of my favorite roles by him, he’s  in Pan’s Labyrinth as The Faun and The Pale Man (creepy film), a clown in Batman Returns, the Lead Gentleman in the “Hush” episode of Buffy and Commander Saru on Discovery. 
  • Born May 24, 1965 – Shinichirô Watanabe.  Co-directed Macross Plus; directed Cowboy Bebop, alternative-history Samurai Champloo, Space Dandy, Carole & Tuesday.  Blade Runner – Black Lotus is in the works.  Don’t ask me why my host’s daughter at the Yokohama Worldcon was rehearsing The Magic Flute but I don’t know any of my fellow gaijin rehearsing Yoshitsune and the Thousand Cherry Trees.  [JH]
  • Born May 24, 1985 – Isabelle Melançon.  Drawings in Oziana and The Baum Bugle.  Oz found its way into the Webcomic that Isa co-authors, Namesake – or vice versa.  Here’s a sketch for Quibbling and even one for Hamilton – will this man write The Federalist?  [JH]

(9) SUPERERO GENESIS. In the Washington Post, African-American author Tre Johnson discusses how he is using the language and ideas of superheroes to enable him to cope with the pandemic. “The coronavirus has made the waking world into a dreamscape”.

A more perfect origin story would’ve had a superheroic tinge. Maybe I’d be sitting in my apartment, on the couch, contemplating how to move safely about Philadelphia when a clatter of glass would erupt and a ball of coronavirus — the size of a grapefruit with the spiny ridge of a porcupine — would bound through my window, roll to my feet and pulse with exhaustion. I’d stare at it and think Yes, father, that is what I will do, I will become an anti-virus. And that would be the reason to don the mask that I now wear daily when I walk my neighborhood.

(10) BAKE ME A CAKE AS FAST AS YOUR CAN. And mark it with a “C” – for corona. “Pandemic-Baking Britain Has an ‘Obscene’ Need for Flour” – the New York Times has a full accounting.

A week before Britain came to a standstill in mid-March, the Wessex Mill found itself fielding nearly 600 calls a day requesting one of the country’s hottest commodities: flour.

The mill in Oxfordshire has produced nearly 13,000 small bags of flour each day during the coronavirus pandemic, a fourfold increase. Demand led Emily Munsey, a flour miller who runs the business with her father, to hire more staff and add afternoon and night shifts to keep the mill running 24 hours a day, seven days a week, for the first time in its 125-year history.

“It’s been very challenging as a company. The amount of work we’ve all had to do has increased a huge amount,” said Ms. Munsey, who has since scaled back to five days a week, though still around the clock, to give employees a weekend break. “Demand remains consistently obscene.”

Commercial mills produce nearly four million tons of flour each year in Britain, according to the National Association of British and Irish Flour Millers. With much of the country stuck at home, baking has surged, and retail-size flour bags have become scarce on grocery shelves.

The coronavirus outbreak has flooded social media with #coronavirusbaking and #quarantine cookies. Yeast is in short supply, and butter sales have soared. In April, Google searches for cake, bread and flour skyrocketed….

(12) CURTAIN CALL. [Item by JJ.] Anthropomorphic phone — I’m calling it genre.

(13) READING IN THE NEW CAPTAIN. Ted Anthony, in the Associated Press story “Kirk 2.0:  Capt. Pike of the New ‘Star Trek’ A Welcome New Icon” says he welcomes Christopher Pike as the captain of Star Trek: Strange New Worlds because he sees James T. Kirk as “an interstellar Don Draper–brooding, arrogant, a top-down manager who earned his privilege but often presumed it” and thinks Pike will be a more responsible captain.

…It’s not accidental that Pike is the son of a father who taught science AND comparative religion — an embodiment of the empiricism-faith equation that “Star Trek” and its captains have always espoused. In many ways, in fact — even more so than Chris Pine in the movie reboots — Pike functions as James T. Kirk 2.0.

(14) COSMIC CREEPOUT. “Every ‘I Have A Bad Feeling About This’ In Star Wars Movies”: ScreenRant tries to round up every time someone said they had a bad feeling about something.

…However, George Lucas’ wonderful world of science fiction space opera has also provided the world with a series of timeless movie quotes. “May the Force be with you” has taken on a life of its own and “I am your father” is now a staple of Father’s Day greetings cards. In more recent years, less prominent quotes have come to the fore thanks to the onset of meme culture, “it’s a trap!” being the most famous. Now The Mandalorian is getting in on the act with “this is the way” and “I have spoken.“

But undoubtedly one of the most famous utterances in the Star Wars universe is “I have a bad feeling about this,” …

(15) A WHOLE NEW BALL GAME. As reported last month (item 13), Lou Antontelli is running for Congress in Texas. But this week the district’s Republican incumbent John Ratcliffe resigned his seat to accept appointment as director of National Intelligence. With no incumbent to run against, shit just got real! And at least one Texas paper (besides the one owned by the candidate himself) thinks it’s terrific that Lou Antonelli is running: “Libertarians field viable candidate for District 4 seat”. The question is how well these pearls of wisdom will play with the locals:

… Antonelli said his goal running as a third party candidate is to inject original ideas into the discussion, and push for the Libertarian Party to become the second party in the district, displacing the Democrats.

“Can you imagine how much better our political system would be if the two major parties were the Republicans and Libertarians, instead of the Republicans and Democrats?” Antonelli asked. “Libertarians are the loyal opposition, as opposed to the Democrats, who are the disloyal opposition.”

Antonelli said Libertarians stand for hacking away strangling bureaucracy at all levels of government, and returning as much authority as possible to individuals.

“Thanks to the Covid pandemic, we have all gotten a free trial of socialism,” he said. “How do you like it?”

(16) ON YOUR MARK: “Nasa SpaceX launch: Astronauts complete rehearsal for historic mission”

Nasa astronauts Doug Hurley and Bob Behnken have completed their dress rehearsal for Wednesday’s flight to the International Space Station.

The mission, the first crewed outing from American soil in nine years, will see the pair ride to orbit in a SpaceX Falcon rocket and Crew Dragon capsule.

It’s a demonstration of the new “taxi” service the US space agency will be buying from the Californian firm.

Lift-off on Wednesday is timed for 16:33 EDT (20:33 GMT / 21:33 BST).

The weather around the Kennedy Space Center in Florida may have other ideas, however.

A forecast released on Saturday by the US Space Force 45th Space Wing Weather Squadron predicted just a 40% chance of favourable conditions come launch time.

There is a strong possibility the Kennedy complex could see thick cloud, rain and even thunder.

If controllers are forced to scrub, everyone will come back on Saturday for a second try.

Hurley and Behnken are now all but done with their preparations.

The weekend “Dry Dress” rehearsal saw the pair don their made-to-measure spacesuits, walk out to a Tesla, and then make a 6km drive down to Kennedy’s famous Launch Complex 39A.

(17) GET SET: “Nasa SpaceX launch: Who are the astronauts?”

On 27 May, two US astronauts will achieve a world first when they launch to the International Space Station (ISS) aboard a spacecraft built by Elon Musk’s SpaceX. Here, BBC News profiles the astronauts who will make the historic journey.

Doug Hurley and Bob Behnken are about to break a nine-year hiatus for Nasa, becoming the first astronauts to launch from US soil since the retirement of the space shuttle in 2011.

…”It’s well past time to be launching an American rocket from the Florida coast to the International Space Station and I am certainly honoured to be a part of it,” Hurley, 53, said earlier this month.

Behnken, 49, added: “On my first flight… I didn’t have a son, so I’m really excited to share the mission with him.”

Nasa has chosen two of its most experienced astronauts to help California-based SpaceX ready the Crew Dragon for launch. The two are also longstanding friends.

“Being lucky enough to fly with your best friend… I think there’s a lot of people who wish they could do that,” says Hurley.

When they blast off atop a Falcon 9 rocket, their spouses will know exactly what they are going through. That’s because they’re astronauts too.

(18) GO: “Nasa SpaceX launch: What’s the mission plan?”

On Wednesday, the California company SpaceX will launch a mission to the International Space Station (ISS). It’s something the firm has done many times before, taking cargo to the sky-high laboratory. But on this occasion, the firm will be transporting people.

It’s one of those seminal moments in the history of spaceflight.

When Nasa astronauts Doug Hurley and Bob Behnken lift off atop their Falcon-9 rocket, inside their Crew Dragon capsule, it will mark the first time humans have left US territory to reach low-Earth orbit in almost nine years.

But more than that, it sees a shift to the commercialisation of human space transportation – of companies selling “taxi” rides to government and anyone else who wants to purchase the service.

This page details the key phases in the mission sequence.

Launch will occur from the Kennedy Space Center’s Complex 39A. This is the famous Florida pad from where the Apollo 11 moonwalkers and the very first shuttle, Columbia, also began their missions.

(19) CLASSIC OR STINKER? In the Yahoo! Entertainment story “The ‘Lost’ finale at 10: Why viewers loved and hated ‘The End'”, Ethan Alter says even though it was 10 years since Lost ended, controversy continues over whether the ending of the show was brilliant or stupid. UH, SPOILERS, I GUESS?

…What the duo decided to do was to design a finale that emphasizes character over mystery. “The End” plays out in two realities: the mysterious island where mystical forces and weird science live side-by-side, as well as the “Flash sideways” timeline where Jack and the rest of the castaways were back in the real world, albeit leading different lives than what we saw in the flashback sequences that were a major part of previous seasons. The island-based sequences are explicitly devoted to tying up some, though not all of the loose ends: Jack has a final confrontation with the Man in Black, currently housed in the body of John Locke (Terry O’Quinn); Hurley (Jorge Garcia) becomes the new protector of the island, with Ben Linus (Michael Emerson) as his sidekick; and pilot Frank Lapidus (Jeff Fahey) gets everyone else — including Kate (Lilly), Sawyer (Holloway) and Claire (Emilie de Ravin) — the heck out of dodge. As the plane soars away from the island, a mortally wounded Jack watches it depart from his final resting place as his eyes close, a direct nod to the first shot of the first episode….  

(20) WHO SAW IT COMING? Usually we’re filling in this blank with Philip K. Dick’s name. See how bad things have gotten, that PKD isn’t the answer! “2020 Is One Great Big George Saunders Story” says InsideHook.

…But there is one author who predicted these dumb and absurd times: George Saunders. 

The MacArthur “Genius” and Booker Prize-winning Saunders has been publishing darkly hilarious visions of America since the early 1990s. Zadie Smith has said “not since Twain has America produced a satirist this funny” while The New York Times noted “no one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.” Perhaps the archetypal Saunders story is “Sea Oak,” which follows a trod-upon worker at an aviation-themed male strip club called Joysticks: “Guests rank us as Knockout, Honeypie, Adequate, or Stinker. Not that I’m complaining. At least I’m working.” At home, his family lives in a dangerous neighborhood and anesthetizes themselves with reality TV shows like How My Child Died Violently while fantasizing about the American dream, summarized by one character as “you start out in a dangerous craphole and work hard so you can someday move up to a somewhat less dangerous craphole. And finally maybe you get a mansion.”

(21) JANELLE MONÁE. On Late Night with Seth Meyers Janelle Monáe talks about David Byrne using one of her songs in his musical American Utopia, a musical she wrote as a child and her efforts to help communities during the pandemic.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, John Hertz, Martin Morse Wooster, Danny Sichel, Michael Toman, Mike Kennedy, StephenfromOttawa, Chip Hitchcock, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/21/19 Oh, This Is The Scroll, It’s A Beautiful Scroll, And We Call It Pixela Scrollte

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(1) DALLAS TORNADO. Fanartist David Thayer and his wife Diana had a close call last night but are unscathed themselves:

A tornado with winds of 165 m.p.h. cut a swath through Dallas just a mile south of our house yesterday evening after dark. A powerful gust snapped the trunk of our 70 ft mesquite halfway up and sent it crashing down into our front yard. The only property damage we sustained was to our yard light. Seeing all the destruction in the news this morning, we are thankful we came through relatively unscathed.

(2) AVENGERS ASSEMBLE. Just in case the Marvel Cinematic Universe needs any defense against the negative opinions of Martin Scorsese and Francis Ford Coppola, a couple of well-known figures connected with the MCU have spoken up.

James Gunn:

Many of our grandfathers thought all gangster movies were the same, often calling them “despicable”. Some of our great grandfathers thought the same of westerns, and believed the films of John Ford, Sam Peckinpah, and Sergio Leone were all exactly the same. I remember a great uncle to whom I was raving about Star Wars. He responded by saying, “I saw that when it was called 2001, and, boy, was it boring!” Superheroes are simply today’s gangsters/cowboys/outer space adventurers. Some superhero films are awful, some are beautiful….

Natalie Portman:

I think there’s room for all types of cinema,” she told The Hollywood Reporter at the 6th annual Los Angeles Dance Project Gala on Saturday at downtown Los Angeles’ Hauser & Wirth. “There’s not one way to make art.”

“I think that Marvel films are so popular because they’re really entertaining and people desire entertainment when they have their special time after work, after dealing with their hardships in real life.”

(3) HOW EAGER ARE YOU? ESPN will be airing the final trailer for Star Wars Episode IX: The Rise of Skywalker tonight during Monday Night Football.

(4) NAVIGATING THE ROCKETS SAFELY HOME. In “What happened to the 1944 Retro Hugos?”, Nicholas Whyte asks fans to consider the burden of producing a whole run of trophies when it’s this hard to find homes for them after the ceremony. Of course, the job would have been a little easier if the nominees with accepters had won:

…I’m glad to say that we did have a few designated acceptors in the room on the night. Apart from those noted below, Betsy Wollheim was on hand in case her father Donald won (unfortunately he lost in all three categories where he was nominated); June and Naomi Rosenblum were there for their father-in-law/grandfather J. Michael Rosenblum; Stephanie Breijo was there for her great-grandfather Oscar J. Friend; and Harper Collins sent a rep for C.S. Lewis. So, for 66 finalists, we had acceptors on hand for 10. Future Worldcons might like to bear that in mind when planning whether or not to run Retro Hugo Awards.

This is what happened with the trophies, in increasing order of the difficulty we had in dealing with them….

(5) HOUSE CALL. Can it be that we are about to have a visit from the Doctor and his companion? (No, not that one.)

(6) TARDIGRADES LITIGATION RESUMES. Plagiarism Today’s Jonathan Bailey urges against a court appeal in “An Open Letter to Anas Abdin”

Three weeks ago, it seemed as if the Tardigrades lawsuit was over. Anas Abdin’s lawsuit was tossed decisively and at an early stage, Abdin himself said, “I respect the ruling and I expect everyone to do so,” and there seemed to be little interest in any kind of an appeal.

However, that respect for the decision did not last long. On Friday, Abdin announced that he was appealing the verdict and was launching a GoFundMe to finance the campaign. As of this writing, that campaign has raised more than $17,500 from more than 470 donors and is inching closer to its $20,000 goal….

(7) CONFACTS. Kees Van Toorn announced that all issues of ConFacts, the daily newsletter of ConFiction, the 1990 Worldcon, have been uploaded on their archival website in flipbook format.

(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David Mack and Max Gladstone on November 20,  2019.

David Mack is a New York Times bestselling author of over thirty novels of science fiction, fantasy, and adventure. His most recent works are The Midnight Front and The Iron Codex, parts one and two of his Dark Arts trilogy from Tor Books. He currently works as a creative consultant on two upcoming Star Trek television series.

Max Gladstone is the author of Empress of Forever, the Hugo finalist Craft Sequence, and, with Amal El-Mohtar, This is How You Lose the Time War, in addition to his work with short and serial fiction, games, screenwriting, and comics. He has been a finalist for the Hugo, John W Campbell /Astounding, XYZZY, and Lambda Awards, and was once thrown from a horse in Mongolia.

The event starts at 7 p.m. in the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.) in New York, NY.

(9) FANFICTION. Sff writer Sara L. Uckelman, Assistant Professor of logic and philosophy of language at Durham University, issued an invitation: “Anyone interested in the paper behind the talk, my paper ‘Fanfiction, Canon, and Possible Worlds’ can be downloaded here.”

…The study of fanfiction from a philosophical point of view raises a number of questions: What is fanfiction?  What distinguishes it from ordinary fiction? How can we make sense of what is going on when people create and interact with fanfiction?  In this paper, I consider two competing accounts of fanfiction—the derivative or dependent account and the constitutive account—and argue that these competing views parallel two competing ways in which a possible worlds account of fiction can be fleshed out, namely, Lewis’s modal realist account and Kripke’s stipulative view. I further argue that this parallel is not a mere parallel, but provides us with a test of adequacy for the possible worlds accounts: It is worthless to provide a philosophical account of the theoretical foundations of fiction if such an account doesn’t coordinate with the actual practice and production of fiction. 

(10) TODAY IN HISTORY.

  • October 21, 1977 — Damnation Alley premiered. Based somewhat on Zelazny’s novel, it starred George Peppard as Major Eugene “Sam” Denton and Jan-Michael Vincent as 1st Lt. Jake Tanner. It bombed and was pulled quickly. Its Rotten Tomatoes score is 34%.  For now at least, it’s on YouTube here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 21, 1904 — Edmond Hamilton. One of the prolific writers for Weird Tales from the late 20s to the late 40s, writing nearly eighty stories. (Lovecraft and Howard were the other key writers.) Sources say that through the late 1920s and early 1930s Hamilton wrote for all of the SF pulp magazines then publishing. His story “The Island of Unreason” (Wonder Stories, May 1933) won the first Jules Verne Prize as the best SF story of the year. This was the very first SF prize awarded by a vote of fans, which one source holds to be a precursor of the Hugo Awards. From the early 40s to the late 60s, he work for DC, in stories about Superman and Batman. He created the Space Ranger character with Gardner Fox and Bob Brown. On December 31, 1946, Hamilton married fellow science fiction author and screenwriter Leigh Brackett. Now there is another story as well. (Died 1977.)
  • Born October 21, 1914 — Martin Gardner. He was one of leading authorities on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll’s two Alice books, is still a bestseller. He was considered the doyen (your word to learn today) of American puzzlers. And, to make him even more impressive, in 1999 Magic magazine named Gardner one of the “100 Most Influential Magicians of the Twentieth Century”.  Cool! (Died 2010.)
  • Born October 21, 1929 — Ursula Le Guin. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer instead preferring be known as an “American novelist”. Oh, she wrote genre fiction with quite some brilliance, be it the Earthsea sequence,  The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, showed in her writing. And the home library of the family had a lot of SF in it. If you’re interested in the awards she won in her career, she garnered  the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award. At last she was also awarded the National Book Foundation Medal for Distinguished Contribution to American Letters It won’t surprise you that she was made a SFWA Grandmaster, one of the few women writers so honored. (Died 2018.)
  • Born October 21, 1933 — Georgia Brown. She’s the actress who portrayed Helena Rozhenko, foster mother of Worf, in the Next Gen’s “Family” and “New Ground” episodes. She was Frau Freud in The Seven-Percent Solution, and was Rachel in “The Musgrave Ritual” episode of the Nigel Stock fronted Sherlock Holmes series. (Died 1992.)
  • Born October 21, 1945 — Everett McGill, 74. Stilgar in the first Dune film. Earlier in his career, he was a Noah in Quest for Fire. Later on, he’s Ed Killifer in License to Kill, and in Twin Peaks, he’s Big Ed Hurley. He was also Rev. Lowe in Stephen King’s Silver Bullet, a werewolf flick that actually has a decent rating of 55% at Rotten Tomatoes! 
  • Born October 21, 1956 — Carrie Fisher. In addition to the original Star Wars trilogy, Star Wars Holiday Special, The Force Awakens, Star Wars: The Last Jedi and the forthcoming Star Wars: The Rise of Skywalker, she was in Amazon Women on the Moon, The Time Guardian, Hook, Scream 3, and A Midsummer Night’s Rave. (Died 2016.)
  • Born October 21, 1973 — Sasha Roiz, 45. I know him only as Captain Sean Renard on Grimm but he’s also been Sam Adama on Caprica as well. And he’s also been on Warehouse 13 in the recurring role of Marcus Diamond. He even showed up once on Lucifer as U.S. Marshal Luke Reynolds.

(12) COMICS SECTION.

  • Frazz makes a nifty dinosaur pun.

(13) UNLIKELY BONANZA. Joseph Hurtgen studies the illustration of an economic system in a Hugo-winning novel: “Gateway – Frederik Pohl: A Critique of Capitalism”.

…Consider the name of the alien space station for which Pohl’s book gets its name: Gateway. In the same way that taking highly random and highly dangerous alien space flights is the gateway to potential wealth, the capitalist system is also the gateway to the extreme fortune of the limited few that have, through luck or pluck, benefited most from the system. But no billionaire earns their riches without exploiting populations. Behind every fortune are the underpaid, the underfed, the forgotten, and the have nothings. The capitalist system, most simply defined, is a system of using the work of others and the work of wealth itself, to gain more wealth. It doesn’t take too much mental work to see that people are a form of capital in the capitalist system. Indeed, within capitalism everything is a form of capital. The best capitalist is the individual that figures out how to make more out of what they have….

(14) MYLNE’S GENRE ART. Artist James Mylne has been in the news lately (see, for instance ITV: “Boris Johnson turns into The Joker in new artwork”) for a political commentary that leans heavily on a genre reference. Filers might, therefore, be interested to know that his work has sometimes borrowed from other genre sources also. Example below.

(15) SOLARIS ON STAGE. Those passing through London between now and November 2 can see the play Solaris (nearest tube/metro/underground is Hammersmith).

On a space station orbiting Solaris, three scientists have made contact with a new planet.

Sent from earth to investigate reports of abnormal activity on-board, Kris Kelvin arrives to find one crew member dead and two who are seeing things that cannot be explained.

When her dead lover appears to her, it seems she too has fallen victim to the mystery of this strange planet. Should she return to reality, or is this her chance to turn back time?

Have the crew been studying Solaris – or has it been studying them?

This psychological thriller asks who we are when we’re forced to confront our deepest fears.

(16) ATWOOD PROFILE. Behind a paywall in the October 12 Financial Times, Horatia Harrod has a lengthy interview with Margaret Atwood.

In Oryx and Crake, Atwood wrote about a world decimated by environmental catastrophe; her understanding of the fragility of the Earth and the rapaciousness of its human inhabitants came early.  “My father was already talking about this over the dinner table in 1955,” says Atwood, who has been committed to raising awareness of the climate crisis for decades (she promised her 2000 Booker Prize winnings to charities dedicated to endangered animals.  “There is so much data and evidence.  But people would rather adhere to a belief system that favours them. So, what view of the climate is going to make more money for me?”

Atwood’s mother, meanwhile, was a tomboy, whose favored pastimes were speedskating, horseback riding, canoeing, fishing, not doing housework.  “I can’t think of much she was afraid of. This is a mother who chased a bear away with a broom, saying the following word:  ‘Scat!’” There were other tough female role models:”Inuit women, who have done some pretty spectacular things.  My aunt Ada, who I named a character in The Testaments after, was a hunting and fishing guide, and a crack shot with a .22.”

(17) PLANETARY ANTHOLOGIES MIGRATE. Superversive Press has dropped the Planetary Anthologies line says Declan Finn, whose contribution, Luna, is awaiting publication. (Indeed, a search on Amazon showed Superversive Press books as a whole are now only available from third-party vendors.) However, Finn says another publisher is stepping up.

The Planetary Anthology series is being discontinued.

In fact, even the five anthologies that have been published already have been discontinued. They will no longer be available for sale online from the publisher.

Which is odd for me. Especially after a year where the Area 51 anthology I was in this year was conceived of, edited, and released in 3 months from call for stories to publication.

So, yeah, the original publisher isn’t doing them anymore.

Finn says “the anthologies have all been picked up again by Tuscany Bay Books,” the imprint of Richard Paolinelli whose own unpublished Planetary Anthology, Pluto, will be next to appear. Contributors to these anthologies have included Jody Lyn Nye, Dawn Witzke, Lou Antonelli, Paolinelli, L Jagi Lamplighter, Hans G. Schantz, John C. Wright, Joshua M. Young and many others.

(18) VIDEO OF THE DAY. In “Lego In Real Life TRILOGY” on YouTube, Brick Bros. Productions looks at what happens when common household objects turn into Legos.

[Thanks to Camestros Felapton, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (please roll him a meatball).]