Pixel Scroll 9/5/17 For Sale: Baby Pixels. Never Scrolled

(1) GAME OF TINGLES. Zoe Quinn has posted a new trailer for Tingle, her dating simulator game based on the works of Chuck Tingle. Dual Shockers has the story — “Tingle Gets a New Pre-Alpha Trailer Featuring a Ton of Actors and Personalities”. May not be safe for work. Unless your boss is a unicorn.

The dating simulator looks incredibly strange. The trailer features a moving butt plaque, horse masks, terribly drawn male genitalia, puzzles, mini-games, and lots more. You can check it out down below. While the game could definitely be considered not safe for work, Quinn is including options that’ll make Tingle less raunchy.
 

(2) PRATCHETT ON DISPLAY. This is the event publicized by running over Pratchett’s hard drive with a steam roller… The “Terry Pratchett: HisWorld” exhibit at the Salisbury Museum (in Salisbury, England) runs from September 15 until January 13.

This is an exclusive major exhibition based on the extraordinary life of Sir Terry Pratchett, the creative genius behind the Discworld series. Follow his journey to becoming one of our best known and best loved writers. This unique exhibition will include artwork by the man himself and treasured items owned by Sir Terry which have never previously been on public display. Also featured will be over forty original illustrations by Paul Kidby, Sir Terry’s artist of choice.?

(3) HEAR SF IN PHILLY. When the new SFWA-sponsored Galactic Philadelphia reading series begins October 24 the readers will be –

Gardner Dozois was the editor of Asimov’s Science Fiction magazine for almost twenty years, and also edits the annual anthology series The Year’s Best Science Fiction, which has won the Locus Award for Best Anthology more than any other anthology series in history, and which is now up to its href=”http://amzn.to/2xLXXFN”>Thirty-Fourth Annual Collection. He’s won the Hugo Award fifteen times as the year’s Best Editor, won the Locus Award thirty-one times, including an unprecedented sixteen times in a row as Best Editor, and has won the Nebula Award twice, as well as a Sidewise Award, for his own short fiction, which has been most recently collected in When the Great Days Come. He is the author or editor of more than a hundred books, including a novel written in collaboration with George R.R. Martin and Daniel Abraham, Hunter’s Run, and, in addition to many solo anthologies, the anthologies, Songs of the Dying Earth, Warriors, Dangerous Women, and Rogues, all co-edited with George R.R. Martin, the last two of which were New York Times bestsellers. Coming up is a major solo fantasy anthology, The Book of Swords. He has been inducted into the Science Fiction Hall of Fame, and won the Skylark Award for Lifetime Achievement in Science Fiction. Born in Salem, Massachusettes, he now lives in Philadelphia, Pennsylvania.

Lara Elena Donnelly is the author of the glam spy thriller Amberlough, and its upcoming sequels Armistice and Amnesty. Her short fiction and poetry has appeared in or is forthcoming from Strange Horizons, Escape Pod, Mythic Delirium, Nightmare, and Uncanny. She is a graduate of the Alpha and Clarion workshops, and a past winner of the Dell Magazine Award. In the summer, Lara is onsite staff at the Alpha SF/F/H Workshop for Young Writers. She lives in Harlem, but exists virtually on most social media platforms as @larazontally, and on her website at laradonnelly.com

The venue will be the Irish Pub, located at 2007 Walnut Street, Philadelphia 19103, a block west of Rittenhouse Square, and start at 7:30 p.m. [H/T to SF Site News.]

(4) THE END OF CINEMATIC HISTORY. In Washington, D.C., people are invited to watch “My Favorite Movie with Francis Fukuyama: Children of Men”.

Join Francis Fukuyama for a screening and discussion of Children of Men, the haunting 2006 adaptation of PD James’ dystopian novel (directed by Alfonso Cuarón) set in 2027, when all women have become infertile and humanity is facing extinction.

This is the latest installment of our “My Favorite Movie” series featuring thought leaders hosting their favorite movies, and short conversations about them. Professor Fukuyama is a senior fellow at Stanford’s Freeman Spogli Institute and the author of The Origins of Political Order and The End of History and the Last Man.

The screening of Children of Men will take place at 6:30 p.m. on Monday, September 19th at Washington, D.C.’s Landmark E Street Cinema at 555 11th Street NW.  If you would like to attend, please RSVP to futuretensedc@gmail.com with your name, email address, and any affiliation you’d like to share. You may RSVP for yourself and up to one guest. Please include your guest’s name in your response. Seating is limited.

(5) FILER ON PODCASTLE. Congratulations to Heather Rose Jones, who has a brand new original short story out from Podcastle.org today, “Hyddwen.” Check it out.

Morvyth, the daughter of Rys, had no desire for a husband because of the passion and the love she had for Elin, the Lady of Madrunion. And after what we spoke of above–sending the gull as love-messenger to her, and the trick with the sack at the wedding feast, and sending the Irishman away empty-handed–Morvyth came to live at Llyswen. And there they spent three years in happiness and joy.

(6) ANN LECKIE, CHEESE EVANGELIST. There’s an uptick in interviews with Ann Leckie’s next book coming out this month: “Hugo Award–winner Ann Leckie talks new book, sci-fi politics, and Provel cheese” in St. Louis Magazine. Lots in here about the Imperial Radch series, and women winning all the Hugos this year – but no tea recommendations! Firm opinions about cheese, though….

St. Louis is home to a not-small number of award-winning creators—and BookFest St. Louis plans to gather them, along with writers from around the nation, in September.

Not least among those authors is space opera writer Ann Leckie, whose Ancillary Justice is the first novel to win the “triple crown” of the Hugo, Nebula, and Arthur C. Clarke science fiction awards. The book’s Imperial Radch trilogy went on to grab additional Locus awards and prestigious nominations. Leckie will speak at a science fiction panel with fellow writers Charlie Jane Anders, Annalee Newitz, and Mark Tiedemann.

The September 23 event precedes the following Tuesday’s release of her fourth novel, Provenance, a standalone that’s set several years after the Imperial Radch trilogy and will feature new characters and star systems….

Is there anything around here that you’re a big fan of?

…I find myself often, when I’m travelling and talking to other writers from other places, telling them that they absolutely have to try St. Louis–style pizza. I don’t know what’s wrong with the people who are like, “That’s not even pizza!” Well it is; it’s just not the pizza that you’re used to, right? So I’ve been trying to spread the word about St. Louis–style pizza.

Spread the Provel gospel.

Yes. It’s made in Wisconsin only for the St. Louis pizza market. That’s what Wikipedia said. It’s only—there’s no other use for Provel cheese except us. It’s made almost exclusively for the St. Louis pizza market.

Writer’s note: NPR confirms Wikipedia’s story.

Nowhere else?

Nobody else knows what Provel is. Isn’t that kind of amazing? Which is I think part of why when people encounter that, and it doesn’t act like the cheese that they’re used to—not only is it not the cheese they’re used to on pizza; it’s a completely foreign cheese. So it’s like… [She pulls a face.] But they’re just wrong. It’s wonderful.

I thought you’re one of few who have that opinion. But a decent enough number, apparently.

I mean, it’s our pizza. You have to take it on its own terms. You can’t say, “This isn’t New York style, this isn’t Chicago style,” because it’s not. It is what it is.

(7) ROBBY ON THE BLOCK. William Malone has announced he’s selling Robby the Robot.

ROBBY GOES OFF to COLLEGE. I’m sure this will come as a shock to some of you. I just wanted to let all my friends know that after much thought and consideration, I have decided to put the Original Robby the Robot and his Car up for auction. This is not a hasty decision by any means. It’s actually something I’ve been thinking about for some time. I’ve had Robby for over 37 years and have enjoyed seeing him everyday and having coffee with him every morning (though he always preferred an STP Daiquiri to espresso). While I’ve tried to make Robby available to be seen and enjoyed as much as possible, I’ve come to realize his proper place is in a museum. I’m hoping this is where he’ll wind up. Robby is an icon and a star and just a plain good guy (err robot). Over the years, I’ve always tried to look after his best interests and he certainly has been good to me. I feel like I’ve never really owned Robby, I’m just his caretaker. It’s time for the next part of his journey. He will outlive us all.

Robby will be on sale at the New York Bonhams/TCM auction in November.

(8) SMOKE YOU CAN SEE FOR LIGHTYEARS. TV Line warns “The Orville Review: Seth MacFarlane’s Somber Sci-Fi Dud Crashes and Burns”.

Consider this a red alert to TV fans everywhere: Are you expecting Seth MacFarlane’s new Fox series The Orville to be a fun Star Trek parody packed with wall-to-wall jokes? Two words of advice: Abandon ship.

Despite what Fox’s official site claims, The Orville — premiering this Sunday at 8/7c — is not a “hilarious comedy.” It’s not even a comedy. Yes, there are a few Family Guy-esque punchlines scattered throughout, but as bafflingly as this sounds, The Orville is mostly a straightforward drama… and not a very good one, at that. Riddled with sci-fi clichés and paralyzed by a grim self-importance, MacFarlane’s shiny new vessel ends up being a colossal dud that not only fails to take flight, it short-circuits before it even gets out of the docking bay.

(9) HISTORY FROM ANOTHER PLANET. Star Wars: Episode IX director Colin Trevorrow has been cut loose:

Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.

The Hollywood Reporter heard this from unnamed sources:

Sources tell The Hollywood Reporter that script issues have continued to be a sore spot throughout Episode IX’s development, with Trevorrow having repeated stabs at multiple drafts. In August, Jack Thorne, the British scribe who wrote the upcoming Julia Roberts-Jacob Tremblay movie Wonder, was tapped to work on the script.

Sources say that the working relationship between Trevorrow and Lucasfilm head Kathleen Kennedy became unmanageable. Kennedy, who had already been through one director firing/replacement on the Han Solo spinoff movie, was not eager for a sequel and tried to avoid this decision.

(10) COMICS SECTION.

  • There is a school of thought that if you need to use a bookmark, you don’t have a first-rate mind. Today’s Drabble shows the down side of that. Thanks to John King Tarpinian for the laugh.
  • He also recommends today’s installment of Brevity, a terrible pun which made me laugh (don’t they all?)

(11) WATCHING STINKERS. List Challenges says these are “100 of the Worst Movies Ever” and gives you a chance to add up how many you’ve seen. Apparently I’ve done a pretty good job of sparing my eyeballs, having seen only 15 out of 100. (Was Down Periscope really that awful? I wouldn’t tell you to hurry and see it, but I know I didn’t throw my popcorn box at the screen either.)

(12) HARASSMENT SURVEY. Jess Nevins has published the results of his “Sexual Harassment in the Science Fiction & Fantasy Communities Survey”.

The science fiction and fantasy community has a problem: sexual harassment and sexual predation by men.

I put up a survey recently on the subject. The results, while not surprising, were nonetheless sobering. Of 802 respondents:

  • 24% had been sexually harassed at a convention.
  • 35% had witnessed sexual harassment at a convention.
  • 40% had a family member, friend, or colleague who had been sexually harassed at a convention.

In addition to overall numbers, he collected anecdotal information.

… Some of the victims of harassment refuse to go to specific conventions any more, whether because of that convention’s weak anti-harassment policies, the weak response by the convention’s staff to complaints about harassment, or because a harasser is a regular participant of that convention. Some of the victims refuse to go to any conventions now, because of their negative experiences. Some of the victims are no longer comfortable at conventions unless they are in the presence of a male partner or friend or group of friends. Some of the victims have developed PTSD as a result of being harassed.

(13) MULTITUDES ATTEND DRAGON AWARDS. They may be blurry photos taken with a phone, but they are clear enough to show the number of fans present for the Dragon Awards.

View post on imgur.com

(14) CLOSEUP OF THE EUGIE AWARD. This is a much better picture than I was able to find the other day.

(15) WHO CROSSES THE POND. Hold it, that sounds like an episode plot, not geography. The news story is: ATB Publishing has started shipping copies of Red, White and Who: The Story of Doctor Who in America by Steven Warren Hill, Jennifer Adams Kelley, Nicholas Seidler, Robert Warnock,  Janine Fennick and John Lavalie.

In this book you’ll find the rich history of everything DOCTOR WHO in the USA—from American TV Guide listings of Canadian broadcasts in 1965, through the Dalek movies, the early struggles of the Public Broadcasting System, the BBC sales attempts, the official debut on American television in 1972, the explosion in popularity among US viewers in 1979, the twentieth anniversary celebration in 1983, the conventions, the books, the merchandise, the fan clubs, the video releases, the games, the USA Tour, and every imaginable fan activity including cosplay, fan films and audios, PBS pledge drive volunteering, websites, podcasts, and much more, to the new heights of success, popularity, and fandom participation in the 21st century. It’s an enlightening and entertaining journey for everyone who admires DOCTOR WHO…and not just for American fans, but devotees around the globe.

(16) THEY KEPT WATCHING THE SKIES. Now they know which star they were looking at: “Scientists recover nova first spotted 600 years ago by Korean astrologers”.

On a cold March night in Seoul almost 600 years ago, Korean astrologers spotted a bright new star in the tail of the constellation Scorpius. It was seen for just 14 days before fading from view. From these ancient records, modern astronomers determined that what the Royal Imperial Astrologers saw was a nova explosion, but they had been unable to find the binary star system that caused it—until now. A new study published today by the journal Nature pinpoints the location of the old nova, which now undergoes smaller-scale “dwarf nova” eruptions. The work supports that idea that novae go through a very long-term life cycle after erupting, fading to obscurity for thousands of years, and then building back up to become full-fledged novae once more.

“This is the first nova that’s ever been recovered with certainty based on the Chinese, Korean, and Japanese records of almost 2,500 years,” said the study’s lead author Michael Shara, a curator in the American Museum of Natural History’s Department of Astrophysics.

(17) FANTASTIC FICTION AT KGB. Ellen Datlow and Matthew Kressel will present Katherine Vaz and Chris Sharp at the next gathering of Fantastic Fiction at KGB on September 20.

Katherine Vaz

Katherine Vaz is best known for her fictional chronicling of the stories of the Portuguese in America, often with a magical-realism twist. Her novels include Saudade, a Barnes & Noble Discover Great New Writers selection, and Mariana, selected by the Library of Congress as one of the Top Thirty International Books of 1998. Her collections Fado & Other Stories and Our Lady of the Artichokes & Other Portuguese-American Stories have won, respectively, a Drue Heinz Literature Award and a Prairie Schooner Book Prize. She’s taught fiction as a Briggs-Copeland Fellow at Harvard and was a Fellow of the Radcliffe Institute for Advanced Study. She’s a frequent contributor to the anthologies of Ellen Datlow (and Terri Windling)plus a story in the upcoming Mad Hatters and March Hares.

Chris Sharp

Chris Sharp is the author of Cold Counsel, a human-free, post-Ragnarok, dark fantasy romp and The Elementalists, a YA epic about dragons and climate change—with new installments coming soon to both series. His articles have appeared in Tor.com, and he also writes extensively for feature films and episodic television. Prior to moving to MA and committing full time to writing, he worked as an independent film/commercial producer in NYC. His photography has appeared in New York Times Magazine, his drawing in the Corcoran Gallery of Art, and some of the films he produced have won awards at festivals around the world.

The readings begin 7 p.m. on Wednesday, September 20th, 7pm at KGB Bar (85 East 4th Street (just off 2nd Ave, upstairs.) in New York.

(18) SEASONAL BREW. It’s the right time of year for New Belgium Brewing to send its Voodoo Ranger Atomic Pumpkin Ale to market.

Enough with the run-of-the-mill pumpkin beers. I’m not interested in an ale that takes cues from a frozen coffee drink, and neither are you. That’s why I made Atomic Pumpkin. Does it really feature Habanero peppers? Yep! What about Saigon Cinnamon? Ding! I round it all out with a hearty malt bill that makes for a spicy brew that puts the “Fun” back in Pumpkin. (Spelling was never my strength). — Voodoo Ranger

[Thanks to John King Tarpinian, JJ, DMS, Carl Slaughter, Mark-kitteh, Rebecca Hill, Craig Glassner, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]</a<>

Fantastic Fiction at KGB Readings Series Features Gregory Frost and Rajan Khanna

Gregory Frost and Rajan Khanna

By Mark L. Blackman: On the muggy evening of Wednesday, August 16, the monthly Fantastic Fiction Readings Series hosted authors Gregory Frost and Rajan Khanna at its venue, the very Red Room at the 2nd floor KGB Bar in Manhattan’s East Village. (For those unfamiliar with the readings series, the Kraine Gallery Bar is red-walled with Soviet era posters and photos – no swastikas or Confederate flags there!) The gathering seemed smaller than usual, perhaps some regulars were still touring post-Worldcon.

The event opened, as customary, with Series co-host Matthew Kressel’s exhortation to support the Bar by buying a drink or two (and tip), and announcing upcoming readers:

  • September 20: Katherine Vaz and Chris Sharp
  • October 18: James Patrick Kelly and Kai Ashante Wilson
  • November 15: Grady Hendrix and David Rice
  • December 16: N.K. Jemisin and Chris N. Brown

(All dates are the third Wednesday of the month. Details and lineup well into 2018 are available at the Series website.) He concluded by introducing the evening’s first reader, a personal pleasure, as Raj Khanna is also a friend.

Khanna is an author, blogger, reviewer and podcast narrator. (As I’ve remarked previously, his soft voice is, as we heard, well-suited for narrating.) His post-apocalyptic airship adventure series, starting with Falling Sky (from which he read at the KGB back in December 2014) and Rising Tide, concluded in July 2017 with Raining Fire, from the middle of which he read. The trilogy is set in a post-apocalyptic near-future where fuel is so expensive that airships have come back, and, if that weren’t cataclysmic enough, a global pandemic has reverted hordes of people to a violent, zombielike, animalistic (and, of course, hungry) state called Ferals. The hero (and narrator), Ben Gold, who used to own an airship, but is now grounded, encounters a settlement about to be overrun by Ferals. Sufficiently overcoming their suspicions (but they’re keeping his gun), he works with them, using disparate parts from trucks and airships hurriedly to rig up a “junker” (“Frankensteinlike,” it’s dubbed “the Monster”) on which to flee as their walls are burst through.

After an intermission, Series co-host Ellen Datlow (newly returned from Helsinki, where she was awarded another well-deserved Hugo) took the podium and introduced the second reader of the night.

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, The Pure Cold Light and Attack of the Jazz Giants, along with “a whole mess” of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, Hard and Andy Are Come to Town” (whose title convulsed the audience), won an Asimov’s Readers’ Award for 2015. With Jonathan Maberry, Frost founded the Philadelphia branch of The Liars Club, “a collective of semi-deranged and often inebriated authors” (or so he claims). He read from an as-yet-unpublished piece from his “weird collaborate[ve]” series with Jonathan Maberry based upon their novella Rhymer, a “riff” on Thomas the Rhymer, the first two chapters of his origin story. Here, the boy encounters the faerie queen (“the Queen of Heaven”) and her retinue, and his companion (Frost affected a Scots accent for his dialog) is taken. Thomas attempts a rescue, unsuccessfully.

Copies of Frost’s Shadowbridge and Khanna’s Raining Fire were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn (and Jersey City), and Frost had copies of his collection Attack of the Jazz Giants available.

Prior to the readings, as is her wont, Datlow had wended through the audience, snapping away; her photos of the event may be seen at the Series website, http://www.kgbfantasticfiction.org/.

Pixel Scroll 8/13/17 The Filers On The Hill See The Scroll Going Down, And The Eyes In Their Heads See The Pixels Spinning Round

(1) MUNSTER REVIVAL. “Who will play Marilyn?” John King Tarpinian wants to know. Variety reports “‘Munsters’ Reboot in Development at NBC With Seth Meyers Producing”.

The planned reboot is inspired by the original series and will follow an offbeat family determined to stay true to themselves struggles to fit in in hipster Brooklyn. Jill Kargman will executive produce and write the script, with Seth Meyers and Mike Shoemaker also executive producing. Universal Television (UTV) will produce along with Meyers’ and Shoemaker’s Sethmaker Shoemeyers Productions, which is set up with a first-look deal at UTV.

The development “The Munsters” reboot keeps Meyers in business with NBC, where he currently hosts the late-night series “Late Night with Seth Meyers.” In addition, the network recently ordered the Meyers-produced comedy “A.P. Bio” to series.

(2) KGB READINGS. Fantastic Fiction at KGB hosts Ellen Datlow and Matthew Kressel present Gregory Frost and Rajan Khanna on August 16. The evening begins at 7 p.m. in the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York.

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, and The Pure Cold Light and a whole mess of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town” won an Asimov’s Readers’ Award for 2015. That worked out so well that he and M. Swanwick are currently engaged in writing another collaboration. Greg is the Fiction Workshop Director at Swarthmore College, and with Jonathan Maberry founded the Philadelphia branch of The Liars Club, a collective of semi-deranged and often inebriated authors. Greg is working on a collaborative series with Jonathan Maberry based upon their novella “Rhymer,” published in the anthology Dark Duets.

Rajan Khanna is an author, blogger, reviewer, and narrator. His post-apocalyptic airship adventure series starting with Falling Sky and Rising Tide concluded in July 2017 with Raining Fire. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, and several anthologies. His articles and reviews have appeared Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies, and Lightspeed Magazine. Rajan lives in Brooklyn where he’s a member of the Altered Fluid writing group.

(3) ABOUT THE CANCELLED ALZHEIMER’S LARP. Worldcon 75 published a “Statement on the Cancellation of LARP ‘A Home for the Old’”, a planned item that had drawn a lot of criticism in social media after people at the con saw the description in the schedule.

On Friday 11 August Wordcon 75 cancelled one of our programme items. A Nordic Freeform Event entitled “A Home for the Old” by Frederik Berg. The statement that we released in relation to this cancellation was neither a fair nor a full report of the facts and we would like to correct this.

Worldcon 75 believes that the event facilitator, Massi Hannula Thorhauge, would have guided the players with due regard for a subject as serious as Alzheimer’s. The convention asked her to run this event and we know she would have made sure those who signed up did not make light of the disease. She is a valued member of Worldcon 75 staff and we thank her for her time and enthusiasm throughout the con.

The description of the event published in the Worldcon 75 Programme was not a fair representation of the game. It was written for a specific audience and as presented to Worldcon lacks vital context and frameworks.

Both the convention and the event facilitators acknowledge more care should have been given to this, in light of the very sensitive subject and the cultural differences between many Worldcon members.

These cultural and contextual differences were at the root of the decision to cancel the item. While this freeform event has been extremely successful elsewhere we felt that it was not acceptable to the Worldcon members as presented. We were also concerned that some possible players may not have appropriately engaged with the material, given how different Worldcon is from Nordic gaming events.

We would also like to highlight how important gaming is as part of the genres we all love. Games such as “A Home for the Old” have helped those who have lost friends and relatives to Alzheimer’s and given them a greater understanding of the pressures put on those who care for people with the disease.

While playing games purely for fun is vital, they can also be used to teach, to explore even difficult subjects and themes, and to inspire. They are a hugely important part of a Worldcon programme and we are thrilled we have had so many people playing games in Helsinki this August.

(4) TOO GOOD TO BE TRUE. Dorothy Grant shares a warning about click farms at Mad Genius Club.

  1. Speaking of click farms, several indies have recently reported their accounts being locked / books taken off sale after buying “advertising” with a “guaranteed number of readers.” You know that picture of Batman slapping Robin? Yeah, picture that. Here’s how NOT to get your account locked and books delisted:

A.) You cannot guarantee buyers ethically. If buyers or readers are guaranteed, that means you’re paying a click farm to run a program on a laptop slaved to a bunch of stolen iphones, each loaded to an Amazon account, “borrowing” and “reading” them. Unless you’re paying a click farm in North Korea, in which case it’s a poor schmuck pacing down a table, manually finger-swiping every iphone.

B.) If you can’t sign up for their mailing list, it’s a click farm. Real promoters want everybody to sign up for their lists, so they can grow. Click farms say they have a list, but if it’s not obvious and easy to find, then it’s a lie.

C.) If they don’t have a website, it’s a click farm. ESPECIALLY if their only presence is a “closed facebook group.” Again, if they’re not soliciting more people to join them, they’re not right.

D.) If it’s too good to be true, it ain’t true. It’s more likely to be this: https://kotaku.com/inside-chinese-click-farms-1795287821

(5) NEBRASKA. Have a twofer: Carhenge is in the totality path: “As Eclipse Madness Sweeps U.S., A Stonehenge Made Of Cars Prepares”.

The ancients who built Carhenge back in 1987 didn’t know about this eclipse. Carhenge was the brainchild of a local named Jim Reinders, a petroleum engineer who spent years working in England. While there, he became acquainted with the prehistoric site of Stonehenge. It was built of giant rocks that people dragged for miles from the quarries. Archaeologists think the original Stonehenge was built to mark celestial events, such as the solstice.

Reinders wanted to build a version of Stonehenge as a memorial to his dad, who had passed away a few years earlier. But stones seemed heavy and cumbersome.

“So he decided if we build it out of cars, the wheels on it would greatly simplify the logistics,” says Howard. “And besides that, there’s not a stone in Nebraska that would work.”

(6) BR0K3N. “Password guru regrets past advice” – BBC has the story.

Bill Burr had advised users to change their password every 90 days and to muddle up words by adding capital letters, numbers and symbols – so, for example, “protected” might become “pr0t3cT3d4!”.

The problem, he believes, is that the theory came unstuck in practice.

Mr Burr now acknowledges that his 2003 manual was “barking up the wrong tree”.

(7) TODAY’S BIRTHDAY BOY

  • Born August 13, 1899 — Alfred Hitchcock

(8) KEEP HORROR OUT OF THE KITCHEN. Get your own copy of Mary and Vincent Price’s A Treasury of Great Recipes 1965 – 2015.

A Treasury of Great Recipes has come to be regarded as “one of the most important culinary events of the 20th century” (Saveur Magazine) and was recently named the eighth most popular out-of-print book of any kind by Booklist. It has inspired countless chefs, garnered fans from around the world, and recently spawned many supper clubs who have been “cooking and eating Vincent” around the world.

(9) BY JOVE, I THINK HE’S GOT IT. Camestros Felapton offers a good, precise description of the phenomenon: “Parallels between minor SF kerfuffles & real world politics are both trite & true”.

My interest here was not the Brian Niemeiers of the groups but others, less inclined to create an SJW conspiracy out of nothing. In several cases, you could see them correctly reasoning that if they want the Dragon Awards to have any status then they would need authors like John Scalzi and N.K.Jemisin involved. However, they would always return to the idea that it was up to people like John Scalzi to, therefore, fix the problem by participating. Commenting here, author David Van Dyke took a similar tack – the Dragons need broad based participation, therefore can authors that the SF right calls “SJWs” (whether they are or not) please participate. This despite the fact that the reasons WHY authors didn’t want to participate were clear and unambiguous – they didn’t want to get caught up in the culture war that other on the SF right want the Dragons to be.

What is particularly interesting is this. When the right that is adjacent to the more belligerent alt-right NEED somebody to be reasonable, to compromise in WHICH direction do they turn? Note how it is the LEFT? This is more than just the modern conservative dictum of not-shooting-right/no-enemies-on-the-right but a tacit acknowledgement that they themselves have no capacity to control their allies.

The alt-right want the Dragons Awards to be a culture-war shitstorm because culture-war shitstorms help them recruit small numbers of extremists via radicalization and the comradery of a conflict. It’s a tactic anybody on the left will recognise from many micro-Trotskyist groups in the past, whose expectation of a conflict (e.g. a labour dispute) was that making hyper-strong demands (not necessarily EXTREME demands but essentially shitty negotiating positions) would not lead to a successful outcome but would lead to a better struggle and new recruits.

(10) THE YEAR IN RABIDITY. Jason Sanford leafs through the Hugo voting stats and concludes he is “Measuring the slow Hugo Award death of the rabid puppies”.

These numbers back up previous estimates of the weakness of the rabid puppies and give more evidence that 80 to 90 Hugo voters at most support Vox Day’s ballot stuffing. These are extremely small numbers compared to the more the 2,000 people who cast nominating ballots, or the 3,319 people who voted in the final Hugo ballot.

The reason the rabid puppies were able to cause so much trouble with the Hugo Awards in recent years is because the awards were easily gamed by a small group of slate voters. Only cultural constraints within fandom prevented this from happening previous to the rabid puppies.

The results of this year’s Hugo voting shows that making an award resistant to slate voting is a must in today’s genre.

Perhaps the Dragon Awards, a new SF/F award which is now being ravaged by slate voting from the pups, will learn from the Hugo experience. Or perhaps not.

(11) THE POINTS. Camestros Felapton also looks at the Rabid numbers in “Hugo Stats Time Some More”.

So a mean in the low 70s and a median of 83 votes. Which looks to be irrelevant because those votes are probably all from 2016 members. The Rabid vote drops precipitously in the final numbers.

(12) HELP WANTED. There’s a lot of money to be made looking for aliens, if you’re the right person — “The Reason China Can’t Find Anyone to Operate Its Alien-Hunting Telescope”.

China continues to up its game in space sciences, including one particularly ambitious project, the world’s largest radio telescope. There’s just one problem: they can’t find anyone to operate it.

The country’s government is looking to hire a foreigner as chief scientist to oversee the telescope’s daily operation, reports the South China Morning News, and it’s even offering free housing and a $1.2 million salary to boot. But no one has been hired, presumably because of challenges associated with the job and the high level of requirements needed to even apply.

The “Five-hundred-meter Aperture Spherical Telescope”, or FAST, is a $180 million, 1,600 foot-long radio telescope that’s capable of receiving radio signals from as far as 1,000 light years away; making it a leading instrument in the search for alien life. To give you an idea of its scale, FAST is roughly the size of 30 soccer fields.

(13) THE SUMMER OF HUH? Hippy disinformation? The BBC explains the accidental invention of the Illuminati conspiracy.

The Illuminati that we’ve come to hear about today is hardly influenced by the Bavarians at all, as I learned from author and broadcaster David Bramwell, a man who has dedicated himself to documenting the origins of the myth. Instead, an era of counter-culture mania, LSD and interest in Eastern philosophy is largely responsible for the group’s (totally unsubstantiated) modern incarnation. It all began somewhere amid the Summer of Love and the hippie phenomenon, when a small, printed text emerged: Principia Discordia.

The book was, in a nutshell, a parody text for a parody faith – Discordianism – conjured up by enthusiastic anarchists and thinkers to bid its readers to worship Eris, goddess of chaos. The Discordian movement was ultimately a collective that wished to cause civil disobedience, practical jokes and hoaxes

The text itself never amounted to anything more than a counter-culture curiosity, but one of the tenets of the faith – that such miscreant activities could bring about social change and force individuals to question the parameters of reality – was immortalised by one writer, Robert Anton Wilson.

According to Bramwell, Wilson and one of the authors of the Principia Discordia, Kerry Thornley, “decided that the world was becoming too authoritarian, too tight, too closed, too controlled”. They wanted to bring chaos back into society to shake things up, and “the way to do that was to spread disinformation. To disseminate misinformation through all portals – through counter culture, through the mainstream media, through whatever means. And they decided they would do that initially by telling stories about the Illuminati.”

At the time, Wilson worked for the men’s magazine Playboy. He and Thornley started sending in fake letters from readers talking about this secret, elite organisation called the Illuminati. Then they would send in more letters – to contradict the letters they had just written.

“So, the concept behind this was that if you give enough contrary points of view on a story, in theory – idealistically – the population at large start looking at these things and think, ‘hang on a minute’,” says Bramwell.  “They ask themselves, ‘Can I trust how the information is presented to me?’ It’s an idealistic means of getting people to wake up to the suggested realities that they inhabit – which of course didn’t happen quite in the way they were hoping.

… British electronic band The KLF also called themselves The Justified Ancients of Mu Mu, named after the band of Discordians that infiltrate the Illuminati in Wilson’s trilogy as they were inspired by the religion’s anarchic ideology. Then, an Illuminati role-playing card game appeared in 1975 which imprinted its mystical world of secret societies onto a whole generation.

Chip Hitchcock, who found the link, assures everyone, “Yes, I’ve sent in a complaint about the incorrect date for the card game.”

(13) WHEN DEATH IS ON THE LINE. I was surprised to learn he’s still alive.

(14) FLICKER OF TIME. Anti Matter trailer #2.

[Thanks to Chip Hitchcock, Cat Eldridge, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Fantastic Fiction at KGB Readings Series Features Genevieve Valentine and Karen Heuler

By Mark L. Blackman: On the evening of Wednesday, July 19, the monthly Fantastic Fiction Readings Series hosted authors Genevieve Valentine and Karen Heuler at its venue, the Red Room at the 2nd floor KGB Bar in Manhattan’s East Village (“red” in both senses, the walls’ color and the Soviet era-themed décor).

The event opened, as traditional, with Series co-host Matthew Kressel’s exhortation to support the Bar by buying a drink or two (at 90º and humid, hydration was definitely advisable), and announcing upcoming readers:

  • August 16: Gregory Frost and Rajan Khanna
  • September 20: Katherine Vaz and Chris Sharp
  • October 18: James Patrick Kelly and Kai Ashante Wilson
  • November 15: Grady Hendrix and David Rice

(All dates are the third Wednesday of the month. Details are available at the Series website,  website.) The Series, ongoing since the 1990s, is known for reliably offering an outstanding mix of writers and styles. He again thanked the Series’ loyalists for supporting its recent Kickstarter campaign (which raised about $8,900, enough to keep the Series going for another six years), and concluded by introducing the evening’s first reader.

Karen Heuler has published four novels and three story collections, and her stories have appeared in over 100 literary and speculative magazines and anthologies (a number of them Best of the Year anthologies). She has received an O. Henry Award, been a finalist for the Iowa Short Fiction Award, the Bellwether Award, the Shirley Jackson Award for short fiction (twice), and “a bunch of other near-misses.” She read from her just-released novella, In Search of Lost Time (Aqueduct Press) about a woman who can steal time and memories. (The title clearly evokes Proust.) Not greedy, Hildy “samples” a few minutes or, occasionally, hours, “just a little here and there,” storing them in jars (labeled with their circumstances) from which she sniffs (no tea, no madeleines). She is approached by a shady character (Michael P.) who tells her that there is a market for time; the dying, of course, want more time, and she herself is undergoing chemo for cancer of the tempora (a “totally made-up” part of the brain dealing with time). He offers to buy and threatens to steal her jars. At the same time (no pun intended, honestly!), she is accosted by a sparkly-things-favoring woman (the Bedazzler) who asks her to sift through people’s memories to find her missing daughter.

After an intermission, Series co-host Ellen Datlow took the podium and introduced the second reader of the night, author and critic Genevieve Valentine, whose most recent book is the near-future spy novel Icon (the sequel to Persona). Her first novel (she’s published four), Mechanique: A Tale of the Circus Tresaulti, won the Crawford Award and was shortlisted for the Nebula, her short fiction has appeared in over a dozen Best of the Year anthologies (and she will, incidentally, have a story in Datlow’s Mad Hatters and March Hares), her comics work includes Catwoman for DC Comics, and her criticism and reviews have appeared in The Atlantic, The New York Times, among other publications.

Valentine read “Familiaris” (which appeared in The Starlit Wood: New Fairy Tales), a piece of metafiction that was based on and shifted between a Bavarian fairy tale about “a princess who couldn’t bear children and then suddenly could” – seven sons – and a contemporary woman who regards children as wolves who eat up a mother’s life and identity. (Asked her name by a clerk, out of habit, she answers “Christopher’s mom.”) “In the story,” the princess (later queen) orders her maid to take the newborns out into the woods and let them be fed to wolves. Their royal father intercepts her and they are raised secretly in the village, fated to return 18 years and seven days later for revenge. It is emphatically not a paean to motherhood; indeed, in her concluding remarks, Datlow said “Go out and multiply – or don’t.”

(Valentine’s introduction had included the line “Please ask her about the new King Arthur movie” [King Arthur: Legend of the Sword]. It was bad, she said, disappointing to hear after that build-up.)

Copies of Valentine’s Icon and Heuler’s The Inner City were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn (and Jersey City).

Datlow’s photos of the event may be seen at the Series website.

Genevieve Valentine and Karen Heuler at Fantastic Fiction at KGB.

Pixel Scroll 7/13/17 Lucky Scroll Means Fine Pixel (LSMFP)

(1) LIMERICK DERBY. Fantasy Literature’s Kelly Lasiter says it’s time for “FanLit’s 2017 SFF Limerick Contest”

Your task is to create a limerick that has something to do with speculative fiction. It could be about a character, a series, an author, or whatever fits the theme…

Full guidelines at the post. Entries are made in comments there.

Here is the winning limerick (by Ben) from 2015:

The day came that I had been dreading,
It would surely end in beheading
and my family depressed
as they murdered their guests,
Never go to a Westeros wedding

(2) PIRATES WITHOUT RESERVATIONS. Otakon, the Washington D.C. Asian pop culture convention, discovered someone trying to victimize members by creating a fake hotel website. Otakon Hotel and Venue Manager John Nadzam has issued a warning. [H/T to Petréa Mitchell.]

To all of our members:

It has come to our attention that an outside party set up a pirate housing website: “otakon2017.org”.

This website was in no way associated with Otakon, Otakorp Inc., or Experient (our exclusive and official housing provider).  We have taken all efforts to shut down the site as soon as we found out, but we cannot determine if any reservations were taken, if reservations through this site will be honored, or what may have happened to any information they may have gathered.

If you did not receive a confirmation email that looks like the one at the end of this message, or if you have any doubts on your reservation’s validity, please contact Experient immediately…

There have been reports of this happening to several different conventions (genre and otherwise) now, and cons are starting to warn members about it. For example, DesignCon 2018 and ASBMR 2017 Annual Meeting have prominently posted “Beware of Unauthorized Hotel Solicitations” on their websites.

(3) MORE EMMY NEWS. The Hollywood Reporter enthuses: “Carrie Fisher Gets Posthumous Nomination for ‘Catastrophe'”.

The actress was nominated for her guest role in the Amazon comedy series’ third season as Mia, the troublesome mother of Rob (played by Rob Delaney), an American who moves to London when his one-week fling leads to an unplanned pregnancy. She had finished filming her scenes in the notable sixth episode shortly before her death in December. Fisher was 60 years old when she suffered a major heart attack during a transatlantic flight and died a few days later in the hospital.

…Fisher appeared in four episodes throughout Catastrophe‘s initial two seasons, and her third-season episode became a tribute to the late star. “It was such a shock to lose her and so unexpected and so awful, that all we had was her performance in episode six to think about,” co-creator and star Sharon Horgan told THR of Fisher’s “funny and heartfelt performance” back in April. “So, that’s what we concentrated on: making that episode a dedication to her, I guess, and beyond that, no, because it’s hard watching her onscreen so alive and yet no longer with us.”

(4) CANNED FROG. Steve Whitmire, in “It’s Time To Get Things Started…” at Steve Whitmire Muppet Pundit, says he was fired by Disney.

In 1978 when I was asked to join The Muppet Show, the Muppets were the hottest thing on the planet. I was invited to sit at the feet of the true masters, Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, and Dave Goelz; working alongside them, absorbing different skills from each, as we, along with many talented others, contributed towards the same shared vision, the vision of one man. The result became a skill-set for myself that was sort of a compilation of the best of them all.

For me the Muppets are not just a job, or a career, or even a passion. They are a calling, an urgent, undeniable, impossible to resist way of life. This is my life’s work since I was 19 years old. I feel that I am at the top of my game, and I want all of you who love the Muppets to know that I would never consider abandoning Kermit or any of the others because to do so would be to forsake the assignment entrusted to me by Jim Henson, my friend and mentor, but even more, my hero.

As I am sure you can imagine, I have experienced every possible emotion since October 2016, when I received a phone call from The Muppets Studio’s executives to say they were recasting. Through a new business representative, I have offered multiple remedies to their two stated issues which had never been mentioned to me prior to that phone call. I wish that we could have sat down, looked each other in the eye, and discussed what was on their minds before they took such a drastic action.

(5) ASTRONAUT IN CHARGE. “Former astronaut Julie Payette to be Canada’s next governor general” – the CBC has the story.

Former astronaut Julie Payette will be the Queen’s new representative in Canada, CBC News has confirmed.

The 53-year-old Montrealer, who speaks six languages, will be named the 29th governor general, a position that comes with a $290,660 annual salary and an official residence at Rideau Hall.

Prime Minister Justin Trudeau will make the announcement Thursday.

A computer engineer with a commercial pilot licence, Payette was picked from among 5,330 applicants in 1992 to be one of four new astronauts with the Canadian Space Agency (CSA).

She participated in two space flights to the International Space Station and served as the CSA’s chief astronaut between 2000 and 2007.

Payette is active on a number of causes and has served as a board member for Drug Free Kids Canada as well as being listed as a National Champion of the Trans Canada Trail.

…Acting as the Queen’s representative in Canada, the governor general also serves as commander-in-chief of the Canadian Armed Forces and represents Canada at events, ceremonies and official visits at home and abroad.

(6) POSTMODERN STOIC. Kameron Hurley tells “How Pro Writers Deal with Pro Criticism”.

You write until the words are the right ones.

So if you think that leveling up as a writer means that nobody ever critiques your work again, or every word you shit will be gold, here is your reminder: it doesn’t get easier as you go. The bar gets higher. You need to jump further, climb higher, level up. If you didn’t make a million out the gate your first time, welcome to the long slog toward the breakout book, where you constantly have to stay on top of your game or fall down and start over again.

I have heard from many writers that I was “lucky” to make it out of the implosion of my first publisher with a relatively high profile (if not high $$, though Legion sales are steady af) career afterward. The best writer career path is, frankly, to have a “hit” right out the gate and build on that success. While it’s VERY possible to get a break out later (I can think of several writers who had written anywhere from 4-11 books before their breakout book), it sure does seem easier, from the outside, to build on that success than to take the long way up like I am, slowly, slowly, selling more and more books with every contract.

But here’s the thing. I’m well aware that to write a breakout book, I have to level up my work. We like to pretend it’s ALL luck with a breakout book, and sometimes that’s true (the “Hollywood bought it!” phenomenon), but sometimes it really is about skill, about writing a story that connects with more people, a story folks can’t put down, a story that everyone goes, “You have to read this trilogy because it’s great and OMG the third book has THE BIGGEST PAYOFF AND MOST EPIC THIRD ACT.” That part isn’t luck, it’s writing a good story. And to write that good story takes consulting with other professionals and working to make the story the best it can be. You will always be the ultimate owner of anything that you write (Meyna is staying in the book!), but you have to learn when to be able to take constructive feedback for what it is and when to throw out stuff that doesn’t work with your own vision. That’s a tough skill, I admit. I struggle with it all the time. Being able to sort through feedback to find the right way through takes a lot of practice, and it’s this, too, that makes you a pro.

(7) COLLABORATION. Stewart Baker has tips for “How to Write with a Co-author” at the SFWA Blog.

There are as many different ways to share authorship of a story as there are combinations of people. Some prefer to split up the tasks of writing, with one author creating an outline that the other drafts from, or vice versa. Others might draft every other scene, or only write a particular character’s sections, and so on.

The benefits of co-authoring are potentially great: Each writer has a chance to learn new habits and strategies, and brainstorming can go much more quickly with two people involved. But, as with any kind of partnership, it’s important to establish early on how the relationship is going to work. Making assumptions about the writing process and your expectations for your co-author can lead to misunderstandings and stress, and has the potential to end friendships and scuttle careers.

(8) MARVEL GENERATIONS. Another spin on Marvel Legacy —

In a flash, the Marvel heroes are offered a gift: to stand shoulder to shoulder with those who came before them! These heroic journeys all launch from the same point: the Vanishing Point! This epic 10-issue series brings together iconic and present-day heroes such as Laura Kinney and Logan, Amadeus Cho and Bruce Banner, Clint Barton and Kate Bishop, and many more of your favorite characters. The stories of GENERATIONS begin at the Vanishing Point where time has no meaning, and these epic tales offer fans a direct bridge and prelude into the senses-shattering Marvel Legacy, as the challenges and revelations of GENERATIONS will alter the destinies of our heroes moving forward in a dramatic fashion!

 

(9) NEXT AT KGB. “Fantastic Fiction at KGB reading series” hosts Ellen Datlow and Matthew Kressel present Karen Neuler and Genevieve Valentine on July 19 at the KGB Bar. The event starts at 7 p.m.

Karen Heuler

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and a bunch of other near-misses. She has published four novels and three story collections, and this month Aqueduct Press released her novella, In Search of Lost Time, about a woman who can steal time.

Genevieve Valentine

Genevieve Valentine is an author and critic. Her most recent book is the near-future spy novel ICON; her short fiction has appeared in over a dozen Best of the Year anthologies. Her comics work includes Catwoman for DC Comics and the Attack on Titan anthology from Kodansha. Her criticism and reviews have appeared in several venues including the AV Club, the Atlantic, and The New York Times. Please ask her about the new King Arthur movie.

(10) TODAY’S DAY

Embrace Your Geekness Day

Wellcat Holidays organized the holiday stating that we all should be proud of the things that define us, and little defines us as much as those things we’re passionate about. “Dungeon games, comic books, vampire dress-up” we should have no shame about anything we’re into. In fact, you should shout it loud and proud.

(11) TODAY IN HISTORY

  • July 13, 1984 The Last Starfighter premiered

(12) TODAY’S BIRTHDAY BOY

  • Born July 13, 1940 – Sir Patrick Stewart
  • Born July 13, 1942 – Harrison Ford

(13) STORMY WEATHER. Setting up a close view of the Great Red spot: “NASA Spacecraft Gets Up Close With Jupiter’s Great Red Spot”.

NASA’s Juno spacecraft will be directly over the spot shortly after 10 p.m. ET Monday, July 10, about 5,600 miles above the gas giant’s cloud tops. That’s closer than any spacecraft has been before.

The spot is actually a giant storm that has been blowing on Jupiter for centuries. It’s huge, larger than Earth in diameter.

“It’s lasted a really long time,” says Scott Bolton of the Southwest Research Institute in San Antonio and principal scientist for NASA’s Juno mission to Jupiter. “No scientists really understand exactly how that storm is created or why it could last so long.”

(14) NASA BUDGET. The Planetary Society told members the House of Representatives’ NASA budget includes $62.5 million in support of a new Mars orbiter, “effectively matching the recommendations made by The Planetary Society in our report, Mars In Retrograde: A Pathway for Restoring NASA’s Mars Exploration Program.”

The committee released July 12 the report accompanying the commerce, justice and science (CJS) appropriations bill, which its CJS subcommittee approved on a voice vote June 29. At that time, the committee had released only a draft of the bill, with limited details about how the nearly $19.9 billion provided to NASA would be allocated.

In NASA’s science account, planetary science emerges as a big winner, with the report allocating $2.12 billion, a record level. That amount is $191 million above the White House request and $275 million above what Congress provided in 2017.

Some of that additional funding will go to missions to Jupiter’s icy moon Europa, thought to have a subsurface ocean of liquid water that could sustain life. It provides $495 million for both the Europa Clipper orbiter mission and a follow-on Europa Lander, to be launched by 2022 and 2024, respectively. The administration’s budget request sought $425 million, devoted solely to Europa Clipper.

The report also provides additional funding for Mars exploration, including $62 million for a proposed 2022 orbiter mission. NASA sought just $2.9 million for studies of future Mars missions, raising worries among scientists that NASA would not be able to get an orbiter, with telecommunications and reconnaissance capabilities, ready in time for the 2022 launch opportunity.

(15) FIRST COMICS ENCOUNTERS. A companion piece to NPR’s survey: “Cartoonists Tell Us: What Do Comics Mean To You?”

The first comic book I ever read was an obscure DC title that I begged my parents to buy for me from a rotating rack at a New Jersey Turnpike rest stop. World’s Finest Comics #306, “The Senses-Shattering Saga of Swordfish and Barracuda!” Not the highest of high art, maybe — even the cover described S&B as “THE GREATEST SUPER-HERO TEAM SINCE — WHAT’S-THEIR-NAMES?” But still — that was the first inkling I had that comics could be portals to other worlds, purveyors of strange wonders, and certainly a hell of a lot more entertaining than the blue “sport cloth” backseat of our 1981 Corolla.

In honor of this year’s big reader poll of favorite comics and graphic novels, we’ve asked some very cool comics creators to tell us what comics meant to them, whether as children or adults.

(16) AND TOTO TOO. A “modern dystopian buffet”: “‘Tropic Of Kansas’ Rips Dystopia From The Headlines”

And as has been said a thousand times by critics far smarter than me, there is nothing that happens in science fiction that is not a reflection of our own grubby reality. We have been afraid of nuclear war, of environmental calamity, of technology, plague and politics and the enmity of our fellow man, and these dreads have always made their way into our entertainment. The worse the days, the more baroque the diversions. And these days are very bad indeed.

So this mess of a present has birthed a new breed of dystopian novels, of which Christopher Brown’s Tropic Of Kansas is the latest. Not simple dystopia, but complicated by present reality and recognizable politics. Not nameless or alien, but very much named and very close to home. And while these books have utopian leanings, they are not happy stories. No one walks away smiling. They are revolution porn.

(17) BOY NEXT DOOR. Whatever’s in that radioactive spider bite is great for romance. Page Six reports “‘Spider-Man’ co-stars Tom Holland and Zendaya are dating”, and they’re just the latest.

This isn’t the first time a “Spider-Man” movie brought us new Hollywood romances. Emma Stone and Andrew Garfield began dating while filming “The Amazing Spider-Man” in 2011. Tobey Maguire and Kirsten Dunst also dated during his stint as the superhero in the early 2000s.

We may even get to see Holland and Zendaya’s relationship bloom on-screen as well, as the end of the movie may have foreshadowed a future romance.

(18) WONDER ACCOUNTING. The Hollywood Reporter says Wonder Woman has legs —  “Box Office: ‘Wonder Woman’ Holding Better Than Any Superhero Movie in 15 Years”.

Directed by Patty Jenkins and starring Gal Gadot, Wonder Woman is still going strong as it heads into its seventh week. The movie, grossing $371.3 million through Tuesday, is now assured of topping out at $390 million or more domestically, becoming the No. 8 comic book adaptation of all time, not accounting for inflation. And it will soon pass up Disney and Marvel’s Guardians of the Galaxy Vol. 2 ($385.8 million) in North America to become the top summer earner.

(19) CHICKEN GEAR. Adweek is surprised to discover “KFC Is Now Selling Apparel, Home Goods and a Meteorite Shaped Like a Chicken Sandwich”.

Last week, we mysteriously received a Colonel Sanders pillowcase in the mail, designed to look like we were sleeping together. Now, KFC has explained what that whole thing was all about: As of yesterday, the brand launched KFC Ltd., an online merchandise shop packed with limited-edition goods and high-quality fried chicken apparel.

This includes that randy pillowcase, which you can score for just $14.

It’s easy to compare this idea to Pizza Hut’s Hut Swag idea from last year. But while Pizza Hut was punting stuff like leggings, scarves and hoodies with phrases like “Pizza is bae” (why?), KFC is swinging for a somewhat more discerning (or fetishist) market. Gear includes vintage apparel, “finger lickin’ good jewelry” and—wait for it!—a meteorite they’ve carved into the shape of a Zinger sandwich (which they recently decided to launch into space). The meteorite is going for $20,000.

(20) CHICKEN BLEEP. Io9 has been digging through the documents released from a lawsuit brought by The Walking Dead’s Frank Darabont — “Frank Darabont’s Furious Emails to His Walking Dead Coworkers: ‘Fuck You All'”.

Darabont and AMC spent about six months figuring out what should remain confidential as they prepare their cases and exhibits for New York judge Eileen Bransten. After coming to an agreement, they’ve released thousands of pages of documents, which include depositions, expert testimony, and financial details for other AMC shows like Mad Men and Breaking Bad. The documents show how convoluted Hollywood deals and negotiations are, for better and worse, but they also shine an unflattering light on Darabont’s behavior during his time on The Walking Dead.

One of the biggest conflicts behind the scenes of The Walking Dead was AMC’s decision to cut the budget by almost half a million dollars per episode between seasons one and two. Darabont’s solution, which was to film the whole season in one location, the infamous farmhouse, created problems and resulted in arguably the series’ worst season. Darabont became overwhelmed, struggling to create more with less (plus, AMC demanded to see all the scripts ahead of time), and it showed in his behavior toward the team. Here’s an email to executive producer Gale Anne Hurd and others from June 2011, one month before he was fired:

Fuck you all for giving me chest pains because of the staggering fucking incompetence, blindness to the important beats, and the beyond-arrogant lack of regard for what is written being exhibited on set every day. I deserve better than a heart attack because people are too stupid to read a script and understand the words. Does anybody disagree with me? Then join the C-cam operator and go find another job that doesn’t involve deliberately fucking up my show scene by scene.

This email supports the earlier rumors that Darabont became difficult to work with, along with several other messages that contain just as many profanities toward dozens more behind-the-scenes crew members: camera operators (“Ray Charles could operate better”), an episode director (“It’s like we yanked some kid with no experience out of high school and put her in charge”), and even his writing staff, as shown in a particularly tense email to an AMC executive.

(21) VIDEO OF THE DAY. The Beatles, Hippies, and Hells Angels is a video on Vimeo by Fons Scheidon which is an introduction to a Sky Atlantic documentary about Apple Corps.

[Thanks to Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/3/17 Hokey Tickboxes And Ancient Pixels Are No Match For A Good Filer At Your Side, Kid

(1) STAR WARS CARTOONS. In a Yahoo! Movies piece called “New ‘Star Wars’ Cartoon Shorts Debut Online, Bringing Female Heroes in Full Force”, Marcus Errico says that Disney is releasing sixteen three-minute cartoons online featuring female Star Wars heroes,  The first, “Sands of Jakku” is online and has Daisy Ridley in it.

Lucasfilm Animation has produced an initial run of 16 shorts. New shorts will arrive daily at YouTube.com/Disney ahead of their broadcast premiere on the Disney Channel on July 9. Future episodes will center on Princess Leia, Padmé Amidala, Rogue One‘s Jyn Erso, The Clone Wars fan favorite Ahsoka Tano, and Sabine Wren from Star Wars Rebels, with each installment narrated by Maz Kanata and featuring John Williams’s seminal soundtrack.

In addition to Ridley, film stars John Boyega (Finn), Felicity Jones (Jyn) and Lupita Nyong’o (Maz) will reprise their roles, as will key talent from the TV series Clone Wars and Rebels, including Ashley Eckstein (Ahsoka), Tiya Sicar (Sabine), and Vanessa Marshall (Hera Syndulla).

“The movies tell these epic heroes’ journeys, big pieces of mythology,” Carrie Beck, VP of Lucasfilm Story and Animation and a producer of Forces of Destiny, told Yahoo Movies earlier this year. “For this, we thought these stories could tell those moments of everyday heroism… the kind of stories that would be appropriate over two to three minutes.”

(2) UNHOLY ROAD TRIP. The LA Times questions “Neil Gaiman on the ‘American Gods’ season finale and what’s on tap for Season 2”.

The first season of Starz’s ambitious “American Gods” ended on the brink of a godly brawl. But Neil Gaiman, an executive producer of the series and author of the book from which it is adapted, teases that his divine road trip across the secret supernatural back roads of the United States is just beginning…

Did you have an emotional reaction to the end of the first season of “American Gods?”

I have all sorts of emotions.…I’m fascinated by how involved people are. How grumpy they are about the fact that, now they got their eight episodes, they have to wait for another season. I love watching the joy of having faces that plug into these characters who were names and descriptions in the book. I’m loving seeing how people argue online. There are people out there who think Laura [Moon, played by Emily Browning] is the best female character that they’ve ever seen on television.And there are people who would pay good money to make sure that she never appears on their screen ever again, but they love the whole series apart from her.

(3) GUESS WHO JOINED GAB. GAB is the new message platform popular with Vox Day, Jon Del Arroz, and others who find Twitter hasn’t always appreciated the way they exercise their freedom of speech.

And, unexpectedly, it now is someplace you can find Brianna Wu:

Why did I join Gab? Well, joining App.net early (another Twitter competitior) was amazing for my career. It was a networking goldmine. The other part is, I’m running for congress in a part of Massachusetts with many conservatives. Listening to the other side helps me be a better candidate.

(4) SOCIETY OF ILLUSTRATORS. Top fantastic illustrators Wayne Barlowe, Donato Giancola, Greg Manchess will demonstrate their skills and techniques in an open forum at the Society of Illustrators in New York on July 8 from Noon to 4 p.m.

Plus! Have your portfolios reviewed by renowned art directors Irene Gallo (Associate Publisher, Tor.com/ Creative Director, Tor Books) and Lauren Panepinto (Creative Director, Orbit Books/ Yen Press). 15 minutes reviews. Reservations required

Admission: $50 Non-members | $40 Members | $20 Students/ seniors (Undergrad with valid ID) Price includes the catalog from The Korshak Collection: Illustrations of Imaginative Literature.

(5) SPACE SALVATION. Sylvia Engdahl revives a philosophical debate in “Space colonization, faith, and Pascal’s Wager” at The Space Review.

In his essay “Escaping Earth: Human Spaceflight as Religion” published in the journal Astropolitics, historian Roger Launius argues that enthusiasm for space can be viewed as a religion. He focuses mainly on comparisons with the outer trappings of religion, many of which are apt, but in one place he reaches the heart of the issue. “Like those espousing the immortality of the human soul among the world’s great religions… statements of humanity’s salvation through spaceflight are fundamentally statements of faith predicated on no knowledge whatsoever.”

I think Launius may be somewhat too pessimistic in his assertion that we have no knowledge whatsoever about our ability to develop technology that will enable humans live in the hostile environment of space, but that is beside the point. It’s true that we have no assurance that the colonization of space will ensure the long-term survival of humankind. “Absent the discovery of an Earthlike habitable exoplanet to which humanity might migrate,” Launius continues, “this salvation ideology seems problematic, a statement of faith rather than knowledge or reason.” And the accessibility of such an exoplanet is questionable, since by current knowledge it will not be possible to cross interstellar space rapidly enough to achieve much migration.

It is indeed faith that underlies the conviction that traveling beyond our home world will prevent the extinction of the human race. But Launius’ presentation of this fact seems to imply that it lessens the significance of such a conviction, as if beliefs supported by mere faith were not to be taken seriously. That is far from the case, as the history of human civilization clearly shows. Most major advances have been made by people who had faith in what they envisioned before they were able to produce evidence; that was what made them keep working toward it. Having faith in the future, whether a personal future or that of one’s successors, has always been what inspires human action.

On what grounds can faith without evidence be justified? This issue was addressed by the 17th century philosopher Blaise Pascal in what is known as Pascal’s Wager, now considered the first formal use of decision theory. Pascal was considering whether is rational to believe in God, but the principle he formulated has been applied to many other questions. In his words, “Granted that faith cannot be proved, what harm will come to you if you gamble on its truth and it proves false? If you gain, you gain all; if you lose, you lose nothing.” If on the other hand, you bet on it being false and it turns out to be true, you lose everything; thus to do so would be stupid if the stakes are high.

(6) NEXT AT KGB. “Fantastic Fiction at KGB reading series” hosts Ellen Datlow and Matthew Kressel present Karen Neuler and Genevieve Valentine on July 19 at the KGB Bar. The event starts at 7 p.m.

Karen Heuler

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and a bunch of other near-misses. She has published four novels and three story collections, and this month Aqueduct Press released her novella, In Search of Lost Time, about a woman who can steal time.

Genevieve Valentine

Genevieve Valentine is an author and critic. Her most recent book is the near-future spy novel ICON; her short fiction has appeared in over a dozen Best of the Year anthologies. Her comics work includes Catwoman for DC Comics and the Attack on Titan anthology from Kodansha. Her criticism and reviews have appeared in several venues including the AV Club, the Atlantic, and The New York Times. Please ask her about the new King Arthur movie.

(7) AMBIENT TRIBUTE TO DUNE SERIES. April Larson, a Louisiana ambient/drone/noise musician, has released a tribute album to the original Dune trilogy and the other Dune-related novels on Bandcamp.

It is titled “You Stand in a Valley Between Dunes” and the album features tracks with names such as “The Fall of Ix (Core Instability Mix),” “Lady Jessica,” and “Guild Navigator (Junction).”

April Larson is the representative of a tribe of naga located along the coast of Louisiana. She translates music into sense- data… through a collection of three interlaced brains. She continues her research in oneironautic listening and regularly delivers lectures on relevant tone-clusters to beehives and ghosts.

(8) RYAN OBIT. YouTuber Stevie Ryan (1984-2017): American comedian, actress and writer; found dead by apparent suicide on 3 July, aged 33. She appeared as a version of herself in the experimental thriller John Doe: Diary of a Serial Killer (2015, but apparently never released).

(9) TODAY IN HISTORY

  • July 3, 1985 Back to the Future released, features 1981 DeLorean DMC-12.
  • July 3, 1985 — George Romero’s Day of the Dead is seen for the first time.
  • July 3, 1996 Independence Day was released.

(10) FACE IN A DUFF CROWD. Paul Weimer took this picture on his trip Down Under. I’ve interacted with Ian Mond online but I’ve never seen him before.

(11) SKIFFY AND FANTY POLL. Man, this is a hard one!

(12) BEWARE DOCTOR WHO SPOILER NEWS. You’ve been warned. Tariq Kyle, in “’Doctor Who’ season 10 finale explained: Yes, that is who you think it is” on Hypable, says that the mysterious guy in the end of the Season 10 finale of Doctor Who is in fact William Hartnell (played by David Bradley) and that Hartnell and Peter Capaldi will survive until this year’s Doctor Who Christmas special, at which time Capaldi will regenerate.

Doctor Who season 10 just ended with a cliffhanger that none of us saw coming, and if you’re wondering who the mysterious new character is and where they are in the Doctor’s timeline, then check out our explanation!

Obviously, if you haven’t seen the season 10 finale of Doctor Who yet, beware of huge spoilers. If you continue on and you don’t want to be spoiled, then ¯\_(?)_/¯.

(13) CHILL FACTOR. Reason TV has put out a video called “Mark Hamill v. Autographed Memorabilia:  The Revenge of the Dark Side,” which is mostly about Bill Petrocelli of the San Francisco-based chain Book Passage and how his company will be affected by the California autograph law. The impetus for the law was Mark Hamill’s complaining about fake Hamill autographs, which caught the ear of the legislator who had the law introduced.

(14) WHAT AUNT MAY HAS TO SAY. This is not your uncle’s Aunt May: “WATCH: Marisa Tomei on making Aunt May cooler than Peter in Spider-Man: Homecoming”.

What is different is Aunt May herself. Let’s face it, Tiger: May has never been cooler than she is now, as portrayed by Oscar-winning actress Marisa Tomei. She’s much younger than she’s ever been portrayed in the comics or any of the previous Spider-Man feature films. The fact that the age difference between Peter and May is much less adds a new dynamic to their relationship … but, thankfully, not even a hint of sexual tension. (Hey, the actress brought it up, not me!)

SYFY WIRE talked with Tomei about how her Aunt May still worries about Peter, primarily about the fact that he doesn’t seem to have a social life. We also talked about whether May trusts Tony Stark as Peter’s mentor and what she wants to see in an Aunt May action figure.

 

(15) WHAT’S MY LINE? Meanwhile, back in the Sunday funnies: “Spider-Man and His Inker: Wrists Still Going Strong a Half-Century Later”. Joe Sinnott in his studio; several photos.

Joe Sinnott says spider webs drive him crazy, even though he has been drawing them for over 50 years for one of the world’s most famous superheroes.

“They’ve got to be so accurate, and they’ve got to be the same all the time,’’ he said. “It takes me about three days to do two pages.”

At 90, Mr. Sinnott still brings to life the action tales spun by Stan Lee, the co-creator of Spider-Man, continuing a collaboration begun in 1950 when Mr. Sinnott first went to work for Mr. Lee at what later became Marvel Comics. “Imagine having the same boss for 67 years,” Mr. Sinnott said. He added that they should be in the Guinness World Records book.

With pen and brush, he keeps Spider-Man flying over New York City, soaring from skyscraper to skyscraper, in a never-ending battle against supervillains. “It just takes time putting all those lines, and the tiny spider on Spider-Man’s chest, in such a small space,” Mr. Sinnott said.

(16) WEB REVIEW. The BBC says the new Spider-Man is “fun”.

The makers of Spider-Man: Homecoming have remembered something that the makers of almost every other recent superhero film have forgotten. They’ve remembered that if you’re going to tell a story about someone in a skin-tight costume who can throw cars around like frisbees, then it should probably be fun for all the family. That’s not to say that superhero movies can’t be used to lecture us on the international arms trade, or to examine why allies fall out and turn against each other. But sometimes they should return to their comic-book roots, and offer snazzy, buoyant entertainment for children as well as for their parents – and that’s what the latest Spider-Man film does.

Chip Hitchcock sent the link with a comment: “The story complains that the ‘gauche, geekily enthusiastic youngster with a pubescent squeak of a voice’ isn’t true to the comics; does anyone remember what Parker was like in the very early comics, when he was still in high school (as in the movie)?”

(17) SUNK COST. A first-class ticket to see the Titanic: “The ‘merman’ facing a Titanic mission”

Next year he will be taking dozens of paying passengers down about 12,500ft (nearly 2.4 miles or 3.8km) to the wreck of the Titanic, 370 miles south-southeast of Newfoundland.

OceanGate, the US firm behind the dives, says more people have been into space or climbed Mount Everest than have visited the Titanic’s final resting place.

The firm stresses that it is a survey expedition and not a tourist trip.

Over six weeks from next May, David will make repeated dives in a new carbon fibre submersible called Cyclops 2, designed to withstand depths of up to 4,000m.

On each trip to the bottom of the ocean, he will take three “mission specialists” – passengers who are underwriting the expedition – and a “content expert” with a good working knowledge of the wreck

The expedition doesn’t come cheap. Each one of the 54 people who have signed up for the deep dive is paying $105,129 for the privilege.

(18) LINEUP, SIGN UP, AND RE-ENLIST TODAY. The Washington Post’s Steve Hendrix asks “There are already four-hour lines at Walt Disney World’s new ‘Avatar’-themed attraction. Does Pandora live up to the hype?” And he answers that the Avatar-based “Pandora” section of Disney’s Animal Kingdom is a “trippy, tropical” and “an authentically immersive land that soothes even as it dazzles,” but prepared to wait four hours to get on the two rides in the section.

The Disney iteration, though, takes place generations after the miners have been driven out (hopefully with ample job-retraining for these victims of the War on Unobtanium) and the peacefully gigantic blue Na’vi of Pandora are busy restoring it to space-age splendor. That ingenious conceit allowed planners to combine dystopian ruins (the colossal exo-armor battle suit from the movie’s climax sits rusting outside the gift shop) with lush streambeds and flowering vines.

(19) SUBTRACTION BY DIVISION. Lela E. Buis, in “Does the Hugo really represent fandom?”, totes up the racial and sexual minorities among this year’s Hugo-nominated fiction authors only to find a problem with this diversity. And what is that problem?

So, what are the chances that SFF fandom as a whole would elect this ballot? Remember that taste is never random, but with equal participation I’d expect the SFF readership demographics should roughly match the ballot for a popular award. Assuming that everyone participates, of course.

What does that mean? If the right people were voting for the Hugos the list of winners would look like the Dragon Awards? Is that what this is code for?

(20) APPROPRIATION V. EXCHANGE. K. Tempest Bradford wrote a commentary NPR that declares “Cultural Appropriation Is, In Fact, Indefensible”.

…Cultural appropriation can feel hard to get a handle on, because boiling it down to a two-sentence dictionary definition does no one any favors. Writer Maisha Z. Johnson offers an excellent starting point by describing it not only as the act of an individual, but an individual working within a “power dynamic in which members of a dominant culture take elements from a culture of people who have been systematically oppressed by that dominant group.”

That’s why appropriation and exchange are two different things, Johnson says — there’s no power imbalance involved in an exchange. And when artists appropriate, they can profit from what they take, while the oppressed group gets nothing.

I teach classes and seminars alongside author and editor Nisi Shawl on Writing the Other, and the foundation of our work is that authors should create characters from many different races, cultures, class backgrounds, physical abilities, and genders, even if — especially if — these don’t match their own. We are not alone in this. You won’t find many people advising authors to only create characters similar to themselves. You will find many who say: Don’t write characters from minority or marginalized identities if you are not going to put in the hard work to do it well and avoid cultural appropriation and other harmful outcomes. These are different messages. But writers often see or hear the latter and imagine that it means the former….

[Thanks to John King Tarpinian for some of these stories and the fried chicken. Other story thanks goes to Rob Thornton, Dann, Steve Green, Martin Morse Wooster, Andrew Porter, and Cat Eldridge. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Refrigerator Monologues: Fantastic Fiction Readings Welcome in Summer with Valente and Moraine

Catherine M. Valente and Sunny Moraine

By Mark L. Blackman: On the first evening of summer – the longest night of the year – Wednesday, June 21, the monthly Fantastic Fiction Readings Series presented fantasy authors Catherynne M. Valente and Sunny Moraine at its longtime venue, the aptly-named Red Room of the second-floor KGB Bar in Manhattan’s East Village. (Despite the throng, the room was pleasantly cool; must be the altitude.)

Series co-host Matthew Kressel greeted the crowd, acknowledged the Solstice, and offered a “big, huge, enormous thank-you to everyone who donated to” their fundraiser on Kickstarter to cover the Series’ expenses. (While the readings are always free and there’s no cover charge, it costs money to run; readers receive a small stipend and are treated to dinner afterward.) They raised over $9,700, more than double their goal, enough funds to keep the Series running for at least six more years. Rob Cameron (“Cam”) from Brooklyn Speculative Fiction Writers was given a minute or so to plug the Kickstarter for the second season of their podcast (kaleidocast.nyc). Kressel then announced upcoming readers:

  • July 19: Genevieve Valentine and Karen Heuler
  • August 16: Gregory Frost and Rajan Khanna
  • September 20: Katherine Vaz and Chris Sharp
  • October 18: James Patrick Kelly and Kai Ashante Wilson

All dates are the third Wednesday of the month. Additional details may be found at http://www.kgbfantasticfiction.org/.

Sunny Moraine

The first reader was Sunny Moraine, whose short fiction has appeared in multiple Year’s Best anthologies, her debut short fiction collection Singing With All My Skin and Bone (available from Undertow Publications). She shared two short stories, the first, “Eyes I Dare Not Meet in Dreams,” “by chance” involved refrigerators, and ran last week on Tor.com. A dead girl climbs out of a refrigerator, followed by others; they swarm, spread out, terrorize (certainly intimidate), and soon infiltrate popular culture, from “reality” shows to Law and Order: SVU (“a different type of dead girl”).

Her second offering was the title story from Singing With All My Skin and Bone, which she had never read aloud before. It was, she said, “the most intensely personal story [she] ever published.” A young witch’s pain and scars awaken “flesh and blood magic.” The story was disturbingly captivating, a stunning contrast from her other story’s satiric absurdity. (“That was a brave thing to get up and read in public,” said one audience member.)

After an intermission, co-host Ellen Datlow opened the second half of the program by giving away two anthologies, exhorting us to thank the Bar by buying drinks, and introducing the next reader.

Catherynne M. Valente

Catherynne M. Valente is the New York Times bestselling author of over 30 books of fiction and poetry, including Palimpsest, the Orphan’s Tales series, Deathless, Radiance, The Refrigerator Monologues, and the crowdfunded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (and the four books that followed). She has been a finalist for the Nebula and World Fantasy Awards, and has earned the Andre Norton, Tiptree, Prix Imaginales, Eugie Foster Memorial, Mythopoeic, Rhysling, Lambda, Locus, Romantic Times and Hugo Awards, and, just this week, the 2017 Theodore Sturgeon Memorial Award (for “The Future is Blue”). (She tweeted: “OMG you guys I won the Sturgeon Award! I’m a real science fiction writer now!”)

“To continue the cold storage theme” of the evening, she read a selection from The Refrigerator Monologues, which she described as “The Vagina Monologues for superhero girlfriends.” Though she didn’t elaborate further, there is a distressing tendency in superhero comics for women – wives and girlfriends of superheroes and female heroes – to be victimized, assaulted, crippled or murdered as a plot point to motivate male superheroes so that their storyline may progress. The exemplar is Alexandra DeWitt, Green Lantern Kyle Rayner’s girlfriend, who literally was “refrigerated,” killed and stuffed into a fridge by a supervillain. (The term “Women in Refrigerators” was coined by Gail Simone, and Valente co-dedicated the book to her.) Then there’s Gwen Stacy in Spider-Man (indeed, her fate in The Amazing Spider-Man 2 “pissed me off,” said Valente elsewhere, and inspired her to “throw art in its face”) and Barbara Gordon, the first Batgirl (see The Killing Joke), and two words: Lois Lane. The Refrigerator Monologues is a series of six linked stories from the perspectives of these women – they call themselves the Hell Hath Club – who meet in the Underworld (in the sense of the Afterlife, not the criminal world), in the Lethe Café in Deadtown, and share their tales of woe.

In the selected story, alternately bitter and darkly humorous, failed actress Daisy Green, girlfriend of the Insomniac, a Ukrainian immigrant to Brighton Beach-Coney Island who received “a Christmas wish list of superpowers” at Chernobyl (one of which is apparently sucking up all of her luck), is victimized nightly by Miasma, a living nightmare who returns relentlessly from his defeats. Eventually, she flees back to Hollywood, adopting her own secret identity (complete at times with skintight outfit and mask), Delilah Daredevil, porn star, with, ultimately, a tragic ending.

At the back of the room, copies of The Refrigerator Monologues and Singing With All My Skin and Bone were for sale by the Word Bookstore of Greenpoint, Brooklyn (and also Jersey City).

Prior to the reading, Datlow, as usual, whirled through the room, taking pictures. Her photos of the event may be seen on her Flickr page, linked to the Series’ website.

Pixel Scroll 6/15/17 Go Ahead, Make My Pixel

(1) THINKING INSIDE THE BOX. “This was amazing,” says James Bacon about a special feature of Lazlar Lyricon 3, a Hitchhiker’s Guide to the Galaxy convention held last weekend. “I was on the committee and it was an incredible endeavour.”

It’s all about Chris Tregenza and Jess Bennett and “The Secret of Box 42”.

Idea, Idea, A Kingdom for an Idea

Even with our self-imposed restrictions we struggled to think of anything at first. Every idea was discarded as being too profligate, too big, too small or simply impractical.

Then, bouncing around ideas with the aid of a bottle of wine (or two), our conversation drifted onto computer games and how in games like Skyrim there are treasure chests scattered around from which the player can take loot. In any particular game, all the treasure chests have an identical appearance and the player quickly associates that graphic with a reward even though sometimes the chests are empty. This led the conversation into Pavlovian conditioning and Skinner’s pigeon experiments and then bang! We asked ourselves a question.

What happens if we applied the same psychology in the real world by scattering boxes containing treasure around a convention? ….

What’s In The Box

Our first step was to brainstorm lots of ideas for box contents which we then loosely organised into different types. After some refinement we ended up with five classes of boxes inspired by the five levels of Maslow’s hierarchy: rewards, treasures, activities, quests and meta. Each of the types had a different purpose and place in the overall game.

Reward boxes were primarily a simple psychological conditioner. Inside these boxes were sweets or other gifts along with instructions to €˜help yourself’. These boxes were designed to build a positive association with opening boxes. Treasures were like rewards except they only contained a single valuable item which anyone could take if they chose. This introduced rarity and encouraged people to look in the boxes quickly before someone else took the item. Activity boxes instructed the opener to do something such as play a game or challenge someone to a duel. In these boxes were appropriate things (like a deck of cards or toy guns) but unlike the reward boxes, the instructions only suggested the box opener used them, not keep them. Meta-boxes contained nothing except a quote from the Hitchhiker’s Guide To The Galaxy. The chosen quotes were amusing in their own right but also all related to the theme of hunting for the meaning of life.

(2) DITCHING THE RECEIVED WISDOM. Jason Sanford breaks the rules! gisp “Oh writing advice which I loathe, let me count the ways I’ve ignored you”. Sanford confesses eight violations.

Thinking about all the writing advice I don’t follow. This should mean I’m a literary failure. Instead, my stories are published around the world.

So what writing advice have I failed to follow? Let’s count down the greatest hits of advice I’ve ignored.

  1. “Write what you know.” Didn’t do that. I write science fiction and fantasy set in imaginary worlds I’ve never known. I create what I know!

(3) SOLAR TREK. From Space.com, Intergalactic Travel Agents rate the “Solar System’s Best and Worst Vacation Destinations (Video)”.

Part of the purpose of this interview is to promote Olivia Koski’s and Jana Grcevich’s book, Vacation Guide to the Solar System, which plans vacations using current astronomical knowledge.

(4) WHAT MUSIC THEY MAKE. Seanan McGuire recently had a special encounter with some children in an airport. The Twitter stream here is well worth a gander.

(5) KICKSTARTER REACHES GOAL. The 2017 Fantastic Fiction at KGB Kickstarter is a huge success, reports co-host Matthew Kressel, providing enough funds to keep the series running for at least six more years. The Fantastic Fiction at KGB reading series Kickstarter ran from May 17 through June 14 and raised $9,771 (before Kickstarter and credit card processing fees)€¦. Dozens of rewards were chosen by 196 different backers.

Why We Needed Financial Support Each month we give the authors a small stipend, we tip the bartenders (who always give the authors free drinks), and we take the authors and their partners/spouses out for dinner after the reading. Since it typically costs us around $120 per month, we need $1500 per year to maintain the series. We were looking to raise $4500, which would allow us to keep the series running for another three years. Each additional $1500 let us run for an additional year. Fantastic Fiction has been a bright light in the speculative fiction community for nearly two decades, and because of your help we will continue for many more years to come. Thank you!

(6) DIDN’T SEE THAT COMING. Today Mary Robinette Kowal give her platform to Jon Del Arroz: “My Favorite Bit: Jon Del Arroz talks about FOR STEAM AND COUNTRY” .

(7) OH BOTHER. Goodbye Christopher Robin is the “based on a true story” movie about A.A. Milne, his son, and the Winnie-the-Pooh stories.

(8) HARRYHAUSEN ART. Tate Britain will host an exhibition of The Art of Ray Harryhausen from June 26 through November 19.

Explore drawings and models by Ray Harryhausen with some of the art that inspired him

The American-born Ray Harryhausen (1920-2013) is one of the most influential figures in cinema history. In a succession of innovative, effects-laden movies, from The Beast from 20,000 Fathoms 1952 to Clash of the Titans 1981, Harryhausen created fantastic worlds and creatures that have inspired generations. He is acknowledged as the master of stop-motion animation techniques, involving models being moved and filmed one frame at a time to create the illusion of movement.

Harryhausen attended art classes as a young man, and readily acknowledged his debt to earlier painters and illustrators. The epic scenery and towering architecture of 19th century artists Gustave Dore, and John Martin were especially important to him, and he collected prints and paintings by both artists.

(9) TODAY IN HISTORY

  • June 15, 1973 The Battle for the Planet of the Apes premiered

(10) TODAY’S BIRTHDAY BOY

  • Born June 15, 1941 — Graphic artist Neal Adams.

Adams has worked hard in the comics industry bringing to life such fascinating characters as Superman, The Flash, Green Lantern, The Spectre, Thor, The X-Men, and countless others. For those wanting to know about the man and his career, you can check out his website right here. Adams was born on this day in 1941.

(11) THIS JUST IN. AND OUT. The New York Post reports “Sex in space is a ‘real concern’ that science needs to figure out”.

Romping in space is a “real concern” for astronauts, a top university professor has warned.

It’s something we know little about — but it’s crucial if we ever want to colonize other planets like Mars.

During a recent Atlantic Live panel, Kris Lehnhardt, an assistant professor at George Washington University, said the topic needs to be addressed immediately.

He said: “It’s a real concern — something we really don’t know about is human reproduction in space.”

“If we actually want to go places and stay there, there’s a key component and that’s having babies,” he added.

(12) MIGRATION. Richard Curtis, President of Richard Curtis Associates, Inc. broadcast this information:

Our curtisagency.com server crashed, and as it’s been happening a little too often lately I’m going to switch to gmail. So please use rcurtisagency@gmail.com going forward.

(13) PARSEC DEADLINE. Podcasters who have been nominated for a Parsec Award must submit their judging sample by July 16.

Podcast material released between May 1, 2016 and April 30, 2017 is eligible for the 2017 awards.

Material released needs to be free for download and released via a mechanism that allows for subscriptions (RSS Feed, iTunes, YouTube…). More rules and guidelines are posted at our website.

(14) EXTRA CREDITS. Top 10 Marvel post-credit scenes. Carl Slaughter says, “Notice this is an Avengers heavy list. Also, there is a conspicuous X-Men and Guardians absence.”

[Thanks to James Bacon, Cat Eldridge, John King Tarpinian, Rose Embolism, Jon Del Arroz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Pixel Scroll 6/12/17 Avoid The Green Pixels, They’re Not Ripe Yet

(1) READING SERIES CROWDFUNDING. Less than two days to go in the Fantastic Fiction Kickstarter at KGB and Matthew Kressel says they’re still about $1500 shy of what they need to run for six years.

Here are a few of the clever Facebook appeals made by the Kindling Kris Dikeman to encourage people to squeeze out a few more bucks for the series.

  • Sick of how things are going? Hoping the singularity hits soon? You can make things better right now by supporting the Fantastic Fiction Reading Series Kickstarter. The Fantastic Fiction series helps writers promote their work and creates a community for genre artists. Pay tribute to our future robot overlords and receive cool stuff at http://kck.st/2rq5KFA
  • Has the state of our world got you wishing the zombie apocalypse would just start already? You can make the world a better place without the rotting undead’s help by supporting the Fantastic Fiction Reading Series Kickstarter. The Fantastic Fiction series helps writers promote their work and creates a community for genre artists. Plus, you’re going to need stuff to read while you’re cowering in the dark. Check it out: http://kck.st/2rq5KFA
  • Considering a move to the Shire to escape the current state of the world? Put down that second breakfast and shuffle your hairy little feet on over to the Fantastic Fiction Reading Series Kickstarter. The Fantastic Fiction reading series helps writers promote their work and creates a community for genre artists. Galadriel sez: do it for me, hafling: http://kck.st/2rq5KFA

(2) DISAPPOINTMENT. Mari Ness sent a series of tweets discussing why she isn’t on Worldcon 75 programming.

(3) WILD CARDS. In “Something Old, Something New…” George R.R. Martin refutes an old complaint, then explains why readers will have no grounds for it in the Wild Cards book coming out tomorrow.

I’ve had some readers complain about my name being featured on the covers of the Wild Cards books because I “didn’t write them.” That’s a bullshit complaint, IMSHO. No, I am not the sole author of the Wild Cards stories, I am only one of… ah, lemme see, I believe it was forty-one writers at last count.

I am, however, the editor of every single one of the twenty-three volumes published to date, and the new ones in the pipeline as well… the guy who recruits all those writers, determines the ‘overplots’ of the triads, solicits proposals, accepts and rejects, and gives extensive notes on rewrites. (And there’s a LOT of rewriting in Wild Cards, to make all the bits fit together so the whole will be more than the sum of its parts). It’s a lot more work than any other sort of anthology, believe me… though I love it, so I don’t complain… too much. I earn those credits, and to suggest that my name is just being ‘slapped on’ the covers while someone else does the work is as ignorant as it is offensive.

(4) BIRD IS THE WORD. At Tor.com, Aidan Moher makes Yoon Ha Lee’s Raven Stratagem sound irresistible.

Unlike its predecessor, Raven Stratagem requires no warming up period. Very little of the narrative in Raven Stratagem is bogged-down by incomprehensible infodumps about “calendrical rot.” In comparison, it feels open and airy. Through Cheris and Jedao, Lee proved his ability to create complex and interesting characters, and this time around he throws the doors open by introducing several new point-of-view characters, all of whom are engaging in their own way. From the crashhawk Brezan, who’s on a mission to take Jedao down, to General Kel Khiruev, who is reluctantly beholden to the undead general after he commandeers her swarm, to Shuos Mikodez, leader of a faction of assassins, each of the major players has their own well-defined and compelling part to play in Raven Stratagem’s overall narrative. They’re all damaged and dangerous, full of regrets, but they are also vulnerable and likeable in a way that allows readers to connect with them on the right emotional level.

(5) FOOLPROOF WISDOM. Timothy the Talking Cat continues to dispense advice to writers in “More Mentoring from Tim” on Camestros Felapton’s site. It’s all one graphic, so we’ll have to do without an excerpt. But I’m sure knowing Timothy’s track record you have already clicked through before reaching the end of this paragraph.

(6) AUSTIN OBIT. UK comics fan Alan Austin died May 9.

Alan Austin, pioneer of UK comics fandom and a long-time friend of 30th Century Comics, passed away yesterday morning after a long struggle with cancer.

Beginning in the 1970’s, Alan published the long-running fanzine Fantasy Unlimited (later Comics Unlimited), which drew together comics enthusiasts from all over the UK, and indeed, all over the world. He also published Whiz Kids, Golden Age Fanzine, and the Marvel Super-Hero Index, as well as being a co-publisher of the very first Comics Price Guide for Great Britain. For many years, he ran the shop Heroes, in Islington, London, and in later years was a regular feature at UK comic marts.

Neil Gaiman purchased his first Spirit comic book from Austin’s shop in 1975.

(7) VERDUGO OBIT. Actress Elena Verdugo died May 30. Her radio, movie and TV career spanned six decades. Although she was best known for her TV role in Marcus Welby, M.D., her genre work included horror movies like The Frozen Ghost (1945). Here’s an excerpt from her New York Times obituary,

… Because she had a Hispanic surname, Hollywood mostly typecast her in horror movies and comedies as Gypsy girls, Indian maidens, Mexican peasants, harem handmaidens and South Sea islanders. “With that name, they don’t call you up to do little American parts,” she was quoted as saying in “Women in Horror Films, 1940s” (1999) by Gregory William Mank. “They think you’re a black-eyed, dark-haired señorita” and I’m blond. So I put on my wig and tried to live up to what they thought ‘Spanish’ to be or ‘Gypsy,’ or ‘native,’ or something.”

She later played opposite Lon Chaney Jr. and Boris Karloff in Universal’s “House of Frankenstein” (1944), in which a trio of movie monsters collaborate against their makers’ enemies, and in “The Frozen Ghost” (1945), also opposite Chaney.

(8) TODAY’S DAY

Superman Day

What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world.

Mark Seifert at Bleeding Cool News has more:

In 2013, DC Entertainment declared June 12 as Man of Steel day “in celebration of the summer’s most eagerly anticipated film”. The date seems to have stuck, with a name change to “Superman Day” because I’ve seen a whole lot of #supermanday hashtags in my twitter feed this morning. I know that Metropolis, IL just held their Superman Celebration over the past 4 days€¦

(9) TODAY IN HISTORY

  • June 12, 1968 Rosemary’s Baby first seen this day.
  • June 12, 1987 Predator first played to audiences.
  • June 12, 2015 Jurassic World debuted.

(10) PAST TENSE. ComicsBeat tees up an unusual WW2-era critique, “Bennett and Savuage take on Japanese Internment in new BOMBSHELLS UNITED series”.

It was important to Bennett to make her takes on DC’s greatest heroines less inherently perfect and to provide them with the opportunity for improvement and redemption. “I’m very into fallible heroines,” Bennett explained. “I understand why so many inspirational characters are given to girls, whether it’s to make up for the years that their weren’t any or that there were so many damsels in distress, but there’s a degree at which when we only give children– but little girls especially– aspirational heroines, we’re denying them the ability to screw up. To have a complete human experience. Being a child and seeing these role models, I knew that I could never possibly compete or live up, so when I screwed up it was horrible. These characters weren’t afforded the opportunity to fail and come back from it.”

Indeed, the first arc of Bombshells United is all about failure– in particular, America’s failure to protect the rights of up to 120,000 Japanese Americans when the national government imprisoned them in internment camps for the duration of World War II. In Bennett’s exploration of Japanese American internment, she casts Cassie Sandsmark and Donna Troy, two characters who have carried the Wonder Girl moniker, as second generation Japanese Americans whose friends and family are being held against their will. While Cassie and Donna are not Japanese in the mainstream DC Universe, according to Bennett, these are her universe’s “definitive versions” of the characters.

(11) POSTSCRIPT. Abigail Nussbaum has more to say — “Five (Additional) Comments on Wonder Woman”.

My problem, however, with talking about Wonder Woman as a feminist work is that most of that feminism is external to the film. That is, Wonder Woman is feminist because of what it is, not because of what it does. To be clear, I absolutely agree with the statement that being the first movie about a female superhero in the current, mega-successful iteration of superhero movies (and one of only a small number before that) is a feminist act in its own right. But there’s only so much that you can say about that, and that’s a problem that is exacerbated by Wonder Woman herself. More than almost any other character in pop culture, Diana exists outside of patriarchy. And while it’s powerful to see a woman who brushes aside the assumption that she’s not as good as a man because the very idea that this might be true is completely foreign to her heritage and upbringing, what this also means is that a lot of the central questions of feminism are equally foreign to her. I’m not as down on Wonder Woman as Jill Lepore, writing in The New Yorker, but she’s not wrong when she says that “Gadot’s Wonder Woman doesn’t fight for rights because she transcends that fight; she is unfettered by it and insensible to it, an implausible post-feminist hero.” Diana’s journey over the course of the movie involves learning to see humanity–or, as she puts it, “men”–for what it is, with all its strengths and flaws. But left completely unacknowledged is the degree to which the cruelty of men is often visited upon women. How does Diana’s bemusement at the concept of marriage face up to the discovery that almost all of the people she meets in 1918 would consider it acceptable for a man to beat his wife? How does her decision to engage in heterosexual intercourse change in light of the fact that she is moving through a rape culture? How does her joy at seeing a baby withstand the knowledge that most women in that period have no choice in when or whether to have children, and that many of them die in childbirth?

(12) WONDER WHY. Meanwhile, Stephanie Abraham clearly feels there’s no pop culture victory that can’t be pictured as a defeat with a little effort — “When Will Wonder Woman Be a Fat, Femme Woman of Color?”

Why couldn’t Wonder Woman be a woman of color? When it was announced that Gadot would play Wonder Woman, audiences went wild body shaming her for not having large enough breasts. One can only imagine the white supremacy that would have emerged had the announcement said instead that she would be played by a Black woman. On Paradise Island, there are Black warriors in addition to white ones, which is a good start, but other women of color are missing. Also, while the female warriors are strong and ass-kicking, they all have tall, thin body types and they all could be models on a runway. In fact, in a pivotal battle scene, Wonder Woman struts across the battlefield as if on a catwalk. As a result, their physical strength plays second fiddle to their beauty, upholding the notion that in order to access power women must be beautiful in a traditional way. Especially with the body positivity movement gaining steam, the film could have spotlighted female warriors with fat, thick and short body types. While people have said that warriors can’t be fat, some of our best paid male athletes are, particularly linebackers on the football field, and no one doubts their physical strength.

Another problem is that the story’s overt queerness gets sublimated by heteronormativity. Diana comes from a separatist commune of women who have intentionally chosen to live without men. In one of the first scenes between Diana and Steve, she explains that she read 12 volumes of a series on sex that concluded that while men are required for reproduction, when it comes to female pleasure, they’re unnecessary. While a love story develops between them, a requirement in superhero stories, Diana thankfully doesn’t compromise her integrity for him.

(13) GENRE MOVIE POSTERS. Bill recommends Posteritati

Hundreds of SF movie posters: https://posteritati.com/genre/sci-fi?page=1

Hundreds more Fantasy movie posters: https://posteritati.com/genre/fantasy?page=1

Note: click “In Stock Only” to “off” to maximize browsing.

(14) BIONIC HANDS. Click on “3D printed bionic hands trial begins in Bristol” to see the video report.

The world’s first clinical trial of 3D printed bionic hands for child amputees starts this week in Bristol.

They are made by a South Gloucestershire company which only launched four years ago.

If the trial is successful the hands will become available on the NHS, bringing life-changing improvements for patients.

(15) PROSPECTIVE ASTRONAUTS. NPR’s story “Meet Your Lucky Stars: NASA Announces A New Class Of Astronaut Candidates” comes with pictures and short interviews.

Jasmin Moghbeli, one of the dozen candidates, spoke with NPR’s Lulu Garcia-Navarro from Houston’s Johnson Space Center, where she’ll undertake the training program starting in August.

Moghbeli, who says she’s wanted to be an astronaut since the sixth grade, talked about what kind of candidate it takes to earn the coveted spot.

“Start looking into science, technology, engineering, math, those kinds of fields,” the German-born, New York native says. But whatever you do, she says, love it.

“There were many other applicants that applied who were extremely qualified for this position that aren’t lucky enough to be sitting up here like I am,” she adds. “So make sure you’re doing what you love. If I did not get the call saying, ‘Hey can you join us here at NASA?’ I still would’ve been extremely happy in the career that I was in.”

The seven men and five women of the class bring an impressive resume to NASA: The astronaut candidates are an athletic crew and include former SpaceX employees, a marine biologist and half of them are military officers.

(16) CAPED CLAPTRAP. Glen Weldon claims “Adam West Saved Batman. And Me.” If only by reaction — the author argues that the show was so silly it revived interest in the One True Dark Knight.

In my book, The Caped Crusade: Batman and the Rise of Nerd Culture, I attempt to unpack how the show, and West’s performance in particular, are the reason anyone’s talking about the character of Batman today.

Batman comics had languished near the bottom of the sales charts — the publisher even made (likely disingenuous) threats to cancel them outright — before West took the hero into the mainstream. The mainstream embraced him, and — after a brief Batmania fad gripped the country in 1966 — swiftly tired of all things Bat. Batman comics sales plummeted again.

Comics creators and fans resented the clownish version of their hero who’d spent time in the cultural spotlight, and reacted against it by engineering a version of the character who was — specifically and intentionally — everything West’s Batman wasn’t: dark, haunted, gothic, brooding. Obsessed.

A new generation of comics readers — who knew a little something about obsession — saw themselves in this new, grim, self-serious Batman. For better or worse, he’s been DC Comics’ top-selling hero ever since.

(17) NOT FOR NO PARTICULAR REASON. Whenever Larry Correia blows his stack at me, once he finally runs out of obscene things to say, which takes awhile, the next thing he does (like today) is tell people I keep linking to his blog to get pingbacks that will lure traffic from his popular site. Which is not only a lie – I link whenever I have an interest in an item – but is absurd on its face. Below are the Alexa rankings for our two sites. And the fact is that although Correia has repeated this claim several times since 2014, at no time then or now was his site ranked above mine, or anywhere close to it.

(Bear in mind that 1 would be the highest ranking, so the site with the most traffic has the lower rank numbers.)

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Andrew Porter, Bill, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 6/6/17 Scrolltime For Pixels

(1) RABID DRAGONS. Vox Day has posted his picks for “Dragon Awards 2017”. Castalia House and John C. Wright are well represented, along with other things he likes. But poor Declan Finn — he’s not on the list.

(2) BOOZY BARBARIANS. Fritz Hahn, in a Washington Post piece called “A ‘Game of Thrones’ pop-up bar where you can drink Dothraquiris on the Iron Throne”, reviews the Game of Thrones Pop-Up Bar, which will be open throughout the summer and where you can drink The North Remembers from a horn as well as all the Ommegang Game of Thrones beers. But don’t take any broadswords there or the bouncers will confiscate them!

After pop-up bars dedicated to Christmas, “Stranger Things,” cherry blossoms and Super Mario, the Drink Company team is turning the former Mockingbird Hill, Southern Efficiency and Eat the Rich spaces into five settings evoking George R.R. Martin’s novels. (Doors open June 21, just a few weeks before Season 7 premieres on HBO.) Immersive rooms include the House of Black and White (where you’ll find a Wall of Faces made of molds of employees and friends of the bar) and the Red Keep, where you can pose for a photo as House Bolton’s flayed man. There will be dragons and house banners, of course, though the real centerpiece will most likely be a full-size replica of the Iron Throne, which co-founder Derek Brown says “is going to be totally ridiculous.”

(3) OCTAVIA BUTLER SET TO MUSIC. A theatrical concert based on Octavia E. Butler’s Parable of the Sower is coming to Chapel Hill, NC in November.

Singer-songwriter-guitarist Toshi Reagon is a celebration of all that’s progressive and uplifting in American music. Written by Toshi in collaboration with her mother — iconic singer, scholar and activist Bernice Johnson Reagon — this powerful theatrical concert brings together 200 years of African American song traditions to give life to Octavia E. Butler’s acclaimed science fiction novel, with revealing insights on gender, race and the future of human civilization.

 

(4) SPECIAL NASFIC OBSERVATORY TRIP. NorthAmeriCon ‘17 members have a chance to join guest of honor Brother Guy Consolmagno, the “Pope’s Astronomer,” on a special tour of the Arecibo Observatory. Find out how at the link.

There are 25 spaces available for the VIP tour, which includes the visitor’s center as well as a 30-minute behind-the-scenes tour in small groups. Since we anticipate that demand for the VIP tour may exceed supply, we are creating a lottery to allocate these spaces. An additional 25 spaces will be available on the bus for the Visitor’s Center only.

The lottery will close at 10 pm ET on Monday, June 12. So as long as you request a spot by then you have an equal opportunity to be picked.

Also, the convention room rate for the Sheraton Puerto Rico Hotel and Casino ends on June 12. Reserve your rooms at the this link.

(5) WHETHER OR NOT YOU WISH. “This is really a neat piece, about the universe where a fantasy princess became a warrior general,” notes JJ, quite rightly. Princess Buttercup Became the Warrior General Who Trained Wonder Woman, All Dreams Are Now Viable by Tor.com’s Emily Asher-Perrin.

Spoilers ahead for the Wonder Woman film.

Those who know the secrets of William Goldman’s The Princess Bride know that he started writing the story for his daughters, one who wanted a story about a bride and the other who wanted a story about a princess. He merged those concepts and wound up with a tale that didn’t focus overmuch on his princess bride, instead bound up in the adventures of a farmboy-turned-pirate, a master swordsman in need of revenge, a giant with a heart of gold, and a war-hungry Prince looking for an excuse to start a terrible conflict. It was turned into a delightful movie directed by Rob Reiner in 1987.

The princess bride in question was played by a twenty-year-old Robin Wright….

(6) HENRY HIGGINS ASKS. In “Why Can’t Wonder Woman Be Wonder Woman?” on National Review Online, editor Rich Lowry says that conservatives will find much to like in the new Wonder Woman movie. He also addresses the mighty controversy about whether the film is feminist because Gal Gadot has no armpit hair in the movie…

(7) FANTASTIC FICTION AT KGB READING SERIES. On June 21, hosts Ellen Datlow and Matthew Kressel present Catherynne M. Valente & Sunny Moraine. The event begins 7 p.m. at the KGB Bar.

Catherynne M. Valente

Catherynne M. Valente is the New York Times bestselling author of over 30 books of fiction and poetry, including Palimpsest, the Orphan’s Tales series, Deathless, Radiance, The Refrigerator Monologues, and the crowdfunded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Own Making (and the four books that followed it). She is the winner of the Andre Norton, Tiptree, Prix Imaginales, Eugie Foster Memorial, Mythopoeic, Rhysling, Lambda, Locus, Romantic Times and Hugo awards. She has been a finalist for the Nebula and World Fantasy Awards. She lives on an island off the coast of Maine with her partner, two dogs, three cats, six chickens, and a small army of tulips.

Sunny Moraine

Sunny Moraine’s short fiction has appeared in Clarkesworld, Tor.com, Nightmare, Lightspeed, and multiple Year’s Best anthologies, among other places. They are also responsible for the Root Code and Casting the Bones trilogies and their debut short fiction collection Singing With All My Skin and Bone is available from Undertow Publications. In addition to time spent authoring, Sunny is a doctoral candidate in sociology and a sometime college instructor. They unfortunately live just outside Washington, DC, in a creepy house with two cats and a very long-suffering husband.

KGB Bar, 85 East 4th Street, New York (just off 2nd Ave, upstairs.). Remember to donate to their Kickstarter. Readings are always free.

(8) THE FIELD OF MARS. Esquire explains “Why Wonder Woman Has the Most Powerful Opening Scene In Comic Movie History”.

The opening scene in Wonder Woman is a stunning statement: On the enchanted island, the Amazonian women prepare for the day the god of war Ares finds them and tries to wipe them out. To prepare for the god of war is to prepare for war. The camera swoops through the training ground, capturing the Amazonian warriors as they practice wrestling, hand-to-hand combat, archery, and horsemanship. They clash, fists to skin, on a lofted pedestal. They flip from their horses in slow motion, and they smash each other to the ground, all gleaming armor and sinewy muscle as they whirl through the air, braids whipping and breastplates glinting.

It’s a purely physical display of beauty and strength. In a brief minute of film, these women redefine what it means to be a fighter, setting the tone for the rest of the movie: This is going to be two hours of a woman who was raised by women charging straight into the bloody fray of war. You just don’t ever see this bodily type of combat training with women in a movie, and it is enough to make you giddy with anticipation of whatever graceful punishment the Amazonian women will dish out against a real enemy.

(9) BLUE MAN GROUP. I guess they are not playing around. “21st Century Fox’s FoxNext Acquires Mobile Game Studio Group Developing ‘Avatar’ Title”Variety has the story.

FoxNext, the recently formed gaming, virtual reality and theme parks division of 21st Century Fox, is sinking its teeth into the $40 billion mobile games market.

FoxNext has acquired mobile-game developer Aftershock, the entity spun off from Kabam after South Korean gaming company NetMarble acquired Kabam’s Vancouver studio and other assets last December in a deal reportedly worth up to $800 million.

Aftershock — which has studios in L.A. and San Francisco — currently has three titles in development. The only one that’s been publicly announced is a massively multiplayer mobile strategy game for James Cameron’s “Avatar” franchise, in partnership with Lightstorm Entertainment and 20th Century Fox.

(10) WHEN HE’S WRONG. ComicMix’s John Ostrander has a bone to pick with Bill Maher. (And it’s not the one I expected.)

Maher is very attack orientated and each week he winds up his hour with a rant on a given topic., Usually, I find him really funny and incisive but Maher does have his blind spots. He is anti-religion — Islam in particular. He thinks the majority of American voters to be morons and says so, which I find to be a broad generalization, counter-productive and not true.

His past two shows featured rants that gored a pair of my oxen. One was on space exploration, such as terraforming and colonizing Mars, and the other was a screed against super-hero movies.

Maher argued (ranted) that we should not be exploring space or even think of colonizing Mars so long as we have so many problems here at home. Neal DeGrasse Tyson rebutted Bill the following week when he pointed out that any technology that could terraform Mars could also terraform the Earth and restore what has been ravaged. I would add that a lot of our technological advances are a result of space exploration. That computer you carry in your pocket? That’s a result of the need to reduce the size of computers while making them faster and stronger to be of use to astronauts in space. Sorry, Bill, you didn’t think this through.

Then on his most recent show, Maher was quite disdainful about superhero movies in general.

He said there were too many superhero shows on TV and too many superhero movies at the cineplex and blamed the genre for the rise of Donald Trump. He said they “promote the mindset that we are not masters of our own destiny and the best we can do is sit back and wait for Star-Lord and a f*cking raccoon to sweep in and save our sorry asses. Forget hard work, government institutions, diplomacy, investments — we just need a hero to rise, so we put out the Bat Signal for one man who can step in and solve all of our problems.”

(11) BEESE OBIT. Conrunner Bob Beese suffered an aortic aneurysm and passed away on Friday, June 2. He is survived by his wife Pat “PJ” Beese. Both were past Marcon guests of honor.

Bob Beese worked on Chicon IV (1982) and other Chicago cons.

(12) TODAY IN HISTORY

  • June 6, 1933 — The first drive-in movie theater of the United States opened in New Jersey.
  • June 6, 1949 — George Orwell’s novel of a dystopian future, Nineteen Eighty-four, is published. I may have to run this again in two days — many sources, including the Wikipedia, say it was published on June 8. The correct date has probably been lost down the Memory Hole.

(13) NEW MIDDLE GRADE FICTION PRIZE. Joan Aiken’s estate and the A.M. Heath Literary Agency have announced the creation of the Joan Aiken Future Classics Prize.

A.M. Heath and Lizza Aiken, Joan’s daughter, are launching a competition to find a standout new voice in middle grade children’s fiction.

Joan Aiken was the prizewinning writer of over a hundred books for young readers and adults and is recognized as one of the classic authors of the twentieth century. Her best-known series was ‘The Wolves Chronicles’, of which the first book The Wolves of Willoughby Chase was awarded the Lewis Carroll prize. On its publication TIME magazine called it: ‘One genuine small masterpiece.’€¯ Both that and Black Hearts in Battersea have been made into films. Joan’s books are internationally acclaimed and she received the Edgar Allan Poe Award in the United States as well as the Guardian Award for Fiction in the UK for The Whispering Mountain. Joan Aiken was decorated with an MBE for her services to children’s books.

The Prize will be judged by Julia Churchill, children’s book agent at A.M. Heath, and Lizza Aiken, daughter of Joan Aiken and curator of her Estate. The winner will receive £1,000 and a full set of ‘The Wolves Chronicles’.

A shortlist of five will be announced on August 28, and the winner will be announced on September 14. [Via Locus Online and SF Site News. See guys, giving a hat tip doesn’t hurt at all!]

(14) SMALL BALTICON REPORT. Investigative fan journalist Martin Morse Wooster gives File 770 readers the benefit of his latest discovery:

I learned from the Balticon fan lounge that there was Mythbusters slash fiction. No one knew, though, whether in these stories Jamie and Adam did it before, after, or during the explosions (because as we all know, the four best words in Mythbusters are “Fire in the hole!”

I’ll probably have to forfeit one of my Hugos for reporting that.

(15) STRIKING AGAIN AND AGAIN. Mark Kaedrin takes a stylistic cue from his subject — “Hugo Awards: Too Like the Lightning”.

You will criticize me, reader, for writing this review of Ada Palmer’s Too Like the Lightning in the style that the book itself notes is six hundred years removed from the events it describes (though only two hundred years removed for myself). But it is the style of the Enlightenment and this book tells the story of a world shaped by those ideals.

I must apologize, reader, for I am about to commit the sin of a plot summary, but I beg you to give me your trust for just a few paragraphs longer. There are two main threads to this novel. One concerns a young boy named Bridger who has the ability to make inanimate objects come to life. Being young and having a few wise adult supervisors, he practices these miracles mostly on toys. Such is the way they try to understand his powers while hiding from the authorities, who would surely attempt to exploit the young child ruthlessly.

(16) INNATE OR OUTATE. Shelf Awareness interviews John Kessel about “Sex (and Pianos) on the Moon.”

John Kessel is the author of the novels Good News from Outer Space and Corrupting Dr. Nice and the story collections Meeting in Infinity, The Pure Product and The Baum Plan for Financial Independence and Other Stories. His fiction has received the Nebula Award, the Theodore Sturgeon Memorial Award and the James Tiptree Jr. Award for fiction dealing with gender issues. He teaches American literature and fiction writing at North Carolina State University. He lives in Raleigh with his wife, the novelist Therese Anne Fowler. Kessel’s new novel, The Moon and the Other (reviewed below), recently published by Saga Press, is set on the moon in the 22nd century and tells two love stories, in two politically opposed lunar colonies–the patriarchal Persepolis and the matriarchal Society of Cousins.

What was the genesis of The Moon and the Other?

When my daughter was little, I’d take her to daycare and watch her on the playground with other kids. There was a difference in the way that the girls and the boys played. The boys would run around, often doing solitary things. The girls would sit in a sandbox doing things together. So I began to wonder: To what degree is gendered behavior innate, and to what degree is it learned? I read up about primate behavior, including chimpanzees and bonobos, both related to human beings, but with different cultures. That started me wondering whether there are other ways society could be organized. I didn’t see myself as advocating anything, but I did consider how the world might be organized differently.

(17) THE SHARKES CONTINUING DELIBERATIONS. The Shadow Clarke Jury keeps its reviews coming.

Of the six novels on my personal shortlist, Emma Geen’s The Many Selves of Katherine North is the one that disappointed me most when I came to read it. I originally picked it partly because there was a slight buzz about it online, and I am always curious about novels that provoke online chatter. I chose it too because I’d gained an impression, mostly erroneous as it turned out, that the main character would spend a considerable amount of her time as a fox (and indeed, the novel’s cover art rather implies that this will be the main thrust of the novel), and I’m oddly fascinated by the human preoccupation with vulpine transformations (also, I happen to like foxes a good deal). When I initially wrote about my choices, I invoked David Garnett’s odd little novel of transformation, Lady Into Fox, but having read Many Selves and reread Lady Into Fox, I can see now that I was wrong, except perhaps for one thing, which I’ll come to in due course. Instead, as I read on I found myself thinking more about T.H. White’s The Sword in the Stone. Again, I’ll come back to that shortly.

Even before it was published, The Underground Railroad enjoyed a spectacular amount of pre-buzz. I came to it with a certain amount of apprehension — could any book possibly survive the weight of so much hype? — but expecting to admire it nonetheless. Colson Whitehead is a writer with a notable track record in literary innovation — he gave the zombie novel the full Franzen, after all — and has always been a better-than-solid craftsman. Yet in spite of judging it a perfectly decent book — it’s a thoroughly professional, smoothly executed, highly readable novel on an important subject — I found myself distinctly underwhelmed. Where The Underground Railroad is concerned and in spite of wishing I liked it better than I do, I remain in a condition of some bemusement: I simply cannot see what all the fuss is about.

It is hard to think of a work that does a better job of articulating the artistic tensions at work within contemporary literary science fiction than Yoon Ha Lee’s Ninefox Gambit. Set in the same universe as many of the shorter works that Lee has produced since first entering the field in 1999, his first novel speaks to what science fiction must become whilst paying excessive lip-service to what some would have it remain.

Some thoughts. If anyone has ever read my blog they will, I hope, see that most of the implicit criticism is aimed at myself, though obviously some of what follows touches on various discussions on the Shadow Clarke board.

Subjective taste and critical practise depend on so many factors, thus any reading will privilege certain aspects — close reading, theoretical base, genre knowledge, life experiences, political orientation. Once you remind yourself of that basic idea, it becomes almost impossible to defend the rhetoric and moralism that goes into a special pleading for this book or that. I like a bit of rhetoric and I like a bit of hyperbole — it’s fun. BUT my head would not have exploded if The Power had won this year now would it? It will be hard to stop but I probably should. Moreover, I CAN understand why Priest, Mieville, MacInnes, Kavenna or ANY novel didn’t make it on to the shortlist. The idea that there is some objective truth or taste out there that says differently now seems to me entirely bogus. Even amongst those with a depth and breadth of knowledge about the SF megatext there is no agreement or consensus about the books this year or any year.

There is legitimate concern that by labeling The Underground Railroad as science fiction, readers might dismiss the horrors presented in this geographically and chronologically distorted history, thus relegating it all to whimsical fiction. Yet the SFnal device is there for a reason, and Whitehead’s manipulations of time and space are critical to that purpose: as unnerving as The Handmaid’s Tale, as destabilizing as The Man in the High Castle, as cognitively demonstrative as Viriconium, and as psychologically resonant as The Dark Tower€”all works that utilize alt universe devices to bring sociopolitical and literary concerns into powerful, stark relief. Whitehead’s use of this device is complex and brilliant, although I was unable to grasp just how complex and brilliant it is until this project, which has forced me into the tedious and meaningless position of having to argue for its place in science fiction.

But here we are.

(18) PERN RECOVERED. Book Riot reports: “Anne McCaffrey’s Dragonriders of Pern Trilogy Gets New Covers”.

Del Rey Books is celebrating its 40th anniversary as a publisher of quality science fiction and fantasy novels. Among those titles are the three books that make up Anne McCaffrey’s original Dragonriders of Pern trilogy and the more than 20 novels that have come since. And now, they’re getting a new look.

After August 1, readers will be able to purchase the trilogy, Dragonflight, Dragonquest, and The White Dragon, with shiny new covers.

Images of the covers appear at the post.

(19) SUNSTROKED. The BBC knows about “A planet ‘hotter than most stars'”.

Scientists have found a hellish world where the “surface” of the planet is over 4,000C – almost as hot as our Sun.

In part, that’s because KELT-9b’s host star is itself very hot, but also because this alien world resides so close to the furnace.

KELT-9b takes just two days to complete one orbit of the star.

Being so close means the planet cannot exist for very long – the gases in its atmosphere are being blasted with radiation and lost to space.

Researchers say it may look a little like a comet as it circles the star from pole to pole – another strange aspect of this discovery.

(20) STORYTELLING. It’s great to listen to authors reading — if they’re any good at it. Book View Cafe’s Madeleine E. Robins advises how to do it well in “Modulation: The Art of Reading to an Audience”.

You’re telling a story. When you’re among friends telling the anecdote about that time in Marrakesh with the nun, the waffles, and the chicken, do you tell it in a monotone? Not so much. Reading in a monotone does not give your material dignity–it flattens it. So read as if you’re talking to your friends. On the other hand, unless you’re a really gifted actor, you don’t have to act it out. No, really.

And dialogue? Speak it as you hear it in your head, as if your characters were saying it. Use the emphases you hear them using. Pause when they do. (Maybe I’m overselling this, but when I write I hear the dialogue, so that’s how I read it. Your mileage may vary.)

(21) THE PHOTON OF YOUTH. Golden Oldies on Vimeo starts at a Fifties sock hop, then explains the horrible things that happen when the music stops!

[Thanks to JJ, Cat Eldridge, Lurkertype, Andrew Porter, Alan Maurer, Mark-kitteh, Ellen Datlow, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall, who may not have realized what he was doing at the time.]