Pixel Scroll 7/25/17 J.J. Abrams Apologizes For Pixelwashing In File Trek: Into Scrollness

(1) NEW DAY JOB. Congratulations to Uncanny Magazine’s Lynne M. Thomas who has been appointed to head the Rare Book & Manuscript Library of the University of Illinois at Urbana- Champaign, one of the largest repositories for rare books and manuscripts in the United States: “University of Illinois alumnus to head Rare Book and Manuscript Library”

Exactly 20 years after starting work as a graduate assistant in the Rare Book and Manuscript Library, Lynne M. Thomas is returning as the new head of the library.

Thomas, who earned her master’s degree in library and information sciences at the University of Illinois in 1999, has been the curator of rare books and special collections at Northern Illinois University since 2004 and the head of distinctive collections there since 2014. She’ll begin her appointment at the library and assume the Juanita J. and Robert E. Simpson Rare Book and Manuscript Library Professorship on Sept. 1.

While working at Northern Illinois University, Thomas helped grow its holdings of the papers of contemporary sf authors.

(2) PUBLICATION OF BLACK SFF WRITERS. Fireside Magazine has issued “The 2016 #BlackSpecFic Report” (follow-up to its 2015 report):

We are considering the field both with and without the “People of Colo(u)r Destroy!” special issues of Lightspeed, Nightmare, and Fantasy Magazine, since they constitute a project that is limited to one year. Without these issues, a sample of 24 professional SF/F/H magazines yielded 31 stories by Black authors out of 1,089 total stories — that’s 2.8% — while 2.9% of 2016’s published unique authors are Black. In 2015 we found figures of 1.9% and 2.4%, respectively. While there’s no way to determine yet if these small increases are evidence of gradual long-term improvement or just normal variation — two years is too short a trajectory for that — perhaps we can find a cautious degree of optimism…..

Effects of the “People of Colo(u)r Destroy!” Issues

In spite of comprising a tiny portion of the field’s story volume, the “PoC Destroy” issues collectively contained over 20% of 2016’s stories by Black authors. They alone raise the 2016 field-wide ratio by nearly a full percentage point, from 2.8% to 3.6%. Put another way: any improvements that took place from 2015 to 2016? The “PoC Destroy” issues are responsible for about half….

Where Do We Go From Here?

Again, we think there’s reason to have a degree of optimism. Some magazines made substantive changes to their editorial staffs and marketing strategies subsequent to the 2015 report, which was released late enough last year that any resulting improvements would impact only 2017 and beyond. It’s for this reason that this 2016 follow-up is not a comparative analysis but rather should serve as a baseline for comparison in future years.

Progress isn’t always linear; not all magazines have equal resources or lead times, which is why we want to hear from editors and publishers. What are your strategies for combating low publication rates of Black authors? Please answer our survey to let us know.

Black SF/F writers: we’d like to hear your comments and suggestions for how we can improve future reports. This also goes for data collection; we’re working purely from what’s publicly available on the Internet, and we don’t want to force people to publicly self-identify in order to be counted. If you suspect your stories are not included in this count and would like them to be, just want to double check, or have any other concerns — please let us know. Our email address is BlackSpecFicReport@gmail.com; correspondence will be kept confidential.

(3) CHIPPING IN. A Scroll last month talked about one man getting chipped; now it’s an entire company workforce: “Wisconsin company Three Square Market to microchip employees”.

Three Square Market is offering to implant the tiny radio-frequency identification (RFID) chip into workers’ hands for free – and says everyone will soon be doing it.

The rice grain-sized $300 (£230) chip will allow them to open doors, log in to computers and even purchase food.

And so far, 50 employees have signed up for the chance to become half-human, half-walking credit card.

(4) GAME OF SIMPSONS. The Verge has learned “Matt Groening is making an animated medieval adult fantasy with Netflix” called Disenchantment.

Netflix announced today that Matt Groening, creator of The Simpsons and Futurama, will be developing a medieval animated adult fantasy called Disenchantment. It’s scheduled to begin streaming on Netflix in 2018.

The series’s protagonist is a young, “hard-drinking” princess named Bean (Broad City’s Abbi Jacobson), and her two male companions are a “feisty elf” named Elfo (Nat Faxon) and a demon named Luci (Eric Andre). While both The Simpsons and Futurama have dynamic, fleshed-out female characters, this is Groening’s first series with a clear female lead.

Rough Draft Studios, the studio that does the art for Futurama, will animate Disenchantment. From the few details Netflix is offering, it’s easy to imagine a sort of epic-fantasy version of Futurama, with the same acerbic, absurdist humor as Groening’s other shows. In the US, Netflix doesn’t have a series that fits this exact bill, though Archer may come closest. (Netflix also carries Futurama, so Disenchantment should fit in.)

(5) ROLL THE BONES. Tom Galloway sent this link with the comment, “Curiously, ‘Santa Fe, NM’ isn’t given as a location from which large bets would raise suspicions…” — “Growing Strong: Inside the Burgeoning ‘Game of Thrones’ Gambling Business”.

Increasingly, Thrones also lends itself to speculation in the financial sense of the word. As Thrones has ascended to its singular place in the splintered TV firmament, it’s not only come to be covered like the Oscars and the Super Bowl, but it’s started to support a similar secondary market of rumors and wagers. Thanks to the series’ big built-in audience, large (if shrinking) cast of characters, and uncertain endgame, Game of Thrones and gambling go together like lovestruck Lannister (or Targaryen) twins.

Some Thrones-related betting contests, like The Ringer’s Thrones Mortality Pool, are just for fun. But in recent years, a number of ostensible sportsbooks have gotten in on the action, with prominent sites such as Sportsbet, MyBookie.ag, and Pinnacle (which debuted its Thrones odds this year) trying to capture a piece of the (hot) pie. The best-known of these books is Bovada, an online gambling and casino-games site owned by a group based in Québec.

Bovada began publishing prop bets for Game of Thrones in 2015. Since the start, those bets have been the personal province of Pat Morrow, who’s been with Bovada for a decade and has served as the site’s head oddsmaker for the past four years. Technically, Morrow oversees all of the site’s wagers, but he’s much more likely to delegate work on the data-based bets that make up most of the site’s offerings. The Thrones odds come from his head alone, both because they require a personal touch and because no one else at Bovada is as qualified to apply it

(6) TODAY IN HISTORY

  • July 25, 1969 – In theaters: The Valley of Gwangi, a schlockfest of cowboys vs. dinosaurs in Forbidden Valley

(7) SPACE STYLES. The Fashion Spot is telling everyone “Gucci’s Fall 2017 Campaign Is Out of This World!”

Alessandro Michele continues to raise the bar at Gucci while refusing to follow the rest of the fashion pack. His advertising campaigns for the iconic Italian fashion house are often extremely well-received by our hard-to-thrill forum members (despite a few controversies). The newly unveiled Fall 2017 campaign, captured by Glen Luchford, is on another planet — literally. Yes, Michele revisits his sci-fi concept, going all-out for the new mainline campaign — complete with dinosaurs, hovering spaceships, models channeling their inner alien and so much more.

(8) T AND SEE. Lisa Allison at Adventures In Poor Taste lists her faves: “SDCC 2017: Top 5 nerdy t-shirts”. John King Tarpinian says he’d have bought this shirt –

#2: Vampires Don’t Do Dishes

I was drawn to this one for a few reasons. It pairs a quote from What We Do in the Shadows starring Jemaine Clement with a sort of buck toothed, vampire. It’s fun, creepy and artistic. The Benday dots on the sides are a nice touch.

(9) BITER BIT. A Discovery magazine columnist showed several fee-for-publication medical journals seem to have nonexistent professional standards, in “Predatory Journals Hit By ‘Star Wars’ Sting”.

A number of so-called scientific journals have accepted a Star Wars-themed spoof paper. The manuscript is an absurd mess of factual errors, plagiarism and movie quotes. I know because I wrote it….

Four journals fell for the sting. The American Journal of Medical and Biological Research (SciEP) accepted the paper, but asked for a $360 fee, which I didn’t pay. Amazingly, three other journals not only accepted but actually published the spoof. Here’s the paper from the International Journal of Molecular Biology: Open Access (MedCrave), Austin Journal of Pharmacology and Therapeutics (Austin) and American Research Journal of Biosciences (ARJ) I hadn’t expected this, as all those journals charge publication fees, but I never paid them a penny.

So what did they publish? A travesty, which they should have rejected within about 5 minutes – or 2 minutes if the reviewer was familiar with Star Wars. Some highlights:

“Beyond supplying cellular energy, midichloria perform functions such as Force sensitivity…”

“Involved in ATP production is the citric acid cycle, also referred to as the Kyloren cycle after its discoverer”

“Midi-chlorians are microscopic life-forms that reside in all living cells – without the midi-chlorians, life couldn’t exist, and we’d have no knowledge of the force. Midichlorial disorders often erupt as brain diseases, such as autism.”

“midichloria DNA (mtDNRey)” and “ReyTP”

And so on. I even put the legendary Tragedy of Darth Plagueis the Wise monologue in the paper…

…This matters because scientific publishers are companies selling a product, and the product is peer review. True, they also publish papers (electronically in the case of these journals), but if you just wanted to publish something electronically, you could do that yourself for free. Preprint archives, blogs, your own website – it’s easy to get something on the internet. Peer review is what supposedly justifies the price of publishing.

[Via Ansible Links.]

(10) PASSING THE HELMET. And in other bogus Star Wars news, Darth Vader has started a GoFundMe: “Help Me Build a Death Star!”.

The Empire is under attack. We are in urgent need of funds to construct a Death Star to crush this rebel alliance!

It had raised zero of its $900 million goal when I last checked in.

(11) SUCKING UP DATA. Speaking of world domination – Eric Persing shared this link with the comment, “This is pretty much the beginning of how the robots take over humanity…right? The vacuum maps your home, sells your home layout to the highest bidder and before you know it, the toaster is trying to kill you.” — “Roombas have been mapping your homes for years, and that data’s about to be sold to the highest bidder”.

As Reuters reports, Roomba maker iRobot is bullish on the prospect of selling what it learns about your home to whoever might want it. “There’s an entire ecosystem of things and services that the smart home can deliver once you have a rich map of the home that the user has allowed to be shared,” iRobot boss Colin Angle told Reuters.

If that sounds more than a little creepy that’s because, well, it is, but companies pushing into the smart home market would most certainly be willing to pony up the dough for the data. Products like smart speakers, security monitors, high-tech thermostats, and many other gadgets could potentially benefit from knowledge of your home’s layout, but in order for iRobot to actually sell archives of the data, it would likely need to be anonymize — that is, scrubbed of any personally identifiable information and lumped in with countless others.

(12) NOT MY FAULT. Munchkin is concerned:

(13) PUPPY RADAR. Camestros Felapton has compiled a list of authors and works being promoted for the Dragon Awards in “Time for those Dragon Projections!”

  1. The titles listed are based on what I have found trawling the web looking for people who were, to some degree or other, promoting works to be nominated for a Dragon Award. I found a lot but who knows what I missed. I did find some stuff on Facebook but it and other places are hard to search inside of. Also, maybe some authors are promoting the Dragons like crazy in forums I cna’t access or on their email lists. Who knows? So large pinches of salt please.
  2. There is though a ‘status’ column and that is even a greater testament to hubris in data collection. The higher the status the more wallop I think the promotion of the work had – either in multiple places or by venues with known impact (e.g. the Rabid slate). “Low” though also includes stuff whose promotional impact I don’t know. Some are authors I don’t know but who may have some legion of highly devoted followers ever ready to throw their bodies and email addresses at an awards website. It is NOT any kind of assessment of the quality or even the popularity of the work – so if you an author and you see ‘very low’ next to your book, don’t be disheartened.
  3. So it is all a bit pointless then? No, no. Basically the more stuff on the list that appears as Dragon Awards finalists, the more the finalists were determined by overt public campaigning on blogs – and predominately from the Rabid and Scrappy corners. The less stuff on the list making it as finalists, then the less impact that kind of campaigning had on the Dragon Awards.

(14) THE SHARKES BITE. The Clarke Award will be announced this week. The Shadow Clarke jury dashes off one more review, then begins analyzing the Sharke experience and the future of the Clarke award.

An inspector investigates the case of a disappeared man but despite his occasional dreams of solving the case, he never uncovers the truth and only succeeds in stripping away layer after layer of appearance until nothing is left. Infinite Ground is a kind of metatext in which the ostensible missing person investigation in the plot simultaneously functions to interrogate fundamental aspects of being such as identity and even existence, as though the world itself is also text. By the end of MacInnes’s novel we are no longer sure if the man, the inspector and the society they come from are still in existence or, indeed, if they ever existed at all. Among the many facets of the text is a strain of the kind of hermeneutic deconstruction that marks out my natural enemies in any literature faculty. ‘At the heart of meaning there is no meaning’ is the refrain of this theme but it often seems to coexist very comfortably with institutional power structures and academic management hierarchies. MacInnes takes this to extreme levels of quantum indeterminacy and fractal microbiology that defy any kind of systematisation, however there is still a level of destruction wrecked on everyday life in texts like this which I find uncomfortable. I am reminded of reading Paul Auster’s different, but not entirely dissimilar New York Trilogy and turning afterwards to Dashiell Hammett for an equally relentless but more grounded interrogation of social existence. MacInnes, however, had me turning to Hammett within 30 pages…

So, what did we achieve here?

If nothing else – apart from a few good jokes floating around the web about who has read which Iain Banks novels – we have demonstrated why the actual Clarke Award juries don’t make their deliberations public. Nevertheless, I do think the level of discussion and analysis we have provided has been a positive feature even when this has provoked a certain amount of pushback. There hasn’t been a hidden agenda and the motivations and various criteria used by members of the shadow jury have become reasonably clear across the process. Anyone looking at the project from the outside is in a position to weigh up the assumptions and judgements made and to criticise these for deficiencies; and, of course, a number of people have done this. I have found it interesting to read the discussion on File770 and twitter as well as on the comment boxes on the Sharke posts themselves. Some of this seems fair and some seems unfair; but that is often the way of things.

As this year’s Clarke festivities wind inexorably towards their close, I thought it would be interesting to cast an eye over the landscape ahead of us. It does the heart good to have something to look forward to, after all, and what could be more fun than making a few early advance predictions about next year’s Clarke Award?

I’m not here to discuss the more obvious entries. We all know that Kim Stanley Robinson, Cory Doctorow, Kameron Hurley and Ann Leckie have new novels out this year and everybody will be talking about them as possible contenders soon enough. As the books I’m most interested in tend to be those that hover around the edges of genre, I thought I’d do better to focus upon novels published by mainstream imprints that might otherwise be overlooked by SFF commentators. With a little over half the year gone, there will inevitably be titles I’ve overlooked, authors I’ve not come across yet. This is just a tiny sample of what next year’s Clarke jury might have to look forward to.

And as a bonus, a review of the actual Clarke shortlist from Strange Horizons. Interestingly, the reviewer has a good go at linking the 6 nominees together thematically, even though the Sharkes were of the opinion that the shortlist lacked a coherent theme…

In theme, style, and content, the 2017 Clarke Award shortlist—Emma Newman’s After Atlas, Yoon Ha Lee’s Ninefox Gambit, Tricia Sullivan’s Occupy Me, Becky Chambers’s A Closed and Common Orbit, Colson Whitehead’s The Underground Railroad, and Lavie Tidhar’s Central Station—is a diverse set. However, in different ways, each of these books speaks to [Jill] Lepore’s concern about “a fiction of helplessness and hopelessness.” Perhaps, as a function of the times we are in, these books do not heed Le Guin’s call to envision alternatives to how we live. The futures—and in one case, the past—that these books offer is either dystopic or close to dystopic, in utterly recognizable ways. Many of the pregnant battles of today—for democracy, for equality, for privacy, and against universal surveillance—have in these pages been lost for good, and there is no pretence that any individual, or group of individuals, has the power to transform the world. There is little in the way of grand narrative or vaulting ambition in terms of the stories that these novels set out to tell. Far greater—and in some cases, exclusive—focus is placed on human relationships, on more mundane struggles; it is as if Marx’s utopianism of overthrowing centralized power has been replaced by Foucault’s bleaker understanding of power’s ubiquity, and the dispiriting realization that the struggle is limited to daily, quotidian acts. Above all, there is—almost—a palpable mistrust of any radical re-imagination of the ways in which society might be organised.

(15) CARRIE VAUGHN. Lightspeed poses questions to the author in “Interview: Carrie Vaughn”.

You explored Enid’s world in your Hugo-nominated short story “Amaryllis,” which, contrary to most post-apocalyptic stories, has a positive ending. What made you want to explore the dark side of this world at novel length in Bannerless?

It’s a multifaceted culture with both good and bad to it, and Enid is in a unique position to see both. I went into the story assuming that a culture built up like this one is, with a huge amount of scrutiny to go along with the community building, is going to have some unintended consequences, such as the bullying of outsiders.

(16) CONNECTIONS. Matt Mitrovich reviews Nick Woods’ Azanian Bridges for Amazing Stories.

Azanian Bridges is a well-written novels that tackles a difficult period of South African history that, in the grand scheme of things, only recently ended. I read it shortly after I finished Underground Airlines and found myself comparing the two novels. Both deal with de jure racial inequality in two different countries continuing long after it ended in our timeline. To be honest, I felt Underground Airlines had a bigger impact on me since I am an American and have a better understanding of my own country’s past, but if you have any knowledge of South African history, there is enough about this world that Nick created for you to enjoy.

And yet the actual history plays a secondary role to the primary purpose of Azanian Bridges: that we can have peace if we can bridge the divide between peoples.

(17) COSPLAY AT COMIC-CON. ScienceFiction.com shares stunning photos in “SDCC 2017: Cosplay Gallery Part 1”.

(18) ONE DOES NOT SIMPLY EVICT THE SUPERNATURAL. Todd Allen continues The Mister Lewis Incidents  — a monthly short form satirical horror detective / urban fantasy series featuring the adventures of a “physics consultant” who consults on matters that defy the laws of physics. The fourth one is out commercially and the fifth one is in the hands of the crowdfunding folks.

The Gentrified Bodega Investigates the Secrets of a Shady Landlord

Wherever rents are rapidly rising, and especially where there’s rent control, there’s always a problem with landlords stepping outside the law to evict renters.  But what happens when there’s something in the building that isn’t human and isn’t ready to leave?

About The Gentrified Bodega

“The neighborhood was improving and people were dying to move in. Then their bodies were turning up in the back aisle of the bodega. The building wove a web of shady evictions, fake leases and unexplainable deaths. Can Mister Lewis discover the secret of the gentrified bodega or will the housing crisis be solved by mass attrition?”

The Gentrified Bodega is available on Amazon Kindle, B&N Nook and Kobo or direct from the publisher.

(19) ALL WET. Aquaman Movie 2018 Teaser Trailer.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge,JJ, Todd Allen, Carl Slaughter, DMS, and Mark-kitteh for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Pixel Scroll 7/17/17 All Along The Scrolltower Pixels Kept The View

(1) BY PIXEL AND PAPER. The Dublin in 2019 Worldcon bid tells what its publications policy will be for PR’s and the Souvenir Book.

So what should we do about our progress reports?

I note that for some people this is an access issue, and therefore, we will be having hard copies available for anyone who selects them as an access issue. To be clear, Progress Reports are complimentary and we’d like to send them to anyone who needs them for an access issue. Just tick the box please.

We will be sending them out electronically of course if you allow us to.

I noted that some people still liked them, as a historical document or just because they enjoy reading hard copy, and that is very cool, and the Dublin 2019 team will be making sure that anyone who wants a hard copy progress report can get one. There will be a charge of €10 Ten Euro for this.

I hope all of you are OK with this decision and support us in it.

This does not affect our plans for our Souvenir book which we plan to offer in hard copy to all members, full and supporting, and which we are happy to mail to anyone who doesn’t pick it up at con.

(2) HELP PABLO GO THE DISTANCE. Leigh Ann Hildebrand has launched a Generosity.com appeal to send Pablo Vasquez to Helsinki for Worldcon 75. The goal is $1,100. Here’s the pitch:

Bringing NASFiC to San Juan, Puerto Rico was great thing — and one of the prime movers behind that successful bid and con has been Pablo Vazquez. I was really looking forward to congratulating Pablo at the con in Helsinki and to hearing all about that NASFiC.

And then Pablo told me he wouldn’t be joining fans in Helsinki this year.

Money’s tight for Pablo; he’s been prioritizing travel and preparations for this historic and awesome NASFiC. Now he finds himself short of funds for his last travel expenses. He’s got accommodations and a membership covered, but his fixed-cost airfare and incidental expenses are beyond his means this summer.

This is where my fellow fans come in. Help me get Pablo to Helsinki! Here’s what he needs:

$600 for the air fare (it’s a fixed cost, ’cause he knows a guy.)

$500 for food, travel incidentals, walkin’ around money and buying a round. That may seem like a lot, but food in Finland is not cheap, and there’s no con suite this year, so he can’t live on Doritos and free sodas. 🙂

(3) SFF FILM FESTIVAL. Seattle’s Museum of Pop Culture (MoPOP) in partnership with SIFF is now accepting entries for the 2018 Science Fiction + Fantasy Short Film Festival (SFFSFF).

The festival will accept animated or live-action submissions of original science fiction or fantasy stories (examples: futuristic stories, space adventure, technological speculation, social experiments, utopia and dystopia, sword and sorcery, folklore, urban fantasy, magic, and mythic adventure).

A nationally recognized panel of distinguished film, television, literature, and science fiction industry professionals, peers, and film critics will review qualifying submissions to determine the winners of the Grand Prize, Second Place, Third Place, and the Douglas Trumbull Award for Best Visual Effects. Festival films will also be eligible for the Audience Favorite award.

In order to qualify, submitted films must have been completed after December 31, 2012, and must not exceed 15 minutes. Films that exceed 15 minutes may still be considered for festival inclusion but will not be eligible for awards.

See the link for guidelines, deadlines and fees.

(5) WHAT ARE THEY WATCHING? Adam-Troy Castro sighed on Facebook:

Over the past few years I have encountered Harry Potter fans who were abusive bullies, Star Trek fans who were against diversity, and now Doctor Who fans who were close-minded and unkind.

It’s like none of them were paying any attention at all.

I am looking forward to the emergence of Batman fans who are in favor of crime.

Since the targets of Castro’s comment might miss the point, Matthew M. Foster restated the message more explicitly:

The second is that people don’t see theme. SF is about space ships and explosions. Fantasy is about swords. The actual thing trying to be conveyed is missed far more often than not. The light was brought to this in a “funny” way to our little lit community by Brad and the Pups a few years back when Star Trek was pointed out to be first and foremost, about adventure and action–about combat in space. From the same group, there was a great deal of discussion in which they confused the theme with something incidental to the story because the incidental thing was not part of their normal life. So, if a story happened to have someone gay in it, then the story must be about sexual preference. If the story had a Black lead, then the theme must be about race. These are people that are big fans of science fiction, and they couldn’t see the themes.

(6) MAD PENIUS CLUB. And right on time, here’s Dave Freer’s death-kiss for the Thirteenth Doctor.

The trouble with this is it’s a judgement call, and especially inside the various bubbles (New York Publishing, Hollywood, and in the UK the Beeb’s little Guardian-and-Birkenstock club) they’re often so distant and unconnected with audiences outside their bubble that they assume they think like them and will respond like them. Which is why they have flops like the Ghostbusters remake, because they assumed the audience for the movie was just dying for a feminist version, with lots of man-kicking. Dr Who is trying much the same thing with a female Doctor. It could work because that audience is already pretty much restricted to inside their bubble. Still, with a new writer, and female lead after 12 male ones… She’ll have to be a good actress, and he’ll have to be a better writer. I expect we’ll see a long sequence of designated victim minorities cast in the role in future, until the show dies. I doubt we’ll ever see another white hetero male, but maybe that’s just me being cynical.

(7) HEADWRITER CANON. Prospect’s James Cooray Smith declares: “Uncomfortable with a female Doctor Who? It’s time to admit your real motives”.

…Steven Moffat, Doctor Who’s Executive Producer from 2010 to 2017, used to make a habit, when asked if there was ever going to be a female Doctor, of throwing the question back to the audience. He’d ask for a show of hands as to who did and didn’t like the idea. Even half a decade ago, those audiences would be roughly balanced into pros and antis—although, as he noted, the proportion of “likes” was exponentially increasing every time he passed the question back.

In the last few years, the idea has gone from almost universally disliked to “Why hasn’t this happened already?”

Laying the canonical foundations

Moffat has played no small part in that himself. The first lines of dialogue given to Matt Smith’s Doctor, the first lines of Moffat’s era, see the newly regenerated Doctor, who cannot see his own face, wondering if he’s now female. A year later in “The Doctor’s Wife,” produced by Moffat and written by Neil Gaiman, the Doctor comments of a dead Time Lord friend The Corsair, “He didn’t feel himself unless he had a tattoo. Or herself, a couple of times”.

Three years after that, Moffat cast Michelle Gomez as ‘Missy’, the Doctor’s oldest friend and arch enemy, a character previously only played by male actors and usually referred to as the Master. A year after that—just to make sure that no one regarded Missy as an exception that proves the rule—Moffat had Ken Bones’ recurring Time Lord character The General regenerate into T’Nia Miller, changing sex and ethnicity simultaneously. Other Time Lords in the series treated this as momentarily distracting but thoroughly routine.

It now seems daft to say that such groundwork needed to be done: after all, the character of the doctor is an alien who merely looks human. But the series itself had never hinted that the idea was possible before 2010. Now, any viewer who has seen an episode with Missy in knows the Doctor’s own people can, and do, change sex. No one can pretend the idea isn’t part of the series, no matter how much they may want to. Moffat’s careful layering over years shows up any objections to the series having a female lead for what they are.

(8) NEVERTHELESS. Alison Scott has a shirt she would love to sell you. I bought one for my daughter. (U.K. orders here; U.S. orders here.)

(9) TODAY IN HISTORY

  • July 17, 1955 — Disneyland Park opened in Anaheim, California
  • July 17, 1967 — Contact with Surveyor 4 lost 2.5 minutes before Moon touchdown.
  • July 17, 1987 Robocop, released on this day
  • July 17, 1988 – Debut of the sci-fi telefilm Out of Time…starring Bill Maher…yes that Bill Maher.
  • July 17, 1992 — Honey, I Blew Up The Kid in theaters.

(10) COMIC SECTION. Andrew Porter noticed Zippy the Pinhead mentioned d Emshwiller.

(11) READING PLEASURE. Look for the SF pulps! Photos of old newsstands.

(12) ADAM WEST REMEMBERED. “Family Guy pays tribute to Adam West with nine-minute highlight reel” – from Entertainment Weekly.

As famous as he was for playing Batman — and he was very famous for that — Adam West was also known to another generation of fans for his wacky work on Family Guy. The late actor, who popped up and scored in more than 100 episodes as Mayor Adam West, left a colorful, indelible imprint on the animated Fox comedy — as well as on its producers and fans.

 

(13) WORLDCON PROGRAM. Worldcon 75 put its draft program schedule online today.

There are three ways to view the programme schedule DRAFT:

(14) HAUNTED HELSINKI. Adrienne Foster has arranged a “Ghost walking tour of Helsinki” for the convenience of Worldcon 75 members. It will be an English-speaking tour at 6 p.m. on Wednesday, 9 August 2017.

Once again, those interested in reserving a spot on the tour need to be a member of Meetup.com and join Bay Area Ghost Hunters. Joining is free on both counts, but the fee for the ghost walk is to cover the cost of the tour operator. Yes, it was deliberate putting the “prere…gistration” fee in U.S. dollars and the “at-the-door” cost in euros.

As the 75th World Science Fiction Convention (aka Worldcon 75) rolls around again, it gives me another opportunity to arrange a ghost walk of its host city, Helsinki. Yes, that’s in Finland. Ghost walks are one of my favorite things to do when I’m traveling and it’s always a lot more fun to do them with like-minded companions. To make it even more attractive to the many members who don’t speak Finnish, the tour operator has an English-speaking tour available.

Although this has been timed for the convenience of Worldcon 75 members, all BAGH members are welcome to participate. If anyone just happens to have coinciding travel plans to Helsinki, please join us.

In addition to ghost stories, guests on these tours learn a lot about the history of the locale, particularly some of its macabre past. It even starts at a hotel that is a converted prison.

(15) MINGLE LIKE TINGLE. Is this going to be an “I am Spartacus” kind of thing?

(16) AUREALIS AWARDS. The 2017 Aurealis Awards are now open for nominations. Eligible works must be created by an Australian citizen, or permanent resident, and published for the first time this year.

(17) VENUS AND MARS. David D. Levine’s second novel, Arabella and the Battle of Venus, sequel to the Andre Norton Award winning Arabella of Mars, comes out this week.

The thrilling adventures of Arabella Ashby continue in Arabella and the Battle of Venus, the second book in Hugo-winning author David D. Levine’s swashbuckling sci-fi, alternate history series!

Arabella’s wedding plans to marry Captain Singh of the Honorable Mars Trading Company are interrupted when her fiancé is captured by the French and sent to a prisoner-of-war camp on swampy Venus. Now, Arabella must find passage to an enemy-controlled planet in the middle of a war, bribe or fight her way past vicious guards, and rescue her Captain.

To do this she must enlist the help of the dashing privateer, Daniel Fox of the Touchstone and build her own clockwork navigational automaton in order to get to Venus before the dread French general, Joseph Fouché, the Executioner of Lyon.

Once on Venus, Arabella, Singh, and Fox soon discover that Napoleon has designed a secret weapon, one that could subjugate the entire solar system if they can’t discover a way to stop Fouché, and the entire French army, from completing their emperor’s mandate.

Levine will be doing a book tour:

He is currently drafting the final book in the trilogy, currently titled Arabella and the Winds of Phobos but may end up being called Arabella the Traitor of Mars.

(18) NEWCOMERS TO THE HEARTH. Fireside Fiction is undergoing a change of management, with Brian J. White stepping down. Pablo Defendini is taking over as publisher and Elsa Sjunneson-Henry as managing editor. Julia Rios and Mikki Kendall are also joining the team.

White is leaving to focus on his work as a journalist.

As many of you know, I work at a newspaper. And that work has been consuming more and more of my time lately, with both the volume and the importance of the news rising in a way we’ve never experienced in this country. And it comes alongside a level of furious, violent antipathy toward the press that is somehow both wildly shocking and banally predictable.

Fireside has been the labor of love of my life, and it kills me to step away. But I am a journalist, first and always, and I need to focus my energy on the work we are doing. A lot of people have made fun of the earnestness of the Washington Post’s Democracy Dies in Darkness slogan, but it is true, and I won’t let the light go out.

Mikki Kendall has been signed on as editor to lead the follow-up to last year’s #BlackSpecFic report, which White says will be out soon. [Hat tip to Earl Grey Loose-leaf Links #43.]

(19) THE COOLEST. Arthur C. Clarke would be proud, as the search for extra-terrestrial life turns to ice worlds.

Chris McKay has fallen out of love with Mars. The red, dusty, corroded world no longer holds the allure it once did.

“I was obsessed with life on Mars for many years,” confesses the Nasa planetary scientist, who has spent most of his career searching for signs of life on the red planet.

“It’s seduction at the highest level,” he says. “I’m abandoning my first love and going after this other one that’s shown me what I wanted to see.”

The new object of McKay’s affections is Enceladus, the ice-encrusted moon of Saturn. Investigated by the joint Nasa and European Space Agency (Esa) Cassini space probe, the moon is spewing out plumes of water from its south pole – most likely from a liquid ocean several kilometres beneath the surface. Cassini has found this water contains all the vital ingredients for life as we know it: carbon, nitrogen and a readily available source of energy in the form of hydrogen.

“I think this is it,” says McKay. “From an astrobiology point of view, this is the most interesting story.”

(20) SO BAD IT’S GOOD. Marshall Ryan Maresca extols the antique virtues of the 1980s movie: “ELECTRIC DREAMS: A Bad Movie I’ve Watched Many, Many, MANY Times”.

The Eighties got a lot of mileage out of the idea that computers were magic.  I mean, the fundamental principle of Weird Science is that Wyatt has, like, a 386 with a 14.4 modem and a scanner, which he can connect to the Pentagon and make a goddamn genie with it.  Most Hollywood movies today still let computers be magical, but not to the same degree.  And few movies go as full out crazy with the idea as Electric Dreams.

For those not in the know, Electric Dreams is a relatively small, simple movie, in which an architect named Miles (he might be an engineer—something to do with buildings) lives in the downstairs part of a duplex, below gorgeous cellist Virginia Madsen.  And he gets himself a computer so he can design an earthquake brick.  So far, all normal.

It turns into a love triangle with Wyatt and a sentient PC as rivals.

(21) THE LATTER DAY LAFFERTY. Adri’s Book Reviews praises “Six Wakes by Mur Lafferty”.

As in any good mystery, it soon becomes clear that there are shady things lurking in the past of each and every crew member, as well as the traditional untrustworthy AI. Six Wakes builds its narrative through an omniscient third person narrator which switches between character viewpoints, as well as flashbacks to the crews’ lives in the lead up to being selected for the ship. Each crew member knows the others have volunteered for the mission because they are convicted criminals who will be pardoned upon arrival, but they have been told their crimes must remain confidential. From the ship’s doctor who was one of the original people cloned when the technology began, to the AI tech who has been on the verge of a breakdown since waking, to the shady machinations of the captain and the security officer, Six Wakes uses a small cast to great effect, with the world of the clones coming across as claustrophobic and restrictive even in background chapters set on Earth, thanks to both the Codicls as well as the inequalities and power struggles that arise from a society of functionally immortal beings. Six Wakes’ characters aren’t likeable in a traditional sense but I found them generally sympathetic, and the backgrounds go a long way towards making that balance work.

(22) A BOY AND HIS HORSE. The British Museum blog asks “The Dothraki and the Scythians: a game of clones?”

The Dothraki in Game of Thrones are represented as feared and ferocious warriors. Jorah Mormont describes their culture as one that values power and follows strength above all, and there is no greater way to demonstrate power and strength according to the Dothraki than through war. Like their fictional counterparts, the Scythians were pretty terrifying in battle. The Greek historian Herodotus writes that Scythians drank the blood of the men they killed and kept their scalps as trophies and skulls as drinking cups. While we should probably take Herodotus with a pinch of salt, by all accounts they were pretty brutal! The Dothraki also like decapitating their defeated enemies – guards known as the jaqqa rhan, or mercy men, use heavy axes to do this.

The Scythians and the Dothraki fight on horseback and are excellent archers. They both use curved (or composite) bows to maximise the range and the damage of their arrows. As Jorah Mormont says of the Dothraki, ‘they are better riders than any knight, utterly fearless, and their bows outrange ours.’

(23) THE NEXT STAGE. The Verge has learned that “The Twilight Zone is being adapted into a stage play” in London.

The Twilight Zone, Rod Serling’s landmark sci-fi anthology series about technological paranoia, creeping dread in 1960s America, and monsters and weirdos of all sorts, will be adapted as a stage play, The Hollywood Reporter confirmed this morning.

The play will debut in a limited run at London’s Almeida Theatre this December, with a script from Anne Washburn. Washburn’s best-known play is her 2012 Off-Broadway work Mr. Burns, which is about a traveling theater troupe in post-apocalyptic America that performs episodes of The Simpsons from memory. The play will be directed by Olivier-winner Richard Jones, who is best known for the 1990 London run of Sondheim’s Into the Woods, as well as the short-lived 1997 Titanic musical on Broadway, and has also directed several operas and Shakespeare productions.

(24) LIADEN UPDATE. Sharon Lee and Steve Miller’s 81st joint project — Due Diligence (Adventures in the Liaden Universe® Book 24) – was released July 10. The pair was also recently profiled by Maine’s statewide newspaper the Portland Press Herald“Welcome to the universe of Maine writers Sharon Lee and Steve Miller”.

For Maine writers Sharon Lee and Steve Miller, all it took to launch a brand-new universe was a single sentence.

The opening line for what would become “Agent of Change,” the inaugural volume of their Liaden Universe space opera series, was “The man who was not Terrence O’Grady had come quietly.”

It’s not quite “Call me Ishmael,” but something about typing those 10 words back in 1984 made Lee say to her husband, “I have a novel here.” And there was sufficient inspiration on the page for Miller to say, “I’m sorry, but I think you have a series.”

Both were right. Reached by phone at their Maine coon cat-friendly home in Winslow, surrounded by oil paintings, prints, book cover and other science fiction and fantasy artwork, Miller remembered, “We sat down that night and fleshed out the basic idea for the first seven books.” Four years later, in 1988, their collaborative debut was published in paperback by DelRey.

Since then, Lee, 64, and Miller, 66, have published 20 Liaden Universe novels and nearly five dozen related short stories. Baen Books published their latest hardcover novel, “The Gathering Edge,” in May.

.And they’ll be Guests of Honor at ConFluence from August 4-6.

(25) YOU WOULD BE RIGHT.

(26) PLASTIC IS NOT FANTASTIC. Jewish Business News has the story behind the commercial: “Mayim Bialik and Hodor From ‘Game of Thrones’ In New SodaStream’s Funny Viral Video”.

Following Jewish celebrity Scarlett Johansson’s campaign for the Israeli beverage company SodaStream, the Big Bang Theory star Mayim Bialik is the new face proudly representing the company new campaign in a Viral Video.

Features Mayim Bialik as an anthropologist, recalling her first encounter with the Homo-schlepien played by Kristian Nairn known as Hodor from “Game of Thrones.” The story reflects the devastating effect of single-use plastic bottles on Humanity. A habit that is hazardous to Earth and no longer exist in the future.

In this funny story, the Museum of UnNatural History features encounters between Mayim and the last tribe of plastic dependent species, the Homo-schlepien.

The shooting of the campaign was brought forward while Bialik had to rest her vocal chords for one month due to a medical advice. “This campaign has a powerful message and one that needed to be told before I went on vocal rest,” said Mayim Bialik.

 

[Thanks to JJ, Bill, Steve Miller, David Levine, Carl Slaughter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Anonymous Group Challenges Statistical Validity of Fireside Report

In a report dropped just after the close of the Hugo nomination deadline last night, the timing chosen purposefully (I’m told by a source) though the reasons are not obvious, “a group of writers and editors” has challenged the statistical basis of the Fireside Report which said last July,” We don’t need the numbers to know that racism is a problem in our field. But we have them.”

Published at Medium under the pseudonym “Lev Bronstein” (Leon Trotsky’s real name), “Bias in Speculative Fiction” counters the Fireside Report by applying additional statistical study methods to the data, or enlarging the field from which relevant data can be drawn.

Fireside Fiction’s July 2016 report “Antiblack Racism in Speculative Fiction” [FR] purports to have found pervasive racism in speculative fiction publishing. With 38 out of 2,039 (1.9%) published works authored by black-identifying authors, there is unquestionable underrepresentation. FR ascribes this disparity to widespread anti-black editorial bias. We share Fireside’s concerns about underrepresentation and commend its authors for raising awareness. At the same time we find the report to be fraught with error.

The article’s many examples include:

The misuse of the binomial distribution in FR is a significant cause for concern. Under the binomial distribution, we treat each publication as an independent random event with some fixed probability of occurrence. FR assumes that each submitted submission should have a 13.2% chance of black authorship. The probability of observing their data subject to this assumption is 3.207×10^–76. They provide no rationale for using population rather than occupational rates. Suppose instead that science fiction slush is submitted from a pool of professional writers uniformly at random. Under these assumptions we assume that there’s a a 4% probability that a story is written by a black author. The data becomes 68 orders of magnitude more likely. Still unlikely, yes, but this demonstrate the impact of our assumptions.

The article can be presumed to serve as a defense of editors in the speculative fiction field. It argues there is bias, but that it is exerted in the culture in ways not directly related to the fate of slushpile manuscripts, such as in the educational system where PoC may or may not take degrees in literature, and other things that discourage black people from becoming authors at all.

The authors of the article defended their choice to remain anonymous in these terms —

Who are you?

We’re a group of writers and editors. We have chosen to publish under a collective pseudonym. Our identities would only serve as a distraction.

It’s puzzling why a group that agrees in their preamble that “There is a race problem in speculative fiction and we need to make an effort to understand its causes” is unwilling to engage under their own names, essentially reducing this to a drive-by correction of somebody else’s homework.

Justina Ireland, an executive editor at FIYAH magazine, has responded at length on Twitter. Here are several of her tweets:

Another comment:

Brandon O’Brien, a poet and writer in Trinidad and Tobago, also has made some observations:

O’Brien has many other comments, though one in particular about “nebulous maths” begs the question:

Bear in mind this quote from the Fireside Report —

To adjust for the methodological flaws, as well as the fact that we don’t have access to submission-rate data concerning race and ethnicity either overall or by individual magazine, we used binomial distributions. The purpose of this was to find the probability that such numbers could be random?—?the chances that numbers like that could exist without biases in play (which could extend to biases that are literary in nature, such as story structure), systemic problems, and/or structural gaps. In the first binomial distribution we ran the data assuming that submission rates of black authors are equal to the proportion of the black population in the United States, which was 13.2% in 2015 (according to Census projections).

The Fireside Report picked U.S. population statistics as the battleground, treated them as a valid tool for analyzing racism, and made arguments based on their own analysis of them. It’s not fair in that context to say the Fireside Report is above criticism because there are PoC writing SFF throughout the world, or that we all know racism is a problem in the publishing industry (as it is elsewhere).

Troy L. Wiggins, the other FIYAH executive editor, questioned the motive behind the new article:

Update: Hours later the authors of the article took it down and left in place the statement, “We’ve been receiving threats. Forget we were ever here.”  

For as long as it lasts, the original post can be read in the Google cache file.