Pixel Scroll 5/20/18 I Know What You’re Thinking: Did He Scroll Six Pixels Or Only Five?

(1) SAFE AT HOME. Adweek tells about an Incredibles 2 movie product tie-in: “Why The Incredibles Needed an ADT Home Security System”.

Even superheroes need a good home security system, says a fun new ad from ADT and Disney, themed around the upcoming premiere of The Incredibles 2.

In the 30-second spot, animated by Pixar, the film’s titular super-family gets a tour of their new alarm system from superhero costume designer Edna Mode.

There are, for example, water level sensors—to safeguard against “surprise attacks” if a villain is hiding, for some reason, in a full bathtub, wielding a rubber ducking, waiting to pounce. There are motion sensors with live video—useful for tracking Mr. and Mrs. Incredible’s super-fast middle child, Dash. Intrusion detection can warn of invaders—and also help keep their teen daughter, Violet, gifted with invisibility, from sneaking out.

 

(2) CONSUMMATE PROFESSIONAL. Want to know how to tank your writing career before it starts? Tony Perez offers his advice:

(3) DO GIANTS SHRINK? John Scalzi tackled a question about Robert A. Heinlein’s residual influence in “Reader Request Week 2018 #6: The Fall(?!?!?) of Heinlein”.

But the question wasn’t whether Heinlein is going to disappear; it’s whether he’s declined as an influence. I think it’s fair to say he has, if for no other reason than that in the last 30 years, the scene in SF/F has changed. For one thing, fantasy and fantasy writers are much more influential in the field and on emerging writers than they were when Heinlein was alive; there’s an entire generation now edging into their 30s who grew up at Hogwarts, and for whom people like Robert Jordan (with an assist from Brandon Sanderson) and George RR Martin loom large in their landscape. Over on the SF side William Gibson, Neal Stephenson and Lois McMaster Bujold (not to mention Suzanne Collins) are much nearer influences, to name just three.

Also, as hinted above, YA authors are much more significant influences now than they were three decades ago. I can’t tell you how many younger authors count people like Tamora Pierce and Scott Westerfeld as significant in their development, and why wouldn’t they? And, yes, Heinlein wrote juvies, but the fact he wrote them is not the same as them currently being widely read and being influential. They’re not, which is not entirely surprising, as almost all of them are now sixty years old and the world they were written in doesn’t exist any more.

(4) DIFFERENT INTERPRETATIONS. Comics fans won’t be surprised at the wide variety of results, I suspect: “Image Comics Had Seven Different Artists Color a Black & White Todd McFarlane ‘Spawn’ Drawing”.

While we wait for more news on Blumhouse’s Spawn feature film, creator Todd McFarlane is finishing up issue #286 of the Image Comics series, which is going to printers today. For this one, Image did something pretty awesome, enlisting seven different artists to interpret a cover McFarlane drew for issue #286, in their own personal style.

The result? Seven vastly different pieces of art… which all began as the same piece.

McFarlane wrote on Facebook, “Here’s the list of AWESOME people who lent their coloring skills to Spawn issue 286 this month (in order of the covers below):

  • Jean-Francois Beaulieu
  • Nikos Koutsis
  • Moreno Dinisio
  • Frank Martin
  • Matthew Wilson
  • Owen Gieni
  • Annalisa Leoni

Pretty wild to see how much color can completely change the entire feel of a drawing…

(5) RUNNER-UP. Usually the winner gets all the publicity. Kevin Polowy, in the Yahoo! Entertainment story, “Emilia Clarke calls Brad Pitt’s $120K bid to watch ‘Game of Thrones’ with her the ‘weirdest experience of my entire life'”, says she can’t talk about the anonymous bidder who donated $160,000 to watch an episode of Game of Thrones with her to benefit Haitian relief because the bidder was anonymous.  But she says that Brad Pitt bidding $120,000 was quite strange.

Clarke clearly did not want to get into details — perhaps because the bidder from Sean Penn’s fundraiser for relief in Haiti chose to remain anonymous.

But she did speak a little more about the runner-up, Brad Pitt. The actor fell short in his attempt to spend some QT with the GoT star who plays Dragon Queen Daenerys Targaryen. Pitt bid only $120K at the Sotheby’s event.

“It was the weirdest experience of my entire life,” Clarke, 31, said of the auction. “I thought my head was going to explode. I went bright red and couldn’t stop smiling. It was amazing. I texted everyone I knew.”

(6) DEEP CUT. Shadow And Act reports “Laura Harrier’s Role As Millie Montag Cut From Fahrenheit 451”.

Laura Harrier’s role in Fahrenheit 451 was cut from the final version of the HBO film. Harrier, who is in Cannes for Black KkKlansman, revealed the fate of her role to The Wrap.

The actress, who starred last in 2017’s Spider-Man: Homecoming, would have had the rare distinction of starring in two Cannes films in one year.

Harrier was supposed to play the wife of Michael B. Jordan’s character Guy Montag, but the character was trimmed from the adaptation due to time.

“The character definitely has a big part in the book, but because of the length of the film, (director Ramin Bahrani) decided they needed to change the storyline and the structure of the film,” she said. “And unfortunately my character didn’t fit with the storyline. It’s something you always hope doesn’t happen, but I’m not the first it’s happened to, and I definitely won’t be the last.”

(7) ISS CARGO RATES. I thought there was a popular joke among hard sf writers that Newton’s fourth law tells us “Everything costs more and works less,” but Google says I misremember…. Ars Technica headline: “NASA to pay more for less cargo delivery to the space station”. A large price increase by SpaceX will overcome a smaller price cut by Orbital ATK.

A new analysis finds that NASA will pay significantly more for commercial cargo delivery to the International Space Station in the 2020s rather than enjoying cost savings from maturing systems. According to a report by the space agency’s inspector general, Paul Martin, NASA will likely pay $400 million more for its second round of delivery contracts from 2020 to 2024 even though the agency will be moving six fewer tons of cargo. On a cost per kilogram basis, this represents a 14-percent increase.

One of the main reasons for this increase, the report says, is a 50-percent increase in prices from SpaceX, which has thus far flown the bulk of missions for NASA’s commercial cargo program with its Dragon spacecraft and Falcon 9 rocket.

This is somewhat surprising because, during the first round of supply missions, which began in 2012, SpaceX had substantially lower costs than NASA’s other partner, Orbital ATK. SpaceX and Orbital ATK are expected to fly 31 supply missions between 2012 and 2020, the first phase of the supply contract. Of those, the new report states, SpaceX is scheduled to complete 20 flights at an average cost of $152.1 million per mission. Orbital ATK is scheduled to complete 11 missions at an average cost of $262.6 million per mission.

But that cost differential will largely evaporate in the second round of cargo supply contracts. For flights from 2020 to 2024, SpaceX will increase its price while Orbital ATK cuts its own by 15 percent. The new report provides unprecedented public detail about the second phase of commercial resupply contracts, known as CRS-2, which NASA awarded in a competitively bid process in 2016. SpaceX and Orbital ATK again won contracts (for a minimum of six flights), along with a new provider, Sierra Nevada Corp. and its Dream Chaser vehicle. Bids by Boeing and Lockheed Martin were not accepted.

(8) DEADPOOL ROUNDUP. The Mary Sue’s Kaila Hale-Stern claims Deadpool 2 Has Trolled the Critics into Liking It” while scanning reviews of the movie.

There’s a personality divide where some people are just never going to like a main character like Deadpool or a movie like Deadpool 2, and that’s okay! It is, however, refreshing to hear that there’s fun to be had here for those who want to have it. If one of the worst things you can say is that a movie is “too hip” for its own good, our curiosity is piqued.

(9) JOE KUBERT STORYTELLER AWARD. The inaugural award was given this weekend. “‘Usagi Yojimbo’ Creator Wins First Joe Kubert Storyteller Award”The Hollywood Reporter has the story.

The first Joe Kubert Distinguished Storyteller Award was presented Saturday at Ontario’s Comic Con Revolution, and the recipient is a comic book veteran whose career has lasted for more than 30 years and multiple publishers. Stan Sakai, the creator of epic anthropomorphic historical series Usagi Yojimbo, was tapped for the honor, although he was unable to attend the ceremony.

Sakai, who was born in Kyoto, Japan, and raised in Hawaii, got his start in comics as a letterer in the early 1980s on a number of independent comic book series, including cult classic Groo the Wanderer by MAD Magazine cartoonist Sergio Aragones and Mark Evainer. He was soon writing and illustrating his own characters, beginning with The Adventures of Nilson Groundthumper and Hermy in the debut issue of the anthology title Albedo. Usagi Yojimbo followed in the very next issue, setting Sakai’s career path for years to come….

(10) HOSHI OBIT. Japanese monster movie actress Yuriko Hoshi (1943-2018) has died.

Actress Yuriko Hoshi, who was nominated for the Award of the Japanese Academy in 1997 for her supporting performance in Night Trains to the Stars, was perhaps most known for being a staple of Toho’s Kaiju films, appearing in Mothra vs. Godzilla, Ghidorah, the Three-Headed Monster and, most recently, Godzilla vs. Megaguirus.

Today we’re sad to report, via Toho Kingdom, that Yuriko Hoshi passed away this week after a battle with lung cancer. Hoshi, born in December 1943, was 74 years old.

(11) SUBSEQUENT ARRIVAL. Jeb Kinnison, after reading Filers’ comments, has added a few hundred words to his article “Why ‘Arrival’ is Bad Science Fiction”, linked here yesterday.

(12) DESTINATION MOON. “Aiming for the Moon, Literally: One Foundation’s Plan for a Lunar Library” – but who’ll be there to check it out?

The Arch Mission Foundation has plans to put the entirety of Wikipedia, among other things, into an elaborate microfiche archive, then send it to the moon. And it’s not even the first time they’ve done something like this.

Wikipedia it seems, is everywhere on Earth—on smartphones and dumb phones, in countries with great internet access and in places with less.  But on the moon? It’ll be there soon, too, thanks to a nonprofit group with a mission to share knowledge across time and space.

(13) TRESPASSERS WILL BE VIOLATED. The colors on these Roman stone slabs faded long ago, but scientists have figured out what they were: “Ancient Romans Painted Horrifying Blood-Red Warnings on Wall Across Scotland” at LiveScience.

Ancient Romans used blood red, bright yellow and stunning white paints to illustrate dire warnings on the wall that separated them from the rebellious tribespeople of Scotland, a new study shows.

The painted warnings — including Roman eagles with blood-stained beaks, and the slain and decapitated bodies of the defeated victims of the victorious Roman legions — were shown alongside Latin inscriptions on carved stone slabs placed along a Roman rampart in Scotland.

Archaeologist Louisa Campbell from the University of Glasgow says the carved and painted stone slabs would have served as “Roman propaganda” to local tribespeople north of the Antonine Wall, a fortified wall built across Scotland by the Roman legions during the reign of the emperor Antoninus Pius in the second century A.D.

(14) SCI-FI TRAILER. 2036 Origin Unknown with Katee Sackhoff – here’s the official trailer.

(15) ARCHIE MCPHEE. A cultural icon finally gets its due in the Rubber Chicken Museum.

If you make your way to our Seattle Archie McPhee store, you’re in for a treat. Last week we premiered our new Rubber Chicken Museum! You can see the world’s largest rubber chicken and the world’s smallest rubber chicken, as well as everything in between. Our museum is dedicated to the history, cultural zeitgeist and general hilariousness of the rubber chicken. It is a must see! Plus, you can also see our new “Room 6” collection of historical novelties. You’ll get your PhD in LOL!

[Thanks to Chip Hitchcock, Cat Eldridge, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day J-grizz.]

Pixel Scroll 4/19/18 This Scroll Intentionally Left Blank

(1) WOTF NEWS. Writers of the Future Contest quarterly finalist Benjamin C. Kinney has withdrawn his story and posted this statement on his blog:

Earlier this week, I received a phone call informing me that my final submission to the Writers of the Future contest (first quarter 2018) had been selected as a finalist. However, after contemplating the information1 that past winners have shared about the contest in recent weeks, I have withdrawn my finalist story from consideration.

I would not judge anyone for their past (or future) decisions to be involved in the contest, whether or not they act(ed) out of ignorance. After all, many writers – myself included – have long treated this contest as a normal fixture of our community. I hope my choice will help encourage others to reexamine that assumption.

For myself, no award is worth supporting an organization that has hurt and misused so many friends, fellow authors, illustrators, and human beings.

(2) THE FIRST ONE IS FREE. Episode 1 of “James Cameron’s Story of Science Fiction” is free at iTunes.

(3) FANFIC AND HISTORY. The Organization for Transformative Works (the closest thing to a central hub for transformative works fandom) is currently running a membership drive, and has highlighted their Open Doors project for the preservation of fannish history: “Your Donations Preserve Fannish History!”

Have you ever gone back to look for a fic you read years ago and found out it’s disappeared from the internet? We’ve all been there. As fandom grows and years go by, countless thousands of fanworks disappear every day—entire archives go offline every month, and with them treasures are forever lost to fandom and future generations of fans.

That’s where Open Doors comes in! Open Doors is a project of the Organization for Transformative Works (OTW), dedicated to preserving and archiving fannish voices. It works with the Archive of Our Own (AO3) to protect your old favorites from other places around the web. Your donations give us the resources we need to continue this work. In 2017 alone, Open Doors was able to preserve almost 43,000 fanworks thanks to your support!

(4) AUCTION OF ROLLY CRUMP COLLECTION. Gwynne Watkins, in “See Rare and Wonderful Disneyland memorabilia From Small World, Haunted Mansion, and the Enchanted Tiki Room Before It Goes on Auction Block” on Yahoo! Entertainment, says there is a big auction on April 28 from the collection of Rolly Crump, who was an animator and designer of Disneyland rides in the 1950s and 1960s.

I remember the flying saucer poster from the days when it was first in use.

(5) THE MANGA EXCEPTION. James Davis Nicoll isn’t always dialed up to 11 about unfinished series: “Halfway to Nowhere: On Enjoying the Narrative Journey”.

Like so many other readers, I am frustrated by interminable series that never end. I complain. Loudly. Publicly. In print (well, HTML). I do this because it’s the right thing to do. I may have a twinkling of a hope that some authors will wake up and conclude their series. But that hope is as long-lived as a firefly. Alas.

I do make an exception for works in which the destination is never the point, in which the goal is simply to enjoy the journey.

Take, for example, Hitoshi Ashinano’s classic manga series Yokohama Kaidashi Kik?. …

(6) OMAZE. Omaze features a chance to meet Game of Thrones’ Emilia Clarke as the prize in its new fundraiser.

  • Hang out with Emilia Clarke (the Mother of Dragons herself!) over lunch
  • Get a sneak peek of what it’s like on the top-secret Game of Thrones set in Belfast
  • Be flown out to Northern Ireland and put up in a 4-star hotel

Every donation supports the Royal College of Nursing Foundation.

The Royal College of Nursing Foundation provides vital support for the nurses, midwives and health care assistants who care for us and our families day in and day out. The Foundation encourages young people to join the nursing profession, funds education and training opportunities, lends a hand to those struggling to meet the rising cost of living and provides advice and support to get their lives back on track.

A funny video of Emilia Clarke trying to spill the beans:

…Watch Daenerys Targaryen’s behind-the-scenes tour of Game of Thrones! Spoiler: Kit Harington (Jon Snow) and Jason Momoa (Khal Drogo) may or may not make eyebrow-raising cameos.

 

(7) COMICS SECTION.

  • John King Tarpinian forwarded Brevity’s Hollywood-inspired dinosaur pun.

(8) ROBOPROF. They haven’t taken over the teacher’s job….yet! “Robots are helping pupils to learn in Finland”.

Elias, the new language teacher in a school in southern Finland, has endless patience for repetition, never makes a pupil feel embarrassed for asking a question and can even do the “Gangnam Style,” dance. Elias is also a robot.

Elias is a language learning solution comprising a humanoid robot and mobile application, currently being trialed in a year-long pilot program at alongside a maths-teaching robot at a primary school in Finland’s third-largest city.

The robot can speak 23 languages and is equipped with software that allows it to understand students’ requirements.

(9) EPISODE RECAP. Daniel Dern says:

Episode 3 of Netflix’s Lost in Space comes remarkably close to where one of the characters could say (with alarm), “Our hovercraft is full of eels!”

(Close, as in, not a hovercraft. Or even a Lovecraft.)

(10) HERE’S TO YOU, MISSING ROBINSONS. Geek Interviews delivers an “Interview With The Robinsons.”

The cast of Netflix’s Lost in Space might be lost in the show, but in reality, they are pretty well-versed in pop culture and could navigate around the many questions we tossed at them. Geek Culture caught up with the stars of the Robinsons family in Tokyo, consisting of Toby Stephens, Molly Parker, Taylor Russell, Mina Sundwall, and Maxwell Jenkins.

 

(11) ANON. Trailer for Anon coming to Netflix.

Sal Frieland is a detective in a world with no privacy or anonymity; where everyone’s lives are transparent, traceable, and recorded by the authorities; where crime almost ceases to exist. But in trying to solve a series of murders, Frieland stumbles on a young woman known only as the Girl. She has no identity, no history and is invisible to the cops. Sal realizes this may not be the end of crime, but the beginning.

 

(12) THE PRO CIRCUIT. The BBC covers “The harsh realities of being a professional ‘girl gamer'”.

Trolls told Leahviathan to “get cancer and die” and made rape threats because she promoted a game they didn’t like. She is pragmatic: “They bother me, but I know by and large, they’re not real. I try to just separate them from the reality of what I do.”

It’s imperative to learn how to cope with the scale and intensity of the vitriol that can sometimes be experienced. Ignoring trolls and refusing them the attention they crave is a key strategy. Alternatively, calling their bluff and trolling them back in a positive way often helps defuse the situation. Leahviathan also has a moderation crew who help manage abusive comments.

Leahviathan doesn’t reveal her surname or where she lives, which is quite common for live streamers. It’s important to preserve a little bit of privacy.

(13) HUSH-A-BOOM. “The return of a secret British rocket site”. Maybe not that secret as they were testing engines, which would have been noisy; now, noise reduction is part of the research program.

… Originally a World War Two training base for bomber crews, RAF Westcott became the Guided Projectile Establishment in 1946, and was renamed the Rocket Propulsion Establishment (RPE) a year later.

One of RPE’s initial roles was to study seized Nazi rocket planes and rockets – like the Messerschmitt Me-163 Komet, the V1 Doodlebug and the V2 ballistic missile – and also learn what they could from captured German rocket scientists, some of whom stayed on as employees and worked at the site until the 1960s. “As an apprentice at Westcott I well remember seeing a V2 rocket in its trailer, a Messerschmitt Komet and a Saunders-Roe rocket plane,” says Ed Andrews, a Westcott veteran who now helps look after the historic site.

…In addition to such safety concerns, Westcott’s new rocketeers will have new environmental concerns to worry about, not least because the site is a bit of a wildlife haven – with kestrels, rabbits, deer, red kites and bats amongst its occasional inhabitants. “We have had to relocate some bats from some old buildings to make sure they are kept happy,” says Mark Thomas, chief executive of Reaction Engines.

“We’ve also done a huge amount of work on noise reduction. The five-metre-high wall around our Sabre test stand is for noise suppression and we expect a remarkably low level of noise as a result. But tests will only run for short periods in any case,” says Thomas. That’ll please the neighbours: former Prime Minister Tony Blair’s country pile is next door.

Whether British-based rocketeers can create a resurgence at Westcott remains to be seen. But at least they now have a chance. Just last week Reaction Engines secured a massive £26m ($35.9m) investment from aircraft and rocket maker Boeing and jet engine maker Rolls-Royce….

(14) VIDEO OF THE DAY. In “Where Did Time Travel Come From?” on YouTube, the Nerdwriter traces the origin of time travel stories to Charles Darwin and the nineteenth-century utopian romance.

[Thanks to Cat Eldridge, Meredith, JJ, Mike Kennedy, Danny Sichel, Carl Slaughter, John King Tarpinian, Andrew Porter, Chip Hitchcock, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/28/18 A Pixel Here, A Pixel There, And Pretty Soon You’re Talking About Real Scrolls

(1) ANOTHER FANS V. HOLLYWOOD DUSTUP. This is fascinating. Business Insider, in the process of crabbing that “The last 15 best-picture Oscar winners prove how out of touch Hollywood’s biggest night is with general audiences”, shows that the top box office picture in all but one of those years was a genre film, or else an animated movie.

We looked back at the lifetime domestic gross for the last 15 best picture Oscar winners and matched those with the lifetime gross for the movies that topped those years at the box office. And only once did they match up (2003’s “The Lord of the Rings: The Return of the King”).

In fact, most of the best picture Oscar winners didn’t crack $100 million at the box office and only two crossed the $200 million mark — and that’s counting inflation!

Nevertheless, in 2012 when genre films went head-to-head and Oscar winner Argo beat box office champ The Avengers, I was pretty happy about that result.

(2) ABOUT THE HUGO ANNOUNCEMENT. Annalee Flower Horne explores important nuances in the argument over when the Hugo finalist announcement should be scheduled. Jump on the thread here —

(3) NO THANKS. Wendy S. Delmater helps authors read the entrails when it comes to “What Rejection Letters Really Mean”.

Oh no. Your literary creation—poem, article, novel, or story—has been rejected. What do you do now?

One of the first questions you should ask is, was this a Form Rejection or a Personalized Rejection? When you use The Grinder (by Diabolical Plots) to keep track of your submissions, it even gives you those options on a drop down menu. And there a shades of rejection letters, something called “tiered rejections.” Every publication has different rejection letters, too. One thing you can do is to take a look at the rejection wiki to see if the market you submitted it to has sample rejection letters.

(4) EYE-OPENER. Laura Dale tells Polygon readers “Why I helped create a game about being trans,” in the article “When simply existing is dangerous, everything is a risk”. Thid video role-playing game is designed to help cis people understand what it feels like to have gender dysphoria, to be forced to live as a gender which does not match the one with which they identify.

As a trans woman, I hear stories of transgender individuals dying by murder or suicide depressingly often. At least 81 transgender people were murdered in 2015, while 41 percent try to kill themselves at some point in their lives.

I don’t always have the emotional energy to engage with the topic, but in the wake of Leelah Alcorn’s suicide, I decided to try and do something to help raise awareness of what it’s like to go through the rough early stages of gender transition.

I got together with coder Alex Roberts, artist Joanna Blackhart and writer 8BitGoggles to develop a game called Acceptance.

(5) THE RISK OF OOPS. Scientists are the only ones…. “Why Scientists Aren’t Fans Of Creating On-Demand Meteor Showers” …because, of course, nothing could possibly go wrong.

AILSA CHANG, HOST:

In this video, the firm Astro Live Experiences explains how it hopes this will work. A satellite in low orbit around the Earth releases a cluster of small spheres. Those spheres fall through the atmosphere. And as they do, they burn up. Here on Earth, that translates into an artificial shooting star show.

SHAPIRO: Sounds like it could be pretty. But if the idea of manmade spheres hurtling through the atmosphere also sounds alarming, you’re not alone. Some scientists have objections. For one thing, they say we need to be able to observe objects beyond our atmosphere.

(6) PROBLEMATIC SURVEY. Lauren Orsini, in the Forbes.com column “Why Did The Flying Colors Anime Census Lose Fans’ Trust”, says anime fans were disturbed by a quiz sent out by previously-unknown Flying Colors Foundation, because the foundation didn’t explain who they were and then asked if anime fans had mental health problems, including social anxiety, body image issues, bullying,  and depression.”

Why does the survey ask about mental health?

Near the end of the Anime Census, survey-takers are asked if they have ever experienced social anxiety, body image issues, drug addiction, or other “health complications.”

However, the survey website does not inform fans about how the information will be used, so it’s no wonder that some survey-takers assumed the worst.

“The intention of the mental health question is threefold,” [spokesperson Daniel] Suh told me, “To let the community know that they are not suffering alone, to prove that anime can quite literally change lives by helping fans endure and grow through difficult times, and to understand and measure the benefits of anime on mental health. We want to help prove that anime is a global medium that could be used for good. We are aware of HIPAA regulations and, although we are not a health service provider, we are complying with its strictest rules. Any responses we receive about mental health will not be shared with anyone outside of FCF.”

(7) TODAY IN HISTORY

  • March 28, 1963 – Alfred Hitchcock’s The Birds premiered in theaters.

(8) TRIVIAL TRIVIA. Trivial Trivia:  Ray Bradbury was approached to write the original screen treatment of The Birds but declined.

Later, when he’d watch the movie at home, he’d yell at the TV, “You should have used the ending from the book!”

(9) CANCELLED. Starbase Indy, a convention that has been held for 30 years, will not be back in 2018 the chair announced on Facebook.

Like any fan-run not-for-profit, Starbase Indy relies on the community around the event for all the labor required to run it and also for all of the money that goes into the event. Taking a clear-eyed look at our financial and volunteer situation, there is no responsible way to hold an event this year.

…To bring the event back in the future, we would need to build a Board of Directors capable of guiding the event, and a convention staff excited about running the event. Currently I’m the only Board member remaining. That’s not a sustainable base from which to build any organization, especially not a volunteer organization with no paid staff.

(10) 2001 TRIBUTE. Cora Buhlert recommends “50 Jahre Kubricks ‘2001’”, a video about an exhibition in Frankfurt/Main honoring the 50th anniversary of Stanley Kubrick’s 2001 – A Space Odyssey. Cora explains, “The video is from a German culture program and therefore only in German, but you can see plenty of the exhibits. Not sure how long it will stay online.”

(11) PILES OF PIXELS. Furthering a trend, “The National Museum of Scotland is putting its entire collection online”.

People across the world can now view all the National Museum of Scotland has to offer without even leaving their sofas.

Using Google Arts and Culture’s museum view experience, which is similar to how Google’s Street View works, tourists can view the 20,000 objects on display at the National Museum. The virtual display also includes 1,000 pictures of objects from the Edinburgh museum’s collection.

It’s the first museum in Scotland that can be toured online, but not the first in the world. The Taj Mahal in India and the Palace of Versailles in France have also opened up their exhibit in a similar way, giving visitors from around the world a novel opportunity to explore their interior. Google Arts and Culture hopes to continue working with institutions to make cultural and historical materials across the globe more easily accessible.

(12) DOCUMENTARY WILL TRACE BRADBURY’S IMPACT. For fans who like to be heard –

Are you a fan of Ray Bradbury’s works? Have you had contact with him at some time in your life? Maybe he signed a book you still own. Or, maybe you met him in Waukegan, his hometown. You might even have a letter from him. Or, maybe his writing influenced you in a special way.

If so, we want to hear from you! We invite you to be interviewed as part of a video documentary. You will have a chance to tell about your “I Met Ray” moment in your own words.

This video documentary project is sponsored by the Ray Bradbury Museum Committee, which is working to preserve these unique Bradbury moments and memories for posterity.

For more information, please contact us at one of the following:

info@raybradburymuseum.org

RBEM office
13 N. Genesee Street
Waukegan, IL 60085

847-372-6183

(13) JEOPARDY! More sff on Jeopardy! The category was “Entertaining Inspirations.”

Steven H Silver says, “They got it right for $400.  The previous clue was about the film Alien.”

(14) THE ANSWER IS YES. Someone asked Anna Nimmhaus if things could be verse:

If you want to be happy and go without strife,
Never make the pixel-scrolling your life.
So from my personal point of view
Get a paper book to a-muse you.

(apologies to J. Soul, J. Royster, C. & F. Guida, 1963)

(15) BALLGAME OF THRONES. Sports Illustrated promises “This ‘Game of Thrones’ MLB Promo Will Get You Ready for Baseball Season”.

If you’re looking forward to the return of baseball and the return of Game of Thrones, I have good news and bad news.

The bad news is that the hit HBO series won’t be back until 2019. The good news, though, is that baseball is back this week and there’s even a Game of Thrones tie-in.

There were 19 GoT promotional nights by MLB teams last season and HBO has renewed its agreement with the league to make it happen again this year. To mark the occasion, the network produced this really cool video based on the show’s title sequence.

 

[Thanks to JJ, Cat Eldridge, ULTRAGOTHA, Cora Buhlert, John King Tarpinian, Steven H Silver, Rich Lynch, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Daniel Dern, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor Kip W, who reminded me of the days when I was a fan of Everett Dirksen.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human

lose.

his.

shit.

Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/6/18 If Only The Contents Matched The Packaging

(1) WITH ADDED SHARKE. New Shadow Clarke juror Gary K. Wolfe gives his opening statement in “Conversations in a Noisy Room: Introducing Gary K. Wolfe”.

I initially came to SF criticism through academia, where matters of grace and clarity are not always the highest priority. My earliest publications were in scholarly journals or with university presses, at a time when everyone seemed enamored of structuralism as a theoretical model. (A few years later, of course, we escaped that cage, only to find everyone equally enamored of post-structuralism.) It was essentially a grammar of analysis and taxonomy, modeled largely on the language of the social sciences, and to the extent that it was evaluative at all, it was mostly in passing. It was also a language marvelously well-suited to disguising thinness of thought.

Then I was invited to begin writing for a now defunct magazine, Fantasy Review, for a very different kind of audience.  What models I had for SF criticism consisted of those early volumes by Damon Knight, James Blish, and even Kingsley Amis, and the succession of remarkable reviewers in The Magazine of Fantasy and Science Fiction – Judith Merril, Joanna Russ, Algis Budrys, and others. Budrys became a kind of mentor in my shift toward real-world reviewing and criticism. We disagreed a lot, but he showed me that while my opinions might be worthwhile, they were a lot more worthwhile if they had solid reasoning behind them, and if they described a context for the works under discussion….

(2) BEST SERIES. Now that voting has opened for Hugo nominations, keep in mind JJ’s tool: “Best Series Hugo: Eligible Series from 2017” and discussion thread.

To assist Hugo nominators, listed below are the series believed to be eligible as of this writing for the 2018 Best Series Hugo….

OTHER AIDS. JJ is also curating —

(3) BEST SERIES CAVILS. Martin P. advocates that voters impose additional criteria beyond the rules: “On the Hugo Award for Best Series”

…However, just because something can’t be legislated doesn’t mean it shouldn’t be kept in mind while nominating and voting. The standard I intend to apply is that to be worthy of a Best Series Hugo, a story must be fully satisfying even if no other installments are ever published. This does not necessarily mean a story must be conclusively over. For instance, while I can certainly imagine new installments in the Vorkosigan Saga, last year’s winner in the award’s trial run (and if Lois McMaster Bujold wants to write them I’d happily read them), my enjoyment of the series will not be diminished if Gentleman Jole and the Red Queen is ultimately the final installment. But I don’t think a series that is clearly incomplete is award-worthy, and I’m not inclined to grant credit for future work. Everybody can think of a series that started strong and then went off the rails. I’m not comfortable coming back in the future and saying “this received the Best Series Award but you need to ignore its conclusion”. I don’t even love new books getting a “Hugo-Nominated [or Hugo Winning] Series” stamp from their publisher when the Hugo electorate hasn’t had a chance to read the book yet, although I recognize that marketers are going to pull that kind of thing regardless.

I do not intend to nominate any series that does not meet this criteria, and I urge others to do likewise. I will also likely rank any clearly incomplete series nominated below No Award, although I might consider a series whose final installment is published in 2018 before the voting deadline, as such a series would be ineligible for future nomination. And yes, I fully anticipate that I will rank something I quite like below No Award.

…While it might be difficult to find satisfactory completed series every year, N. K. Jemisin’s exceptional Broken Earth trilogy is eligible for the 2018 Best Series Hugo. I’m nominating it. If you haven’t read it, I highly encourage you to do so.

(4) THANKS BUT NO THANKS. Despite endorsements like Martin P’s, author N.K. Jemisin, in “Hugo Nomination Rumination”, wants Hugo voters to leave her trilogy out when nominating in the Best Series category.

As I’ve mentioned on social media, I only have two works eligible for awards nomination from 2017: The Stone Sky, and my Uncanny short story Henosis. Last year was tough, so I didn’t get much writing done. I’m sure a lot of you can relate.

But since people have asked for my thoughts on this… Please, if you’re going to nominate The Stone Sky in any form, do so in the Novel category, rather than nominating the whole Broken Earth trilogy for Series. I mean, I can’t stop you from nominating it however you like — but let me point out, if you didn’t know, that The Fifth Season and The Obelisk Gate have both won Hugos already. This is awesome, but in my eyes, it simply wouldn’t be fair for those books to effectively get a second bite at the apple in the Series category. That this possibility exists has always been a potential problem of the category, IMO.

And here’s the thing: I understand that some folks believe I’d have a better chance at scoring a third Hugo in the Series category. I’m super-grateful to those of you who think about stuff like this, but as someone who never expected to get even one Hugo… y’all, I’m okay either way. If TSS doesn’t get nominated or win in the Novel category, and some other deserving work does win, then so be it. TSS is a New York Times and Locus bestseller and the series has been picked up for a TV show; I’m doin’ all right by most other measures. I’m not going to pretend I wouldn’t squee my head off if I won Hugo #3 at any point, but there won’t be any tears in my beer if I lose, either. (If for no other reason than that I don’t drink beer.)

(5) JUICY RUMORS. Been suffering from a lack of A Song of Ice and Fire and Game of Thrones gossip? Reddit’s ASOIAF discussion group delivered a spicy serving today.

(6) YET ANOTHER STAR WARS SERIES.  With Thrones creators D&D’s work on their HBO series ending, the pair have hooked up with Disney to make more Star Wars movies — “‘Game of Thrones’ Creators to Write, Produce New ‘Star Wars’ Series of Films”.

Game of Thrones” creators David Benioff and D.B. Weiss are going to write and produce a new series of “Star Wars” films, Disney announced on Tuesday.

The new series will be separate from the main episodic Skywalker saga that started with “Star Wars: A New Hope” and is slated to wrap up with 2019’s “Star Wars: Episode IX.” It will also exist independently from a Rian Johnson-helmed series that was announced last year.

“David and Dan are some of the best storytellers working today,” said Kathleen Kennedy, president of Lucasfilm, in a statement. “Their command of complex characters, depth of story and richness of mythology will break new ground and boldly push Star Wars in ways I find incredibly exciting.”

It also comes at a time of transition for Benioff and Weiss. “Game of Thrones,” their sprawling fantasy epic, will end its run on HBO in 2019.

(7) KEEPING READER TRUST. Sandra M. Odell shares tips on “Building The Disabled World” at the SFWA Blog,

I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era.  Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world. You don’t need to include every last detail about the world on the page, but there should be enough detail and consistency in the presentation that I can trust that you know what you’re talking about.

When creating a world where individuals with disabilities play a role, you should answer four basic questions…

(8) CLOVERFIELD. Netflix put up The Cloverfield Paradox on Sunday. The trailer —

Yahoo! Entertainment has a spoiler-filled discussion: “How Does ‘The Cloverfield Paradox’ Fit With the Other Two ‘Cloverfield’ Movies?”

One of the bigger developments of Super Bowl Sunday, aside from the game itself being outstanding, was the news that “The Cloverfield Paradox” (previously known as “The God Particle”) would be surprise  dropping on Netflix right after the game. It was a genius move from a marketing standpoint — the number of folks who watched the movie Sunday night probably far exceeded what the movie would have done at the box office. But now that we’ve seen it, it’s left a bunch of us scratching our heads.

Looper also has analysis (video) —

The Cloverfield movie-verse has now officially expanded into some wild new territory. Netflix surprised fans of the sci-fi film series by dropping the third installment, The Cloverfield Paradox, on Super Bowl Sunday without warning. Like the first two films, Cloverfield 3 offers a new perspective on why all of those giant monsters have appeared on Earth. If you haven’t seen it yet, you might want to click away now because we’re about to take a deep dive into outer space…

 

(9) CONAN UP THE AMAZON WITHOUT A PADDLE. According to Deadline, “Conan the Barbarian TV Series In Works At Amazon From Ryan Condal, Miguel Sapochnik & Warren Littlefield”.

Amazon is developing drama series Conan, based on the books by Robert E. Howard, Deadline has learned. The project hails from Colony co-creator Ryan Condal, Game of Thrones director Miguel SapochnikFargo and The Handmaid’s Tale executive producer Warren Littlefield, Pathfinder Media and Endeavor Content.

Created and written by Condal, Conan retells the classic character’s story via a return to his literary origins. Driven out of his tribal homelands, Conan wanders the mysterious and treacherous world of civilization where he searches for purpose in a place that rejects him as a mindless savage….

(10) TODAY’S BIRTHDAY BOY

  • Born February 6, 1947 – Eric Flint

(11) SALUTE TO THE BIRTHDAY BOY. At Black  Gate, Steven H Silver continues his series – “Birthday Reviews: Eric Flint’s ‘Portraits’”:

“Portraits” first appeared in The Grantville Gazette, an online magazine tied to Flint’s 1632 series, which allows various authors to discuss the setting and try their hand at fiction. When Baen decided to publish hard copies of some of the articles and stories, “Portraits” was reprinted as the first story in Grantville Gazette Volume I (2004) and provided the volume with its cover art. It was subsequently reprinted in Flint’s collection Worlds.

“Portraits” tells the story of Anne Jefferson, an American nurse posing for the Flemish artist Pieter Paul Rubens. The story assumes knowledge of the 1632 situation and characters Flint introduced three years earlier. This is a story which relies on its published context to be fully appreciated.

(12) LISTEN UP. Marvel New Media and top podcast listening service Stitcher have released the trailer for Wolverine: The Long Night. The 10-episode series airs weekly beginning March 12, 2018 exclusively on Stitcher Premium. It will see a wide release across all podcast platforms in fall 2018.

Listen to the trailer for Wolverine: The Long Night” here: www.WolverinePodcast.com

The “Wolverine: The Long Night” story is a captivating hybrid of mystery and the larger-scale fantasy of the Marvel Universe. It follows agents Sally Pierce (Celia Keenan-Bolger) and Tad Marshall (Ato Essandoh) as they arrive in the fictional town of Burns, Alaska, to investigate a series of murders and quickly discover the town lives in fear of a serial killer. The agents team up with deputy Bobby Reid (Andrew Keenan-Bolger) to investigate their main suspect, Logan (Richard Armitage). Their search leads them on a fox hunt through the mysterious and corrupt town.

(13) FALCON HEAVY. It worked: “Elon Musk’s Falcon Heavy rocket launches successfully”. As of the time the BBC posted this article, two of the three first-stages were known to have detached and landed safely. They were still awaiting news of the third, which was making a sea landing.

It is designed to deliver a maximum payload to low-Earth orbit of 64 tonnes – the equivalent of putting five London double-decker buses in space.

Such performance is slightly more than double that of the world’s next most powerful rocket, the Delta IV Heavy – but at one third of the cost, says Mr Musk.

For this experimental and uncertain mission, however, he decided on a much smaller and whimsical payload – his old cherry-red Tesla sports car.

A space-suited mannequin was strapped in the driver’s seat, and the radio set to play David Bowie’s classic hit Space Oddity on a loop.

…Two came back to touchdown zones on the Florida coast just south of Kennedy; the third booster was due to settle on a drone ship stationed several hundred kilometres out at sea.

During the launch, the video signal from the drone ship was lost, so the fate of the third booster is not yet clear.

(14) FRESH CYBERPUNK. Speculiction’s Jesse Hudson finds a winner: “Review of Graft by Matt Hill”

Cyberpunk is now roughly forty years old.  With relevant works from writers like James Tiptree Jr. and John Brunner appearing in the 60s and 70s, it coalesced into a recognizable trend in the early 80s—the four decades since having seen a full exploration of the idea of ‘cyberpunk’ through hundreds of stories and books.  Thus, in 2016, how does a writer do something original with the form?  With its imagery and characters, settings and ideas well established, there is probably only one way: deliver unique prose combined with a competent package.  Matt Hill, in his 2016 Graft, does precisely this….

(15) SPEAKER TO ALIENS. At Quick Sip Reviews, Charles Payseur delivers “Quick Sips – Lightspeed #93″, reviews of four stories, including —

“Four-Point Affective Calibration” by Bogi Takács (1450 words)

No Spoilers: A person must undergo a special kind of mental exercise to calibrate a machine that might allow them to communicate with aliens. The piece dissects emotions and the supposed universality of certain “core” emotions, as well as looks at the idea of expectation, immigration, and appearance. Quick but dense with hope, fear, and the barriers of language.
Keywords: Aliens, Emotions, Transcript, Non-binary MC, Immigration, Communication
Review: For me, this story hinges on understanding and communication. The piece is framed as a transcript of a sort of mental calibration—part test, part measurement to set a baseline to allow the narrator to communicate with aliens. I many ways, though, I feel like the communication with the aliens isn’t the most important relationship being explored. Or, I guess I mean, what I keep getting out of the story is that for the narrator, it’s not communicating with the aliens that seems fraught or difficult—it’s communicating with other humans. Because of the barriers that humans erect between each other in order to try and ease communication, but in practice make things much more difficult for many people, especially those who don’t fit in well enough, for whom the burden of communication and understanding is always on appeasing the dominant voices, the dominant empathies. For the narrator, this seems another way that they have to grapple with ideas, “core” emotions, that they might not feel the same as others—because they are autistic, because they aren’t a cisgender person. These things that people take for granted the narrator cannot, nor do they react to this central frustration in the ways that people expect, in ways that are expected of them. And it’s a short but very complex and moving story about the hazards and difficulties of communicating, and of being understood. That there is this frantic kicking of thoughts, worries, fears, just under the surface of the narrator’s thoughts, laid bare here by this test in the hopes that they’ll be able to have this opportunity, to be allowed to have a conversation that excites them. It’s a wonderful read!

(16) SHIMMER PROGRAM. Another Chinese story in translation is available at Clarkesworld.

(17) ANSWER WITH A QUESTION. Steven H Silver reports this was “a triple stumper” on today’s Jeopardy!

(18) FOR SALE. Mel Hunter’s original art “Lunar landscape,” which appeared on the cover of the June 1960 issue of The Magazine of Fantasy and Science Fiction (with small painted rocket ships superimposed on the landscape), is offered by Illustration House. It is expected to bring $3,000-$4,000.

(19) VIDEO OF THE DAY. Nothing to do with sff whatsoever. Loved The Parking Lot Movie, recommend it highly. Here’s the trailer —

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Steven H Silver, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Carl Slaughter, Mark Hepworth, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Dann.]

Pixel Scroll 1/6/18 First You Get The Files, Then You Get The Pixels, Then You Get The Scrolls

(1) ZILLIONS OF YEARS AGO. College Humor shows that “If Jurassic Park Were In Different Geological Eras,” we’d be staying away from the box office in droves….

(2) FINDER. Silvia Moreno-Garcia will be hosting a list of Latino SFF in English published or to be published this current year (2018). You’ll find it at “LATIN AMERICANS IN ENGLISH LANGUAGE SPECULATIVE LITERATURE LIST 2018”.

(3) DRINK UP. A piece by Nancy Di Gennaro called “Murfreesboro’s Green Dragon Launches On-Site Brewery” in a newspaper called the Daily News Journal says that the Green Dragon Pub and Brewery is a “Hobbit-themed” pub that has become a brewery in October.

Green Dragon opened 3 1/2 years ago, fulfilling a lifelong dream of Joe Minter, a big fan of “The Lord of the Rings” author J.R.R. Tolkien. Two of Tolkien’s main characters, Frodo and Bilbo Baggins, both embarked on adventures at age 50. So Minter took their lead and did the same, leaving his career with Home Depot for the unknown.

The tiny eatery nestled in the basement of an old creamery is reminiscent of Tolkien’s imagined shire pub, with staff members that dress the part and rustic furnishings.

(4) STABBY AWARDS. Voting continues on Reddit for the 2017 r/Fantasy Stabby Awards until January 13. There are two sets of award categories, external and those focused on r/Fantasy redditors.

  • External awards:

BEST NOVEL OF 2017
BEST SELF-PUBLISHED / INDEPENDENT NOVEL OF 2017
BEST DEBUT NOVEL OF 2017
BEST SHORT FICTION OF 2017
BEST SERIALIZED FICTION OF 2017
BEST ANTHOLOGY / COLLECTION / PERIODICAL OF 2017
BEST ARTWORK RELEASED IN 2017
BEST FANTASY SITE FOR 2017
BEST GAME (ANY FORMAT) OF 2017
BEST TV SERIES / MOVIE OF 2017
BEST RELATED WORK OF 2017

  • redditor awards – guaranteed reddit gold as an award:

BEST ACTIVE r/FANTASY AUTHOR (‘best overall redditor- author edition’)
r/FANTASY BEST COMMUNITY MEMBER (‘best overall redditor- non-author edition’)
BEST POST / COMMENT IN 2017
BEST r/FANTASY ORIGINAL REVIEW

(5) MAIL IS COMING. It seems like a long time since Sean Bean was in Game of Thrones, but his character is part of the forthcoming Royal Mail stamp set — “Game of Thrones: New stamp set to feature Jon Snow and Arya Stark”.

An additional five-stamp sheet features the Night King and his undead White Walkers as well as giants, direwolves, dragons and the Iron Throne.

Fans can buy the stamps at Post Office branches across the UK from 23 January or by calling Royal Mail’s customer service line.

They can also be pre-ordered on the Royal Mail website.

(6) SUBMISSION WINDOW OPEN. Alpennia reports that The Lesbian Historic Motif Podcast will be open for submissions during January 2018 for short stories in the lesbian historic fiction genre, to be produced in audio format for the podcast, as well as published in text on the website. See complete guidelines here — “Call for Submissions: Lesbian Historic Motif Podcast Fiction Special”.

(7) RAMBO READS. The Seattle Review of Books asked “Whatcha Reading, Cat Rambo?” She told them, beginning with —

What are you reading now?

Right now I am reading Louisa Morgan’s A Secret History of Witches. Morgan’s the pen name for local author Louise Marley, whose work I enjoy under any name.

(8) WHERE THE IDEAS ARE. Cat Rambo also livetweeted highlights from Rachel Swirsky’s Ideas Are Everywhere class today. Jump aboard here —

(9) BLACK MERMAIDS. Nalo Hopkinson does a reading and gives an interview in a podcast on the Boston Review website, “Waving at Trains”. She talks about dystopias and how they affect her writing.

“We are not supposed to own imagination . . . so, damn it, I am making black mermaids.” In this podcast, the award-winning writer Nalo Hopkinson reads her story, “Waving at Trains,” featured in Boston Review‘s 2017 literary issue, Global Dystopias. She also talks to Avni Sejpal about the politics of dystopia, writing from the Global South, and the enduring importance of black mermaids….

AS: So when you are writing something, are you also thinking about how it will sound out loud?

NH: Yes. If I am thinking in words at the time that I am writing. Sometimes I do, sometimes I don’t. Sometimes I think in moving images and then I have to translate it into words. But, yes, I am always aware that at some point I might want to read the thing. And I am very aware of how characters speak, because speech does not only carry the accent, it carries the economic level of the characters, which tells you something. So whenever I have stories translated into other languages, generally they go for the standard form of the language. I find that that actually makes the translation a little bit pallid and it removes some of the nuances, so my characters end up sometimes sounding like middle class people being petulant . . . and sometimes they are middle class people, like the girl in this story, who are having a very hard time.

(10) YOUNG OBIT. NASA astronaut John Young has died at the age of 87.

John Young, NASA’s longest-serving astronaut, who walked on the moon and flew on the first Gemini and space shuttle missions, has died.

The first person to fly six times into space — seven, if you count his launch off of the moon in 1972 — and the only astronaut to command four different types of spacecraft, Young died on Friday (Jan. 5) following complications from pneumonia. He was 87.

“NASA and the world have lost a pioneer,” said NASA acting administrator Robert Lightfoot in a statement on Saturday. “John Young’s storied career spanned three generations of spaceflight; we will stand on his shoulders as we look toward the next human frontier.”

(11) JERRY VAN DYKE. The Hollywood Reporter says Jerry Van Dyke, brother of Dick, died January 5. He was 86. He had one main genre credit —

Van Dyke famously passed up the opportunity to star on Gilligan’s Island in favor of toplining the short-lived My Mother the Car, considered one of the worst shows in TV history.

As the Wikipedia explains the show —

…Attorney David Crabtree (played by Jerry Van Dyke), …while shopping at a used car lot for a station wagon to serve as a second family car, instead purchases a dilapidated 1928 Porter touring car. Crabtree hears the car call his name in a woman’s voice. The car turns out to be the reincarnation of his deceased mother, Gladys (voiced by Ann Sothern)….

(12) COMICS SECTION.

(13) THE LOVE LIFEBOAT. I’d pay to see this.

(14) CENTURIES OF COVERS. BookPorn assembled a big collection of Frankenstein book covers to celebrate the anniversary.

January 1st, 1818Frankenstein; or, The Modern Prometheus by Mary Wollstonecraft Shelley is published

(15) ALIENS BITE THE DUST AGAIN. The Washington Post’s Ben Guarino says a Kickstarter-funded campaign has discovered that the flickering light in the yellow-white dwarf star KIC 8462852 was not caused by aliens who “had constructed a titanic array of solar panels around the star” but to dust — “The strangest star in the sky finally has an explanation for its flicker”.

Fourteen hundred light-years separate Earth from the strangest star in the sky. The light from this star flickers, like a giant neon sign drifting through the constellation Cygnus. After the star’s dim intervals, which last for days or weeks, it brightens again.

No other star acted this way. No observation could explain its behavior.

That is, until now. A 200-strong team of scientists says it has arrived at an answer, thanks to an astronomy project crowdfunded on Kickstarter. The culprits are not aliens, as some people have speculated, but probably a cloud of dust, each particle less than a micrometer across. Combined, these dust particles coalesced into one of the biggest question marks in recent astronomical memory.

In 2015, astrophysicist Tabetha Boyajian published a paper describing the starlight dips. The brightness diminished by 20 percent, according to observations from the Kepler space telescope. Planets block starlight when they pass across stars, like a hand waved in front of a flashlight. But even an object as huge as Jupiter can reduce a star’s brightness by just 1 percent.

(16) 1949 WORLDCON. Available on eBay, “30 photos Worldcon 1949 w negatives Doc E.E. Smith Jack Williamson Robert Bloch”, from the estate of Franklyn M. Dietz.

30 photos Worlds Science Fiction Convention 1949 in Cincinnati  w negatives Doc E.E. Smith jack Williamson, Robert Bloch L.A. Eschbach Fletcher Pratt.

Nice fan photos – 30 photos plus a greeting card from the Cincinnati fan group and 17 negatives.  Lots of behind the scenes photos of the worldcon with fans, models and speakers/authors.

Others speaking are probably Theodore Sturgeon, Judy Merrill George O Smith Arthur banks and some fans

(17) BARDIC CIRCLE. Moira Greyland Peat looked for a humorous side of JDA being banned from Worldcon 76 and wrote new lyrics to the filk standard “Banned from Argo.”

“Banned from Hugo.”

When we pulled into Worldcon in need of R&R
The puppies, Sad and Rabid camped in every joint and bar
We had Trufan expectations of their hospitality
But found too late it wasn’t geared for Puppies such as we

And we’re Banned from Hugo, everyone
Banned from Hugo just for having that Wrongfun
We spent a jolly Worldcon there for just three days or four
But Hugo doesn’t want us anymore…

Our Captain’s tastes were simple and his stories were complex
We found he’d sold five manuscripts and pocketed large checks
The Thought Police were on the way—he had no second chance
His heroine was fair and blonde, and had a straight romance! …

Our Engineer would yield to none at writing Rabid tales
He wrote them for Castalia House and made a ton of sales
His favorite story didn’t win, but it got the votes of all
And now he’s got his No Award on the mantle of his hall! …

(18) THE UNINVITED. John Scalzi obliquely commented on the current uproar in “Obnoxious Twits and Conventions”.

And if a convention decided I was not welcome at their event, how would I take it? I mean, I would hope they’d tell me before I made flight arrangements and my hotel rooms were non-refundable, but otherwise, meh, it’d be fine. Generally I prefer not be in places I’m not wanted, and if the convention committee was telling me to go away, that’s a pretty good, non-subtle hint. Which means my weekend is now free! Which is excellent, I usually have things to do on a weekend, even if those things are “watch six hours of How It’s Made in a row and then take a nap.” Which these days is a pretty great weekend, I have to tell you.

I was looking for something more substantive, so asked this question in comments:

Bearing in mind how instrumental you were, personally, in the drive to get sff conventions to adopt Codes of Conduct, I’d be much more interested in your views about this application of a CoC. Do you think it was appropriate? Why? What do you think we should take away from it?

He responded:

As for whether in this case the convention’s decision to yank attending status was merited, it seems so to me based on what I know (and what I know of the obnoxious twit in question), although as noted I haven’t spoken to anyone involved about the decision and am not privy to the full data set they used to make their decision. But even if I disagreed with it, they’re the concom and it’s their decision to make. The decision might have consequences, although in this case, the consequences (other obnoxious twits deciding not to attend in solidarity) seem like an upside to me.

(19) OPEN THE CELL BAY DOOR PAL. Whitney Avalon sings “Funny Rey Song – Second To Last Jedi – Star Wars Musical.”

(20) THE OTHER JJ. And either funny or sad – maybe both! ScreenRant gives us “Everything Wrong With ‘The Last Jedi’ – Pitch Meeting.” Plenty of spoilers in case that still matters.

[Thanks to JJ John King Tarpinian, Cat Eldridge, Andrew Porter, Hampus Eckerman, Martin Morse Wooster, Carl Slaughter, and Bill for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 12/25/17 When All Of A Sudden There Arose Such a Pixel

(1) STAR EXPLAINER. The New York Times profiles sf fan favorite Brother Guy Consolmagno in “Searching for the (Star) Light at the Vatican Observatory”.

Some 2,000 years ago, a celestial phenomenon is believed to have lit up the sky. Guiding the wise men of New Testament lore to the birthplace of Jesus, the star of Bethlehem has since become a planetarium and Christmas carol favorite.

What that star might have been — a comet, supernova, or the conjunction of planets, let alone whether it ever existed — is one of the recurring questions that Brother Guy Consolmagno is called on to answer even though, he noted dryly, “it has nothing to do with our work as scientists at the Vatican Observatory.”

“Too often people get distracted by the Star and forget to look at the Child! And yet I also have to admit I feel a certain joy in the story, and a joy that this story has been so popular for so many people over the centuries,” said Brother Consolmagno, since 2015, the director of La Specola Vaticana (which translates as Vatican Observatory). “Of course, we have no idea what Matthew was writing about. It doesn’t matter!”

The observatory is the only Vatican institution that does scientific research, and Brother Consolmagno, a former physics professor and later-in-life Jesuit, is the public face of an institution whose work “is to show the world that the church supports science.”

(2) UP ABOVE THE WORLD SO HIGH. And here’s what you can look forward to if you keep watching the skies – “Astronomy Calendar For 2018”

(3) TRACKING SANTA. It wasn’t an unlisted number after this happened: “NORAD’s Santa Tracker Began With A Typo And A Good Sport”.

This Christmas Eve people all over the world will log on to the official Santa Tracker to follow his progress through U.S. military radar. This all started in 1955, with a misprint in a Colorado Springs newspaper and a call to Col. Harry Shoup’s secret hotline at the Continental Air Defense Command, now known as NORAD.

Shoup’s children, Terri Van Keuren, 65, Rick Shoup, 59, and Pam Farrell, 70, recently visited StoryCorps to talk about how the tradition began.

Terri remembers her dad had two phones on his desk, including a red one. “Only a four-star general at the Pentagon and my dad had the number,” she says.

“This was the ’50s, this was the Cold War, and he would have been the first one to know if there was an attack on the United States,” Rick says.

The red phone rang one day in December 1955, and Shoup answered it, Pam says. “And then there was a small voice that just asked, ‘Is this Santa Claus?’ ”

His children remember Shoup as straight-laced and disciplined, and he was annoyed and upset by the call and thought it was a joke — but then, Terri says, the little voice started crying.

“And Dad realized that it wasn’t a joke,” her sister says. “So he talked to him, ho-ho-ho’d and asked if he had been a good boy and, ‘May I talk to your mother?’ And the mother got on and said, ‘You haven’t seen the paper yet? There’s a phone number to call Santa. It’s in the Sears ad.’ Dad looked it up, and there it was, his red phone number. And they had children calling one after another, so he put a couple of airmen on the phones to act like Santa Claus.”

(4) DIAGNOSIS GRINCH. The Washington Post’s Susan Svrluga, in “The Grinch needs a good cardiologist, and other holiday stories explained by scientists”, interviews area scientists who answer scientific questions posed by fictional works, such as why Rudolph the Red-Nosed Reindeer’s nose glows.  (It could be because Santa’s sleigh crash-landed into the Red Sea and Rudolph got doused in glowing coral.)  Among the scientists interviewed was Johns Hopkins medical school cardiologist Dr. David Kass, who argues the reason why the Grinch’s heart grows three sizes in a day after he pigs out on Whoville food is that the Grinch is a snake and snake’s hearts expand after big meals.

(5) THE PERMANENT CAMPAIGN. Charles Stross, jockeying to keep his series eligible for a future year where he thinks there will be more UK voters to back him, asks —

Please do not nominate the Laundry Files for the best series Hugo award in 2018.

(Explanation below the cut.)

The rules for the best series Hugo award stipulate:

Previous losing finalists in the Best Series category shall beeligible only upon the publication of at least two (2) additional installments consisting in total of at least 240,000 words after they qualified for their last appearance on the final ballot and by the close of the previous calendar year.

This means that if series X is shortlisted in 2018 and loses, it won’t be eligible again until two more installments amounting to 240,000 words have been published in a subsequent year.

There is a significantly better chance of either series winning the award at a British—or Irish—worldcon, such as the one in Dublin in 2019, simply because the worldcon attendees will include more of my UK readers. However, a nomination in 2018 would probably lose (there are plenty of very good series works by American authors: consider Max Gladstone or Seanan McGuire, for example) and thereby disqualify me from eligibility in 2019.

(6) NOT TOO LATE. If you didn’t already get the gift you wanted this holiday season, maybe you can fill the void with the “Star Wars R2-D2 Coffee Press”. Or not – I keep visualizing giving R2 a sinus headache every time…

(7) OBITUARY.  Heather Menzies-Urich (1949-2017), best known for portraying Louisa von Trapp in the 1965 film The Sound of Music, died December 24 at the age of 68. Her main genre credit was starring as Jessica 6 in the TV series Logan’s Run (1977-78). She had an uncredited role in The Computer Wore Tennis Shoes (1969); other genre appearances include Sssssss (1973), The Six Million Dollar Man (one episode, 1977), Piranha (1978), Captain America (1979), Endangered Species (1982).

(8) TODAY IN HISTORY

  • December 25, 1980 Altered States first premiered in theatres.
  • December 25, 1999 Galaxy Quest opened.

(9) TODAY’S BIRTHDAY BOY

  • December 25, 1924 – Rod Serling

(10) COMICS SECTION.

(11) NAUGHTY. The Guardian’s research shows Home Alone atop the pyramid — “Data sketch: the most pirated Christmas movies”. It’s A Wonderful Life is listed, too – I thought it was in public domain now?

(12) CHIANG OP-ED REBUTTED. Tech Crunch’s Jon Evans mounts a defense: “Ted Chiang is a genius, but he’s wrong about Silicon Valley”.

Ted Chiang isn’t just one of the greatest science-fiction writers alive — he’s one of the greatest writers alive full stop. Which is why I was so saddened and disappointed by his recent excoriation of Silicon Valley in BuzzFeed. As the tech industry grows ever more powerful, we need brilliant minds critiquing and dissecting its many flaws. Instead we got a trenchant takedown of a Valley that only exists in the minds of especially shallow journalists.

To be clear, his larger point is dead on: that being that the worry about an AI which maximizes for the wrong thing, most famously one which is told to make paperclips and responds by turning the entire planet into paperclips, is a worry which applies perfectly and exactly to capitalism itself.

…But the thing Chiang doesn’t get is: Silicon Valley is actually not a home of paperclip capitalism. That’s Wall Street. That’s Confessions of an Economic Hit Man-style neoliberal globalization. That’s not the tech industry. The Valley is a flawed and sometimes terrible place, true, but it’s a nuanced sometimes flawed and terrible place.

(13) WATER IS COMING. I don’t know if it would melt the Wall, but it wouldn’t do any good to the rest of the world — “This is what global warming would do to the ‘Game of Thrones’ planet”.

The warring inhabitants of Westeros — one of the four known continents in the Game of Thrones world — dread the planet’s long, unforgiving winters. But a global warming event there, stoked by an influx of carbon dioxide into the atmosphere, would likely be even more dire.

Earlier this week, University of Bristol climate scientist Dan Lunt published a study that modeled the doubling of carbon dioxide on the Game of Thrones fantasy world. His results show that if these levels doubled over the course of a century, the average temperature on the planet would warm by over 2 degrees Celsius, or about 3.5 Fahrenheit. This climatic shift would make some areas nearly uninhabitable and unleash devastating natural disasters.

(14) A TOM LEHRER HOLIDAY. Mr. Sci-Fi renders the Science Fiction Christmas Song (recorded in 2014.)

Sci-Fi Ubergeek Marc Zicree sings Tom Lehrer’s Christmas song as great science fiction Christmas images from 1950s Galaxy Magazine and other sources flash by. Marc just recorded this song for Coast to Coast AM’s Christmas Album, with proceeds going to charity.

 

(15) THE DARTH VADER YULE LOG. A seasonal tradition (since 2015).

Gather the younglings for a centuries old family tradition the Darth Vader Yule Log. Sith Lords will be roasting on an open fire, as you sit back an enjoy some holiday classics.

 

[Thanks to Carl Slaughter, JJ, Andrew Porter, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, Daniel Dern, and Steve Green for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]

Pixel Scroll 12/20/17 God Stalk Ye Merry Pixel Scrolls

(1) IT’S THAT TIME OF YEAR. Somebody reading this needs a ThinkGeek Steampunk Styled Tesla Analog Watch.

Tesla came up with all sorts of inventions and has sort of become the poster scientist for awesomeness now. Sure he wasn’t perfect. Sure he was a bit crazy. But he was always on time for his appointments. (Ed. note: We made that up.) And now you can be, too, with the new Tesla Watch.

The Tesla Watch goes with your steampunk aesthetic. With a weathered-brass look on all the metal parts, this analog watch features a leather strap. The highlights of this design, however, are the two faux vacuum tubes with red LEDs inside that you can turn on and off with the flick of a switch. Everybody will want to ask you what time it is so they can see your watch. Just remember to follow the answer with, “… 1875.”

(2) ACADEMY MUSEUM. The opening of The Academy Museum in 2019 is more than a year away, however, they have a website to satisfy your curiosity about what’s coming:

The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Located on Wilshire and Fairfax in Los Angeles, the Museum, will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking.

The Museum will have huge resources to draw its exhibits from:

The Academy’s unparalleled permanent collection contains more than 10 million photographs, 190,000 film and video assets, 80,000 screenplays, 50,000 posters, 20,000 production and costume design drawings, and 1,400 special collections.

Their Rick Baker page illustrates the range of their offerings, in photos, videos, and documents.

A record-holding winner of seven Academy Awards for Makeup out of eleven nominations, Rick Baker is a lifelong “monster kid” who won the first competitive Oscar awarded in that category for his innovative work on An American Werewolf in London (1981), one of several collaborations with director John Landis. His apprenticeship under one of the industry’s greatest makeup artists, Dick Smith (including working as his assistant on The Exorcist), prepared him for a career providing cutting-edge makeup effects in many genres ranging from comedy to science fiction to horror, with titles including Ed Wood (1994), The Nutty Professor (1996) and Men in Black (1998).

(3) ONE MAGAZINE, ONE YEAR. Standback has Storified his “Favorite Stories From F&SF Magazine, 2017”:

F&SF is a magazine that always fills me with joy, wonder, and feels. A quick rundown of my favorite stories of 2017.

(4) THE REASON FOR THE FIFTH SEASON. N.K. Jemisin’s Twitter stream is filled with holiday song mashups today.

(5) SURPRISES. John Scalzi did a Reddit “Ask Me Anything” today. You never know what you’re going to learn.

Q: Do you often set out to write a book to be a series? Or do some of them just insist that you write more in that universe?

SCALZI: Only once: The Collapsing Empire, which we knew was the first installment of a series. Everything else was written standalone, and became series in when they sold well and the publisher asked for more.

(6) NEW SPECULATIVE FICTION AWARDS. Darthmouth College’s Neukom Institute for Computational Science at Dartmouth College has created two new literary awards, the Neukom Institute Literary Arts Award for Speculative Fiction and the Neukom Institute Literary Arts Award for Debut Speculative Fiction, For A First Book. Each award comes with an honorarium of $5,000. The deadline for entry is December 31, 2017. Complete information about eligibility and submission guidelines is at the linked sites.

(7) TOYS, FIGURATIVE AND LITERAL. While Rian Johnson reasonably says — “You Have To Take The Toys Out Of The Box.” Rian Johnson Talks Creative Risks In “The Last Jedi” (at Fast Company), not as many people are doing that literally this year — “Star Wars ‘Last Jedi’ Toy Shipments Down Sharply From ‘Force Awakens'” (from The Hollywood Reporter.)

(8) WFC PROGRAMMING SURVEY. World Fantasy Con 2018 co-chair Bill Lawhorn announces they have put up a programming survey on their website — http://www.wfc2018.org/programsuggest.php

Lawhorn says, “You do not need to be a member to suggest ideas. There are no guarantees that any individual suggestion will be used.”

One of the things they’re looking for are items that carry out the WFC 2018 themes “Ports in a Storm” and “Celebrating the 200th Anniversary of Frankenstein.”

(9) U.F.O. 6. Laura Resnick has a story in Unidentified Funny Objects 6 called “Lost & Found”. That story has a backstory.

I used to work part-time at a community newspaper. It should have been a great job. The hours, the location, the work, the community, and the rest of the staff were all pleasant, and the pay was okay.

Unfortunately, though, the boss (who was the editor, publisher, and owner of the paper) was an incredibly toxic person, which made working there miserable and stressful, despite all the positive attributes the place otherwise had….

Well, at one point, the boss wanted to print some “joke” stories in the newspaper. He presented staffers with a few real news stories that he wanted us to riff on. I selected one about NASA, wrote my story as directed, and turned it in. After reading it, the boss informed me that this story was not at all what he had wanted. In fact, it was what he had asked for, but now he was asking for something else. So I wrote another draft. He sent this one back to me with some notes. I revised the material in accordance with the notes and turned it in. Now he gave me all-new feedback, stuff he had not said on any previous iteration, and had me revise it again. I did so. And then he did the same thing again.

Next, he told me to start all over from scratch. He couldn’t articulate why, he just knew he wanted something else. I pointed out that I had already done 5 versions. He said I would probably have to do 10 or 12 versions before we were done….

The sad part, so to speak, was that the pieces he kept spiking were funny, and none of them ever saw the light of day.

So when Alex Shvartsman asked me to participate in UFO6, I decided to turn my ideas  for that article into a short story. The result is “Lost & Found,” in which some surprising visitors emerge from a UFO orbiting Earth.

And apparently someone thinks I can write humor, since Imagine A Book SF gave my story 5 stars and said, “So many different layers of humor. Wonderful.”

Yep, getting published is still the best revenge.

(10) HELP WANTED. Roger Silverstein is trying to identify a story —

Tim Pratt posted this on Facebook a little while back, he is hunting for a half-remembered fantasy story.  I actually remember reading this story, but I cannot remember the dang title.  This is bugging me almost as much as it bugs him.  Would you be willing to post this?  (I emailed Tim Pratt for permission to copy and paste and he said “Sure, feel free” He has posted this in various places, but never File 770.

I’ve been trying to track down a half-remembered story for the past 25 years or so. Maybe one of you will recognize it. Google always fails me, either because it’s an obscure story with no digital footprint, or because I’m misremembering salient details. I was reading some rooming house stories by Theodore Sturgeon today, and it reminded me.

The story is set in a boarding house, full of peculiar characters, many of whom have supernatural powers. There’s one man who travels the world and fixes tears in reality; I think he’s described as having “lightning in his hands.” There’s an old woman who sees angels, or maybe just one angel, I think named Toby. There’s a man with magical mechanical aptitude; I think he fixes up an old car, and takes a left turn, and the car disappears, taking him with it. There’s someone who can make things you desire appear, maybe — they make the angel the old woman sees visible to everyone, at one point; that’s one of the hazier details. I don’t remember the plot at all. I probably read it in an anthology or SF magazine that was available at the Wayne Country library in Goldsboro North Carolina in the early ’90s, but it could be from any year before that.

Ring any bells? It’s entirely possible I’m misremembering or even conflating. It was a long time ago, but the story made a big impression on my fledgling writer brain, and I’d love to find it again.

(11) SPEAR CARRIER. “Remember That Guy Who Speared a Drone At a Ren Faire?” (Reference is to this video.) They made a runestone of his feat.

(12) TRIVIAL TRIVIA

Rudyard, Montana is the only populated place in the US where if you drill through the earth you wind up on land — the Kerguelan Island in the South Indian Ocean.

(13) TODAY IN HISTORY

The remarkable Ed Wynn makes his second and final appearance in The Twilight Zone as Sam Forstmann, a septuagenarian obsessed with maintaining the family grandfather clock. Sam is convinced that if the clock stops, he will die… a belief that baffles his family and the psychiatrist he visits (William Sargent).

  • December 20, 1974 — Walt Disney’s The Island At The Top Of The World debuted.
  • December 20, 1978The Invasion of the Body Snatchers remake opened.
  • December 20, 1985  — Enemy Mine was released

(14) COMICS SECTION.

  • If this link works, it will take you to Matthew Gallman’s incredible 360-degree cartoon spoofing The Last Jedi.
  • Mike Kennedy says, “You haven’t seen that? Quelle horror!” – two Game of Thrones jokes, one in Pearls Before Swine, the other in Foxtrot.
  • John King Tarpinian knew we wouldn’t want to miss this moderately horrible superhero-inspired pun — Brevity.

(15) MYTHBOOSTER. In the unlikely event somebody thinks Game of Thrones is science fiction rather than fantasy, Live Science’s Charles Q. Choi, in “Is the Ice Wall from ‘Game of Thrones’ Physically Possible?”, summarizes a paper by University of Alaska (Fairbanks) glaciologist Martin Truffer about whether “The Wall” in Game of Thrones could exist.  He notes that ice flows over time and the only way to preserve a giant ice wall is to keep it at -40 degrees Fahrenheit to prevent the wall from cracking or deforming.

(16) FOR THE BIRDS. BBC covered the annual Comedy Wildlife Photography Awards:

An owl dangling precariously from a branch has scooped the overall prize of this year’s Comedy Wildlife Photography Awards.

Out of the 3,500 entries, Tibor Kercz won the overall prize with his series of images showing an owl losing its footing and trying to claw its way back on to a branch.

Other entrants included a yawning dormouse, a photobombing sea turtle and a rather shocked seal.

(17) GORMENGHAST. John C. Wright griped about Gormenghast being published as fantasy, and prompted in response this terrific essay on the subject by Tom Simon, “Gormenghast and the Great Tradition”. (Hat tip to Niall McAuley.) At the end of his tour-de-force, Simon says –

In Britain, where genre labels count for less, the books found a permanent following years before anybody troubled to ask whether they were fantasies or not. In America, they were flung on the ash-heap by the strict rules of Modernism as practised by New York publishers, only to be rescued by Lin Carter. They are the very opposite of fairy tales; but they belong to Faërie nonetheless, for no less spacious realm will claim them. What the critics call ‘Realism’ is a small and besieged principality, entirely surrounded by the empire of Fantasy. On one side, the map says ‘Here Be Dragons’; the other side could plausibly be labelled ‘Gormenghast’. But both are provinces of the same boundless country.

That, my dear Mr. Wright, is why Titus Groan and Gormenghast count as fantasy.

(18) SMITHSONIAN CATS. SJW credentials for everything: “No Kitten Around: Museum Exhibit Celebrates ‘Divine Felines'”.

Independent, graceful, agile, adorable when they’re small — if cats are where it’s at for you, the Smithsonian’s Sackler Gallery of Asian Art has you covered. Their new exhibition is called Divine Felines, and it features images of cats both big and small from the land that honored them as holy: Egypt.

Ever feel fearful? Or brave? Protective? Aggressive? They had a cat for that in ancient Egypt….

(19) THE INSIDE GAME. The BBC asks — “Video games: How big is industry’s racial diversity problem?”.

When Uncharted: The Lost Legacy was released this year, it gained a lot of attention – not because it is the latest instalment for a popular franchise, it stood out for another reason.

The game was set in India, had two lead women, and one of them, Nadine Ross, is a black South African.

Other big releases this year include Assassins Creed Origins, which is set in Egypt with an African protagonist, while Star Wars Battlefront II used the likeness and voice of Janina Gavankar, an actress with part-Indian heritage.

But speaking to BBC Asian Network, Jo Twist, chief executive for Ukie, the trading body for the UK’s games industry, said there was still a long way to go before video games could be truly representative of the gaming audience.

(20) ABOUT FINN. Steven Barnes weighs in on “’The Last Jedi’ (2017)” – beware spoilers. (I thought this one mild enough to excerpt.)

I’m also still not happy with the amount of “Jar Jar” DNA in Finn. It is noticeable on a couple of levels, although they did allow his character to expand and grow some. When the very first thing we see with him is him falling out of bed, the first “buffoon laugh” of the film, you have a hill to climb, and they didn’t quite climb it. Finn’s treatment was an “othering” I didn’t appreciate. And if you defend it, you are, frankly, the reason I breathed a sigh of relief when I realized Marvel was seeking a black director for T’Challa’s saga.

(21) SFWA’S NEXT MEMBER? Jon Del Arroz publicly applied for SFWA membership today.

To SFWA’s leadership: You can check with all these people listed to verify payment, they are all members of your club. If you try some funky stuff to disqualify me, 10,000+ people who read this blog see it, that’s 5x the amount of members you have. I know you’ll play fair.

I guess we’re all interested to see what happens with that. My sympathy to whoever has to make the decision. I’d say it matters less whether his act is better or worse than other SFWA members’ than if there’s even more damage he could do once he’s inside the tent.

Maybe this is the answer.

(22) DRINK UP. The Daily Beast’s Max Watman hasn’t been killed by doing it, and he sets out to convince others “Why You Should Be Drinking Month-Old Eggnog”.

My friends Ford and Lisa invited me to their “Nog Salon” this year, and I was thrilled to attend. For you see, Ford and Lisa are practitioners of the mysterious art of aging Eggnog. Yes, aging Eggnog is actually a thing. No, I don’t have a death wish. I was actually very excited to taste their mature Nog side by side with a fresh batch we were going to whip up together.

…But I’ve learned that aging Eggnog—contrary to anyone’s first gut instinct—actually can make it safer. To be clear, I’m not talking about the non-alcoholic cartons you buy in the supermarket but the boozy old-fashioned treat that’s made from scratch. In fact, it’s very important that your recipe contains a sufficient amount of liquor, generally recommended at around 20 percent, since the alcohol is key to killing bacteria.

(23) NOT THE GREATEST MOVIE. The Hollywood Reporter’s David Rooney tries to convince people to stay home: “‘The Greatest Showman’: Film Review”.

The sawdust and sequins are laid on thick, the period flashbulbs pop and the champagne flows in The Greatest Showman, yet this ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. It hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story. First-time director Michael Gracey exposes his roots in commercials and music videos by shaping a movie musical whose references go no further back than Baz Luhrmann. And despite a cast of proven vocalists led with his customary gusto by Hugh Jackman, the interchangeably generic pop songs are so numbingly overproduced they all sound like they’re being performed off-camera.

(24) STARGATE TEASER. The Verge reports —

After releasing a pair of behind-the-scenes clips from Stargate: Origins, MGM has unveiled its first teaser for the upcoming digital-only show. While the franchise is known for its interstellar adventures, this prequel looks as though it’s remaining firmly grounded, and taking a bit of inspiration from the likes of Indiana Jones.

 

[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, IanP, Chip Hitchcock, Andrew Porter, Cat Eldridge, Niall McAuley, Roger Silverstein, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Mr Dalliard.]

Pixel Scroll 12/9/17 All Pixels Great And Small

(1) EVERYBODY’S TALKIN’. Fleen continues its epic roundups about the Patreon controversy and lists the alternatives:

The logic of the decision is, if not in my opinion sound, at least defensible, but Patreon didn’t trust its users enough to defend it. The (best reading) incompetent or (worst reading) dishonest way they treated their user base is a mark that will persist. Kickstarter is smart enough to keep to their plans for Drip, maybe speed things up by 10%, but they won’t rush to open the gates to all; they know that as the invites go ever wider (and when they’re ready, invites are no longer needed), creators that don’t trust Patreon any more will be waiting to shift. Ko-Fi, Venmo, Paypal, Tippeee, Flattr, Google Wallet, and other means of cash transfer are suddenly burning up the search engines.

(2) BOTTOM LINE. Three-time Hugo-winning professional artist Julie Dillon tweeted daggers at Patreon management. Jump onto the thread here:

(3) WITHOUT REPRESENTATION. Rose Lemberg compares the Patreon fee rollout with another fiasco:

(4) WHO VIEW. Here’s the newest Doctor Who Christmas Special trailer.

(5) BRAVE NEW WORDS AWARD CREATED. “Starburst Launches Brave New Words Book Prize”. Nominations are being accepted through the end of the year. Submission guidelines at the link.

STARBURST Magazine, the world’s premier platform for new and exciting genre media, is pleased to announce that it will now have a prize for genre-related writing. The award ceremony will be part of The STARBURST Media City Festival.

The Brave New Words award is for someone who produces break-out literature that is new and bold. We are looking to highlight exciting work that breaks new ground in the field of Cult Entertainment.  Editors, writers, publishers, and bloggers can be nominated. We are looking for works produced in 2017. A shortlist will be announced early 2018 and the winner will be announced at The STARBURST Media City Festival, at Salford Media City 16th – 18th March 2018.

The panel of judges will be announced soon.

(6) ECLECTIC WORKS. The Economist has posted a wide-ranging list of the “Books of the Year 2017” – two fiction titles are of genre interest.

Fiction

Lincoln in the Bardo. By George Saunders. Random House; 368 pages; $28. Bloomsbury; £18.99
Abraham Lincoln’s son dies young and enters a multi-chorus Buddhistic underworld. One of the year’s most original and electrifying novels.

Austral. By Paul McAuley. Gollancz; 288 pages; £14.99
A chase thriller set in late 21st-century Antarctica that combines elements of Jack London, J.G. Ballard and William Gibson. A significant contribution to writing about the anthropocene.

(7) MORE ON COMIC CON LITIGATION. Rob Salkowitz gives Forbes readers a pro-San-Diego spin on the verdict in “Jury Decides For San Diego Comic-Con In Trademark Suit”.

‘David vs. Goliath?’ Farr and Brandenburg also saw advantages in taking their case public, rallying fans to the idea that “comic con” belongs to everyone, not one particular institution. They ran a coordinated campaign on social media including promoted Facebook posts, marshalling an online army of supporters to comment, upvote and retweet their position and paint themselves as altruistic “Davids” standing up to the “Goliath” of SDCC, which is seen by some as the embodiment of commercialism and Hollywood hype.

It was disclosed in court proceedings that the two organizers voted themselves bonuses of $225,000 each as they were mounting a crowdfunding campaign to get fans to pony up for their legal defense. However, the comment threads on SLCC’s posted content indicated that the tactics were effective in mobilizing fan anger.

“Comic-Con is a Brand.” CCI, meanwhile, saved its best lines for the court. They asserted that Comic-Con was a brand recognized to apply exclusively to the San Diego show, and offered in evidence a survey showing that more than 70% of respondents agreed. The validity of the survey was called into question by SLCC attorneys during the trial but the jury appeared to accept it as proof.

“This is a brand that we must protect from these defendants and anyone else who seeks to exploit or hijack it,” Bjurstrom said.

SDCC’s lawyers also asserted the defendants knew this to be the case when they launched their own event, an assertion the jury apparently rejected in their deliberations regarding damages. In filings seeking summary judgment, Comic-Con produced emails and public statements by Farr and Brandenburg boasting of how they sought to “hijack” the media notoriety of SDCC to boost their own event, and settled on the name “comic con” expressly to leverage fan enthusiasm around the festival that draws upwards of 140,000 to San Diego each July and generates billions of media impressions and coverage during its 4-day run.

(8) PAUL WEIMER. Book Smugglers continue their own unique holiday season with “50th Anniversary of The Prisoner – Paul Weimer’s Smugglivus Celebration”.

The Prisoner is the story of an nameless British secret service agent, played by Patrick McGoohan. McGoohan was no stranger to playing spies and secret agents. McGoohan had previously played a British secret service agent, John Drake, in Danger Man. Patrick McGoohan, based on the strength of his performance in that show, had been offered the role of James Bond in Dr. No, but had turned it down. That would have been a rather strange thing if he had accepted, because the no-nonsense John Drake is erudite, thoughtful, not much of a lady chaser and quite different than James Bond in other aspects as well. Whilst filming The Prisoner, McGoohan would also get the role of a British secret agent in the Cold War spy thriller Ice Station Zebra. He also would be asked again, and to turn down again, James Bond, for Live and Let Die.

(9) MOSAIC AUTOBIOGRAPHY. The University of Oregon Libraries’ magazine Building Knowledge has compiled a first-person Ursula K. Le Guin biography [page 20, PDF file] “illustrated with her personal keepsakes, told (mostly) in her own, inimitable words” all drawn from the collections of the UO Libraries.

“If I can draw on the springs of ‘magic,’ it’s because I grew up in a good place, in a good time even though it was the Depression, with parents and siblings who didn’t put me down, who encouraged me to drink from the springs. I was encouraged by my father, by my mother. I was encouraged to be a woman, to be a writer, to be any damn thing I wanted to be.”

Jeffrey Smith sent a note with the link:

It’s a snowy day here in the east, so I’ve been going through the week’s mail. I just received the Fall 2017 issue of the University of Oregon Libraries’ magazine Building Knowledge, and started flipping through it before throwing it out, and found myself reading quite a bit of it. After enjoying the article on the book about Oregon’s marine invertebrates, I continued paging through and was surprised to see an article on Ursula Le Guin (page 20), with some great old family photos (many of which I had seen the last time I was out at UO) — there’s also one on the inside back cover. Then I turned the page and saw my own picture (bottom of page 24).

Guess I won’t be tossing this out after all.

(10) IAN WATSON. An Ian Watson interview at The Bloghole: “Space Marine! And an Interview with a Legend”.

Firstly, Space Marine, and the Inquisition trilogy which started with Draco, were the first “proper” novels set in the Warhammer 40k universe. I know it was a little while ago, but was there much input from Games Workshop at the time, or were you left to your own devices in terms of how you chose to interpret the setting?

[IAN WATSON] Go back quarter of a century and Mr Big was Bryan Ansell, Managing Director/Owner of GW who wanted to read “real” novels by “real” novelists set in his beloved Warhammer domains. As intermediary Bryan hired David Pringle, editor of Britain’s leading SF magazine Interzone, operating from Brighton as GW books. David had already recruited half a dozen authors who regularly contributed stories to Interzone, but no one would touch Warhammer 40K with a bargepole. So it fell to me to read Rogue Trader and many other encyclopedic publications which Nottingham HQ proceeded to send me, including printouts of nonfiction work-in-progress such as the manual of Necromunda, and much else. Bryan Ansell did send me quite a long letter lovingly detailing the sounds which 40K weaponry should make, so that I should be geared up sensually to describe combat. As far as I’m aware (though beware of false memory!) I was given no instructions at all regarding plot or characters and I simply made up the story, within the constraints of what I knew about the 40K universe. I toured the 40K universe, and after a few years the GW games designers decided that they disapproved of a broad approach, compared with single-action novels set on single worlds. (Those are more compatible with games, of course.)

(11) NEW LEADERSHIP FOR WADE CENTER. The Marion E. Wade Center of Wheaton College, Illinois is a major research collection of materials by and about seven British authors: Owen Barfield, G.K. Chesterton, C.S. Lewis, George MacDonald, Dorothy L. Sayers, J.R.R. Tolkien, and Charles Williams. The college has announced who the new directors of the Center will be: “Introducing Newly Named Wade Co-Directors Crystal and David C. Downing”.

Dr. Crystal Downing is currently Distinguished Professor of English and Film Studies at Messiah College, PA. She has published on a variety of topics, with much of her recent scholarship focused on the relationship between cultural theory and religious faith. Her first book, Writing Performances: The Stages of Dorothy L. Sayers (Palgrave Macmillan 2004) received an international award from the Dorothy L. Sayers Society in Cambridge, England in 2009. The thought of Sayers and C.S. Lewis is evident in Crystal’s next two books, How Postmodernism Serves (My) Faith (IVP Academic 2006) and Changing Signs of Truth (IVP Academic 2012). The success of her fourth book, Salvation from Cinema (Routledge 2016) has led to her current book project, The Wages of Cinema: Looking through the Lens of Dorothy L. Sayers. Crystal has received a number of teaching awards and was the recipient of the Clyde S. Kilby Research Grant for 2001 from the Wade Center.

Dr. David Downing currently serves as the R.W. Schlosser Professor of English at Elizabethtown College, PA. He has published widely on C.S. Lewis, including Planets in Peril: A Critical Study of C.S. Lewis’s Ransom Trilogy (UMass 1992), The Most Reluctant Convert: C.S. Lewis’s Journey to Faith (IVP 2002), which was awarded the Clyde S. Kilby Research Grant for 2000, Into the Region of Awe: Mysticism in C.S. Lewis (IVP 2005), and Into the Wardrobe: C.S. Lewis and the Narnia Chronicles (Jossey-Bass 2005)….

They follow Wade founder and first director Clyde S. Kilby (1965–1980), director Lyle W. Dorsett (1983–1990), and director Christopher W. Mitchell (1994–2013).

(12) TODAY IN HISTORY

  • December 9, 1983  — John Carpenter’s adaptation of Stephen King’s Christine premieres.

(13) MAKE THE KESSEL RUN IN 13 STEPS. You could make this. Disney Family has the recipe: “Nothing Says the Holidays Like a Millennium Falcon Gingerbread Starship”. The final step is —

Attach the cockpit (piece #3). Then start decorating the Millennium Falcon! Use frosting to outline the ship, add details, and attach cookies, chocolate wafers, peppermints, chocolates, and candies.

(14) THE GAME IS SLOW AFOOT. The Hollywood Reporter knows “Why ‘Game of Thrones’ Won’t Return Until 2019”.

At least one more full winter will pass until the winter of Westeros arrives one last time, as the final season of Thrones will not arrive until 2019. Production on the eighth and final season began in October and will reportedly run through August 2018 — a full year following the season seven finale, all but dashing any prospects for Thrones‘ arrival in the next calendar year.

“Our production people are trying to figure out a timeline for the shoot and how much time the special effects take,” HBO programming president Casey Bloys told The Hollywood Reporter over the summer about the long wait between seasons of Thrones. “The shooting is complicated enough — on different continents, with all the technical aspects — and the special effects are a whole other production period that we’re trying to figure out. That is a big factor in all of this.”

(15) VERSE ON THE WEB. Here’s the teaser trailer for Spider-Man: Into the Spider-Verse.

Enter a universe where more than one wears the mask. Watch the Spider-Man: Into The Spider-Verse trailer now, in theaters next Christmas

 

(16) DEL TORO DEL MAR. Now that it’s officially out, NPR’s Chris Klimek says  The Shape of Water is An Elegant Fable Of Starfish-Crossed Lubbers”.

The Shape of Water, the latest R-rated fairy tale from Mexican auteur Guillermo del Toro, offers a sense of what might spawn if those two Rimbaldi feature-creatures were to mate. The Spielbergian gentleness wins out, by a lot, making for a hybrid that’s just a little too cuddly to rate with The Devil’s Backbone or Pan’s Labyrinth, del Toro’s twin masterpieces. I wish his new film had spent at least a little time being frightening before it phased into aching and swooning; with its lush evocation of longing amid gleaming midcentury diners and cinemas and Cadillacs, SoW sometimes feels like The Carol of the Black Lagoon. But it’s a transporting, lovingly made specimen of escapism — if it’s possible for a movie that depicts a powerful creep blithely abusing women in the workplace to count as escapism — and easily the strongest of del Toro’s seven English-language features, though it spin-kicks less vampire butt than Blade II did. To place yourself in GDT’s hands, as he tells the type of story he tells better than anyone else, is a rich pleasure.

(17) BOUNCING MATILDA. Can you hear this GIF? BBC explores “Why some people can hear this silent gif”. “An optical illusion for the ears” –apparently not new, but it’s news again.

Dr DeBruine received more then 245,000 responses from people claiming to hear a sound accompanying the animation, with 70 per cent of respondents saying they could hear a thudding sound.

(18) DISSECTING ANOTHER HOLIDAY. Having vented about Thanksgiving in the first, John C. Wright’s second Dangeous column is: “It’s Not Just the Décor. Why the Left Truly Hates Christmas”.

In the culture of life, life is a gift from the hand of the Creator. It is not ours to decide to keep or to destroy. In the culture of life, your life is not your own.

This means your unborn daughter or your grandmother in the terminal ward can live, despite any pragmatic, dead-eyed, empty-hearted, cost-cutting reason to murder her.

That is the end goal of all of this. The end goal is a black mass where innocent life is sacrificed. Nothing is sacred but the whim of Caesar. No one prospers, but Moloch feeds.

Yes, strange as it sounds, that is what is at stake.

The War on Christmas is a war by the unhuman against the human.

(19) END GAME. Bob Byrne tells “the story of how TSR destroyed one of the greatest wargaming companies in history” in “Simulations Publications Inc: The TSR Incursion” at Black Gate.

The death blow came in 1982 and it would be delivered by Brian Blume, who initially looked like a white knight. Well, at least a moderately gray one. Wagner and SPI secured a $425,000 loan from TSR, secured by its assets and intellectual properties (uh oh!).

The majority of the loan was used to repay the venture capitalists, which eliminated that problem, but it was the modern day equivalent of getting an advance on your credit card to pay down the existing balance on another credit card. You still have to pay off that second credit card advance.

Only two weeks later, TSR called in the loan, which SPI had absolutely zero ability to pay back. TSR announced in March that it had “initiated a legal and economic chain of events” to buy SPI. Once it realized the company’s debt situation, it backed off of that and stated that TSR had acquired the company’s assets, but not its debts. I’m still not sure how TSR got away with that.

WOW! How can you look at it in any other light than that TSR lent the money so it could immediately foreclose on SPI and acquire all its games? I mean, yeesh.

(20) NEW ART EXHIBIT. Tove Jansson is profiled by Dominic Green in The New Criterion. “Adventures in Moominland”. “Tove Jansson” opened at the Dulwich Picture Gallery, London, on October 25, 2017 and remains on view through January 28, 2018.

It was a Swedish actress, Greta Garbo, who said she wanted to be alone, and a Swedish director, Ingmar Bergman, who documented what it felt like. It was, however, Tove Jansson (1914–2001), a Swedish-speaking Finn, who may have produced the most truthful record of the inner life of postwar Scandinavia. Best known in the English-speaking world as the illustrator of the Moomintroll comic strips, Jansson was also a painter, cartoonist, and writer of stories for children and adults. In Scandinavia, the breadth of her work is common knowledge. The Helsinki Art Museum contains a permanent Jansson gallery, and sends visitors out on a “Life Path of Tove” sculpture trail around her hometown. There is even a Moomin Museum in nearby Tampere, featuring the Moominhouse, a five-story doll’s house that Jansson built. And posthumously, the Moominlegend has incorporated Jansson’s complex and often unhappy private life.

“Tove Jansson,” now at London’s Dulwich Picture Gallery, is a comprehensive survey, and the first Jansson exhibition designed for a foreign audience

(21) LATE NIGHT LAST NIGHT. Lost ‘Star Wars’ Footage Of Luke Skywalker At The Cantina.

[Thanks to Andrew Porter, Diana Glyer, JJ, John King Tarpinian, Ed Fortune, Jeff Smith, Chip Hitchcock, Stephen Burridge, Carl Slaughter, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/6/17 Pixels Came Naturally From Paris, For Scrolls She Couldn’t Care Less

(1) MANIFESTO. Charles Payseur’s thought-provoking tweets about reviewing begin here —

Some of the points he makes include —

(2) THIS IS HORROR AWARDS. Public nominations are now open for the seventh annual This Is Horror Awards.  Click on the link for eligibility and other information: “This Is Horror Awards 2017: Public Nominations Are Open”. Here are the categories:

  • Novel of the Year
  • Novella of the Year
  • Short Story Collection of the Year
  • Anthology of the Year
  • Fiction Magazine of the Year
  • Publisher of the Year
  • Fiction Podcast of the Year
  • Nonfiction Podcast of the Year

Public nominations close at 12:01 a.m. PST on 22 December 2017. 

(3) DUFF. Yesterday’s announcement that they’re looking for Down Under Fan Fund candidates included a statement that the delegate will go to the Worldcon “or another major convention in North America in 2018.” I asked Paul Weimer, is that a change? Paul replied —

The intention for this is two fold–one to provide, in future years for situations in years where Worldcon is not in North America (if the 2020 NZ bid wins, for example, this will be an issue), and also to provide for the possibility that the winning delegate wants to focus on, say, Cancon, or another major SF con in the United States.

We expect that its almost certain that any winning delegate will want to go to Worldcon, but this provides flexibility in that regard.

(4) GREAT FANZINE. Australian faned Bruce Gillespie has released a new 90,000-word issue of SF Commentary. Download from eFanzines:

Cover by Ditmar (Dick Jenssen).

Major articles by John Litchen (the second part of ‘Fascinating Mars’) and Colin Steele (his usual book round up ‘The Field’), as well as articles by Tim Train and Yvonne Rousseau.

Major tribute to 2017 Chandler Award-winning Bill Wright by LynC and Dick Jenssen, and memories of Brian Aldiss, David J. Lake, Jack Wodhams, Randy Byers, Joyce Katz, among others.

Lots of lively conversations featuring such SFC correspondents as Michael Bishop, Leigh Edmonds, Robert Day, Patrick McGuire, Matthew Davis, Doug Barbour, Ray Wood, Larry Bigman, and many others.

(5) REZONING. The Twilight Zone is coming back. At The Verge, Andrew Liptak reports “Jordan Peele will resurrect The Twilight Zone for CBS All Access”.

The granddaddy of surreal, science fiction television anthologies is returning. CBS announced today that it has issued a series order for a revival of The Twilight Zone from Jordan Peele’s Monkeypaw Productions and Simon Kinberg’s Genre Films for its All Access streaming service.

Peele and Kinberg, along with Marco Ramirez (Marvel’s The Defenders), will serve as executive producers on the show and will “collaborate on the premiere episode.” CBS has yet to announce a release date, casting, or any other writers attached to the project. Like Star Trek: Discovery, however, the show is destined as exclusive content for the network’s paid streaming service, CBS All Access.

(6) ON BOARD. How appropriate that The Traveler at Galactic Journey has found a way to kill time! “[December 6, 1962] How to Kill Friends and Influence People (The game, Diplomacy)”.

Ah, but here’s the tricky bit.  Turns are divided into two segments.  The latter is the one just described, where players write their marching orders.  The former is a 15-minute diplomacy segment.  This is the period in which players discuss their plans, try to hatch alliances, attempt to deceive about intentions.  It is virtually impossible to win the game without help on the way up; it is completely impossible to win without eventually turning on your allies.  Backstabbery is common, even necessary.  Honesty is a vice.

Diplomacy is, thus, not a nice game.  In fact, I suspect this game will strike rifts between even the best chums.  So why play at all?  Why suffer 4-12 hours of agony, especially when you might well be eliminated within the first few turns, left to watch the rest of your companions pick over your bones?

Well, it’s kind of fun.

(7) TREACHERY IN THE PRESENT. Meanwhile, here in 2017, holiday gift shoppers might want to pick up the “CLUE®: Game of Thrones™ Exclusive Expansion”.

Add more treachery and betrayal and create an all-new game play experience while solving the mysteries in Game of Thrones Clue with this  special exclusive expansion that includes two additional character suspects and power cards as well as beautifully gold-finished weapons.

Really, though, for a genuine Game of Thrones experience it would have to be possible for all the suspects to be murdered in the same game.

(8) TODAY IN HISTORY

  • December 6, 1979 Star Trek: The Motion Picture premiered.

(9) TODAY’S BIRTHDAY COUNTRY

  • Born December 6, 1917 — Finland

(10) COMICS SECTION. Brian Kesinger, a veteran visual artist for Disney and Marvel, has created Watterson-style mashups that merge The Force Awakens characters with Calvin and Hobbes. “Disney Illustrator Combines Star Wars And Calvin & Hobbes, And The Result Is Adorable” at Bored Panda.

(11) HAIR TODAY. Interesting how movie marketing works now. A trailer for the new Jurassic World sequel will be out Thursday, heralded by a 16-second teaser, and this behind-the-scenes featurette. SciFiNow.uk claims, “Jurassic World: Fallen Kingdom featurette has loads of new footage and freaking out”.

Ahead of the trailer release tomorrow, a new featurette has arrived for Jurassic World: Fallen Kingdom which features lots of new footage and plenty of the cast and crew freaking out about how awesome the film is going to be. And Jeff Goldblum’s got a beard.

 

(12) GARY FISHER IN LAST JEDI, TOO. The cat is out of the bag, and so is the dog: “Carrie Fisher’s Beloved Dog, Gary, Will Appear in ‘Star Wars: The Last Jedi'”.

During the press tour for “Star Wars: The Force Awakens,” Carrie Fisher’s therapy dog, Gary, became an internet sensation as the late actress took him everywhere for interviews and red carpets. Now, an eagle-eyed fan discovered that Gary will be making an Easter egg cameo in “Star Wars: The Last Jedi,” which director Rian Johnson has confirmed.

Twitter user Clair Henry found a promotion still for the movie in which Finn (John Boyega) and Rose Tico (Kelly Marie Tran) face off at a galactic casino. On the left side of the screen, you can see a strange brown creature looking directly at the camera. That’s Gary, touched up with CGI to look like an alien pet.

(13) HELLO . A special wine collection is back in time for the season: “‘Hello Kitty’ Wine Returns In Time For The Holidays”.  The five-bottle collection goes for around $150, but you can also buy individual bottles.

The Hello Kitty wines by Torti “L’Eleganza del Vino” returns to the U.S. with new supercute designs and two new blends. Now including an award-winning Pinot Noir, a “Sweet Pink” blend, Sparkling Rosé, Pinot Nero Vinified in White, as well as a special edition Sparkling Rosé with limited edition packaging.

 

(14) CAN’T FACE IT. Forget Sad Puppies: “Sad poop emoji gets flushed after row”.

Plans to introduce a “frowning pile of poo” emoji have been flushed from the latest proposals by the group in charge of creating the symbols.

The symbol was floated as one of many to be introduced in 2018, but it angered typographers who said it was “embarrassing” to the group.

The Unicode Consortium pushes out a central list of emoji so that they show up properly on different devices.

It said changes to the “pile of poo” emoji had not been totally dumped.

Chip Hitchcock sent the link with a comment: “IME, the Unicode Consortium can be very random; around the time I started working with character storage, their principles sniffily declared that they were encoding only live characters, and would therefore not do Glagolitic (the alphabet that Cyril’s students developed into Cyrillic) — but they already had Tolkien’s Elvish alphabet(s?). They later relented, don’t ask me why.”

(15) ALL THEY’RE CRACKED UP TO BE. The BBC answers the question, “Why clowns paint their faces on eggs”. Pratchett fans may remember this was a plot point in at least one of his books.

Perhaps the most intriguing part of Faint’s collection, though, are the eggs. Each one is different, and represents the unique face design of its subject. Eggs like these are kept in only a handful of collections around the world, representing a kind of informal copyright – and much more.

(16) TREE SLEEPER. Older human: “Little Foot skeleton unveiled in South Africa”. 500,000 years older than Lucy — same species, different genus.

One of the oldest and most complete skeletons of humankind’s ancestors has been unveiled in South Africa.

A team spent more than 20 years excavating, cleaning and putting together the skeleton of Little Foot.

Its exact age is debated, but South African scientists say the remains are 3.67 million years old.

(17) BLACK MIRROR. Netflix has released a full trailer for Black Mirror Season 4. The release date is December 29.

(18) LE GUIN. At Electric Literature, “Ursula K. Le Guin Explains How to Build a New Kind of Utopia”:

…Good citizens of utopia consider the wilderness dangerous, hostile, unlivable; to an adventurous or rebellious dystopian it represents change and freedom. In this I see examples of the intermutability of the yang and yin: the dark mysterious wilderness surrounding a bright, safe place, the Bad Places?—?which then become the Good Place, the bright, open future surrounding a
dark, closed prison . . . Or vice versa.

In the last half century this pattern has been repeated perhaps to exhaustion, variations on the theme becoming more and more predictable, or merely arbitrary.

(19) SPACE COMMAND. Four days left in the Space Command: Redemption Kickstarter. Congratulations to Marc Zicree — they made their goal, and two stretch goals. To celebrate —

A scene from Space Command: Redemption in which Yusef (Robert Picardo) repairs a broken synthetic named For (Doug Jones). For more information about this new sci-fi series, follow this link:

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Rob Thornton, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]